Latest / Pink Shade: Reality TV with Mary Payne / 2125 - 90 Day Finace (s12e21) Tell All part 3 with Kimberly

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2125 - 90 Day Finace (s12e21) Tell All part 3 with Kimberly · Pink Shade: Reality TV with Mary Payne

• 0:12
  Speaker 1: Hey everybody, welcome to Pink Shade. It is TLC Tuesday.
• 0:16
  Speaker 2: And we are on part three of the 90 Day
• 0:19
  Speaker 2: Fiancé tell-all. 90 Day OG. You guys, there's no video today,
• 0:24
  Speaker 2: so it's fine. For those of you who watched the video,
• 0:27
  Speaker 2: I'm sorry. I had a, uh, a peel done on
• 0:30
  Speaker 2: my face, an IPL and a peel on my face,
• 0:33
  Speaker 2: and my face hurts, and I look like a tomato,
• 0:36
  Speaker 2: and that's it.
• 0:38
  Speaker 3: That's it.
• 0:38
  Speaker 4: She's a youthful flush, like Katie who just ran in
• 0:43
  Speaker 4: the park.
• 0:45
  Speaker 1: Exactly. Yes. Yes.
• 0:48
  Speaker 4: Actually, Katie always looks deathly ill when she's running.
• 0:51
  Speaker 1: She does look like it.
• 0:52
  Speaker 3: Because she's always super hungover.
• 0:54
  Speaker 1: It's not for her. It's not for her. It's like
• 0:57
  Speaker 1: a punishment almost.
• 0:58
  Speaker 3: Yeah.
• 0:59
  Speaker 4: I said that I think she's giving herself a punishment,
• 1:02
  Speaker 4: an exercise punishment.
• 1:05
  Speaker 1: But apparently she makes good time on her run. So
• 1:07
  Speaker 1: I don't know. Yeah. I don't know.
• 1:10
  Speaker 3: She's young still.
• 1:11
  Speaker 1: She's young. That's right. Is she? How young is she? 30?
• 1:14
  Speaker 3: She's younger than 30.
• 1:16
  Speaker 4: So in a few years, time is going to catch
• 1:19
  Speaker 4: up with her and everything's going to get a lot harder.
• 1:21
  Speaker 1: Oh, yeah. She's 27.
• 1:22
  Speaker 3: Jeez.
• 1:23
  Speaker 1: Well, she slid right by on this episode. No heat
• 1:27
  Speaker 1: on Katie. By the way, Josh.
• 1:31
  Speaker 2: Also had some great points on this episode.
• 1:36
  Speaker 1: He did.
• 1:37
  Speaker 3: There was one point. I can't remember what it was.
• 1:40
  Speaker 3: We'll get to it. But I did not like it.
• 1:43
  Speaker 3: And I wrote that I was disappointed in him. Bad take, Josh.
• 1:48
  Speaker 3: Bad take.
• 1:49
  Speaker 4: I need to like be on the stage and I
• 1:51
  Speaker 4: can give like a yay or a nay. I can
• 1:53
  Speaker 4: raise up a scorecard for how good people's points are.
• 1:58
  Speaker 3: Yes.
• 1:58
  Speaker 1: Like front and back. Yes or no. Green or red.
• 2:00
  Speaker 3: Or like at the Olympics, like eight. Solid eight. Yeah.
• 2:06
  Speaker 1: I like that.
• 2:07
  Speaker 3: Yeah.
• 2:07
  Speaker 1: I like that. All right.
• 2:10
  Speaker 2: Well, let's get into it because it's going to be
• 2:11
  Speaker 2: a long episode. And I think this episode made me
• 2:14
  Speaker 2: realize we probably didn't need three parts.
• 2:17
  Speaker 1: No.
• 2:17
  Speaker 3: No.
• 2:17
  Speaker 2: Probably didn't need three parts, but they had to get
• 2:19
  Speaker 2: in that, you know, drinking at the bar. They wanted
• 2:22
  Speaker 2: Shay and Katie to get.
• 2:24
  Speaker 1: Into it, I think.
• 2:25
  Speaker 3: They did.
• 2:25
  Speaker 1: I know.
• 2:26
  Speaker 4: Shay was on his best behavior, giving people advice about adoption.
• 2:30
  Speaker 3: Why was there five that one time? That was so unnecessary.
• 2:36
  Speaker 2: Because they were doing, like, living at the house. So
• 2:38
  Speaker 2: they were trying to be like, now we're fun at
• 2:40
  Speaker 2: the house and playing games and having, like, at the bar.
• 2:44
  Speaker 3: Yeah.
• 2:44
  Speaker 1: It was when it was.
• 2:47
  Speaker 1: Darcy and Georgie were there, right? I don't know.
• 2:51
  Speaker 3: I can't remember. I don't know.
• 2:53
  Speaker 1: Jasmine was definitely there. Yeah.
• 2:55
  Speaker 4: Who greenlit that and was like, you know what? We
• 2:57
  Speaker 4: are going to have over a month of tell-alls.
• 3:00
  Speaker 3: Great idea.
• 3:02
  Speaker 1: Emily and Kobe were there. Sophie and Rob were there.
• 3:05
  Speaker 2: And they were just trying to tee it up for
• 3:08
  Speaker 2: people going, next group of people going to last resort.
• 3:11
  Speaker 1: Oh, yeah. Yeah. Mm-hmm.
• 3:14
  Speaker 2: You can always tell who's trying to get on the
• 3:16
  Speaker 2: next season. And I'm looking at you, Mallory, trying to
• 3:20
  Speaker 2: get Michaela to be like, I think there's unresolved issues
• 3:23
  Speaker 2: between her and Brandon.
• 3:24
  Speaker 1: Give them another season. Yeah.
• 3:27
  Speaker 3: Didn't work. Michaela just looks like a bitch now.
• 3:30
  Speaker 1: Michaela just looks like a bad friend in a terrible outfit.
• 3:34
  Speaker 4: Worst look of any guest ever on a tell-all. And
• 3:38
  Speaker 4: if this show were more popular, everyone on the internet
• 3:41
  Speaker 4: would be talking about it. Like they were talking about
• 3:43
  Speaker 4: Britney on the Valley in that dress.
• 3:45
  Speaker 1: Yes. Right, right, right, right. Agree. Yeah, I agree. I
• 3:49
  Speaker 1: don't know what the hell she was thinking.
• 3:51
  Speaker 3: This kind of slid under the radar.
• 3:54
  Speaker 1: Yeah, the lipstick didn't make sense. The lipstick. The hair.
• 3:56
  Speaker 1: It was all of it. You're like, what are you doing?
• 3:59
  Speaker 1: Cosplaying as Honey Boo Boo. Like, I don't know.
• 4:02
  Speaker 3: Yes.
• 4:03
  Speaker 1: Yeah. Yes, actually. Yeah.
• 4:05
  Speaker 3: A redhead Honey Boo Boo. Yeah.
• 4:08
  Speaker 1: Well, let's get into it.
• 4:08
  Speaker 2: 90 Day Fiance, Season 12, Episode 21, Tell All.
• 4:13
  Speaker 1: Part 3.
• 4:14
  Speaker 2: So we open with Marissa running after Edward and hugging
• 4:19
  Speaker 2: him and saying she's sorry. And this is all to
• 4:21
  Speaker 2: do with what Debbie was saying about, you know, wanting
• 4:24
  Speaker 2: to have a baby and little fingers and little toes.
• 4:26
  Speaker 1: And I had blacked out and forgotten all of this.
• 4:29
  Speaker 1: I was like, what are we, what is she sorry about?
• 4:31
  Speaker 1: I was confused.
• 4:33
  Speaker 3: So.
• 4:34
  Speaker 2: She tells him when they get home, they can look
• 4:36
  Speaker 2: into surrogacy. She, I was like, again, Shay had a
• 4:41
  Speaker 2: pretty good idea, but if they want it to be
• 4:44
  Speaker 2: their biological child, they will look into surrogacy. But she goes,
• 4:48
  Speaker 2: you know, one caveat, I really want a girl. And
• 4:51
  Speaker 2: now we're getting like card ahead of the horse situation. Um,
• 4:56
  Speaker 2: he says he does just want a kid.
• 4:57
  Speaker 3: That poor woman to be the daughter of Marissa and
• 5:00
  Speaker 3: the granddaughter.
• 5:01
  Speaker 1: Of Joanne Joan. Joan. Joanne Joan.
• 5:05
  Speaker 5: Joan.
• 5:05
  Speaker 3: Yeah.
• 5:08
  Speaker 1: Yeah.
• 5:09
  Speaker 4: She comes out with a little facelift and a little
• 5:13
  Speaker 4: glass of wine.
• 5:16
  Speaker 1: Sounds like a kid of mine.
• 5:19
  Speaker 2: So on stage, Rashid says, God, I think everyone wants
• 5:24
  Speaker 2: to be a dad more than me.
• 5:26
  Speaker 1: Kind of funny. So I.
• 5:29
  Speaker 2: He tells Sean, um, Rashid tells Sean, no, we're, we're
• 5:32
  Speaker 2: not ready for kids yet.
• 5:33
  Speaker 1: She was right. And they joke about like, say it louder.
• 5:36
  Speaker 1: I was right. And he goes, I think we should,
• 5:38
  Speaker 1: we should travel. We should be married and we, we
• 5:41
  Speaker 1: should talk about it after two years.
• 5:43
  Speaker 2: And they're saying they want to buy a different house
• 5:46
  Speaker 2: and get some more land so they can even get
• 5:48
  Speaker 2: more animals. And I was like, I don't even think
• 5:50
  Speaker 2: he'd like the animals that they've got. Maybe he wants
• 5:52
  Speaker 2: like chickens and goats.
• 5:53
  Speaker 1: Yeah.
• 5:54
  Speaker 3: Fun.
• 5:56
  Speaker 1: Not really. Doesn't sound fun.
• 5:57
  Speaker 2: And, um, Rashid tells Brandon, listen, I want to tell
• 6:00
  Speaker 2: you something, man, you're not bad guy at all. You're not,
• 6:05
  Speaker 2: but please respect my wishes. And they get up to
• 6:08
  Speaker 2: shake hands and they hug and it's awkward. And then
• 6:11
  Speaker 2: Michaela and Brandon leave the stage. Thank you so much
• 6:14
  Speaker 2: guys for being here. And we wish you luck in
• 6:18
  Speaker 2: the future to whoever she was talking to.
• 6:22
  Speaker 1: Let's have lunch. Okay.
• 6:24
  Speaker 2: Afterwards outside is where we see Michaela saying, um, do
• 6:28
  Speaker 2: think Mallory still has feelings for Brandon like unresolved so
• 6:31
  Speaker 2: to be continued get out of here Michaela no.
• 6:36
  Speaker 4: That would really be funny though if they did find
• 6:38
  Speaker 4: out unhappily and Michaela was not because.
• 6:42
  Speaker 3: Mallory has dumped her as a friend she's like she
• 6:45
  Speaker 3: wore that outfit to the reunion and embarrassed the shit
• 6:48
  Speaker 3: out of me and I believe she was wearing that.
• 6:51
  Speaker 4: Yeah they're cute enough a couple anyway like they don't
• 6:54
  Speaker 4: need these a fake.
• 6:55
  Speaker 3: Storyline about Brandon No. To get them unhappily. I feel
• 6:59
  Speaker 3: like they could do fine on their own.
• 7:01
  Speaker 2: Especially now that we know Brandon has banged everybody in
• 7:04
  Speaker 2: their tiny town.
• 7:05
  Speaker 3: Yeah.
• 7:05
  Speaker 1: You know? Yeah.
• 7:06
  Speaker 4: Just still not understanding that appeal, but okay.
• 7:10
  Speaker 1: Yeah.
• 7:10
  Speaker 2: I think if he trimmed his beard a little bit,
• 7:13
  Speaker 2: he would be cuter. But he had a glow up
• 7:16
  Speaker 2: between the season and the reunion for sure.
• 7:19
  Speaker 1: Hard to tell.
• 7:19
  Speaker 4: You could see maybe an inch of his face. Because
• 7:23
  Speaker 4: of the sunglasses and the hat and the beard.
• 7:27
  Speaker 3: Literally, I know he has eyes, but I have not
• 7:29
  Speaker 3: seen them. And maybe a nose.
• 7:33
  Speaker 2: He has all those things. He has all the features
• 7:34
  Speaker 2: that one would have on your face.
• 7:36
  Speaker 1: He does. I don't know. They're all included. All right.
• 7:42
  Speaker 2: Let's talk and be honest here. A lot of us
• 7:44
  Speaker 2: here are ladies of a certain age and in a
• 7:47
  Speaker 2: busy season of our lives. Speaking for myself, I'm busier
• 7:50
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• 9:48
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• 9:49
  Speaker 1: Dame.com code pink shade. So anyway, we see Marissa, she's
• 9:56
  Speaker 1: still crying. She's like, I can't stop crying. You know, like,
• 9:59
  Speaker 1: you know, like. Debbie was telling you about the little feet.
• 10:04
  Speaker 1: They're like, Marissa, pull it together.
• 10:07
  Speaker 3: Yeah.
• 10:08
  Speaker 2: So then we see Shay saying to Rashid, you know,
• 10:11
  Speaker 2: I saw that Brandon guy and I thought like you're
• 10:13
  Speaker 2: bigger than him. Like he probably scared you. That Brandon guy.
• 10:16
  Speaker 2: Let me tell you something right now. Brandon is not
• 10:19
  Speaker 2: scared of Rashid.
• 10:21
  Speaker 1: No. Of no planet.
• 10:23
  Speaker 3: In his flowing palazzo pants.
• 10:25
  Speaker 1: It is his pants and he could take flight. And
• 10:30
  Speaker 1: Rashid goes, you know, Brandon, no, he very big, but
• 10:35
  Speaker 1: small hands. I don't know.
• 10:39
  Speaker 2: I don't know if he meant that as like a
• 10:40
  Speaker 2: euphemism or he meant like he literally can't fight because
• 10:43
  Speaker 2: he has tiny hands.
• 10:44
  Speaker 1: Right.
• 10:45
  Speaker 2: So Aisha says to Mallory, What do you think about
• 10:48
  Speaker 2: your friend telling all your business out there?
• 10:50
  Speaker 3: Yeah.
• 10:53
  Speaker 1: Mallory goes, I know. Could you believe that?
• 10:55
  Speaker 2: I feel like Mallory and Asha are going to, like,
• 10:58
  Speaker 2: drive to see each other because they both live in Alabama.
• 11:00
  Speaker 1: Yeah. They're going to be buddies.
• 11:03
  Speaker 3: And Katie wants to be friends with Mallory so badly,
• 11:06
  Speaker 3: but it's not going to happen.
• 11:08
  Speaker 2: But Asha's like, no, listen, you're going to have to pick.
• 11:11
  Speaker 2: Because Asha's like, I can't be friends with that girl.
• 11:13
  Speaker 1: She can't. So then they tell... Paula, her dress is
• 11:18
  Speaker 1: on backwards. Okay.
• 11:19
  Speaker 2: On the last episode, when they walked out from their
• 11:22
  Speaker 2: dress rooms to the stage, I was like, why is
• 11:25
  Speaker 2: her dress all bunched up in her butt like that?
• 11:27
  Speaker 2: I remember thinking her dress looks so strange. It's completely
• 11:31
  Speaker 2: on backwards.
• 11:32
  Speaker 3: And no one noticed.
• 11:34
  Speaker 1: And no one noticed. I mean, I noticed, but I
• 11:36
  Speaker 1: was like, cause I was seeing her walk from the back.
• 11:38
  Speaker 1: Cause I guess it's cause it's just like this and
• 11:40
  Speaker 1: it looks the same from the front. Hilarious.
• 11:43
  Speaker 2: What is the crew doing? not their jobs. And they go, girl,
• 11:47
  Speaker 2: I think your dress is not backwards.
• 11:48
  Speaker 1: And she goes, what? Oh my God. He's like, are
• 11:51
  Speaker 1: you showing your booty? She's like, let me, Oh, gotta
• 11:53
  Speaker 1: go fix that. So back to the set, she fixed
• 11:56
  Speaker 1: her dress.
• 11:57
  Speaker 2: Um, and they're like, okay, so I guess they've told
• 11:59
  Speaker 2: them it's about to be Thomas and Mallory's, um, section.
• 12:03
  Speaker 1: Cause Katie goes, I'm ready to hate on Thomas. Sorry.
• 12:06
  Speaker 1: Let's go. It's like, what would you have done if
• 12:10
  Speaker 1: they said that to you? So, um, Paula says to
• 12:13
  Speaker 1: him before they start.
• 12:14
  Speaker 3: He just seems to be fine with it. That's the
• 12:16
  Speaker 3: problem is he doesn't take it seriously.
• 12:18
  Speaker 1: He didn't care. No, he absolutely doesn't take it seriously.
• 12:23
  Speaker 1: That's correct. So Paula says to him, look, I don't
• 12:26
  Speaker 1: want you acting. He goes, what do you mean? She goes,
• 12:29
  Speaker 1: don't be like an LA boy. Be 100% you.
• 12:31
  Speaker 2: And then talking to him, she goes, I don't know
• 12:35
  Speaker 2: what's going to happen with Thomas. He doesn't take criticism well.
• 12:39
  Speaker 2: That's exactly it. He just brushes it off like everybody's
• 12:42
  Speaker 2: wrong and I'm right, you know? Nobody here could possibly
• 12:45
  Speaker 2: have a point to make.
• 12:46
  Speaker 4: He takes certain things so seriously, like cologne or his
• 12:52
  Speaker 4: lack of a couch, but then things– he should be
• 12:56
  Speaker 4: worried about this segment, what people are going to say
• 12:58
  Speaker 4: to him. But he's like, I'm sure it'll be fine.
• 13:01
  Speaker 1: I'm sure they're all wrong. They're all wrong.
• 13:03
  Speaker 3: Yeah, it's fine.
• 13:04
  Speaker 2: So Sean says, okay, so you said when you first
• 13:08
  Speaker 2: got your travel– your work visa, your travel papers, your
• 13:11
  Speaker 2: green card, whatever you first thing you did was plan
• 13:14
  Speaker 2: a trip back to Brazil.
• 13:15
  Speaker 1: She goes, yes.
• 13:16
  Speaker 2: She goes, what'd you do when you got there? She
• 13:18
  Speaker 2: said she was there for three months. Um, and he said, no,
• 13:22
  Speaker 2: he wasn't, he could only stay for two weeks obviously.
• 13:25
  Speaker 2: And he goes, Oh, it was great. When I got
• 13:27
  Speaker 2: back to my apartment, I could just lounge on my
• 13:30
  Speaker 2: couch bed. I could sit on my tiny yoga block.
• 13:33
  Speaker 1: It was great. I had peace and quiet. It was amazing.
• 13:37
  Speaker 2: And, yeah, I had a buddy that was also single
• 13:39
  Speaker 2: on Valentine's Day. And they were like, you weren't single.
• 13:42
  Speaker 2: He goes, I'm being alone. Like, I had a buddy.
• 13:44
  Speaker 2: We were, like, lonely together. And they're all like, you're
• 13:49
  Speaker 2: not making this sound good at all. But he's trying
• 13:52
  Speaker 2: to be funny, but his sense of humor is weird.
• 13:54
  Speaker 2: And he goes, but it was difficult because it was
• 13:57
  Speaker 2: like being long distance again. So, like, that was hard. Um,
• 14:01
  Speaker 2: and Sean says, so how's it going? Like you got
• 14:03
  Speaker 2: back and you had to reacclimate.
• 14:05
  Speaker 1: How's it going? And she goes, well, we're still stuck
• 14:07
  Speaker 1: with the problem, which is the apartment.
• 14:10
  Speaker 2: So we get a recap of all the things about
• 14:12
  Speaker 2: the apartment, about the couch bed, but they do have
• 14:16
  Speaker 2: a bedroom, but like the kitchen stuff and, you know,
• 14:18
  Speaker 2: his sensitivity to perfume. And we see him like blocking
• 14:22
  Speaker 2: up her perfume with the glue and.
• 14:24
  Speaker 1: All that stuff.
• 14:24
  Speaker 3: Opening it.
• 14:26
  Speaker 1: Yeah.
• 14:26
  Speaker 3: And standing over it.
• 14:28
  Speaker 1: Mm-hmm.
• 14:29
  Speaker 4: And saying he can't stop sneezing, yet none of the
• 14:32
  Speaker 4: sneezes were caught on camera somehow.
• 14:36
  Speaker 2: And so everybody's like, you could see all the little
• 14:39
  Speaker 2: faces in the corner all like, ew, ew, ew, what?
• 14:44
  Speaker 2: And Sean says, okay, okay, I can see this has riled.
• 14:47
  Speaker 1: Some of you up. And Marissa goes, I'm offended. Perfume
• 14:52
  Speaker 1: is expensive.
• 14:53
  Speaker 2: I mean, at least where I shop, because I only
• 14:55
  Speaker 2: shop at Texas Avenue. Perfume is expensive. And he glued it?
• 14:59
  Speaker 2: He glued it? And Katie goes, yeah, it's like passive aggressive,
• 15:05
  Speaker 2: but also like controlling. And Debbie, who keeps turning around
• 15:10
  Speaker 2: in her chair, she's like, I will turn this car around.
• 15:15
  Speaker 2: She is giving such mom energy. She goes, Thomas, is
• 15:20
  Speaker 2: it life or death? And he goes, no, like I
• 15:23
  Speaker 2: won't go into anaphylactic shock over it. And then she goes, okay,
• 15:27
  Speaker 2: so do you think that behavior is a little dramatic?
• 15:32
  Speaker 1: Which is what Paula always says.
• 15:34
  Speaker 3: It's a liability. It's a liability. How is it a liability?
• 15:39
  Speaker 1: Someone's going to sue you? It's not a liability.
• 15:43
  Speaker 3: Are you going to sue? But you won't die, you
• 15:45
  Speaker 3: just said. I don't understand how it's a liability having
• 15:48
  Speaker 3: the perfume in your house.
• 15:49
  Speaker 1: Okay.
• 15:49
  Speaker 2: He says it significantly lowers his quality of life. And
• 15:55
  Speaker 2: Sean goes, show of hands, because as Kimberly points out,
• 15:59
  Speaker 2: Sean does love a poll.
• 16:01
  Speaker 3: She loves on the spot, boots on the ground reporting.
• 16:04
  Speaker 1: Polling, yeah.
• 16:05
  Speaker 2: Sean says, show of hands, how many of you think
• 16:08
  Speaker 2: this is an overreaction to the situation? So everyone, including us,
• 16:13
  Speaker 2: we raise our hands. And Katie goes, I think he's
• 16:17
  Speaker 2: like a man child. I'm like, okay, Katie, you might
• 16:20
  Speaker 2: not want to keep commenting or we will turn ourselves
• 16:23
  Speaker 2: on you.
• 16:23
  Speaker 1: Like, stop, you know? Yeah.
• 16:26
  Speaker 2: And then she goes, he full out has temper tantrums.
• 16:29
  Speaker 2: He full out has temper tantrums. And he goes, here's
• 16:33
  Speaker 2: the thing. I had just purchased that new apartment for
• 16:36
  Speaker 2: us to live in.
• 16:38
  Speaker 1: And my one rule was no perfumes. And she did
• 16:41
  Speaker 1: it on purpose. And she goes, yeah, I did. Yeah.
• 16:47
  Speaker 2: And she says she didn't do it to be mean,
• 16:50
  Speaker 2: but just like for him to get used to it
• 16:52
  Speaker 2: because whatever the scent was, was part of her beauty routine.
• 16:55
  Speaker 4: Which she had been using every time they visited in Brazil.
• 17:01
  Speaker 1: Yeah. Also, that's not your only rule.
• 17:04
  Speaker 3: What are you talking about? The fuck? That's your only rule?
• 17:07
  Speaker 1: So many rules. So many rules.
• 17:11
  Speaker 2: And she goes, he interacts with other people in the
• 17:13
  Speaker 2: outside world with perfumes all the time. And he goes, right.
• 17:17
  Speaker 2: but I don't have to hug or kiss them. And
• 17:20
  Speaker 2: everybody starts yelling at him. Like it's both of your house.
• 17:23
  Speaker 2: Both of you live there. It's both of your house.
• 17:25
  Speaker 2: She can do what she, I mean, everybody is piling on.
• 17:28
  Speaker 1: He is unflappable.
• 17:28
  Speaker 3: He keeps saying my apartment. He keeps saying my apartment.
• 17:32
  Speaker 1: Yeah. But he's pretty unflappable. He's like, okay.
• 17:35
  Speaker 3: Yeah.
• 17:35
  Speaker 1: All you people are stupid. So Sean says, Paula, do
• 17:39
  Speaker 1: you feel at home in America?
• 17:41
  Speaker 2: And she says, to be honest, no, you know, sometimes
• 17:44
  Speaker 2: I look out the window and I wonder what am
• 17:46
  Speaker 2: I doing? And she says, it's taken a lot of
• 17:50
  Speaker 2: hours of speech to explain to him that the apartment
• 17:54
  Speaker 2: is not like how I want it.
• 17:56
  Speaker 1: I want it to be beautiful.
• 17:58
  Speaker 2: It doesn't have to be expensive. It just has to
• 18:00
  Speaker 2: have normal things in it, like a couch. And everybody's like.
• 18:05
  Speaker 1: You still don't have a couch. And they go, she goes, yeah.
• 18:10
  Speaker 2: And like a TV. And she, she goes, no, I
• 18:12
  Speaker 2: got a TV.
• 18:13
  Speaker 1: A neighbor like gave me their old TV.
• 18:16
  Speaker 2: Like you have to imagine it's one with like a
• 18:17
  Speaker 2: big like the big back, like a not flat TV.
• 18:20
  Speaker 2: She goes, the neighbor gave me a TV, but it
• 18:22
  Speaker 2: just sits in the corner because he won't help me
• 18:24
  Speaker 2: set it up or help me get a TV stand.
• 18:27
  Speaker 2: And he goes, I don't want to be a part
• 18:29
  Speaker 2: of it. I'm not going to help. It's not my thing.
• 18:32
  Speaker 1: And Debbie goes, it's a TV.
• 18:34
  Speaker 2: You're being really childish. You could just help her. And
• 18:40
  Speaker 2: he goes, no, like we each have our own hobbies.
• 18:42
  Speaker 2: Like she doesn't help me with my yoga stuff.
• 18:45
  Speaker 1: Like what? Roll out a yoga mat? Like, what do
• 18:47
  Speaker 1: you mean your yoga stuff?
• 18:48
  Speaker 4: If you had bought some new equipment and you needed
• 18:51
  Speaker 4: help bringing it in, she would help you because that's,
• 18:54
  Speaker 4: if you share an apartment, that is what you do.
• 18:59
  Speaker 4: This is mind blowing. Like so petty.
• 19:01
  Speaker 1: It's so petty. It's petty. It's petty.
• 19:04
  Speaker 2: It's exactly petty. And they go, what about the table?
• 19:08
  Speaker 2: He goes, she's got her own setup for eating now,
• 19:10
  Speaker 2: but I just used a little one. And Josh goes,
• 19:14
  Speaker 2: this doesn't sound like a partnership. You're there and I'm there.
• 19:18
  Speaker 2: So I'm imagining he got her like a barstool to
• 19:22
  Speaker 2: sit at that counter. She sits there, but just one.
• 19:26
  Speaker 2: And she sits there and eats and he sits over
• 19:29
  Speaker 2: at his little camping table. That's what I'm imagining.
• 19:32
  Speaker 3: Yeah.
• 19:33
  Speaker 1: Also out of spite.
• 19:34
  Speaker 4: Like even if there was a table for him to
• 19:36
  Speaker 4: sit there, he'd be like, no, I actually prefer the ground.
• 19:39
  Speaker 1: Yes. He's doing everything out of spite.
• 19:41
  Speaker 3: It's all out of spite.
• 19:43
  Speaker 2: But Josh makes a great point. He goes, it's like
• 19:44
  Speaker 2: you're there and I'm there. And Thomas goes, this was
• 19:47
  Speaker 2: a non-negotiable. It was a non-negotiable. Non-negotiable.
• 19:51
  Speaker 1: And Asha goes, that ain't right. That ain't right.
• 19:57
  Speaker 2: So Paula says, when he visits my apartment in Brazil,
• 20:00
  Speaker 2: he's the first person to put his legs up on
• 20:02
  Speaker 2: my couch and watch my TV and laugh.
• 20:06
  Speaker 1: And he says, her apartment sucks. And everybody goes, what?
• 20:13
  Speaker 1: And he goes, there's not a single space in her
• 20:15
  Speaker 1: apartment for me to do yoga.
• 20:19
  Speaker 3: And that makes it.
• 20:20
  Speaker 1: That makes it suck.
• 20:22
  Speaker 2: So he goes, you know, I just wanted to come
• 20:24
  Speaker 2: up with a unique concept for our apartment. And I
• 20:27
  Speaker 2: had a couple of non-negotiables. And she goes, yeah, I
• 20:32
  Speaker 2: really wanted him to help me set up the apartment
• 20:35
  Speaker 2: because it's also mine now and a part of my
• 20:38
  Speaker 2: everyday life. And ever goes, Thomas, I think you're aggravated
• 20:43
  Speaker 2: with other things. And like, you're not doing these other
• 20:46
  Speaker 2: things to make her happy. Like the TV, like you
• 20:49
  Speaker 2: have a problem with something else. And ever goes, I
• 20:53
  Speaker 2: don't know. Well, yeah, you're being, but, but ever goes,
• 20:58
  Speaker 2: maybe it's financial because everything's expensive here. So maybe that's,
• 21:01
  Speaker 2: what's bothering you. And Thomas goes, yeah, I see it
• 21:05
  Speaker 2: as a problem that she wants to solve with my money.
• 21:10
  Speaker 2: And it goes against my non-negotiables. Like, hey, I want
• 21:14
  Speaker 2: a TV and you have to pay for it. It's
• 21:16
  Speaker 2: like a double whammy. You didn't have to buy her
• 21:19
  Speaker 2: a TV. Just literally go to fucking Goodwill, find a
• 21:23
  Speaker 2: little table for her to put it on.
• 21:25
  Speaker 1: Yeah. Stack up some yoga blocks. Like, it's not hard.
• 21:28
  Speaker 3: She got the TV for free.
• 21:29
  Speaker 1: She got the TV for free.
• 21:31
  Speaker 3: She's probably not even asking for cable. She just wants...
• 21:34
  Speaker 3: And you probably already have internet so she can stream.
• 21:37
  Speaker 1: Yeah, just stream.
• 21:39
  Speaker 3: She's like a.
• 21:41
  Speaker 3: And again, it's his non-negotiables that matter.
• 21:45
  Speaker 4: She might have non-negotiables that are never being taken into consideration.
• 21:50
  Speaker 1: It's his.
• 21:53
  Speaker 4: And she's, she's like a caged bird who is like
• 21:57
  Speaker 4: very colorful and likes jewelry and things. And she's being,
• 22:01
  Speaker 4: and her, she wants, she's affected by her surroundings, her surroundings.
• 22:05
  Speaker 4: She likes to be beautiful or colorful or whatever. So
• 22:09
  Speaker 4: she feels creative and, you know, positive, his surroundings, he
• 22:15
  Speaker 4: feels the best when they are stark and colorless and minimal.
• 22:19
  Speaker 1: Right.
• 22:20
  Speaker 3: So I don't know.
• 22:21
  Speaker 4: What the solution is unless you literally draw a line
• 22:24
  Speaker 4: across everything like Marsha and Jan Brady, or you just
• 22:28
  Speaker 4: have one, one room that's colorful, one room that looks
• 22:31
  Speaker 4: like a prison cell and they each go to there
• 22:34
  Speaker 4: to be recharged.
• 22:35
  Speaker 3: Recharged.
• 22:38
  Speaker 2: So Sean says, do you think you're denying her the
• 22:41
  Speaker 2: opportunity to enjoy things in life? And he goes, no way.
• 22:46
  Speaker 2: I am helping her enhance her life by enjoying things outside.
• 22:50
  Speaker 2: When she's in Brazil, she never goes outside.
• 22:52
  Speaker 1: She just works.
• 22:54
  Speaker 3: So again, like we've said before, he thinks his way
• 22:57
  Speaker 3: of life is better.
• 22:58
  Speaker 1: His way is perfect. Yeah.
• 23:00
  Speaker 3: He doesn't rely on TV and things like that. And
• 23:04
  Speaker 3: he just, or material possessions. Right.
• 23:07
  Speaker 1: And, It's very judgy.
• 23:08
  Speaker 3: He's trying to change her. It's so judgy. He looks
• 23:11
  Speaker 3: down on her way of life. And so he is
• 23:14
  Speaker 3: judging that she wants a TV.
• 23:16
  Speaker 2: So Sean says, Thomas, do you have any stake in
• 23:20
  Speaker 2: her piercing business in Brazil? And she goes, no, he doesn't.
• 23:25
  Speaker 2: And he goes, no, I don't. She built that business
• 23:28
  Speaker 2: from scratch, although I did help along the way. But
• 23:31
  Speaker 2: I filed for an LLC of her business in the
• 23:34
  Speaker 2: United States with myself having 49% of the shares.
• 23:39
  Speaker 1: Here's where I call bullshit. Because when you do an LLC,
• 23:41
  Speaker 1: there's no shares.
• 23:43
  Speaker 3: Yeah.
• 23:43
  Speaker 1: It's not a stock. There's no shares. There's no shares
• 23:47
  Speaker 1: of the company.
• 23:49
  Speaker 2: He could have written it that she's got 51% ownership
• 23:53
  Speaker 2: and he's got 49% ownership if it goes belly up.
• 23:56
  Speaker 3: I think that's what he meant.
• 23:58
  Speaker 1: Yeah.
• 23:58
  Speaker 3: Yeah.
• 23:59
  Speaker 1: But I was like, there are no shares. Everybody's like, what?
• 24:01
  Speaker 2: And she goes, yeah, he did that without telling me.
• 24:04
  Speaker 2: And sometimes I want to send him to the hell
• 24:07
  Speaker 2: because he is spoiled. Her flowery language just cracks me up.
• 24:11
  Speaker 2: I want to crash my boat on the rocks and.
• 24:13
  Speaker 1: Send him to the hell.
• 24:14
  Speaker 3: We all feel like that.
• 24:16
  Speaker 1: Hilarious.
• 24:17
  Speaker 3: How could he did that without asking her?
• 24:20
  Speaker 1: She would have had to have signed it. Maybe not.
• 24:23
  Speaker 1: Maybe not. I don't know. I hope he didn't trick her.
• 24:29
  Speaker 1: So she says, they talk about a prenup.
• 24:31
  Speaker 2: And she says, in the United States, it wouldn't matter
• 24:33
  Speaker 2: if they have a prenup because she has nothing. But
• 24:35
  Speaker 2: she says, if they were to get married and seal
• 24:38
  Speaker 2: their marriage in Brazil, she'll have a prenup there. But
• 24:41
  Speaker 2: in the U.S., she has nothing. So, like, there's nothing
• 24:43
  Speaker 2: from nothing because her business isn't established yet. But in Brazil,
• 24:47
  Speaker 2: she's in the process of opening a second store.
• 24:50
  Speaker 1: And he goes, what?
• 24:52
  Speaker 3: What?
• 24:53
  Speaker 2: He goes, man, you're just doubling down in Brazil. You know,
• 24:55
  Speaker 2: I'm frustrated because I thought we had an equal shared
• 24:58
  Speaker 2: vision of sharing our life.
• 24:59
  Speaker 1: In the United States. And she goes, yeah.
• 25:03
  Speaker 2: And he goes, also, she's put down $ 100, 000 on an
• 25:06
  Speaker 2: apartment in Brazil.
• 25:07
  Speaker 3: She had that much money?
• 25:11
  Speaker 1: If she had that much money, why is she confusing?
• 25:16
  Speaker 2: He says every dollar he makes goes to their life
• 25:19
  Speaker 2: in the U.S., And she has money that she's not
• 25:22
  Speaker 2: putting towards their life in the U.S. And she says,
• 25:25
  Speaker 2: I'm doing that for my family. So I think she's like,
• 25:27
  Speaker 2: all my business is in Brazil. All of that is
• 25:29
  Speaker 2: for my family. And when I'm in the U.S., Thomas
• 25:32
  Speaker 2: can just take care of me because he's got money.
• 25:35
  Speaker 2: But I kind of feel like that's really not fair
• 25:37
  Speaker 2: on her part. And I'm not normally going to be
• 25:39
  Speaker 2: on Thomas' side about anything. But I don't think that's fair.
• 25:42
  Speaker 3: No, that's not fair.
• 25:43
  Speaker 1: $ 100, 000.
• 25:43
  Speaker 2: Is not a significant amount of money.
• 25:46
  Speaker 1: Right.
• 25:50
  Speaker 2: So if she had $ 100, 000, she could have helped buy
• 25:52
  Speaker 2: that apartment. And then she might feel like she has
• 25:55
  Speaker 2: more say in it. Or he might feel she could have.
• 25:58
  Speaker 2: But he's wrong either way.
• 26:00
  Speaker 1: Speaking of family.
• 26:02
  Speaker 5: But she didn't come here, give up her life to
• 26:04
  Speaker 5: come here.
• 26:05
  Speaker 1: And her very successful business. So he does owe her the.
• 26:07
  Speaker 3: Very minimum of keeping her comfortable here.
• 26:10
  Speaker 1: Mm-hmm. Mm-hmm. And again, she's not even trying to get
• 26:14
  Speaker 1: anything expensive. She's not bougie, you know? No.
• 26:17
  Speaker 3: No.
• 26:17
  Speaker 4: She got a borrowed TV from those gay guys next
• 26:20
  Speaker 4: door that are so fun.
• 26:22
  Speaker 1: When I did my interview with her, she was in
• 26:23
  Speaker 1: their apartment.
• 26:25
  Speaker 3: Really?
• 26:25
  Speaker 1: Yeah.
• 26:26
  Speaker 2: And she kept turning the camera and she goes, I'm
• 26:27
  Speaker 2: trying to make sure on the camera you can't tell
• 26:29
  Speaker 2: where I am because it's my next door neighbors and
• 26:32
  Speaker 2: it's already been on the show.
• 26:33
  Speaker 1: So I don't want people to be able to tell
• 26:35
  Speaker 1: where I am. Oh, okay. And I literally got, I
• 26:38
  Speaker 1: literally like people are not paying that close of attention.
• 26:40
  Speaker 2: I mean, we are, but everybody else isn't. They're not
• 26:44
  Speaker 2: paying that much attention to my interview.
• 26:45
  Speaker 1: Let me tell you that much.
• 26:47
  Speaker 2: So, Speaking of family, welcome Paula's brother, Aldir. Aldir, what
• 26:54
  Speaker 2: are you thinking? And he says, well, I think Thomas
• 26:58
  Speaker 2: is just really particular and super allergic and has different
• 27:03
  Speaker 2: tastes and maybe is spoiled. Mallory goes, selfish. And we
• 27:09
  Speaker 2: have always been doubtful that this relationship would work out.
• 27:12
  Speaker 1: Tom was like, Whoa, Al dear. What bro? I had
• 27:15
  Speaker 1: no idea. Wow, man. Really best friends. What bro?
• 27:20
  Speaker 2: And Apollo says, yeah, my whole family thinks I'm crazy.
• 27:24
  Speaker 2: I'm 10 years older than him. And I have a
• 27:25
  Speaker 2: successful business and stable life in Brazil that I've given up.
• 27:29
  Speaker 1: All right.
• 27:30
  Speaker 2: Then we get a bunch of clips of what happened
• 27:31
  Speaker 2: when her family was there, when they had the eight
• 27:34
  Speaker 2: people in this tiny apartment, eight extra people in the
• 27:37
  Speaker 2: tiny apartment.
• 27:39
  Speaker 1: And, When the end of the clips are over, he
• 27:41
  Speaker 1: tries to touch her and she like slaps his hand.
• 27:44
  Speaker 3: That's how I would be if he ever tried to.
• 27:47
  Speaker 1: Come near me. So, and she says, I was embarrassed.
• 27:54
  Speaker 2: You know, my family flew 14 hours and then he
• 27:57
  Speaker 2: gives them camping chairs and yoga blocks to sit on.
• 28:01
  Speaker 2: And he says, ah, I did the best I could
• 28:04
  Speaker 2: with the resources I had.
• 28:05
  Speaker 1: No, that's not true. That's not true. No.
• 28:09
  Speaker 4: But you were put in that position because she wanted
• 28:12
  Speaker 4: her whole family to stay there, which was a mistake.
• 28:15
  Speaker 3: Yeah.
• 28:15
  Speaker 2: She says, I put them in the situation because I
• 28:17
  Speaker 2: wanted them all there together, you know, but that was,
• 28:19
  Speaker 2: that was my fault.
• 28:20
  Speaker 1: And then she cries.
• 28:22
  Speaker 2: Poor Asha, again, like she did last week with Debbie,
• 28:24
  Speaker 2: she tries to bend over to give her a tissue,
• 28:26
  Speaker 2: but she can't bend at.
• 28:28
  Speaker 1: The waist at all. So she's like, it's so funny
• 28:32
  Speaker 1: every time she tries to move in that dress.
• 28:34
  Speaker 2: Um, So Paula says, this was the first time my
• 28:37
  Speaker 2: parents had traveled outside of Brazil.
• 28:40
  Speaker 1: I was so excited to show them my life. And,
• 28:43
  Speaker 1: you know, I taught myself English.
• 28:44
  Speaker 2: I came from nothing and I wanted to show my parents,
• 28:47
  Speaker 2: you know, what, you know, that she's made something of herself.
• 28:51
  Speaker 2: And Marissa goes, you know, Thomas, it seems you're not
• 28:54
  Speaker 2: making any effort to make her comfortable. And she says,
• 28:58
  Speaker 2: Paula then says they are talking about having a baby.
• 29:01
  Speaker 2: They're actively trying to have a baby.
• 29:08
  Speaker 1: Shocking.
• 29:09
  Speaker 4: Thomas is such a scary control freak. He should not
• 29:14
  Speaker 4: have a child.
• 29:16
  Speaker 1: They need therapy.
• 29:17
  Speaker 2: They definitely need therapy to find a way to come
• 29:20
  Speaker 2: to compromise. And so they ask him, what would you
• 29:24
  Speaker 2: do if you had a baby in this apartment that's
• 29:26
  Speaker 2: so nuts? And he goes, well, we'd have to get
• 29:29
  Speaker 2: a bigger place because it's just barely big enough for
• 29:31
  Speaker 2: the two of us. And they asked, do you think
• 29:34
  Speaker 2: Thomas would be a good father? And she goes, oh,
• 29:36
  Speaker 2: I do think he would be a good father. I mean,
• 29:38
  Speaker 2: rather he'd be a good helper.
• 29:42
  Speaker 3: He was good with her nieces, like fun.
• 29:44
  Speaker 1: He was. He was fun. He was fun.
• 29:46
  Speaker 3: But when it would come to parenting.
• 29:49
  Speaker 1: Yeah.
• 29:51
  Speaker 2: And then she says, if we have a gender reveal,
• 29:53
  Speaker 2: we won't say boy or girl. We'll say American or Brazilian.
• 29:57
  Speaker 2: And then they were like, huh? And then she says,
• 30:00
  Speaker 2: we would want to have the baby in Brazil. And
• 30:03
  Speaker 2: the brother goes, yeah, if they have a baby, they
• 30:05
  Speaker 2: need to move back to Brazil. Thomas is like, bro,
• 30:08
  Speaker 2: my bro, Aldir, my brother, bro. Aldir says, she should
• 30:15
  Speaker 2: really think before having a baby with him.
• 30:18
  Speaker 1: He can't cook.
• 30:19
  Speaker 2: He doesn't know how to clean. And raising children is
• 30:22
  Speaker 2: not easy. Well, why do you know he can't cook
• 30:25
  Speaker 2: and clean?
• 30:25
  Speaker 1: What do you mean? His house is immaculately clean because
• 30:29
  Speaker 1: he's It doesn't have anything in there.
• 30:30
  Speaker 3: It's those things.
• 30:31
  Speaker 1: Yeah.
• 30:33
  Speaker 2: He says, the brother says, whatever decision Paula makes, we
• 30:36
  Speaker 2: will support her. And then Paula says, I don't want
• 30:39
  Speaker 2: to give up on him, but I'm training him. And
• 30:43
  Speaker 2: we can, she says this twice. I'm training him. And
• 30:45
  Speaker 2: so we can have a child together. So then they're
• 30:48
  Speaker 2: all like, but if you have a kid, what if
• 30:49
  Speaker 2: one of your kid violates one of your rules? And
• 30:52
  Speaker 2: he goes, no, no, no kid of mine would violate
• 30:54
  Speaker 2: a rule.
• 30:55
  Speaker 1: And Debbie, again, I, Debbie.
• 30:57
  Speaker 2: Turns around like, I will turn the car around and
• 31:00
  Speaker 2: slap you in the back seat. Debbie turns around and goes,
• 31:03
  Speaker 2: let me tell you something. If you have a 15
• 31:05
  Speaker 2: or 16 year old daughter that wants perfume, you don't
• 31:09
  Speaker 2: understand what's going to happen. Like kids are not going
• 31:12
  Speaker 2: to abide by your every rule.
• 31:14
  Speaker 1: He goes, they will.
• 31:16
  Speaker 2: And Debbie goes, a 17 year old girl is not
• 31:19
  Speaker 2: going to listen to you. And he goes, uh, maybe
• 31:23
  Speaker 2: a 17 year old girl would not listen to you.
• 31:26
  Speaker 2: Maybe you were a parent of a certain style, but
• 31:29
  Speaker 2: I could be a parent of another style that could
• 31:31
  Speaker 2: dictate who listens to who.
• 31:34
  Speaker 1: Debbie, who has raised two children.
• 31:36
  Speaker 2: Scowls at him, like scowls at him.
• 31:39
  Speaker 3: I scowled for him.
• 31:42
  Speaker 1: Aisha goes, oh, Lord.
• 31:44
  Speaker 2: And Josh covers his mouth. They show all this in
• 31:47
  Speaker 2: one shot. Debbie is scowling at him. You see Aisha going, oh, Lord.
• 31:51
  Speaker 2: Josh covers his mouth like I can't believe she just
• 31:54
  Speaker 2: said that. Mito has completely disassociated. Mito is on a
• 32:00
  Speaker 2: movie set in Egypt. He is not with us. He
• 32:03
  Speaker 2: is staring straight forward and just thinking, when.
• 32:07
  Speaker 1: Is this going to be over? And Mallory goes, it
• 32:11
  Speaker 1: ain't going to work like that with a teenager. I'm
• 32:13
  Speaker 1: going to tell you. Mallory's like muttering under her breath.
• 32:16
  Speaker 1: So Debbie says, your rules.
• 32:18
  Speaker 2: Are so concrete and the perfume is just one example.
• 32:22
  Speaker 2: A child will not conform to your rules. Marissa says,
• 32:26
  Speaker 2: Do your boys conform to every rule with you?
• 32:29
  Speaker 1: And she goes, no, they do not.
• 32:32
  Speaker 2: And Thomas says, yeah, yeah, but perfume, that's like not
• 32:36
  Speaker 2: a necessity. And Marissa goes, to be fair, you could
• 32:40
  Speaker 2: teach your kid like, hey, dad has a strong reaction
• 32:43
  Speaker 2: and maybe they won't do it. Debbie goes, okay, what
• 32:46
  Speaker 2: about the TV? And Marissa goes, yeah, you're going to
• 32:49
  Speaker 2: have to bend on that. You have to bend on that.
• 32:51
  Speaker 2: And he goes, I grew up without a TV. And
• 32:54
  Speaker 2: Katie goes, that makes sense. Katie, you win Katie for
• 33:01
  Speaker 2: the win. And Paula goes, so Paula goes, so that's
• 33:04
  Speaker 2: why you want to punish me. Cause he didn't have one.
• 33:07
  Speaker 2: And he goes, Oh my goodness. It's not punishment.
• 33:11
  Speaker 3: No, that's why he thinks he's better.
• 33:13
  Speaker 1: That's right.
• 33:14
  Speaker 2: And then now hold on one second here. Cause I've
• 33:16
  Speaker 2: got a surprise for you here and I want to
• 33:18
  Speaker 2: make sure I get it just right.
• 33:21
  Speaker 3: Okay.
• 33:21
  Speaker 1: So then, um, Sean says, Paula, Where do we go
• 33:25
  Speaker 1: from here? And she says, I have doubts. I have doubts.
• 33:31
  Speaker 1: I got it for you.
• 33:33
  Speaker 2: We are 21 episodes in.
• 33:38
  Speaker 1: And I found it. It is the very last scene
• 33:41
  Speaker 1: of the movie doubt.
• 33:43
  Speaker 3: Yeah.
• 33:43
  Speaker 1: Meryl Streep is talking to Amy Adams and she says,
• 33:47
  Speaker 1: I have doubts. I have doubts. And so good.
• 33:53
  Speaker 3: So good.
• 33:54
  Speaker 1: What an awkward scene. By the way, it was like fully.
• 33:56
  Speaker 1: I just typed it. YouTube, Meryl Streep doubts. Boom. Came
• 33:59
  Speaker 1: right up.
• 33:59
  Speaker 3: Yeah.
• 34:00
  Speaker 1: Thank you. YouTube.
• 34:01
  Speaker 2: And she says, Paul says, I have doubts. I'm still
• 34:05
  Speaker 2: fighting inside of me, but I love Thomas and I
• 34:08
  Speaker 2: love the possibility we have here.
• 34:11
  Speaker 1: Meaning she can make her business grow. Yeah. In America.
• 34:15
  Speaker 3: It just happens to be with him.
• 34:17
  Speaker 2: So I have hope with him and I'm training him
• 34:20
  Speaker 2: and I see some progress.
• 34:22
  Speaker 3: Yes. We don't.
• 34:25
  Speaker 1: He doesn't object when she says I'm training him twice.
• 34:28
  Speaker 3: No, he seems fine with it. I think something is
• 34:31
  Speaker 3: so strange with him. It is.
• 34:35
  Speaker 1: Something is very odd. Very odd.
• 34:38
  Speaker 3: I don't know what kind of animatronic.
• 34:43
  Speaker 4: Robotic children he thinks he's going to have that are
• 34:46
  Speaker 4: going to be like, the Von Trapp children at.
• 34:49
  Speaker 1: The very beginning of the movie. And they just line
• 34:52
  Speaker 1: up with the whistle.
• 34:52
  Speaker 3: They just line up. Um, and, and they don't have any,
• 34:56
  Speaker 3: just a joyless existence.
• 34:58
  Speaker 1: Yeah.
• 34:59
  Speaker 4: Because they can't have anything that's not a necessity. So
• 35:03
  Speaker 4: they're given like air and water and.
• 35:06
  Speaker 3: Food and that's it. Yeah. Um, no toys. Those are
• 35:11
  Speaker 3: not a necessity.
• 35:11
  Speaker 1: Can't decorate the nursery. No clutter. No.
• 35:16
  Speaker 3: Um, Just terrifying.
• 35:19
  Speaker 1: She will have to be careful with those miniatures around
• 35:21
  Speaker 1: a baby.
• 35:22
  Speaker 3: For sure. That is true.
• 35:24
  Speaker 1: Good point.
• 35:25
  Speaker 3: Choking hazard.
• 35:26
  Speaker 1: Choking hazard. Um, Al dear. Thank you so much. Take care.
• 35:30
  Speaker 2: Thomas and Paula, you have proven the old saying opposites attract.
• 35:34
  Speaker 1: We wish you the best. Let's take a break. So
• 35:38
  Speaker 1: she talks to the girls.
• 35:39
  Speaker 2: I don't know where Annabelle is. Annabelle had to go
• 35:41
  Speaker 2: to the bathroom or something cause she wasn't in the scene. So, um, uh,
• 35:46
  Speaker 2: Paula thanks the girls for supporting her. And she says, yeah,
• 35:49
  Speaker 2: we are actively trying for a baby. But she goes, but,
• 35:53
  Speaker 2: you know, sometimes I don't feel like having sex in
• 35:55
  Speaker 2: that barren apartment with just nothing on the walls. And
• 36:00
  Speaker 2: she goes, and, you know, where would we have a
• 36:02
  Speaker 2: meal with a baby?
• 36:03
  Speaker 1: On yoga blocks? Seriously.
• 36:05
  Speaker 3: You're going to need so many things. Cribs and bouncy things.
• 36:11
  Speaker 1: And you have to pay for those things.
• 36:12
  Speaker 3: Yeah. And carriers and strollers, you have to pay for everything.
• 36:16
  Speaker 1: Everything costs money.
• 36:17
  Speaker 3: I mean, you find some used things on Facebook Marketplace.
• 36:21
  Speaker 3: Of course, of course. But he's still going to have to,
• 36:25
  Speaker 3: it's going to clutter up his apartment.
• 36:27
  Speaker 1: It's going to be a lot.
• 36:28
  Speaker 2: You say immediately when you have a baby, I'm never
• 36:30
  Speaker 2: going to have any of this clutter. I'm never going
• 36:32
  Speaker 2: to have any of those big plastic Fisher-Price.
• 36:34
  Speaker 1: Kitchens and things. You get it all. You do everything
• 36:37
  Speaker 1: you can to entertain your child.
• 36:39
  Speaker 3: Mm-hmm.
• 36:40
  Speaker 1: So Katie goes, also screens.
• 36:42
  Speaker 3: He's going to be like, my child will not be
• 36:44
  Speaker 3: raised on TV. Within a week, he's like, can I
• 36:48
  Speaker 3: give the kid an iPad? Because he won't stop crying.
• 36:50
  Speaker 1: I need an iPad with those rubber bumpers.
• 36:54
  Speaker 3: Didn't he say he doesn't do good with noise and
• 36:56
  Speaker 3: like chaos?
• 36:57
  Speaker 1: Chaos. Noise and chaos. Smells. You're talking about some smells.
• 37:02
  Speaker 1: Babies have smells. Yeah.
• 37:04
  Speaker 2: So Katie goes, let's play Fuck, Marry, Kill. But like,
• 37:09
  Speaker 2: We're not going to actually do it.
• 37:10
  Speaker 1: Because they go, what?
• 37:16
  Speaker 3: Who was that for the benefit of?
• 37:19
  Speaker 1: Herself.
• 37:22
  Speaker 3: Herself.
• 37:22
  Speaker 1: She's like, I'm not going to actually fuck Mito. Okay?
• 37:26
  Speaker 1: I'm not. Yeah.
• 37:27
  Speaker 3: And when her mom said, I worry you're going to
• 37:29
  Speaker 3: hurt someone. Like murder?
• 37:32
  Speaker 5: Yeah.
• 37:33
  Speaker 1: Remember that? The most extreme. Yeah. It's just like so literal, right?
• 37:38
  Speaker 3: Yes.
• 37:39
  Speaker 2: She goes, let's play fuck, marry, kill, but we're not
• 37:41
  Speaker 2: going to do it. And they play, and it's funny.
• 37:43
  Speaker 2: And my note here, again, is where is Annabelle? Oddly,
• 37:46
  Speaker 2: Paula says she would pick Shay to fuck, and she
• 37:50
  Speaker 2: would dump Josh.
• 37:52
  Speaker 3: So crazy.
• 37:53
  Speaker 1: Paula doesn't have great taste. Let's just say it. Let's
• 37:57
  Speaker 1: just say it.
• 37:57
  Speaker 3: She did clarify she would not scrub down his balls first.
• 38:02
  Speaker 1: She would just do it dirty. Dirty style. Yeah.
• 38:04
  Speaker 3: Yeah. At the lake. At the lake, babe.
• 38:08
  Speaker 1: Okay, babe. It's okay, babe.
• 38:09
  Speaker 3: Go ahead, babe.
• 38:10
  Speaker 1: So they go back to the set.
• 38:12
  Speaker 2: And we're going to go in with Debbie and Mita,
• 38:14
  Speaker 2: which we knew they would end with them because he's
• 38:16
  Speaker 2: going to get the most shit.
• 38:17
  Speaker 1: So he looks miserable.
• 38:20
  Speaker 2: And she is looking at him like, oh, my hero.
• 38:24
  Speaker 2: She's looking at him so lovingly. And he is just, again,
• 38:27
  Speaker 2: just staring straight forward.
• 38:29
  Speaker 1: Yeah.
• 38:30
  Speaker 3: Yeah.
• 38:32
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• 38:34
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• 40:25
  Speaker 1: And tell them that we sent you. So Sean goes, okay,
• 40:30
  Speaker 1: you ready, Mito? And he goes, you talk to me?
• 40:35
  Speaker 1: And she goes, okay, and the Oscar goes, too. So, Mito,
• 40:38
  Speaker 1: she hates him.
• 40:42
  Speaker 2: Right away, she's like, I've seen your scenes, and I
• 40:45
  Speaker 2: don't think you're funny, and nor do I think.
• 40:47
  Speaker 1: You're a good actor. So she goes, Mio, how you
• 40:49
  Speaker 1: been settling in to New Orleans?
• 40:51
  Speaker 2: And he goes, well, it's very hard because, you know,
• 40:54
  Speaker 2: I'm just sometimes home alone with just the dog, and
• 40:57
  Speaker 2: there's nothing to talk.
• 40:58
  Speaker 1: This is his choice.
• 40:59
  Speaker 2: I don't think he's got his green card, though, so
• 41:01
  Speaker 2: he can't work, actually. But he's not going to when
• 41:04
  Speaker 2: he gets– he says he's not going to anyway. So
• 41:07
  Speaker 2: he goes, it's hard sometimes just to be home.
• 41:09
  Speaker 1: I'm looking.
• 41:09
  Speaker 2: I'm talking to the dog. Mallory goes, nothing wrong with that.
• 41:14
  Speaker 2: Mallory's got all those dogs.
• 41:16
  Speaker 3: What kind of crazy person doesn't talk to their dog?
• 41:19
  Speaker 1: What, are you going to just look at the dog?
• 41:21
  Speaker 1: Of course you're going to talk to the dog.
• 41:23
  Speaker 2: So, Mito, let's talk about your unique proposal. Let's roll
• 41:27
  Speaker 2: that tape and have everybody watch it together.
• 41:29
  Speaker 1: Let's do that.
• 41:30
  Speaker 2: So they roll the scene of inside the chapel where
• 41:34
  Speaker 2: he says it's time for him to leave. Her hysterically
• 41:37
  Speaker 2: going outside, telling the camera not to fall, falling on
• 41:40
  Speaker 2: the ground. him trying to console her, the whole fake thing.
• 41:44
  Speaker 2: And then we see him in the corner watching this
• 41:47
  Speaker 2: smiling like a fucking psycho.
• 41:49
  Speaker 1: Psycho. He is like, hilarious.
• 41:54
  Speaker 2: He's looking, but we see everybody else's reactions were like,
• 41:58
  Speaker 2: oh my God. So when they're watching it, she has nothing,
• 42:02
  Speaker 2: no Debbie, no expression on her face. But then when
• 42:05
  Speaker 2: she sees the actual proposal, she does smile. But they
• 42:09
  Speaker 2: see the whole thing at the end where she gets
• 42:11
  Speaker 2: right in his face and goes, say it.
• 42:13
  Speaker 1: And he says, will you marry me? And she's like, okay.
• 42:17
  Speaker 2: But everybody, every single person is like, oh my God,
• 42:23
  Speaker 2: this is the worst thing we've ever seen.
• 42:26
  Speaker 1: So when it's over, she.
• 42:27
  Speaker 2: Goes, oh God, you look terrible to him. So Sean goes,
• 42:32
  Speaker 2: so what do you all think? I wish she would
• 42:34
  Speaker 2: have said, take everybody, raise your hand. Who thought that
• 42:36
  Speaker 2: was the worst thing you've ever seen?
• 42:37
  Speaker 1: Everyone raise your hand.
• 42:38
  Speaker 3: She didn't even have to. She knows it's 100%.
• 42:41
  Speaker 1: So they're all like, oh, my God. Oh, my God.
• 42:43
  Speaker 2: And so Edward is just shaking his head. And Mito goes,
• 42:47
  Speaker 2: but what do you think? She will never forget this moment.
• 42:51
  Speaker 1: And Shay goes, I mean, she's visibly shaken. And, like,
• 42:55
  Speaker 1: she's not going to forget it because PTSD. And A,
• 42:58
  Speaker 1: she goes. Seriously. Seriously. And A, she goes, she's traumatized.
• 43:03
  Speaker 1: And Shay goes, now, I'm going to tell you something. Now,
• 43:05
  Speaker 1: here's where Shay. Now, you know Shay's a little racist.
• 43:07
  Speaker 2: I mean, you know, he tried to put it on
• 43:10
  Speaker 2: Josh last week where he was like, I know you're brown.
• 43:13
  Speaker 2: So where you come from, they probably don't believe in
• 43:15
  Speaker 2: going down on women. And Josh is like, I am from.
• 43:19
  Speaker 2: And Josh is like, I am from England. And it
• 43:23
  Speaker 2: is the thing.
• 43:23
  Speaker 3: Maybe it was like, I know you're from England and
• 43:25
  Speaker 3: they're very proper.
• 43:27
  Speaker 2: That's absolutely not what he meant. He said, where you
• 43:31
  Speaker 2: come from, maybe.
• 43:32
  Speaker 1: It's not a thing.
• 43:33
  Speaker 3: Fair enough.
• 43:34
  Speaker 1: And he goes, oh, it's a thing in England.
• 43:38
  Speaker 2: So Shay goes, now I came in with very low expectations.
• 43:42
  Speaker 2: And for me talking to you and everything, like I
• 43:44
  Speaker 2: wasn't expecting much. And even though you may make jokes
• 43:49
  Speaker 2: different than we do over here, that's still pushing it.
• 43:53
  Speaker 2: So he's like, because you're from a Muslim country.
• 43:56
  Speaker 3: I don't know how they do it over there.
• 43:57
  Speaker 1: I don't know how you do it over there. Okay, Shay.
• 44:02
  Speaker 2: And he goes, but you may make jokes different over there,
• 44:05
  Speaker 2: but that's still pushing it. And Annabelle says, gosh, this
• 44:10
  Speaker 2: is not a joke at all. Like, you hurt her feelings.
• 44:14
  Speaker 2: And Marissa goes, why would you choose to prank her
• 44:16
  Speaker 2: in that moment? And Katie goes, she was sobbing. And
• 44:22
  Speaker 2: Mito goes, I want. I want to surprise her.
• 44:24
  Speaker 1: Surprise her.
• 44:26
  Speaker 2: And Josh goes, I think you're being very generous with
• 44:28
  Speaker 2: the word surprise. Like, there are good surprises and bad surprises.
• 44:35
  Speaker 2: Like you can have a really cute dog that keeps
• 44:37
  Speaker 2: surprising you by shitting on the carpet, but then you
• 44:40
  Speaker 2: get rid of the dog.
• 44:42
  Speaker 3: Well, you don't get rid of the dog.
• 44:44
  Speaker 1: You don't get rid of the dog.
• 44:46
  Speaker 3: But his point is those are negative surprises.
• 44:49
  Speaker 1: Yes. I don't think you get rid of it.
• 44:50
  Speaker 2: But Mallory goes, that's a good analogy. And I'm like, no,
• 44:53
  Speaker 2: it's not. You don't get rid of your dog.
• 44:54
  Speaker 3: He's close to a good analogy.
• 44:56
  Speaker 1: You train the dog. Yeah. So Everett goes, oh, God. Okay. Okay. Okay.
• 45:05
  Speaker 2: I don't want to be Dominican right now. I don't
• 45:06
  Speaker 2: want to go Dominican right now. And Marissa goes, be
• 45:10
  Speaker 2: Dominican right now.
• 45:12
  Speaker 1: Yes.
• 45:12
  Speaker 3: Be my strong Dominican man.
• 45:14
  Speaker 2: And he goes, okay, I'm going to be honest right here.
• 45:16
  Speaker 2: I think you're an asshole. And they do like dramatic music.
• 45:21
  Speaker 2: And then we go to a commercial. And then it's
• 45:24
  Speaker 2: Kimberly's time to take over.
• 45:27
  Speaker 3: So Mido says, you don't know my life, but my
• 45:31
  Speaker 3: whole life I've been prankster. I love giving pranks. hilarious.
• 45:37
  Speaker 4: And Sean asked him, do you regret the proposal? And
• 45:40
  Speaker 4: he says, no, I would do it again and again
• 45:43
  Speaker 4: and again. Every time I would do it exactly the same.
• 45:47
  Speaker 4: And everyone is like, you saw her crying and you
• 45:51
  Speaker 4: would do that again.
• 45:52
  Speaker 3: And Debbie says, he just has no concept of what's
• 45:56
  Speaker 3: funny and what's not funny. And I married this man.
• 46:02
  Speaker 1: I think they could have said good surprise was when
• 46:05
  Speaker 1: you surprised her with the jazz band at the wedding.
• 46:08
  Speaker 3: Yes.
• 46:09
  Speaker 1: That was something that's important to her because she's from
• 46:11
  Speaker 1: New Orleans. That was a good surprise.
• 46:13
  Speaker 4: Yeah.
• 46:14
  Speaker 1: Bad surprise, making her cry.
• 46:18
  Speaker 4: Making her cry and sit on the ground in New
• 46:21
  Speaker 4: Orleans in white pants.
• 46:22
  Speaker 1: Yes.
• 46:23
  Speaker 3: Yes. Okay. Which I'm still not over.
• 46:25
  Speaker 1: No. It's gross.
• 46:27
  Speaker 4: So Sean says, Okay, so let's talk about your career.
• 46:30
  Speaker 4: When you're in Egypt, are you like signing autographs?
• 46:33
  Speaker 3: Do people recognize you? Because I'm thinking no. And he goes, yes, absolutely.
• 46:40
  Speaker 3: And Debbie says, yes, it happens. We'll be walking down
• 46:42
  Speaker 3: the street and people will scream, he's famous.
• 46:44
  Speaker 4: Did you have a camera crew with you?
• 46:48
  Speaker 1: Or was it?
• 46:50
  Speaker 2: I'd like to, I'd like to, was somebody videoing that?
• 46:53
  Speaker 2: Because you take, you video everything.
• 46:55
  Speaker 1: So was someone videoing that?
• 46:55
  Speaker 2: Was it a friend of his? He's a famous tour guide.
• 47:01
  Speaker 2: He gave me a tour last week of the pyramids.
• 47:03
  Speaker 1: Yeah.
• 47:04
  Speaker 3: He's a famous tour guide. So when I met him,
• 47:08
  Speaker 3: I thought, that's random. And everyone laughed.
• 47:13
  Speaker 1: I didn't get that.
• 47:14
  Speaker 3: I didn't get what was happening. It sounded very dismissive
• 47:17
  Speaker 3: and I was fine with that though. She was like,
• 47:19
  Speaker 3: that's random. So Sean says, will you act for us?
• 47:24
  Speaker 3: And he says, let me get in character. To be,
• 47:31
  Speaker 3: not to be. This is the problem. And Thomas goes,
• 47:38
  Speaker 3: like looking around, like, does anyone else know?
• 47:41
  Speaker 1: Does anybody know that that's not the line? Not the line? Yeah.
• 47:45
  Speaker 3: Anybody?
• 47:46
  Speaker 1: Yeah.
• 47:47
  Speaker 3: Josh, you're from England. Shakespeare, right?
• 47:51
  Speaker 1: Josh.
• 47:51
  Speaker 3: Yeah.
• 47:52
  Speaker 4: And so Mito then starts crying or pretending to cry.
• 47:57
  Speaker 1: Pretty good.
• 47:59
  Speaker 3: He's like, to be or not to be. This is problem.
• 48:07
  Speaker 3: And everyone is so impressed and claps for some reason.
• 48:12
  Speaker 1: Yeah. And I will tell you that all over their
• 48:15
  Speaker 1: social media, that anything with Mito, Paula is like, you're
• 48:19
  Speaker 1: so great, Mito. You're so funny. And I'm like, Paula,
• 48:21
  Speaker 1: this is concerning.
• 48:24
  Speaker 3: Are you in a cult?
• 48:25
  Speaker 1: Yeah. Why is she so pro Mito? No.
• 48:28
  Speaker 3: Yeah.
• 48:29
  Speaker 4: So Sean says, can you do an impression of Debbie?
• 48:33
  Speaker 4: And Thomas says, I think he just did. Because she's
• 48:37
  Speaker 4: always crying because he always makes her cry.
• 48:39
  Speaker 1: Uh-huh.
• 48:40
  Speaker 3: And everyone's like, that's a good job, Thomas.
• 48:43
  Speaker 1: Yeah.
• 48:43
  Speaker 3: That was funny.
• 48:45
  Speaker 4: So Mito says, I have had a conversation with a
• 48:49
  Speaker 4: director who wants to hire me and give me money,
• 48:52
  Speaker 4: but I need my green card and work permit. And
• 48:55
  Speaker 4: then I could have had this job, but I don't
• 48:58
  Speaker 4: have them.
• 48:59
  Speaker 3: So I can't.
• 49:00
  Speaker 1: So he and Rosh are the only two. I mean,
• 49:01
  Speaker 1: besides Maxwell, obviously. Yeah. Yeah.
• 49:05
  Speaker 3: So did Annabelle get hers?
• 49:09
  Speaker 1: I mean, she's not trying to get a job, but hmm.
• 49:13
  Speaker 3: I feel like she's at home a lot and doesn't
• 49:15
  Speaker 3: drive yet.
• 49:16
  Speaker 1: I don't think she's trying to go anywhere.
• 49:19
  Speaker 4: She doesn't want to yeah um so Debbie says are
• 49:24
  Speaker 4: you planning to move to LA no Debbie says New
• 49:28
  Speaker 4: Orleans is called Hollywood South by people who live here.
• 49:33
  Speaker 1: I would think that was Atlanta but okay Yeah.
• 49:36
  Speaker 3: No, definitely. I've never heard that.
• 49:38
  Speaker 1: Yeah, me neither.
• 49:39
  Speaker 3: I mean, they do film a lot there, but they
• 49:41
  Speaker 3: film way more in Atlanta.
• 49:42
  Speaker 1: Way more, yeah.
• 49:43
  Speaker 4: And other places. So we are not moving to California,
• 49:49
  Speaker 4: but it's his dream. And Sean asked the couples, show
• 49:54
  Speaker 4: of hands, boots on the ground reporting, hashtag journalism, is
• 49:59
  Speaker 4: Debbie Meadow's number one priority?
• 50:03
  Speaker 3: Not a one.
• 50:04
  Speaker 4: Yeah.
• 50:05
  Speaker 1: Oh, gosh, not even Paula, the biggest fan of Mito.
• 50:09
  Speaker 4: I didn't see anyone raising their hands. And Mallory says, no,
• 50:13
  Speaker 4: I'm just going to be blunt. He's not with her
• 50:15
  Speaker 4: for the right reasons. And he says, we dated for
• 50:20
  Speaker 4: seven years before I came to the States and I
• 50:23
  Speaker 4: had money and a career there.
• 50:25
  Speaker 3: And so the reason I came here is it's for her.
• 50:29
  Speaker 4: And Debbie says, yeah, I don't think he's not here for,
• 50:32
  Speaker 4: I don't think he's here for a green card. I
• 50:34
  Speaker 4: would have been more suspicious if I lived in LA
• 50:37
  Speaker 4: or New York. Well, he thought LA was like an
• 50:41
  Speaker 4: hour drive from New Orleans.
• 50:44
  Speaker 2: So yeah, we've never been clear on that. where exactly
• 50:49
  Speaker 2: he thought New Orleans was. Now, I do think he's
• 50:51
  Speaker 2: smart enough to have gotten a map and see that
• 50:53
  Speaker 2: it's not close, but I mean, you could look at
• 50:55
  Speaker 2: a map and be like, okay, I see Louisiana's here
• 50:58
  Speaker 2: and California's over here to the left. It looks like
• 51:01
  Speaker 2: it could be close, but if you just Googled it,
• 51:03
  Speaker 2: you would see it's pretty far.
• 51:04
  Speaker 3: Yeah.
• 51:06
  Speaker 4: And she says he sacrificed his whole family over there
• 51:09
  Speaker 4: and his connections, big movie connections, to come here. And
• 51:14
  Speaker 4: I don't think you'd give up all that for a
• 51:16
  Speaker 4: job in Hollywood.
• 51:18
  Speaker 3: He would.
• 51:19
  Speaker 1: He would. That's all he wants.
• 51:20
  Speaker 3: All he wants in his life.
• 51:22
  Speaker 1: All he wants.
• 51:23
  Speaker 3: That's his entire life goal.
• 51:25
  Speaker 1: Yeah.
• 51:26
  Speaker 3: Okay.
• 51:26
  Speaker 4: Let's talk about sex, baby. I'd prefer not to, but
• 51:30
  Speaker 4: that's what we're doing. So we see them talking about
• 51:33
  Speaker 4: sex and their post-coital first time sex. And they ask
• 51:39
  Speaker 4: him how he would rate it. And he says, so,
• 51:41
  Speaker 4: so Debbie is watching this clip.
• 51:44
  Speaker 3: She did not like that. She's like, you see her.
• 51:47
  Speaker 3: She's smiling. She's smiling. Smiling, smiling, smiling.
• 51:51
  Speaker 1: So-so.
• 51:54
  Speaker 3: She turns to him.
• 51:56
  Speaker 1: What? Again.
• 51:59
  Speaker 3: Why? Why so-so?
• 52:01
  Speaker 1: You've never had it. It seems like it'd be great.
• 52:03
  Speaker 4: So Debbie is like so annoyed. And people are saying like,
• 52:07
  Speaker 4: doesn't it seem like he said that like he.
• 52:09
  Speaker 3: Was comparing it to something?
• 52:12
  Speaker 1: Yeah.
• 52:13
  Speaker 3: Like he doesn't seem like a virgin? No.
• 52:15
  Speaker 4: And Edward says, yeah, how does it seem like you're
• 52:17
  Speaker 4: comparing it to something that you've never done before?
• 52:21
  Speaker 3: And Debbie says porn. And everyone's like, Oh, I get it.
• 52:27
  Speaker 3: And Shay's like, Oh, he's comparing her to Debbie goes
• 52:30
  Speaker 3: to Dallas, which is not the name of the movie.
• 52:34
  Speaker 3: And even I knew that, um, Debbie does Dallas.
• 52:38
  Speaker 2: Debbie does Dallas. And we're going to talk about a
• 52:39
  Speaker 2: current reference, Shay. That's even before my time.
• 52:43
  Speaker 1: Like, yeah.
• 52:43
  Speaker 4: So Mito says he's watched adult movies by accident.
• 52:50
  Speaker 1: That's how it usually happens.
• 52:51
  Speaker 4: Which is how Mary Payne has seen any of the
• 52:56
  Speaker 4: Suburban Wives Only fans clips.
• 52:59
  Speaker 3: Yeah.
• 53:00
  Speaker 1: Yes. Oh, my God.
• 53:02
  Speaker 3: By accident. And Asha is making so much fun of him.
• 53:06
  Speaker 3: By accident.
• 53:07
  Speaker 1: Okay, baby. Okay. By accident.
• 53:09
  Speaker 3: I love that.
• 53:10
  Speaker 1: By accident.
• 53:11
  Speaker 3: So they ask, is his answer still so-so? Like, do
• 53:15
  Speaker 3: you want to take that back now? Maybe say that
• 53:18
  Speaker 3: you were just misspeaking?
• 53:19
  Speaker 4: And he says, no, I required from her certain positions
• 53:27
  Speaker 4: and she wouldn't do it.
• 53:29
  Speaker 1: Okay. What do you think? What do you think?
• 53:34
  Speaker 3: Doggy style? What has he seen a lot of in porn?
• 53:40
  Speaker 1: I don't.
• 53:42
  Speaker 3: Know.
• 53:42
  Speaker 4: I don't know what kind of porn he's seen by accident.
• 53:52
  Speaker 4: I would imagine just she wanted like sweet, the love
• 53:56
  Speaker 4: of my life missionary and he wanted to do something else.
• 54:01
  Speaker 4: But again, I can't believe he wouldn't have been just
• 54:04
  Speaker 4: one and done, like.
• 54:06
  Speaker 3: If it was his first time, four seconds. You had
• 54:09
  Speaker 3: time for different positions?
• 54:12
  Speaker 2: But now maybe he means now that they're six months
• 54:14
  Speaker 2: into it, now he wants.
• 54:15
  Speaker 1: Doggy style and she won't do it.
• 54:17
  Speaker 3: Yeah, but he made it sound like that's why I
• 54:18
  Speaker 3: rated it so-so. But he's still.
• 54:21
  Speaker 1: Rating it so-so.
• 54:22
  Speaker 4: I'm still rating it so-so because she went to other things, yeah.
• 54:26
  Speaker 2: God, see, if there was a pillow talk for this,
• 54:29
  Speaker 2: which there wasn't. That would have been a funny conversation
• 54:32
  Speaker 2: to be like, what does he mean?
• 54:33
  Speaker 3: Yeah.
• 54:35
  Speaker 4: Maybe it's the same thing that Kent gets once a year.
• 54:41
  Speaker 1: Right. Yes.
• 54:42
  Speaker 3: Right.
• 54:43
  Speaker 1: What is it?
• 54:43
  Speaker 2: What does Kent get once a year from Jan on
• 54:47
  Speaker 2: Agent Appropriate?
• 54:48
  Speaker 1: Thank God that shows over. Okay.
• 54:50
  Speaker 3: So Rosh says, you know, I'm Muslim too. But, you know,
• 54:55
  Speaker 3: you're 40 years old. And he's like, yeah, almost 41. Yeah.
• 55:00
  Speaker 4: And he says, and you were famous in Egypt. So
• 55:07
  Speaker 4: were it like ladies throwing themselves? Essentially, I don't believe
• 55:10
  Speaker 4: you're a virgin.
• 55:11
  Speaker 3: Right.
• 55:12
  Speaker 1: Nobody does.
• 55:13
  Speaker 4: And Josh says, I think, I think Rosh is talking
• 55:19
  Speaker 4: about himself.
• 55:20
  Speaker 3: You're the most sincere person I've ever met, Mito.
• 55:25
  Speaker 1: Josh says that to Mito?
• 55:26
  Speaker 3: Yes.
• 55:27
  Speaker 1: Yes. Bad take. You're right. Bad take.
• 55:33
  Speaker 5: Now I understand why Josh is with Katie because he's
• 55:36
  Speaker 5: an idiot.
• 55:37
  Speaker 1: Like. Yeah.
• 55:40
  Speaker 3: Mito is the most sincere. Unless he was being so
• 55:43
  Speaker 3: sarcastic and so dry.
• 55:45
  Speaker 4: That it actually went under the radar and I didn't
• 55:48
  Speaker 4: pick up on it.
• 55:50
  Speaker 1: I didn't even hear him say that. So I didn't
• 55:52
  Speaker 1: even notice it.
• 55:53
  Speaker 3: It was insane.
• 55:55
  Speaker 1: That is insane.
• 55:56
  Speaker 3: I agree. Yeah.
• 55:58
  Speaker 4: So then we see the horrible clip in the car
• 56:00
  Speaker 4: where they're dressed for Halloween and they show us the
• 56:03
  Speaker 4: whole fighting scene. And I kept thinking we're going to
• 56:05
  Speaker 4: cut it off and we wouldn't see how bad he
• 56:08
  Speaker 4: was yelling at her friends.
• 56:09
  Speaker 3: But we do.
• 56:10
  Speaker 4: We see the whole thing where he's yelling at her friends.
• 56:12
  Speaker 4: And Debbie says, that's embarrassing to watch. And Rosh says,
• 56:16
  Speaker 4: don't tell your wife that she's a bitch.
• 56:18
  Speaker 3: Why don't talk to her like that?
• 56:19
  Speaker 4: And Katie goes, that's how we fight.
• 56:22
  Speaker 3: Josh and I, we get dirty. That's nothing. Shocking.
• 56:26
  Speaker 1: She likes it. Yeah.
• 56:28
  Speaker 3: And Edward says, I would never speak to Marissa like that.
• 56:31
  Speaker 3: And she wouldn't allow him to.
• 56:35
  Speaker 1: Good luck. Yeah.
• 56:36
  Speaker 3: She'd be like, let's re-circumcise your penis right now. If
• 56:40
  Speaker 3: you talk to me like that.
• 56:41
  Speaker 4: So Mito says, well, her friend, Debbie's friend was rude
• 56:46
  Speaker 4: to me and Debbie should have defended me in front
• 56:48
  Speaker 4: of her friend. And she left me in the street
• 56:50
  Speaker 4: where I didn't know anyone, even though there was a
• 56:53
  Speaker 4: camera crew with me and producers that can get me
• 56:55
  Speaker 4: an Uber.
• 56:56
  Speaker 1: Yeah.
• 56:57
  Speaker 4: But she, her friend attacked me. Debbie started it in
• 57:02
  Speaker 4: the car by saying mean things to me. And Debbie says,
• 57:06
  Speaker 4: I am the nearest person to him and I have
• 57:09
  Speaker 4: to eat a lot of crap.
• 57:12
  Speaker 1: Sounds fun. Sounds like a fun time.
• 57:14
  Speaker 4: It's great to be married to someone like that. So
• 57:19
  Speaker 4: Mito has not apologized to Debbie's friends. He thinks Debbie's
• 57:23
  Speaker 4: friends should apologize to him.
• 57:24
  Speaker 1: Hmm.
• 57:26
  Speaker 3: And Edward says, when I watched this clip, I got very,
• 57:29
  Speaker 3: very mad. And Marissa's like, yeah, I had to hold
• 57:32
  Speaker 3: him back. He went full Dominican. He was very mad.
• 57:36
  Speaker 3: By the way, I'm only saying that because they do.
• 57:38
  Speaker 1: He said it.
• 57:39
  Speaker 3: Yeah. Yeah, he said it. So, you know, I was
• 57:43
  Speaker 3: so mad.
• 57:43
  Speaker 4: And Debbie, if you feel like this is not your
• 57:46
  Speaker 4: right man, don't get stuck in this relationship.
• 57:48
  Speaker 3: Because of your age or you think that this is
• 57:51
  Speaker 3: good for you. We could go to the DR and
• 57:54
  Speaker 3: find you another boyfriend, no problem. Blink twice for help.
• 57:58
  Speaker 3: I'm here for you. I know lots of guys who
• 58:02
  Speaker 3: would love you and treat you respectfully.
• 58:04
  Speaker 1: They're called the Sanky Pankys, never forget.
• 58:07
  Speaker 4: So he says that was so aggressive. And he says,
• 58:13
  Speaker 4: I wanted to be there in that scene so I
• 58:15
  Speaker 4: could punch you in the face, Mito.
• 58:18
  Speaker 1: I mean, Edward really hates Mito. Yeah.
• 58:21
  Speaker 3: Yeah.
• 58:22
  Speaker 1: He's not wrong. I mean. No. Yeah.
• 58:25
  Speaker 4: And Maxwell says he agrees with Mito and Astra, Debbie's friend,
• 58:34
  Speaker 4: should not have gotten involved in their fight. This is
• 58:37
  Speaker 4: a private thing between, you know, a couple and the
• 58:40
  Speaker 4: friend should not have gotten involved.
• 58:43
  Speaker 3: Okay. Thank you, Maxwell. Can we shut off your screen?
• 58:47
  Speaker 1: Maxwell, who's not spoken.
• 58:48
  Speaker 3: Bye-bye. Turn it off. We lost service.
• 58:54
  Speaker 1: Sorry. Asha's like, oh, let me try to bend. No. Yeah.
• 58:59
  Speaker 3: So Debbie says, we are all adults here.
• 59:02
  Speaker 4: We all messed up and we all should have just
• 59:05
  Speaker 4: taken a breath and, you know, taken a beat.
• 59:09
  Speaker 3: And a lot of that. wouldn't have happened. And those
• 59:11
  Speaker 3: words would not have been said.
• 59:13
  Speaker 2: They don't ask her about her saying you fuck that
• 59:15
  Speaker 2: whore in Egypt.
• 59:17
  Speaker 3: No.
• 59:18
  Speaker 1: And did you? Did you fuck a whore in Egypt? Because. Yeah. Yeah.
• 59:23
  Speaker 3: That's what started the whole thing.
• 59:24
  Speaker 1: And that's what he got mad about. Yeah.
• 59:27
  Speaker 4: His actions and he was being rude and being like
• 59:30
  Speaker 4: way too interested in the haunted house because he thought
• 59:34
  Speaker 4: he could.
• 59:34
  Speaker 3: Work there or something and was not paying attention to.
• 59:37
  Speaker 4: Her and her friends yes so mito says if he
• 59:41
  Speaker 4: doesn't get his green card in the next year he'll
• 59:43
  Speaker 4: go back to egypt and he doesn't think debbie will
• 59:46
  Speaker 4: come she's welcome to come but she won't come and
• 59:49
  Speaker 4: she says i would come and so they're arguing about
• 59:52
  Speaker 4: whether she'll come or not he's like fine we'll go
• 59:54
  Speaker 4: tomorrow And everyone's like.
• 59:56
  Speaker 3: That's not what she's saying. She'll say, she's not saying, okay, fine.
• 1:00:01
  Speaker 3: And then after the segment, we decided to take a break.
• 1:00:04
  Speaker 3: That was it. He got off super easy, I think.
• 1:00:07
  Speaker 1: He sure did.
• 1:00:08
  Speaker 3: And he got off as easy as Marissa did.
• 1:00:11
  Speaker 4: And Debbie starts crying after the scene because she's just emotional.
• 1:00:16
  Speaker 4: Mito is smiling, not doing anything. And Marissa and Edward
• 1:00:21
  Speaker 4: are comforting her. Can they adopt Debbie?
• 1:00:24
  Speaker 3: Really? They want a child. Bring in Debbie. She'd like
• 1:00:30
  Speaker 3: Pennsylvania maybe.
• 1:00:31
  Speaker 4: So finally Mito comes up, but he's not comforting her
• 1:00:35
  Speaker 4: because she's crying. He is mad because she didn't defend
• 1:00:38
  Speaker 4: him enough.
• 1:00:39
  Speaker 1: Yeah.
• 1:00:40
  Speaker 3: And people think he's a bad guy and he did
• 1:00:43
  Speaker 3: not realize that he was going to get that edit.
• 1:00:45
  Speaker 1: Apparently. Why not? I mean, Thomas knew it was coming.
• 1:00:48
  Speaker 1: It was like, bring it on, you know?
• 1:00:50
  Speaker 4: So she's like, now I just feel like we're going
• 1:00:53
  Speaker 4: to have to work through that whole Halloween fight again.
• 1:00:56
  Speaker 4: And we had already moved past it, but now it's
• 1:00:58
  Speaker 4: brought up all this stuff and now we're going to
• 1:00:59
  Speaker 4: have to rehash it.
• 1:01:01
  Speaker 1: Yeah.
• 1:01:01
  Speaker 3: So next up is Maxwell and Asia. And Paula says,
• 1:01:05
  Speaker 3: I'm praying for you, Maxwell. And he's like, thank you, Paula.
• 1:01:10
  Speaker 3: So it's been a few months since they've seen each other.
• 1:01:13
  Speaker 3: They chat every day, but he likes to be on
• 1:01:15
  Speaker 3: video chat and she's busy. She's running a restaurant and
• 1:01:19
  Speaker 3: is a pharmacist.
• 1:01:20
  Speaker 1: Yeah.
• 1:01:21
  Speaker 3: We knew about that. Do we know about the restaurant?
• 1:01:23
  Speaker 1: Yes. She runs this restaurant with her mom and like
• 1:01:26
  Speaker 1: two sisters.
• 1:01:27
  Speaker 3: Yeah. And is a pharmacy tech.
• 1:01:29
  Speaker 1: Okay.
• 1:01:29
  Speaker 3: So Asha tells us that the- No, she's a pharmacist. Oh,
• 1:01:34
  Speaker 3: I thought she was a pharmacist. Who was the pharmacy tech? Forest.
• 1:01:38
  Speaker 1: Forest. Yo, Aisha has a doctorate in pharmacy.
• 1:01:41
  Speaker 3: Yeah, you're right. So Aisha, no, somebody else was a
• 1:01:46
  Speaker 3: pharmacy tech. Somebody on a dateline. That's it.
• 1:01:50
  Speaker 2: Well, also, I think that Justine and Mike of Love
• 1:01:56
  Speaker 2: After Lockup, who are going to be on Love After
• 1:01:57
  Speaker 2: Lockup Relationship Rehab, I think she was.
• 1:01:59
  Speaker 1: A pharmacy tech.
• 1:02:01
  Speaker 3: Justine?
• 1:02:02
  Speaker 1: Yeah.
• 1:02:03
  Speaker 3: Wow. Didn't know that.
• 1:02:04
  Speaker 1: I could have made that up, but I'm pretty sure
• 1:02:06
  Speaker 1: that's true.
• 1:02:07
  Speaker 3: I'm thinking of our most recent dateline.
• 1:02:10
  Speaker 4: Someone was a pharmacy tech and maybe used it to
• 1:02:13
  Speaker 4: get drugs for poisoning. So Aisha says, what's going on
• 1:02:19
  Speaker 4: right now in Nigeria is that spousal visas are basically banned.
• 1:02:23
  Speaker 4: Like it's impossible to get one. K-1 visas are still
• 1:02:27
  Speaker 4: going through. So basically we should not have.
• 1:02:31
  Speaker 3: Gotten married, I guess. I mean, they had already tried
• 1:02:34
  Speaker 3: the K-1 though and.
• 1:02:36
  Speaker 2: They were, I don't know. I mean, she's got plenty
• 1:02:39
  Speaker 2: of money, I think, to pay a lawyer to get
• 1:02:42
  Speaker 2: the– you know what I mean? So I think if
• 1:02:45
  Speaker 2: you have money, you could probably really, really work the
• 1:02:48
  Speaker 2: system and really appeal and all that. But if you're
• 1:02:50
  Speaker 2: just like a regular person trying to do it, it
• 1:02:52
  Speaker 2: would probably be a lot– it would probably be very,
• 1:02:54
  Speaker 2: very hard.
• 1:02:55
  Speaker 3: Yeah.
• 1:02:56
  Speaker 5: And in this administration, there are so many countries that
• 1:02:59
  Speaker 5: are just.
• 1:02:59
  Speaker 1: Like, nope.
• 1:03:01
  Speaker 3: Yeah.
• 1:03:01
  Speaker 4: So– they are, it's going to take a long time.
• 1:03:05
  Speaker 4: And Sean says, well, Asia, we know that you've been
• 1:03:09
  Speaker 4: trying to give Maxwell makeover and Maxwell, would you care
• 1:03:13
  Speaker 4: to say what you would change about Asia? Since you
• 1:03:16
  Speaker 4: are on the screen and not in the same room
• 1:03:18
  Speaker 4: with her, it might be. And everyone is like, Oh God,
• 1:03:23
  Speaker 4: be careful. And he says, I would like her to
• 1:03:26
  Speaker 4: be more toned and go to the gym more. And
• 1:03:30
  Speaker 4: she's like, yeah, he wants me at the gym all
• 1:03:32
  Speaker 4: the time. And he says, I banned her from eating
• 1:03:35
  Speaker 4: after 9 p.m.
• 1:03:36
  Speaker 1: How will you know?
• 1:03:39
  Speaker 3: Yeah, great point.
• 1:03:40
  Speaker 4: Do you want to have her on video the whole time?
• 1:03:43
  Speaker 4: You're like crunching in the background.
• 1:03:48
  Speaker 3: And he's like, sometimes ladies, they like to eat and
• 1:03:50
  Speaker 3: they let themselves go too much. And Mallory's like, okay, stop.
• 1:03:54
  Speaker 3: You had me, you lost me.
• 1:03:56
  Speaker 1: Yeah, me too.
• 1:03:57
  Speaker 4: And Asha says, I'm a foodie. And Mallory says, yeah,
• 1:04:00
  Speaker 4: we're from the South. So we like to eat. Um,
• 1:04:04
  Speaker 4: I cannot believe she, Asha is fine with this. Fine
• 1:04:07
  Speaker 4: with him saying, yeah, you're banned from eating after 9 PM.
• 1:04:10
  Speaker 1: She's like, I want her to be more toned. Okay.
• 1:04:12
  Speaker 1: We all want that. Whatever. Yeah.
• 1:04:14
  Speaker 3: Good luck.
• 1:04:15
  Speaker 1: Yeah.
• 1:04:15
  Speaker 4: So, um, then Rod comes to the stage and Maxwell says,
• 1:04:20
  Speaker 4: how are you doing Rod? And Rod says nothing to him,
• 1:04:23
  Speaker 4: just sits down.
• 1:04:24
  Speaker 3: And he says, he's even more skeptical of the marriage.
• 1:04:27
  Speaker 4: Now he says they don't know each other. And Maxwell's
• 1:04:32
  Speaker 4: the one who has everything to gain from this. And
• 1:04:34
  Speaker 4: Josh says he has a lot to lose though, too.
• 1:04:37
  Speaker 3: Doesn't he? Good point, Josh. And Rod says, I just
• 1:04:42
  Speaker 3: don't think you know each other. I don't think she
• 1:04:44
  Speaker 3: knows you. And I just don't buy it.
• 1:04:47
  Speaker 5: I don't buy this relationship and I don't know him.
• 1:04:50
  Speaker 3: And they're like, then get to know him.
• 1:04:53
  Speaker 1: Right.
• 1:04:53
  Speaker 3: Talk to him.
• 1:04:55
  Speaker 4: And Katie says, why don't you trust Asia? Like, She's
• 1:04:58
  Speaker 4: your God sister that you seem to be in love with.
• 1:05:01
  Speaker 4: Why don't you trust her decision making? And he says, well,
• 1:05:04
  Speaker 4: I think she's not thinking clearly. He love bombed her.
• 1:05:07
  Speaker 1: And.
• 1:05:08
  Speaker 2: It doesn't sound like it. He tells her she can't
• 1:05:11
  Speaker 2: eat after 9 PM. She should tone up and go
• 1:05:13
  Speaker 2: to the gym. Well, it doesn't sound like love bombing.
• 1:05:15
  Speaker 3: First you love bomb and then you neg.
• 1:05:18
  Speaker 1: Okay. That's true. That's true.
• 1:05:20
  Speaker 3: Yeah.
• 1:05:21
  Speaker 4: So Asha says, Rod doesn't like losing control. And he
• 1:05:25
  Speaker 4: feels like he can't control Maxwell. Why was he trying
• 1:05:27
  Speaker 4: to control you either?
• 1:05:29
  Speaker 3: I think you guys had.
• 1:05:29
  Speaker 4: A weird dynamic for a God brother, God sister relationship.
• 1:05:34
  Speaker 2: It's like he's 30 years older than her, like an
• 1:05:37
  Speaker 2: uncle almost.
• 1:05:39
  Speaker 3: Or in love with her.
• 1:05:41
  Speaker 1: Or in love with her. Yeah.
• 1:05:45
  Speaker 2: You know how sometimes you see those social media posts like,
• 1:05:48
  Speaker 2: what's in your bag? Okay, no one's ever asked me,
• 1:05:50
  Speaker 2: but I'll tell you what's in my bag. I've always
• 1:05:52
  Speaker 2: got my breath mints. my reading glasses, my wallet, my keys,
• 1:05:56
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• 1:06:00
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• 1:06:04
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• 1:06:06
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• 1:06:07
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• 1:06:10
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• 1:06:25
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• 1:06:28
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• 1:06:31
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• 1:06:33
  Speaker 2: Not with this one. This one is stains your lips,
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• 1:06:41
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  Speaker 1: That's Thrive Cosmetics, C-A-U-S-E-M-E-T-I-C-S.com slash pink shade. And then tell
• 1:07:29
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• 1:07:32
  Speaker 3: So Rod says he, because he's Nigerian, I think he
• 1:07:37
  Speaker 3: could scam her and steal her money essentially. And that's
• 1:07:40
  Speaker 3: what I believe.
• 1:07:41
  Speaker 1: So he could also do that if he's Egyptian.
• 1:07:43
  Speaker 2: I mean, you know, like He could be from the Dominican, American.
• 1:07:47
  Speaker 2: It's not just because he's Nigerian, you know?
• 1:07:51
  Speaker 4: So they're all questioning, like, why do you think Maxwell
• 1:07:53
  Speaker 4: is such a bad guy? And he has just no
• 1:07:55
  Speaker 4: good reason why.
• 1:07:56
  Speaker 3: I just don't trust him. I just don't trust him.
• 1:07:59
  Speaker 3: That's it. That's all I got. And Asha says, Rod
• 1:08:03
  Speaker 3: wanted me to get a prenup. And I said, well,
• 1:08:05
  Speaker 3: I can get a postnup.
• 1:08:07
  Speaker 4: I have no problem with that. And Maxwell says, I
• 1:08:09
  Speaker 4: don't need her money. I have a good life in Nigeria.
• 1:08:12
  Speaker 4: I'll sign whatever she wants me to sign because I
• 1:08:15
  Speaker 4: don't want her money. I don't want my woman taking
• 1:08:17
  Speaker 4: care of me.
• 1:08:18
  Speaker 3: I'm a man.
• 1:08:19
  Speaker 4: I want to make my own money. And I really
• 1:08:22
  Speaker 4: don't care what Rod thinks about me. And Rod says,
• 1:08:24
  Speaker 4: the feeling is mutual. And so then we see a
• 1:08:28
  Speaker 4: lot of clips and, um, of Rod saying how he
• 1:08:33
  Speaker 4: feels and Maxwell is laughing. And Rod says, I just
• 1:08:37
  Speaker 4: want to whoop his ass through the screen.
• 1:08:39
  Speaker 1: So much aggression on this episode. So many people want
• 1:08:42
  Speaker 1: to punch people.
• 1:08:43
  Speaker 3: Adults. Why does he just, Maxwell says, bring it on.
• 1:08:47
  Speaker 3: And Rod's like, of course you would say that 5,000
• 1:08:50
  Speaker 3: miles away. I think he would take you in person too, Rod.
• 1:08:53
  Speaker 3: I mean, he is like, much younger than you and
• 1:08:57
  Speaker 3: in much better shape.
• 1:08:58
  Speaker 1: Much better shape.
• 1:09:00
  Speaker 3: Yeah. I think he'd be fine.
• 1:09:01
  Speaker 1: Yeah.
• 1:09:02
  Speaker 4: So Rod says, I'm just trying to protect her. And
• 1:09:05
  Speaker 4: I'm worried that one day she's going to wake up
• 1:09:06
  Speaker 4: with nothing. And Edward says, your heart is right to
• 1:09:11
  Speaker 4: try to protect her. But when you bring protect too much,
• 1:09:14
  Speaker 4: you cause damage and you're going too hard. And so
• 1:09:18
  Speaker 4: Sean brings up, starting a family. Are you guys thinking
• 1:09:21
  Speaker 4: about starting a family? And Rod says, you are now?
• 1:09:25
  Speaker 4: And she says, yeah, we are. And he says.
• 1:09:28
  Speaker 3: How can you do this now? You're going to be
• 1:09:30
  Speaker 3: a single parent.
• 1:09:31
  Speaker 4: And Asha goes, uh-uh, baby.
• 1:09:37
  Speaker 1: I mean, she will be a single parent. She will
• 1:09:40
  Speaker 1: be a single parent.
• 1:09:41
  Speaker 3: But she's very mad to hear this. And Debbie stands
• 1:09:45
  Speaker 3: up for her and is like, honestly, it is no
• 1:09:48
  Speaker 3: one's business but hers.
• 1:09:49
  Speaker 4: If she wants to have a baby now, that is fine.
• 1:09:52
  Speaker 4: And Asha's like, yes, Debbie.
• 1:09:53
  Speaker 1: Yes. Talk it. Speak it. She tries to high five her,
• 1:09:57
  Speaker 1: but she can't. Can't move. Yeah, she can't move.
• 1:10:00
  Speaker 3: And then Asha goes, speak, Debbie. The blood, the blood,
• 1:10:04
  Speaker 3: the blood, the blood. Thank you.
• 1:10:06
  Speaker 1: And you see Thomas and Paula back there going, the blood,
• 1:10:09
  Speaker 1: the blood, the blood, the blood.
• 1:10:13
  Speaker 4: She's doing all of her catchphrases. So we have solved
• 1:10:16
  Speaker 4: nothing with this.
• 1:10:17
  Speaker 3: We say goodbye to Rod.
• 1:10:18
  Speaker 4: And Maxwell says, take care, Rod. And Paula says, sending
• 1:10:22
  Speaker 4: God your way. And then Aisha is happy because she's like,
• 1:10:29
  Speaker 4: all the other couples stuck up for me.
• 1:10:30
  Speaker 1: Thank you.
• 1:10:31
  Speaker 4: And now I can get out of this dress that
• 1:10:33
  Speaker 4: is tight like a sausage casing.
• 1:10:35
  Speaker 3: So I can breathe again.
• 1:10:37
  Speaker 4: So afterwards, Aisha and Maxwell basically both say, fuck Rod.
• 1:10:41
  Speaker 4: We don't care what he thinks. And Rosh says his
• 1:10:46
  Speaker 4: ass hurts because they don't have a bidet there. And
• 1:10:49
  Speaker 4: Mallory says, don't say that out loud.
• 1:10:52
  Speaker 3: By the way, she shushed him throughout this whole third part.
• 1:10:56
  Speaker 3: But he doesn't seem to mind.
• 1:10:59
  Speaker 1: But in that.
• 1:10:59
  Speaker 2: Because in that first part, he was on a 10.
• 1:11:03
  Speaker 1: He was like... He was... He was like, this is
• 1:11:06
  Speaker 1: the Rashid show.
• 1:11:07
  Speaker 3: Yes.
• 1:11:08
  Speaker 2: Like what he does on TikTok. And she was– after
• 1:11:10
  Speaker 2: the first one, she was like, okay, you're going to
• 1:11:12
  Speaker 2: need to take a down notch.
• 1:11:13
  Speaker 3: Yeah, take a down notch.
• 1:11:14
  Speaker 1: It's not about you. There are other people here.
• 1:11:15
  Speaker 3: Yeah. But unfortunately, there are cameras on them. So they
• 1:11:18
  Speaker 3: cut it. They see it every time. So they need
• 1:11:21
  Speaker 3: to have some sort of verbal signal or like pinch
• 1:11:23
  Speaker 3: his leg.
• 1:11:24
  Speaker 1: No, that would be nice.
• 1:11:25
  Speaker 3: But, you know, they cut it. I touch your leg
• 1:11:28
  Speaker 3: and then you stop.
• 1:11:29
  Speaker 1: Like chill.
• 1:11:30
  Speaker 3: Yeah.
• 1:11:30
  Speaker 4: But I think he was fine this one. Like I didn't,
• 1:11:33
  Speaker 4: I don't think he was over the top in this.
• 1:11:35
  Speaker 1: No, he wasn't as bad as he was.
• 1:11:36
  Speaker 3: He toned it down a lot. So, but his ass hurts.
• 1:11:40
  Speaker 3: And Aisha and Paula go to Debbie and they say,
• 1:11:43
  Speaker 3: this is your intervention, Debbie, your backstage intervention. The two
• 1:11:46
  Speaker 3: of us, I don't know where Annabelle is. Don't know
• 1:11:49
  Speaker 3: where Katie is. Don't know where, we didn't invite Mallory.
• 1:11:51
  Speaker 4: It is just the two of us. We have issues,
• 1:11:54
  Speaker 4: several concerns we want to talk to you about. We
• 1:11:57
  Speaker 4: think he's not here for you. We think he's here
• 1:11:59
  Speaker 4: for a green card.
• 1:12:00
  Speaker 3: And she says, well, he's just unhappy because not being
• 1:12:03
  Speaker 3: able to work or drive is intolerable for him.
• 1:12:07
  Speaker 5: And if he doesn't get his papers soon, he's going
• 1:12:09
  Speaker 5: to go back because I'm.
• 1:12:11
  Speaker 4: Doing everything and I can try to make this transition work,
• 1:12:16
  Speaker 4: but I can't give any more. And she starts crying
• 1:12:20
  Speaker 4: and she says, and he's here. And I thought she
• 1:12:22
  Speaker 4: was going to say all.
• 1:12:24
  Speaker 3: The time in my house but she says he's here
• 1:12:28
  Speaker 3: alone and i'm all he has but then she starts
• 1:12:32
  Speaker 3: crying and i think it's a combination of she's sick
• 1:12:34
  Speaker 3: of him she's sick of having to drive him around
• 1:12:37
  Speaker 3: to his auditions and do everything for him but also
• 1:12:40
  Speaker 3: she doesn't want him to leave so but.
• 1:12:43
  Speaker 2: Do we know like the current status if he's you
• 1:12:47
  Speaker 2: know like you can't really tell i don't let me
• 1:12:49
  Speaker 2: look at her instagram i don't know um what actually
• 1:12:53
  Speaker 2: is happening with him because there's rumors right that he's
• 1:12:56
  Speaker 2: um gone.
• 1:12:58
  Speaker 3: Let's see that he's gone back.
• 1:12:59
  Speaker 2: To egypt yeah there that that's been a rumor let's
• 1:13:03
  Speaker 2: see um her last post is a picture it says
• 1:13:09
  Speaker 2: me and my daddy it's a picture of like her
• 1:13:12
  Speaker 2: and her dad um i.
• 1:13:15
  Speaker 1: Don't where is he is he.
• 1:13:17
  Speaker 2: Alive is he in heaven The picture before that was
• 1:13:20
  Speaker 2: August 29th of me and my favorite photo with Caden
• 1:13:24
  Speaker 2: when he was a little boy.
• 1:13:25
  Speaker 1: Let me look it up. Let's see. Picture before that's
• 1:13:29
  Speaker 1: of Caden. And then there's a picture of Princess Diana.
• 1:13:31
  Speaker 2: Oh, that was the anniversary. Then she's very into the
• 1:13:41
  Speaker 2: World Cup in Argentina.
• 1:13:43
  Speaker 1: A lot of hashtag Argentina. And that's it.
• 1:13:49
  Speaker 3: I forgot about the Princess Diana photo.
• 1:13:51
  Speaker 1: I'm scrolling.
• 1:13:52
  Speaker 3: But you wanted him to post all the pictures of
• 1:13:55
  Speaker 3: you on Instagram to show everyone how you were married
• 1:13:58
  Speaker 3: to him.
• 1:13:59
  Speaker 1: There's not one photo of Mito on Instagram.
• 1:14:02
  Speaker 2: There are some of the Egyptian pyramids, but not of Mito.
• 1:14:07
  Speaker 3: Interesting. Has he been scrubbed or was he never there?
• 1:14:12
  Speaker 1: Mito. Let's look up his Mito Fayet official. Official. Official.
• 1:14:17
  Speaker 3: Official. Contact me at CAA.
• 1:14:21
  Speaker 2: How does he have 856,000 followers?
• 1:14:26
  Speaker 3: He bought them. I can't. They're bought.
• 1:14:29
  Speaker 2: I mean, that's a lot of followers. Okay, let's see
• 1:14:33
  Speaker 2: if we see any pictures of Debbie. You know, looking
• 1:14:38
  Speaker 2: at the grid, I see zero pictures of Debbie.
• 1:14:42
  Speaker 1: I do see the pictures that she took of him
• 1:14:44
  Speaker 1: in New York. And it's just, it's like when you take, like,
• 1:14:50
  Speaker 1: 30 pictures and you pick, like, the best two. He
• 1:14:52
  Speaker 1: uses all 30.
• 1:14:54
  Speaker 3: Mm-hmm.
• 1:14:55
  Speaker 1: You know what I mean? There is not one picture
• 1:14:57
  Speaker 1: of Debbie on here. Not a one.
• 1:15:00
  Speaker 3: Wow.
• 1:15:02
  Speaker 1: There's a lot of AI pictures of him as a
• 1:15:07
  Speaker 1: soccer player. Yeah. Yeah, a lot of AI pictures.
• 1:15:12
  Speaker 4: Is his music video on there where he's just sitting
• 1:15:15
  Speaker 4: at a park?
• 1:15:16
  Speaker 1: No.
• 1:15:18
  Speaker 3: Lip syncing and then just staring at the camera?
• 1:15:22
  Speaker 1: No, there's not.
• 1:15:23
  Speaker 2: But there are zero pictures of Debbie. I'm looking to
• 1:15:26
  Speaker 2: even see if there are wedding pictures on here.
• 1:15:27
  Speaker 3: So what's the tea, everybody? I didn't see on Reddit
• 1:15:30
  Speaker 3: if they're together or not.
• 1:15:33
  Speaker 2: Here's the picture that he posted. We don't like when
• 1:15:36
  Speaker 2: they were doing the Halloween thing, but it's just him.
• 1:15:38
  Speaker 1: No her.
• 1:15:39
  Speaker 3: Interesting.
• 1:15:41
  Speaker 4: That would be shocking because I mean, I could see
• 1:15:46
  Speaker 4: him leaving her. But I can't see her leaving him
• 1:15:51
  Speaker 4: because she's stuck through everything horrible.
• 1:15:55
  Speaker 3: So she's like Jenny, like long-suffering. Yes. No matter what
• 1:15:59
  Speaker 3: Sumit does, she's never really leaving.
• 1:16:03
  Speaker 1: Yes.
• 1:16:04
  Speaker 2: The last new picture that he posted was seven hours ago.
• 1:16:08
  Speaker 2: And it's about King Tut's tomb artifacts display.
• 1:16:14
  Speaker 3: Is he back to tour guiding in Egypt?
• 1:16:19
  Speaker 2: It's really long. He definitely didn't write it. And then there's, yeah,
• 1:16:25
  Speaker 2: I mean, of course, the first person that.
• 1:16:27
  Speaker 1: Likes it is Paula. Yay, Mito. What is going on
• 1:16:30
  Speaker 1: with Paula? Are they in love? I don't know.
• 1:16:34
  Speaker 2: There's zero pictures of them together on either one of
• 1:16:37
  Speaker 2: their Instagrams.
• 1:16:38
  Speaker 1: Yeah.
• 1:16:38
  Speaker 3: I don't know. I guess I think Thomas is actually
• 1:16:41
  Speaker 3: a step up from Mito.
• 1:16:42
  Speaker 2: I would definitely choose Thomas over Mito.
• 1:16:46
  Speaker 3: And I do not like Thomas. So quick wrap ups
• 1:16:51
  Speaker 3: with everybody. Annabelle still loves Shay, but she's very worried
• 1:16:56
  Speaker 3: about the cheating and the flirting. So they're going to
• 1:16:58
  Speaker 3: have to keep talking about it.
• 1:16:59
  Speaker 4: Aisha calls Maxwell and they both say they thought it
• 1:17:02
  Speaker 4: went better than they thought it would.
• 1:17:05
  Speaker 3: They got off pretty easy.
• 1:17:07
  Speaker 4: And Rosh and Mallory are going to go get some
• 1:17:10
  Speaker 4: Turkish food. And he wants to make a baby tonight,
• 1:17:13
  Speaker 4: even though it has not been two years since the
• 1:17:16
  Speaker 4: last time we discussed this. And you guys both agreed
• 1:17:19
  Speaker 4: you had at least another year left to talk about it.
• 1:17:21
  Speaker 3: And she says, stop.
• 1:17:23
  Speaker 5: But she says today made her feel more hopeful about
• 1:17:25
  Speaker 5: their future.
• 1:17:27
  Speaker 3: And he is riding a suitcase into the streets like
• 1:17:31
  Speaker 3: a child.
• 1:17:33
  Speaker 4: And they're going to go to the doctor to get
• 1:17:35
  Speaker 4: her fertility checked or something. I don't know if she
• 1:17:39
  Speaker 4: has issues with that. She did have a lot of
• 1:17:43
  Speaker 4: her intestine removed.
• 1:17:44
  Speaker 1: That's true. That's true. She did.
• 1:17:46
  Speaker 3: Yeah.
• 1:17:47
  Speaker 4: Josh and Katie, I just have to say, Debbie, if
• 1:17:51
  Speaker 4: you have talked multiple of these couples into having a baby, A,
• 1:17:54
  Speaker 4: you maybe should start a cult or something because you
• 1:18:01
  Speaker 4: have some sort of power or charisma that I do
• 1:18:04
  Speaker 4: not see.
• 1:18:05
  Speaker 1: Yeah.
• 1:18:06
  Speaker 3: I do not know if all of these couples should
• 1:18:08
  Speaker 3: have a baby. And so you may have wrongly convinced
• 1:18:14
  Speaker 3: several couples to have a baby that should not have
• 1:18:16
  Speaker 3: had a baby. So we may have a whole next
• 1:18:20
  Speaker 3: season of offspring of 90 day damaged children because their parents.
• 1:18:26
  Speaker 1: Hate each other.
• 1:18:27
  Speaker 3: So good luck.
• 1:18:29
  Speaker 4: Um, Josh and Katie feel more connected. They're going to
• 1:18:32
  Speaker 4: bang tonight. They're going to bang in the morning. They're
• 1:18:35
  Speaker 4: going to bang at the evening, bang at suppertime. If
• 1:18:38
  Speaker 4: you could have pizza on a bagel, you could bang anytime.
• 1:18:42
  Speaker 4: And he knows that they do tend to do these
• 1:18:47
  Speaker 4: kind of resets all the time and say they're going
• 1:18:49
  Speaker 4: to be. better and then nothing happens so he he
• 1:18:53
  Speaker 4: doesn't sound hopeful she makes a lot of promises basically
• 1:18:57
  Speaker 4: yeah i mean if.
• 1:18:58
  Speaker 2: We go back to uh episode one it's not.
• 1:19:02
  Speaker 4: Looking good no So Edward and Marissa show Katie, hey,
• 1:19:07
  Speaker 4: let me show you this, Katie. Whenever he's mad at me,
• 1:19:11
  Speaker 4: I kiss Edward on the mouth like this.
• 1:19:13
  Speaker 1: And then I.
• 1:19:13
  Speaker 4: Start tonguing him like, and we call it a Katie kiss.
• 1:19:20
  Speaker 3: Isn't that funny?
• 1:19:22
  Speaker 4: How we totally make fun of you in our homes.
• 1:19:27
  Speaker 4: And how sloppy drunk you are. And Katie's laughing kind
• 1:19:31
  Speaker 4: of because she's a good sport, but. You shouldn't be
• 1:19:34
  Speaker 4: known for that, Katie. There shouldn't be a kiss.
• 1:19:36
  Speaker 3: Named after you that is like forcibly rubbing your tongue
• 1:19:40
  Speaker 3: on someone's face.
• 1:19:41
  Speaker 1: They didn't need to tell her that. Yeah.
• 1:19:43
  Speaker 3: And she says, maybe I'm ready to stop making out
• 1:19:47
  Speaker 3: with people, but I still like it. So like if
• 1:19:51
  Speaker 3: Josh said I could do it, I still would. So
• 1:19:55
  Speaker 3: I don't know. Yeah.
• 1:20:00
  Speaker 1: Don't put her back on our TV, guys. She needs.
• 1:20:03
  Speaker 3: She needs.
• 1:20:04
  Speaker 1: She needs some help.
• 1:20:05
  Speaker 3: Severe counseling.
• 1:20:06
  Speaker 1: Yes. She's all sorts of.
• 1:20:07
  Speaker 3: Not to be on TV.
• 1:20:09
  Speaker 1: All sorts of psychiatrists and psychologists.
• 1:20:11
  Speaker 3: And then Thomas is hugging Edward repeatedly. His choice.
• 1:20:17
  Speaker 1: Okay.
• 1:20:18
  Speaker 3: Because I guess Edward doesn't wear cologne.
• 1:20:20
  Speaker 1: Seems like he would.
• 1:20:22
  Speaker 3: I think we saw him do it at the wedding.
• 1:20:25
  Speaker 1: Yeah.
• 1:20:27
  Speaker 3: Maybe it's the end of the day. So it's like
• 1:20:29
  Speaker 3: worn off. I don't know.
• 1:20:31
  Speaker 1: Okay.
• 1:20:31
  Speaker 4: He keeps going back for more and more hugs. So
• 1:20:34
  Speaker 4: it's like a one hug, then like.
• 1:20:36
  Speaker 3: A two hug.
• 1:20:37
  Speaker 1: So I'm surprised. New friends.
• 1:20:40
  Speaker 4: Again, just put it in the column of Thomas is
• 1:20:44
  Speaker 4: kind of a drama queen.
• 1:20:46
  Speaker 3: So, and again, some people do have horrible allergies. We're
• 1:20:49
  Speaker 3: not saying that.
• 1:20:51
  Speaker 1: We're just saying you never had them before, but okay. Yeah.
• 1:20:54
  Speaker 4: Marissa and Edward are, and they can develop over time,
• 1:20:58
  Speaker 4: but not in like a day. So Marissa and Edward
• 1:21:02
  Speaker 4: are very stressed about the Michael situation, but he's really
• 1:21:06
  Speaker 4: excited that she's open to having a baby, thanks to
• 1:21:08
  Speaker 4: what Debbie said.
• 1:21:10
  Speaker 3: Okay. Good job, Debbie.
• 1:21:14
  Speaker 4: Thomas tells Paula, well, you told me that you wanted
• 1:21:18
  Speaker 4: to marry a gringo and live in the United States,
• 1:21:21
  Speaker 4: so I consider that a win. That you're staying with
• 1:21:25
  Speaker 4: me because of my nationality and what I can provide
• 1:21:30
  Speaker 4: to you, which is a green card. And I think
• 1:21:33
  Speaker 4: so we're doing good. But then he says, but I've
• 1:21:36
  Speaker 4: realized today that there are a lot of things that
• 1:21:38
  Speaker 4: we have to deal with because she seems to want
• 1:21:41
  Speaker 4: to go back to Brazil. And I just kind of
• 1:21:43
  Speaker 4: feel like my whole future just exploded in front of
• 1:21:46
  Speaker 4: me because I had no idea how unhappy she really was.
• 1:21:50
  Speaker 4: Even though she's told me repeatedly and it was obvious
• 1:21:53
  Speaker 4: to everyone watching.
• 1:21:55
  Speaker 2: She said, I've had so many hours of speech to
• 1:21:57
  Speaker 2: him explaining how I don't like this apartment.
• 1:22:01
  Speaker 1: And he just hasn't heard it.
• 1:22:04
  Speaker 3: There's something with him that is.
• 1:22:07
  Speaker 4: Some sort of something that needs to be addressed and
• 1:22:11
  Speaker 4: that his mind works differently.
• 1:22:13
  Speaker 3: Yeah.
• 1:22:13
  Speaker 4: And he is just not hearing her words or not
• 1:22:17
  Speaker 4: taking them seriously.
• 1:22:18
  Speaker 1: Right.
• 1:22:18
  Speaker 4: So- Paula says, tells Thomas, I really don't know how
• 1:22:24
  Speaker 4: to speak my thoughts very often, but the people on
• 1:22:27
  Speaker 4: the stage were doing it for me. They were really
• 1:22:29
  Speaker 4: helping me out into forming my concerns into words.
• 1:22:34
  Speaker 3: And she says, you.
• 1:22:35
  Speaker 4: Make a lot of rules for me, but you get
• 1:22:37
  Speaker 4: to do everything your way. And I'm going to go
• 1:22:40
  Speaker 4: to Brazil and start my second business. And he needs
• 1:22:43
  Speaker 4: to change his mindset or he'll lose me.
• 1:22:47
  Speaker 1: Good. Good.
• 1:22:48
  Speaker 3: Yeah. Although she's also said that many times. That's true.
• 1:22:55
  Speaker 4: Debbie tells Mito she doesn't want to keep talking about
• 1:22:58
  Speaker 4: that fight on Halloween. And he's mad that she didn't
• 1:23:02
  Speaker 4: defend him.
• 1:23:03
  Speaker 3: And she says, I don't know if we're in it
• 1:23:05
  Speaker 3: for the long haul.
• 1:23:08
  Speaker 1: Good, Debbie. Well, according to your Instagram, you don't even
• 1:23:11
  Speaker 1: know each other.
• 1:23:13
  Speaker 3: Never have met.
• 1:23:14
  Speaker 1: I wonder if she follows him. Let's look at that.
• 1:23:16
  Speaker 3: Continue.
• 1:23:17
  Speaker 1: Continue.
• 1:23:19
  Speaker 3: That's a good sign. Did they unfollow each other?
• 1:23:22
  Speaker 1: Yeah. I'm going to look.
• 1:23:23
  Speaker 3: Okay.
• 1:23:23
  Speaker 1: Let's see.
• 1:23:27
  Speaker 3: Okay.
• 1:23:27
  Speaker 1: We have 18. Oh, she. Yep. We mutually follow him.
• 1:23:32
  Speaker 1: Let me see if he follows her. Does he follow her?
• 1:23:39
  Speaker 3: Yes.
• 1:23:39
  Speaker 1: They follow each other.
• 1:23:41
  Speaker 3: Interesting.
• 1:23:42
  Speaker 1: Maybe they had an amicable split, but I doubt it.
• 1:23:46
  Speaker 3: I highly doubt it.
• 1:23:46
  Speaker 1: Yeah.
• 1:23:48
  Speaker 3: Although I could see her being like, oh, he's gay.
• 1:23:51
  Speaker 4: I will support his dreams and be like a stage
• 1:23:56
  Speaker 4: wife and stay married to him so that he could
• 1:23:59
  Speaker 4: pursue his dreams.
• 1:24:01
  Speaker 1: Why? What's in it for her? Nothing. He's not even nice.
• 1:24:04
  Speaker 3: I know.
• 1:24:05
  Speaker 4: But I could see her doing that because she's lonely.
• 1:24:09
  Speaker 2: Yeah, but he's not even nice. He's not even like
• 1:24:11
  Speaker 2: fun to come home to. It's not like he's cleaned
• 1:24:14
  Speaker 2: the apartment and made dinner and is like, it's amazing.
• 1:24:16
  Speaker 1: What was she getting out.
• 1:24:17
  Speaker 3: Of it before if it was romantic? Some bad sex?
• 1:24:20
  Speaker 3: What was she getting out of it before even?
• 1:24:23
  Speaker 1: Yeah, well, true.
• 1:24:24
  Speaker 2: He says it's so-so and maybe he wants to be
• 1:24:27
  Speaker 2: pegged and she refuses.
• 1:24:28
  Speaker 1: I don't know. I mean, I don't know. I don't know.
• 1:24:31
  Speaker 1: I can't believe I just said that. I'm sorry, everybody.
• 1:24:32
  Speaker 1: That was gross. I'm so jaded after watching that show.
• 1:24:40
  Speaker 1: Double lives of suburban wives. It's over for me now.
• 1:24:44
  Speaker 1: I'm never going to be the same.
• 1:24:45
  Speaker 4: I was listening to the audio of us talking to
• 1:24:49
  Speaker 4: Ace and I could picture the images in my head
• 1:24:53
  Speaker 4: because they're still not gone.
• 1:24:54
  Speaker 3: I see them when I close my eyes.
• 1:24:56
  Speaker 1: Yeah. You deleted the group chat though, so they won't
• 1:24:59
  Speaker 1: come up. Right.
• 1:25:01
  Speaker 3: Yeah.
• 1:25:01
  Speaker 1: Oh God.
• 1:25:02
  Speaker 4: I need to make sure I did because what if
• 1:25:04
  Speaker 4: I'm at the airport, TSA needs to see my phone.
• 1:25:07
  Speaker 1: Yeah.
• 1:25:08
  Speaker 3: No. Mm-mm.
• 1:25:09
  Speaker 1: Why would TSA need to see your phone? Unclear.
• 1:25:12
  Speaker 3: I don't know.
• 1:25:12
  Speaker 4: But we've heard that you have some concerning of a
• 1:25:18
  Speaker 4: lady trying to blow out birthday candles with her vagina.
• 1:25:24
  Speaker 3: Oh, my God.
• 1:25:25
  Speaker 1: We've had reports. We've had reports that you've got something
• 1:25:29
  Speaker 1: filthy on your phone. Oh, my God. Um, you guys,
• 1:25:33
  Speaker 1: that is it.
• 1:25:33
  Speaker 2: That's the end of 90 day fiance season 12. Next week,
• 1:25:36
  Speaker 2: we will be here with 90 day. The other way.
• 1:25:40
  Speaker 2: I don't know what season, maybe season five question mark. Um,
• 1:25:45
  Speaker 2: but I haven't looked, I haven't looked at a couple.
• 1:25:48
  Speaker 2: I love to just shock myself and go right into it.
• 1:25:51
  Speaker 2: A lot of people are like, have you seen this couple?
• 1:25:53
  Speaker 2: You see that couple? I'm like, I don't want to know.
• 1:25:55
  Speaker 2: I like to finish with these people. Start my mind
• 1:25:58
  Speaker 2: fresh with new people.
• 1:25:59
  Speaker 1: Yeah.
• 1:26:00
  Speaker 4: I happen to see a couple of them and I'm
• 1:26:02
  Speaker 4: excited because there's a couple people we know and then
• 1:26:06
  Speaker 4: some ones that we don't know but look very promising.
• 1:26:09
  Speaker 2: Well, I'm going to do like I normally do. I'm
• 1:26:12
  Speaker 2: going to randomly divide up the couples.
• 1:26:16
  Speaker 1: Yeah. I will not.
• 1:26:17
  Speaker 2: Be– I won't be giving you the worst ones or
• 1:26:21
  Speaker 2: the best ones. I'll just be randomly dividing them up.
• 1:26:24
  Speaker 2: You always think I'm doing it on purpose.
• 1:26:27
  Speaker 1: Yeah.
• 1:26:28
  Speaker 2: And we will see you guys back here next week
• 1:26:30
  Speaker 2: for that. So I'm excited about that.
• 1:26:33
  Speaker 4: So I'm going to record in New York because I
• 1:26:35
  Speaker 4: can't miss the season opener.
• 1:26:36
  Speaker 1: Okay. Okay.
• 1:26:38
  Speaker 3: Yeah.
• 1:26:38
  Speaker 2: Kimberly's going to New York to work on her play.
• 1:26:40
  Speaker 2: You guys, don't forget Snipped the Musical. Look it up
• 1:26:43
  Speaker 2: on Google.
• 1:26:44
  Speaker 1: Snipped the Musical.
• 1:26:45
  Speaker 2: Also go to the website, Snipped the Musical. Follow it
• 1:26:48
  Speaker 2: on Instagram. Snipped the musical. And if you want to
• 1:26:51
  Speaker 2: donate to the musical, you donate.
• 1:26:53
  Speaker 3: Give me your money.
• 1:26:54
  Speaker 1: Give me your money. That's all I want. It's Venmo.
• 1:26:57
  Speaker 1: Stitches be crazy with a K.
• 1:27:00
  Speaker 3: So appreciative of everyone that's given me some money.
• 1:27:03
  Speaker 1: Have people given you money for it?
• 1:27:04
  Speaker 3: Really?
• 1:27:05
  Speaker 1: Yes.
• 1:27:05
  Speaker 3: A few people. And it's so nice. Just like so nice.
• 1:27:09
  Speaker 1: Well, I've told you I'll be an investor. I don't
• 1:27:12
  Speaker 1: know what that requires.
• 1:27:13
  Speaker 3: Thank you.
• 1:27:15
  Speaker 1: I don't know what that requires. I said that to Dave.
• 1:27:17
  Speaker 2: I go, yeah, I think I'm going to– I want
• 1:27:19
  Speaker 2: to be an investor in Kimberly's Play. He goes, you know,
• 1:27:23
  Speaker 2: we have mortgages that we could be paying money on.
• 1:27:27
  Speaker 1: I was like, well, this is important.
• 1:27:29
  Speaker 3: It's the arts, Dave.
• 1:27:30
  Speaker 1: I'm supporting the arts. Supporting the arts. I can't wait
• 1:27:34
  Speaker 1: to see you. I'm going to see you next week,
• 1:27:36
  Speaker 1: question mark, or the week after?
• 1:27:38
  Speaker 3: I don't know, time. Yeah.
• 1:27:40
  Speaker 1: I'm getting there on the 7th. And I'm going to
• 1:27:44
  Speaker 1: see you at the read-through on the 8th.
• 1:27:47
  Speaker 3: Yeah.
• 1:27:47
  Speaker 2: And then we are going to the theater ourselves on
• 1:27:51
  Speaker 2: the 8th.
• 1:27:52
  Speaker 1: Yes. Rocky Horror Picture Show with Rosie O'Donnell.
• 1:27:55
  Speaker 3: So excited.
• 1:27:56
  Speaker 1: I'm so excited.
• 1:27:57
  Speaker 2: And then Keisha and I are going the morning of
• 1:27:59
  Speaker 2: the 8th to the Drew Barrymore Show with Ross Matthews.
• 1:28:02
  Speaker 3: Love it.
• 1:28:02
  Speaker 1: We've got so many fun things planned. I'm going to
• 1:28:04
  Speaker 1: go shopping.
• 1:28:05
  Speaker 2: I've got a couple of secondhand consignment stores I can't
• 1:28:09
  Speaker 2: wait to go to.
• 1:28:10
  Speaker 3: Yay.
• 1:28:11
  Speaker 1: Yay. I love New York.
• 1:28:14
  Speaker 2: Um okay that's neither here nor there that's not this
• 1:28:16
  Speaker 2: week guys later this week i have on cory and
• 1:28:18
  Speaker 2: carly uh to chat.
• 1:28:20
  Speaker 3: Bravo love them i said hi i will love.
• 1:28:24
  Speaker 2: Them akisha and i are still covering welcome to plathville
• 1:28:27
  Speaker 2: over on pink shade prime and i've got christa rosa
• 1:28:30
  Speaker 2: this week talking about the new hulu documentary the swan
• 1:28:35
  Speaker 2: And Chris DeRosa and I are going to make it
• 1:28:37
  Speaker 2: funny because I got to tell you, didn't love the documentary.
• 1:28:42
  Speaker 2: Got the screener and thought, but didn't love it.
• 1:28:46
  Speaker 3: Okay. I'm not going to watch it on the plane then.
• 1:28:50
  Speaker 1: No. Watch A Killer Story. That's really good.
• 1:28:54
  Speaker 3: But I think I saw, I covered the date line
• 1:28:57
  Speaker 3: of that.
• 1:28:57
  Speaker 1: I think you definitely probably already know the story.
• 1:29:01
  Speaker 2: But the couple that has been very involved in the
• 1:29:05
  Speaker 2: case of that woman, Dana, whatever her name is.
• 1:29:07
  Speaker 3: Yeah.
• 1:29:09
  Speaker 2: The couple that really helped bring the case, like they
• 1:29:13
  Speaker 2: became obsessed with it.
• 1:29:14
  Speaker 1: They don't even know her. And that's the interesting part
• 1:29:17
  Speaker 1: of the story.
• 1:29:18
  Speaker 3: That couple.
• 1:29:20
  Speaker 1: I can see myself doing something like that. Yeah.
• 1:29:22
  Speaker 2: And the New York Times author. who like goes to
• 1:29:25
  Speaker 2: interview them. He's like, what's going on with you? Like that's,
• 1:29:28
  Speaker 2: he's like, he's interested in them trying to help this
• 1:29:31
  Speaker 2: woman that they don't even know.
• 1:29:32
  Speaker 1: Yeah.
• 1:29:33
  Speaker 3: And they're both into it.
• 1:29:34
  Speaker 4: It's not just like the wife is into it and
• 1:29:36
  Speaker 4: the husband's going along.
• 1:29:38
  Speaker 1: They're a true crime couple. Wow.
• 1:29:41
  Speaker 3: That's so interesting.
• 1:29:42
  Speaker 1: Yeah. It's a really good documentary. It's very well done. Interesting. Okay.
• 1:29:46
  Speaker 3: That does sound good.
• 1:29:47
  Speaker 1: Yeah. A killer story.
• 1:29:47
  Speaker 3: Three parts.
• 1:29:49
  Speaker 1: Everybody go watch that HBO max. Okay.
• 1:29:51
  Speaker 2: Kimberly, I will see you later this week for Last Resort.
• 1:29:55
  Speaker 2: That episode will be out on Friday, Pink Shade Prime.
• 1:29:58
  Speaker 1: Okay, bye.
• 1:29:59
  Speaker 3: Bye, thank you.