Latest / The Bald Brothers Podcast / Al Pacino vs Robert De Niro

Transcript

Al Pacino vs Robert De Niro · The Bald Brothers Podcast

• 0:00
  Speaker 1: What up, y'all? It's your boy Kev on stage.
• 0:02
  Speaker 2: Tony Baker.
• 0:02
  Speaker 1: This is the Ball Brothers Show where me and my
• 0:05
  Speaker 1: good friend Tony Baker talk about whatever we want. Movies,
• 0:07
  Speaker 1: TV shows, and whether we like coochie pics, solo or not.
• 0:11
  Speaker 1: I don't mind. Tony does. Before we get started, Tony
• 0:16
  Speaker 1: got something that he wants to get off his chest.
• 0:19
  Speaker 2: Yeah, let me get it off my nipples, man.
• 0:21
  Speaker 3: If y'all could stop matchmaking me with every woman you
• 0:25
  Speaker 3: see me with that's not already attached, I would greatly
• 0:28
  Speaker 3: appreciate it. Stop trying to hook me up. Stop trying
• 0:31
  Speaker 3: to match make. Stop digging and looking.
• 0:34
  Speaker 2: I've had it. That's all I got to say.
• 0:37
  Speaker 1: That's it?
• 0:38
  Speaker 2: Yeah, that's it, man. People always, man, Tony, he's shooting
• 0:42
  Speaker 2: a shot. Look at him. He uncomfortable. He fidgeting. Look
• 0:45
  Speaker 2: at his body language.
• 0:46
  Speaker 1: Look at him.
• 0:46
  Speaker 2: Shut the hell up. Y'all always looking for something.
• 0:52
  Speaker 1: Wookin' for nub.
• 0:54
  Speaker 2: Wookin' for nub, man.
• 0:55
  Speaker 1: It's because you're handsome, Tony. They're going to put you
• 0:58
  Speaker 1: with somebody because sometimes they want to send you the
• 1:00
  Speaker 1: coochie pic.
• 1:00
  Speaker 2: Nah, man, watch out.
• 1:02
  Speaker 1: On its own or with the body and titties.
• 1:04
  Speaker 3: And then sometimes y'all do it to women that are
• 1:06
  Speaker 3: attached and it's just awkward, man.
• 1:08
  Speaker 2: Shut the hell up. Shut it up.
• 1:12
  Speaker 1: You're going to have to do a shut the hell
• 1:14
  Speaker 1: up set and get the merch going. Because I want
• 1:17
  Speaker 1: the shut the hell up for 72 hours t-shirt. Tony Baker, S-T-H-U.
• 1:21
  Speaker 1: I do got to make that merch. Man, shut the
• 1:23
  Speaker 1: hell up, man. You fussing is prime real estate for
• 1:26
  Speaker 1: great jokes. Yeah, OK. You feel good?
• 1:29
  Speaker 2: Yeah, I had to get that out.
• 1:30
  Speaker 1: We got to cut that and put that on the ground. Please,
• 1:33
  Speaker 1: let's put it on the ground. Chop it up. And also,
• 1:36
  Speaker 1: stop testing me. Friends, family, DM. Okay, what Tony got going, man?
• 1:41
  Speaker 1: I don't know. bananas, smoothies, walks in his community.
• 1:47
  Speaker 2: Definitely get all that going.
• 1:48
  Speaker 1: Camouflage hoodie. Yes. Show.
• 1:50
  Speaker 2: I love that hoodie.
• 1:51
  Speaker 1: Put together some money for the ticket to see Tony
• 1:53
  Speaker 1: if you want to put something together. Put your credit
• 1:56
  Speaker 1: card numbers together on the website. Yes. Where are you
• 1:59
  Speaker 1: going to be this week?
• 2:00
  Speaker 2: I'm going to be in Austin, Texas this weekend.
• 2:02
  Speaker 1: Put that together. Flight itinerary if you don't live there,
• 2:05
  Speaker 1: if you want to put things together. Put some women
• 2:08
  Speaker 1: together as a group. Go to Austin and see Tony live. Yes.
• 2:11
  Speaker 1: Put that together. Yes. Huh? Shut the hell up for
• 2:15
  Speaker 1: 68 hours. All right. Because we argued about black actors
• 2:21
  Speaker 1: last week, Will Smith and Robert De Niro, true to form,
• 2:24
  Speaker 1: we're picking up white males. Yeah. Today we're talking Robert
• 2:29
  Speaker 1: De Niro, AKA Bobby De Nears. Versus Al Pacino. Can
• 2:34
  Speaker 1: you replace them in certain movies? As you well know,
• 2:38
  Speaker 1: they appear in the following movies at least. Heat, The Irishman,
• 2:43
  Speaker 1: Righteous Kill, Godfather Part II, even though they don't share
• 2:46
  Speaker 1: any scenes in Godfather Part II, which we still could say.
• 2:49
  Speaker 2: Yeah, because they swapped those two.
• 2:51
  Speaker 1: Yeah, but we're just saying like Heat. Let's start with Heat.
• 2:54
  Speaker 2: Yeah.
• 2:55
  Speaker 1: Is it the same, better or worse.
• 2:57
  Speaker 2: Of a movie if.
• 2:59
  Speaker 1: Robert De Niro and Al Pacino switch? Bobby D is
• 3:04
  Speaker 1: now the cop. Robert De Niro is now, I mean,
• 3:09
  Speaker 1: Al Pacino is now the bank robber.
• 3:13
  Speaker 2: I think it would be worse.
• 3:15
  Speaker 1: I do too.
• 3:16
  Speaker 3: I can't see Al Pacino in that role as the cold, calculated,
• 3:24
  Speaker 3: You know what I'm saying? No-nonsense Neal McCauley.
• 3:29
  Speaker 1: Al Pacino has a certain... There's a warmth to him.
• 3:36
  Speaker 2: Al?
• 3:37
  Speaker 1: Yeah.
• 3:38
  Speaker 3: He does have a... His character was raggedy. He did
• 3:41
  Speaker 3: what he had to do, but there was a warmth
• 3:43
  Speaker 3: to him. There was a people person in there. You
• 3:47
  Speaker 3: know what I mean? I can't see him going the
• 3:50
  Speaker 3: Neal route.
• 3:53
  Speaker 2: In that regard, especially later stage.
• 3:54
  Speaker 3: This is later stage Al Pacino we're talking about.
• 3:57
  Speaker 1: What year is he? 95.
• 3:59
  Speaker 2: Okay, that's perfect. Right on. Yeah, 95.
• 4:03
  Speaker 1: So he was about 50? Because I think they're both
• 4:06
  Speaker 1: 80 or close to 80. Yeah. So they were about
• 4:08
  Speaker 1: mid-50s at that time.
• 4:10
  Speaker 3: So, you know, Robert De Niro had that coldness, that no-nonsense.
• 4:15
  Speaker 2: It was just perfect.
• 4:17
  Speaker 3: And Robert De Niro has always kind of had that
• 4:19
  Speaker 3: over Al Pacino.
• 4:21
  Speaker 2: Al Pacino... His menace and his seriousness are all in
• 4:26
  Speaker 2: the eyes.
• 4:27
  Speaker 1: Yes.
• 4:28
  Speaker 2: It's all eyes with him.
• 4:30
  Speaker 1: And that's one of the reasons, unrelated, I'm sure we'll
• 4:32
  Speaker 1: get to this moment, why Meet the Parents works. Yeah.
• 4:34
  Speaker 1: He doesn't actually have to say anything to Greg Falker
• 4:39
  Speaker 1: to be intimidating. Right. Sometimes it's just a look. Yeah.
• 4:43
  Speaker 1: I got nipples, Greg. Could you milk me?
• 4:44
  Speaker 2: Could you milk me?
• 4:45
  Speaker 1: And the way he looks, he's not being like threatening intimidating,
• 4:50
  Speaker 1: but he's got like a quiet like, man, this dude.
• 4:52
  Speaker 1: He ain't really feeling with me. And he got the
• 4:54
  Speaker 1: CIA going, even though he doesn't know that. But yeah, okay.
• 4:57
  Speaker 1: I think I agree. I think they're perfectly cast. It's
• 5:01
  Speaker 1: just crazy as you can be a really good actor
• 5:04
  Speaker 1: and the role just ain't for you.
• 5:05
  Speaker 2: Yeah, for sure. All day.
• 5:07
  Speaker 1: Certain things that you just won't be believable at.
• 5:10
  Speaker 3: Put Daniel Day-Lewis in Bad Boys. That shit is going
• 5:13
  Speaker 3: to be trash.
• 5:16
  Speaker 2: If you put Daniel Day-Lewis in Coming to America... It's
• 5:23
  Speaker 2: just not the word.
• 5:24
  Speaker 1: But when he's yelling, I abandoned my boy! I abandoned
• 5:28
  Speaker 1: my boy! I abandoned my son! I'm all in! For sure.
• 5:34
  Speaker 1: When he's the.
• 5:35
  Speaker 2: That's what you wanted?
• 5:39
  Speaker 1: Your boy, Gangs of New York.
• 5:40
  Speaker 2: Yeah, Gangs of New York. The butcher, yeah.
• 5:42
  Speaker 1: Well, the butcher, I believe him.
• 5:44
  Speaker 2: For sure.
• 5:44
  Speaker 1: I said Billy the Butcher, that's the boys. But bad boys,
• 5:48
  Speaker 1: can you imagine Daniel Day-Lewis pulling the guns out?
• 5:51
  Speaker 2: Mike... Lowry. Nah, man.
• 5:56
  Speaker 1: Michael Lowry.
• 5:57
  Speaker 2: I'm Michael Lowry, y'all. I drink your milkshake, I drink
• 6:01
  Speaker 2: it up.
• 6:01
  Speaker 1: I drink your milkshake. I suck it up. That pause, like,
• 6:07
  Speaker 1: this man crazy. That whole scene, I was like, I
• 6:12
  Speaker 1: don't know how many people could do that. And he's
• 6:14
  Speaker 1: just like, I'm going to do a movie. Then I'm
• 6:16
  Speaker 1: disappearing off the face of the earth for eight years.
• 6:18
  Speaker 2: Mm-hmm. And then I'm going to come back fully in.
• 6:21
  Speaker 1: But yeah, okay. So Heat is a worse movie. Let's
• 6:25
  Speaker 1: just go Godfather 2.
• 6:26
  Speaker 2: Okay.
• 6:27
  Speaker 1: Switch it up. Can Al Pacino be... Was it Vito Corleone?
• 6:32
  Speaker 2: Yeah, Al Pacino had to be Vito. Young Vito.
• 6:37
  Speaker 1: Young Vito climbing the ranks in Italy, dealing with the black...
• 6:42
  Speaker 1: What was his name? The Black Hand or something? Yeah.
• 6:44
  Speaker 1: The Black Hand?
• 6:44
  Speaker 2: Uh-huh.
• 6:45
  Speaker 1: And can... Robert De Niro be young Michael.
• 6:50
  Speaker 2: Now, I feel like they could switch in this instance.
• 6:54
  Speaker 1: Oh, say more.
• 6:55
  Speaker 2: Yeah, because I feel like the key.
• 6:58
  Speaker 3: To Al Pacino's menace in the Godfather movie, it was
• 7:05
  Speaker 3: his quiet intensity.
• 7:07
  Speaker 2: It was all eye work.
• 7:10
  Speaker 1: I'd be watching clips on it just be like, he
• 7:13
  Speaker 1: looks like He is on fire behind the pupil. Yes.
• 7:18
  Speaker 1: You know what I mean? Yes. The Fredo scene, before
• 7:22
  Speaker 1: he gives him a kiss. Yeah.
• 7:23
  Speaker 2: Him realizing that.
• 7:25
  Speaker 1: Yes.
• 7:26
  Speaker 2: The betrayal. His one explosion against Kate.
• 7:30
  Speaker 1: Yep.
• 7:32
  Speaker 3: Even when he was mapping out, am I going to
• 7:35
  Speaker 3: kill these cats?
• 7:36
  Speaker 1: Yeah.
• 7:37
  Speaker 2: Am I going to do it? All of that eye
• 7:38
  Speaker 2: work was just.
• 7:40
  Speaker 3: And then when he became colder and the leader of
• 7:42
  Speaker 3: the organization, it was just everything was in the eyes,
• 7:45
  Speaker 3: just cold.
• 7:46
  Speaker 2: It's business, man. You know what I'm saying?
• 7:49
  Speaker 3: So Robert De Niro already has that quiet intensity that
• 7:54
  Speaker 3: you look at Robert De Niro and you're wondering what
• 7:57
  Speaker 3: he's thinking and you kind of know what he's thinking
• 7:58
  Speaker 3: because it's all in the face like he did in
• 7:59
  Speaker 3: Goodfellas with that scene where he was just like, I'm
• 8:01
  Speaker 3: going to kill these individuals.
• 8:04
  Speaker 2: He's smoking a cigarette and looking.
• 8:05
  Speaker 1: He don't have to say a word.
• 8:06
  Speaker 2: There were so many different facial expressions. And Vito.
• 8:09
  Speaker 3: Corleone is a chill guy as well. So everybody's chill
• 8:13
  Speaker 3: in this movie. Young Vito, old Vito, Michael's chill.
• 8:18
  Speaker 1: Michael assumed that. That part is good. He assumed his
• 8:22
  Speaker 1: father's thing. Because remember in the wedding, he was more,
• 8:24
  Speaker 1: he was very young and he was more chipper.
• 8:26
  Speaker 2: He was.
• 8:27
  Speaker 1: He was like, oh, yeah.
• 8:27
  Speaker 2: Hey, this is my family, man.
• 8:29
  Speaker 1: Right.
• 8:29
  Speaker 2: Yeah, you know what I'm saying? Once he started in, hey, man,
• 8:32
  Speaker 2: we ain't smiling.
• 8:33
  Speaker 1: Yeah. People dying. It ain't nothing funny.
• 8:35
  Speaker 2: It was a process.
• 8:35
  Speaker 1: I ain't no chipper, and I'm out the army, and
• 8:37
  Speaker 1: I got to kill this man. Right. Gun behind the toilet. Yep.
• 8:40
  Speaker 2: And I'm on the lam. And so the reason that
• 8:42
  Speaker 2: does work is that they played father and son.
• 8:45
  Speaker 1: Yeah.
• 8:45
  Speaker 3: So the different mannerisms, it's like, man, you just like
• 8:49
  Speaker 3: your grandfather. Because if you look at Vito compared to Sonny,
• 8:52
  Speaker 3: Sonny's just all hothead volatility.
• 8:55
  Speaker 2: And he's white.
• 8:56
  Speaker 1: Yeah.
• 8:56
  Speaker 2: He's just like....
• 8:59
  Speaker 3: Put your hand on my sister, bitch, shut the fuck up.
• 9:01
  Speaker 3: Sonny was just on 10. You're not gonna disrespect my sister.
• 9:06
  Speaker 3: I don't know why you even hooked that up. That's
• 9:09
  Speaker 3: on your head, Sonny. You hooked your sister up with
• 9:12
  Speaker 3: that raggedy boy. And that led to your death. But
• 9:19
  Speaker 3: Michael is more like his grandfather. His grandfather was shielded
• 9:23
  Speaker 3: until the day he died. And so I feel like
• 9:26
  Speaker 3: they could swap.
• 9:28
  Speaker 1: All right, I'm with you.
• 9:29
  Speaker 2: Yeah, I think they can swap it.
• 9:30
  Speaker 1: All right, here we go. First one and then you'll go.
• 9:33
  Speaker 2: Okay.
• 9:33
  Speaker 1: Can Al Pacino, I'm sorry, can Robert De Niro replace
• 9:38
  Speaker 1: Al Pacino in one of my favorite sports movies of
• 9:40
  Speaker 1: all times any given Sunday?
• 9:43
  Speaker 2: I don't think so.
• 9:45
  Speaker 1: What?
• 9:45
  Speaker 3: I can't see Robert De Niro coaching the NFL team.
• 9:50
  Speaker 1: Really?
• 9:51
  Speaker 3: Yeah, he's too, I can't see him. personality in it
• 9:58
  Speaker 3: up and rallying the troops in the locker.
• 10:00
  Speaker 2: Room.
• 10:00
  Speaker 1: Yeah, Al Pacino reminds me of what I think Pat
• 10:03
  Speaker 1: Riley was as a coach. Yeah. You know, did you
• 10:07
  Speaker 1: watch Winning Time?
• 10:09
  Speaker 2: Yes, the first season.
• 10:10
  Speaker 1: The first season, so was Jerry West the coach then?
• 10:15
  Speaker 2: He wasn't the coach yet.
• 10:17
  Speaker 1: Kurt Rambis?
• 10:19
  Speaker 2: Who was the coach then?
• 10:21
  Speaker 1: Because Adrian Brody plays Pat Riley. Yes.
• 10:24
  Speaker 2: Okay. Who was great, by the way.
• 10:25
  Speaker 1: Yes. I feel like that is who Al Pacino was. Yeah.
• 10:31
  Speaker 1: Even though Pat Riley was a basketball thing, I feel
• 10:33
  Speaker 1: like that is Pat Riley.
• 10:35
  Speaker 2: Yeah.
• 10:35
  Speaker 1: Because he kind of looks like that, too. But I
• 10:38
  Speaker 1: feel like that's who Al Pacino modeled himself after. Yeah.
• 10:42
  Speaker 1: You don't think Bobby D can pull it off?
• 10:43
  Speaker 2: I can't. Because Robert De Niro has a social awkwardness.
• 10:50
  Speaker 3: To himself that I feel like wouldn't adhere him to
• 10:54
  Speaker 3: be a coach, like a head coach.
• 10:57
  Speaker 1: Yeah.
• 10:58
  Speaker 2: Because a good head coach has the ability to be
• 11:01
  Speaker 2: a leader on and off the field. You got to
• 11:03
  Speaker 2: know your players. You got to know all of that.
• 11:05
  Speaker 3: And you also have to connect with the players in
• 11:07
  Speaker 3: some kind of way.
• 11:09
  Speaker 1: Yeah.
• 11:09
  Speaker 3: You know what I'm saying? And I feel like Al
• 11:11
  Speaker 3: Pacino had that more. within any given Sunday, a way
• 11:15
  Speaker 3: to win you over. Make you want to run through
• 11:17
  Speaker 3: a wall. Yeah, you know what I'm saying? I feel
• 11:21
  Speaker 3: like Robert De Niro would struggle in that regard. Because
• 11:24
  Speaker 3: I'm trying to think of movies where it's just like,
• 11:26
  Speaker 3: when has he won me over?
• 11:28
  Speaker 1: I think, I don't know if he won me over,
• 11:32
  Speaker 1: but I feel like in a Bronx tale, I felt him.
• 11:36
  Speaker 2: As a father? It was serious business. It was just like, yo, man.
• 11:40
  Speaker 1: Oh, you mean like woman with charm?
• 11:42
  Speaker 2: Yeah.
• 11:43
  Speaker 1: Oh, no. I don't think that's... I think... Yeah, I
• 11:47
  Speaker 1: don't think that's what makes him work. Right.
• 11:49
  Speaker 2: He ain't... Al Pacino has a charm to him. Oh, yeah.
• 11:54
  Speaker 1: Cinema woman.
• 11:55
  Speaker 2: That I haven't seen with... What do you think.
• 11:58
  Speaker 1: Robert De Niro's base thing is? Because it's what makes
• 12:05
  Speaker 1: him work as a scary... Intensity, awkwardness, violence.
• 12:13
  Speaker 2: These are all things that really work well. Intimidation. These
• 12:16
  Speaker 2: are things that really work well with Robert De Niro.
• 12:20
  Speaker 3: When you look at Robert De Niro, it's always like
• 12:22
  Speaker 3: he's got something brewing on the back burner.
• 12:26
  Speaker 1: He's got that quiet fire.
• 12:27
  Speaker 3: Yeah, and that quiet fire can be scary. He's more
• 12:30
  Speaker 3: intimidating to me than Al Pacino.
• 12:33
  Speaker 1: Oh, yeah, I agree. I agree. I think Papachino's more charismatic.
• 12:38
  Speaker 2: Yeah.
• 12:38
  Speaker 1: Because even like Ocean's 13, when he lost, or he
• 12:47
  Speaker 1: thinks they robbed him, but he's like, I still got the,
• 12:50
  Speaker 1: what was it, the five diamonds or something? He's like,
• 12:53
  Speaker 1: I still got the five diamonds? Yeah. Still a 69
• 12:55
  Speaker 1: on the handicap. Like, he's like, very LeVar Ball. Right.
• 12:59
  Speaker 1: I never lost. I never lost. And then Saul walks by.
• 13:02
  Speaker 1: He's like, oh, did you win? He tips the hat.
• 13:04
  Speaker 1: He's like, Hold up. So you do want to like,
• 13:08
  Speaker 1: there's like a certain je ne sais quoi that he
• 13:12
  Speaker 1: has that makes him appealing that I think Robert De Niro,
• 13:16
  Speaker 1: and you can, that's why I think Robert De Niro
• 13:18
  Speaker 1: can be in like Taxi Driver and Raging Bull. Like,
• 13:22
  Speaker 1: you don't know what he's finna do. He's always... Feels
• 13:27
  Speaker 1: like he could be on the edge of just like
• 13:29
  Speaker 1: snapping your neck. You know how Joe Pesci was in Goodfellas? Yeah.
• 13:32
  Speaker 1: You don't know what he's going to do. Right. You
• 13:34
  Speaker 1: might kill somebody you know you're not supposed to. Yeah.
• 13:37
  Speaker 1: That's what Robert De Niro, that's what makes him so
• 13:39
  Speaker 1: intimidating in Meet the Parents. As a dad, it's just like, yo, man,
• 13:42
  Speaker 1: this guy, he's hard to read.
• 13:44
  Speaker 2: Hard to read, dog. He's mean.
• 13:47
  Speaker 1: He's intimidating. He's got the Tom Collins mix going. It's
• 13:50
  Speaker 1: still scary.
• 13:51
  Speaker 3: And not to say that he can't be nice. Like,
• 13:53
  Speaker 3: I've seen him in Meet the Parents. He loves his daughter.
• 13:56
  Speaker 3: He loves his wife. You see that softness. He can't
• 13:58
  Speaker 3: give you soft.
• 13:59
  Speaker 1: Yeah, because he liked Owen Wilson's character in that. Yeah.
• 14:02
  Speaker 1: He was like... And we don't know the background. Like,
• 14:05
  Speaker 1: you didn't like him until she broke up. Like, he
• 14:07
  Speaker 1: was like, now this? You're a man. This my boy
• 14:10
  Speaker 1: right here. This my boy. Come on in.
• 14:12
  Speaker 2: He can give you the softness I rock with you.
• 14:14
  Speaker 1: Yeah.
• 14:15
  Speaker 2: But the charm, though, I can't recall, like, a performance.
• 14:19
  Speaker 1: So you're saying no, Rob Ross is coming by for
• 14:21
  Speaker 1: any given Sunday?
• 14:22
  Speaker 2: No, I can't see Robert De Niro as the coach
• 14:25
  Speaker 2: any given Sunday.
• 14:25
  Speaker 1: All right. All right, you're up.
• 14:27
  Speaker 2: You know what I'm saying? Can you see? I don't
• 14:29
  Speaker 2: know if you saw this movie. I don't know if
• 14:30
  Speaker 2: you've seen these movies.
• 14:31
  Speaker 1: Man, just throw it out there, and if I didn't,
• 14:32
  Speaker 1: you can talk about it.
• 14:33
  Speaker 3: Okay, can Robert De Niro play Tony Montana in Scarface?
• 14:38
  Speaker 1: Now, come on. You better know if I saw Scarface.
• 14:41
  Speaker 3: Well, I'm just asking for future movies. Because I feel
• 14:44
  Speaker 3: like a lot of this stuff you ain't seen.
• 14:46
  Speaker 1: I seen a lot.
• 14:47
  Speaker 2: All right. So I went right with something I know
• 14:50
  Speaker 2: you saw.
• 14:50
  Speaker 1: Yeah, for sure. You know I know. Okay. Okay, here's the,
• 14:55
  Speaker 1: I'm thinking of, I think, Okay, so let me... Here's
• 15:01
  Speaker 1: my overall thought. I think he can. But I think
• 15:08
  Speaker 1: the one scene we love, I don't know that he
• 15:11
  Speaker 1: can nail that scene. Tony Montana... Say hello to my
• 15:16
  Speaker 1: little friend. Yeah. Going out in a blaze of glory.
• 15:18
  Speaker 1: I don't care if I die.
• 15:19
  Speaker 2: Going big.
• 15:20
  Speaker 1: Going big. Yeah. Thousands of intruders. He had a certain
• 15:25
  Speaker 1: bravado that I don't know. Because like we were talking
• 15:29
  Speaker 1: about Robert De Niro's quiet intensity.
• 15:31
  Speaker 2: Yeah.
• 15:32
  Speaker 1: That's what makes that movie to me. The rest of
• 15:34
  Speaker 1: Tony Montana, he can do, I believe. But that one
• 15:39
  Speaker 1: scene where he's got to be like, getting shot and stuff. Yeah.
• 15:45
  Speaker 1: I can't think of a time where Robert De Niro
• 15:47
  Speaker 1: has gone big like that in a film where you're
• 15:52
  Speaker 1: like Denzel at the end of Training Day.
• 15:55
  Speaker 3: There's a film where he went big. I don't know
• 15:58
  Speaker 3: if we want to save it for later or talk
• 15:59
  Speaker 3: about it now.
• 16:00
  Speaker 1: Talk about it now.
• 16:01
  Speaker 2: Cape Fear, he was big.
• 16:02
  Speaker 1: I ain't see Cape Fear.
• 16:03
  Speaker 2: This is what I was talking about.
• 16:04
  Speaker 1: You know, scary stuff ain't really me. It's not even
• 16:07
  Speaker 1: a scary movie. I thought it was. No. It got
• 16:10
  Speaker 1: fear in the title. It ain't called Cape Joy.
• 16:12
  Speaker 2: Cape Love.
• 16:14
  Speaker 3: He was big energy in that. Not in the same way,
• 16:17
  Speaker 3: but he was big energy.
• 16:18
  Speaker 2: He was.
• 16:19
  Speaker 1: But I know now that Max Cady is more manipulation
• 16:22
  Speaker 1: because I was watching Cape Fear on Apple TV. At
• 16:25
  Speaker 1: the time, I was scared, okay? Okay. You scared of
• 16:27
  Speaker 1: the dark? I'm scared of the light with movies.
• 16:29
  Speaker 2: Ha, ha, ha. Ha, ha, ha.
• 16:32
  Speaker 1: But based on that, you feel like, you think he
• 16:35
  Speaker 1: could do the Tony Montana big? Or that was just
• 16:37
  Speaker 1: big for him?
• 16:38
  Speaker 3: Okay, so I compare moments to, remember in Scarface, he
• 16:45
  Speaker 3: went off on those cats that were assigned to kill somebody.
• 16:49
  Speaker 3: And he was like, I'm not killing no women or
• 16:51
  Speaker 3: no kids. And he kind of erupts and goes off
• 16:53
  Speaker 3: and kills those cats. A similar comparison to that type
• 16:58
  Speaker 3: of moment would be like Robert De Niro- And Jackie Brown,
• 17:02
  Speaker 3: when he got fed up with Bridget Fonda, he was
• 17:08
  Speaker 3: just like, if you could just don't say another word
• 17:11
  Speaker 3: to me. Don't say shit else. He told her this
• 17:14
  Speaker 3: in the parking lot. Just shut your mouth.
• 17:19
  Speaker 2: But it was a quiet, like, he's always going to
• 17:21
  Speaker 2: make it more quiet. And then the rage is there.
• 17:24
  Speaker 2: For sure.
• 17:25
  Speaker 3: Al's going 10, Robert's going 5. Same rage, it's just like,
• 17:31
  Speaker 3: and then he just shot it right there.
• 17:34
  Speaker 1: See, I think Tony Baker, the actor, you probably would
• 17:37
  Speaker 1: mirror more Al Pacino. I mean, I'm sorry, Robert De
• 17:41
  Speaker 1: Niro than Al Pacino. Because you'd be pissed, but you
• 17:45
  Speaker 1: don't ever have to go... To the max.
• 17:48
  Speaker 2: Yeah.
• 17:50
  Speaker 1: Like, when you mad, you ain't got to be like, ah,
• 17:52
  Speaker 1: I'm Tony Baker. Right, right, right. You be like, hey, man,
• 17:54
  Speaker 1: I ain't feeling that. Yeah. And that's not funny or
• 17:56
  Speaker 1: whatever the thing is. Yeah.
• 17:58
  Speaker 2: And apparently I have a look on my face.
• 18:01
  Speaker 1: For sure.
• 18:02
  Speaker 2: And then that. So I'm more in the room.
• 18:04
  Speaker 1: I'm trying to remember the time I seen you mad.
• 18:05
  Speaker 1: I was like, hey.
• 18:06
  Speaker 2: You saw me mad before?
• 18:07
  Speaker 1: Yeah, I'm trying to remember where we were.
• 18:09
  Speaker 2: Oh, we was on the road.
• 18:11
  Speaker 1: I wouldn't say mad, mad, but it was like. I'm
• 18:17
  Speaker 1: blanking on the thing. On the road? On the road.
• 18:20
  Speaker 1: But it wasn't fun, this moment.
• 18:23
  Speaker 2: Oh, snap. I don't know what that was.
• 18:25
  Speaker 1: I'm trying to think. Roads is good times. Roads is
• 18:27
  Speaker 1: good times. It wasn't. It was something.
• 18:30
  Speaker 2: External. Yeah. I wonder.
• 18:32
  Speaker 1: Or you might have been telling us about something that happened.
• 18:35
  Speaker 1: That's what I think it was. It wasn't something that
• 18:37
  Speaker 1: happened in our group. Yeah. But you were telling us, like, no,
• 18:39
  Speaker 1: I wasn't playing in X, Y, and Z. I was like, oh,
• 18:42
  Speaker 1: Nick Tony, like. Tony ain't playing, man. Because I hadn't
• 18:45
  Speaker 1: seen that side of you before that. But you weren't like,
• 18:51
  Speaker 1: I got to go to the— Tony Montana. You ain't
• 18:52
  Speaker 1: got to go to 11 to feel. It's like your
• 18:54
  Speaker 1: dad who don't yell, he never has to yell.
• 18:57
  Speaker 2: Right.
• 18:57
  Speaker 1: But if he's just like, all right, I done told you. Yeah.
• 19:00
  Speaker 1: You're like, all right, all right. Okay, okay, okay.
• 19:02
  Speaker 2: The bargain line, man.
• 19:03
  Speaker 1: Okay, okay, okay.
• 19:05
  Speaker 2: Because I can't see Robert De Niro in that kind of—
• 19:08
  Speaker 2: 10 role. Yeah. Because Tony Montana was just.
• 19:12
  Speaker 1: He was... He was... He was on 10. Almost cartoony. Yeah.
• 19:16
  Speaker 1: But I think that's why we love it.
• 19:17
  Speaker 2: For sure.
• 19:17
  Speaker 1: Like, he over... He was ridiculous. The whole scene is ridiculous. Yeah. Remember,
• 19:21
  Speaker 1: I was watching something. There was only supposed to be, like...
• 19:23
  Speaker 1: 10 people, six to 10 people. And the director's like, nah, man,
• 19:28
  Speaker 1: make it like a kung fu movie. And somebody was like, man,
• 19:31
  Speaker 1: watch out. Ain't nobody going to like that. He was like, man,
• 19:34
  Speaker 1: send 100 people. He was like, you wouldn't need no
• 19:36
  Speaker 1: 100 people. He's like, man, put 100 people in there
• 19:39
  Speaker 1: and listen. And then when the movie came out, everybody
• 19:42
  Speaker 1: liked that part. And the person who was like, all right, man,
• 19:44
  Speaker 1: I was tripping. And I think that's the most memorable
• 19:47
  Speaker 1: scene because it's outlandish.
• 19:49
  Speaker 2: Say hello to my little friend.
• 19:52
  Speaker 1: And they, Belly had it too.
• 19:54
  Speaker 2: They tried to replicate that.
• 19:55
  Speaker 1: The Jamaican dude.
• 19:56
  Speaker 2: The lighting was trash.
• 19:59
  Speaker 3: You know the difference between Scarface and Belly? We could
• 20:01
  Speaker 3: see what the hell was going on in Scarface. The
• 20:06
  Speaker 3: light was pitch black. How are we supposed to get
• 20:09
  Speaker 3: amped up and hyped? I get it from a strategy standpoint.
• 20:13
  Speaker 3: It's your house. Make it dark. Yeah, but as a viewer.
• 20:15
  Speaker 2: It works, but as a viewer, man.
• 20:17
  Speaker 1: What the hell am I looking at?
• 20:20
  Speaker 2: I just see an AK-47 shooting in the dark, and
• 20:23
  Speaker 2: then some Jamaican chick jumps off a high-ass balcony and
• 20:26
  Speaker 2: didn't break her ankles on the come down for the
• 20:30
  Speaker 2: throat cut.
• 20:32
  Speaker 1: I'm so tired of TV and movies doing that, man.
• 20:36
  Speaker 1: Game of Thrones might have been the worst offender ever.
• 20:39
  Speaker 1: The long night battle, man, it was like, man, this
• 20:42
  Speaker 1: is what I'm watching. I'm like, man, this is crazy. Oh, yeah.
• 20:45
  Speaker 1: I got the tea. I got to turn the lights
• 20:47
  Speaker 1: in my room off. Right. It don't show on the laptop, man.
• 20:50
  Speaker 1: Cut it up.
• 20:51
  Speaker 2: Cut it up, man.
• 20:52
  Speaker 1: Let's see. Cut it up. Let them fight at 3.30
• 20:54
  Speaker 1: Pacific Standard Time in June. We can't see nothing, man.
• 20:58
  Speaker 3: If you want to show us what they are seeing
• 21:01
  Speaker 3: and experiencing, do a quick.
• 21:04
  Speaker 2: POV shot of that.
• 21:06
  Speaker 1: Yeah, it's like dunking eggs.
• 21:07
  Speaker 2: Like if they fight, boom, and then go back to
• 21:10
  Speaker 2: what we can see as the odds. Yes.
• 21:12
  Speaker 1: Pull out.
• 21:13
  Speaker 2: Yeah, for sure.
• 21:14
  Speaker 1: All right. Who's up? Me or you?
• 21:17
  Speaker 2: You.
• 21:18
  Speaker 1: What up, y'all? It's your boy Kevin on stage. I
• 21:19
  Speaker 1: want to take a quick break from the show to
• 21:21
  Speaker 1: tell you about our sponsor for today, Polymarket. Football is back, folks,
• 21:25
  Speaker 1: as you can see, and you need to change the
• 21:27
  Speaker 1: way you invest in the NFL this season. It's time
• 21:30
  Speaker 1: to finally ditch your old sportsbooks, apps, Because Polymarket is here.
• 21:36
  Speaker 1: Polymarket is a legal prediction market now available in all
• 21:40
  Speaker 1: 50 states. All those old sportsbooks are a relic of
• 21:44
  Speaker 1: the past. On Polymarket, you can trade all things NFL
• 21:48
  Speaker 1: from the Sunday slate to who wins Rookie of the Year,
• 21:50
  Speaker 1: who performs at the halftime show, who's the MVP. We
• 21:55
  Speaker 1: hear from listeners all the time about sportsbooks driving them crazy,
• 21:58
  Speaker 1: trying to cash out live. They can block you as
• 22:01
  Speaker 1: often as they want, holding your money hostage. Polymarket gives
• 22:05
  Speaker 1: you the freedom to cash out instantly. If the momentum swings,
• 22:08
  Speaker 1: you sell off in real time. You are in control.
• 22:12
  Speaker 1: No one can lock you out and you can also
• 22:14
  Speaker 1: buy in any time. So when the market dips, like
• 22:17
  Speaker 1: if a team starts off slow and drops to say
• 22:18
  Speaker 1: 40 percent, that's not a loss. That's when you buy in.
• 22:23
  Speaker 1: At Polymarket, you can buy cheap and ride the momentum
• 22:25
  Speaker 1: back up. Polymarket is so confident that you'll never go
• 22:29
  Speaker 1: back to the old way they're issuing you a challenge.
• 22:32
  Speaker 1: They're giving you a $ 50 bonus when you deposit just $ 10.
• 22:35
  Speaker 1: Sign up right now with the promo code BALDBROS. That's
• 22:38
  Speaker 1: polymarket.us and use the promo code BALDBROS to get a
• 22:43
  Speaker 1: $ 50 bonus when you deposit just $ 10. And now, back
• 22:47
  Speaker 1: to the show.
• 22:48
  Speaker 2: All right.
• 22:51
  Speaker 1: Let me see. What did I say? Any given Sunday?
• 22:53
  Speaker 1: All right. Could Robert De Niro replace Al Pacino in
• 23:06
  Speaker 1: Scent of a Woman?
• 23:08
  Speaker 2: I've never seen it.
• 23:12
  Speaker 1: How?
• 23:13
  Speaker 2: I'm going to say no. I've never seen it.
• 23:16
  Speaker 3: I was pissed off that he won instead of Malcolm X,
• 23:20
  Speaker 3: so I ain't watched.
• 23:25
  Speaker 1: It.
• 23:25
  Speaker 2: I ain't watched it, Kev. This is for Malcolm. This
• 23:30
  Speaker 2: is for Denzel. I never watched it.
• 23:32
  Speaker 1: I'm never going to watch another Alan Arkin movie in
• 23:34
  Speaker 1: my life.
• 23:35
  Speaker 2: I never saw it, man.
• 23:38
  Speaker 1: I love Scent of a Woman. I hate his blindness.
• 23:43
  Speaker 2: Oh, you didn't buy the blind?
• 23:44
  Speaker 1: Oh, man. He was big. Him and Denzel play the
• 23:51
  Speaker 1: opposite terrible of blind. Denzel is not blind in Book
• 23:54
  Speaker 1: of Eli. He's just wearing glasses.
• 23:56
  Speaker 2: But he wasn't doing it big.
• 23:58
  Speaker 1: And Al Pacino was like, I'm blind! Hey-oh! I'm blind, y'all!
• 24:03
  Speaker 1: I was like, bro, have you ever seen a blind person?
• 24:06
  Speaker 2: And the Academy Award goes to.
• 24:10
  Speaker 1: And it made his eyes bigger. Okay. Blind, y'all! Ha! Ha-ha! Hoo-ah!
• 24:16
  Speaker 2: That's where the hoo-ah started, right? He started yelling in
• 24:21
  Speaker 2: every movie after a certain time. He started out so quiet.
• 24:26
  Speaker 3: He was like, y'all not going to typecast me as
• 24:28
  Speaker 3: quiet intensity. I'm going to be loud intensity from here
• 24:31
  Speaker 3: on out. I guess that's what the military, Marines said.
• 24:38
  Speaker 1: He was saying it unrelated to the Army.
• 24:40
  Speaker 2: He was just throwing it in there. I've never saw it, though.
• 24:44
  Speaker 1: Oh, my God.
• 24:46
  Speaker 2: So, so, I'll pose the question back to you, then,
• 24:49
  Speaker 2: since you saw it. This is going to be a
• 24:52
  Speaker 2: lot of this, because I know you ain't seen a
• 24:54
  Speaker 2: lot of these movies, so this is going to go
• 24:55
  Speaker 2: back to the asker, because you're going to be watching stuff.
• 24:58
  Speaker 1: I'll be watching stuff. See, okay. he definitely ain't doing
• 25:10
  Speaker 1: all that who else stuff. So I'm like, in some ways,
• 25:14
  Speaker 1: that is what I like about the movie. Like, he
• 25:17
  Speaker 1: was doing the most. He was in the courtroom yelling, man.
• 25:20
  Speaker 1: He was just yelling. I think it's such a different movie.
• 25:25
  Speaker 1: I don't think it hits like that.
• 25:27
  Speaker 2: OK.
• 25:27
  Speaker 1: I feel like, you know, I thought they were much
• 25:30
  Speaker 1: closer in acting. I think their abilities are very similar,
• 25:34
  Speaker 1: but their approach is very different.
• 25:36
  Speaker 2: Very different.
• 25:37
  Speaker 1: I was like, Will and Denzel, I thought, were much
• 25:40
  Speaker 1: more different, and they actually are more similar than I
• 25:42
  Speaker 1: realized when we did this, that they could do, you know, more.
• 25:47
  Speaker 1: But I'm like, that is a very different movie. If
• 25:52
  Speaker 1: Robert De Niro, because he's not doing all that stuff,
• 25:54
  Speaker 1: and fortunately that's the part, that's the part I like.
• 25:59
  Speaker 1: I feel like it's such a different movie, and his
• 26:03
  Speaker 1: charisma and bigness is what makes me be like, That's
• 26:09
  Speaker 1: what makes the movie to me.
• 26:10
  Speaker 2: Okay.
• 26:10
  Speaker 1: Who's the scene partner?
• 26:13
  Speaker 2: Chris O'Donnell.
• 26:14
  Speaker 1: Chris? What happened to Chris?
• 26:15
  Speaker 3: He was at NCIS Los Angeles for like eight, nine
• 26:19
  Speaker 3: seasons with LL.
• 26:20
  Speaker 2: Oh, okay. He went to TV. I'm out.
• 26:22
  Speaker 1: Was he robbing?
• 26:23
  Speaker 2: He paid, though. Yeah, he was robbing.
• 26:25
  Speaker 1: Big pay. Yeah. NCIS be on TV. For sure. NCIS,
• 26:31
  Speaker 1: you go on the roll, you turn NCIS, Los Angeles,
• 26:35
  Speaker 1: New Orleans, with no New Orleans accent.
• 26:37
  Speaker 2: Right.
• 26:37
  Speaker 1: Them people in New Orleans are just like, yeah, man,
• 26:40
  Speaker 1: we're in New Orleans, jambalaya. Anyway, the bodies over here,
• 26:43
  Speaker 1: they like, they not trying to even.
• 26:45
  Speaker 2: There was no.
• 26:46
  Speaker 1: New Orleans accent. Bro, they not even saying nothing. Yeah.
• 26:49
  Speaker 1: And it's like, even the people, the locals, hey, man,
• 26:53
  Speaker 1: we're in New Orleans also. Black person talking like this.
• 26:56
  Speaker 1: No Fifth Ward, no Webby. No, not cold drink. I
• 27:02
  Speaker 1: would like a soda.
• 27:04
  Speaker 2: I wonder if movie actors, film actors that were in
• 27:08
  Speaker 2: film and then they go back to TV, network TV,
• 27:12
  Speaker 2: I wonder if they view it as like the cruise
• 27:15
  Speaker 2: ships of... You know how comedians be like, cruise ships, yo.
• 27:21
  Speaker 2: It's great money, you can make a great living on it,
• 27:23
  Speaker 2: but it's just like.
• 27:25
  Speaker 1: The network procedural drama.
• 27:28
  Speaker 2: Network now. I know they would love HBO. Oh, streaming.
• 27:31
  Speaker 1: You know what I'm saying?
• 27:32
  Speaker 2: Yeah.
• 27:32
  Speaker 1: Apple TV.
• 27:33
  Speaker 2: Networks.
• 27:34
  Speaker 1: NCIS Portland.
• 27:36
  Speaker 2: Your money going to be right, but I wonder if
• 27:38
  Speaker 2: they'd just be like, man, I want that movie star.
• 27:41
  Speaker 1: Because it's like NCIS, for example, CSI, man, they churn
• 27:46
  Speaker 1: out episodes. Yes. You know what I mean? Big bread.
• 27:50
  Speaker 1: But I think if you're a movie star, I think
• 27:52
  Speaker 1: what's alluring about that is is you get to transform
• 27:57
  Speaker 1: into all these characters.
• 27:58
  Speaker 2: Yeah, you get to be different people for a short
• 28:00
  Speaker 2: amount of time.
• 28:01
  Speaker 1: Yes. When you on NCIS, you the same guy. For
• 28:05
  Speaker 1: 400 episodes, you've been Detective Nick Conklin. The thing is,
• 28:14
  Speaker 1: it's also procedural. Yeah. So you're going to start the episode.
• 28:18
  Speaker 1: We got the crime. We got the body. We got
• 28:20
  Speaker 1: the hot whatever you're doing. Right. And that probably gets boring.
• 28:25
  Speaker 2: And you're going to wrap it up.
• 28:27
  Speaker 1: Yeah.
• 28:27
  Speaker 3: They might have one or two that last a few episodes.
• 28:30
  Speaker 3: They're going to wrap that shit up.
• 28:32
  Speaker 1: Yeah.
• 28:32
  Speaker 2: Great money, though. Your money is... set.
• 28:35
  Speaker 1: When you do the cruise ship, how many performances would
• 28:39
  Speaker 1: you get in a seven-day cruise? And how many different
• 28:41
  Speaker 1: sets would you do?
• 28:42
  Speaker 3: The cruise ships I was doing, let's say I'd be
• 28:44
  Speaker 3: on there for seven days. I was doing seven-day joints.
• 28:47
  Speaker 2: I'd probably do shows maybe four days out of seven.
• 28:50
  Speaker 2: And within that, it might be It might be one
• 28:54
  Speaker 2: day where I do two shows.
• 28:56
  Speaker 3: Like I do like a welcome aboard show and then
• 29:00
  Speaker 3: the big show and then the dirty show.
• 29:02
  Speaker 2: So it's like that. You got to have a different
• 29:05
  Speaker 2: set for each one.
• 29:06
  Speaker 1: So four shows, four sets?
• 29:09
  Speaker 2: Yeah, pretty much.
• 29:11
  Speaker 3: Yeah, it'd be like, you know, unless you do multiple dirties,
• 29:13
  Speaker 3: then you can kind of, but yeah, they'd be like,
• 29:16
  Speaker 3: we want a different. main show set, we want a
• 29:19
  Speaker 3: different clean. We want a different, a lot of times
• 29:22
  Speaker 3: the main show will be the clean.
• 29:24
  Speaker 1: So would you run that same three or four set
• 29:26
  Speaker 1: every time you did a cruise?
• 29:29
  Speaker 2: You know me, I'll be trying to throw other stuff
• 29:31
  Speaker 2: up in the mix.
• 29:32
  Speaker 1: Even though you got brand new people. Yeah. You'll just
• 29:35
  Speaker 1: be bored.
• 29:36
  Speaker 3: Me, I'll just be like, man, I'm throwing this in there.
• 29:39
  Speaker 3: Y'all gonna take it. it and y'all going to hush.
• 29:43
  Speaker 3: But if you stay on the cruise ship, some cats
• 29:44
  Speaker 3: be on the cruise ship three weeks out of the
• 29:46
  Speaker 3: four in the month. Or they might just stay at sea,
• 29:49
  Speaker 3: just a straight nine-month run.
• 29:50
  Speaker 1: This is good bread.
• 29:51
  Speaker 3: It's great bread. And so you can just really stack. Man,
• 29:55
  Speaker 3: it's cutting back on your living expenses.
• 29:57
  Speaker 2: For sure. Because you just.
• 29:58
  Speaker 1: You can't Uber Eats. You can't go to the movies.
• 30:00
  Speaker 1: You just paying for the Wi-Fi.
• 30:01
  Speaker 2: That's it.
• 30:02
  Speaker 1: Food free. Yep. You ain't buying no clothes.
• 30:04
  Speaker 2: Room and board is free. It's on the house.
• 30:06
  Speaker 1: The Wi-Fi, man.
• 30:07
  Speaker 2: You just stacking.
• 30:08
  Speaker 1: Yeah.
• 30:08
  Speaker 3: But man, my soul, though. Get me out of here.
• 30:15
  Speaker 3: Fuck ships. But I will go back to ships.
• 30:19
  Speaker 1: Oh, my God.
• 30:20
  Speaker 3: When the road dries up, I'll be right on your
• 30:22
  Speaker 3: cruise line.
• 30:23
  Speaker 1: Ladies and gentlemen.
• 30:24
  Speaker 2: What's up, y'all? Man, crew, man, that buffet. That buffet, y'all.
• 30:31
  Speaker 1: Man. That's what I told Angel. I said, if I
• 30:34
  Speaker 1: got to do meet and greets again, boy, you'll see me.
• 30:40
  Speaker 1: Like the girl from Obsession.
• 30:42
  Speaker 2: Yeah.
• 30:43
  Speaker 1: I happy.
• 30:44
  Speaker 2: When she was waving to come home.
• 30:46
  Speaker 1: I pee. I doodoo. I love y'all. Before I have
• 30:50
  Speaker 1: to go back to Boeing. Yeah. Boy, seven nights, y'all.
• 30:54
  Speaker 2: Listen.
• 30:54
  Speaker 1: Kansas City.
• 30:56
  Speaker 2: Listen.
• 30:56
  Speaker 1: 12 people a night.
• 30:58
  Speaker 2: And be underneath that, the road, cruise ships.
• 31:02
  Speaker 1: Yeah. But crazy enough, making more on the cruise ships
• 31:04
  Speaker 1: than that. Yeah. Well, on the top end.
• 31:06
  Speaker 2: But man, my soul, though.
• 31:08
  Speaker 1: Soul on empty.
• 31:10
  Speaker 2: And I'm trapped. So it was just like.
• 31:12
  Speaker 1: And then also, you're cruising to the same thing, so
• 31:15
  Speaker 1: it ain't like... How many times do you go to
• 31:17
  Speaker 1: the fake version of Haiti? Right. Also, cruises, man, that
• 31:20
  Speaker 1: ain't really Haiti. Labadee Haiti... That's not real.
• 31:23
  Speaker 2: Oh, they got a cruise ship to go there?
• 31:25
  Speaker 1: Yeah. I looked up Labadee. The internet was like, this
• 31:28
  Speaker 1: ain't even nothing.
• 31:29
  Speaker 2: Oh, wow.
• 31:29
  Speaker 1: This is Florida. This is just only Royal Caribbean stuff.
• 31:32
  Speaker 1: This ain't really Haiti. When I was, I was all, man,
• 31:34
  Speaker 1: I've been to Haiti. People were like, bro, Labadee, Haiti
• 31:37
  Speaker 1: ain't real.
• 31:38
  Speaker 2: Trash.
• 31:39
  Speaker 1: Royal Caribbean just bought an island somewhere in the Caribbean
• 31:41
  Speaker 1: and was like, Haiti, y'all. All these built-in cabanas for
• 31:46
  Speaker 1: barbecue stuff ain't a Haitian item available.
• 31:49
  Speaker 2: That's crazy.
• 31:50
  Speaker 1: Hot dogs. In Haiti, chicken tenders.
• 31:54
  Speaker 2: I've never even heard of this place.
• 31:55
  Speaker 1: Man, it's not real. It's got a water park. It's
• 31:58
  Speaker 1: all Royal Caribbean on, man. Labadee, Haiti is not Haiti.
• 32:02
  Speaker 1: I need to go to Port-au-Prince. Man. Had Haitian food
• 32:06
  Speaker 1: for the first time three months ago. Been to Haiti
• 32:09
  Speaker 1: three times in Royal Caribbean. All right, so Scent of
• 32:14
  Speaker 1: a Woman is too different for me with Bobby D. Okay.
• 32:18
  Speaker 1: I need Al Pacino.
• 32:19
  Speaker 2: That's a no.
• 32:20
  Speaker 1: Yeah.
• 32:21
  Speaker 2: There's been a lot of no's here. I ain't feeling it.
• 32:24
  Speaker 2: There's been a lot of no's here. I ain't feeling it.
• 32:26
  Speaker 1: All right, you're up.
• 32:28
  Speaker 2: Okay.
• 32:30
  Speaker 3: So could you see Robert De Niro in Donnie Brasco?
• 32:38
  Speaker 3: Robert De Niro as a Puerto Rican.
• 32:42
  Speaker 1: De Niro is Spanish. Give me one second.
• 32:50
  Speaker 2: Have you seen Carlito's Way?
• 32:52
  Speaker 1: I have seen Carlito's Way.
• 32:53
  Speaker 2: All right. I got to make sure, kid. I haven't
• 32:54
  Speaker 2: seen Donnie Brasco. Oh, that's right. Donnie Brasco. You haven't
• 32:57
  Speaker 2: seen Donnie Brasco?
• 32:58
  Speaker 1: I was thinking of Carlito's Way.
• 33:00
  Speaker 2: So you haven't seen Donnie Brasco? Nope.
• 33:03
  Speaker 1: That's the mob, dude. Right?
• 33:05
  Speaker 2: Johnny Depp is an undercover informant. Informant? And Al Pacino's
• 33:09
  Speaker 2: the mob guy.
• 33:10
  Speaker 1: Ain't seen it.
• 33:11
  Speaker 2: Oh, man.
• 33:11
  Speaker 1: Come on, kid. Tell me about it. I was like,
• 33:13
  Speaker 1: this is Carlito's Way. Yeah. It ain't Carlito's Way.
• 33:17
  Speaker 3: All right.
• 33:18
  Speaker 2: This is actually a movie where I could see Robert
• 33:21
  Speaker 2: De Niro playing that role, actually.
• 33:23
  Speaker 1: OK.
• 33:24
  Speaker 3: He was kind of a lower level mob guy, which
• 33:31
  Speaker 3: puts me in the mindset of how Robert De Niro
• 33:34
  Speaker 3: was in The Irishman.
• 33:36
  Speaker 1: Oh, The Irishman. Yeah.
• 33:37
  Speaker 2: Except he wasn't.
• 33:40
  Speaker 3: I mean, he did Dirt, you know, he put the
• 33:41
  Speaker 3: work in, but he was still more like, you know
• 33:44
  Speaker 3: what I'm saying? There were cats above, like Sonny Black
• 33:46
  Speaker 3: was the main cat in the other group, was played
• 33:49
  Speaker 3: by Michael Madsen. But I could see Robert De Niro
• 33:55
  Speaker 3: in that type of role, and what helps me see
• 33:57
  Speaker 3: that is his performance in The Irishman.
• 33:59
  Speaker 2: Like Following Orders.
• 34:01
  Speaker 1: Jimmy Hoffa joins the first half of the movie. You
• 34:05
  Speaker 1: say before? Before Al Pacino joined.
• 34:07
  Speaker 2: Yeah, you know, working under Buffalino.
• 34:10
  Speaker 3: Like Joe Pesci's character and that. Just following orders and,
• 34:14
  Speaker 3: you know, giving tips to the new kid, which is
• 34:17
  Speaker 3: Johnny Depp.
• 34:18
  Speaker 2: I can see Robert De Niro in that role. Okay.
• 34:21
  Speaker 1: Yeah. I don't know how I miss Donnie Brasco.
• 34:23
  Speaker 2: I don't know how you miss it either.
• 34:24
  Speaker 1: Donnie Brasco, 97? It's good, too. I'm going to have
• 34:27
  Speaker 1: to watch it with the Patreon.
• 34:28
  Speaker 2: Yeah, it's good. Yeah, but I can see Robert De
• 34:32
  Speaker 2: Niro in that role for sure.
• 34:34
  Speaker 1: Yeah, 97. I missed it. I was 14.
• 34:37
  Speaker 2: Made 40-something million at the box office.
• 34:39
  Speaker 1: I ain't have it. My aunt didn't have it on VHS.
• 34:42
  Speaker 2: Yeah, it's good, though. Okay. All right.
• 34:44
  Speaker 1: Moving on. Could you see... Am I doing Al Pacino? No,
• 34:52
  Speaker 1: Robert De Niro. What would you just do?
• 34:54
  Speaker 2: I just did, could you see Robert De Niro in
• 34:57
  Speaker 2: the Al role?
• 34:58
  Speaker 1: Okay. So could you see Al Pacino... Could you see
• 35:08
  Speaker 1: Al Pacino in Meet the Parents? As the overprotective father? No.
• 35:20
  Speaker 1: Robert De Niro was really funny to me in that role.
• 35:22
  Speaker 2: Yeah, I couldn't see Al Pacino in it. He would
• 35:25
  Speaker 2: just be too.
• 35:26
  Speaker 1: The intensity works against him.
• 35:27
  Speaker 3: That warmth, man, is going to come through. Al Pacino's
• 35:31
  Speaker 3: He has a warmth to him, man. Him being rough
• 35:37
  Speaker 3: on Ben Stiller, I can't see it the same. I
• 35:42
  Speaker 3: can't see it hitting the same.
• 35:44
  Speaker 1: He going to be... He, Robert De Niro's quiet intimidation
• 35:49
  Speaker 1: is what makes that funny. Yes. If you're just like me,
• 35:52
  Speaker 1: it's not funny. Right. It's intimidating, but it's not an
• 35:56
  Speaker 1: intimidating movie. Right. Him being just letting his quiet demeanor
• 36:01
  Speaker 1: lets Ben Stiller dig his grave so much more. Yeah. Right?
• 36:06
  Speaker 1: Jinxy cat. Yeah. Spray tanning, all that. The lie detector test.
• 36:11
  Speaker 1: It's the quiet intimidation that's making all that. funny right
• 36:16
  Speaker 1: you're just mean and it's gonna be like all right
• 36:19
  Speaker 1: man i'm gone.
• 36:19
  Speaker 2: Al pacino hasn't been quiet since godfather.
• 36:24
  Speaker 1: Yeah miles said pacino go too hard i think that's
• 36:28
  Speaker 1: just gonna make it not funny yeah it's just like.
• 36:31
  Speaker 2: That's a completely different movie.
• 36:33
  Speaker 1: Yes.
• 36:34
  Speaker 2: But I feel like it wouldn't work as well.
• 36:36
  Speaker 1: Not in a good way. It's just like, all right, man.
• 36:39
  Speaker 1: And that was everybody. Melissa's parents, man. Oh, my God.
• 36:45
  Speaker 1: They think that's the funniest movie ever. We used to
• 36:49
  Speaker 1: watch that at her house in high school. Mary Marshall
• 36:53
  Speaker 1: was like, what y'all doing, man? Meet the parents. Just
• 36:59
  Speaker 1: loved it. And it was funny, but it was just like, man.
• 37:02
  Speaker 2: Cut it off.
• 37:03
  Speaker 1: Cut it off. I got nipples, Greg. Could you milk me?
• 37:08
  Speaker 1: Greg's a male nurse. She thought that. Greg's a male nurse. Yeah. Man.
• 37:14
  Speaker 1: She was like, that's comedy, y'all.
• 37:19
  Speaker 2: When you think of comedy, look no further than this here.
• 37:22
  Speaker 2: I'm glad y'all here.
• 37:23
  Speaker 1: Yeah, Circle of Trust. Oh, my God.
• 37:25
  Speaker 2: Circle of Trust.
• 37:26
  Speaker 1: My pastor, Kev, is not in the Circle of Trust.
• 37:31
  Speaker 1: I was like, all right, man. All right. I don't
• 37:35
  Speaker 1: know about Meet the Parents, y'all. It's funny, but they
• 37:38
  Speaker 1: just was like, man, Meet the Parents in Medea, they
• 37:41
  Speaker 1: was like, I don't need nothing else. Meet the parents
• 37:44
  Speaker 1: of Madea, man. I thought that was just so funny.
• 37:47
  Speaker 1: That's what makes life worth living. Man, Jinxy Cat, huh?
• 37:51
  Speaker 1: So yeah, no, I think I agree with you. I
• 37:52
  Speaker 1: feel like that's just not even funny now. Yeah. It
• 37:56
  Speaker 1: would need to be like a horror film. It would just,
• 37:59
  Speaker 1: I'll just be doing too much for it to work.
• 38:01
  Speaker 2: Yeah.
• 38:02
  Speaker 1: All right, you're up, man.
• 38:03
  Speaker 2: So I'm going to go, since you fumbled earlier, I'm
• 38:05
  Speaker 2: going to go with Carlitos Way. Could you see Robert
• 38:09
  Speaker 2: De Niro in Carlitos Way? Carlitos. I love Carlitos. I
• 38:13
  Speaker 2: love that movie, too. I like it better than Scarface.
• 38:16
  Speaker 1: Really? I do. Because it's more grounded?
• 38:18
  Speaker 2: Yeah. And.
• 38:21
  Speaker 1: Every time I see a dark alley, I think of
• 38:22
  Speaker 1: Carlitos Way.
• 38:23
  Speaker 2: Carlitos Way, man. It's something... I like Scarface, too, but
• 38:26
  Speaker 2: I really... It's something about Carlitos Way that I prefer.
• 38:31
  Speaker 1: You like it better than Scarface?
• 38:33
  Speaker 2: Yeah.
• 38:34
  Speaker 1: Yep.
• 38:34
  Speaker 2: I love them both, but if I had to pick one,
• 38:37
  Speaker 2: it's just... carlito's way.
• 38:40
  Speaker 3: And carlito's way to me has one of the best
• 38:42
  Speaker 3: endings yeah i gotta put the ending even though you
• 38:46
  Speaker 3: know say hello to my little friend it was still
• 38:48
  Speaker 3: mad ridiculous and entertaining and over the top and like
• 38:51
  Speaker 3: a young little kid tony would be like man yeah
• 38:54
  Speaker 3: tony montana went out but like the the tension and
• 38:59
  Speaker 3: the edge of your seatness of carlito's way ending yeah
• 39:03
  Speaker 3: way better than.
• 39:03
  Speaker 1: Me i remember carlito's way The ending being like, man,
• 39:08
  Speaker 1: that was good.
• 39:08
  Speaker 3: Him navigating through the Grand Central Station, boy, I was,
• 39:12
  Speaker 3: booty cheeks was clenched.
• 39:14
  Speaker 1: John Leguizamo is good in that.
• 39:16
  Speaker 2: He's great in that.
• 39:17
  Speaker 1: John Leguizamo is good in so many different.
• 39:21
  Speaker 2: You talk about range.
• 39:22
  Speaker 1: He got, I feel like we don't.
• 39:24
  Speaker 2: He got more range than Daniel day lewis.
• 39:27
  Speaker 1: Easy easy odyssey odyssey yeah he's my favorite performance i
• 39:34
  Speaker 1: think i honestly no funny stuff i hope he wins
• 39:37
  Speaker 1: the oscar me too supporting i want him to get
• 39:39
  Speaker 1: the supporting nobody obviously i've seen dune or.
• 39:43
  Speaker 2: Um yeah uh They haven't gotten to the Oscar bait
• 39:48
  Speaker 2: movies yet.
• 39:49
  Speaker 1: I don't be watching all those pieces of crap.
• 39:51
  Speaker 3: Yeah, a lot of times they be boring as hell.
• 39:53
  Speaker 3: But I would love for him.
• 39:55
  Speaker 1: I feel like Pacino was more muted in Carlito's way.
• 39:58
  Speaker 2: He was chill in that movie.
• 40:00
  Speaker 1: I feel like Robert De Niro.
• 40:01
  Speaker 2: He didn't go big in that movie.
• 40:02
  Speaker 1: He didn't go big in that.
• 40:04
  Speaker 2: He would have moments of it.
• 40:05
  Speaker 3: It was bigger than The Godfather, of course, because he
• 40:08
  Speaker 3: had to represent himself in court a little bit.
• 40:10
  Speaker 2: He had those moments of just like.
• 40:13
  Speaker 3: He would try to distract and charm people out of killing.
• 40:16
  Speaker 2: Him or going to jail.
• 40:17
  Speaker 1: Yeah.
• 40:18
  Speaker 2: Or I got to win them over in the court.
• 40:20
  Speaker 2: But off those moments where he has to go bigger,
• 40:26
  Speaker 2: he was a bit more chill. Not super chill, but.
• 40:29
  Speaker 1: But chill enough that I think Robert De Niro could
• 40:32
  Speaker 1: do it. Yeah. I feel like... And it's a more
• 40:35
  Speaker 1: grounded thing, and I think Robert De Niro excels.
• 40:38
  Speaker 2: Oh, he's grounded McGee.
• 40:39
  Speaker 1: That's why I think casino... Casino works. I love Casino
• 40:46
  Speaker 1: and Goodfellas, but Casino was like, I feel like this
• 40:50
  Speaker 1: is very close to what it was like to be
• 40:53
  Speaker 1: in the mob for real. Or building out Vegas. Like, it's...
• 40:58
  Speaker 1: Because you had.
• 40:58
  Speaker 2: The answer to the mob higher-ups in Vegas.
• 41:02
  Speaker 1: For sure.
• 41:03
  Speaker 3: They had avatars out there in Vegas holding it down,
• 41:06
  Speaker 3: doing the day-to-day.
• 41:07
  Speaker 1: Right.
• 41:08
  Speaker 2: But they was putting the money up. And if you
• 41:09
  Speaker 2: fuck that money up.
• 41:10
  Speaker 1: That horse's head is in there. And they in New
• 41:13
  Speaker 1: York and Jersey. They got the white dude, big glasses,
• 41:17
  Speaker 1: running it.
• 41:18
  Speaker 2: That's why they killed, what's his name in real life? No, no, no, Bugsy.
• 41:23
  Speaker 2: Bugsy Siegel in real life.
• 41:25
  Speaker 1: Oh, in real life. Yeah, yeah.
• 41:26
  Speaker 2: They was just like, yo, you fucked the money up.
• 41:28
  Speaker 1: Right, and they not playing. They not playing.
• 41:31
  Speaker 2: Even though they could have gave them a little bit
• 41:32
  Speaker 2: more time and grace because Vegas did end up being
• 41:35
  Speaker 2: a success.
• 41:35
  Speaker 1: Yeah.
• 41:36
  Speaker 2: They was just like, but you got to go.
• 41:38
  Speaker 1: There's no patience. That's why I don't want to be
• 41:40
  Speaker 1: in the drug game. Either way, you're too good, jealousy
• 41:44
  Speaker 1: kill you. You're too bad, you're making the bread, kill you.
• 41:48
  Speaker 1: You're too old.
• 41:49
  Speaker 2: Pressure's on.
• 41:51
  Speaker 1: We need new blood.
• 41:51
  Speaker 2: It's nothing personal.
• 41:52
  Speaker 1: Too young, too ambitious.
• 41:54
  Speaker 2: It's nothing personal, man.
• 41:55
  Speaker 1: How do you even feel?
• 41:56
  Speaker 2: We don't know if you're going to talk or not.
• 41:58
  Speaker 1: Man.
• 41:59
  Speaker 2: You in the car, man.
• 42:00
  Speaker 1: Where we going, man?
• 42:00
  Speaker 2: I love it.
• 42:03
  Speaker 1: Joe Pesci's face in Goodfellas. He walks into that door.
• 42:06
  Speaker 1: He was like.
• 42:08
  Speaker 2: Oh.
• 42:08
  Speaker 1: The way his face was. He knew.
• 42:11
  Speaker 2: Soon as he walked in.
• 42:12
  Speaker 3: Oh.
• 42:12
  Speaker 2: They didn't even let him finish the oh part. Oh.
• 42:17
  Speaker 1: Little slow, little late, Miles Davis. That line in the wire. Oh, yeah.
• 42:22
  Speaker 1: How you can't be either a little slower or a
• 42:24
  Speaker 1: little late? How you never going to be slow? Yeah.
• 42:27
  Speaker 1: Or late?
• 42:27
  Speaker 2: Never going to be late.
• 42:28
  Speaker 1: Booty chink. Booty chink's clean. So, yes, I think Robert
• 42:30
  Speaker 1: De Niro can replace Al and Carlito's way. I think
• 42:33
  Speaker 1: it's still good. Okay.
• 42:34
  Speaker 2: Yeah. Bet that.
• 42:35
  Speaker 1: All right. You're up, man.
• 42:37
  Speaker 2: Am I?
• 42:38
  Speaker 1: Oh, no, that's me.
• 42:39
  Speaker 2: Yeah, yeah.
• 42:40
  Speaker 1: You said Carlito's way.
• 42:41
  Speaker 2: Mm-hmm.
• 42:45
  Speaker 1: Could Al Pacino replace Robert De Niro in a Bronx tale?
• 42:51
  Speaker 2: Ooh.
• 42:51
  Speaker 1: Terrell Hicks.
• 42:54
  Speaker 2: Yes.
• 42:55
  Speaker 1: You think so? Yep.
• 42:56
  Speaker 3: I could see Al Pacino as an honest bus driver,
• 42:59
  Speaker 3: working man, trying to keep his son out of that life,
• 43:03
  Speaker 3: out of hanging with that type of crowd.
• 43:05
  Speaker 2: I could definitely see that.
• 43:06
  Speaker 1: And you know what?
• 43:07
  Speaker 2: Excuse me.
• 43:09
  Speaker 1: Robert had to turn up a few times.
• 43:11
  Speaker 2: He did.
• 43:11
  Speaker 1: Because Chaz Palminteri's character was like, you weren't going... slide
• 43:18
  Speaker 1: by and get what you want. Yeah. He had to
• 43:20
  Speaker 1: tell them, nah, man, this is my son. Yes. No disrespect.
• 43:24
  Speaker 2: I respect you, but this is my son, bro.
• 43:26
  Speaker 1: He always came. Yeah. No disrespect to you or what
• 43:29
  Speaker 1: y'all doing. Right. Stop talking to him. Yeah.
• 43:32
  Speaker 2: He didn't let him know, man.
• 43:33
  Speaker 1: Hey, he was like, you willing to die for that? Yeah. Basically. Yeah.
• 43:37
  Speaker 1: Because Chaz Momentary was killing people.
• 43:38
  Speaker 2: He was.
• 43:39
  Speaker 1: They locked the door on the bikers. The bikers thought
• 43:42
  Speaker 1: it was sweet out here.
• 43:43
  Speaker 2: They thought it was big sweet. I'm sure them bikers been.
• 43:46
  Speaker 3: wrecking hell all across America, just punking and slapping the
• 43:50
  Speaker 3: shit out of the people.
• 43:51
  Speaker 2: They just came across the wrong establishment.
• 43:54
  Speaker 1: Can you imagine thinking you have the upper hand, and
• 43:57
  Speaker 1: the person you have the upper hand on goes and
• 43:59
  Speaker 1: locks the door?
• 44:00
  Speaker 2: Now yous can't leave.
• 44:02
  Speaker 1: Now I have poorly misunderstood the situation. The dude looked
• 44:08
  Speaker 1: at him, locked the door. He was like, hey, wait. No,
• 44:12
  Speaker 1: we scare you.
• 44:13
  Speaker 3: No, no, you can't leave now. We gave you an opportunity.
• 44:16
  Speaker 3: We led with respect.
• 44:17
  Speaker 1: It's over with now.
• 44:18
  Speaker 2: It's done.
• 44:19
  Speaker 1: And we kicking your bikes over, too. We will do this.
• 44:23
  Speaker 1: Now yous can't leave.
• 44:25
  Speaker 2: Now yous can't leave. We tried, bro.
• 44:28
  Speaker 1: We did.
• 44:30
  Speaker 3: And what I liked about Chaz Palminterio's character, even though
• 44:34
  Speaker 3: Robert De Niro was a civilian, you could tell he
• 44:37
  Speaker 3: respected him.
• 44:38
  Speaker 1: For sure.
• 44:39
  Speaker 2: You know what I'm saying? He's not going to take
• 44:40
  Speaker 2: no disrespect, but you could tell he respected him because
• 44:43
  Speaker 2: he was a father.
• 44:43
  Speaker 1: As much as you can.
• 44:45
  Speaker 2: Right.
• 44:45
  Speaker 1: In that position. Yeah. You know.
• 44:48
  Speaker 3: They had, the mob guys had to respect where Robert
• 44:51
  Speaker 3: De Niro was coming from.
• 44:53
  Speaker 1: And mob people respect civilians.
• 44:55
  Speaker 2: Yeah.
• 44:55
  Speaker 1: Right. And he was, as long as you're not disrespectful. Right.
• 44:57
  Speaker 1: He wasn't like calling the police and stuff. He was
• 44:59
  Speaker 1: just like, bro, I feel y'all. Yeah. Y'all got to
• 45:01
  Speaker 1: get it how you live. But. But man.
• 45:03
  Speaker 2: This is my son, man. This is my son, man.
• 45:05
  Speaker 1: Let me just drive the bus and leave him alone.
• 45:07
  Speaker 2: Watch out, man. I can see Al Pacino in that role, though.
• 45:10
  Speaker 1: Yeah. I think his turned up mis- his Carlito Way bass. Yeah. Lil' Hua.
• 45:17
  Speaker 1: When you got to step to Chaz Palminteri.
• 45:20
  Speaker 2: Yeah.
• 45:21
  Speaker 1: What's his name? Sonny? What was Chaz Palminteri's character's name?
• 45:24
  Speaker 2: Sonny.
• 45:25
  Speaker 1: Sonny.
• 45:25
  Speaker 2: Yeah, yeah.
• 45:25
  Speaker 1: You got to step to him a little bit. Otherwise,
• 45:28
  Speaker 1: he is taking your son.
• 45:29
  Speaker 2: Right.
• 45:30
  Speaker 1: Like, you got to... borderline disrespect to him you gotta
• 45:36
  Speaker 1: stand up to him you gotta stand up to him 1000%
• 45:38
  Speaker 1: you gotta stand up to him or your son is
• 45:40
  Speaker 1: in the mob.
• 45:41
  Speaker 3: Cause his son was disrespecting his dad on account of
• 45:44
  Speaker 3: them absolutely so yeah we gotta have a conversation.
• 45:48
  Speaker 1: Oh this is good next time do Tom Hanks vs
• 45:49
  Speaker 1: Leonardo DiCaprio I love it we can do that next
• 45:51
  Speaker 1: week I love it I might see Wiley alright.
• 45:54
  Speaker 2: You up okay so could you see gotta make sure
• 45:59
  Speaker 2: you seen stuff I know you ain't seen this movie.
• 46:03
  Speaker 1: What I ain't seen?
• 46:04
  Speaker 2: Bless America, man.
• 46:05
  Speaker 1: What I ain't seen?
• 46:07
  Speaker 2: I know you ain't seen The Devil's Advocate.
• 46:10
  Speaker 1: Is that the angel?
• 46:11
  Speaker 2: No, it's the devil.
• 46:15
  Speaker 1: What's The Devil's Advocate about?
• 46:18
  Speaker 3: Keanu Reeves goes to work for this law firm, and
• 46:21
  Speaker 3: the head of the law firm is Al Pacino, who is?
• 46:24
  Speaker 1: Who's the devil?
• 46:25
  Speaker 2: The devil.
• 46:26
  Speaker 1: I have seen this.
• 46:26
  Speaker 2: You saw it?
• 46:27
  Speaker 1: I saw it. I saw it one time.
• 46:29
  Speaker 2: Okay. In 1997. Okay.
• 46:29
  Speaker 1: I don't remember a thing. I remember thinking that Al
• 46:34
  Speaker 1: Pacino was terrifying as the devil and very believable, though.
• 46:37
  Speaker 2: Yeah.
• 46:38
  Speaker 1: And he was not... He was... He was like... One
• 46:43
  Speaker 1: of them scenes, he was like full on like.
• 46:45
  Speaker 2: He turned it up.
• 46:46
  Speaker 1: Yeah. Yeah. He was quiet a lot, but then he flipped.
• 46:51
  Speaker 2: He was charming. He was charming as the devil, though.
• 46:55
  Speaker 1: Yes.
• 46:57
  Speaker 2: Because you got to lure the kid in.
• 47:00
  Speaker 1: Yes. Yes. Man, that movie. I was 14 at that time.
• 47:05
  Speaker 2: And here's the thing. Both Robert De Niro and Al
• 47:09
  Speaker 2: Pacino have played the devil before.
• 47:11
  Speaker 1: When did Al?
• 47:12
  Speaker 3: Al was the devil in this movie called Angel Heart,
• 47:15
  Speaker 3: which I know you haven't seen. Matter of fact, it
• 47:19
  Speaker 3: was the movie that caused the rift between Bill Cosby
• 47:22
  Speaker 3: and Lisa Bonet because Lisa Bonet is in this movie
• 47:24
  Speaker 3: and there's a nude scene, like sex scene.
• 47:26
  Speaker 2: It's very rated R. He didn't want her to do
• 47:29
  Speaker 2: the film.
• 47:29
  Speaker 1: Was she on the Cosby show at the time?
• 47:30
  Speaker 2: She was on the Cosby show at the time.
• 47:32
  Speaker 1: Is this why she left?
• 47:33
  Speaker 2: I think it was a big reason, too, why she left.
• 47:36
  Speaker 2: Left a different world?
• 47:36
  Speaker 3: It definitely created a rift because a Cosby kid in
• 47:41
  Speaker 3: this type of film, because this is very gritty and R-rated,
• 47:44
  Speaker 3: and she.
• 47:45
  Speaker 2: Was nude in there.
• 47:45
  Speaker 1: Was this the time that he was doing sexual crimes?
• 47:47
  Speaker 3: I'm sure he was doing sexual crimes before this.
• 47:51
  Speaker 1: Big sexual crimes McGee. You know what I'm saying? He
• 47:53
  Speaker 1: was like Jell-O in sexual crimes. Right.
• 47:56
  Speaker 2: But Robert De Niro played the devil, though. But his
• 48:01
  Speaker 2: devil was way more intimidating. Than Al Pacino?
• 48:05
  Speaker 1: Yeah. In Devil's Advocate? Mm-hmm.
• 48:08
  Speaker 2: But it's also a different kind of movie, though.
• 48:11
  Speaker 1: Yeah, yeah, yeah. Those scenes where he... It's the turn up.
• 48:23
  Speaker 1: You know what I'm realizing? I mean, obviously, this is
• 48:27
  Speaker 1: casting and writing and all that stuff. They pick movies
• 48:31
  Speaker 1: that play to what they do well, and they do
• 48:34
  Speaker 1: that thing. Yeah. I'm trying to realize, do I think
• 48:39
  Speaker 1: Al Pacino and Robert De Niro have played a wide
• 48:42
  Speaker 1: range of characters? Because I feel like in a lot
• 48:45
  Speaker 1: of these movies, there's not a huge difference between in approach,
• 48:51
  Speaker 1: which is like movie star thing. I'm not even saying
• 48:53
  Speaker 1: this is a negative. To be a true movie star.
• 48:56
  Speaker 3: You got to be able to play a similar thing
• 48:59
  Speaker 3: that we know you for this.
• 49:01
  Speaker 1: I think Robert De Niro has done it in, or
• 49:05
  Speaker 1: maybe they both have, in a variety of movies, but
• 49:08
  Speaker 1: they've also done, analyze this, meet the parents, are not
• 49:14
  Speaker 1: that different. You know, Robert De Niro is a mob guy,
• 49:18
  Speaker 1: he's more scary, but he's like if Robert De Niro's
• 49:21
  Speaker 1: character was still in the CIA, I feel like that's
• 49:22
  Speaker 1: his character in Analyze This. But now he's retired. So
• 49:26
  Speaker 1: if Analyze This guy retired from the mob, I think
• 49:30
  Speaker 1: that could also be Robert De Niro, Meet the Parents.
• 49:32
  Speaker 2: I don't see them two alike.
• 49:33
  Speaker 1: You don't think so? Nah. You don't think so?
• 49:37
  Speaker 2: Meet the parents, Robert De Niro, analyze this?
• 49:39
  Speaker 1: Well, see, I'm saying that different timelines.
• 49:42
  Speaker 2: Even like a CIA person, they just got to.
• 49:48
  Speaker 1: Are you watching Lioness?
• 49:50
  Speaker 2: Yeah, I've seen the first season.
• 49:52
  Speaker 1: So you know the white dude who's... I think his
• 49:54
  Speaker 1: name is Michael Fleming. He's always that evil political guy
• 49:58
  Speaker 1: and stuff. Yeah. I don't remember his name in Lioness,
• 50:01
  Speaker 1: but he's Joe's direct boss. Uh-huh. I feel like Robert
• 50:05
  Speaker 1: De Niro is that guy in the CIA. He's yelling.
• 50:10
  Speaker 1: He's making sure people are dying. He's standing up to
• 50:13
  Speaker 1: Morgan Freeman and the Secretary of Defense team. That's what
• 50:18
  Speaker 1: I feel like Robert De Niro's character was in the CIA.
• 50:20
  Speaker 1: I guess he could just be an analyst. It was CSI.
• 50:23
  Speaker 3: CIA people, a lot of them, they have different roles.
• 50:28
  Speaker 3: I always see CIA people, and this is just me,
• 50:30
  Speaker 3: as like.
• 50:33
  Speaker 3: They got to be able to blend in, be covert, be,
• 50:37
  Speaker 3: you know what I'm saying, kind of like how Jeffrey
• 50:40
  Speaker 3: Wright's character is in James Bond.
• 50:44
  Speaker 1: Really? Yeah.
• 50:45
  Speaker 3: So I see Robert De Niro's character as more of
• 50:48
  Speaker 3: a Jeffrey Wright more so than a loud type in
• 50:52
  Speaker 3: the CIA.
• 50:56
  Speaker 1: Okay. I see CIA as like, I'm blanking on the name,
• 51:02
  Speaker 1: John Krasinski and Oh, Jack Ryan? Jack Ryan. Yeah. And
• 51:06
  Speaker 1: Wendell Pierce.
• 51:08
  Speaker 2: Even Jack Ryan is not allowed. You know what I'm saying?
• 51:10
  Speaker 1: Well, he's the analyst. Yeah, he's the analyst. I do
• 51:14
  Speaker 1: not like him in that role. And I know.
• 51:19
  Speaker 3: But, like, you know, Jack Ryan and Harrison Ford is
• 51:21
  Speaker 3: a CIA agent. They're not, like, I don't see them as, like, loud,
• 51:25
  Speaker 3: take charge, kick the door in.
• 51:27
  Speaker 2: They're more of, like, CIA. You think of CIA guys and, like,
• 51:31
  Speaker 2: even Judas and the Black Messiah.
• 51:33
  Speaker 3: I think the evil Matt Damon with CIA and just like,
• 51:37
  Speaker 3: they just be like quiet, charming.
• 51:39
  Speaker 2: You need to do this. So like even Teddy and, uh,
• 51:43
  Speaker 2: Teddy and snowfall.
• 51:44
  Speaker 1: Yeah.
• 51:45
  Speaker 2: He wasn't, he wasn't very loud.
• 51:47
  Speaker 1: They're very, I guess if you're the analyst or the
• 51:50
  Speaker 1: intelligence side, they are like that. The field agents are
• 51:52
  Speaker 1: a little bit.
• 51:53
  Speaker 2: They got to do all kinds of stuff.
• 51:55
  Speaker 1: Yeah.
• 51:56
  Speaker 3: You think about a Leonardo DiCaprio and like a body
• 51:59
  Speaker 3: of lies or something like that.
• 52:01
  Speaker 2: Where they're just trying to survive, but also they're in
• 52:04
  Speaker 2: the field.
• 52:05
  Speaker 1: Yeah.
• 52:05
  Speaker 2: How did we get here?
• 52:10
  Speaker 1: What movie were we talking about?
• 52:11
  Speaker 2: Devil's Advocate.
• 52:12
  Speaker 1: Devil's Advocate, yeah.
• 52:13
  Speaker 2: We trailed off.
• 52:14
  Speaker 1: Big trail. That's the whole point of the pod.
• 52:17
  Speaker 2: Could you see Robert De Niro in The Devil's Advocate?
• 52:23
  Speaker 1: What I was, I was saying, it's the moment that
• 52:26
  Speaker 1: Pacino turns up that I'm losing it. And I think
• 52:28
  Speaker 1: that's the part that makes that. That's how he said it.
• 52:30
  Speaker 1: We got there. Because I was like, De Niro, Pacino
• 52:33
  Speaker 1: is doing that thing in all these different movies. And
• 52:36
  Speaker 1: so is De Niro. So the reason I'm feeling like
• 52:38
  Speaker 1: he can't feels like the same reason every time. Because
• 52:42
  Speaker 1: they always seem to have, if they have that scene,
• 52:44
  Speaker 1: that's the reason you hire Pacino. It's what makes you
• 52:47
  Speaker 1: feel like Robert De Niro can't do it.
• 52:49
  Speaker 2: I think Robert De Niro could do this one.
• 52:52
  Speaker 1: It's the end when the devil is mad. I don't
• 52:55
  Speaker 1: I don't have my frame of reference for Robert De
• 52:57
  Speaker 1: Niro turning up I don't have that one that much.
• 53:00
  Speaker 3: Here's because I feel like in that moment where he
• 53:03
  Speaker 3: has to reveal his true self Then we go into
• 53:06
  Speaker 3: Cape Fear Robert De Niro would see that I'm messing
• 53:09
  Speaker 3: up Yeah, Cape Fear Robert De Niro Robert De Niro
• 53:12
  Speaker 3: in the movie The Fan and Oh!
• 53:15
  Speaker 2: Yeah.
• 53:16
  Speaker 1: Okay, now that's a good point. Yeah. That was a
• 53:20
  Speaker 1: crazy version of Robert De Niro, and he was turned
• 53:22
  Speaker 1: up a little bit.
• 53:23
  Speaker 3: Yeah, so I know he has that dial where he
• 53:25
  Speaker 3: can turn it up at the very end.
• 53:27
  Speaker 1: Okay, I hadn't thought about the fan. Yeah. That was
• 53:30
  Speaker 1: a scary Robert De Niro, and he was not that.
• 53:32
  Speaker 2: It was. And I felt kind of sorry for him
• 53:34
  Speaker 2: at times, too.
• 53:34
  Speaker 1: Me, too.
• 53:35
  Speaker 2: Yeah.
• 53:36
  Speaker 1: Even though he is very easily.
• 53:38
  Speaker 2: Doing way too much.
• 53:40
  Speaker 1: But like.
• 53:41
  Speaker 2: But there was something underneath it. He was like, there
• 53:43
  Speaker 2: was a desperation.
• 53:44
  Speaker 1: To be seen or like appreciated maybe by these people
• 53:48
  Speaker 1: he idolized. Yeah. And if you ain't going to give
• 53:49
  Speaker 1: it to me, then I got to kill you now. Yeah.
• 53:52
  Speaker 1: Because all you. What, he just wanted like an autograph
• 53:55
  Speaker 1: or something? He just.
• 53:57
  Speaker 2: I forget how it snowballed.
• 54:00
  Speaker 1: But they wasn't really, they was like, man, watch out.
• 54:02
  Speaker 1: And he was like, all right.
• 54:04
  Speaker 2: Yeah, it was like a snowball effect. Everything kept happening.
• 54:06
  Speaker 1: And he was turned to the max at the end
• 54:07
  Speaker 1: of that movie. He was.
• 54:08
  Speaker 2: He turned it up.
• 54:09
  Speaker 1: He was turned. Okay, now I might be with you.
• 54:13
  Speaker 2: Yeah.
• 54:14
  Speaker 1: Because I ain't seen Cape Fear.
• 54:15
  Speaker 2: Watch Cape Fear, though.
• 54:16
  Speaker 1: And also Raging Bull, he was big.
• 54:19
  Speaker 2: He was volatile, kind of unstable.
• 54:21
  Speaker 1: Volatile is the word. Yeah, yeah. Okay. Okay.
• 54:26
  Speaker 2: So, yeah, I can see Robert in Devil's Advocate. Okay.
• 54:29
  Speaker 1: Okay.
• 54:30
  Speaker 2: Okay, then.
• 54:30
  Speaker 1: Fine. Fine. Fine. It's me?
• 54:37
  Speaker 2: Yeah. All right.
• 54:39
  Speaker 1: Could you see Al Pacino in Goodfellas?
• 54:49
  Speaker 2: That's one of my favorite movies, man.
• 54:53
  Speaker 1: Favorite Robert De Niro roles. Supremely cast. Henry Hill.
• 55:01
  Speaker 2: I could, actually.
• 55:05
  Speaker 1: Wasn't he Jimmy? Yeah, he was Jimmy.
• 55:07
  Speaker 3: I could see Al Pacino in Goodfellas. Because Jimmy, the
• 55:13
  Speaker 3: hothead in that.
• 55:14
  Speaker 2: Movie, was Joe Pesci.
• 55:16
  Speaker 1: Joe Pesci.
• 55:17
  Speaker 2: Oh, my.
• 55:18
  Speaker 3: Jimmy had that fuse too, but he was more chill
• 55:22
  Speaker 3: with it.
• 55:22
  Speaker 1: And he had to be because of Joe Pesci. Right.
• 55:25
  Speaker 1: And he had to keep things together. Yeah. That was
• 55:27
  Speaker 1: like his role.
• 55:30
  Speaker 2: But when it was time to turn up.
• 55:32
  Speaker 1: For sure.
• 55:33
  Speaker 2: He would do it.
• 55:33
  Speaker 1: Yeah.
• 55:34
  Speaker 3: Similar to Al Pacino when he had to turn up and,
• 55:38
  Speaker 3: you know, the Godfather, whatever, or Carlito's way.
• 55:40
  Speaker 1: Yeah.
• 55:41
  Speaker 2: He would do it.
• 55:42
  Speaker 3: And so, but a lot of times he was chill.
• 55:47
  Speaker 3: And I know we like Al Pacino can't be chill,
• 55:49
  Speaker 3: but he can be chill.
• 55:51
  Speaker 1: Yeah. I just think he's not best when he can't
• 55:54
  Speaker 1: turn that dial up. Yeah. I think that's just what
• 55:57
  Speaker 1: you sign up for with him.
• 55:59
  Speaker 2: But I do feel like.
• 56:04
  Speaker 3: I could see him smoothing some stuff over more so
• 56:07
  Speaker 3: than I can with Robert De Niro, even though he's
• 56:10
  Speaker 3: not as intimidating as Robert De Niro is.
• 56:13
  Speaker 1: Somebody said, but he ain't, Miles said he ain't tearing
• 56:16
  Speaker 1: up the phone booth. Remember that scene where he beat
• 56:19
  Speaker 1: up the phone booth?
• 56:19
  Speaker 2: Yeah, when he found out Joe Pesci died, he tore
• 56:22
  Speaker 2: that phone booth up.
• 56:25
  Speaker 1: I feel like he was mad at Joe Pesci. Because
• 56:28
  Speaker 1: he was trying to tell him, but he just wasn't listening.
• 56:31
  Speaker 2: And that fucked everything up.
• 56:33
  Speaker 3: Because Joe Pesci was Jimmy's way in.
• 56:36
  Speaker 2: Like, once Joe Pesci was... was to get made.
• 56:40
  Speaker 1: Yeah.
• 56:40
  Speaker 2: Now Jimmy, because Jimmy was, he wasn't Italian. Right. So
• 56:44
  Speaker 2: he had no shot at coming into the upper tier.
• 56:46
  Speaker 1: For sure.
• 56:47
  Speaker 2: Now, you got Joe Pesci's character in the upper tier.
• 56:50
  Speaker 1: Now we, now we cooking with grease, kids.
• 56:53
  Speaker 2: We cooking with grease. And now you find out, he dead, bro.
• 56:57
  Speaker 2: You're way into the A tier.
• 56:59
  Speaker 1: It's gone. It's gone.
• 57:02
  Speaker 3: You find that out in the phone booth, you ain't
• 57:04
  Speaker 3: tearing that shit up. Fuck this phone booth. But I
• 57:12
  Speaker 3: can see, once again, I can see Al Pacino clearing
• 57:18
  Speaker 3: house just like he did in The Godfather.
• 57:21
  Speaker 2: I have to clear house.
• 57:23
  Speaker 3: In the moment where Jimmy realizes, yo, these cats are
• 57:27
  Speaker 3: going to fuck this shit up. They spending money. Their
• 57:30
  Speaker 3: wives are coming to him with fur coats. And they're
• 57:33
  Speaker 3: singing with the music. And they zoom in. Robert De
• 57:35
  Speaker 3: Niro smoking a cigarette. He's looking, gliding, smiling. I'm going
• 57:41
  Speaker 3: to kill him. Going back to the series, I'm going
• 57:43
  Speaker 3: to kill him. You see him working in real time.
• 57:46
  Speaker 3: Al Pacino can definitely do that on a nonverbal level.
• 57:49
  Speaker 1: For sure.
• 57:50
  Speaker 2: Because we've seen that several times in The Godfather.
• 57:52
  Speaker 1: Yes.
• 57:53
  Speaker 2: That's why I feel like, yeah, you could throw him
• 57:55
  Speaker 2: in Goodfellas. Yeah.
• 57:58
  Speaker 3: Because once Robert De Niro figured out, he was just like,
• 58:01
  Speaker 3: I got a clean house on this LaTanza heist.
• 58:03
  Speaker 1: Yeah.
• 58:04
  Speaker 2: Because they are fucking up.
• 58:07
  Speaker 1: They was doing everything.
• 58:09
  Speaker 2: I'm killing everybody involved. That was real.
• 58:11
  Speaker 1: That was real. I be watching mob documentaries and they
• 58:15
  Speaker 1: were like, that thing with the police were like, oh
• 58:18
  Speaker 1: my God.
• 58:19
  Speaker 2: This is great. Once a black dude fumbled with the van. Snowball.
• 58:26
  Speaker 1: Lufthansa is also the best airline flight I've ever taken
• 58:28
  Speaker 1: in my entire life. Really? Oh my God. Lufthansa first
• 58:32
  Speaker 1: class from here to Munich. Oh God. Including the time
• 58:38
  Speaker 1: I took a shower.
• 58:39
  Speaker 2: In the Emirates or whatever? Lufthansa, man.
• 58:42
  Speaker 1: It was like eight people in first class. They cook
• 58:46
  Speaker 1: dinner for you personally.
• 58:47
  Speaker 2: Dang.
• 58:48
  Speaker 1: Anytime you want. Oh, my God. I tried to go again.
• 58:52
  Speaker 1: I ain't had the bread. I was like, dang.
• 58:54
  Speaker 2: Woo.
• 58:55
  Speaker 1: You would never.
• 58:56
  Speaker 2: That sounds all right, man.
• 58:58
  Speaker 1: If you got to just do it one time, the
• 59:00
  Speaker 1: Lufthansa from here to Munich or Berlin.
• 59:03
  Speaker 2: Woo.
• 59:04
  Speaker 1: Woo. Did you go to Munich?
• 59:08
  Speaker 2: Proper? Like, was you in the city? Yeah.
• 59:10
  Speaker 1: Yeah, yeah. How was it? It was great.
• 59:11
  Speaker 2: Yeah.
• 59:12
  Speaker 1: The castle that Disney is based off of is in Germany. Oh, really? Yeah. Like,
• 59:17
  Speaker 1: it looks just like that.
• 59:18
  Speaker 2: Oh, that's crazy.
• 59:19
  Speaker 1: We spent the day in there. It was fun.
• 59:21
  Speaker 2: That movie was good. Which one? Munich.
• 59:24
  Speaker 1: Oh, yeah, yeah, yeah. There was a Korean... I met
• 59:26
  Speaker 1: a Korean... Speaking fluent German and English.
• 59:33
  Speaker 2: Oh, wow.
• 59:33
  Speaker 1: With a German accent. Met Nigerians working in the hotel
• 59:37
  Speaker 1: speaking German with the German accent. That was my first experience. Obviously,
• 59:41
  Speaker 1: I'm very well aware of people immigrating all over the world.
• 59:43
  Speaker 1: For sure. But seeing a Korean person and a Nigerian
• 59:47
  Speaker 1: person speaking fluent German to each other, I was like.
• 59:53
  Speaker 2: That's crazy.
• 59:54
  Speaker 1: Your mind be like, that don't go with y'all's stuff.
• 59:59
  Speaker 1: It's like when I seen white people speaking Igbo.
• 1:00:03
  Speaker 2: That's crazy.
• 1:00:04
  Speaker 1: Yes. It'd be like, wait, what y'all mean? What y'all doing?
• 1:00:10
  Speaker 1: One of the softwares, we had to get COVID testing
• 1:00:15
  Speaker 1: in Germany. And we went to the pharmacy and dude
• 1:00:18
  Speaker 1: thought we were German. So he's speaking full German. We
• 1:00:20
  Speaker 1: were like, I don't know that stuff. He goes, oh,
• 1:00:23
  Speaker 1: my bad. And he just switched it to perfect English. Oh,
• 1:00:25
  Speaker 1: my God.
• 1:00:25
  Speaker 2: I wish I could do this.
• 1:00:26
  Speaker 1: And then answered the phone in Korean. I said, man,
• 1:00:30
  Speaker 1: you all right. You ain't got to do all that.
• 1:00:32
  Speaker 1: You just told me to feel all I have to
• 1:00:34
  Speaker 1: do is speak in English and speak in tongues.
• 1:00:36
  Speaker 2: I wish I could do that, man.
• 1:00:37
  Speaker 1: Full accent every time.
• 1:00:40
  Speaker 2: That would be a mutant ability I would want in
• 1:00:44
  Speaker 2: real life. There's a mutant that can speak every language.
• 1:00:48
  Speaker 2: I would love that in real life.
• 1:00:49
  Speaker 1: Yeah, me too. There's this Asian dude I follow on TikTok.
• 1:00:53
  Speaker 1: He walks up to people in, like, densely populated tourist
• 1:00:56
  Speaker 1: areas in major cities across Europe. Walks up to you.
• 1:00:59
  Speaker 1: I can speak your language. Whatever language they speak, he
• 1:01:02
  Speaker 1: jumps in. Even as a small dialect from the third
• 1:01:06
  Speaker 1: language in, like, Tanzania. Yeah. The black people are like, man,
• 1:01:09
  Speaker 1: watch out. You don't speak my language. He was like,
• 1:01:10
  Speaker 1: try it. Say something in your language. They say stuff.
• 1:01:13
  Speaker 1: He immediately picks up on it and answers in their language.
• 1:01:15
  Speaker 1: They'd be like....
• 1:01:17
  Speaker 2: That's crazy.
• 1:01:18
  Speaker 1: Filipino person, Tagalog. He'd be like, ain't no way you
• 1:01:21
  Speaker 1: speak this. They jump into Tagalog. He speak... Fluently.
• 1:01:24
  Speaker 2: I would love that.
• 1:01:25
  Speaker 1: Oh, my God. I would love that. They're going to
• 1:01:27
  Speaker 1: put you with them women. Like, you can get that.
• 1:01:32
  Speaker 3: I would love that, man. Cypher, yeah. Cypher's his name.
• 1:01:35
  Speaker 3: I would love that ability, man. That would put money
• 1:01:37
  Speaker 3: in my pocket.
• 1:01:38
  Speaker 1: Oh, for sure. For sure. Can you imagine being able
• 1:01:41
  Speaker 1: to go to Germany and speak German with the jokes?
• 1:01:43
  Speaker 3: Man, I could just go to any country in the
• 1:01:45
  Speaker 3: world and just do my set in that language.
• 1:01:48
  Speaker 1: Man, what? All right, let's speed through, Tom.
• 1:01:52
  Speaker 2: All right, speed through.
• 1:01:53
  Speaker 1: Speed through. You're up.
• 1:01:54
  Speaker 2: We speeding it up. Am I back up?
• 1:01:57
  Speaker 1: Yeah.
• 1:01:58
  Speaker 2: All right. We're going to do a rapid fire, y'all.
• 1:02:01
  Speaker 1: Rapid fire.
• 1:02:02
  Speaker 2: Because we're running out of time. Okay. I'm trying to
• 1:02:06
  Speaker 2: do movies you've seen. Dog Day Afternoon. Nope. Cruising. Revolution.
• 1:02:18
  Speaker 1: Kirk Franklin?
• 1:02:18
  Speaker 2: Sea of Love. Dick Tracy.
• 1:02:22
  Speaker 1: There we go.
• 1:02:23
  Speaker 2: All right.
• 1:02:24
  Speaker 1: I've seen that.
• 1:02:24
  Speaker 2: Can you see Robert De Niro and Dick Tracy?
• 1:02:29
  Speaker 1: Jesus. Albert, you know it's Dick Tracy?
• 1:02:31
  Speaker 2: He's the main villain.
• 1:02:32
  Speaker 1: Man, boy, Dick Tracy. I ain't seen that in a minute, though.
• 1:02:37
  Speaker 1: I watched that a lot when I was a kid.
• 1:02:39
  Speaker 1: Dick Tracy. Who was the dude? Warren Beatty?
• 1:02:43
  Speaker 2: Warren Beatty was Dick Tracy.
• 1:02:44
  Speaker 1: Was Dick Tracy? Yeah. Okay. I don't remember it enough, Tone. Okay.
• 1:02:47
  Speaker 1: I watched that a lot as a kid, but as
• 1:02:50
  Speaker 1: I became, oh, 1990, Dick Tracy was in. I think
• 1:02:54
  Speaker 1: after like 92, I was like, I don't remember nothing
• 1:02:56
  Speaker 1: else but Warren Betty being Dick Tracy, and the people's
• 1:02:58
  Speaker 1: faces were weird. Yeah.
• 1:03:00
  Speaker 2: Their makeup was weird. Oh, yeah, their makeup was great.
• 1:03:02
  Speaker 1: I don't think I even knew that was Al Pacino
• 1:03:04
  Speaker 1: in there.
• 1:03:05
  Speaker 2: Okay.
• 1:03:05
  Speaker 1: I'm sorry.
• 1:03:06
  Speaker 2: All right. What about Frankie and Jack?
• 1:03:09
  Speaker 1: Was that Madonna?
• 1:03:10
  Speaker 2: Yeah, she's in it.
• 1:03:12
  Speaker 3: I had a crush on Madonna before. I had a
• 1:03:14
  Speaker 3: Madonna era. She was big, premium white.
• 1:03:17
  Speaker 2: I had a Madonna phase.
• 1:03:19
  Speaker 1: Premium white.
• 1:03:20
  Speaker 2: It was around, you know, Cherish and Like a Prayer.
• 1:03:24
  Speaker 1: Nah.
• 1:03:25
  Speaker 2: All right. Frankie and Johnny, you haven't seen.
• 1:03:30
  Speaker 1: I don't even know what you're talking about.
• 1:03:31
  Speaker 2: All right. Glenn Gary, Glenn Ross, Small Row.
• 1:03:35
  Speaker 1: That's with Alex Baldwin? Yes.
• 1:03:37
  Speaker 2: He in there, too.
• 1:03:38
  Speaker 1: Don't even remember him. Yeah. I haven't seen that movie,
• 1:03:41
  Speaker 1: but I remember him. The Insider. I'm an outsider.
• 1:03:45
  Speaker 2: Okay. Insomnia.
• 1:03:47
  Speaker 1: I have seen that.
• 1:03:48
  Speaker 2: Okay. Robert De Niro. It's a yes for me.
• 1:03:54
  Speaker 1: That's Robin Williams? Yeah. You like that movie? It was
• 1:03:58
  Speaker 1: all right. I was about to say, you don't like that.
• 1:04:00
  Speaker 1: That's Christopher Nolan, ain't it? Yeah, it's cool, but it's nothing. Actually,
• 1:04:03
  Speaker 1: I think I can see him in that.
• 1:04:04
  Speaker 2: Okay.
• 1:04:05
  Speaker 1: I only think about Robin Williams in that movie, though.
• 1:04:07
  Speaker 2: Okay.
• 1:04:08
  Speaker 1: Yeah. Uh....
• 1:04:14
  Speaker 2: Ocean's 13.
• 1:04:18
  Speaker 1: Different movie, but I think it still works.
• 1:04:20
  Speaker 2: Okay.
• 1:04:21
  Speaker 1: Al Pacino wasn't a huge part of that movie. So
• 1:04:24
  Speaker 1: I think Robert De Niro, he doesn't change it that much.
• 1:04:26
  Speaker 2: Okay. They switch roles in The Irishman.
• 1:04:32
  Speaker 1: I hate that movie so much.
• 1:04:34
  Speaker 2: You hate it?
• 1:04:35
  Speaker 1: I hate it.
• 1:04:35
  Speaker 2: Oh, come on, man.
• 1:04:36
  Speaker 1: The CGI, Robert De Niro old with the stomp out,
• 1:04:39
  Speaker 1: and that movie was so long. But I do think
• 1:04:41
  Speaker 1: they could switch roles.
• 1:04:42
  Speaker 2: Okay.
• 1:04:42
  Speaker 1: They were both, neither was doing crazy stuff. I like
• 1:04:46
  Speaker 1: Al Pacino and Jimmy Hoffa, though. But I think Robert
• 1:04:48
  Speaker 1: De Niro could have played it, too.
• 1:04:50
  Speaker 2: Got you. Okay.
• 1:04:51
  Speaker 1: All right, let me do something. All right, yeah, rapid fire.
• 1:04:54
  Speaker 1: Raging Bull. No.
• 1:04:56
  Speaker 2: No?
• 1:04:57
  Speaker 1: Taxi Driver. No. Okay. Jackie Brown. Did we do Jackie Brown?
• 1:05:05
  Speaker 2: Oh, we didn't do Jackie Brown. I mentioned it, but
• 1:05:07
  Speaker 2: we didn't do it. Yeah.
• 1:05:11
  Speaker 1: Yeah. Okay. Midnight Run, which you put me on to.
• 1:05:19
  Speaker 2: I can't see Al Pacino in that role.
• 1:05:21
  Speaker 1: I like that movie.
• 1:05:22
  Speaker 2: I love that movie a lot. That's top five Robert
• 1:05:24
  Speaker 2: De Niro for me.
• 1:05:25
  Speaker 1: That was a good time.
• 1:05:27
  Speaker 2: I love that movie.
• 1:05:28
  Speaker 1: We didn't do Analyze This. No, we didn't. Analyze This.
• 1:05:33
  Speaker 2: I think Al Pacino would be trying to be funny,
• 1:05:37
  Speaker 2: and I feel like that would make it worse. So
• 1:05:40
  Speaker 2: I'm going to say no.
• 1:05:44
  Speaker 1: I don't think Al Pacino's ever made me laugh.
• 1:05:47
  Speaker 2: But I've definitely seen him trying to be witty and funny.
• 1:05:49
  Speaker 1: Yeah.
• 1:05:51
  Speaker 2: Yeah.
• 1:05:52
  Speaker 1: Men of Honor. No. The Untouchables. No. Deer Hunter.
• 1:06:06
  Speaker 2: Yes.
• 1:06:07
  Speaker 1: Okay.
• 1:06:07
  Speaker 2: I can see Al Pacino and Deer Hunter.
• 1:06:10
  Speaker 1: Okay. And Cape Fear. No. For the most part, we
• 1:06:15
  Speaker 1: said no a lot. Yeah. We said no a lot.
• 1:06:18
  Speaker 2: It was a lot of no's, man.
• 1:06:19
  Speaker 1: All right.
• 1:06:20
  Speaker 2: A lot of no's.
• 1:06:21
  Speaker 1: Next time we do this, we're doing Leonardo DiCaprio and
• 1:06:24
  Speaker 1: Tom Hanks. I've seen more of their movies than I've
• 1:06:26
  Speaker 1: seen of these. I realize their catalog goes a lot
• 1:06:30
  Speaker 1: back to when I was much younger. Oh, for sure.
• 1:06:32
  Speaker 2: Yeah.
• 1:06:33
  Speaker 3: When they were in their prime, you weren't even born
• 1:06:35
  Speaker 3: yet and super little.
• 1:06:37
  Speaker 2: Al Pacino doesn't have... He took a lot of time off.
• 1:06:40
  Speaker 1: Yeah.
• 1:06:41
  Speaker 3: He doesn't... Robert De Niro has 100 credits. Al Pacino
• 1:06:44
  Speaker 3: has 50. So that's, you know, Robert De Niro is
• 1:06:48
  Speaker 3: definitely working more.
• 1:06:49
  Speaker 1: Yeah, I see more Robert De Niro.
• 1:06:50
  Speaker 2: Yeah, yeah, yeah, for sure.
• 1:06:51
  Speaker 1: What about, did we do Analyze This or Analyze That? Oh,
• 1:06:54
  Speaker 1: we said Analyze This. Yeah, yeah. Analyze That, same thing.
• 1:06:56
  Speaker 1: All right. We'll see y'all Thursday with a rewatch. And
• 1:07:02
  Speaker 1: I will be re-watching. We're having Malcolm Barrett next week. Patreon,
• 1:07:05
  Speaker 1: I'm going to re-watch. Oh, yeah.
• 1:07:06
  Speaker 2: Ghostbusters?
• 1:07:07
  Speaker 1: Ghostbusters.
• 1:07:08
  Speaker 2: That's the movie.
• 1:07:09
  Speaker 1: That's the movie.
• 1:07:09
  Speaker 2: Ghostbusters, y'all. Re-up on it.
• 1:07:11
  Speaker 1: Which I haven't seen in a long time. The original.
• 1:07:15
  Speaker 2: The original Ghostbusters. Ernie Hudson, Dan Aykroyd, Bill Murray, and
• 1:07:20
  Speaker 2: Harold Ramis with Sigourney Weaver and Rick Moranis on the side.
• 1:07:25
  Speaker 1: Ghostbusters, Patreon. I'll tell you what time. Before next Tuesday.
• 1:07:28
  Speaker 1: God bless you.
• 1:07:28
  Speaker 2: That's one of my favorite movies, man.
• 1:07:29
  Speaker 1: God keep you. We'll see you next time. Peace.