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Trina and Brittney Taylor interview and more · The Breakfast Club

• 0:01
  Speaker 1: The most dangerous morning show the breakfast Clubs. I'm rather
• 0:07
  Speaker 1: put y'all together. Y'all are like a mega for us.
• 0:10
  Speaker 1: Y'all just took over ever with this Chris Brown, I've
• 0:14
  Speaker 1: officially joined the Breakfast Club. Say something, mother, I'm with it.
• 0:19
  Speaker 1: Pick up the mother mother phone and don this is
• 0:22
  Speaker 1: your time to get it off your chat mother, your
• 0:23
  Speaker 1: manage with your chest. You want to hear from you
• 0:27
  Speaker 1: on the Breakfast Club, so you better have the same energy. Hello,
• 0:30
  Speaker 1: who's this? This is tasty? Hey mama? Hey tasty? You mad?
• 0:35
  Speaker 1: Or you blast? Which one? This morning? I'm upset why
• 0:39
  Speaker 1: I'm a single mom? Was a little bit of everything
• 0:42
  Speaker 1: going on? Like, what what's everything? Mama? Here's a lot.
• 0:47
  Speaker 1: I'm just leaving my second dob pick my daughter. Um,
• 0:54
  Speaker 1: I haven't been in the sleep for about two days.
• 0:57
  Speaker 1: It trust mean trying to figure out all right? Are
• 1:02
  Speaker 1: you loving? Mama? Is everything a little bit overwhelming for
• 1:05
  Speaker 1: you right now? Yeah? What's wrong? Yeah? No? You be strong?
• 1:10
  Speaker 1: Get through it, mama. Well, we don't know what's going
• 1:12
  Speaker 1: on for us. She can get through anything. Maybe what's
• 1:15
  Speaker 1: going on with wrong? Baby? Everything? You're gonna tell us,
• 1:18
  Speaker 1: You're gonna tell us one thing. She's working hard, she
• 1:21
  Speaker 1: has multiple jobs, she has kids to take care of.
• 1:23
  Speaker 1: Many kids you got, mama only has one, okay, just her.
• 1:28
  Speaker 1: Her father's in prison two ninety six months. How long
• 1:34
  Speaker 1: is that in years? I'm dumb, too many to count
• 1:38
  Speaker 1: after sixty with five years, I counted twenty years? Is
• 1:42
  Speaker 1: he pressuring you to like be be faithful to him
• 1:45
  Speaker 1: and hold him down while he's locked up? No? We
• 1:48
  Speaker 1: I don't deal at all. I just take care of
• 1:51
  Speaker 1: my kids. But it's just so hard. It just seems
• 1:54
  Speaker 1: like if you do, you can't get any help. If
• 1:59
  Speaker 1: you don't, you can get everything. Like I'm literally like,
• 2:04
  Speaker 1: how can we help, baby, Let's get to the I
• 2:05
  Speaker 1: don't like discussing problems. Let's talk about solutions. How can
• 2:08
  Speaker 1: we help at this point? To be honest, I really
• 2:12
  Speaker 1: don't know, because it seems like I prooveth every effort.
• 2:16
  Speaker 1: Like my situation is just horrible for somebody who has
• 2:20
  Speaker 1: a full time job, part time job. So you got
• 2:24
  Speaker 1: a job, to you making some money more than a job,
• 2:26
  Speaker 1: I think you just need some moral support. You just
• 2:28
  Speaker 1: need somebody to give you a little pustion, tell you
• 2:30
  Speaker 1: that things will be okay, baby, that's things will be.
• 2:33
  Speaker 1: You got people out here praying for you and sending
• 2:35
  Speaker 1: your positive energy. Do you have help in your family? UM?
• 2:39
  Speaker 1: Actually know, I really don't. UM. My father um committed
• 2:46
  Speaker 1: suicide back in two thousand and I have my um
• 2:51
  Speaker 1: mom and I it's strange because her husband and I
• 2:57
  Speaker 1: don't really see out an ass for when I all right,
• 3:00
  Speaker 1: we get we get it. Baby, your life is bad,
• 3:02
  Speaker 1: but listen, let me tell you something. Life goes on
• 3:04
  Speaker 1: and you have adult You have a child to live for. Okay,
• 3:07
  Speaker 1: So even if sometimes you can't be strong for you
• 3:09
  Speaker 1: for her, I mean for yourself, be strong for her.
• 3:11
  Speaker 1: And if you really want to feel better about your life.
• 3:14
  Speaker 1: It's a great book out right now called Black Privilege.
• 3:16
  Speaker 1: Opportunity comes to those and create it and you should
• 3:18
  Speaker 1: like go pick it up. It'll really make you feel good.
• 3:20
  Speaker 1: It'll help you transcend your circumstances. For anybody who needs
• 3:23
  Speaker 1: a little extra push transcending their circumstances, that book is
• 3:26
  Speaker 1: for you. Thank you, all right, baby, he just turned
• 3:29
  Speaker 1: this into a book. Definitely did all right, think good well,
• 3:34
  Speaker 1: pray for you all right. That was sad. It was sad,
• 3:37
  Speaker 1: but that's why you got to give some uplifting words,
• 3:39
  Speaker 1: you know, and then to let it go. Get your book.
• 3:41
  Speaker 1: It's no need for both of us to be sad. Okay,
• 3:43
  Speaker 1: somebody right, I love I'm praying for right now. The
• 3:46
  Speaker 1: best I wish now, she's very blessed to have a
• 3:48
  Speaker 1: healthy daughter and to actually have a job so that
• 3:50
  Speaker 1: you can support your family. Yeah. I wish everybody out
• 3:53
  Speaker 1: there going through something the best. But you have to
• 3:56
  Speaker 1: understand that the world is gonna keep turning regardless, right,
• 3:59
  Speaker 1: so your mind as well turn with it. And trouble
• 4:01
  Speaker 1: don't last always. Sometimes life just gets a little bit overwhelming. Yes,
• 4:05
  Speaker 1: and please don't make permanent decisions off temporary feelings, please,
• 4:07
  Speaker 1: because I guarantee you that your life would be better
• 4:09
  Speaker 1: in a couple of weeks in your book, not that far. Okay.
• 4:13
  Speaker 1: Eight hundred and five eighty five, one oh five one.
• 4:14
  Speaker 1: Get it off your chests. If you're blessed or you're upset,
• 4:17
  Speaker 1: call us now. It's the breakfast lou Good morning, the
• 4:20
  Speaker 1: breakfast club. Wake up, wake up. You're trying to get
• 4:28
  Speaker 1: it off your chest, whether your man or blessed, we
• 4:31
  Speaker 1: want to hear from you on a breakfast club. Marsha's
• 4:34
  Speaker 1: on the line. Marsha feels blessed because she's retiring. Marsha,
• 4:37
  Speaker 1: good morning, Hi, Hi guys it Martha. But um, yes,
• 4:42
  Speaker 1: after working for thirty two years I loved as a
• 4:44
  Speaker 1: peach in Harlem, I'm finally retired. Oh man, congratulations. My
• 4:49
  Speaker 1: mom has been an English teacher in South Carolina for
• 4:51
  Speaker 1: thirty plus years. Y'all know, y'all like the fake retire
• 4:54
  Speaker 1: because you're gonna retire now and then you'll still be
• 4:56
  Speaker 1: doing like Sumone's cool classes of being a substitute every
• 4:59
  Speaker 1: now and then. You know I'm planning to do that
• 5:04
  Speaker 1: always a teacher. Well, congratulations, you've been teaching them bad
• 5:08
  Speaker 1: ass kids for years and now we're trying to put
• 5:10
  Speaker 1: your feet up and relax. And thanks for all your
• 5:12
  Speaker 1: service to the students. That's just a big deal. Yeah,
• 5:15
  Speaker 1: thank you. I'm a retiring. My party last night and
• 5:18
  Speaker 1: there was a lot one congratulations Mama. I feel like
• 5:21
  Speaker 1: teacher should be I feel like teachers should make seven
• 5:23
  Speaker 1: figure salaries. I'm gonna be honest with you. My mom
• 5:25
  Speaker 1: and most myma ever made with thirty thousand dollars a year. Wow. Wow,
• 5:29
  Speaker 1: I am with you, one hundred percent. One hundred percent.
• 5:32
  Speaker 1: All right, Well they start paying if they start paying
• 5:35
  Speaker 1: them seven figures next year as soon as you retire.
• 5:43
  Speaker 1: All right, baby, have a good one, Mama, thank you. Guys. Hello,
• 5:47
  Speaker 1: who's this? Yo? What's up? Just one? Jorge and Rikae Gonzalez?
• 5:51
  Speaker 1: All right, one and all that other stuff while you met. Bro. Yo,
• 5:55
  Speaker 1: I'm mad and I'm actually blessed. I'm bad because there
• 5:58
  Speaker 1: was a murder at my hoteil. Oh godness, well hotel?
• 6:02
  Speaker 1: Yeah again, bro, we just gonna keep it under wrapt. Okay, yeah, yeah,
• 6:09
  Speaker 1: So what happened exactly? Sound like a drug deal going
• 6:11
  Speaker 1: back more than that, but who knows? Who knows? You
• 6:17
  Speaker 1: can't say more than that? What happened? What happened? Did?
• 6:21
  Speaker 1: All I know is I had a dead body in
• 6:24
  Speaker 1: my hotel. Did you run the pockets before you called
• 6:26
  Speaker 1: the police? You know what? I didn't see it killed Pete. Y'all,
• 6:29
  Speaker 1: don't see I see the whole crime. He's just bad.
• 6:33
  Speaker 1: Somebody shot other day, o D I think it was
• 6:37
  Speaker 1: it was like had to be a cut. Okay, this
• 6:40
  Speaker 1: is what I'm thinking. This is what I'm thinking. I'm
• 6:42
  Speaker 1: thinking you killed the person, and really you calling us
• 6:44
  Speaker 1: because it's on your conscience, right, he wants to be
• 6:47
  Speaker 1: investigation or he's trying to throw everybody off by calling
• 6:50
  Speaker 1: in to say something happened, but he has no idea
• 6:52
  Speaker 1: that's true. I'm blessed, No, I'm blessed to be a
• 6:55
  Speaker 1: live because I was dad short of here the day
• 6:59
  Speaker 1: the more than that happened, and you know it was
• 7:02
  Speaker 1: all wild. And I've seen a young man just shortly before,
• 7:06
  Speaker 1: you know, he lost his life and it was just
• 7:08
  Speaker 1: wild about this. They't chuckling, but how you know how?
• 7:11
  Speaker 1: You know how? I'm sorry. So you saw him right
• 7:16
  Speaker 1: before this happened. You were the last person to see him.
• 7:18
  Speaker 1: I was, I was one, yes, one of the last.
• 7:20
  Speaker 1: So you telling me a lot. So you tell them
• 7:22
  Speaker 1: you saw him at eleven thirty six pm. I saw him, Matt,
• 7:26
  Speaker 1: just after midnight. You know you're telling me at twelve.
• 7:28
  Speaker 1: You're telling me that you saw him at eleven o
• 7:31
  Speaker 1: five pm. I got to work at eleven oh five.
• 7:34
  Speaker 1: You know you don't have to, you know you don't, right,
• 7:40
  Speaker 1: And y'all have a good one. Oh now, don't want
• 7:42
  Speaker 1: to get now you want to hang up on us,
• 7:46
  Speaker 1: now you want to run. We didn't trade the car
• 7:48
  Speaker 1: We know you had you hung up to get it
• 7:50
  Speaker 1: off your chest. Eight hundred five eight five one oh
• 7:53
  Speaker 1: five one. If you're upset you need the vent, you
• 7:54
  Speaker 1: could call us, or if you feel blessed, hit us up.
• 7:57
  Speaker 1: It's the Breakfast Club the morning, the Breakfast Club Morning.
• 8:04
  Speaker 1: Everybody is DJ Envy Angela, Ye, Charlotte, Megne the guy.
• 8:08
  Speaker 1: We are the Breakfast Club. Now we have Gerald Kelly
• 8:11
  Speaker 1: in the building. Now, I guess he couldn't drop the
• 8:13
  Speaker 1: kids off at school this morning. Right now, we know
• 8:15
  Speaker 1: all the Breakfast Club right all right, I feel like
• 8:17
  Speaker 1: Jarald gets a new son every two years. He does,
• 8:21
  Speaker 1: does Isaiah's as well. I know Isaiah, and I remember you.
• 8:25
  Speaker 1: I don't know where he came out of nowhere your Sunday.
• 8:29
  Speaker 1: That's Hunter's Hunter and Joshua and Joshua hold you josh
• 8:35
  Speaker 1: and Hunter. It was like, that's my seat right here. Yeah.
• 8:43
  Speaker 1: So they all come on towards you. Yeah, we just
• 8:45
  Speaker 1: we we've been on the road for uh six seven
• 8:48
  Speaker 1: weeks now man, so uh uh we got two more
• 8:52
  Speaker 1: stops on the tour, uh New York and then we're
• 8:55
  Speaker 1: going up to Boston. Uh Spring actually Spring from Massachusetts
• 8:58
  Speaker 1: and us father Sonmi tour Man and we're shooting this joint. Now,
• 9:02
  Speaker 1: we're shooting it and pitching it and to and Myrtle Beach,
• 9:06
  Speaker 1: Myrtle Beach. You know it's crazy. We went. We was
• 9:13
  Speaker 1: in New York last night, walking around, hanging out of
• 9:16
  Speaker 1: some different comedy spots, you know, and uh hey lit
• 9:18
  Speaker 1: him in YO. Yeah, I mean, is Saia was getting
• 9:20
  Speaker 1: in there? You know. You know anytime anytime a place
• 9:24
  Speaker 1: has a caparet license, when they sell fruit, you're gonna
• 9:27
  Speaker 1: have kids in there. When can't be about were trying
• 9:31
  Speaker 1: to add us aside? Basically is trying to add hustle
• 9:34
  Speaker 1: aside the holidays coming up with the younger kids believe
• 9:39
  Speaker 1: in Santa. You know what, I've never heard Hunt say
• 9:43
  Speaker 1: anything about Santa like what I'm saying. You know, he
• 9:46
  Speaker 1: just started school. We just started school, So I guess
• 9:48
  Speaker 1: he's singing all the Christmas song don't He don't give
• 9:52
  Speaker 1: us gifts anyway? Yeah, he cheats. When I was a kid,
• 9:57
  Speaker 1: the last time he got me. I mean, I'm grown now,
• 9:59
  Speaker 1: but when I was his age, I ain't. I ain't
• 10:01
  Speaker 1: never get no gift. Damn my gift was. I'm laying
• 10:05
  Speaker 1: it all out my gift was I'm doing comedy making money,
• 10:08
  Speaker 1: so you you out the streets at about eight nine
• 10:15
  Speaker 1: years old. I had you working with Kat Williams and
• 10:17
  Speaker 1: stuff like that. That was your gift, bron you was
• 10:19
  Speaker 1: making most again. But Jarld, Kelly and Jarl basically giving
• 10:22
  Speaker 1: you jeans is Christmas present? So Huda, what are you
• 10:26
  Speaker 1: wanting for Christmas? Hould you want a microphone? Microphone? Short?
• 10:31
  Speaker 1: Is Sandy gonna get that for you? Hudder? Yeah? I
• 10:35
  Speaker 1: then you think hes gonna get it, He's not gonna
• 10:36
  Speaker 1: get it. I'm I'm telling him now. My post is
• 10:41
  Speaker 1: like Terry Crews and uh what happened? No, No, not
• 10:46
  Speaker 1: like that. Everybody hates Chris. Everybody hated nobody, nobody, anybody,
• 10:54
  Speaker 1: anybody touched What if he was like because you gotta
• 10:57
  Speaker 1: do what you gotta do it for three year? Okay,
• 10:58
  Speaker 1: you gotta make sure y'all get all right. Now they'll
• 11:04
  Speaker 1: be homeless. What did you think when you heard Terry
• 11:07
  Speaker 1: Crews's allegations. I don't know, man, I just it's it's
• 11:11
  Speaker 1: it's out there. That happens. There's allegations. My behind those
• 11:14
  Speaker 1: facts been out. What happened. Everything happens. It's business is
• 11:19
  Speaker 1: like that man, dude hugged me one day and had
• 11:22
  Speaker 1: their hand in the lower back. Damn twice some agent
• 11:26
  Speaker 1: like and I and I was with my wife and
• 11:28
  Speaker 1: I caught it the second time and was carressing you.
• 11:30
  Speaker 1: That wasn't a hush whatever he was trying to do.
• 11:32
  Speaker 1: I put him to the side. So, your homie, if
• 11:34
  Speaker 1: you ever ever touched me my lower back, you tech
• 11:37
  Speaker 1: me my upper back trying to hit something like it
• 11:42
  Speaker 1: was something. It was you could tell, you could tell,
• 11:44
  Speaker 1: you could tell. Everybody think it's something. Now all these
• 11:46
  Speaker 1: allegations coming out now somebody touch him. Yeah, I'm trying
• 11:49
  Speaker 1: to get so much stuff coming in in the media, man,
• 11:52
  Speaker 1: Like you know, people coming out with women thirty years ago,
• 11:55
  Speaker 1: twenty six years ago. It's like, I just love a
• 11:58
  Speaker 1: party in La. I was at a party in La
• 12:00
  Speaker 1: at Russell's house, man, and I watched these females. Man,
• 12:04
  Speaker 1: this I'm talking about next Look. You know you guys
• 12:06
  Speaker 1: been rust next level women as next level groupies, you know,
• 12:10
  Speaker 1: And I was. I was. It's so funny. I was.
• 12:11
  Speaker 1: I was at the bar at Russell's house kicking it
• 12:14
  Speaker 1: with this model and I'm sitting there going, yeah, you
• 12:17
  Speaker 1: know what I'm saying. She's amazing, and she's talking to me.
• 12:20
  Speaker 1: She's like your eyes you're funny, yaw yaw. And Russell
• 12:23
  Speaker 1: walks by and she just looks at Russell and looks
• 12:27
  Speaker 1: at me and go, it was nice talking to you.
• 12:29
  Speaker 1: I follow you on ig and was gone. It's like,
• 12:32
  Speaker 1: you know, these these women come out, man, and you
• 12:34
  Speaker 1: know this situation. Just gotta be real careful man. That's
• 12:36
  Speaker 1: why I'm on tour with my sons. Can no female
• 12:39
  Speaker 1: out there and say she was in my room? Not
• 12:42
  Speaker 1: at all. Back in the day, yeah, yeah, back in
• 12:45
  Speaker 1: the day. Day you got them sons somehow. Back in
• 12:48
  Speaker 1: the day, he used to do me dirty. Back in
• 12:50
  Speaker 1: the day he got married to do me. Used to
• 12:53
  Speaker 1: go on the road. Two double beards. But that's not
• 12:57
  Speaker 1: two double beds. That's that's all right for two boats.
• 13:00
  Speaker 1: End of the show. He goes, Yo, you know the
• 13:01
  Speaker 1: rules of the road. Shrikes, I get a chick shrike,
• 13:04
  Speaker 1: you gotta go in the lobby. In the lobby. I
• 13:07
  Speaker 1: was like, I was like fourteen, I was like fourteen
• 13:12
  Speaker 1: whatever age I was ten years old. Wasn't bad. Some big,
• 13:21
  Speaker 1: some big chicken, a big girls. But yeah, she wasn't
• 13:26
  Speaker 1: worthy of kicking your son out the room. But I
• 13:27
  Speaker 1: could have been in the I could have been in
• 13:29
  Speaker 1: the living room. So I sat the door. So anyway,
• 13:33
  Speaker 1: going the lobby and um, I'll come get you after
• 13:35
  Speaker 1: I'm done. I'm like, all right, cool kids, breakfast. I
• 13:39
  Speaker 1: wake up. It's morning time. Are you sleeping a lot
• 13:43
  Speaker 1: left in the lobby? Security like yeah, you're good, you know.
• 13:45
  Speaker 1: I'm like, I'm just laying from my pops. I'm trying
• 13:46
  Speaker 1: to make up an excuse. He come get me, Like, yo,
• 13:48
  Speaker 1: wake up, you're ready to eat. You know, I'm a kid.
• 13:50
  Speaker 1: He brobbing me with food, Like, let's go eat. It's
• 13:53
  Speaker 1: the morning time. But you have no pillow, no covers, pillow,
• 13:56
  Speaker 1: no covers. You know the hotel lobbies acbyond forty. It
• 14:01
  Speaker 1: was a nice hotel, and you remember that sixteen years hurt.
• 14:08
  Speaker 1: I'm battered. I remember everything you were saving seven with
• 14:15
  Speaker 1: a fat girl. Listen, it can happen, man, it happened
• 14:19
  Speaker 1: a couple of times. I see super Band. It happens.
• 14:23
  Speaker 1: It happens, It happens. That's the worst one you remember there.
• 14:27
  Speaker 1: It's more, But I ain't gonna put all the ten
• 14:29
  Speaker 1: years old, and what is the lesson you were trying
• 14:32
  Speaker 1: to teach you there? That more? I was trying to
• 14:34
  Speaker 1: let them know. Man, when you're on the road and
• 14:36
  Speaker 1: it's only one room, whoever comes up, I gotta take
• 14:39
  Speaker 1: the la. I'm saying, I gotta take the l That's
• 14:42
  Speaker 1: just the rules of because she wasn't all that. But
• 14:44
  Speaker 1: you don't remember that, man, I remember. I remember like
• 14:48
  Speaker 1: it was yesterday. I think about it all the time.
• 14:51
  Speaker 1: Fun out. They don't even know, they don't even know
• 14:54
  Speaker 1: when they're about to get themselves. And she remind me
• 14:56
  Speaker 1: of your moms, my mom, talk about my moms the
• 15:05
  Speaker 1: best you ever had? Are you crazy? Let's talk about
• 15:07
  Speaker 1: your mom. None of ya, Your grandma, my grandmother, let's
• 15:11
  Speaker 1: talk about that. None of y'all know your father, Grandma
• 15:17
  Speaker 1: bather rolling Stone. Wow, grandma ain't got she ain't got YouTube,
• 15:22
  Speaker 1: she ain't gonna see this. That true. None of y'all know,
• 15:29
  Speaker 1: none of them, None of them got well, one of them.
• 15:33
  Speaker 1: They all had to ask his father. Yo, can you
• 15:34
  Speaker 1: ask your dad? If I go to six Flags with y'all. No, see,
• 15:37
  Speaker 1: I didn't have a dad growing up. My brother did,
• 15:39
  Speaker 1: and my mother my brothers like I used to be like, Derek,
• 15:42
  Speaker 1: can I go to Coney Allen put you and your
• 15:44
  Speaker 1: dad and you know kids don't care? He like many
• 15:47
  Speaker 1: get your own father? Ain't your father and my mother?
• 15:50
  Speaker 1: Be like, y'all shut the hell up life skilled LeRoy's
• 15:52
  Speaker 1: both your father. So I'm in. I'm in Coney Allen
• 15:55
  Speaker 1: with him. Dude, that don't look nothing like me. I
• 15:58
  Speaker 1: never thought about that. What are you doing your grandmother's home?
• 16:01
  Speaker 1: You know your mama. He just called the MoMA hole.
• 16:04
  Speaker 1: It is what it is. I mean, he's he's on
• 16:07
  Speaker 1: about his grandmother's mother's side. He's my mama, my mom
• 16:12
  Speaker 1: because we got more with Gerald Kelly. When we come back,
• 16:18
  Speaker 1: don't move his snoop dropping like it's hot. The breakfast
• 16:21
  Speaker 1: club morning. Everybody is dj N v Angela Ye, Charlomagne
• 16:27
  Speaker 1: the guy. We are the breakfast club. We have Gerald
• 16:29
  Speaker 1: Kelly and his kids in the building. Charlemagne or mean
• 16:31
  Speaker 1: you get married? Ah Man met things most incredible human
• 16:35
  Speaker 1: being I ever been around in my life. Man business
• 16:38
  Speaker 1: partner's business savvy. He say this about every chick he met.
• 16:49
  Speaker 1: Every every time you need a new check, y'all, zam,
• 16:52
  Speaker 1: I'm telling you, nah, this is the one they always
• 16:56
  Speaker 1: married him. Then he be like, be like, nah, she's
• 16:59
  Speaker 1: a different type of Capricorn. She not like the other capricorns.
• 17:03
  Speaker 1: And then a new months later, yoday is she the
• 17:06
  Speaker 1: same as the other one? But I liked I like
• 17:07
  Speaker 1: the one he's with now me. She can't mess with
• 17:10
  Speaker 1: my mother married, I mean not even married. There's three
• 17:13
  Speaker 1: three't I was crazy, I'm married all three of their moms. No, yeah, yeah,
• 17:19
  Speaker 1: I married Isaiah mom. She's pregnant and I had no job,
• 17:22
  Speaker 1: and I joined the Navy, and her mother was like.
• 17:25
  Speaker 1: Her mother was like, you can't. She can't live here
• 17:28
  Speaker 1: pregnant if you if you know, unless you're married. So
• 17:31
  Speaker 1: we went up right up before them roads and the
• 17:33
  Speaker 1: Justice of Peace for three dollars and got married. I
• 17:36
  Speaker 1: joined the Navy. I got in the Navy, was like,
• 17:37
  Speaker 1: oh man, I don't even how to swim. I don't
• 17:39
  Speaker 1: want to be here. Got out the Navy and can
• 17:42
  Speaker 1: a medical discharge? I lied and I had asthma. I
• 17:45
  Speaker 1: was since I was a kid. I knew how to
• 17:46
  Speaker 1: hold my breath. Like for a long time I didn't
• 17:49
  Speaker 1: get to the to the doctor's off. It was like
• 17:53
  Speaker 1: I just thought the medicine off the ship. But anyway,
• 17:55
  Speaker 1: get back. When I got back home, I realized, I realized,
• 17:58
  Speaker 1: I'm like, yo, I'm not really trying to marry shorty man.
• 18:00
  Speaker 1: Want to be it no more? Man? Your momo left you?
• 18:04
  Speaker 1: What you mean your mom me? She left you? We
• 18:10
  Speaker 1: left moving, We moved you set up. You remember what
• 18:15
  Speaker 1: you remember? I remember? I was you the movie was
• 18:18
  Speaker 1: with me, bro No you was out of town and
• 18:19
  Speaker 1: she like, we're leaving and I was like, yeah, let's
• 18:22
  Speaker 1: leave him. Mom. You deserves We don't need this. It's
• 18:28
  Speaker 1: the best thing that ever happened is mother left me.
• 18:30
  Speaker 1: So so you married and then mom didn't Josh's mom,
• 18:32
  Speaker 1: Josh's mom get along. Yeah, we was all hanging out
• 18:36
  Speaker 1: except mother. She she'll get on nobody. She can't get
• 18:40
  Speaker 1: along with God, the world think about I talked about
• 18:50
  Speaker 1: it all. I talked about when I mean, my wife
• 18:53
  Speaker 1: and my ex wife was together last night at a
• 18:55
  Speaker 1: show and I was talking about both of them. What
• 19:00
  Speaker 1: you think about the best president that your dad ever got?
• 19:02
  Speaker 1: You being too? Um? What's the place called Disneyland? Think Disneyland?
• 19:07
  Speaker 1: All right, that's a great presents. Did you go to Disneyland?
• 19:13
  Speaker 1: Been to the backyard in the hood, to the laugh
• 19:17
  Speaker 1: factories and all these comedy club That's the only place
• 19:22
  Speaker 1: he took me. That's cool, though, I don't know, I
• 19:25
  Speaker 1: feel a little hurt coming from you because you know
• 19:28
  Speaker 1: what I means. I was a kid for real, for real, man,
• 19:31
  Speaker 1: I'm going through it and now I got a voice. Everybody,
• 19:38
  Speaker 1: ye say, I'm buying itself. I feel like I feel
• 19:43
  Speaker 1: like we're missing something like therapy. Therapy. How do y'all
• 19:48
  Speaker 1: do business? Do you let Gerald hand all your business
• 19:51
  Speaker 1: a fish? I handle it now? Yeah? Hand wow. He
• 19:54
  Speaker 1: wasn't stealing from me, was he? When I was coming out?
• 19:58
  Speaker 1: You can take a little hundred dollars from me. I
• 20:01
  Speaker 1: was on a matter of fact, I'm gonna telling I
• 20:05
  Speaker 1: was on the teams of comedy Tour Me Brandon T. Jackson,
• 20:08
  Speaker 1: Little JJ, Corey Fernandez and at Got Shit and um
• 20:11
  Speaker 1: eight hundred um a show. I'm like, cool, you know,
• 20:15
  Speaker 1: I mean, I ain't got no I d so I
• 20:16
  Speaker 1: gotta give the check to your parents. So I'm thinking
• 20:19
  Speaker 1: they had the stays to think called Coogan account if
• 20:21
  Speaker 1: I'm saying it right, when you turn when you turned eighteen,
• 20:25
  Speaker 1: account account when you turned eighteen. All the money you
• 20:29
  Speaker 1: you put away when the child goes to you. I
• 20:32
  Speaker 1: go to the Coogan account I turned eighteen. It was
• 20:35
  Speaker 1: one hundred and fifty dollars. No like that, you all
• 20:44
  Speaker 1: my money all. I was wondering when the lights was off,
• 20:49
  Speaker 1: how the lights come back on? Because he wasn't working
• 20:52
  Speaker 1: like that at the time. I was working more than him,
• 20:54
  Speaker 1: and I'm like, damn, how do we get this? How
• 20:56
  Speaker 1: do we get these TVs? And he got food and
• 20:59
  Speaker 1: groceries and lights is all that's me and doing all
• 21:02
  Speaker 1: of that. He was a man in the house. I
• 21:05
  Speaker 1: didn't even know it to pay your weight at at fourteen,
• 21:07
  Speaker 1: bron yo, yo listen, So I had to all my
• 21:10
  Speaker 1: I don't let Joe Jackson do none of my do
• 21:13
  Speaker 1: none of my business. No more y'all battle to y'all
• 21:15
  Speaker 1: battle on. But he can't listen the stuff. He doesn't Joe,
• 21:18
  Speaker 1: you just cute man? Was murder You kidding me? Bro?
• 21:30
  Speaker 1: How do you know when when when enough is enough? To?
• 21:32
  Speaker 1: How do you like when the jokers stopped? He don't stop.
• 21:34
  Speaker 1: You don't know, I'm never gonna stop. The problem is
• 21:36
  Speaker 1: and they're like, what can you say? Back off? Right?
• 21:39
  Speaker 1: Here try to show off and try to try to
• 21:41
  Speaker 1: jone on me back on me in front of people,
• 21:43
  Speaker 1: and you know he can't win the back and forth.
• 21:45
  Speaker 1: The battle yat low blows like, I gotta like my
• 21:52
  Speaker 1: life the best from your mother. See, we gotta fight that.
• 22:12
  Speaker 1: I'm saying, I gotta go the next thing. I gotta
• 22:15
  Speaker 1: do your grandmother, grandma. You know it was all the
• 22:18
  Speaker 1: stone house. See, I gotta hit the back of something
• 22:21
  Speaker 1: now show I'm gonna stay were both gonna stay fighting exactly.
• 22:25
  Speaker 1: I got women minding the business in the middle of
• 22:28
  Speaker 1: the worst part about that is this true brou but
• 22:33
  Speaker 1: it fat this mom, mom, yo, all right, jomne your mom.
• 22:47
  Speaker 1: Man the hands and every I'm like, I used my
• 22:51
  Speaker 1: own hand us the hand you know. Down well, y'all
• 22:58
  Speaker 1: got to getting this weekend. We had the sympathy space
• 23:03
  Speaker 1: feeling Friday Night. Where's that low Kitty, uh ninety fifth
• 23:08
  Speaker 1: and Broadway. Please get your tickets two one, two eight
• 23:12
  Speaker 1: six four fifty four hundred extensions zero or go to
• 23:15
  Speaker 1: www dot Symphony space dot org. The Father's Son Comedy Tour.
• 23:20
  Speaker 1: It's gonna the fun It's gonna be the funniest show
• 23:23
  Speaker 1: you ever come to it. You come out. I'm telling
• 23:24
  Speaker 1: you come out and see what we're talking about. It's
• 23:26
  Speaker 1: gonna be. It ain't no kiddy pop because you see
• 23:28
  Speaker 1: the kids as you know, as we're going father's birthday celebration,
• 23:34
  Speaker 1: his birthday. Let me tell your story about Isaiah. Isaiah
• 23:37
  Speaker 1: was like ten eleven years old, right, and Kat Williams.
• 23:41
  Speaker 1: Every time Cat saw Isaiah. Now, I don't know if
• 23:43
  Speaker 1: you guys know about LA with comics, the no money
• 23:47
  Speaker 1: in Hollywood. With comics, you're starving in LA until you
• 23:49
  Speaker 1: pop and you make it. You know they're paying you
• 23:51
  Speaker 1: twenty dollars or ten dollars, so ain't no money out there.
• 23:54
  Speaker 1: Every time this kid get on stage in La, Cat
• 23:56
  Speaker 1: would see him and go, I'm come here. Junior. Cat
• 23:59
  Speaker 1: used to show love all the time. So man, he
• 24:03
  Speaker 1: got to the point where people the code was to
• 24:06
  Speaker 1: call me. The word was to call me and let
• 24:08
  Speaker 1: me know when Cap was at the club. I wait,
• 24:11
  Speaker 1: this dude up on the school night, Yo, get up,
• 24:13
  Speaker 1: I catch at the club. We get to the club, Junior,
• 24:19
  Speaker 1: what's up here? You go put in your yeah, and man,
• 24:23
  Speaker 1: he gets to me in my pocket and then when
• 24:27
  Speaker 1: when now you want to sleep we were going on
• 24:29
  Speaker 1: the way home. He'll be like, yeah, yeah, Cat said,
• 24:34
  Speaker 1: just give me two hundred of that. Remember, like what
• 24:37
  Speaker 1: Kin didn't say that? I ain't giving you nothing. Damn
• 24:40
  Speaker 1: he pimped you out there, mercy and let me do
• 24:43
  Speaker 1: what most dads do. You make sure your kids are straight.
• 24:45
  Speaker 1: You take the money, you put it in the what's
• 24:47
  Speaker 1: ther cow call? It's over? Well at least at least
• 24:50
  Speaker 1: he's better than Chris Jenner. Okay, you didn't make your
• 24:52
  Speaker 1: have sex with the black man for money? Go check
• 24:59
  Speaker 1: it out. It's breakfast clogal more more, everybody is DJ
• 25:03
  Speaker 1: and Angela yee. Charlomagne, the God Charlomagne. Did you hear
• 25:08
  Speaker 1: Trina just trying to pull him a ride? Carry on us? Oh?
• 25:10
  Speaker 1: She talked about the lighting. Yeah, she brought her own
• 25:12
  Speaker 1: lighting here. Oh I didn't bring it in. Who told
• 25:18
  Speaker 1: y'all take it down? That's what I'm saying. We got
• 25:22
  Speaker 1: that good light, just overhead lighting? Good for us? Now,
• 25:24
  Speaker 1: loving hip hoper man is now what loving hip hop? Trina?
• 25:28
  Speaker 1: Y'all could ask Trick Daddy that. Yeah, he came up
• 25:30
  Speaker 1: here already. Oh, it's trick Daddy's fault. He called me
• 25:32
  Speaker 1: every single day, begging me, begging me he was gonna
• 25:34
  Speaker 1: sign up to the show. You already know I said,
• 25:36
  Speaker 1: I didn't want to do the show. Yes, I had
• 25:37
  Speaker 1: my reserves, not so much for the show because I
• 25:40
  Speaker 1: liked the entertainment of the show. I just don't like
• 25:41
  Speaker 1: all the crazy bottle throwing, shoot throwing fights, boots popping out,
• 25:46
  Speaker 1: nobody's spitting on me. You know, I thought, no drink
• 25:48
  Speaker 1: in my face. I just feel like that's way too far.
• 25:49
  Speaker 1: So now, of course, I don't think nobody's gonna even
• 25:51
  Speaker 1: think about that with Trick. So he calls me up
• 25:53
  Speaker 1: and I'm like, okay. I was like, Trick, you sure,
• 25:56
  Speaker 1: because you're kind of wild, and you know, you get
• 25:58
  Speaker 1: kind of crazy on the wrong things. He was like, no,
• 26:00
  Speaker 1: you know, I'm gonna do my new music. I'm gonna
• 26:02
  Speaker 1: do this, And then we talked about our album. So
• 26:03
  Speaker 1: then therefore he's like, I'm just do it, but if
• 26:05
  Speaker 1: you do it with me, And so I was like okay,
• 26:09
  Speaker 1: and I said I'm a mona. I said I'm with Trick.
• 26:11
  Speaker 1: And we had a big conversation that we had out
• 26:13
  Speaker 1: dudes and our don'ts, and it just kind of happened
• 26:16
  Speaker 1: after that, and the money must have been right. The
• 26:18
  Speaker 1: money was excellent. Okay, they needed Jo because I know
• 26:20
  Speaker 1: before they tried to do it love and hip hop
• 26:21
  Speaker 1: Miami and it didn't work out. I don't play yourself, Mona.
• 26:24
  Speaker 1: You can't do it in Miami without me. Yeah, they
• 26:25
  Speaker 1: said it was like it was worrying or something. I
• 26:27
  Speaker 1: didn't work and Trick didn't start. Trick didn't do it
• 26:29
  Speaker 1: at first, I think, because you know when you hit
• 26:31
  Speaker 1: a love and hip hop thing, it's like a pause.
• 26:34
  Speaker 1: At first you'd be like, I don't want to and
• 26:35
  Speaker 1: then once I got into it, like after realistically I
• 26:38
  Speaker 1: finished filming, I feel like if I would go I
• 26:41
  Speaker 1: would go back and do my whole part all over again,
• 26:43
  Speaker 1: a whole another different way, because now I understand what's
• 26:45
  Speaker 1: going on. I got the control of it. I see
• 26:46
  Speaker 1: what's happening. It's all about how you said up Reality
• 26:49
  Speaker 1: TV is reality is your life, whatever you put out
• 26:50
  Speaker 1: there or whatever they're gonna show. He careful with the editing,
• 26:53
  Speaker 1: so I was very cautious of what I did, and
• 26:55
  Speaker 1: it was more business for me more than anything. Now,
• 26:57
  Speaker 1: were you practicing back in April when we saw you
• 26:59
  Speaker 1: wilding out some people out. No, I was that was
• 27:01
  Speaker 1: a natural reaction when you know somebody, somebody disrespect you.
• 27:04
  Speaker 1: It's not like somebody in the shoes. I don't really
• 27:05
  Speaker 1: react to beef. You know, I don't care what I don't.
• 27:08
  Speaker 1: I don't care what you said about me. I kind
• 27:10
  Speaker 1: of ignore. But this when you when I know you
• 27:11
  Speaker 1: and you kind of say something is disrespectful, and it's
• 27:13
  Speaker 1: like why, Like, I don't feel like you need to
• 27:16
  Speaker 1: throw a jig at me to make your own self,
• 27:17
  Speaker 1: you know, known to get on or whatever. People just
• 27:19
  Speaker 1: all the time. I mean, it's it's white, but you
• 27:21
  Speaker 1: know what is what it is? Now. Brittany Taill his
• 27:22
  Speaker 1: here also brit to my daughter and she's on Loving
• 27:25
  Speaker 1: Hip Hop. But the New York one? Yeah, right now,
• 27:28
  Speaker 1: how did you feel watching Brittany on that one? Because
• 27:30
  Speaker 1: she had some issues and I know, Brittany, you were
• 27:33
  Speaker 1: hesitant to do the show at first. Also, yeah, I
• 27:36
  Speaker 1: was for people who don't know because I didn't watch it,
• 27:38
  Speaker 1: explain it to you. And this is same because vy
• 27:40
  Speaker 1: some queens, Brittany, some queens. I feel like, y'all, you
• 27:42
  Speaker 1: know you didn't generations years. Okay, but her name goes
• 27:54
  Speaker 1: and her name is Biancaboy. I'm not really beefing. I'm
• 27:57
  Speaker 1: really I'm not really beefing with anybody. You know. It's
• 27:59
  Speaker 1: called it's a wall. It's something I was washed up.
• 28:01
  Speaker 1: It's over. We don't. I don't really care about it.
• 28:04
  Speaker 1: I'm just happy to be on this lit platform, honestly.
• 28:06
  Speaker 1: But it wasn't. It wasn't. It did play out on
• 28:08
  Speaker 1: television and they were drinks thrown, and you know, I
• 28:11
  Speaker 1: didn't even understand, like where how they're through drinks? Oh,
• 28:14
  Speaker 1: I don't throw things, not you so what? So, Yes,
• 28:17
  Speaker 1: that's what I'm talking about. Don't throw nothing at me
• 28:19
  Speaker 1: because I'm gonna shut this whole camera thing down on
• 28:21
  Speaker 1: Love hip Hop. Don't throw We could talk to get
• 28:23
  Speaker 1: mad if to say, I don't care what you say.
• 28:24
  Speaker 1: I don't like. You don't have to like what I say.
• 28:26
  Speaker 1: Don't throw nothing at me, like as the Angels, you
• 28:28
  Speaker 1: give me an eye. It could be a bad situation.
• 28:30
  Speaker 1: That's just not I don't feel like that should be
• 28:32
  Speaker 1: a part of the show. But you know, they put
• 28:33
  Speaker 1: you all the scenario sometime that cause conflict. Though they
• 28:36
  Speaker 1: put them in scenarios, you're not gonna put me in
• 28:38
  Speaker 1: anything I say, this is what I want to do,
• 28:39
  Speaker 1: this is not what I want to do. If I
• 28:40
  Speaker 1: don't like, you didn't even get no camera time with me, period.
• 28:43
  Speaker 1: But China Brandy is like your protege together for years.
• 28:47
  Speaker 1: This is my baby. She's been in Miami, we've we've
• 28:49
  Speaker 1: done like a hundred songs together already. When they when
• 28:51
  Speaker 1: when they first act into love hip hop, I turned
• 28:53
  Speaker 1: to it. I don't know. She was just trying to
• 28:54
  Speaker 1: get the music off, do her thing that she wanted
• 28:56
  Speaker 1: they wanted her to do. I told her no as
• 28:58
  Speaker 1: well years ago. So now we come back. It's for surface.
• 29:01
  Speaker 1: She's back in New York. She was doing her thing.
• 29:02
  Speaker 1: It's a good platform for her to get her musical off.
• 29:04
  Speaker 1: She's super dope, super talented, super great writers, super artists,
• 29:07
  Speaker 1: super lit, turned all up. You know, if you guys
• 29:10
  Speaker 1: see how Tiana Taylor act and she's so flyes sexty,
• 29:12
  Speaker 1: this is her all. This is what she does. So
• 29:14
  Speaker 1: you work with Tianna Taylor, Yeah, in Tory Lane, Yes,
• 29:18
  Speaker 1: Tory Lay is another close friend of mine. Like we
• 29:20
  Speaker 1: worked hand in hand um at Records with Jim Jones
• 29:23
  Speaker 1: back in the days. You know, I'm always working with
• 29:25
  Speaker 1: DJ WebStar. You know, Rich Dollars, he's around. That's how
• 29:28
  Speaker 1: I want to make sure she things that she's done.
• 29:31
  Speaker 1: So some news Dollars. Who is Rich Dollars helped in
• 29:38
  Speaker 1: the past seven years since Olivia? Nobody it's over bank,
• 29:43
  Speaker 1: it's rap. He's a reality show. Maybe maybe he wasn't
• 29:46
  Speaker 1: around Nobody like with the talent, you know what I'm saying.
• 29:50
  Speaker 1: He burned all these bridges and with with guys like
• 29:53
  Speaker 1: the DJs and stuff like that. Love, I love the
• 29:57
  Speaker 1: DJ Okay, how do you? How do you? How do
• 30:01
  Speaker 1: you use the love and hip hop platform to benefit you?
• 30:04
  Speaker 1: I mean, for me now, it's just about the music.
• 30:06
  Speaker 1: It's about the brain. It's about you know. I have
• 30:08
  Speaker 1: this label, wrote some music group. I signed a couple
• 30:10
  Speaker 1: of artists to the label. I did some joint ventures
• 30:11
  Speaker 1: with a couple of artists and um, it's just stuff
• 30:14
  Speaker 1: that I have going on to like put it out
• 30:15
  Speaker 1: there now. Have the album Women Trick the TNT project
• 30:17
  Speaker 1: next year and we record a lot of stuff from
• 30:20
  Speaker 1: the show for that for the album. Um, and it's
• 30:22
  Speaker 1: just basically it's work. It's all I do. I show
• 30:24
  Speaker 1: what I really do in real life. It's no exaggerated story.
• 30:27
  Speaker 1: It's no fake relationships, it's no fake storylines. Is this
• 30:30
  Speaker 1: is what I do. Everybody knows I'm artists. Everybody see
• 30:32
  Speaker 1: me do what I do. So it's kind of like
• 30:34
  Speaker 1: showing them a different platform. So the fact when when
• 30:36
  Speaker 1: we heard that you didn't quote unquote write your own music,
• 30:38
  Speaker 1: But that part of the story, I've never heard that. Okay,
• 30:41
  Speaker 1: I never heard that. I'm always right how he's talking
• 30:50
  Speaker 1: with you, d up dress cockroaches on the breakfast. Okay.
• 30:55
  Speaker 1: What I'm trying to tell you is when you look
• 30:56
  Speaker 1: at the training music, you see the training name, you
• 30:58
  Speaker 1: want to have to train the last or seventeen, you know,
• 31:00
  Speaker 1: I truly get so many bags that royalty is very
• 31:04
  Speaker 1: good to try to like comment you a little bit
• 31:07
  Speaker 1: to get you try to get on the show. You
• 31:09
  Speaker 1: can't get on the show in Miami without me. You
• 31:12
  Speaker 1: cannot get on the show without me. So just stop,
• 31:14
  Speaker 1: whoever you is, whoever you are trying, you cannot get
• 31:16
  Speaker 1: on the show. I sent the listing for the show.
• 31:17
  Speaker 1: If you want to get on the show, come home
• 31:19
  Speaker 1: at me. Otherwise you're not getting on the show like
• 31:22
  Speaker 1: the Miami show. If you look real, Miami. They got you,
• 31:24
  Speaker 1: they got a tricked, they got gun play, they got
• 31:26
  Speaker 1: the pretty Ricky Dard. I guess that's looking real, Miami.
• 31:31
  Speaker 1: I think on that. I think he's on the first second. Um,
• 31:34
  Speaker 1: Bryan McKinney's on there, um tip drill and I'm on it. Yeah,
• 31:41
  Speaker 1: phone on a segment or so okay, I can't wait
• 31:46
  Speaker 1: to see what's gonna happen on Miam. I thought you
• 31:48
  Speaker 1: performing the eg one hip hop on and performing Man,
• 31:51
  Speaker 1: does that ever make you feel old? Nah? No, I'll
• 31:54
  Speaker 1: be because I don't really perform there on in my show,
• 31:56
  Speaker 1: Like it's like the last thing at the end of
• 31:57
  Speaker 1: the night of the show, and I'll be like, um, oh, hey,
• 31:59
  Speaker 1: are we gonna do something fall the day ones? And
• 32:00
  Speaker 1: then I won't even say nothing. I'll just saying they'll
• 32:02
  Speaker 1: just go crazy. I don't even perform an them all.
• 32:04
  Speaker 1: That's like my only time to performance, like when I'm
• 32:05
  Speaker 1: with Trick and that was a big moment. This is
• 32:07
  Speaker 1: like like a bit of minute since Trick performed like
• 32:10
  Speaker 1: something that was big. So of course I did that
• 32:12
  Speaker 1: record for that oh like eighteen year or seven. You
• 32:21
  Speaker 1: know what it is, because when I look at like now,
• 32:23
  Speaker 1: like music and stuff like it's going. It seemed like
• 32:25
  Speaker 1: to me when Nan came out back then, it's starting
• 32:27
  Speaker 1: all over again. It's like the real ratchet. It's the raw,
• 32:29
  Speaker 1: it's the run. It's like a hundred artists girls, it's
• 32:32
  Speaker 1: all over the place, not even signed or not even
• 32:34
  Speaker 1: to have like a big deal or anything like that,
• 32:36
  Speaker 1: but just your name is bubbling from the internet because
• 32:39
  Speaker 1: their president is so enforced and they just out here
• 32:41
  Speaker 1: like talking, they talk. And so when I think of
• 32:42
  Speaker 1: and I'm like, damn, this is like, man, I'm back
• 32:44
  Speaker 1: in eighteen eighty eight, you know what I mean. So, yeah,
• 32:47
  Speaker 1: how did you in Brittany end up working together in
• 32:50
  Speaker 1: the studio? She's in my name and she was always around.
• 32:52
  Speaker 1: She's always been working with a lot of people, like
• 32:53
  Speaker 1: in the studio um Tory, like like she said, different producers,
• 32:57
  Speaker 1: um and we just she came in my session one night.
• 32:59
  Speaker 1: I was in the recording. I had took a break
• 33:01
  Speaker 1: to eat, and when I looked up, she's like in
• 33:02
  Speaker 1: the booth recording, like in the middle of my session,
• 33:05
  Speaker 1: just like in the booth, like making records, like doing songs,
• 33:07
  Speaker 1: doing references, all kind of stuff and I'm like, Yo,
• 33:09
  Speaker 1: who is this? And then she just started dancing. I
• 33:11
  Speaker 1: was like, you couldn't deny like how Jeane when she
• 33:13
  Speaker 1: was and she was so lit. I'm just like, you
• 33:15
  Speaker 1: crash nobody's session and just start reporting your own vocals.
• 33:18
  Speaker 1: And then ever since then we've been a separate gul
• 33:20
  Speaker 1: And that's what's great about you and is that she
• 33:21
  Speaker 1: embraces other women all the time. I love women. I'm
• 33:24
  Speaker 1: very confident, very secure in myself. We have more would
• 33:27
  Speaker 1: treating in Brittany coming up next on the Breakfast Clubs
• 33:29
  Speaker 1: and don't Move a breakfast Club. It's DJ Envy, Angela Yee,
• 33:36
  Speaker 1: Charlomagne the guy we all the breakfast club We have
• 33:38
  Speaker 1: treating in Brittany, Taylor in the building. And what made
• 33:41
  Speaker 1: you leave Miami come back to New York? Honestly, I
• 33:44
  Speaker 1: love Miami and came back to New York because I
• 33:47
  Speaker 1: have a sick grandmother, so I just really needed to
• 33:50
  Speaker 1: be closer to her, and I was I was tired
• 33:52
  Speaker 1: of just being in Miami and not getting all the
• 33:54
  Speaker 1: respect in my city that I feel is much needed.
• 33:57
  Speaker 1: So I'm like, I'm gonna go back to my city
• 33:59
  Speaker 1: and take this. Do you feel like lev and hip
• 34:01
  Speaker 1: Hop represented you well yeah, I mean realistically, yes, it
• 34:04
  Speaker 1: started off a little rocky, but I feel like they
• 34:07
  Speaker 1: represent me in a good lighting, like, um, it's definitely
• 34:10
  Speaker 1: platform in my talents. And you know, everybody at vag
• 34:13
  Speaker 1: you want to sweep to me, why you think you
• 34:16
  Speaker 1: don't get respect from New York real leistically, I don't
• 34:19
  Speaker 1: get respect from New York because I wasn't I wasn't
• 34:22
  Speaker 1: really that consistent. I'm a kid, like I'll just be real.
• 34:26
  Speaker 1: When I had the record with DJ WebStar, which was
• 34:29
  Speaker 1: the oh please you can't do the five gs, I
• 34:31
  Speaker 1: did that, yeah, and then I did the record Were
• 34:36
  Speaker 1: Getting Money like Nana. Then I did that with Jim Jones,
• 34:39
  Speaker 1: and then after that I kind of got cozy. I
• 34:41
  Speaker 1: was young, I had a bunch of money. I moved
• 34:43
  Speaker 1: to Miami, and I was I was living the party
• 34:45
  Speaker 1: life for a while. Yeah, two party. I had to
• 34:47
  Speaker 1: get at the party life a lot of money. Now.
• 34:50
  Speaker 1: She was She's just very she likes the party. She
• 34:52
  Speaker 1: likes to hang out and have a good time. She's
• 34:54
  Speaker 1: a life for the party. I had to sit her
• 34:55
  Speaker 1: down and say, you know, I love you. You're a
• 34:57
  Speaker 1: great artist. You are super talented. Stop the party and
• 35:00
  Speaker 1: focus on your music because the time is gonna pass.
• 35:03
  Speaker 1: You've been in because you're not consistent like I am.
• 35:05
  Speaker 1: You're inconsistence of it makes it harder for your brand
• 35:07
  Speaker 1: to be able, for people to recognize you remember the
• 35:09
  Speaker 1: records back in the day, or to bring it up
• 35:11
  Speaker 1: for it. And she just got it right. She started
• 35:12
  Speaker 1: focusing like, I gotta get it right. Why were you
• 35:14
  Speaker 1: making money? How do you make money? Initially? I made
• 35:17
  Speaker 1: money from doing shows? Okay, I did, like, like just
• 35:20
  Speaker 1: off of the five G's, I did like a lot.
• 35:22
  Speaker 1: That record was big. How much you was getting the show?
• 35:24
  Speaker 1: I was getting five k Okay, that was that was
• 35:29
  Speaker 1: That was a little bit. But that was only because
• 35:31
  Speaker 1: I was in a group, So that had that had
• 35:33
  Speaker 1: to be broke broken down. How spending the Miami? Yeah,
• 35:39
  Speaker 1: moving to Miami. First off, I went to Miami and
• 35:41
  Speaker 1: I bought a condo as a little girl, like I bought.
• 35:44
  Speaker 1: I bought a condo. I was living on South Beach. Damn,
• 35:48
  Speaker 1: let me hold something. You still on the condo? No,
• 35:52
  Speaker 1: I don't you sold it? Or no? I actually I
• 35:55
  Speaker 1: didn't buy it. I was running it, which was a
• 35:56
  Speaker 1: stupid way to go about it just running it, Renny.
• 36:00
  Speaker 1: So a Trina came in and helped you manage your
• 36:01
  Speaker 1: money again in the free studio time. The studio time
• 36:06
  Speaker 1: was taking a lot of money. Did you teach your
• 36:08
  Speaker 1: proper poom pool management as well? I'm sure what guys
• 36:11
  Speaker 1: that she may need to be dealing with food not
• 36:13
  Speaker 1: to deal she kind of gets that. She's a she's
• 36:16
  Speaker 1: a good she's a good girl. When it comes to that,
• 36:17
  Speaker 1: she has her little um you know, she had her
• 36:19
  Speaker 1: little weak point. It was this one guy's annoying. She's
• 36:22
  Speaker 1: always talking about it. And I was like, stop, let
• 36:24
  Speaker 1: it go already. And it was like a thing for
• 36:25
  Speaker 1: back in the days whatever, and she got it, like listen,
• 36:28
  Speaker 1: this could wait. Focus on the music and you when
• 36:30
  Speaker 1: I come to the studio, you better have three, four
• 36:31
  Speaker 1: or five songs. Yeah, I'll give you my studio time.
• 36:33
  Speaker 1: Studio time is expensive. They're trying me five six hundred
• 36:35
  Speaker 1: dollars a night only for twelve hours. So I'm gonna
• 36:38
  Speaker 1: give you the first six hours before I get there.
• 36:39
  Speaker 1: When I get there, you better have a records done
• 36:41
  Speaker 1: because you don't have the money to pay for this.
• 36:43
  Speaker 1: You know. The engineer gotta get paid. The studio gotta
• 36:45
  Speaker 1: get paid. You don't get no roll over time. This
• 36:47
  Speaker 1: is half of my session. I gotta do one or
• 36:48
  Speaker 1: two songs, come back the next day because I'm looking
• 36:50
  Speaker 1: out for her, and you look out for her so much,
• 36:52
  Speaker 1: because she's so she was so hungry. I see to her.
• 36:56
  Speaker 1: I just saw she was lost. I saw like she
• 36:57
  Speaker 1: was talking, that she was around a bunch of people
• 36:59
  Speaker 1: that's out of it. Like Tianna Taylor's your best friend.
• 37:01
  Speaker 1: You're around tour, you're on the road, you went on Toratory,
• 37:03
  Speaker 1: you're performing, You're doing so much stuff, but you can't
• 37:05
  Speaker 1: connect to make it like bit like, you can't make
• 37:08
  Speaker 1: it connect and make the brand build for your name
• 37:10
  Speaker 1: because you're all over the place. You like the party,
• 37:12
  Speaker 1: You're like to day, she's like to have fun, But
• 37:13
  Speaker 1: you gotta sit still and focus on where's the career going?
• 37:16
  Speaker 1: How can I line this up? How can I make
• 37:17
  Speaker 1: this all work out? And I'm like, you know, you
• 37:19
  Speaker 1: don't have the money right now to pay the studio.
• 37:21
  Speaker 1: We're gonna knocked it out the way here studio. Now
• 37:23
  Speaker 1: you're Miami, you got somewhere to say all. You gotta
• 37:24
  Speaker 1: just get up in the one and get up in
• 37:25
  Speaker 1: the day time, go to studio are they make music?
• 37:27
  Speaker 1: Get focused, focus focused, because this this opportunity gonna go.
• 37:30
  Speaker 1: You're gonna get older, you're gonna grow, and then it
• 37:32
  Speaker 1: doesn't matter no one. You know. Now, is that gonna
• 37:34
  Speaker 1: clash with like your relationships in Miami, Like somebody like
• 37:36
  Speaker 1: Brianna who you've always held that Pry? Yeah, no, No,
• 37:39
  Speaker 1: I love Brianna Perry on Brianna Perry's sunn to do
• 37:41
  Speaker 1: her thing. You know what I got. I got a lot,
• 37:43
  Speaker 1: a lot of um, a lot of respect and a
• 37:46
  Speaker 1: lot of hope for Brihanna Perry for twenty and eighteen.
• 37:48
  Speaker 1: She's one of the dopest underrated artists that's been out
• 37:51
  Speaker 1: in the game for a minute. And I met her
• 37:53
  Speaker 1: like an eight years old and you know now when
• 37:55
  Speaker 1: I look at her, it's like like I just hugged her.
• 37:57
  Speaker 1: I love her so much. I know in two thousand
• 37:58
  Speaker 1: and eighteen, she's gonna win. She's gonn have records. Like
• 38:00
  Speaker 1: we went in the studio. We did a couple of records.
• 38:02
  Speaker 1: She's working right now. She's just she need that record,
• 38:04
  Speaker 1: you know, and that's what she needs to come and
• 38:06
  Speaker 1: she's a dope person, so I know she's gonna win
• 38:08
  Speaker 1: this year. And they're harder and easier for female rappers
• 38:10
  Speaker 1: right now. Honestly, I feel this easier. You know what
• 38:14
  Speaker 1: harder is when you signed to a major or you
• 38:17
  Speaker 1: got this one, you stuck in this one box. You know,
• 38:20
  Speaker 1: it's not like that no more. I feel like now
• 38:21
  Speaker 1: it's a little bit more open because you don't need
• 38:23
  Speaker 1: the major I mean majors and all that. That's the machine,
• 38:26
  Speaker 1: that's the money. Everybody needs that because you don't have
• 38:28
  Speaker 1: it out your pocket to pay. But now in the game,
• 38:30
  Speaker 1: the Internet, the social media, all this stuff is so live.
• 38:32
  Speaker 1: These girls are out here. You got artists they put
• 38:34
  Speaker 1: in our music, got SoundCloud, they streaming, They on Spotify,
• 38:37
  Speaker 1: they on everything, and they're making money doing shows, they're
• 38:39
  Speaker 1: doing posts. They don't performances, so it's adding money for them.
• 38:42
  Speaker 1: And they don't even have a major. They don't even
• 38:43
  Speaker 1: they don't even have a deal. Before it wasn't like that.
• 38:45
  Speaker 1: Nobody was giving you the time of the day because
• 38:47
  Speaker 1: you needed radio, because you needed somebody to vacue. Now
• 38:49
  Speaker 1: you don't really need that because people are like what's
• 38:51
  Speaker 1: on the internet. I like her, and then people stopped
• 38:52
  Speaker 1: talking about them and then't start blowing up. Now I
• 38:55
  Speaker 1: was reading about you and Nicki mcniags doing a song together.
• 39:00
  Speaker 1: That's the rumor. I hate rumors. God, can we get
• 39:02
  Speaker 1: to the facts, all right? So tell us is that true?
• 39:05
  Speaker 1: I want to ask you something. Though you like sex,
• 39:11
  Speaker 1: I like sex, but not them kind though. I just
• 39:14
  Speaker 1: like like the butterfly thing, like the little eggs thing
• 39:16
  Speaker 1: like it's the thing you put on them friends. I
• 39:19
  Speaker 1: love you, I love like. I'm just want to rumors
• 39:22
  Speaker 1: and fast your friend tips on what sex you don't
• 39:26
  Speaker 1: know what sex? And only lex deal goes? Oh, I
• 39:29
  Speaker 1: must keep you, don't you don't mess do I never
• 39:32
  Speaker 1: mess with dealers. I don't like it because I just
• 39:33
  Speaker 1: don't like the fake. I don't want to be grinding
• 39:35
  Speaker 1: a fake you know, a fake rubber. I don't like that.
• 39:39
  Speaker 1: I like just a little butterfly, the egg, a little
• 39:41
  Speaker 1: thing that's go right on, Yeah, that's it. I don't
• 39:43
  Speaker 1: like all that extra we're not inserting in style. You
• 39:45
  Speaker 1: need a man for that today. I like that. I
• 39:47
  Speaker 1: like the jails. I like funny little so I like
• 39:49
  Speaker 1: the little crawley stuff. You don't they put these things
• 39:51
  Speaker 1: on your back and it's like moving around the sensational
• 39:53
  Speaker 1: and you just you have no, no, no, it's it's
• 39:58
  Speaker 1: like it's called like love bites or something. You just
• 40:00
  Speaker 1: put them all over in it like they it's like
• 40:01
  Speaker 1: a little jail thing and they like open up on
• 40:03
  Speaker 1: your skin, with your skin get hot and yeah, and
• 40:05
  Speaker 1: it makes you very sensual when they make it, give
• 40:07
  Speaker 1: very out. You know. We should go to like a
• 40:09
  Speaker 1: sex store and look at some stuff, you know, look
• 40:13
  Speaker 1: a look at God, look at this beautiful Wait, hold
• 40:26
  Speaker 1: on what shut up the time. I don't want to
• 40:33
  Speaker 1: be I don't want to be intimate with a rubber thing.
• 40:37
  Speaker 1: I don't want to do that. I don't feel like
• 40:39
  Speaker 1: I'm that's not the I don't know what that. I
• 40:40
  Speaker 1: don't know if they move and vibrate, I don't want
• 40:42
  Speaker 1: to do that. I'll just like the little toys you
• 40:44
  Speaker 1: play with, you put around, you know, and make it
• 40:47
  Speaker 1: fun at you but not the no always had an
• 40:51
  Speaker 1: unreal approach to you. Was here one time for you
• 40:56
  Speaker 1: because you're so extra, you know, you just think I
• 40:58
  Speaker 1: want to think I'm not. I don't got the department
• 41:01
  Speaker 1: that I don't want to take, you know, I'm just saying,
• 41:04
  Speaker 1: I just want somebody that's satisfying. If girls say if
• 41:06
  Speaker 1: it's the size of the matter that made them, sometimes
• 41:08
  Speaker 1: a lot and sometimes size, it's not about it's about
• 41:10
  Speaker 1: what you're doing, because you can have a big size
• 41:12
  Speaker 1: and doing nothing, absolutely nothing. Some men don't even know
• 41:16
  Speaker 1: if the actual fulfillment to pleasing a woman, you know,
• 41:19
  Speaker 1: what is the actual fulfillment? Do tail, Trina, I'm just saying,
• 41:22
  Speaker 1: making sure they're fully completely satisfied, like they're squirting, having orgasms,
• 41:26
  Speaker 1: all of it. That's completely satisfication, you know. And if
• 41:30
  Speaker 1: you're not doing that, then guess where you got up
• 41:31
  Speaker 1: and you did nothing? I know. I feel like I
• 41:39
  Speaker 1: feel like if you're not making your women all gathering
• 41:41
  Speaker 1: and you're not doing nothing like I truly feel that
• 41:43
  Speaker 1: that's for sure. If you're not doing that, you're not
• 41:45
  Speaker 1: doing anything. So God should make sure they pay attention
• 41:48
  Speaker 1: to that. Don't think you did something if you got
• 41:49
  Speaker 1: up and there's not an orgasm. That's the way y'all
• 41:53
  Speaker 1: have the sex conversations. I don't stuff. I don't talk
• 41:58
  Speaker 1: to her. A lady never tells her a conversation. She's
• 42:03
  Speaker 1: old enough, honey, I'm over twenty one because he has
• 42:07
  Speaker 1: a school. But we don't have this conversation. You don't
• 42:10
  Speaker 1: come up with nothing advice. Yes, she did. She my
• 42:13
  Speaker 1: mentor some stuff she told me I had. I didn't
• 42:16
  Speaker 1: know about it. I had learned a few things from her.
• 42:17
  Speaker 1: I had to go back and for them, like it's
• 42:20
  Speaker 1: my staff and like step my game up. Just a
• 42:23
  Speaker 1: little stuff, some tips Britney a little. I mean realistically,
• 42:28
  Speaker 1: I like, I like females or you're like woman. I like, yeah,
• 42:32
  Speaker 1: I'm why don't you always got to pull my name
• 42:37
  Speaker 1: and everything. I think women are beautiful like woman. I've
• 42:44
  Speaker 1: done whatever I've done, it's not a bad things. Good girls.
• 42:48
  Speaker 1: Just want to have fun. Girls. I always wanna have
• 42:49
  Speaker 1: fun and funds. We have one with Trina and Britney
• 42:52
  Speaker 1: Taylor coming up. Keep a lock this to Breakfast cloub
• 42:54
  Speaker 1: Good Morning, the morning. Everybody is DJ Envy, Angela Yee,
• 42:58
  Speaker 1: Charlomne the guy we all the breakfast club. We have
• 43:01
  Speaker 1: treating in Brittany Taylor in the building, Charlemagne. You think
• 43:04
  Speaker 1: you'll ever get to a point where you don't want
• 43:05
  Speaker 1: to perform your sexual stuff in the more dream me? Yeah,
• 43:07
  Speaker 1: what's sexual stuff? Most of my music is not that sexually.
• 43:10
  Speaker 1: Look back at it, nam, go back at it sexual,
• 43:13
  Speaker 1: look back at the sexual naw whatever, pullover is not sexual. Fact,
• 43:18
  Speaker 1: that's all I'm saying. It's not saying too much sexual
• 43:19
  Speaker 1: here regard it's not sexual. Single again it's not sexual.
• 43:22
  Speaker 1: Damn is not sexual. Um, the Kymanchell record, if it
• 43:25
  Speaker 1: ain't Me is not sexual. All these records not sexual.
• 43:27
  Speaker 1: All my stuff that's or it's not that sexual. It's
• 43:28
  Speaker 1: a few records that stood out that's really sexual. People
• 43:31
  Speaker 1: take that and go so overboard with it. That's what
• 43:33
  Speaker 1: I'm very sexual, very confident in my stand, very provocative,
• 43:36
  Speaker 1: very well And guess what the things that I say,
• 43:38
  Speaker 1: everybody has something to say about it. They want to say,
• 43:40
  Speaker 1: they just don't know how to say because they're not
• 43:41
  Speaker 1: sure of themselves. Yeah, just listen to you live service.
• 43:43
  Speaker 1: If you don't believe. Oh yeah, did ye hear yea? No,
• 43:47
  Speaker 1: you did not get to watching your lip service. That's
• 43:49
  Speaker 1: so bad. There's a lot of tips on. We gave
• 43:53
  Speaker 1: a lot of tips, yes, baby baby, and then it
• 44:04
  Speaker 1: was twigged. Everybody don't know how And then you have
• 44:12
  Speaker 1: a new album you and tick Daddy, Tick Daddy, and
• 44:14
  Speaker 1: Trina is what. Let me say to Trick, Daddy and Trina.
• 44:17
  Speaker 1: That's what's Trick and Trina. Yeah, trick and I ain't
• 44:19
  Speaker 1: gonna say training and Trick. I always a little trick
• 44:20
  Speaker 1: and training. I get him this little prop because you know,
• 44:22
  Speaker 1: I'm the boss of Sunds. I took a treat kind
• 44:24
  Speaker 1: of so kind of flow Trick and Train. The TNT
• 44:26
  Speaker 1: comes out next year. My album comes out next year,
• 44:27
  Speaker 1: the one. Finally, I'm so excited. I'm so tired of
• 44:30
  Speaker 1: the delay. We had like an issue with the Clarence,
• 44:32
  Speaker 1: which is kind of frustrating at the last minute, but
• 44:34
  Speaker 1: it was one of those things that, you know what,
• 44:35
  Speaker 1: sometime timing is for the best day my album supposed
• 44:37
  Speaker 1: to come out. That's awesome. We had the Hurricane. I
• 44:38
  Speaker 1: was thinking, like peez, if the album came out the
• 44:40
  Speaker 1: Hurricane and said I was posting album, it was gonna
• 44:42
  Speaker 1: be like, oh you selfish, Oh you did. So it
• 44:44
  Speaker 1: just kind of went Howard did. And now February twenty
• 44:46
  Speaker 1: third is my new release date. I'm super excited. I
• 44:48
  Speaker 1: got a chance to ask some extra records to the album.
• 44:50
  Speaker 1: Nice a couple more Valentine's Day and let me say,
• 44:54
  Speaker 1: you have a Valentine this year? Are you singing again?
• 44:56
  Speaker 1: I have a Valentine every year. Okay, okay, talk about
• 45:00
  Speaker 1: not a problem that I'm just you know, yeah, I'm happy,
• 45:03
  Speaker 1: you know, to stop, you know that, just stop, Okay.
• 45:08
  Speaker 1: I just wanted to know I'm very happy, happy, you know, happiest, happy,
• 45:13
  Speaker 1: and very much how I was when I left you
• 45:15
  Speaker 1: guys last you are brides maid. You look beautiful. Thank you.
• 45:20
  Speaker 1: You're crying. I was crying because I was crying. I
• 45:24
  Speaker 1: was happy for her. I was like, oh in awe,
• 45:26
  Speaker 1: like she is so amazed, like when to see her,
• 45:28
  Speaker 1: like just this day, this is her day, you know,
• 45:30
  Speaker 1: and I've been there with her, like the whole thing,
• 45:32
  Speaker 1: the waiting dress of this to that, the crying that
• 45:34
  Speaker 1: before the wedding was playing years and years from the
• 45:36
  Speaker 1: listic like this is my friend, I know her, like
• 45:38
  Speaker 1: this day was everything to her. You know, when those
• 45:40
  Speaker 1: things happened to you think to yourself, when is my
• 45:42
  Speaker 1: wa I was thinking to myself like shee, I want
• 45:44
  Speaker 1: me walking down an except I was walking next to Toss,
• 45:46
  Speaker 1: I was like, this is not my husband, you know,
• 45:48
  Speaker 1: so I was thinking like, wow, this is this could
• 45:50
  Speaker 1: be my wedding, you know, don't see emotional. It was
• 45:52
  Speaker 1: very good and Gucci was so strong and the man
• 45:55
  Speaker 1: stand up for her. It was just like a beautiful
• 45:57
  Speaker 1: moment to be a part of. Would you put your
• 45:59
  Speaker 1: wedding on television? Do a special? Now you're doing loving
• 46:01
  Speaker 1: hip hop? I'm sure man, you know what and what
• 46:13
  Speaker 1: we're saying. I don't know about that though. The whole
• 46:15
  Speaker 1: waiting on the TV thing, you know what, because just
• 46:17
  Speaker 1: for the sake um, just being in Kesha's waiting, it's
• 46:21
  Speaker 1: a lot like she was extremely frustrated and it's you know,
• 46:24
  Speaker 1: it's waiting. The cameras are there, certain stuff isn't going around.
• 46:27
  Speaker 1: It's gonna be on television. So now we're here, so
• 46:28
  Speaker 1: she gotta watch everybody. Why isn't the spotlight on me
• 46:31
  Speaker 1: right now? Why is this? Why is there? You're still
• 46:33
  Speaker 1: planning your wedding, it's your big day, but also you're
• 46:35
  Speaker 1: filming for the cameras, and it's cameras all around, hiding
• 46:38
  Speaker 1: behind the sheer sheets and all on the floor. It
• 46:41
  Speaker 1: was a lot like all day. It was like one
• 46:43
  Speaker 1: of those things. I know, I can imagine what it's
• 46:45
  Speaker 1: like just doing a waiting without the cameras, you know,
• 46:47
  Speaker 1: the Bryzilla and just all that, but now that you
• 46:49
  Speaker 1: have the cameras. Who she was stressing? I was stressing.
• 46:53
  Speaker 1: I was crying. He was meeting. We wasn't making deadlines.
• 46:55
  Speaker 1: I missed the appointment for my dress like four times.
• 46:57
  Speaker 1: Like it was just a lot to the wedding. Still
• 47:00
  Speaker 1: a getting you're dressed. No, I wasn't late, but I
• 47:02
  Speaker 1: was supposed to get it like a week prior. So
• 47:04
  Speaker 1: I actually got my mate like the last one. She
• 47:07
  Speaker 1: was giving me like leeway, but it was almost like, hey,
• 47:08
  Speaker 1: if it's not done today, it's not waiting, Like what
• 47:10
  Speaker 1: are you gonna walk in? You know? And I'm stressing,
• 47:12
  Speaker 1: I'm traveling, I'm this, I'm that. We're all over the place.
• 47:14
  Speaker 1: So it was just a lot to make it happen.
• 47:16
  Speaker 1: You I'm younger, Okay, I feel like I met him.
• 47:23
  Speaker 1: I think I remember the story. Now he's an entrepreneur
• 47:26
  Speaker 1: or something. We're just gonna he cher that much younger.
• 47:29
  Speaker 1: But I don't know if you're talking about rooms, we're
• 47:33
  Speaker 1: talking about factors together. We've been together, we've been together,
• 47:38
  Speaker 1: we're together, we're happy. I'm not talking about all that
• 47:41
  Speaker 1: because it started leaking out drama, and the drama goes
• 47:45
  Speaker 1: what BOSSU says or a boss up or breakfast club
• 47:48
  Speaker 1: or age room or nobody else. What is that? Why
• 47:50
  Speaker 1: you starting in front of you? Now? Now it was
• 47:55
  Speaker 1: you and Davis. It's not me and Day What is you? No? No, no, no?
• 48:00
  Speaker 1: The room? That was the video, Charlotte, Man, you cannot
• 48:03
  Speaker 1: believe the blogs. They're gonna say everything. Shout out to
• 48:05
  Speaker 1: them too. They always talking about I got you. I've
• 48:10
  Speaker 1: never heard one false thing about you. Oh my gosh
• 48:12
  Speaker 1: all the time, never ever been saying it's not Davy's
• 48:17
  Speaker 1: but those of the room was because of this video.
• 48:19
  Speaker 1: You thought the video was what closer or not? I
• 48:22
  Speaker 1: just thought it was a video. When you do a video,
• 48:23
  Speaker 1: you acting the videos, it could be a real video.
• 48:25
  Speaker 1: Raymond Taylor, that's who it is. Yeah, your money? What
• 48:33
  Speaker 1: are you talking about? I just need to know if
• 48:36
  Speaker 1: you're gonna be set you I'm already set. Okay, she's
• 48:39
  Speaker 1: got out her why she she got it? She got it?
• 48:44
  Speaker 1: You got to spend it, you know what? Realistic? I
• 48:47
  Speaker 1: don't even spend a lot of money, you know that?
• 48:48
  Speaker 1: Not really? Now, I I so much stuff. It happens
• 48:51
  Speaker 1: you have. You know how you do the bartering and
• 48:53
  Speaker 1: people do you make them? You use your brandom? Absolutely
• 48:56
  Speaker 1: you that's me. I keep my money to It's like
• 48:57
  Speaker 1: necessarily have to trainer got her own. Damn Miami treated better. Yeah,
• 49:02
  Speaker 1: every day treating the day in Miami. Yes, it's made fifteen.
• 49:06
  Speaker 1: He's got some Mother's Day from Yeah, Mother's Day. I
• 49:08
  Speaker 1: don't know what I'm gonna do yet. It's something that's
• 49:10
  Speaker 1: gonna be very charitable, of course, giving back to the
• 49:12
  Speaker 1: whole Miami, the whole community. Because I'm excited about it.
• 49:14
  Speaker 1: I don't have no idea what the plans are. I
• 49:17
  Speaker 1: don't know, like next year, I'll come back to you
• 49:18
  Speaker 1: guys and tell you, yeah, I remember that because they
• 49:20
  Speaker 1: had pictures of your boo out there. Why do you
• 49:23
  Speaker 1: keep talking? Because I'm about the DM him and tell
• 49:25
  Speaker 1: him he'd better marry you and marry you soon. Okay,
• 49:28
  Speaker 1: the reading finger is still a little pressure on. He's
• 49:31
  Speaker 1: definitely not gonna say that. He gonna say, why you
• 49:32
  Speaker 1: ain't bust that? Yeah, that's what talk like that. No,
• 49:36
  Speaker 1: I'm not talking about you. No, I don't look at
• 49:39
  Speaker 1: you so different. You know that the way people like
• 49:41
  Speaker 1: the stuff I hear about child I look because this
• 49:43
  Speaker 1: I look at him different. You had that person who
• 49:45
  Speaker 1: like Miami Rooftop Vibe, ship Club Vibe Fact. And we
• 49:49
  Speaker 1: had different conversations that when I come here with you guys.
• 49:52
  Speaker 1: So that's why when I come here, don't front on
• 49:53
  Speaker 1: me because he know, I know a quotes. No, it
• 49:59
  Speaker 1: wasn't quote. It was just real stuff like you know,
• 50:01
  Speaker 1: God girl, we had all like I asked some stuff
• 50:03
  Speaker 1: he told me. I was like, be honest, it's like okay,
• 50:05
  Speaker 1: And he asked me stuff like we had our like
• 50:06
  Speaker 1: heart to heart absolutely, and that's why I got to
• 50:08
  Speaker 1: make sure this dude do right by you. That's you
• 50:12
  Speaker 1: do right? All right, Well you're looking for its at
• 50:14
  Speaker 1: January first? Right? Is that when this right first? It's Miami.
• 50:17
  Speaker 1: Miami is lit, Trick Daddy is lit, gun play is
• 50:24
  Speaker 1: don't play. He's just a wild one from Miami. Miami
• 50:29
  Speaker 1: just took a loss. Two man, Rest in peace, black both.
• 50:31
  Speaker 1: I know. Yeah, that's that's so like a hard one
• 50:34
  Speaker 1: to digest. You know. He's like a mentor to everybody.
• 50:36
  Speaker 1: I knew him, so I was a little going up,
• 50:37
  Speaker 1: you know, And it's one of those things like we
• 50:38
  Speaker 1: have to just make sure we be healthy and exercise
• 50:41
  Speaker 1: and do all kind of stuff. You just never know,
• 50:43
  Speaker 1: like today, like last my year at our bassil the
• 50:45
  Speaker 1: next day, like you're just not year, Brittany. I can't
• 50:48
  Speaker 1: anticipate you hopping over to the Miami one now. Yeah,
• 50:51
  Speaker 1: hopefully let's everybody just say a little prayer. Yeah, I'm
• 50:54
  Speaker 1: dragging her to Miami so the beaches, Brittany, Welcome to Miami.
• 50:58
  Speaker 1: It was that was going to be I'm Miami too,
• 51:01
  Speaker 1: Josly from I'm Atlanta. I don't know. I didn't hear
• 51:04
  Speaker 1: that because I knowess he was trying because I guess
• 51:05
  Speaker 1: she had moved to Miami. Here. She's from Miami though, right,
• 51:08
  Speaker 1: I mean back to my Atlanta give up pass. I
• 51:11
  Speaker 1: mean I know her, I love her. She's on it like,
• 51:13
  Speaker 1: I don't have no problem for her. I don't even
• 51:15
  Speaker 1: know how for people lives on the cast, so I
• 51:16
  Speaker 1: haven't seen him from them anything really. Yeah, you know
• 51:19
  Speaker 1: Stephan lacordough, Yeah, I'm like school. Yeah, she's cool. I
• 51:22
  Speaker 1: film one scene with Steph Lacorne studio. Yeah. Right, well,
• 51:25
  Speaker 1: we appreciate you guys for Jodan. You guys and I
• 51:29
  Speaker 1: look forward to hearing that T and T album. Yes,
• 51:32
  Speaker 1: and it's the Breakfast Club. That's Miss Brittney Taylor and
• 51:36
  Speaker 1: think you curiods The Breakfast Club. I was born to donkey.
• 51:45
  Speaker 1: This is a Donkey of the Death. That's pretty funny.
• 51:56
  Speaker 1: Charloman Devil Breakfast Club. All right, listen, man, Charlomagne the
• 52:03
  Speaker 1: God here. I'm on vacation until twenty eighteen. I don't
• 52:06
  Speaker 1: give a damn what y'all think about that, because I
• 52:07
  Speaker 1: deserve it. Now. The Breakfast Club is in eighty plus
• 52:10
  Speaker 1: markets in a one hundred and fifty country, so we
• 52:12
  Speaker 1: have a lot of new listeners who probably don't even
• 52:13
  Speaker 1: know who Charlomagne the God is. So use my time
• 52:16
  Speaker 1: off to catch up on some of my past work. Okay, okay,
• 52:20
  Speaker 1: if you knew here, I do a segment every day
• 52:22
  Speaker 1: called Donkey the Day Donkey as in jackass, and that's
• 52:24
  Speaker 1: when I give someone the credit they deserve for being stupid.
• 52:27
  Speaker 1: So if you've never heard of it, this is new
• 52:29
  Speaker 1: to you. But if you are a regular listener, and
• 52:30
  Speaker 1: this is an oldiep but goody because it's the best
• 52:33
  Speaker 1: of the Donkey of the day. Donkey to Day goes
• 52:35
  Speaker 1: to the Little Lass Negro formerly known as Bi Wow
• 52:38
  Speaker 1: Wow Yippy Yo Yippya Shad Moss. Okay, every day of
• 52:43
  Speaker 1: Shad Mosson's life it seems like he's starring in a
• 52:45
  Speaker 1: terrible bio pick airing on Lifetime about himself. And of course,
• 52:49
  Speaker 1: in this bio pick, he is playing himself, because, let's
• 52:51
  Speaker 1: be honest, nobody can play themselves better than Shad Moss
• 52:55
  Speaker 1: can play himself. If it's one thing on this plane at,
• 52:58
  Speaker 1: Shad Moss is good at, it's himself. Well. The playing
• 53:01
  Speaker 1: of thyself continued when Shad Moss posted a pic of
• 53:04
  Speaker 1: a private jet with a sprinter and Mercedes Benz pulled
• 53:07
  Speaker 1: up to it with the caption travel day NYC press
• 53:11
  Speaker 1: run for Growing Up hip Hop, Let's Go. I promised
• 53:14
  Speaker 1: to bring y'all the hottest show ever. Now Shad Moss
• 53:16
  Speaker 1: is the executive producer of Growing Up hip Hop. Salute
• 53:19
  Speaker 1: to him on that drop on a Clue's Bumps and
• 53:21
  Speaker 1: Shad Moss being the EP on Growing Up hip Hop.
• 53:25
  Speaker 1: But I don't understand how you can be EP of
• 53:26
  Speaker 1: a show called Growing Up hip Hop when you clearly
• 53:29
  Speaker 1: still have a lot of growing up to do. Okay,
• 53:31
  Speaker 1: you know how they talk about doing the Baby Boys sequel,
• 53:33
  Speaker 1: they should do it. Based on Shad Moss's life, he
• 53:36
  Speaker 1: is a thirty year old grown ass man who mentally
• 53:38
  Speaker 1: is still balled up in the fetal position of his
• 53:40
  Speaker 1: mother's womb. Okay, Shad Moss may physically be a grown
• 53:43
  Speaker 1: ass man, but psychologically he is still that little boy
• 53:46
  Speaker 1: who is headlining the screen tour. He's delusional. Okay. I
• 53:50
  Speaker 1: knew he was delusional when I saw that video him
• 53:52
  Speaker 1: online when he had the hoodie on and he was
• 53:55
  Speaker 1: walking in front of a group of kids and he
• 53:56
  Speaker 1: was acting like he didn't want to be noticed, and
• 53:58
  Speaker 1: they didn't notice it was him. Remember this, yo, it's
• 54:01
  Speaker 1: a field trip behind me. They don't know it's me.
• 54:06
  Speaker 1: They don't care. Okay, this guy still think there's two
• 54:10
  Speaker 1: thousand and five. Not only to those kids not notice you,
• 54:13
  Speaker 1: they probably didn't know who you are and actually didn't care.
• 54:16
  Speaker 1: But back to the matter at hand, Shad Moss posted
• 54:18
  Speaker 1: this pick of a private jet and immediately got called out.
• 54:21
  Speaker 1: A young man took a pick of Shad Moss on
• 54:23
  Speaker 1: a commercial airline with the caption, so this guy, little
• 54:26
  Speaker 1: bow Wah is on my flight to NY but on Instagram,
• 54:29
  Speaker 1: he posted a picture of a private jet caption traveling
• 54:32
  Speaker 1: the NY today shaking my head. Shaking my head as
• 54:35
  Speaker 1: the correct answer, because Shad Moss is a devil damn liar.
• 54:39
  Speaker 1: When will you fools realize there's no future in front?
• 54:41
  Speaker 1: And I know a lot of people like to say
• 54:43
  Speaker 1: you turn out to be what you pretend to be.
• 54:44
  Speaker 1: It could be some truth in that, but in the
• 54:46
  Speaker 1: processes that, you have to be careful who you pretend
• 54:48
  Speaker 1: to be because you might forget who you are. And
• 54:51
  Speaker 1: Shad Moss and his pursuits pretend to still be that
• 54:54
  Speaker 1: guy who's headline in the screen tour forgot that he
• 54:56
  Speaker 1: is not that guy bow Wall anymore. And that's fine.
• 55:00
  Speaker 1: You have moved on, You're still moving and shaking. You
• 55:02
  Speaker 1: still got a career. But for whatever reason, that's not
• 55:05
  Speaker 1: good enough for you. For whatever reason, Shad Moss is
• 55:08
  Speaker 1: choosing the cat fish himself. Who are you trying to be,
• 55:11
  Speaker 1: Shat Moss? Are you trying to be deep Pimping? Remember
• 55:14
  Speaker 1: Deep Pippen. Deep Pimping is the guy who pretended to
• 55:16
  Speaker 1: still be a ba Wow. Okay, that's that's what Shad
• 55:19
  Speaker 1: Moss is doing. Shat mosses deep pimping, pretending to still
• 55:22
  Speaker 1: be ba wow. Now. A wise man who got caught
• 55:25
  Speaker 1: red hands in the way Shad Moss did would have
• 55:27
  Speaker 1: just fell back, relaxed his mind, let his conscious free.
• 55:30
  Speaker 1: But not Shat Moss. Old Shad Moss got on ig
• 55:33
  Speaker 1: and doubled down on the dunkiness. He posted and words
• 55:36
  Speaker 1: so dumb and words taking old picture to say why
• 55:39
  Speaker 1: it was and wasn't? Who do that? Y'all better stop
• 55:42
  Speaker 1: playing with me? Ha ha ha And words is retarded now,
• 55:46
  Speaker 1: Shad Moss. The only dumb retarded a word in this
• 55:49
  Speaker 1: whole scenario is you, because you were the one who
• 55:51
  Speaker 1: took a stock picture from the fourth lawd of thel
• 55:53
  Speaker 1: Vip Transportation Company and posted it on your IG like
• 55:57
  Speaker 1: it was real. Okay. Shad Moss also posted catch me
• 55:59
  Speaker 1: at the brow tomorrow going back home. Half y'all broke
• 56:02
  Speaker 1: mofols still can't afford the buddy pass on Spirit Airlines
• 56:05
  Speaker 1: stay out the big boy lane. Now. I wish every
• 56:07
  Speaker 1: single Spirit passenger who was fighting yesterday at Fort Lauderdale
• 56:10
  Speaker 1: Airport could collectively jump Shad Moss. You the one friend,
• 56:14
  Speaker 1: you the one line to yourself, and you got the
• 56:16
  Speaker 1: nerve the unmitigated guard to insult the financially challenge people
• 56:19
  Speaker 1: of our society. I would rather be the broke mofol
• 56:22
  Speaker 1: who can't afford the buddy pass on Spirit Airlines than
• 56:24
  Speaker 1: be the mentally poor mofol who still got a lot
• 56:26
  Speaker 1: of kick it Like you are, Shad Moss. Financially broke,
• 56:29
  Speaker 1: you can change that. Mentally broke. That takes a little work,
• 56:32
  Speaker 1: and you, my friend, Shad Moss, are mentally broke. Clearly
• 56:35
  Speaker 1: you are not happy with the life you are currently leading,
• 56:37
  Speaker 1: because if you was, then you wouldn't have to post
• 56:39
  Speaker 1: stock photos from Fort Laud of theale vip Limo. Shad
• 56:43
  Speaker 1: Moss and all the kids listening out there, please listen
• 56:45
  Speaker 1: to your uncle Charla. Remember this. If you want to
• 56:48
  Speaker 1: be successful, you must respect one rule. Never lie to yourself. Okay.
• 56:53
  Speaker 1: You can learn a lot from your mistakes if you
• 56:56
  Speaker 1: don't deny them. Okay, Shad Moss is not bow Wow anymore,
• 56:59
  Speaker 1: and that's fine. Well, I got the private jets, Shad Moss, don't,
• 57:02
  Speaker 1: at least not yet. Anyway. Tomorrow of the story is
• 57:04
  Speaker 1: Shad Mars, You're not lying to me. You're lying to
• 57:06
  Speaker 1: yourself and the man who lies himself and listening to
• 57:09
  Speaker 1: his own lie comes to a point where he does
• 57:10
  Speaker 1: not discern any truth in himself or anyone around him.
• 57:13
  Speaker 1: I bet Shad Moss don't trust nobody simply because he
• 57:16
  Speaker 1: don't trust himself, and why should he? Okay, did, Shad Master?
• 57:19
  Speaker 1: Truth will set you free, but you first have to
• 57:21
  Speaker 1: realize which a lie is holding you hostage and the Truthfish,
• 57:24
  Speaker 1: Shad Moss, you are not a little biou anymore. Forget
• 57:27
  Speaker 1: growing up hip hop, you just need to grow up period.
• 57:29
  Speaker 1: Please give Shad Moster the biggest heath Hall. Please the
• 57:35
  Speaker 1: Breakfast Club morning. Everybody is DJ and de Angela. Ye,
• 57:42
  Speaker 1: Charlemagne the guy. We are to breakfast Club. It's time
• 57:44
  Speaker 1: for ass see and eat. Hello. Who's this? This is Chris? Hey, Chris,
• 57:48
  Speaker 1: what's your question for C and E? All right, So
• 57:50
  Speaker 1: I'm gonna stay at home dad and I. You know,
• 57:53
  Speaker 1: I stay at home and I I queen, I do
• 57:56
  Speaker 1: everything while my wife goes home and makes some money.
• 57:59
  Speaker 1: I think I'm sorry one my wife goes out and
• 58:01
  Speaker 1: make some money. Now, I want to know how to
• 58:03
  Speaker 1: ask for that smushy. I want to basically because she
• 58:07
  Speaker 1: makes me feel weird. About it and inferior almost when I,
• 58:10
  Speaker 1: you know, try to have some intimate time along with her,
• 58:12
  Speaker 1: and I don't know how to kind of go. I
• 58:14
  Speaker 1: want you to know number one, she's cheating on you.
• 58:16
  Speaker 1: That's number one. And number two. I wasn't stay at
• 58:20
  Speaker 1: home dad before my daughter was born June of two
• 58:22
  Speaker 1: thousand and eight, and I got fired in November two
• 58:25
  Speaker 1: thousand and eight, So from November to like May, I
• 58:27
  Speaker 1: was unemployed. So I was a stay at home dad.
• 58:29
  Speaker 1: But I used to ask for the vagina the same
• 58:33
  Speaker 1: way I always did, Like that shit in your relationship
• 58:35
  Speaker 1: shouldn't changes because you, Oh, you should just be a
• 58:38
  Speaker 1: little sexy. I mean, we're some lungerae. They got men's
• 58:40
  Speaker 1: lingerie or something like that. We're some boxing sholds with
• 58:43
  Speaker 1: your ass out or you know, we're something sexy for
• 58:45
  Speaker 1: your woman. So when she gets home she's in the mood,
• 58:48
  Speaker 1: immediately start texting her right now, baby. I can't wait
• 58:50
  Speaker 1: for you to get home. My penis is so hard
• 58:52
  Speaker 1: waiting on you that those are things you gotta do.
• 58:54
  Speaker 1: Or maybe we're not asking the right question. Why you
• 58:55
  Speaker 1: stay at home dad? I'm a stay at home dad
• 58:57
  Speaker 1: because we decided that was better for our relationship because
• 59:00
  Speaker 1: I worked, but I didn't have a job as good
• 59:02
  Speaker 1: as as she does. So, um, you know, just just
• 59:05
  Speaker 1: to make things work. At the moment. While I'm getting
• 59:07
  Speaker 1: my degree, I'm staying at home and doing all the
• 59:09
  Speaker 1: stuff that I need to do to maintain the house.
• 59:11
  Speaker 1: So like a role it's just a role reversal thing. Yeah,
• 59:13
  Speaker 1: that's what it is. So you just need to tell
• 59:15
  Speaker 1: us straight up, like, look, man, you know I get
• 59:17
  Speaker 1: horny baby, and I don't want to have sex with you,
• 59:19
  Speaker 1: and you know you don't be making me feel like
• 59:20
  Speaker 1: a man because you'd be acting like I'm a bitch
• 59:22
  Speaker 1: and don't be wanting to give me nothing, just playing
• 59:24
  Speaker 1: me to the left. Yeah, just start texting it now.
• 59:25
  Speaker 1: I get her in the mood to what she gets
• 59:26
  Speaker 1: to him, you got it. And when she tell you
• 59:28
  Speaker 1: to sit your whole ass down, sit your whole hello,
• 59:33
  Speaker 1: well I gotta be all that hollow. I had him
• 59:35
  Speaker 1: first though, talking to you baby, I'm talking to you man,
• 59:37
  Speaker 1: this is asking me, what's your question? Okay, my baby daddy,
• 59:42
  Speaker 1: I'm pregnant with his baby. Now, okay, he now has
• 59:45
  Speaker 1: a girlfriend. Oh boy, when he now with his girlfriend,
• 59:48
  Speaker 1: he calling and texting me and telling me that he
• 59:50
  Speaker 1: loved me. He want to come back home, He's coming
• 59:52
  Speaker 1: over there. You know. Just this past Friday he just
• 59:54
  Speaker 1: ate me out and then hurt around and when it
• 59:56
  Speaker 1: kissed on hurt he found out about it. And Sunday
• 1:00:00
  Speaker 1: she called me talk about something. He want to talk
• 1:00:02
  Speaker 1: to you, and he tells me that he don't want
• 1:00:04
  Speaker 1: to be with me. Death gonna be his wife. So
• 1:00:06
  Speaker 1: I should have handled this situation. Well, I want to
• 1:00:08
  Speaker 1: know how did she find out about it? Did your
• 1:00:10
  Speaker 1: vagina have such a pungent smell that it was so
• 1:00:12
  Speaker 1: obvious when he went to kiss spelt it on his lips? No? No, no,
• 1:00:15
  Speaker 1: I told her. I told her, I hope she wasn't
• 1:00:17
  Speaker 1: kissing him because he was eating my box being patty. Okay, okay,
• 1:00:21
  Speaker 1: all right, what do you think, Charlotte. We'll let you
• 1:00:23
  Speaker 1: head lest first. Um. I think that they should just
• 1:00:25
  Speaker 1: like be one happy family. And uh she ugly? She's ugly.
• 1:00:30
  Speaker 1: Oh so you couldn't be with her. You would be
• 1:00:32
  Speaker 1: with her, you'd be open to her. She was pretty? Yeah?
• 1:00:35
  Speaker 1: If yeah, most definitely. I mean, listen, man, if you
• 1:00:37
  Speaker 1: want to be what to dode be? What to do it,
• 1:00:39
  Speaker 1: but you know what the dude's about. Clearly, the dude's
• 1:00:41
  Speaker 1: gonna mess with other women, especially ugly women. And you think,
• 1:00:43
  Speaker 1: you know, you laughing because he ate you out and
• 1:00:45
  Speaker 1: went to kiss another girl. That can happen to you
• 1:00:47
  Speaker 1: just as easy. Na, it wouldn't happen to me because
• 1:00:49
  Speaker 1: we spent more time together. He don't be spent about her.
• 1:00:51
  Speaker 1: She's born, Yeah, but he definitely is about to leave
• 1:00:54
  Speaker 1: you for her. And you say she's ugly, But the
• 1:00:56
  Speaker 1: problem is you got the baby on the way. So
• 1:00:58
  Speaker 1: this is the guy that you were expect to raise
• 1:01:00
  Speaker 1: your your child, to give your child money, to spend
• 1:01:03
  Speaker 1: time with your child. Seems like he's gonna be a loser.
• 1:01:05
  Speaker 1: Seems like you need to find the next victim, I
• 1:01:07
  Speaker 1: mean victim. That's your baby daddy. So you would him
• 1:01:10
  Speaker 1: for for better off for worse. At this point, I'm say,
• 1:01:13
  Speaker 1: I guess that's okay. I guess I can do that.
• 1:01:15
  Speaker 1: You got a baby. What you're gonna do? You at
• 1:01:17
  Speaker 1: least with him for eighteen years. Yeah, but she's not
• 1:01:19
  Speaker 1: gonna be around my child. That's what he failed to realize.
• 1:01:21
  Speaker 1: Does he have kids with her? No? Oh, you gotta
• 1:01:24
  Speaker 1: cut the ugly girl off. Then tell him cut the
• 1:01:25
  Speaker 1: ugly bit off. If he don't, you just got explaining him.
• 1:01:29
  Speaker 1: Do you call him? Yeah? Please, don dang it. What's
• 1:01:35
  Speaker 1: what's the number? What's the number? Seven? Five seven? Call
• 1:01:39
  Speaker 1: him on three way? Hold on one second. I'm gonna
• 1:01:41
  Speaker 1: call this man. Man man out here having a second
• 1:01:44
  Speaker 1: cosmetically challenged women for no damn reason. What's the point,
• 1:01:47
  Speaker 1: eagle answer for me? Because I blocked. He blocked me
• 1:01:49
  Speaker 1: because I just told his girlfriend this weekend trying to
• 1:01:52
  Speaker 1: see you to see just see. Okay, let's three a tone.
• 1:01:58
  Speaker 1: When you are finished recording you, man, hang up or
• 1:02:01
  Speaker 1: press pound for more options. What's his name? Hey, what's happening?
• 1:02:05
  Speaker 1: This is Uncle Charlomagne, the God's DJ Envy, and we
• 1:02:07
  Speaker 1: just want to tell you that the cosmetically challenged woman
• 1:02:10
  Speaker 1: that you're dating, um, you need to break up with
• 1:02:12
  Speaker 1: her and just be with the woman that you ate
• 1:02:14
  Speaker 1: out this weekend. Yeah, you did eat her out and
• 1:02:16
  Speaker 1: then you went and kiss her girlfriend. Kiss your girlfriend.
• 1:02:18
  Speaker 1: You have a child with this young lady already, you
• 1:02:20
  Speaker 1: got a child on the way, so you just need
• 1:02:21
  Speaker 1: to be with your your shoot your baby. Mom okay,
• 1:02:23
  Speaker 1: go ye, cut up cosmetically challenge check off that you
• 1:02:26
  Speaker 1: currently in love it. It's not worth it. Have a
• 1:02:28
  Speaker 1: blessed day. I have a great day. All right, good luck, mama.
• 1:02:31
  Speaker 1: We tried all right, eight hundred and five eight five
• 1:02:34
  Speaker 1: one on five one. Call us up right now, ask
• 1:02:36
  Speaker 1: C and E will help you with your problems. We'll
• 1:02:38
  Speaker 1: even make a phone call if you need us to.
• 1:02:39
  Speaker 1: It's the breakfast Lugal Morning. I want to get everybody
• 1:02:41
  Speaker 1: is DJ Envy Angela Ye, Charlomagne, the guy we are
• 1:02:45
  Speaker 1: the breakfast club with in the middle of asky, Hello,
• 1:02:48
  Speaker 1: what's up? Bro? What's what's your name? Man? How about
• 1:02:51
  Speaker 1: to say I was a female? How you doing? How
• 1:02:54
  Speaker 1: is that like a female? I don't know. He talks
• 1:02:56
  Speaker 1: to men like that? All right, what's up? It's not
• 1:03:00
  Speaker 1: a good question. See this the predicament. I mean my
• 1:03:02
  Speaker 1: daughter just turned the left yesterday. And before this, you know,
• 1:03:06
  Speaker 1: last week, two weeks I've been going through this or
• 1:03:08
  Speaker 1: about them homes now trying to you know, you're not
• 1:03:11
  Speaker 1: allowed to have a boyfriend. You're not supposed to have
• 1:03:13
  Speaker 1: a boyfriend. I don't condole it. I'm does your mother
• 1:03:15
  Speaker 1: condole it? And she's still her mother condoles it by
• 1:03:19
  Speaker 1: my mother know, so it's kind of like at fort whatever,
• 1:03:22
  Speaker 1: daddy saying, like, I'm a conserva father. I don't condole
• 1:03:25
  Speaker 1: my daughter having a boyfriend or anything to that extent,
• 1:03:28
  Speaker 1: but it seems like being at her mom says yes
• 1:03:31
  Speaker 1: or whatever. A mom says she's cool with it. I
• 1:03:34
  Speaker 1: mean at ten or eleven. Now, does your daughter even
• 1:03:36
  Speaker 1: really know what it means to have a little boyfriend?
• 1:03:38
  Speaker 1: Because it could be completely innocent. Seeing you sound like
• 1:03:42
  Speaker 1: my wife Now I've wrest her text message. Isn't her
• 1:03:44
  Speaker 1: text message to say I don't want to break up
• 1:03:46
  Speaker 1: with you? I love you? You know. That's why I
• 1:03:49
  Speaker 1: asked the two gentlemen in there that got daughters themselves, like,
• 1:03:52
  Speaker 1: how would you take it? If you know your daughter
• 1:03:54
  Speaker 1: ten years old? You look at home my daughters not
• 1:03:56
  Speaker 1: having no damn boyfriend at ten years old? I don't
• 1:03:58
  Speaker 1: even know why you even having this conversation. Sound crazy
• 1:04:01
  Speaker 1: my daughters? Women? Y'all are with y'all women, I'm not
• 1:04:06
  Speaker 1: with my with my mom's daughter's mother. I haven't been
• 1:04:08
  Speaker 1: with her since my daughter was nine months. With your
• 1:04:11
  Speaker 1: daughter's mother, if she letting her have a boyfriend at
• 1:04:13
  Speaker 1: ten years old. But what is your what is your
• 1:04:14
  Speaker 1: daughter saying when you talk to her about it, because
• 1:04:16
  Speaker 1: clearly you have to communicate with your child to let
• 1:04:19
  Speaker 1: her know and see what's going on. Oh hey, baby, God,
• 1:04:22
  Speaker 1: you know what's going on while you consider him a
• 1:04:24
  Speaker 1: boyfriend or what is the difference between the old boy
• 1:04:27
  Speaker 1: that's just behind you was he's just now a friend?
• 1:04:30
  Speaker 1: Oh I like him, mommy said, just now the problem.
• 1:04:34
  Speaker 1: I don't see why it's a problem. Now. I've even
• 1:04:36
  Speaker 1: going to the extent of even cold in the school
• 1:04:38
  Speaker 1: and speaking to the God's Council, and I'm trying to
• 1:04:40
  Speaker 1: be in the process now where I get em meeting
• 1:04:42
  Speaker 1: with his parents, the little boy, my daughter's mother, my daughter,
• 1:04:46
  Speaker 1: we all sit down and we get this and other
• 1:04:48
  Speaker 1: because what happens is your daughter's probably seeing that in
• 1:04:50
  Speaker 1: other places, like you know, seeing people say things like
• 1:04:53
  Speaker 1: I love you, you're my boyfriend, and thinking that's appropriate
• 1:04:57
  Speaker 1: behavior because that's what she sees male female relation ships
• 1:05:00
  Speaker 1: to be like. Because she's emulating that behavior from somewhere.
• 1:05:03
  Speaker 1: It's how do I fix this? Is she is? She
• 1:05:06
  Speaker 1: She's not doing anything right. Like a lot of times
• 1:05:09
  Speaker 1: kids say things and they don't really understand what it means.
• 1:05:12
  Speaker 1: She's not doing it now, but she might look on
• 1:05:13
  Speaker 1: TV and think, okay, we need to kiss. Did you
• 1:05:16
  Speaker 1: see anything? But did you see her doing anything around
• 1:05:19
  Speaker 1: I'm not around to twenty four seven? Like I said,
• 1:05:21
  Speaker 1: I'm not with her mother, but from her from the
• 1:05:23
  Speaker 1: text messages, because I'm going to assume that you monitor
• 1:05:25
  Speaker 1: her phone right because she is now I do. I mean,
• 1:05:29
  Speaker 1: I just like said, I just grabbed the phone. And
• 1:05:31
  Speaker 1: we also have a communication problem too, so that was
• 1:05:33
  Speaker 1: kind of using want grabbed her phone, like yo, you
• 1:05:36
  Speaker 1: can't coll me. You know, make no sense. You're having
• 1:05:38
  Speaker 1: the phone because you know Instagram and Snapchat. Isn't there
• 1:05:41
  Speaker 1: a way you can't monitor your child's phone so you
• 1:05:43
  Speaker 1: can see their text messages? I know Vy does it
• 1:05:45
  Speaker 1: with his kids. Used to kid, I can see, but
• 1:05:48
  Speaker 1: I'm not with her mother, so I don't have access
• 1:05:50
  Speaker 1: to her phone like that her mother. All her phone
• 1:05:52
  Speaker 1: is to her mother, right, what would I be able
• 1:05:55
  Speaker 1: to do that? I think the main thing is to
• 1:05:57
  Speaker 1: let your daughter know that it's far your own concern
• 1:06:00
  Speaker 1: is a parent, that you love her very much. You
• 1:06:01
  Speaker 1: want her to know that she can come and talk
• 1:06:03
  Speaker 1: to you about anything, whatever happens. But you know, you
• 1:06:05
  Speaker 1: have to explain to her what it means when you're
• 1:06:08
  Speaker 1: telling somebody you love them. You have to let her
• 1:06:10
  Speaker 1: know that she's your child. And you might see other
• 1:06:12
  Speaker 1: people doing these things, but these are adults making these decisions.
• 1:06:15
  Speaker 1: And if anything, you know, make sure she knows those
• 1:06:18
  Speaker 1: lines of communication are open so that she can come
• 1:06:19
  Speaker 1: and talk to you. I try to do that as well.
• 1:06:23
  Speaker 1: I'm trying to do a meeting that but you got
• 1:06:24
  Speaker 1: to really watch her, you know, if that means going
• 1:06:27
  Speaker 1: to the school, if that means meeting a little boy
• 1:06:28
  Speaker 1: and talking to him and letting him if you're concerned
• 1:06:34
  Speaker 1: about your daughter, can't go talk to a little My
• 1:06:37
  Speaker 1: daughter nine can't go talk to another kid you No,
• 1:06:42
  Speaker 1: I don't mean, I don't mean aggressively, but you can
• 1:06:44
  Speaker 1: talk to him about the messages too, the two of
• 1:06:46
  Speaker 1: them to get there. I think that the cell phone
• 1:06:50
  Speaker 1: and I saying hello, how are you doing? It? Is
• 1:06:52
  Speaker 1: such and such a fifth grade because you call my
• 1:06:59
  Speaker 1: son that we have problem. Now you now, if I'm
• 1:07:01
  Speaker 1: the son's father, you got a problem with me? Now
• 1:07:03
  Speaker 1: I speak to you. I have to speak to the parent.
• 1:07:06
  Speaker 1: It doesn't have to be a question the kids kids
• 1:07:11
  Speaker 1: speak to his parents. You should pray, bro, won't you
• 1:07:13
  Speaker 1: just be a father and say you say I was
• 1:07:16
  Speaker 1: going to pray, but it's like pray is going ahead
• 1:07:19
  Speaker 1: in the hand and make you out. Well, what are
• 1:07:22
  Speaker 1: his parents saying? I haven't got in contact with him.
• 1:07:25
  Speaker 1: That's I was trying to give in contact with Bill.
• 1:07:27
  Speaker 1: I called the boy. I said, Hello, this is such
• 1:07:30
  Speaker 1: and such parents. Can I please speak to your parents
• 1:07:32
  Speaker 1: the little boy? Well, you know what you should use definitely.
• 1:07:37
  Speaker 1: I know you said you're talking to the school and
• 1:07:38
  Speaker 1: the counselors at school, So you need to request to
• 1:07:41
  Speaker 1: sit down with the other parents of the young boy,
• 1:07:44
  Speaker 1: so you guys can talk to each other and communicate
• 1:07:46
  Speaker 1: and make sure that you'll both are on top of
• 1:07:48
  Speaker 1: the situation. Because it's not like your daughter's going places
• 1:07:51
  Speaker 1: without beside school where I'm sure they're watching her. It's
• 1:07:54
  Speaker 1: not like she's out in the backroom the staircases. There's basements,
• 1:07:57
  Speaker 1: this bathroom. So he needs to be concerned. And yeah,
• 1:08:01
  Speaker 1: thank you. You know what I mean. I'm trying to
• 1:08:03
  Speaker 1: bring some trying to light to this. I'm trying to
• 1:08:04
  Speaker 1: draw some light to the test and everybody condoning it.
• 1:08:07
  Speaker 1: So that's why the most you can do is talk
• 1:08:09
  Speaker 1: to the people at the school and talk to his
• 1:08:11
  Speaker 1: parents and make sure that you keep a very close
• 1:08:13
  Speaker 1: I and make sure your daughter knows to come to
• 1:08:14
  Speaker 1: you about anything, and that hide things from you. Good luck,
• 1:08:17
  Speaker 1: brod me post up at the school all day. Don't
• 1:08:22
  Speaker 1: you're gonna lay and wait for a ten year old?
• 1:08:25
  Speaker 1: Thank you? Everything should the man. You're funny though. I've
• 1:08:28
  Speaker 1: seen you out there to ask the party for their
• 1:08:30
  Speaker 1: dome awards and you I'm trying to give you a
• 1:08:32
  Speaker 1: parent because you're just tiffany. You just did me. But
• 1:08:35
  Speaker 1: that's all I damn true pound you serious? See Charlemagne
• 1:08:42
  Speaker 1: did it him? The ten year old slammed the photo.
• 1:08:44
  Speaker 1: That true? No, that is not true. All right, ask
• 1:08:48
  Speaker 1: ye eight hundred five eight five, one oh five one.
• 1:08:50
  Speaker 1: If you got a question for you, you could call
• 1:08:52
  Speaker 1: her right now. All right, we are doing asking and
• 1:08:54
  Speaker 1: we have Ohdario on the line. What's up, O Dario?
• 1:08:57
  Speaker 1: Good morning? How you doing? Good morning? How are you great?
• 1:09:00
  Speaker 1: Thanks for asking and answered, yes, I just had a
• 1:09:03
  Speaker 1: question for you. Okay. So I've been doating this NFL
• 1:09:06
  Speaker 1: player since high school before I even got to the NFL,
• 1:09:09
  Speaker 1: and we went to college together and everything. But then
• 1:09:11
  Speaker 1: I had to leave to go to Harvard because I
• 1:09:13
  Speaker 1: got accepted at Harvard. So I graduated from Harvard High School,
• 1:09:16
  Speaker 1: law school, and then I called I came back. So
• 1:09:19
  Speaker 1: we was together all this time, because we will go
• 1:09:21
  Speaker 1: back and forth or whatever. Right, it's been so for
• 1:09:24
  Speaker 1: like twelve thirteen years. You've been dating this NFL player
• 1:09:27
  Speaker 1: for twelve or thirteen years? Okay, yep. So I had
• 1:09:30
  Speaker 1: got our job offer in Watchington last year to work
• 1:09:34
  Speaker 1: at the prostor office out there, and he made me
• 1:09:38
  Speaker 1: turn the offer down because he was like, okay, So
• 1:09:41
  Speaker 1: we got engaged. So basically we got engauge. I'll say
• 1:09:43
  Speaker 1: that he took a new few weeks ago. I'm sorry
• 1:09:45
  Speaker 1: he took a knee. Never mind, bad jokes, go ahead.
• 1:09:49
  Speaker 1: So a couple of weeks ago, I would everybody's house
• 1:09:52
  Speaker 1: to get his um clothes, takes to quis I always do,
• 1:09:55
  Speaker 1: and this, but this girl was in the house. I
• 1:09:58
  Speaker 1: paid it now because we always that, you know, we're
• 1:10:00
  Speaker 1: best friends. We never put up. He wasn't he wasn't
• 1:10:03
  Speaker 1: openly gay, he wasn't out. Basically, no I'm still not
• 1:10:06
  Speaker 1: out to that. I would never you know, put him
• 1:10:07
  Speaker 1: my own blast like that, right, he takes two knees,
• 1:10:09
  Speaker 1: but he doesn't want anyone to know exactly. So I said,
• 1:10:12
  Speaker 1: that's cool. So I got here and this he tells
• 1:10:14
  Speaker 1: me that, you know, they just got engaged, and this
• 1:10:19
  Speaker 1: pregned it and she pregged it. Well, he's playing both.
• 1:10:23
  Speaker 1: So he's engaged to you and he's engaged to her. Yeah,
• 1:10:26
  Speaker 1: So I said, I said, you know, I'm nosy. So
• 1:10:28
  Speaker 1: I'm like, so, how long, um you know you've been
• 1:10:31
  Speaker 1: engaged and she said it's been like five months. I
• 1:10:34
  Speaker 1: said five months on so um? So I called him
• 1:10:37
  Speaker 1: up because he had he had the row for this
• 1:10:39
  Speaker 1: game out of Churnel, so I said, I called him.
• 1:10:41
  Speaker 1: I was like, come over to my house when you
• 1:10:43
  Speaker 1: get homes. He came over like two o'clock in the morning.
• 1:10:46
  Speaker 1: So I said, it's something that you um need to
• 1:10:48
  Speaker 1: tell me or whatever men have you and he was
• 1:10:51
  Speaker 1: like no, So of course I lost my tip room likes.
• 1:10:54
  Speaker 1: Well I met. I'm not gonna say her name, I'll
• 1:10:57
  Speaker 1: just call it Kelly. I look Kelly, oh yo. How
• 1:11:00
  Speaker 1: a couple of weeks ago, and she told me that
• 1:11:03
  Speaker 1: you got engaged and she pregnant. So then he just
• 1:11:06
  Speaker 1: do you want to tell? Now? He he say he
• 1:11:09
  Speaker 1: loves me, but so she's pregnant, he has to marry.
• 1:11:12
  Speaker 1: So this whole time he's been cheating on you and
• 1:11:14
  Speaker 1: having sex with this woman exactly. So I got another
• 1:11:18
  Speaker 1: job offer out of state in New York actually at
• 1:11:21
  Speaker 1: a profitmunity office, and I accept the job. So I'm
• 1:11:25
  Speaker 1: talking about So this is where it just sounding tricky, right,
• 1:11:29
  Speaker 1: So a few days ago he came over with this
• 1:11:31
  Speaker 1: like bad attitude, and I will say, yeah, he greed
• 1:11:34
  Speaker 1: by my thought and picked me up again to walk.
• 1:11:35
  Speaker 1: So I'm not really does he play for the giants
• 1:11:38
  Speaker 1: and jets? I can't say. I won't say. What I
• 1:11:42
  Speaker 1: will say is that you know he bought this house granted,
• 1:11:45
  Speaker 1: which I really needed to because I work. Can I
• 1:11:47
  Speaker 1: make my own money? So um, I call like the
• 1:11:50
  Speaker 1: movers or whatever it may have you, and I got
• 1:11:53
  Speaker 1: all my stuff up out of there, as you should,
• 1:11:55
  Speaker 1: because he put his hands on you exactly. So he
• 1:11:59
  Speaker 1: filed to attract me down at my mother's house, right,
• 1:12:02
  Speaker 1: and then he's sitting here begging and pleading, telling me
• 1:12:05
  Speaker 1: not to leave and not to go because we're gonna
• 1:12:07
  Speaker 1: get married. And I don't believe nothing he said he's
• 1:12:09
  Speaker 1: getting married to somebody else, has he gonna marry you exactly?
• 1:12:13
  Speaker 1: So what should I do? Should I just leave here?
• 1:12:15
  Speaker 1: Because I'm Dario as smart as you are. You went
• 1:12:18
  Speaker 1: to Harvard. This man lied to you all this time,
• 1:12:21
  Speaker 1: lie to this woman. He's having a baby with someone,
• 1:12:23
  Speaker 1: and he put his hands on you. People from Harvard
• 1:12:25
  Speaker 1: get turned out by the D two and you don't
• 1:12:27
  Speaker 1: know what to do. It's just, oh, Dario, come on,
• 1:12:30
  Speaker 1: I know this man. Don't know what position you want
• 1:12:33
  Speaker 1: to play on this. I know you know what to do.
• 1:12:35
  Speaker 1: You cannot relate that you are way too First of all,
• 1:12:38
  Speaker 1: he's not even openly gay. Yeah, he's not even letting
• 1:12:40
  Speaker 1: people know about your relationship. It's been thirteen years. Will
• 1:12:43
  Speaker 1: you tell me who he is off the air? No,
• 1:12:45
  Speaker 1: I can't tell you because I wouldn't never put him
• 1:12:47
  Speaker 1: off like that because it's not right. It's not my place. Well,
• 1:12:50
  Speaker 1: it looks like he has no intention of and you're
• 1:12:53
  Speaker 1: openly gay, right, No, I'm not neither one of you are. No, Well,
• 1:12:58
  Speaker 1: how do you guys intend to get married at all?
• 1:13:01
  Speaker 1: That's what I said, and he told me. He was like, well,
• 1:13:04
  Speaker 1: you know it's legal. Now we've been together since high school.
• 1:13:07
  Speaker 1: We should go ahead. And do you know, Daria, I
• 1:13:09
  Speaker 1: don't want you to marry somebody that choked you, threw
• 1:13:11
  Speaker 1: you up against the wall by your throat, and lie
• 1:13:14
  Speaker 1: to you when it's having a baby with somebody else.
• 1:13:15
  Speaker 1: That's what I said too. I mean, it was the
• 1:13:17
  Speaker 1: first time it happened. But I but you need to
• 1:13:19
  Speaker 1: figure out what you need to do because it seems
• 1:13:21
  Speaker 1: like maybe you haven't come out the closet because he hasn't. Ye,
• 1:13:24
  Speaker 1: don't live your life according to what this man is doing.
• 1:13:27
  Speaker 1: Live your life for you. I guess New York. Then
• 1:13:30
  Speaker 1: we'll see you in New York. Are you moving in
• 1:13:34
  Speaker 1: New York to be closer to him? Because that's what
• 1:13:35
  Speaker 1: he plays. Now he's leaving. Are you leaving me? Come
• 1:13:38
  Speaker 1: to New York? Leaving? I will say this, he plays
• 1:13:41
  Speaker 1: for the Lions. I will say that. But that's all
• 1:13:44
  Speaker 1: shout out to the d the Lions and lying about
• 1:13:47
  Speaker 1: the whole too. All right, Well, Daria, hit us up
• 1:13:50
  Speaker 1: when you come out here, we're gonna party. We're gonna party,
• 1:13:53
  Speaker 1: I mean a party. Okay, I appreciate you so much
• 1:13:56
  Speaker 1: as ye you guys, y'all have a great day. Thank
• 1:13:59
  Speaker 1: clear my mind? All right, I'm glad to hear that.
• 1:14:03
  Speaker 1: Sometimes it's hard, even as smart as you are, to
• 1:14:05
  Speaker 1: make the right decision. When you're in love, you get clouded.
• 1:14:08
  Speaker 1: Yeah you're doing fortunately. Oh and I appreciate you. Thank you,
• 1:14:11
  Speaker 1: miss you have a blethday. You guys too. That was interesting. No,
• 1:14:16
  Speaker 1: I'm not an ass, Yes you are. Okay,