Latest / The Bootleg Kev Podcast / #500 - Snoop Dogg

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#500 - Snoop Dogg · The Bootleg Kev Podcast

• 0:00
  Speaker 1: What to do with your boy big Snoop d O
• 0:02
  Speaker 1: DOUBLEG and I want you to check me out on
• 0:05
  Speaker 1: the five hundred hear me five double ot episode of
• 0:10
  Speaker 1: Bootleg cav Oh.
• 0:12
  Speaker 2: Yeah, the interview was smoking.
• 0:16
  Speaker 3: Before we start the episode. Man, I gotta remind everybody
• 0:19
  Speaker 3: that we are on the radio in eighty cities every
• 0:22
  Speaker 3: single day across the country. Man Real ninety two to
• 0:25
  Speaker 3: three every day Monday through Friday in Los Angeles, Wild
• 0:28
  Speaker 3: ninety four to one in Tampa, KKFI in Phoenix. We're
• 0:32
  Speaker 3: all over the place, Miami, Vegas, we can go on
• 0:35
  Speaker 3: and on. Want to give a shout out to our
• 0:36
  Speaker 3: latest affiliate, shout out to Knoxville, Tennessee, Man Hot one
• 0:40
  Speaker 3: O four point five for being the latest city to
• 0:43
  Speaker 3: join the Bootleg CAV Show network. All right, now, I
• 0:46
  Speaker 3: don't ever really talk about the radio show on the podcast,
• 0:48
  Speaker 3: keep them separate. But if you want to listen to
• 0:49
  Speaker 3: the radio show, you can click the link in the
• 0:51
  Speaker 3: bio for a list of all the cities you can
• 0:53
  Speaker 3: listen to at Yeah that makes sense. Oh, let's get
• 0:57
  Speaker 3: to the interview. All right, man, Look, Boulet Cab podcast.
• 1:03
  Speaker 3: This is actually the five hundredth episode and it's only right.
• 1:08
  Speaker 3: We have quite possibly the greatest of all time Snoop
• 1:12
  Speaker 3: Dogg five hundred, five hundred.
• 1:15
  Speaker 2: Man, that's crazy. I like that number.
• 1:17
  Speaker 3: It's a great number.
• 1:18
  Speaker 2: Yeah, times five, yo.
• 1:20
  Speaker 3: I gotta tell you. I always tell the story about
• 1:25
  Speaker 3: how your album Dog You Style like changed the trajectory
• 1:29
  Speaker 3: of my life. M because when I was like six
• 1:32
  Speaker 3: years old, my grandma You remember, Columbia House used to
• 1:36
  Speaker 3: send like fifteen out albums for like a penny.
• 1:38
  Speaker 2: Yeah.
• 1:39
  Speaker 3: Sure, So my grandma somehow got DOGI Style in the
• 1:42
  Speaker 3: maule on tape.
• 1:43
  Speaker 2: Good shot shot off to Grandma.
• 1:45
  Speaker 3: I wanted to keep it, but she had no I
• 1:47
  Speaker 3: don't think she meant to.
• 1:48
  Speaker 2: It the fuck. She did the right thing, good shit, Granny.
• 1:51
  Speaker 1: See, I'm a grandfather, so sometimes grandparents do shit that
• 1:55
  Speaker 1: y'all don't understand.
• 1:56
  Speaker 3: So it was like, obviously a cartoon cover, so that's
• 1:59
  Speaker 3: what she went for. So she gave it to me,
• 2:02
  Speaker 3: and I fucking like, within I don't know three weeks,
• 2:06
  Speaker 3: knew the whole album, like front to back, every skit
• 2:08
  Speaker 3: by heart. I mean literally, by the time my mom
• 2:11
  Speaker 3: heard me listening to it and took it from me,
• 2:12
  Speaker 3: it was too late. It was over with and your sister,
• 2:15
  Speaker 3: it was over.
• 2:15
  Speaker 2: When your DNA.
• 2:16
  Speaker 1: Yes, let it go, Grandma. I got to get Grandma
• 2:19
  Speaker 1: shout out. Man, that's see, that's g ship right there.
• 2:21
  Speaker 1: When your grandparents have a forward way of thinking and
• 2:24
  Speaker 1: knowing that my grandson is going to be somebody, I
• 2:27
  Speaker 1: got to put this in his DNA to make sure
• 2:29
  Speaker 1: when he gets to the point where he's at that
• 2:31
  Speaker 1: it's all way any and not only.
• 2:33
  Speaker 3: Yeah, always say that that that album to change my life.
• 2:36
  Speaker 2: Man, thank you boy.
• 2:37
  Speaker 3: I'm here, I'm here, I'm here a lot because the
• 2:38
  Speaker 3: dog style bro that album.
• 2:41
  Speaker 1: That album was a It was a fun experience because
• 2:45
  Speaker 1: being a young rapper and being so infatuated with Doctor
• 2:48
  Speaker 1: Tryan and wa being able to work with him on
• 2:50
  Speaker 1: the Chronic and then to say okay, it's my turn
• 2:53
  Speaker 1: for my album you mean already like right now? Like yeah,
• 2:57
  Speaker 1: Like that was an amazing because I had all my
• 3:00
  Speaker 1: homies with me too, the people that I had started with,
• 3:03
  Speaker 1: the people that you know watched me growing to the
• 3:05
  Speaker 1: MC that I became, and then to have Doctor dre
• 3:08
  Speaker 1: perfect my craft with DC and the whole team, it
• 3:12
  Speaker 1: was a blessing.
• 3:13
  Speaker 2: Yo.
• 3:14
  Speaker 3: I was curious, like the like were you the brain
• 3:17
  Speaker 3: child behind the skits? Because when we're talking about like
• 3:20
  Speaker 3: using skips, skits within an album, just memorable skits, I
• 3:23
  Speaker 3: think about the beginning of Jesu and Hustlers with like
• 3:25
  Speaker 3: the school Teacher and even like the bathtub intro, the
• 3:30
  Speaker 3: Murder was the case intro, Like I feel like skits
• 3:33
  Speaker 3: are a lost art form and I can't think of
• 3:36
  Speaker 3: more iconic skits than on Doggy Style.
• 3:38
  Speaker 2: That's the fact.
• 3:38
  Speaker 1: Well, you got to understand, Doctor Dre was learning me.
• 3:41
  Speaker 1: We had just finished the Chronic album. We just forged
• 3:43
  Speaker 1: the friendship. We had been together for about a year,
• 3:46
  Speaker 1: and we started like hanging together like every day, like
• 3:49
  Speaker 1: just me and him, like and we pulled away from
• 3:51
  Speaker 1: everybody else. So he was learning the things that I
• 3:54
  Speaker 1: loved and liked while he was crafting my album. And
• 3:57
  Speaker 1: when we would be together, we would always either listen
• 4:01
  Speaker 1: to old school music or I will pop in the
• 4:02
  Speaker 1: VCR of an old black you know, explotation movie and
• 4:06
  Speaker 1: he would get that and get my spirit and say, Okay,
• 4:09
  Speaker 1: when we make your record, not only do I have
• 4:11
  Speaker 1: to capture your sound, but I gotta capture the essence
• 4:14
  Speaker 1: of who you are and that's sometimes isn't in the music,
• 4:18
  Speaker 1: it's in an inner sketch or skit before the song
• 4:23
  Speaker 1: or after the song. So we creatively came up with
• 4:26
  Speaker 1: things that made sense, like the shit.
• 4:29
  Speaker 2: Would Nigga yo bitch chose me?
• 4:31
  Speaker 3: Yep.
• 4:32
  Speaker 1: I always loved that scene in the Maget and then
• 4:35
  Speaker 1: the bathtub scene is from Superfly when he trying to
• 4:42
  Speaker 1: get out and Eddie telling him to stay in.
• 4:46
  Speaker 2: You know what I'm saying.
• 4:46
  Speaker 1: So it's like you're getting all these movies scenes instilled
• 4:50
  Speaker 1: into my album because I'm such a fan of that.
• 4:52
  Speaker 1: And Dre as a producer captured every element of Snoop Dogg,
• 4:56
  Speaker 1: which was funny, gangster real.
• 4:59
  Speaker 3: And it's crazy too because I think back to like
• 5:04
  Speaker 3: the way that the Chronic. You were the first voice
• 5:07
  Speaker 3: on the Chronic, but you weren't the first voice on
• 5:09
  Speaker 3: Doggie Style. No Rage, Lady of Rage just blacked the
• 5:14
  Speaker 3: fuck out to kick that album.
• 5:15
  Speaker 1: Off right, So it was Rage and George Clinton well
• 5:20
  Speaker 1: the first voices on my album, and Doctor Dre. He
• 5:25
  Speaker 1: has a different way of thinking. He always know what
• 5:27
  Speaker 1: he's doing and we never know what the fuck he's doing.
• 5:30
  Speaker 1: But when he finishes, the shit sounds amazing. He knew
• 5:33
  Speaker 1: that he wanted Rage on the intro because Rage was
• 5:36
  Speaker 1: supposed to be next up with the album. Yeah, so
• 5:39
  Speaker 1: that's what that set up was about, hearing her voice.
• 5:41
  Speaker 3: First, kind of like you were next up with the Chronic.
• 5:44
  Speaker 1: Yeah, that was his train of thought. But it didn't
• 5:46
  Speaker 1: come to life, but that was his train of thought
• 5:49
  Speaker 1: for sure.
• 5:50
  Speaker 3: It's crazy, man. I think I ran through the entire
• 5:53
  Speaker 3: album last night for a couple of times. The new
• 5:55
  Speaker 3: album Missionary, it's different, and I feel like it's like
• 6:01
  Speaker 3: kind of like an evolved I mean, cause if you
• 6:04
  Speaker 3: kind of go through the years of like even like
• 6:07
  Speaker 3: between Doggy Style to you guys getting back together for
• 6:10
  Speaker 3: two thousand and one, and obviously you guys have done
• 6:13
  Speaker 3: music since then, you know, but there's some shit on
• 6:17
  Speaker 3: this album and that's like, like the Tom Petty jelly
• 6:19
  Speaker 3: Roll record is crazy, like talk about because I saw
• 6:24
  Speaker 3: you went out to jelly Rolls Nashville show, which you
• 6:26
  Speaker 3: know was super dope shot the jelly. But how did
• 6:28
  Speaker 3: like the idea of bringing jelly roll onto the album
• 6:31
  Speaker 3: come up?
• 6:32
  Speaker 1: Well, when we got the concept right to beat the hook,
• 6:39
  Speaker 1: my verse, Dray didn't want me to come with a
• 6:42
  Speaker 1: second verse because I had a second verse on there.
• 6:46
  Speaker 2: He was like, nah, we need to get somebody on it.
• 6:49
  Speaker 1: So they start throwing names out, like all kinds of names,
• 6:52
  Speaker 1: big name artists, country artists, this style of artists, and
• 6:58
  Speaker 1: the shit just didn't match. It didn't feel like. Then
• 7:00
  Speaker 1: the motherfucker said jelly Roll, and the whole room lit up.
• 7:04
  Speaker 1: Was like, that's the nigga him, and so we reached out.
• 7:09
  Speaker 1: And when we reached out, Drey was gonna send him
• 7:12
  Speaker 1: the track. Jelly Roll was like, no, I.
• 7:15
  Speaker 2: Want to pull up.
• 7:15
  Speaker 3: Yeah, for sure.
• 7:16
  Speaker 2: He told me he came through. So I wasn't even
• 7:18
  Speaker 2: there though. So that's how gangsta it was.
• 7:19
  Speaker 1: It was like I had to hear it after the fact,
• 7:21
  Speaker 1: and I didn't even meet him until I went to Nashville.
• 7:24
  Speaker 2: Oh you didn't meet him. It's first time meeting him.
• 7:26
  Speaker 3: You got to meet Bunny, his wife, and the wife, his.
• 7:28
  Speaker 1: Whole team, his cruel, his best friend, and his other
• 7:31
  Speaker 1: best friend. This motherfucker had five best friends like this.
• 7:36
  Speaker 1: How they came in introduced me, Hey Snoop, I'm jelly
• 7:39
  Speaker 1: Roll's best friend. Look take my hand. Then so was
• 7:42
  Speaker 1: he finished, Hey Snoop, I'm jelly Roll's other best friend.
• 7:45
  Speaker 1: Then motherfucker. Hey Snoop Dogg. I'm Jelly Roll's real best friend.
• 7:49
  Speaker 1: I'm the one that discovered.
• 7:50
  Speaker 2: All this shit.
• 7:51
  Speaker 1: I said, I love Jelly Row because he got the
• 7:53
  Speaker 1: same kind of crew I got.
• 7:54
  Speaker 2: My homies loved me the same way.
• 7:56
  Speaker 1: If you ask seven of my homies right now, they
• 7:58
  Speaker 1: all gonna tell you, Nigga, I'm his best friend because
• 8:00
  Speaker 1: I'm friends with everybody.
• 8:01
  Speaker 3: Yeah, yeah, yeah, yo. I saw you talk about like
• 8:05
  Speaker 3: I saw a quote. It was an article you did
• 8:08
  Speaker 3: but essentially said that, you know, with this album, you
• 8:12
  Speaker 3: kind of wanted to remind people that you're like one
• 8:14
  Speaker 3: of the greatest of all time as an MC. Do
• 8:18
  Speaker 3: you feel like, one do you care about that conversation?
• 8:22
  Speaker 3: And two do you feel like when that conversation happens,
• 8:25
  Speaker 3: your name gets brought up enough?
• 8:28
  Speaker 1: I mean, I ain't got time to watch my highlights.
• 8:30
  Speaker 1: I got a game to play them all here, so
• 8:33
  Speaker 1: I can't worry about if I'm into Sports Center Top
• 8:35
  Speaker 1: ten or the Hip Hop top ten. I keep putting
• 8:38
  Speaker 1: in work, you know what I'm saying. That's one thing
• 8:40
  Speaker 1: that's undeniable. You could check my resume. I came out
• 8:43
  Speaker 1: in ninety two and this is twenty twenty four, and
• 8:47
  Speaker 1: I've been relevant ever since I came out the dough forever.
• 8:51
  Speaker 1: In music, let's say that first music first, and then
• 8:54
  Speaker 1: other things culturally musically, yes, but music first, every year,
• 9:01
  Speaker 1: every decade, and then the other things are my side quest,
• 9:05
  Speaker 1: the things that I enjoy doing that I love doing it.
• 9:07
  Speaker 1: I want to inspire others to do by taking chances
• 9:10
  Speaker 1: on myself, like engaging and believing, believing in me, like
• 9:14
  Speaker 1: I don't have to have nobody confirm that I can
• 9:16
  Speaker 1: do this or try this. I just do it and
• 9:18
  Speaker 1: get it done, and then it becomes you know, spectacular
• 9:22
  Speaker 1: and famous and people love it, and hopefully it inspires
• 9:25
  Speaker 1: the next generation to try and do it because I
• 9:27
  Speaker 1: used to be a shy kid that was afraid to
• 9:29
  Speaker 1: make moves and jump out there and do things. And
• 9:31
  Speaker 1: now I'm a leader and I want to inspire the
• 9:33
  Speaker 1: next man that may be shy or embarrassed to step
• 9:36
  Speaker 1: up and become who he's supposed to be.
• 9:38
  Speaker 3: I mean, you are the side quest, you know, master,
• 9:42
  Speaker 3: I would say.
• 9:43
  Speaker 2: Well, me and Shaquille O'Neil.
• 9:44
  Speaker 3: I'll look, shaq is close, but I feel like you're
• 9:47
  Speaker 3: kind of you've ran away with it for a while.
• 9:50
  Speaker 1: But that's what I do do I do usually run
• 9:52
  Speaker 1: away with it, you know what I'm saying. That's what
• 9:54
  Speaker 1: I've been known to do. I'm a closer. You know
• 9:56
  Speaker 1: what I'm saying. A lot of guys are relief pictures.
• 9:58
  Speaker 1: I'm a closer. I close shit. You know what I'm saying.
• 10:00
  Speaker 1: When I get up there, expect a w because I
• 10:03
  Speaker 1: play hard, I practice hard, I study and I respect
• 10:06
  Speaker 1: the game. And when you do all those things, it
• 10:08
  Speaker 1: usually ends up in a successful way.
• 10:10
  Speaker 3: I was gonna say, man like throughout like the last
• 10:13
  Speaker 3: thirty years, we've seen you have so many business ventures.
• 10:18
  Speaker 3: I think till like back in the day, owning like
• 10:19
  Speaker 3: Snoop Dogg clothing and like getting it from Burlington co
• 10:22
  Speaker 3: Factory as a kid. You know what I'm saying, It
• 10:24
  Speaker 3: was Outcast clothing and Snoop dog clothing around the same time.
• 10:28
  Speaker 1: Shout out to CADATAI Jones Quincy Jones daughter. She the
• 10:30
  Speaker 1: one who took me to a guy by the name
• 10:34
  Speaker 1: of Michael Well. She took me to Andy Hill figure
• 10:36
  Speaker 1: first and Tommy Hill figure and she got me a
• 10:39
  Speaker 1: brand and deal with them. And then she said you
• 10:41
  Speaker 1: need to create your own line. Snoop Dogg clothing. She
• 10:45
  Speaker 1: gave me the idea, introduced me to the people, and
• 10:47
  Speaker 1: that's how Snoop Dogg Clothing got kicked off. And it's
• 10:51
  Speaker 1: before she even met Tupac.
• 10:53
  Speaker 3: Yet, No Snoop dog Clothing was crazy. It literally was
• 10:56
  Speaker 3: like if like if you like it looked like shit,
• 10:58
  Speaker 3: you would just Snoop Dogg, like straight out the closet
• 11:01
  Speaker 3: is stupid. But I just feel like, you know, even
• 11:04
  Speaker 3: like going into the crypto space, like I feel like
• 11:07
  Speaker 3: you were like a real pioneer when it comes to
• 11:11
  Speaker 3: like showing artists like that, there is this other world
• 11:15
  Speaker 3: in which you can kind of monetize, you know. I
• 11:17
  Speaker 3: feel like maybe three years ago, there was people spending
• 11:20
  Speaker 3: serious money to have digital real estate next to your house.
• 11:23
  Speaker 1: In sandbox niggas by buying digital property for hundreds and
• 11:27
  Speaker 1: hundreds of thousands of dollars, and the shit was like
• 11:29
  Speaker 1: this big and you couldn't touch it. But it was
• 11:31
  Speaker 1: the fact that I had went over to that industry
• 11:33
  Speaker 1: and I had went on the ground I had started
• 11:36
  Speaker 1: from the ground up. I didn't come over there and
• 11:37
  Speaker 1: try to grab money. I went over there and I
• 11:39
  Speaker 1: built what the creators. I went over there and let
• 11:41
  Speaker 1: them use my name, my likeness, did collaborations, you know,
• 11:45
  Speaker 1: changed the game, brought music over there, did things in
• 11:49
  Speaker 1: an unorthodox way to where it was appealing to that
• 11:53
  Speaker 1: world because that world is that same way, and I
• 11:55
  Speaker 1: wasn't a superstar to them.
• 11:56
  Speaker 2: I was on the ground level with them.
• 11:58
  Speaker 1: So whenever I would put something out, they would respect
• 12:01
  Speaker 1: it and buy it because I would usually do things
• 12:03
  Speaker 1: with them or allow them to use my name on
• 12:05
  Speaker 1: my likeness. Early when I first got into that world,
• 12:09
  Speaker 1: people was using my face and all kinds of shit.
• 12:11
  Speaker 1: My son was like, Pops, you gotta let 'em use it.
• 12:14
  Speaker 1: They love you, That's why they doing it. It's not
• 12:17
  Speaker 1: that they trying to make money off you.
• 12:18
  Speaker 2: They love you.
• 12:19
  Speaker 1: And once I understood that, then me and my relationship
• 12:22
  Speaker 1: with the metaverse took a whole new lift because it
• 12:24
  Speaker 1: was like Wow, Snoopers allowing us to use his face
• 12:27
  Speaker 1: and his likeness as a creator and musically use his
• 12:30
  Speaker 1: voice and blah blah this and that, and it was
• 12:32
  Speaker 1: a connection that can't nobody break cause I built that.
• 12:35
  Speaker 3: Nah, that shit's crazy, definitely, uh O the first to
• 12:38
  Speaker 3: do that. I mean for sure, but in terms of
• 12:41
  Speaker 3: just like the new ventures, like obviously you and Dre
• 12:44
  Speaker 3: have a new drink.
• 12:46
  Speaker 2: Gin and Juice, the gin and Juice and steal.
• 12:48
  Speaker 3: Gen uh w th Like there's just so much. I
• 12:52
  Speaker 3: feel like every other week we see something new. What
• 12:55
  Speaker 3: is like your bandwidth like on a daily basis? Cause
• 12:58
  Speaker 3: I j I mean I see death Row on everything
• 13:02
  Speaker 3: I go to the store. There's death Row t shirts
• 13:05
  Speaker 3: at Walmart. There's the death Row Happy Dad. You know
• 13:09
  Speaker 3: what I'm saying, Like you got to have just I mean,
• 13:13
  Speaker 3: the work ethic is still so crazy at this point
• 13:15
  Speaker 3: in time in your career, Like how do you kind
• 13:18
  Speaker 3: of manage and deal with just all of the ventures?
• 13:20
  Speaker 1: What I did, keV, I put a team around me.
• 13:23
  Speaker 1: For many years it would be me and a couple
• 13:25
  Speaker 1: of people making things happen. So what I did was,
• 13:28
  Speaker 1: I got a bigger team, I got a smarter team.
• 13:30
  Speaker 1: I got employees or professionals at what they do. And
• 13:34
  Speaker 1: then I'm back managed by William Morris and Aria Manuel.
• 13:38
  Speaker 1: So positioning myself to get the best out of me
• 13:41
  Speaker 1: while I'm putting in the best of my work right
• 13:43
  Speaker 1: now and not having to focus on so many different
• 13:46
  Speaker 1: things but being the creator, the boss, and the connector.
• 13:50
  Speaker 3: I love it. I wanted to ask you about your
• 13:52
  Speaker 3: second album because it's an album I feel like doesn't
• 13:54
  Speaker 3: get talked about enough. It was probably one of the
• 13:56
  Speaker 3: highest anticipated albums of all time because it's obviously the
• 14:00
  Speaker 3: follow up The Doggy Style of The dog Father. What
• 14:02
  Speaker 3: do you feel like? Because I love that album, like
• 14:06
  Speaker 3: that that the you thought record was too short and Superflies?
• 14:13
  Speaker 3: But what what do you think kind of went wrong
• 14:16
  Speaker 3: with it? Was it like kind of like the beginning
• 14:19
  Speaker 3: your the splintering of the relationship with Sugar, Like what
• 14:21
  Speaker 3: kind of went wrong you think with dog Father? And
• 14:23
  Speaker 3: why it kind of doesn't get looked at in the
• 14:25
  Speaker 3: same kind.
• 14:25
  Speaker 1: Of You got to think about what the dog Father was?
• 14:29
  Speaker 1: What was the dog Father? It was the follow up
• 14:31
  Speaker 1: album The Doggy Style, But what it was was Snoop
• 14:34
  Speaker 1: Dogg becoming a man. Snoop Dogg realized that he wanted
• 14:37
  Speaker 1: to live, that he wanted to separate from the madness,
• 14:41
  Speaker 1: and at that time it was looked at as it
• 14:44
  Speaker 1: was frowned upon because I was so gangster on my
• 14:47
  Speaker 1: intro and so gangster with the way I was living,
• 14:50
  Speaker 1: Like why don't you want to be gangster anymore. Well,
• 14:53
  Speaker 1: how about I'm fighting a murder case, and when I
• 14:55
  Speaker 1: win this murder case, I want to do right by
• 14:58
  Speaker 1: the system, by God, by the way I was raised.
• 15:01
  Speaker 1: And if the people around me don't get it, if
• 15:04
  Speaker 1: the fans don't get it, if the label don't get it,
• 15:08
  Speaker 1: fuck them, because in twenty twenty four, I'll be talking
• 15:11
  Speaker 1: about why I made that decision, why that record sounds
• 15:15
  Speaker 1: like that, why I was hope on that record, why
• 15:17
  Speaker 1: I wrote about life more than death. Why I seen
• 15:21
  Speaker 1: visions of me becoming a grandfather and living into my
• 15:26
  Speaker 1: sixties and seventies by saying the right things in my music.
• 15:30
  Speaker 1: Because realizing that the chronic and doggy style and the
• 15:32
  Speaker 1: dog pound ap and everything that I had worked on,
• 15:35
  Speaker 1: I had wrote all of the things that happened to
• 15:38
  Speaker 1: me that were negative. I manifested it. So I wanted
• 15:42
  Speaker 1: to write some positive shit.
• 15:43
  Speaker 3: To matter ifest some positive shit, and it happened. Would
• 15:46
  Speaker 3: you say that going through that trial, which is obviously
• 15:50
  Speaker 3: one of the biggest trials in hip hop history, I know.
• 15:54
  Speaker 3: I talked to Warren G about it. He said he
• 15:55
  Speaker 3: was like, I got interrogated during that shit. You know
• 15:57
  Speaker 3: what I mean like, would you say the uncertainty of
• 16:00
  Speaker 3: like what your future looked like while you're going through
• 16:01
  Speaker 3: that trial like kind of like change, Like because what if,
• 16:05
  Speaker 3: like Doggy Style, you had that success and you were
• 16:08
  Speaker 3: on that meteoric rise and that trial didn't happen and
• 16:10
  Speaker 3: there wasn't something to kind of like shake you up
• 16:12
  Speaker 3: a little and be like, hey man, this shit you
• 16:14
  Speaker 3: know could get taken away, Like do you feel like that?
• 16:17
  Speaker 3: It kind of changed your trajectory as like a man
• 16:20
  Speaker 3: and an artist.
• 16:21
  Speaker 1: Well, remember my good friend Tupacat got murdered, Sugar gets
• 16:26
  Speaker 1: separated from got separated from us. All this happening while
• 16:29
  Speaker 1: the dog Father is about to come out and then
• 16:31
  Speaker 1: comes out.
• 16:33
  Speaker 2: So it's like.
• 16:35
  Speaker 1: The label is in disarray, there's death, there's division. I'm
• 16:43
  Speaker 1: a crip bluzs and Crips is at it now. Sugar
• 16:48
  Speaker 1: ain't fucking with me no more really, So it's like
• 16:51
  Speaker 1: you don't really have the push and the support. And
• 16:53
  Speaker 1: then the record that I made wasn't as violent or
• 16:56
  Speaker 1: as gangster as the first one. So it's like if
• 16:59
  Speaker 1: you go see Scarface, or you go see a better analogy,
• 17:03
  Speaker 1: you go see a movie with Robert de Narrow where Casino,
• 17:08
  Speaker 1: and then you see him in Meet the.
• 17:11
  Speaker 3: Foxers ah BO.
• 17:14
  Speaker 1: Both great, right, but the gangsters don't want to go
• 17:17
  Speaker 1: see him in this family funny movie, but the shit
• 17:22
  Speaker 1: is amazing. They only want to see him shooting, chilling mafia.
• 17:28
  Speaker 1: That's all they want to see. So my audience was
• 17:31
  Speaker 1: brainwashed at the time to think that that's all we did.
• 17:33
  Speaker 1: And then you had Tupac smashing on niggas doing the
• 17:38
  Speaker 1: gangster shit. I'm wood him on America's Most Warning, but
• 17:41
  Speaker 1: then I ain't like that on my album. So it's
• 17:45
  Speaker 1: like I'm two people because when I'm with Tupac, I'm
• 17:49
  Speaker 1: fighting the murder case, but when I do the dog Father,
• 17:51
  Speaker 1: I win the murder case.
• 17:54
  Speaker 3: Different.
• 17:54
  Speaker 2: So when I'm.
• 17:55
  Speaker 1: Fighting he, I'm gonna try to keep a gangster and
• 17:57
  Speaker 1: stay down and all that shit. But damn, I got
• 17:58
  Speaker 1: these yours looking at me. So when I finished, I
• 18:02
  Speaker 1: got to get.
• 18:03
  Speaker 2: Back in there.
• 18:05
  Speaker 1: I gotta beat this mode, right because you're on probation
• 18:08
  Speaker 1: right now, you're on bail.
• 18:11
  Speaker 2: I'm fighting a murder case.
• 18:13
  Speaker 1: Sugar is in between both, so it's like Dre is
• 18:18
  Speaker 1: on the way out and we don't know it.
• 18:20
  Speaker 3: Crazy.
• 18:21
  Speaker 2: So all this is going on.
• 18:23
  Speaker 1: Yeah, and the murder case pre existed because it was
• 18:26
  Speaker 1: wild Mark wild Doggie style. It's just dragging on, it's
• 18:29
  Speaker 1: just dragging out. So I got to build my best
• 18:32
  Speaker 1: behavior so I won't get violated and get took to jail.
• 18:35
  Speaker 1: I had a house niggas you know. I had house
• 18:37
  Speaker 1: arrest for like six months. Yeah, because I damn near violated.
• 18:41
  Speaker 1: It was like walking that fine line trying to keep
• 18:43
  Speaker 1: a gangster. Then while I'm keeping a gangster with y'all,
• 18:46
  Speaker 1: then eight in the morning, guess where I gotta be
• 18:48
  Speaker 1: at in court with a suit on? Right, my client
• 18:52
  Speaker 1: is not gang affiliate, Mike client as soon as I leave. Yeah,
• 18:56
  Speaker 1: cub woo. It's a double life. Some got to give
• 19:01
  Speaker 1: and it's my life. So at the end of the day,
• 19:03
  Speaker 1: God gives you the control to control your life, to
• 19:06
  Speaker 1: make a decisions. And I made a decision to do
• 19:08
  Speaker 1: what I thought was the right thing, which is make
• 19:10
  Speaker 1: a record that was aim in that direction to deal
• 19:13
  Speaker 1: with what I was dealing with in life.
• 19:16
  Speaker 3: In real life, I talked with Damian Young chot to Demiza.
• 19:21
  Speaker 3: He had said that you don't get enough credit for
• 19:26
  Speaker 3: trying to be a peacemaker during the East Coast West
• 19:29
  Speaker 3: Coast drama that was happening. He mentioned the show at
• 19:32
  Speaker 3: the Palace. It was like a power one a six show,
• 19:36
  Speaker 3: and I guess Biggie pulled up. You guys met backstage.
• 19:40
  Speaker 3: Biggie goes on stage. Does I think he did crush
• 19:43
  Speaker 3: on you or something like that? And he said that
• 19:45
  Speaker 3: you you walked out behind him like while he was
• 19:47
  Speaker 3: on stage, like while he was performing, and did your
• 19:49
  Speaker 3: you know, your snoop dance and shit, and he was
• 19:51
  Speaker 3: just like that was that was never something that you
• 19:53
  Speaker 3: would kind of like subscribe to. And I think that's
• 19:56
  Speaker 3: obviously you know, well, well, well that we kind of
• 20:01
  Speaker 3: know that, But like, was that like something that you
• 20:04
  Speaker 3: know just the whole time that was happening. Obviously there's
• 20:07
  Speaker 3: a source of words thing. But was that something that
• 20:10
  Speaker 3: that never just sat right with you in terms of
• 20:12
  Speaker 3: just that whole narrative.
• 20:13
  Speaker 1: No, it didn't, because the East Coast was always the
• 20:17
  Speaker 1: pinnacle of rap. They was always the gods. They was
• 20:19
  Speaker 1: the ones who did it before anybody.
• 20:20
  Speaker 3: I mean, you paid how much a slick rick on
• 20:22
  Speaker 3: donk oh Man.
• 20:22
  Speaker 1: They was the ones who showed us how to do it.
• 20:25
  Speaker 1: So we would never want to get into it with
• 20:26
  Speaker 1: the inventors or the creators, but a certain situations made
• 20:30
  Speaker 1: us feel a certain way because we would never get
• 20:32
  Speaker 1: our songs played on radio with certain things that would
• 20:34
  Speaker 1: be biased towards us, and it was built up frustration.
• 20:38
  Speaker 1: And then you got you know things that's happened in
• 20:41
  Speaker 1: the industry with artists being shot at and being shot
• 20:44
  Speaker 1: you know what I'm saying. So it's like it built
• 20:46
  Speaker 1: up a hostility that was out of control.
• 20:49
  Speaker 2: And I was a part of it. You know, New
• 20:51
  Speaker 2: York and New York video was fucking but that was
• 20:53
  Speaker 2: after them Nigga shot at us. We went out.
• 20:55
  Speaker 1: We went out there to have them be in the video.
• 20:58
  Speaker 1: They wouldn't let us sit a radio station. Then they
• 21:00
  Speaker 1: us on ers and we didn't say nothing. Seven We
• 21:03
  Speaker 1: came up to high ninety seven, so we can tell you, hey,
• 21:06
  Speaker 1: New York, we're here to shoot a video. You know
• 21:08
  Speaker 1: what I'm saying. Dog Brown, pull up, come show us
• 21:10
  Speaker 1: some love. We're gonna be a Times Square. They wouldn't
• 21:12
  Speaker 1: let us on. Then the word gets out Dog Pound
• 21:15
  Speaker 1: Snoop Dogg and Tupac shooting a video and read hood
• 21:18
  Speaker 1: brook Brooklyn and we had to exit. So but we
• 21:23
  Speaker 1: kept it low. We didn't say nothing. We left it,
• 21:25
  Speaker 1: left it alone. And that was sort of kind of
• 21:27
  Speaker 1: like why Tupac had like animosity towards me, because he
• 21:31
  Speaker 1: knew that that happened to me, and he suspected that
• 21:34
  Speaker 1: that happened in it to him by the same circle.
• 21:38
  Speaker 1: And I was still willing to forgive.
• 21:42
  Speaker 3: Right, you were still willing to be the bigger man.
• 21:44
  Speaker 1: When he was locked up, I was the gangster. So
• 21:47
  Speaker 1: when he gets out, he expected me to stay the gainst.
• 21:51
  Speaker 1: When you watch gangster movies, it's always two gangsters, right,
• 21:55
  Speaker 1: and they ride it all the way out and then
• 21:57
  Speaker 1: one and then one of them like, man, I'm on.
• 22:00
  Speaker 3: It's like Nasa and Belly. Nasa is like I want
• 22:03
  Speaker 3: to go to Africa and Tommy Buns is like fuck that.
• 22:05
  Speaker 1: But that's life. That's just how it is. It's like
• 22:08
  Speaker 1: all of my relationships have been like that. Even with
• 22:11
  Speaker 1: me and Warren g when we started off, we was
• 22:14
  Speaker 1: tied it in the glove musically, and then it had
• 22:16
  Speaker 1: to take a point to where he had to separate
• 22:18
  Speaker 1: and do his own shit to create who the fuck
• 22:20
  Speaker 1: Warrene is because he would have just been up under
• 22:23
  Speaker 1: us and being Dre's little brother. And this now, motherfuckers
• 22:25
  Speaker 1: know that's Warren G the creator, g Funk, the regulator.
• 22:28
  Speaker 2: He produced this. He did that.
• 22:30
  Speaker 3: Only I mean saved deaf Jam as a West Coast artist, right.
• 22:33
  Speaker 1: But you don't know the struggle of what it was
• 22:35
  Speaker 1: before he got to that point. It wasn't just all right,
• 22:38
  Speaker 1: Warren G, go do your own thing. It was maybe
• 22:39
  Speaker 1: it's arguments. When you see my biopick.
• 22:41
  Speaker 2: You'll see it. I ain't gonna give you too much man.
• 22:44
  Speaker 3: Now, he explained a little bit, like he was kind
• 22:45
  Speaker 3: of explaining like things got a little weird because he
• 22:48
  Speaker 3: was like kind of the only guy who wasn't with
• 22:49
  Speaker 3: Death Row and like kind of went and did his
• 22:51
  Speaker 3: own thing, right.
• 22:52
  Speaker 1: Yeah, And he's the one that brought the main piece
• 22:54
  Speaker 1: to death Row, which is facts you.
• 22:57
  Speaker 2: Bring the engine and you don't have to get in
• 22:58
  Speaker 2: the car.
• 22:59
  Speaker 3: That's craziness. That is that's interesting, YO, talk to me
• 23:04
  Speaker 3: about you. Obviously getting with Pharrell kind of carved out
• 23:10
  Speaker 3: another era of your career. Paid the cost to be
• 23:14
  Speaker 3: the boss. Rhythmic Gangs to These were albums that I
• 23:20
  Speaker 3: feel like are are kind of like up there with
• 23:23
  Speaker 3: any of your bodies of work. Also shots of Blue
• 23:25
  Speaker 3: Carmont Treatment that's one of my favorites. And last meal
• 23:27
  Speaker 3: time Blue car Treatment so good.
• 23:29
  Speaker 2: That's just so hard. Oh my god, that's my ship.
• 23:32
  Speaker 3: But you like like being locked in with Dre in
• 23:36
  Speaker 3: a way that you have the level you have. You've
• 23:40
  Speaker 3: also worked with guys like DJ Premier throughout your career,
• 23:42
  Speaker 3: like you've worked with the greatest of all time, Tim Molann,
• 23:44
  Speaker 3: et cetera. But but like catching like that vibe with
• 23:47
  Speaker 3: Pharrell where you guys are able to like really kind
• 23:49
  Speaker 3: of ride a wave and like have multiple I mean,
• 23:53
  Speaker 3: drop it like it's hot. It's like I mean as
• 23:56
  Speaker 3: big a record that you have, you know what I mean,
• 23:59
  Speaker 3: Like how cool is that to kind of like get
• 24:02
  Speaker 3: in a group because a lot of people can get
• 24:03
  Speaker 3: in with producers and like, hey, Pharrel made the album.
• 24:05
  Speaker 3: We got a single, but you guys got into like
• 24:07
  Speaker 3: a real I mean the Bush album was Dope slept
• 24:09
  Speaker 3: on too.
• 24:10
  Speaker 2: You know what people don't know about for real?
• 24:13
  Speaker 1: This is what I really love about Cuz when he
• 24:16
  Speaker 1: worked with me, when we was doing the first couple
• 24:19
  Speaker 1: of things that we did, all he wanted to do
• 24:22
  Speaker 1: was be around my gangster homies as R and B
• 24:25
  Speaker 1: as he is and as melodic as he is.
• 24:28
  Speaker 2: He was so infatuated with like, Snoop, bring your homies
• 24:32
  Speaker 2: up here, cuffs, have your homies up here. Cut.
• 24:35
  Speaker 1: He's just just like that. He's like, that's how he
• 24:38
  Speaker 1: talked with being your homies up here, he cut, and
• 24:40
  Speaker 1: all my homies like I want the worst of the
• 24:43
  Speaker 1: worst of your homies, the one that steals, the one
• 24:45
  Speaker 1: that are getting to fight, or what I need.
• 24:48
  Speaker 3: I want these studio sessions to be a real liability.
• 24:50
  Speaker 2: I want niggas up here. It's so many words.
• 24:53
  Speaker 1: So I would bring all the niggas up there and
• 24:54
  Speaker 1: that he would get. Like to me, he did what
• 24:58
  Speaker 1: Dre did with Doggy's chaff. He had to learn me,
• 25:01
  Speaker 1: but he had to learn my elements. And you can't
• 25:03
  Speaker 1: just do that sit in the studio with me. You
• 25:05
  Speaker 1: got to see me around my people. You got to
• 25:07
  Speaker 1: see how I interact with my people. You got to
• 25:09
  Speaker 1: get the vibe busts and when we made those records.
• 25:11
  Speaker 1: He even allowed people like LT Hunting to produce tracks.
• 25:14
  Speaker 1: He allowed Jelly Roll and other people to present because
• 25:17
  Speaker 1: he knew that they was a part of my team,
• 25:19
  Speaker 1: so it wasn't like it was a produced by Forarral
• 25:21
  Speaker 1: top to bottom. He had the majority of it. But
• 25:24
  Speaker 1: he allowed, hey man, your home way over there. Bring
• 25:28
  Speaker 1: him in there, don't you do beats, Let's see what
• 25:30
  Speaker 1: he got like. He was that type of you know,
• 25:36
  Speaker 1: collaborated with me to where it was like we had
• 25:39
  Speaker 1: fun together, and he was interesting because he wanted to
• 25:42
  Speaker 1: tap in to this gangster shit. Then when we was
• 25:44
  Speaker 1: into it with sug Knight, that's when he was trying
• 25:47
  Speaker 1: to pull up. He was like, hold on, wait a minute,
• 25:51
  Speaker 1: y'all really into it with the nigga, said, nigga, don't trip, nigga,
• 25:53
  Speaker 1: stay out with this cripshit.
• 25:54
  Speaker 2: Nigga.
• 25:54
  Speaker 1: We got this nigga and then once we handle Cuz
• 25:58
  Speaker 1: he was able to see all of that to see
• 26:00
  Speaker 1: how the situation resolved not with violence, but which is
• 26:06
  Speaker 1: standing up and being a man and putting your foot down.
• 26:11
  Speaker 3: And then it's and then like that Bush album me
• 26:13
  Speaker 3: all there, I don't know that ship is done.
• 26:15
  Speaker 1: I get talked about that overseas. They love that. That
• 26:18
  Speaker 1: was a great big hit overseas.
• 26:20
  Speaker 3: Yeah, and it was I think the like what I
• 26:23
  Speaker 3: like I bought the CD, and I think the CD
• 26:25
  Speaker 3: reminded me like the old No Limit cases because it
• 26:27
  Speaker 3: was like a solid color case.
• 26:29
  Speaker 2: Did you see the videos to Thattu, Yeah, for sure.
• 26:31
  Speaker 1: The Stevie Wonder woan was amazing, the one with Charlie Wilson,
• 26:34
  Speaker 1: like his thought process to me that when I'm not
• 26:37
  Speaker 1: hearing on this earth anymore is when that record is
• 26:40
  Speaker 1: going to be thoroughly appreciated because it's so dynamic and
• 26:43
  Speaker 1: it's so futuristic that it was so ahead of its time.
• 26:47
  Speaker 1: People were so used to hearing me and him do
• 26:49
  Speaker 1: slappers and bangers, but we went to a whole other
• 26:52
  Speaker 1: region with that.
• 26:55
  Speaker 3: I want to talk about, Like, I just watched your
• 26:57
  Speaker 3: cam interview and I know you touched a lot on
• 26:58
  Speaker 3: your No Limit era. I remember the anticipation because I
• 27:04
  Speaker 3: was a big MASTERP fan, like, ghetto dopeses my shit.
• 27:07
  Speaker 2: I have my shit too.
• 27:08
  Speaker 1: My home boy Badass Rest in Peace pulled up on
• 27:11
  Speaker 1: me in a Cadillac and he was like, Doggie, dog,
• 27:14
  Speaker 1: you gotta hit this shit, and he put the cassette
• 27:17
  Speaker 1: in and ghetto Dope and I fell in love with him.
• 27:19
  Speaker 3: No Limit and whole fire. But when you first dropped
• 27:23
  Speaker 3: the game is to be Sold, not to be Told,
• 27:25
  Speaker 3: and you had like the like the no Limit style
• 27:28
  Speaker 3: cover and it was like your first I remember like
• 27:31
  Speaker 3: running to the Wear. I think I saved my money.
• 27:33
  Speaker 3: I might have sold some older CDs to get that motherfucker.
• 27:37
  Speaker 3: But that album felt to me like it was like
• 27:41
  Speaker 3: you go into No Limits world as to where uh,
• 27:45
  Speaker 3: top Dog felt to me like you brought back. Yeah,
• 27:48
  Speaker 3: now y'all got to come over here.
• 27:49
  Speaker 2: Last Meal. Last Meal was straight see what you don't know? Three?
• 27:53
  Speaker 3: Last Week is my favorite.
• 27:54
  Speaker 2: Last Meal.
• 27:55
  Speaker 1: Doctor Dre mixed it from top to bottom, every song
• 27:58
  Speaker 1: on there.
• 28:00
  Speaker 3: So when you were working on Last Meal, where you
• 28:01
  Speaker 3: also simultaneously working on.
• 28:03
  Speaker 2: Two thousand and one and the East Siders.
• 28:06
  Speaker 3: Because we didn't get two thousand and one until after
• 28:07
  Speaker 3: Last Meal.
• 28:08
  Speaker 1: Right, last Meal, East Siders first album and Chronic two
• 28:11
  Speaker 1: thousand and one time, and then we started working on
• 28:14
  Speaker 1: the Wash because we had wrote the Wash while we
• 28:16
  Speaker 1: did the Up a Smoke.
• 28:17
  Speaker 3: Dude very slept on the soundtrack.
• 28:18
  Speaker 2: Come on the.
• 28:20
  Speaker 3: Nocturnalment that motherfucker. No but Last Meal. I remember when
• 28:23
  Speaker 3: when Dre was on the there's the voicemail.
• 28:26
  Speaker 2: On that Snoop.
• 28:27
  Speaker 1: I've been listening to your album and I ain't saying
• 28:30
  Speaker 1: nothing on this whole motherfucker on Layloy Laylo. But he
• 28:34
  Speaker 1: sequenced the whole album. He mixed everybody's song. Everybody gave
• 28:38
  Speaker 1: him the music. He sequest the Snoop Snoop Snoop, all
• 28:41
  Speaker 1: that into boom boom boom boom into that, into all
• 28:45
  Speaker 1: of that. He sequenced everything, even the ark yelly song
• 28:48
  Speaker 1: crazy that's that ship.
• 28:50
  Speaker 2: Yeah, me and DLC wrote that.
• 28:52
  Speaker 3: By the way, very slept on our record. That record
• 28:55
  Speaker 3: was big, big record at radio.
• 28:57
  Speaker 2: No Me.
• 28:57
  Speaker 1: I used to perform that record with COUD when he
• 28:59
  Speaker 1: was on the street. He's nigga that regular shooes nigga
• 29:02
  Speaker 1: Young Chank kank kank Kang guanank kankankankank kank Gang.
• 29:08
  Speaker 2: Shout out to my nigga nots for making that beat
• 29:10
  Speaker 2: about the.
• 29:10
  Speaker 3: Vah Yeah, oh man, But I'm curious, like, uh there.
• 29:19
  Speaker 3: I remember having a bootleg version of the album that
• 29:22
  Speaker 3: was supposed to come out, the fuck Death Row album.
• 29:25
  Speaker 3: There was like a I don't know if I don't
• 29:26
  Speaker 3: know how official it was, but I had like a
• 29:29
  Speaker 3: napster downloaded version of like a fake Snoop Dogg album,
• 29:33
  Speaker 3: but it was all it was you, But like that
• 29:36
  Speaker 3: was an album You're gonna drop with Mac.
• 29:38
  Speaker 1: Ten Yeah, and a couple of songs that got out
• 29:41
  Speaker 1: because one of the engineers that I had worked ended
• 29:44
  Speaker 1: up going to work for Death Row and was sugared
• 29:45
  Speaker 1: him trying to put out that Walking Dead album.
• 29:48
  Speaker 2: He slid them a field.
• 29:49
  Speaker 3: Oh I remember that album. This Death Row chronic two
• 29:52
  Speaker 3: thousand comes out. There's a guy on there that sounds
• 29:56
  Speaker 3: just like.
• 29:56
  Speaker 2: You, Top Doll.
• 29:57
  Speaker 3: Oh he's he It's almost like like they went out
• 30:00
  Speaker 3: and they were like, we have to find a Snoop
• 30:03
  Speaker 3: Dogg impersonator to try to fool people. And then the
• 30:07
  Speaker 3: name top Dog. You had an album called top Dog.
• 30:09
  Speaker 3: You know, right, what were your thoughts when you heard that?
• 30:12
  Speaker 1: Just that whole I was like, this nigga Sugar is
• 30:16
  Speaker 1: a real hater. Like That's what my thoughts was, you
• 30:20
  Speaker 1: know what I'm saying at the time. But then master
• 30:22
  Speaker 1: P had seized me to like forgive and to move
• 30:26
  Speaker 1: forward and not look back. Yeah, So I had to
• 30:28
  Speaker 1: get trained into not paying attention to it because it
• 30:31
  Speaker 1: was so much of it going on, Like every time
• 30:33
  Speaker 1: I would try to drop or Dre would drop.
• 30:36
  Speaker 3: There would be something where if someone went to a
• 30:38
  Speaker 3: record store they'd see something else next to it and
• 30:40
  Speaker 3: be like, wait, what what's this?
• 30:41
  Speaker 2: And then like the dead Man walking shit.
• 30:42
  Speaker 3: I forgot about that.
• 30:43
  Speaker 1: And then my fuck death Row album had leaked a
• 30:46
  Speaker 1: little bit of it because one of the guys that
• 30:49
  Speaker 1: was my engineers had ended up getting paid off by
• 30:51
  Speaker 1: death Row to work for them, and he slid a
• 30:53
  Speaker 1: couple of my songs over there. And that's when they
• 30:55
  Speaker 1: started creating finding somebody to sound like me?
• 31:00
  Speaker 2: Can you believe that?
• 31:00
  Speaker 1: It's like they did a talent search to find a
• 31:02
  Speaker 1: nigga that sound like me, which to me, it was
• 31:04
  Speaker 1: like I was. I was happy, like I'm really on
• 31:09
  Speaker 1: your nigga's mind, like that where y'all trying.
• 31:11
  Speaker 3: To find a nigga that sound you can't just find
• 31:12
  Speaker 3: someone new, right.
• 31:13
  Speaker 1: And it's like, okay, so I must be hurting, y'all.
• 31:15
  Speaker 1: And that's what put me on a mission. I started,
• 31:17
  Speaker 1: like when I went to make music. After that, my
• 31:21
  Speaker 1: mission was to make great fucking music. And I think
• 31:23
  Speaker 1: I went on a mission for like six straight years.
• 31:26
  Speaker 3: So you went on a run.
• 31:27
  Speaker 2: Like Snoop Dogg wasn't playing with nobody.
• 31:29
  Speaker 1: Yeah, doing songs with everybody, putting people on, making sure
• 31:33
  Speaker 1: my records was right, doing big tours.
• 31:36
  Speaker 2: You know what I'm saying.
• 31:37
  Speaker 1: Getting down in the mixtape world, like whatever was coming out,
• 31:40
  Speaker 1: I was always ahead of it.
• 31:41
  Speaker 2: Even with fifty cent was open enough for me.
• 31:44
  Speaker 1: And we showed g Unit how to get his background
• 31:48
  Speaker 1: right because in the beginning they just was up there.
• 31:50
  Speaker 1: So I had the dog panting, all my crew with me,
• 31:52
  Speaker 1: so fifty would come in my dress room, we chop
• 31:55
  Speaker 1: it up. I give him a little piece of game.
• 31:56
  Speaker 1: Then before you know it, his show got right. Hold on,
• 31:59
  Speaker 1: don't do that in the club. Shouldn't be your first song.
• 32:01
  Speaker 1: That's got to be your last song. You can't come
• 32:04
  Speaker 1: out to that. That's at the back boom. Take him
• 32:07
  Speaker 1: on the road again. This time were on the road.
• 32:10
  Speaker 1: He dropped one of the niggas off the tour and
• 32:12
  Speaker 1: ended up making it his tour. And now it's just
• 32:14
  Speaker 1: me and him.
• 32:15
  Speaker 2: Then I got a.
• 32:16
  Speaker 1: Band rocking with the band. Next time I see him
• 32:19
  Speaker 1: on the road, he rocking with a band. So it's
• 32:22
  Speaker 1: like we learn, we teach, we give information. When you associated,
• 32:26
  Speaker 1: you affiliated. And I've been able to like take my
• 32:29
  Speaker 1: career and give game to other people and receive game
• 32:33
  Speaker 1: along the way.
• 32:33
  Speaker 3: Yeah, for sure, during that kind of time where you
• 32:39
  Speaker 3: and and Sugar going back and forth, whether it be
• 32:42
  Speaker 3: you know, publicly or not, would you ever have thought
• 32:45
  Speaker 3: that like death Throw would be yours one day. Like
• 32:48
  Speaker 3: it's kind of crazy if you really think about it,
• 32:50
  Speaker 3: because you had you had your label Doghouse, which had
• 32:54
  Speaker 3: like doll these angels in the east Side is and
• 32:57
  Speaker 3: but fast forward and you I feel like you've taken
• 32:59
  Speaker 3: the death Row brand and like it's everywhere. Dude, Like
• 33:04
  Speaker 3: I feel like you've slapped that motherfucker on what, Like
• 33:07
  Speaker 3: you got that licensing shit going crazy, But.
• 33:10
  Speaker 1: That's what you're supposed to do. Like my thing was
• 33:12
  Speaker 1: getting it cleaning it up. I had to clean up
• 33:14
  Speaker 1: the bullshit first because it was so much negative energy
• 33:16
  Speaker 1: around it. People was afraid of what Sug was gonna
• 33:19
  Speaker 1: think and how you know the industry would react to
• 33:22
  Speaker 1: doing business but with death Row considering knowing that this
• 33:25
  Speaker 1: nigga would be in the back trying to hate us,
• 33:26
  Speaker 1: saying things negative. But I was like, I'm just gonna
• 33:29
  Speaker 1: clean up all of this shit, give it a whole
• 33:31
  Speaker 1: new approach, walk it out in a different light, and
• 33:34
  Speaker 1: move with love as the purpose of Death Row Records.
• 33:36
  Speaker 1: They connect the dots that they didn't do, like, they
• 33:38
  Speaker 1: didn't do none of the things that I'm doing with
• 33:40
  Speaker 1: the label, and they had it way longer than me.
• 33:42
  Speaker 1: I ain't had the label for two years and I've
• 33:43
  Speaker 1: done more things that's been done with this label in
• 33:46
  Speaker 1: thirty years.
• 33:47
  Speaker 3: I mean, the October London Kid is incredible, thank you,
• 33:50
  Speaker 3: and then obviously the new Dog Panama is crazy, east
• 33:52
  Speaker 3: Side is are back?
• 33:54
  Speaker 1: You're I mean D Smoked Smoke. I want D Smoke
• 33:58
  Speaker 1: on Death Row Records. I'll say it publicly. We always
• 34:01
  Speaker 1: talk about it. We need to figure it out.
• 34:03
  Speaker 3: I know we've been talked about. I know it was
• 34:04
  Speaker 3: in the air.
• 34:05
  Speaker 2: I'm not ashamed to say I won't de Smoke of
• 34:07
  Speaker 2: from Inglewood.
• 34:08
  Speaker 1: I live over here now, I'm in the Inglewood area,
• 34:10
  Speaker 1: and he's such a factor to the hip hop game,
• 34:13
  Speaker 1: to the community to just like even how I met
• 34:16
  Speaker 1: him on that show.
• 34:18
  Speaker 3: Yeah that's true. And when you ask him where you're
• 34:20
  Speaker 3: from right now? But where are you from?
• 34:22
  Speaker 1: And I'm checking him trying to see if he a
• 34:24
  Speaker 1: gang member, was he a rapper right, and come to
• 34:26
  Speaker 1: find out he becomes my brother.
• 34:28
  Speaker 3: Yeah, and one of the best guys, shocking him and Sir.
• 34:31
  Speaker 1: Bro won't you and Inglewood, Sir Davean, I take the
• 34:35
  Speaker 1: whole family.
• 34:38
  Speaker 2: We're playing with me.
• 34:40
  Speaker 3: In twenty eleven, I want to say, there's a historical
• 34:43
  Speaker 3: moment yourself corrupt the game. I'm missing somebody else. Essentially
• 34:51
  Speaker 3: passed the torch to Kendrick Lamar on stage. Yes, yes,
• 34:55
  Speaker 3: Kendrick gets emotional. I think that was like a real
• 34:58
  Speaker 3: turning point.
• 35:00
  Speaker 1: Well, at that time the game, he was the one
• 35:03
  Speaker 1: that was carrying the tour. He was fucking carrying the
• 35:06
  Speaker 1: toys game, was sucking it up, he was getting it in,
• 35:08
  Speaker 1: he was busting, he was battling niggas, he was keeping
• 35:10
  Speaker 1: the gangster. He was taking niggas on tour, selling hell
• 35:13
  Speaker 1: of records. But he was doing g shit and we
• 35:16
  Speaker 1: shouldn't forget that. A lot of times we run past
• 35:18
  Speaker 1: him to get to the game.
• 35:19
  Speaker 3: Had a grand I mean, he was holding the West Coast.
• 35:22
  Speaker 1: That's why he was on stage when Kendrick was presented
• 35:25
  Speaker 1: that because it was all a part of us seeing
• 35:27
  Speaker 1: that he was the next in line. That's how we
• 35:30
  Speaker 1: do it on the West, we give it to who
• 35:32
  Speaker 1: was accordingly running the show, so game naturally on stage
• 35:36
  Speaker 1: with me, we felt like he didn't won. And it
• 35:39
  Speaker 1: wasn't no discussion that we had three weeks ago. That
• 35:41
  Speaker 1: shit happened right there.
• 35:42
  Speaker 3: What happened on the spot.
• 35:43
  Speaker 1: This nigga was fucking it up. We in the crowd
• 35:45
  Speaker 1: watching this nigga fuck it up. I'm sitting with Doctor
• 35:47
  Speaker 1: Dre and the crowd watching this nigga fuck it up,
• 35:50
  Speaker 1: and I'm like, I gotta go on stage with this nigga.
• 35:52
  Speaker 2: Dream. I'm sorry, I can't be in the crowd.
• 35:54
  Speaker 1: So I go on stage and he do another song,
• 35:57
  Speaker 1: then another song, and they look over at me and
• 35:59
  Speaker 1: they had me to mic. I'm like, man, fuck all
• 36:01
  Speaker 1: this shit, nigga, this nigga.
• 36:02
  Speaker 2: Is the king.
• 36:03
  Speaker 1: And everybody agreed, and that nigga broke down in tears.
• 36:06
  Speaker 1: And it was beautiful because I watch him now and
• 36:10
  Speaker 1: I see all the work he put in before he
• 36:14
  Speaker 1: took the crown and after he got the crown.
• 36:17
  Speaker 2: He is a true king.
• 36:19
  Speaker 3: When you heard him talk about your and whacked out
• 36:21
  Speaker 3: mirros and posting the tailor freestyle, I I saw you
• 36:24
  Speaker 3: retweet it and say it was the Edibles. What were
• 36:28
  Speaker 3: your thoughts when you first heard.
• 36:29
  Speaker 1: That's my nephew. Man, he's a rapper man. He's supposed
• 36:31
  Speaker 1: to speak his mind and tell his truth. Yeah, that's
• 36:34
  Speaker 1: the way he felt, you know what I'm saying. And
• 36:36
  Speaker 1: he has the right to say that. I'm his big
• 36:38
  Speaker 1: home boy, So I have to take what's given to
• 36:41
  Speaker 1: me from his perspective because he's speaking truth, and the
• 36:45
  Speaker 1: truth shouldn't hurt you, It should make you better.
• 36:48
  Speaker 2: You know what I'm saying.
• 36:49
  Speaker 1: I'm one to accept truth when it's brought to me directly.
• 36:53
  Speaker 1: He feels that I shouldn't have played that damn I
• 36:56
  Speaker 1: was on him edibles, my Nigga, I gotta be more
• 36:58
  Speaker 1: careful you, right, nephew.
• 37:01
  Speaker 3: I mean there was like an AI transposed version of
• 37:03
  Speaker 3: you on that song, which was crazy, right, Like Yeah,
• 37:05
  Speaker 3: that shit was diabolically like I don't even know, like
• 37:10
  Speaker 3: one of the weirdest things.
• 37:11
  Speaker 1: But the crazy part is I can say it. What
• 37:14
  Speaker 1: happened was what had happened was That's how Nigga said.
• 37:17
  Speaker 1: What had happened was I did a collaborative post with someone.
• 37:22
  Speaker 2: You know, you do a.
• 37:22
  Speaker 1: Collaborative post and you do a lot of those, right,
• 37:25
  Speaker 1: So when I do it, I don't listen to the music.
• 37:28
  Speaker 2: I just see Jen and Juice because it's my brand. Right.
• 37:32
  Speaker 1: So when I posted, I'm thinking I'm posting Jen and Juice.
• 37:35
  Speaker 1: I don't know what song it says. I don't I'm
• 37:37
  Speaker 1: not hip to everybody's music.
• 37:38
  Speaker 2: Right. Then I get the word Nephew didn't like what
• 37:43
  Speaker 2: you did? What did I do? You play some music?
• 37:47
  Speaker 3: What music?
• 37:48
  Speaker 2: Then I had to go look at them. I'm like, oh,
• 37:50
  Speaker 2: that's cuz damn.
• 37:53
  Speaker 1: So then I deleted it, called nephew, left him a
• 37:57
  Speaker 1: message because he ain't picked up. He was working on
• 37:58
  Speaker 1: this shit. I left him a message, Nephew, it's uncle Snoop.
• 38:01
  Speaker 1: I got the message. I apologize. I was fucked up.
• 38:06
  Speaker 1: My bad.
• 38:08
  Speaker 3: Did you feel like at all, like weird about like that?
• 38:12
  Speaker 3: Like Drake using your voice?
• 38:14
  Speaker 1: Man? I don't want to be in nobody's shit. Man,
• 38:16
  Speaker 1: I like being in my own shit. You know what
• 38:18
  Speaker 1: I'm saying.
• 38:18
  Speaker 3: Because you didn't know that was happening. No, I didn't
• 38:21
  Speaker 3: to me like if you were gonna do that, like
• 38:23
  Speaker 3: you should like tap in, like, hey, I'm gonna use
• 38:25
  Speaker 3: your voice on some shit.
• 38:27
  Speaker 2: But see I'm such a big figure. It's I'm Uncle Snoop.
• 38:31
  Speaker 1: I'm accessible to everybody, so everybody feels like they can
• 38:34
  Speaker 1: because I don't have too many parameters when they come
• 38:37
  Speaker 1: to me. But when it comes to beef, that's a
• 38:40
  Speaker 1: real parameter that I do have. I don't get in
• 38:42
  Speaker 1: nobody's beef. I'm usually the one who ends the beef,
• 38:45
  Speaker 1: but if it's out of my reach, then I step
• 38:47
  Speaker 1: out and allow two men to get an understanding. And
• 38:50
  Speaker 1: that's what I feel like, these two men and two
• 38:53
  Speaker 1: rappers should establish where they don't need me to take
• 38:58
  Speaker 1: side or jump in. I'm from no West, so my
• 39:01
  Speaker 1: heart lies on the West.
• 39:03
  Speaker 3: Yeah.
• 39:03
  Speaker 1: Well, when it comes to this ship, you gonna handle
• 39:06
  Speaker 1: your business because you from the motherfucking West. You don't
• 39:09
  Speaker 1: need no help. And if you needed help, you wouldn't
• 39:12
  Speaker 1: have to ask. I would have been on the double.
• 39:14
  Speaker 3: That's fair. What are your thoughts on the lawsuit?
• 39:21
  Speaker 2: Next question?
• 39:22
  Speaker 3: I didn't got to ask.
• 39:25
  Speaker 2: Next question? You know, we in on the West, we
• 39:27
  Speaker 2: hold court in the streets. Guh.
• 39:30
  Speaker 3: Fair See, that's that's all. Yeah, that's a fair point.
• 39:32
  Speaker 2: That's just what we call it.
• 39:34
  Speaker 3: YO on this new album is there's there's a I
• 39:38
  Speaker 3: love the way you ended it. The negotiator was hard,
• 39:41
  Speaker 3: it's it's it's a lot of sonics on this album.
• 39:43
  Speaker 3: There's a lot of dope, like what I feel like
• 39:45
  Speaker 3: what you all were able to do was also like
• 39:46
  Speaker 3: shine a light on some features that weren't necessarily like
• 39:50
  Speaker 3: household names that have been like doing their thing for
• 39:53
  Speaker 3: a while. Was there any anything that didn't get finished
• 39:59
  Speaker 3: feature in time for like that almost you knows cross
• 40:03
  Speaker 3: the finish line making the album, or that you were
• 40:05
  Speaker 3: trying to make happen that just didn't end up working out.
• 40:08
  Speaker 2: Nah. We were specific about what we wanted.
• 40:12
  Speaker 1: We had a white board in the room, white board,
• 40:15
  Speaker 1: not a white boy a board, and the nixt thame
• 40:17
  Speaker 1: you had a white boy in the room, white board,
• 40:19
  Speaker 1: b old ard, and we would write down, you know,
• 40:23
  Speaker 1: the songs accordingly that we thought that would make it.
• 40:26
  Speaker 1: And then we had another list called shit out of Luck.
• 40:28
  Speaker 1: So the Shit out of Luck was the songs that
• 40:30
  Speaker 1: didn't make the album. So we would always look at
• 40:34
  Speaker 1: these and then look at Shit out of Luck and
• 40:35
  Speaker 1: be like, which one?
• 40:37
  Speaker 2: So give you a perfect example.
• 40:39
  Speaker 1: It's probably not the answer you're looking for it, but
• 40:41
  Speaker 1: I think it's good we had the album right here.
• 40:45
  Speaker 2: Then we're looking that Shit out of Luck.
• 40:47
  Speaker 1: I don't like this one song on the album, and
• 40:52
  Speaker 1: Draine really fucking with it either, So we're trying to
• 40:55
  Speaker 1: figure out what should we do.
• 40:57
  Speaker 2: Or how can we make it better?
• 40:58
  Speaker 1: So I say, hey, that motherfuck over there on Shit
• 41:02
  Speaker 1: out of Love, that's a hit if.
• 41:04
  Speaker 2: You just touch it. It's sticky, situation, fire, banging fire.
• 41:10
  Speaker 2: That motherfucker was over there.
• 41:12
  Speaker 3: It wasn't even gonna make the album, no way.
• 41:14
  Speaker 1: Yeah, I had to go fish hooking back in and say, cuh, nigga, you.
• 41:19
  Speaker 2: Hear what I'm saying on that.
• 41:20
  Speaker 3: Yeah, no, you're going in.
• 41:22
  Speaker 1: And you hear if you touch that music and put
• 41:23
  Speaker 1: all that and then when it changes into.
• 41:25
  Speaker 2: The oh my god, it's an experience for sure.
• 41:29
  Speaker 1: So that was one of those records where I had
• 41:31
  Speaker 1: to go save it rather than records that didn't make it.
• 41:36
  Speaker 3: Was there like other attempts of you guys doing a
• 41:39
  Speaker 3: version of this throughout the years, because we always hear
• 41:42
  Speaker 3: like Dre is so like I don't know how many
• 41:45
  Speaker 3: times we've heard about the Detox and how many times
• 41:47
  Speaker 3: it's been restarted, Like did you guys ever attempt to
• 41:50
  Speaker 3: do this specific mission of an album and it just
• 41:54
  Speaker 3: didn't end up coming to fruition in the past.
• 41:57
  Speaker 2: Nope.
• 41:57
  Speaker 3: So this is the first time.
• 41:58
  Speaker 2: The don't miss.
• 41:59
  Speaker 1: Yeah, that motherfucker don't miss when me and him say
• 42:03
  Speaker 1: we going in, we're locked in.
• 42:05
  Speaker 2: Yeah. We never locked in after this.
• 42:07
  Speaker 1: The last time we locked in was the last meal
• 42:10
  Speaker 1: when it was like, Hey, card I need you to
• 42:11
  Speaker 1: mix my album and I sat up there with him
• 42:14
  Speaker 1: and he mixed every song, but he didn't produce every song,
• 42:18
  Speaker 1: but he heard all of my lyrics on every song.
• 42:20
  Speaker 1: So when I got to certain songs, when we got
• 42:22
  Speaker 1: to that's that shit, he was like, you got you
• 42:24
  Speaker 1: in DLC, gotta write this again. So he made me
• 42:27
  Speaker 1: like rewrite certain things, and when we did the wrong idea,
• 42:30
  Speaker 1: he loved badass verse and then my verse. He was like,
• 42:33
  Speaker 1: I like the way you started, but you got even
• 42:35
  Speaker 1: to change. That's why when I changed, I said I'm
• 42:37
  Speaker 1: down with P and d r E A real nigga
• 42:39
  Speaker 1: from the motherfucking LBC. I just looked like this, I
• 42:42
  Speaker 1: stay down with the twist. I'm real with this some
• 42:45
  Speaker 1: deepest abits. I gave you a pound, then I gave
• 42:47
  Speaker 1: you a wife a kiss. I had to dip because
• 42:50
  Speaker 1: y'all was full of that bullshit. Yeah, so he made
• 42:52
  Speaker 1: me change all of that when it wasn't even his beat.
• 42:56
  Speaker 1: So now when we lock up on this project, it
• 42:59
  Speaker 1: ain't like that. It's like I'm producing you snoop. So
• 43:03
  Speaker 1: that means when you come over here, you sit down
• 43:05
  Speaker 1: and you follow my instructions. And I wanted That's what
• 43:09
  Speaker 1: I wanted. With all of the shit that I'm doing,
• 43:11
  Speaker 1: I was missing that last piece, that musical piece that
• 43:14
  Speaker 1: was dynamic and transparent with how I'm living right now,
• 43:17
  Speaker 1: rather than you judging me off of Doggie style Blue
• 43:20
  Speaker 1: Carpet Paid the Calls. No, you're judging me off a
• 43:23
  Speaker 1: missionary twenty twenty four, How I'm Living and har I'm Rocket.
• 43:27
  Speaker 3: You had said when I first walked in, you were
• 43:29
  Speaker 3: saying that this is like this is like your main shit,
• 43:34
  Speaker 3: Like all the other shit are off side quests, right,
• 43:37
  Speaker 3: But the music has always been the lifeline. Like I
• 43:39
  Speaker 3: think about the algorithm, we're super dope, Like you've had
• 43:43
  Speaker 3: even the gangster grill shit, you know what I mean,
• 43:45
  Speaker 3: Like I fuck Mount Wesmore came out. You know what
• 43:47
  Speaker 3: I mean? Is it hard for you to still be inspired,
• 43:52
  Speaker 3: like to like get in the studio, and when you
• 43:57
  Speaker 3: lose any inspiration, what do you do to kind to
• 44:01
  Speaker 3: light that fire back to kind.
• 44:02
  Speaker 1: Of I think having a record label, I would never
• 44:06
  Speaker 1: lose interest in the studio. And then I got three
• 44:08
  Speaker 1: studios here, and then I got so many dynamic artists
• 44:12
  Speaker 1: that I love working with and love seeing them make records.
• 44:16
  Speaker 1: And then I'm always listening to what's hot and what's new,
• 44:20
  Speaker 1: and then I'm listening to what's old that last forever.
• 44:23
  Speaker 1: So it's like I'm challenging myself to try to make
• 44:27
  Speaker 1: shit that matters. Music is the universal language of all people,
• 44:31
  Speaker 1: and if you bless with the abilities to do it,
• 44:32
  Speaker 1: you're supposed to give up as much as you can.
• 44:35
  Speaker 1: I look at the ones that have passed away and
• 44:37
  Speaker 1: moved on and how their music remains and how their
• 44:40
  Speaker 1: music like really touches the soul because they put their
• 44:44
  Speaker 1: heart into it. And that's what I'm doing.
• 44:49
  Speaker 3: I gotta there's an album that I can't get on Spotify.
• 44:52
  Speaker 3: I only can listen to it on YouTube, and it's
• 44:54
  Speaker 3: a shitty upload, the two on three album.
• 44:56
  Speaker 1: I'm gonna get it back. I'm gonna get contrued. What's
• 44:58
  Speaker 1: going Like TVT had it in they l.
• 45:00
  Speaker 3: I remember it was out on TVT so flies by ship.
• 45:03
  Speaker 2: Dog like yeah, and they dissolved.
• 45:05
  Speaker 1: They were ones who gave me the first deal for
• 45:07
  Speaker 1: the East Siders two one three. They was the realist.
• 45:10
  Speaker 1: Motherfucker Mark Binnich rest in Peace was a great guy.
• 45:14
  Speaker 1: But they had that album and the label I think
• 45:16
  Speaker 1: went bankrupt. So they got to call Tom Wada knows
• 45:19
  Speaker 1: who got that motherfucker.
• 45:20
  Speaker 2: What's his name?
• 45:21
  Speaker 3: This is not on Spotify.
• 45:23
  Speaker 1: No, I gotta get I can get the whole album,
• 45:26
  Speaker 1: like you want to release it on death Row like remastered,
• 45:30
  Speaker 1: that'd be.
• 45:30
  Speaker 3: The way to go. I mean, I know when I
• 45:32
  Speaker 3: was talking to Warren, he said he has like a
• 45:34
  Speaker 3: pretty serious he do well. He's also got like unreleased
• 45:37
  Speaker 3: Nate Dog shit.
• 45:38
  Speaker 1: He got him and fred Reg both they got a
• 45:41
  Speaker 1: bunch of n Nate Dog used to go from Warren
• 45:43
  Speaker 1: G's house to Fred Reg's house. Then he used to
• 45:46
  Speaker 1: fuck with this dude named Lance. But Lance was his engineer,
• 45:49
  Speaker 1: so Nate would work out of his house. He would
• 45:51
  Speaker 1: make song after song. Him and Tupac got the same
• 45:54
  Speaker 1: work ethics.
• 45:54
  Speaker 3: Oh so that'll tell you how much unreleased Nate doalk
• 45:56
  Speaker 3: news because.
• 45:56
  Speaker 1: Too, him and Tuplac got the same work ethic. I'll
• 45:59
  Speaker 1: say that that's how he's on so many different hooks.
• 46:01
  Speaker 1: That's why when people will call, Nate would show up.
• 46:04
  Speaker 1: He gonna get that bag and give you a hell
• 46:05
  Speaker 1: of a hook.
• 46:07
  Speaker 3: Would you consider a version of like a like finding
• 46:12
  Speaker 3: some of that unreleased Nate dog shit and maybe doing
• 46:14
  Speaker 3: something with it on death row?
• 46:15
  Speaker 1: Hell yeah, And I got a beautiful relationship with his
• 46:18
  Speaker 1: mother and Miss Ruth, so we would make sure that
• 46:20
  Speaker 1: the estate get the majority of the fire.
• 46:22
  Speaker 3: And his son is dope, and hell's dope.
• 46:24
  Speaker 2: Come on.
• 46:24
  Speaker 1: Nigel played in the Snoopy Football League. He was my
• 46:26
  Speaker 1: quarterback for a couple of years.
• 46:28
  Speaker 3: That's crazy.
• 46:29
  Speaker 2: I coached that kid. That's my guy.
• 46:30
  Speaker 3: By the way, shout out to the underdogs. I see
• 46:32
  Speaker 3: the poster behind.
• 46:32
  Speaker 1: Your speaking of the man. You know we don't play
• 46:34
  Speaker 1: no game that. I started the year up with that movie,
• 46:37
  Speaker 1: right movie. January twenty sixth, twenty twenty four is when
• 46:41
  Speaker 1: my mission began this year to become the man of
• 46:43
  Speaker 1: the Year.
• 46:44
  Speaker 3: Well, I mean you're on your fucking way. I mean
• 46:48
  Speaker 3: we got two weeks left.
• 46:49
  Speaker 2: You're gonna like what y'all doing Time magazine, What we're doing?
• 46:52
  Speaker 3: They put Trump on the cover. What he wasn't he
• 46:54
  Speaker 3: got it? Trump got it? How I don't know he
• 46:57
  Speaker 3: got it. It just dropped like, yes, we miss you,
• 47:01
  Speaker 3: Donnie oh Man. I also wanted to ask you. I
• 47:09
  Speaker 3: always wonder when a dope like like if a dope
• 47:12
  Speaker 3: disc record comes out, that's about you. But it's hard.
• 47:16
  Speaker 1: Okay, okay, check you out if you walk through my
• 47:20
  Speaker 1: hall on certain days, I got a radio station on
• 47:24
  Speaker 1: lit Life used to be Cadillac Music on a.
• 47:28
  Speaker 2: What was the name of that shit that.
• 47:29
  Speaker 1: Ski got oh dash, Yeah, they changed the lit Life
• 47:34
  Speaker 1: So I got a station called Cadillac Music. Every day
• 47:39
  Speaker 1: at about one point thirty two o'clock, walk down the hall,
• 47:45
  Speaker 1: Easy E Dreister and BG Knock. I'll be real, motherfucking
• 47:49
  Speaker 1: g and that shit be knocking and you hear me
• 47:51
  Speaker 1: singing it.
• 47:52
  Speaker 2: Yo.
• 47:52
  Speaker 1: I was gonna ask you what motherfuck drake, motherfuck shugar,
• 47:55
  Speaker 1: motherfuck death row yoh here comes to my left helse.
• 47:59
  Speaker 1: I know that that nigga Easy was on my.
• 48:02
  Speaker 3: Head, yo, And that started out with the calm tongue.
• 48:05
  Speaker 2: That shit so hard So when you first heard it,
• 48:09
  Speaker 2: did you think that falk no fuck them niggas.
• 48:13
  Speaker 3: Because that shit as hard as fuck, Like.
• 48:15
  Speaker 1: You don't want to give no nigga no credit with
• 48:17
  Speaker 1: a nigga dissing you nigga.
• 48:18
  Speaker 2: And we and we was on them nigga's head.
• 48:20
  Speaker 1: We had what would you do, We had dred, we
• 48:23
  Speaker 1: had all kind of shit. We was busting them upside
• 48:25
  Speaker 1: the head. But when they dropped that motherfucker, we felt
• 48:28
  Speaker 1: that one. That shit was hard, like we felt like
• 48:30
  Speaker 1: the other ship. We didn't put that motherfucker right there.
• 48:33
  Speaker 1: Because Easy was going in on the nigga. I was like, damn,
• 48:36
  Speaker 1: I love Easy, Why are you going so hard on me?
• 48:38
  Speaker 1: But then I had to think, look what you did
• 48:41
  Speaker 1: to him, Look what you said about him, Like you
• 48:43
  Speaker 1: didn't even get off to a good start with somebody
• 48:45
  Speaker 1: that you really loved.
• 48:46
  Speaker 2: Dog.
• 48:47
  Speaker 3: It's crazy because Warren was telling me there was a
• 48:49
  Speaker 3: certain point in time during the beef that like Easy
• 48:52
  Speaker 3: and Dre were like communicating yeah, and damn near You're like,
• 48:58
  Speaker 3: like I want to say, he said, they were like,
• 49:00
  Speaker 3: damn your neighbors.
• 49:01
  Speaker 2: And we didn't know it.
• 49:02
  Speaker 1: Yeah, so we we taking to be personal this nigga
• 49:06
  Speaker 1: Doctor dre making records.
• 49:08
  Speaker 2: Like he ain't. It ain't that serious for him.
• 49:10
  Speaker 1: That's what we have seen because we come from a
• 49:12
  Speaker 1: lifestyle of we do what we say, so if we're
• 49:17
  Speaker 1: gonna say it, we gotta do it. You know what
• 49:19
  Speaker 1: I'm saying, Doctor Drake come from there. We making records.
• 49:22
  Speaker 1: We took his shit personal. When it was just business
• 49:25
  Speaker 1: with him, he was just trying to get his business straight,
• 49:27
  Speaker 1: but we took it personal and dis niggas and when
• 49:29
  Speaker 1: we see y'all, niggas is on and pop and what's
• 49:31
  Speaker 1: happening the cub what y'all want to do?
• 49:33
  Speaker 2: When he wasn't like that. If he's seeing easy, he
• 49:36
  Speaker 2: just be like, what's haddening? Neighbors?
• 49:39
  Speaker 3: We didn't know that.
• 49:40
  Speaker 2: We think of this nigga lived in confetence.
• 49:43
  Speaker 3: Wardry was like they would see each other like, well,
• 49:44
  Speaker 3: they were taking the trash out all the time.
• 49:47
  Speaker 2: Wow, Like what come on? Man?
• 49:49
  Speaker 3: Who would have thought?
• 49:50
  Speaker 1: See, Warren was in the middle of all that shit
• 49:52
  Speaker 1: because he was there from the beginning game verway, so
• 49:55
  Speaker 1: all of them was his family members, so he could
• 49:58
  Speaker 1: never take a side.
• 50:00
  Speaker 3: Not that that was interesting.
• 50:02
  Speaker 1: They are easy And then y'all got us on that
• 50:03
  Speaker 1: draister knock out. Y'all, y'all answered us on some crip shit.
• 50:07
  Speaker 1: Y'all did that cause it's a great record, great motherfucking record.
• 50:10
  Speaker 1: You know what I'm saying. That's what a real man
• 50:11
  Speaker 1: do when he gets stolen. He got to take that.
• 50:15
  Speaker 3: They it's been said that you smoked in the White House.
• 50:20
  Speaker 2: You have footage?
• 50:24
  Speaker 3: Did you smoke in the White House?
• 50:26
  Speaker 2: Do you have footage? I don't have footage.
• 50:27
  Speaker 1: Well, I might have not to answer that question, and
• 50:31
  Speaker 1: my lawyer advised me, I don't know how much time
• 50:34
  Speaker 1: you can get for that.
• 50:35
  Speaker 3: I don't think you got I mean, I think it's
• 50:36
  Speaker 3: probably uh. I mean, they just found cocaine in the
• 50:38
  Speaker 3: White House, to be quite.
• 50:39
  Speaker 2: Fair, and that nigga just got out.
• 50:42
  Speaker 3: He did get parted.
• 50:44
  Speaker 2: Well.
• 50:44
  Speaker 1: I ain't gonna tell on myself, but let me say
• 50:46
  Speaker 1: the bathroom had a nice aroma to it after I left.
• 50:49
  Speaker 3: Hypothetically speaking, someone who's passed passed through security at the
• 50:53
  Speaker 3: White House, how would someone sneak of pre.
• 50:55
  Speaker 2: Roll in in your sock?
• 50:56
  Speaker 3: In your sock?
• 50:57
  Speaker 1: That's fair, you know, to pat a nigga down if
• 50:59
  Speaker 1: you got them socks with those of that. They feel
• 51:00
  Speaker 1: like it's part of the sock. Nigga roll got out
• 51:02
  Speaker 1: of rolls in the sock, so he slide him in
• 51:04
  Speaker 1: the road. And they ain't for the I'm the d
• 51:06
  Speaker 1: O double. They not fora pat me down like that nigga.
• 51:08
  Speaker 1: They happy to see me.
• 51:09
  Speaker 2: Oh my god, Snoop Dog's here, he's here, he's work
• 51:11
  Speaker 2: right there.
• 51:12
  Speaker 1: How are you, mister dog? Can you go through the
• 51:14
  Speaker 1: metal detection? I have my lovely wife my daughter with
• 51:16
  Speaker 1: me as well. Yes, let them come through as well. Oh,
• 51:19
  Speaker 1: the Obamas are expecting you in a real way. Oh
• 51:22
  Speaker 1: you don't even have to go through that room. Then
• 51:23
  Speaker 1: when I get in, they like, hey, dog, the butler
• 51:27
  Speaker 1: want to holler at you. So I go in the kitchen.
• 51:31
  Speaker 1: The butler's a nigga like me, real nigga too, What
• 51:34
  Speaker 1: up deal?
• 51:35
  Speaker 3: Dub?
• 51:36
  Speaker 1: Want to hook you up something real because they out
• 51:38
  Speaker 1: there eating that rich shit. You want some wings or something?
• 51:40
  Speaker 1: I'm like, yeah, I said, man, where can I hit something?
• 51:44
  Speaker 1: He said, go to the bathroom over there to the
• 51:45
  Speaker 1: left and spray that light saw two times.
• 51:48
  Speaker 2: When you leave, shout out to the bus nutler.
• 51:55
  Speaker 3: Oh shit, yo, Me and me and g Malone shout
• 51:58
  Speaker 3: to g Malone uh with Glasses, Yeah, I love that guy. Man.
• 52:02
  Speaker 1: We have what I call him my hip hop statistician.
• 52:06
  Speaker 1: We always have all of the stats on Snoop Dogg,
• 52:08
  Speaker 1: and he has all of the history when it comes
• 52:10
  Speaker 1: to defending me. He would be my lawyer and my
• 52:13
  Speaker 1: hip hop statistician.
• 52:14
  Speaker 3: Well, I have Doggy Style. I kind of have like
• 52:18
  Speaker 3: a one, two three at any given time of my
• 52:21
  Speaker 3: favorite album ever, it's doggy Style. It's really doggy Style
• 52:25
  Speaker 3: or Illmatic to be quite honest, what's one of those two?
• 52:27
  Speaker 3: And it's for me it's doggy Style. I mean doggy
• 52:29
  Speaker 3: Style changed my life, like I told you, But he
• 52:32
  Speaker 3: looked like doggy Style to me is like the kind
• 52:34
  Speaker 3: of epicenter of like everything in like you could trace
• 52:38
  Speaker 3: so much back to that album. But me and Glasses
• 52:41
  Speaker 3: always talk about how when we're talking about like like
• 52:45
  Speaker 3: there's like a you're a one of one, You're the
• 52:47
  Speaker 3: most famous motherfucker on the planet Loki, Like there's I
• 52:52
  Speaker 3: think you're You're like like are you like a self
• 52:55
  Speaker 3: aware to realize like you're you might be the most
• 52:58
  Speaker 3: famous person alive.
• 53:00
  Speaker 2: I don't know. I can't go certain places I know that.
• 53:03
  Speaker 3: Where can't you go to your mama house? No fucking
• 53:08
  Speaker 3: but like I mean you you might be the most
• 53:09
  Speaker 3: famous person like on the planet. Like who doesn't know
• 53:11
  Speaker 3: who you are? You know what I'm saying, Like there's
• 53:13
  Speaker 3: people who don't know who Lebron James is. There's people
• 53:16
  Speaker 3: who don't know even Donald Trump, you know what I mean? Like,
• 53:19
  Speaker 3: I feel that's crazy, keV.
• 53:20
  Speaker 2: I don't. I don't know.
• 53:20
  Speaker 1: I mean, you know, when you when you're in the body,
• 53:23
  Speaker 1: you don't have that experienced out of body experience. But
• 53:26
  Speaker 1: at the same time, I'm watching how my base is growing,
• 53:30
  Speaker 1: how the fan base of people that would never look
• 53:34
  Speaker 1: at me, speak to me, recognize me.
• 53:36
  Speaker 2: You have an Elf on the shelf, Snoop on the stoop.
• 53:39
  Speaker 3: Do you know how fucking crazy that is? And my
• 53:41
  Speaker 3: kid We've been doing Elf on the shelf with this
• 53:43
  Speaker 3: kid since he was a baby, right, And this year
• 53:46
  Speaker 3: he said, next year I want the snoop.
• 53:51
  Speaker 2: I said, what the d o? Double man? The kids
• 53:53
  Speaker 2: love him. He get down there and talk to him.
• 53:55
  Speaker 2: You know what I'm saying.
• 53:55
  Speaker 1: It's a big difference from a superstar that's up here
• 53:57
  Speaker 1: and the kids gotta can I have your Yeah?
• 54:00
  Speaker 2: Snoop Dogg. Good right here? Hey, what's that now you doing?
• 54:04
  Speaker 3: Yo? I wanted to ask you to speak shout to
• 54:06
  Speaker 3: Jason Martin the Homely Problem. Him and I had a
• 54:08
  Speaker 3: debate on my pod. We're talking about which label is greater,
• 54:18
  Speaker 3: Death Row or TDE. I said death Row because I
• 54:23
  Speaker 3: think of the tree that came from everything that came
• 54:27
  Speaker 3: from Death Row. But TD is right there for you, man, Like,
• 54:32
  Speaker 3: what has it been like watching just like some even
• 54:36
  Speaker 3: another like West Coast label, just even being in that
• 54:39
  Speaker 3: conversation like.
• 54:40
  Speaker 1: Well, first of all, let me say this Top is
• 54:43
  Speaker 1: my god. I love him. I watched his hustle, his
• 54:46
  Speaker 1: climb to where he got to, getting his artists together
• 54:50
  Speaker 1: as simbling all of that talent, putting the gangs to
• 54:53
  Speaker 1: the back, putting the talent to the front, keeping that
• 54:56
  Speaker 1: family vibe, making sure everybody supports each other, keeping a
• 55:00
  Speaker 1: legit clean business, non violent. Top deserves a lot of respect,
• 55:06
  Speaker 1: been clean, been righteous, got his boys working with him, got.
• 55:10
  Speaker 3: His kids and his sons are helping with Man like this.
• 55:13
  Speaker 1: Needs to be commended. Does the annual Christmas event that
• 55:16
  Speaker 1: beauty peaceful? They did the walk in Compton where it
• 55:20
  Speaker 1: was beautiful like the things that he does is overshadowed
• 55:24
  Speaker 1: sometimes by the music and the things that his artists do.
• 55:27
  Speaker 1: But he's got to be a backbone and the foundation
• 55:30
  Speaker 1: to this. And he watched for many years label executives
• 55:34
  Speaker 1: mishandled power and abuse artists and do things the wrong way.
• 55:39
  Speaker 1: So he just practices the great way of doing business.
• 55:41
  Speaker 1: That's why I love him and appreciate him and support him.
• 55:44
  Speaker 1: And he got my back and I got his back
• 55:46
  Speaker 1: when it comes to anything musically community wise, and that
• 55:50
  Speaker 1: needs to be commended. As far as what he does,
• 55:53
  Speaker 1: as far as the simboling and keeping his business legit.
• 55:55
  Speaker 1: You never hear no smut nothing negative about TDE. He
• 55:59
  Speaker 1: don't have that back lash of death Row that I
• 56:01
  Speaker 1: had to take on right and get rid of. So naturally, yes,
• 56:05
  Speaker 1: you would say that TDE is the new version of
• 56:08
  Speaker 1: death Row.
• 56:09
  Speaker 3: I mean, and also like better, a much longer run,
• 56:12
  Speaker 3: but better, because I feel like people forget how short
• 56:14
  Speaker 3: like the death Row run was, like.
• 56:15
  Speaker 2: We was the Michael Jordan bulls cuh right.
• 56:18
  Speaker 3: Like it felt like it was forever. But if you
• 56:20
  Speaker 3: really look back.
• 56:21
  Speaker 1: To Michael Jordan was ninety two to ninety six, Michael
• 56:25
  Speaker 1: when Michael Jordan win this championship with the Bulls.
• 56:28
  Speaker 3: It was ninety ninety one was the first one, right,
• 56:31
  Speaker 3: and then to ninety three and then yeah, I mean
• 56:35
  Speaker 3: two three Pietz.
• 56:36
  Speaker 2: Yeah, right, so we went up to ninety six.
• 56:38
  Speaker 1: I say ninety six cause that's when Tupac came, right,
• 56:40
  Speaker 1: Dupac came in ninety six and he passed away in
• 56:43
  Speaker 1: ninety six, So you got to think about that's how
• 56:45
  Speaker 1: long our run was, ninety two to ninety six.
• 56:48
  Speaker 3: Yeah, TV's going on nine to now. I mean, and
• 56:51
  Speaker 3: TD got R and B and he got the biggest
• 56:54
  Speaker 3: one of the biggest pop stars in the world, Sissa.
• 56:56
  Speaker 1: And they got that new girl she shees supers. They
• 57:00
  Speaker 1: like they keep hitting you upside the head with shit abs.
• 57:03
  Speaker 1: So motherfucking schoolboy, Q Jay Rock Sir, Inglewood Sir.
• 57:08
  Speaker 2: Like they just flood in the game. And it's like,
• 57:11
  Speaker 2: you got to commend.
• 57:11
  Speaker 3: That ras from Long Beach.
• 57:13
  Speaker 1: So we at Death Row we look up to them
• 57:18
  Speaker 1: as opposed to the other way around.
• 57:20
  Speaker 2: And how it used to be.
• 57:21
  Speaker 1: He used to be they'd look up to us because
• 57:24
  Speaker 1: we was the big fish in the small pond. Now
• 57:26
  Speaker 1: I's like they sat in the board setting the trend
• 57:28
  Speaker 1: and the things that his artists and what they're doing
• 57:30
  Speaker 1: is things that I can follow and do for my
• 57:33
  Speaker 1: artists and for myself. That's what the game is about,
• 57:35
  Speaker 1: learning and getting information and not being too big to ask.
• 57:39
  Speaker 1: I called Kendrick maybe a year and a half ago
• 57:43
  Speaker 1: when I was overseas and I had watched him perform
• 57:48
  Speaker 1: at the Paris He had did a show in Paris
• 57:50
  Speaker 1: on Amazon, and I was so fucking intrigued with his
• 57:54
  Speaker 1: show and his showmanship and the way he had his
• 57:57
  Speaker 1: shit together. I hit Terrys Mare and I said, cook
• 58:00
  Speaker 1: me k dot number. He gave me his number and
• 58:03
  Speaker 1: I called cause. I said, man, how the fuck did
• 58:06
  Speaker 1: you do that?
• 58:07
  Speaker 2: Show? Man?
• 58:07
  Speaker 1: What I got to do to make my show like that?
• 58:10
  Speaker 1: And he gave me some simple shit about like just
• 58:13
  Speaker 1: keep doing the shit you do, and but it was
• 58:16
  Speaker 1: so much information in that small conversation that I ended
• 58:21
  Speaker 1: up making my show like even better. But that's me
• 58:25
  Speaker 1: not having an ego and reaching out to someone who's
• 58:29
  Speaker 1: younger than me, flyer in me to open in me
• 58:32
  Speaker 1: and got a tap on some shit that I need
• 58:34
  Speaker 1: to get information on.
• 58:35
  Speaker 3: Would you see would you say? Because I feel like
• 58:39
  Speaker 3: that is one thing about you, Snoop is it feels
• 58:41
  Speaker 3: like you are like as big as you are, as
• 58:43
  Speaker 3: legendary as you are, You're like you have a lot
• 58:45
  Speaker 3: of humility, Like you you're willing to like step aside
• 58:47
  Speaker 3: from your ego. Would you say that like that is
• 58:51
  Speaker 3: a key to longevity.
• 58:53
  Speaker 1: Yeah, whatever you put out to what you're gonna get. Like,
• 58:57
  Speaker 1: it's a lot of shit that be happening to people,
• 59:00
  Speaker 1: and then you wonder why. It's the energy that they
• 59:03
  Speaker 1: put out, Like I went through mins early because that
• 59:07
  Speaker 1: was the energy I put out. So, like I told
• 59:09
  Speaker 1: you when I got to The dog Father, I was
• 59:10
  Speaker 1: trying to find a new energy and I've just been
• 59:13
  Speaker 1: sticking with it and it is what it is. You
• 59:15
  Speaker 1: got to find the energy that the universe provides for
• 59:18
  Speaker 1: you to keep you in a safe space. And some
• 59:21
  Speaker 1: people don't do that. They always go to the negative
• 59:23
  Speaker 1: energy or they try to find ways to you know,
• 59:25
  Speaker 1: impress people instead of trying to be the best version
• 59:28
  Speaker 1: of themselves.
• 59:29
  Speaker 3: That's fair, that's fair, man. Look, Missionary is out. It
• 59:32
  Speaker 3: is a great body of work.
• 59:35
  Speaker 1: What what would you rate it on a So when
• 59:38
  Speaker 1: I got a new dog album, I ain't even talking
• 59:40
  Speaker 1: about wanted ten just snooped off.
• 59:41
  Speaker 3: I have two fool listens, so you can't give me
• 59:44
  Speaker 3: no radio. So that's what I'm saying. So I was
• 59:46
  Speaker 3: at the TD thing last night.
• 59:48
  Speaker 2: I came to your mixed up. You had all that
• 59:50
  Speaker 2: good music.
• 59:51
  Speaker 3: So on my on my way to your DJ at
• 59:53
  Speaker 3: the Teah event, Well I came. I came to your
• 59:55
  Speaker 3: thing last night, so on my way to your thing,
• 59:57
  Speaker 3: I listened.
• 59:57
  Speaker 1: By the way you DJing first at the TD event
• 59:59
  Speaker 1: when you walked in KIV, you was rocking.
• 1:00:01
  Speaker 2: You had the party rocking and got some rounded and
• 1:00:03
  Speaker 2: I couldn't see you no more.
• 1:00:05
  Speaker 3: This was crazy. Forest Whitaker caught a crazy straight on
• 1:00:07
  Speaker 3: the album. By the way, he says lier than.
• 1:00:12
  Speaker 1: I said, it's the only boy that that that Ron Well,
• 1:00:19
  Speaker 1: he's in the room discussing. It was like, what Ron
• 1:00:21
  Speaker 1: with that? Oh Forest, Okay, let's go.
• 1:00:27
  Speaker 3: I would say, I mean, dude, I would say this
• 1:00:29
  Speaker 3: like it would be just I mean, I can't really
• 1:00:35
  Speaker 3: give you, like a serious rating off off of because
• 1:00:37
  Speaker 3: because even like on our way over here listening to
• 1:00:40
  Speaker 3: it for a third time, it just felt good.
• 1:00:45
  Speaker 2: It's one of them things gonna ruin you.
• 1:00:47
  Speaker 3: I think all the great albums do.
• 1:00:48
  Speaker 2: That's what I was about to say.
• 1:00:50
  Speaker 1: The Chronic album, Yeah, it became when it first came out,
• 1:00:58
  Speaker 1: g than it had to row. She thing had to grow,
• 1:01:03
  Speaker 1: then Dreda, it grew a little bit more. By the
• 1:01:07
  Speaker 1: time he got to Let Me Ride, motherfuckers had lived
• 1:01:10
  Speaker 1: with the album and they had understood what it was about.
• 1:01:14
  Speaker 1: So then when we get to Doggystown, that's what all
• 1:01:17
  Speaker 1: the expectation and anticipation because you didn't hurt all this
• 1:01:20
  Speaker 1: great shit. This has been so many years separated from
• 1:01:25
  Speaker 1: me and doctor Dre, so you expecting snooping Dre, but
• 1:01:29
  Speaker 1: you ain't heard it so long you don't even know
• 1:01:30
  Speaker 1: what the fuck it is.
• 1:01:31
  Speaker 3: Yeah, because it's new too, and it's.
• 1:01:33
  Speaker 2: Always been new. We've never been what they are.
• 1:01:36
  Speaker 1: Ye think about the records that we've done, they've never
• 1:01:39
  Speaker 1: sounded like anything that was out that year, and they've
• 1:01:42
  Speaker 1: never been in the world of I think.
• 1:01:45
  Speaker 3: That's just kind of I mean, I think even like
• 1:01:46
  Speaker 3: Central Seduction is like, no one has ever made a
• 1:01:49
  Speaker 3: song like that since or before.
• 1:01:52
  Speaker 2: He read for writing that record for.
• 1:01:53
  Speaker 3: Me, such a great fucking record.
• 1:01:54
  Speaker 1: He wrote it for himself. But then he said, I
• 1:01:57
  Speaker 1: don't want to say this record what you think you won't.
• 1:02:01
  Speaker 1: I said, I'm going up might check, I'm going Figatto.
• 1:02:09
  Speaker 3: When you guys like were getting like like finishing up
• 1:02:11
  Speaker 3: this album. Was this around the time like the Kendrick
• 1:02:15
  Speaker 3: shit was really because it feels like there's this West
• 1:02:17
  Speaker 3: Coast moment that, like you know, my boy DJ Head
• 1:02:21
  Speaker 3: always says, like all the like everyone's setting it up
• 1:02:25
  Speaker 3: for like the West Coast to have another moment to
• 1:02:29
  Speaker 3: like run hip hop like you guys did in the nineties, Right,
• 1:02:33
  Speaker 3: do you feel that that same energy, like yo, like
• 1:02:36
  Speaker 3: kind of all eyes are on us over here now,
• 1:02:38
  Speaker 3: like it's a matter of like delivering now.
• 1:02:39
  Speaker 1: With the records. I'm gonna tell you this hip hop
• 1:02:43
  Speaker 1: always shifts. It shifted from day one. East Coasts had it,
• 1:02:47
  Speaker 1: They ran it. It was they whirl.
• 1:02:49
  Speaker 2: They controlled the media, radio, look the look, the style.
• 1:02:53
  Speaker 3: By the way, they still control the media for the most.
• 1:02:55
  Speaker 1: They look, the style, the everything. Right then it shifted
• 1:03:00
  Speaker 1: the West Coast. We took it.
• 1:03:02
  Speaker 2: Yeah, we didn't ask for it. We took it. And
• 1:03:04
  Speaker 2: when we took it, we ran with it.
• 1:03:07
  Speaker 1: We showed motherfuckers how you can have it outside of
• 1:03:09
  Speaker 1: New York and remain you while doing it. Then it
• 1:03:14
  Speaker 1: shifted back to the East coast because Biggie and them
• 1:03:17
  Speaker 1: came and took that motherfucker back. Then DM Mex and
• 1:03:19
  Speaker 1: all the niggas came in fifty, said jay Z, And
• 1:03:22
  Speaker 1: then nigga New York niggas was not playing nigga like,
• 1:03:24
  Speaker 1: hold on, y'all gonna take some shit that we created. Nigga,
• 1:03:27
  Speaker 1: Wait a minute, Boom took it. But when they took it,
• 1:03:31
  Speaker 1: they was not respecting.
• 1:03:33
  Speaker 3: The South, and the South has had it.
• 1:03:36
  Speaker 1: They did not respect the South, but the West always
• 1:03:38
  Speaker 1: respected the South.
• 1:03:40
  Speaker 2: So what the.
• 1:03:41
  Speaker 1: South did was said, hey, let's call our cousins from
• 1:03:43
  Speaker 1: the West and asked them what they did. We just
• 1:03:46
  Speaker 1: gang bang and took our shit. Oh that's what you
• 1:03:48
  Speaker 1: gotta do, yep. And guess what else we did. We
• 1:03:51
  Speaker 1: made them do what we do. What you mean they
• 1:03:54
  Speaker 1: gang bang? Now, Oh that's all you gotta do. Cool,
• 1:03:58
  Speaker 1: we gonna bounce, We're gonna get crunked, we're gonna put
• 1:04:02
  Speaker 1: these grills in our mouth.
• 1:04:03
  Speaker 2: We're gonna talk about these strip clubs.
• 1:04:05
  Speaker 1: We're gonna pop this players ship from down South, and
• 1:04:08
  Speaker 1: we're gonna take this motherfucking rap game, and we're gonna
• 1:04:11
  Speaker 1: hold it longer than y'all niggas had it. I mean, hello, jeez,
• 1:04:15
  Speaker 1: they probably had the longest run. It's so good for
• 1:04:18
  Speaker 1: the South. Niggas rap like them now. Everybody stop me
• 1:04:24
  Speaker 1: when I'm stop me when I'm lying. No, I didn't
• 1:04:26
  Speaker 1: even wrap on something, but remember who saved me from death?
• 1:04:30
  Speaker 3: Row Master P?
• 1:04:31
  Speaker 2: Where you from from?
• 1:04:32
  Speaker 3: New Orleans?
• 1:04:33
  Speaker 2: Hello?
• 1:04:34
  Speaker 3: Yeah?
• 1:04:36
  Speaker 1: South West connect We've always been there. It's just been
• 1:04:39
  Speaker 1: a disconnect with the East. So when the South took it,
• 1:04:42
  Speaker 1: they don't want to give it back. The South don't
• 1:04:45
  Speaker 1: want to give it back. But there's somebody strong that
• 1:04:48
  Speaker 1: can take it from the South.
• 1:04:50
  Speaker 2: That's us the West.
• 1:04:53
  Speaker 3: I think that's what's dope about the timing of Missionary.
• 1:04:56
  Speaker 2: You could have made that motherfucker to a cartoon that
• 1:04:58
  Speaker 2: should have been.
• 1:04:59
  Speaker 3: Hard Missionary and gn X coming out in the same
• 1:05:02
  Speaker 3: like months.
• 1:05:03
  Speaker 1: Hey, hey, don't sleep on ice Cube album and the
• 1:05:05
  Speaker 1: Cube album is dope.
• 1:05:06
  Speaker 3: It's my egos, my shit. Great that it is so sensitive,
• 1:05:11
  Speaker 3: but there's even like the dog Pan album a few
• 1:05:13
  Speaker 3: months ago, the east side of shit is. I just
• 1:05:15
  Speaker 3: feel like it's like it's and I just hope that
• 1:05:17
  Speaker 3: is there anybody on the younger side of La hip
• 1:05:20
  Speaker 3: hop that you got your eye on that you're just
• 1:05:21
  Speaker 3: a fan of isn't necessarily associated.
• 1:05:23
  Speaker 2: That Meet the WAPs, that's the name of Meet the Woops.
• 1:05:26
  Speaker 1: I love him, Yeah, I love him because I love
• 1:05:28
  Speaker 1: I love the Red Side, I love the JA. But
• 1:05:33
  Speaker 1: I love how the rap game on the West is
• 1:05:36
  Speaker 1: leveling out. Like for a while, you know, the crips,
• 1:05:39
  Speaker 1: we was like dominate for sure, So now you're starting
• 1:05:42
  Speaker 1: to see young blood homies get it in and collaborate
• 1:05:46
  Speaker 1: and win and then do things on their own and
• 1:05:48
  Speaker 1: peace up and network.
• 1:05:49
  Speaker 2: That's what the West is about.
• 1:05:50
  Speaker 1: It's about And I command Kendrick for this too, for
• 1:05:53
  Speaker 1: bringing the Hispanics in as well, because that's what the
• 1:05:56
  Speaker 1: West is. We are made up of many cultures, and
• 1:06:00
  Speaker 1: basically Hispanic Blacks are the dominant off the top.
• 1:06:05
  Speaker 3: Yeah, and there's such so many dope Mexican rappers out
• 1:06:07
  Speaker 3: of La right, So it's like the Coyote Lefty Gun
• 1:06:10
  Speaker 3: plays the.
• 1:06:10
  Speaker 1: Work that we do. You know a lot of times
• 1:06:12
  Speaker 1: we do work and it don't be broadcast. Like it's
• 1:06:15
  Speaker 1: an artist that I got on Death Row named Julean
• 1:06:18
  Speaker 1: Tordaz who makes a mediachi music and fred Rick brought
• 1:06:21
  Speaker 1: him to me. He performs at the Dodger games and
• 1:06:23
  Speaker 1: does all kinds of things. Come to find out, the
• 1:06:26
  Speaker 1: girl that's singing on kendrick album is in his band.
• 1:06:29
  Speaker 3: Oh yeah, because he found her at the Dodger game.
• 1:06:32
  Speaker 2: Hello.
• 1:06:32
  Speaker 1: So this is how we work on the West. Like
• 1:06:36
  Speaker 1: his plug, his plug, his plug. That's why on that
• 1:06:38
  Speaker 1: song gorgeous? What I say last time I checked, I
• 1:06:43
  Speaker 1: was the plug to your plug. I'm the fucking connect,
• 1:06:47
  Speaker 1: hear me. I am the plug to the plug.
• 1:06:50
  Speaker 3: The actual connect.
• 1:06:51
  Speaker 2: Hello.
• 1:06:52
  Speaker 3: Yes, the source, I'm the power, the source.
• 1:06:54
  Speaker 2: Yeah, I can turn you off.
• 1:06:58
  Speaker 3: Well listen everyone go get the album. It's incredible. The
• 1:07:02
  Speaker 3: vinyls Wild. If you guys want to a condom.
• 1:07:05
  Speaker 2: You want a condom to spend around on your s
• 1:07:07
  Speaker 2: P twelve.
• 1:07:08
  Speaker 3: Hundred literally, like you said, this is the clinic one.
• 1:07:12
  Speaker 2: Though you just want to get it. You got VD
• 1:07:14
  Speaker 2: the free one. What you're doing in here, Get you
• 1:07:18
  Speaker 2: a couple of rows and get on out of.
• 1:07:19
  Speaker 3: Here in a paper bag. They send you out the door.
• 1:07:21
  Speaker 2: And then you see you're a preacher on the way in.
• 1:07:23
  Speaker 2: Like what you're doing here? Brother? I just came to
• 1:07:25
  Speaker 2: take a physical. Brother is ain that kind of doctor though.
• 1:07:31
  Speaker 3: The drink is everywhere. I mean, it's everywhere.
• 1:07:34
  Speaker 2: Man.
• 1:07:34
  Speaker 1: We're working right now, okare right now. We're in our
• 1:07:36
  Speaker 1: wonder years, were having fun. We set in trends. We're
• 1:07:39
  Speaker 1: showing people that there's no such thing as age when
• 1:07:42
  Speaker 1: it comes to hip hop and business. A lot of
• 1:07:44
  Speaker 1: times we get categorized as far as like you're old.
• 1:07:47
  Speaker 1: But they don't do that to any other industry, but
• 1:07:49
  Speaker 1: hip hop.
• 1:07:49
  Speaker 2: No.
• 1:07:50
  Speaker 3: So your holy stores are still torn, they're like fucking
• 1:07:52
  Speaker 3: eighty years old.
• 1:07:52
  Speaker 1: But that's why we rewriting history with showing that there
• 1:07:56
  Speaker 1: should never be no limit on what you do based
• 1:07:58
  Speaker 1: off of how you do.
• 1:08:00
  Speaker 3: Yeah, I mean you're still I mean you were, by
• 1:08:02
  Speaker 3: the way, For people who don't know, the reason why
• 1:08:04
  Speaker 3: you weren't at the pop out was because you were
• 1:08:05
  Speaker 3: in Canada with DJ Quick.
• 1:08:07
  Speaker 1: You guys had a quick Warren g Yeah, dog Pound.
• 1:08:11
  Speaker 1: We went over there to put the West you know
• 1:08:13
  Speaker 1: what I'm saying, put the flag back up. Somebody had
• 1:08:15
  Speaker 1: to go over there and do it, you know what
• 1:08:16
  Speaker 1: I'm saying.
• 1:08:16
  Speaker 3: What was it like watching that moment though in Canada?
• 1:08:18
  Speaker 3: Being like fuck.
• 1:08:19
  Speaker 1: How about we in my dressing room, all of us
• 1:08:22
  Speaker 1: before I get on stage, and we got it on
• 1:08:23
  Speaker 1: YouTube and we rocking to that motherfucker, seeing everybody he
• 1:08:27
  Speaker 1: bringing on stage, watching how young k Dot takes his leadership,
• 1:08:31
  Speaker 1: roll into you know, the next level, having E forty's
• 1:08:34
  Speaker 1: voice come through the fucking speakers before he hit the stage,
• 1:08:37
  Speaker 1: just seeing the how the level of how everybody was performing.
• 1:08:41
  Speaker 1: Then when he came out, that shit was like here
• 1:08:44
  Speaker 1: facts and that's what the fuck is supposed to be.
• 1:08:47
  Speaker 3: I love it, man, the Missionary movie. I watched it.
• 1:08:49
  Speaker 3: It's like you guys, by the way, for people who
• 1:08:51
  Speaker 3: don't know, there's like a twelve minute movie that you
• 1:08:54
  Speaker 3: guys dropped.
• 1:08:55
  Speaker 2: Yep.
• 1:08:55
  Speaker 3: And if you love Dexter, which I do, did you
• 1:08:58
  Speaker 3: watch Dexter fucking love?
• 1:09:00
  Speaker 2: So I'm mad that shit discontinued.
• 1:09:01
  Speaker 3: No, no, they did, you see they they they dropped.
• 1:09:04
  Speaker 3: First of all, they dropped a new Dexter like two
• 1:09:07
  Speaker 3: years ago. He survives, and then his son, you know,
• 1:09:10
  Speaker 3: his son, remember his little boy. His son's grown. So
• 1:09:14
  Speaker 3: he finds his son, his son kills him. A well,
• 1:09:17
  Speaker 3: I can't, oh, come on now, anyway, you know, I
• 1:09:20
  Speaker 3: love that there's a Dexter prequel that comes out, so well.
• 1:09:24
  Speaker 2: I hope I did enough of my acting in this.
• 1:09:27
  Speaker 3: Have this fucking hilarious twelve minute mini movie where you,
• 1:09:31
  Speaker 3: oh it was bro. We were driving over here watching
• 1:09:33
  Speaker 3: it and like we laughed out loud like three times.
• 1:09:35
  Speaker 3: You had the one liners like when you get a
• 1:09:37
  Speaker 3: doctor dre You're like, you know, I don't like that shit,
• 1:09:41
  Speaker 3: but you guys are like in this fucking movie, like, uh,
• 1:09:45
  Speaker 3: I guess would you say mercy killing killing bad people?
• 1:09:48
  Speaker 2: We hit men that make hits, hit men.
• 1:09:50
  Speaker 3: That make hits. It was a nice metaphor, but it
• 1:09:52
  Speaker 3: was very Dexter.
• 1:09:53
  Speaker 1: Like, yeah, because we take care of the bad guys,
• 1:09:57
  Speaker 1: so to speak. You know, as kids, we always watched
• 1:10:01
  Speaker 1: the Spider Man, Superman fight crime and.
• 1:10:04
  Speaker 3: Like y'all smoke a fucking pedophile like off the rip.
• 1:10:07
  Speaker 2: Yees see, we fight crime in a different way, you know,
• 1:10:09
  Speaker 2: we do things that the Lord don't do.
• 1:10:12
  Speaker 3: How fun was that? And like who who? Like you
• 1:10:14
  Speaker 3: had some one liners in there that were fucking hilarious,
• 1:10:17
  Speaker 3: Like you just over here smoking and shit and you're like,
• 1:10:19
  Speaker 3: I'm trying to fix it. Spell.
• 1:10:22
  Speaker 1: Well, that's about when me and Dre get together and
• 1:10:24
  Speaker 1: we find a great director like Dave Myers who really
• 1:10:26
  Speaker 1: understands us.
• 1:10:28
  Speaker 2: Well.
• 1:10:28
  Speaker 3: That was Dave Meyers director. She's like one of the
• 1:10:30
  Speaker 3: greatest video directors. It felt like some shit like when
• 1:10:32
  Speaker 3: I was like, it felt like some guilty, conscious shit planning.
• 1:10:35
  Speaker 1: So when we all get together, we don't have no
• 1:10:38
  Speaker 1: problem with being funny and being hard at the same
• 1:10:42
  Speaker 1: time because we know what people love from us. Like
• 1:10:44
  Speaker 1: me and Dre always know that people love us when
• 1:10:47
  Speaker 1: we make records together and we rap back and forth.
• 1:10:49
  Speaker 1: But when we ever in something cinematically, they love when
• 1:10:53
  Speaker 1: we had odds, they loved.
• 1:10:54
  Speaker 2: When like when we did the wash, the wash was
• 1:10:56
  Speaker 2: so good.
• 1:10:56
  Speaker 1: Come on one nigga, like just that the banter between
• 1:10:59
  Speaker 1: me and him, I'm like this person that person.
• 1:11:02
  Speaker 2: But we always love each other.
• 1:11:04
  Speaker 1: But we always have arguments, misunderstandings and disagreements that are funny.
• 1:11:10
  Speaker 2: They're never too serious. It's like, man, they don't really
• 1:11:13
  Speaker 2: like each other. Be like, oh, that shit was funny
• 1:11:14
  Speaker 2: as a motherfucker.
• 1:11:15
  Speaker 3: And then at the end the dude with the eminem
• 1:11:17
  Speaker 3: Jordan's and then fifty cent shit, You're like, You're like, yes,
• 1:11:19
  Speaker 3: those are four thousand dollars, forty dollars take that and
• 1:11:23
  Speaker 3: then and then it ends with fifty cents drops.
• 1:11:26
  Speaker 1: Great Doctor Dred bad motherfuck ain'ty did he write that
• 1:11:29
  Speaker 1: Doctor Dred is a bad motherfucker?
• 1:11:30
  Speaker 2: Man, I'm trying to tell y'all.
• 1:11:31
  Speaker 1: Man, he when it comes to him and Snoop Dogg,
• 1:11:36
  Speaker 1: he always make me look the best.
• 1:11:39
  Speaker 2: He make me sound the best.
• 1:11:41
  Speaker 1: Like it looked like all the lines and all this
• 1:11:43
  Speaker 1: shits look like, man that Nigga snooped up.
• 1:11:44
  Speaker 2: But this is his mind knowing this is what you're
• 1:11:47
  Speaker 2: supposed to see.
• 1:11:48
  Speaker 1: You gotta write a movie for y'all. Thank you say
• 1:11:50
  Speaker 1: it loud please. I told him that. I called him
• 1:11:54
  Speaker 1: last night because he was like, we do if we
• 1:11:56
  Speaker 1: do a movie, we need uh to get acting coaches
• 1:11:59
  Speaker 1: for And I'm like, Nigga, I don't need no motherfucking
• 1:12:02
  Speaker 1: acting coach.
• 1:12:02
  Speaker 2: Nigga, I'm in the game.
• 1:12:03
  Speaker 3: You just got to play yourself.
• 1:12:04
  Speaker 2: Stupid No.
• 1:12:05
  Speaker 1: But then he was like he this how dope he is.
• 1:12:09
  Speaker 1: We do need acting coaching because these are going to
• 1:12:11
  Speaker 1: be roles that no one has ever thought of. Oh
• 1:12:14
  Speaker 1: so he thinks like that, he ain't thinking about like
• 1:12:16
  Speaker 1: what you see right now. On that twelve minute movie.
• 1:12:18
  Speaker 1: We wouldn't even extend that. We would go somewhere else.
• 1:12:22
  Speaker 3: When's the last time you watched Bones.
• 1:12:24
  Speaker 2: Jimmy, motherfucking Bone. I had that show on VHS about
• 1:12:30
  Speaker 2: three years ago. Yeah.
• 1:12:31
  Speaker 3: I just wonder because like that was like your first time,
• 1:12:34
  Speaker 3: and I'm not gonna lie it wasn't a great movie.
• 1:12:37
  Speaker 2: To me, it was. Let me tell you why it
• 1:12:39
  Speaker 2: was great.
• 1:12:39
  Speaker 3: It's like it was like a hood classic.
• 1:12:40
  Speaker 2: Let me tell you why it was great.
• 1:12:42
  Speaker 1: I got to act with Pam Grigg huh oh yeah
• 1:12:45
  Speaker 1: for three months in Canada, and then I got to
• 1:12:48
  Speaker 1: work with Ricky Harris. So the cast, Clifton Pile. Yeah,
• 1:12:52
  Speaker 1: the cast helped me to become a better actor. Like
• 1:12:56
  Speaker 1: everything is steps and stages.
• 1:12:58
  Speaker 3: Like it Bones was before Baby Boy, right, Yeah.
• 1:13:01
  Speaker 1: So when you're challenge with working with great actors and
• 1:13:03
  Speaker 1: a great cinematographer. Ernest Dickerson directed that movie. Who did Juice,
• 1:13:08
  Speaker 1: did all the Spike Lee shit. He was a cinematographer.
• 1:13:12
  Speaker 1: So working with those quality of people helped me to
• 1:13:16
  Speaker 1: take my shit serious because before that I was just
• 1:13:19
  Speaker 1: playing snoop. Though I would just go do a regular
• 1:13:22
  Speaker 1: role and just do some basic shit. After that, my
• 1:13:25
  Speaker 1: roles began to take on like more depth, and I
• 1:13:27
  Speaker 1: got serious about learning my lines and doing characters that
• 1:13:31
  Speaker 1: were not me that was so distant from me that
• 1:13:34
  Speaker 1: you would believe that I was actually that Personalso, I.
• 1:13:36
  Speaker 3: Mean, yeah, you're like one of the all time movie assholes.
• 1:13:39
  Speaker 3: And baby Boy for sure.
• 1:13:40
  Speaker 2: No right would you let me watch your kids.
• 1:13:44
  Speaker 3: If it's the Snooping Underdogs? Sure, I don't know about baby.
• 1:13:48
  Speaker 2: The underdog Snoop and the baby boy Snoop.
• 1:13:50
  Speaker 3: It's like if the baby boy Snoop evolved, grew up
• 1:13:52
  Speaker 3: and like got a shit together.
• 1:13:53
  Speaker 2: Yeah that's what he is.
• 1:13:56
  Speaker 1: He didn't move out of Event's house and now coaching
• 1:13:58
  Speaker 1: little league football talking shit for sure.
• 1:14:00
  Speaker 3: Man, Well look, I appreciate you for sitting down with me. Man,
• 1:14:04
  Speaker 3: Yo album is dope. Can't wait to see what else
• 1:14:07
  Speaker 3: you got up to sleeve, Snoop. This is my bucket
• 1:14:09
  Speaker 3: list interview. I've always said the one interview, Snoop, so.
• 1:14:15
  Speaker 2: Stretch that off your bucket list, bootleg kids.
• 1:14:17
  Speaker 3: I hope it's not the last one.
• 1:14:18
  Speaker 1: Matte say no bootleg interview either. It's a real motherfucking interview.
• 1:14:22
  Speaker 3: Five hundred episode.
• 1:14:24
  Speaker 2: That's why I say it ain't bootleg, it's real, My
• 1:14:26
  Speaker 2: guy Snoop Dogg.
• 1:14:27
  Speaker 3: Appreciate you, brother, Appreciate you.
• 1:14:28
  Speaker 2: Loved one Fi