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Wyclef Jean Interview · The Breakfast Club

• 0:00
  Speaker 1: Fifty percent right special year fifty percent right. Ratchets to
• 0:05
  Speaker 1: sit down didn't come to the most prominent form wait
• 0:10
  Speaker 1: your ass up early in the morning, but they told
• 0:12
  Speaker 1: me it was y'all. I said, hell yeah, I'm getting
• 0:14
  Speaker 1: the jus morning ship free people's choice. Actually got m
• 0:20
  Speaker 1: mad people little. I can't believe you guys are the basket.
• 0:24
  Speaker 1: Look if we know this breakfast club pies. Good morning Usa,
• 0:40
  Speaker 1: joo yo yo yo yo yo yo yo yo yo
• 0:42
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
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  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:46
  Speaker 1: yo Good morning angela ye lad, he's to the planet
• 0:51
  Speaker 1: is Tuesday, Yes, it's Tuesday. Good morning. Absolutely. I did
• 0:56
  Speaker 1: the dentists all day yesterday. I got me a nice
• 0:58
  Speaker 1: little feeling. There you go. I'm saying, what kind of
• 1:00
  Speaker 1: feeling had a cavity causing me a little bad breath?
• 1:03
  Speaker 1: You know what I mean? Feeling. Salute to everybody out
• 1:05
  Speaker 1: there who may need a feeling right now or a
• 1:07
  Speaker 1: root canal, but don't know it, and you wonder why
• 1:09
  Speaker 1: your mouths think you keep trying to put it in
• 1:11
  Speaker 1: gum and suck mints and all kinds of stuff, but
• 1:13
  Speaker 1: it ain't working all day long. You got morning breath,
• 1:16
  Speaker 1: morning breath in the mid afternoon. Well, you know, I'm
• 1:18
  Speaker 1: an expert at going to the dentist because your uncle's
• 1:21
  Speaker 1: a dentist. Yes, and my dad actually manages the office.
• 1:24
  Speaker 1: And I tell you this, when you have a toothache,
• 1:26
  Speaker 1: you should really be concerned when it stops hurting, because
• 1:29
  Speaker 1: that means a nervous Dad. That means that you need
• 1:31
  Speaker 1: a root canal. That's when you breathe bad. As soon
• 1:36
  Speaker 1: as your tooth is hurting, That's why you need to
• 1:38
  Speaker 1: go to the dentist and take care of it. That's
• 1:39
  Speaker 1: the difference between having a feeling from a cavity and
• 1:41
  Speaker 1: having to get a root ye bad. You should go
• 1:43
  Speaker 1: see the dentist twice year if you can. You ever
• 1:45
  Speaker 1: smell somebody's breath and be like, damn, somebody smell like something.
• 1:47
  Speaker 1: When your mouth and died, it did called a nerd
• 1:51
  Speaker 1: and shout to Uncle Yee and Papa Yee. Yes some
• 1:55
  Speaker 1: of the correct names. That's doctor Gary Yee in Westfield,
• 2:01
  Speaker 1: New Jersey. There you go. That help you out of
• 2:03
  Speaker 1: you now for Carteret, New Carteret, New Jersey. That help
• 2:05
  Speaker 1: you out if you need it now. It's not painful. Yeah,
• 2:09
  Speaker 1: whatever you need. Well, I got my feeling done, so
• 2:11
  Speaker 1: I'll be talking a lot more than usual, especially in
• 2:13
  Speaker 1: your face. There you go. You know, when you know
• 2:15
  Speaker 1: your breath don't smell too good, you try to stay
• 2:16
  Speaker 1: away from people. Talk down at the angle. Now I'm
• 2:20
  Speaker 1: straight at you, straight at you, that idea. What's happening? Well,
• 2:24
  Speaker 1: I had a long night yesterday, did you? Yes? Apparently?
• 2:27
  Speaker 1: Now this has been going on for two days now.
• 2:29
  Speaker 1: Somebody keeps calling and delivering food to my address. So
• 2:34
  Speaker 1: who was it? I don't know who it is that
• 2:36
  Speaker 1: somebody's trying to be funny. So first they called Papa
• 2:39
  Speaker 1: John's last night at like one in the morning. It's
• 2:41
  Speaker 1: a paid for all you got? Was not paid for it? Yeah?
• 2:44
  Speaker 1: I think about that shit. Did that when I was
• 2:45
  Speaker 1: a kid? That album? It seems like a kid doing it.
• 2:47
  Speaker 1: Did they know it's you? Yeah? Because it has my
• 2:49
  Speaker 1: name on it, but it has somebody else's phone number.
• 2:52
  Speaker 1: But it's like one of those voice I don't mind
• 2:53
  Speaker 1: people just having your address like that. I don't know
• 2:55
  Speaker 1: who it is, Charlottagne, there's some random person. Clearly, if
• 2:59
  Speaker 1: you live on my block, you know I lived there, right,
• 3:02
  Speaker 1: So then they did the same thing last night, but
• 3:05
  Speaker 1: they kept sending like I came home, I wasn't even
• 3:07
  Speaker 1: home and there was like two delivery people outside trying
• 3:09
  Speaker 1: to deliver stuff in. Another person came funny. Yeah, sounds
• 3:12
  Speaker 1: not funny. I was kind of dangerous that random people
• 3:15
  Speaker 1: know her address like that. I actually ended up having
• 3:17
  Speaker 1: to do a police report. So the police came last
• 3:19
  Speaker 1: night at hours. It was a whole long process, but
• 3:22
  Speaker 1: they're getting the information because the person left their phone number.
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  Speaker 1: And then I had to call it graub Hub and
• 3:29
  Speaker 1: everything because they've been calling graub Hub and Papa John's
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  Speaker 1: and doing this. So that edible deal don't coming. You
• 3:34
  Speaker 1: ain't got edible deal though it was on his way.
• 3:37
  Speaker 1: He just working his way up. He's been sending the advertiser,
• 3:39
  Speaker 1: but that main cause coming. Yeah, they said they have
• 3:43
  Speaker 1: the person's email address and IP address and all that.
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  Speaker 1: I mean, it's so easy to get somebody's house addressed.
• 3:48
  Speaker 1: Now it's very difficult to keep it away from anybody.
• 3:50
  Speaker 1: It's really hard. Just google somebody and it's that simple
• 3:53
  Speaker 1: that you know, you can get all that stuff for race, right,
• 3:56
  Speaker 1: you can't, but they get still funny. You know, you
• 3:57
  Speaker 1: can get all that stuff for race, right, trust me,
• 3:58
  Speaker 1: people that live on your black noise adject I don't
• 4:00
  Speaker 1: live on a block. Okay, drop on a bump for me.
• 4:05
  Speaker 1: Damn it, you turn that off. I turned that bomb
• 4:08
  Speaker 1: up so they can hear this. I live with a
• 4:09
  Speaker 1: code of sack dam and drop on a clued bomber.
• 4:11
  Speaker 1: Let people know where you're sacking. Okay, lots of guys
• 4:16
  Speaker 1: they have no goodness, trust me on that one. All right. Well,
• 4:20
  Speaker 1: Houston was amazing, had a fun time, and Huston got
• 4:22
  Speaker 1: back last night. The only problem with Houston is the
• 4:24
  Speaker 1: food is too damn good. I stepped on the scale
• 4:27
  Speaker 1: last night and it was all bad. I got to reset.
• 4:29
  Speaker 1: It was bad, but let's reset. It was bad, like
• 4:31
  Speaker 1: for everybody. Shout to everybody. He went out of town
• 4:33
  Speaker 1: this weekend that it was time to reset, and then
• 4:36
  Speaker 1: gained seven, eight, nine, ten pounds. Okay, Houston doesn't to you.
• 4:38
  Speaker 1: Everything is fried, everything is good. Now. Let's reset. Now,
• 4:41
  Speaker 1: let's reset as a family. Everybody, let's reset. Let's got it.
• 4:44
  Speaker 1: Front page News. What we're doing. We all were gonna
• 4:46
  Speaker 1: talk about Donald Trump. You don't have to. Yeah, we
• 4:50
  Speaker 1: kind of do the kind of do because there's a
• 4:52
  Speaker 1: lot going on and there's no way we can't address
• 4:54
  Speaker 1: these things and not know about him. All right, we'll
• 4:56
  Speaker 1: get to that when we come back. Keeping lock this
• 4:57
  Speaker 1: to Breakfast Club, Good morning, his bad and boogie. You know,
• 5:01
  Speaker 1: so we really never hand on old one. Yeah, yeah,
• 5:07
  Speaker 1: y'all me goals bat and bougi morning. Everybody is DJ
• 5:11
  Speaker 1: Envy angela ye Charlemagne that God. We are the Breakfast
• 5:13
  Speaker 1: Club and good morning. We like to ask everybody to
• 5:16
  Speaker 1: call us up and tell us why you're blessed. Blessings
• 5:19
  Speaker 1: on blessings on blessings. We'd love to hear some positivity,
• 5:22
  Speaker 1: some positive news in your life, whatever you're going through
• 5:24
  Speaker 1: that's positive. Call us up now, we'll put you on
• 5:26
  Speaker 1: the eight hundred five eight five one oh five. Well,
• 5:29
  Speaker 1: it is a balance of ratchingness and rations because we
• 5:31
  Speaker 1: do to tell them why you're mad. Then we have
• 5:32
  Speaker 1: people who call up and see why they're blessed in
• 5:34
  Speaker 1: highly favorite we'll do about Yeah, we'll do that in
• 5:36
  Speaker 1: a little bit, but right now, just call us up
• 5:37
  Speaker 1: and tell us why you're blessed. All right, let's get
• 5:39
  Speaker 1: some front page news now, the sports, the Patriots. If
• 5:43
  Speaker 1: you're a Patriot fan. The parade will go down today
• 5:47
  Speaker 1: in Boston. No, Tom Brady actually posted on Instagram you said,
• 5:51
  Speaker 1: catch me at the parade. How about that? Trying to
• 5:53
  Speaker 1: sound like the little chick from Doctor Phil. But I
• 5:55
  Speaker 1: will say this, this is one thing that we didn't
• 5:57
  Speaker 1: take into consideration of the two And another record was
• 5:59
  Speaker 1: broken the other night on Sunday. But Tom Brady is
• 6:01
  Speaker 1: the first person to beat the Internet. You know, we
• 6:03
  Speaker 1: always say the Internet is undefeated. That's true. Tom Brady
• 6:05
  Speaker 1: beat the Internet on Sunday, right because the Internet had
• 6:08
  Speaker 1: him buried like we had him in the grave, putting
• 6:10
  Speaker 1: the dirt on him, and he roles from that casket
• 6:14
  Speaker 1: and defeated the Internet like Michael Jordan's face was almost
• 6:16
  Speaker 1: on here, and he beat it. So drop one a
• 6:21
  Speaker 1: clue bump for that white man beating Internet's one. He's
• 6:24
  Speaker 1: also one of the first place I ever seen didn't
• 6:26
  Speaker 1: take the jet back with his group with the team,
• 6:28
  Speaker 1: took his private jet with his white kids. Yeah, I
• 6:31
  Speaker 1: guess after the whole lot. All right, now, let's talk
• 6:32
  Speaker 1: about Trump. What're we talking about with Trump? Oh man?
• 6:35
  Speaker 1: So many different things. First of all, Donald Trump is
• 6:37
  Speaker 1: not welcome to address Parliament, the UK Speaker has said
• 6:40
  Speaker 1: that they're gonna block him from speaking. Speaker John Burkhouse
• 6:43
  Speaker 1: said he was strongly opposed to Donald Trump addressing Parliament
• 6:46
  Speaker 1: during an upcoming state visit to the UK because they
• 6:50
  Speaker 1: opposed racism and sexism and they support equality and an
• 6:54
  Speaker 1: independent judiciary. Here's what he had to say, as far
• 6:57
  Speaker 1: as this place is concerned, I feel very strongly that
• 7:03
  Speaker 1: our opposition to racism and to sexism, and i'll support
• 7:09
  Speaker 1: for equality before the law and an independent judiciary are
• 7:15
  Speaker 1: hugely important considerations. In the House of Commerce. Dropping a
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  Speaker 1: clue bomb for the UK, I don't like I'm not
• 7:22
  Speaker 1: looking good for it. We should feel the same way, though,
• 7:24
  Speaker 1: like why are we embracing racism? Why are we embracing
• 7:27
  Speaker 1: discrimination in bigotry? After all? Right? Well, Donald Trump is
• 7:31
  Speaker 1: also saying that he feels like the White House, that
• 7:35
  Speaker 1: he feels like the media is not covering terrorist attacks
• 7:39
  Speaker 1: at all. Here's what he had to say. Radical Islamic
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  Speaker 1: terrorists are determined to strike our homeland as they did
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  Speaker 1: in nine to eleven, as they did from Boston to
• 7:49
  Speaker 1: Orlando to San Bernardino and all across Europe. You've seen
• 7:54
  Speaker 1: what happened in Paris and Nice. All over Europe. It's happening.
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  Speaker 1: It's got to a point where it's not even being reported,
• 8:02
  Speaker 1: and in many cases the very very dishonest press doesn't
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  Speaker 1: want to report it. They have their reasons, and you
• 8:09
  Speaker 1: understand that. Well, Donald Trump got to stop watching s
• 8:11
  Speaker 1: and Ellen still watching the news because we are very
• 8:13
  Speaker 1: aware of every single situation he just named. I thought
• 8:15
  Speaker 1: I see a lot of them on TV, but yeah,
• 8:17
  Speaker 1: he even listen. So let me tell you what they did.
• 8:19
  Speaker 1: The White House actually gave a list of seventy eight
• 8:21
  Speaker 1: attacks that they felt like, we're not widely reported. Among
• 8:24
  Speaker 1: those on the list, the Orlando nightclub shooting that was
• 8:27
  Speaker 1: on the list, Yes, no way, the San Bernardino shooting, Oh,
• 8:31
  Speaker 1: the Paris attacks. All of these were on the list,
• 8:33
  Speaker 1: and they were very widely reported, very extensively. Now here's
• 8:36
  Speaker 1: what Sean Spizer had to say. Look, I think the
• 8:39
  Speaker 1: president's comments were very clear at the time. He felt
• 8:41
  Speaker 1: so members of the media don't always cover some of
• 8:45
  Speaker 1: those events to the extent that other events might get covered.
• 8:47
  Speaker 1: In a protest will get blown out of the water,
• 8:49
  Speaker 1: and yet an attack or a foiled attack doesn't necessarily
• 8:52
  Speaker 1: get the same coverage. See, they're just trying to the
• 8:55
  Speaker 1: insulting all intelligence at this point. Come on, now, this
• 8:58
  Speaker 1: is the thing, right, the list of talk of the country.
• 9:00
  Speaker 1: This is what Iraq, Iran, Libya, Somalia, Sudan, Syria and Yemen.
• 9:04
  Speaker 1: None of the perpetrated perpetrators of the major US terrorists
• 9:07
  Speaker 1: at tax carried out in the name of Islam in
• 9:09
  Speaker 1: the past fifteen years have come from any of those countries.
• 9:12
  Speaker 1: Like all of those all those terrorists attacks he name
• 9:15
  Speaker 1: didn't come from none of the countries on the list, right,
• 9:16
  Speaker 1: So what's the problem? So financial thing? It seems like
• 9:19
  Speaker 1: it's personal for him. Now I want to talk about
• 9:21
  Speaker 1: the Women's March because they now that organizers from the
• 9:24
  Speaker 1: Women's March from last month have announced yesterday they want
• 9:27
  Speaker 1: to have a general strike at a date to be determined.
• 9:29
  Speaker 1: It's called general strike, a day without a woman, date
• 9:33
  Speaker 1: to be announced. So they're going to have a day where,
• 9:37
  Speaker 1: you know, just to show that how important we are
• 9:38
  Speaker 1: as women, drop on a clues bombs for them women.
• 9:41
  Speaker 1: Tamika Mallory, Linda Sausour, Carmen Perez. That's actually a great idea, right,
• 9:46
  Speaker 1: I thought African Americans should come together and do something
• 9:48
  Speaker 1: like that too, and call it a black out. All
• 9:50
  Speaker 1: the black people don't show up. They do nothing for
• 9:51
  Speaker 1: one day. Everybody stay home, everybody no work, no school,
• 9:55
  Speaker 1: don't nothing to show the world. But it would look like,
• 9:56
  Speaker 1: well America, what it would look like without black people?
• 9:58
  Speaker 1: Does just tell you, guys know things you matter. Now.
• 10:01
  Speaker 1: Another thing that happened after delete uber happened, Grab your
• 10:04
  Speaker 1: wallet boycott happened. Every store that has anything Trump related
• 10:07
  Speaker 1: people have been not spending money there. And because of
• 10:10
  Speaker 1: that name, and Marcus Nordstrom has dropped Ivanka Trump's line,
• 10:13
  Speaker 1: and now Macy's is feeling the pressure to do the
• 10:15
  Speaker 1: same thing. Okay, all right, well that's Front page News.
• 10:18
  Speaker 1: I tell them why you're mad eight hundred five eight
• 10:21
  Speaker 1: five one oh five one. If you're upset, you need
• 10:23
  Speaker 1: to vent, call us up right now. Maybe at a
• 10:25
  Speaker 1: bad night, maybe you're still upset, the Falcon's lost, whatever
• 10:28
  Speaker 1: it may be, call us up right now. Eight hundred
• 10:30
  Speaker 1: five eight five one oh five one. Tell them on
• 10:32
  Speaker 1: your Marrie and why club. John will be joining us,
• 10:35
  Speaker 1: John white Cliff will be joining us. It's the breakfast club.
• 10:37
  Speaker 1: Come on in the Breakfast club and in one side,
• 10:43
  Speaker 1: and I can't even lie to you. Hey, y'all, y'all, Hey, y'all,
• 10:47
  Speaker 1: good lord, it is the mad rap. I'nna tell you why,
• 10:49
  Speaker 1: Manna tell you why back man? Because I don't got
• 10:51
  Speaker 1: the club last night and there was so many good
• 10:53
  Speaker 1: girls in there, yo, for men. We don't need none
• 10:54
  Speaker 1: of your good girls at the club. We need Louise girls.
• 10:56
  Speaker 1: They drup gummedy sloppy girls. We didn't girls. That's gonna
• 10:59
  Speaker 1: call away. We don't need none of your guys. Goes
• 11:00
  Speaker 1: the go, go away, talk about it and tell me
• 11:02
  Speaker 1: why are you mad? Breakfast club? For real? Hello? Who's
• 11:05
  Speaker 1: this short man from Milana? What up? Trey? How you?
• 11:09
  Speaker 1: I'm man? I'm still hurting man found man. They still
• 11:13
  Speaker 1: got me hurt man. Yep, that's how it goes. It's
• 11:17
  Speaker 1: maybe next year't hey, it's gonna be hard. It's gonna
• 11:22
  Speaker 1: be all right. Hello. Who's this? Hey? It's Carmen. Hey,
• 11:25
  Speaker 1: calm and tell him? Are you mad? Harmon? Carma, Carmen, Carmen,
• 11:30
  Speaker 1: Why are you mad? Mama? I'm doing this little guy.
• 11:33
  Speaker 1: He's nice and you know he's fund it like a
• 11:36
  Speaker 1: time in text and she just he's too quick for
• 11:39
  Speaker 1: me and he's a life guy, but I just can't
• 11:43
  Speaker 1: What do you mean he's too quick? He busts off
• 11:45
  Speaker 1: as damn But you know what that's because you're your
• 11:49
  Speaker 1: poom froom so good bull? Well is he able to
• 11:52
  Speaker 1: go again? After he he can't? Coming quick? Happy? That
• 11:58
  Speaker 1: should be good, That should be a good thing. I'm
• 12:00
  Speaker 1: not happy if she's not getting hurts though, because once
• 12:02
  Speaker 1: I go, he got satisfied. You need to tell him
• 12:06
  Speaker 1: to do a lot more for a play for you. Then. Yeah,
• 12:08
  Speaker 1: he got a mouth, right mom. Yeah, I grabbed him
• 12:11
  Speaker 1: by his lips and say what that jaw do? Sir?
• 12:14
  Speaker 1: That's so? And as soon as he tells you I'm
• 12:17
  Speaker 1: about then you gotta stop. They didn't stop. Yeah, you know,
• 12:19
  Speaker 1: when you're about the bus, just stop. You gotta learn
• 12:21
  Speaker 1: how to control himself and get his rhythm right right,
• 12:25
  Speaker 1: I'm gonna because right now, I just you know, I
• 12:28
  Speaker 1: don't want to cheat him. Go out of here, Lord,
• 12:31
  Speaker 1: have mercy. Hello, who's in? Hello? This is James John Jane.
• 12:35
  Speaker 1: Tell him why you mad man? I had a timp job.
• 12:39
  Speaker 1: Then here Charlotte had a timp job. They closed down
• 12:42
  Speaker 1: Tip out of nowhere on the second day worked, but
• 12:45
  Speaker 1: I a lot of tim The timp place used to
• 12:47
  Speaker 1: keep a brother alive back in the day, bro then
• 12:49
  Speaker 1: no drug test Me and my cousin that got on
• 12:51
  Speaker 1: there for gods, and it was a guy shing man.
• 12:54
  Speaker 1: I'm thinking, we're gonna get paid. Man ahead twelve o'clock
• 12:59
  Speaker 1: they come to is that they close it. We gotta
• 13:01
  Speaker 1: sign with another tim agency whatever. We were still gonna
• 13:04
  Speaker 1: get paid all living dollars our twelve hour shift. I'm good.
• 13:08
  Speaker 1: We gotta get hi. We gotta go through the whole
• 13:10
  Speaker 1: hiring process again. Services back in the day used to
• 13:13
  Speaker 1: be like a choose your own adventure book. You never
• 13:14
  Speaker 1: knew where you had to go for that day, for
• 13:16
  Speaker 1: the week. Yeah, I was good with that. They're talking
• 13:19
  Speaker 1: about can you work a day off. I can come
• 13:21
  Speaker 1: in and work a day Damn, I'm gonna come get
• 13:23
  Speaker 1: that thirty for all or whatever it is time job.
• 13:28
  Speaker 1: Do you want it? Yes? But to see the whole
• 13:31
  Speaker 1: thing is, I can't. I can't even continue to work
• 13:34
  Speaker 1: at the at the Sards Berries because the tim AC
• 13:38
  Speaker 1: won't hire it. Our tim AC spread us out to
• 13:41
  Speaker 1: be high by the other tim acis that was working
• 13:43
  Speaker 1: at the company, and we got to be hired all
• 13:46
  Speaker 1: over and they gotta do tests. I can't. I love
• 13:51
  Speaker 1: Sherry's berries, man, Yeah, shared bears was sweet. That was sweets.
• 13:54
  Speaker 1: That was easy, all right, man, I have a good one. Man,
• 13:58
  Speaker 1: keep going up. Brother. I used to work at the
• 14:00
  Speaker 1: tempt service man. Tell them eight hundred five eight five
• 14:04
  Speaker 1: on five. What was the craziest job you have, Charlomagne,
• 14:06
  Speaker 1: craziest job I ever had? I worked at a flower garden.
• 14:09
  Speaker 1: I worked at a flower garden on Highway fifty two
• 14:12
  Speaker 1: and monks going to South Carolina. He was a botanist.
• 14:14
  Speaker 1: I used to be the only all immigrants out there.
• 14:17
  Speaker 1: Everybody that Donald Trump wants to keep out the country.
• 14:19
  Speaker 1: It used to be nothing but Mexicans out there. And
• 14:21
  Speaker 1: I was like the only black dude. And um I
• 14:23
  Speaker 1: only worked there for like a week and a half,
• 14:25
  Speaker 1: two weeks. I couldn't take it. It was too We'd
• 14:27
  Speaker 1: be out there in the hot hundred and ten degrees
• 14:29
  Speaker 1: South Carolina. Why why couldn't you take it there? It
• 14:31
  Speaker 1: was too much. Man. I was young. And then one
• 14:33
  Speaker 1: day to bus to school, bus came by and all
• 14:35
  Speaker 1: the kids saw me and laughed at me, and I
• 14:37
  Speaker 1: was like, oh, after, I'm gonna sell crack and go
• 14:39
  Speaker 1: back to selling this school. Great story, great, all right.
• 14:43
  Speaker 1: It's in my book Black Privilege, Opportunity Comes to Those
• 14:45
  Speaker 1: Who Created, which is in bookstores April eighteen, if you
• 14:48
  Speaker 1: can pre order now at Amazon, Bonds, and Nobles. See
• 14:50
  Speaker 1: the book dot com. St when we come back. Blessings on,
• 14:53
  Speaker 1: Blessings on blessings, No more negativity. Tell them why you're blessed?
• 14:56
  Speaker 1: Call us up right now. Something's positive going on in
• 14:59
  Speaker 1: your life. Would love to hear from your eight hundred
• 15:01
  Speaker 1: five eighty five one oh five one, And don't forget
• 15:03
  Speaker 1: why club is jan I'll be joining us next hour.
• 15:05
  Speaker 1: It's the Breakfast loual morning, the Breakfast Club. Are you blessing?
• 15:15
  Speaker 1: Highly favorite? I feel blessed. Tell the congregation at eight
• 15:18
  Speaker 1: hundred five eighty five one five one, it's the Breakfast Club. Hello.
• 15:24
  Speaker 1: Who's this? Yeah? This isn't I Tony? I'm great from
• 15:27
  Speaker 1: bay Town? Takes how y'all doing this morning? Man? What's up? Tune?
• 15:30
  Speaker 1: Why are you so grateful this morning? Bro? Oh man,
• 15:32
  Speaker 1: I'm blessed man because you know, before I thought I
• 15:35
  Speaker 1: was a guard man. When I heard it all. Then
• 15:37
  Speaker 1: I lost it all, you know what I mean. And
• 15:39
  Speaker 1: then I realized that I wanted to guard it all.
• 15:42
  Speaker 1: You know what I'm saying. I was then manipulated, you
• 15:43
  Speaker 1: know what I'm saying. But the materialist things of this
• 15:46
  Speaker 1: world and doing our found guard. Oh man, this isn't
• 15:49
  Speaker 1: it so great? First of all material material things gonna
• 15:53
  Speaker 1: make you a god? You're a god with it without
• 15:55
  Speaker 1: material thing? Sir? There you go. But he found God,
• 15:57
  Speaker 1: and ain't that a great fad? Ain't lost? I say
• 16:00
  Speaker 1: they found God. God ain't never been lost. He hadn't
• 16:02
  Speaker 1: had no idea of God if he Yeah, you ain't exactly.
• 16:04
  Speaker 1: Butte when they say that I found God, God right
• 16:06
  Speaker 1: here go all around us? He discovered God. Yeah, he
• 16:09
  Speaker 1: discovered He finally went to God. Here you go. How
• 16:12
  Speaker 1: about that? Hello? Hello? Hey, who's this jury? What's up? Man?
• 16:17
  Speaker 1: You're feeling blessed today? Bro? You want the lottery? Yes, sir, No,
• 16:20
  Speaker 1: I didn't want the lottery. I'm just blessed that I
• 16:22
  Speaker 1: was an Addican. Now, please? What you was adding for?
• 16:25
  Speaker 1: I was hero? That's a hard one. The kick you
• 16:29
  Speaker 1: ever suck penis for heroin stopping up Chalomagne he's blessed years. Well,
• 16:35
  Speaker 1: I'm really happy to hear that. Fifteen years. You are
• 16:38
  Speaker 1: good and clean. Now, how's your family beautiful? And what's
• 16:43
  Speaker 1: the craziest thing you ever different? Heroin bro bro in
• 16:45
  Speaker 1: your mouth? You mad at me because you used to
• 16:48
  Speaker 1: be a herold musn't been talking about it? Blessed okay,
• 16:51
  Speaker 1: nothing because you used to be a hero a come one,
• 16:53
  Speaker 1: now say we were glad he's off hero Listen, you
• 16:56
  Speaker 1: need to tell those stories. Why would you ask? Because
• 17:00
  Speaker 1: you need to tell those stories because those type of
• 17:02
  Speaker 1: stories keep people from using heroin. If you're a heroin
• 17:06
  Speaker 1: attic and you told me, man, one time I had
• 17:08
  Speaker 1: to give I had to suck three minutes ten sit
• 17:10
  Speaker 1: for a hit. That will scare me and be like whoa,
• 17:12
  Speaker 1: I gotta stay might make you want to do it.
• 17:16
  Speaker 1: There you go? What do you tell them? I let
• 17:19
  Speaker 1: him know that that ain't your way to go, and
• 17:21
  Speaker 1: you give him examples. I'll stop it, man, you do.
• 17:25
  Speaker 1: We're focusing on his blessed. Yeah, we're bless always. The
• 17:29
  Speaker 1: people who ain't up that always telling you to take
• 17:30
  Speaker 1: it that I have a blessed day, A good morning sun.
• 17:37
  Speaker 1: All right, all right, tell him, Why you blessed? We
• 17:39
  Speaker 1: do that every morning, blessings on, blessings on, blessings to
• 17:42
  Speaker 1: give a personal opportunity, just to tell us why we
• 17:43
  Speaker 1: would blessing positivity, some good vibes, right, who else is blessed?
• 17:47
  Speaker 1: Vince Card is blessed. We need to check Vince Card
• 17:48
  Speaker 1: for performance and hands and you still getting this card
• 17:50
  Speaker 1: for forty years old? Still dunking backwards him game. I'm
• 17:52
  Speaker 1: watching him right now? Really, yes, duck backward in the
• 17:55
  Speaker 1: game last night one handed. All right, well we got
• 17:59
  Speaker 1: rumors on the way, yes, but we got well, yes,
• 18:01
  Speaker 1: we know y'all all love the new edition movie? Right, well,
• 18:04
  Speaker 1: guess who's coming out with the movie next Also, all
• 18:07
  Speaker 1: you fans of power will tell you who's joining the cast. Okay,
• 18:10
  Speaker 1: all and more, keep it locked. Just to Breakfast Club.
• 18:12
  Speaker 1: Good morning, the Breakfast Club. But Love Morning. Everybody is
• 18:19
  Speaker 1: DJ Envy, Angela, Ye, Charlomagne and God we are the
• 18:21
  Speaker 1: Breakfast Club. Love and Valentine's Days next week, Let's not
• 18:24
  Speaker 1: forget that's right. Valentine's Day is next week. And shout
• 18:27
  Speaker 1: everybody that's coming out to my live taping of my podcast.
• 18:30
  Speaker 1: We're doing it Monday, February thirteenth. It's kind of like
• 18:32
  Speaker 1: a date night. The first show sold out, the second
• 18:35
  Speaker 1: show is almost there. We're gonna have a lot of
• 18:37
  Speaker 1: fun and that we've got some comedians. We're gonna talk everything, relationship.
• 18:40
  Speaker 1: It's gonna be a good, good, good good show. So
• 18:41
  Speaker 1: if you're around town, you're around New York City, you're
• 18:43
  Speaker 1: coming up, come to the show. It's a perfect date night, fellas,
• 18:46
  Speaker 1: and to help you out, ladies, you'll be good all right,
• 18:48
  Speaker 1: But let's get to the rooms to talk. A new
• 18:49
  Speaker 1: biopic it's about, is the rumor report Angela Yee found
• 19:00
  Speaker 1: the breakfast club. Well, mister Dalvin from Joe to See
• 19:04
  Speaker 1: posted on Instagram. Me and Jojo up in the Bay Area.
• 19:08
  Speaker 1: Yes to Joe to See. Biopick is coming. For all
• 19:10
  Speaker 1: the casting inquiries, they will be announced soon. Thanks for
• 19:14
  Speaker 1: the love and support. Here he is on Instagram. Oh well,
• 19:18
  Speaker 1: they actually went. They started the process last September. You'll
• 19:21
  Speaker 1: just finish the script go into production next month. So
• 19:24
  Speaker 1: we're looking at a product like the end of the
• 19:26
  Speaker 1: year release. You know what what channel? We We're just
• 19:28
  Speaker 1: gonna film it first on the right. So far, you
• 19:32
  Speaker 1: can't do a Joda See Bio pick without doing Uptime
• 19:35
  Speaker 1: Records first. Vach One should do a story of Uptown
• 19:37
  Speaker 1: Records first. That'll couple how Andre Horrel discovered Joda See
• 19:40
  Speaker 1: and Mary J. Blige and Heavy D. Then you branch
• 19:42
  Speaker 1: out into the individual movies. Treat it like a Marvel movie.
• 19:45
  Speaker 1: Take your time. Give us Uptown Records first, then give
• 19:47
  Speaker 1: us the individual superhero movies. That would be the smart
• 19:50
  Speaker 1: thing to do. I'm not mad at that, you know,
• 19:51
  Speaker 1: they understand. I feel like they can't stand alone. Yeah,
• 19:53
  Speaker 1: but why when you got you got this historic label,
• 19:56
  Speaker 1: Uptown Records. It could be like the new Cadillac Records.
• 19:58
  Speaker 1: You give us Uptown first, didn't give us the individual stories.
• 20:00
  Speaker 1: Eat for a year? Why I eat once? When you
• 20:02
  Speaker 1: can eat something order? No, no, no, I agree, if
• 20:05
  Speaker 1: you really think about it, Jody See, is is really
• 20:08
  Speaker 1: an African American group? New edition was kind of crossing?
• 20:11
  Speaker 1: The edition was broad. Ye. Absolutely, if you start with
• 20:14
  Speaker 1: Uptown and then you get into everything that Uptown side. Absolutely,
• 20:19
  Speaker 1: they signed the deal and they want to get their
• 20:20
  Speaker 1: money now. Maybe bach One needs to sit down and
• 20:22
  Speaker 1: Andrew Horrow first. Yeah, the movie, yes, they already is
• 20:27
  Speaker 1: getting ready underway. Started. I'm telling you how this went down.
• 20:30
  Speaker 1: It was in the corporate boarder room tail c movie
• 20:32
  Speaker 1: worked like who can we do next? Voice the men?
• 20:35
  Speaker 1: Jody see they took a vote to my price. Sad
• 20:37
  Speaker 1: joke because who was on Uptown? You got Mary was
• 20:38
  Speaker 1: on the Mary J. Blige heavy d I'll be sure
• 20:41
  Speaker 1: Christopher Horace Grant Grant Horace Brown story you could bring
• 20:50
  Speaker 1: in the past. And I'm saying with the intern it
• 20:53
  Speaker 1: Uptown Records, Andrew Horrow gave all those dudes they start.
• 20:55
  Speaker 1: You gotta start with Uptown first, then branch out into
• 20:58
  Speaker 1: the individual. I don't usually agree with you, but yeah,
• 20:59
  Speaker 1: I agree with you. Need to start agree with me.
• 21:00
  Speaker 1: I'm gonna want to send keep treating me like I'm
• 21:03
  Speaker 1: refuting excited for a Joe to See movie. Period. It's
• 21:06
  Speaker 1: gonna be good. It could be better, it could be
• 21:08
  Speaker 1: more broad, Yeah, it could be bigger. Power has added
• 21:12
  Speaker 1: Lorenz Take to the cast, so that's pretty exciting. He's
• 21:14
  Speaker 1: gonna have a recurring role on the new season. They
• 21:18
  Speaker 1: said he's going to join as councilman or a Shad Tate,
• 21:21
  Speaker 1: who's a city councilman from Jamaica. Queen who is that
• 21:23
  Speaker 1: now Lorenz Tate Lorenze dropped one of clues bombs of
• 21:25
  Speaker 1: Lorenz take forty eight years old, still looking nineteen, look
• 21:30
  Speaker 1: like he ain't never had a piece of red meat
• 21:31
  Speaker 1: in his life. Don't do number, Drink water and vegetables.
• 21:34
  Speaker 1: Now back to the Super Bowl. Lady Gaga, her halftime
• 21:37
  Speaker 1: show was the second most watch halftime show in history.
• 21:41
  Speaker 1: It was number one number one. Is Katy Perry really?
• 21:46
  Speaker 1: He said, like he knew who number? Why the way?
• 21:49
  Speaker 1: I love here? Y'all know I love me some Katie
• 21:51
  Speaker 1: Perry now, but for real, that's right. She used number one,
• 21:55
  Speaker 1: and Lady Gaga is now number two. Where's Beyonce on
• 21:58
  Speaker 1: that list? It's curious, you know, Um, I don't know.
• 22:00
  Speaker 1: I think it isn't the top five though, okay, because
• 22:02
  Speaker 1: I remember they had a whole list of the most
• 22:04
  Speaker 1: watch ones. I know Janet Jackson was up there. What
• 22:06
  Speaker 1: about Michael when Michael did it? Yeah, he was up
• 22:08
  Speaker 1: in the top ten also, all right, So in addition
• 22:11
  Speaker 1: to that, she actually ended up selling one hundred and
• 22:14
  Speaker 1: fifty thousand digital albums and songs in the United States.
• 22:17
  Speaker 1: But you know, the Super Bowl does get bigger and
• 22:19
  Speaker 1: bigger every year though, so I guess it does. That's
• 22:21
  Speaker 1: why right still surrorays number one though, well, she is
• 22:25
  Speaker 1: all right. And Tom Brady in the meantime, his jersey
• 22:28
  Speaker 1: got stolen after the game. Now, according to reports, they
• 22:31
  Speaker 1: said a Patriots equipment manager actually took the church jersey
• 22:35
  Speaker 1: and put it in a safe place for Tom Brady.
• 22:37
  Speaker 1: They said it wasn't stolen, but Tom Brady spoke at
• 22:40
  Speaker 1: a news conference and said the jersey is still missing,
• 22:42
  Speaker 1: and he's concerned that it's going to end up on eBay.
• 22:45
  Speaker 1: But if you put it up on eBay, won't it
• 22:47
  Speaker 1: come right back to you? Trouble. He's looking out for it. Yes, number,
• 22:51
  Speaker 1: But they said I thought they said they had I
• 22:52
  Speaker 1: thought they Quy had it. Yeah, the Quomen guy said
• 22:54
  Speaker 1: he has it, but Tom Brady says he still hasn't
• 22:56
  Speaker 1: received it. Yeah they got that. That ain't going anywhere,
• 23:00
  Speaker 1: all right. I'm angela ye, and that's your rumor reports. Okay,
• 23:03
  Speaker 1: how you can even prove that's the jersey he played
• 23:05
  Speaker 1: in for the game. I think they numbered the old number. Oh,
• 23:07
  Speaker 1: got you? The old number? Like the balls, the footballs
• 23:09
  Speaker 1: and the baseballs are all numbers. So when they kid
• 23:11
  Speaker 1: at home. Money knew exactly what ball it was and
• 23:12
  Speaker 1: everything got you all right. Well, when we come back,
• 23:15
  Speaker 1: a white Cleff Jan the Obi joining us, we'll kick
• 23:18
  Speaker 1: it with wild Cleff of course from the Fuji. So
• 23:20
  Speaker 1: don't go anywhere. It's the breakfast club, Go Morning. Another
• 23:25
  Speaker 1: one that was d J Kalin for free Morning. Everybody
• 23:28
  Speaker 1: is DJ N v Angela Yee, Charlomagne the guy. We
• 23:31
  Speaker 1: are the breakfast club or we got the legendary families.
• 23:35
  Speaker 1: White Clef Sean is in the building. Family, just put
• 23:38
  Speaker 1: out the EPs. You hurt. You don't have to be hasten.
• 23:43
  Speaker 1: It's Caribbean for the Caribbean. It's straight up the night
• 23:47
  Speaker 1: before the carnival and Brooklyn baby, and it's all right,
• 23:50
  Speaker 1: leave it up to me to come up with a word.
• 23:52
  Speaker 1: Make it hard to pronounces, like, first of all, so
• 23:56
  Speaker 1: much fun because I'm from Brooklyn too, so fubs like
• 23:59
  Speaker 1: a big deal. But they also tell you when you're
• 24:01
  Speaker 1: young not to go yeah night, yeah yeah, it's part
• 24:06
  Speaker 1: of the carnival. You can't get shot. You gotta be careful.
• 24:08
  Speaker 1: Brooklyn's a tricky place. They stay out all night. What
• 24:12
  Speaker 1: exactly because I've always juve is sort of like it's
• 24:15
  Speaker 1: the turn up before the turn up, so we figure,
• 24:18
  Speaker 1: like you know, we're gonna be on that parkway that
• 24:20
  Speaker 1: whole day, so that whole night before you're drinking, you
• 24:24
  Speaker 1: party and you're having a great time. You know, you're
• 24:26
  Speaker 1: just watching out for danger. It's sort of like a
• 24:28
  Speaker 1: big tradition like within Carnival, like because the idea like
• 24:32
  Speaker 1: like Haitian Carnival is like literally you party like three
• 24:35
  Speaker 1: days or Trinidad, it's the same vibe. Could you please
• 24:38
  Speaker 1: tell you want? Nobody makes CD even no Mortal that's
• 24:41
  Speaker 1: why come on, but listen to this right right, watch
• 24:44
  Speaker 1: this you ready for this? Just look at the charts
• 24:47
  Speaker 1: right around the world. Maybe here that don't make CDs,
• 24:50
  Speaker 1: but this right here is already top five in Canada
• 24:53
  Speaker 1: and then Quebec they buy CDs. So you still got
• 24:56
  Speaker 1: to make the physicality of certain places. So even though
• 24:59
  Speaker 1: in the state, like my daughter and Vino CD, she
• 25:02
  Speaker 1: just hit that she turned on that smart phone. But
• 25:05
  Speaker 1: what happens is like they're still like so when when
• 25:08
  Speaker 1: you still because we still have fans that are our
• 25:11
  Speaker 1: Asian has Carnival and different people and those people are
• 25:15
  Speaker 1: still like CD cover like in certain countries, but here
• 25:19
  Speaker 1: in the States they definitely don't make them. I know
• 25:21
  Speaker 1: you you don't got a CD FLA, No, I don't know.
• 25:24
  Speaker 1: I always topp in. I always actually listened to CDs
• 25:26
  Speaker 1: in the car. Okay, but y'all got the smartphone and
• 25:29
  Speaker 1: I could say and I could save it into the
• 25:30
  Speaker 1: hard drive in the car. But I still prefer digital,
• 25:33
  Speaker 1: just because you know, many copies are only built for
• 25:35
  Speaker 1: Cuban links. I had to buy how many copies that'll
• 25:37
  Speaker 1: matter guy to buy? Well, digital just makes everything like
• 25:40
  Speaker 1: just easier absolutely. I mean I heard an interesting story
• 25:44
  Speaker 1: on the Combat Jack show Fat Joe was on, and
• 25:47
  Speaker 1: I just thought it was interesting. Actually was to it yesterday.
• 25:49
  Speaker 1: He said that you walked in the big Punished trineral
• 25:51
  Speaker 1: playing a guitar. So you bought a speaker and a
• 25:53
  Speaker 1: guitar and you walked in playing and and and and
• 25:56
  Speaker 1: and The thing was, it's supposed to be disrespectful to
• 25:59
  Speaker 1: play music when the Spanish person dies, so when they
• 26:02
  Speaker 1: when you walked there, everybody thought you was tripping, but
• 26:03
  Speaker 1: you just wanted the crowd over. Had everybody crying. Well,
• 26:06
  Speaker 1: I mean, there's two things. It's it's if you come
• 26:08
  Speaker 1: pure and you come with your heart and you come wrong.
• 26:11
  Speaker 1: So at the end of the day, my connection with
• 26:14
  Speaker 1: pun was I just remember us in the Islands and
• 26:18
  Speaker 1: I was basically on piano and he was freestyling. He
• 26:22
  Speaker 1: was like, go ahead, Twin, play that piano. So it
• 26:25
  Speaker 1: was like, at the end of the day, I felt
• 26:27
  Speaker 1: like if there was anything that I could do would
• 26:30
  Speaker 1: be just to really just show up with a guitar.
• 26:32
  Speaker 1: And I knew like if I was pure that because
• 26:35
  Speaker 1: I didn't go to really win the cloud over, I
• 26:37
  Speaker 1: went to like really just paid tribute. But once again,
• 26:42
  Speaker 1: everyone has their tradition and you know, literally like probably
• 26:45
  Speaker 1: like a minute, and it was sort of like because
• 26:49
  Speaker 1: you're just trying to touch that spirit, it's emotional time.
• 26:52
  Speaker 1: And definitely the crowd was like even like Fat Joe,
• 26:58
  Speaker 1: I just remember everybody just being in tears. But for me,
• 27:01
  Speaker 1: I just felt like that's what I could do, just
• 27:05
  Speaker 1: you know, like knowing him and like my short time
• 27:08
  Speaker 1: spent with him, I was like he would probably want
• 27:10
  Speaker 1: me to show up and be like yo, twins, play
• 27:13
  Speaker 1: that guitar, sing something, you know, and it was Maria, Maria,
• 27:18
  Speaker 1: I'm like, I don't sound like a funeral song. Yeah, no,
• 27:20
  Speaker 1: it was like a mixture of just like the you know,
• 27:24
  Speaker 1: I was. I had a song that I had wrote
• 27:26
  Speaker 1: and an inside of it still like with within like
• 27:28
  Speaker 1: the Maria Maria, You're not just gonna be like myde
• 27:30
  Speaker 1: I'm like, you know, it was it was just to say, like,
• 27:34
  Speaker 1: but the story of Maria is still a deep one
• 27:36
  Speaker 1: because it's like that whole West Side story, you know,
• 27:39
  Speaker 1: gang story, this gang versus that gang, so um. But
• 27:42
  Speaker 1: it was just more an emotional moment of time and
• 27:45
  Speaker 1: just wanted to capture something because you know, for me,
• 27:48
  Speaker 1: it's like if I get called to sing at a JFK.
• 27:52
  Speaker 1: Sun funeral, you know, and I only two black people,
• 27:55
  Speaker 1: There's me and Muhammad Ali and then Big Pun. It's like,
• 27:59
  Speaker 1: at the end of the day, it's the same respect
• 28:01
  Speaker 1: for me because it's like I'm from that hip hop culture,
• 28:04
  Speaker 1: so it's like it's no difference to me. So I
• 28:06
  Speaker 1: honor that. I would have to honor that the same
• 28:09
  Speaker 1: way I honor the Kennedy thing. And I figured the
• 28:11
  Speaker 1: family and the culture with respect that if you just
• 28:15
  Speaker 1: come pure, because they don't come pure, you know, it
• 28:18
  Speaker 1: would have been a different story in there now Why
• 28:21
  Speaker 1: is this an EP because there's ten songs on it?
• 28:23
  Speaker 1: I know there's thirteen on a deluxe edition. Isn't it
• 28:26
  Speaker 1: a full album? No, it's an EP because half of
• 28:28
  Speaker 1: it is an acoustic form, so you have remixes of
• 28:32
  Speaker 1: similar songs. And it's crazy because literally, like in seven years,
• 28:37
  Speaker 1: I haven't been in this commercial space. So it's nuts.
• 28:40
  Speaker 1: We're talking about streaming in digital. The song Hendrix is
• 28:44
  Speaker 1: already a ten million in streams M. So the analytics
• 28:48
  Speaker 1: of the kids are just so real right now. So
• 28:51
  Speaker 1: it's almost like, um, I remember I was having a
• 28:53
  Speaker 1: conversation with Envy you and then the idea. It was
• 28:57
  Speaker 1: like I remember when Envy Canci was like, no matter what,
• 28:59
  Speaker 1: just don't stop putting out music because the way that
• 29:01
  Speaker 1: it works right now, you literally have to have something
• 29:04
  Speaker 1: out every couple of weeks, you know. So when taking
• 29:06
  Speaker 1: that advice, I mean, really we're really back, Like right now,
• 29:10
  Speaker 1: we're on sixteen different charts around the world, like top fifty's,
• 29:15
  Speaker 1: and this is just an EP. It's different with guys
• 29:18
  Speaker 1: like you know, because it's not like you still trying
• 29:19
  Speaker 1: to be relevant. You're a legendary. Yeah, But you know,
• 29:22
  Speaker 1: I was having that conversation because so I go in
• 29:26
  Speaker 1: the studio, we're young Thug, and I was telling people
• 29:30
  Speaker 1: what happens is when the kids bring you in, like
• 29:33
  Speaker 1: whether if it's Drake or whatever. You like, you were saying,
• 29:36
  Speaker 1: at the end of the day, you still just have
• 29:39
  Speaker 1: to be you. I think the trick starts to be
• 29:42
  Speaker 1: when you try to adapt to what the kids are.
• 29:45
  Speaker 1: And I think the reason why they come in to
• 29:47
  Speaker 1: get you is because they heard the score, they heard
• 29:49
  Speaker 1: the carnival. They're like where that is? And I think
• 29:51
  Speaker 1: sometimes a lot of us sometimes we lose ourselves, you
• 29:54
  Speaker 1: know what I mean in that because you still want
• 29:56
  Speaker 1: to stay irrelevant. But these kids really are looking up
• 29:59
  Speaker 1: to you because of these albums that you've had, and
• 30:01
  Speaker 1: Young Doug have to reach out to you right to
• 30:03
  Speaker 1: clear Yeah, so you can't just call a song a
• 30:05
  Speaker 1: white Cleft Jean without clearing it. No, you can't. You can't,
• 30:08
  Speaker 1: and you know because it's my name. So so basically
• 30:12
  Speaker 1: it was all to be about something you don't want
• 30:14
  Speaker 1: to represent. Yeah, But it was crazy because I get
• 30:16
  Speaker 1: the call and um Lee All was tracking me down
• 30:19
  Speaker 1: like yo, young Thug is looking for you, you know,
• 30:21
  Speaker 1: And and I get to Atlanta, and you know it's like, Yo,
• 30:25
  Speaker 1: you see bloody my shirt, Haiti, my daughter, Haiti, my project,
• 30:30
  Speaker 1: Haiti man I wish I was from Haiti. Right, So
• 30:33
  Speaker 1: it's like the side of history that he chose to know.
• 30:36
  Speaker 1: It's almost like you got kids studying you without you
• 30:39
  Speaker 1: even knowing, and then in the next couple of years
• 30:42
  Speaker 1: there'll be a kid who's doing what you're doing, and
• 30:45
  Speaker 1: then he'll tell you stories about you that you can't remember.
• 30:48
  Speaker 1: And I think that's the impact that we have. And
• 30:52
  Speaker 1: then we understand like our responsibilities because we we street people,
• 30:56
  Speaker 1: hard street people, but we never talk about it and
• 30:59
  Speaker 1: we never glorify, all right. We more like say, look,
• 31:01
  Speaker 1: at the end of the day, y'all could get up
• 31:02
  Speaker 1: from the streets and do something positive, all right. That
• 31:05
  Speaker 1: was why Cleff we got more with him in minutes
• 31:07
  Speaker 1: keeping locks. It's the breakfast Club, Good Morning, the breakfast
• 31:10
  Speaker 1: club that was notorious big with Big Papa Morning. Everybody
• 31:17
  Speaker 1: is DJ n VI angela Ye, Charlemagne, the guy we
• 31:20
  Speaker 1: are the breakfast Club. Why Clef Jean is in the building, Charlemagne.
• 31:24
  Speaker 1: Why the hell does young Thug remind you of a
• 31:26
  Speaker 1: modern day Tupac well, you know the internet switch bait people. Okay,
• 31:31
  Speaker 1: so what did you really read the whole article? Yeah,
• 31:33
  Speaker 1: but I did say that, but of course you have
• 31:34
  Speaker 1: to say that because of the viewers. Yeah, of course,
• 31:38
  Speaker 1: and then it's so passed the switch bait. Which whatever
• 31:41
  Speaker 1: article did that I hope they got. They hits him,
• 31:43
  Speaker 1: hate their money and meeting Tupac in Europe. The combination
• 31:48
  Speaker 1: of the thug life, the Haiti tat and the part
• 31:51
  Speaker 1: of history that he chose to know, but people would
• 31:54
  Speaker 1: consider him a band aid because he don't choose to
• 31:57
  Speaker 1: know the other part of history. So I was amazed
• 31:59
  Speaker 1: by Thugga's love for Haiti in an eighteen oh four
• 32:04
  Speaker 1: that revolution, I'm not expecting him to even have that,
• 32:08
  Speaker 1: like out of everything, I'm expecting him to know. It's
• 32:11
  Speaker 1: not that part of because that they don't even teach
• 32:14
  Speaker 1: you that in school. And then with Pop the Black Panther,
• 32:19
  Speaker 1: that side of it, because you know, you gotta side
• 32:21
  Speaker 1: where you fight in the street, and then that revolution side.
• 32:24
  Speaker 1: So in context, it was in a music conversation, and
• 32:28
  Speaker 1: then the work ethics that every time I land, I
• 32:30
  Speaker 1: gotta be in the studio. I gotta find a studio
• 32:33
  Speaker 1: and going in with Thugga. He was like, look, I
• 32:36
  Speaker 1: just learned how to do trap music. Left, let me
• 32:39
  Speaker 1: show you what I do. That's how I knew I
• 32:40
  Speaker 1: could have put him on. I swear man, dude, play
• 32:43
  Speaker 1: like forty records that got nothing to do with nothing,
• 32:46
  Speaker 1: and it's that work ethics that was the context and
• 32:48
  Speaker 1: then doing music at all. I mean, it's definitely two
• 32:53
  Speaker 1: different generations of music, you know what I mean, Like
• 32:55
  Speaker 1: we're from the POC generation, but because people are so
• 32:59
  Speaker 1: sensitive when it comes to park, when it comes to Biggie,
• 33:03
  Speaker 1: so it's like when you say something, you have to
• 33:05
  Speaker 1: put it in context. That's like the other day the
• 33:08
  Speaker 1: Martin Luther King, Martin Luther King comes, you know, it's
• 33:11
  Speaker 1: his birthday, and I'm like, all lives matter? Oh man,
• 33:14
  Speaker 1: Oh yeah, that was it for you, Yo. When I
• 33:16
  Speaker 1: tell you, when I tell you, it went, it went.
• 33:19
  Speaker 1: And then I don't really, I don't delete nothing. The
• 33:22
  Speaker 1: reason why I delete that is because first of all,
• 33:25
  Speaker 1: if you're gonna put it out there, you gotta be
• 33:27
  Speaker 1: willing to deal with it. Right. Our country was so
• 33:29
  Speaker 1: divided and I was like, I ain't about to go
• 33:32
  Speaker 1: into no Twitter ward, that's not what I do. I
• 33:34
  Speaker 1: deleted it, right, but I didn't stop. I deleted it
• 33:38
  Speaker 1: so I could take the kids or the people at
• 33:40
  Speaker 1: the time that was so sensitive. I was like, look,
• 33:43
  Speaker 1: here's an interview like a year and a half ago.
• 33:45
  Speaker 1: Look at this. What am I talking about? Yes, black
• 33:48
  Speaker 1: lives matter? That's what are you doing for me right now?
• 33:51
  Speaker 1: Type of game? Because they don't you understand why people
• 33:53
  Speaker 1: are sensitive about that. Yeah, but what happens is sensitivity
• 33:57
  Speaker 1: is good, but past sensitive, past the emotions about policy
• 34:00
  Speaker 1: and legislation. So at the end of the day, my
• 34:03
  Speaker 1: remarks was based on Martin Luther King, And for Martin
• 34:05
  Speaker 1: Luther King to get what he had to get to
• 34:08
  Speaker 1: even within his speech, he had to unite every he
• 34:10
  Speaker 1: was an engager. Yeah. Absolutely. Now it's been twenty three,
• 34:13
  Speaker 1: I think twenty three years they said since blunt in
• 34:15
  Speaker 1: a reality. Yeah. So so this is the twentieth year
• 34:18
  Speaker 1: anniversary of the carnival, right last yea was yet to
• 34:20
  Speaker 1: your point year twenty three Blunted score was ninety six. Okay,
• 34:24
  Speaker 1: so like what two years? Yeah, you got any any
• 34:27
  Speaker 1: favorite memories from those times? So I remember, man, we
• 34:30
  Speaker 1: had a big show uptown Harlem Man with Wu Tang Clan,
• 34:35
  Speaker 1: Jesus and Smith and Wesson, and then they put the
• 34:39
  Speaker 1: Fuji's on the bill. You feel understanding to you, so
• 34:42
  Speaker 1: I'll never forget that. Man. So we get there and
• 34:46
  Speaker 1: could you imagine like that kind of show you could imagine,
• 34:49
  Speaker 1: and we're showing up with like drums set yea. I
• 34:51
  Speaker 1: already pre warm my crew as like look, man, set
• 34:54
  Speaker 1: everything up, but leave it close to the exit. So
• 34:57
  Speaker 1: it's literally like the drumming in the middle. We make
• 35:00
  Speaker 1: sure that the drum is fun because if something's gonna happen,
• 35:02
  Speaker 1: you gotta be ready to take your instruments and moved.
• 35:06
  Speaker 1: Get booed. No, no, I knew that there would be
• 35:09
  Speaker 1: It was someone's gonna break out that night between Wools
• 35:12
  Speaker 1: Smith thing like Fuji's. It was just the mix was
• 35:15
  Speaker 1: like block the block, Something's gonna happen, and yes, it's
• 35:18
  Speaker 1: surely there happened. Um All, I just remember, man if
• 35:22
  Speaker 1: method man could remember this, and I just remember that
• 35:24
  Speaker 1: it was a crazy show. But a fight broke out.
• 35:28
  Speaker 1: It was almost like Israel lights Wu Tang Clan. You know,
• 35:32
  Speaker 1: we in the middle of this, you know. Um I
• 35:34
  Speaker 1: told my manager, my tour manager at the time Hassan
• 35:37
  Speaker 1: Sharif was some brother. I was like, look, man, just
• 35:40
  Speaker 1: go get the money before we even start the show.
• 35:45
  Speaker 1: I remember that and uh. And then we get outside
• 35:47
  Speaker 1: and then I remember oldb and because now it's a
• 35:50
  Speaker 1: big fight outside o dB was like, man, I love
• 35:53
  Speaker 1: of Fuji's, but I'm gonna whip somebody's ass. Man. It
• 35:56
  Speaker 1: was almost like yeah, because it was like it looked
• 35:59
  Speaker 1: like and then Prize was on the side, Prize had
• 36:03
  Speaker 1: a bottle in his hand. Prize cracked the bottle. Pos
• 36:05
  Speaker 1: you know, did the whole movie thing, you know, the
• 36:07
  Speaker 1: whole whole shot to State and so y'all was fighting
• 36:12
  Speaker 1: who y'alla was just there? No, it was It was
• 36:15
  Speaker 1: because of the tension everybody. It was almost like a
• 36:18
  Speaker 1: Mexican standoff. Um. And I think at the end of
• 36:22
  Speaker 1: the day, the tension was because the fight broke out
• 36:24
  Speaker 1: and a lot of I don't think people got paid that,
• 36:27
  Speaker 1: but we definitely took our money. Early. I went in
• 36:30
  Speaker 1: the venue earlier, I scoped the place out. I did
• 36:32
  Speaker 1: that early intel like Yo, this, this don't look good
• 36:35
  Speaker 1: right here, you know. So that was incredible because years later,
• 36:38
  Speaker 1: now I'm in the studio with ODB and I'm trying
• 36:41
  Speaker 1: to get him to remember that story. And and people
• 36:44
  Speaker 1: said it's gonna be difficult working with him, like you
• 36:46
  Speaker 1: ain't gonna be able to get a verse out of
• 36:48
  Speaker 1: him when he risk could get it. And he comes
• 36:50
  Speaker 1: in the studio when I was doing that Ghetto Superstar
• 36:53
  Speaker 1: for prize. He literally goes in the booth and you know,
• 36:56
  Speaker 1: I'm a little nervous because dude's like, Yo, you can't
• 36:59
  Speaker 1: get a verse out of him. You might be good,
• 37:00
  Speaker 1: but you're not that good man. Literally, man, the dude
• 37:03
  Speaker 1: gets in the vocal wolf and he's like, so I
• 37:09
  Speaker 1: have to hear this dolphin frequency for three minutes. But
• 37:12
  Speaker 1: I'm acting like nothing wrong. You feel me. I'm acting normal.
• 37:14
  Speaker 1: I got the game normal, I got that Super Bowl
• 37:17
  Speaker 1: face game fing yo, And then that's hot. I'm just
• 37:22
  Speaker 1: listening because I got to see where it's going because
• 37:24
  Speaker 1: if it's whack, I'm gonna have to say something. Man,
• 37:26
  Speaker 1: three minutes in, this dude just start to spit out
• 37:29
  Speaker 1: of nowhere. And that's when rizards talking about his genius.
• 37:34
  Speaker 1: That sort of like how his genius was so for me,
• 37:37
  Speaker 1: that was one of the most memorable things I can
• 37:39
  Speaker 1: remember I remember seeing the Fuji's before I'm with Outcasts.
• 37:42
  Speaker 1: Oh that was an incredible show. It was like Goodie
• 37:46
  Speaker 1: Mob Foojis and Outcasts that sound classic. It was just nuts. Yeah,
• 37:51
  Speaker 1: that was a that was an incredible show. I was like,
• 37:53
  Speaker 1: we're not missing that one. Now with Lauren Hill chronically
• 37:56
  Speaker 1: l the Fuji shows like that, she is now no no, no, no, nobody,
• 38:00
  Speaker 1: nobody could be late to no Fuji show. You gotta
• 38:03
  Speaker 1: be on time. I'm just saying, like back in you know,
• 38:06
  Speaker 1: it's different back in the days, like you know, um,
• 38:10
  Speaker 1: because you're promoting, right, Um, you have to be focused
• 38:14
  Speaker 1: when it came to that, So everybody was basically on time.
• 38:17
  Speaker 1: But of course this is years later. You know what,
• 38:21
  Speaker 1: do you think Lauren ranks as far as greatest of
• 38:24
  Speaker 1: all time? Because it comes a point for me where
• 38:26
  Speaker 1: I'm like, look, man, the Miss Education Lauren Hill is
• 38:28
  Speaker 1: a phenomenal album, classic album, but we might be overrating it,
• 38:32
  Speaker 1: overrating that album, not the album, but overrating where we
• 38:35
  Speaker 1: put her in the greatest of all time with that
• 38:39
  Speaker 1: one body of work. Um, well, no, I disagree. I
• 38:43
  Speaker 1: think she's one of the greatest, and I think that
• 38:45
  Speaker 1: what happens the Fuji's albums. Also, you can't forget all
• 38:49
  Speaker 1: that work too. This is why I rate her top
• 38:53
  Speaker 1: five female within our generation because I was in the
• 38:57
  Speaker 1: studio with Whitney Houston, I recorded Whitney, and I was
• 39:00
  Speaker 1: in the studio with Lauryn. I was in the studio
• 39:02
  Speaker 1: with Beyonce, so all of this, I was in the
• 39:05
  Speaker 1: studio with Shakira. There's just something about her that it's
• 39:08
  Speaker 1: just a its fact. As far as like me being
• 39:10
  Speaker 1: a PK and when someone sings you could fail out annointment.
• 39:14
  Speaker 1: She had that. We got more with wild Cliff when
• 39:17
  Speaker 1: we come back, keep a lot. This the breakfast club,
• 39:18
  Speaker 1: Good Morning, you know that was rere with Sex with
• 39:25
  Speaker 1: Me Morning. Everybody is DJ N v Angela, Ye, Charlomagne
• 39:28
  Speaker 1: the guy. We are the breakfast club. We got wild clubs.
• 39:31
  Speaker 1: Join in the building there, ye. Can we introduce your
• 39:33
  Speaker 1: protty by the way, because I don't want people to
• 39:35
  Speaker 1: be like, oh oh oh yeah yeah. So so Jazzy
• 39:38
  Speaker 1: who's from the Bronx. She's not here yet. She got lost,
• 39:41
  Speaker 1: she went to the wrong location. And this is Alison
• 39:44
  Speaker 1: Alison m Church girl. Um similar to Whitney, like Church.
• 39:49
  Speaker 1: That's the whole vibe. I'm a PK and um and
• 39:51
  Speaker 1: she's here. Sorry, I forgot my guitar. Alison, do you
• 39:56
  Speaker 1: feel pressure because you just heard three of the most
• 39:59
  Speaker 1: phenomenal women in the game ever that wild Cleff has
• 40:02
  Speaker 1: worked with Lauren Hill, Beyonce, he carry worked with Mary J. Blige.
• 40:07
  Speaker 1: Do you feel that kind of pressure at first? Yeah?
• 40:11
  Speaker 1: I did, but right now I just feel honored, like
• 40:15
  Speaker 1: it's an honor. So tell us about your situation, how
• 40:18
  Speaker 1: you guys, Yeah, it's crazy, Okay. So I actually worked
• 40:23
  Speaker 1: for Head's music. Um, I was in an administration. They
• 40:27
  Speaker 1: had asked me to go to the studio to demo
• 40:30
  Speaker 1: a song. So you worked in administration and they asked
• 40:33
  Speaker 1: you to go demo a song. They knew that I
• 40:36
  Speaker 1: can sing, but they never heard me sing like at all. Um,
• 40:39
  Speaker 1: so hold up, yeah, and demo that I wanted her
• 40:42
  Speaker 1: to do because I was at the World Cup with
• 40:44
  Speaker 1: Rihanna and then she was like, Oh, I'm glad you
• 40:47
  Speaker 1: back into music. You know we're gonna catch a vibe.
• 40:49
  Speaker 1: So no, no, this was Rihanna when was at the
• 40:53
  Speaker 1: World Cup. She's like, I'm glad you back into music.
• 40:56
  Speaker 1: She can't adjusting room and anything and so I was like,
• 40:58
  Speaker 1: I have a vibe. This be good for Rihanna, So
• 41:01
  Speaker 1: I'm going demo this and send it to her. You
• 41:03
  Speaker 1: could go on, I just want to. I didn't know
• 41:05
  Speaker 1: any of that, and so you told everybody you could
• 41:07
  Speaker 1: sing though you would, Yeah, so everybody knew. I knew
• 41:09
  Speaker 1: that that was my passion, Like that's what I wanted
• 41:11
  Speaker 1: to do. So the CEO of head Music, Madeline Nelson,
• 41:15
  Speaker 1: took me to the studio and I demoed the song
• 41:18
  Speaker 1: for them and like that was that and I'm actually, yeah,
• 41:22
  Speaker 1: I'm actually on the EP on track number five little Things.
• 41:25
  Speaker 1: So yeah, that's it was God like honestly, So you
• 41:28
  Speaker 1: would have never stepped up and been like, hey, why left?
• 41:30
  Speaker 1: You know, I would love to get in the studio
• 41:31
  Speaker 1: and work with you. I mean I've I like mentioned that,
• 41:33
  Speaker 1: but yeah, I'm not like that type of pushy. Yeah.
• 41:36
  Speaker 1: I was like, you know, I have a strong foundation
• 41:39
  Speaker 1: of spirituality and you know, just believing that, you know,
• 41:42
  Speaker 1: if if it was meant that God was going to
• 41:44
  Speaker 1: just open the door and make a way in a
• 41:46
  Speaker 1: lot of pressure though, because you could either be Lauren
• 41:49
  Speaker 1: Hilla Claudet Ortiz right right, Wow, exactly. She had a
• 41:55
  Speaker 1: little moment. What did you know? It was very fleeting. Wow,
• 42:00
  Speaker 1: how do you feel about call that? Did you rank her?
• 42:03
  Speaker 1: I tell you, man, you always catch me man. So so,
• 42:09
  Speaker 1: so what happens right with City High? I felt like
• 42:13
  Speaker 1: a lot of times they didn't get their break they
• 42:15
  Speaker 1: were supposed to because it's sort of like you know
• 42:17
  Speaker 1: how people was attached to the Fuji so much, and
• 42:20
  Speaker 1: it was like, oh, man, they go Cleff, Cleff got
• 42:23
  Speaker 1: a scheme. He's trying to create another Fuji's. We ain't
• 42:27
  Speaker 1: gonna go for that because we love the Fuji's. It's
• 42:29
  Speaker 1: almost like when you trying to create something. It was hard.
• 42:32
  Speaker 1: And guess what. We went through that curse too, because
• 42:35
  Speaker 1: when we was trying to come out there, I was like, oh,
• 42:38
  Speaker 1: they're trying to be like even before they even hear
• 42:41
  Speaker 1: the music, so I felt so my thing was like, okay,
• 42:44
  Speaker 1: you know what I could felt because they had some
• 42:47
  Speaker 1: great records. They had a huge record that's right. So
• 42:50
  Speaker 1: then I was like, you know what, let me do
• 42:53
  Speaker 1: what I did with Lauren musically and let me put
• 42:56
  Speaker 1: her on the record two wrongs because they said too right,
• 43:01
  Speaker 1: Because I was like, okay, let me start splitting up
• 43:03
  Speaker 1: this thing so they could be like, okay, she has
• 43:05
  Speaker 1: that thing, you know what I mean. And then past that,
• 43:09
  Speaker 1: you know there's once again there's multiple disciplines in this business.
• 43:12
  Speaker 1: And you have to trust me one hundred percent. If
• 43:16
  Speaker 1: you don't trust me one hundred percent and you let
• 43:19
  Speaker 1: your guard down, something's gonna happen. Lauren, trust me three
• 43:24
  Speaker 1: trillion percent. Whitney, three trillion percent. Shakira to Beyonce when
• 43:30
  Speaker 1: I was like, this is how it's gonna go, like
• 43:33
  Speaker 1: six year, Okay, this is how it's gonna go. So
• 43:35
  Speaker 1: I think with the city high, there was so many people.
• 43:39
  Speaker 1: After I was like, the group has to be these
• 43:42
  Speaker 1: two guys, and she was on the side like her quiet,
• 43:45
  Speaker 1: and I was like what she does? Is it she sing?
• 43:49
  Speaker 1: I was like, yeah, sing something. I said, oh, we
• 43:51
  Speaker 1: got a star here. So after I created that formula,
• 43:55
  Speaker 1: everyone was like pulling and touching, and I think that's
• 43:59
  Speaker 1: sort of like what But once again, I still rate
• 44:02
  Speaker 1: that as far as like one of those talented groups.
• 44:04
  Speaker 1: You know, that's not part of them that top five
• 44:08
  Speaker 1: legacy to be talking about. So she didn't trust you
• 44:09
  Speaker 1: three percent? No, No, I wouldn't say that she trusts
• 44:14
  Speaker 1: me three hundred percent, because whichever female put their hands
• 44:18
  Speaker 1: in my career, like say, you know what we're gonna
• 44:21
  Speaker 1: go like I'm telling you, like when I go on
• 44:22
  Speaker 1: with Whitney, I'm shaking man, Like this man, She's like,
• 44:26
  Speaker 1: come on, baby, just tell me what to do. Man.
• 44:29
  Speaker 1: So this is the realm with the artists having input.
• 44:31
  Speaker 1: If they don't agree either, yeah, but I don't want
• 44:33
  Speaker 1: to hear from Claudette or to you. If Whitney listening
• 44:34
  Speaker 1: to me and be honestly listening to me, if all
• 44:36
  Speaker 1: these greats listening to me and then you buck up,
• 44:38
  Speaker 1: like wait a minute, young, because is there a question
• 44:39
  Speaker 1: of like, well, you know you're you're young, and maybe
• 44:43
  Speaker 1: you hear like different things and you might be like, well,
• 44:45
  Speaker 1: maybe I could try it like this, like some type
• 44:47
  Speaker 1: of input. Now, once again, when the plane is taken off,
• 44:50
  Speaker 1: you have to trust the pilot. You can have your opinions.
• 44:53
  Speaker 1: I respect the talent of Claudette. I was just like,
• 44:57
  Speaker 1: I respect the talent, but at the end of the day,
• 45:00
  Speaker 1: they gotta be Okay, this is how we're gonna do it.
• 45:02
  Speaker 1: So you don't think like Lauren, come on vocally, she's like, look,
• 45:07
  Speaker 1: I'm in like a thousand voices in my head for
• 45:09
  Speaker 1: killing me softly. This is what's incredible. Let Lebron be Lebron.
• 45:14
  Speaker 1: You be the genius. I'm not trying to take away
• 45:16
  Speaker 1: from your genius as a coach though, I'm just like, Okay,
• 45:20
  Speaker 1: we got to win the championship and that's why I
• 45:22
  Speaker 1: come in and guide you. And so in that sense,
• 45:25
  Speaker 1: I felt like the Fuji's trust me a one hundred
• 45:27
  Speaker 1: percent and we got to where we had to get to. Now,
• 45:31
  Speaker 1: when you found out Claude that was having sex with
• 45:33
  Speaker 1: both members to city, how did you ever think to yourself, Well,
• 45:34
  Speaker 1: why she didn't give me none? I'm the guy that's
• 45:36
  Speaker 1: putting us all again. No, because, as you know, as
• 45:41
  Speaker 1: an old g I don't have those problems, right because
• 45:45
  Speaker 1: of the prior mistakes that I made. There was no
• 45:48
  Speaker 1: way that I was gonna embark in that situation again.
• 45:51
  Speaker 1: Right because now I was older, I was wiser, you
• 45:54
  Speaker 1: know what I'm saying to you. But if I knew
• 45:57
  Speaker 1: that it was gonna lurk within the situation, maybe I
• 46:00
  Speaker 1: couldn't intervened and had a conversation. But as everything was
• 46:03
  Speaker 1: going on, it all just all felt natural until that
• 46:07
  Speaker 1: success coming. They all started getting pulled in different places.
• 46:10
  Speaker 1: Club jan Ju is out right now. Thank you for coming,
• 46:13
  Speaker 1: my brother, Thank you family for joining us. A lot
• 46:18
  Speaker 1: of pressure, a lot of pressure, Alison. We need, we
• 46:21
  Speaker 1: need to know if you can really sing? All right? Yeah?
• 46:24
  Speaker 1: In order to do that, we ain't gonna put no beat,
• 46:26
  Speaker 1: no nothing. I'm an dude like you. Like I told
• 46:29
  Speaker 1: Beyonce for girls in the hotel, I was like, sing
• 46:33
  Speaker 1: me a church song. You sure you don't want to
• 46:35
  Speaker 1: stand up now? Because think about it. Beyonce, Laura, Mary
• 46:39
  Speaker 1: j Blide a little gospel for you guys. Okay, the mic,
• 46:46
  Speaker 1: let's do this, put yours on the mic. That's how
• 46:48
  Speaker 1: you become a star in this business. All right? Hi,
• 47:01
  Speaker 1: No I've been changed? Who No, I've been shang hey,
• 47:15
  Speaker 1: oh why why? I know what? Then Shane the Angels
• 47:25
  Speaker 1: and haven't done sign my name? Wow? Okay? I was like,
• 47:38
  Speaker 1: who is that singing? Okay? So I know. Wait and
• 47:42
  Speaker 1: directly you can thank Rihanna too for making all that's
• 47:45
  Speaker 1: happening the way you did. Thank you, Rihanna. Just a
• 47:52
  Speaker 1: breakfast club stood up Drake Love Morning. Everybody is DJ
• 48:00
  Speaker 1: Envy angela Ye, Charlemagne and God. We all the breakfast club.
• 48:03
  Speaker 1: Let's get to the rumors. Let's talk Kanye Wests. It's
• 48:13
  Speaker 1: breakfast club. But appears that Kanye is no longer a
• 48:17
  Speaker 1: fan of Donald Trump. He has gotten rid of everything
• 48:20
  Speaker 1: on his Twitter account referencing his support for Donald Trump now.
• 48:24
  Speaker 1: According to sources, it says that basically the Muslim band
• 48:29
  Speaker 1: and other actions were a catalyst for his decision. He
• 48:32
  Speaker 1: doesn't agree with a lot of things that Donald Trump
• 48:34
  Speaker 1: has done since he has taken office, even when we
• 48:36
  Speaker 1: went to go meet with him and has said he
• 48:38
  Speaker 1: would have voted for him. Now he's I guess having
• 48:41
  Speaker 1: a change of hearts. You know, the irony that situation.
• 48:44
  Speaker 1: That's exactly how I feel about Kanye. Sometimes you like him,
• 48:47
  Speaker 1: sometimes sometimes you don't. You know. In the meantime, I've
• 48:50
  Speaker 1: changed the hearts about that guy all the time. Kim
• 48:52
  Speaker 1: Kardashian West is actually retweeting people that want Kanye to
• 48:56
  Speaker 1: perform next year at Super BOWLS halftime show. O cool,
• 49:00
  Speaker 1: What do you guys think? Would that be a good
• 49:02
  Speaker 1: halftime He got enough hits? Yeah, that'd me dope. At
• 49:04
  Speaker 1: this moment, I don't care to be honest with you,
• 49:07
  Speaker 1: that would be good. I mean I'd like to see Kanye,
• 49:09
  Speaker 1: Arihanna or even Drake. I feel like all of them
• 49:11
  Speaker 1: have the status to perform the super Bowl halftime show.
• 49:15
  Speaker 1: You know, all right, Remy Ma and Pep Hoose they
• 49:18
  Speaker 1: were on the rail and we already told you guys
• 49:21
  Speaker 1: about the unfortunate situation with Remy My suffering from a
• 49:24
  Speaker 1: miscarriage and then having to undergo emergency surgery to have
• 49:28
  Speaker 1: her fallopian tube and remove. Here is Remmy on the
• 49:31
  Speaker 1: rail talking about it. This happens to me before. When
• 49:34
  Speaker 1: I was a kid with like I was a seen ager.
• 49:36
  Speaker 1: The first time I got pregnant, I had a topic pregnacy.
• 49:38
  Speaker 1: Then I literally passed out. I went to the hospital,
• 49:41
  Speaker 1: They did a sonogram and it was black. I literally
• 49:43
  Speaker 1: was bleeding and turning. They rushed me into surgery. As
• 49:45
  Speaker 1: a female, you have two fallopian tubes. This is where
• 49:47
  Speaker 1: the egg that gets you pregnant comes from. It comes
• 49:50
  Speaker 1: down the fallopian tube, plants and the uterus to grow.
• 49:53
  Speaker 1: But it's an a topic pregnancy. When the egg connects
• 49:56
  Speaker 1: with you know, it starts to fertilize in the two
• 50:00
  Speaker 1: got your too, It expands until the point that it
• 50:03
  Speaker 1: can't expand anymore, and then that's when the internal bleeding
• 50:05
  Speaker 1: and things like that first. Yeah, so sad and Pappoos
• 50:10
  Speaker 1: actually spoke out as well about how he was feeling
• 50:13
  Speaker 1: during his whole time. I mean, that was the saddest
• 50:16
  Speaker 1: day of my life. Um. When she told me the news,
• 50:19
  Speaker 1: I was extremely happy. He was thinking of names. I
• 50:22
  Speaker 1: mean I would wake up in the morning the first
• 50:24
  Speaker 1: thing I would see is my future child, you know,
• 50:27
  Speaker 1: And for to take a turn like that, it was
• 50:30
  Speaker 1: just like a roller coaster and it went down. But honestly,
• 50:33
  Speaker 1: when I got the news, she had to go into
• 50:35
  Speaker 1: emergency surgery. So I was devastating about my child. But
• 50:38
  Speaker 1: I was just like praying, like you gonna hope my
• 50:40
  Speaker 1: wife is going to be okay. He's great, such a
• 50:45
  Speaker 1: great couple. Every every woman won Pappoos to be their
• 50:48
  Speaker 1: Valentine next week. Why can't you people like Pat Hoops
• 50:52
  Speaker 1: all right now? Ji Smith has also given an update
• 50:54
  Speaker 1: on his daughter, Dakota. She was born prematurely and he
• 50:59
  Speaker 1: and his wife welcome their daughter in October. She was
• 51:02
  Speaker 1: born five months early at just one pound, so he
• 51:05
  Speaker 1: has been keeping his fans updated on her progress. And
• 51:08
  Speaker 1: he actually posted a picture holding his daughter on his chest.
• 51:12
  Speaker 1: He said, today is one of the greatest days in
• 51:13
  Speaker 1: my life. Today I get to hold my youngest for
• 51:15
  Speaker 1: the first time. God is great hashtag Dacota is strong. No,
• 51:19
  Speaker 1: God bless Jos Smith and his Famolutely you want to
• 51:22
  Speaker 1: continue to depress us, ANGELI do you have anything that's
• 51:25
  Speaker 1: a good story? The baby's baby's still alive and this
• 51:29
  Speaker 1: baby for the first time, that's positive. That's a miracle.
• 51:35
  Speaker 1: If you ever vote, you can see a picture of
• 51:37
  Speaker 1: him holding his little back. I saw that. I did.
• 51:40
  Speaker 1: Actually all right. Now, Billboard dot Com is actually gonna
• 51:43
  Speaker 1: be launching Billboard hip Hop now, and in celebration of that,
• 51:46
  Speaker 1: they did a whole list. Yeah, they're doing like their
• 51:49
  Speaker 1: whole own Billboard hip Hop, not just Billboard dot Com,
• 51:51
  Speaker 1: but now a Billboard hip Hop site. Why did they
• 51:53
  Speaker 1: keep treating hip hop like it's some niche genre. Hip
• 51:56
  Speaker 1: hop is pop coaching now, you idiots. Well, in celebration
• 51:59
  Speaker 1: of that, I guess they feel like there's so much
• 52:01
  Speaker 1: going on it needs its whole own more information. I
• 52:03
  Speaker 1: think it's not a bad It's called music, it's called
• 52:06
  Speaker 1: the industry of music. Is hip hop sir, just so
• 52:08
  Speaker 1: much going on. So they actually put together a string
• 52:12
  Speaker 1: of milestones and rap chart facts. I want to see
• 52:14
  Speaker 1: what you guys know about this. Okay, you're ready to
• 52:16
  Speaker 1: test yourself? Sure? Alright? Rapper with the most hot one
• 52:20
  Speaker 1: hundred number ones, most number ones, ludicrous Drake, it's actually
• 52:25
  Speaker 1: a three way tie. Ludacris is on that list. Okay,
• 52:28
  Speaker 1: he has five. Puff Daddy's also on that list, and
• 52:31
  Speaker 1: Eminem of course is on that list. But Eminem is
• 52:35
  Speaker 1: the only one who's a lead act on all five
• 52:36
  Speaker 1: of his Puff Daddy's a lead act on four. Ludacrius
• 52:39
  Speaker 1: is a lead act on two. Give me Another one,
• 52:41
  Speaker 1: all right, longest running number one rap song, Those are
• 52:45
  Speaker 1: three way tiety Fat Joe Lean back Um, You guys
• 52:50
  Speaker 1: are both wrong, number one, number one, longest running number
• 52:55
  Speaker 1: one rap song, twelve weeks on the charts. Three way tie.
• 52:58
  Speaker 1: Wasn't Ditty with that album issue? I don't know? Give
• 53:00
  Speaker 1: him Khalifa, see you again? The Black Eyed Peas Boom boom,
• 53:05
  Speaker 1: pal that don't count and lose yourself, Eminem twelve bakes,
• 53:12
  Speaker 1: all right, highest selling rap album. There's only one person
• 53:16
  Speaker 1: highest selling rap. Um gotta be the Eminem, mis eminem,
• 53:21
  Speaker 1: something eminem and Marshall Man is Healthy and the last one,
• 53:23
  Speaker 1: I'm gonna give you guys longest running number one a
• 53:26
  Speaker 1: rap song number one. The song was number one for
• 53:31
  Speaker 1: UM twenty one weeks back in nineteen ninety. Back in
• 53:35
  Speaker 1: nineteen ninety Vanilla Fight Baby, mc hammer, you can't touch this?
• 53:40
  Speaker 1: Which one thanks it was rap album was Please Hammer,
• 53:44
  Speaker 1: Don't hurt Please mc hammer. Damn, it's twenty one weeks
• 53:49
  Speaker 1: at number one. Al Right. I met mc hammer once.
• 53:52
  Speaker 1: I'm there you guys. It was when the hurricane Sandy
• 53:56
  Speaker 1: and hit. Yeah, we were all staying at the same
• 53:58
  Speaker 1: hotel and he was at the bar. Looked at little Hammer.
• 54:01
  Speaker 1: I'm like, oh, I said, and then I said, you
• 54:02
  Speaker 1: guys take a picture together, because I'm good for that.
• 54:05
  Speaker 1: I had to go chopping over he is that hamm
• 54:07
  Speaker 1: on had to grab my heart you can't touch I
• 54:11
  Speaker 1: interviewed him one time, and yeah, I did too. I
• 54:13
  Speaker 1: think he told me he said, if you what do
• 54:15
  Speaker 1: you say? Says? I came up here to test the
• 54:17
  Speaker 1: coward's heart. All that you can hammer won't whip your
• 54:20
  Speaker 1: ass and didn't do the typewriter dance While he was
• 54:23
  Speaker 1: making front of him all the way up there and
• 54:26
  Speaker 1: New York stuff, trying to cloy Hamma, whip your ass.
• 54:28
  Speaker 1: I love him and now he what he threatned me
• 54:30
  Speaker 1: so crazy. I'm making a lot of money in the
• 54:32
  Speaker 1: tech industry. That's what we talked about that mate. Uh.
• 54:35
  Speaker 1: If Hammer wouldn't be as that would have been hilarious.
• 54:39
  Speaker 1: It's military. He would have been a great story. Came
• 54:46
  Speaker 1: up there too, that was gonna skate. Ain't Why do
• 54:48
  Speaker 1: you think they why do you think they named the album?
• 54:49
  Speaker 1: Please Hammer don't hurt them? That's right, Please Hammer, don't
• 54:52
  Speaker 1: hurt them. I was doing all that I said. Hammon's
• 54:55
  Speaker 1: coming that bad up, prey. I how can this black
• 54:58
  Speaker 1: his dream up? And y'all don't pay no? How the
• 55:00
  Speaker 1: Hammer right? When the last time you played some Hamm
• 55:02
  Speaker 1: in your mix show envy? This is disrespectful. You don't
• 55:05
  Speaker 1: shot him. I don't want his birthday? That's not nothing,
• 55:07
  Speaker 1: do you? Hamma got the high? No, but that ain't
• 55:10
  Speaker 1: the point. Hamma got the highest selling album of all time.
• 55:12
  Speaker 1: You don't give him no respect? Your number one? When
• 55:15
  Speaker 1: Hammer birthday? Am? I gonna get some respect? Definite gonna
• 55:17
  Speaker 1: get some respect, all right? I manage ye, and that's
• 55:19
  Speaker 1: your room of report. Let me look this up. I
• 55:22
  Speaker 1: don't know. I don't believe y'all don't pay how much
• 55:25
  Speaker 1: the hammer marks thirty? Oh, next month, y'all better show
• 55:29
  Speaker 1: hammer some damn you back on March third. Damn right,
• 55:31
  Speaker 1: you hear me. I want to hit two legit the quid.
• 55:33
  Speaker 1: I want to hear pumps in the bumps. I want
• 55:36
  Speaker 1: to hear prey. Okay, you better show him some respect,
• 55:40
  Speaker 1: you got it? Shout them all right? What even that?
• 55:44
  Speaker 1: Don uh? Listen, man, this is a classic story of
• 55:47
  Speaker 1: how nig's going nick all right, nigs called nig niggs
• 55:53
  Speaker 1: of all colors too. Ni. I keep telling y'all ain't
• 55:55
  Speaker 1: nothing to do with being black. I got to do
• 55:57
  Speaker 1: with the mindset. Okay, this nick stuff, I heard of it.
• 56:01
  Speaker 1: All right, we'll get into that next. Keep it locks.
• 56:02
  Speaker 1: Just to Breakfast Club, Good morning, Charlot Maine, say that gang.
• 56:08
  Speaker 1: Don't get out the shape man you are? You donkey today,
• 56:16
  Speaker 1: Just not discriminate. I might not have the song of today,
• 56:18
  Speaker 1: but I got to donkey that if you ever feel
• 56:21
  Speaker 1: I need to be a donkey man with the Breakfast
• 56:25
  Speaker 1: Club bitches. They just don't give today today, Yes, donkey
• 56:28
  Speaker 1: Today for Tuesday, February seventh goes to Robert Martinez guil Now.
• 56:32
  Speaker 1: Back in the nineties, oh Robert was convicted on drug
• 56:35
  Speaker 1: trafficking charges. He was given a life sentence for conspiracy
• 56:38
  Speaker 1: to possess with intent to distribute cocaine and harn But
• 56:41
  Speaker 1: back in twenty fifteen, he was commuted my former President
• 56:44
  Speaker 1: Barack Obama. Now, let me give you a little backstory
• 56:46
  Speaker 1: on Robert M. Gil He's sixty eight years old. He's
• 56:48
  Speaker 1: been in prison since nineteen ninety Okay, but President Obama
• 56:51
  Speaker 1: set him free along with other non violent federal animates
• 56:55
  Speaker 1: in twenty fifteen. President Obama said, I'm signing his release
• 56:58
  Speaker 1: because Robert has demonstrated the potential to turn his life around.
• 57:01
  Speaker 1: Now it is up to him to make the most
• 57:03
  Speaker 1: of this opportunat That is the keyword, kids, opportunity, all right.
• 57:08
  Speaker 1: Roberts prison ward also stood up for him, saying Robert
• 57:11
  Speaker 1: has reformed and rehabilitated himself and poses no threat to
• 57:14
  Speaker 1: the outside world. End quote. You would think everything the
• 57:17
  Speaker 1: prison warden and President Obama said would be true, especially
• 57:20
  Speaker 1: for a sixty eight year old man who has been
• 57:22
  Speaker 1: in prison for twenty five years. If you had a
• 57:25
  Speaker 1: life sentence, every day of your life, you'd be in
• 57:28
  Speaker 1: there praying, wishing on a star. You got a rabbit's foot,
• 57:32
  Speaker 1: green clover's, yellow moons, yellow and ron stars, paint cards,
• 57:35
  Speaker 1: all the lucky charms in the world. You're asking God,
• 57:38
  Speaker 1: please give me another chance, Please don't let my life
• 57:41
  Speaker 1: in this way. And then one day you get that
• 57:43
  Speaker 1: golden ticket. You get that news that President Obama is
• 57:46
  Speaker 1: going to pardon you. You get the news that Ray
• 57:49
  Speaker 1: and Claude wanted to get throughout the whole movie Life.
• 57:52
  Speaker 1: You get that blessing to be pardoned. And what do
• 57:56
  Speaker 1: you do with it? Well, I'll let you know what
• 57:58
  Speaker 1: Robert Martinez guil did with his Go to ko E
• 58:00
  Speaker 1: n TV for the report. Police sixty eight year old
• 58:03
  Speaker 1: San Antonio man whose life sentence was commuted by President
• 58:06
  Speaker 1: Barack Obama, is back in jailed. Police say he crashed
• 58:09
  Speaker 1: his car into another vehicle while fleeing officers after a
• 58:12
  Speaker 1: drug deal on Thursday. He had already been serving a
• 58:14
  Speaker 1: life sentence for dealing drugs when President Obama freed him
• 58:17
  Speaker 1: in twenty fifteen, but now he's back behind bars. Nigga's
• 58:21
  Speaker 1: gone nigg. Bro Nig's gone nig. Don't matter the color
• 58:26
  Speaker 1: some mindset, Okay. Robert Martinez went and met with his
• 58:29
  Speaker 1: probation officers and then, immediately after leaving his po went
• 58:33
  Speaker 1: to a parking lot of a food market to buy
• 58:36
  Speaker 1: more than two pounds of cocaine. Noway, okay. When the
• 58:39
  Speaker 1: police caught him, he admitted he was going to sell
• 58:41
  Speaker 1: cocaine to make money, and we'll be paying a female
• 58:44
  Speaker 1: twenty six grand for the cocaine. I can't stand to
• 58:46
  Speaker 1: see someone waste an opportunat. Someone else would have made
• 58:50
  Speaker 1: the most of Okay, that pardon could have been for
• 58:52
  Speaker 1: Big Beach. I could have been for some political prisoners,
• 58:54
  Speaker 1: like a set of Chico. I'm a Tula Chicoor. What
• 58:57
  Speaker 1: about Edward Snowden played a clip Fromkalyn TV again. Please
• 59:02
  Speaker 1: put it? Get that clip walks up. Sixty eight year
• 59:06
  Speaker 1: old San Antonio man whose life sentence was commuted by
• 59:09
  Speaker 1: President Barack Obama is back in jailed. Please say he
• 59:12
  Speaker 1: crashed his car into another vehicle while fleeing officers after
• 59:15
  Speaker 1: a drug deal on Thursday. He had already been serving
• 59:17
  Speaker 1: a life sentence for dealing drugs when President Obama freed
• 59:20
  Speaker 1: him in twenty fifteen, but now he's back behind bars.
• 59:23
  Speaker 1: Now if insanity is doing the same thing over and
• 59:26
  Speaker 1: over and expecting different results, and I don't know what
• 59:28
  Speaker 1: getting the life sentence, going to jail for twenty five years,
• 59:30
  Speaker 1: getting a miraculous pardon, and coming home to start selling
• 59:33
  Speaker 1: bricks again is called. Okay, they don't need to send
• 59:35
  Speaker 1: him back to jail. They need to put Robert Martinez
• 59:37
  Speaker 1: Guilt in a psych ward, put him in a screate jacket,
• 59:40
  Speaker 1: and feed him pills for the rest of his life. Okay,
• 59:42
  Speaker 1: when you let him out, that's create jacket. Just let
• 59:44
  Speaker 1: him sit around and try to lick his elbow, because
• 59:45
  Speaker 1: something is clearly wrong with this man. Okay. The last
• 59:47
  Speaker 1: time I saw somebody blow an opportunity like this, it
• 59:50
  Speaker 1: was this team called the Atlanta Falcons Sunday night in
• 59:53
  Speaker 1: the Super Bowl. Okay, kids, listen. Failure is simply the
• 59:57
  Speaker 1: opportunity to begin again, this time more intelligently. Robert Martinez
• 1:00:03
  Speaker 1: guil got his opportunity after failing, but he didn't handle
• 1:00:07
  Speaker 1: it intelligently this time. He blew it. Why, Because it
• 1:00:10
  Speaker 1: doesn't matter what race you are nigging? Is an attitude,
• 1:00:14
  Speaker 1: and it's two things you need to know. Some donkeys
• 1:00:17
  Speaker 1: just sell themselves and Nigga's gonna nick. Please get Robert
• 1:00:21
  Speaker 1: Martinez guil the biggest. He hard, please said, sixty eight
• 1:00:26
  Speaker 1: years old, sixty eight. I actually meant to give him
• 1:00:29
  Speaker 1: some sweet signs and the Hamletones. But you know what,
• 1:00:31
  Speaker 1: he needed a hard he had this morning, sixty eight,
• 1:00:34
  Speaker 1: sixty eight years old. You had to be been in
• 1:00:36
  Speaker 1: jail since nineteen ninety. He wanted to go back. He
• 1:00:40
  Speaker 1: had a boyfriend, had a bad He had a babe. Man, Yeah,
• 1:00:45
  Speaker 1: he had a bab He's sixty eight years old. Man,
• 1:00:46
  Speaker 1: don't no woman know how to make him get it
• 1:00:48
  Speaker 1: up no more? He need that iron jaw behind them walls.
• 1:00:52
  Speaker 1: My goodness. All right, all right, well, thank you for
• 1:00:55
  Speaker 1: that donkey today. Now what are we doing next? I
• 1:00:59
  Speaker 1: have no idea, y'all didn't playing this part of the show.
• 1:01:01
  Speaker 1: Yes we did. We were talking about what we discussed
• 1:01:03
  Speaker 1: yesterday with Mariah Carry and a two hundred and fifty
• 1:01:06
  Speaker 1: thousand dollars wedding dress and we're designed by Valentino. What
• 1:01:10
  Speaker 1: was that? So her video with YG where she talks
• 1:01:14
  Speaker 1: about her breakup Mariah Berry Okay, yes, Maria carry and
• 1:01:17
  Speaker 1: in that video she burned her dress. That dress was
• 1:01:19
  Speaker 1: a Valentino two hundred and fifty thousand dollars dress. You
• 1:01:22
  Speaker 1: could see it featured on the show Mariah's World. Okay,
• 1:01:24
  Speaker 1: and we're asking when you break up with somebody, what
• 1:01:27
  Speaker 1: are the things that you do? Do you get rid
• 1:01:29
  Speaker 1: of the items that person gave you. Some people tell
• 1:01:31
  Speaker 1: you should put it in a box and put it away.
• 1:01:32
  Speaker 1: Some people give this stuff back, some people donated to charity.
• 1:01:35
  Speaker 1: Depends on it depends what it is. It depends what
• 1:01:38
  Speaker 1: it is, really, that's all it sais. Depends what it is.
• 1:01:41
  Speaker 1: Like if somebody buys you something expensively, Let's say they
• 1:01:44
  Speaker 1: buy you a car, right, you're gonna get rid of
• 1:01:46
  Speaker 1: the car. You could trade it in and get something else.
• 1:01:48
  Speaker 1: Depends what kind of car, because some people don't even
• 1:01:50
  Speaker 1: want to have that item anymore. Like I had to
• 1:01:52
  Speaker 1: grow up, Like if somebody got to a nice Cardier watch,
• 1:01:56
  Speaker 1: who could trade it in and get something else? So
• 1:01:58
  Speaker 1: it's not the same exact one. That's why I had
• 1:02:00
  Speaker 1: an ex boyfriend who asked for his stuff back when
• 1:02:02
  Speaker 1: we broke up. If y'all not married and you're just
• 1:02:06
  Speaker 1: dating a woman. That's why you always keep the receipts,
• 1:02:08
  Speaker 1: because when y'all break up, you can always say she
• 1:02:10
  Speaker 1: stole it from you. All right, well, one oh five one?
• 1:02:14
  Speaker 1: How do you deal with an excess items after a breakup?
• 1:02:17
  Speaker 1: All right? The question again, eight hundred five eight five,
• 1:02:19
  Speaker 1: one oh five one, and how do you deal with
• 1:02:21
  Speaker 1: an excess item after a breakup? Call us up? Now?
• 1:02:24
  Speaker 1: Was the breakfast club? Good morning? The breakfast club is
• 1:02:29
  Speaker 1: DJ envy Angela, Ye, Charlomagne the god. We are the
• 1:02:32
  Speaker 1: breakfast club. So we're asking eight hundred five eight five,
• 1:02:36
  Speaker 1: one oh five one, how do you deal with an
• 1:02:38
  Speaker 1: excess items after a breakup? Now, Charlomagne. I'm sure Charlomagne
• 1:02:42
  Speaker 1: can't remember his last date or last girlfriend for his wife,
• 1:02:46
  Speaker 1: so we'll ask Angela. Ye. Um, I think it depends
• 1:02:49
  Speaker 1: on how you broke up, and it depends on what
• 1:02:51
  Speaker 1: it is. I am a firm believer that in order
• 1:02:54
  Speaker 1: for you to have a nice, good clean breakup, at
• 1:02:56
  Speaker 1: least just get at those things out the way so
• 1:02:57
  Speaker 1: you don't keep reminiscing about stuff. Oh, I remember when
• 1:03:00
  Speaker 1: he brought me this, and that we're about a something.
• 1:03:02
  Speaker 1: Let's say you bought your bag. That's limited edition. You
• 1:03:04
  Speaker 1: can't get anywhere else. I probably just won't use it
• 1:03:06
  Speaker 1: for a while until I'm over it. You just put
• 1:03:08
  Speaker 1: it up, put it away, put it in closet, put
• 1:03:10
  Speaker 1: it somewhere out of sight, out of sight, out of mind,
• 1:03:12
  Speaker 1: just don't think about it, and then later on when
• 1:03:14
  Speaker 1: you get over it, you can use it. Yeah. I
• 1:03:15
  Speaker 1: think it's different when you're married as opposed to just
• 1:03:17
  Speaker 1: being in a relationship with like a boyfriend or a girlfriend.
• 1:03:20
  Speaker 1: Because when you're married, nine times out of ten, if
• 1:03:22
  Speaker 1: you and your wife get a divorce, it's something that
• 1:03:24
  Speaker 1: you did. So anything that you got her anyway, she
• 1:03:26
  Speaker 1: deserves true, you know what I'm saying, So she can
• 1:03:29
  Speaker 1: have at right, you know what I mean. But if
• 1:03:30
  Speaker 1: you're just dating, you think, if you're just dating, keep
• 1:03:33
  Speaker 1: the receipts at all times. But you want it back,
• 1:03:35
  Speaker 1: if you're absolutely you think mik Mill don't want everything
• 1:03:37
  Speaker 1: he bought NICKI Minage back right now. That's why he
• 1:03:39
  Speaker 1: ran up in that house allegedly alleged he did not.
• 1:03:44
  Speaker 1: I mean, you wanted to have that over keep it honest.
• 1:03:47
  Speaker 1: But sometimes when a breakup, people are petty and they'll
• 1:03:50
  Speaker 1: ask the stuff back because if they brought you something expensive,
• 1:03:53
  Speaker 1: they might be like, my ex boyfriend did this, Oh
• 1:03:55
  Speaker 1: let me get back that chain, that jewelry I brought you.
• 1:03:58
  Speaker 1: And sometimes they do that just to try to keep
• 1:04:00
  Speaker 1: in contact. Yeah, but if you have a bad breakup, man,
• 1:04:02
  Speaker 1: sometimes you realize that girl didn't deserve what you gave her.
• 1:04:05
  Speaker 1: You know what I'm saying, Like if you, like, if
• 1:04:06
  Speaker 1: you were a woman and you know she does some
• 1:04:08
  Speaker 1: dirt to you when y'all fall out in your mind,
• 1:04:10
  Speaker 1: you're like, you know what, you didn't deserve nothing I
• 1:04:13
  Speaker 1: gave you except for her peace. You just got to
• 1:04:16
  Speaker 1: chalk it up as a couple guys breakup because I
• 1:04:19
  Speaker 1: would hope as a woman you got him some stuff too.
• 1:04:21
  Speaker 1: But if you did something to me and you hurt
• 1:04:23
  Speaker 1: me and I put out more in this relationship on
• 1:04:25
  Speaker 1: my stuff, stuff stuff, let me show you something. He
• 1:04:28
  Speaker 1: said he wanted his stuff back. He ken't bother me.
• 1:04:30
  Speaker 1: I took all that stuff, through it out the window.
• 1:04:32
  Speaker 1: I said this outside, come get it? Can he come
• 1:04:34
  Speaker 1: get it? Yet? No consolation? You do me dirty? All
• 1:04:39
  Speaker 1: was you doing? Now? How do you deal with the
• 1:04:43
  Speaker 1: ex's items after a break up, man, I'm keeping it
• 1:04:46
  Speaker 1: all the stuff I'm keeping man. The one the guy
• 1:04:48
  Speaker 1: ever got rid of was when I got divorced and
• 1:04:51
  Speaker 1: I found out some found stuff, you know, and he
• 1:04:53
  Speaker 1: got me real tight. So I went straight to the
• 1:04:55
  Speaker 1: pawn shop and pulled in the ring. I ain't kidding
• 1:04:57
  Speaker 1: what I got for it. I just palled in the
• 1:04:58
  Speaker 1: medical ring. Tell me back, fo I'm with you, bro.
• 1:05:01
  Speaker 1: If your girl do you wrong, you gotta get everything back.
• 1:05:03
  Speaker 1: You don't get nothing, no ribs, no rice, no champagne.
• 1:05:06
  Speaker 1: You don't get what if you did her wrong? And
• 1:05:07
  Speaker 1: then she breaks up with you, she gets she can
• 1:05:09
  Speaker 1: have everything, she can have all, she can have it
• 1:05:11
  Speaker 1: all she deserves it. Then, hello, who's this? How do
• 1:05:15
  Speaker 1: you deal with an excess items after a break up?
• 1:05:17
  Speaker 1: What you mean is mine? But I want to make
• 1:05:21
  Speaker 1: you a little sad when you look at it and
• 1:05:23
  Speaker 1: you remember when she gave you this, and then you
• 1:05:24
  Speaker 1: get memories. It depends on the something where like say
• 1:05:28
  Speaker 1: she gave you a nice neck piece, Yeah I got
• 1:05:30
  Speaker 1: that chick off. The next piece she gave you problem
• 1:05:37
  Speaker 1: fake to fake tough? Hello, who's this? From hamp and
• 1:05:41
  Speaker 1: from hafter seven five seven? Now what do you do
• 1:05:43
  Speaker 1: with an exus items after a break up? See what
• 1:05:46
  Speaker 1: I do. If I'm with the female and I want
• 1:05:48
  Speaker 1: my stuff that I'm gonna take my stuff back. You
• 1:05:50
  Speaker 1: take it everything back to I'm gonna take it back,
• 1:05:52
  Speaker 1: and if it's do a good condition, I'm gonna sell
• 1:05:55
  Speaker 1: it or I'm gonna give it to the next Now,
• 1:05:57
  Speaker 1: what are you gonna do with the stuff that she
• 1:06:00
  Speaker 1: gave you? Are you gonna give your stuff back to No? Okay, Okay,
• 1:06:05
  Speaker 1: I don't really did that. I really do think it's
• 1:06:07
  Speaker 1: all based on who does who wrong in the situation.
• 1:06:10
  Speaker 1: If if the woman does you wrong, get your stuff back.
• 1:06:13
  Speaker 1: If you do the woman wrong, let her keep what
• 1:06:15
  Speaker 1: you got. But let's be clear, she ain't gotta give
• 1:06:17
  Speaker 1: nothing back. I guess not if I got receipts. If
• 1:06:22
  Speaker 1: I got receipts and you a thief, no, if you guest,
• 1:06:26
  Speaker 1: she won't bring me my stuff back in the boat? Sir,
• 1:06:28
  Speaker 1: eight hundred five eight five one oh five one, How
• 1:06:31
  Speaker 1: do you deal with an exus items after breakup? Call us? Now?
• 1:06:34
  Speaker 1: It was the breakfast club the morning that was Rihanna?
• 1:06:37
  Speaker 1: Who needed me morning? Everybody is dj en Vy, Angela
• 1:06:40
  Speaker 1: Yee Charlemagne the guy. We are the breakfast club. Now
• 1:06:43
  Speaker 1: we're asking eight hundred five eighty five, one oh five one,
• 1:06:46
  Speaker 1: how do you deal with an exus items after a breakup? See,
• 1:06:48
  Speaker 1: if you did me dirty, I'm gonna need my stuff back.
• 1:06:51
  Speaker 1: It's just that simple. It's just that simple. If a
• 1:06:53
  Speaker 1: woman does you dirty, you get your stuff back. If
• 1:06:55
  Speaker 1: you do the woman dirty, you let her keep what
• 1:06:58
  Speaker 1: you got her. Simple. That's not how I look at it.
• 1:07:00
  Speaker 1: I look at it is we broke up, whatever happened
• 1:07:02
  Speaker 1: during the relationship. That's just the l You go ahead
• 1:07:05
  Speaker 1: and keep that clean slate. Move on, peace men, keep
• 1:07:08
  Speaker 1: your receipts always, because when she don't want to give
• 1:07:10
  Speaker 1: that stuff back, you just go to the police and
• 1:07:12
  Speaker 1: say that this young lady stole from you. I can't
• 1:07:14
  Speaker 1: do that. Hello, who's this? Hey, what's up? Man? This
• 1:07:16
  Speaker 1: is Christma Jersey. Hey, Chris. Now we're asking how do
• 1:07:18
  Speaker 1: you deal with an exus items after break up? All right?
• 1:07:21
  Speaker 1: So check this out. Honestly, it depends on the nationality.
• 1:07:24
  Speaker 1: Why break it down for me? I love when everything
• 1:07:28
  Speaker 1: break it down? Yeah, bro, I got too high. So
• 1:07:31
  Speaker 1: check if they're Spanish or they black, They're gonna ask
• 1:07:33
  Speaker 1: you for whatever it was back before, like before y'all
• 1:07:36
  Speaker 1: even split, okay, like if it's trouble, so they don't
• 1:07:39
  Speaker 1: already know that they want that back, okay, the only one,
• 1:07:42
  Speaker 1: the only not raid for a nationality. You could say
• 1:07:45
  Speaker 1: that you could sell it back as white woman was
• 1:07:48
  Speaker 1: sell it back. Yeah, you could, you can sell I
• 1:07:51
  Speaker 1: mean you could, you could sell whatever white woman give
• 1:07:52
  Speaker 1: you because they're gonna, honestly, when let's get your stuff.
• 1:07:55
  Speaker 1: It's worth money. So you're saying that black and Hispanic
• 1:07:58
  Speaker 1: women don't get you things that are worth money, but
• 1:08:00
  Speaker 1: white women do. Let me tell you, white woman got okay,
• 1:08:04
  Speaker 1: a terrible stereotype, the terrible stereotype. The only I'm gonna
• 1:08:09
  Speaker 1: be honest with you, man, you can't. You can't get
• 1:08:11
  Speaker 1: back that help Titus that white woman gonna give you
• 1:08:13
  Speaker 1: when you kiss him. Oh you know what, that's true?
• 1:08:15
  Speaker 1: Yet that sounds so stupid. Hello, who's this? Yeah, this
• 1:08:19
  Speaker 1: butterfly from basically butterfly from bas from our working doing
• 1:08:28
  Speaker 1: what I gotta do. It must have been locked up.
• 1:08:34
  Speaker 1: Butterfly said again, what would you do with the stuff
• 1:08:40
  Speaker 1: after you guys broke up? What do you do with
• 1:08:42
  Speaker 1: the stuff that you old people. I'm going with Charlottagne
• 1:08:45
  Speaker 1: like you said. They might say you don't recist. I'm
• 1:08:47
  Speaker 1: giving it right back and sending I'm on his weight.
• 1:08:52
  Speaker 1: I don't want to be bothered. After that. I got
• 1:08:54
  Speaker 1: something to tell him too when he when he wanted
• 1:08:57
  Speaker 1: stuff back, I'm gonna have it that form and let
• 1:09:01
  Speaker 1: him know you gonna whack anyway. But you know that's
• 1:09:05
  Speaker 1: when you know you don't want to be bothered. Way
• 1:09:07
  Speaker 1: to do, Oh, you gotta attitude and even anyway little
• 1:09:11
  Speaker 1: I like little It was like you like little pips butterflies.
• 1:09:17
  Speaker 1: Oh yeah, ball, I don't start my mouth. Listen to me. Okay,
• 1:09:24
  Speaker 1: Simon about his way on his way, because you don't
• 1:09:27
  Speaker 1: want to be up in the judge phase looking at
• 1:09:29
  Speaker 1: the white boy he talked about. You know what case
• 1:09:31
  Speaker 1: is Smith? This got personally, y'all figure it out. What
• 1:09:34
  Speaker 1: got you? I feel? You say is no, I don't
• 1:09:37
  Speaker 1: want to be up in court talking about, oh she
• 1:09:39
  Speaker 1: took my stuff and anyway. Look, I've been shooting the
• 1:09:44
  Speaker 1: film it's called A Fatherless Son. I wanted to give
• 1:09:47
  Speaker 1: a shout out to my little cousin Red because he's
• 1:09:49
  Speaker 1: shooting the film Fatherless Son is based on the true story.
• 1:09:53
  Speaker 1: It was my mother. I played the little boy's mother
• 1:09:57
  Speaker 1: in the film. And I can't tell you too much,
• 1:09:59
  Speaker 1: but it is really really good. You sound like you
• 1:10:02
  Speaker 1: was typecasted. We appreciate. We go way back. I remember
• 1:10:09
  Speaker 1: when you were just a caterpillar. Hello, you gotta love butterfly. Hello,
• 1:10:13
  Speaker 1: good morning, good morning. Now, how do you handle your
• 1:10:16
  Speaker 1: items with the next anything of value? You do not destroy,
• 1:10:20
  Speaker 1: You do not get fat. You keep it all because
• 1:10:23
  Speaker 1: you don't know when you're gonna be down and out
• 1:10:24
  Speaker 1: and gonna need to sell those things back if they're resellable.
• 1:10:28
  Speaker 1: I would keep the engagement ring for Wow, you got houses,
• 1:10:35
  Speaker 1: Mariah carry, she got she got some money to get
• 1:10:37
  Speaker 1: rid of that dress. Any regular they're go ahead. They
• 1:10:40
  Speaker 1: need to keep that thirst. And you tell it, okay,
• 1:10:42
  Speaker 1: So don't act to rashly and give it back, don't
• 1:10:45
  Speaker 1: destroy it, don't destroy it. All right, Thank you, guys,
• 1:10:53
  Speaker 1: thank you mama. All right. Well, I'm gonna say this.
• 1:10:55
  Speaker 1: If we break up, and you know, when y'all break up,
• 1:10:58
  Speaker 1: y'all always try to come back right right. If you
• 1:11:00
  Speaker 1: don't ask for your stuff back, don't even bother trying
• 1:11:02
  Speaker 1: to come back. It's over forever. That's a wrap, it's
• 1:11:05
  Speaker 1: a rap. You're not getting back. You're disgusting. I'm glad
• 1:11:08
  Speaker 1: it didn't work out, Glad to know what type of
• 1:11:10
  Speaker 1: person you are. And if we break up and I
• 1:11:13
  Speaker 1: got you stuff and I'm really great at giving gifts,
• 1:11:15
  Speaker 1: keep it. I'm not saying Angelie is wrong. All I'm
• 1:11:18
  Speaker 1: saying is to me, it's all based on who did what.
• 1:11:20
  Speaker 1: Simple as that, you do your girl wrong. You let
• 1:11:22
  Speaker 1: her keep all those Constellation prizes you got her, your
• 1:11:25
  Speaker 1: girl do you wrong. Keep the receipts and you can
• 1:11:27
  Speaker 1: take everything back if she don't want to give it back.
• 1:11:29
  Speaker 1: She stole it, all right? What we got rumors on
• 1:11:31
  Speaker 1: the way, He asked me, all gonna talk about Big Sean?
• 1:11:33
  Speaker 1: What made him so mad while he was performing? Tell
• 1:11:36
  Speaker 1: me if this would make in the front row j
• 1:11:41
  Speaker 1: It's black, okay, stupid? All right, we'll get into rumors
• 1:11:44
  Speaker 1: when we come back. It's the breakfast Lologal Morning Morning.
• 1:11:51
  Speaker 1: Everybody is DJ mvy Angela Yee, Charlemagne, that God, we
• 1:11:55
  Speaker 1: all the Breakfast Club. Let's get to the rumors. It's
• 1:11:57
  Speaker 1: all Big Sean. This is the Ruble Rapport with Angela. Well.
• 1:12:08
  Speaker 1: Big Sean was performing in Vegas and somebody did something
• 1:12:11
  Speaker 1: that made him really mad. He was in the middle
• 1:12:13
  Speaker 1: of performing I don't f with you, and somebody started
• 1:12:16
  Speaker 1: throwing money at people. Is that a really disrespectful thing
• 1:12:18
  Speaker 1: to do while someone's performing money? I think so. I
• 1:12:22
  Speaker 1: think it depends what happens all the time because it's
• 1:12:24
  Speaker 1: coming from a place of arrogance. When you're throwing money
• 1:12:26
  Speaker 1: like that, it's like, oh, I got money, I got
• 1:12:28
  Speaker 1: money to burn, I got money to waste. Look throwing
• 1:12:29
  Speaker 1: it all over your peasants. And it's in Vegas. So
• 1:12:32
  Speaker 1: Big Sean thought it was very disrespectful, scripple. He told
• 1:12:35
  Speaker 1: them to stop f and throw the money. He said,
• 1:12:36
  Speaker 1: I'm not a stupid no, but he did say stop
• 1:12:39
  Speaker 1: and throwing all that money. You know, some people don't
• 1:12:43
  Speaker 1: just don't know better. I think I feel like some people,
• 1:12:45
  Speaker 1: especially you go someplace like Vegas, it's people from all over.
• 1:12:48
  Speaker 1: They see people throwing money and it's stupid. I hated,
• 1:12:50
  Speaker 1: you know, I don't know that it's necessarily always. Sometimes
• 1:12:53
  Speaker 1: when I DJ, they do it to me like I'm
• 1:12:55
  Speaker 1: spending singles at me, and I'm like, you gotta stop
• 1:12:58
  Speaker 1: pulling your pants. And I'm like, you gotta pull your pants.
• 1:13:01
  Speaker 1: I mean because they like the money at you. Yeah,
• 1:13:03
  Speaker 1: because you're rocket so they rock the body rockets stop
• 1:13:07
  Speaker 1: on you and you can't pick it up. Stop giving
• 1:13:09
  Speaker 1: me a little scriptase you got your pants sagging, You
• 1:13:11
  Speaker 1: got your little red bull. If somebody doing some hunets,
• 1:13:14
  Speaker 1: we're picking that up. They tipping you because you're showing
• 1:13:16
  Speaker 1: that ass. You got your sagging. But you don't think
• 1:13:20
  Speaker 1: they're doing your disrespect that. I don't think they do.
• 1:13:22
  Speaker 1: What's that club? What's that script? Club? You do? Oldell
• 1:13:24
  Speaker 1: come to you all the time. I'm not telling you
• 1:13:26
  Speaker 1: what oh because I get I thought money at y'all.
• 1:13:27
  Speaker 1: If y'all was in the DJ boof O'Dell dancing, you
• 1:13:29
  Speaker 1: got your pants sag and some money had the bad
• 1:13:32
  Speaker 1: bitches over there, Jo, stop talking about Odell? Shut up
• 1:13:37
  Speaker 1: all right? And Sports Illustrated the swimsuit issue is getting
• 1:13:41
  Speaker 1: ready to come out, So everybody's speculating on who's going
• 1:13:43
  Speaker 1: to be on a cover, and they're actually gonna do
• 1:13:45
  Speaker 1: three covers. They said it's very likely there's going to
• 1:13:47
  Speaker 1: be three different covers and it's going to be starring
• 1:13:50
  Speaker 1: Serena Williams, Chrissy Brinkley, and possibly Kate Upton. The only
• 1:13:54
  Speaker 1: problem is that Kate Upton has been acting like a
• 1:13:57
  Speaker 1: diva and making all kinds of demands, saying that if
• 1:14:00
  Speaker 1: she does the shoe, she has to get the cover.
• 1:14:02
  Speaker 1: She also has a list of photographers in here and
• 1:14:04
  Speaker 1: make up people that she'll only work with them. And
• 1:14:07
  Speaker 1: they said, she just thinks she's better than everybody now
• 1:14:09
  Speaker 1: because she is an actress. Now, Sports Illustrated is saying
• 1:14:11
  Speaker 1: that it's that time of the year again. Who is in,
• 1:14:14
  Speaker 1: who's on the cover, what will they do next? Everybody
• 1:14:16
  Speaker 1: has a guest and that's all this is, correct me
• 1:14:17
  Speaker 1: if I'm wrong, But ain't Christine Brinkley like yeah, I mean,
• 1:14:24
  Speaker 1: you know, still doing the damn thing, all right. Look
• 1:14:29
  Speaker 1: like Wendy Williams, she's talking about Nicki Minajs. We gave
• 1:14:32
  Speaker 1: you this story the other day. Nicki Minaj is upset.
• 1:14:34
  Speaker 1: Seppi Senati has named all these shoes after her the
• 1:14:37
  Speaker 1: Nicki shoe and refuses to take her cause he's also
• 1:14:40
  Speaker 1: done capsule collections with j Lowe. And here is what
• 1:14:43
  Speaker 1: Wendy Williams speculates is the issue. Maybe this is an
• 1:14:46
  Speaker 1: actue thing. Nikki. You have a reputation for being very
• 1:14:49
  Speaker 1: difficult to work with. Maybe the headachs that you give
• 1:14:52
  Speaker 1: people are not worth working with you. I know that
• 1:14:55
  Speaker 1: he's collaborated with Jennifer Lopez and don Sneakers, and you
• 1:14:59
  Speaker 1: know she some things like that. But there's something about
• 1:15:03
  Speaker 1: your reputation, Nikki, that has followed you almost since your
• 1:15:07
  Speaker 1: career got started. It doesn't seem to be getting any better,
• 1:15:10
  Speaker 1: and that maybe is why you're not in the New
• 1:15:13
  Speaker 1: Ocean's eighth movie. All right, I will say this though,
• 1:15:17
  Speaker 1: if he felt like that, he probably wouldn't have names
• 1:15:20
  Speaker 1: of shoes after her. Yeah, it just doesn't really make
• 1:15:23
  Speaker 1: I don't understand the problem with Nikki standing up for
• 1:15:25
  Speaker 1: herself though, Like, what's the problem with her standing up
• 1:15:27
  Speaker 1: for herself and telling these people not to use her
• 1:15:29
  Speaker 1: like this without cutting her a check? Like, I don't
• 1:15:30
  Speaker 1: understand why that makes her difficult to work with. It
• 1:15:32
  Speaker 1: an't nothing wrong with that. I'm lost here. He named
• 1:15:34
  Speaker 1: thirty pairs of shoes after me, felt like you were
• 1:15:39
  Speaker 1: not a person you would want to work with. I
• 1:15:41
  Speaker 1: didn't ask for a check. I just said, hey, I
• 1:15:42
  Speaker 1: want to talk to you about something you don't know
• 1:15:43
  Speaker 1: what she was trying supposed to be nice and polite
• 1:15:45
  Speaker 1: and just have my managers reach out behind the scenes.
• 1:15:47
  Speaker 1: If my managers are reaching out and y'all not replying,
• 1:15:49
  Speaker 1: take it to social media. They took them shoes down
• 1:15:52
  Speaker 1: soon as she did that, right, Yeah, shoes are no
• 1:15:54
  Speaker 1: longer on their website. I don't like that logic that
• 1:15:56
  Speaker 1: the person is just difficult to work with just because
• 1:15:58
  Speaker 1: they're demanding more for this. You know they're worth in
• 1:16:01
  Speaker 1: their value. That's what everybody says as soon as you
• 1:16:02
  Speaker 1: stand up for yourself to be like, oh, he's hard
• 1:16:04
  Speaker 1: to work with. No, give them what they're worth, especially
• 1:16:06
  Speaker 1: when you're a woman. That's why it's weird to hear
• 1:16:07
  Speaker 1: another woman coming out another woman about that, like Wendy
• 1:16:10
  Speaker 1: should know how it is? Right? All right? And Tom
• 1:16:13
  Speaker 1: Brady's Super Bowl jersey is still missing, and according to
• 1:16:16
  Speaker 1: one sports memorabilia expert, he's saying that it could be
• 1:16:19
  Speaker 1: worth a million dollars at this point. Now. Josh Evans
• 1:16:22
  Speaker 1: owns lelands dot com and he said if he got
• 1:16:24
  Speaker 1: that jersey, he could probably sell it for at least
• 1:16:27
  Speaker 1: a million dollars because of all the viola around it.
• 1:16:29
  Speaker 1: But let's just say the value of the jersey before,
• 1:16:33
  Speaker 1: before all of the missingness, it would be valued about
• 1:16:36
  Speaker 1: two hundred and fifty thousand dollars. But he said, now
• 1:16:38
  Speaker 1: because of all this drama around it, it'll be worth
• 1:16:40
  Speaker 1: a lot more. But if it is stolen, he said,
• 1:16:42
  Speaker 1: it would be worthless to him, because how can you
• 1:16:44
  Speaker 1: sell something like that right if it's stolen merchandise, still
• 1:16:47
  Speaker 1: have to figure out a way to unload it. Because
• 1:16:49
  Speaker 1: such a huge story right now. And I would think
• 1:16:51
  Speaker 1: Brady would want that, give it the Bradys that they
• 1:16:53
  Speaker 1: can put it in the Hall of Fame somewhere. Of
• 1:16:55
  Speaker 1: course he wants it, and they can't find it in
• 1:16:58
  Speaker 1: the canton. That's what it's called, right canton. I thought
• 1:17:01
  Speaker 1: I'd just say, can't coon. I'm like, I know, the
• 1:17:02
  Speaker 1: Hall of Famer Hall of Famer, and they can't coon.
• 1:17:05
  Speaker 1: And you know, they also stole some of Kobe Bryant's
• 1:17:08
  Speaker 1: memorabilia just recently from Lower Merion High School, So they
• 1:17:12
  Speaker 1: had some of his memorabilia there and that's gone missing
• 1:17:14
  Speaker 1: too somehow. How much is the shirt that he wore
• 1:17:16
  Speaker 1: when he soldimized that white woman in Denver and I'm Angela. Yeah,
• 1:17:20
  Speaker 1: and that's your idy. Didn't take your shirt off? How
• 1:17:22
  Speaker 1: much is that shirt wore