Latest / Luke's English Podcast / IGÃO _ MITICO FALANDO DA VIDA ALHEIA - Podpah _1088

Transcript

IGÃO _ MITICO FALANDO DA VIDA ALHEIA - Podpah _1088 · Luke's English Podcast

• 0:14
  Speaker 1: This family is in a spiral. We are surrounded by sharks,
• 0:20
  Speaker 1: ready to be eaten. Show me what you know how
• 0:23
  Speaker 1: to do. Your father knows you're here. No, it's time
• 0:25
  Speaker 1: to change.
• 0:27
  Speaker 2: I want to die.
• 0:27
  Speaker 1: You want a war? Okay, I'll give you a war.
• 0:57
  Speaker 1: Todo jogo tem que ter seus limites.
• 1:00
  Speaker 3: Quando você esconde da família o quanto apostou, é um
• 1:03
  Speaker 3: sinal de que a linha foi ultrapassada. Se isso aconteceu
• 1:06
  Speaker 3: com você, a Linha Super é um canal para te
• 1:08
  Speaker 3: auxiliar nesse momento.
• 1:10
  Speaker 1: Na Superbet, ter limite é regra do jogo. Hey, let's
• 1:28
  Speaker 1: do this. Let's start this week the right way, Igão.
• 1:32
  Speaker 1: What's the right way to start? Start the right way, bro.
• 1:34
  Speaker 1: It's with Podpá, right?
• 1:35
  Speaker 2: It's true.
• 1:36
  Speaker 1: Welcome to Podpá. Monday, 3 p.m. Alvivaço, right, Igão? It's exactly... 3h23. 3h23,
• 1:39
  Speaker 1: to show that we're live here on this Monday, for
• 1:42
  Speaker 1: God's sake. How are you, Igão? Head pregnant? I'm fine.
• 1:45
  Speaker 1: And you, young legend, the prince....
• 1:57
  Speaker 2: Do gueto, desce e sobe a ladeira. Já ouviu essa música?
• 2:00
  Speaker 2: Sou o príncipe do gueto, só quem é desce e
• 2:03
  Speaker 2: sobe a ladeira. Sou o príncipe do gueto, meu castelo
• 2:09
  Speaker 2: é de madeira.
• 2:11
  Speaker 1: Who sings like that?
• 2:11
  Speaker 2: That was a good question, bro. Because it's been a while.
• 2:14
  Speaker 2: I was a kid. Let me see. You at home,
• 2:16
  Speaker 2: you're already.
• 2:16
  Speaker 4: Coming, you're already sharing that today it's just me and
• 2:19
  Speaker 4: this guy live, gossiping, talking blasphemy, talking about the lives
• 2:24
  Speaker 4: of others, telling news about Podpá.
• 2:27
  Speaker 2: The family, the family.
• 2:28
  Speaker 1: What?
• 2:29
  Speaker 2: The family.
• 2:30
  Speaker 1: Who sings?
• 2:30
  Speaker 2: The family.
• 2:32
  Speaker 1: Oh. You know?
• 2:35
  Speaker 2: Pick those songs like this. I wanted to change, I
• 2:37
  Speaker 2: wanted to change.
• 2:38
  Speaker 1: I wanted to change, I wanted to change.
• 2:41
  Speaker 4: Life taught me to be like this.
• 2:45
  Speaker 2: Damn, so I heard the child like this.
• 2:46
  Speaker 1: Full of hatred, right?
• 2:47
  Speaker 2: Learn to be smart, learn.
• 2:48
  Speaker 1: It's full of hatred. Are you okay?
• 2:50
  Speaker 2: I'm fine, I'm sublime, brother.
• 2:51
  Speaker 1: Really? Graças a Deus, né, irmão?
• 2:57
  Speaker 4: Segunda-feira aí, cheia de coisa pra acontecer. Que seja uma
• 3:02
  Speaker 4: semana abençoada para todos nós.
• 3:04
  Speaker 2: Posso pedir palmas aí?
• 3:08
  Speaker 1: O pão de pão é quase um culto.
• 3:09
  Speaker 2: É quase um culto isso aqui.
• 3:12
  Speaker 1: É quase um culto.
• 3:16
  Speaker 4: Let's go, let's do this shit, let's talk shit here,
• 3:18
  Speaker 4: let's have a laugh.
• 3:19
  Speaker 1: You're crazy.
• 3:20
  Speaker 4: Today I don't want to interview anyone, I don't want.
• 3:24
  Speaker 1: To know about anyone. I don't want to know how
• 3:26
  Speaker 1: it started. I don't want to know what was.
• 3:28
  Speaker 2: The moment that turned the key. I don't want to know.
• 3:33
  Speaker 1: I don't want to know anything.
• 3:34
  Speaker 2: You know what I want?
• 3:36
  Speaker 1: What?
• 3:36
  Speaker 2: I want to see what you... Man, I went to
• 3:38
  Speaker 2: BK's show.
• 3:39
  Speaker 1: Fuck, Abebe. I didn't go.
• 3:40
  Speaker 2: Fuck, Bikila.
• 3:42
  Speaker 1: Mythic. The guy played more than Travis Scott.
• 3:45
  Speaker 2: More than Kendrick Lamar, who is his ref.
• 3:49
  Speaker 1: Take it.
• 3:50
  Speaker 2: He surpassed his ref.
• 3:51
  Speaker 1: Take it.
• 3:51
  Speaker 5: And it was awesome. To be honest, seeing a guy...
• 3:55
  Speaker 5: I always bring the analogies to the world of football,
• 3:57
  Speaker 5: which is a world that I know nicely.
• 4:00
  Speaker 1: And it's easier to understand too.
• 4:01
  Speaker 2: Exactly.
• 4:02
  Speaker 5: So for me, BK is like seeing an artist, an
• 4:06
  Speaker 5: athlete of football, very cool.
• 4:07
  Speaker 2: Like who?
• 4:08
  Speaker 5: Like Neymar, because I saw the first game of Neymar.
• 4:12
  Speaker 5: And I'll probably see the last one, right? So, see
• 4:15
  Speaker 5: this BK's trajectory. And him loading the stadium. It's like
• 4:20
  Speaker 5: seeing the star of.
• 4:21
  Speaker 2: The guy himself. 10 years ago.
• 4:22
  Speaker 1: It's cinema, right?
• 4:22
  Speaker 2: Cinema, brother.
• 4:24
  Speaker 5: Man, it's beautiful. Ramon was there. Ramonzinho, it was beautiful, right?
• 4:28
  Speaker 5: Did you like the show or the after? You don't
• 4:31
  Speaker 5: need to answer.
• 4:31
  Speaker 2: That's it. It's all good. The silence is enough. His
• 4:35
  Speaker 2: silence already contemplated me.
• 4:37
  Speaker 1: Oh, and another thing.
• 4:38
  Speaker 4: I hope this inspires more rappers and the public to
• 4:40
  Speaker 4: go to shows in stadiums.
• 4:43
  Speaker 1: Exactly.
• 4:43
  Speaker 2: We have to make the brands. The guys are already
• 4:46
  Speaker 2: with the cardboard with their hands crossed. But I need
• 4:48
  Speaker 2: to say that it's merit of BK because he made
• 4:51
  Speaker 2: a career construction very big. He not only....
• 4:58
  Speaker 5: Cuspiu músicas ou cuspiu álbuns aí pra, sei lá, porque
• 5:02
  Speaker 5: tinha ganho advance de gravador e tal. Ele fez trabalhos sólidos, mano.
• 5:08
  Speaker 5: Então ali, depois de 10 anos do primeiro álbum dele,
• 5:10
  Speaker 5: ter 55 mil pessoas, 50 mil pessoas lá no estádio.
• 5:13
  Speaker 1: Tinha tudo isso, mano.
• 5:15
  Speaker 2: Caralho, caralho. Foi bizarro. Caralho, Igor, caralho, caralho.
• 5:20
  Speaker 1: Caralho, caralho.
• 5:21
  Speaker 4: 50 mil pessoas vendo você cantar suas poesias. Vai se fuder, viado.
• 5:26
  Speaker 4: Vai se fuder.
• 5:27
  Speaker 5: Before that, I need to talk about the brands that
• 5:30
  Speaker 5: sponsor this wonderful channel, Mítico Jovem.
• 5:32
  Speaker 1: Boa, Igão! Underground! Mizuno! Opa!
• 5:36
  Speaker 5: There's a new program at home coming tomorrow. It's Originais Podpá,
• 5:40
  Speaker 5: Mítico Jovem.
• 5:40
  Speaker 1: Respect!
• 5:41
  Speaker 4: In short, what is Originais Podpá? Are we going to
• 5:43
  Speaker 4: make some documentaries?
• 5:45
  Speaker 5: They're documentaries, they're... We're going to document things originally, our way,
• 5:49
  Speaker 5: and starting with the right foot, it couldn't be a
• 5:52
  Speaker 5: better start, because.
• 5:57
  Speaker 5: Really, guys, working with Mizuno is a dream. And every
• 6:00
  Speaker 5: time this little sign that's there, now in this banner, appears,
• 6:02
  Speaker 5: know that there will be a lot of quality content
• 6:05
  Speaker 5: coming from us. And what premieres tomorrow is Relíquia. The
• 6:09
  Speaker 5: prophecy comes from the streets. We're talking about this beauty here,
• 6:13
  Speaker 5: Mítico Jovem. This here is not just a tennis, this
• 6:15
  Speaker 5: here is an article of grife, an article of luxury,
• 6:18
  Speaker 5: an article of grife of the streets, which the streets
• 6:20
  Speaker 5: have re-signified.
• 6:21
  Speaker 2: This tennis here.
• 6:22
  Speaker 1: And for those who understand, they'll love it. And for
• 6:24
  Speaker 1: those who don't understand, they'll understand.
• 6:26
  Speaker 2: They'll start to understand, exactly.
• 6:27
  Speaker 4: They'll understand the importance of a boot like this on
• 6:30
  Speaker 4: the broken and for the funk.
• 6:31
  Speaker 2: So, save it on the agenda.
• 6:32
  Speaker 1: It's beautiful.
• 6:33
  Speaker 5: And those who live the funk paulista, as Mítico Jovem said, will...
• 6:37
  Speaker 5: to love this content and today we're going to do
• 6:39
  Speaker 5: I'll tell you what we're going to do we're going
• 6:41
  Speaker 5: to do a pre-release today we watch this documentary here
• 6:44
  Speaker 5: with everyone who participated today there will be a show
• 6:47
  Speaker 5: of the guy from Caxeta there from DJ Thaís if
• 6:49
  Speaker 5: I'm not mistaken also for 200 people that's right right
• 6:51
  Speaker 5: so it's going to be awesome today we already live
• 6:54
  Speaker 5: this day and tomorrow it's available to everyone young mythical
• 6:58
  Speaker 5: now talk about our sponsor Master Que é Paramount +.
• 7:02
  Speaker 5: Que você... Eu sei que você curte uma série de
• 7:05
  Speaker 5: máfia repleta de caos, briga por poder e traição. Acabou
• 7:11
  Speaker 5: de chegar a segunda temporada de Terra da Máfia no
• 7:15
  Speaker 5: Paramount +.
• 7:16
  Speaker 2: Elenco pesado com Tom Hardy. Ellen Meehan. Percy Brosnan.
• 7:20
  Speaker 1: Exactly.
• 7:21
  Speaker 5: In the first season, the Harringans are that family that
• 7:24
  Speaker 5: commands the organized crime in London.
• 7:26
  Speaker 2: What's the name of the family?
• 7:27
  Speaker 1: Harringan. Oh my gosh. Oh my gosh. Exactly.
• 7:31
  Speaker 5: And now, in the second season, the power dispute gets
• 7:34
  Speaker 5: even more serious.
• 7:35
  Speaker 2: In this family, no one trusts anyone. And the power...
• 7:40
  Speaker 2: Family that no one trusts no one is not new.
• 7:42
  Speaker 1: It's true.
• 7:43
  Speaker 2: It's not new.
• 7:44
  Speaker 6: Sorry.
• 7:46
  Speaker 2: Nessa família ninguém confia em ninguém e o poder sempre
• 7:49
  Speaker 2: cobra um preço.
• 7:50
  Speaker 5: Acesse o link e o QR Code. Terra da Máfia
• 7:52
  Speaker 5: não para, Monplas, Mítico Jovem.
• 7:54
  Speaker 1: Tom Hardy é atorzão, hein, cara?
• 7:56
  Speaker 2: Ele é demais.
• 7:56
  Speaker 1: Vou dar uma atenção nessa.
• 7:58
  Speaker 4: Série aí, porque treta de família, máfia e traição... E caos.
• 8:02
  Speaker 1: E caos? Cê é louco. Vamos assistir isso aí.
• 8:04
  Speaker 4: Aproveita e segue eles nas redes sociais pra você aproveitar
• 8:06
  Speaker 4: todos os lançamentos, novidades e o que está por vir, né?
• 8:10
  Speaker 1: Não, Igão, cabeça grande pra caralho, viado. Is it too much? No,
• 8:15
  Speaker 1: I just like to... Because it reminds me of the.
• 8:19
  Speaker 2: The primordials.
• 8:20
  Speaker 1: The first podpads.
• 8:20
  Speaker 4: Sometimes I watch the first podpad in the introduction. We
• 8:23
  Speaker 4: used to joke that.
• 8:24
  Speaker 1: It's the fuck. It took eight minutes. Coconut, head, I
• 8:26
  Speaker 1: don't know. But it was very good. It was good, right?
• 8:28
  Speaker 1: Too good. We were light, right, brother? Today we....
• 8:33
  Speaker 2: Even though it was heavy, we were light.
• 8:35
  Speaker 1: It's true. Today we live with a lot of responsibilities, right?
• 8:39
  Speaker 2: Yes.
• 8:39
  Speaker 1: It doesn't even look like those two boys who boasted
• 8:41
  Speaker 1: on the podcast.
• 8:43
  Speaker 2: Without thinking.
• 8:45
  Speaker 4: Now you can boast, but with the responsibility of being
• 8:47
  Speaker 4: there too.
• 8:48
  Speaker 5: And the video of IAC that made you there, you
• 8:50
  Speaker 5: there in the plastic.
• 8:51
  Speaker 1: Tent, did you like it? You saw, right? I liked it.
• 8:53
  Speaker 1: It just got bugged and I there on the wall said, ok,
• 8:55
  Speaker 1: but cute.
• 8:55
  Speaker 2: I even accepted the collab.
• 8:58
  Speaker 1: Awesome. I also saw yours from McDonald's.
• 9:00
  Speaker 2: When I arrived at McDonald's, the guy at the end was.
• 9:05
  Speaker 1: Like, we're competing, we're competing. But it's a great key,
• 9:08
  Speaker 1: you look and you say, why, bro?
• 9:09
  Speaker 2: Wanting or not? It was the first time the robot
• 9:11
  Speaker 2: moved me, okay?
• 9:12
  Speaker 1: When I saw the 16-year-old, I said, damn, it's the same.
• 9:14
  Speaker 1: It's not, bro. It was me.
• 9:16
  Speaker 4: In this one I posted, I thought the environment was awesome, right?
• 9:21
  Speaker 4: Not just the perfection of the person, but the environment
• 9:25
  Speaker 4: brought me to the trip of that. And it gave
• 9:27
  Speaker 4: me that feeling of, like, damn, that's crazy. And I
• 9:29
  Speaker 4: also thought about that one of yours, because I said, man,
• 9:32
  Speaker 4: me and Gão, we.
• 9:35
  Speaker 4: We are like all of you who have a trajectory,
• 9:37
  Speaker 4: a story, a life, right? But we captured it, we
• 9:39
  Speaker 4: recorded it, we showed it on the internet.
• 9:41
  Speaker 1: No, you mainly.
• 9:42
  Speaker 4: So it's very crazy to see that beginning of ours there,
• 9:44
  Speaker 4: you with a Mac, I in a plastic tent.
• 9:45
  Speaker 1: It's all documented, right, bro? Yeah, and see it today.
• 9:48
  Speaker 4: So, like, sometimes I see some people who don't put faith,
• 9:51
  Speaker 4: don't believe in the stuff of us, and I say, bro,
• 9:59
  Speaker 4: but it's documented, what are you talking about, man?
• 10:02
  Speaker 1: So it's very crazy.
• 10:03
  Speaker 2: But do you have any regret of having documented all this?
• 10:05
  Speaker 1: Some.
• 10:05
  Speaker 2: Okay, but are you regretting? I don't think it's regret,
• 10:09
  Speaker 2: I think it's... I didn't need to expose myself so much,
• 10:12
  Speaker 2: let's say so, you know?
• 10:14
  Speaker 1: Okay, okay.
• 10:15
  Speaker 4: Like when I see today some people exposing themselves Exposing
• 10:20
  Speaker 4: yourself so much.
• 10:21
  Speaker 1: I say, you don't need to. In the future, you'll
• 10:22
  Speaker 1: regret it.
• 10:23
  Speaker 2: It was at this point that I wanted to get there.
• 10:24
  Speaker 2: Because I was following... I don't know if it was
• 10:28
  Speaker 2: Tabet who did the Kibiloco. He made a video saying that... Nowadays,
• 10:33
  Speaker 2: everyone is filming themselves. Doing everything. Everyone. He was saying...
• 10:37
  Speaker 2: I think he's a Flamenguista. He was at the Flamengo game.
• 10:40
  Speaker 2: He said that.
• 10:41
  Speaker 5: There were some groups of people... Where a person wasn't
• 10:45
  Speaker 5: watching the game anymore.
• 10:46
  Speaker 2: She was.
• 10:48
  Speaker 5: Making a reaction to her Instagram. So imagine, I went
• 10:53
  Speaker 5: there with you, and you keep recording my reactions. So
• 10:56
  Speaker 5: they're exaggerated reactions, and that's stealing the attention of those
• 11:01
  Speaker 5: who went there just to watch the game itself. And
• 11:04
  Speaker 5: it's really crazy, because it's hard to talk about it,
• 11:07
  Speaker 5: because when I did it, I also started recording videos, vlogs,
• 11:12
  Speaker 5: in the stadiums. But this was 10 years ago. And
• 11:15
  Speaker 5: I'm absolutely sure, because I remember... 10 years ago, at
• 11:18
  Speaker 5: that moment, at that game, it was just me, bro.
• 11:19
  Speaker 5: Or if it was me and two more, one in
• 11:21
  Speaker 5: each corner of the stadium, so you didn't notice much. Nowadays, bro,
• 11:25
  Speaker 5: everyone seems to live the life of the internet, and
• 11:27
  Speaker 5: not just the real life.
• 11:28
  Speaker 2: So everyone, if they're in the stadium, they have to
• 11:31
  Speaker 2: record some super exaggerated reaction of theirs there. Yeah, it
• 11:44
  Speaker 2: seems like.
• 11:45
  Speaker 1: Everyone is performing.
• 11:46
  Speaker 2: That's it, it's a performance, everything, man.
• 11:49
  Speaker 5: And being that the main performance, which would be the game,
• 11:52
  Speaker 5: I also saw that now there was a tennis championship,
• 11:55
  Speaker 5: and then there was a group that.
• 11:58
  Speaker 2: The brands themselves are doing this. I don't know, West
• 12:01
  Speaker 2: Open hired.
• 12:01
  Speaker 5: 10 influencers to go there. But, man, if they don't
• 12:06
  Speaker 5: talk about tennis, it's all right. They're going there to
• 12:08
  Speaker 5: talk about culinary. Because they want to sell. It's capitalism, anyway.
• 12:12
  Speaker 5: And I'm putting myself in this game, too, because sometimes
• 12:15
  Speaker 5: we're also hired to give a puberty in other things
• 12:18
  Speaker 5: that are not just.
• 12:18
  Speaker 2: For sure. The focus of the thing.
• 12:21
  Speaker 5: But we have our ethics of, like, we're not going
• 12:23
  Speaker 5: to steal attention. of the main one, we will do
• 12:27
  Speaker 5: what we were hired here to do and such, but
• 12:29
  Speaker 5: it's very crazy to see the level that the internet was.
• 12:33
  Speaker 1: Right, bro? Yes, I think we've been doing this for
• 12:35
  Speaker 1: a long time too, so I'm.
• 12:37
  Speaker 4: Also, sometimes, I'm getting triggers of not wanting to post
• 12:41
  Speaker 4: any more shit too. And then I get into this dilemma, like, bro,
• 12:45
  Speaker 4: what is it that has nothing to do with showing?
• 12:47
  Speaker 4: So sometimes I want to show something interesting, I want
• 12:50
  Speaker 4: to show, I don't know, Algo que eu goste. E
• 12:54
  Speaker 4: tipo assim, mano, mas será que se eu mostrando isso
• 12:56
  Speaker 4: eu tô desagradando?
• 12:57
  Speaker 1: Ou eu tô me passando? Mas pra mim isso é comum.
• 13:01
  Speaker 1: Será que eu mostro?
• 13:02
  Speaker 4: Então, tipo assim, eu vivo um dilema também de... This
• 13:05
  Speaker 4: is a lot of exposure, I'm posting this and I'm
• 13:07
  Speaker 4: just being an idiot because I know the society we
• 13:10
  Speaker 4: live in, but this is part of my world, so
• 13:12
  Speaker 4: if I don't show this here, show something, it looks
• 13:15
  Speaker 4: like I'm forcing something that I'm not anymore, or if
• 13:18
  Speaker 4: I show this here, it looks like I'm being an idiot.
• 13:20
  Speaker 1: And I think there's another thing that I think.
• 13:22
  Speaker 5: All the time, I'm posting that I'm okay, because I'm well,
• 13:28
  Speaker 5: or I'm posting because I'm well because.
• 13:32
  Speaker 1: I want to see that I'm well.
• 13:34
  Speaker 2: Wow, I understand you.
• 13:35
  Speaker 5: So this is very difficult, because, for example, now I
• 13:37
  Speaker 5: went to a party now, which was the show of BK,
• 13:40
  Speaker 5: we started talking about it.
• 13:41
  Speaker 2: I'm going to include myself in this.
• 13:43
  Speaker 5: Maybe if I hadn't gone to the show of BK,
• 13:45
  Speaker 5: I would be extremely agonized, because it would appear to
• 13:48
  Speaker 5: the world that only I wasn't there. The whole world
• 13:51
  Speaker 5: was there and I wasn't there. I felt a little
• 13:53
  Speaker 5: bit of that, you know? So, but I felt a
• 13:54
  Speaker 5: little bit of that when I didn't go to Ariel,
• 13:55
  Speaker 5: for example.
• 13:56
  Speaker 1: Uh-huh.
• 13:57
  Speaker 2: But you were there and I couldn't go.
• 13:58
  Speaker 4: Yeah, I was like, damn, even Igão is there in
• 14:00
  Speaker 4: this shit. The guy never leaves and I didn't go.
• 14:04
  Speaker 4: But I was fine and didn't go. But I was like...
• 14:07
  Speaker 4: But there's a pressure.
• 14:08
  Speaker 1: I was. There's a pressure.
• 14:10
  Speaker 4: I was like, damn, how am I not in this
• 14:12
  Speaker 4: role that mine are, let's say, that for sure is
• 14:15
  Speaker 4: a role that would please me, let's say.
• 14:18
  Speaker 5: I feel like that's what makes us do things we
• 14:20
  Speaker 5: don't want to do. Because it's okay if you don't
• 14:23
  Speaker 5: want to go to a show or a party, you
• 14:25
  Speaker 5: just don't go. What's not okay is to feel that
• 14:28
  Speaker 5: I have to go because everyone is there. And without
• 14:31
  Speaker 5: wanting to go, you know? Because everyone is there, I
• 14:34
  Speaker 5: can't stop being there.
• 14:35
  Speaker 2: Because if I stop being in this place, I'm not
• 14:39
  Speaker 2: that important. Did I lose my relevance because I wasn't
• 14:42
  Speaker 2: invited to this place?
• 14:44
  Speaker 1: It's very crazy.
• 14:44
  Speaker 2: I think what you said is very serious.
• 14:46
  Speaker 4: Relationships too, people do a lot of this, of wanting
• 14:49
  Speaker 4: to show that they're well, or wanting to show that
• 14:51
  Speaker 4: they're going through this, but like.
• 14:53
  Speaker 1: Man, if you stop to think... In reality, no one cares.
• 15:00
  Speaker 4: About your relationship, no one cares if you're happy or not, man,
• 15:03
  Speaker 4: it's smooth. But we want to prove that we're happy,
• 15:06
  Speaker 4: that we're happy in a relationship, that we're getting along well.
• 15:10
  Speaker 4: It's kind of crazy, we have to keep proving ourselves
• 15:13
  Speaker 4: on social media.
• 15:13
  Speaker 5: Who really cares about the relationship of others on the
• 15:16
  Speaker 5: internet or in life, in reality, are people who needed
• 15:19
  Speaker 5: to care a little more about their lives. And that's it,
• 15:22
  Speaker 5: I think they're people who don't look at themselves, don't
• 15:25
  Speaker 5: take their lives as.
• 15:28
  Speaker 5: A principal mesmo de tipo assim que tá gostando da
• 15:30
  Speaker 5: minha vida vou traçar um plano para minha vida para
• 15:32
  Speaker 5: minha trajetória e ela vai super acompanhar um relacionamento da
• 15:35
  Speaker 5: internet e ela vai viver aquilo para caramba e aí
• 15:39
  Speaker 5: tem um lance que tipo as pessoas que vivem esse
• 15:40
  Speaker 5: relacionamento vão virar reféns.
• 15:42
  Speaker 2: Desse público e o público também vira refém desse relacionamento Yeah, I.
• 15:47
  Speaker 4: Think we have to separate these things. For example, I
• 15:51
  Speaker 4: like gossip.
• 15:52
  Speaker 1: But I like, for example, a gossip about a couple
• 15:54
  Speaker 1: and there's a fight going on, something. I like to see,
• 15:56
  Speaker 1: I like to know. But that doesn't consume me.
• 15:58
  Speaker 4: I'm not going to lay my head and say, Wow,
• 16:00
  Speaker 4: you're so-so, dude. Or something like that, you know? A
• 16:06
  Speaker 4: sua bundinha nem tão grande assim, eu já sorrei. Então,
• 16:10
  Speaker 4: eu olho isso, não me afeta. Eu olho e falo assim,
• 16:13
  Speaker 4: que bosta, que doideira, espero que fique bem. Agora eu
• 16:16
  Speaker 4: sei que tem pessoas que.
• 16:17
  Speaker 2: Ficam, meu Deus, sou careca.
• 16:21
  Speaker 1: Let him go, like this.
• 16:23
  Speaker 4: Then lie down, then in a meeting of friends, talk
• 16:26
  Speaker 4: about it, then live it.
• 16:27
  Speaker 1: I said, damn, bro.
• 16:29
  Speaker 2: But it's that same bullshit, how did it come about? Like,
• 16:31
  Speaker 2: there are two people living in a relationship, and there's
• 16:34
  Speaker 2: an external person from outside, wanting to give an opinion
• 16:37
  Speaker 2: about it, you know? So it's someone who looks and says, look,
• 16:41
  Speaker 2: what I think about your life is this, this and this. Then,
• 16:43
  Speaker 2: for me, from there, it went wrong.
• 16:45
  Speaker 5: But then, you know, people who film their own life
• 16:49
  Speaker 5: and show it and show it and show it are
• 16:50
  Speaker 5: susceptible to opinions as well.
• 16:52
  Speaker 1: For sure. It's hard, man.
• 16:53
  Speaker 4: That's why throughout my life, when you asked if I
• 16:56
  Speaker 4: regretted what I was filming in the past, some points, yes,
• 17:00
  Speaker 4: because I understood that, not the times when I posted something,
• 17:04
  Speaker 4: but when.
• 17:04
  Speaker 1: You expose yourself too.
• 17:06
  Speaker 4: Much, you get very open, not only the critics, but
• 17:10
  Speaker 4: people deduce a lot about you and think they have
• 17:13
  Speaker 4: control over your life or what you post.
• 17:17
  Speaker 1: So, like, what I say to these guys nowadays, bro,
• 17:20
  Speaker 1: calm down, bro.
• 17:21
  Speaker 4: You're exposing yourself too much. It's bullshit, it's relationship, it's fight,
• 17:27
  Speaker 4: it's sadness, it's filming yourself crying, it's hitting yourself, it's
• 17:31
  Speaker 4: doing online crime, it's doing a lot of crazy stuff.
• 17:33
  Speaker 5: It's that we're normalizing, Mítico. We're normalizing, because... It's normalizing
• 17:38
  Speaker 5: because it's becoming normal, but.
• 17:39
  Speaker 1: We're normalizing, we're normalizing.
• 17:41
  Speaker 2: We're normalizing. And then, what's the deal?
• 17:44
  Speaker 5: Speaking of this again, two years ago, when we watched
• 17:46
  Speaker 5: an episode of Black Mirror together, what was the deal?
• 17:49
  Speaker 5: It was everyone living the life plugged into the cell phone. Like,
• 17:53
  Speaker 5: living for the cell phone. And that's what's happening today. Like,
• 17:57
  Speaker 5: I open the cell phone.
• 17:59
  Speaker 2: I only see people who are on TikTok live.
• 18:03
  Speaker 1: Man... Man.
• 18:18
  Speaker 5: Tem uma sociedade que tá vivendo... Tipo, tem uma pessoa
• 18:22
  Speaker 5: que tá sendo gravada ali, mas atrás dela tem um
• 18:24
  Speaker 5: monte de pessoa que não tá.
• 18:26
  Speaker 2: Nessa live, tá ligado? E tá sendo mostrada, porque tá
• 18:29
  Speaker 2: tudo ali. Então, isso tá virando normal, mano.
• 18:31
  Speaker 5: As pessoas estão vivendo plugadas mesmo no celular. As pessoas
• 18:35
  Speaker 5: estão vivendo pra audiência, pros outros mesmo. E.
• 18:41
  Speaker 5: Mano, lá no Black Mirror eu tinha um lance que
• 18:43
  Speaker 5: era tipo... The viewers themselves, the audience, they would say
• 18:48
  Speaker 5: like this, do this, do that. And the fucking Live
• 18:53
  Speaker 5: Peaks today is what, man?
• 18:55
  Speaker 1: Is that it?
• 18:55
  Speaker 2: I doubt you go there and fuck this old man,
• 18:58
  Speaker 2: I'm going. That's it, bro. In exchange for donation. So, like,
• 19:01
  Speaker 2: the bag was getting very loose. Like, guys, I understand.
• 19:04
  Speaker 1: I'm not criticizing, okay?
• 19:05
  Speaker 2: No, we were also the boys who recorded ourselves.
• 19:07
  Speaker 4: But the people, yeah, doing live, that battle live on TikTok. Yeah, man,
• 19:11
  Speaker 4: that's it. The more money you get, the more you get.
• 19:13
  Speaker 2: Tap, tap, tap.
• 19:15
  Speaker 1: Let's win.
• 19:16
  Speaker 2: Then I look like this and I say, man, look
• 19:18
  Speaker 2: how the thing is.
• 19:20
  Speaker 5: Remember when it came out there, when Felka popularized it,
• 19:22
  Speaker 5: everyone looked at it and said, bro, what an idiot.
• 19:24
  Speaker 5: If it's like a robot, no one's going to do that.
• 19:27
  Speaker 5: A lot of people have done it. It's already gone
• 19:29
  Speaker 5: that wave of everyone finding it stupid, something.
• 19:31
  Speaker 2: Stupid, credo. Now it's normal. It's everyone doing it, man.
• 19:35
  Speaker 2: The pink thing that Felka did, it's literally.
• 19:37
  Speaker 1: Everyone doing it. And battling, you know? When do we
• 19:40
  Speaker 1: start ours? What?
• 19:41
  Speaker 2: Our battles. Wow, don't do that to.
• 19:44
  Speaker 1: Me, man. I don't do it either. But I also
• 19:46
  Speaker 1: think there's some scheme. there, bro. I don't want to
• 19:51
  Speaker 1: open up controversy, but.
• 19:53
  Speaker 4: It's not possible that a lot of people are doing
• 19:56
  Speaker 4: this shit and there's nothing there, right?
• 20:00
  Speaker 1: No, no.
• 20:00
  Speaker 2: Obviously, people make money. The platform... The money laundering. It
• 20:04
  Speaker 2: could be too, but the platform is certainly remunerating. But
• 20:09
  Speaker 2: that's it, bro.
• 20:10
  Speaker 5: It's remunerating with, I don't know, I think there will
• 20:15
  Speaker 5: be diseases, which are already happening, but things that will be,
• 20:19
  Speaker 5: that will proffer from there, you know? I don't know,
• 20:22
  Speaker 5: I think the life of society in 10, 15 years
• 20:23
  Speaker 5: will be just a sequel to the internet stuff, bro.
• 20:25
  Speaker 5: I think the TikTok live today is the tiger from yesterday,
• 20:28
  Speaker 5: you know?
• 20:29
  Speaker 1: I understand.
• 20:29
  Speaker 4: If, then the guys can be watching now and say,
• 20:32
  Speaker 4: nothing to do with it.
• 20:39
  Speaker 2: Okay, then.
• 20:40
  Speaker 1: I said it and left. And it's light, right, bro?
• 20:42
  Speaker 1: Today's TikTok live is yesterday's Tigrinho. It's because.
• 20:47
  Speaker 4: The way he does it is kind of suspicious, sometimes...
• 20:50
  Speaker 4: some crazy money that falls there, anyway. And it became fashionable,
• 20:55
  Speaker 4: so the internet goes, right, bro? Everywhere that is successful,
• 20:57
  Speaker 4: it goes.
• 20:58
  Speaker 1: Now, I think this is going to grow, okay? No,
• 21:00
  Speaker 1: it's growing a lot. I think that, in.
• 21:03
  Speaker 4: Addition to the battle lives, IRL, now I think there
• 21:08
  Speaker 4: will be people who will stay completely, like, bro, 24
• 21:11
  Speaker 4: hours online, bro. The guy who does the live, like,
• 21:14
  Speaker 4: stay with cameras in his house, he will wake up,
• 21:17
  Speaker 4: he will sleep, he will be online, he will wake
• 21:19
  Speaker 4: up online, he will go out to the street with.
• 21:22
  Speaker 2: His backpack online.
• 21:24
  Speaker 4: The next person who does this will bomb. It's like 24,
• 21:27
  Speaker 4: a month online, but without being a motorhome, without being anything.
• 21:32
  Speaker 4: It's the guy filming his whole day, brushing his teeth,
• 21:34
  Speaker 4: will go out, go to the date.
• 21:36
  Speaker 5: I think this will happen to a person who will
• 21:38
  Speaker 5: do this for a month, but I'm sure that in
• 21:39
  Speaker 5: a little while many people will be doing this forever
• 21:49
  Speaker 5: because remember me when we started let's go there bro
• 21:51
  Speaker 5: and the internet was to make a vlog per month
• 21:55
  Speaker 5: two maybe one two vlogs per month and then it
• 22:00
  Speaker 5: started no let's do it once a week once a
• 22:02
  Speaker 5: month it's getting outdated the new bloggers arrived there the
• 22:06
  Speaker 5: guys are putting a sheet per week who can do
• 22:08
  Speaker 5: it twice a month is the July that has that
• 22:11
  Speaker 5: has that has a public Whindersson David Jones, 7 videos
• 22:17
  Speaker 5: or more.
• 22:18
  Speaker 1: He did a good job.
• 22:19
  Speaker 2: It worked very well. But I think even the YouTube
• 22:22
  Speaker 2: algorithm itself learned from him. The guy was a monster.
• 22:25
  Speaker 5: Everyone started making daily videos. Then the guys started making
• 22:29
  Speaker 5: 7 videos or more.
• 22:30
  Speaker 2: 2 videos, 3 videos.
• 22:32
  Speaker 4: And I remember that at that time the quality didn't
• 22:34
  Speaker 4: become the focus anymore.
• 22:36
  Speaker 1: In the past, you and I... Roteiro. Roteiro, 1 video
• 22:39
  Speaker 1: per month. Then after the algorithm changed, it was like... Oh, really?
• 22:43
  Speaker 1: Fuck it. Is it just recording? Is it quantity?
• 22:46
  Speaker 2: Is it just feeding the algorithm that I have money?
• 22:48
  Speaker 4: Yeah, because the idea of that was like this, man,
• 22:52
  Speaker 4: in one hour I would be on your feed. And
• 22:55
  Speaker 4: the guys at that time didn't have that mentality, like, man,
• 22:58
  Speaker 4: why are you posting so much? It's because every time
• 23:01
  Speaker 4: you put F5 there on your computer, there would be.
• 23:04
  Speaker 1: Any fucking video of the person there.
• 23:06
  Speaker 2: It's because our mentality wasn't algorithmic. no but I didn't
• 23:10
  Speaker 2: think so because we thought in our algorithm in our
• 23:14
  Speaker 2: real life we respected the time of the human being
• 23:17
  Speaker 2: my time of the human being who is a guy
• 23:19
  Speaker 2: alone who does everything alone is to be able to
• 23:21
  Speaker 2: do two per month because I wrote I edited I
• 23:25
  Speaker 2: recorded ours but the quality was not there these things
• 23:27
  Speaker 2: are fine it was what I managed to deliver but
• 23:29
  Speaker 2: we respected each other today bro we don't respect the
• 23:32
  Speaker 2: limit of the body at all at all So that's
• 23:35
  Speaker 2: why today the people are 100% online. This is going
• 23:37
  Speaker 2: to happen, man. Everyone is going to be online.
• 23:41
  Speaker 5: I don't know if you remember when people started doing
• 23:44
  Speaker 5: IRL in ballads. We were going to a lot of ballads,
• 23:46
  Speaker 5: and I was afraid that I was going to go
• 23:47
  Speaker 5: to a party and I was going to get drunk.
• 23:49
  Speaker 5: I remember, we were afraid of being drunk and someone.
• 23:51
  Speaker 4: Would come with a cell phone in the middle of
• 23:53
  Speaker 4: the party and we were like.
• 23:55
  Speaker 1: Man, fuck it. And I sometimes recorded videos of a party, okay?
• 23:59
  Speaker 2: But it was recorded, right?
• 24:00
  Speaker 1: Even so, I was in that... It was a problem, right?
• 24:02
  Speaker 4: It was a problem, and also at that time I
• 24:04
  Speaker 4: didn't really know that it was boring.
• 24:07
  Speaker 1: A galera tá curtindo e chega alguém com o celular lá.
• 24:10
  Speaker 1: E aí, que não sei o quê.
• 24:11
  Speaker 4: Lógico que a maioria das vezes eu gravava quem tava comigo,
• 24:14
  Speaker 4: algo do tipo. Mas já chegou a dar problema de
• 24:17
  Speaker 4: alguém vazar e falar, ô, vai tomar no cu, apaga
• 24:19
  Speaker 4: o vídeo aí, vaza aí.
• 24:20
  Speaker 5: Então, acho que vai ter muitos problemas de... to leak,
• 24:23
  Speaker 5: because what I'm seeing is that before there was an ethics,
• 24:25
  Speaker 5: but today I'm seeing the streamers who do these IRLs,
• 24:27
  Speaker 5: the guys don't have any ethics, they're like, I'm recording
• 24:31
  Speaker 5: myself here and that's it, I'm recording and that's it. Like,
• 24:34
  Speaker 5: for them to be live, to be recording, to be
• 24:35
  Speaker 5: on a live, it's normal.
• 24:37
  Speaker 1: It's normal.
• 24:39
  Speaker 2: The normal is not here. Hey, Mitko, what's up? The
• 24:41
  Speaker 2: normal is here.
• 24:42
  Speaker 1: Hey, Mitko! Are you crazy?
• 24:45
  Speaker 2: This is the normal today, bro.
• 24:45
  Speaker 1: Reading the comments of the guys. Reading the comments, exactly.
• 24:48
  Speaker 2: Like, do you see the B.O.K. that's giving there?
• 24:50
  Speaker 1: I do. Very beautiful.
• 24:53
  Speaker 4: That guy there who filmed... But that guy who played the.
• 24:59
  Speaker 1: Actor from Globo there. In Rock in Rio. This is
• 25:02
  Speaker 1: the guy.
• 25:02
  Speaker 4: Who just did a live and is seeing, is inspiring
• 25:06
  Speaker 4: himself in these guys who do live crazy. He looks
• 25:09
  Speaker 4: and says, ah, is that what you have to do
• 25:11
  Speaker 4: to be successful? I'm going to be worse still.
• 25:13
  Speaker 1: I'm going to mess with someone on the street.
• 25:16
  Speaker 4: But this, man, this, the guys are confusing the internet
• 25:19
  Speaker 4: with real life. This in real life gives death, gives
• 25:22
  Speaker 4: a beating in the head, gives prison.
• 25:24
  Speaker 1: There are people being arrested.
• 25:26
  Speaker 4: So I already said this here once with John Vlog,
• 25:29
  Speaker 4: I already said it with Cosco. We're talking here again. Man,
• 25:32
  Speaker 4: if you don't have... a limit on that and people understand...
• 25:35
  Speaker 4: I'm going to put limits.
• 25:36
  Speaker 1: Yeah, people understand limit as... Shut up.
• 25:40
  Speaker 4: How is that word that ran away from my mind
• 25:42
  Speaker 4: that people say.
• 25:43
  Speaker 2: Here, right?
• 25:44
  Speaker 1: You can say it, you can say it. Censorship. Yeah,
• 25:46
  Speaker 1: people say that limit is censorship. No, man.
• 25:49
  Speaker 4: Tem coisas na vida e com certeza perante a sociedade
• 25:52
  Speaker 4: a gente precisa ter limites.
• 25:53
  Speaker 1: A gente precisa de uma organização.
• 25:56
  Speaker 4: Não vai ser você com a porra de uma câmera
• 25:58
  Speaker 4: que você acha que você tem a liberdade de zaralhar.
• 26:02
  Speaker 4: Dependendo de quem você zaralhar, você vai tomar um cacete,
• 26:05
  Speaker 4: ou vai levar uma facada, ou vai morrer.
• 26:06
  Speaker 1: Ou vai ser preso. Essa é a vida. Então a
• 26:09
  Speaker 1: galera do chat... Tá na casa.
• 26:11
  Speaker 4: A galera tá em casa, comendo Cheetos e rindo. Ah,
• 26:14
  Speaker 4: vai ser preso. Ah, vai se fuder.
• 26:16
  Speaker 5: E tá depositando todas as frustrações e loucuras que eles
• 26:18
  Speaker 5: queriam fazer em você.
• 26:19
  Speaker 1: Foda-se.
• 26:20
  Speaker 2: Porque, tipo assim, de coração... Você vai ser preso, vai
• 26:22
  Speaker 2: ser divertido. A galera tá assim... Não, mas aqui meu chat,
• 26:25
  Speaker 2: cê é louco. Meu chat, nós se ama. Your chat
• 26:28
  Speaker 2: loves you, man. Your chat is telling you to do
• 26:30
  Speaker 2: some crazy things on the street, bitch.
• 26:31
  Speaker 1: Pay attention, right?
• 26:33
  Speaker 2: They want you to fuck yourself, because it's entertainment for them.
• 26:36
  Speaker 1: I think.
• 26:36
  Speaker 2: Ah, a fight, you're going to be arrested.
• 26:39
  Speaker 1: Even that evolved.
• 26:40
  Speaker 4: In the past, the chat, the guys who did live
• 26:42
  Speaker 4: at home playing, the chat was fun, man. The chat
• 26:45
  Speaker 4: that said, play this game, play that game. Now the
• 26:47
  Speaker 4: chat is like, play from the bridge. Go there, mess
• 26:50
  Speaker 4: with those girls there. Jump, I don't know who. Get
• 26:53
  Speaker 4: out of the hand of I don't know who. Hack,
• 26:55
  Speaker 4: I don't know who. Do this, do that, like.
• 26:57
  Speaker 1: The.
• 26:57
  Speaker 4: Chat doesn't have that sense anymore, like it used to
• 27:00
  Speaker 4: be with streamers like, I don't know, Alan Zoka, Coringa,
• 27:03
  Speaker 4: that I realized there was a love between chat and streamer,
• 27:06
  Speaker 4: you know?
• 27:07
  Speaker 2: But these streamers, they set a limit.
• 27:09
  Speaker 5: Like, how many times did they watch Alan Zoka's live,
• 27:13
  Speaker 5: the kids' live, Coringa's, Casemiro's? Did he leave the chat's
• 27:16
  Speaker 5: directory there? Bam, bam on this guy, bam, block. Then
• 27:20
  Speaker 5: the guy says, if you behave like this on my chat,
• 27:23
  Speaker 5: you're out.
• 27:25
  Speaker 1: Not today. Today, the crazier the chat, the cooler it is.
• 27:27
  Speaker 1: This is what?
• 27:28
  Speaker 5: The person who is the owner of the live putting limits.
• 27:31
  Speaker 5: Within this society, you broke a rule, you're out, man.
• 27:36
  Speaker 2: Today is that. The guys, they want, no, no. It's
• 27:39
  Speaker 2: my chat, leave them.
• 27:40
  Speaker 4: So, I realized that the chat, for some streamers... O
• 27:43
  Speaker 4: chat não se importa com esse streamer. Eles querem ver
• 27:47
  Speaker 4: o que vai acontecer, a merda que vai acontecer. Porque
• 27:50
  Speaker 4: eles não são fãs desse streamer. Eles querem que esse
• 27:52
  Speaker 4: streamer se foda. Eles querem ver que merda que esse
• 27:55
  Speaker 4: streamer é capaz de fazer. Ou dando dinheiro, ou dando audiência,
• 27:58
  Speaker 4: tá ligado? Então colocam ele numa plataforma de streamer que
• 28:01
  Speaker 4: infla lá, colocam os bots de views. O cara fala, mano,
• 28:04
  Speaker 4: tô estourando. Então se é minha última live que eu...
• 28:07
  Speaker 4: was aggressive with a woman, that I messed up, that
• 28:09
  Speaker 4: I hit the car, or that I hit someone, bombed,
• 28:12
  Speaker 4: gave several cuts, and another.
• 28:14
  Speaker 2: Thing that the guys... This becomes a method, right?
• 28:16
  Speaker 4: Another thing that the guys get confused, think that the
• 28:18
  Speaker 4: cuts on TikTok is because he's bombing. No, it's just
• 28:21
  Speaker 4: a team or a little guys who keeps making cuts
• 28:23
  Speaker 4: of your live.
• 28:24
  Speaker 1: Thank you.
• 28:43
  Speaker 2: If you leak these streams here, the Twitch, when you leak,
• 28:46
  Speaker 2: you'll see, these people will be arrested, will be canceled,
• 28:50
  Speaker 2: will say, what the fuck is this?
• 28:51
  Speaker 5: And another thing now talking about career plan, because we
• 28:53
  Speaker 5: started talking about this there from BK, that BK only
• 28:55
  Speaker 5: took these fruits of having a stadium full, because he
• 28:59
  Speaker 5: had a career plan. When these people, these streamers, look
• 29:03
  Speaker 5: at doing this for two, three years, he will say, damn,
• 29:05
  Speaker 5: I'll have to keep doing this forever. And we always
• 29:08
  Speaker 5: have to go back to the rules, because the crazy
• 29:10
  Speaker 5: stuff you did today, you can't repeat it tomorrow.
• 29:12
  Speaker 2: It has to be a little more, right? Of course. So,
• 29:13
  Speaker 2: this is something that people will never be able to
• 29:16
  Speaker 2: build a career to the point of, like, wow, why
• 29:18
  Speaker 2: can't I work with Marcatal? Why can't I run a theater?
• 29:26
  Speaker 2: Because you only do crazy things.
• 29:28
  Speaker 1: You didn't build a public.
• 29:29
  Speaker 2: You didn't build anything.
• 29:29
  Speaker 5: Your public wants to see you snorting, throwing a rocket
• 29:32
  Speaker 5: in your ass and jumping off the bridge. And being racist,
• 29:35
  Speaker 5: and being misogynistic. That's what people want to see, man.
• 29:38
  Speaker 4: I remember that I was bad at the time of
• 29:39
  Speaker 4: Vida Mítica, that the videos that hit 1 million, 2 million,
• 29:43
  Speaker 4: it was me on a ride, it was me giving a.
• 29:45
  Speaker 1: Car ride, it was me doing something crazy.
• 29:46
  Speaker 4: There are videos that were better at home, The crowd
• 29:49
  Speaker 4: didn't come much. And then I spent a long time
• 29:53
  Speaker 4: without posting the video because I got this feeling, you know? Like, oh,
• 29:57
  Speaker 4: fuck it, the crowd just wants to see me going crazy,
• 30:01
  Speaker 4: damn it. Watch me too, in peace, in good. So
• 30:04
  Speaker 4: when I got married too, I started showing the married video,
• 30:07
  Speaker 4: the audience gave a nerf. But I said, guys, I
• 30:10
  Speaker 4: can't live like you want me to live, you know?
• 30:12
  Speaker 1: Life is not GTA, even though I lived the same.
• 30:14
  Speaker 1: But it's not GTA.
• 30:15
  Speaker 4: I think there's... Moments that you're like, man, I can't
• 30:18
  Speaker 4: live the way you want. But I think, at that
• 30:19
  Speaker 4: time I was already going through that. Imagine today, man.
• 30:23
  Speaker 4: So if the guys are not having a conscience of
• 30:26
  Speaker 4: what can happen, I'm seeing the guys being arrested, I'm
• 30:30
  Speaker 4: seeing the guys getting out of hand, I'm seeing a
• 30:33
  Speaker 4: lot of things happening and I'm like, man, they don't
• 30:35
  Speaker 4: have any more sense.
• 30:36
  Speaker 1: Because it gives views, it cuts on TikTok.
• 30:38
  Speaker 2: And that validates them.
• 30:39
  Speaker 4: Yeah, today what measures success in the life of the
• 30:41
  Speaker 4: guys is cutting on TikTok, man. E esses cortes são
• 30:45
  Speaker 4: nas mesmas pessoas que ficam fazendo corte, pô. Não é
• 30:48
  Speaker 4: que tá muito foda. É só uma comunidade que tá fazendo.
• 30:52
  Speaker 4: Não é o Brasil que tá te vendo. É o
• 30:53
  Speaker 4: TikTok ali naquela comunidadezinha, sabe? É uma bolha, é uma bolha.
• 30:57
  Speaker 5: Não é nada, mano. É, e fora da sua bolha, talvez, mano,
• 31:00
  Speaker 5: faça esse exercício, né? Talvez agora todos são muito jovens
• 31:04
  Speaker 5: e só mais tarde isso aqui bate diferente.
• 31:07
  Speaker 2: Mas faça o exercício de... Como que você é visto
• 31:10
  Speaker 2: fora dessa bolha aí? Porque eu, mano.
• 31:13
  Speaker 5: The guys are commenting like this, oh, what a scumbag,
• 31:16
  Speaker 5: and so on, and nothing to do with it. Outside
• 31:20
  Speaker 5: of that bubble there, man, you're being misled, you know?
• 31:23
  Speaker 5: Because you're acting in a rough way.
• 31:26
  Speaker 2: Now, you know someone who.
• 31:28
  Speaker 1: Fuck, we said... Here... You said it.
• 31:30
  Speaker 2: The old people on the internet, we look like the
• 31:33
  Speaker 2: old people here on the internet.
• 31:34
  Speaker 1: Guys, you who are live there, be careful.
• 31:36
  Speaker 2: Be careful, but it's cool.
• 31:38
  Speaker 1: For sure.
• 31:38
  Speaker 2: You know who lives his life like GTA? Yeah. But
• 31:43
  Speaker 2: it's just because he's him.
• 31:45
  Speaker 1: Who?
• 31:45
  Speaker 2: Pedro Scooby.
• 31:46
  Speaker 1: True.
• 31:47
  Speaker 2: Pedro Scooby's life is a GTA, man. And he's like...
• 31:51
  Speaker 2: It's not that he chose... I don't know, he's just
• 31:56
  Speaker 2: a very cool guy.
• 31:58
  Speaker 5: Privileged, maybe, to have such a bad life. Did you
• 32:01
  Speaker 5: see that.
• 32:01
  Speaker 4: He took off his t-shirt dancing funk now? Damn, it's
• 32:05
  Speaker 4: obvious that I saw. One day it's Piolho, it's Luana
• 32:07
  Speaker 4: Piovani talking about Piolho. The other day he's putting on funk,
• 32:11
  Speaker 4: taking off his t-shirt. The other day he's with Fofoca,
• 32:14
  Speaker 4: who was kissing Boca Rosa.
• 32:15
  Speaker 2: And on the other, Lívia Andrade.
• 32:16
  Speaker 1: On the other Lívia Andrade. Who is ex-Poatã.
• 32:18
  Speaker 2: And then Poatã will comment and.
• 32:21
  Speaker 1: Is Lívia Andrade ex-Poatã? Yeah, they were together.
• 32:24
  Speaker 2: Holy shit.
• 32:25
  Speaker 1: And then.
• 32:26
  Speaker 5: Then it was like, is Lívia... I don't know if
• 32:28
  Speaker 5: they were together, right? Did Lívia betray Poitin with Pedro Scubi? Damn, Pedro,
• 32:33
  Speaker 5: get out of this dark street. Get out of this
• 32:35
  Speaker 5: dark street. Then Poitin said, no, I have nothing with Lívia,
• 32:37
  Speaker 5: we never dated. Then, unintentionally, he put the word there, merenda,
• 32:41
  Speaker 5: which he later came if.
• 32:43
  Speaker 2: He put merenda?
• 32:44
  Speaker 1: Yeah, he wrote merenda, unintentionally.
• 32:47
  Speaker 2: Unintentionally, right, for sure. But then he came back and said,
• 32:50
  Speaker 2: it was the broker, I apologize. What did he want
• 32:52
  Speaker 2: to say instead of merenda? I don't remember, he didn't
• 32:59
  Speaker 2: say it.
• 32:59
  Speaker 1: Wonderful, for sure. Then the broker said, snack. He said,
• 33:03
  Speaker 1: I don't get along with this wonderful.
• 33:05
  Speaker 2: Or deserves, I don't know, man.
• 33:06
  Speaker 1: It's good, man.
• 33:08
  Speaker 2: I prefer to mess with other guys.
• 33:10
  Speaker 1: Patan, we're together.
• 33:11
  Speaker 2: There it is.
• 33:14
  Speaker 1: Let Patan talk.
• 33:14
  Speaker 5: Let him talk. The life of Pedro Scubi. The guy
• 33:19
  Speaker 5: surfs a giant wave, wonderfully well.
• 33:21
  Speaker 1: He doesn't train, right?
• 33:21
  Speaker 5: He doesn't train, because he's Romário do Surf, and he's
• 33:24
  Speaker 5: really awesome. So he just goes there, surfs and is
• 33:27
  Speaker 5: world champion.
• 33:28
  Speaker 1: He has such cute children.
• 33:29
  Speaker 2: Beautiful, wonderful children.
• 33:31
  Speaker 5: There is a woman who will pamper him for the
• 33:33
  Speaker 5: rest of his life, that every man needs one of these.
• 33:35
  Speaker 2: To put you on the axis.
• 33:37
  Speaker 1: Do you think you need it?
• 33:38
  Speaker 2: You need it, man.
• 33:39
  Speaker 5: You need one of these. That will be good. You
• 33:42
  Speaker 5: will say, oh, your son's piolho. For you to say, oh, man,
• 33:46
  Speaker 5: it's true.
• 33:46
  Speaker 1: Staying prumando.
• 33:47
  Speaker 2: Staying prumando.
• 33:49
  Speaker 5: And then you see him justifying himself, it's very good.
• 33:52
  Speaker 5: And the kids are with Pioli because he plays too much.
• 33:55
  Speaker 5: But his part is full of brotuejo, it's because he's
• 33:57
  Speaker 5: from the beach.
• 33:57
  Speaker 1: He's from the beach, damn it.
• 34:00
  Speaker 2: He's from the forest, you know?
• 34:02
  Speaker 4: But I imagine that the guys see this gossip and laugh.
• 34:05
  Speaker 1: Like, oh man, full of problems. Who cares about the
• 34:09
  Speaker 1: worst of Pedro Scubi's son is kidding about this shit, right?
• 34:13
  Speaker 2: Man, we laugh, we, it's like that.
• 34:13
  Speaker 1: No, for sure. But you will enter in the comments.
• 34:15
  Speaker 1: But it came to earth.
• 34:16
  Speaker 2: You enter in the comments, it's there. Irresponsible. My God.
• 34:21
  Speaker 2: But I really like the tranquility of Pedro Scubi in
• 34:23
  Speaker 2: answering him. What kid didn't have a piolho?
• 34:26
  Speaker 1: It's true.
• 34:27
  Speaker 4: At the time I looked at this, I said, guys,
• 34:29
  Speaker 4: but piolho turned the table.
• 34:32
  Speaker 1: Put a meteorite on the kid's head. Scabies, scabies. Wrap
• 34:35
  Speaker 1: the kid's head, it's all right, damn it. Fuck it, man.
• 34:38
  Speaker 1: You know what I mean? Have you ever had piolho?
• 34:41
  Speaker 2: Man, no.
• 34:42
  Speaker 1: I've had piolho.
• 34:43
  Speaker 2: No, because my hair was shaved. It passes those thin hair,
• 34:46
  Speaker 2: like the hair that has two hair. Yes. But it's
• 34:48
  Speaker 2: just one.
• 34:49
  Speaker 1: It's one thinner like this and another like this.
• 34:52
  Speaker 2: More spaced, yes.
• 34:53
  Speaker 1: What? Metiolate. Metiolate, fuck. Pass the metiolate on the kid's head.
• 34:59
  Speaker 1: But that was.
• 34:59
  Speaker 2: Something else, huh? That was metiolate.
• 35:03
  Speaker 1: Metiolate?
• 35:05
  Speaker 2: Fuck, that's why I said, wow, I've never seen that.
• 35:08
  Speaker 2: You're metiolate. I'm metiolate. And then, man, I didn't even
• 35:15
  Speaker 2: lose the thread of the lie here. You have to
• 35:17
  Speaker 2: pass this hair on the kids' hair. Let's go, Pedro Scubi.
• 35:20
  Speaker 2: Look at the women that Pedro Scubi has already dated.
• 35:23
  Speaker 1: Lie.
• 35:23
  Speaker 2: Who? Dude, come on, Ali, it's his last wedding, right?
• 35:28
  Speaker 2: And in the middle of that, he finished too. Cíntia,
• 35:30
  Speaker 2: Cíntia is Pedro Scubi's ex-wife.
• 35:32
  Speaker 4: Pedro Scubi, if this falls on him, he'll say, okay.
• 35:34
  Speaker 4: Look at the guys talking. No, but we're talking with
• 35:37
  Speaker 4: respect and affection. And we're complimenting.
• 35:39
  Speaker 1: You, Pedro Scubi. You have a GTA life.
• 35:41
  Speaker 2: He dated Anitta for a month.
• 35:42
  Speaker 1: It must have been sensational.
• 35:45
  Speaker 2: A month is sensational. A month is top.
• 35:47
  Speaker 1: It's necessary to be happy.
• 35:49
  Speaker 2: A month you only live... And what do.
• 35:51
  Speaker 1: You live for a month, Mítico? I live inexplicably. The extraordinary.
• 35:57
  Speaker 1: A month with Anitta, he lived... And Anitta with him, okay?
• 36:01
  Speaker 2: Yes. Yes.
• 36:03
  Speaker 1: And vice versa. The two that did well there.
• 36:08
  Speaker 2: Here, here was where he... Bad Bum Bees Explanated.
• 36:12
  Speaker 1: He planted the bomb.
• 36:13
  Speaker 2: Luana Piovani.
• 36:15
  Speaker 1: And he launched three dolls there, right? Three, bro. To say, bro,
• 36:18
  Speaker 1: it's us. É nóis!
• 36:20
  Speaker 2: Irmão, mas vamos lá?
• 36:21
  Speaker 1: É nóis! Três bonecos é nóis! É nóis! É nóis!
• 36:25
  Speaker 2: É quem eu tô pensando?
• 36:27
  Speaker 1: Isis Valverde.
• 36:30
  Speaker 2: Mano, a Isis Valverde, irmão. Juro por Deus. Uma vez
• 36:33
  Speaker 2: eu entrei na farmácia, tinha um papelão dela lá. Eu falei, caralho, mano.
• 36:36
  Speaker 2: Essa mina é bonita, viado.
• 36:38
  Speaker 1: Ela é Isis Valverde. Não, parabéns. Essa eu não sabia.
• 36:42
  Speaker 1: Essa quem que é?
• 36:42
  Speaker 2: Hã?
• 36:46
  Speaker 1: Ah, tá, tá.
• 36:50
  Speaker 2: Os cara faz a arte e não sabe o nome
• 36:51
  Speaker 2: da mulher.
• 36:54
  Speaker 1: Amanda Beraldi. Como?
• 36:57
  Speaker 2: Amanda Beraldi. Amanda Beraldi.
• 36:59
  Speaker 1: Olha, olha. É o GTA, né, cara? Você entendeu? Menino namorador, surfista.
• 37:04
  Speaker 2: Só namorou lenda. Só namorou lenda, irmão. Ele é outra lenda.
• 37:11
  Speaker 4: E aí agora, cansado, não querendo mais bagunça, e tá
• 37:15
  Speaker 4: na dança dos famosos.
• 37:16
  Speaker 1: Dança dos famosos.
• 37:18
  Speaker 2: And who judged him yesterday was his ex-girlfriend, Anitta.
• 37:21
  Speaker 5: She said he was out of tune. She said he
• 37:25
  Speaker 5: didn't have.
• 37:26
  Speaker 1: Molejo.
• 37:27
  Speaker 2: Molejo, motor coordination.
• 37:29
  Speaker 4: Something like that. But if you play the famous dance, bro,
• 37:32
  Speaker 4: it's courage. I wouldn't have that courage because I don't
• 37:35
  Speaker 4: have that molejo.
• 37:36
  Speaker 2: What would Pedro Scooby deny? I told you. He's the
• 37:39
  Speaker 2: guy who takes everything, Mitch. He took having a show
• 37:41
  Speaker 2: on Podpah when no one had.
• 37:43
  Speaker 5: True.
• 37:44
  Speaker 1: And he represented Podpah.
• 37:45
  Speaker 2: He represented Podpah a lot. I'm a fan of him.
• 37:47
  Speaker 1: Thank you.
• 37:48
  Speaker 4: Podpah visited the first season with Skubi and it was sensational.
• 37:53
  Speaker 4: Because I remember he said, play any show I do.
• 37:56
  Speaker 2: And the guy lives in a GTA, right, man? Man,
• 38:01
  Speaker 2: he's sensational, man. I'm a fan.
• 38:04
  Speaker 1: And the people who don't know him, he's a good guy.
• 38:05
  Speaker 1: He's a good guy. The guy is calm.
• 38:07
  Speaker 4: Sometimes it leaked that his son was with Piolho.
• 38:10
  Speaker 1: He's like, oh, oh, man. Oh, man. He's with Piolho, right?
• 38:14
  Speaker 1: Send it here to the father.
• 38:15
  Speaker 2: Let's pass the paint on the children. He didn't even know,
• 38:18
  Speaker 2: my son. Damn, he was surfing.
• 38:19
  Speaker 1: He took Piolho in the sea. He took Piolho in
• 38:22
  Speaker 1: the sea, Pedrinho. His son, Donzinho. It's good, it's good.
• 38:25
  Speaker 1: He took it. Come here. Come here. A kiss. Pass
• 38:29
  Speaker 1: the paint. It's over. Solves the problem.
• 38:31
  Speaker 4: I think he solves the problem like this. Let's pass
• 38:34
  Speaker 4: the meteorite on the children.
• 38:35
  Speaker 2: Oh, I'm sorry, your son has his cinnamon hurt. Children, right?
• 38:39
  Speaker 4: It's good that he has his cinnamon hurt. He's doing art,
• 38:43
  Speaker 4: he's living, he's... I think Luana Piovani will be like this.
• 38:48
  Speaker 1: It's not possible. Now she must be like this, it's
• 38:51
  Speaker 1: not possible that he didn't have a shirt on Faustão, bastard.
• 38:56
  Speaker 4: Dad, look, dad without a shirt on TV Globo, bastard.
• 39:01
  Speaker 4: And my children with piolho, with their legs scratched. Go
• 39:04
  Speaker 4: fuck yourself, son.
• 39:06
  Speaker 1: Of a bitch.
• 39:07
  Speaker 2: Learning to surf.
• 39:08
  Speaker 1: Learning to surf there. Fucking profession of vagabond, macaueiro.
• 39:13
  Speaker 4: Macaueiro, macaueiro. E tá aí dançando na TV.
• 39:18
  Speaker 1: Vai se fuder.
• 39:19
  Speaker 6: E meu filho com 14 anos fez luzes.
• 39:26
  Speaker 1: Para! Para. Para.
• 39:20
  Speaker 6: I'm not crucifying one.
• 39:26
  Speaker 1: Or the other. I'm saying that a woman like Luana Piovani,
• 39:32
  Speaker 1: every man needs her in his life. To give that
• 39:43
  Speaker 1: open hand slap, right? Wake up, damn it!
• 39:45
  Speaker 2: Even more than me who likes it? Cut!
• 39:46
  Speaker 4: You're with Piolho, you're with Briga. Even more than me
• 39:48
  Speaker 4: who likes it? You're all fucked up.
• 39:50
  Speaker 2: If I wake up with my mother giving a slap
• 39:51
  Speaker 2: in my face, I'll say like this.
• 39:52
  Speaker 1: Hi, life.
• 39:53
  Speaker 2: I'm the continuation of the dream.
• 39:56
  Speaker 1: Uh-huh, uh-huh.
• 39:57
  Speaker 4: I want a Luana Piovani for my life, then.
• 40:00
  Speaker 2: Please.
• 40:01
  Speaker 1: That beats me.
• 40:03
  Speaker 4: No, no, I'm not saying Luana beats Pedro, right? But
• 40:06
  Speaker 4: instead of having coffee in bed... I wake up with
• 40:08
  Speaker 4: a sermon. with a wet towel right on the bed.
• 40:10
  Speaker 1: Wake up! What day is it? If you have a cramp,
• 40:12
  Speaker 1: if your underwear has a brake... Who's coming back? In October? Yeah, like,
• 40:19
  Speaker 1: you're always.
• 40:19
  Speaker 2: You're always.
• 40:20
  Speaker 1: Bothered by something, you know?
• 40:22
  Speaker 4: And sometimes you're like, man, I'm just fine, sleeping, wanting
• 40:25
  Speaker 4: to watch a movie, and the person is.
• 40:27
  Speaker 1: Cramp, you know? Piolho, man, seriously, if I had my
• 40:35
  Speaker 1: children and they had piolho, I would say, ah, Cezinha,
• 40:40
  Speaker 1: my son, ah, seriously, who's got piolho, son, holy shit, huh?
• 40:42
  Speaker 1: Let's take care of the boy's head. Stop having piolho.
• 40:46
  Speaker 2: You have to do it like my mom did with me.
• 40:47
  Speaker 1: What?
• 40:48
  Speaker 2: Until I was 16, I'd shave the boy's head. It's
• 40:50
  Speaker 2: always been shaved? It's horrible, man. It's horrible, it's horrible,
• 40:52
  Speaker 2: it's horrible, the nicknames, it's horrible, everything, it's horrible, you
• 40:56
  Speaker 2: don't have self-esteem. It's true, right? It's true, man.
• 41:00
  Speaker 1: Febem, it turns into Febem.
• 41:02
  Speaker 2: Look at Febem.
• 41:03
  Speaker 4: Until I was a kid, I had hair, but then
• 41:06
  Speaker 4: I shaved it too, because I was afraid of lice.
• 41:08
  Speaker 1: It's because I'm older, right? Who's older? The lice were a...
• 41:12
  Speaker 1: Piolho was a plague, bro. Nowadays, it's not so.
• 41:14
  Speaker 2: It's.
• 41:15
  Speaker 1: Because people say, oh, how disgusting, what, I don't know what.
• 41:18
  Speaker 4: No, bro, sometimes in the little school, there's a plague
• 41:21
  Speaker 4: of piolho there in the school.
• 41:22
  Speaker 1: Sometimes, when I was a kid, in my.
• 41:24
  Speaker 5: My teacher already took piolho from everyone.
• 41:27
  Speaker 4: Yeah, in the front class, no, in the front table,
• 41:29
  Speaker 4: the little girl in front of me had piolho. I
• 41:31
  Speaker 4: was seeing the piolho walking on her head.
• 41:34
  Speaker 1: For me, that was normal.
• 41:36
  Speaker 4: Nowadays, things have changed. But I don't think Piolho is
• 41:42
  Speaker 4: that relevant.
• 41:43
  Speaker 5: At home, there was a time when Isabela, poor thing,
• 41:45
  Speaker 5: got Piolho, right?
• 41:46
  Speaker 2: Isabela has a lot of hair, brother. It was sad, huh?
• 41:49
  Speaker 5: It was my grandmother and my mother, like this, an
• 41:51
  Speaker 5: open towel here on the lap. Isabela crying, lying on
• 41:54
  Speaker 5: the stairs.
• 41:54
  Speaker 2: Wow. And then my mother took it and gave it
• 41:57
  Speaker 2: to my grandmother.
• 41:57
  Speaker 1: My grandmother, hey, this is a ox.
• 41:58
  Speaker 2: It burst into the nail. This one is for feeding
• 42:01
  Speaker 2: the family. It's true, he said that.
• 42:03
  Speaker 1: Ox, these things. Wow, it looked like they were taking
• 42:06
  Speaker 1: off the carapace.
• 42:07
  Speaker 2: No, but this one is Lendia.
• 42:08
  Speaker 1: What is Lendia?
• 42:09
  Speaker 2: It's just the puppy.
• 42:10
  Speaker 1: It's true, man. What is this? It's absurd. And Virginia
• 42:13
  Speaker 1: and Vini Juno, huh? Look, man, you're... I'm updated.
• 42:17
  Speaker 2: I'm a babadeiro today.
• 42:18
  Speaker 1: It looks like they used... Intimate lubricant? No, that one
• 42:22
  Speaker 1: leaked in the Uber. Oh, but then, by the way... Speak.
• 42:26
  Speaker 2: Did you see this gossip that leaked from her Uber
• 42:29
  Speaker 2: friends in Madrid? I keep thinking, was this architected or
• 42:33
  Speaker 2: is this Uber so fucking satanistic to leak such a thing.
• 42:37
  Speaker 1: You know?
• 42:37
  Speaker 2: You can't doubt anything, right? That Uber is satanistic and
• 42:40
  Speaker 2: that it was architected.
• 42:41
  Speaker 1: Because we are living Black Mirror, man.
• 42:42
  Speaker 2: Or they are both things.
• 42:43
  Speaker 1: People want to be in the media at any cost.
• 42:45
  Speaker 4: If it's to leak here, I'm using buckets and buckets
• 42:48
  Speaker 4: of lubricant, fuck it, they're talking about me. And if
• 42:54
  Speaker 4: I sell lubricants, fuck it, I'm here twice, look. They're
• 42:58
  Speaker 4: saying that I use lubricant and they're going to buy
• 43:00
  Speaker 4: the fuck out of my lubricant.
• 43:01
  Speaker 5: Who's not going to want to use the lubricant that
• 43:02
  Speaker 5: Vivi Bora uses?
• 43:04
  Speaker 1: Fuck! You're crazy. You use.
• 43:07
  Speaker 2: Lubricants?
• 43:08
  Speaker 6: No.
• 43:08
  Speaker 2: I don't need them. I'm very wet. What a nice guy.
• 43:10
  Speaker 1: Sorry. No, but then... I'm just continuing with the photo. No,
• 43:14
  Speaker 1: but I have one at home. Cimedão gave it to me.
• 43:16
  Speaker 2: Yeah, I have those from Cimed. Cimedão gave me two lubricants.
• 43:19
  Speaker 1: I said, ouch. It's good. Do you want to give
• 43:20
  Speaker 1: me the rugoso?
• 43:21
  Speaker 2: But if you get excited, it gets.
• 43:27
  Speaker 1: It gets too slippery, right?
• 43:28
  Speaker 4: If you use too much lubricant, if you lose your hand,
• 43:30
  Speaker 4: it gets slippery, but you have to put it on.
• 43:32
  Speaker 1: Do you think João Adib uses Cimed's lubricant? For sure.
• 43:34
  Speaker 1: He must put it on him.
• 43:35
  Speaker 2: For sure. He looks like Lula Molusco, from Queixinho.
• 43:47
  Speaker 1: It looks like it, man.
• 43:50
  Speaker 2: It looks like it. It looks like it. He walks
• 43:52
  Speaker 2: up and makes the sound of rubber. It's that man,
• 43:55
  Speaker 2: he's all assembled, right? He is, man. I sometimes follow
• 43:58
  Speaker 2: him on stories. I see there. I woke up at
• 44:00
  Speaker 2: 6 o'clock. 6 and 2, brushing my teeth. 6 and 4,
• 44:01
  Speaker 2: on the plane. 6 and 6, I'm in Arabia. And
• 44:03
  Speaker 2: 6 and 9, I'm in Spain.
• 44:05
  Speaker 1: 4 palestras. Viu Toguro.
• 44:07
  Speaker 2: And I don't know what, I don't know what there.
• 44:09
  Speaker 1: Launched the product. That's it.
• 44:10
  Speaker 2: 11 hours to rest, because I don't open my family's hands.
• 44:14
  Speaker 4: Then 5 hours in the morning, everything again. I respect,
• 44:19
  Speaker 4: but I can't be growing. I always said, I don't
• 44:23
  Speaker 4: focus on being these crazy businessmen.
• 44:25
  Speaker 5: Did you find Virgina's clothes at the GP of Spain,
• 44:28
  Speaker 5: Formula 1?
• 44:29
  Speaker 4: I thought she wanted to cause an impact. She said,
• 44:31
  Speaker 4: go everyone from Terninho. Do you know Terninho do Didi?
• 44:36
  Speaker 4: with the high shoulder pads.
• 44:38
  Speaker 1: She said, I.
• 44:39
  Speaker 4: Want you to fuck off, I'm training, I'm with a
• 44:42
  Speaker 4: glute of the size of this table, I want everyone
• 44:44
  Speaker 4: to understand the thing.
• 44:45
  Speaker 2: She was from, I don't know, Speed Run, right?
• 44:49
  Speaker 1: It was, it was Motocross, right?
• 44:52
  Speaker 4: It was Motocross and the thing was Formula 1, but
• 44:54
  Speaker 4: she wants you to fuck off.
• 44:57
  Speaker 1: Say it well or say it badly, but say it
• 45:00
  Speaker 1: from Goiânia.
• 45:00
  Speaker 4: Say it from me, damn it. Say it from me.
• 45:03
  Speaker 4: Say it from me.
• 45:04
  Speaker 1: Say it from me.
• 45:04
  Speaker 2: The clothes I've seen, the lubricant I use, the mask
• 45:08
  Speaker 2: I take.
• 45:10
  Speaker 1: My children. Imagine, man, Virginia. Like, damn it, everything I say,
• 45:14
  Speaker 1: everything I do, they talk about me. What a hell,
• 45:17
  Speaker 1: what a bullshit. What a hell, right?
• 45:19
  Speaker 2: Everything I say, they talk about me. You're recording 24 hours,
• 45:22
  Speaker 2: damn it.
• 45:22
  Speaker 1: Let's talk.
• 45:22
  Speaker 2: É verdade, né? É, sim.
• 45:27
  Speaker 1: Ela busca isso.
• 45:28
  Speaker 4: Mas eu imagino que ela deve ter uma psicóloga do caralho.
• 45:33
  Speaker 1: Porque essa mulher.
• 45:34
  Speaker 4: Porque às vezes a gente cai em umas polêmicas tão merda,
• 45:36
  Speaker 4: que às vezes eu até me afeto, que eu falo.
• 45:39
  Speaker 1: Some are competing for life, some are stupid.
• 45:41
  Speaker 4: And sometimes it affected me, right? Today it doesn't affect
• 45:45
  Speaker 4: me that much. But imagine her, man. They talk about
• 45:47
  Speaker 4: the male, they talk about life, they talk about themselves,
• 45:51
  Speaker 4: they talk about her store, they talk about her gym,
• 45:52
  Speaker 4: they talk about everything that the woman says. If she
• 45:55
  Speaker 4: doesn't have a psychological support, Well, she must be crazy.
• 46:00
  Speaker 5: But I think maybe she's more prepared for that, because,
• 46:02
  Speaker 5: as we were talking, she knows that this is going
• 46:03
  Speaker 5: to happen. Unlike in our lives, when something happens, we're like, damn,
• 46:07
  Speaker 5: that turned into all this. Now, if she's already doing, like,
• 46:11
  Speaker 5: I know this outfit is going to cause, I don't
• 46:14
  Speaker 5: think she's going to shake a muscle in her face.
• 46:17
  Speaker 2: She's going to be.
• 46:21
  Speaker 2: I'm happy that my strategy worked. Because I'm seeing a
• 46:24
  Speaker 2: lot of this happening.
• 46:26
  Speaker 4: I wanted to ask, how does it work, Virginia? When
• 46:29
  Speaker 4: you see Léo Dias, Léo Dias, no, because now they're fighting,
• 46:32
  Speaker 4: but when you see the comments on the internet, you
• 46:35
  Speaker 4: just open the news, you read the comments, you don't read.
• 46:38
  Speaker 2: Did you see Léo Dias talking about her? Did you
• 46:40
  Speaker 2: see Léo Dias talking about her?
• 46:41
  Speaker 1: They're fighting, right?
• 46:43
  Speaker 2: Because he said, I'm going to talk about her. And
• 46:45
  Speaker 2: he also, every time he talks about Anitta, it seems
• 46:46
  Speaker 2: like he pays a fine.
• 46:48
  Speaker 1: 40 mil. 40 mil.
• 46:48
  Speaker 2: And he's not even there, he's talking about her directly.
• 46:50
  Speaker 2: And did you see what he said to Virginia? That
• 46:53
  Speaker 2: he will soon announce her prison. I'm crazy, but I
• 47:00
  Speaker 2: think I saw that.
• 47:01
  Speaker 1: Man, babado. Babado demais, gente. O Leo Dias, satânico total, né? Satânico, satânico.
• 47:09
  Speaker 2: It's just his job, he said.
• 47:13
  Speaker 4: I would talk to Leo Dias, but I'm afraid of
• 47:15
  Speaker 4: what he would say here, bro.
• 47:16
  Speaker 2: I also have, bro.
• 47:18
  Speaker 1: He would stay here like.
• 47:19
  Speaker 2: I think Leo Dias is cool. If he wants to
• 47:20
  Speaker 2: know about the current, he would say, my God, I want,
• 47:23
  Speaker 2: but I'm afraid that you know everything.
• 47:24
  Speaker 1: How is he.
• 47:25
  Speaker 2: He is pact, bro.
• 47:26
  Speaker 1: He makes pact with the guys. He knows.
• 47:29
  Speaker 2: How is he that he knows... But I think.
• 47:31
  Speaker 1: I think that the famous ones themselves send messages to them. Ah,
• 47:35
  Speaker 1: this must have too. Right? For him to know, sometimes,
• 47:38
  Speaker 1: the details that happen in the house....
• 47:42
  Speaker 4: It's like, it's a trade, man, because we don't realize
• 47:45
  Speaker 4: the work of Léo Dias, okay?
• 47:47
  Speaker 1: The number that this guy does.
• 47:49
  Speaker 4: We don't realize it, we just think about the gossip,
• 47:52
  Speaker 4: the gossip itself. But what does Léo Dias add to
• 47:55
  Speaker 4: the life of the famous?
• 47:56
  Speaker 1: Famous. What does he add? Fuck, every day, media, comment, gossip,
• 48:00
  Speaker 1: sometimes random gossip, just to.
• 48:04
  Speaker 1: Just to engage. Virginia farted. Take it.
• 48:09
  Speaker 4: The algorithm already understands that this person likes this fart.
• 48:13
  Speaker 2: So I'm going.
• 48:14
  Speaker 4: To push more Virginias and more Virginias. And Leo Dias
• 48:17
  Speaker 4: keeps feeding this. So, whether you like it.
• 48:19
  Speaker 1: Or not, Leo Dias.
• 48:20
  Speaker 4: It's a very strong tactic for those who are celebrities
• 48:25
  Speaker 4: to keep themselves in the media. Because, whether you like
• 48:29
  Speaker 4: it or not, those who follow Leo Dias want to see.
• 48:33
  Speaker 1: This kind of news.
• 48:34
  Speaker 4: If Virginia is using lubricant, if Pedro Scubi is messing
• 48:39
  Speaker 4: with Piolho's car. So Leo Dias must have top 5
• 48:43
  Speaker 4: people there that he gets.
• 48:46
  Speaker 4: Posting and giving life to these people, and these people
• 48:49
  Speaker 4: feed Leo Dias.
• 48:50
  Speaker 2: Ah, but today all this has become a business, right, bro?
• 48:54
  Speaker 2: It costs, right?
• 48:56
  Speaker 4: But Leo Dias is very powerful, bro. I'm saying, he
• 48:58
  Speaker 4: is essential for these people, you know? And it seems
• 49:02
  Speaker 4: that people use... Oh, the lawyer Leo Dias.
• 49:05
  Speaker 1: People use Leo Dias.
• 49:08
  Speaker 4: when they are under celebrities or something like that. And
• 49:12
  Speaker 4: when it explodes, you say, no, I don't want it anymore.
• 49:15
  Speaker 4: I don't want you to talk about my life. Leo
• 49:17
  Speaker 4: Dias must be like this.
• 49:18
  Speaker 1: It's hard. You kept sending me the conversations, the things,
• 49:23
  Speaker 1: and I posted it.
• 49:23
  Speaker 5: I feel that Leo Dias at home must be peak
• 49:27
  Speaker 5: war when he's playing.
• 49:28
  Speaker 2: He moves the pieces, the Virginias, the Deolanes. He's like,
• 49:31
  Speaker 2: I made you.
• 49:32
  Speaker 1: I made this one too.
• 49:38
  Speaker 2: But I'll destroy it if I want to! For sure, man.
• 49:43
  Speaker 1: He stays in that game, like.
• 49:44
  Speaker 2: There's a map, there's a bunch of people... And he.
• 49:49
  Speaker 1: Must know about everything. Bro, talking to.
• 49:52
  Speaker 2: Him must be awesome. What he explains is.
• 49:54
  Speaker 1: What he can. Perante a lei, perante as coisas. Mas
• 49:59
  Speaker 1: o que ele deve saber... E.
• 50:01
  Speaker 5: O que ele explana também é o que ele pode
• 50:04
  Speaker 5: explanar que vai dar um probleminha, mas tá tudo bem.
• 50:08
  Speaker 5: Porque deve ter coisas catastróficas que esse cara deve saber, viado.
• 50:12
  Speaker 1: Muito.
• 50:12
  Speaker 2: Catastróficas. Muito, e é isso que faz ele também ter respeito.
• 50:16
  Speaker 2: Será que tem famosos... Você.
• 50:18
  Speaker 4: Fica de boca, senão eu vou contar lá que você
• 50:20
  Speaker 4: fez aquela coisa lá.
• 50:21
  Speaker 2: Isso que eu ia falar, será que tem famosos, famosos
• 50:23
  Speaker 2: que comem na mão do Léo Dias?
• 50:25
  Speaker 1: Com certeza, mano. For sure. For sure. This guy must
• 50:29
  Speaker 1: know a lot of things.
• 50:31
  Speaker 4: Because then I also imagine that people feed him with
• 50:34
  Speaker 4: things from my own life. But also for me to
• 50:37
  Speaker 4: have a good relationship with Leo Dias, for him not
• 50:39
  Speaker 4: to talk shit about my life, I also give the
• 50:41
  Speaker 4: lives of other people. So, like, I'm your friend, Leo.
• 50:44
  Speaker 4: Look what happened in the life of this guy.
• 50:45
  Speaker 1: Is there a gossip negotiation?
• 50:47
  Speaker 2: Like, don't talk about my life. I know one of
• 50:48
  Speaker 2: the mythicals, let him go.
• 50:55
  Speaker 6: Yeah, man.
• 50:56
  Speaker 1: Then Léo Dias says, okay, you've become my informant.
• 50:59
  Speaker 6: Wow.
• 50:59
  Speaker 2: So help me help you. I don't fuck you. You
• 51:01
  Speaker 2: can spread your bet. You can do your stuff, but
• 51:03
  Speaker 2: hand me over here.
• 51:04
  Speaker 1: Hand me over. What are the next jokes? Because Léo
• 51:06
  Speaker 1: Dias needs news, man.
• 51:07
  Speaker 4: The street underworld is like this.
• 51:09
  Speaker 3: How?
• 51:18
  Speaker 2: Favores. Fica devendo alguns favores. Faz isso aqui pra mim. Entendeu?
• 51:23
  Speaker 1: Ah, mano.
• 51:24
  Speaker 2: Muito louco. Isso aí deve rolar muito, viado.
• 51:26
  Speaker 1: Deve. Nossa.
• 51:28
  Speaker 2: Deus me livre. Deixa pra lá. E o Sérgio Handiakoffis?
• 51:31
  Speaker 1: Tá na Fazenda.
• 51:32
  Speaker 4: Vocês conseguiram colocar os participantes da Fazenda aí?
• 51:36
  Speaker 1: Boa. Vamos falar? Porque pra quem não sabe, Sérgio na Cabeção.
• 51:44
  Speaker 2: Serginho da Malhação tá no... Serginho da Cabeção... Tá na
• 51:49
  Speaker 2: Malhação da Fazenda. Tá na Malhação da Fazenda, caralho. Mentira, mentira.
• 51:53
  Speaker 5: Mítico, eu vou te ler as pessoas e você vai
• 51:56
  Speaker 5: falar assim, o que você acha que elas são, o
• 51:59
  Speaker 5: que que fazem?
• 52:00
  Speaker 1: Tá.
• 52:00
  Speaker 5: E aí depois a gente vê o que elas fazem ali, mas, cara.
• 52:03
  Speaker 1: Você também vem comigo. Tá bom.
• 52:04
  Speaker 2: Ana Bruna Ávila. É.
• 52:10
  Speaker 1: Tik Toker. Tipo, se eu sou careca. Tá bom.
• 52:13
  Speaker 2: Adriana Ribeiro.
• 52:15
  Speaker 1: Reporter.
• 52:16
  Speaker 2: Is it Adriana do.
• 52:18
  Speaker 1: A Rapaziada? That's what I was going to say. No,
• 52:20
  Speaker 1: it's not. It's her! Is it Adriana da Rapaziada?
• 52:22
  Speaker 2: Because when I read it, it seems, right? If it's
• 52:24
  Speaker 2: Adriana da Rapaziada, she's Zica.
• 52:26
  Speaker 1: She's Zica. Is it really her? Let's vote for her.
• 52:30
  Speaker 2: She's in front of me.
• 52:31
  Speaker 1: This is crazy.
• 52:32
  Speaker 2: Alfredo Amaral.
• 52:34
  Speaker 1: Alfredo Amaral. Wow. Must be.
• 52:37
  Speaker 2: Influencer of agronomy.
• 52:39
  Speaker 1: And must sing Dodie Hunt.
• 52:43
  Speaker 2: Ariela Carrasso.
• 52:44
  Speaker 1: Yeah. Model.
• 52:50
  Speaker 2: Caterine Bascoy. Influencer. Influencer. Darlene Ferratri.
• 52:55
  Speaker 1: Singer. I have this thing in my head. She's a singer.
• 52:58
  Speaker 2: And singer is like from Pará, you know?
• 53:00
  Speaker 1: That's it. Don't stop, come here, give me your love,
• 53:04
  Speaker 1: I want you to feel it all. This emotion.
• 53:07
  Speaker 2: Daniel Ertal.
• 53:08
  Speaker 1: I know he was an actor, and then he sold
• 53:10
  Speaker 1: beer in.
• 53:12
  Speaker 4: He sells beer there in Rio de Janeiro, I swear
• 53:16
  Speaker 4: to you.
• 53:16
  Speaker 1: He sells beer there.
• 53:18
  Speaker 2: Eduardo Abraão.
• 53:20
  Speaker 1: Model.
• 53:21
  Speaker 2: Looks like, I don't know, a socialite.
• 53:23
  Speaker 1: That's it, like Val Marchiori.
• 53:25
  Speaker 2: That's it, I remembered her. Fran Grossi.
• 53:29
  Speaker 1: Model.
• 53:32
  Speaker 2: Gabriel Torres.
• 53:33
  Speaker 1: That's it, man. Ex-dominó, I don't know. Ex-fazenda. He's in
• 53:41
  Speaker 1: the farm.
• 53:43
  Speaker 2: Giovanna Gold.
• 53:45
  Speaker 1: Journalist.
• 53:46
  Speaker 2: Bruna Gold, damn it!
• 53:49
  Speaker 1: Igor Maués.
• 53:50
  Speaker 2: A quality photo of the man was missing to help
• 53:53
  Speaker 2: the guy, right, bro? It's already cool, Igor Maués! They
• 53:57
  Speaker 2: sent a cool photo for you to post so we
• 54:00
  Speaker 2: know who you are.
• 54:01
  Speaker 1: Igor Maués!
• 54:02
  Speaker 2: And Jonathan Faro.
• 54:04
  Speaker 1: Son of Rodrigo Faro. He's an actor. JP.
• 54:08
  Speaker 4: Monster, MC, that now is from God.
• 54:10
  Speaker 1: Gospel.
• 54:11
  Speaker 5: And he came in there to cry, to say that.
• 54:15
  Speaker 2: He came in to... He said to pay the debt
• 54:18
  Speaker 2: of the funk.
• 54:19
  Speaker 1: Yeah, man. And to talk about God in the farm.
• 54:22
  Speaker 2: Yeah.
• 54:22
  Speaker 1: Come on, JP, we're with you, huh? Me and God.
• 54:25
  Speaker 2: Lucas Bisoli. This one was from BBB, wasn't it?
• 54:28
  Speaker 5: There are people who live in this, right? But with
• 54:31
  Speaker 5: this photo, I think he's kind of a psychopath. This photo, ventriloquist-psychopath,
• 54:36
  Speaker 5: doesn't it look like?
• 54:37
  Speaker 1: He looks like a madman. Mayara Charkin.
• 54:41
  Speaker 2: Mayira Charkin. I have no idea.
• 54:44
  Speaker 1: Who it is. Model. Mike Leão. Man, it's the satanist there.
• 54:49
  Speaker 1: From the ET there, damn it. It's the ET. Satanist.
• 54:55
  Speaker 2: Mônica Fonseca. Oh.
• 54:58
  Speaker 1: Calm down, you jumped fast, Mike Leão. Calm down. Mike Leão.
• 55:04
  Speaker 2: The guy just saw an ovni, which is a lie.
• 55:07
  Speaker 2: He lied to everyone.
• 55:09
  Speaker 1: Guys, look at ET.
• 55:10
  Speaker 2: He came to Fazenda, you.
• 55:12
  Speaker 1: Mônica Fonseca.
• 55:13
  Speaker 2: Mike Leão didn't deny it until today, right? No.
• 55:17
  Speaker 1: But look what he added to his life. He's in
• 55:19
  Speaker 1: the fucking Fazenda, fuck.
• 55:23
  Speaker 2: Mônica Fonseca.
• 55:25
  Speaker 1: Model. Model... I know her. Do you know her?
• 55:28
  Speaker 2: Do you really know her?
• 55:32
  Speaker 1: Murilo Dias. Calm down. No, I know good people. Mônica,
• 55:37
  Speaker 1: she was.
• 55:37
  Speaker 2: The presenter? Yes. Of Record?
• 55:41
  Speaker 1: Yes. I see. Murilo Dias. No, but it's good. I
• 55:47
  Speaker 1: only know... You know her well. I know, I know.
• 55:50
  Speaker 2: But you know her from close?
• 55:51
  Speaker 1: I know... No. Murilo Dias. Yes. Modelo.
• 55:56
  Speaker 2: Renata Delbianco.
• 55:59
  Speaker 1: Modelo.
• 56:00
  Speaker 2: René Tristan.
• 56:02
  Speaker 1: Nome foda. René Tristan, caralho. René Tristan. He's always sad.
• 56:09
  Speaker 1: He's sad. He's Tristan. Go fuck yourself, René, fuck.
• 56:14
  Speaker 2: Ricardo Negro.
• 56:16
  Speaker 1: Modelo.
• 56:18
  Speaker 2: Serginho Rondiakoff.
• 56:19
  Speaker 1: Monster. Give a shit about him there.
• 56:22
  Speaker 5: He came, broke his foot, then suddenly he arrived, I'm
• 56:25
  Speaker 5: not kidding, like this, in the middle of a bunch
• 56:27
  Speaker 5: of people, and he.
• 56:28
  Speaker 2: Man, guys, I almost fucked my foot here, I don't
• 56:29
  Speaker 2: know what, I don't know what there, guys.
• 56:31
  Speaker 1: Nice, Darius.
• 56:31
  Speaker 5: He kept doing his thing, no one calls Serginho in there.
• 56:33
  Speaker 1: But they talked, it's good to inform, very cool here,
• 56:38
  Speaker 1: for you who are connected in the farm. First day
• 56:42
  Speaker 1: of the head of the maniação in the farm, he
• 56:44
  Speaker 1: was already considered favorite. The crazy. Because people started to
• 56:48
  Speaker 1: turn their backs on him and ignore him. And he's
• 56:51
  Speaker 1: a cool person. Everyone started to feel sorry for him.
• 56:54
  Speaker 1: Everyone started to say, but this one is an artist.
• 56:58
  Speaker 1: He's a real actor. You need to value the big head.
• 57:02
  Speaker 1: He's a monster.
• 57:02
  Speaker 2: He's a monster.
• 57:03
  Speaker 4: And then he's already got a big crowd since the
• 57:07
  Speaker 4: beginning of Fazenda.
• 57:08
  Speaker 2: Did you see when Charlie Brown played at the first party?
• 57:11
  Speaker 1: I saw.
• 57:12
  Speaker 4: I saw you thinking about changing me.
• 57:15
  Speaker 2: This song is mine.
• 57:16
  Speaker 1: Without leaving you behind. Yeah!
• 57:19
  Speaker 2: But you have to move your head a lot. I
• 57:20
  Speaker 2: decided to think about us. Yeah! I'll take you away
• 57:24
  Speaker 2: from here. I'll take you away.
• 57:28
  Speaker 1: Yeah! I'll take you away from here.
• 57:32
  Speaker 5: There are several songs that the guys are talking about
• 57:34
  Speaker 5: Charlie Brown and such. I can go into a vesper now, Mítico.
• 57:39
  Speaker 1: Say it.
• 57:39
  Speaker 5: But there are many songs that the guys say that
• 57:41
  Speaker 5: Charlie Brown took from other bands of rock and.
• 57:44
  Speaker 2: You know, when I steal the flow.
• 57:47
  Speaker 1: Really? I wasn't thinking about that. It's okay.
• 57:51
  Speaker 2: You're going to hand it over to the guys? The
• 57:53
  Speaker 2: guys aren't the ones who can defend themselves anymore. Not
• 57:55
  Speaker 2: all of them, right?
• 57:56
  Speaker 1: No, but.
• 57:56
  Speaker 2: I'm not saying that this is wrong, man. I'm just
• 57:59
  Speaker 2: saying that... It happens, right? It happens.
• 58:00
  Speaker 1: Sometimes it happens. Man, I'm going to want to know
• 58:03
  Speaker 1: more about this, because I'm a huge fan... Ah, I saw.
• 58:06
  Speaker 2: Charlie Brown. What's his name? Rick Bonadio defending. I said, man... Okay,
• 58:10
  Speaker 2: there are some songs there... He kind of takes it
• 58:13
  Speaker 2: easy and says... But his expertise is.
• 58:16
  Speaker 2: Say what they said, rhyme what they rhymed, communicate what
• 58:20
  Speaker 2: they communicated. Ah, I also agree.
• 58:22
  Speaker 1: No, no, but I like this information, I'll go back,
• 58:24
  Speaker 1: I want to know.
• 58:24
  Speaker 2: Please.
• 58:25
  Speaker 1: Because their songs are too good for me.
• 58:26
  Speaker 2: We're together, you know, Sérgio Rodiakoff.
• 58:29
  Speaker 1: Stephanie Gomes. Stephanie Gomes. Model.
• 58:33
  Speaker 2: Tina Calamba.
• 58:34
  Speaker 1: Model.
• 58:34
  Speaker 2: It's the one who was a partner of Guimê, right, bro?
• 58:36
  Speaker 1: There, from BBB?
• 58:37
  Speaker 2: Yeah. She's Angolan, isn't she? I think so.
• 58:40
  Speaker 1: E o... E o Taíde. Good. Tide is like a
• 58:44
  Speaker 1: projota like that, right?
• 58:46
  Speaker 5: I just saw him giving a... already exchanging ideas with
• 58:50
  Speaker 5: a girl there.
• 58:51
  Speaker 2: Made a joke with him there. I don't know what
• 58:52
  Speaker 2: joke it was.
• 58:54
  Speaker 1: He just said like.
• 58:55
  Speaker 2: Don't do that. Don't do that with me.
• 58:57
  Speaker 1: I have daughters and a wife. Fuck. I said, fuck, dude. Okay,
• 59:02
  Speaker 1: let's list... What will be the top 3 of this farm?
• 59:05
  Speaker 2: I wanted my top 3 to be... Sergio Rondiakoff champion
• 59:08
  Speaker 2: Mike Leão vice champion and from the heart.
• 59:14
  Speaker 5: Adriana is the girl I'm a big fan of her
• 59:19
  Speaker 5: for me Sergio Rondiakoff top.
• 59:23
  Speaker 2: 1 Mike Leão top 2 Satanic.
• 59:28
  Speaker 5: And he, all the time, saying like this, Man, it's serious,
• 59:32
  Speaker 5: people don't believe it, but I really saw ZT.
• 59:35
  Speaker 1: Okay, Mike Leão. Is he saying this there in the farm?
• 59:37
  Speaker 2: For sure he must be, man.
• 59:39
  Speaker 4: Man, if I were the director of the farm, I
• 59:41
  Speaker 4: would make an OVNI flying there, for him to be like.
• 59:44
  Speaker 1: Man, look there, I know. And he says that ZT
• 59:47
  Speaker 1: follows him.
• 59:48
  Speaker 2: Follow you, for fuck's sake, Mike Leão, fuck.
• 59:52
  Speaker 1: Ahn... And Daniel Ertal.
• 59:55
  Speaker 4: Because he was selling beer there in Rio de Janeiro.
• 59:59
  Speaker 4: And he was all Globo. Then he went to Record.
• 1:00:03
  Speaker 4: And then he sells beer at Globo.
• 1:00:05
  Speaker 1: It's serious. And then I wanted to strengthen this guy there.
• 1:00:09
  Speaker 4: So if it's not Serginho Cabeção, Daniel Ertal will win
• 1:00:13
  Speaker 4: the farm.
• 1:00:14
  Speaker 1: JP, let's judge then. Ana Bruna Ávila... Vai ganhar seguidor,
• 1:00:22
  Speaker 1: vai começar a trabalhar com o modelo.
• 1:00:23
  Speaker 2: Olha lá, sou seu careca mais velha.
• 1:00:25
  Speaker 1: Tá. Adriana, rapaziada, já tem uma carreira brilhante por aí.
• 1:00:29
  Speaker 1: Uma cantora excelentíssima. Puta, se você não me escutou.
• 1:00:32
  Speaker 2: Dá pra passar um por um mesmo?
• 1:00:33
  Speaker 1: O Alfredo, já era. Não, deixa pra lá. Ariel.
• 1:00:38
  Speaker 2: Deixa pra lá.
• 1:00:38
  Speaker 1: Catarina.
• 1:00:40
  Speaker 2: Deixa pra lá.
• 1:00:42
  Speaker 1: Aí, ó.
• 1:00:42
  Speaker 4: Só sobrou o Daniel Ertal. O Mike Leão Serginho Honjakoff.
• 1:00:49
  Speaker 4: I think they are.
• 1:00:50
  Speaker 1: Also Ricardo Negro. I think he's cool, very interesting. Tina Calamba. There, look.
• 1:00:56
  Speaker 1: It looks like Cebolinha talking to her. Tina Calamba. But also, Taíde,
• 1:01:01
  Speaker 1: we're with you. Now, René Tristan. Who fucked up?
• 1:01:11
  Speaker 2: Did Daniel already shit himself? Daniel Hurtal?
• 1:01:13
  Speaker 1: No, Daniel Hurtal was drinking beer. Ricardo Negro. No, no, no.
• 1:01:16
  Speaker 2: Daniel Hurtal already shit himself in the white room.
• 1:01:20
  Speaker 1: Ricardo Negro.
• 1:01:21
  Speaker 2: Calm down. Did Ricardo Negro shit himself, Daniel Hurtal? Did
• 1:01:26
  Speaker 2: Ricardo Negro shit himself? Ricardo Negro shit himself.
• 1:01:29
  Speaker 4: In the white room. Look, that's why I'm not going
• 1:01:32
  Speaker 4: to a thing.
• 1:01:33
  Speaker 2: Look, look, what a shitty news. Look, look, look what
• 1:01:34
  Speaker 2: people know about Ricardo Negro. He shit himself. He shit
• 1:01:38
  Speaker 2: himself in the farm. What a shitty news, man. Foi
• 1:01:42
  Speaker 2: no BBB? No quarto branco do BBB o Ricardo Negro
• 1:01:47
  Speaker 2: se cagou.
• 1:01:47
  Speaker 1: Olha porque ele ficou famoso!
• 1:01:49
  Speaker 2: Ah, vai se fuder.
• 1:01:51
  Speaker 1: Então ele vai entrar no meu top 3, rapaziada. He's
• 1:01:54
  Speaker 1: going to be in my top 3.
• 1:01:56
  Speaker 2: Dude, if Dudu Camargo already won a farm... Who fucked up?
• 1:01:58
  Speaker 2: There's another fucker who's going to win too.
• 1:02:00
  Speaker 4: Man, Ricardo Negro, he became famous for fucking up in BBB, man.
• 1:02:04
  Speaker 4: You're in the top 3 now. Take Mark Leão, fuck it. So,
• 1:02:10
  Speaker 4: Serginho Hanjokoff, Ricardo Negro and Daniel Hurtado, for me, top 3.
• 1:02:14
  Speaker 1: What's your top 3? You're from home, tell me. I'm curious,
• 1:02:18
  Speaker 1: because look at this weight list. Weight list, look.
• 1:02:23
  Speaker 2: Let's talk about Fiuk?
• 1:02:25
  Speaker 1: Let's. Fuck, I was crazy to talk about Fiuk.
• 1:02:27
  Speaker 2: Let's talk about Fiuk? Talk straight, man.
• 1:02:29
  Speaker 4: Fiuk, no, calm down, before we talk about him, he
• 1:02:33
  Speaker 4: was in third place at BBB, and I think Podpah
• 1:02:35
  Speaker 4: was one of the great influencers of that, because we
• 1:02:38
  Speaker 4: made a campaign for Fiuk to stay, for Fiuk to win,
• 1:02:42
  Speaker 4: we did... I wanted to take a blood bag, a
• 1:02:45
  Speaker 4: lunch for Fiuk, Fiuk was sad at BBB, he was
• 1:02:48
  Speaker 4: standing still, and we were always here motivating him.
• 1:02:52
  Speaker 1: So I also want to open a campaign.
• 1:02:55
  Speaker 4: Before we conclude, to conclude in fact, open a campaign
• 1:03:00
  Speaker 4: for Serginho da Cabeça.
• 1:03:03
  Speaker 1: Serginho da Amaliação to win the farm.
• 1:03:06
  Speaker 2: I hope so, please.
• 1:03:08
  Speaker 1: We are fans here. Last time we did a campaign
• 1:03:10
  Speaker 1: for Dudu, okay? Dudu's fan club was all saying, hey,
• 1:03:13
  Speaker 1: you're not going to take Dudu? Where's Dudu? Dudu didn't come. Unjustified.
• 1:03:16
  Speaker 2: Unjustified. What was the name of Dudu's fan? Fezes? It's the....
• 1:03:24
  Speaker 1: Cocoses?
• 1:03:25
  Speaker 2: I don't remember. Cagaders? I don't remember, but it was
• 1:03:28
  Speaker 2: a thing.
• 1:03:28
  Speaker 1: It was a thing like that. Dudu was a genius.
• 1:03:31
  Speaker 2: Fiuk. Né, pô, baby dos mais brabo. Ah, não, a
• 1:03:36
  Speaker 2: Glória Pires não é mãe dele, né?
• 1:03:38
  Speaker 1: No.
• 1:03:39
  Speaker 2: But he's a Nepo Baby.
• 1:03:41
  Speaker 1: But he's the son of Júnior.
• 1:03:44
  Speaker 5: Of Fábio Júnior, damn it. Nepo Baby bravo. He's indebted.
• 1:03:50
  Speaker 5: He said he has a debt of how much? The
• 1:03:54
  Speaker 5: guys said it was almost R $ 70,000. But I
• 1:03:55
  Speaker 5: don't know if it's just that.
• 1:03:58
  Speaker 2: Because Fiuk, R $ 70,000, he can.
• 1:03:59
  Speaker 1: R $ 58,000. R $ 58,000.
• 1:04:00
  Speaker 2: It's not just that, man.
• 1:04:01
  Speaker 1: R $ 58,000, he pays. He sells a Del Rey
• 1:04:02
  Speaker 1: and he fixes it. It's not possible, man.
• 1:04:04
  Speaker 4: No, we're not... I saw the guys on the internet talking...
• 1:04:07
  Speaker 4: Look there, Igor and Mítico diminishing, saying that this is nothing.
• 1:04:11
  Speaker 1: We're talking... For Fiuk? For Fiuk, fuck!
• 1:04:13
  Speaker 4: Not for a person who's not Neppo Baby, fuck! We're
• 1:04:17
  Speaker 4: talking about Fiuk, fuck! He made a campaign for... Now
• 1:04:20
  Speaker 4: he's going to Burger King. There's a car that does drift.
• 1:04:23
  Speaker 4: I believe he might be a little.
• 1:04:25
  Speaker 5: The guy said he was making a movie that hit him, bro.
• 1:04:28
  Speaker 5: He was recording a drift movie and hit the guy. Dude,
• 1:04:31
  Speaker 5: Fiuk is good people. And it seems that who was... Like, imagine,
• 1:04:35
  Speaker 5: I hired someone to make the movie with me. Then
• 1:04:38
  Speaker 5: I gave the idea of ​ ​ the movie and such,
• 1:04:40
  Speaker 5: then it seems that the guy went out, he will
• 1:04:41
  Speaker 5: make the movie with another person using his images.
• 1:04:44
  Speaker 1: You're kidding, bro. Oh, Fiuk, if you're fine, I think
• 1:04:48
  Speaker 1: you're fine, come here and talk to us. Please, bro.
• 1:04:51
  Speaker 1: Let's put everything... Please. I would bring Fábio Jr. here too,
• 1:04:54
  Speaker 1: to speak. I think he doesn't like Fiuk anymore, bro. Yeah, right?
• 1:04:57
  Speaker 2: Yeah. Imagine your father, already old, watching your son....
• 1:05:04
  Speaker 1: Taking a shower and talking about you, you know?
• 1:05:07
  Speaker 4: Because every time I see Fiuk in the bathroom, smoking
• 1:05:09
  Speaker 4: and saying, my dad is a bastard, my dad.
• 1:05:14
  Speaker 5: Man, they started to take some old Fiuk videos, of
• 1:05:18
  Speaker 5: him when he was meeting Deolane. And then, out of nowhere,
• 1:05:21
  Speaker 5: Deolane is talking to him like this, and Deolane says,
• 1:05:23
  Speaker 5: let's donate to I don't know where. Then Adele says,
• 1:05:25
  Speaker 5: I don't know, I hurt so much. I don't know
• 1:05:27
  Speaker 5: what hurt so much. Then there's a woman who throws
• 1:05:30
  Speaker 5: it in his chest.
• 1:05:30
  Speaker 1: Go, Fiuk.
• 1:05:31
  Speaker 2: Give me 5,000 reais.
• 1:05:33
  Speaker 1: He, 5,000? I thought it was 100. It was something
• 1:05:36
  Speaker 1: like that, I remember.
• 1:05:37
  Speaker 2: Poor Fiuk.
• 1:05:38
  Speaker 1: He's awesome. He's awesome. He has no fault of being
• 1:05:40
  Speaker 1: a Napple Baby. He has no fault, but.
• 1:05:41
  Speaker 2: But I think, you don't think that.
• 1:05:44
  Speaker 1: He.
• 1:05:44
  Speaker 4: Stayed a lot in the condo. The person being Napple Baby... Look,
• 1:05:48
  Speaker 4: I'm not.
• 1:05:48
  Speaker 1: Criticizing, okay, guys? Okay. Far from me, far from me.
• 1:05:51
  Speaker 2: But it brings the reflection.
• 1:05:52
  Speaker 1: Okay. Who is Napple Baby, man? He, whether you like
• 1:05:57
  Speaker 1: it or not, he... How can I explain?
• 1:06:00
  Speaker 4: He has some characteristics that are necessary to live in
• 1:06:04
  Speaker 4: a society.
• 1:06:04
  Speaker 2: He's not forged, right? That's it. The Nepo-Berimbo doesn't go
• 1:06:08
  Speaker 2: to the forge.
• 1:06:08
  Speaker 4: He doesn't go. He doesn't know that there's a subway...
• 1:06:13
  Speaker 4: He doesn't know that there is.
• 1:06:15
  Speaker 1: No.
• 1:06:15
  Speaker 2: No.
• 1:06:16
  Speaker 1: He doesn't know that... He can't.
• 1:06:17
  Speaker 2: Minimum wage.
• 1:06:18
  Speaker 1: He doesn't know. He doesn't know these things. For him, like...
• 1:06:22
  Speaker 1: But it's not for nothing.
• 1:06:24
  Speaker 2: He doesn't know.
• 1:06:24
  Speaker 1: He didn't see. He doesn't know. It's not for nothing. So, sometimes,
• 1:06:27
  Speaker 1: you're going to exchange an idea with an Apple Baby.
• 1:06:29
  Speaker 1: He's like this, man... Oh, you launched a new iPhone.
• 1:06:33
  Speaker 1: I don't have one yet.
• 1:06:34
  Speaker 4: My father didn't give me a car.
• 1:06:38
  Speaker 1: It's this level of thing.
• 1:06:39
  Speaker 2: So, let's list the worst Apple Babies, then.
• 1:06:42
  Speaker 1: Worse or better.
• 1:06:43
  Speaker 2: Worse or better, right? Because the Neppo Baby was born
• 1:06:46
  Speaker 2: with a lot of expectations, right?
• 1:06:48
  Speaker 1: Yeah, right. Because the father and the mother.
• 1:06:50
  Speaker 2: Imagine the son of the myth with the expectation that
• 1:06:53
  Speaker 2: will come.
• 1:06:53
  Speaker 1: I'm going to lower it a lot. My father was
• 1:06:55
  Speaker 1: a son of a bitch. Go fuck yourself.
• 1:06:56
  Speaker 4: Go study for fuck's sake. Don't think that you've already
• 1:07:01
  Speaker 4: exploded in life. Of course, I'm going to educate a lot,
• 1:07:04
  Speaker 4: but it's not going to be Neppo Baby.
• 1:07:06
  Speaker 2: Do we have a list of Neppo Babies?
• 1:07:09
  Speaker 5: Please, put the pictures, because we're going to judge what
• 1:07:11
  Speaker 5: they expected and what this person turned out to be,
• 1:07:14
  Speaker 5: and if they're on the right path or not.
• 1:07:15
  Speaker 2: We're here to talk about the lives of others, right?
• 1:07:17
  Speaker 2: Let's go, let's go, with.
• 1:07:18
  Speaker 1: All the affection and respect. Wow, but then.
• 1:07:22
  Speaker 5: Then you're talking about Alconcourt, right, brother?
• 1:07:27
  Speaker 2: Then it's Babymore, man.
• 1:07:29
  Speaker 1: Wow, man.
• 1:07:30
  Speaker 2: Motherfucker.
• 1:07:31
  Speaker 1: Imagine having lunch with these people. Jesus Christ. The chat
• 1:07:34
  Speaker 1: that must be. I, at lunch with them, I would
• 1:07:37
  Speaker 1: be quiet. I'm a fan of both. Please, just talk, talk.
• 1:07:41
  Speaker 1: Imagine the experience of this woman, hearing her talk. Or
• 1:07:46
  Speaker 1: hearing her, in her heart, the bullshit she must say. That,
• 1:07:49
  Speaker 1: for me, is sensational. The bullshit, the joke.
• 1:07:52
  Speaker 5: This here is a Nepo Baby that, how can I
• 1:07:55
  Speaker 5: tell you? It met the expectations of others, right?
• 1:07:58
  Speaker 2: Because... Fernandona Montenegro, brother. What do you expect her daughter
• 1:08:02
  Speaker 2: to become? At least a beautiful actress.
• 1:08:05
  Speaker 1: Uh-huh. Jesus Christ.
• 1:08:07
  Speaker 2: But this one is to surpass.
• 1:08:09
  Speaker 1: No, and she has a vibe, right, bro? An energy,
• 1:08:12
  Speaker 1: this woman. Very sensational. I see her anywhere and I say, wow,
• 1:08:14
  Speaker 1: what an incredible woman.
• 1:08:15
  Speaker 2: And she surpassed the feats of the mother, right, bro?
• 1:08:18
  Speaker 2: Won the prize that the mother didn't win. So this
• 1:08:20
  Speaker 2: one doesn't have.
• 1:08:20
  Speaker 1: Anything to say.
• 1:08:21
  Speaker 2: Just.
• 1:08:21
  Speaker 1: No, reverence and say Jesus Christ. A lunch with these
• 1:08:26
  Speaker 1: dear ones. Please. Here, look. Look there, look. Look there, look.
• 1:08:29
  Speaker 1: Sister of Fiuk. But what a spectacular woman. Sensational. Pires,
• 1:08:34
  Speaker 1: Glória Pires.
• 1:08:35
  Speaker 2: She if I were.
• 1:08:36
  Speaker 4: You brother she she is elena elena elena any soap
• 1:08:40
  Speaker 4: opera was an elena.
• 1:08:42
  Speaker 1: Elena elena lived in leblon that's it oh.
• 1:08:45
  Speaker 4: Damn they're testing the bass cleo wonderful tires unrolled wonderful
• 1:08:51
  Speaker 4: right she became.
• 1:08:52
  Speaker 2: An actress too she's not crying I'm mistaken for saying
• 1:08:55
  Speaker 2: that she's oweing the.
• 1:08:56
  Speaker 1: Others zica not zica she's zica and there's a lot Desenrolada. Maravilhosa, né? Ela.
• 1:08:52
  Speaker 2: Virou atriz também. Não tá choramingando, falando que tá devendo
• 1:08:56
  Speaker 2: os outros.
• 1:08:57
  Speaker 1: Zica. Não é Zica. Ela é Zica. E tem muita atitude.
• 1:09:00
  Speaker 1: Aquela sempre foi muito foda, né?
• 1:09:03
  Speaker 2: E ela tem duas expectativas, né? Mas ela é tipo.
• 1:09:08
  Speaker 2: Vai, a mãe dela foi tipo.
• 1:09:11
  Speaker 2: Atuou muito, ela atuou menos, né? Mas tá tudo bem, né?
• 1:09:14
  Speaker 1: Uhum. Muito de quantidade, você fala, ou de.
• 1:09:17
  Speaker 2: Quantity, yes, quantity.
• 1:09:18
  Speaker 1: No, and another one too, like... The two act well.
• 1:09:21
  Speaker 2: Although the glory, right? The glory is the glory, right, brother?
• 1:09:24
  Speaker 4: And another thing I was going to say too, it
• 1:09:26
  Speaker 4: must be... Now, we're criticizing the Nipple Bears, but I'm
• 1:09:29
  Speaker 4: also in their favor now. It's a lot of responsibility,
• 1:09:33
  Speaker 4: you're already born, pow, your mother and you're a.
• 1:09:35
  Speaker 1: Woman like that.
• 1:09:36
  Speaker 2: Responsibility, I wouldn't say, I'd say expectation.
• 1:09:38
  Speaker 1: That's it.
• 1:09:38
  Speaker 4: It's the responsibility of being someone awesome, right?
• 1:09:41
  Speaker 2: Yes, yes.
• 1:09:41
  Speaker 1: So, like, if my mother and my father are these people,
• 1:09:44
  Speaker 1: there are fans, there are admirers, there are... If your
• 1:09:48
  Speaker 1: father was a.
• 1:09:49
  Speaker 5: Famous guy, like Ronaldo Fenomeno, imagine that you even like
• 1:09:52
  Speaker 5: football as an athlete. I would be living a little anxious.
• 1:10:10
  Speaker 5: Do you want to be a footballer or do it
• 1:10:12
  Speaker 5: like Ronald? I was going to.
• 1:10:13
  Speaker 4: Be anxious, but I think that in a little bit
• 1:10:15
  Speaker 4: of my life I was going to want to be
• 1:10:17
  Speaker 4: a player.
• 1:10:17
  Speaker 1: You were going to try, right?
• 1:10:19
  Speaker 4: But I think it would be very frustrating for you
• 1:10:21
  Speaker 4: to realize that you were not even going to reach.
• 1:10:23
  Speaker 1: The level of your father, you know?
• 1:10:26
  Speaker 5: But I think he's the lightest Nebobabe. more foda, you
• 1:10:29
  Speaker 5: know why? because he looked and said, who is my father?
• 1:10:31
  Speaker 1: Ronaldo Fenômeno?
• 1:10:32
  Speaker 5: And he said, it can't, it can't get close it
• 1:10:35
  Speaker 5: can't be the same and like, it can't really and
• 1:10:38
  Speaker 5: it's all good? even if he had a career of
• 1:10:41
  Speaker 5: a lot of success, it's not even close to what
• 1:10:43
  Speaker 5: his father was so he looked and said, I'm a
• 1:10:46
  Speaker 5: DJ and his mother says, his father has already heard
• 1:10:49
  Speaker 5: that he has a disposition for football the father.
• 1:10:52
  Speaker 1: And mother of this boy, his parents are very.
• 1:10:54
  Speaker 2: Foda they are the football, Milena and Ronaldo, carai.
• 1:10:58
  Speaker 1: But also, Ronald, he's going to fuck himself. He didn't
• 1:11:01
  Speaker 1: even know how to hit a ball. He knows.
• 1:11:03
  Speaker 2: Didn't you see his mom talking about him? I wanted
• 1:11:05
  Speaker 2: to see him playing. His mom said, here, his mom said,
• 1:11:07
  Speaker 2: he has the father's style. He plays a lot.
• 1:11:12
  Speaker 4: But I imagine for him, it must have been this too,
• 1:11:14
  Speaker 4: this weight, like, fuck, they'll always be waiting for me
• 1:11:16
  Speaker 4: to be better than my father.
• 1:11:17
  Speaker 1: It can't be, right?
• 1:11:18
  Speaker 2: It's going to give the name of the guy.
• 1:11:19
  Speaker 1: In football. But everything I see about this kid.
• 1:11:24
  Speaker 2: Ronald, we want you here.
• 1:11:24
  Speaker 1: This kid is really cool. We want Ronald here. He's
• 1:11:27
  Speaker 1: a man, right? Feed Ken. Ronaldo is going to fuck himself,
• 1:11:30
  Speaker 1: he's a wonderful guy. Sasha.
• 1:11:33
  Speaker 2: I would be her.
• 1:11:34
  Speaker 1: How?
• 1:11:35
  Speaker 2: My mother is who? Xuxa? I don't want to know
• 1:11:38
  Speaker 2: anything that has to do with TV, with anything. It's
• 1:11:42
  Speaker 2: even difficult to say what Sasha's profession is, because I
• 1:11:44
  Speaker 2: don't know.
• 1:11:45
  Speaker 1: Me neither.
• 1:11:46
  Speaker 2: No, but I don't know what she does. I don't
• 1:11:48
  Speaker 2: know what she does. I think she's a.
• 1:11:49
  Speaker 1: Stylist, something like that.
• 1:11:54
  Speaker 2: She's a fucking stylist.
• 1:11:55
  Speaker 1: That's it.
• 1:11:55
  Speaker 5: Migrate to another country, bro. Because imagine if she was
• 1:11:58
  Speaker 5: a communicator.
• 1:11:59
  Speaker 4: No, the comparison I think is the worst shit of
• 1:12:02
  Speaker 4: an Apple Baby.
• 1:12:03
  Speaker 2: Bro, the girl had never even appeared in the media
• 1:12:06
  Speaker 2: and asked if she had ass.
• 1:12:07
  Speaker 1: I remember that to this day. I remember. She was
• 1:12:10
  Speaker 1: born without a ass, right? Because it was the pact
• 1:12:12
  Speaker 1: that her mother made.
• 1:12:13
  Speaker 2: Shit, right? Got it?
• 1:12:15
  Speaker 1: And this here is not even a human being.
• 1:12:19
  Speaker 2: This here is an angel.
• 1:12:20
  Speaker 1: No, it's a fairy. This here is a fairy that
• 1:12:22
  Speaker 1: is between us.
• 1:12:23
  Speaker 5: I saw her there in the game of Children's Hope,
• 1:12:26
  Speaker 5: and as she walks, her purple falls, like a fairy, Tinkerbell,
• 1:12:29
  Speaker 5: little stars.
• 1:12:30
  Speaker 4: And we're not exaggerating or slandering, okay? Xuxa, for those
• 1:12:33
  Speaker 4: who follow Power de Paz, knows that we've always been
• 1:12:36
  Speaker 4: a big fan of her and respect.
• 1:12:37
  Speaker 2: Her a lot. And where she is, all eyes are
• 1:12:39
  Speaker 2: on her, man.
• 1:12:39
  Speaker 5: I think she's one of those people that if you
• 1:12:42
  Speaker 5: look at her, you'll say, man, you're not for real.
• 1:12:44
  Speaker 1: And I cried watching her documentary on Globo.
• 1:12:48
  Speaker 2: Me too, it was really cool.
• 1:12:49
  Speaker 1: Really cool, this woman is really cool.
• 1:12:51
  Speaker 2: Xuxa, you're sensational. I thought we were going to get
• 1:12:54
  Speaker 2: married to Snapple Baby.
• 1:12:56
  Speaker 1: But how? Look at this figure. Didi Mocó.
• 1:13:00
  Speaker 2: Look, he's... And when the guys throw a shoulder.
• 1:13:04
  Speaker 1: Bag at him, Mítico?
• 1:13:04
  Speaker 2: No.
• 1:13:04
  Speaker 1: Don't do that.
• 1:13:05
  Speaker 3: Stop it.
• 1:13:05
  Speaker 1: Don't do that to an old man. Is that her son?
• 1:13:08
  Speaker 2: What's his son?
• 1:13:08
  Speaker 1: Nilce? Her name? Lívia.
• 1:13:09
  Speaker 2: Lívia.
• 1:13:09
  Speaker 1: Oh, Nilce.
• 1:13:19
  Speaker 4: Nilce, don't put a shoulder bag on your father's waist.
• 1:13:22
  Speaker 1: Don't put a shoulder bag on Mickey's waist.
• 1:13:23
  Speaker 2: Don't put a colored outfit on the old man.
• 1:13:26
  Speaker 1: He's a gentleman. A gentleman likes cotton. He likes cachecol, touquinha.
• 1:13:32
  Speaker 1: Imagine a touquinha, cachecol, how cute it would be. When
• 1:13:35
  Speaker 1: the old.
• 1:13:35
  Speaker 5: Man is already like this, that he stays with his
• 1:13:37
  Speaker 5: mouth open. You know, with the old man, he's like this, look.
• 1:13:41
  Speaker 2: It's time to take care of him, bro. It's time
• 1:13:45
  Speaker 2: to take care of him.
• 1:13:46
  Speaker 1: Stop exposing him, bro. Put some tricot clothes on him. Wow,
• 1:13:50
  Speaker 1: what a cute old man. He's a cute, cute, cute
• 1:13:52
  Speaker 1: old man, man. Everyone will have an old man at home, right?
• 1:13:55
  Speaker 2: Your parents, your grandparents.
• 1:13:57
  Speaker 5: When you see that you lost the nail that holds
• 1:14:00
  Speaker 5: the chin in your mouth, it's time to take care
• 1:14:02
  Speaker 5: of it, stop.
• 1:14:04
  Speaker 2: You know?
• 1:14:08
  Speaker 1: Damn, man! Oh, Lívia!
• 1:14:10
  Speaker 2: What would you give as a tip? But I think
• 1:14:13
  Speaker 2: Didi stopped with that. I think he doesn't do more
• 1:14:15
  Speaker 2: trends on TikTok. But he doesn't do anything else, Binti.
• 1:14:19
  Speaker 2: But it's good!
• 1:14:20
  Speaker 1: Look what this guy has done! That's what I'm talking about!
• 1:14:22
  Speaker 1: Guard this treasure! Guard this treasure! Guard it! Put it
• 1:14:26
  Speaker 1: in a gaming room! I was seeing him there with.
• 1:14:28
  Speaker 2: The other day I saw him with Mion there. Mion
• 1:14:29
  Speaker 2: talking a lot to him and he was looking at
• 1:14:31
  Speaker 2: Mion like this, look.
• 1:14:37
  Speaker 1: Yeah, that's true.
• 1:15:00
  Speaker 2: But, man, if I were a legend like that, if
• 1:15:03
  Speaker 2: you put on green pants, if you told me to
• 1:15:07
  Speaker 2: go to the Hulk's cauldron, to the Podpah, these things,
• 1:15:11
  Speaker 2: I wouldn't go.
• 1:15:12
  Speaker 1: I'm good, I've already done it.
• 1:15:14
  Speaker 5: You won't go, but understand that you're in a way
• 1:15:16
  Speaker 5: that you don't even know where you're going, what's going on.
• 1:15:20
  Speaker 2: In a little while you'll say, wow, I'm understanding the car. Wow,
• 1:15:23
  Speaker 2: I'm here a part of the year, I'm in Globo. É,
• 1:15:26
  Speaker 2: não dá. É isso que acontece com ele.
• 1:15:27
  Speaker 4: A gente tem que cuidar dos nossos idosos. Cuida dos
• 1:15:30
  Speaker 4: nossos idosos. Porque eles são as nossas crianças.
• 1:15:33
  Speaker 1: Isso.
• 1:15:33
  Speaker 2: São as nossas crianças idosas.
• 1:15:36
  Speaker 4: Idosas e crianças, eles têm que ser cuidados. Tem que cuidar, protegê-los. Então,
• 1:15:41
  Speaker 4: eu acho que é isso.
• 1:15:42
  Speaker 1: O Didi precisa de proteção. Precisa de carinho. Mais algodão nele.
• 1:15:46
  Speaker 1: Muito algodão.
• 1:15:47
  Speaker 2: Menos hype.
• 1:15:48
  Speaker 1: Menos hype, mais algodão. Cachecol, tricô.
• 1:15:50
  Speaker 2: Mais uma dúvida.
• 1:15:51
  Speaker 1: Cadeira que balança. Isso, deixa ele lá.
• 1:15:53
  Speaker 4: Mano, se eu fosse velho, me enche de tricô e
• 1:15:55
  Speaker 4: uma cadeira que balança.
• 1:15:56
  Speaker 2: Sabe o que você faz com teu pai? Põe ele
• 1:15:59
  Speaker 2: na cadeira de balanço.
• 1:16:01
  Speaker 1: And give me one.
• 1:16:02
  Speaker 2: Just one.
• 1:16:03
  Speaker 1: It'll be there for about eight hours.
• 1:16:05
  Speaker 2: One.
• 1:16:05
  Speaker 1: And he'll love it. He'll love it.
• 1:16:10
  Speaker 4: Put him in front of a green, a bush, with
• 1:16:12
  Speaker 4: a little bird, with these things.
• 1:16:14
  Speaker 1: Give the word.
• 1:16:15
  Speaker 2: This guy has already made 50 movies, Igão.
• 1:16:16
  Speaker 1: Brother, and what he made.
• 1:16:19
  Speaker 2: Of money is not written, okay? This guy made Brazil laugh, brother.
• 1:16:22
  Speaker 1: This guy is a legend. And what he made of
• 1:16:23
  Speaker 1: money is not written. He deserves peace.
• 1:16:25
  Speaker 2: Did you see the size of his house? You have
• 1:16:26
  Speaker 2: to walk by car. From the guy's house.
• 1:16:29
  Speaker 5: They said that the land of Granja Comaria was his.
• 1:16:34
  Speaker 1: Monster, man. Monster. Fuck, Didi Mococo. Monster. Leave him alone.
• 1:16:39
  Speaker 1: Look at Leonardo. This guy here, I wanted to take
• 1:16:43
  Speaker 1: a break. Man, today I saw... There's a guy who.
• 1:16:46
  Speaker 5: Didn't meet the expectations of the public. Because, son of Leonardo,
• 1:16:50
  Speaker 5: what do you expect the guy to be?
• 1:16:51
  Speaker 1: A singer and a cachaçeiro.
• 1:16:53
  Speaker 2: Fuck.
• 1:16:53
  Speaker 1: What Zé Felipe is.
• 1:16:54
  Speaker 5: O Zé Felipe é o Leonardo. O Zé Felipe, ele
• 1:16:57
  Speaker 5: atendeu as expectativas do público.
• 1:16:58
  Speaker 1: É verdade.
• 1:17:00
  Speaker 2: O João Felipe, não.
• 1:17:02
  Speaker 1: O João... Calherme.
• 1:17:04
  Speaker 4: Caralho, hoje eu tô foda. A língua, a dicção tá...
• 1:17:07
  Speaker 4: João Calherme.
• 1:17:09
  Speaker 2: João Guilherme.
• 1:17:10
  Speaker 1: Leonardo.
• 1:17:11
  Speaker 2: He met his expectations.
• 1:17:12
  Speaker 1: He met.
• 1:17:13
  Speaker 4: Leonardo, he should go to João Guilherme's room and see.
• 1:17:16
  Speaker 1: Him dancing Luisa Sanz de Joelheira. But he says, it's us,
• 1:17:19
  Speaker 1: my son. We're together. It's de Joelheira. It's de Cropped.
• 1:17:22
  Speaker 1: But you're my son.
• 1:17:24
  Speaker 2: My son.
• 1:17:24
  Speaker 1: Let's drink 51. No, dad. I want to dance de
• 1:17:26
  Speaker 1: Joelheira in the middle of the room. It's good, but
• 1:17:28
  Speaker 1: it's us. It's us. The public has to understand that.
• 1:17:30
  Speaker 1: And he's 20 days without drinking cachaça, okay?
• 1:17:33
  Speaker 2: Did you see what Zé Felipe said?
• 1:17:35
  Speaker 1: What?
• 1:17:36
  Speaker 2: Let's take one to celebrate, then.
• 1:17:38
  Speaker 1: He commented. Very good, man. He's a legend.
• 1:17:41
  Speaker 2: João Guilherme is also a legend.
• 1:17:42
  Speaker 1: Very good actor, okay? He's doing the actor stuff.
• 1:17:44
  Speaker 2: Brother, I found him the other day there, but it
• 1:17:46
  Speaker 2: was at Apple. I found him. He's with a square chin.
• 1:17:50
  Speaker 2: He's all.
• 1:17:52
  Speaker 1: All... All, all, all.
• 1:17:53
  Speaker 2: All in one place.
• 1:17:54
  Speaker 1: All.
• 1:17:55
  Speaker 5: Irulonic acid. Not that he used it, but.
• 1:18:01
  Speaker 1: It's all quadricular, right?
• 1:18:03
  Speaker 2: It's all quadricular.
• 1:18:03
  Speaker 1: It's all quadricular.
• 1:18:05
  Speaker 4: But he didn't become a singer, but he sings too,
• 1:18:07
  Speaker 4: but he acts like a fuck.
• 1:18:08
  Speaker 2: This guy is good. Of all the parents... No, he's
• 1:18:10
  Speaker 2: good as fuck.
• 1:18:10
  Speaker 5: Of all the parents and mothers that appeared here, who did.
• 1:18:13
  Speaker 2: You want to be your father?
• 1:18:16
  Speaker 1: Leonardo? Leonardo.
• 1:18:17
  Speaker 2: And your mother?
• 1:18:20
  Speaker 1: Ah... Wow. Xuxa. Fuck.
• 1:18:22
  Speaker 5: Son of Xuxa and Leonardo.
• 1:18:25
  Speaker 1: Wow, it's your face. I was going to be him. Pass. Cachaceiro, dançarino.
• 1:18:29
  Speaker 2: Holy shit!
• 1:18:30
  Speaker 1: A monster that deserves to be with a tricot looking
• 1:18:33
  Speaker 1: at the landscape.
• 1:18:34
  Speaker 2: And did you see his interview with Pedro Bilal?
• 1:18:36
  Speaker 1: Fucking awesome. He's very conscious. I learned from what he said.
• 1:18:40
  Speaker 1: It's time to stop.
• 1:18:41
  Speaker 2: It's time to stop. This one is.
• 1:18:45
  Speaker 5: He's got a belt on his back, bro. Because he
• 1:18:48
  Speaker 5: took over the father's show. He's got a belt on
• 1:18:51
  Speaker 5: his back, bro.
• 1:18:53
  Speaker 1: Why did he take over?
• 1:18:54
  Speaker 5: No, now he's on SBT, I think, right? No, but
• 1:18:57
  Speaker 5: he takes Domingão, right? In the band, and he starts playing,
• 1:19:00
  Speaker 5: it's his father's show. Then his father comes out of
• 1:19:02
  Speaker 5: the scene, kind of.
• 1:19:03
  Speaker 2: Ah, is it? João is just covering his father. Then
• 1:19:07
  Speaker 2: he stayed.
• 1:19:09
  Speaker 2: It's a response, brother. Because, like, we're talking about the
• 1:19:13
  Speaker 2: biggest Brazilian presenter.
• 1:19:14
  Speaker 1: It's the biggest.
• 1:19:15
  Speaker 2: Faustão is the biggest. Faustão is the biggest. So, like,
• 1:19:19
  Speaker 2: you assume this bronco, brother. Be careful what you say
• 1:19:21
  Speaker 2: about Faustão, because Faustão is the biggest. No, I'm a
• 1:19:24
  Speaker 2: big fan of him.
• 1:19:25
  Speaker 1: Bigger than Gugu, you see? I agree.
• 1:19:27
  Speaker 2: Even my favorite of Gugu.
• 1:19:31
  Speaker 1: So, it's good.
• 1:19:32
  Speaker 5: Mas eu acho que o Faustão é maior mesmo. Só
• 1:19:34
  Speaker 5: que aí, mano, imagina um programa com teu nome, filho.
• 1:19:36
  Speaker 5: Programa do Miticão.
• 1:19:37
  Speaker 1: Nossa, que responsa. E o João entrou nessa, né? Falando,
• 1:19:41
  Speaker 1: eu vou ser apresentador. Ele é um querido. Esse menino
• 1:19:44
  Speaker 1: é um querido. Mas ele tem uma responsa, um legado.
• 1:19:47
  Speaker 2: Porque o pai dele é uma lenda.
• 1:19:48
  Speaker 1: Nossa, Faustão.
• 1:19:49
  Speaker 2: Linda das lendas.
• 1:19:50
  Speaker 1: Como era bom, né?
• 1:19:51
  Speaker 4: Ver o Faustão falando umas atrocidades em pleno domingo, brincando.
• 1:19:55
  Speaker 2: Ele é o melhor mesmo.
• 1:19:56
  Speaker 1: Nossa, Faustão.
• 1:19:57
  Speaker 4: Você vai estar sempre nos nossos corações, viu, Faustão?
• 1:20:01
  Speaker 1: Espero que o seu filhinho... At least 30% of what
• 1:20:03
  Speaker 1: you already did. I wanted to eat.
• 1:20:04
  Speaker 2: His pizza, man. That's what I wanted. Faustão' s pizza, man.
• 1:20:07
  Speaker 2: It seemed to be very good, man. Son of a bitch.
• 1:20:08
  Speaker 5: And the guys said they wanted to do this at
• 1:20:11
  Speaker 5: his house. Faustão' s pizza. They called the artists.
• 1:20:13
  Speaker 1: He must be a lot of people. He is.
• 1:20:15
  Speaker 2: He is.
• 1:20:15
  Speaker 1: A lot of good people, man. And he must have
• 1:20:17
  Speaker 1: money that only the fuck. Only the fuck. Because he
• 1:20:21
  Speaker 1: already worked a lot. Made a lot of money. A legend, man.
• 1:20:25
  Speaker 1: Son of a bitch. He deserves to stay in a tricot.
• 1:20:29
  Speaker 1: Balance chair. In a cotton. Looking only... O verde, pássaro.
• 1:20:35
  Speaker 4: João, não deixa chegar ruídos na mente do Faustão mais, mano.
• 1:20:39
  Speaker 1: O Faustão só merece elogios a Fargo e cachorro. Sabe? Cachorrinho.
• 1:20:45
  Speaker 2: Cachorro gigante. Aqueles cachorro que é só alegria.
• 1:20:47
  Speaker 1: Que brinca. Neto. Dá neto pra ele. Dá neto pra ele. Sabe? Tricô.
• 1:20:53
  Speaker 1: Manda ele fazer tricô. Jogar videogame. Um baseado. Baseado.
• 1:20:57
  Speaker 2: Se não provou ainda é o momento.
• 1:20:59
  Speaker 1: Monstro. Tem mais aí? Acabou? Damn, we didn't criticize anyone, right, baby?
• 1:21:06
  Speaker 1: I think we.
• 1:21:07
  Speaker 5: What does Lívia Aragão do? What does Lívia Aragão do?
• 1:21:12
  Speaker 5: Does she research her profession? Is she an actress too?
• 1:21:14
  Speaker 2: Bad answer, huh?
• 1:21:15
  Speaker 1: She must be an actress too.
• 1:21:16
  Speaker 2: A Brazilian actress. A Brazilian actress. That's it, Mítico.
• 1:21:22
  Speaker 1: If it were... Never that he is bigger than Silvio Santos.
• 1:21:25
  Speaker 1: There's a but.
• 1:21:26
  Speaker 2: Faustão?
• 1:21:27
  Speaker 1: There's a good discussion here. I saw it on the chat.
• 1:21:34
  Speaker 2: It's just that Silvio Santos, he's like... He had his
• 1:21:37
  Speaker 2: own emissary, right, bro? I think it's in... Different locations, right?
• 1:21:41
  Speaker 4: It's possible to put it in the same shelf, but
• 1:21:43
  Speaker 4: each one is each one, you know?
• 1:21:45
  Speaker 2: Yes.
• 1:21:46
  Speaker 4: Because I love both, bro. And Silvio Santos too, the guy,
• 1:21:50
  Speaker 4: son of a bitch, awesome, awesome, bastard, good as hell,
• 1:21:55
  Speaker 4: had an emissary, it's something that is... I've always said
• 1:21:58
  Speaker 4: this to you guys. You guys have to be this
• 1:22:03
  Speaker 4: or that. Focus on this or that presenter.
• 1:22:04
  Speaker 1: I said, no, man.
• 1:22:05
  Speaker 4: I want to focus on Silvio Santos. At the same
• 1:22:07
  Speaker 4: time that I want to be a presenter and have
• 1:22:09
  Speaker 4: more shows and stuff, I'm the owner of the show.
• 1:22:12
  Speaker 4: So my inspiration is Silvio.
• 1:22:15
  Speaker 5: What I thought was great about Silvio is that he
• 1:22:20
  Speaker 5: knew his place. What is his place being an SBT?
• 1:22:23
  Speaker 5: We are the happiest show in Brazil, which is.
• 1:22:24
  Speaker 2: What he said.
• 1:22:25
  Speaker 1: Look how cool it is, bro.
• 1:22:26
  Speaker 5: And the show is for children, it's for old people
• 1:22:30
  Speaker 5: and stuff. So it was a thing that, like, he
• 1:22:33
  Speaker 5: knew he would never be with Globo. So much so
• 1:22:35
  Speaker 5: that it was really cool to see him exchanging with Maisa,
• 1:22:37
  Speaker 5: because he said like this, I'll still see you in
• 1:22:40
  Speaker 5: a wheelchair, shining in.
• 1:22:42
  Speaker 2: A Globo soap opera. Like, he didn't look at Maisa
• 1:22:45
  Speaker 2: and put her there.
• 1:22:46
  Speaker 1: It's true.
• 1:22:47
  Speaker 2: I want you here with me because you owe me. No,
• 1:22:49
  Speaker 2: he looked at her and said like this, bro, this
• 1:22:52
  Speaker 2: girl is awesome. And I know it's normal, one day
• 1:22:53
  Speaker 2: you go to Globo.
• 1:22:54
  Speaker 1: And she was, man.
• 1:22:56
  Speaker 2: So I think that's really cool, the awareness. Like, no,
• 1:23:00
  Speaker 2: you're like Globo, you're like Globo.
• 1:23:03
  Speaker 1: No, no, no. What's my place?
• 1:23:04
  Speaker 2: Is it this one? No one will fill it as
• 1:23:06
  Speaker 2: well as I do. So that's what I want to
• 1:23:08
  Speaker 2: participate in.
• 1:23:08
  Speaker 4: And it's really cool that SBT had fans who were like, man,
• 1:23:12
  Speaker 4: full SBT, man.
• 1:23:12
  Speaker 1: My grandmother.
• 1:23:14
  Speaker 4: There are people who were full SBT and that's it, man.
• 1:23:17
  Speaker 4: And on Sundays, sometimes I was in doubt about who
• 1:23:19
  Speaker 4: I was going to watch. Because, man, Silvio Santos' show
• 1:23:21
  Speaker 4: was really cool.
• 1:23:22
  Speaker 2: I used to watch SBT.
• 1:23:22
  Speaker 1: Faustão. Then there was, at the time, Panico.
• 1:23:25
  Speaker 4: But, man, Silvio Santos' show was a lot of fun
• 1:23:29
  Speaker 4: all the.
• 1:23:30
  Speaker 1: Time, man.
• 1:23:30
  Speaker 2: Man, Topa Tudo por Dinheiro was really good.
• 1:23:34
  Speaker 1: Topa Tudo por Dinheiro was really excellent.
• 1:23:36
  Speaker 2: At the peak of the pranks, the peak of... of
• 1:23:40
  Speaker 2: the stage assistants, right?
• 1:23:41
  Speaker 5: Call there, let's do now... Ponte do Rio que Cai.
• 1:23:45
  Speaker 5: These things we stopped on TV to watch.
• 1:23:47
  Speaker 4: And in his audience, only women, only old women. He
• 1:23:51
  Speaker 4: knew how to do the stuff. What they said about him, bro,
• 1:23:54
  Speaker 4: that sometimes he would stay an hour, an hour and
• 1:23:57
  Speaker 4: a half before the show started, just teasing the old women.
• 1:24:01
  Speaker 1: Hey, let's go, damn it!
• 1:24:02
  Speaker 2: I've been to his show, right? I saw, bro, before
• 1:24:04
  Speaker 2: he started the show, He already gave some money to
• 1:24:10
  Speaker 2: the old people. That's crazy, man.
• 1:24:11
  Speaker 1: Let's go! Then he would.
• 1:24:13
  Speaker 5: Say, put some music, music! Then he would put some
• 1:24:17
  Speaker 5: music and start singing. Then the old people would start
• 1:24:20
  Speaker 5: singing with him, clap their hands. Then Silvio Santos would
• 1:24:23
  Speaker 5: come there, without paying, he would give money.
• 1:24:26
  Speaker 2: Look, now it's going to start, now it's going to start,
• 1:24:28
  Speaker 2: now I'm going to go there, now I'm going to
• 1:24:30
  Speaker 2: go there. You sing, give me an animation. He looked
• 1:24:34
  Speaker 2: like a doll, right? From wax, old, monster, consecrated, Silvio Santos, that.
• 1:24:40
  Speaker 1: Wow, man.
• 1:24:40
  Speaker 2: And his stereotype was very good, right, Mítico? Like, he
• 1:24:44
  Speaker 2: built a very strong character, right?
• 1:24:47
  Speaker 5: With the fucking microphone instead.
• 1:24:51
  Speaker 2: Of the tie. That's very iconic, man.
• 1:24:53
  Speaker 1: Who did that, right?
• 1:24:54
  Speaker 2: And whoever did that would say, you're imitating Silvio, fuck.
• 1:24:58
  Speaker 1: Take this microphone out of there. Exactly.
• 1:25:01
  Speaker 4: But he put this microphone here to just stay here, look.
• 1:25:03
  Speaker 4: The old man's sauce was this one, look. For him
• 1:25:05
  Speaker 4: to be able to throw money at the poor. Let's go, fuck,
• 1:25:10
  Speaker 4: my old ones, take the money. He was very cool,
• 1:25:12
  Speaker 4: Silvio Santos. We want you to... Just kidding.
• 1:25:15
  Speaker 2: Psychography, right?
• 1:25:17
  Speaker 1: Wow, but he.
• 1:25:18
  Speaker 4: Nowadays, he's... What's your inspiration? Nowadays, for me, in Brazil,
• 1:25:23
  Speaker 4: my inspiration, I tell you, Silvio Santos.
• 1:25:26
  Speaker 1: But it's more.
• 1:25:26
  Speaker 4: Than Podpá is becoming, and what I'm aiming for in
• 1:25:30
  Speaker 4: my life, and what I'm working, studying to be, you know?
• 1:25:34
  Speaker 4: It's going to take a long time for something to arrive,
• 1:25:37
  Speaker 4: but Podpá is becoming an emissary, we're presenters, because I don't...
• 1:25:41
  Speaker 4: Who am.
• 1:25:41
  Speaker 1: I going to... to inspire me, either in Silvio.
• 1:25:45
  Speaker 4: Or in someone else. No, who did that in Brazil?
• 1:25:49
  Speaker 4: To have an emissor and still present too, right?
• 1:25:52
  Speaker 5: In Brazil it's very difficult. But, look, a guy that
• 1:25:55
  Speaker 5: I have as a reference, like, kind of... The reference
• 1:25:58
  Speaker 5: is not, like, made the same path as me, like,
• 1:26:01
  Speaker 5: like you said about Silvio Santos, obviously in another place,
• 1:26:06
  Speaker 5: on TV, needs a concession, anyway.
• 1:26:08
  Speaker 2: But I really like.
• 1:26:11
  Speaker 2: Of the artist that Fahael Williams is.
• 1:26:13
  Speaker 1: No, yes, for sure.
• 1:26:14
  Speaker 5: Because what Fahael Williams shows me is that, like, in
• 1:26:17
  Speaker 5: what I'm willing to.
• 1:26:19
  Speaker 2: Do, there's a purpose.
• 1:26:21
  Speaker 5: And because of that purpose, things get where he wants
• 1:26:24
  Speaker 5: them to get, like, they get famous, they get great, like.
• 1:26:27
  Speaker 2: So I kind of want to.
• 1:26:28
  Speaker 5: I think the inspiration is good, it's the Silvio Santos
• 1:26:32
  Speaker 5: you were talking about, because I just remembered this thing
• 1:26:34
  Speaker 5: he was talking about, about SBT, the happiest station on
• 1:26:38
  Speaker 5: Brazilian TV.
• 1:26:38
  Speaker 2: That's it.
• 1:26:40
  Speaker 5: Like, I know that the number one, being at the top,
• 1:26:45
  Speaker 5: is very good, but it's also dangerous to run after it,
• 1:26:49
  Speaker 5: because sometimes we forget about the purpose, we also forget
• 1:26:52
  Speaker 5: to be happy.
• 1:26:53
  Speaker 4: Man, but the guy that you also said that is a... No,
• 1:26:56
  Speaker 4: it's an exaggeration, I'm not even kidding. Oh, Farrell Williams
• 1:26:58
  Speaker 4: is my total inspiration. Farrell Williams is very funny. I've
• 1:27:00
  Speaker 4: already bought his Lego, I've already bought his book. There's
• 1:27:02
  Speaker 4: a documentary about this guy. A lot of people just
• 1:27:04
  Speaker 4: think he's the guy from Beautiful.
• 1:27:06
  Speaker 1: No, he's crazy. Man, this guy did several hits.
• 1:27:10
  Speaker 2: A creative mind.
• 1:27:11
  Speaker 4: He does several things, you know? So, this guy for me...
• 1:27:13
  Speaker 4: And he's also today... What is he from?
• 1:27:16
  Speaker 1: Louis Vuitton? He's the f * * * of Louis Vuitton, right?
• 1:27:19
  Speaker 1: He's the fashion head, man.
• 1:27:20
  Speaker 4: And he still makes music today. For me, this guy...
• 1:27:22
  Speaker 4: And he does a lot of charity, you know? He's
• 1:27:25
  Speaker 4: a very social director. Farrell Williams is very.
• 1:27:29
  Speaker 1: F * * *.
• 1:27:29
  Speaker 4: But Silvio Santos is that. He inspires me to have
• 1:27:32
  Speaker 4: an emissary, to present.
• 1:27:34
  Speaker 2: Creative director of the male line.
• 1:27:36
  Speaker 1: He's great, man. Farrell Williams. Research about Farrell Williams.
• 1:27:41
  Speaker 5: And because I identify with him a lot, it's because
• 1:27:43
  Speaker 5: he works at McDonald's, right, bro?
• 1:27:46
  Speaker 1: He worked at McDonald's?
• 1:27:48
  Speaker 5: He worked at McDonald's and... He was sent away from there,
• 1:27:52
  Speaker 5: I think, a few times. Because he was very quiet,
• 1:27:55
  Speaker 5: this crazy creative mind and such. And then what I
• 1:27:58
  Speaker 5: found out later... It may be that I'm talking about
• 1:28:01
  Speaker 5: fake news, but I think it's true.
• 1:28:02
  Speaker 2: I don't have... It looks like it was him who
• 1:28:06
  Speaker 2: did it. It was him who did it, damn it. So, like.
• 1:28:09
  Speaker 5: The guy worked there and then he released a hit
• 1:28:15
  Speaker 5: that is almost a onomatopoeia.
• 1:28:19
  Speaker 2: So he is a very brilliant guy. I think he
• 1:28:22
  Speaker 2: is very brilliant.
• 1:28:23
  Speaker 1: He is very good.
• 1:28:24
  Speaker 5: I think he is very dumb. It would be an
• 1:28:27
  Speaker 5: absurd to exchange ideas with this guy. I think he
• 1:28:29
  Speaker 5: is sensitive to art. I like sensitive.
• 1:28:33
  Speaker 2: People, you know?
• 1:28:34
  Speaker 5: I remember there was a video of him and Kanye
• 1:28:37
  Speaker 5: West here at a show in Brazil, and he's playing
• 1:28:39
  Speaker 5: a samba.
• 1:28:40
  Speaker 1: They're like... It's like Jobim, I think, is playing something.
• 1:28:41
  Speaker 2: Yeah, and they're like, like, oh, listen to this. Fuck.
• 1:28:43
  Speaker 5: So, it's not for nothing that these people come here
• 1:28:47
  Speaker 5: in Brazil because.
• 1:28:48
  Speaker 1: Wow, man. They have a different sound.
• 1:28:50
  Speaker 2: I think we would change the idea with this guy.
• 1:28:51
  Speaker 1: I think so too. We will still. We will.
• 1:28:53
  Speaker 2: Top 3, do you want to talk?
• 1:28:54
  Speaker 1: Wow, yes.
• 1:29:00
  Speaker 2: Top 3, damn it! Difficult, but yes, yes, I think
• 1:29:02
  Speaker 2: it's within the top 3, yes.
• 1:29:03
  Speaker 1: I think Pharrell Williams is in my top 3, bro.
• 1:29:06
  Speaker 5: You know what I thought today? I'm going to say, wow,
• 1:29:08
  Speaker 5: I need to talk to this woman, bro. It would
• 1:29:10
  Speaker 5: be an absurd, a exchange of ideas with her, bro.
• 1:29:13
  Speaker 1: Rihanna, man.
• 1:29:14
  Speaker 2: For me, it would be more absurd than exchanging ideas
• 1:29:16
  Speaker 2: with Beyoncé, bro.
• 1:29:17
  Speaker 1: I think so too. I think so too. I think
• 1:29:19
  Speaker 1: so too.
• 1:29:20
  Speaker 2: Wow, can you imagine Pharrell Williams, Rihanna, Cristiano Ronaldo?
• 1:29:25
  Speaker 1: Beyoncé.
• 1:29:25
  Speaker 2: Jesus, Jay-Z.
• 1:29:27
  Speaker 1: But I think Beyoncé, she never....
• 1:29:30
  Speaker 2: You think? I don't know, man. I don't know.
• 1:29:33
  Speaker 1: It's already happened. Everything is impossible. I think I've never
• 1:29:36
  Speaker 1: seen Beyoncé on a podcast.
• 1:29:38
  Speaker 2: Okay, I understand what you're saying, but... It's because I
• 1:29:41
  Speaker 2: think it reaches a level for these people who are like, man,
• 1:29:44
  Speaker 2: I don't need it.
• 1:29:45
  Speaker 1: I think if I go, I can fuck myself.
• 1:29:48
  Speaker 2: None of these people need it.
• 1:29:50
  Speaker 5: They would do it because they want to, because they're
• 1:29:54
  Speaker 5: doing a project that they want to idealize, and talking
• 1:29:57
  Speaker 5: to these guys will be cool, they'll talk to a
• 1:29:59
  Speaker 5: cool audience in Brazil, I don't know. But I don't
• 1:30:03
  Speaker 5: think it's impossible anymore, man, I don't know. Dude, we've
• 1:30:06
  Speaker 5: done a lot of impossible things, man. For me, man,
• 1:30:09
  Speaker 5: you spoke to Shaquille O'Neal alone.
• 1:30:11
  Speaker 2: No, for fuck's sake. We interviewed The Rock, Thor.
• 1:30:16
  Speaker 1: You know?
• 1:30:16
  Speaker 2: So it's already... Wow, the impossible has already happened, man.
• 1:30:20
  Speaker 1: The impossible is a matter of opinion, right? And of that,
• 1:30:22
  Speaker 1: the crazy ones.
• 1:30:23
  Speaker 4: Is there anything else there, or.
• 1:30:30
  Speaker 2: Hey, in the fast, let's go? Go. Hey, the guys
• 1:30:33
  Speaker 2: liked our evaluation of Pintos, right?
• 1:30:35
  Speaker 1: We are good at evaluating.
• 1:30:36
  Speaker 2: Wow.
• 1:30:36
  Speaker 1: Small and too thick.
• 1:30:40
  Speaker 2: Looks like a coxinha? It looks like that Pokemon. That
• 1:30:47
  Speaker 2: comes out of the ground? Yes.
• 1:30:51
  Speaker 1: Ah, good. You know? Small and big.
• 1:30:56
  Speaker 2: Next.
• 1:30:56
  Speaker 1: Next. Thin, just like DT's finger.
• 1:30:58
  Speaker 2: Thin, just like DT's finger, but more kilometer.
• 1:31:01
  Speaker 1: That's it. It's confusing. It looks like a barbed wire.
• 1:31:04
  Speaker 1: A wire. Damn, it looks rich.
• 1:31:07
  Speaker 2: It's... Dark blonde hair.
• 1:31:11
  Speaker 1: I think it looks like a Cheetos.
• 1:31:14
  Speaker 2: Pelo Loido Escuro is... Um pinto grosso pequeno.
• 1:31:18
  Speaker 1: Isso.
• 1:31:20
  Speaker 2: Puta pinto do caralho. Pintaralhaço.
• 1:31:24
  Speaker 1: Gente, que absurdo. Ele é um padre.
• 1:31:25
  Speaker 5: Mas ele é um padre, mas ele é boladão. Você
• 1:31:27
  Speaker 5: viu quanto tempo ele meteu um shape? E ele tem
• 1:31:29
  Speaker 5: dois metros, né? Tá ligado? É, deve ter uma peça.
• 1:31:32
  Speaker 5: Debaixo da bata tem uma peça. Deus me perdoa. Não
• 1:31:36
  Speaker 5: estou imaginando o pinto de padre, mas beleza.
• 1:31:39
  Speaker 1: Próximo, pelo amor de Deus. Tem muita carne esponjosa. Um
• 1:31:45
  Speaker 1: pinto com muita carne esponjosa. É.
• 1:31:48
  Speaker 5: Pinto com.
• 1:31:51
  Speaker 1: Prepúcio. É, caralho. Tipo, carne esponjosa. A carne do pinto
• 1:31:57
  Speaker 1: é maior que a grossura do pinto, sabe?
• 1:31:59
  Speaker 2: É um pinto sufocado pelas carnes esponjosas do pinto.
• 1:32:04
  Speaker 1: Eu acho que é isso. Quem que é isso? Ah, arrogante. Mano, isso...
• 1:32:09
  Speaker 1: Sosa do Neymar, vai se fuder.
• 1:32:11
  Speaker 5: Acho que tem pinto normal, pinto médio. Pinto, pinto, pinto.
• 1:32:15
  Speaker 1: Pinto, pinto. Tem um pinto que é pinto, né?
• 1:32:18
  Speaker 2: Pinto, pinto, é.
• 1:32:18
  Speaker 1: Ah, aquele pinto que... Pinto. Não é tão grande, não
• 1:32:20
  Speaker 1: é tão pequeno. É um pinto.
• 1:32:21
  Speaker 5: É um pinto de 14 a 16 centímetros, reto, cabeça boa,
• 1:32:27
  Speaker 5: tudo bom. Tudo normal, tudo dentro do normal ali.
• 1:32:32
  Speaker 1: Faz o que tem que ser feito.
• 1:32:33
  Speaker 2: Randal, pinto randal.
• 1:32:33
  Speaker 1: Pinto randal. NPC de pinto.
• 1:32:35
  Speaker 2: NPC de pinto. Pinto pequeno. Certo.
• 1:32:39
  Speaker 1: Sério? É, porque.
• 1:32:42
  Speaker 2: Alguma coisa tem que tá pequena aí.
• 1:32:44
  Speaker 1: É verdade.
• 1:32:45
  Speaker 2: Tem muita coisa enorme aí, ô, Daronco.
• 1:32:46
  Speaker 1: É um pinto... Andrógeno!
• 1:32:50
  Speaker 4: É um pinto que escuta Evanescence, tá ligado?
• 1:32:55
  Speaker 1: É um pinto que... É um pinto evanescêntico.
• 1:33:00
  Speaker 2: Ele não tem pinto, ele tem... Ele tem... Calda!
• 1:33:04
  Speaker 1: Hahahaha! The guy has a tail, bro. It's a dick
• 1:33:10
  Speaker 1: that plays Zelda.
• 1:33:12
  Speaker 2: Fuck.
• 1:33:12
  Speaker 1: It's a dick that... Vampire dick. It's a vampire dick.
• 1:33:15
  Speaker 1: Vampire dick. Dracula dick. Fuck, bro. It's a dick that
• 1:33:20
  Speaker 1: smells like Brahma.
• 1:33:21
  Speaker 2: You get it?
• 1:33:22
  Speaker 1: It's a dick that smells like Brahma.
• 1:33:24
  Speaker 2: Bro, I think it must have a dick of one kilo. Fuck.
• 1:33:27
  Speaker 1: Dick of.
• 1:33:29
  Speaker 2: Porn dick, really.
• 1:33:30
  Speaker 1: But it's that dick that munches, it's big. That's it,
• 1:33:33
  Speaker 1: that's it. That's it, that's it. That's it, that's it.
• 1:33:37
  Speaker 2: It looks like a jabuti. Take the jabuti from Uncle Zeca.
• 1:33:40
  Speaker 1: Yeah, those pants with a lot of stuff.
• 1:33:41
  Speaker 2: That's it, that's it.
• 1:33:43
  Speaker 1: The mixture of a lot of things. Fill the Brahma.
• 1:33:45
  Speaker 2: Man, for the guy to sing, talking, in a peace.
• 1:33:48
  Speaker 2: I've already passed through almost everything in this life.
• 1:33:51
  Speaker 1: Second in my life. Second in my life.
• 1:33:53
  Speaker 2: Second in my life. Second in my life. Second in
• 1:33:57
  Speaker 2: my life.
• 1:33:57
  Speaker 1: Second in my life. Second in my life. Second in
• 1:34:02
  Speaker 1: my life.
• 1:34:02
  Speaker 2: Second in my life. I think it's a great paint.
• 1:34:06
  Speaker 1: A black coat paint. Yes. A paint that.
• 1:34:09
  Speaker 2: No, you know that paint?
• 1:34:10
  Speaker 1: Leave that paint alone. Leave that paint alone.
• 1:34:13
  Speaker 2: Leave that paint alone.
• 1:34:15
  Speaker 1: Leave that paint alone. I don't want to touch that paint.
• 1:34:17
  Speaker 2: Yeah, me neither.
• 1:34:18
  Speaker 1: There's paint that's good to touch.
• 1:34:19
  Speaker 2: Do you think his paint is bald too? Next.
• 1:34:22
  Speaker 1: Ah, this paint.
• 1:34:25
  Speaker 2: Man, he's done so much surgery that now he appeared
• 1:34:26
  Speaker 2: and said he did a surgery to remove the smell
• 1:34:28
  Speaker 2: from his ass. What?
• 1:34:29
  Speaker 1: What?
• 1:34:30
  Speaker 2: I swear to God.
• 1:34:31
  Speaker 1: He said he's the only person in the world.
• 1:34:33
  Speaker 2: Whose ass doesn't smell. Wow, I want to smell it.
• 1:34:36
  Speaker 2: What is this? Smelly ass?
• 1:34:38
  Speaker 1: Rico, he... Man, he was so cocky that... He must
• 1:34:43
  Speaker 1: have a dick, man.
• 1:34:44
  Speaker 2: He must have a dick. No, for sure, but I'm afraid.
• 1:34:47
  Speaker 1: Of what he's done with his dick.
• 1:34:54
  Speaker 2: You know? It must be in a triangular format.
• 1:34:56
  Speaker 1: Triangular.
• 1:34:57
  Speaker 2: Triangular, yeah. There must be other stuff.
• 1:34:59
  Speaker 1: His dick must be a pyramid, yeah.
• 1:35:00
  Speaker 2: But it must be a pin.
• 1:35:01
  Speaker 1: Wow. Pintaralho. Pintaralhaço. Pintaralho. Porra. Porra, velho. Porra, bicho. This beast,
• 1:35:10
  Speaker 1: I think.
• 1:35:10
  Speaker 2: Mano, I'm going to be honest. What I saw there,
• 1:35:13
  Speaker 2: because he wore his pants very tight, up, right? A
• 1:35:15
  Speaker 2: lot of ball, little stick.
• 1:35:17
  Speaker 1: Hahaha.
• 1:35:21
  Speaker 2: Tá ligado? Quando você olha, você fala.
• 1:35:22
  Speaker 1: Assim, muita bola. Com todo o respeito, senhor Fausto.
• 1:35:25
  Speaker 2: Ou pode até ter um belo pau, mas tem muita bola.
• 1:35:28
  Speaker 1: Que cabe num.
• 1:35:30
  Speaker 2: Não cabe num copo.
• 1:35:32
  Speaker 1: Cabe num.
• 1:35:34
  Speaker 2: Não cabe num copo.
• 1:35:35
  Speaker 1: Mas, tá. Tentei achar.
• 1:35:38
  Speaker 2: Then you forget. Then you forget. It's like three legs.
• 1:35:41
  Speaker 1: Then that stick that if left, comes out of the underwear.
• 1:35:43
  Speaker 1: These skinny people who don't.
• 1:35:45
  Speaker 2: Have a muscle in the body, who have kind of
• 1:35:47
  Speaker 2: a worm body. All the blood goes.
• 1:35:49
  Speaker 1: To the stick. That's it, it's a lot of prick.
• 1:35:52
  Speaker 2: A lot, a lot, a lot, a lot. A lot,
• 1:35:55
  Speaker 2: a lot, a lot. Seriously, guys.
• 1:35:56
  Speaker 5: You see the skinny people there, you say, wow, you
• 1:35:58
  Speaker 5: can see his heart beat. When you take off the pants,
• 1:36:00
  Speaker 5: you'll be scared.
• 1:36:01
  Speaker 4: Yeah, it looks like the meat, the life, only went
• 1:36:03
  Speaker 4: to the pecs of these boys who are franzinos, right?
• 1:36:06
  Speaker 2: And that's why... Wow, here, look. But no, he was fat.
• 1:36:11
  Speaker 2: Pinto Gamer.
• 1:36:12
  Speaker 1: Pinto Gamer.
• 1:36:14
  Speaker 2: Mano, for the guy to put 7 videos or more.
• 1:36:17
  Speaker 1: I don't use Pinto.
• 1:36:19
  Speaker 2: Pinto is annoying.
• 1:36:20
  Speaker 4: It's a Pinto that says, ah, it's better to play LOL, right?
• 1:36:24
  Speaker 1: It's better to play GTA. Let's play GTA, his Pinto
• 1:36:26
  Speaker 1: must say.
• 1:36:27
  Speaker 2: Pinto is the same as the photo of Postinho.
• 1:36:31
  Speaker 1: How is that?
• 1:36:32
  Speaker 2: You can look it up later. I think it has
• 1:36:38
  Speaker 2: a medium paint, like a normal paint, ok? But thick. Yeah.
• 1:36:43
  Speaker 1: Thick. Thick. Thick. A firm paint.
• 1:36:46
  Speaker 2: A firm paint.
• 1:36:47
  Speaker 1: Paint... I think it must be... A paint... A guy.
• 1:36:52
  Speaker 2: With a small paint, right? Yeah. No, say it. Say
• 1:36:56
  Speaker 2: what you're feeling.
• 1:36:57
  Speaker 1: Ah, a paint with....
• 1:36:59
  Speaker 4: It's not that it's small, but it has a flaccid skin.
• 1:37:03
  Speaker 1: A paint with a flaccid skin. It has more skin
• 1:37:05
  Speaker 1: than it should have, right? Yeah, it's a hairy paint.
• 1:37:07
  Speaker 1: A hairy paint.
• 1:37:08
  Speaker 4: A hairy paint, yes. Yes, it's a paint with a
• 1:37:12
  Speaker 4: lot of skin too. It's different from the paint from
• 1:37:15
  Speaker 4: Space Today, which is tight. The spongy meat, his is
• 1:37:19
  Speaker 4: loose skin. Loose skin, right?
• 1:37:21
  Speaker 2: Loose skin.
• 1:37:21
  Speaker 1: Flaccid paint. Yes, it looks like a paint that was
• 1:37:23
  Speaker 1: covered with a wet towel. Yes. Fuck. It's over. It's over.
• 1:37:29
  Speaker 4: Every time we do an episode just for us, we
• 1:37:31
  Speaker 4: have to talk about the Bintos here.
• 1:37:34
  Speaker 2: But it's cooler when there's more people. Do you remember
• 1:37:36
  Speaker 2: Julio's laugh?
• 1:37:37
  Speaker 1: Our Lady. For sure.
• 1:37:38
  Speaker 2: Perfect.
• 1:37:39
  Speaker 1: It was excellent.
• 1:37:39
  Speaker 2: Guys, are we done here? What?
• 1:37:40
  Speaker 1: Ah, but we have a date.
• 1:37:45
  Speaker 2: Yeah, for those who don't know.
• 1:37:48
  Speaker 4: Bate ou Regaça is going to happen. There are already
• 1:37:51
  Speaker 4: recorded episodes. Julio Cosseiro's post already hit a million there.
• 1:37:55
  Speaker 1: So....
• 1:37:58
  Speaker 4: Vai entrar na grade de programação o bate ou regaça, tá, galera? Ó,
• 1:38:03
  Speaker 4: não é por nada, não.
• 1:38:05
  Speaker 2: Quê? Isso que eu ia falar. Não é por nada, não.
• 1:38:10
  Speaker 2: Semana que vem tá no ar, viado.
• 1:38:12
  Speaker 1: Toma.
• 1:38:13
  Speaker 2: Eu sei que a galera.
• 1:38:15
  Speaker 5: Oh, I'm going to say how the conversations are here
• 1:38:18
  Speaker 5: on PodPai, fuck it, you know? We're talking there and
• 1:38:20
  Speaker 5: we're wanting to put the Bat-O-Rregaça next Sunday, right? Because
• 1:38:24
  Speaker 5: we think that on Sunday it would be nostalgic and
• 1:38:27
  Speaker 5: you would like it.
• 1:38:28
  Speaker 2: But would you watch it the same way?
• 1:38:47
  Speaker 1: I think Sunday is a good day.
• 1:38:48
  Speaker 2: That day.
• 1:38:49
  Speaker 4: Do you know that Sunday end that you're already getting
• 1:38:52
  Speaker 4: sad because it's coming on Monday? Drop a beat and
• 1:38:55
  Speaker 4: laugh so you can laugh and start your Monday well.
• 1:38:57
  Speaker 2: Look, there's a survey on the live there. The guys
• 1:39:01
  Speaker 2: voted on Friday. Friday? Friday is winning with 40%. Friday
• 1:39:06
  Speaker 2: is good too. To start the weekend well.
• 1:39:11
  Speaker 4: But I'm in doubt about Friday to Sunday. Guys, it's Sunday.
• 1:39:16
  Speaker 4: People are doing nothing, relaxing. Ask for a pizza, watch
• 1:39:21
  Speaker 4: a Bate ao Regaço. Because the episode, contrary to what
• 1:39:23
  Speaker 4: many people think... How long will it be a Bate
• 1:39:25
  Speaker 4: ao Regaço episode?
• 1:39:26
  Speaker 1: 40 minutes?
• 1:39:27
  Speaker 2: 40 minutes, an hour.
• 1:39:28
  Speaker 1: There, look.
• 1:39:28
  Speaker 4: It's time to eat a pizza, call friends, gather in
• 1:39:31
  Speaker 4: the living room, watch this.
• 1:39:32
  Speaker 1: Shit of this program.
• 1:39:33
  Speaker 2: It's that I feel that on Sunday... What's the thing?
• 1:39:36
  Speaker 1: Sunday.
• 1:39:37
  Speaker 2: Sunday... Sunday, I was going to say. Sunday has sports, right?
• 1:39:40
  Speaker 5: So it's a soccer game, Fantástico, Faustão, these things. There's
• 1:39:45
  Speaker 5: no more entertainment. Only entertainment for entertainment, you know?
• 1:39:50
  Speaker 1: No.
• 1:39:50
  Speaker 2: It's just these things, so.
• 1:39:51
  Speaker 1: I'm like, bro... The only cool thing that's happening on.
• 1:39:54
  Speaker 2: Sunday is soccer, bro. Exactly, because Sunday is a day
• 1:39:56
  Speaker 2: that is.
• 1:39:56
  Speaker 5: It's a happy weekend, but Sunday night is getting sad
• 1:39:59
  Speaker 5: because it's coming on Monday. And what made our Sundays
• 1:40:02
  Speaker 5: the coolest night was... Panicking on TV, MTVs, Quinta Categoria...
• 1:40:08
  Speaker 5: Topa Tudo por Dinheiro, do Silvio ali... It's not happening anymore.
• 1:40:14
  Speaker 5: So I'm thinking, this free day is on the weekend.
• 1:40:17
  Speaker 5: But let's see if it's going to work or not.
• 1:40:20
  Speaker 5: But hit the bell next week, next.
• 1:40:22
  Speaker 2: Weekend, right?
• 1:40:23
  Speaker 1: Yeah, here in the chat, everyone said Sunday.
• 1:40:24
  Speaker 2: In the chat, the guys said Sunday. Yeah, but nobody
• 1:40:27
  Speaker 2: came back on Sunday, right?
• 1:40:29
  Speaker 1: Disgrace! Did we influence the people? Talking about Sunday.
• 1:40:33
  Speaker 4: You stop to think and say, Sunday would be really interesting.
• 1:40:37
  Speaker 1: To start a good week. Comment there.
• 1:40:40
  Speaker 2: But know that next week, Bate ou Regaça is already
• 1:40:43
  Speaker 2: in the air, family.
• 1:40:44
  Speaker 5: Sunday night, to make a barbecue. Sunday night, to remember
• 1:40:48
  Speaker 5: the panic. Sunday, Sunday, Sunday, Sunday.
• 1:40:52
  Speaker 2: Let's do this.
• 1:40:52
  Speaker 5: We're going to do this survey. We're going to do
• 1:40:54
  Speaker 5: these surveys. But next week, Bate ou Regaça is back, okay?
• 1:41:00
  Speaker 5: Even the Panico channel tried to go back to Bate
• 1:41:02
  Speaker 5: ou Regaça, seeing that we.
• 1:41:04
  Speaker 2: Reupou os Bate ou Regaça. Really? Seeing that we're doing
• 1:41:06
  Speaker 2: the movement. Lost, right? Sorry.
• 1:41:08
  Speaker 1: Really? Uh-huh. Ah, but.
• 1:41:11
  Speaker 2: Do you think they'll want to do B.O.
• 1:41:13
  Speaker 1: With us? No, B.O.
• 1:41:14
  Speaker 2: Why?
• 1:41:14
  Speaker 1: It's over. I don't know, they'll say, no, the stuff
• 1:41:17
  Speaker 1: is ours. No, no, no, no. The juridical team works
• 1:41:20
  Speaker 1: very well.
• 1:41:21
  Speaker 4: We spent a lot of money to make the structure,
• 1:41:23
  Speaker 4: the scenario. Convinced the jury to come again. So no,
• 1:41:27
  Speaker 4: take the Zóio because the thing is ours now.
• 1:41:30
  Speaker 1: Bate ou Regaça now is on Podpá TV.
• 1:41:32
  Speaker 5: For the love of God, not only Bate ou Regaça,
• 1:41:34
  Speaker 5: but also Falha de Cobertura is on Podpá TV, as
• 1:41:38
  Speaker 5: well as Podpá Quera with Lívia Rafael is on Bate
• 1:41:41
  Speaker 5: ou Regaça TV, Podpá TV, as well as Diogrefante, Podpá Visita,
• 1:41:46
  Speaker 5: Rango Brabo Burger, Rango Brabo Reality, Rango Brabo.
• 1:41:49
  Speaker 2: Everything you want.
• 1:41:50
  Speaker 1: Quebrada FC.
• 1:41:51
  Speaker 2: Quebrada FC.
• 1:41:51
  Speaker 1: Quebrada FC. Every day.
• 1:41:53
  Speaker 4: At 5 in the afternoon. You'll have Quebrada FC. Our
• 1:41:56
  Speaker 4: sports program.
• 1:41:57
  Speaker 1: Wonderful.
• 1:41:58
  Speaker 4: This and other programs that.
• 1:42:01
  Speaker 1: Are also coming.
• 1:42:01
  Speaker 5: Guys, including you who like Quebrada FC. There will be
• 1:42:05
  Speaker 5: a vote, right? There will be an election in October.
• 1:42:08
  Speaker 5: Don't vote for Marcelinho Carioca.
• 1:42:10
  Speaker 2: Please.
• 1:42:10
  Speaker 1: Don't vote.
• 1:42:11
  Speaker 2: Because if he loses, he goes back to the program.
• 1:42:13
  Speaker 2: If he wins, he will stay there in Brasília. And
• 1:42:15
  Speaker 2: what does Marcelinho Carioca have to contribute in Brasília?
• 1:42:18
  Speaker 1: Nothing. Now in Quebrada FC, he has a lot of things.
• 1:42:21
  Speaker 2: A lot of things.
• 1:42:21
  Speaker 5: It's a ball filter. It's fooling him for the kidnapping.
• 1:42:24
  Speaker 5: It's him being cool as hell.
• 1:42:26
  Speaker 4: He defended Corinthians, fought for Corinthians.
• 1:42:28
  Speaker 5: Now it's Palo Armentar. Don't vote for Marcelinho Carioca. Our
• 1:42:32
  Speaker 5: campaign is to not vote for Marcelinho Carioca.
• 1:42:35
  Speaker 1: Good, good.
• 1:42:36
  Speaker 5: Don't vote for him. If you like the entertainment he generates,
• 1:42:39
  Speaker 5: don't vote for him. And even ask for the Quebrada
• 1:42:42
  Speaker 5: FC to do a campaign every day, don't vote for Marcelinho,
• 1:42:46
  Speaker 5: as if it were our political time. I want Souza,
• 1:42:48
  Speaker 5: I want Drago, Corpo de Pai, I want Marcos Assunção
• 1:42:52
  Speaker 5: e Ju Canalha doing the campaign of not voting for
• 1:42:54
  Speaker 5: Marcelinho Carioca.
• 1:42:55
  Speaker 1: I'm with you and I don't open my hands, Zé Buceta.
• 1:42:57
  Speaker 1: Let's do this.
• 1:43:00
  Speaker 5: I like it, I like it, I like it, I
• 1:43:02
  Speaker 5: like it, one of those free ones.
• 1:43:05
  Speaker 4: Nice, nice, Marcelinho, stay with us, man, go, because this
• 1:43:08
  Speaker 4: political stuff, we help the way we help, right, Engão?
• 1:43:10
  Speaker 1: Let's go, there's.
• 1:43:12
  Speaker 4: More, there's more warnings there, you have to break the
• 1:43:16
  Speaker 4: UFC now, five and a half, look there, tomorrow there's.
• 1:43:19
  Speaker 1: An episode of ours, what's it called? What?
• 1:43:23
  Speaker 5: Yeah, because it's Podpadox, it's not Podpadox, but it's Podpadox Originais.
• 1:43:26
  Speaker 5: Originais Podpá, so, today... 5.30pm, Quebrada FC. At 7pm, there's BDA.
• 1:43:32
  Speaker 1: True.
• 1:43:33
  Speaker 5: Tomorrow, the premiere of the original Spodipa with Relíquia.
• 1:43:39
  Speaker 2: We're talking about Proficium. We're together a lot here.
• 1:43:42
  Speaker 1: Take it. Take it.
• 1:43:44
  Speaker 2: We're together.
• 1:43:44
  Speaker 1: I'm very happy.
• 1:43:45
  Speaker 5: So, these things that are happening here for me, it's
• 1:43:47
  Speaker 5: already a dream. To be able to make a documentary
• 1:43:50
  Speaker 5: about this tennis here, which was already a reason to.
• 1:43:54
  Speaker 2: Of neurosis, because I couldn't have it?
• 1:43:55
  Speaker 1: It's crazy.
• 1:43:56
  Speaker 5: Leave your like, subscribe to the channel, follow the Mythic
• 1:43:59
  Speaker 5: on all social networks, because this guy is awesome, man.
• 1:44:01
  Speaker 4: Follow Igão too, because now it's loose like rice, right?
• 1:44:05
  Speaker 4: Let's go, because life is this and we can't stop.
• 1:44:07
  Speaker 4: It's like Zé Capagodinho's samba.
• 1:44:10
  Speaker 2: Não pode parar, né?
• 1:44:11
  Speaker 1: Deixa a vida me levar. Vida leva. Tchau, gente.
• 1:44:15
  Speaker 2: Segue eu, segue nas redes sociais, segue o Podpah, segue
• 1:44:19
  Speaker 2: o Igão, segue o Serginho, Ron.
• 1:44:21
  Speaker 1: Jacoff, Cabeção da Malhação.
• 1:44:22
  Speaker 2: E não vota no Marcelinho. E não vota no Marcelinho.
• 1:44:25
  Speaker 2: E o Arthur Letal. Qual que é o nome do
• 1:44:26
  Speaker 2: cara lá que vende cerveja? Arthur Letal.
• 1:44:28
  Speaker 4: Arthur Letal que vende cerveja também. Or if it's not Jinho,
• 1:44:31
  Speaker 4: he'll win.
• 1:44:32
  Speaker 2: And if you know of any of your relatives who
• 1:44:34
  Speaker 2: are Corinthians and will vote for Marcelinho, tell them what
• 1:44:36
  Speaker 2: his number is. Tell them it's another one.
• 1:44:39
  Speaker 1: Daniel Ertal, there, look. Zoom in on him, look.
• 1:44:41
  Speaker 4: Daniel Ertal, he sold beer in Rio de Janeiro, an actor.
• 1:44:44
  Speaker 1: We're together, brother. Dignity, now. That's us, we're together. This
• 1:44:54
  Speaker 1: family is in a spiral of descendants. We are surrounded
• 1:44:59
  Speaker 1: by sharks, ready to be devoured. Show me what you
• 1:45:02
  Speaker 1: know how to do. Your father knows you're here. No,
• 1:45:04
  Speaker 1: it's time to change. I want Conrad to die. You
• 1:45:08
  Speaker 1: want a war? Okay, I'll give you a war. Every
• 1:45:37
  Speaker 1: game has its limits.
• 1:45:39
  Speaker 2: When you hide from the.
• 1:45:40
  Speaker 3: Family how much you bet, it's a sign that the
• 1:45:43
  Speaker 3: line has been crossed. If that happened to you, the
• 1:45:45
  Speaker 3: Super Line is a channel to help you in this moment.
• 1:45:49
  Speaker 1: At Superbet, there's a limit to the game's rules.