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Ava Duvernay Interview and more · The Breakfast Club

• 0:01
  Speaker 1: Dan danybody come to the breakfast club. I call this
• 0:05
  Speaker 1: the sea you don't control. I''t even doing you so Peto?
• 0:13
  Speaker 1: Are you so Patty? The world's most dangerous morning sho
• 0:17
  Speaker 1: dj n this bitch, ANGELI. I stay in everybody's business,
• 0:20
  Speaker 1: but in a good ray. Charlomagne, the God, the ruler,
• 0:23
  Speaker 1: rubbers you the wrong way. The breakfast clubs for everybody.
• 0:36
  Speaker 1: Good morning Usa yo yo yo yo yo yo yo
• 0:39
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:40
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:42
  Speaker 1: yo yo yo yo yo yo yo yo yo. Good
• 0:45
  Speaker 1: morning Angelie. Ye that money he's any Charlomagne, the gout
• 0:49
  Speaker 1: piece to the planet. It is Friday, Yes, it's Friday.
• 0:54
  Speaker 1: Absolutely March NiFe when he cannabis see, the greatest rapper
• 0:58
  Speaker 1: of all time died on March NiFe. That's right, one
• 1:00
  Speaker 1: of the greatest rappers of all time. You know I
• 1:02
  Speaker 1: wouldn't have a problem if you got him at number one.
• 1:04
  Speaker 1: But then Dentorious big Restie pets to him. Yes, right, um,
• 1:07
  Speaker 1: what else did they? Oh? Wrinkling time, coming times speaking
• 1:10
  Speaker 1: a wrinkling time. Ava Duvenai will be joining us this morning,
• 1:13
  Speaker 1: dropping the clues bombs with Queen Aba Duvenai. Damn it,
• 1:15
  Speaker 1: but that makes sense. This is the second time I've
• 1:18
  Speaker 1: interviewed Able Duvene. I interviewed a Will last year, last
• 1:22
  Speaker 1: summer at the bat Genius talks. Yeah, but she she's
• 1:25
  Speaker 1: here on the Breakfast Club this morning and we'll be
• 1:26
  Speaker 1: kicking on her. Absolutely. I got my power back, Frond,
• 1:29
  Speaker 1: did you lose power on Jersey or no? No, I
• 1:30
  Speaker 1: lost power, man am I generated it and kicking. I
• 1:33
  Speaker 1: bought a generator after Sandy. When when Sandy hit, we
• 1:36
  Speaker 1: were out for like three four days without power. So
• 1:39
  Speaker 1: I bought a generated and I never checked it. I
• 1:40
  Speaker 1: never tested it since Sandy, and I should have tested
• 1:42
  Speaker 1: it because it didn't work. So I was out for
• 1:44
  Speaker 1: power for two days. So soon as power came back
• 1:47
  Speaker 1: on it, it was it was great to get heat,
• 1:50
  Speaker 1: a getting well. It was great to get heat again.
• 1:52
  Speaker 1: I know for a fact America's on autopilot because the
• 1:56
  Speaker 1: town next to my town was completely out of power
• 1:59
  Speaker 1: and so like just one screet I was taking my
• 2:01
  Speaker 1: daughter to Chile and practice yesterday and it's just one
• 2:03
  Speaker 1: street where like every traffic light was out and there
• 2:06
  Speaker 1: was no cops nowhere directing traffic. It's just everybody, just
• 2:11
  Speaker 1: every man for himself, every woman for himself. That's how
• 2:14
  Speaker 1: I know America is completely on auto pilot. Yeah, I'm surprised.
• 2:17
  Speaker 1: My kids had school off for Wednesday, Thursday, and today
• 2:20
  Speaker 1: they don't have any school school because schooling got a power.
• 2:25
  Speaker 1: This school has no power. That's crazy, pilot, It's pretty crazy.
• 2:30
  Speaker 1: It never ever happened to me. No, And we never
• 2:32
  Speaker 1: lost power at school, nothing like that. Never when I
• 2:35
  Speaker 1: was a kid either. But when we were kids, they
• 2:37
  Speaker 1: had candles, never had power to lose, sir, it was candles, yo. Right,
• 2:43
  Speaker 1: all right, But let's get the show cracking front page news.
• 2:45
  Speaker 1: What we're talking about you, Well, let's talk about this
• 2:47
  Speaker 1: whole drama with your President, Donald Trump and Stormy Daniels,
• 2:51
  Speaker 1: the port star who is now filing a lawsuit. She
• 2:54
  Speaker 1: wants to go ahead and not take that, and I
• 2:57
  Speaker 1: talked she talk. Nobody cares about that, Donald Trump. Then
• 3:00
  Speaker 1: through the ultimate to flection, lets talk and kid and
• 3:03
  Speaker 1: it's Trump meeting with King Jong. Exactly what we're going
• 3:06
  Speaker 1: to talk about that too. This a lot of Trump
• 3:10
  Speaker 1: talk this morning. Somebody cares about Stormy Daniels right now,
• 3:13
  Speaker 1: all right, Well, we'll get to that when we come back,
• 3:15
  Speaker 1: and don't forget Ava Duvenai will be joining us. So
• 3:17
  Speaker 1: keeping locked us to breakfast club. Good morning morning. Everybody
• 3:20
  Speaker 1: is dj N v Angela Yee, Charlomagne the guy. We
• 3:23
  Speaker 1: all the Breakfast Club. Let's get in some front page news. Now,
• 3:27
  Speaker 1: let's talk your president, Donald Trump. Yes, so Donald Trump.
• 3:31
  Speaker 1: Now there's some issues. And I've been reading all about
• 3:33
  Speaker 1: Stormy Daniel. She's a pornographic film actress, and she says
• 3:38
  Speaker 1: she had an affair with President Trump and she got
• 3:41
  Speaker 1: some hush money one hundred and thirty thousand dollars payout,
• 3:43
  Speaker 1: and it was an agreement that she signed in twenty
• 3:45
  Speaker 1: sixteen to keep silent. Okay, Now she is suing in
• 3:51
  Speaker 1: order to say that that was not actually a legal
• 3:54
  Speaker 1: contract that she signed. Part of that is they used
• 3:56
  Speaker 1: fake names. So Donald Trump used the name I think
• 4:00
  Speaker 1: it was David Dennison, and she had the name Peggy Peterson.
• 4:05
  Speaker 1: And so she's now saying that that signature, those aliases
• 4:09
  Speaker 1: are not going to hold up in court. They're also
• 4:11
  Speaker 1: saying that one hundred and thirty thousand dollars payout was
• 4:14
  Speaker 1: effectively a contribution to Donald Trump's campaign. That should have
• 4:18
  Speaker 1: been reported to the commission. What's the point of this story?
• 4:20
  Speaker 1: President Trump likes poom poom. We noticed already like he
• 4:23
  Speaker 1: would mean that he lied and he could be forced
• 4:25
  Speaker 1: to testify in depositions. If this does go through, he
• 4:28
  Speaker 1: might have to They might have to reveal things on
• 4:30
  Speaker 1: both sides. That's gonna happen on anyway. Nothing Teflon don
• 4:33
  Speaker 1: like that. That's light work. He already deed. He already
• 4:36
  Speaker 1: deflected by what the Kim jong un store. All right, well,
• 4:39
  Speaker 1: let's talk about that Kim jong un store. Now. Donald
• 4:41
  Speaker 1: Trump has accepted an offer to meet with Kim Jong un.
• 4:45
  Speaker 1: Here is what South Korea's national security advisor had to say.
• 4:48
  Speaker 1: All I told President Trump that no meeting North Korean
• 4:52
  Speaker 1: Little Kim John Mun said he's committed to Team neuclarization.
• 4:57
  Speaker 1: Kim cletched that North kore real Ukraine from any photo
• 5:02
  Speaker 1: Ducleo or this sold tests. I'll be honest with you.
• 5:05
  Speaker 1: I need the subtitles. I don't know what. I don't
• 5:07
  Speaker 1: know what he said. They're not meant to accepted the
• 5:10
  Speaker 1: invitation to meet with Kim Jong un at a place
• 5:12
  Speaker 1: and time to be determined. So that's the plan now,
• 5:15
  Speaker 1: even though the two of them have been going back
• 5:16
  Speaker 1: and forth with the insults NonStop, somehow, somewhere, I guess
• 5:20
  Speaker 1: they've decided to sit down. Where did they meet though?
• 5:22
  Speaker 1: Did they meet in America? Did they meet in South Korea?
• 5:26
  Speaker 1: They got to meet somewhere, like like in the middle
• 5:27
  Speaker 1: safe place maybe maybe I don't know what do they meet?
• 5:30
  Speaker 1: Like they meet in the neutral location to be neutral,
• 5:32
  Speaker 1: they're going to decide that they haven't decided determined what
• 5:35
  Speaker 1: that place is going to be yet. Well, I'm not
• 5:37
  Speaker 1: mad at diploma. See. I would rather have them sit
• 5:39
  Speaker 1: and work things out instead of threatening and throw nukes
• 5:41
  Speaker 1: at each other. My question is with Dennis Rodman be there?
• 5:44
  Speaker 1: Probably not? I don't think so. All right. In addition,
• 5:46
  Speaker 1: in just a couple of weeks, you can expect these
• 5:50
  Speaker 1: tariffs to take place, and that is on still imports
• 5:53
  Speaker 1: twenty five percent tariff and still imports and ten percent
• 5:56
  Speaker 1: on aluminum except for Canada and Mexico. So that's going
• 5:59
  Speaker 1: to happen in fieen days and a lot of companies
• 6:02
  Speaker 1: will be affected. A lot of US companies are going
• 6:04
  Speaker 1: to be affected by these tariffs. In other words, bear cans.
• 6:07
  Speaker 1: They're going to be more expensive because the tariffs will
• 6:09
  Speaker 1: be in effect. Autocart manufacturers, Boeings, Caterpillars, construction equipment, Campbell's
• 6:16
  Speaker 1: soup company, Craft Breweries. Is a lot of companies that
• 6:18
  Speaker 1: are going to be affected that our American companies for
• 6:20
  Speaker 1: General Electric, General motors, oil companies, Whirlpool, all of those
• 6:26
  Speaker 1: that'sn't expect the war. They're saying countries outside are going
• 6:29
  Speaker 1: to be putting tariffs on their stuff as well. So
• 6:32
  Speaker 1: allies are set now with these tariffs. So they're saying
• 6:34
  Speaker 1: it will be an economic disaster, but it's also a
• 6:37
  Speaker 1: security disaster for us. We want to build our ships,
• 6:39
  Speaker 1: we want to build our planes with steal and aluminum
• 6:41
  Speaker 1: from our country, according to Donald Trump, so he says,
• 6:45
  Speaker 1: this has been a long overdue problem. See what, Conda
• 6:47
  Speaker 1: don't have this problem. We Conda glute got vibratium. You know,
• 6:49
  Speaker 1: I'm saying they got the market cornered on the most
• 6:51
  Speaker 1: precious metal in the war minknness, all right, drop on
• 6:53
  Speaker 1: a clues bombsable. Conda always one step ahead of the curve, okay,
• 6:58
  Speaker 1: all right? And by the way, it only stone acknowledge
• 7:00
  Speaker 1: today is a storm read from Wrinkling Time. Okay, and
• 7:03
  Speaker 1: I just Stormy Daniels. All right, LA's front page news.
• 7:06
  Speaker 1: Get it off your chests? Eight don't drip five eight
• 7:08
  Speaker 1: five one on five one. If you're upset, you need
• 7:10
  Speaker 1: to vent. Hit us up right now, Maybe need to vent.
• 7:13
  Speaker 1: You could call us up. Or if you just want
• 7:14
  Speaker 1: to spread some positivity, you could tell him are you blessed? Eight?
• 7:17
  Speaker 1: Don't drip? Five eight five one on five one is
• 7:19
  Speaker 1: to breakfast club. Good morning the breakfast club. Wake up,
• 7:25
  Speaker 1: wake up, wake y'all. This is your time to get
• 7:29
  Speaker 1: it off your chest. Whether you're man or blast, we
• 7:32
  Speaker 1: want to hear from you on a breakfast club. Hello.
• 7:35
  Speaker 1: Who's this? Yeah? This is Marcos from the Connecticut. Ay, Marco,
• 7:39
  Speaker 1: get it off your chests? Bro y know, Charlotte Mane,
• 7:41
  Speaker 1: I'm mad at you, bro Okay, that's serious. Man. What's
• 7:45
  Speaker 1: good with you? And little zin Man, little Zucker mantle
• 7:49
  Speaker 1: Man and the kid you gave dunk in the day
• 7:51
  Speaker 1: Essel Oh oh what a bottom? He just lust his
• 7:54
  Speaker 1: own opinion. Man, Come on, listen, listen, you can have
• 7:57
  Speaker 1: you can You gotta listen to half the music you
• 7:59
  Speaker 1: come out with fall betrayed. He didn't give it to
• 8:03
  Speaker 1: I don't care if I didn't. I didn't give me
• 8:05
  Speaker 1: joking the day because of his music, though. I mean, listen,
• 8:07
  Speaker 1: you can have an opinion, but your opinion can be
• 8:09
  Speaker 1: dead wrong. You do know that, right, Like, It's one
• 8:11
  Speaker 1: thing to say you think two pockets music is boring.
• 8:13
  Speaker 1: Cool music is subjective, But to say that two pockets
• 8:16
  Speaker 1: number two on the cloud scale? Do you know what
• 8:18
  Speaker 1: the word cloud means? Sir? Yeah, you were, yeah, yeah, yeah,
• 8:20
  Speaker 1: he wrong for that. Got donkey today, yeah yeah, yeah,
• 8:25
  Speaker 1: but he for that. He was wrong for that the
• 8:27
  Speaker 1: end of the day. But still you gotta give this
• 8:29
  Speaker 1: music at least a charge. Man, Don't just say it
• 8:31
  Speaker 1: wasn't It wasn't about his music. It was about what
• 8:34
  Speaker 1: he said. I'm not gonna lie. I'm old deed on
• 8:35
  Speaker 1: littles right now. I like Little Oozy because I've seen
• 8:37
  Speaker 1: him perform. He's a great performance. I was listening to
• 8:39
  Speaker 1: the Little Yaddy this morning, but that's old school Little Wayne,
• 8:43
  Speaker 1: Little John. That's my error. You new the new littles.
• 8:46
  Speaker 1: I gotta I gotta fill on those right now, Little
• 8:47
  Speaker 1: Ouzie and Little Yati. That as far as I go, Hello,
• 8:49
  Speaker 1: who's this I had from the Hey, Ma'm gonna get
• 8:53
  Speaker 1: it off his chest? Mad because I had when you
• 8:55
  Speaker 1: have a personal friends and you gotta have a issue
• 8:58
  Speaker 1: and instead of them calling you, they put it out
• 9:00
  Speaker 1: on fatbook, it is makes me stop mad. Yeah that
• 9:03
  Speaker 1: is true. Yeah that's kind of corny. Pick up the
• 9:05
  Speaker 1: phone and call me if we spent We're really cool, bro, Exactly.
• 9:08
  Speaker 1: I walk up to this morning to Facebook sat of
• 9:10
  Speaker 1: stuff out and me like, why didn't you call me?
• 9:12
  Speaker 1: You're talking about best friends sixteen? Are you sure you're
• 9:14
  Speaker 1: not being sensitive? I know sometimes people see Facebook pull
• 9:17
  Speaker 1: like I know they talking about me, but it ain't
• 9:18
  Speaker 1: really about the subliminal. Yeah it was, so maybe it's
• 9:21
  Speaker 1: not as much. It might not be about you. I'm
• 9:24
  Speaker 1: her only bestie. Now, I will say this, The subliminals
• 9:27
  Speaker 1: you think are about you say a lot about you.
• 9:30
  Speaker 1: That's true. Get it off your chests eight hundred five
• 9:32
  Speaker 1: eight five one o five one. If you're upset, you
• 9:34
  Speaker 1: need to vent hit us up right now. It's the
• 9:36
  Speaker 1: breakfast Club. Good morning, the Breakfast Club. Did your time
• 9:45
  Speaker 1: to get it off your chests? Whether you're mad or
• 9:47
  Speaker 1: blast so Peo better have the same Inny, we want
• 9:50
  Speaker 1: to hear from you on the breakfast club. Hello. Who's
• 9:52
  Speaker 1: this Hey, good morning, this is Angel. I'm calling from
• 9:56
  Speaker 1: rich We Virginia. Hey, Angel, get it off your chance
• 9:59
  Speaker 1: farmer dj Envy. I'm actually upset with you today. Are
• 10:04
  Speaker 1: you mad at me? Mama? Because like, I know that
• 10:07
  Speaker 1: today is Biggie's death anniversary, but my thing is it
• 10:11
  Speaker 1: is also bad Woud's birthday. I want to hear today
• 10:16
  Speaker 1: five Bad Wild songs and I'll get some bad one
• 10:18
  Speaker 1: for you, MoMA. I can't do five, okay, thank you?
• 10:21
  Speaker 1: On Wow, you can't even do a bad Wound mix.
• 10:29
  Speaker 1: And it's not it's not it's not a Biggie's fall.
• 10:31
  Speaker 1: Come on, that was my first love. You have to
• 10:33
  Speaker 1: get at least two Bad Wow songs in a yeah.
• 10:35
  Speaker 1: But ain't nobody told bad Way to be born on
• 10:37
  Speaker 1: the day Biggie dot No, no, no, nobody told nobody
• 10:41
  Speaker 1: told about to do that. Go on now, just two songs.
• 10:45
  Speaker 1: I love bad but I can't mix Bad Wild Biggie.
• 10:48
  Speaker 1: If you don't, okay, can we get like a little
• 10:50
  Speaker 1: Bow song like throughout the day? How about you give
• 10:53
  Speaker 1: you a little balk right now. I'll take it. I'll
• 10:57
  Speaker 1: take thank you, on the battle I watched have been
• 11:04
  Speaker 1: Born on the eighth for the tenth Oh my goodness, hello,
• 11:06
  Speaker 1: who's this hey? Man? What's going on? Mister Shaw Collie
• 11:09
  Speaker 1: for Texas? I'm mad about this aluminum tariff tech situation. Man.
• 11:14
  Speaker 1: We get the low the lower income beer companies have
• 11:18
  Speaker 1: to buy aluminum, and they will put them out of
• 11:22
  Speaker 1: business if they have to raise the press on their
• 11:24
  Speaker 1: beer to the American people. I don't think people can't
• 11:26
  Speaker 1: what they drink beer out of, sir. I mean would
• 11:29
  Speaker 1: when when a regular pack of beer was ten dollars
• 11:32
  Speaker 1: one day and it's fifteen and next to a twelve pack,
• 11:35
  Speaker 1: but they can buy it in the bottom bottle. The
• 11:37
  Speaker 1: more expenses they can, Oh, they're gonna drink the aluminum.
• 11:40
  Speaker 1: Everybody gonna really be affected when they go over to
• 11:42
  Speaker 1: somebody's house for a nice little cookout or something and
• 11:45
  Speaker 1: they ain't nothing to wrap up the barbecue you want
• 11:47
  Speaker 1: to take home because it's too expensive. That's when people
• 11:50
  Speaker 1: really gonna fall. No fall. There you go, you know
• 11:53
  Speaker 1: we do, Charlotte mine, We bring guy on down tough
• 11:56
  Speaker 1: work to our bar were smart Negro? There you go,
• 11:59
  Speaker 1: there you go, thank you bro? All right, man, get
• 12:03
  Speaker 1: it off your chests eight hundred five eight five one
• 12:05
  Speaker 1: oh five one. If you're upset, you need to vent
• 12:07
  Speaker 1: hit us up right now. You've got rooms all the
• 12:09
  Speaker 1: way he asked. We'll talk about Rick Ross, will give
• 12:11
  Speaker 1: you an update on how he's doing. And they've also
• 12:13
  Speaker 1: released the nine one one Call, which sounded pretty scary. Also,
• 12:17
  Speaker 1: who is Apple Music's most streamed woman? Well, we'll tell
• 12:20
  Speaker 1: you who's number one on that list. All right, we'll
• 12:23
  Speaker 1: get into all that when we come back. Keep a
• 12:25
  Speaker 1: lockt this to breakfast club. Good morning the Breakfast Club.
• 12:30
  Speaker 1: Good on to guys. It's a Friday. Hey, it is
• 12:33
  Speaker 1: quick question before we get to the room is talk
• 12:35
  Speaker 1: to me. What's your favorite big joint, favorite biggie song ever?
• 12:39
  Speaker 1: Probably my Downfall that one of my favorite. I don't
• 12:41
  Speaker 1: have a favorite exact because it's the vibes are different
• 12:45
  Speaker 1: about you, like of course, I like I got a
• 12:47
  Speaker 1: story to tell, story like the original one more chance,
• 12:50
  Speaker 1: not original when it comes to sex. Something Manilla called
• 12:56
  Speaker 1: me kind of fell a big Jo's beef. Who shot you?
• 13:02
  Speaker 1: Who shot you? All right? I just said a couple
• 13:04
  Speaker 1: of goodness gracious quest. I like the sum with him
• 13:06
  Speaker 1: and little Kim. What do you do when your man
• 13:09
  Speaker 1: is untrue? You cut the I like I need all right? Anyway,
• 13:14
  Speaker 1: let's get to the rum as. Let's talk the most
• 13:16
  Speaker 1: stream female artists. Listen just Oh Gosh Reports, it's the
• 13:25
  Speaker 1: Rum Report, Breakfast Club, Well, Apple Music, and on our
• 13:29
  Speaker 1: International Women's Day yesterday, released a list of the top
• 13:32
  Speaker 1: twenty most streamed women. And guess who was number one
• 13:35
  Speaker 1: on the list? Let me guess, Let me guess. I
• 13:37
  Speaker 1: would say the brand of that Mannise is Swift. She's
• 13:41
  Speaker 1: number two. Actually, Beyonce is number three. Brihanna, Rihanna's number one.
• 13:49
  Speaker 1: That's Island Spices right there. That mannis coming in At
• 13:52
  Speaker 1: number four was Ariana Grande and Adele was number five.
• 13:55
  Speaker 1: Adele is a big y'all manning stopping right enough? Seeing that?
• 14:01
  Speaker 1: All right enough? Rick Ross, that nine one one call
• 14:05
  Speaker 1: before he went to the hospital has been released. It's
• 14:09
  Speaker 1: a male caller calling from Rick Ross's Miami house. And
• 14:12
  Speaker 1: here's how it went. I needed a lamps here. He
• 14:16
  Speaker 1: was thrown up. Look like he's I know, he's ahead
• 14:20
  Speaker 1: of he before he took his medicine. He's not breathing right,
• 14:28
  Speaker 1: He's in and out he's the shaking rear bear. He
• 14:31
  Speaker 1: already was vomiting. Well, he was going up a little
• 14:36
  Speaker 1: light blood and stuff. He just passed. No, he pulled
• 14:42
  Speaker 1: on his shelf. Why why had nine one one called me?
• 14:45
  Speaker 1: I was taking to say, why would they watch? And
• 14:48
  Speaker 1: why is that lady on the phone top say whatnot?
• 14:49
  Speaker 1: But you I gotta repeat my thumbo that have told
• 14:51
  Speaker 1: you everything that's happening to my man. Well, he posted
• 14:53
  Speaker 1: ain't nothing like home. I love y'all, so glad to
• 14:56
  Speaker 1: see that he is home and hopefully feeling better. They
• 14:59
  Speaker 1: saying it was a undisclosed heart complication. And that's a
• 15:02
  Speaker 1: scary situation though, when you have to make a call
• 15:05
  Speaker 1: like that, and if all of those things are happening
• 15:07
  Speaker 1: and you don't know what's going on in that president
• 15:08
  Speaker 1: has had a history of seizures. I'm mad. I shouldn't
• 15:10
  Speaker 1: have to hear that like that should be personal, you should.
• 15:12
  Speaker 1: They shouldn't release though. I don't see the point of it.
• 15:14
  Speaker 1: I've never I have yet to see the point, not
• 15:16
  Speaker 1: at all to our all nine one one calls made public? Yes,
• 15:20
  Speaker 1: all right, I think unless it's involved with a child. Now,
• 15:25
  Speaker 1: Chris Brown versus Vanessa Carlton, How did this even happen? First,
• 15:29
  Speaker 1: Chris Brown posted mood this song lit Forever and he
• 15:32
  Speaker 1: put this song up downtown face is fasten Them Home? Well,
• 15:44
  Speaker 1: Vanessa Carlton was not too happy about it. She posted
• 15:48
  Speaker 1: today Chris Brown posted my video I am now being
• 15:52
  Speaker 1: repeatedly tagged to his account. Being that today's International Women's Day,
• 15:55
  Speaker 1: I feel compelled to draw a line. I support survivors,
• 15:58
  Speaker 1: not perpetrators of demand stick violence. I do not want
• 16:01
  Speaker 1: to be associated with an artist that has assaulted women
• 16:04
  Speaker 1: on a daylight today, Thank you. I thought that was
• 16:06
  Speaker 1: a reach, man, when that's a cart and you can't
• 16:08
  Speaker 1: pick and choose who likes and buys your music and
• 16:10
  Speaker 1: shares your music. And if there's anyone who should be
• 16:13
  Speaker 1: showing love the women's Chris Brown like, he should definitely
• 16:16
  Speaker 1: be showing people that he's grown and he's evolved and
• 16:19
  Speaker 1: that he loves women. Yeah, so I thought that was
• 16:22
  Speaker 1: a reach on her part. That was a tough one.
• 16:25
  Speaker 1: And he simply posted a part of the song playing
• 16:30
  Speaker 1: on White Chicks and he captain did I love this song?
• 16:32
  Speaker 1: And then he said to Vanessa Carlton, I posted a
• 16:34
  Speaker 1: song that was and still is a great song, and
• 16:36
  Speaker 1: the artist felt she was doing her duty as a
• 16:38
  Speaker 1: woman to continue to spread this kind of hatred Today,
• 16:40
  Speaker 1: I won't keep it up long. I just hope she
• 16:42
  Speaker 1: knows she is loved and her song is great. Yeah,
• 16:44
  Speaker 1: and Chris never lied about the domestic violence. He made
• 16:47
  Speaker 1: a mistake. He said he made a mistake, right right. Yeah,
• 16:50
  Speaker 1: she could have just left that one alone. But also
• 16:54
  Speaker 1: I can't tell her how to react to anything, So
• 16:56
  Speaker 1: she reacted how she reacted, whether or not what Chris
• 16:59
  Speaker 1: Brown to reply with a bunch of fifth emojis, Stop it,
• 17:01
  Speaker 1: stop it stopping man, Why you all one of the
• 17:03
  Speaker 1: man What are you talking about anyway? I'm here, ye,
• 17:06
  Speaker 1: and that is your rumor you've been black pirate, that's
• 17:08
  Speaker 1: what you meant. No, I'm just thinking about all the
• 17:10
  Speaker 1: possible great news scenarios. That's what my mind knows. What
• 17:13
  Speaker 1: that could have went left? Yes, what when we come back,
• 17:17
  Speaker 1: Ava Duvenai will be dropped clues bombs for Queen Ava
• 17:20
  Speaker 1: Dubnai or Wrinkling Time is in theaters today. I keep
• 17:23
  Speaker 1: telling y'all, it's the perfect daddy daughter date. You should
• 17:25
  Speaker 1: take your daughters to go see it. Fathers, this weekend,
• 17:28
  Speaker 1: but I cannot wait to build what they were doing now,
• 17:30
  Speaker 1: I had I interviewed her before. They'll interviewed her last week,
• 17:32
  Speaker 1: not last week or last year, okay, last summer at
• 17:35
  Speaker 1: the bat genius talks. But she's a phenomenal person. She
• 17:38
  Speaker 1: makes me want to be a better human being. All Right,
• 17:39
  Speaker 1: we'll kick it with her when we come back. Don't move.
• 17:41
  Speaker 1: It's to Breakfast Cloud corning morning. Everybody is DJ Envy,
• 17:45
  Speaker 1: Angela Yee, Charlemagne the God. We are the Breakfast Cloud.
• 17:48
  Speaker 1: We have a special guest in the building. This is
• 17:50
  Speaker 1: really a special guest, and said special guest for everybody,
• 17:52
  Speaker 1: but this really is a special guest. A. How you're doing?
• 17:58
  Speaker 1: How's everything? Now? We see you had a lot of people.
• 18:00
  Speaker 1: But it's okay because no, I know I walked in
• 18:03
  Speaker 1: here like I know, I walked in here, like you know,
• 18:05
  Speaker 1: I'm about to do a concert tomorrow. We have a
• 18:09
  Speaker 1: posh yes, threaten us. I'm just gonna walk out in
• 18:16
  Speaker 1: the middle and we in this moment just a black
• 18:21
  Speaker 1: renaissance and TV and film? What is what is rinkle
• 18:24
  Speaker 1: fit into all of that? You know? Wrinkle is is
• 18:27
  Speaker 1: um a big part of it? Like I was just
• 18:30
  Speaker 1: out in LA with just Beautiful right now, Lena Way
• 18:35
  Speaker 1: and Issa and Ryan Coogler and um Angela Bacid and
• 18:41
  Speaker 1: uh and I mean you look at all the shows
• 18:43
  Speaker 1: underground and um uh Tween Sugar and Insecure and Lena's
• 18:49
  Speaker 1: show and Shy the Shy and uh Mar Breakakills got
• 18:53
  Speaker 1: a new show coming out called love Is, which is
• 18:55
  Speaker 1: really cool, and this film as well. In television, Barry
• 18:59
  Speaker 1: Jenkins has another film coming out. Steve McQueen has another
• 19:01
  Speaker 1: film coming out, and he did Twelve Years a Slave.
• 19:03
  Speaker 1: But the bottom line is you can count all those
• 19:05
  Speaker 1: people on two hands, you know. And so while we
• 19:08
  Speaker 1: are kind of in a moment where we can all
• 19:11
  Speaker 1: see each other, that needs to be a lot more.
• 19:13
  Speaker 1: And you know it's really when you talk about brown,
• 19:17
  Speaker 1: you're not seeing, you know, enough attention paid to Latino creators,
• 19:21
  Speaker 1: you know, Asian creators. You ain't never seen no Native
• 19:25
  Speaker 1: American people. You know what, what do they see on TV? Nothing?
• 19:28
  Speaker 1: So that's part of this film is trying to show
• 19:31
  Speaker 1: as many people as possible because we think we aren't
• 19:33
  Speaker 1: seeing those representations, but imagine, imagine everyone else. It's just
• 19:36
  Speaker 1: a lot more to do. Now, let's go back at
• 19:39
  Speaker 1: how did you get into directing in films. I didn't
• 19:41
  Speaker 1: pick up a camera until I was thirty two, which
• 19:44
  Speaker 1: is really old in directory years. Well, um, I didn't
• 19:49
  Speaker 1: go to film school, so it was really improbable that
• 19:53
  Speaker 1: I would ever have made it. See Ryan Coogler, who's
• 19:55
  Speaker 1: a great friend of mine, or director Black Panthers thirty one,
• 19:58
  Speaker 1: he's on his third film. I didn't pick up a
• 20:01
  Speaker 1: camera till I was thirty two. And what gave you that?
• 20:03
  Speaker 1: To pick up a camera? I was just trying it out,
• 20:05
  Speaker 1: just playing with it. I was on these sets. I
• 20:06
  Speaker 1: was a publicist, so I was a publicist for other filmmakers,
• 20:09
  Speaker 1: and I would be on the sets, never with the woman,
• 20:11
  Speaker 1: never with the black person. And I was watching people
• 20:14
  Speaker 1: direct and like I could do that. I feel like
• 20:16
  Speaker 1: I can do it. I never thought it would be
• 20:19
  Speaker 1: living from it. I just picked up a camera to
• 20:21
  Speaker 1: enjoy it for myself, see what I can make, And
• 20:24
  Speaker 1: I just kept making things. You know, it's great even
• 20:27
  Speaker 1: your background doing PR yeah, and being on sets and everything,
• 20:30
  Speaker 1: that's just helpful for when you did decide to do it,
• 20:32
  Speaker 1: because having that skill to be able to do PR
• 20:35
  Speaker 1: for someone else's movie imagine trying to do that for yourself. Yeah,
• 20:39
  Speaker 1: and those connections already in place too. It kind of
• 20:41
  Speaker 1: all fits together. Yeah. I didn't make as many connections,
• 20:44
  Speaker 1: but what I did was I was watching them. That's
• 20:46
  Speaker 1: why I tell people, if you can't go to film school,
• 20:48
  Speaker 1: or you can't afford it, or you you're older and
• 20:50
  Speaker 1: you don't want to go back, just get yourself on
• 20:52
  Speaker 1: a set so you can observe, because that's really, you know,
• 20:54
  Speaker 1: film school. I was able to stand close to directors.
• 20:58
  Speaker 1: I didn't go to film school, but I was able
• 20:59
  Speaker 1: to close to directors on sets and watch what they
• 21:02
  Speaker 1: did right and wrong. Most of what I learned was
• 21:05
  Speaker 1: what I don't want to do, yelling at people being unorganized,
• 21:09
  Speaker 1: you know. So it was a good school, but it
• 21:11
  Speaker 1: was just a different route. Your story is interesting though,
• 21:13
  Speaker 1: because like a lot of people always come in and
• 21:15
  Speaker 1: be like I knew, I always wanted to be a director.
• 21:18
  Speaker 1: Pr you did journalism, Yeah, ran a blog or any
• 21:21
  Speaker 1: of those things you're past. I never thought that I
• 21:23
  Speaker 1: could be a director. I didn't even know first of all,
• 21:27
  Speaker 1: that ladies could be a director. I mean really, in
• 21:28
  Speaker 1: my mind, I didn't see anybody doing it at that time. Now,
• 21:31
  Speaker 1: I know there were amazing black women filmmakers doing it,
• 21:33
  Speaker 1: but at the time, only black director. I feel like
• 21:36
  Speaker 1: I knew it was Spike Lee and John Singleton and
• 21:38
  Speaker 1: they just felt super you know, there there guys, So
• 21:41
  Speaker 1: it wasn't something that's a little girl I looked up to.
• 21:43
  Speaker 1: That's why I when I have the barbie in my
• 21:45
  Speaker 1: likeness with the director's chair or now black black girls
• 21:48
  Speaker 1: like and brown girls, no directing is a possibility, right.
• 21:51
  Speaker 1: They see Patty Jenkins and do Wonder Woman. They see it,
• 21:54
  Speaker 1: so you know, I believe in if you see it,
• 21:56
  Speaker 1: you can be it. Yeah, because it's interesting to be
• 21:58
  Speaker 1: the first for a lot for yourself, you know, the
• 22:00
  Speaker 1: first woman to direct, but a film with a budget
• 22:03
  Speaker 1: over one hundred million dollars, the first black woman to
• 22:06
  Speaker 1: do something like that. It feels like why is it
• 22:08
  Speaker 1: two thousand? I know people say those things like like
• 22:12
  Speaker 1: it's a source of pride. I know it's a source
• 22:14
  Speaker 1: of pride for some people, but for me, it's like
• 22:16
  Speaker 1: for the industry, like, i't y'all embarrassed that it's twenty eighteen,
• 22:20
  Speaker 1: Like they'll say it when I walk out on the stage,
• 22:22
  Speaker 1: and it's like you might want to keep that on
• 22:24
  Speaker 1: the low that it's twenty eighteen and this is just
• 22:26
  Speaker 1: now happening. Um. So, yeah, it's a bittersweet thing when
• 22:30
  Speaker 1: I hear it, because I know, I know it wasn't
• 22:32
  Speaker 1: wasn't any of my doing. It's only because the industry
• 22:36
  Speaker 1: decided to pay attention to somebody right now and I started.
• 22:38
  Speaker 1: I happen to be here. There's amazing black women filmmaker
• 22:41
  Speaker 1: has been doing this forever, but people really love y'all.
• 22:44
  Speaker 1: I was on a flight with you coming from New
• 22:46
  Speaker 1: Orleans and I was first class. He was why didn't
• 22:49
  Speaker 1: you say hello? Yeah, we were all in first class
• 22:51
  Speaker 1: and I didn't know who you are. Okay, well that's
• 22:53
  Speaker 1: why why anyone talking about Everybody kept coming up to
• 22:58
  Speaker 1: you and they kept complimenting you. You're so nice. STANDI
• 23:00
  Speaker 1: Amari was on the flight. It was a bunch of actors,
• 23:03
  Speaker 1: A level B, level C levels. It was everybody on
• 23:05
  Speaker 1: that flight was just so complimentary about who you are
• 23:07
  Speaker 1: and how you was such a pleasure to work with,
• 23:09
  Speaker 1: and you don't usually get that from everybody. And I
• 23:11
  Speaker 1: was just a fly on the wall just listening. I
• 23:13
  Speaker 1: was like, that's pretty dope. She must be an amazing persons.
• 23:15
  Speaker 1: He thank you for that, piggybacking off him. How do
• 23:18
  Speaker 1: you feel about being a celebrity director because you're a director,
• 23:21
  Speaker 1: but you're also a star, like you want to entertainer
• 23:22
  Speaker 1: of the Year at the nap. That doesn't happen for
• 23:26
  Speaker 1: every directors. How do you feel about the fame side
• 23:27
  Speaker 1: of it? I think it's a new a new piece
• 23:30
  Speaker 1: of it. Maybe I just feel maybe the last year
• 23:32
  Speaker 1: actually where um and so it's different. But you know,
• 23:38
  Speaker 1: you made some incredible things happen. The fact that you
• 23:40
  Speaker 1: got Sharde to do that incredible. I know. Oh you
• 23:44
  Speaker 1: want to tell you how to happen? Please? Okay? So
• 23:47
  Speaker 1: Disney said, who would you like to do the song?
• 23:50
  Speaker 1: And this is before I'd even you know, shot any
• 23:52
  Speaker 1: of it. And I said, well, you're not gonna be
• 23:53
  Speaker 1: able to hear who I want? And they're like, well, who, Yeah,
• 23:57
  Speaker 1: we probably won't, but we can get you an address.
• 24:00
  Speaker 1: We can get a letter to her through the manager
• 24:03
  Speaker 1: to the to the direct like country home in London address,
• 24:06
  Speaker 1: old school letter, old school handwritten, not even email nothing.
• 24:11
  Speaker 1: So I wrote that I did an email too, but
• 24:12
  Speaker 1: I also sent an actual letter. I think she got
• 24:15
  Speaker 1: the email because anyway, I put three days into this email,
• 24:19
  Speaker 1: and first I sounded like, oh my gosh, I love
• 24:20
  Speaker 1: you ear the soundtrack of my life. Then I said,
• 24:22
  Speaker 1: don't let me be cool. I've got a film, you know,
• 24:24
  Speaker 1: like I was rewriting it like nine times it shot
• 24:28
  Speaker 1: in So anyway, I sent her a letter and literally
• 24:31
  Speaker 1: within twenty four hours, she called me. She knew who
• 24:34
  Speaker 1: I was, and she called me and it was her
• 24:36
  Speaker 1: voice saying human words on the phone into my actual ear,
• 24:40
  Speaker 1: her speaking voice. It sounds like her singing voice. It
• 24:42
  Speaker 1: was her was smoky and husky, and she was so
• 24:44
  Speaker 1: sweet and she was beautiful, and she called me a queen.
• 24:47
  Speaker 1: And she said she loved Selma and she really cared
• 24:50
  Speaker 1: about the script in the movie and she wanted to
• 24:52
  Speaker 1: make the story about this girl and that she would
• 24:54
  Speaker 1: do it. I be honest, if I already threw my
• 24:58
  Speaker 1: shot at Oprah and she became my print, I would
• 25:00
  Speaker 1: feel like they should have been light working. Well, I
• 25:06
  Speaker 1: was lucky. It was lucky. Yeah. So we had a
• 25:08
  Speaker 1: really really nice um collaboration. She wrote the song before
• 25:11
  Speaker 1: we even shot the movie, so we put her lyrics
• 25:15
  Speaker 1: from the song into the dialogue of the characters, which
• 25:18
  Speaker 1: is a kind of like the backwards way to do it.
• 25:19
  Speaker 1: Usually the song comes at the very very end. So anyway,
• 25:22
  Speaker 1: she was great to work with and we've kept in
• 25:23
  Speaker 1: great touch. She I had a cold and she sent
• 25:25
  Speaker 1: me like herbs and fruits and berries and like, you know,
• 25:29
  Speaker 1: I think she's very Yeah. I mean that's why you
• 25:31
  Speaker 1: look that way, because you're like, don't put crap in
• 25:33
  Speaker 1: your body. So anyway, she's sweet. All right, we have
• 25:36
  Speaker 1: more with Ava Duvenai when we come back. Don't move.
• 25:38
  Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club Morning.
• 25:44
  Speaker 1: Everybody is DJ Envy Angela Yee, Charlomagne the guy. We
• 25:48
  Speaker 1: all the Breakfast Club. We have Ava Duvenai in the building. Charlomagne.
• 25:52
  Speaker 1: Now you are initially supposed to be the director for
• 25:54
  Speaker 1: Black Panther. Yeah, they asked me. They asked me to
• 25:57
  Speaker 1: consider making it. Um. I don't know, maybe three years ago.
• 26:00
  Speaker 1: Why why didn't you? Because I wanted to make a
• 26:03
  Speaker 1: story about a girl, grad Um. I really wanted to
• 26:06
  Speaker 1: to to make something that was girl focused. Did I
• 26:09
  Speaker 1: just come off Selma and Thirteenth? I felt like they
• 26:13
  Speaker 1: were masculine, masculine and yeah and so uh so, yeah,
• 26:17
  Speaker 1: I wanted to make something that was more women focused
• 26:19
  Speaker 1: and I love the women and Black Panther also that
• 26:22
  Speaker 1: yeah he did. We we edited our films right across
• 26:27
  Speaker 1: the hall from E Show, So I saw him. So
• 26:29
  Speaker 1: you peeked over a couple of times he peecked in
• 26:30
  Speaker 1: on your Yeah, yeah, we we We would take walks
• 26:33
  Speaker 1: around a lot and just take a breather. And I've
• 26:35
  Speaker 1: known him for a long time and it's just a
• 26:37
  Speaker 1: really good friend of mine through the alley to Ryan though,
• 26:40
  Speaker 1: like you you would you want to recommended Ryan for
• 26:42
  Speaker 1: Black Panther. I don't know if I recommended him. Um,
• 26:46
  Speaker 1: it was like a really short list because when you
• 26:48
  Speaker 1: look at that space, like coming off of Creed, you know,
• 26:50
  Speaker 1: the studios are looking at who's made films that you
• 26:54
  Speaker 1: know that have been successful that you could tell they
• 26:57
  Speaker 1: can handle the next film at the next budget level.
• 26:59
  Speaker 1: And so I mean it's it's a pretty short list
• 27:01
  Speaker 1: because there's not a lot of us making films. I mean,
• 27:04
  Speaker 1: like I said, on two hands, so so yeah, no,
• 27:06
  Speaker 1: he was just coming off of Creed at that time,
• 27:08
  Speaker 1: and I don't know, it's just a perfect perfect film
• 27:10
  Speaker 1: for him. I really felt like a black man should
• 27:13
  Speaker 1: have made that film. I felt strongly that that film
• 27:15
  Speaker 1: need to be made by a brother because that was
• 27:17
  Speaker 1: a central focus of it. So, um, so it happened
• 27:20
  Speaker 1: and it was fantastic. That's what I love about you,
• 27:22
  Speaker 1: Like you're so unapologetically black, Yo, so unapologetically a woman
• 27:25
  Speaker 1: like yore going these rooms and say no, this need
• 27:27
  Speaker 1: to be a black woman directing. This need to be
• 27:28
  Speaker 1: a black guy directing. Do they ever get mad at you?
• 27:31
  Speaker 1: Look they ever call you bias or anything? I mean
• 27:34
  Speaker 1: maybe behind my back, but you know, not to my face.
• 27:38
  Speaker 1: You know, how did a wrinkling time come across your desk? Oh? Gosh,
• 27:41
  Speaker 1: it was. It was really lovely because they called me.
• 27:44
  Speaker 1: And a lot of times in Hollywood they want you
• 27:46
  Speaker 1: to come in kind of pitching and begging and asking.
• 27:50
  Speaker 1: That's the way that it's kind of set up. Um
• 27:53
  Speaker 1: and this one was I was invited and welcomed into
• 27:56
  Speaker 1: something that they wanted to do. So there's a brother
• 27:58
  Speaker 1: over there at ten don Agenda and he called me
• 28:00
  Speaker 1: and said look at the script and I'd never read
• 28:03
  Speaker 1: the book. Uh, and he said, imagine the world so
• 28:07
  Speaker 1: you can build. I was like, worlds. It's like, yeah,
• 28:09
  Speaker 1: this girl hops planets. I was like, house planets out.
• 28:12
  Speaker 1: He was like even read it, read it. I was
• 28:14
  Speaker 1: reading it. I was just like, this is dope. You
• 28:16
  Speaker 1: know what I mean. It's a it's a young black girl.
• 28:19
  Speaker 1: It was a young girl. We made her black, but
• 28:21
  Speaker 1: a young girl who hops planets and fights the darkness
• 28:24
  Speaker 1: and flies and saves the universe. And she's not a superhero,
• 28:27
  Speaker 1: she's not a Jedi. She's just a girl. I'm excited
• 28:31
  Speaker 1: about this. I have three young daughters with one old. Today,
• 28:33
  Speaker 1: I have a sixteen year old and a four year old.
• 28:36
  Speaker 1: The one can't The one year old can't go, but
• 28:37
  Speaker 1: the four year old is sixteen. I'm gonna take him
• 28:39
  Speaker 1: this week. And I'm we're excited about it. I tell
• 28:40
  Speaker 1: everybody's the perfect daddy daughter da is La to go
• 28:44
  Speaker 1: to the premiere so my daughter could see it and
• 28:46
  Speaker 1: meet avel of course. Yeah, but it was great. Yeah, yeah,
• 28:49
  Speaker 1: it's good. Good for good because it's a whole thing.
• 28:51
  Speaker 1: It's about a father daughter. Yes, yeah, yeah, I said,
• 28:53
  Speaker 1: I keep asking my daughter, I don't want to give
• 28:54
  Speaker 1: him movie. Well you were you nervous about the come
• 28:57
  Speaker 1: and look for me? Yes, I said, what everybody knows,
• 29:00
  Speaker 1: the story is about this father. It's really this absentee father.
• 29:04
  Speaker 1: That's one of the reasons why to be honest with you,
• 29:08
  Speaker 1: exactly exactly. So that's why that's why I did it
• 29:13
  Speaker 1: that okay, right and so um and so yeah. So
• 29:16
  Speaker 1: he's gone and she's got to go look for him.
• 29:18
  Speaker 1: But he's out in the universe, so she gotta go
• 29:20
  Speaker 1: from planet to planet to find him. So all the
• 29:22
  Speaker 1: dads are like, would you could look? I would say absolutely.
• 29:26
  Speaker 1: First of all, you would never leave. I'm glad you
• 29:29
  Speaker 1: know that. That's good. That's good that with the budget
• 29:32
  Speaker 1: of one hundred million dollars. Did you ever get nervous
• 29:34
  Speaker 1: with that much over yourhead at all? No, because it's like, um,
• 29:39
  Speaker 1: in La we have ninety nine cent stores. Do you
• 29:41
  Speaker 1: all have that dollar? Dollar General? All those? And so
• 29:48
  Speaker 1: I love that's one of my favorite places to go.
• 29:50
  Speaker 1: Like literally to this day, if you go into dollar stores,
• 29:54
  Speaker 1: my thing and so um, it's like going into dollars store,
• 29:58
  Speaker 1: not with the dollar, but like hundred dollars. Ain't nothing
• 30:02
  Speaker 1: wrong you spending. You enjoyed yourself. You have an idea
• 30:05
  Speaker 1: for something you you can make it happen, and so
• 30:08
  Speaker 1: it wasn't any kind of pressure or any kind of
• 30:10
  Speaker 1: problem in the studio. UM wanted to make a film
• 30:13
  Speaker 1: for that amount, and I was happening to make it. Yeah,
• 30:16
  Speaker 1: I can do that for you. You prefer a big
• 30:18
  Speaker 1: budget a small budget. You know what, at the end
• 30:21
  Speaker 1: of the day, it's it's not different when you're running
• 30:23
  Speaker 1: out of hours and the sun is going down and
• 30:25
  Speaker 1: you still don't have your shot, you know what I mean,
• 30:27
  Speaker 1: Like it's just or the actors just not connecting with it,
• 30:30
  Speaker 1: or or you know, at the end of the day,
• 30:32
  Speaker 1: all of the bells and whistles around it don't make
• 30:34
  Speaker 1: a difference to what actually is happening between the actors
• 30:37
  Speaker 1: and for the camera. So I like that I can
• 30:39
  Speaker 1: do both. But I really I feel like I like
• 30:42
  Speaker 1: the mid range films. Like on Summer we had no
• 30:46
  Speaker 1: money about twenty million dollars. That aim no money. Yeah,
• 30:49
  Speaker 1: not fair. Not twenty million dollars is twenty million dollars.
• 30:54
  Speaker 1: That was a period piece, so everybody had to be
• 30:55
  Speaker 1: in period dress and costumes. You were doing beatings, marches, rights,
• 30:59
  Speaker 1: all that stuff. Of UM twenty million dollars is the
• 31:01
  Speaker 1: same amount of money they make like small romantic comedies
• 31:04
  Speaker 1: with we're just folks are sitting in rooms talking and
• 31:07
  Speaker 1: we were trying to do all the scale with it.
• 31:08
  Speaker 1: So it's not it's not a lot um. I remember
• 31:12
  Speaker 1: one time on the on the Big on the Big
• 31:14
  Speaker 1: scene where they have the assault on the bridge. In
• 31:17
  Speaker 1: real life, there were like fifty seven horses, and on
• 31:20
  Speaker 1: the day I showed up, they're like, yeah, we have
• 31:22
  Speaker 1: seven horses. How how did this happen? They were like, yeah,
• 31:27
  Speaker 1: we don't have any horses. Are you feeling any pressure
• 31:33
  Speaker 1: because Black Panther made so much money? Do you think
• 31:36
  Speaker 1: Disney's looking at you like, okay, you're the Queen. No,
• 31:39
  Speaker 1: because that's a it's a Marvel superhero movie. This is
• 31:42
  Speaker 1: a kid's movie, that's the thing. This is a kid's movie,
• 31:46
  Speaker 1: like for eight to fourteen year old's true, you've seen it.
• 31:49
  Speaker 1: It's for the little ones. It's four young people. So
• 31:52
  Speaker 1: that's very different than the Dora Milaja, you know, sexually
• 31:55
  Speaker 1: coming out with their spears to save what I mean like,
• 31:58
  Speaker 1: this is about a little girl who just wants to
• 32:00
  Speaker 1: find her daddy and um and so no, no, it's
• 32:03
  Speaker 1: a different thing. I mean Black Panther cost twice as
• 32:05
  Speaker 1: much as ours and um, and it's a different kind
• 32:08
  Speaker 1: of thing. Yeah, I think Black Panther was a cultural moment.
• 32:10
  Speaker 1: This is more of a family. Yeah, it's a family
• 32:12
  Speaker 1: for kids and families, and it's, you know, something that
• 32:15
  Speaker 1: we just want to be a classic that's just around
• 32:17
  Speaker 1: for a long time. People may not even catch up
• 32:19
  Speaker 1: to it at the theaters. It's one of those things
• 32:20
  Speaker 1: where maybe it's cable, maybe it's it's it's DVD. But
• 32:24
  Speaker 1: I'm happy that it's in the world. I was reading
• 32:26
  Speaker 1: an old LA Weekly article about you from twenty twelve,
• 32:28
  Speaker 1: and you said that often films that are deemed positive,
• 32:31
  Speaker 1: nobody wants to see them. But but you do positive films.
• 32:33
  Speaker 1: So why does your formula work. I don't know if
• 32:35
  Speaker 1: it works. I mean someone made it when you made
• 32:37
  Speaker 1: you don't know if it works. Well, I mean I
• 32:39
  Speaker 1: think it works and putting out things that matter in
• 32:41
  Speaker 1: the culture. But you know, it's not like you know
• 32:43
  Speaker 1: that it makes you know, a trillion dollars. Someone was
• 32:46
  Speaker 1: a modest you know, Queen Sugar is on a basic
• 32:49
  Speaker 1: cable network. Um, you know, a wrinkling time. You know,
• 32:54
  Speaker 1: you don't make that to make it to be a
• 32:55
  Speaker 1: have a hit. I can't make it because Queen Sugar.
• 32:59
  Speaker 1: It's a small show. Some people watching, some people don't.
• 33:01
  Speaker 1: But I just think you have to put out positivity
• 33:03
  Speaker 1: in the world and people will find it. People. We
• 33:05
  Speaker 1: are looking forward. We're doing the Central Park five story too. Yeah.
• 33:08
  Speaker 1: I'm moving to New York really okay for like six
• 33:11
  Speaker 1: months to make Yeah, Central Park five in the summer.
• 33:14
  Speaker 1: It is shot. They got to be out of you.
• 33:17
  Speaker 1: I can barely handle today, thanks guys, But I am
• 33:22
  Speaker 1: excited that you're doing that story. I think that's really
• 33:24
  Speaker 1: important for us to talk about right now because I
• 33:27
  Speaker 1: remember when all of that happened and all the propaganda
• 33:29
  Speaker 1: that was put out there, even Donald Trump taking out
• 33:31
  Speaker 1: that huge advertise. Yeah, that's in the paper about the
• 33:35
  Speaker 1: Central Park five. What's been your experience talking to Yeah,
• 33:38
  Speaker 1: but working with working with the brothers for about two
• 33:41
  Speaker 1: years now on it and researching and getting to know
• 33:44
  Speaker 1: them and writing the script and um and yeah, they're
• 33:47
  Speaker 1: They're remarkable human beings and their stories should be told.
• 33:50
  Speaker 1: It's not a documentary, it's a narratives. Who were casting now,
• 33:52
  Speaker 1: you got to cast them as boys because they were thirteen, fourteen, fifteen,
• 33:55
  Speaker 1: when it happened, when they were accused and convicted of
• 33:57
  Speaker 1: a crime that they did not commit. Do you remember
• 33:59
  Speaker 1: that as I do. I remember it, you know, I
• 34:02
  Speaker 1: remember it because they kept talking about the world wild wilding,
• 34:06
  Speaker 1: and I remember but they called it wilding. Yeah, And
• 34:09
  Speaker 1: I remember watching TV and I called my cousin who
• 34:11
  Speaker 1: lived here, and I was like, what's wilding? And she
• 34:14
  Speaker 1: was like, it ain't no wilding. It's called wilding, right,
• 34:17
  Speaker 1: And they got it wrong. And I remember thinking, God, Lee,
• 34:20
  Speaker 1: they were just like taking our words and and and
• 34:22
  Speaker 1: and putting new yeah, putting new meaning onto them because
• 34:26
  Speaker 1: they said that wilding meant packs of black kids, and
• 34:29
  Speaker 1: we're now doing It's like, it's just you wilding out.
• 34:31
  Speaker 1: It's not that serious. So I remember that so distinctly.
• 34:35
  Speaker 1: And uh so, No, all that stuff we explore in
• 34:37
  Speaker 1: the film and casting now and we'll be shooting it
• 34:39
  Speaker 1: here in New York and summer, all right. We got
• 34:41
  Speaker 1: more with Ava Duvenai when we come back. We got
• 34:44
  Speaker 1: to talk about her being a rapper. Yeah, she used
• 34:46
  Speaker 1: to rap. We'll talk about it. Keep a lots, Drake,
• 34:48
  Speaker 1: find your love morning. Everybody's dj Envy, Angela Yee Charlomagne,
• 34:52
  Speaker 1: the guy we are the breakfast club. We still have
• 34:55
  Speaker 1: Ava Duvenai in the building. Charlemagne, you can see yourself
• 34:58
  Speaker 1: an activist, I guess. I mean, I think the activists
• 35:01
  Speaker 1: is just someone who speaks out. Um, I'm not afraid
• 35:04
  Speaker 1: to say what's on their mind. People do that in
• 35:07
  Speaker 1: all kinds of ways, especially now with social But yeah,
• 35:10
  Speaker 1: I guess, so do you consider yourself No, I don't
• 35:13
  Speaker 1: know if I want that title. Well, what is it?
• 35:15
  Speaker 1: What are the associations? I think people have a certain
• 35:18
  Speaker 1: expectation when you label yourself an activist. And I may
• 35:22
  Speaker 1: not be at every protest, yeah, I mean, I mean
• 35:25
  Speaker 1: I may not. I may not be familiar with every cause.
• 35:29
  Speaker 1: That's impossible for anyone, even for us. They expect you
• 35:33
  Speaker 1: to be on the front lines of everything, of everything.
• 35:36
  Speaker 1: I don't know. I mean I think of a lot
• 35:37
  Speaker 1: of people that I consider you an activist, um, and
• 35:40
  Speaker 1: I consider a lot of people who aren't. Necessis because
• 35:42
  Speaker 1: now there's other ways to protest in marching, right, And
• 35:45
  Speaker 1: I think it's really just about if you have a platform,
• 35:47
  Speaker 1: you lift your voice, you know, and so uh so
• 35:50
  Speaker 1: you all do that, you know. We have to read
• 35:52
  Speaker 1: sometimes with to reframe and redefine these words that have
• 35:55
  Speaker 1: become problematic in some ways, we take them back, like
• 35:59
  Speaker 1: the word pro problematic and woke up. You don't like
• 36:04
  Speaker 1: the word diversity. I don't like the word diversity. Also
• 36:07
  Speaker 1: don't like the word moist. But that's a different What
• 36:10
  Speaker 1: is that? That's horrible? World? Why it doesn't even sound
• 36:13
  Speaker 1: good coming out of anywhere? Sounds good like a cake
• 36:15
  Speaker 1: moist snow it doesn't. That's the worst the word don't
• 36:20
  Speaker 1: say it? Why? Well, it's horrible. I don't know. I
• 36:24
  Speaker 1: just don't like it. I don't like when people yawn
• 36:27
  Speaker 1: out loud. Don't yawn out loud. People anyone that hears
• 36:31
  Speaker 1: non outlined like so that you can hear like, that's horrible.
• 36:36
  Speaker 1: I don't all the time, not him, but time he
• 36:41
  Speaker 1: won't blow his nose. I'm like, yo, why are you
• 36:42
  Speaker 1: saving your snot that peeves It's serious nose on the O.
• 36:52
  Speaker 1: J Trout I did. How was that? I was young?
• 36:55
  Speaker 1: I was like nineteen years old. I got this shot
• 36:57
  Speaker 1: with CBS News. I thought, oh my gosh, this is it.
• 37:01
  Speaker 1: Like I got this internship with CBS. I'm going about
• 37:03
  Speaker 1: to be I'm about to be a journalist for real,
• 37:06
  Speaker 1: for real. They were like, here's your packet and it
• 37:08
  Speaker 1: was an address to one of the juror's houses. And
• 37:11
  Speaker 1: they wanted me to sit outside and just like watch
• 37:13
  Speaker 1: who came and went look at you know, see what
• 37:16
  Speaker 1: was going on in the trash the mail, like, just
• 37:19
  Speaker 1: see who came. There was like an investigator, I guess,
• 37:23
  Speaker 1: but they were interns from all the networks sitting out front.
• 37:25
  Speaker 1: So they had like all these young people. Yeah, and
• 37:27
  Speaker 1: we were just looking at each other like okay and
• 37:30
  Speaker 1: um and yeah. No. That made me not get into
• 37:32
  Speaker 1: journalism because I thought I would be like the black
• 37:34
  Speaker 1: woman Walter Cronkite, and I was like digging through trash.
• 37:37
  Speaker 1: I was like, I'm cooling the rights. Yeah, I want
• 37:44
  Speaker 1: more taking the rights. Those weren't the trial and the rebellion.
• 37:48
  Speaker 1: We're not at the same time. Rebellion. That's what words matter. Yes, yes, yes,
• 37:55
  Speaker 1: but you know I was. I was. I was out
• 37:57
  Speaker 1: and about That's how you got your first camera to
• 38:01
  Speaker 1: shoot your now was listening in the Sway Show and
• 38:07
  Speaker 1: and uh realize you were a rapper, a rapper name
• 38:10
  Speaker 1: even that wasn't even me, that was you. I heard
• 38:12
  Speaker 1: that wasn't. But that wasn't me. That wasn't me, It
• 38:16
  Speaker 1: was you. Well I assume that you were. Obviously my
• 38:19
  Speaker 1: mic sounds nice, so you were. I love I love hippop.
• 38:23
  Speaker 1: I love it. I love it. My first two films
• 38:25
  Speaker 1: were about hip hop, two documentaries that nobody saw. But um,
• 38:28
  Speaker 1: but yeah, no, I love it and I want to
• 38:31
  Speaker 1: see that Roxann Sean Tay I do. I really want
• 38:33
  Speaker 1: to see it too. It looks good. I just want
• 38:34
  Speaker 1: the actress of that out. During Oscar Week, somebody introduced
• 38:37
  Speaker 1: me to her. But that's why I was so like
• 38:39
  Speaker 1: stunned when one day I picked up the phone and
• 38:41
  Speaker 1: it was it was Jay Z's voice on the other line,
• 38:43
  Speaker 1: saying that you want to do a video because Charlo
• 38:45
  Speaker 1: Mayne could have attest and you all can too. Now
• 38:47
  Speaker 1: that I'm here, I'm really a nerd, like big nerd. Yeah, yeah,
• 38:51
  Speaker 1: I'm nerdy. I'm nerdy. I don't think so. I love
• 38:54
  Speaker 1: it though. I'm just nerdy, right, So being a nerd
• 38:57
  Speaker 1: is actually it's nothing wrong with it. L I think
• 38:59
  Speaker 1: you okay, I mean, but nerves can be cool too,
• 39:02
  Speaker 1: So um, my thought was, I don't know if I
• 39:05
  Speaker 1: can make something cool enough for them, right because I'm
• 39:07
  Speaker 1: not gonna have like cars or not that he makes
• 39:10
  Speaker 1: that those kinds of girls or whatever. But um, but yeah,
• 39:15
  Speaker 1: so so it was really really fun to do it,
• 39:16
  Speaker 1: and he gave me a lot of freedom to do it.
• 39:17
  Speaker 1: But it reconnected with me with my love of hip hop. Yeah,
• 39:20
  Speaker 1: now I'm getting calls from everybody to do videos, to
• 39:23
  Speaker 1: do videos there. Yeah, it's like, no I make I
• 39:26
  Speaker 1: was one. I think that might be my first and
• 39:28
  Speaker 1: last unless Sha wants to make a video. You still
• 39:30
  Speaker 1: got a lot of connection with hip hop because I
• 39:31
  Speaker 1: always say comments should be thinking you every day because
• 39:34
  Speaker 1: I feel like every award he got it is because
• 39:37
  Speaker 1: you put him in a position to hit the award. Yeah.
• 39:39
  Speaker 1: Well yeah, that's my connection to hip hop. Yeah. Yeah, yeah.
• 39:42
  Speaker 1: You also directed Thirteenth, which was critically acclaim But you
• 39:45
  Speaker 1: think it changed anything in the actual judicial system. Well, unfortunately,
• 39:49
  Speaker 1: I think it could have. But you know, our our
• 39:51
  Speaker 1: leadership changed, so almost everything that we talked about in
• 39:55
  Speaker 1: that has back slid about five years, and every year
• 39:59
  Speaker 1: that passes with the current administration, that, um, that issue
• 40:03
  Speaker 1: becomes more and more intense. Like it was a moment
• 40:06
  Speaker 1: where things were kind of progressing slowly. Um, but that's
• 40:09
  Speaker 1: all been reversed now, So it's it's I even watched
• 40:12
  Speaker 1: The Thirteenth now, and a lot of towards the end
• 40:15
  Speaker 1: of the film where we're talking about solutions, a lot
• 40:17
  Speaker 1: of that doesn't even exist anymore. You're you're not afraid
• 40:20
  Speaker 1: to speak out ever like you ever, you're not. They
• 40:22
  Speaker 1: always say, oh, you don't want to offend you your
• 40:24
  Speaker 1: connects in the industry. Um, I don't know. Probably there's
• 40:29
  Speaker 1: some things are yeah, like like I the other day said, Um,
• 40:36
  Speaker 1: I'm not gonna say white people anymore because colins. No,
• 40:42
  Speaker 1: I'm not gonna say white people anymore because whenever I
• 40:44
  Speaker 1: see it in a headline, like whenever I see white
• 40:46
  Speaker 1: people say the words white people, it becomes a headline
• 40:49
  Speaker 1: even say white people and it and it and it,
• 40:54
  Speaker 1: and it looks negative. Um, when I'm just talking factor,
• 40:59
  Speaker 1: I'm just talking about whatever. So I decided I'm gonna
• 41:01
  Speaker 1: say Caucasian. Well your for nobody has another it's just
• 41:06
  Speaker 1: oh no, it depends. If you're a racist bigger, I
• 41:08
  Speaker 1: call you a crack ass crack of a white If
• 41:11
  Speaker 1: you are a racist bigger, I don't just say, let's
• 41:14
  Speaker 1: delineate that these are coming from Charlotte, say a dub Day,
• 41:21
  Speaker 1: but no, just the idea of you know, of of
• 41:24
  Speaker 1: of white folks or white people. There's something in the
• 41:26
  Speaker 1: words that whenever I see it associated with my name,
• 41:28
  Speaker 1: I think people automatically feel like I'm saying something negative.
• 41:31
  Speaker 1: So I start saying Caucasian people. It's softer and it's less,
• 41:36
  Speaker 1: it's moisture. But but you know, because I'm just I,
• 41:44
  Speaker 1: I talk a lot in terms of white and black
• 41:46
  Speaker 1: and what's going on in cultural politics and uh, and
• 41:49
  Speaker 1: so your point gets obscured by words that are taken
• 41:53
  Speaker 1: in the wrong way. But it's crazy. Now we're in
• 41:54
  Speaker 1: a political atmosphere where even saying white people becomes you
• 41:58
  Speaker 1: know something that in the in my industry any way,
• 42:01
  Speaker 1: people talk about like she's talking about white people. What's
• 42:03
  Speaker 1: the biggest herd of that, Ava Duveny faces at this
• 42:05
  Speaker 1: point in the industry. Um, I don't know, there's no
• 42:08
  Speaker 1: black woman that I can look at who and say, oh,
• 42:11
  Speaker 1: I'll do it like her, you know, because you're that person. U. Yeah.
• 42:15
  Speaker 1: I mean there's a lot of black women that I
• 42:17
  Speaker 1: look at and say, wow, their work is incredible. But um,
• 42:20
  Speaker 1: you know, the ones before me haven't been given a
• 42:22
  Speaker 1: chance to make films consistently at a certain with a
• 42:25
  Speaker 1: certain exposure. So there's no one to look at and
• 42:28
  Speaker 1: say I'll do it like that. I can look at
• 42:29
  Speaker 1: some black men, and I can look at some white women,
• 42:31
  Speaker 1: but there's not a black woman that I can look
• 42:33
  Speaker 1: at her, even a woman of color that I can
• 42:35
  Speaker 1: look at and say I'll call her and see how
• 42:37
  Speaker 1: to do this. What you haven't let that stop you
• 42:39
  Speaker 1: at all? Yeah, trying to figure out figure it out
• 42:41
  Speaker 1: on my way, Yeah, trying to figure it out on
• 42:43
  Speaker 1: So what inspires you young people? Really? And I wouldn't
• 42:48
  Speaker 1: have said that before. I don't have kids by choice.
• 42:50
  Speaker 1: I'm not a kid person. Never get one kids, No,
• 42:53
  Speaker 1: never know it. Since I was a little I never
• 42:55
  Speaker 1: want to kids. My mom said it'll change. I was like, okay,
• 42:58
  Speaker 1: maybe it'll change. Got older. She's when you find the
• 43:00
  Speaker 1: right person. I was like, okay, I'm the right person.
• 43:03
  Speaker 1: Still don't want kids, like you just and that's it.
• 43:06
  Speaker 1: People act like because I don't have kids yet either,
• 43:08
  Speaker 1: and I'm not saying I'm not going to, but people
• 43:11
  Speaker 1: act like it's such a big deal, like, oh why
• 43:12
  Speaker 1: didn't you do this married with kids? What's wrong with you?
• 43:16
  Speaker 1: And yeah, I just I'm better with kids when they
• 43:19
  Speaker 1: don't live with me. And that's correct. Yeah, that's really okay.
• 43:26
  Speaker 1: Sixteen fourteen four three. I need a couple for taxes,
• 43:30
  Speaker 1: tax bracket right now for real. But young people, um,
• 43:34
  Speaker 1: I still love to be around, especially in this film
• 43:36
  Speaker 1: and even in in CP five. You know those kids
• 43:39
  Speaker 1: at the beginning of the story the thirteen fourteen fifteen.
• 43:41
  Speaker 1: So I'm looking at a lot of black boys right
• 43:43
  Speaker 1: now for that and um and it definitely, Uh, they
• 43:47
  Speaker 1: inspire me because I look at them and I say,
• 43:49
  Speaker 1: if we can get it right with them, then by
• 43:51
  Speaker 1: the time, you know, when we're old and we need
• 43:52
  Speaker 1: some taken care of as a country, as a family,
• 43:54
  Speaker 1: as a community, we've got some kids that, um, that
• 43:57
  Speaker 1: will understand legacy that they uphold and understand the things
• 44:01
  Speaker 1: that we need. You create empathetic, solid, strong kids now.
• 44:06
  Speaker 1: So um so yeah, no, that's what this film is.
• 44:08
  Speaker 1: It's really a love letter to our kids. Uh, to
• 44:12
  Speaker 1: focus on the things that matter. I thought about this
• 44:14
  Speaker 1: with you and Oprah. I was like, if opening Aba
• 44:17
  Speaker 1: had kicks, I read both y'all didn't want kids. I
• 44:19
  Speaker 1: don't think y'all be as selfless. I almost feel like
• 44:21
  Speaker 1: the universe needs y'all to We're like all your children,
• 44:26
  Speaker 1: that's God. Yeah, I mean madag And if she had
• 44:28
  Speaker 1: a kid, first of all, that kid, I mean what
• 44:30
  Speaker 1: Oprah had a kid. It's just like you wouldn't even
• 44:33
  Speaker 1: like that kid, you know, kid, you'd be so salty
• 44:41
  Speaker 1: with that kid. Um. So yeah, no, I think there's
• 44:44
  Speaker 1: something about it. Um for me anyway, I just know
• 44:47
  Speaker 1: when I come out come home at night, like and
• 44:49
  Speaker 1: it's selfish. I just I just want to be a
• 44:52
  Speaker 1: little we thank you for coming. She has to go guys. Yeah,
• 44:55
  Speaker 1: she's very busy. One question, because you told me once
• 44:58
  Speaker 1: that decide is the core was your passionate? Yes? Are
• 45:00
  Speaker 1: you getting any closer getting I really want to do that? No,
• 45:03
  Speaker 1: because the central part five was my current passion. But
• 45:06
  Speaker 1: that's something that I really want to turn my attention
• 45:07
  Speaker 1: to eventually. Um. I first had to get her permission
• 45:10
  Speaker 1: and connect with her. And even if it's not me directed,
• 45:13
  Speaker 1: and I want to support that film being made. Do
• 45:14
  Speaker 1: you know the story? Yeah? I mean her life is
• 45:17
  Speaker 1: incredible and it's it would be an incredible film. Um,
• 45:22
  Speaker 1: is that legal? Can you talk to her because she's
• 45:24
  Speaker 1: quote so called fugitive. It's not a fugiti, I think
• 45:31
  Speaker 1: it still, I don't know. Uh, they call her fugitive. Yeah,
• 45:37
  Speaker 1: I don't think right right, So what's what's her word?
• 45:42
  Speaker 1: What's what's our word? Yeah? I don't know. Freedom fighter
• 45:46
  Speaker 1: of the revolution? Um so heck, yeah we can talk
• 45:49
  Speaker 1: to her and people have I just need to make
• 45:52
  Speaker 1: the pilgrimage and you know, see what she wants and
• 45:55
  Speaker 1: and uh and thank you for reminding me because I
• 45:57
  Speaker 1: definitely want to do that. Yeah, he's putting into the universe.
• 45:59
  Speaker 1: I feel like I haven't been hip hop enough, cool enough.
• 46:03
  Speaker 1: You have you like I haven't been fun enough, controversial enough.
• 46:07
  Speaker 1: All right? Why did you guys to say something crazy
• 46:09
  Speaker 1: to me? Something out a drop? Want to thank you
• 46:14
  Speaker 1: and goodbye. Had a good time with you. You sure
• 46:16
  Speaker 1: you want something controversial? Guys? Just Kidding's time? Take your
• 46:28
  Speaker 1: children Friday, go check it out a wrinkle anytime. Thank you,
• 46:32
  Speaker 1: Ava Duvna, the Breakfast Club, Good morning, the Breakfast Club Morning.
• 46:39
  Speaker 1: Everybody is DJ Energy, Angela Ye, Charlomagne, the guy we
• 46:42
  Speaker 1: are the Breakfast Club, Salute the Queen. Ava Duvna for
• 46:46
  Speaker 1: coming through. Absolutely, Rinkling Time is in theaters today. Take
• 46:49
  Speaker 1: your kids, man, it's the perfect daddy daughter date. Me
• 46:52
  Speaker 1: and my daughter saw it. If you don't have kids,
• 46:54
  Speaker 1: then what you might look a little weird. And that's
• 46:58
  Speaker 1: gotta go support. You gotta go support something some way.
• 47:00
  Speaker 1: I mean, I think it's important for people to go
• 47:02
  Speaker 1: and support so more of these movies get made and
• 47:04
  Speaker 1: support able DuVernay. Absolutely, I got niece's nephews. I love it.
• 47:10
  Speaker 1: You go on a date to go see it. What
• 47:13
  Speaker 1: I'm saying, you don't have to have kids to go, right,
• 47:15
  Speaker 1: it's better if I think kids will enjoy it, though
• 47:18
  Speaker 1: a lot more than an adult would. You. You'll enjoy
• 47:21
  Speaker 1: it if you take your kids with you. But I
• 47:23
  Speaker 1: will say able makes me want to be a better
• 47:26
  Speaker 1: human being. Absolutely appreciate that. All right, let's get to
• 47:29
  Speaker 1: the week. Let's talk Richard. This is the rule of
• 47:36
  Speaker 1: report with Angela. Ye. Well, yesterday on Showtime anthy Apolo,
• 47:46
  Speaker 1: things didn't go so well for Mason Pryor, that's Richard
• 47:49
  Speaker 1: Pryor's son. If you recall, we played this yesterday and
• 47:52
  Speaker 1: of course it aired yesterday also, but here it was
• 47:54
  Speaker 1: the bombing. Everybody here in American knows the code. If
• 47:58
  Speaker 1: you get caught cheap, you gotta cut chill side thing loose.
• 48:01
  Speaker 1: Donald Trump still on the phone at the White House
• 48:03
  Speaker 1: talking to Russia. Hello, Hey, no, no, I want to
• 48:08
  Speaker 1: talk to my man right now? You go getting my poop?
• 48:13
  Speaker 1: Is that you my poop? I love you so much.
• 48:16
  Speaker 1: I love the way your name comes off my lips booms.
• 48:22
  Speaker 1: Half respect, half to respect, he said, book know who
• 48:28
  Speaker 1: I'm earned all those boolls. I don't care who you're dad. Well,
• 48:31
  Speaker 1: he's still gonna stick with it. Here's what he had
• 48:33
  Speaker 1: to say. This was my first big, you know, opening show.
• 48:36
  Speaker 1: So when I went out there, the first thing I
• 48:38
  Speaker 1: did is I'm looking at the crowd, the lights and everything.
• 48:40
  Speaker 1: I'm like, wow, this really does guys, this is gonna
• 48:43
  Speaker 1: go great. And you can't kind of tell halfway through
• 48:47
  Speaker 1: that like that first Donald Trump. But I'm like, all right,
• 48:49
  Speaker 1: this is taking a really long time to get to
• 48:51
  Speaker 1: the end. Okay, you gotta now you can make jokes
• 48:55
  Speaker 1: about that forever. If at first you don't succeed, you
• 48:58
  Speaker 1: try again. I'm not mad at him. You have to
• 48:59
  Speaker 1: you and you gotta go right away, keep going that's
• 49:02
  Speaker 1: why the boos make you better. The shame of that
• 49:05
  Speaker 1: will make him better. Funny, he said, Boost. We do
• 49:10
  Speaker 1: have respect for your daddy, but not for your jokes.
• 49:12
  Speaker 1: All right, Well, what's happening next on Netflix? It looks
• 49:15
  Speaker 1: like Barack and Michelle Obama maybe getting their own show now.
• 49:20
  Speaker 1: According to reports, they're going to produce a series of
• 49:23
  Speaker 1: high profile shows and provide exclusive content on a global level.
• 49:27
  Speaker 1: The focus of the shows will be on highlighting inspirational stories,
• 49:31
  Speaker 1: but they said one show will have Barack moderate conversations
• 49:33
  Speaker 1: about topics that dominated his time in the White House,
• 49:36
  Speaker 1: things like healthcare and things like climate change. So we'll
• 49:39
  Speaker 1: see I watch that, Yeah, I mean, that'd be exciting
• 49:42
  Speaker 1: if this really happens. They work for about a half
• 49:44
  Speaker 1: a million boo all right, now. Rachel Dolaze also has
• 49:50
  Speaker 1: a documentary coming to Netflix, and people are outraged over that.
• 49:55
  Speaker 1: If you guys remember Rachel Dolazel was the former president
• 49:58
  Speaker 1: of an a double ACP chapter. She was born white,
• 50:02
  Speaker 1: but she says she's black, identifies as black. Can you
• 50:05
  Speaker 1: do that? She did it, so I guess you could
• 50:08
  Speaker 1: do anything you went. So people were going in on
• 50:11
  Speaker 1: Netflix because of this. They said, there are thousands of
• 50:13
  Speaker 1: fascinating women with incredible stories to tell who deserve attention.
• 50:16
  Speaker 1: She is not one of you. You ought your damn
• 50:18
  Speaker 1: mine the story of a transracial in America, a white
• 50:21
  Speaker 1: woman who thinks she's black, You tell me about story.
• 50:23
  Speaker 1: Times columnists Charles and Blow wrote, Oh hell no, when
• 50:27
  Speaker 1: performing blackness gets more attention than actually being black? Well,
• 50:31
  Speaker 1: here is a trailer from this Rachel Dolizale documentary. Really
• 50:35
  Speaker 1: do I want to focus on this for the rest
• 50:38
  Speaker 1: of my life? Do you think I do? Why does
• 50:41
  Speaker 1: she just let go? When something gets destroyed, you have
• 50:44
  Speaker 1: to rebuild it. It's called rebuilding. Some people read, some
• 50:49
  Speaker 1: people read, and yeah, what happened affected more than just
• 50:53
  Speaker 1: my life. If somebody has hope, don't take that away
• 50:57
  Speaker 1: from them, because maybe that's all they have. Is how
• 51:03
  Speaker 1: he sounds like a mumble rapper? Right? But why why
• 51:05
  Speaker 1: y're acting like y're not gonna watch this? First of all,
• 51:07
  Speaker 1: I didn't say we created the monster name Rachel those all.
• 51:10
  Speaker 1: Y'all could have ignored Rachel those all a couple of
• 51:12
  Speaker 1: years and it's too good, which exactly why you're acting
• 51:14
  Speaker 1: like y'all not gonna watch this show? Y'all the reason
• 51:16
  Speaker 1: she got the show. She said that she still identifies
• 51:18
  Speaker 1: as black, and she says race should not be defined
• 51:21
  Speaker 1: by one's DNA. But I guess what you want to
• 51:24
  Speaker 1: identify with. So the show is called The Rachel Divide.
• 51:28
  Speaker 1: That's what that documentary is called. The beauty of Netflix
• 51:31
  Speaker 1: is you can choose to watch it that, you can
• 51:33
  Speaker 1: choose not to watch it. But I just want to
• 51:34
  Speaker 1: know that she get more than a half a million dollars.
• 51:36
  Speaker 1: That's what I wanted. They said they didn't even pay
• 51:38
  Speaker 1: her to do it. According to Netflix, they gave us
• 51:41
  Speaker 1: they do black women. They all over there, all right,
• 51:48
  Speaker 1: but that would be on Netflix on April twenty seven.
• 51:51
  Speaker 1: I'll stay with you now, Monique on that one. All right?
• 51:54
  Speaker 1: Those all need to get her coins? And that's your rumor.
• 51:57
  Speaker 1: How do they do black women like that? I don't
• 51:59
  Speaker 1: want to ever hear I say get coins ever again.
• 52:02
  Speaker 1: Please never want to hear you say that. Why can't
• 52:04
  Speaker 1: I get on coins? Stop? Please say that? All right?
• 52:07
  Speaker 1: Chocolate milk, you giving that donkey too. Listen, we need
• 52:12
  Speaker 1: twenty seven year old rand Shannon to come to the
• 52:14
  Speaker 1: front of the congregation. We'd like to have a world
• 52:15
  Speaker 1: with him. And guess where Ran Shannon is from. Ladies
• 52:18
  Speaker 1: and gentlemen, the Bronx of Florida. You already know Florida.
• 52:22
  Speaker 1: Good morning, Oh my goodness. All right, we'll get into
• 52:25
  Speaker 1: that when we come back. Also, we got to talk
• 52:27
  Speaker 1: about what happened on that morning show in DC. Now
• 52:31
  Speaker 1: if you haven't heard um, the question is we're gonna
• 52:33
  Speaker 1: take outside of that that morning show eight hundred five
• 52:36
  Speaker 1: eight show. Come on, I don't know, expect I don't
• 52:39
  Speaker 1: know Quick Silver and Danny Starr and who else you
• 52:43
  Speaker 1: don't even know? He gonna say, he gonna say, don't
• 52:45
  Speaker 1: even know the people. I don't know the name of
• 52:47
  Speaker 1: the show, the family. It's called the Fan of the Family.
• 52:49
  Speaker 1: All right, everybody relaxed. How you know? I know Quicksilver,
• 52:52
  Speaker 1: That's all I know. It's Quicksilver, and I think other ones.
• 52:54
  Speaker 1: Five nine. But well, I said, I said five nine.
• 53:00
  Speaker 1: You did not I didn't say that for this assid
• 53:03
  Speaker 1: I didn't know. I didn't think. Alright, eight hundred five
• 53:08
  Speaker 1: eight five one five one? Would you hire someone more
• 53:11
  Speaker 1: attractive than you? That? We're talking about that when we
• 53:13
  Speaker 1: come back. And also, if you're watching a Vote TV,
• 53:16
  Speaker 1: they got an exclusive is David Banner's new single is
• 53:19
  Speaker 1: called Magnolia and it's featuring c low Green. So you
• 53:21
  Speaker 1: can see that next on Revolt as the Breakfast Club.
• 53:24
  Speaker 1: Good Morning's time for Donkey of the Day Democrat. So
• 53:33
  Speaker 1: being Dunky of the Day a little bit of a
• 53:35
  Speaker 1: mixed up like other day. Now, I've been called a
• 53:43
  Speaker 1: lot of my twenty three years, but Donkey of the
• 53:45
  Speaker 1: Day is a new wife. Yes, Donkey to Day. For Friday,
• 53:49
  Speaker 1: March Knife, the anniversary of the notorious Brg's death, goes
• 53:53
  Speaker 1: to twenty seven year old Ranch Shannon of the Great
• 53:55
  Speaker 1: State of Florida. Drop one of clues, mom for Florida man,
• 53:59
  Speaker 1: and always remember the key word is Florida. All right,
• 54:02
  Speaker 1: Long before Donald Globla and the writers on Atlanta introduced
• 54:05
  Speaker 1: y'all to Florida man, your uncle Sharla for years has
• 54:08
  Speaker 1: been getting on this radio telling you that all the
• 54:10
  Speaker 1: craziest people in America come from the Bronx and all
• 54:13
  Speaker 1: of Florida. And Rant Shannon is just more evidence that
• 54:16
  Speaker 1: is proving my point. She ran. Shannon was driving through
• 54:19
  Speaker 1: an accident in Gainesville, Florida. And you know how it
• 54:21
  Speaker 1: is when you're driving through a traffic accident, everything slows down,
• 54:24
  Speaker 1: and it's nothing worse than having that happened while you're
• 54:27
  Speaker 1: on your way to work. Like for me, I wake
• 54:28
  Speaker 1: up in the morning every day at four to twenty,
• 54:30
  Speaker 1: I'm out to crib By five, and that always makes
• 54:32
  Speaker 1: me feel good because I know if I'm out to
• 54:34
  Speaker 1: crib By five, I'll be at the station by like
• 54:36
  Speaker 1: five forty five. But nothing worse when you're cruising and
• 54:38
  Speaker 1: you know you're about to be more than on time
• 54:41
  Speaker 1: and then boo, traffic slows to a crawl because of
• 54:44
  Speaker 1: an accident. But here's the thing, all right, here's the thing.
• 54:47
  Speaker 1: Nothing pisses me off more than people who start blowing
• 54:50
  Speaker 1: the horn and getting agitated when there is absolutely nothing
• 54:53
  Speaker 1: any of us can do about said traffic accident. Okay,
• 54:57
  Speaker 1: in those moments, you just have to remember your serenity. Prey, God,
• 55:00
  Speaker 1: grant me the serenity to accept the things I cannot change,
• 55:03
  Speaker 1: courage to change of things I can, and the wisdom
• 55:05
  Speaker 1: to know the difference. When you are caught in traffic
• 55:07
  Speaker 1: because of a traffic accident, you have to be wise
• 55:09
  Speaker 1: enough to know that there's nothing you can do except
• 55:12
  Speaker 1: for let emergency responders through their job. You can blow
• 55:15
  Speaker 1: the horn all damn day, you can scream, you can curse,
• 55:19
  Speaker 1: but it's not going to change anything until emergency responders
• 55:22
  Speaker 1: get done doing what they're doing. But young twenty seven
• 55:25
  Speaker 1: year old Ranch Shannon, Okay, he didn't get that memo.
• 55:29
  Speaker 1: And if it's anybody who who should have been patient
• 55:31
  Speaker 1: and been a model citizen in that moment due to
• 55:35
  Speaker 1: his circumstances, it was Ranch Shannon. But Rance couldn't show
• 55:38
  Speaker 1: discipline in that moment of being in a traffic accident
• 55:41
  Speaker 1: because he's clearly not the highest grade of weed in
• 55:43
  Speaker 1: the dispensary. But it's not his fault because he's from Florida.
• 55:48
  Speaker 1: Would you like for me to reveal why Floridian Ranch
• 55:51
  Speaker 1: Shannon is getting donkey today? Please let's go to w
• 55:54
  Speaker 1: c JB ABC twenty for the report. Police police arrested
• 55:56
  Speaker 1: the man who harned to repeatedly at first responders working
• 55:59
  Speaker 1: on a topic accident. Police approached twenty seven year old
• 56:02
  Speaker 1: Ranchan and it smelled marijuana coming from his car. They
• 56:05
  Speaker 1: said they found a loaded gun on him in multiple
• 56:08
  Speaker 1: and a multitude of drugs, including five Mason jars and
• 56:11
  Speaker 1: marijuana and nearly one hundred grams of cocaine. They also
• 56:14
  Speaker 1: found ten thousand dollars in cash and his waistband. There
• 56:17
  Speaker 1: were other guns in the car to include an AK
• 56:19
  Speaker 1: forty seven and an AR fifteen boy all that in
• 56:21
  Speaker 1: the car, So why he decided to alert need Police's
• 56:24
  Speaker 1: attention to him by honking his horn is still beyond me.
• 56:27
  Speaker 1: That news report isn't even telling the whole story. Ranch
• 56:30
  Speaker 1: Shannon a convicted felon riding dirty, riding filthy. He had
• 56:34
  Speaker 1: a loaded nine millimeter handgun, over ten grand in cash,
• 56:37
  Speaker 1: a four inch knife for AAR fifteen five mason jars
• 56:40
  Speaker 1: full of weed and hash, ninety four grams of cocaine,
• 56:43
  Speaker 1: eleven grams of amphetamine, power with sixteen Zanex and oxycodine pills,
• 56:47
  Speaker 1: and he had another book bag full of weed and edibles.
• 56:49
  Speaker 1: And in the trunk he had four more handguns, AKT ammunition,
• 56:54
  Speaker 1: boat cutters, and gloves. Ranch Shannon, who in the name
• 56:57
  Speaker 1: of grand theft auto was you going to kill? It
• 56:59
  Speaker 1: was to go in. It sounds like you were providing
• 57:01
  Speaker 1: all the drugs in Gainesville, But the fact you were
• 57:04
  Speaker 1: acting like you was doing something normal like delivering pizza
• 57:08
  Speaker 1: is so Florida traffic want to close bombs with Florida again.
• 57:11
  Speaker 1: I hate, I hate to be the back in my
• 57:15
  Speaker 1: day guy. Well, back in my day, when you was
• 57:18
  Speaker 1: riding dirty, trafficking drugs and guns, you was cautious as possible.
• 57:22
  Speaker 1: You made sure your tags was great, you made sure
• 57:24
  Speaker 1: your license and registration was great. You didn't drive a
• 57:27
  Speaker 1: car that would bring attention to you. That was the
• 57:29
  Speaker 1: whole point. When you were riding dirty, you wanted to
• 57:32
  Speaker 1: bring as little attention to yourself as possible. But this
• 57:35
  Speaker 1: ranch Shannon impatient asked Floridian keyword Floria. Ridian was riding
• 57:40
  Speaker 1: philthy and decided to start blaring his horn while emergency
• 57:44
  Speaker 1: responders worked at a traffic accident. Can we go to
• 57:47
  Speaker 1: w c JB ABC twenty for the report? Once more?
• 57:49
  Speaker 1: Please just played. Police arrested a man who harned to
• 57:51
  Speaker 1: repeatedly at first responders working on a traffic accident. Police
• 57:55
  Speaker 1: approached twenty seven year old Ranchan and it smelled marijuana
• 57:58
  Speaker 1: coming from his car. They found a load of gun
• 58:01
  Speaker 1: on him in multiple and a multitude of drugs, including
• 58:03
  Speaker 1: five Mason jars and marijuana and nearly one hundred grahams
• 58:06
  Speaker 1: of cocaine. They also found ten thousand dollars in cash
• 58:10
  Speaker 1: and his waistband. There were other guns in the car
• 58:12
  Speaker 1: to include an AK forty seven and an AAR fifteen.
• 58:15
  Speaker 1: All that in the car. So why he decided to
• 58:17
  Speaker 1: alert me police's attention to him by honking his horn
• 58:20
  Speaker 1: is still beyond me. Why he decided to bring attention
• 58:23
  Speaker 1: to himself when he was riding so dirty is beyond
• 58:27
  Speaker 1: me too. But the answer to that question is simply
• 58:30
  Speaker 1: because he's from Florida. And what do I always tell
• 58:33
  Speaker 1: you the craziest people come from the Bronx and all
• 58:36
  Speaker 1: of Florida, and all you Floridians who always say to me, Charlemagne,
• 58:39
  Speaker 1: all people from Florida are crazy. Well, I'm gonna give
• 58:44
  Speaker 1: you the cherry on top of his donkey today. There's more.
• 58:47
  Speaker 1: There's one more little piece that needs to be at it.
• 58:50
  Speaker 1: According to the New York Post, Rant, Shannon, after being arrested,
• 58:54
  Speaker 1: told authorities verbat him that he was a nice guy
• 58:58
  Speaker 1: because he could have used the weapons again instant WHOA,
• 59:02
  Speaker 1: I repeat, Ranch Shannon, after being arrested for all this stuff,
• 59:07
  Speaker 1: whold authorities verbatim that he was a nice guy because
• 59:11
  Speaker 1: he could have used the weapons he got caught with
• 59:14
  Speaker 1: against him. Florida, Ladies and gentlemen, Florida, please let Remy
• 59:20
  Speaker 1: Mark get Floridian ranch Shannon the biggest he has he
• 59:23
  Speaker 1: he ha, you stupid, mother, Are you dumb? He's very dumb, Florida. No,
• 59:29
  Speaker 1: he's very Florida. All right, you know Florida. Yeah, all right, well,
• 59:34
  Speaker 1: thank you for that down kid today Florida. Now when
• 59:36
  Speaker 1: we come back, we have to talk about what happened
• 59:39
  Speaker 1: on Quicksilver shout to him in his morning show which
• 59:42
  Speaker 1: is in DCAM in the Morning, The Fam in the
• 59:45
  Speaker 1: Morning with five nine and Danny Star Now to the people,
• 59:47
  Speaker 1: what happened? Ye, Well, apparently Danny Star needed to get
• 59:51
  Speaker 1: a new nanny because her nanny quit and her unexpectedly.
• 59:54
  Speaker 1: She has two kids, and they talked about on the show. Okay,
• 59:58
  Speaker 1: and one woman had DM t her she was a
• 1:00:00
  Speaker 1: very beautiful, attractive woman, and she said, I would never
• 1:00:02
  Speaker 1: hire this woman as a nanny because she was attractive,
• 1:00:06
  Speaker 1: because she was too attractive. And she said she had
• 1:00:08
  Speaker 1: a history. Her father cheated on her mom before with
• 1:00:11
  Speaker 1: the babysitter, right right, and her own husband cheated yeah, right,
• 1:00:14
  Speaker 1: As she's scared. She's insecure, rightfully, so, so then what happened?
• 1:00:18
  Speaker 1: So I guess they went behind her back allegedly and
• 1:00:22
  Speaker 1: called this woman up to the show, and the woman,
• 1:00:25
  Speaker 1: as Danny said, ambushed her. The whole show ambushed her
• 1:00:28
  Speaker 1: on air, and they had a big argument on that.
• 1:00:29
  Speaker 1: We have a clip of it. Let's play a clip
• 1:00:31
  Speaker 1: of it. I am not insecure, Okay, I have been
• 1:00:33
  Speaker 1: cheated on. I have been very open and botheful about
• 1:00:36
  Speaker 1: my stuff. I did you decide what happens in my household? Okay? Well,
• 1:00:40
  Speaker 1: my daddy slept with a babysitter, so I know my situation. Danny,
• 1:00:44
  Speaker 1: you are insecure. You're suffering from post traumatic side check disorder.
• 1:00:47
  Speaker 1: Happens to the best of them, all right, So we're
• 1:00:49
  Speaker 1: asking eight hundred five eight five one oh five one?
• 1:00:53
  Speaker 1: Would you hire an attractive person to work for you?
• 1:00:56
  Speaker 1: Would you envy in my house? My house and regular
• 1:01:00
  Speaker 1: life is differently my house? No in a situation? Hell no, no, no,
• 1:01:04
  Speaker 1: I'm not. No. You know you're calling your nanny ugly
• 1:01:06
  Speaker 1: right now. I thought you meant like an ugly I
• 1:01:10
  Speaker 1: thought you meant like when I hire on a man
• 1:01:13
  Speaker 1: to work in my ugly Miami. Would you would you
• 1:01:16
  Speaker 1: hire an attract My danny is gorgeous? I didn't ask
• 1:01:19
  Speaker 1: you that. I said, would you had at she's amazing looking,
• 1:01:23
  Speaker 1: a lover, great, great human being as well? What trying
• 1:01:27
  Speaker 1: to say anything? Okay, i'd here calling your nanny ugly.
• 1:01:30
  Speaker 1: I didn't say yeah. I didn't say, you know, you
• 1:01:32
  Speaker 1: know what, go home and look at her. You know what?
• 1:01:34
  Speaker 1: Would you mind hiring somebody like a man to do
• 1:01:37
  Speaker 1: the lawn or something like that that looked like Trey Songs.
• 1:01:42
  Speaker 1: I looked like Boris Kojoe Old Boris Chestnut or Michael B. Jordan.
• 1:01:47
  Speaker 1: I'm gonna be hones with almost said something racist. No,
• 1:01:50
  Speaker 1: I'm growing up. So you know what eight hundred five
• 1:01:52
  Speaker 1: eight five one five one. I want to hear. It's
• 1:01:55
  Speaker 1: the Breakfast Local Morning, the Breakfast Club that was Gucci
• 1:02:01
  Speaker 1: Mane Morning. Everybody's DJ Envy Angela Yee, Charlomagne the guy
• 1:02:05
  Speaker 1: we are the Breakfast Club. Eight hundred and five A
• 1:02:08
  Speaker 1: five one on five one. Ladies, would you hire an
• 1:02:11
  Speaker 1: attractive babysitter or nanny to take care of your kids?
• 1:02:14
  Speaker 1: That is the question. Charlomagne said he has no problem
• 1:02:16
  Speaker 1: with it. I do I'm sorry. I don't want to
• 1:02:18
  Speaker 1: attractive female. I don't want an attractive male. It's just basically,
• 1:02:23
  Speaker 1: you're calling your nanny and babysitter's ugly. Right now, I'm
• 1:02:26
  Speaker 1: not doing Yes, they're not You're saying they're not attractive.
• 1:02:29
  Speaker 1: That's just saying. That's exactly what you just said. They
• 1:02:31
  Speaker 1: are attractive, my baby, My nanny is very attractive, and
• 1:02:34
  Speaker 1: I appreciate her so much for caring for my kids.
• 1:02:37
  Speaker 1: So I don't know if you had to compare her
• 1:02:39
  Speaker 1: to an active actress, who which one would you? Sophia
• 1:02:42
  Speaker 1: of Agar Okay, okay, all right, I love my nanny. Okay,
• 1:02:48
  Speaker 1: I don't know who y'all think. Y'all are calling your
• 1:02:50
  Speaker 1: nanny's and babysit is ugly. Nobody said ugly, go too far? Hello?
• 1:02:55
  Speaker 1: Who's this Michell? Hey Michelle? Would you hire an attractive babysitter? Hell? No,
• 1:03:01
  Speaker 1: oh Michelle? Why not? Wind not Michelle, it's just wise.
• 1:03:04
  Speaker 1: You don't put no female in the houpitel man, just
• 1:03:07
  Speaker 1: don't to do that. This is messed up, man. I'm
• 1:03:09
  Speaker 1: gonna tell you why this is messed up. Y'all about
• 1:03:11
  Speaker 1: to give babysitters and nanny's a complex. All the ones
• 1:03:14
  Speaker 1: that get hired gonna think they ugly as hell. So
• 1:03:17
  Speaker 1: you need a job, right, everybody needs a Hello? Who's
• 1:03:22
  Speaker 1: this Victoria? Hey Victoria, would you hire an attractive babysitter
• 1:03:26
  Speaker 1: on nanny? Yes? I would. Oh, you wouldn't mind. I
• 1:03:29
  Speaker 1: wouldn't mind because one, nowadays you can't tell thee to
• 1:03:32
  Speaker 1: be a man or a woman. And two left said,
• 1:03:40
  Speaker 1: you can't tell if it's get it's a hot woman. Okay,
• 1:03:44
  Speaker 1: says it says that a woman and an attractive nanny?
• 1:03:47
  Speaker 1: How do you ride out of you? How do you
• 1:03:48
  Speaker 1: not know it's really a man? All right, I'm not playing.
• 1:03:51
  Speaker 1: Where are you from? Sound like Alabama? Alsome Jersey? Originally
• 1:03:55
  Speaker 1: well imparted, Okay, now you know? All right, I'm sorry,
• 1:03:59
  Speaker 1: I'll Bama. I would never compare y'all the Florida. I
• 1:04:02
  Speaker 1: just knew something was awful. Little bit Florida explained it though, Hello,
• 1:04:04
  Speaker 1: who's this? What going on? What was going on? First
• 1:04:07
  Speaker 1: of all, good morning, my name is Cheyenne. To be honest,
• 1:04:09
  Speaker 1: it just depends on the on the person's self control.
• 1:04:12
  Speaker 1: You know, you just think somebody good looking, but doesn't
• 1:04:15
  Speaker 1: mean you have to act on it, you know, because
• 1:04:16
  Speaker 1: I'm around a whole bunch of good looking people a day.
• 1:04:19
  Speaker 1: You know, it's it's all about how you carry yourself
• 1:04:21
  Speaker 1: and if you really true to your significant it's robably
• 1:04:24
  Speaker 1: different somebody that's in the house all the time. It's
• 1:04:26
  Speaker 1: way different somebody in the house in the post of
• 1:04:28
  Speaker 1: working at What are you're saying is true? Though? Man?
• 1:04:30
  Speaker 1: I mean, it ain't about whether or not the nanny's attractive.
• 1:04:33
  Speaker 1: It's about you, Like you know, if you're attractive, you
• 1:04:37
  Speaker 1: can't just be pushing up on the nanny. No, you
• 1:04:39
  Speaker 1: definitely can't. But I'm talking about a man. I wouldn't
• 1:04:42
  Speaker 1: want an attractive man working in my house doing anything.
• 1:04:45
  Speaker 1: I'm sorry, Does that mean that you're insecure? Yes? Okay,
• 1:04:48
  Speaker 1: I just want everybody who ever goes to work on
• 1:04:50
  Speaker 1: anything at dj Envy's house, from the pool people who
• 1:04:53
  Speaker 1: to the lawn people. He thinks you ugly that I
• 1:04:55
  Speaker 1: don't reason employee his manager jew bad enough that you're
• 1:05:01
  Speaker 1: looking down on people from your estate. Now you call
• 1:05:03
  Speaker 1: them the people that worked there ugly. I didn't say
• 1:05:05
  Speaker 1: that five a five one oh five one. Would you
• 1:05:09
  Speaker 1: hire someone attractive to work in your home? It's the
• 1:05:11
  Speaker 1: Breakfast Club, Morning Morning. Everybody is DJ Envy, Angela Yee,
• 1:05:16
  Speaker 1: Charlomagne the guy. We are the Breakfast Club. We're asking
• 1:05:19
  Speaker 1: eighty five one oh five one? Would you hire someone
• 1:05:22
  Speaker 1: attractive to work in your home? Hello? Who's this? This
• 1:05:25
  Speaker 1: is Jessica from DC. Hey, Jessica, would you hire someone
• 1:05:28
  Speaker 1: attractive to work in your home? A babysit or nanny? So,
• 1:05:31
  Speaker 1: I'm actually a nanny in the DC area, and I
• 1:05:34
  Speaker 1: caught the show later on in the day. But basically,
• 1:05:37
  Speaker 1: I don't think she's insecure. I think that she has
• 1:05:40
  Speaker 1: the choice to hire whoever she's wants to move home
• 1:05:42
  Speaker 1: as a nanny, and as a woman that's been through
• 1:05:45
  Speaker 1: something like that before, that's up to her to guard
• 1:05:48
  Speaker 1: her her household. And a nanny job is so personal
• 1:05:52
  Speaker 1: day to day, it's not like you're going into a workplace.
• 1:05:55
  Speaker 1: Even quitting a nanny job for a nanny is hard
• 1:05:58
  Speaker 1: because it's so personal. So I don't blame her at all.
• 1:06:02
  Speaker 1: By the way, by the way, you're wrong, She's very insecure.
• 1:06:04
  Speaker 1: She's suffering from post traumatic side check disorder. She said
• 1:06:07
  Speaker 1: her father. She said her father slept with the babysitt
• 1:06:10
  Speaker 1: and her man cheating on her with like a sitter
• 1:06:12
  Speaker 1: or something. She's definitely insecure about that. Now let me
• 1:06:14
  Speaker 1: ask you a question about learning from your past, Darlam.
• 1:06:18
  Speaker 1: Now let me ask you a question. You worked in
• 1:06:19
  Speaker 1: many houses before. Has a husband ever kicked it to
• 1:06:21
  Speaker 1: you or pushed up on you? No? Absolutely not, OK.
• 1:06:24
  Speaker 1: And if they did, I wouldn't feel comfortable. I would
• 1:06:27
  Speaker 1: have to leave. I'm about to start marrying a nanny
• 1:06:28
  Speaker 1: agency in the in the business in the area, so
• 1:06:31
  Speaker 1: I'm kind of like, this is crazy right now, right,
• 1:06:34
  Speaker 1: so you you have come into your household. That is
• 1:06:38
  Speaker 1: your decision. You don't know whether it's a friend, a worker,
• 1:06:41
  Speaker 1: a law a guy. Right you can decide that you
• 1:06:44
  Speaker 1: want to hire an attractive nanny. Do you solicit for
• 1:06:47
  Speaker 1: nanny's I'm not an ugly girl. Let me just say
• 1:06:49
  Speaker 1: that I've been a nanny for seven years. You sound ugly. Listen,
• 1:06:52
  Speaker 1: when you sliced for nanny, do you put must be
• 1:06:55
  Speaker 1: ugly as a prerequcity. No, No, not at all, not
• 1:06:59
  Speaker 1: at all. It's not even a matter really about the look.
• 1:07:01
  Speaker 1: It's about it who gets who gets connected to the
• 1:07:03
  Speaker 1: kids and qualified some qualification, knows how to handle the kids. Hello,
• 1:07:08
  Speaker 1: who's this the one? Missus? Erica? Hey Erica? Would you
• 1:07:11
  Speaker 1: hire someone attractive to work in your crib as a nanny? Now?
• 1:07:15
  Speaker 1: Me and my husband has this debate all the time.
• 1:07:17
  Speaker 1: He says, when we have a house, but she gonna
• 1:07:19
  Speaker 1: be a little young son Crian, I say, she's gonna
• 1:07:21
  Speaker 1: be an old lady name okam sweet. Um, not gonna
• 1:07:25
  Speaker 1: have no young attractive person walking around in my house.
• 1:07:29
  Speaker 1: It's my house, it's my fake. You just watch the
• 1:07:32
  Speaker 1: hand that rocks the cradles girl walking around being her manny. Well,
• 1:07:37
  Speaker 1: I would never hire a young nanny, but who have
• 1:07:38
  Speaker 1: nothing to do with Look, I wouldn't hire young nanny
• 1:07:40
  Speaker 1: just because I don't like all of that social media
• 1:07:42
  Speaker 1: stuff and I just don't feel like a young person
• 1:07:45
  Speaker 1: would be focused on my children the way that they
• 1:07:47
  Speaker 1: need to. I just think an older person is better.
• 1:07:49
  Speaker 1: I love, I personally love older babysitters, older nanny. I've
• 1:07:53
  Speaker 1: had older nanni's and I've had younger nannies. This nanny's
• 1:07:55
  Speaker 1: around thirty years old, and she is the best nanny
• 1:07:58
  Speaker 1: that I've had so far. She handles the kids amazing
• 1:08:00
  Speaker 1: when I'm not there, and um, that's great. So I
• 1:08:03
  Speaker 1: have no problem. That's probably want by personality. Yeah, definitely,
• 1:08:05
  Speaker 1: a social media like that. I got requirements I wanted.
• 1:08:10
  Speaker 1: When I wanted nanny, I wanted a woman from the Caribbean,
• 1:08:12
  Speaker 1: and that's what I got. Okay, Hello, who's this Good morning?
• 1:08:15
  Speaker 1: My name is Ju from Houston, Texas. Hey, good morning, mama.
• 1:08:18
  Speaker 1: Now we're talking. Would you hire someone attractive to be
• 1:08:20
  Speaker 1: a nanny or a babysitter? Absolutely? I haven't namy from
• 1:08:23
  Speaker 1: my daughter and she's Brazilian, she's young, she's beautiful. I
• 1:08:27
  Speaker 1: believe I am a beautiful person, so I don't want
• 1:08:29
  Speaker 1: to be surrounded by people who are not. I don't
• 1:08:31
  Speaker 1: think that you should judge someone just strictly how they
• 1:08:34
  Speaker 1: look in their work ethics. If you find somebody who
• 1:08:37
  Speaker 1: you can trust with your child, who you can you know,
• 1:08:40
  Speaker 1: go out and not feel like somebody's gonna hurn my
• 1:08:42
  Speaker 1: child regardless of how they look, then you should go
• 1:08:44
  Speaker 1: ahead and consider that person. If you have a fine
• 1:08:46
  Speaker 1: man who wants to cut your grass, and he does
• 1:08:48
  Speaker 1: a great job edge in the lawn, then why would
• 1:08:51
  Speaker 1: you stop him from doing what he's good at? Right,
• 1:08:53
  Speaker 1: I'm gonna give him a bonus to look, yeah, go
• 1:08:55
  Speaker 1: ahead and let go ahead and open the window. White
• 1:08:57
  Speaker 1: he cuts the grass, No, because they've become the grass
• 1:09:00
  Speaker 1: with their shirts off. Sometimes you do have somebody who
• 1:09:03
  Speaker 1: you truly feel is going to interrupt your relationship because
• 1:09:07
  Speaker 1: of how they're listening. Yeah, well, then that's going to
• 1:09:09
  Speaker 1: be on you to make the better decisions. Maybe have
• 1:09:11
  Speaker 1: somebody who doesn't look as beautiful as yourself in order
• 1:09:14
  Speaker 1: to take care of whatever need you had round your home. Well,
• 1:09:17
  Speaker 1: thank you, mamma, thank you. What's the moral of the story.
• 1:09:21
  Speaker 1: The moral of the story is, stop calling your nannies
• 1:09:24
  Speaker 1: and babysitter is ugly? All right? This is disgusting. I
• 1:09:26
  Speaker 1: am so offended this morning that all y'all called the bin,
• 1:09:29
  Speaker 1: just called all your ugly. That's what I got from you.
• 1:09:32
  Speaker 1: Nobody said that. My whole thing is is your house.
• 1:09:35
  Speaker 1: Whatever makes you comfortable in your house. I want all
• 1:09:38
  Speaker 1: you babysitizen and nannies to go to your respective places
• 1:09:42
  Speaker 1: to day and look people in the eyes that all
• 1:09:43
  Speaker 1: you think I'm ugly? I want you to ask you
• 1:09:45
  Speaker 1: ask the people that you are employed with, do you
• 1:09:48
  Speaker 1: think I'm ugly? All right? Giving got rooms on the way, yes, O. J. Simpson.
• 1:09:52
  Speaker 1: We've been telling you about this show that's coming out
• 1:09:54
  Speaker 1: on Fox on Sunday. We have some more from his
• 1:09:57
  Speaker 1: Lost Confession. All right, we'll get into that when we
• 1:09:59
  Speaker 1: come back. Keep a lot this to Breakfast Club. Good morning,
• 1:10:02
  Speaker 1: let's talk about it hit TV show that is getting
• 1:10:04
  Speaker 1: a movie now. It's about the rumor report Angela needs
• 1:10:14
  Speaker 1: on the Breakfast Club. That's right, girlfriends, I'm kidding. Did
• 1:10:24
  Speaker 1: you see his face like that? Don't do like that.
• 1:10:29
  Speaker 1: I was like, oh my goodness, I just want to
• 1:10:32
  Speaker 1: see Charlemagne was paying attention. All right, it's actually the Sopranos, okay,
• 1:10:37
  Speaker 1: and they're they're doing is dope and that listen to
• 1:10:42
  Speaker 1: what it is though. Okay. The working title right now
• 1:10:44
  Speaker 1: is The Many Saints of Nork, So it's actually gonna
• 1:10:47
  Speaker 1: be based in Nork, if you it's set in the
• 1:10:49
  Speaker 1: nineteen sixties and the riots between the African American and
• 1:10:52
  Speaker 1: Italian communities. So it's gonna have some of the characters
• 1:10:55
  Speaker 1: from the original series. Yeah, but Tony Sopranos, it would
• 1:10:59
  Speaker 1: be a younger version of him because it's a prequel,
• 1:11:01
  Speaker 1: so you wouldn't have to be in it. Guys Duhr
• 1:11:04
  Speaker 1: in the sixties. I'll watch it, but I'm not necessarily interested.
• 1:11:07
  Speaker 1: That's not something I was. I was, I was clamoring
• 1:11:09
  Speaker 1: for you know, I was a big fan too, But
• 1:11:12
  Speaker 1: it's it's over girlfriends though the city. Did their movie
• 1:11:17
  Speaker 1: have sex in the city too? I want a girlfriend's movie.
• 1:11:20
  Speaker 1: All right? Well, sorry, I'm not here yet. Marob Rock
• 1:11:22
  Speaker 1: could kill. I'm telling you. I don't know you, but
• 1:11:24
  Speaker 1: we got beef rock kill. I love you, but we
• 1:11:26
  Speaker 1: got beef until I get closed. We're gonna get closed
• 1:11:28
  Speaker 1: when we all die. Okay. Another movie that's coming is
• 1:11:30
  Speaker 1: the Dapper Damn biopic. I'd like to see. He's getting
• 1:11:33
  Speaker 1: his just dude. Now he's got his story in Harlan
• 1:11:35
  Speaker 1: with Gucci, and now he has a movie. Sony's developing
• 1:11:38
  Speaker 1: the film and it's actually going to be produced by Carmichael.
• 1:11:41
  Speaker 1: Gerard Carmichael dropping a clues bump from my guy draw Carmichael.
• 1:11:44
  Speaker 1: I like that, trying to I'm trying to figure out
• 1:11:46
  Speaker 1: the connection though, but I'm not mad at it. You know,
• 1:11:48
  Speaker 1: whoever can get the story done can get the story done,
• 1:11:51
  Speaker 1: you know, right, So it should be pretty exciting. If
• 1:11:53
  Speaker 1: you don't know who Dapper Dan is, he was the
• 1:11:55
  Speaker 1: one who would customize brands like Louis Batan and Gucci
• 1:11:58
  Speaker 1: for all the stars. And when you saw up people
• 1:12:00
  Speaker 1: wearing that, and then Gucci actually came back and faced
• 1:12:03
  Speaker 1: some of those ye stealing his ideas of him using
• 1:12:05
  Speaker 1: their prints. So he posted the news on Instagram. Dapadan said,
• 1:12:09
  Speaker 1: it's time to tell all from growing up with holes
• 1:12:11
  Speaker 1: in my shoes and swimming in the Harlem River to
• 1:12:13
  Speaker 1: crossing the river and now in Africa in search of
• 1:12:16
  Speaker 1: my identity. I came from nothing and God has blessed
• 1:12:18
  Speaker 1: me with the partnership with Gucci, a book deal with
• 1:12:20
  Speaker 1: Random House and now a movie deal with Stony Pictures
• 1:12:23
  Speaker 1: Harlem in Africa. Through the grace of God have shaped
• 1:12:25
  Speaker 1: in my life. I wonder if he's gonna show this
• 1:12:27
  Speaker 1: Mike Tyson fight in his store or Mike Tyson beat up.
• 1:12:30
  Speaker 1: I think that was in front of the story in
• 1:12:33
  Speaker 1: the store. I let imagine how you couldn't have that.
• 1:12:35
  Speaker 1: You gotta have that absolutely all r Right now, Calie
• 1:12:37
  Speaker 1: has reportedly bought a farm. She plans to cultivate her
• 1:12:40
  Speaker 1: own produce. So that's actually, if you can do that,
• 1:12:43
  Speaker 1: an excellent idea. Nothing more natural than that she said,
• 1:12:46
  Speaker 1: in the past year, I've kind of felt like I
• 1:12:47
  Speaker 1: need a restaurant. I need a space where I can
• 1:12:49
  Speaker 1: actually be creative and I can do this on a
• 1:12:51
  Speaker 1: daily basis, that being really necessary for me. So she said,
• 1:12:55
  Speaker 1: let's do a farm. We started looking for a farm.
• 1:12:56
  Speaker 1: We found a property and we're going to start to
• 1:12:58
  Speaker 1: grow everything. That's what she's putting his money to good use. Man,
• 1:13:01
  Speaker 1: didn't he just get like forty million? They said from that?
• 1:13:03
  Speaker 1: Did he invested in that? That thing from sea tink?
• 1:13:06
  Speaker 1: It was the doorbell an Amazon? But all right, and
• 1:13:10
  Speaker 1: OJ Simpson, remember we were telling you about the Lost Confession.
• 1:13:15
  Speaker 1: It was an interview that was filmed where it was
• 1:13:18
  Speaker 1: based on that book If I Did It, where he
• 1:13:20
  Speaker 1: discusses the nineteen nine trial. Well, that is going to
• 1:13:23
  Speaker 1: air on Fox at eight pm on Sunday, if you
• 1:13:26
  Speaker 1: guys want to watch it. And here's another snippet of O. J.
• 1:13:29
  Speaker 1: Simpson doing his Lost Confessions where he says he met
• 1:13:33
  Speaker 1: Nicole while she was working at a restaurant and he
• 1:13:35
  Speaker 1: was still in a relationship a place called a Daisy
• 1:13:37
  Speaker 1: It's a little breakfast place, and I ran into a
• 1:13:39
  Speaker 1: friend of mine. He said, let's have breakfast. And when
• 1:13:41
  Speaker 1: we walked in this this vision turned to me and said,
• 1:13:44
  Speaker 1: what do you want to sit? And I remember thinking,
• 1:13:46
  Speaker 1: what a gorgeous girl. But I can't deal with this.
• 1:13:49
  Speaker 1: So it's three days later when I came back. I
• 1:13:51
  Speaker 1: went back into the days and I was having lunch
• 1:13:53
  Speaker 1: with the owner and she came back in and I said, man,
• 1:13:57
  Speaker 1: I would really like to take this girl off. And
• 1:14:00
  Speaker 1: he called her over and introducers and you know, said
• 1:14:03
  Speaker 1: this is one of the good guys and you were
• 1:14:05
  Speaker 1: together from now on. Oh yeah, Well that I had
• 1:14:07
  Speaker 1: to take her before I went to the party. I
• 1:14:09
  Speaker 1: explained to her that I was married. Pretty creepy, guys.
• 1:14:12
  Speaker 1: I think everybody involved in this is going to hell.
• 1:14:14
  Speaker 1: I think everybody involved in the production of this. Judah
• 1:14:17
  Speaker 1: freaks in the interview and I love Judae FREGM, but Joe,
• 1:14:19
  Speaker 1: you all are accomplices to some bs. You know what
• 1:14:22
  Speaker 1: I'm saying, Like, he shouldn't be allowed to get that off.
• 1:14:24
  Speaker 1: And if somebody from the coaches his family claps him
• 1:14:26
  Speaker 1: of something they got every right to. Supposedly the family
• 1:14:28
  Speaker 1: is supporting this. Now they want to see why in hell? Yeah,
• 1:14:32
  Speaker 1: because when they clap him. They want us to understand
• 1:14:33
  Speaker 1: why they clapped him, all right, and last but not least,
• 1:14:36
  Speaker 1: you know, I'm sure we all saw this coming, But
• 1:14:37
  Speaker 1: Michael Smith is going to host his last edition of
• 1:14:40
  Speaker 1: ESPN Sports Center today, So really that's his exit. Is
• 1:14:43
  Speaker 1: a little more than a month after Jamal Hill left
• 1:14:46
  Speaker 1: to join the undertating. Now he still has the years
• 1:14:48
  Speaker 1: left on his contract with ESPN, so it looks like
• 1:14:50
  Speaker 1: he's going to move into a different capacity at the network.
• 1:14:52
  Speaker 1: Had a good thing going. Yeah, but you know what,
• 1:14:54
  Speaker 1: they should have never put them on the six. And
• 1:14:56
  Speaker 1: if they was gonna put them on the six, they
• 1:14:57
  Speaker 1: should have let them do the same thing that they
• 1:14:59
  Speaker 1: was doing on hers isn't herds was unique? It was funny.
• 1:15:02
  Speaker 1: I used to let the sketches that they did, that
• 1:15:04
  Speaker 1: was their thing. Their fingerprints was all over that. But
• 1:15:06
  Speaker 1: they moved into six and the white people didn't like
• 1:15:09
  Speaker 1: it because the white people didn't want black people hosting
• 1:15:11
  Speaker 1: sports in it in prime time like that. And you know,
• 1:15:13
  Speaker 1: and they had even said there was a time that
• 1:15:16
  Speaker 1: we weren't even talking to each other during the broadcast anymore.
• 1:15:19
  Speaker 1: No more, Michael and Jamil not less not hearing they're
• 1:15:21
  Speaker 1: no more Michael and Jamial talking, no more of their commentary.
• 1:15:24
  Speaker 1: It's just strictly live shots and analysts. That's what pissed
• 1:15:26
  Speaker 1: me off so much. And don't tell me that you
• 1:15:28
  Speaker 1: love me and then put me in a position and
• 1:15:29
  Speaker 1: tell me to change everything about me. You love my game,
• 1:15:31
  Speaker 1: you love how I playing, but now that I'm in
• 1:15:33
  Speaker 1: this position, you want me to change my game totally.
• 1:15:35
  Speaker 1: That's whack. Yeah, that was definitely whack. All right, well
• 1:15:38
  Speaker 1: let me antel laye and that is your rumor report.
• 1:15:40
  Speaker 1: All right, Well, you know, shout to revote. We'll see
• 1:15:42
  Speaker 1: them all everybody else. It's all about the Notorious Big
• 1:15:45
  Speaker 1: the greatest rapper of all time died on March night,
• 1:15:48
  Speaker 1: and we're gonna get on a Biggie mixed. Let me
• 1:15:50
  Speaker 1: know your favorite Big joint. It's the Breakfast Club Goal