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Transcript

ZÉ VAQUEIRO - Podpah _1012 · Luke's English Podcast

• 0:16
  Speaker 1: The consumer's week at Amazon is already going.
• 0:19
  Speaker 2: Offers up to 80% off.
• 0:19
  Speaker 3: Thank you.
• 0:20
  Speaker 2: Millions in coupons.
• 0:21
  Speaker 1: And free shipping. Enjoy.
• 0:23
  Speaker 2: Is the commercial over, then?
• 0:24
  Speaker 1: Brilliant, Diva. This is the game of the rest of
• 0:27
  Speaker 1: the month.
• 0:28
  Speaker 4: Who will get.
• 0:31
  Speaker 5: The last cup of shrimp?
• 0:35
  Speaker 6: Cafu or Nicole?
• 0:53
  Speaker 5: E quem venceu foi Nicole. A diversão tá aí. Superbet.
• 0:58
  Speaker 5: Você sente quando é super.
• 1:17
  Speaker 7: Let's do this, my brother. Let's start this thing here, that,
• 1:20
  Speaker 7: by the way, I was longing to do a podcast.
• 1:22
  Speaker 2: Mítico Jovem!
• 1:23
  Speaker 7: Opa, dear Igão Underground, head pregnant, how are you, my brother?
• 1:26
  Speaker 7: I'm fine, son of King John. How long have I
• 1:28
  Speaker 7: not called you head pregnant, my brother?
• 1:31
  Speaker 3: Wow, it's been four years, man.
• 1:32
  Speaker 6: It's true.
• 1:33
  Speaker 3: It's been four years already.
• 1:34
  Speaker 2: I've had enough of this.
• 1:36
  Speaker 3: I'm longing for you, bro. Seriously?
• 1:38
  Speaker 2: I needed to tell you this live, bro. The guy
• 1:41
  Speaker 2: went to live far from me, you know?
• 1:42
  Speaker 3: Yeah, right?
• 1:43
  Speaker 6: It's different.
• 1:43
  Speaker 3: We're not the same.
• 1:47
  Speaker 3: No, but I was going to say, tomorrow... Tomorrow.
• 1:50
  Speaker 2: We finish the work earlier, it was possible to stay
• 1:53
  Speaker 2: together a.
• 1:53
  Speaker 6: Little, right?
• 1:54
  Speaker 7: Fofocar, we're not fofocando o pós-trabalho, a gente tá virando
• 1:57
  Speaker 7: amigo de trabalho, aí é ruim, aí não pode. E você, audiência,
• 2:01
  Speaker 7: você em casa, como é que você tá? Espero que
• 2:03
  Speaker 7: vocês estejam bem, vai se aconchegando, mano. We're here... The
• 2:08
  Speaker 7: guy is sad.
• 2:08
  Speaker 2: We're washing our dirty clothes, sorry.
• 2:10
  Speaker 3: We're here, getting 10 million, man. Let's go.
• 2:13
  Speaker 7: But you know that our friendship is indifferent. It's always here.
• 2:17
  Speaker 3: It's indifferent?
• 2:18
  Speaker 7: No, indifferent that we live a little further away.
• 2:22
  Speaker 3: But we're always together, right?
• 2:23
  Speaker 2: For sure. I love you.
• 2:24
  Speaker 3: You know that, yes.
• 2:25
  Speaker 6: I love you more.
• 2:25
  Speaker 3: More than what? More than a lot of people, a
• 2:29
  Speaker 3: lot of things, man.
• 2:30
  Speaker 6: Yeah, right?
• 2:30
  Speaker 3: Seriously. God is here.
• 2:33
  Speaker 3: Minha mãe, meu pai, a família daqui, você já tá aqui.
• 2:36
  Speaker 2: Já tô beirando a família.
• 2:37
  Speaker 3: Não, você é da família. Ah, obrigado. E eu, nem você,
• 2:42
  Speaker 3: filho da puta.
• 2:43
  Speaker 8: Mano, você comigo é tipo assim, Deus tá aqui, você
• 2:46
  Speaker 8: tá aqui, tá ligado?
• 2:49
  Speaker 6: Que isso.
• 2:50
  Speaker 2: Deus, te amo pra caralho, é sério. Gente, ó.
• 2:54
  Speaker 8: Antes de apresentar o nosso convidado maravilhoso, a gente precisa
• 2:57
  Speaker 8: falar dos nossos patrocinadores, certo?
• 3:00
  Speaker 2: Antes de começar. Começando por Mítico Jovem.
• 3:03
  Speaker 3: Começando comigo?
• 3:04
  Speaker 8: Não, eu tava querendo te lembrar. Pepsi Black, right guys?
• 3:10
  Speaker 8: Let's talk about our partner Pepsi Black, who likes soccer,
• 3:13
  Speaker 8: likes UEFA Champions League very much. And Pepsi Black is
• 3:19
  Speaker 8: the official sponsor of UEFA Champions League and sponsor for
• 3:23
  Speaker 8: more than 10 years.
• 3:24
  Speaker 3: 10 years, right? Exactly.
• 3:26
  Speaker 8: And remembering that UEFA Champions League now only has a game,
• 3:28
  Speaker 8: we're going to the round of 16, it's going to start.
• 3:31
  Speaker 8: On the couch, wherever you are, get ready for your hangover.
• 3:35
  Speaker 8: Get your frozen Pepsi Black.
• 3:36
  Speaker 2: The best one, the one that cracks.
• 3:39
  Speaker 8: That makes everything even more intense. And scan the QR
• 3:42
  Speaker 8: code that's on your screen for you to ask for
• 3:44
  Speaker 8: one at the price now. So come enjoy UEFA Champions
• 3:47
  Speaker 8: League with even more intensity. Because it's time for the game.
• 3:51
  Speaker 8: It's time for Pepsi Black. So take this, okay?
• 3:53
  Speaker 7: It's a Sunday that there will be games. Make a barbecue,
• 3:56
  Speaker 7: get a Pepsi Black. A preta, da lata preta, tá ligado?
• 4:00
  Speaker 2: Exato, é a melhor.
• 4:01
  Speaker 3: É a melhor.
• 4:01
  Speaker 2: Vem com nós.
• 4:02
  Speaker 3: Confie em nós.
• 4:03
  Speaker 8: Falar do nosso patrocinador Master Mítico Jovem, falar de Amazon,
• 4:06
  Speaker 8: que é a Semana do Consumidor, a Amazon, até 80%
• 4:09
  Speaker 8: de desconto, milhões de cupons e frete grátis.
• 4:14
  Speaker 6: E hoje.
• 4:15
  Speaker 8: Scanning the QR Code on the screen, you guarantee Electrolux
• 4:20
  Speaker 8: products with 15% discount.
• 4:23
  Speaker 3: Any Electrolux product? Any Electrolux product with 15% discount.
• 4:25
  Speaker 2: Run there, it's worth a lot, okay?
• 4:32
  Speaker 8: And there in the description we have links for you
• 4:34
  Speaker 8: to participate in the Podpaquera romance and love program.
• 4:38
  Speaker 7: Can I give a spoiler of who's recording today?
• 4:40
  Speaker 3: While the podcast is going on, who's recording Podpaquera?
• 4:42
  Speaker 2: Of course you can.
• 4:43
  Speaker 3: Whindersson, man. Whindersson came in search of his new love and.
• 4:46
  Speaker 7: He's recording down there, man. I want to see which
• 4:50
  Speaker 7: program is this that Whindersson is participating in, man.
• 4:52
  Speaker 3: Podpaquera, man. Call me.
• 4:54
  Speaker 8: Link to the Podpaquera's description, as I said, link to
• 4:57
  Speaker 8: the Brino's audience's description, that even in this week's total conflict,
• 5:00
  Speaker 8: we want.
• 5:00
  Speaker 2: To bring Luqueta and Dino to solve... What's this? Luqueta
• 5:02
  Speaker 2: attacked my mascot yesterday. He gave a flying bird to
• 5:05
  Speaker 2: the dinosaur. What's going on? Luqueta wants to do like
• 5:08
  Speaker 2: the meteors? He wants to end the dinosaur? What's this? Luqueta,
• 5:11
  Speaker 2: if I see you up close, I'll.
• 5:13
  Speaker 7: Break you whole, son of a bitch. And if the
• 5:15
  Speaker 7: crazy bull comes in my line? If I tell you
• 5:17
  Speaker 7: that the crazy bull was in my house today, How
• 5:26
  Speaker 7: come you don't tell me?
• 5:27
  Speaker 8: The bull and the dwarf, man. Because I'm going there
• 5:28
  Speaker 8: to make an ambush for the two of them. An
• 5:30
  Speaker 8: ambush and an ambush. Because the bull was without a costume.
• 5:32
  Speaker 8: The bull was without a costume. I was talking and talking, remembering.
• 5:36
  Speaker 3: Then he said like this, do you know who he is, Mítico?
• 5:40
  Speaker 3: I said, no. He's the bull. I said, son of
• 5:42
  Speaker 3: a bitch, man.
• 5:43
  Speaker 2: Do you have a picture of him?
• 5:44
  Speaker 3: No, I don't. But he was at my house. I
• 5:47
  Speaker 3: think we were recording some things there too. Son of
• 5:49
  Speaker 3: a bitch, man. The internet is like this, man. Ah, yeah.
• 5:55
  Speaker 2: Bádio. I understand you.
• 5:57
  Speaker 8: Bádio?
• 5:58
  Speaker 6: Yeah.
• 5:58
  Speaker 2: The one who lost the penalty.
• 5:59
  Speaker 3: In the Copa. Ah, that's true. No, but it was
• 6:01
  Speaker 3: just the first one, bro.
• 6:02
  Speaker 6: Relax.
• 6:02
  Speaker 2: It was your first one. I'm going to lose a
• 6:04
  Speaker 2: lot more still, right?
• 6:06
  Speaker 9: Hey!
• 6:06
  Speaker 8: Receive me with a lot of affection, make a lot
• 6:07
  Speaker 8: of noise, knock down this studio, because it arrived.
• 6:11
  Speaker 3: The original. For the first time in podcast, huh?
• 6:12
  Speaker 2: My God in heaven. Clap your hands for our guest today,
• 6:15
  Speaker 2: Zé Vaqueiro!
• 6:16
  Speaker 3: Hey, man!
• 6:18
  Speaker 2: Let's go!
• 6:19
  Speaker 1: Hey, guys!
• 6:21
  Speaker 2: Let's go!
• 6:24
  Speaker 1: Let's go!
• 6:24
  Speaker 3: Let's go!
• 6:25
  Speaker 2: How are you, man?
• 6:26
  Speaker 6: I'm fine, thank God. How are you? I'm fine.
• 6:29
  Speaker 3: Are you calm? Are you okay?
• 6:30
  Speaker 6: He's giving you this vibe.
• 6:31
  Speaker 2: Are you nervous, bro?
• 6:33
  Speaker 3: No, relax, relax. Let's start with the application.
• 6:35
  Speaker 6: This is the first time, right?
• 6:36
  Speaker 7: That's what I was going to say. Why is it
• 6:39
  Speaker 7: the first time? I imagine that there have been many invitations,
• 6:41
  Speaker 7: many proposals. But why did you decide now? What's the idea?
• 6:46
  Speaker 3: I don't know. But you've already received it before. Yeah.
• 6:50
  Speaker 6: But I don't know. I've always been nervous, like I
• 6:55
  Speaker 6: am now. New experiences, new nervousness.
• 6:57
  Speaker 3: No, but here you are at home, man.
• 6:59
  Speaker 7: Everyone who loves you, you are at home, feel free
• 7:02
  Speaker 7: and let's change the idea.
• 7:03
  Speaker 8: And he has something that coincides with us, which was
• 7:07
  Speaker 8: this birth in the pandemic. Obviously, we had been recording
• 7:10
  Speaker 8: for a long time, he had also been singing since before.
• 7:15
  Speaker 8: But this moment of the pandemic was crucial, both for
• 7:18
  Speaker 8: us and for him.
• 7:19
  Speaker 6: True.
• 7:19
  Speaker 8: And my brother, to start from the beginning, from the
• 7:21
  Speaker 8: right way, I want to know how you were in
• 7:24
  Speaker 8: your childhood. Were you already very involved with music or
• 7:28
  Speaker 8: didn't even think about it?
• 7:29
  Speaker 2: But how was it back there, with Zé Vaqueirinho?
• 7:32
  Speaker 6: Already, I always liked it. And especially at school, when
• 7:35
  Speaker 6: there was a gincana, when there were the science fairs,
• 7:39
  Speaker 6: I was always participating there.
• 7:41
  Speaker 3: With music?
• 7:41
  Speaker 6: Yes, with music. With the songs, right? Whenever there was
• 7:44
  Speaker 6: something to get a grade. If you were singing. If
• 7:47
  Speaker 6: it was a song, or playing, or... Let's go. I
• 7:50
  Speaker 6: was in the middle of something.
• 7:51
  Speaker 7: But when you were little, your voice was already thicker,
• 7:53
  Speaker 7: it was different.
• 7:55
  Speaker 6: Let's say. It got thicker over time, but my voice
• 7:57
  Speaker 6: was more medium, right?
• 7:57
  Speaker 3: But it already caught your attention.
• 7:59
  Speaker 6: Already. But I've always been very, very, very shy. Really, bro?
• 8:03
  Speaker 6: Too much. I've always been too much, like... I saw
• 8:06
  Speaker 6: Whindersson there and I stopped, right? Really, man?
• 8:10
  Speaker 2: I thought you already knew him.
• 8:11
  Speaker 6: No, never, but yes. Got it?
• 8:13
  Speaker 2: It's Whindersson.
• 8:15
  Speaker 3: It's like a lot of people when they hit you.
• 8:18
  Speaker 2: It's true.
• 8:19
  Speaker 8: But I like it, people who don't lose this humanity.
• 8:22
  Speaker 3: Because sometimes we stay in the automatic.
• 8:25
  Speaker 2: Then comes Whindersson and treats normal. Obviously, right? But it's fucking,
• 8:29
  Speaker 2: fucking Whindersson.
• 8:30
  Speaker 6: He was passing by the stairs and I had to
• 8:32
  Speaker 6: scream and I... But you talked to him? No, he
• 8:35
  Speaker 6: looked at me and I looked at him and I
• 8:39
  Speaker 6: got nervous. I didn't know you were that shy.
• 8:42
  Speaker 1: Too much.
• 8:43
  Speaker 6: Too much.
• 8:43
  Speaker 3: If I had been closer, I don't know.
• 8:45
  Speaker 6: But I looked at him like that and he looked
• 8:47
  Speaker 6: at me and that's it. It's all right. It's all right.
• 8:50
  Speaker 1: He'll see.
• 8:55
  Speaker 6: It was nervousness.
• 8:56
  Speaker 7: But the music helped you a lot in this nervousness,
• 8:59
  Speaker 7: let's say.
• 9:00
  Speaker 6: No, even today I'm nervous.
• 9:02
  Speaker 3: Even to sing, brother?
• 9:04
  Speaker 6: Always. To talk on stage.
• 9:09
  Speaker 1: It's normal.
• 9:09
  Speaker 6: I believe that I live a dream every day, right?
• 9:14
  Speaker 6: When I go on stage, I always get nervous. You
• 9:17
  Speaker 6: must be very crazy. And I thank God for the
• 9:21
  Speaker 6: opportunity to be there doing that show.
• 9:23
  Speaker 3: Amen.
• 9:25
  Speaker 6: I left where I left, thank God. It's a great victory.
• 9:28
  Speaker 6: Where did you come from? I'm from Ioricuri, the interior
• 9:31
  Speaker 6: of Pernambuco.
• 9:32
  Speaker 2: Is it very far from the capital?
• 9:34
  Speaker 6: From the capital, yes. From Recife.
• 9:36
  Speaker 8: And how was your life there, in Ioricuri?
• 9:38
  Speaker 6: It was quiet. The interior, right?
• 9:40
  Speaker 3: The maximum interior. I studied.
• 9:43
  Speaker 6: I studied.
• 9:44
  Speaker 3: I learned that your.
• 9:45
  Speaker 7: Mother is also a singer. And you were born on
• 9:49
  Speaker 7: stage too, right? The first time.
• 9:51
  Speaker 6: I participated was at her concert. When she was born? No!
• 10:01
  Speaker 6: The first time I really felt this taste for the
• 10:04
  Speaker 6: stage was at a traditional party. There is a party
• 10:07
  Speaker 6: in January, which is a traditional party of the municipality, right?
• 10:12
  Speaker 6: Which is the Padroeiro, São Pedro.
• 10:14
  Speaker 3: How old were you?
• 10:15
  Speaker 6: São Sebastião. I don't remember. No, but she was much younger, right?
• 10:22
  Speaker 6: And then I rehearsed with her all the time. That song,
• 10:25
  Speaker 6: so come here, I'll tell you the days, tell you
• 10:27
  Speaker 6: the hours. Then she was always rehearsing, I was there close, right?
• 10:31
  Speaker 6: And then the tone was too high for her. And then,
• 10:35
  Speaker 6: as my voice was more childish, I was calmer to sing, right?
• 10:39
  Speaker 6: In the male tone. And then when she got there
• 10:41
  Speaker 6: at the time of the show, she called me. And
• 10:46
  Speaker 6: then the people who were with me said, go, go,
• 10:49
  Speaker 6: I'm not going, I'm not going.
• 10:50
  Speaker 3: At the time you stopped.
• 10:52
  Speaker 6: Go, go, go, go, I said, I'm not going, I'm
• 10:55
  Speaker 6: not going. People who are just a drop. I said, man,
• 10:58
  Speaker 6: I'm not going. Then the people came pushing, she gave
• 11:02
  Speaker 6: that look, you know?
• 11:04
  Speaker 5: Of a mother.
• 11:05
  Speaker 6: When she gave that look, I said, man, I'm going, right?
• 11:08
  Speaker 6: The animal will catch you later. Then I went, then
• 11:11
  Speaker 6: I closed my eyes, man. I closed my eyes and
• 11:15
  Speaker 6: it was like I was singing in the bathroom.
• 11:18
  Speaker 3: That's how it was. But that's when you said, this
• 11:21
  Speaker 3: is my life.
• 11:21
  Speaker 6: Then I felt something different there. I said, my God,
• 11:25
  Speaker 6: if it's going to be, it's going to be. But
• 11:26
  Speaker 6: I felt something here.
• 11:27
  Speaker 8: But before you go to the stage with your mother,
• 11:30
  Speaker 8: the first time you sing, How was your family environment there?
• 11:35
  Speaker 8: Did your mom bring her profession to your house? Did
• 11:37
  Speaker 8: you get involved with music early on?
• 11:39
  Speaker 6: Always. And there's my uncle too, Uncle Junior. I send
• 11:42
  Speaker 6: him a kiss, I send a kiss to my mom,
• 11:43
  Speaker 6: to my grandma. He's a poet, right? And then this baggage...
• 11:47
  Speaker 6: I'm very eclectic musically, because this musical baggage comes a
• 11:51
  Speaker 6: lot from him, right? Because he always liked music, variety
• 11:54
  Speaker 6: of music and everything.
• 11:54
  Speaker 3: What did he play in your house when you were little?
• 11:57
  Speaker 6: The guy played everything.
• 11:58
  Speaker 1: Everything.
• 12:00
  Speaker 6: Michael Jackson, Luis Gonzaga... Sometimes people in Pernambuco will only
• 12:05
  Speaker 6: listen to forró.
• 12:05
  Speaker 2: No, I always liked to listen to everything.
• 12:08
  Speaker 6: I believe that the more we listen, the more we
• 12:10
  Speaker 6: like it.
• 12:11
  Speaker 3: Learn.
• 12:11
  Speaker 6: You already started quoting Michael Jackson, very crazy. I'm crazy
• 12:15
  Speaker 6: for Michael Jackson.
• 12:17
  Speaker 3: He used to say, listen to this, boy. No, he kept.
• 12:19
  Speaker 6: Listening and when he had a project, a music archive, right?
• 12:32
  Speaker 6: He spent a lot of time doing this project, he
• 12:35
  Speaker 6: was downloading documentaries, he was downloading albums, so he has
• 12:41
  Speaker 6: this musical archive, a lot, a lot, a lot of
• 12:43
  Speaker 6: things that he downloaded for a long time. And then
• 12:46
  Speaker 6: when he was listening to the things, I was there,
• 12:48
  Speaker 6: I spent hours and hours in his room, very quiet,
• 12:50
  Speaker 6: just watching him downloading the things, listening, watching the documentaries,
• 12:55
  Speaker 6: and then I, in that, I was learning a lot
• 12:57
  Speaker 6: of things, I was listening to a lot of things too, reggae, rock, pop, everything.
• 13:02
  Speaker 6: And when your uncle realized.
• 13:04
  Speaker 8: That you were interested in music, did he bring you
• 13:05
  Speaker 8: close to him? He always did. I used to dance hip-hop, right?
• 13:08
  Speaker 6: Oh, that's cool. And then... What's that, man? I always
• 13:10
  Speaker 6: liked it. It's really eclectic. No, everything, man. I was
• 13:15
  Speaker 6: always like that. But you danced well? I was always ready.
• 13:19
  Speaker 6: I don't know everything, but a little bit of everything
• 13:21
  Speaker 6: I know. You know a little bit, right? To get
• 13:22
  Speaker 6: into the game, let's play basketball, let's play soccer, let's play...
• 13:28
  Speaker 6: Tênis de mesa, vamos.
• 13:30
  Speaker 1: Barai.
• 13:31
  Speaker 6: Barai, bila, solta pipa, de tudo eu sei um pouquinho, entendeu?
• 13:34
  Speaker 3: Você dança hip hop? Você sabe meter os passos de valor?
• 13:37
  Speaker 6: Um pouquinho, né?
• 13:39
  Speaker 2: Mítico, mas ele tem a mesma idade que nós. Você
• 13:41
  Speaker 2: tem 27, né?
• 13:41
  Speaker 6: 27.
• 13:42
  Speaker 2: 27, 29, 30 e poucos.
• 13:44
  Speaker 3: Calma aí também, né?
• 13:46
  Speaker 2: Não, mas tá ali.
• 13:47
  Speaker 3: Eu já tô um pouco distante. Mas o que eu
• 13:50
  Speaker 3: quis dizer é que... 35.
• 13:51
  Speaker 2: Ah, mas tá novo, não tá não, Zé? It's because
• 13:54
  Speaker 2: he's sleeping on the floor.
• 13:55
  Speaker 3: You're looking at me like that, bro. You don't look
• 13:57
  Speaker 3: like you're 35. He looked at me like that.
• 13:59
  Speaker 6: No, no, no, no, no, no, no.
• 14:01
  Speaker 3: No, no, no, no, no, no, no.
• 14:02
  Speaker 8: And in our time, what gave, at least in my school,
• 14:06
  Speaker 8: I remember that when I entered the fifth.
• 14:08
  Speaker 2: Series, the interval played music.
• 14:12
  Speaker 8: So it was the first time I heard that Casual
• 14:15
  Speaker 8: Porto Rico remix, then I heard Iê do Ancher.
• 14:19
  Speaker 3: Wow, how is it from Porto Rico?
• 14:21
  Speaker 1: Exactly.
• 14:22
  Speaker 8: And then I remember that everyone was dancing, it was charming.
• 14:25
  Speaker 8: And I was like, wow, one day I'll make a
• 14:28
  Speaker 8: dance like this.
• 14:31
  Speaker 2: So that was what was going on.
• 14:32
  Speaker 6: At that time? Totally, totally. And he always brought me
• 14:35
  Speaker 6: very close to dance, to sing.
• 14:37
  Speaker 3: This place was very important for you.
• 14:39
  Speaker 2: What rap did you sing?
• 14:40
  Speaker 6: They were the ones that he made the compositions and
• 14:43
  Speaker 6: we sang. Now I won't remember, no.
• 14:45
  Speaker 2: Okay, I got it.
• 14:46
  Speaker 8: But did he encourage you to start composing too?
• 14:49
  Speaker 2: How was that?
• 14:51
  Speaker 6: It was the first time I talked to him, because
• 14:53
  Speaker 6: he always composed and then I asked him, how do
• 14:57
  Speaker 6: I compose too? And he said, whatever you're feeling, put
• 15:03
  Speaker 6: it on paper. Let's go. What am I feeling here?
• 15:06
  Speaker 3: Let me see what I'm feeling.
• 15:08
  Speaker 6: What am I really feeling? It was in the first compositions.
• 15:15
  Speaker 3: Do you remember what were the first compositions?
• 15:17
  Speaker 6: The first composition I composed was Vem Me Amar.
• 15:20
  Speaker 10: Liar!
• 15:20
  Speaker 3: This was the first one, man.
• 15:22
  Speaker 1: But this song played a lot.
• 15:24
  Speaker 6: Then the second one was Se Você Se Entregar.
• 15:28
  Speaker 3: Wow, I was already loving it too much. So, man.
• 15:30
  Speaker 6: Then I did these two, the two that really started
• 15:34
  Speaker 6: things to happen in my life. But it spent a
• 15:37
  Speaker 6: long time in the government notebook.
• 15:38
  Speaker 9: But.
• 15:39
  Speaker 6: Damn, that's cool.
• 15:40
  Speaker 3: But you already had the notion.
• 15:41
  Speaker 1: And I.
• 15:42
  Speaker 6: Was ashamed of... Man, the guy is shy. The guy
• 15:47
  Speaker 6: has to have a lot of courage when he is
• 15:49
  Speaker 6: very shy. Because, like, shyness sometimes... It locks you, right?
• 15:54
  Speaker 6: It locks a lot of opportunities in our lives, right? So, like,
• 15:57
  Speaker 6: we sometimes have to go against our nature to be
• 16:00
  Speaker 6: able to make us realize our dreams.
• 16:03
  Speaker 3: So, how did it happen?
• 16:05
  Speaker 6: It stopped me from a lot of things, I believe,
• 16:07
  Speaker 6: but I believe that everything also happens in the will
• 16:09
  Speaker 6: of God. And then, who saw my first composition was
• 16:13
  Speaker 6: my grandmother.
• 16:13
  Speaker 7: That's what I was going to say, how was the
• 16:15
  Speaker 7: first person you showed here?
• 16:16
  Speaker 6: My grandmother.
• 16:17
  Speaker 3: How was it, brother?
• 16:18
  Speaker 2: It's that the grandmother is a reliable place, right, brother?
• 16:20
  Speaker 1: Yeah, man.
• 16:21
  Speaker 6: Then, I just sat here, because I wanted to show
• 16:25
  Speaker 6: a song to you, to see if you like it.
• 16:27
  Speaker 3: Already on the guitar here?
• 16:28
  Speaker 2: Uh-huh.
• 16:29
  Speaker 6: Then I sang to her, she said, oh, my son,
• 16:31
  Speaker 6: this song will be a success. It was the first one,
• 16:37
  Speaker 6: thank God.
• 16:38
  Speaker 7: So your whole family supported you initially?
• 16:42
  Speaker 3: Yes.
• 16:43
  Speaker 6: My uncle always supported me in music, my mother supported
• 16:47
  Speaker 6: me in music, my grandmother always supported me in everything.
• 16:51
  Speaker 6: What did José want to say? My uncle always advised
• 16:54
  Speaker 6: me to study. always seek to have wisdom, maturity, responsibility
• 17:01
  Speaker 6: in things. I imagine he.
• 17:02
  Speaker 8: Should tell you that the world of music, your mother too,
• 17:04
  Speaker 8: is not easy, right?
• 17:05
  Speaker 3: It's... It's a mess.
• 17:06
  Speaker 2: But what caught.
• 17:10
  Speaker 8: My attention, what you said, is that you said, my
• 17:13
  Speaker 8: uncle said, put on the paper what you're feeling. And
• 17:16
  Speaker 8: your first composition is Vem Me Amar, which played a lot.
• 17:19
  Speaker 8: What kind of love was that, brother?
• 17:22
  Speaker 2: You were already suffering a lot.
• 17:24
  Speaker 6: I always liked romantic music. Always, always, always, always. I
• 17:30
  Speaker 6: was more attached to the melody, the romantic melody, the melody,
• 17:35
  Speaker 6: those melodies more, I don't know, without being so frenetic,
• 17:38
  Speaker 6: you know?
• 17:39
  Speaker 3: Calm, calm things, right?
• 17:40
  Speaker 6: I always liked these calmer melodies, so I kept listening
• 17:43
  Speaker 6: a lot, I always listened a lot to romantic music.
• 17:46
  Speaker 6: And I believe that the first compositions were where I,
• 17:48
  Speaker 6: I never, like, I did it only once, that we were,
• 17:52
  Speaker 6: I'm the king, I'm the king, I'm the king of virota.
• 17:56
  Speaker 6: But I can't identify myself with a song like that,
• 18:01
  Speaker 6: you know? I can be more... How can I say it?
• 18:06
  Speaker 6: I can be more creative in the romantic area. You
• 18:10
  Speaker 6: give yourself more, maybe.
• 18:12
  Speaker 3: It gets lighter.
• 18:13
  Speaker 6: You said that in Bial. That's it.
• 18:14
  Speaker 7: But at that time, were you loving this song or
• 18:18
  Speaker 7: you just wanted to be loved?
• 18:19
  Speaker 3: No, I was fine.
• 18:22
  Speaker 6: It was good, I wanted to... Make a sound. Make
• 18:25
  Speaker 6: a sound. Make it work.
• 18:28
  Speaker 11: And.
• 18:28
  Speaker 6: What... How long did it take?
• 18:31
  Speaker 8: What was missing for the song to leave the government's notebook?
• 18:36
  Speaker 8: For you to record it. What was the difficulty from
• 18:39
  Speaker 8: this point to this?
• 18:41
  Speaker 6: Man... Really having this... Now I'm going or I'm not going.
• 18:47
  Speaker 6: And then I went to Petrolina. I didn't have the
• 18:50
  Speaker 6: condition to... And make a production project and everything.
• 18:55
  Speaker 3: Did you go to Petrolina by yourself?
• 18:57
  Speaker 6: I went to Petrolina to work there in a washing machine.
• 19:02
  Speaker 6: I spent a few months there. How was this job
• 19:05
  Speaker 6: for you?
• 19:06
  Speaker 3: It was cruel there. Did you earn money by car
• 19:09
  Speaker 3: or by month?
• 19:10
  Speaker 6: No, because... Nothing, man. It was by car. And I
• 19:14
  Speaker 6: almost didn't get into the car there. I remember that
• 19:16
  Speaker 6: I washed a car and a van once we went
• 19:19
  Speaker 6: to take the paint off. There were those vans that
• 19:24
  Speaker 6: sold hot dogs and stuff like that. And I remember
• 19:27
  Speaker 6: it was cruel to take the glue out of that van. Wow,
• 19:31
  Speaker 6: I remember. It took a long time to take this
• 19:34
  Speaker 6: glue out and we were in the sun and the
• 19:36
  Speaker 6: stick was breaking and the glue didn't come out, my brother.
• 19:39
  Speaker 6: And I was like, what the hell? And there was
• 19:42
  Speaker 6: the biodegradable washing machine. So, look. It was in the burrifier.
• 19:47
  Speaker 3: Wow, a lot of product?
• 19:49
  Speaker 2: Yes.
• 19:50
  Speaker 6: No, it was in the burrifier. My God, man.
• 19:54
  Speaker 3: The guy washed a van.
• 19:55
  Speaker 2: A van just in the.
• 19:56
  Speaker 6: What is this? A van, man. It was hard.
• 20:02
  Speaker 3: And what was the name of... Oh, I wasn't going
• 20:04
  Speaker 3: to ask the name of Lava Jato.
• 20:05
  Speaker 6: No, but I don't remember the name.
• 20:07
  Speaker 2: No, but it's fine.
• 20:07
  Speaker 6: No, it was... But you just... But, like, it was... Like,
• 20:10
  Speaker 6: the most difficult things, like hunger and everything, it was there.
• 20:13
  Speaker 6: Do you remember the age you were, brother?
• 20:16
  Speaker 2: What happened? But it was there. I don't remember.
• 20:19
  Speaker 6: I'm really bad at memory. Like, horrible. I'm really bad
• 20:21
  Speaker 6: at memory. But it was 2018, 2017.
• 20:30
  Speaker 3: Before the pandemic. So you left.
• 20:31
  Speaker 2: Home, let's go.
• 20:32
  Speaker 8: You left home to find your dream in Petrolina.
• 20:36
  Speaker 2: You went to work at Lava Jato. Did you live alone?
• 20:38
  Speaker 1: I lived at Lava Jato.
• 20:39
  Speaker 6: At Lava Jato?
• 20:40
  Speaker 2: You lived there?
• 20:41
  Speaker 6: I lived at Lava Jato.
• 20:42
  Speaker 3: And why Petrolina, man?
• 20:44
  Speaker 6: Because the guy who called me to go got a.
• 20:48
  Speaker 1: a.
• 20:50
  Speaker 6: Point there, right? Which was Dr.
• 20:53
  Speaker 3: Evônio.
• 20:53
  Speaker 6: I don't forget his name. Dr. Evônio. And then he
• 20:58
  Speaker 6: gave us this point to do this Lava Jato. And
• 21:01
  Speaker 6: we stayed in there.
• 21:03
  Speaker 8: Okay, but let's assume you worked during the day and
• 21:06
  Speaker 8: sang somewhere at night.
• 21:08
  Speaker 6: How was the music at that time? No, it was
• 21:10
  Speaker 6: just work.
• 21:10
  Speaker 3: It was just for you to turn into a city.
• 21:12
  Speaker 6: It was just to earn some money to come back
• 21:14
  Speaker 6: and produce a CD. Ah, I see. This was the plan.
• 21:19
  Speaker 3: And that's where this music started.
• 21:20
  Speaker 6: I left Vem Me Amar do Caderno. For the CD.
• 21:25
  Speaker 6: That was the time of Lava Jato, you know? Because
• 21:31
  Speaker 6: then I went to earn some money to come back.
• 21:34
  Speaker 3: Did you have money.
• 21:35
  Speaker 6: In your head, a goal? No, I didn't.
• 21:38
  Speaker 3: You just needed some money.
• 21:39
  Speaker 6: I needed some money, but I went to Liza and
• 21:41
  Speaker 6: came back hitting the biella. When I got home, my
• 21:45
  Speaker 6: mom said, my son, you're not well. I got here
• 21:47
  Speaker 6: with my hair this big, skinny, with worms, sick, shit, crazy.
• 21:51
  Speaker 6: Then my grandma looked at me like this, my son,
• 21:53
  Speaker 6: for the love of God, you're going to die. You're
• 21:56
  Speaker 6: not well. I remember how it was today, there was
• 21:58
  Speaker 6: a salon where I cut my hair when I got there,
• 22:03
  Speaker 6: my brother, everyone was scared. I was already bald, right?
• 22:06
  Speaker 6: So I went... Mago, I came back sick, right? They
• 22:15
  Speaker 6: looked at me and said, hey, brother. What happened?
• 22:17
  Speaker 1: Are you okay?
• 22:18
  Speaker 7: Did you go to war?
• 22:20
  Speaker 6: Are you okay? I'm okay. I'm fine now. Then my
• 22:23
  Speaker 6: grandmother said, you're not going to come back, no.
• 22:27
  Speaker 3: How long did you stay there in Petrolina?
• 22:29
  Speaker 6: Six months.
• 22:29
  Speaker 3: Six months, starving.
• 22:31
  Speaker 7: So you came back because you said.
• 22:35
  Speaker 6: Man, here... It was a long time. She took food.
• 22:37
  Speaker 6: When I went back to Oricuri, right? I spent a
• 22:41
  Speaker 6: period going back and stuff, then I would take food,
• 22:45
  Speaker 6: we would spend a long time reheating the same food. Wow.
• 22:49
  Speaker 3: That was after a.
• 22:51
  Speaker 6: While, but the first days were cruel. The first day
• 22:53
  Speaker 6: we got there, there was a party, and then we,
• 22:54
  Speaker 6: to earn some money, we were going to do a
• 22:56
  Speaker 6: parking lot inside Lava Jato, the first day we got there.
• 23:01
  Speaker 6: But then the guys deprived the street, And the car
• 23:09
  Speaker 6: didn't go. And they didn't let us park inside the
• 23:11
  Speaker 6: Lava Jato. We spent the whole day.
• 23:14
  Speaker 2: But was it a bit of a party with you
• 23:16
  Speaker 2: guys there?
• 23:16
  Speaker 6: Man, unfortunately, right, bro? The guys wanted to take their
• 23:20
  Speaker 6: money and we wanted to take ours and they didn't
• 23:24
  Speaker 6: want to give in for us to put and take
• 23:26
  Speaker 6: some money from us. I think there were about 15
• 23:28
  Speaker 6: vacancies that could fit in there.
• 23:29
  Speaker 3: But you could already.
• 23:30
  Speaker 6: Make some money there. Yeah, we were going to take
• 23:32
  Speaker 6: some money. We took little money, right? So we bought
• 23:34
  Speaker 6: the cars. The white dust. And then we made the vacancies,
• 23:37
  Speaker 6: spent the whole day doing the vacancies, we cleaned the ground,
• 23:40
  Speaker 6: we left everything nice. Then when it was night, the
• 23:44
  Speaker 6: guys were there. Wow. And we were hungry as fuck.
• 23:48
  Speaker 2: Wow, brother.
• 23:50
  Speaker 6: Then I said, Jesus. Then I stayed there all night
• 23:53
  Speaker 6: and the guys didn't let the cars pass. And then?
• 23:57
  Speaker 6: And the guy looked at me and just did like this.
• 24:01
  Speaker 6: The guys didn't let the cars pass, no. Then I said,
• 24:03
  Speaker 6: so what to do, right? I remember it like it
• 24:07
  Speaker 6: was yesterday. I went back to my room. I said,
• 24:11
  Speaker 6: oh God, at least I'm sleepy so I can sleep here.
• 24:15
  Speaker 3: Because a guy.
• 24:16
  Speaker 6: With hunger doesn't sleep. And then I prayed, asking God
• 24:19
  Speaker 6: to give me a sleep, that heavy sleep to sleep.
• 24:21
  Speaker 6: And then I slept, thank God, I slept. When it
• 24:26
  Speaker 6: was morning, I woke up. I was done with hunger.
• 24:29
  Speaker 6: That was on the first day, brother.
• 24:32
  Speaker 3: It was on.
• 24:33
  Speaker 6: The second day. And then I said, oh Jesus, What
• 24:36
  Speaker 6: are we going to do? We had money to buy lunch,
• 24:39
  Speaker 6: we had money to buy things.
• 24:40
  Speaker 1: Car stuff.
• 24:40
  Speaker 6: Then I said, God bless us, we'll unroll some stuff
• 24:42
  Speaker 6: to eat here. Then I remember as if it were today, Dr. Evandro,
• 24:49
  Speaker 6: who was the owner of the property there, arrived in
• 24:51
  Speaker 6: the car, in the S10 Prata, and arrived and... Oh,
• 24:53
  Speaker 6: I brought some bananas here from the farm, do you
• 24:57
  Speaker 6: want some?
• 25:06
  Speaker 2: When you went to make the first meal.
• 25:28
  Speaker 3: At night.
• 25:29
  Speaker 6: When it was night, Dr. Evoni was the owner of
• 25:34
  Speaker 6: the pizzeria up ahead. And we were ashamed to ask him. Because...
• 25:39
  Speaker 6: A pizza, right, man? I asked him to buy a
• 25:44
  Speaker 6: pizza for the guy, but he didn't have the money
• 25:48
  Speaker 6: to buy a pizza. Then I said, go there, man.
• 25:50
  Speaker 6: You know the guy, go there, get the pizza. He
• 25:52
  Speaker 6: won't deny it, no. Then I said to the guy, no,
• 25:56
  Speaker 6: I'm not going to ask, but ask for a pizza. Go,
• 25:58
  Speaker 6: but ask for a pizza, you're crazy, he's not going
• 26:02
  Speaker 6: to deny it to us. Ask for a pizza. He
• 26:03
  Speaker 6: didn't say, ask for everything. He didn't say, I said, go, go, go, ask,
• 26:06
  Speaker 6: because he already had contact with the guy. I was younger,
• 26:09
  Speaker 6: and the guy that we went to there, he was older.
• 26:11
  Speaker 6: Then he said, no, I'm not going to ask, but
• 26:15
  Speaker 6: ask for just a pizza. Just a pizza, he's not
• 26:17
  Speaker 6: going to deny it. He's not going to deny it.
• 26:20
  Speaker 6: Then he went and asked, and the guy... He delivered
• 26:22
  Speaker 6: six pizzas.
• 26:24
  Speaker 3: Ah, fuck! The guy was a fucking good guy.
• 26:27
  Speaker 6: Then the pizza was big like this, he delivered six
• 26:31
  Speaker 6: big pizzas. We, as there was no guarantee, we just
• 26:33
  Speaker 6: took one.
• 26:35
  Speaker 3: And saved five.
• 26:35
  Speaker 6: And we went eating the pizzas. One day we were
• 26:39
  Speaker 6: going to stay without knowing if we had money or not, right?
• 26:43
  Speaker 6: And I remember it as if it were today. I
• 26:44
  Speaker 6: think when he came with this pizza, my brother.
• 26:46
  Speaker 3: What was that? Which one did you choose to eat?
• 26:48
  Speaker 3: I swear to God, bro.
• 26:49
  Speaker 6: The pizza was shining.
• 26:50
  Speaker 3: It was from Franca.
• 26:51
  Speaker 6: When he opened it like that, it was shining, bro.
• 26:52
  Speaker 6: It looked like a cartoon. Seriously, I swear to God.
• 26:56
  Speaker 3: It even made noise.
• 26:56
  Speaker 6: No, when he opened the pizza box like that, it shone.
• 26:59
  Speaker 6: The pizza shone, bro. My mouth was salivating like that.
• 27:04
  Speaker 6: When I put the pizza in my mouth, I chewed it.
• 27:07
  Speaker 6: My God, my body was all wrinkled. I've never felt
• 27:10
  Speaker 6: that way before.
• 27:14
  Speaker 3: So, we already understood how that phase was. Yeah, that's it.
• 27:16
  Speaker 3: I ate the most delicious.
• 27:17
  Speaker 6: Pizza of my life. That one? That one. The most
• 27:19
  Speaker 6: delicious pizza of my life. And then, the days were
• 27:22
  Speaker 6: passing by, and then it started to unwind. I washed
• 27:23
  Speaker 6: a car, went to buy a marmite, I was dividing
• 27:26
  Speaker 6: the food, and that's how it was. Was it just
• 27:37
  Speaker 6: you and one more? Two more. Me and two more. Wow.
• 27:40
  Speaker 3: And the three of you in the same condition?
• 27:42
  Speaker 6: On the first day it was just me and one more.
• 27:44
  Speaker 6: And then there was one more. It was Claudio.
• 27:49
  Speaker 1: And then.
• 27:50
  Speaker 6: I think it was a day of many prayers, right?
• 27:52
  Speaker 6: And that conviction in my chest to make things work.
• 27:56
  Speaker 3: I imagine it must be very difficult to come back.
• 27:59
  Speaker 7: You get there and say, man, I can't stay here.
• 28:01
  Speaker 3: Let's come back. How was that moment for you?
• 28:03
  Speaker 6: It was my turn. I didn't have money and in
• 28:05
  Speaker 6: my head I wanted to do the right thing. You
• 28:07
  Speaker 6: weren't going to come back? I went to visit my
• 28:12
  Speaker 6: grandmother because we only took a bath with the water
• 28:16
  Speaker 6: from the well. And it's a very salty water, right?
• 28:20
  Speaker 6: I think it's salty, I don't know. Salty. Salty, right?
• 28:23
  Speaker 6: And then the water that we took a bath in,
• 28:27
  Speaker 6: we also drank from that water, but it was cold, right?
• 28:29
  Speaker 6: So we took the water there to take a bath.
• 28:33
  Speaker 6: And I also took water to drink. Then I got
• 28:38
  Speaker 6: a worm. And then I got a lot of shit.
• 28:40
  Speaker 6: I'm sorry to say that. I got a lot of shit.
• 28:43
  Speaker 3: And I started to get sick.
• 28:44
  Speaker 6: I got sick. Then I had to go back there.
• 28:46
  Speaker 6: To go to the doctor. When I got there, my grandmother...
• 28:50
  Speaker 6: I told her that I was sick. She said, you're
• 28:53
  Speaker 6: not going to go back there. She said, but I
• 28:54
  Speaker 6: don't have the money yet to make the CD. I
• 29:04
  Speaker 6: have to go back. If not, I'll help you with
• 29:08
  Speaker 6: the CD. What do you need? And we'll go. And
• 29:11
  Speaker 6: I'll help you with what you need. Then I went
• 29:15
  Speaker 6: and unrolled. Then I went to the most... To the
• 29:20
  Speaker 6: best of the house. I bought that CD tube. Do
• 29:24
  Speaker 6: you remember? CD Room.
• 29:25
  Speaker 3: And then the guy from the salon, Marcelo, was.
• 29:34
  Speaker 6: I shared with him the idea that I was wanting
• 29:36
  Speaker 6: and he put together a keyboardist and a guitarist. And
• 29:41
  Speaker 6: then we went to a... We recorded at home, in
• 29:44
  Speaker 6: the room. We recorded the first CD. How many songs.
• 29:48
  Speaker 3: Did you have?
• 29:48
  Speaker 2: Do you remember, more or less?
• 29:51
  Speaker 6: No, it wasn't the compositions yet.
• 29:53
  Speaker 2: Ah, you were recording the others.
• 29:55
  Speaker 6: Yes, it was. It was the first project to do.
• 29:58
  Speaker 3: What was this CD called?
• 29:59
  Speaker 6: Zé Vaqueiro.
• 30:01
  Speaker 8: When did you become Zé Vaqueiro?
• 30:05
  Speaker 2: Who named you with that name?
• 30:07
  Speaker 6: It was me.
• 30:08
  Speaker 1: Really?
• 30:09
  Speaker 6: Yes. Because this CD that I made, the first one,
• 30:12
  Speaker 6: was from Vaquejada, right? And I always liked Vaquejada, I
• 30:15
  Speaker 6: always liked the culture. I always liked it a lot.
• 30:17
  Speaker 6: My dream was to have a horse. And then I
• 30:19
  Speaker 6: always liked to run, but I was never a peddler, right?
• 30:23
  Speaker 6: So I used to go to Vaquejada, but I didn't
• 30:24
  Speaker 6: get fast. And Adan, we noticed that you had six
• 30:26
  Speaker 6: days of hunger... And then I always say, no, at
• 30:30
  Speaker 6: the time I'm going to have my horse and everything
• 30:33
  Speaker 6: will be fine. I'm not going to keep asking for
• 30:35
  Speaker 6: the other's things, God will take me, hurt me and everything.
• 30:38
  Speaker 8: So you feel that the same, I don't know, because
• 30:41
  Speaker 8: sometimes I see here, the new kids want a motorcycle,
• 30:45
  Speaker 8: want a thing.
• 30:46
  Speaker 2: The horse there.
• 30:47
  Speaker 6: Is that, right, brother? I wanted a horse for me
• 30:49
  Speaker 6: to take care of, to ride, to be your child.
• 30:51
  Speaker 6: I always, always, always liked it. And then my thing
• 30:56
  Speaker 6: was to have a little horse. Then the first project
• 30:59
  Speaker 6: I did was... My name is José, right? José Jacques.
• 31:03
  Speaker 7: José, Zé.
• 31:03
  Speaker 6: Everyone already called me Zé. Normal. And then I became
• 31:09
  Speaker 6: Vaqueiro because the project, the first CD... It was for Vaqueiros.
• 31:13
  Speaker 6: It was going to be a Vaquejada song.
• 31:15
  Speaker 7: But this name is very good when you didn't hear
• 31:17
  Speaker 7: yourself saying Zé Vaqueiro.
• 31:18
  Speaker 6: No, it's a lot of people, but change that name there. Really?
• 31:22
  Speaker 8: Oh, man!
• 31:23
  Speaker 6: You're not even a vaqueiro to start the story. But
• 31:26
  Speaker 6: I always liked it.
• 31:27
  Speaker 3: José Jackson is also awesome. José Jackson.
• 31:29
  Speaker 2: With all due respect.
• 31:30
  Speaker 1: JJ, right?
• 31:30
  Speaker 6: JJ, dude. But Zé Vaqueiro, since the first.
• 31:31
  Speaker 3: Time there in the pandemic, when I saw Zé Vaqueiro,
• 31:34
  Speaker 3: I said.
• 31:38
  Speaker 3: Deve ser bom. Ele é o Zé Ivaqueiro ainda.
• 31:40
  Speaker 8: Mas ele vem naquela ninhada lá do João Gomes, que
• 31:43
  Speaker 8: eu falava, quem é esse senhor de 60 anos?
• 31:45
  Speaker 3: Eu achava que o Zé Ivaqueiro era um senhor com
• 31:47
  Speaker 3: a voz mais.
• 31:47
  Speaker 8: Eu pensava que o Zé Ivaqueiro tinha uns 50 e
• 31:50
  Speaker 8: o João Gomes já tinha uns 90.
• 31:52
  Speaker 7: Mano, eu acho que a maioria das pessoas tinham isso
• 31:55
  Speaker 7: naquela época, cara.
• 31:56
  Speaker 6: O João tem essa voz mais... Oh, velho. Ele tem
• 32:00
  Speaker 6: mais essa voz grave.
• 32:01
  Speaker 3: Caralho, fez igualzinho, o João.
• 32:03
  Speaker 6: Ele tem gente boa demais, o João.
• 32:04
  Speaker 3: Nossa, um anjo.
• 32:05
  Speaker 6: A gente que veio... It came after the pandemic, right?
• 32:10
  Speaker 6: It's just new people.
• 32:11
  Speaker 7: But I want to know, you got these CDs, videos,
• 32:13
  Speaker 7: did this recording. What gave you these CDs?
• 32:17
  Speaker 6: Man, we got the CD and distributed it at the fairs,
• 32:22
  Speaker 6: at the parties that were happening in the region. We
• 32:24
  Speaker 6: would get there, ask to play and everything. And then
• 32:27
  Speaker 6: it was happening, it was appearing in shows. But we
• 32:30
  Speaker 6: did a lot of shows just for participation, just to
• 32:34
  Speaker 6: promote the work itself. It was a lot of people.
• 32:37
  Speaker 6: There were a lot of people.
• 32:39
  Speaker 3: There were a lot of people.
• 32:41
  Speaker 6: There were a lot of people. There were a lot
• 32:45
  Speaker 6: of people.
• 33:05
  Speaker 7: A lot of shows without cashier, a lot of cashiers
• 33:06
  Speaker 7: that were promised and not given.
• 33:08
  Speaker 6: A lot, a lot. A lot of small cashiers, but
• 33:10
  Speaker 6: the small ones, 50 reais. Then they arrived there, there
• 33:12
  Speaker 6: was no, but there was a pizza. 150, yeah, it was.
• 33:14
  Speaker 3: No, I wanted to go for dinner, right?
• 33:15
  Speaker 6: For the coke, for the Pepsi. That was all to learn,
• 33:18
  Speaker 6: it seems, everything to train you, right, man? To forge you,
• 33:22
  Speaker 6: because I imagine.
• 33:32
  Speaker 7: On the roads of Popzinha and Teclado, man. My God,
• 33:35
  Speaker 7: what a suffering. But it was part.
• 33:37
  Speaker 6: Of this story. No, it's all about learning.
• 33:40
  Speaker 3: And did you go far to play, bro? Like, with
• 33:42
  Speaker 3: the bike? Which one was the farthest?
• 33:44
  Speaker 6: It was because it was the interior, right? The populated
• 33:47
  Speaker 6: that we call. So, like, it was the populated that
• 33:50
  Speaker 6: you rode, rode, rode, on the road, on the ground,
• 33:52
  Speaker 6: to be able to get there. So, I... So, I rode, like,
• 33:54
  Speaker 6: in the woods, as we say there, it's because... To
• 34:02
  Speaker 6: get to the towns there.
• 34:04
  Speaker 3: You had to walk.
• 34:05
  Speaker 6: The rural area there is.
• 34:07
  Speaker 8: I asked this question because I imagine that several times
• 34:09
  Speaker 8: you had difficulties, I think, to go back to your house,
• 34:12
  Speaker 8: you had to sleep in some corner.
• 34:14
  Speaker 6: Has this happened a lot?
• 34:16
  Speaker 3: No, we always went back.
• 34:18
  Speaker 6: We started to play even further because.
• 34:20
  Speaker 3: We had to... At least the R $ 10 of the Pop's.
• 34:21
  Speaker 6: Cashier took it. No, we went back. We used to
• 34:24
  Speaker 6: play a lot, but we didn't go too much... Because there,
• 34:27
  Speaker 6: the municipality is big in territory too. The city has
• 34:32
  Speaker 6: about 80,000 inhabitants, but the territory there is huge. So
• 34:35
  Speaker 6: this populated territory, we went all the way to Popizinha.
• 34:41
  Speaker 6: We walked a lot to get back in the morning. Wow,
• 34:44
  Speaker 6: in the cold it's not so cold.
• 34:55
  Speaker 7: But do you remember what were the first moments when
• 34:58
  Speaker 7: you started to feel like, man, I'm starting to talk
• 35:01
  Speaker 7: to you, I'm starting to make a.
• 35:02
  Speaker 3: Noise, look, a little box of R $ 200, R
• 35:04
  Speaker 3: $ 500 here, how cool.
• 35:06
  Speaker 6: What was the first moment there? As you live, you
• 35:11
  Speaker 6: don't have the perception of that.
• 35:12
  Speaker 3: The stall, right?
• 35:14
  Speaker 6: The stall that came like that was a party I
• 35:16
  Speaker 6: did there at Expo Up, in Terezinha, and then it
• 35:20
  Speaker 6: was very, very, very crowded, like this, at about three
• 35:24
  Speaker 6: in the morning. And I was the last attraction.
• 35:29
  Speaker 2: People stayed to see me.
• 35:31
  Speaker 6: People stayed to see my show. But it was already there.
• 35:35
  Speaker 6: It had already happened. If you deliver, the songs had
• 35:38
  Speaker 6: already been viralized. It was there in the front. But
• 35:41
  Speaker 6: it was at that time that it was already there.
• 35:44
  Speaker 6: A long time later. So I'm going back to pop.
• 35:46
  Speaker 6: I think it happened here. I understand. Back then, in
• 35:49
  Speaker 6: the time.
• 35:49
  Speaker 2: Of pop, of the keyboard.
• 35:55
  Speaker 8: What was your next goal? Was it to buy another
• 35:58
  Speaker 8: instrument or a car? What came to your mind? To
• 36:00
  Speaker 8: record another CD?
• 36:02
  Speaker 6: The thing really was to make it happen. To take
• 36:06
  Speaker 6: advantage of the opportunities that were appearing and make it happen.
• 36:12
  Speaker 6: I went to the shows that happened, I asked for participation. Today,
• 36:18
  Speaker 6: when I'm at my show, I always have one or
• 36:20
  Speaker 6: two there. There are singers who ask for participation because
• 36:26
  Speaker 6: sometimes we have too much time. I give participation because
• 36:32
  Speaker 6: one day it was me asking for participation. I received
• 36:35
  Speaker 6: some no's. I understand the no's that I received. Others
• 36:39
  Speaker 6: said it would happen and sometimes it didn't happen. And
• 36:44
  Speaker 6: today I understand too. But the opportunities that appeared I
• 36:47
  Speaker 6: was taking advantage of them all, thank God. I was like,
• 36:52
  Speaker 6: I'm going to be famous. I just wanted to make
• 36:57
  Speaker 6: my dream come true. You just wanted to live from
• 37:01
  Speaker 6: the music.
• 37:02
  Speaker 7: It doesn't matter how. How did you start making your
• 37:05
  Speaker 7: own records?
• 37:05
  Speaker 6: We made a CD in the front. Zé Vaqueiro, Estouro
• 37:08
  Speaker 6: da Zaquejada.
• 37:10
  Speaker 2: Were you playing a lot of Zaquejada?
• 37:11
  Speaker 6: Yes. I was. A lot. That's awesome. This CD was
• 37:17
  Speaker 6: the author's, but the author itself, because it was an
• 37:19
  Speaker 6: author's CD that we released, O Estouro das Vaquejadas, was
• 37:23
  Speaker 6: with the compositions.
• 37:25
  Speaker 7: Then you started releasing a car too, and then you
• 37:28
  Speaker 7: left Pop.
• 37:29
  Speaker 6: I left Pop, I went to Siena, from Siena I
• 37:33
  Speaker 6: went to Saveiro.
• 37:33
  Speaker 7: Take it, Saveirinho with the equipment behind, that's another thing.
• 37:39
  Speaker 6: Saveiro with that longer cabin. I know, I know. I
• 37:41
  Speaker 6: remember when I was there, we were going. Like this,
• 37:45
  Speaker 6: and the reverse.
• 37:46
  Speaker 3: Wow, yes, yes.
• 37:49
  Speaker 2: There are many like this with us.
• 37:50
  Speaker 6: The four inside were like this. You have to go
• 37:52
  Speaker 6: from side to side.
• 37:53
  Speaker 3: From side to.
• 37:54
  Speaker 6: Side, my brother.
• 37:55
  Speaker 3: The guys were all like this. It was just.
• 37:57
  Speaker 6: Because of the police. Yeah, everyone was like this, everyone lost.
• 38:00
  Speaker 6: We were talking all day in the middle of the car.
• 38:02
  Speaker 6: But it was like this, it was very... Everything came.
• 38:04
  Speaker 3: Out crooked from the car. No, forget it.
• 38:06
  Speaker 6: It was running for a long time like this. And
• 38:09
  Speaker 6: it kept going through the people, right?
• 38:12
  Speaker 3: Damn it.
• 38:13
  Speaker 6: A gente passou um tempão assim, rodando só nos povoados lá.
• 38:16
  Speaker 6: Até hoje eu não lembro como é que a gente
• 38:17
  Speaker 6: chegava no lugar não, velho.
• 38:18
  Speaker 3: Mas chegava.
• 38:19
  Speaker 6: Mas chegava.
• 38:19
  Speaker 2: Porque era muita dificuldade, imagina, né? Chega a estrada de terra,
• 38:23
  Speaker 2: bate 11, bate demais.
• 38:24
  Speaker 6: A chegar, meu irmão, era escuridão da bexiga. Inúmeras vezes
• 38:29
  Speaker 6: a gente se perdeu. Sério? Teve uma vez que a
• 38:31
  Speaker 6: gente se perdeu, meu irmão, que a gente só foi
• 38:33
  Speaker 6: achar a pista, acho que era umas 10, 11 horas
• 38:38
  Speaker 6: da manhã do outro dia. E eu lembro como se
• 38:40
  Speaker 6: fosse hoje, quando a gente, When the GPS hit the track, we...
• 38:47
  Speaker 6: And the car ended up in the gasoline. And we
• 38:53
  Speaker 6: were afraid. It was a splinter. I was like, my
• 38:56
  Speaker 6: brother here. Let's go, the track appeared here. When it
• 39:00
  Speaker 6: got very close to the track, a stream appeared. Already close,
• 39:07
  Speaker 6: reaching the track. Do you know what a stream is? Yes.
• 39:10
  Speaker 3: Ready.
• 39:13
  Speaker 6: And the water, you know, you're not believing this, no.
• 39:15
  Speaker 6: I went into the water, standing up, to see if
• 39:21
  Speaker 6: it was deep. The boys didn't want to go, because
• 39:23
  Speaker 6: sometimes the rivers have a lot of snakes, right? Like
• 39:26
  Speaker 6: the current, the animals come in. And the boys were
• 39:31
  Speaker 6: afraid to go in. I went in, I went up
• 39:33
  Speaker 6: the sledge, I went into the water to see if
• 39:35
  Speaker 6: it was deep. And then the boy was piloting and
• 39:37
  Speaker 6: I was making the shirt with the stones, you know?
• 39:39
  Speaker 6: So the car wouldn't slide and I was there. What's that?
• 39:43
  Speaker 6: No one dreams about that. After it passed, I said
• 39:46
  Speaker 6: to myself, I'm going to take a shower. I can't
• 39:49
  Speaker 6: even see. I was inside the river, I was taking
• 39:53
  Speaker 6: a shower. And then we got on the track and.
• 39:57
  Speaker 3: Let's go. Let's go.
• 39:58
  Speaker 7: And thank God, a little post appeared. And that was
• 40:02
  Speaker 7: around 18, 19.
• 40:02
  Speaker 6: 18, 19. It was about to explode, let's say. It
• 40:04
  Speaker 6: was already starting to run.
• 40:05
  Speaker 2: Well, thank God.
• 40:05
  Speaker 8: Was there any determining factor that made Zé Vaqueiro happen
• 40:09
  Speaker 8: in the pandemic?
• 40:10
  Speaker 3: What was it that....
• 40:12
  Speaker 8: Because until then you were populated, your life was improving.
• 40:17
  Speaker 2: But in a slower way, slower.
• 40:19
  Speaker 8: When do you say like this, my God, like, I
• 40:22
  Speaker 8: want to know when Zé Vaqueiro starts to put his
• 40:26
  Speaker 8: songs on the internet, that things really happen beyond.
• 40:30
  Speaker 6: The populated, you know? Yes, yes, for sure. I started
• 40:35
  Speaker 6: on the internet too, making a video, voice and guitar, right?
• 40:38
  Speaker 6: So I came from that gap there, from... Yeah, I
• 40:43
  Speaker 6: did a lot of covers. A lot of covers of
• 40:48
  Speaker 6: all artists. Artists that I'm a big fan of, like Xand.
• 40:52
  Speaker 6: We're partners today. Did you hear what he said.
• 40:56
  Speaker 2: About you here?
• 40:57
  Speaker 6: I wanted to send a kiss to him, my commander.
• 40:59
  Speaker 6: All Vibe's partners, all the artists, a kiss to you.
• 41:03
  Speaker 6: I did a lot of covers of Xand. When I'm
• 41:06
  Speaker 6: close to him, I look at my brother. God is
• 41:12
  Speaker 6: too wonderful. That's crazy, right? Yeah.
• 41:15
  Speaker 7: But at that time, at that time of covers, which
• 41:18
  Speaker 7: one was the one that gave visualization, caught the attention
• 41:20
  Speaker 7: on the internet?
• 41:21
  Speaker 6: Like, the voice and guitar were very good, but it
• 41:24
  Speaker 6: started to viralize, like, in the region, the covers when
• 41:29
  Speaker 6: the keyboard came in. When I did the covers with
• 41:33
  Speaker 6: the keyboardist playing.
• 41:35
  Speaker 3: The keyboard calls, right?
• 41:37
  Speaker 6: Then we did it on the pizzeria. Then the covers
• 41:40
  Speaker 6: came out. the covers that we made, the versions that
• 41:43
  Speaker 6: we made, people liked it a lot. It started to
• 41:44
  Speaker 6: become a trend. But we used to do shows, right?
• 41:48
  Speaker 6: We used to do shows.
• 41:49
  Speaker 8: But, Zé, a question that came to my mind now
• 41:52
  Speaker 8: is that sometimes, most of the time, the boys, the
• 41:56
  Speaker 8: girls who dream of music here in São Paulo, and
• 41:57
  Speaker 8: in a whole country, I see that they.
• 41:59
  Speaker 2: Opt a lot for urban music, right?
• 42:01
  Speaker 8: Funk, rap, because it's a music that you don't need
• 42:09
  Speaker 8: a lot to.
• 42:10
  Speaker 2: Be done, to start.
• 42:11
  Speaker 8: Like, funk, with a cell phone today, you can record
• 42:15
  Speaker 8: a funk. And I, from what I'm realizing, the step,
• 42:20
  Speaker 8: the step, the way you were talking, the way you
• 42:22
  Speaker 8: make the sound, the keyboard, it, like, only with the
• 42:25
  Speaker 8: keyboard you can also make the sound. So, this was
• 42:28
  Speaker 8: the option that you chose to sing, because, like, man,
• 42:31
  Speaker 8: I can't build a band, I can buy a keyboard,
• 42:33
  Speaker 8: tell me about it, because it's very interesting.
• 42:35
  Speaker 6: It's because the step, there, in our region, in the time,
• 42:39
  Speaker 6: People always liked it a lot, right? And that's what
• 42:44
  Speaker 6: was the most popular. Yeah, there's a lot of people, right?
• 42:49
  Speaker 6: And then we always liked this thing of the pizzeria,
• 42:51
  Speaker 6: that we used to go to parties and play a lot.
• 42:53
  Speaker 6: The pizzeria played a lot, a lot, a lot, a lot.
• 42:56
  Speaker 2: Is there a difference between the pizzeria and the forró?
• 42:58
  Speaker 6: I think it's a variation, right? I think the pizzeria
• 43:01
  Speaker 6: is a variation.
• 43:02
  Speaker 3: The pizzeria is faster, it's more... Yeah, it's more.
• 43:06
  Speaker 6: Digital, right? As we say, it's more digital. It's younger.
• 43:10
  Speaker 6: In the sense that forró, everything changes over time. Other
• 43:13
  Speaker 6: elements and everything. But it doesn't stop being the same essence,
• 43:16
  Speaker 6: which is forró. So we just give another name to
• 43:21
  Speaker 6: something new. So piseiro is forró, but new. I believe so,
• 43:25
  Speaker 6: if I'm wrong.
• 43:35
  Speaker 6: I don't understand, but I believe it's like that. I agree.
• 43:38
  Speaker 6: We play everything on the piseiro. You take a piseiro
• 43:42
  Speaker 6: and you make several versions. And if you're going to dance,
• 43:45
  Speaker 6: you're going to dance a little bit.
• 43:47
  Speaker 3: You're going to.
• 43:48
  Speaker 6: Dance the piseiro, but you're going to dance a little bit.
• 43:52
  Speaker 6: You dance like you dance a forró, a baião, a pé-de-cerro.
• 43:56
  Speaker 6: You dance a little bit too, you dance in the
• 43:59
  Speaker 6: same line.
• 44:00
  Speaker 7: And how did the posters work back then? Did you
• 44:02
  Speaker 7: have to post a cover every week?
• 44:05
  Speaker 3: How did it work?
• 44:06
  Speaker 6: As I often depended on the boys to record, I
• 44:09
  Speaker 6: was just following them. Let's do one today. This one
• 44:11
  Speaker 6: is popping, if I do one like this... It was
• 44:15
  Speaker 6: always very good.
• 44:16
  Speaker 2: On social media to be calmer.
• 44:28
  Speaker 3: The friends would promote it. The friends would promote it.
• 44:30
  Speaker 6: Everyone in the region hugged it a lot, thank God.
• 44:33
  Speaker 6: People would promote it, people would go to the show,
• 44:38
  Speaker 6: we would do the show, the people who already knew
• 44:40
  Speaker 6: that I sang, and a lot of childhood friends, would
• 44:43
  Speaker 6: go to the show. It was really cool, even today.
• 44:45
  Speaker 6: It was really cool. The January party there, I already
• 44:47
  Speaker 6: did it. I think... The fourth or the third year
• 44:59
  Speaker 6: I did it was now. And it's cool to go
• 45:01
  Speaker 6: up on the stage of the traditional party there. That
• 45:04
  Speaker 6: you saw many times as a public. I went many
• 45:07
  Speaker 6: times to enjoy as a public. And you see that
• 45:10
  Speaker 6: same group that was at that show. Very small. Sometimes
• 45:15
  Speaker 6: the show in the vaquejadas. Sometimes the show in the
• 45:18
  Speaker 6: bars where we did the show. in some bars too,
• 45:21
  Speaker 6: and see those same people there too, rocking, vibrating and dancing,
• 45:25
  Speaker 6: so it's very cool.
• 45:26
  Speaker 8: I saw your video, bro, you were like in a square,
• 45:28
  Speaker 8: singing very young, with short hair, skinny, that was where
• 45:32
  Speaker 8: you were singing?
• 45:33
  Speaker 2: In São José do Belmonte.
• 45:34
  Speaker 3: What was that, in the middle of a square?
• 45:36
  Speaker 9: It was.
• 45:36
  Speaker 3: Because there were a lot of other people there. I
• 45:39
  Speaker 3: thought I was going to sing a tutuada, right?
• 45:42
  Speaker 6: And then when I got there, my uncle wants to
• 45:48
  Speaker 6: sing there. And I said, I'm not going to sing.
• 45:53
  Speaker 6: He said, go man, the guy is going to release
• 45:56
  Speaker 6: you to sing. And I said, go boy, stop being
• 46:00
  Speaker 6: an idiot. People here are going to like it. Same thing.
• 46:03
  Speaker 6: The shame of the bladder, my brother. I started singing
• 46:07
  Speaker 6: the act there, the guys filmed it. Then... I remember
• 46:13
  Speaker 6: when the other guy looked at me and said, my son,
• 46:15
  Speaker 6: keep going because the people are enjoying it.
• 46:18
  Speaker 3: That's good to hear.
• 46:19
  Speaker 6: Then I went and sang another one, but it didn't
• 46:21
  Speaker 6: come out in the video. But it was these opportunities
• 46:25
  Speaker 6: like that, my brother, that with that time there, for sure,
• 46:30
  Speaker 6: they are small steps, you know?
• 46:32
  Speaker 2: That are part of it.
• 46:33
  Speaker 6: That are part of it. And so, it turns into
• 46:36
  Speaker 6: a story, right, my brother? Because when I look at
• 46:39
  Speaker 6: these videos like this, Because we often make transitions from
• 46:42
  Speaker 6: these videos. I think it's... I see a movie in
• 46:45
  Speaker 6: my head very... very big. Have you ever been.
• 46:49
  Speaker 2: Back to Lava Rápido?
• 46:50
  Speaker 3: After things happened?
• 46:51
  Speaker 6: Yes. It must have been crazy for you. I've played
• 46:55
  Speaker 6: there in Petrolina. In São João de Lá. We play there.
• 46:59
  Speaker 6: I played there for several years, thank God. São João
• 47:01
  Speaker 6: de Lá is... Giant, right? It's giant. How did you
• 47:04
  Speaker 6: get back there?
• 47:06
  Speaker 3: I played there and then the show ended. I went.
• 47:08
  Speaker 6: I went there in... I washed the car and it
• 47:14
  Speaker 6: was great. There's a little room over there that you
• 47:18
  Speaker 6: can see inside. I put my head there. I've been
• 47:21
  Speaker 6: very hungry.
• 47:21
  Speaker 7: I remember when I was sitting in those elevators.
• 47:25
  Speaker 6: Where you put the car to wash underneath. And I
• 47:27
  Speaker 6: was praying, talking to God. I don't know if you know,
• 47:31
  Speaker 6: but I was very starry, talking to God, asking God
• 47:33
  Speaker 6: for help. Bless my life, bless my dreams, bless my work,
• 47:45
  Speaker 6: bless everything that made me change that reality, right? To
• 47:50
  Speaker 6: be able to give my family a better life and everything.
• 47:55
  Speaker 3: Thanks to God.
• 47:56
  Speaker 6: God blessed me and surprised me. And then, I think
• 48:01
  Speaker 6: it was last year, I did a show on the trio.
• 48:04
  Speaker 6: And the trio passes in front of the pizzeria. The
• 48:09
  Speaker 6: same party that we were going to put the cars
• 48:13
  Speaker 6: in the parking lot.
• 48:14
  Speaker 3: Who was in the trio?
• 48:16
  Speaker 6: It was you. It was me.
• 48:17
  Speaker 3: You said, come see me with pizza.
• 48:19
  Speaker 6: You said hello to the guy from the pizza shop.
• 48:21
  Speaker 1: Exactly.
• 48:22
  Speaker 6: And then I went there, and then I stopped the trio,
• 48:25
  Speaker 6: and I told a little bit of the story, right?
• 48:27
  Speaker 6: Because then you go through, and then I said, it's
• 48:29
  Speaker 6: the best pizza I've ever eaten here.
• 48:32
  Speaker 8: Damn, brother, for God's sake, you're telling your story, and
• 48:34
  Speaker 8: I'm very excited.
• 48:36
  Speaker 3: Very cool, man.
• 48:37
  Speaker 2: That's crazy, man.
• 48:38
  Speaker 3: It's a miracle, you know? It's a real miracle, bro.
• 48:41
  Speaker 2: And your story is very beautiful.
• 48:42
  Speaker 8: But what I was very curious to know is how
• 48:47
  Speaker 8: was your involvement with Xande, bro? Because he's a spectacular guy.
• 48:51
  Speaker 8: When he came here, I remember a lot of a
• 48:53
  Speaker 8: thing he said, that we asked you. He said like this, bro,
• 48:56
  Speaker 8: Zé Vaqueiro is good at everything. The kid has a gift.
• 48:59
  Speaker 8: You were very interested and knew a lot of things.
• 49:03
  Speaker 8: So I wanted to know for you, how was this
• 49:04
  Speaker 8: moment of him coming to you, of proposing a society,
• 49:07
  Speaker 8: of showing a planning?
• 49:09
  Speaker 2: How was this moment?
• 49:10
  Speaker 6: After the pandemic, during the pandemic, I got the call
• 49:17
  Speaker 6: from the boys there, interested and such, both from his
• 49:20
  Speaker 6: office and from other offices as well. And then the
• 49:24
  Speaker 6: chemistry hit me more with the boys there, right? And
• 49:28
  Speaker 6: then I remember saying to them, I didn't go to
• 49:32
  Speaker 6: the first meeting, I didn't go to the first meeting, right?
• 49:39
  Speaker 6: He let it go when it was... All right. All right, right?
• 49:42
  Speaker 6: Because then... To not spend, right, brother? No, not even
• 49:46
  Speaker 6: to not spend.
• 49:47
  Speaker 2: No, when I say spend, don't spend money, to not
• 49:48
  Speaker 2: spend the time.
• 49:49
  Speaker 6: I think to not give that pressure too, right? Man,
• 49:52
  Speaker 6: nervousness and such. I don't know. But he didn't go
• 49:56
  Speaker 6: in the first one. And then... I stayed more with...
• 49:58
  Speaker 6: With Carlinho. Carlos Aristides. They are my partners, right? Carlos, Everton.
• 50:04
  Speaker 6: And Cléristo. And then... I talked to them and everything.
• 50:12
  Speaker 6: And then, when it was confirmed that everything was ok,
• 50:15
  Speaker 6: we went to the second meeting to get to know him.
• 50:18
  Speaker 3: Wow.
• 50:18
  Speaker 6: Are you nervous?
• 50:19
  Speaker 3: Fuck!
• 50:19
  Speaker 6: I ate a tapioca and I was shaking like hell.
• 50:22
  Speaker 6: It's the Chando, right, brother? And today, for me, it's
• 50:25
  Speaker 6: a school. It's a school. We learn a lot. I've
• 50:26
  Speaker 6: always been quiet, but I've always been very observant. And
• 50:30
  Speaker 6: then I I see a lot of things that just
• 50:41
  Speaker 6: by observing you learn. The guys have 25 years of career.
• 50:44
  Speaker 6: Of success. And a guy like that has a lot
• 50:47
  Speaker 6: to teach. The advice. I share a lot of things
• 50:49
  Speaker 6: with him too. I always thank the opportunities he gives me.
• 50:53
  Speaker 6: The advice he gives me. The boys are also very welcoming.
• 50:57
  Speaker 6: It seems to be focused only on money. For me
• 51:00
  Speaker 6: it's a... There's a school there, I learn a lot
• 51:10
  Speaker 6: from them. Not only about career, but also about life.
• 51:13
  Speaker 7: You said that he beat you in the pandemic, but
• 51:16
  Speaker 7: I also wanted to know a little bit before. In
• 51:19
  Speaker 7: the pandemic, wasn't it something that scared you? Because, like, man,
• 51:22
  Speaker 7: you were doing your shows, you were there, back and forth,
• 51:26
  Speaker 7: but the pandemic came and you couldn't.
• 51:27
  Speaker 6: Do shows anymore.
• 51:28
  Speaker 3: How was that for you? And was it there that
• 51:31
  Speaker 3: you broke through?
• 51:31
  Speaker 9: It was.
• 51:32
  Speaker 6: I was nervous, right? When I went to talk to
• 51:34
  Speaker 6: the guys from Paraíba, which is Leo, And then I
• 51:40
  Speaker 6: went to talk to him, to understand how things were
• 51:43
  Speaker 6: and everything. And then I took a picture with him.
• 51:46
  Speaker 6: This picture came to the boys, thinking that we had
• 51:48
  Speaker 6: already closed and everything. And that's when they called me
• 51:53
  Speaker 6: to talk to them there in Fortaleza. And then I
• 51:55
  Speaker 6: went to talk to them, and then I closed everything.
• 51:59
  Speaker 6: And then we went to record the first CD, which
• 52:01
  Speaker 6: was the original album.
• 52:04
  Speaker 3: This one that popped everything.
• 52:06
  Speaker 6: Letícia, Teu Medo, Meu Mel. And then.
• 52:10
  Speaker 2: He said, let him in that government notebook there.
• 52:12
  Speaker 6: Yeah. No, but this one, the government one, was the
• 52:16
  Speaker 6: story of the vaquejadas. No, I know, I was joking.
• 52:19
  Speaker 6: And then the original one was already there, much further ahead.
• 52:23
  Speaker 3: In the pandemic, right?
• 52:25
  Speaker 6: It was already in the pandemic. In the pandemic. And
• 52:27
  Speaker 6: we recorded the album. And thank God, Letícia, the last
• 52:32
  Speaker 6: song to go on the album.
• 52:33
  Speaker 3: Talk about this song, man.
• 52:34
  Speaker 6: No, it was the last song.
• 52:37
  Speaker 6: The first time I heard it I was like, bro,
• 52:39
  Speaker 6: what a crazy song. Where are you going with this
• 52:43
  Speaker 6: motorcycle taxi driver? But let's go, let's go.
• 52:47
  Speaker 3: You guys are saying it's.
• 52:49
  Speaker 6: The last one. The last one was on the CD,
• 52:51
  Speaker 6: we recorded the clip at the bar. From TT.
• 52:55
  Speaker 3: But you weren't confident in it, bro?
• 52:57
  Speaker 6: But it's because the first time you listen to it,
• 53:01
  Speaker 6: it's new, it's a new thing. It's a funny song, right?
• 53:07
  Speaker 6: And it seems that she was made for your voice, Letícia.
• 53:11
  Speaker 1: Letícia!
• 53:11
  Speaker 6: The accent got a lot.
• 53:12
  Speaker 2: But very cool, bro.
• 53:13
  Speaker 7: A lot.
• 53:14
  Speaker 6: And then, the first time I was surprised, right? But
• 53:18
  Speaker 6: I believed, bro.
• 53:18
  Speaker 1: Got it?
• 53:18
  Speaker 6: And then we recorded her clip, she was the first
• 53:23
  Speaker 6: to be released. We recorded the first images and it
• 53:25
  Speaker 6: went viral, right? So it was.
• 53:29
  Speaker 3: Man, this song was very strong.
• 53:30
  Speaker 6: And without being able to have a show.
• 53:33
  Speaker 8: Wow, everything was like a fight in the belly, right?
• 53:36
  Speaker 8: Things happening, making success, but there can't be a show.
• 53:39
  Speaker 6: And the number going up, my God. And anxiety beating,
• 53:44
  Speaker 6: crazy to make a show to see how it was.
• 53:47
  Speaker 3: Really, man.
• 53:48
  Speaker 6: Waiting for the pandemic to pass. And when it passed,
• 53:52
  Speaker 6: we went back to make a show, my brother. Do
• 53:55
  Speaker 6: you remember your first show? I think it was in Recife.
• 53:57
  Speaker 6: It was in Recife, it was on a beach. It
• 54:02
  Speaker 6: was a mess. It was crazy. They pulled me up.
• 54:04
  Speaker 6: And it's over? It's not over.
• 54:06
  Speaker 1: It's over.
• 54:07
  Speaker 6: The first show was two years without a show. They
• 54:11
  Speaker 6: took the guy from inside the party. But it was
• 54:13
  Speaker 6: a show. Everyone singing the song, tearing themselves up.
• 54:17
  Speaker 1: I'm scared.
• 54:28
  Speaker 3: The first one was Letícia, and then how was the Caminhada?
• 54:31
  Speaker 6: Because, my God, it was two years just for you.
• 54:33
  Speaker 6: It was Letícia, Aí Tenho Medo, Meu Mel, Meu Mel,
• 54:38
  Speaker 6: it was Meu Mel who introduced me to the song,
• 54:42
  Speaker 6: it was my grandma.
• 54:44
  Speaker 3: Really? Tell me about that story.
• 54:45
  Speaker 6: I was sitting with her, we were having dinner, she,
• 54:48
  Speaker 6: she played the song Meu Mel, Marquinhos Moura, then I
• 54:56
  Speaker 6: put it, right? Then she Why don't you record this song?
• 55:02
  Speaker 6: If you recorded this song, it would be cool. Man,
• 55:04
  Speaker 6: look how good it is. Then when I went there,
• 55:08
  Speaker 6: I asked the boy to do a playback. In the pandemic, right?
• 55:15
  Speaker 6: A playback. I remembered this scene with her, in Oricoria.
• 55:22
  Speaker 6: I said, bro, is this song going to be good?
• 55:24
  Speaker 6: I asked the boy to do a playback. And then
• 55:27
  Speaker 6: I made a video. singing it during the pandemic. Then
• 55:30
  Speaker 6: the video went viral.
• 55:31
  Speaker 3: But why did your grandmother love this song?
• 55:34
  Speaker 6: My grandmother likes a lot of music too.
• 55:37
  Speaker 3: No, but her way of saying, record this, right?
• 55:40
  Speaker 6: I learned the bregão.
• 55:42
  Speaker 5: It was her.
• 55:43
  Speaker 6: It was her. The eclectic comes from my mother, my
• 55:48
  Speaker 6: uncle and my grandmother too. My grandmother is a brega.
• 55:51
  Speaker 6: My grandmother likes a lot of music. Brega that I
• 55:54
  Speaker 6: say like this. It's the romantic bregão, you know?
• 55:58
  Speaker 3: And she said, record this one, it's going to be good, son.
• 56:00
  Speaker 6: She said that. She said, it's going to be good, right?
• 56:03
  Speaker 6: I said, son, why don't you record this song here?
• 56:05
  Speaker 6: I think it's going to be good. When you sing, right?
• 56:07
  Speaker 6: I recorded the video, the video went viral. And then
• 56:09
  Speaker 6: when it was the choice of the repertoire of the
• 56:13
  Speaker 6: original album, then the boy has to put it. But
• 56:16
  Speaker 6: was the release difficult?
• 56:17
  Speaker 2: Because the song.
• 56:18
  Speaker 3: Is a relic.
• 56:19
  Speaker 6: No, it wasn't. Thank God, no. And the composer was
• 56:23
  Speaker 6: very happy, right?
• 56:26
  Speaker 7: You came to do it at that time there were lives, right?
• 56:30
  Speaker 6: It was a thermometer.
• 56:32
  Speaker 7: There for you to know about your audience, right?
• 56:35
  Speaker 6: Too much, too much. I was nervous, my brother, because
• 56:39
  Speaker 6: the live that you kind of have to present, right?
• 56:42
  Speaker 2: And sing to the camera, right?
• 56:43
  Speaker 6: How was the first live? Wow, I was very nervous, nervous,
• 56:45
  Speaker 6: I had to talk about it.
• 56:50
  Speaker 3: Patrocinador.
• 56:52
  Speaker 7: Man, he's gaguejando.
• 56:54
  Speaker 6: Man, he's like my brother. Jesus, help me. But thank God,
• 56:59
  Speaker 6: the lives were.
• 57:00
  Speaker 3: You did a lot of them, right? I did.
• 57:03
  Speaker 6: I did about three lives.
• 57:04
  Speaker 3: I had to talk about the sponsor, present it.
• 57:06
  Speaker 7: And you, who are shy, didn't even show up, man,
• 57:09
  Speaker 7: at that time.
• 57:10
  Speaker 2: Gustavo Lima ended up with the grace.
• 57:12
  Speaker 3: Not with the grace, he got drunk one day in one.
• 57:15
  Speaker 2: Conar said, there's no more.
• 57:17
  Speaker 3: I couldn't drink anymore. I didn't drink. I didn't drink.
• 57:21
  Speaker 6: I didn't drink.
• 57:22
  Speaker 1: I didn't drink.
• 57:22
  Speaker 6: I didn't drink.
• 57:23
  Speaker 1: I didn't drink.
• 57:23
  Speaker 6: I didn't drink. I didn't drink. And it wasn't a
• 57:47
  Speaker 6: very relaxed live anymore, right? I believe that Gustavo's live
• 57:51
  Speaker 6: was at his house. Was it? It was. Very relaxed, right? So, like,
• 57:55
  Speaker 6: at your house, he cooking, I remember how it was today,
• 57:58
  Speaker 6: he cooking, so it was relaxed, right? My live, no,
• 58:02
  Speaker 6: it was more with the scenery, it was more that thing,
• 58:04
  Speaker 6: so it was with this more... More serious, more professional.
• 58:09
  Speaker 6: Gustavo Lima's house, bro. It's a scenario, isn't it?
• 58:13
  Speaker 3: I remember him drinking.
• 58:15
  Speaker 8: No, it looks like the house of Zeus.
• 58:18
  Speaker 6: True.
• 58:19
  Speaker 3: You know?
• 58:20
  Speaker 7: But this phase, even though we were going through a
• 58:22
  Speaker 7: difficult moment, but it was these lives that saved us.
• 58:26
  Speaker 6: There was a live that.
• 58:27
  Speaker 3: No, I'm kidding. There was a live that I remembered,
• 58:29
  Speaker 3: it was very funny.
• 58:31
  Speaker 2: Bruno and Marrone. Thank you, my sponsors. Your guard is
• 58:51
  Speaker 2: not your guard.
• 58:52
  Speaker 6: He's thanking me.
• 58:52
  Speaker 4: Bruno spends a lot of time thanking me.
• 58:56
  Speaker 6: He cries and thanks Marroni. When Marroni does it, he
• 58:59
  Speaker 6: thanks you too. You're always with us. Your guard is
• 59:02
  Speaker 6: not your guard.
• 59:11
  Speaker 1: What's up?
• 59:12
  Speaker 6: He's 10 minutes talking.
• 59:13
  Speaker 3: Bruno is not paying attention to Marroni.
• 59:15
  Speaker 2: He's like this, drinking. He's in another place.
• 59:17
  Speaker 3: There was only his body there.
• 59:18
  Speaker 6: I think he just came in and left.
• 59:20
  Speaker 10: I didn't understand what Marroni was saying.
• 59:32
  Speaker 6: I've met them before. I went out to dinner with
• 59:34
  Speaker 6: Marrone too.
• 59:34
  Speaker 3: He's a real guy.
• 59:35
  Speaker 6: He's not a helicopter guy, right? No, no. He's a
• 59:37
  Speaker 6: car guy. He's a really good guy.
• 59:39
  Speaker 3: A lot of good people.
• 59:40
  Speaker 6: A lot of advice.
• 59:41
  Speaker 3: A lot of stories he tells. About respecting people.
• 59:43
  Speaker 6: About being humble. About being able to understand when you
• 59:48
  Speaker 6: make a mistake. He told me a lot of things.
• 59:51
  Speaker 6: He sent a hug to Marrone. Coronel, a hug for you.
• 1:00:03
  Speaker 6: Very cool. He's a man.
• 1:00:05
  Speaker 2: What these guys have on the road.
• 1:00:07
  Speaker 6: Is what we have of age. And then at this
• 1:00:09
  Speaker 6: time the guy... Exactly. And then the guy has to go.
• 1:00:12
  Speaker 6: Shut up and listen.
• 1:00:13
  Speaker 2: We received here the son of Piseiro, right? And he
• 1:00:16
  Speaker 2: talking about Claudionei.
• 1:00:18
  Speaker 1: He's a lot of good people, bro.
• 1:00:21
  Speaker 6: Wow, he's very cool.
• 1:00:23
  Speaker 3: He's that, bro.
• 1:00:24
  Speaker 7: I went with him and this guy is sensational. This
• 1:00:31
  Speaker 7: guy is amazing, man.
• 1:00:32
  Speaker 6: Kisses.
• 1:00:32
  Speaker 3: You're a monster, man. What's that?
• 1:00:35
  Speaker 2: And he's going to bomb a lot more.
• 1:00:36
  Speaker 3: You're going to be one of the greatest singers in Brazil, man.
• 1:00:38
  Speaker 2: And he said the same thing he did. When I
• 1:00:39
  Speaker 2: talked about Claudione, he was like... My idol.
• 1:00:41
  Speaker 3: And he said to me like this.
• 1:00:42
  Speaker 2: I'm nothing.
• 1:00:42
  Speaker 3: I'm nothing.
• 1:00:42
  Speaker 8: If you have in your head that you're nothing, you
• 1:00:47
  Speaker 8: go ahead. When you start to find yourself, you're fucked.
• 1:00:50
  Speaker 8: It's the same thing that Marrone told you, that Xande
• 1:00:53
  Speaker 8: told you. But the best guys are the ones who
• 1:01:01
  Speaker 8: are more stupid.
• 1:01:03
  Speaker 3: Yes, the legends, but there was no.
• 1:01:04
  Speaker 7: How was this moment for you, when you started to explode,
• 1:01:07
  Speaker 7: made a success, didn't give up?
• 1:01:10
  Speaker 3: How was this moment for you?
• 1:01:12
  Speaker 6: Man, it was a shock, right? Like, out of nowhere,
• 1:01:16
  Speaker 6: the guy is... I'm familiar. It was very fast, like... Right?
• 1:01:21
  Speaker 6: This thing of the guy not having... What to eat.
• 1:01:24
  Speaker 6: What to eat. Out of nowhere, the guy is doing
• 1:01:27
  Speaker 6: several shows and... Everyone knows the guy and so on.
• 1:01:32
  Speaker 6: So I was a little disoriented, right?
• 1:01:34
  Speaker 3: Imagine, bro.
• 1:01:34
  Speaker 6: There were a lot of things that you sometimes have
• 1:01:37
  Speaker 6: to make mistakes to learn. Besides that you were making.
• 1:01:39
  Speaker 3: A lot of success and locked up, right? I was
• 1:01:40
  Speaker 3: locked up. So, my God, what madness. Over time you
• 1:01:43
  Speaker 3: get older, right, bro?
• 1:01:44
  Speaker 6: I think with a lot of things we get older.
• 1:01:46
  Speaker 6: Do you remember the first thing you did when you
• 1:01:48
  Speaker 6: got a lot of money? You said, my God, I
• 1:01:51
  Speaker 6: can't believe.
• 1:01:52
  Speaker 2: I have this money in my hand.
• 1:01:53
  Speaker 6: What did you do?
• 1:01:54
  Speaker 3: Do you remember?
• 1:01:59
  Speaker 6: No, the first time I got some good money I
• 1:02:01
  Speaker 6: bought a bed, a box, a TV and an air conditioner.
• 1:02:04
  Speaker 3: He remembers, he remembers. What the hell? A bed, a box,
• 1:02:08
  Speaker 3: a TV... He made the kit.
• 1:02:09
  Speaker 1: The rest kit.
• 1:02:10
  Speaker 6: The rest kit. The rest kit. A bed, a box,
• 1:02:14
  Speaker 6: a TV and an air conditioner.
• 1:02:17
  Speaker 3: An air conditioner.
• 1:02:18
  Speaker 6: I bought it.
• 1:02:19
  Speaker 3: You got the cashier's money.
• 1:02:21
  Speaker 6: I sent some money to my mom. I sent some
• 1:02:24
  Speaker 6: money to my dad. And to my grandma. And then.
• 1:02:28
  Speaker 2: Air conditioning in the Northeast is essential.
• 1:02:30
  Speaker 6: And that's it. The first money, yes. Then the second money,
• 1:02:33
  Speaker 6: I even bought a house.
• 1:02:36
  Speaker 3: Good.
• 1:02:36
  Speaker 6: Fuck.
• 1:02:37
  Speaker 3: Congratulations.
• 1:02:38
  Speaker 6: It was the money from the recorder, right?
• 1:02:39
  Speaker 8: The little money you took in your hand, that you
• 1:02:42
  Speaker 8: put the crazy, let's say.
• 1:02:43
  Speaker 12: Oh, man.
• 1:02:44
  Speaker 7: Now, remembering, you got me. But I think it was more...
• 1:02:48
  Speaker 7: I bought a bed in the Bahia houses for R $ 2, 800, 00,
• 1:02:49
  Speaker 7: in the tent.
• 1:02:50
  Speaker 3: And how long did it last? It lasted three days.
• 1:02:53
  Speaker 3: And then the guys went there and broke everything. But
• 1:02:55
  Speaker 3: I said, man, the first bed... The bed lasted three days?
• 1:02:57
  Speaker 6: It lasted, man.
• 1:02:58
  Speaker 3: I lived in a plastic tent, then I got R
• 1:02:59
  Speaker 3: $ 3,000. I said, wow, I'm fucked.
• 1:03:01
  Speaker 7: I bought a bed for R $ 2,800, because it
• 1:03:03
  Speaker 7: was a wardrobe underneath.
• 1:03:04
  Speaker 3: It was a chest, right? And then the guys went
• 1:03:06
  Speaker 3: to play and broke the bed and destroyed everything. Fuck,
• 1:03:08
  Speaker 3: I remember now, it was a bed.
• 1:03:10
  Speaker 7: It made me remember what a little luxury I put in.
• 1:03:13
  Speaker 3: I remember that.
• 1:03:21
  Speaker 6: Let me see, Mítico.
• 1:03:22
  Speaker 3: I took a wave, man. 2,800 reais for a bed,
• 1:03:24
  Speaker 3: it's crazy. And I had a wardrobe.
• 1:03:26
  Speaker 7: I remember when I got crazy, I got 6,000 reais
• 1:03:31
  Speaker 7: in the first deal I made.
• 1:03:34
  Speaker 8: And then I said, my Jesus Christ, I'm going to
• 1:03:38
  Speaker 8: buy an iPhone. I got crazy, but it helped me
• 1:03:41
  Speaker 8: a lot because I started posting better pictures. But I
• 1:03:44
  Speaker 8: remember that I got crazy and bought a cell phone.
• 1:03:47
  Speaker 8: I lived with my mom, so I didn't have much
• 1:03:50
  Speaker 8: to spend. I said, I won't spend it with my
• 1:03:53
  Speaker 8: mom now.
• 1:03:55
  Speaker 3: Calm down, man.
• 1:03:56
  Speaker 6: Calm down, Patrícia.
• 1:03:57
  Speaker 2: Calm down. There's a fridge.
• 1:03:59
  Speaker 3: I'm not saying I'm crazy.
• 1:04:01
  Speaker 7: But it's very nice to know that you didn't mess
• 1:04:03
  Speaker 7: up in the beginning. Because usually most artists mess up too.
• 1:04:09
  Speaker 3: It's normal.
• 1:04:10
  Speaker 6: But it's normal. It's a shock of reality.
• 1:04:15
  Speaker 3: Tem que dar uma vividinha, tem que comprar uma besteira,
• 1:04:17
  Speaker 3: tem que... Sabe por quê?
• 1:04:18
  Speaker 8: Porque vai chegar velho e vai falar, putz, não fiz.
• 1:04:21
  Speaker 8: Aí não dá pra ser vovô garoto. Não dá.
• 1:04:25
  Speaker 6: Não dá não.
• 1:04:25
  Speaker 3: Fica feio. Fica feio. Total.
• 1:04:29
  Speaker 6: Total.
• 1:04:29
  Speaker 3: Tem que ser garotão quando é garotão. É.
• 1:04:32
  Speaker 6: E comprar o que tem vontade, né? Sim. Vontade de
• 1:04:35
  Speaker 6: comprar um carro. O cara compra o carro.
• 1:04:37
  Speaker 2: Tu comprou teu cavalinho?
• 1:04:39
  Speaker 5: Comprei.
• 1:04:39
  Speaker 6: Comprei um cavalo. Pegas os Big Dash. He's at the
• 1:04:45
  Speaker 6: ranch right now.
• 1:04:46
  Speaker 2: This one is awesome.
• 1:04:48
  Speaker 6: No.
• 1:04:48
  Speaker 3: It doesn't move much.
• 1:04:49
  Speaker 6: No, it's not. It's... It's half-blood, as we say. But
• 1:04:52
  Speaker 6: it was my first horse, right? The first bull I
• 1:04:55
  Speaker 6: dropped was on him. So... Pegasus. Pegasus Big Dash. Ah,
• 1:05:01
  Speaker 6: I thought it was a breed. No, it's his name.
• 1:05:05
  Speaker 6: It's his name. Then... Then his name is Pegasus Big Dash.
• 1:05:08
  Speaker 7: And.
• 1:05:13
  Speaker 6: They named his name Gastrite. Why? Because he only lives
• 1:05:18
  Speaker 6: with gastrite, my brother. It exists. No, it's not. Gastrite.
• 1:05:20
  Speaker 1: I said, no.
• 1:05:22
  Speaker 3: It's my first horse, leave it there.
• 1:05:23
  Speaker 6: And then I pay for his medicine. And now the
• 1:05:26
  Speaker 6: other one started to swallow, as we call it. It's
• 1:05:27
  Speaker 6: kind of a problem that the horse has. He starts
• 1:05:30
  Speaker 6: to swallow, it's bad. And then he started with this
• 1:05:41
  Speaker 6: thing of swallowing, and now it's ready. Oh my God.
• 1:05:43
  Speaker 6: You're already gastritis swallowing. But you have more horses?
• 1:05:48
  Speaker 3: But it was my first horse.
• 1:05:49
  Speaker 6: I have others.
• 1:05:50
  Speaker 3: You have some, right?
• 1:05:52
  Speaker 6: Yeah.
• 1:05:52
  Speaker 3: I think I have about 12 horses.
• 1:05:55
  Speaker 6: There are some. Damn, brother.
• 1:05:58
  Speaker 8: My dream is to set up a cebolona with 12
• 1:06:01
  Speaker 8: horses lined up, you know what I mean?
• 1:06:03
  Speaker 3: 12, man. You know what I mean? Wow.
• 1:06:06
  Speaker 2: Is it like a horse, man? I think it's awesome,
• 1:06:12
  Speaker 2: but I'm afraid.
• 1:06:12
  Speaker 6: There's going to be a auction now.
• 1:06:14
  Speaker 2: Call Igão.
• 1:06:14
  Speaker 6: There's going to be a auction now and I'm going
• 1:06:17
  Speaker 6: to invite you to buy a horse. You have to buy.
• 1:06:18
  Speaker 6: You have to buy a horse. No, you have to
• 1:06:21
  Speaker 6: buy a horse. I want to have a horse.
• 1:06:23
  Speaker 3: You have to buy a horse.
• 1:06:24
  Speaker 6: I'm going to call you. Your lot is here now.
• 1:06:27
  Speaker 6: Let's go. Tell me how much is the price of
• 1:06:29
  Speaker 6: a horse in these auctions.
• 1:06:30
  Speaker 3: Just so we know for Igão to buy. It depends
• 1:06:32
  Speaker 3: a lot. The cheapest.
• 1:06:41
  Speaker 2: It's a cheap one.
• 1:06:42
  Speaker 6: It's around 200,000. You're crazy. I'm going to buy 10.
• 1:06:43
  Speaker 1: The cheapest.
• 1:06:45
  Speaker 6: The cheapest 200. What is this?
• 1:06:46
  Speaker 7: You're going to tell me that I bought an animal
• 1:06:50
  Speaker 7: that is.
• 1:06:51
  Speaker 6: More expensive than her car. You're going to be crazy.
• 1:06:53
  Speaker 3: But then what happens?
• 1:06:54
  Speaker 6: There's a lot of the question... Today, thank God, the
• 1:06:59
  Speaker 6: herd has grown a lot. The corn field has grown
• 1:07:01
  Speaker 6: a lot too. You have a horse of 4 miles.
• 1:07:02
  Speaker 6: The auction, you know? So we like it, we love it.
• 1:07:05
  Speaker 6: You need to talk about values, but what is your.
• 1:07:08
  Speaker 3: Most expensive horse? How much is the price of a horse?
• 1:07:09
  Speaker 3: My most expensive? You have two? Talk about one at least.
• 1:07:14
  Speaker 6: My most expensive is an eagle that I bought, which
• 1:07:18
  Speaker 6: is the Big.
• 1:07:18
  Speaker 3: I bought it for 600 mil. But it was fresh.
• 1:07:27
  Speaker 6: But it was parceled, right? Until... Wow.
• 1:07:29
  Speaker 2: In the Petecas, it shouldn't be.
• 1:07:31
  Speaker 1: Three years.
• 1:07:32
  Speaker 6: I parceled it for three years.
• 1:07:34
  Speaker 3: But it will give the.
• 1:07:35
  Speaker 6: But then, what happens? I bought it for another, for another, right?
• 1:07:41
  Speaker 6: And then, her blood is very good, her lineage is
• 1:07:43
  Speaker 6: very good. But we stay in that of her being
• 1:07:46
  Speaker 6: good on the track, right? I bought it for another. So, like,
• 1:07:49
  Speaker 6: the horse can have a good lineage and such, and
• 1:07:51
  Speaker 6: many times... She didn't do well on the track, but
• 1:07:55
  Speaker 6: thank God, she comes to surprise me every day. So,
• 1:08:01
  Speaker 6: it's a value that I paid to sell for a
• 1:08:04
  Speaker 6: long time, but it's worth it. If God wills, it
• 1:08:08
  Speaker 6: will be worth it, right? When she starts... It will
• 1:08:12
  Speaker 6: be worth it, it will be worth it. I hope so.
• 1:08:15
  Speaker 6: When she starts to run the vaquejadas, but if God wills,
• 1:08:18
  Speaker 6: it will be worth it.
• 1:08:19
  Speaker 2: Do you still run vaquejadas?
• 1:08:21
  Speaker 6: I like it. I even will have now. Now? That's
• 1:08:25
  Speaker 6: what I wanted you to invite me. Done. You're invited.
• 1:08:28
  Speaker 6: There will be the beginning of the circuit. I don't
• 1:08:30
  Speaker 6: know if I can say. Which is the B.I.D. circuit
• 1:08:34
  Speaker 6: of Vaquejada. And then it will start a giant circuit.
• 1:08:37
  Speaker 6: It will start now. It will be the first. And
• 1:08:41
  Speaker 6: it's B.I.D.
• 1:08:42
  Speaker 3: Look at us, man.
• 1:08:43
  Speaker 1: We are.
• 1:08:44
  Speaker 6: It will be the first. It will be the first
• 1:08:46
  Speaker 6: in the club of Vaqueiro. Which is there in Aquiraz.
• 1:08:49
  Speaker 6: I'll even make my label there. Which is the original Moído.
• 1:08:54
  Speaker 6: stage 360, the guys are all close, stage low, forró
• 1:08:58
  Speaker 6: another year, no time to end. And then it will
• 1:09:02
  Speaker 6: be now at the Vaquejada Club, on the 18th. And
• 1:09:05
  Speaker 6: then I invite you there, man, it's very cool. And
• 1:09:08
  Speaker 6: then you both live the experience of the forró, the truck,
• 1:09:11
  Speaker 6: the vaquejada. So tell me three things that can't be
• 1:09:14
  Speaker 6: missing in a vaquejada.
• 1:09:20
  Speaker 3: In addition to the horse.
• 1:09:21
  Speaker 6: No. No. These ones will have. It's because there are
• 1:09:24
  Speaker 6: things that you only see in a vaquejada, my brother.
• 1:09:26
  Speaker 6: It's very good. It's like this. To be honest, I
• 1:09:30
  Speaker 6: don't know how I can say it, but it's a very, very,
• 1:09:34
  Speaker 6: very nice feeling. Very nice, like this. You wake up
• 1:09:37
  Speaker 6: in the truck there. Already the horse. Already in the
• 1:09:40
  Speaker 6: morning on your earlobe, my brother. For those who like it,
• 1:09:42
  Speaker 6: the guy wakes up in the morning with that lightness.
• 1:09:50
  Speaker 6: horse passing and you go to the corner there and
• 1:09:54
  Speaker 6: see the friends, contact with nature and everything, already see
• 1:09:57
  Speaker 6: the friends, already go there on the track, already see
• 1:09:59
  Speaker 6: who's running and everything, for those who like it, my brother,
• 1:10:02
  Speaker 6: it's something like that that I love from the heart,
• 1:10:06
  Speaker 6: a lot, a lot, a lot, I've always liked it
• 1:10:07
  Speaker 6: a lot.
• 1:10:07
  Speaker 8: In this race that will have, will there be some disputes,
• 1:10:10
  Speaker 8: some classics, like the capa louca came here?
• 1:10:13
  Speaker 6: There are categories, right? There are the categories, the amateur,
• 1:10:16
  Speaker 6: the aspirant, professional professional really is that comes that everyone
• 1:10:22
  Speaker 6: there is that afternoon a good boot and the other
• 1:10:26
  Speaker 6: boot also stays that.
• 1:10:27
  Speaker 3: Other thing is a million son of the level we
• 1:10:30
  Speaker 3: made now the little door right and I went to
• 1:10:32
  Speaker 3: the champion.
• 1:10:40
  Speaker 6: From the category of deadly games. Damn!
• 1:10:44
  Speaker 3: But what is that? What is that?
• 1:10:45
  Speaker 2: It's the ground that gives you the fall.
• 1:10:48
  Speaker 6: No, it's because the boys from the category of deadly
• 1:10:51
  Speaker 6: games were playing. When I went to knock down the
• 1:10:55
  Speaker 6: bull and the eagle that I was, which is the beak,
• 1:10:58
  Speaker 6: it tripped. And then when it tripped, I went forward
• 1:11:02
  Speaker 6: and then the bull passed over me.
• 1:11:04
  Speaker 3: What is that, man?
• 1:11:05
  Speaker 6: The horse passed over me. There's a video here. Where?
• 1:11:08
  Speaker 6: You were champion.
• 1:11:09
  Speaker 3: Can I see? I don't want to laugh at the misfortune, but.
• 1:11:12
  Speaker 7: But it's because we get very curious, bro. With the vaquejada,
• 1:11:16
  Speaker 7: we always want to go there, bro. Or B.I.D., if
• 1:11:20
  Speaker 7: you want to sponsor us.
• 1:11:21
  Speaker 3: Is anyone transmitting the vaquejada? It must be, bro. What?
• 1:11:27
  Speaker 3: Is Virginia going to transmit it?
• 1:11:29
  Speaker 2: She will be in the crowd.
• 1:11:31
  Speaker 3: Bro, don't give us.
• 1:11:32
  Speaker 2: We have to have a vehicle transmitting this. We'll show
• 1:11:34
  Speaker 2: it to the whole Brazil.
• 1:11:35
  Speaker 6: The whole Brazil, bro.
• 1:11:35
  Speaker 3: I'll ask for this.
• 1:11:37
  Speaker 6: Hey, Virgina.
• 1:11:38
  Speaker 2: Do you want the money of the whole world?
• 1:11:44
  Speaker 3: What did they do? It's all fucked up.
• 1:11:47
  Speaker 6: Look here, Mítica. The horse.
• 1:11:50
  Speaker 1: Trumps. What is.
• 1:11:53
  Speaker 6: This, man?
• 1:11:53
  Speaker 1: Then I raise it disoriented.
• 1:11:54
  Speaker 3: It's expensive to break like this, bro.
• 1:11:56
  Speaker 6: I raised it disoriented, look.
• 1:12:00
  Speaker 3: Hey bro!
• 1:12:02
  Speaker 1: What's up?
• 1:12:04
  Speaker 3: I'm digging a hole, man!
• 1:12:05
  Speaker 2: No, look here!
• 1:12:11
  Speaker 3: Man, he came out like.
• 1:12:13
  Speaker 6: He's full of dirt, my brother! I think I.
• 1:12:15
  Speaker 3: Have to put it back there! Man, you fell ugly!
• 1:12:18
  Speaker 3: Do you know when you get up and it looks
• 1:12:21
  Speaker 3: like you're drunk? Look, man! It's my brother! Fuck, he's
• 1:12:27
  Speaker 3: a bad guy, right?
• 1:12:30
  Speaker 6: I'm sorry, bro.
• 1:12:32
  Speaker 3: What's going on, bro? He's drunk, man.
• 1:12:37
  Speaker 6: Don't say that, bro.
• 1:12:38
  Speaker 1: My mom already thinks it's true.
• 1:12:41
  Speaker 6: No, but.
• 1:12:42
  Speaker 3: Hey, hey, hey.
• 1:12:43
  Speaker 2: Go fuck yourself, bro.
• 1:12:44
  Speaker 3: I showed you.
• 1:12:45
  Speaker 2: I searched on the internet, he fell off a horse.
• 1:12:48
  Speaker 6: He's in this category.
• 1:12:50
  Speaker 2: The.
• 1:12:50
  Speaker 6: Portinha Championship, right? He does the review and everything, but... Look, bro,
• 1:12:55
  Speaker 6: see if you understand.
• 1:12:56
  Speaker 1: I still.
• 1:12:56
  Speaker 6: No, it's fine. But I hope one day I can
• 1:12:59
  Speaker 6: run like that in the categories. But are you preparing
• 1:13:04
  Speaker 6: for that?
• 1:13:05
  Speaker 1: I'm training.
• 1:13:05
  Speaker 6: It's training, right? It's training. And I'm kind of with
• 1:13:08
  Speaker 6: this responsibility thing too. Are you going to get hurt
• 1:13:18
  Speaker 6: in this fall? In this fall, we talk like this,
• 1:13:21
  Speaker 6: but I could have been hurt. Seriously? Serious hurt. So,
• 1:13:25
  Speaker 6: you stay in this.
• 1:13:25
  Speaker 2: How much does an ego weigh like this?
• 1:13:29
  Speaker 6: In this responsibility. Because, brother, for those who love, even so,
• 1:13:34
  Speaker 6: we like, right?
• 1:13:35
  Speaker 3: We who are on this side can't even imagine.
• 1:13:37
  Speaker 6: Motocross, there are several sports like this.
• 1:13:40
  Speaker 2: Do you like motocross?
• 1:13:42
  Speaker 6: No, I like it too. I like it too, but motocross, trails, everything.
• 1:13:46
  Speaker 6: But it's dangerous, but for those who love it, my brother.
• 1:13:51
  Speaker 6: You know? It's the way the guy unwinds there too,
• 1:13:53
  Speaker 6: the moment of the guy. I run the risk and everything,
• 1:13:56
  Speaker 6: then I stay lighter. I don't stay in the worm,
• 1:13:59
  Speaker 6: as we say there, which is to be straight. I
• 1:14:02
  Speaker 6: go more relaxed, but... Unfortunately, what is the risk? But
• 1:14:06
  Speaker 6: I keep thinking about this thing of not hurting myself
• 1:14:08
  Speaker 6: so as not to compromise the show.
• 1:14:09
  Speaker 3: I see.
• 1:14:10
  Speaker 8: Please, Podpá makes a appeal, we want to broadcast the
• 1:14:14
  Speaker 8: X1 of the Wacky Jada.
• 1:14:15
  Speaker 3: Please, bro.
• 1:14:16
  Speaker 2: I want to be.
• 1:14:17
  Speaker 3: In all the X1 of the world.
• 1:14:18
  Speaker 6: Imagine us with the hat on our hands. Let's go now,
• 1:14:19
  Speaker 6: day 18, if you can go. But there will be several, bro,
• 1:14:23
  Speaker 6: there will be several. There will be several, several, several
• 1:14:25
  Speaker 6: stages of the circuit. I think Podpá has to start.
• 1:14:28
  Speaker 3: Getting involved with Wacky Jada, because our dream is to
• 1:14:30
  Speaker 3: broadcast this thing. And it's good.
• 1:14:34
  Speaker 6: It's good, and it's very good, because there's a lot
• 1:14:37
  Speaker 6: happening at the same time. Because we do a Moído.
• 1:14:44
  Speaker 6: Which is the show. Which is the show. And in
• 1:14:46
  Speaker 6: a truck there's a band playing there, another truck has
• 1:14:49
  Speaker 6: another band playing, another truck has a accordion playing, and
• 1:14:52
  Speaker 6: another truck there has a barbecue. It's the 21st. The
• 1:14:57
  Speaker 6: Moído is the 21st, right? It's the 21st. It's the
• 1:15:00
  Speaker 6: 21st now. Where's the Moído? On the club of Vaqueiro,
• 1:15:06
  Speaker 6: in Aquiraz.
• 1:15:07
  Speaker 3: Aquiraz.
• 1:15:07
  Speaker 1: Aquiraz.
• 1:15:08
  Speaker 6: Good, good. Sorry, guys. It's okay. Don't waste time. The
• 1:15:10
  Speaker 6: guys are screping.
• 1:15:11
  Speaker 3: So, a lot of things are happening at the same time. So,
• 1:15:13
  Speaker 3: you guys walking.
• 1:15:14
  Speaker 6: With someone, filming like this, bro, it's a lot of things.
• 1:15:17
  Speaker 6: That's what we want, bro. And you stop and interview someone,
• 1:15:21
  Speaker 6: and everything, and review. But it's very cool. I imagine
• 1:15:24
  Speaker 6: there are a lot of people who don't.
• 1:15:26
  Speaker 3: Even dream about it.
• 1:15:26
  Speaker 6: And if you guys go too, I believe it will...
• 1:15:32
  Speaker 6: We want to show how it really is, so that
• 1:15:34
  Speaker 6: people who don't know can get to know it better.
• 1:15:38
  Speaker 6: Whoever talks about vaquejada has a bright eye.
• 1:15:43
  Speaker 7: They say it's too good and we just keep imagining
• 1:15:46
  Speaker 7: how it should be.
• 1:15:46
  Speaker 3: When Maninho Vaqueiro came here and.
• 1:15:49
  Speaker 8: Said, when Capa Louca came here and said, the guys
• 1:15:52
  Speaker 8: say Wesley Safadão is sick in vaquejada and that he
• 1:15:56
  Speaker 8: is good.
• 1:15:57
  Speaker 3: No, he is.
• 1:15:58
  Speaker 6: He is?
• 1:15:58
  Speaker 5: What crazy, man.
• 1:16:00
  Speaker 3: He is good.
• 1:16:02
  Speaker 6: Wesley is really good.
• 1:16:03
  Speaker 3: Imagine making a singer's championship. Look at him. Look at him.
• 1:16:07
  Speaker 3: Look how crazy he is.
• 1:16:08
  Speaker 6: But Wesley.
• 1:16:09
  Speaker 3: Wesley can't do it anymore.
• 1:16:10
  Speaker 6: He can't anymore. It's another level.
• 1:16:12
  Speaker 3: He has to be professional. Who's one of your friends
• 1:16:14
  Speaker 3: who sang here? He's the best. Wesley is.
• 1:16:16
  Speaker 1: Is he?
• 1:16:16
  Speaker 6: Yeah.
• 1:16:16
  Speaker 3: He's crazy.
• 1:16:16
  Speaker 6: Have you ever played with your friends who sang here? What?
• 1:16:18
  Speaker 6: Have you ever played with your friends?
• 1:16:21
  Speaker 3: We've done a review there. Maninho was there. Maninho is
• 1:16:23
  Speaker 3: good too. He runs too.
• 1:16:32
  Speaker 6: He took a shirt from me.
• 1:16:33
  Speaker 2: He took it, didn't you see? He was like, wow,
• 1:16:36
  Speaker 2: look at this shirt.
• 1:16:37
  Speaker 6: It's true.
• 1:16:37
  Speaker 2: He liked it. My dream has always been to have
• 1:16:41
  Speaker 2: a shirt like this. He put this on for me.
• 1:16:45
  Speaker 6: How do I let the boy go? I think Nathan
• 1:16:47
  Speaker 6: is the same way.
• 1:16:48
  Speaker 2: He's very good.
• 1:16:49
  Speaker 3: Nathan, kiss Nathan.
• 1:16:49
  Speaker 2: We were at the Festive Vibe in Lisbon.
• 1:17:02
  Speaker 6: Then she looked at me, then she looked at my watch,
• 1:17:05
  Speaker 6: then she said, damn, the watch is awesome. This watch
• 1:17:09
  Speaker 6: is beautiful, man, my dream was to have a watch
• 1:17:11
  Speaker 6: like this. Get out, Nathan. Don't fall for this one anymore.
• 1:17:13
  Speaker 6: This one doesn't suit me, it won't get me in
• 1:17:16
  Speaker 6: this one.
• 1:17:16
  Speaker 3: You already have a lot of money, stop with this shit.
• 1:17:18
  Speaker 1: He's good.
• 1:17:19
  Speaker 6: He's good, he's unrollable, even so. Man, Nathanzinho, he's unrollable, man.
• 1:17:22
  Speaker 3: Remember when we met him for the first time?
• 1:17:25
  Speaker 8: It was love for the first time.
• 1:17:26
  Speaker 3: Is it a ladder? What does he say?
• 1:17:31
  Speaker 2: He played the scale, the guitar.
• 1:17:33
  Speaker 6: He's very talented.
• 1:17:34
  Speaker 3: I ate pasta with shrimp, I almost died. And he
• 1:17:37
  Speaker 3: kept singing all night. He went home and sang. He
• 1:17:40
  Speaker 3: didn't stop singing. This is a singer. If you let him,
• 1:17:43
  Speaker 3: he'll keep singing.
• 1:17:44
  Speaker 6: He likes it. He likes it.
• 1:17:45
  Speaker 3: Are you like that too, Zé? Like.
• 1:17:47
  Speaker 8: Who likes to sing in any place?
• 1:17:50
  Speaker 2: Because from what I'm realizing, his life was singing.
• 1:17:52
  Speaker 3: I like it.
• 1:17:52
  Speaker 6: I like it. Even if there's an opportunity like that,
• 1:17:56
  Speaker 6: the guy can sing very well. I like it.
• 1:17:58
  Speaker 7: What else do you like? What do you like to
• 1:18:00
  Speaker 7: do the most? Do you like to go out? And
• 1:18:02
  Speaker 7: when you're relaxed, what do you like to do the most?
• 1:18:05
  Speaker 6: Like.
• 1:18:05
  Speaker 2: Free time, right?
• 1:18:05
  Speaker 3: When you're free time.
• 1:18:07
  Speaker 6: Yeah.
• 1:18:09
  Speaker 3: Don't say sing, fuck.
• 1:18:10
  Speaker 6: No. I like to sing.
• 1:18:13
  Speaker 3: No, but when you... Even when you're not working? Yeah.
• 1:18:16
  Speaker 6: Even when I'm not working.
• 1:18:18
  Speaker 3: You're committed to that. Yeah. With friends to sing? Yeah.
• 1:18:21
  Speaker 6: I like it. When there's something like that, it's a birthday,
• 1:18:25
  Speaker 6: something very, very.
• 1:18:27
  Speaker 3: I don't know.
• 1:18:30
  Speaker 6: I don't know how to say it, but it's like a...
• 1:18:33
  Speaker 6: A therapy?
• 1:18:33
  Speaker 3: Yeah.
• 1:18:33
  Speaker 6: That thing about the bags that scare you?
• 1:18:36
  Speaker 3: Yes.
• 1:18:36
  Speaker 6: I relax a lot when I'm singing and everything. I
• 1:18:39
  Speaker 6: still have the same thing of singing with my eyes closed.
• 1:18:41
  Speaker 6: It's like if I were... Traveling, right?
• 1:18:43
  Speaker 3: Yeah.
• 1:18:44
  Speaker 6: It's like if I were singing for myself, you know?
• 1:18:48
  Speaker 6: It's like if I were doing... Giving an example here, it's...
• 1:18:53
  Speaker 6: Something that you can relax there when you're doing... It's
• 1:18:56
  Speaker 6: almost a meditation for you.
• 1:18:57
  Speaker 3: Yeah.
• 1:18:57
  Speaker 6: I like it a lot. Wow, that's awesome, bro. Because... Working... Obviously.
• 1:19:01
  Speaker 8: Working with music is awesome, but when you love it
• 1:19:04
  Speaker 8: at this level.
• 1:19:10
  Speaker 8: I think there's no show that's bad, the guy makes.
• 1:19:13
  Speaker 6: The eye there, man... I like it a lot, man.
• 1:19:16
  Speaker 6: I believe that success comes from many things, right? It's
• 1:19:21
  Speaker 6: really you treat people well, you respect people, you get
• 1:19:24
  Speaker 6: to places and leave the door open so you can
• 1:19:28
  Speaker 6: come back. So I believe that all of this is
• 1:19:31
  Speaker 6: part of a career construction, right? So I believe that
• 1:19:36
  Speaker 6: it involves a lot of things. So when I, for
• 1:19:38
  Speaker 6: many times... When I go up on stage, sometimes I
• 1:19:44
  Speaker 6: get a little upset or something. Sometimes it's a stressful day.
• 1:19:51
  Speaker 6: And when I get on stage, my brother, it's everything.
• 1:19:55
  Speaker 6: It's everything. It's everything. Here is my moment. And the
• 1:20:01
  Speaker 6: head is focused....
• 1:20:06
  Speaker 2: So when the show is over, even.
• 1:20:09
  Speaker 3: You get sad.
• 1:20:10
  Speaker 6: I always liked to attend, I attend before, I do
• 1:20:15
  Speaker 6: the show and I attend later when I don't have
• 1:20:19
  Speaker 6: a flight. I always liked to attend.
• 1:20:21
  Speaker 7: I was going to ask you, but I imagine that everyone,
• 1:20:24
  Speaker 7: but were there any shows that were memorable for you?
• 1:20:28
  Speaker 7: And if there were, which ones could you comment with us? Like,
• 1:20:31
  Speaker 7: there was a show in such and such place, there
• 1:20:32
  Speaker 7: was a show that had... There were so many people.
• 1:20:36
  Speaker 7: There was no one else, but it was awesome.
• 1:20:38
  Speaker 6: There was no one else. It's funny.
• 1:20:43
  Speaker 3: There was always someone else.
• 1:20:44
  Speaker 6: There was always someone else. There was always someone else.
• 1:20:47
  Speaker 6: There was always someone else. There was always someone else.
• 1:20:51
  Speaker 6: There was always someone else. There was always someone else.
• 1:20:54
  Speaker 6: There was always someone else. There was always someone else.
• 1:20:57
  Speaker 6: There was always someone else. It was very remarkable. Several
• 1:21:07
  Speaker 6: times I did a show for four people, eight people,
• 1:21:12
  Speaker 6: very few people.
• 1:21:13
  Speaker 3: And it was a great show, right? I always gave myself.
• 1:21:15
  Speaker 6: I always gave myself a lot. But when we are
• 1:21:18
  Speaker 6: going to do a show in the north of the country,
• 1:21:23
  Speaker 6: I don't know how to explain it. It's a different
• 1:21:32
  Speaker 6: vibration when we get there. There are shows that I've
• 1:21:36
  Speaker 6: already been to.
• 1:21:37
  Speaker 2: It's a little too hot, right?
• 1:21:39
  Speaker 6: I don't know how to explain it, but there are
• 1:21:42
  Speaker 6: shows that... It's a vibration. I don't know how to
• 1:21:47
  Speaker 6: explain it, but when we get there, the shows there are.
• 1:21:55
  Speaker 3: They are intense, they are strong.
• 1:21:57
  Speaker 6: I don't know, explain it.
• 1:21:59
  Speaker 8: What I feel is that, geographically, the north of the
• 1:22:02
  Speaker 8: country is very high, obviously. But it's not all the
• 1:22:07
  Speaker 8: time that Zé Vaqueiro is in Roraima. It's not all
• 1:22:11
  Speaker 8: the time. So when he goes, people say, my God,
• 1:22:13
  Speaker 8: Zé Vaqueiro here in Roraima.
• 1:22:14
  Speaker 3: Let's go there, everyone.
• 1:22:15
  Speaker 2: Let's go there, no, let's lose. It's like an event,
• 1:22:18
  Speaker 2: you know? So I think that's why, man.
• 1:22:20
  Speaker 6: Me too.
• 1:22:22
  Speaker 3: When I go to Manaus, I'm crazy. I'm from Belém, man.
• 1:22:23
  Speaker 3: And I know that people there like to go to shows.
• 1:22:25
  Speaker 3: They like that. So I've been to a lot of
• 1:22:29
  Speaker 3: shows there. Especially in Xande, on the plane. So, Garota Safada, anyway...
• 1:22:33
  Speaker 3: The show at the Forró plane should be closed there, right?
• 1:22:35
  Speaker 3: It was a warning, right? They said, man, today there's
• 1:22:39
  Speaker 3: a show at the Forró plane.
• 1:22:41
  Speaker 7: Get ready, the traffic will be shit. So the people
• 1:22:43
  Speaker 7: in the city schedule themselves as.
• 1:22:51
  Speaker 3: The show that will be in the city, man. So
• 1:22:53
  Speaker 3: this is very crazy.
• 1:22:54
  Speaker 7: So I understand you, because really several singers came here
• 1:22:57
  Speaker 7: and said, man, to the north.
• 1:22:58
  Speaker 3: Then I say Belém, they say Belém.
• 1:22:59
  Speaker 6: It's unanimity.
• 1:23:00
  Speaker 3: The north is unanimity. People are crazy.
• 1:23:02
  Speaker 7: Crazy that I speak positively. Go to enjoy the show,
• 1:23:06
  Speaker 7: you know? Drink a break and dance all night, man.
• 1:23:08
  Speaker 6: You see that people are enjoying it, right? The show
• 1:23:12
  Speaker 6: that I did in the northern region is....
• 1:23:19
  Speaker 3: It's cool, man.
• 1:23:20
  Speaker 6: It's always like that, even in terms of service. As
• 1:23:23
  Speaker 6: you said, sometimes it's very far and sometimes it takes
• 1:23:28
  Speaker 6: us a while to get back. There are some cities
• 1:23:30
  Speaker 6: that we come back to, there are some that take longer,
• 1:23:33
  Speaker 6: there are others that take less time. But when we go,
• 1:23:35
  Speaker 6: I always give priority to doing a great show, but
• 1:23:39
  Speaker 6: to attend first and stay later when there's no flight.
• 1:23:43
  Speaker 6: Then I'll stay and attend in the afternoon. It's the
• 1:23:47
  Speaker 6: last person.
• 1:23:48
  Speaker 3: Even the people get tired.
• 1:23:50
  Speaker 6: No, I keep attending. I've been attending for two, three hours.
• 1:23:55
  Speaker 6: That's cool. More time than the show itself, because I
• 1:23:57
  Speaker 6: get more... The people who are here are... To see you.
• 1:24:02
  Speaker 6: To take a picture to see me and such. There
• 1:24:04
  Speaker 6: will be a minute with you. It's a change too.
• 1:24:07
  Speaker 6: Besides the show, I also believe that there is a change.
• 1:24:09
  Speaker 6: There is a change of affection. It's the opportunity for
• 1:24:12
  Speaker 6: the person to be able to... To know the opportunity
• 1:24:15
  Speaker 6: of the person to take a picture with you, to
• 1:24:17
  Speaker 6: leave that moment recorded, you know? Sometimes I go out
• 1:24:20
  Speaker 6: with my heart tight when we have to go out
• 1:24:22
  Speaker 6: on the run, right? That you can't serve everyone, the
• 1:24:25
  Speaker 6: boys of the band. I say, Marcio, don't be afraid
• 1:24:27
  Speaker 6: to go out, Marcio, because you won't get it. Otherwise,
• 1:24:31
  Speaker 6: you'll lose the flight and stuff, and sometimes I stay
• 1:24:34
  Speaker 6: with my heart tight because I've always had this thing
• 1:24:36
  Speaker 6: of wanting to serve everyone, right? Always, always, always. And
• 1:24:40
  Speaker 6: those who work with me know.
• 1:24:45
  Speaker 1: And I think that.
• 1:24:45
  Speaker 8: The singer, for the people who are fans, is in
• 1:24:49
  Speaker 8: a different place. Like, I don't know, a person who
• 1:24:51
  Speaker 8: is a fan of an actor, depending on the role,
• 1:24:54
  Speaker 8: it's cool, but when you're a fan of the singer,
• 1:24:56
  Speaker 8: the songs enter a lot.
• 1:24:57
  Speaker 2: Into the person's life. Wow, this song by Zé is
• 1:25:00
  Speaker 2: this for me.
• 1:25:00
  Speaker 3: It was such a moment in my life.
• 1:25:01
  Speaker 8: Such a song, I was screwed and this song helped me. Damn,
• 1:25:03
  Speaker 8: this song is my song with my wife.
• 1:25:05
  Speaker 3: You know?
• 1:25:05
  Speaker 8: So it's a lot of history, you're very much in
• 1:25:07
  Speaker 8: people's lives and you're not even connected, you know?
• 1:25:09
  Speaker 3: So it's very important.
• 1:25:10
  Speaker 6: A lot of people come saying that, right? It's the
• 1:25:14
  Speaker 6: love of my life, the love of my son. And
• 1:25:17
  Speaker 6: it also reminds you of moments in the life of
• 1:25:19
  Speaker 6: the person. A lot of people comment on this issue
• 1:25:23
  Speaker 6: of being related to the mother. So, as you're saying,
• 1:25:26
  Speaker 6: we enter a little into the lives of people. Completely.
• 1:25:28
  Speaker 6: And I thank the people who open the doors, open
• 1:25:30
  Speaker 6: the space for us to be able to enter their lives.
• 1:25:36
  Speaker 6: in a musical way, and that's really cool.
• 1:25:39
  Speaker 3: This is the soundtrack of a lot of people's lives, man.
• 1:25:41
  Speaker 8: And for now, brother, are you seeing any projects? Are
• 1:25:44
  Speaker 8: you with any launch planned?
• 1:25:46
  Speaker 6: We're going to record now, on Moído, we're going to
• 1:25:48
  Speaker 6: release a single on Moído, we're going to do the recording.
• 1:25:52
  Speaker 6: Are you going to record the whole show? No, we're
• 1:25:54
  Speaker 6: going to record only the single. We're still looking for
• 1:25:58
  Speaker 6: the songs, right, to be able to record there. And
• 1:26:01
  Speaker 6: then we're going to record this single there, we're doing
• 1:26:03
  Speaker 6: this label, which is Moído, The original. It's going to
• 1:26:07
  Speaker 6: be on the 21st at the club. Where's the 28th?
• 1:26:11
  Speaker 6: It's the 28th, right? The 28th, Rio de Janeiro. In
• 1:26:13
  Speaker 6: the Hall space. Moído. It's going to be me and
• 1:26:16
  Speaker 6: Amari there. And then, we're going to make this label.
• 1:26:24
  Speaker 6: And the projects that we're going to release in Moído, right?
• 1:26:27
  Speaker 6: We're going to record in Moído.
• 1:26:28
  Speaker 7: So everything in Moído is going to be new there too.
• 1:26:32
  Speaker 2: So, go to Moído, man.
• 1:26:33
  Speaker 8: If you're going to Moído from your side, you go.
• 1:26:37
  Speaker 3: And how is your life, your routine, bro? A lot
• 1:26:40
  Speaker 3: of shows, how is your life?
• 1:26:42
  Speaker 6: We left the holidays, right? It was... 12 days, I think.
• 1:26:45
  Speaker 6: Only 12 days of holidays? Yeah, after the carnival. And
• 1:26:50
  Speaker 6: then we went, did the festival, and now we're back
• 1:26:51
  Speaker 6: to the show routine. We're going back more intense now.
• 1:26:55
  Speaker 6: And until São João... Mauleira.
• 1:27:02
  Speaker 2: And when does São João arrive?
• 1:27:05
  Speaker 6: São João is a whole month of madness. It's going
• 1:27:08
  Speaker 6: to be three months of madness, to be honest. It's
• 1:27:10
  Speaker 6: going to be June, July and August.
• 1:27:11
  Speaker 3: It's because it's a month to prepare.
• 1:27:14
  Speaker 6: One month is São João.
• 1:27:15
  Speaker 3: And the other month is ressaca. To say goodbye.
• 1:27:18
  Speaker 6: It's the middle of São João. The July that we
• 1:27:21
  Speaker 6: call São Julião.
• 1:27:23
  Speaker 3: São Julião.
• 1:27:23
  Speaker 6: And then August, which is already giving a way. It's
• 1:27:28
  Speaker 6: like Carnaval, brother.
• 1:27:28
  Speaker 3: It's been running, brother.
• 1:27:31
  Speaker 6: I ran, but it was very good, thank God. I ran.
• 1:27:33
  Speaker 3: Where did the carnival end?
• 1:27:35
  Speaker 6: How was it?
• 1:27:36
  Speaker 3: Difficult, but it went well. I ran a lot.
• 1:27:38
  Speaker 6: I ran a lot.
• 1:27:40
  Speaker 3: There were four days like this.
• 1:27:42
  Speaker 6: Crazy. Intense. How many were they? Six? Six? Seven? But
• 1:27:44
  Speaker 6: you don't even compare what is São João, right? São
• 1:27:48
  Speaker 6: João I'm going to do 40. In June I do 48, right?
• 1:28:00
  Speaker 6: What is this, man? There's no day like this. Is
• 1:28:02
  Speaker 6: it 48th? June?
• 1:28:03
  Speaker 9: June?
• 1:28:03
  Speaker 3: June?
• 1:28:05
  Speaker 2: 45th.
• 1:28:07
  Speaker 6: It's 45th. 45th. 45th, in June. Bro. What is this?
• 1:28:09
  Speaker 6: There's no day like this, man.
• 1:28:11
  Speaker 1: Fuck, bro.
• 1:28:12
  Speaker 2: Congratulations. You worked a lot for this.
• 1:28:14
  Speaker 3: Yeah, right?
• 1:28:15
  Speaker 6: Yeah. 70 for two months.
• 1:28:19
  Speaker 3: The goal. The goal. 70 shows, brother. Ah, can I.
• 1:28:23
  Speaker 6: Buy the horse?
• 1:28:25
  Speaker 3: You can. You can pay for his horse. You can
• 1:28:27
  Speaker 3: pay for his horse.
• 1:28:28
  Speaker 6: You'll see. When you buy the horse at the auction,
• 1:28:31
  Speaker 6: you'll see how cool it is.
• 1:28:33
  Speaker 2: If he closes a 70 show for me, I'll buy it.
• 1:28:36
  Speaker 3: 70 shows. Let's go.
• 1:28:39
  Speaker 7: Close a vaquejada for us to transmit. Oh, man, vaquejadas
• 1:28:42
  Speaker 7: of this Brazil. If you want a partnership with Podpá,
• 1:28:45
  Speaker 7: give us a salve, man, for us to transmit.
• 1:28:47
  Speaker 3: I'm asking from the bottom of my heart. Me and
• 1:28:50
  Speaker 3: Igão would.
• 1:28:51
  Speaker 7: Go with an open heart and very happy to transmit
• 1:28:53
  Speaker 7: this party to more people.
• 1:28:56
  Speaker 8: I want to know him I want I want to
• 1:28:58
  Speaker 8: be on top of a truck brother crazy of life
• 1:29:01
  Speaker 8: happy you're going to want to buy a car I
• 1:29:04
  Speaker 8: want to learn how to tie a ox then okay
• 1:29:07
  Speaker 8: then there I get excited you get excited you get
• 1:29:08
  Speaker 8: excited these things.
• 1:29:09
  Speaker 3: I want to talk.
• 1:29:10
  Speaker 8: About the show you're putting on your show and such
• 1:29:12
  Speaker 8: that he said bro you even said there was one
• 1:29:14
  Speaker 8: that I even shot bro I saw a video I
• 1:29:16
  Speaker 8: don't know if you've ever seen there's a show of
• 1:29:18
  Speaker 8: yours with a woman knock out a guy she takes.
• 1:29:21
  Speaker 6: The It was at Camarote... It was at Camarote Villa
• 1:29:26
  Speaker 6: in Salvador. But I only saw the video afterwards, right?
• 1:29:30
  Speaker 6: At the time you didn't even see it. At the
• 1:29:32
  Speaker 6: time I didn't see anything. At the time I didn't
• 1:29:35
  Speaker 6: see that scene from the stage, no. I only saw
• 1:29:37
  Speaker 6: the video afterwards and I thought, bro, it's me singing,
• 1:29:40
  Speaker 6: what the hell is this? Then I said, ah, it
• 1:29:42
  Speaker 6: was at Camarote. I think it was Murro da... It was, man.
• 1:29:51
  Speaker 6: The guy was knocked down. I only saw that it
• 1:29:53
  Speaker 6: was me singing afterwards. But I didn't see that scene
• 1:29:56
  Speaker 6: from the stage. We thought you had seen it. I
• 1:29:58
  Speaker 6: didn't see anything.
• 1:29:58
  Speaker 3: I only saw the video afterwards.
• 1:29:59
  Speaker 6: And it took me a while to see that it
• 1:30:01
  Speaker 6: was me singing. That it was at my show. But
• 1:30:05
  Speaker 6: he must have gotten better. I laughed a lot, bro.
• 1:30:08
  Speaker 3: I laughed, I laughed, I laughed. Because it's a mess.
• 1:30:10
  Speaker 6: But sometimes at your show it must happen. You've seen
• 1:30:13
  Speaker 6: some things like that, right?
• 1:30:15
  Speaker 3: No, of everything.
• 1:30:20
  Speaker 7: What were the craziest things you've ever seen?
• 1:30:21
  Speaker 2: And the fan that must be Ivan, man. The fan
• 1:30:24
  Speaker 2: is crazy, right?
• 1:30:25
  Speaker 3: No, for sure. What crazy things have you ever seen
• 1:30:27
  Speaker 3: at your show?
• 1:30:29
  Speaker 6: Man, these fights... There are always fights. Yeah.
• 1:30:32
  Speaker 3: You say hi to the guys, but it's not just.
• 1:30:36
  Speaker 3: Hello, hello, hello, hello, hello.
• 1:30:38
  Speaker 6: Hello, hello, hello, hello. And there are some guys who
• 1:31:01
  Speaker 6: are crazy for hello.
• 1:31:02
  Speaker 3: What is a special hello?
• 1:31:03
  Speaker 6: No, these guys who are crazy for hello are really
• 1:31:06
  Speaker 6: crazy for hello. So he stays here, waiting for you
• 1:31:08
  Speaker 6: to say hello, just like the plaster dog. Here, waiting
• 1:31:12
  Speaker 6: for you to say hello to him. While you don't
• 1:31:14
  Speaker 6: say it, he stays here. When you say it, he forgets.
• 1:31:20
  Speaker 6: The best! The best! You have to say hello, bro.
• 1:31:22
  Speaker 6: You have to say hello.
• 1:31:26
  Speaker 1: And then I had this.
• 1:31:29
  Speaker 3: Thing of saying hello.
• 1:31:30
  Speaker 8: All the boys were saying, my brother, this singer is the.
• 1:31:33
  Speaker 6: Best, my brother. Then I talked to Xande, I watched
• 1:31:35
  Speaker 6: a lot of Xande's shows, Zé Cantor's too.
• 1:31:48
  Speaker 2: That the guys are.
• 1:31:49
  Speaker 6: The heirs of Alô. I'm sure that Xande already.
• 1:31:52
  Speaker 8: Closed a deal, I don't know, I'm guessing, 30 thousand reais,
• 1:31:55
  Speaker 8: let's go there. And he left with more money from Alô. No,
• 1:31:59
  Speaker 8: that's for sure.
• 1:32:00
  Speaker 3: And the Alô.
• 1:32:01
  Speaker 6: He sends is different. It's that Alô, right? It's that
• 1:32:05
  Speaker 6: Alô that in the song you sing the Alô.
• 1:32:07
  Speaker 3: Damn!
• 1:32:07
  Speaker 10: How many perfect salves.
• 1:32:11
  Speaker 1: Did I send?
• 1:32:11
  Speaker 2: No, 3D entertainment.
• 1:32:12
  Speaker 6: You're crazy.
• 1:32:13
  Speaker 3: Several Alôs that I sang.
• 1:32:18
  Speaker 7: And besides, you leave a big person.
• 1:32:20
  Speaker 6: No, no. Imagine you're at the show. I'm not going
• 1:32:24
  Speaker 6: to lie.
• 1:32:25
  Speaker 1: I'm not lying.
• 1:32:26
  Speaker 6: When I'm at the show, enjoying, and the guy says
• 1:32:29
  Speaker 6: hello to me, I like it.
• 1:32:31
  Speaker 8: Oh, fuck!
• 1:32:32
  Speaker 3: You're crazy.
• 1:32:33
  Speaker 6: I'm at the show, I like it, bro. I'm tired
• 1:32:36
  Speaker 6: of being at Chanda's show, enjoying his show like this.
• 1:32:39
  Speaker 6: And then it's different, right? Because he doesn't send Zé Vaqueira. Hello,
• 1:32:44
  Speaker 6: José Jacques! Then he said my name, and I was like, bro,
• 1:32:47
  Speaker 6: you're crazy.
• 1:32:48
  Speaker 3: You feel great.
• 1:32:49
  Speaker 2: José Jacques is me, man.
• 1:32:50
  Speaker 6: That's right.
• 1:32:50
  Speaker 3: It's JJ.
• 1:32:51
  Speaker 6: And it's like... If we don't go to your concert,
• 1:32:53
  Speaker 6: you don't say hello to us.
• 1:32:55
  Speaker 3: No, you have to send it, right? Today I learned.
• 1:32:58
  Speaker 3: Before I didn't.
• 1:32:58
  Speaker 6: Send it, I don't know why. I was ashamed. I
• 1:33:00
  Speaker 6: didn't know how to send it. I spoke too fast, like, hello,
• 1:33:03
  Speaker 6: how are you? The guy didn't even understand.
• 1:33:11
  Speaker 3: How would it be a hello to us now?
• 1:33:13
  Speaker 10: Hello, Igão, my strong boss. Hello, Mítico, my son, let's
• 1:33:18
  Speaker 10: go to the helicopter later, okay?
• 1:33:19
  Speaker 6: To home, no, forget it. The helicopter is with you, Mítico.
• 1:33:24
  Speaker 3: We're together, my strong boss.
• 1:33:26
  Speaker 10: Today the bill is yours, because I know you're fine
• 1:33:30
  Speaker 10: with money, the table is full.
• 1:33:32
  Speaker 6: The guy has to leave the guy big, right?
• 1:33:38
  Speaker 8: When Natan explained this to me, he said that he
• 1:33:40
  Speaker 8: gives a moral to the guys, he said like this,
• 1:33:43
  Speaker 8: my brother, go already calling the jet.
• 1:33:45
  Speaker 6: That is ending the show.
• 1:33:47
  Speaker 10: And today we are going away from your jet, you know?
• 1:33:51
  Speaker 2: Brother, the guy leaves the party like this.
• 1:33:53
  Speaker 6: No, forget it. He's running in his stomach. Hello, I
• 1:33:56
  Speaker 6: don't know who, hello, hello, doctor, hello, hello, my friend.
• 1:34:04
  Speaker 6: My friend, Igão. Hello, my friend-brother.
• 1:34:11
  Speaker 1: Our friend-brother.
• 1:34:12
  Speaker 6: It just increases the degree of intimacy in the hello.
• 1:34:17
  Speaker 3: My boss.
• 1:34:18
  Speaker 6: It's mine and it's expensive. And then there's the quantity too.
• 1:34:23
  Speaker 6: It's not just one hello. There's a hello spoken, there's
• 1:34:28
  Speaker 6: a hello sung, there's a hello stopped. I want to
• 1:34:31
  Speaker 6: send a big hug to my friend Mito, my friend Igão,
• 1:34:34
  Speaker 6: who are here at my show today. Thank you very
• 1:34:37
  Speaker 6: much for your presence, my friend. You are always with
• 1:34:40
  Speaker 6: me in the special moments. I love you, my friends.
• 1:34:43
  Speaker 6: At that moment, my uncle already made a debt. Then
• 1:34:46
  Speaker 6: you do this, and then at.
• 1:34:48
  Speaker 3: Another moment of the show he sends a hello again. No,
• 1:34:50
  Speaker 3: forget it. And I like that you take me away.
• 1:34:52
  Speaker 6: You say, do you know Zé Vaqueiro?
• 1:34:54
  Speaker 3: I say.
• 1:34:57
  Speaker 2: You're crazy. I worked at the car wash.
• 1:35:00
  Speaker 6: You're crazy.
• 1:35:01
  Speaker 2: I ate pizza there, man.
• 1:35:03
  Speaker 3: I shared a pizza.
• 1:35:03
  Speaker 2: With the chicken.
• 1:35:05
  Speaker 3: I ate a hot green banana.
• 1:35:07
  Speaker 6: Wait a minute. You're coming now. I painted with him
• 1:35:09
  Speaker 6: the car at the parking lot.
• 1:35:12
  Speaker 8: I tried to take the glue off the van.
• 1:35:14
  Speaker 3: We took a catapult together when he was little. That's good.
• 1:35:17
  Speaker 2: That's good, man.
• 1:35:17
  Speaker 3: That's good.
• 1:35:18
  Speaker 6: That's good.
• 1:35:19
  Speaker 1: That's good.
• 1:35:28
  Speaker 3: Could you sing for us? Let's go.
• 1:35:29
  Speaker 6: Wow.
• 1:35:29
  Speaker 3: Do you have a guitar there?
• 1:35:31
  Speaker 6: As you wish, brother.
• 1:35:32
  Speaker 3: Do you have a guitar there? Do you have a
• 1:35:36
  Speaker 3: guitar player? Production. Okay.
• 1:35:42
  Speaker 2: But you don't know if it's tuned, right?
• 1:35:44
  Speaker 6: No.
• 1:35:45
  Speaker 2: Then leave it with the musician, right?
• 1:35:47
  Speaker 3: Fido Piseiro, I'm addicted to you, brother.
• 1:35:50
  Speaker 2: It's been a few months already.
• 1:35:54
  Speaker 6: It's good, man. I've been following him since he was
• 1:35:56
  Speaker 6: a kid. He used to do some birthday parties. He
• 1:35:59
  Speaker 6: used to do a lot of stuff. He used to
• 1:36:02
  Speaker 6: do some birthday parties, some parties like that. He sings
• 1:36:05
  Speaker 6: in restaurants. But not the first time, right? When we
• 1:36:09
  Speaker 6: were together now, which was at Pau de Forró, which
• 1:36:13
  Speaker 6: is Zé Cantor's. The name of the event is Pau
• 1:36:16
  Speaker 6: de Forró, you know? Very cool.
• 1:36:17
  Speaker 2: Here he is.
• 1:36:18
  Speaker 3: And then we sang.
• 1:36:19
  Speaker 6: But when he entered the stage, my brother... Acabou com tudo.
• 1:36:25
  Speaker 1: O cara.
• 1:36:27
  Speaker 6: Mas, do nada, ele escalou. Abriu a escala no meio.
• 1:36:32
  Speaker 4: Meu irmão, que cara maluco!
• 1:36:35
  Speaker 3: Ele é maluco.
• 1:36:36
  Speaker 1: Macho, no meio do show.
• 1:36:37
  Speaker 6: Mas, esse aqui é artista mesmo.
• 1:36:39
  Speaker 3: Ele pode estar no Maracanã.
• 1:36:40
  Speaker 6: Não, esquece. Lá na minha casa.
• 1:36:42
  Speaker 3: Ele vai fazer a mesma performance. Ele já chega quebrando tudo.
• 1:36:46
  Speaker 6: Vem, gira e... E canta pra caralho também, né?
• 1:36:49
  Speaker 3: Muito.
• 1:36:50
  Speaker 6: Peraí, vamos.
• 1:36:52
  Speaker 1: Vite.
• 1:36:52
  Speaker 3: Is it tuned?
• 1:36:53
  Speaker 2: It's the air conditioning, right, guys? I've already seen Paula
• 1:36:56
  Speaker 2: Fernandes talking about it.
• 1:36:57
  Speaker 8: The air conditioning is Zou and the instrument.
• 1:37:01
  Speaker 3: It's true.
• 1:37:02
  Speaker 2: Look at Faustão, huh?
• 1:37:05
  Speaker 3: It's been a while since I... It's out of tune.
• 1:37:07
  Speaker 6: Do you want to go to the playback?
• 1:37:08
  Speaker 2: Let's go, you tell me.
• 1:37:09
  Speaker 6: Is there a playback there? Is there a BG?
• 1:37:13
  Speaker 3: BG?
• 1:37:14
  Speaker 6: What is BG?
• 1:37:16
  Speaker 3: BG?
• 1:37:16
  Speaker 6: Do you know how to tune?
• 1:37:17
  Speaker 3: It's for Rio.
• 1:37:18
  Speaker 1: Do you know how.
• 1:37:20
  Speaker 3: To tune? Damn it. Yeah, some people will have to
• 1:37:24
  Speaker 3: tune this plane, because.
• 1:37:25
  Speaker 6: I'm tuning the plane of.
• 1:37:27
  Speaker 2: Here, man, I grew up with Zé Vaqueiro, man. I'm
• 1:37:31
  Speaker 2: tuning the violin.
• 1:37:32
  Speaker 6: Of Nile, because once I went to tune the violin
• 1:37:35
  Speaker 6: of Corda de Aço, my brother. It broke. The thing
• 1:37:38
  Speaker 6: is tough on my face, the string. God, what a pain.
• 1:37:41
  Speaker 6: I don't... I don't face it anymore. Man, without anything, man.
• 1:37:47
  Speaker 3: I don't know anything. But where are you going to play?
• 1:37:50
  Speaker 2: He's getting the playback, the equipment.
• 1:37:53
  Speaker 6: I only learned in the tora, like pork meat. Because
• 1:37:58
  Speaker 6: I didn't learn numbers, I didn't learn notes, I didn't
• 1:38:02
  Speaker 6: learn anything.
• 1:38:03
  Speaker 3: Just playing?
• 1:38:04
  Speaker 6: No, I looked at the numbers here, then I learned A, B,
• 1:38:08
  Speaker 6: and where I put them. And then I had to
• 1:38:10
  Speaker 6: learn fast to be able to make the videos on
• 1:38:12
  Speaker 6: the internet, right? Yeah, to make the video, to show
• 1:38:16
  Speaker 6: the work. I was decorating where was the A, where
• 1:38:18
  Speaker 6: was the B, where was the C, M. Then there's
• 1:38:20
  Speaker 6: the C, the old game, the M, which today I
• 1:38:28
  Speaker 6: know how to play the minor, and then I was
• 1:38:31
  Speaker 6: learning and I went to learn fast to be able
• 1:38:34
  Speaker 6: to make the videos. But today if someone asks, put
• 1:38:37
  Speaker 6: there a minor A, no, the minor A just goes there,
• 1:38:41
  Speaker 6: far away, I don't even know where it goes. I
• 1:38:44
  Speaker 6: learned it naturally. Now you have to put the phone, right,
• 1:38:47
  Speaker 6: to put it on the BG.
• 1:38:50
  Speaker 3: The people are shooting there. Let's see if it goes.
• 1:38:54
  Speaker 2: No, for sure it will. Man, and it stays the same.
• 1:38:59
  Speaker 6: It's just going to get better, huh? That's how it gets.
• 1:39:04
  Speaker 3: That's how it gets better, doesn't it? It's good, right?
• 1:39:07
  Speaker 3: You know how to do it.
• 1:39:08
  Speaker 6: I'm learning.
• 1:39:09
  Speaker 3: Let's see if it will. He taught me.
• 1:39:10
  Speaker 6: Smoke, horn. I don't get used to this gray sky.
• 1:39:20
  Speaker 6: I'm more the smell of the mud wet on a
• 1:39:23
  Speaker 6: cold night. I'm more the clothing I have is from
• 1:39:27
  Speaker 6: the bathhouse.
• 1:39:27
  Speaker 4: Who loves the field doesn't exchange the.
• 1:39:31
  Speaker 1: Bone for anything.
• 1:39:31
  Speaker 6: The cowboy was not born to live in the city.
• 1:39:37
  Speaker 6: The farm is... My priority is to take care of
• 1:39:41
  Speaker 6: the land, take care of the cattle, the cattle are
• 1:39:46
  Speaker 6: already born with DNA from the forest. The cattle are
• 1:39:50
  Speaker 6: not born to live in the city, the farm is.
• 1:39:55
  Speaker 4: Minha prioridade Cuidar tantão de terra Cuidar tantão de gado
• 1:40:01
  Speaker 4: Banqueiro já nas condeninha no.
• 1:40:04
  Speaker 11: Mato Alô, Mito, cala aí, meus patrofós!
• 1:40:08
  Speaker 1: Tamo junto, papai!
• 1:40:11
  Speaker 6: Chama a labiração!
• 1:40:12
  Speaker 1: Vai, vai! O original, não, não.
• 1:40:21
  Speaker 12: And the smoke, the horn, I don't get used to
• 1:40:28
  Speaker 12: this gray sky.
• 1:40:30
  Speaker 4: I'm more the smell of the mud wet in the
• 1:40:32
  Speaker 4: cold night.
• 1:40:33
  Speaker 6: I'm more the engulfment that I.
• 1:40:35
  Speaker 1: Have in the mud.
• 1:40:36
  Speaker 4: Who loves the bone doesn't.
• 1:40:39
  Speaker 1: Touch the bone.
• 1:40:40
  Speaker 6: Let's go, my friend, no. Vaqueiro, no. Nascido, está comprando
• 1:40:44
  Speaker 6: os cavalos todinho, homem.
• 1:40:45
  Speaker 4: Bom Fazenda é minha prioridade Cuidar tantão de terra, cuidar tantão.
• 1:40:53
  Speaker 6: Miro, vai ligando o helicóptero, chega já!
• 1:40:55
  Speaker 1: Tô ligando, tô ligando!
• 1:40:57
  Speaker 6: Olha, vaqueiro não.
• 1:40:59
  Speaker 4: Nasceu pra viver na cidade A fazenda é.
• 1:41:04
  Speaker 9: My priority is to take care of the land, to
• 1:41:07
  Speaker 9: take care of the cattle, because.
• 1:41:09
  Speaker 4: They already killed us with DNA.
• 1:41:11
  Speaker 1: That's the horse that's running.
• 1:41:12
  Speaker 6: Damn!
• 1:41:13
  Speaker 1: Applause!
• 1:41:16
  Speaker 3: Damn, brother!
• 1:41:17
  Speaker 6: What an absurd song! This song is good, brother.
• 1:41:20
  Speaker 12: Wow!
• 1:41:20
  Speaker 7: Natan Queiroz is the first person that.
• 1:41:35
  Speaker 6: O sucesso é essa aqui, ó.
• 1:41:38
  Speaker 3: Foi ele?
• 1:41:38
  Speaker 2: Irmão, na hora que começou e tu cantou, eu falei.
• 1:41:41
  Speaker 3: Eita porra.
• 1:41:42
  Speaker 6: Meu irmão, nada não, as outras são boas, mas essa daqui,
• 1:41:47
  Speaker 6: confia no doido!
• 1:41:48
  Speaker 1: Ele é assim mesmo!
• 1:41:49
  Speaker 6: Confia no doido! Aí eu disse, vou confiar, meu irmão.
• 1:41:52
  Speaker 3: Nossa, que música boa.
• 1:41:54
  Speaker 6: E aí, realmente, tu fala do.
• 1:41:55
  Speaker 2: Capa louca.
• 1:41:56
  Speaker 6: Do Moí e do Elofac, mas se destacou a DNA
• 1:42:00
  Speaker 6: do Mato.
• 1:42:00
  Speaker 3: Tem outra aí? Tem outra aí?
• 1:42:02
  Speaker 6: Tem. Ixi, essa daqui....
• 1:42:08
  Speaker 1: Then you want.
• 1:42:08
  Speaker 3: To drink litro.
• 1:42:10
  Speaker 8: Oh, shit.
• 1:42:12
  Speaker 3: Wait a minute. Wait a minute.
• 1:42:16
  Speaker 6: Wait a minute. Wait a minute. Wait a minute. Wait
• 1:42:19
  Speaker 6: a minute. Wait a minute. Wait a minute. Yeah, my
• 1:42:33
  Speaker 6: brothers and sisters.
• 1:42:34
  Speaker 3: It's all on me today.
• 1:42:35
  Speaker 6: I'm asking for time, I'm not refusing. O problema não
• 1:43:02
  Speaker 6: é você Tenho.
• 1:43:05
  Speaker 4: Receio de me envolver Outras pessoas fizeram meu coração sofrer
• 1:43:12
  Speaker 4: Eu tenho medo de alguém me machucar Eu tenho medo
• 1:43:18
  Speaker 4: de me entregar Eu tô com medo de me apaixonar
• 1:43:25
  Speaker 4: I'm afraid someone will hurt me I'm afraid to surrender
• 1:43:30
  Speaker 4: I'm afraid to fall in love And another person wants
• 1:43:34
  Speaker 4: to use me.
• 1:43:34
  Speaker 6: Oh, oh, oh, oh, oh.
• 1:43:51
  Speaker 11: Me dá um.
• 1:43:53
  Speaker 12: Tempo pra pensar Eu tenho que criar coragem pra me
• 1:44:00
  Speaker 12: arriscar E por favor.
• 1:44:06
  Speaker 6: Entenda o que eu tô passando.
• 1:44:11
  Speaker 1: E eu só tô.
• 1:44:12
  Speaker 6: Pedindo tempo, não tô recusando O problema não é você
• 1:44:21
  Speaker 6: Tenho receio de me envolver Outras pessoas fizeram meu coração.
• 1:44:27
  Speaker 1: Sofrer Eu tenho.
• 1:44:30
  Speaker 4: Medo de alguém me machucar Eu tenho medo de me
• 1:44:36
  Speaker 4: entregar I'm afraid of falling in love, I'm afraid of
• 1:44:42
  Speaker 4: someone hurting me, I'm afraid of giving up, I'm afraid
• 1:44:50
  Speaker 4: of falling in love, I'm afraid of someone hurting me, I'm.
• 1:45:03
  Speaker 1: I'm afraid of falling in love.
• 1:45:04
  Speaker 4: I'm afraid of someone hurting me. I'm afraid of giving
• 1:45:10
  Speaker 4: myself up.
• 1:45:12
  Speaker 1: I'm afraid of falling in love.
• 1:45:14
  Speaker 4: And another person wanting to use me.
• 1:45:19
  Speaker 6: And come with Zé Vagueiro, the original.
• 1:45:34
  Speaker 4: Let's go, Zé Vaqueiro!
• 1:45:36
  Speaker 6: Let's go, Zé Vaqueiro!
• 1:45:39
  Speaker 4: Original I'm afraid to give myself up Palmas.
• 1:45:47
  Speaker 7: Palmas, palmas, palmas, pelo amor de Deus.
• 1:45:51
  Speaker 2: Essa senhora.
• 1:45:52
  Speaker 6: O que é isso?
• 1:45:53
  Speaker 3: O que é isso?
• 1:45:54
  Speaker 2: Eu não sei se eu peço ABC da Vaquejada, se
• 1:45:56
  Speaker 2: eu peço Letícia.
• 1:45:58
  Speaker 3: Eu não sei.
• 1:45:58
  Speaker 6: Letícia!
• 1:45:59
  Speaker 7: Letícia!
• 1:45:59
  Speaker 1: Tem Letícia aí?
• 1:46:01
  Speaker 6: Tem.
• 1:46:03
  Speaker 3: Nossa, lança essa, né? Pelo amor de Deus. Vai chegar aí,
• 1:46:09
  Speaker 3: ela falou.
• 1:46:09
  Speaker 2: ABC da Vaquejada tem?
• 1:46:12
  Speaker 1: Moído?
• 1:46:12
  Speaker 6: Moído. Coladinho. O que tu quiser.
• 1:46:16
  Speaker 1: Moído, coladinho.
• 1:46:18
  Speaker 3: Coladinho.
• 1:46:19
  Speaker 6: Meu, o Mel, ele puxa no gogó.
• 1:46:21
  Speaker 2: Não, não precisa puxar no gogó agora, né?
• 1:46:23
  Speaker 6: Ah, Letícia chegou.
• 1:46:25
  Speaker 3: Letícia.
• 1:46:26
  Speaker 6: Letícia.
• 1:46:26
  Speaker 3: Letícia, mano. Vai na Letícia.
• 1:46:30
  Speaker 7: Do you remember that beginning of the podcast?
• 1:46:33
  Speaker 2: Do you remember the taste of.
• 1:46:35
  Speaker 6: Whiskey.
• 1:46:35
  Speaker 2: No, no, no, no.
• 1:46:37
  Speaker 6: Of.
• 1:46:38
  Speaker 2: Chevette.
• 1:46:39
  Speaker 3: Yeah, mine remembers Jack Daniels.
• 1:46:43
  Speaker 2: Chevette, that drink from... Letícia!
• 1:46:45
  Speaker 3: That drink from the pandemic.
• 1:46:46
  Speaker 6: Yeah, so, no. Pandemic, man.
• 1:46:47
  Speaker 3: Have you drunk a lot in the pandemic?
• 1:46:49
  Speaker 6: Brother. What? What is it?
• 1:46:51
  Speaker 3: I swear to God. You just had this to do, right? Ah,
• 1:46:53
  Speaker 3: it's focused now, right? Ah, now yes. It's focused too?
• 1:46:56
  Speaker 3: It has to be. It has to be.
• 1:46:58
  Speaker 6: Training directly?
• 1:46:58
  Speaker 3: It was a lot. We were very fat. We were spoiled, right?
• 1:47:01
  Speaker 3: We were spoiling ourselves.
• 1:47:01
  Speaker 6: We were.
• 1:47:02
  Speaker 3: Now we are.
• 1:47:02
  Speaker 13: That's it.
• 1:47:02
  Speaker 3: Look at the registration too. That's it. Okay, brother?
• 1:47:06
  Speaker 6: It's good, right? You can see.
• 1:47:07
  Speaker 3: It's good, right?
• 1:47:08
  Speaker 6: I don't want to.
• 1:47:09
  Speaker 3: Know how to play the keyboard.
• 1:47:13
  Speaker 12: You have to learn, huh?
• 1:47:18
  Speaker 1: The keyboard is very good.
• 1:47:21
  Speaker 6: For favor. Me fica aí fazendo a caminha no teclado.
• 1:47:25
  Speaker 4: Porque você foi me iludir Falando que ia voltar Tu
• 1:47:32
  Speaker 4: me deixou aqui sozinho Comprei uma peça pra gente tomar
• 1:47:38
  Speaker 4: I had this girl here at the bar But at
• 1:47:41
  Speaker 4: 7 o'clock it's already more than 11 And think that
• 1:47:45
  Speaker 4: I didn't see you pass And on the yellow bike the.
• 1:47:49
  Speaker 11: Tattoo I met from afar Letícia, Letícia Where are you
• 1:47:56
  Speaker 11: going with that taxi bike? Letícia, Letícia I just left
• 1:48:02
  Speaker 11: the bar with you to the police Letícia, Letícia, pra
• 1:48:07
  Speaker 11: onde você.
• 1:48:08
  Speaker 4: Vai com aquele mototaxista? Letícia, Letícia, eu só.
• 1:48:14
  Speaker 1: Saio do bar com você ou com a polícia?
• 1:48:10
  Speaker 4: Leticia, Leticia, I'm just leaving the bar with you or
• 1:48:16
  Speaker 4: with the police.
• 1:48:24
  Speaker 11: Why, why did you fool me, saying you were coming back?
• 1:48:36
  Speaker 6: You left me here alone.
• 1:48:38
  Speaker 1: I bought an air.
• 1:48:39
  Speaker 6: And for us to drink.
• 1:48:40
  Speaker 1: I'm here at the bar.
• 1:48:42
  Speaker 6: And with seven hours, it's already more than eleven. And
• 1:48:45
  Speaker 6: think that I didn't see you pass.
• 1:48:46
  Speaker 4: And on the yellow motorcycle, the tattoo I know from afar.
• 1:48:51
  Speaker 6: Letícia, Letícia. To eat you go with that motorcycle.
• 1:49:03
  Speaker 1: Letícia! Letícia!
• 1:49:04
  Speaker 7: Letícia!
• 1:49:05
  Speaker 1: Letícia! Letícia!
• 1:49:06
  Speaker 6: Letícia!
• 1:49:32
  Speaker 3: Um abraço para todas as Letícias.
• 1:49:33
  Speaker 6: Para todas as Letícias também.
• 1:49:54
  Speaker 2: Really?
• 1:49:55
  Speaker 3: Wow, this song has something special.
• 1:49:58
  Speaker 2: It has an aura, right?
• 1:49:59
  Speaker 3: It has, it has an aura. It really marked this song.
• 1:50:03
  Speaker 6: Letícia. I played it a billion times.
• 1:50:07
  Speaker 2: Man, for me.
• 1:50:09
  Speaker 3: Or more, brother.
• 1:50:10
  Speaker 2: For me, the part where he says, like, I met
• 1:50:12
  Speaker 2: the tattoo from afar.
• 1:50:14
  Speaker 1: Imagine, man.
• 1:50:14
  Speaker 2: I keep imagining that the guy is suffering.
• 1:50:17
  Speaker 3: He's here, but.
• 1:50:17
  Speaker 2: Letícia went there.
• 1:50:22
  Speaker 3: That yellow motorcycle.
• 1:50:24
  Speaker 2: And you suffered a story like that, right? You didn't
• 1:50:26
  Speaker 2: see your mother passing on a motorcycle?
• 1:50:28
  Speaker 3: It was in an abyss. In an abyss. Seriously, Zé Vaqueira?
• 1:50:32
  Speaker 6: Tell this story to us. First hand. I was dating her.
• 1:50:36
  Speaker 3: Enough, enough.
• 1:50:37
  Speaker 6: This story here that you are going to see now
• 1:50:40
  Speaker 6: is based on real facts. A lot. We could make
• 1:50:43
  Speaker 6: a song like this, abyss. I was dating.
• 1:50:49
  Speaker 7: I was dating, think of a song, I was dating,
• 1:50:52
  Speaker 7: I was at my friend's house, my Letícia passed by.
• 1:50:55
  Speaker 3: Then I said, wow, she's passing by. Then I went
• 1:50:58
  Speaker 3: after her.
• 1:50:58
  Speaker 2: Do you want to say her name?
• 1:51:00
  Speaker 6: No.
• 1:51:00
  Speaker 3: No, she already knows it's going to happen.
• 1:51:02
  Speaker 6: Then you want to say it right away.
• 1:51:04
  Speaker 2: But is there only this woman with this name in
• 1:51:06
  Speaker 2: the world?
• 1:51:06
  Speaker 3: Yes, this name, yes.
• 1:51:07
  Speaker 6: From the myth, yes.
• 1:51:09
  Speaker 3: Yeah, she will know. And then I went after her.
• 1:51:12
  Speaker 1: My friend.
• 1:51:12
  Speaker 6: It's going to be good for now, right?
• 1:51:15
  Speaker 7: The moment I saw her, she was entering the house...
• 1:51:17
  Speaker 7: From the guy. And then the joke... He kissed the
• 1:51:21
  Speaker 7: guy and I saw... I started to cry, I was desperate.
• 1:51:24
  Speaker 7: It was my first betrayal, right, bro? And then I said,
• 1:51:27
  Speaker 7: what is this?
• 1:51:27
  Speaker 3: No, the first time you were betrayed. That's it. It
• 1:51:31
  Speaker 3: was the first time I was betrayed.
• 1:51:33
  Speaker 7: But then the joke was that the guy had a bicep.
• 1:51:36
  Speaker 3: Who is calling?
• 1:51:37
  Speaker 6: Nathan.
• 1:51:38
  Speaker 7: And then the joke was that I was betrayed because
• 1:51:41
  Speaker 7: the guy had a bicep, bro. So I was being
• 1:51:43
  Speaker 7: played eternally by the guy with the bicep. You can
• 1:51:45
  Speaker 7: listen to him there.
• 1:51:47
  Speaker 3: Where are you, crazy?
• 1:51:48
  Speaker 6: I love you, man! Where are you, crazy?
• 1:51:52
  Speaker 3: Look at us.
• 1:51:52
  Speaker 1: Say it, capa louca! I'm in the lot of the gabiru!
• 1:51:55
  Speaker 1: Thank you, top, I love you! I love you! That's it, man!
• 1:52:05
  Speaker 11: For the love of God!
• 1:52:06
  Speaker 7: Let's do live there and the ball will break.
• 1:52:09
  Speaker 6: You can go straight to the club.
• 1:52:15
  Speaker 1: I doubt it, Nathan!
• 1:52:15
  Speaker 3: I doubt it!
• 1:52:18
  Speaker 6: It's over. Forget it.
• 1:52:21
  Speaker 3: I already invited him. He's already inviting.
• 1:52:25
  Speaker 1: He's crazy.
• 1:52:26
  Speaker 6: Where are you?
• 1:52:30
  Speaker 3: You can stop.
• 1:52:30
  Speaker 6: Kisses, I'll follow you. God bless you. Take care of.
• 1:52:35
  Speaker 3: Yourself, for God's sake. He told me to be careful.
• 1:52:39
  Speaker 6: He called me and the two of them were in
• 1:52:41
  Speaker 6: a truck.
• 1:52:45
  Speaker 3: Where to?
• 1:52:45
  Speaker 6: To take something in the truck, I think it was
• 1:52:48
  Speaker 6: a boiada, I don't know what it was. They called me,
• 1:52:50
  Speaker 6: my brother, in the morning, I turned around. I said, macho,
• 1:52:52
  Speaker 6: for the love of God, bro. My heart was in pain, right, macho?
• 1:52:57
  Speaker 6: Take care, don't get hurt, be careful.
• 1:52:58
  Speaker 3: I said, macho, stop, because I saw him listening to music.
• 1:53:01
  Speaker 6: Let's go, Zé! Let's go to the make-up, Zé! He
• 1:53:03
  Speaker 6: lives it, bro. He lives the make-up, right?
• 1:53:06
  Speaker 3: Macho, the guy, when he was.
• 1:53:09
  Speaker 1: Born, he.
• 1:53:14
  Speaker 6: He has a very good heart. And he's a vaqueiro foda, right?
• 1:53:17
  Speaker 6: He has a very good heart. And when he gets
• 1:53:19
  Speaker 6: something like that to work, he will even make it happen.
• 1:53:25
  Speaker 6: And he's very unwinded, right? He's crazy like that, but
• 1:53:29
  Speaker 6: he's very unwinded. He doesn't stop quiet and he's already
• 1:53:32
  Speaker 6: thinking about things.
• 1:53:33
  Speaker 3: But he solves it.
• 1:53:35
  Speaker 6: He solves it. I like people like that, because I'm more.
• 1:53:38
  Speaker 3: More calm.
• 1:53:39
  Speaker 1: But he.
• 1:53:39
  Speaker 6: Brother, who loves you is Don Juan, man. Don, I
• 1:53:44
  Speaker 6: want to send a kiss to him. Don, I love you, brother.
• 1:53:48
  Speaker 1: Brother, Zé Vaqueiro.
• 1:53:50
  Speaker 6: I don't know how to explain it. He's really cool, right?
• 1:53:54
  Speaker 3: Man, but not just that, you know?
• 1:53:55
  Speaker 6: I've always followed him, right? I've always been a big
• 1:53:59
  Speaker 6: fan of him. I've always liked his music and everything.
• 1:54:01
  Speaker 6: And then, man, when we met for the first time,
• 1:54:09
  Speaker 6: But I think Cabo is.
• 1:54:10
  Speaker 3: A fucking good person.
• 1:54:12
  Speaker 6: He is, man.
• 1:54:13
  Speaker 3: He likes to talk, he likes to talk, he likes
• 1:54:16
  Speaker 3: to chat.
• 1:54:16
  Speaker 6: He's very special, man. He's a very, very special guy.
• 1:54:19
  Speaker 6: Whoever has the opportunity to meet Matheus, he's really... He's...
• 1:54:23
  Speaker 6: He's awesome, man.
• 1:54:25
  Speaker 2: He's really awesome.
• 1:54:25
  Speaker 3: And we.
• 1:54:26
  Speaker 6: Our stories are very similar, you know? In life and everything.
• 1:54:29
  Speaker 6: But he....
• 1:54:35
  Speaker 3: Each one in their own universe, right?
• 1:54:37
  Speaker 6: Each one in their own universe. But, like, the way,
• 1:54:42
  Speaker 6: the heart, everything, he's... He's 10. He's 10. And people
• 1:54:45
  Speaker 6: say we look alike, right? To hell. They say so.
• 1:54:47
  Speaker 6: People keep taking pictures. Every time we.
• 1:54:49
  Speaker 2: Take a picture together, they're like, brother, sister, brother.
• 1:54:51
  Speaker 6: It really looks like me. It really does.
• 1:54:53
  Speaker 2: But he's... I love him. The video I saw you
• 1:54:54
  Speaker 2: too was with Neguinho do Caxeta.
• 1:54:56
  Speaker 6: Once, singing a song. I was there at GR6. Once,
• 1:54:59
  Speaker 6: Neguinho do Caxeta was there. I got nervous too. Damn.
• 1:55:02
  Speaker 6: The legend. Then Dom... Hey, play a song with Caxeta,
• 1:55:08
  Speaker 6: the one you know how to.
• 1:55:11
  Speaker 1: Sing.
• 1:55:11
  Speaker 6: Yeah, as novinha tão a mil, fez até piso e
• 1:55:15
  Speaker 6: quando de nove eu passei. Aí eu disse, caralho, o Caxeta,
• 1:55:21
  Speaker 6: aí eu fiquei logo nervoso, né? Aí chegou lá o Dom, vai, vai, vai,
• 1:55:26
  Speaker 6: vai conhecer ele aí e tudo, ele gosta demais de
• 1:55:29
  Speaker 6: tu também. Aí eu fui, falei com ele e tudo, vai, vai,
• 1:55:32
  Speaker 6: canta aí, vocês dois. Then he pulled it out and
• 1:55:36
  Speaker 6: we started singing together.
• 1:55:38
  Speaker 3: My brother.
• 1:55:39
  Speaker 6: It was good. It was good. The people liked it
• 1:55:41
  Speaker 6: a lot.
• 1:55:41
  Speaker 2: It's not that nobody expects it, right?
• 1:55:44
  Speaker 3: No.
• 1:55:44
  Speaker 6: But it's very f * * * ed up. From nowhere,
• 1:55:46
  Speaker 6: Zé Marqueiro singing with Neguinho.
• 1:55:47
  Speaker 1: Nobody expects it, but.
• 1:55:48
  Speaker 8: Every funk singer knows how to sing forró and every
• 1:55:51
  Speaker 8: forrozeiro knows how to.
• 1:55:52
  Speaker 3: Sing funk, man. They're from different universes, but it's the
• 1:55:54
  Speaker 3: same thing.
• 1:55:55
  Speaker 8: I don't know, Mítica, my creation, for example, Brazil is
• 1:55:58
  Speaker 8: very mixed. My father is from Paraíba and my mother
• 1:55:59
  Speaker 8: is from São Paulo.
• 1:56:01
  Speaker 6: So imagine what I heard at home. A salad.
• 1:56:04
  Speaker 2: A great salad.
• 1:56:05
  Speaker 3: You know?
• 1:56:06
  Speaker 8: Suddenly my mom takes an urban legion and holds a
• 1:56:08
  Speaker 8: stick here. Now it's Mastro Scoletti, now it's Raça Negra,
• 1:56:12
  Speaker 8: it's Michael Jackson, it's Mariah Carey.
• 1:56:14
  Speaker 2: I was like, fuck.
• 1:56:15
  Speaker 3: It's Nego do Boréu.
• 1:56:16
  Speaker 2: You know?
• 1:56:17
  Speaker 1: Everything.
• 1:56:18
  Speaker 8: I swear, when the funk came, my mom came with
• 1:56:21
  Speaker 8: the funk CD for me, DVD of Racionais, very cool.
• 1:56:24
  Speaker 6: It's very cool.
• 1:56:24
  Speaker 7: Do you have another one just to pull there, Zé?
• 1:56:27
  Speaker 7: Do you have another one?
• 1:56:29
  Speaker 3: Let's make a scheme, then.
• 1:56:30
  Speaker 6: Fica comigo, meu mestre.
• 1:56:35
  Speaker 2: I have some quick questions for Zé Vaqueiro.
• 1:56:37
  Speaker 5: Before we end this wonderful chat.
• 1:56:38
  Speaker 2: And to end it, he sends this to his grandma.
• 1:56:40
  Speaker 8: Or does it have nothing to do with it?
• 1:56:43
  Speaker 1: How is it?
• 1:56:43
  Speaker 2: Send whatever he wants.
• 1:56:43
  Speaker 3: But since he wants to sing.
• 1:56:46
  Speaker 8: One more, he ends the show with a golden cup.
• 1:56:51
  Speaker 8: Is it here? Is the question stupid? And then I'm
• 1:57:00
  Speaker 8: going to ask you the fastest questions before we finish.
• 1:57:02
  Speaker 6: I re-recorded this stupid question. We re-recorded it now. The
• 1:57:06
  Speaker 6: original one we recorded in Caruaru. It's absurd. It's very good,
• 1:57:11
  Speaker 6: this song. Zé Vaqueiro, to answer faster now. An artist
• 1:57:14
  Speaker 6: that you like and no one imagines. An artist that
• 1:57:16
  Speaker 6: I like and no one imagines.
• 1:57:29
  Speaker 2: If people find out that I listen to this, they'll
• 1:57:31
  Speaker 2: doubt it.
• 1:57:31
  Speaker 3: He has an athleticism, right?
• 1:57:35
  Speaker 6: Which artist are you listening to.
• 1:57:38
  Speaker 2: The most at the moment? At the moment, I think
• 1:57:40
  Speaker 2: it's me.
• 1:57:46
  Speaker 6: But what I really like is the keyboard guy. The
• 1:57:48
  Speaker 6: keyboard guy. If that's what I'm imagining, he's almost German.
• 1:57:52
  Speaker 3: He's fucking good, man.
• 1:57:53
  Speaker 2: I like it. Three things that are not missing in
• 1:57:55
  Speaker 2: your dressing room.
• 1:57:55
  Speaker 6: Three things that are not missing.
• 1:57:57
  Speaker 2: Yeah, in your dressing room.
• 1:57:59
  Speaker 3: But you have to have a.
• 1:58:00
  Speaker 2: Three things that are not missing in your dressing room.
• 1:58:04
  Speaker 6: Three things that are not missing. Yeah, in your dressing room.
• 1:58:09
  Speaker 6: But you have to have a... a.
• 1:58:13
  Speaker 3: a... a way, right? What is that?
• 1:58:15
  Speaker 6: A way? Yeah. Meat and rice.
• 1:58:21
  Speaker 3: That's great.
• 1:58:22
  Speaker 2: A rice, meat and my way, brother.
• 1:58:24
  Speaker 6: Meat, rice and that's it. Sometimes there's one more, right?
• 1:58:27
  Speaker 6: When we go When we go to Recife, it's very
• 1:58:30
  Speaker 6: difficult because I like caipira chickens a lot. I'm like
• 1:58:32
  Speaker 6: a fox to eat caipira chickens. There's no one like me.
• 1:58:35
  Speaker 6: I like to eat caipira chickens. I like it. Then,
• 1:58:37
  Speaker 6: when we go to some chimneys, the guys send a
• 1:58:39
  Speaker 6: kiss to everyone who makes the production of the chimneys.
• 1:58:43
  Speaker 6: They make the tag for you. A kiss for you,
• 1:58:45
  Speaker 6: the guys who make it all organized for us to see.
• 1:58:47
  Speaker 6: And then... There are some teams that already know, that
• 1:58:55
  Speaker 6: already know that the guy likes, then he already puts
• 1:58:58
  Speaker 6: the Caipira chicken. Because it gives more work to do
• 1:59:01
  Speaker 6: the Caipira chicken. So it's not everywhere that we come
• 1:59:04
  Speaker 6: and there's Caipira chicken. But when it's the people, the
• 1:59:07
  Speaker 6: teams that already know, then it's something that can't be
• 1:59:11
  Speaker 6: missing in my dressing room, Caipira chicken. But it's not
• 1:59:15
  Speaker 6: everywhere that there is. But I like it a lot.
• 1:59:17
  Speaker 8: An old forró that is striking for you.
• 1:59:24
  Speaker 6: Cara, eu gosto muito. Se a vida nos dá um amor,
• 1:59:28
  Speaker 6: pra viver eternamente... Como é o nome dela? Me fugiu
• 1:59:32
  Speaker 6: agora da memória. Não, tem vários, né? De antigo que
• 1:59:38
  Speaker 6: eu gosto, forró antigo, que eu gosto muito. Mastro Escolete
• 1:59:42
  Speaker 6: eu gosto muito.
• 1:59:43
  Speaker 2: Pra viver eternamente, Mastro Escolete.
• 1:59:45
  Speaker 6: Pra viver eternamente. VCS? Não.
• 1:59:53
  Speaker 2: I pay the premium, what's up?
• 1:59:55
  Speaker 6: What's up? Help me. There's shyness too, right? No, it's
• 2:00:00
  Speaker 6: another one.
• 2:00:02
  Speaker 3: Ah, is it another one? So, let me ask.
• 2:00:06
  Speaker 2: São João or Carnaval?
• 2:00:08
  Speaker 6: São João, right?
• 2:00:10
  Speaker 3: Wow.
• 2:00:11
  Speaker 9: Easy.
• 2:00:12
  Speaker 2: Which team do you support?
• 2:00:13
  Speaker 6: Flamengo.
• 2:00:15
  Speaker 2: Biggest idol in football?
• 2:00:18
  Speaker 6: That I like a lot. Yeah. I've always liked Neymar
• 2:00:21
  Speaker 6: a lot. There's no way, right? I like him a lot.
• 2:00:24
  Speaker 6: I admire him.
• 2:00:25
  Speaker 2: Being caught by your parents in an intimate moment or
• 2:00:29
  Speaker 2: forgetting the lyrics live?
• 2:00:32
  Speaker 3: Which one do you prefer?
• 2:00:32
  Speaker 6: Forgetting the lyrics live, right?
• 2:00:34
  Speaker 3: People don't remember, it's a lot of music. It's worse,
• 2:00:37
  Speaker 3: it's a lot of music.
• 2:00:39
  Speaker 6: It happens. It's happened a lot with me.
• 2:00:42
  Speaker 3: It's the moment of the halo, right?
• 2:00:44
  Speaker 6: No, man.
• 2:00:45
  Speaker 3: Forgetting the lyrics is the halo.
• 2:00:47
  Speaker 6: Forgetting the lyrics... It happened a lot. Have you been
• 2:00:52
  Speaker 6: caught by.
• 2:00:52
  Speaker 2: Your parents, Mítico?
• 2:00:52
  Speaker 3: No, thank God not. Have you? Man, I haven't.
• 2:00:55
  Speaker 6: Look.
• 2:00:55
  Speaker 2: I haven't, really.
• 2:00:58
  Speaker 3: It's a pity. But I don't trust that my mom
• 2:01:00
  Speaker 3: sometimes says, this.
• 2:01:01
  Speaker 2: Guy is alone, he's doing something.
• 2:01:04
  Speaker 3: And it's something he does alone.
• 2:01:07
  Speaker 2: Once I was shitting, my.
• 2:01:09
  Speaker 6: Mom entered the bathroom once, but... Ah, but it's okay, right?
• 2:01:13
  Speaker 6: It's okay, right? It's a shame of... Good! It ended
• 2:01:16
  Speaker 6: in a good moment there.
• 2:01:21
  Speaker 2: And you stay naked? Because I even take off my earrings.
• 2:01:23
  Speaker 6: Hey, it's a thing, right? I don't like it, no.
• 2:01:26
  Speaker 6: When I'm doing, right? Necessity. Man, if I have anything,
• 2:01:29
  Speaker 6: I take everything off. Clock. No, everything.
• 2:01:31
  Speaker 2: You have to free yourself.
• 2:01:34
  Speaker 1: Everything.
• 2:01:34
  Speaker 3: Everything.
• 2:01:35
  Speaker 6: There's nothing, there can be nothing like that.
• 2:01:40
  Speaker 3: It's sacred.
• 2:01:42
  Speaker 6: Freedom. Sacred. You know?
• 2:01:44
  Speaker 1: Free.
• 2:01:44
  Speaker 6: To have nothing, right?
• 2:01:45
  Speaker 3: To.
• 2:01:45
  Speaker 6: Disturbing, arresting.
• 2:01:47
  Speaker 5: Prison.
• 2:01:47
  Speaker 6: To have a free prison, right? Nada.
• 2:01:52
  Speaker 2: Um super poder que adoraria ter?
• 2:01:58
  Speaker 6: Nossa. Pensar bem. Acho que... Voltar no tempo.
• 2:02:08
  Speaker 3: Voltar no tempo. Forte. Bonita.
• 2:02:13
  Speaker 6: Me fodeu essa. Por quê?
• 2:02:15
  Speaker 2: Porque eu me emocionei um pouco. Tamo junto. Boa.
• 2:02:21
  Speaker 3: No, so, I doubt you'll release one for us.
• 2:02:23
  Speaker 6: Of what?
• 2:02:25
  Speaker 3: Well, a song.
• 2:02:27
  Speaker 6: For the chapel, right? Stay with me, my honey. Take
• 2:02:31
  Speaker 6: God from... Is there another one? Oh, no. Don't give
• 2:02:38
  Speaker 6: me loneliness, my honey, because.
• 2:02:47
  Speaker 6: I need you.
• 2:02:48
  Speaker 4: The voice of this guy, right?
• 2:02:52
  Speaker 1: Remember our song. Of our dreams, finally.
• 2:02:56
  Speaker 6: What to do with so many things without you. My
• 2:03:05
  Speaker 6: good piece of me.
• 2:03:15
  Speaker 13: Meu, meu, não diga adeus.
• 2:03:21
  Speaker 6: Que eu tenho tanto medo And to be without your
• 2:03:28
  Speaker 6: love And to always be a being only yours.
• 2:03:51
  Speaker 2: But I thought he was going to send the one
• 2:03:52
  Speaker 2: he re-recorded of Jorge Matheus.
• 2:03:53
  Speaker 3: No, he's going to send it now.
• 2:03:59
  Speaker 6: I'm not going to tell anyone, okay?
• 2:04:01
  Speaker 8: 1706.
• 2:04:01
  Speaker 6: Guys, just a minute.
• 2:04:08
  Speaker 8: Before you end this program, Zé Vaqueiro, I want to
• 2:04:10
  Speaker 8: know if you liked being here with us today.
• 2:04:12
  Speaker 5: Too much.
• 2:04:12
  Speaker 6: Thank you very much for you... I was a little
• 2:04:18
  Speaker 6: nervous when I got here, but you managed to calm
• 2:04:21
  Speaker 6: me down and make me comfortable. Thank you very much
• 2:04:26
  Speaker 6: from the bottom of my heart. Thank you to everyone
• 2:04:28
  Speaker 6: who watched. God bless you. Congratulations to the whole team.
• 2:04:32
  Speaker 6: Congratulations to you for everything you've done so far.
• 2:04:36
  Speaker 8: I looked at the structure here and it's very beautiful
• 2:04:38
  Speaker 8: to see.
• 2:04:46
  Speaker 6: Congratulations, congratulations. Thank you, brother. To see where you came
• 2:04:50
  Speaker 6: from and everything, to build something so big, like this,
• 2:04:54
  Speaker 6: with several things today, not only Podpá, here live and such,
• 2:04:58
  Speaker 6: the conversation, but there are several other things happening, so
• 2:05:00
  Speaker 6: congratulations to that. Thank you to all of you who participate,
• 2:05:03
  Speaker 6: who will be watching there, and I'm very happy. So,
• 2:05:06
  Speaker 6: thank you. It was the first time, but it was...
• 2:05:08
  Speaker 6: It was good, it was.
• 2:05:10
  Speaker 1: Good, right?
• 2:05:11
  Speaker 3: It was good.
• 2:05:11
  Speaker 8: I'm very happy, brother, to be able to exchange this
• 2:05:14
  Speaker 8: deck with you. And, really, what a story... Emotionating, beautiful, beautiful.
• 2:05:18
  Speaker 8: I think there's a lot of identification with many Brazilians
• 2:05:23
  Speaker 8: who have been through this or have already been through it.
• 2:05:27
  Speaker 8: So I was excited a few times here with you.
• 2:05:28
  Speaker 8: Thank you very much for this chat, okay?
• 2:05:30
  Speaker 6: Thank you.
• 2:05:31
  Speaker 2: End our program. Médico Jovem, do the honors.
• 2:05:33
  Speaker 3: Now it's all with Zé Vaqueiro, brother. It deserves all
• 2:05:35
  Speaker 3: this success, brother. What a wonderful story.
• 2:05:37
  Speaker 2: Leave the like and follow the man on all social media, please.
• 2:05:40
  Speaker 2: And go to.
• 2:05:41
  Speaker 6: Moído, please.
• 2:05:43
  Speaker 3: We're together, guys. Dignity now.
• 2:05:46
  Speaker 8: Look at the whole Pod Pai agenda.
• 2:05:52
  Speaker 1: Did you feel it? It's vibe.
• 2:05:56
  Speaker 6: I'll start with a silly question. Can we go back
• 2:06:00
  Speaker 6: in time? At the moment I feel bad for nothing.
• 2:06:04
  Speaker 6: There's a lot left, I'm missing understanding. I'm sorry if
• 2:06:07
  Speaker 6: I didn't understand. It's taking time for the card to fall.
• 2:06:18
  Speaker 1: You with that.
• 2:06:19
  Speaker 6: Black hair, no smile, no way You came close, you
• 2:06:23
  Speaker 6: came too close Three or four days, everything was so
• 2:06:27
  Speaker 6: perfect My problems, I didn't even remember anymore I just
• 2:06:29
  Speaker 6: wanted you, I just thought of you But there's still
• 2:06:33
  Speaker 6: something to.
• 2:06:33
  Speaker 13: Regret I will say I regret not having hugged you
• 2:06:44
  Speaker 13: again Not having loved you one last time Not having
• 2:06:49
  Speaker 13: looked at you again Stay awake until after six Just
• 2:06:55
  Speaker 13: to see the sun rise Dream the.
• 2:06:57
  Speaker 4: Most beautiful dreams with.
• 2:07:00
  Speaker 1: You I will say I regret not having hugged you.
• 2:07:07
  Speaker 4: Again Not having loved you one last time Not having
• 2:07:11
  Speaker 4: looked at you again Waking up until after 6 Just
• 2:07:14
  Speaker 4: to see the sun rise Dreaming the craziest dreams.
• 2:07:17
  Speaker 6: With you I will say It's on this album.
• 2:07:33
  Speaker 1: The original.
• 2:07:35
  Speaker 7: On this take, it was.
• 2:07:42
  Speaker 1: Like this.
• 2:07:43
  Speaker 2: Imagine this, on the stage, the guy is.
• 2:07:46
  Speaker 6: Truando at the end of the video. You with this
• 2:07:52
  Speaker 6: black hair, smile without a way. You came close, you
• 2:07:54
  Speaker 6: came close. too close. Three or four days, everything was
• 2:08:03
  Speaker 6: so perfect. My problems, I didn't even remember anymore. I
• 2:08:07
  Speaker 6: just thought of you, I just wanted you. Mas ainda
• 2:08:12
  Speaker 6: tem coisa pra me arrepender.
• 2:08:15
  Speaker 1: E eu vou.
• 2:08:17
  Speaker 9: Dizer Me arrependi de não ter te abraçado outra vez
• 2:08:22
  Speaker 9: Não ter te amado a última vez Não ter te
• 2:08:26
  Speaker 9: olhado outra vez Ficar acordado até depois das seis Só
• 2:08:32
  Speaker 9: pra ver o sol.
• 2:08:33
  Speaker 4: Nascer Sonhar os sonhos mais.
• 2:08:36
  Speaker 6: Lindos com você.
• 2:08:39
  Speaker 1: E eu vou dizer Eu.
• 2:08:42
  Speaker 4: Me arrependi de não ter te abraçado outra vez Não
• 2:08:47
  Speaker 4: ter te amado a última vez Não ter te.
• 2:08:50
  Speaker 1: Olhado outra vez.
• 2:08:52
  Speaker 4: Ficar acordado até depois das seis Só pra ver o
• 2:08:56
  Speaker 4: sol nascer Sonhar os sonhos mais loucos com você E
• 2:09:02
  Speaker 4: eu vou dizer Quem sabe ainda.
• 2:09:07
  Speaker 6: É tempo Pode ser a qualquer hora Me chama em
• 2:09:13
  Speaker 6: pensamento Cê sabe eu vou agora Quem sabe ainda é
• 2:09:20
  Speaker 6: tempo Pode ser a qualquer hora Me chama em pensamento
• 2:09:27
  Speaker 6: Cê sabe eu vou agora Palmas! Palmas! Palmas! Palmas!
• 2:10:02
  Speaker 5: This is the game of the rest of.
• 2:10:06
  Speaker 1: The week.
• 2:10:07
  Speaker 5: Who will get the last cup of shrimp?
• 2:10:10
  Speaker 11: Cafu or Nicole?
• 2:10:23
  Speaker 5: And who won was Nicole. The fun is here. Superbet.
• 2:10:30
  Speaker 5: You feel when it's super.