Latest / Legally Brunette / Killer Thriller: ADAM - The Abduction of Adam Walsh with JoBeth Williams
Transcript
- 0:06Speaker 1: Amy Roboc and TJ. Holmes present Killer Thriller with your
- 0:10Speaker 1: host Alisa Donovan. Hey, everyone, a Lisa Donovan here back
- 0:15Speaker 1: with a new episode of Killer Thriller. Today. On Killer Thriller,
- 0:19Speaker 1: we are talking about the case of Adam Walsh, which
- 0:25Speaker 1: is the story of a young boy who was kidnapped
- 0:27Speaker 1: from a shopping mall and brutally murdered, and his father,
- 0:32Speaker 1: John Walsh, went on to become the face of America's
- 0:36Speaker 1: Most Wanted and he and his wife, Ervey, co founded
- 0:40Speaker 1: the National Center for Missing and Exploited Children. It is
- 0:43Speaker 1: a truly extraordinary story. And my guest today is Joe
- 0:47Speaker 1: Beth Williams, who plays Revey Walsh in the TV movie Adam,
- 0:52Speaker 1: and I just first before we can get into that,
- 0:55Speaker 1: we just did the interview and I really need to
- 0:59Speaker 1: break it down with my producer Chrissy. Let's talk about
- 1:04Speaker 1: I had no idea that we were going to learn
- 1:08Speaker 1: that you spent so much time with them, that they
- 1:12Speaker 1: were on the set.
- 1:15Speaker 2: This is like our first guest that really was being
- 1:20Speaker 2: coached on what the real feelings of these real people
- 1:24Speaker 2: were in real time, and that to me just blows
- 1:29Speaker 2: my mind.
- 1:29Speaker 1: It completely blew my mind as well. And she is
- 1:31Speaker 1: such a con I mean, she is a queen. First
- 1:34Speaker 1: of all. Let's just say that outright. Joe Beth Williams
- 1:38Speaker 1: is just one of the greats of all time and
- 1:41Speaker 1: what a lovely person. I truly feel like it was
- 1:44Speaker 1: a gift that I got to speak with this woman,
- 1:46Speaker 1: and she just the nuance and the care, like she
- 1:52Speaker 1: just was living it in real time, and I just
- 1:57Speaker 1: I can't, I can't get over it.
- 2:00Speaker 2: Let's like break it down, right, so like for for
- 2:04Speaker 2: people who don't really know, like I mean, nowadays, people
- 2:08Speaker 2: don't really know what malls are but.
- 2:11Speaker 1: Exists that it's fair fair.
- 2:14Speaker 2: But like like tell me, like.
- 2:20Speaker 1: To me, to me. One of the things, as as
- 2:23Speaker 1: a mother, the thing I think about so much is
- 2:28Speaker 1: that this mother just brought her her child to the store.
- 2:33Speaker 1: A mall is a grouping of stores in an indoor area,
- 2:38Speaker 1: and so she brought her son with her to go
- 2:42Speaker 1: shopping for this lamp and says, yes, you can stay
- 2:46Speaker 1: over here watching these video games for a few minutes
- 2:49Speaker 1: while I go and handle this thing. And with within
- 2:54Speaker 1: less than five minutes, her son was gone. And as
- 2:58Speaker 1: a parent, as a mother, it's that's like your absolute
- 3:02Speaker 1: worst nightmare, Like she must the guilt, this woman must
- 3:05Speaker 1: have felt on top of the grief on all of it,
- 3:08Speaker 1: like I just it is. It is absolutely unimaginable. So
- 3:16Speaker 1: they and it took weeks for them to locate his body.
- 3:21Speaker 1: And it's just it's an absolutely despicable crime. The child
- 3:26Speaker 1: was beheaded and they found his head and that is
- 3:30Speaker 1: how they identified him. It's and then the case was
- 3:34Speaker 1: wrought with all of this misinformation and botched things and
- 3:38Speaker 1: rules that existed at the time about whether or not
- 3:43Speaker 1: the FBI can be involved and at what point and
- 3:46Speaker 1: if you go across state lines, like all of this
- 3:48Speaker 1: sort of just red tape, which is one of the
- 3:51Speaker 1: things that John Walsh and Revey dove into and made
- 3:56Speaker 1: actual real change to policy afterwards.
- 4:01Speaker 2: And now knowing that, like John Walsh was there so much,
- 4:06Speaker 2: when you think about the film and you think about
- 4:08Speaker 2: the crime, you're thinking now, like, oh, okay, so the
- 4:12Speaker 2: next town over couldn't help them because they had their
- 4:15Speaker 2: own problems or like they really did sleep in a
- 4:19Speaker 2: police station to be able to X to get as
- 4:23Speaker 2: much information as they could.
- 4:25Speaker 1: Yeah, and to keep pressing them right to be like
- 4:27Speaker 1: this this is a problem. He's gone, like, I it's
- 4:32Speaker 1: just it's it's really uh, this is like this movie
- 4:36Speaker 1: is so powerful.
- 4:39Speaker 2: But they became two people who couldn't walk down a
- 4:41Speaker 2: street without someone being like, I too have this problem,
- 4:44Speaker 2: and I too don't know how to do it. And
- 4:46Speaker 2: it made John want to solve this problem. And they
- 4:50Speaker 2: turned tragedy into something that he used television to tell
- 4:56Speaker 2: his story.
- 4:56Speaker 1: Yes, and I love that we talk about that too,
- 4:59Speaker 1: that it really is is using that platform for good.
- 5:03Speaker 1: I mean it truly kind of changed how the everyone
- 5:09Speaker 1: looked at not only that case, but going forward how
- 5:12Speaker 1: I mean that also birthed the children on milk curtains
- 5:15Speaker 1: and all of those things that as a child of
- 5:19Speaker 1: the eighties I distinctly remember, and I remember being afraid
- 5:23Speaker 1: that looking at the first looking at the bottom, you know,
- 5:27Speaker 1: the milk cartons, and being like, oh, why is this
- 5:29Speaker 1: person on a you know, like why is there a
- 5:31Speaker 1: picture there? Why is this? Then when you understood why,
- 5:33Speaker 1: it was terrifying.
- 5:36Speaker 2: Yeah, And they used the media to tell their story.
- 5:38Speaker 2: Now like and nowadays, you something happens, there's a crime,
- 5:43Speaker 2: it's it's on television within like two seconds, right, And
- 5:47Speaker 2: before this was kind of like the case that kind
- 5:50Speaker 2: of like used media to help find and solve these
- 5:53Speaker 2: crimes for like really the first time, and using news
- 5:57Speaker 2: and press conferences and all these kinds of things to
- 5:59Speaker 2: add devate like a citizen search, if you right, I
- 6:04Speaker 2: guess it's the best way to kind of put it.
- 6:06Speaker 2: So I think that like all of that in this story,
- 6:10Speaker 2: and then because they knew that power, that's how he became.
- 6:14Speaker 1: Literally the face of saving children. I get he really
- 6:22Speaker 1: is extraordinary. What he did with this.
- 6:26Speaker 2: Tragedy and becoming the face of America's most wanted is
- 6:32Speaker 2: probably birthed out of seeing how good just putting as
- 6:38Speaker 2: much out there into the world could be could help
- 6:41Speaker 2: solve more case.
- 6:42Speaker 1: Yes, and that that real deep personal passion that he
- 6:48Speaker 1: has for those circumstances is what compelled the show. You know,
- 6:55Speaker 1: he wasn't just the host of this show. He had
- 6:57Speaker 1: a deep, deep goal in mind every second. It's really incredible.
- 7:04Speaker 1: So I'm really excited for people to listen today. Okay,
- 7:10Speaker 1: so here is my interview with Joebeth Williams, star of
- 7:13Speaker 1: the TV movie Adam. Welcome, Joe Beth, thank you. I
- 7:34Speaker 1: have to say I am just truly honored to be
- 7:38Speaker 1: speaking with you because I have been a huge fan
- 7:40Speaker 1: of yours for so very many years, and when I
- 7:43Speaker 1: started doing this podcast, I wasn't really thinking about how,
- 7:47Speaker 1: oh my gosh, I might get the opportunity to speak
- 7:50Speaker 1: to some people that I really admire, and this is
- 7:54Speaker 1: one of those moments. So thank you very much for
- 7:57Speaker 1: doing this.
- 7:58Speaker 3: Well, thank you happy to be here.
- 8:01Speaker 1: So we are talking about, obviously, Adam, this pretty groundbreaking
- 8:07Speaker 1: TV movie in the sense that it was one of
- 8:09Speaker 1: the very first true crime television films, and it's unique
- 8:15Speaker 1: in a multitude of ways, but which we'll get into.
- 8:19Speaker 1: But do you remember where you were when you first
- 8:23Speaker 1: heard about the story.
- 8:25Speaker 3: Yeah, I was. I think I was still living in
- 8:29Speaker 3: New York. Then I was back and forth between LA
- 8:32Speaker 3: and New York, and I remember just being so emotionally
- 8:41Speaker 3: devastated when I read the script and when I knew
- 8:46Speaker 3: that it was of course a true story. And then
- 8:51Speaker 3: I found out that the Walshes, John and Reve Walsh,
- 8:56Speaker 3: who were the parents at Adam Walsh, who was the
- 8:58Speaker 3: child who was kind and murdered, that they were going
- 9:02Speaker 3: to be there sometimes on the set, and I thought
- 9:07Speaker 3: I didn't know how they would be able to do that,
- 9:10Speaker 3: and I didn't know how we would be able to
- 9:14Speaker 3: Daniel Travante and I by then. I mean it was
- 9:17Speaker 3: such a gift in a way, but also a sort
- 9:24Speaker 3: of heavy cloak to wear because we were playing real people,
- 9:30Speaker 3: and we were playing real people who had been through
- 9:33Speaker 3: this tragedy, this horrific tragedy.
- 9:37Speaker 1: Yes, that was I mean, you just answered like seventeen
- 9:40Speaker 1: of my questions in their instances, because that is that's
- 9:45Speaker 1: such a great way to describe it, a heavy cloak.
- 9:47Speaker 1: Do you remember what you even said to them the
- 9:49Speaker 1: first time you met them, Like that's such a loaded moment,
- 9:55Speaker 1: you know.
- 9:58Speaker 3: I think the first thing I said was, you know,
- 10:02Speaker 3: probably something inept, like I'm so sorry for your long boss.
- 10:06Speaker 3: I mean, right, you don't know what to say to
- 10:09Speaker 3: people who've been through that. I'm not gonna try and
- 10:14Speaker 3: be you or imitate you. I you know, I just
- 10:18Speaker 3: hope that I can bring an emotional life that you
- 10:24Speaker 3: will feel is truthful, right, right, And having not been
- 10:28Speaker 3: a mother myself at that point.
- 10:31Speaker 1: Oh, that's what I was going to ask, because it's
- 10:33Speaker 1: if you were a mother yet and not yet at
- 10:36Speaker 1: that point.
- 10:37Speaker 3: No, I wasn't, but I I was married to my husband,
- 10:42Speaker 3: and I knew that I had always wanted to have kids.
- 10:46Speaker 3: I'd always felt that I wanted to have kids because
- 10:48Speaker 3: I was an only child, and as I used to see,
- 10:52Speaker 3: I was a lonely child, although I had a thousand
- 10:54Speaker 3: cousins everywhere. But so I really wanted a family and
- 10:59Speaker 3: I wanted kids. And so this show really made me
- 11:05Speaker 3: think about what a how would you deal with a
- 11:11Speaker 3: lots like that? How would you deal if basically a
- 11:14Speaker 3: part of you was ripped away by some stranger and
- 11:24Speaker 3: it was hard? Yeah, it was hard, and it really
- 11:30Speaker 3: it really put my life in perspective in a strange.
- 11:33Speaker 1: Way, right I bet Well. I want to say, for
- 11:37Speaker 1: anyone who hasn't seen it, the everyone but you and
- 11:43Speaker 1: Daniel in particular, you're You're just both extraordinary in this movie,
- 11:47Speaker 1: Like it's it's uh, I don't even know how to
- 11:51Speaker 1: describe it. It's extraordinarily painful and so nuanced, and I
- 11:57Speaker 1: almost feel like I'm shocked that they and thrilled that
- 12:01Speaker 1: they put this on television, Like it's it's so raw.
- 12:05Speaker 1: And I wanted to ask a couple of specifics that
- 12:12Speaker 1: scene when the two of you, when they Daniel is playing.
- 12:17Speaker 1: John Walsh gets the phone call that they have found
- 12:21Speaker 1: they have identified Adam's body and that scene in the hotel.
- 12:27Speaker 1: Do you remember how you even prepared for that or
- 12:29Speaker 1: how you did it? It's one among many of extraordinary scenes,
- 12:33Speaker 1: but that is a very, very viscerally intense scene. So
- 12:38Speaker 1: did they have any input on that? Do you remember
- 12:42Speaker 1: shooting it, how you prepared it, do you remember any
- 12:44Speaker 1: of that.
- 12:45Speaker 3: I didn't feel that I could actually ask Revet about
- 12:50Speaker 3: that moment, but John Walsh talked to Daniel Fravante about it.
- 12:55Speaker 3: He did, he did, and he described tearing up the
- 13:01Speaker 3: hotel room when he got the news. And I think
- 13:06Speaker 3: Daniel and I both did our own personal emotional preparation,
- 13:12Speaker 3: you know, to be available for what might happen. And
- 13:17Speaker 3: I remember that that Daniel went crazy. He basically went crazy,
- 13:24Speaker 3: and you know, it's one of those things when you're
- 13:28Speaker 3: an actor and at the end of the day, you go,
- 13:32Speaker 3: why am I putting myself through this? But it was
- 13:41Speaker 3: it was extraordinary to watch, particularly to watch Dan Travanti
- 13:45Speaker 3: go go through that emotional arc because he was amazing
- 13:52Speaker 3: and he had never experienced anything like that in his life,
- 13:58Speaker 3: and it made me realize, you know, what we can
- 14:01Speaker 3: do as actors, what we can convey.
- 14:05Speaker 1: We should get into the One of the things that
- 14:07Speaker 1: is so unusual. I don't think I've ever seen this
- 14:11Speaker 1: before or since, that at the end of the movie
- 14:14Speaker 1: they show all these faces of actual missing children who
- 14:19Speaker 1: were currently missing at the time, and John Walsh's voice
- 14:24Speaker 1: he narrates it. And I'm getting chills thinking about because
- 14:29Speaker 1: I didn't know that that was coming up at the
- 14:31Speaker 1: end of the move When I watched it, I couldn't
- 14:33Speaker 1: And I was so struck by that, and the fact
- 14:36Speaker 1: that the airing of the movie actually helped to find
- 14:42Speaker 1: so many children and to be able to prosecute some
- 14:47Speaker 1: of the perpetrators. I just I it's extraordinary. And did
- 14:53Speaker 1: you know was that in the original script? Did you
- 14:57Speaker 1: know that was going to be at the end?
- 15:00Speaker 3: It was not in the original script. I think I
- 15:05Speaker 3: knew that they were going to do something like that,
- 15:08Speaker 3: that they were going to show pictures of missing kids,
- 15:11Speaker 3: because John Walsh, of course went on to help establish
- 15:18Speaker 3: the Center National Center for Missing.
- 15:22Speaker 1: Missing Exploited Children.
- 15:24Speaker 3: Yeah, and you know, he he was he had taken
- 15:29Speaker 3: what had happened to him and to them and he
- 15:33Speaker 3: had this fervor, he had this mission, and so I
- 15:40Speaker 3: don't think any of us, when we were doing it,
- 15:42Speaker 3: realized the impact that it would happen, and that that
- 15:45Speaker 3: sort of opened up our nation in a way to
- 15:50Speaker 3: looking at that horrible issue and the statistics and the
- 15:57Speaker 3: fact that these kids were still missing and changed the
- 16:01Speaker 3: way the public thought about it. And I really I
- 16:05Speaker 3: don't I don't think any of it us sort of
- 16:08Speaker 3: anticipated that, but it made me always feel very great
- 16:16Speaker 3: about having been involved. Yes, object that had that kind
- 16:20Speaker 3: of impact.
- 16:21Speaker 1: Right his I mean, his work is on I'm always
- 16:25Speaker 1: struck by you know this, this turning your pain into purpose,
- 16:31Speaker 1: which sounds very simple and trite when we say it,
- 16:34Speaker 1: but he's one of these people that is a true
- 16:38Speaker 1: example of that. And I, you know, I think that's
- 16:43Speaker 1: probably how or I know from I have a dear
- 16:47Speaker 1: friend lost a child a few years ago, and today
- 16:52Speaker 1: actually happens to be the anniversary of that. So this
- 16:56Speaker 1: is a particularly present thing for me today. And uh
- 17:03Speaker 1: she has done something similar where I think that you
- 17:07Speaker 1: come to this place of you, you make a choice
- 17:10Speaker 1: to keep going or you don't, and that's sort of
- 17:14Speaker 1: one of the ways that you know in our human experience,
- 17:18Speaker 1: we can, we can continue to function because it's such
- 17:21Speaker 1: a loss of of of epic proportions that I don't
- 17:28Speaker 1: know how else you survive if you don't put it
- 17:31Speaker 1: into something, you know, something that is positive.
- 17:36Speaker 3: Uh.
- 17:36Speaker 1: Did you keep in contact with them after the movie?
- 17:42Speaker 3: A little bit? I had, you know, I I saw
- 17:45Speaker 3: John a few times over the years when he was
- 17:50Speaker 3: doing you know, his show and stuff. I haven't seen Revet.
- 17:56Speaker 3: I don't think since since the atom you know, days
- 18:01Speaker 3: of shooting and right after. But I do know I certainly,
- 18:06Speaker 3: you know, sort of kept watch on them in a way.
- 18:09Speaker 3: And I know they went on and had other kids. Yes, Yes,
- 18:13Speaker 3: which is amazing because with many many couples who suffer
- 18:20Speaker 3: something like this, the marriage doesn't survive, yes, because the
- 18:24Speaker 3: pain is just too great. But these were two very
- 18:30Speaker 3: brave and amazing people. M And I think John just
- 18:34Speaker 3: was so committed to what he was doing that he
- 18:39Speaker 3: sort of held everything together in a way.
- 18:42Speaker 1: Those are another several great strong scenes in this movie,
- 18:50Speaker 1: The moment when the two of you are talking about
- 18:53Speaker 1: when they have that realization of you can't run from it,
- 18:57Speaker 1: we can't fly somewhere, you can't go somewhere else. You
- 19:01Speaker 1: sort of can't escape it, like you can't and what
- 19:06Speaker 1: do you do? And I think your character says something like,
- 19:09Speaker 1: I don't you know, like I have I'm numb, but
- 19:11Speaker 1: I have all these tears. I don't know where they're
- 19:13Speaker 1: coming from. And it's like it just is this endless
- 19:16Speaker 1: kind of you just don't know where where to go
- 19:24Speaker 1: or how you're going to survive it. And I did
- 19:27Speaker 1: think did they talk at all? Well, first of all,
- 19:31Speaker 1: did Revey ever say anything to you about your performance?
- 19:35Speaker 1: In particular?
- 19:36Speaker 3: I felt from her that I had her blessing in
- 19:41Speaker 3: a way, right, And I know certainly they were they
- 19:45Speaker 3: were really happy that that it got the kind of
- 19:48Speaker 3: attention that it did, because yes, really helped their desire
- 19:54Speaker 3: to make it a national issue.
- 19:57Speaker 1: Right right, I mean in that America's Most Wanted became
- 20:02Speaker 1: a hugely successful program that he created that also wound
- 20:08Speaker 1: up saving a multitude of children and find many perpetrators,
- 20:14Speaker 1: including Elizabeth Smart's case that was apparently a you know,
- 20:21Speaker 1: it was going cold and they couldn't find anyone, and
- 20:23Speaker 1: he put the perpetrator on television and they caught him.
- 20:27Speaker 1: It's kind of it's just unreal, and there were all
- 20:31Speaker 1: so many laws. This is something that I just learned.
- 20:35Speaker 1: I'm not sure if you knew this, that they code
- 20:39Speaker 1: atom is now a thing that they use in department
- 20:42Speaker 1: stores and malls, and it's something that they train everyone
- 20:45Speaker 1: in apparently, and they will say code atom if a
- 20:49Speaker 1: child is missing, and that then triggers all of these
- 20:55Speaker 1: protocols like shutting of doors. Everyone has a specific job,
- 21:00Speaker 1: like your primary purpose. You stop what you're doing and
- 21:03Speaker 1: you look for this child, like all the people that
- 21:05Speaker 1: work in these stores. I mean, it's it's really amazing
- 21:11Speaker 1: what he's what he's done.
- 21:13Speaker 3: It is extraordinary. It's extraordinary. Yeah, that you know that
- 21:21Speaker 3: that one movie on television can have that kind of
- 21:25Speaker 3: impact kind of makes you wonder why we don't use
- 21:28Speaker 3: it better?
- 21:30Speaker 1: Right, right, right, it's such a resource that we could
- 21:33Speaker 1: really utilize in a far more positive way.
- 21:38Speaker 3: Well it's you know, but also it's also for entertainment,
- 21:41Speaker 3: so it's right, Yeah, it's a right, I guess.
- 22:00Speaker 1: Also, you're returning to the big screen in another project
- 22:06Speaker 1: where you have lost a child, and it's called it's
- 22:12Speaker 1: Joe Carnihan's survival thriller Not Without Hope and it's based
- 22:15Speaker 1: on the true story book about the two thousand and
- 22:19Speaker 1: nine Golf of Mexico accident. So what is what do
- 22:27Speaker 1: you want to tell us about that? And because this time,
- 22:29Speaker 1: I mean it's a different story obviously, but it's the
- 22:32Speaker 1: similarity of a mother losing a child.
- 22:37Speaker 3: Was there.
- 22:37Speaker 1: Did you feel any connection between the two pieces or.
- 22:44Speaker 3: Well, I've for whatever reason throughout my career. I mean,
- 22:49Speaker 3: if you look at Poltergeist, for example, there's a there
- 22:53Speaker 3: I'm playing a mother of a missing child.
- 22:56Speaker 1: So great, Oh my gosh, I didn't even think about.
- 23:00Speaker 3: I didn't even think about that, but I have to
- 23:02Speaker 3: rescue her right. This seemed to be my callings.
- 23:07Speaker 1: It's a recurring theme for you.
- 23:09Speaker 3: I've had many you know, now adult people say I
- 23:13Speaker 3: wanted you to be my mummy because you went to
- 23:16Speaker 3: come back to get to get right.
- 23:19Speaker 1: I felt that way. Poultergeist was the first film of yours,
- 23:22Speaker 1: the first project of yours that I saw because I
- 23:25Speaker 1: was too young at the time for a big chill
- 23:28Speaker 1: in some of like the other amazing movies, but wow, Poultergeist.
- 23:33Speaker 1: Poltergeist like multiple in the theater viewings of that movie.
- 23:38Speaker 3: And certainly, I mean now I am a mother now,
- 23:42Speaker 3: I have children and a grandchild. And it was interesting
- 23:47Speaker 3: because when I did not without hope, which was you know,
- 23:50Speaker 3: just very recently, and it is a true story. And
- 23:56Speaker 3: again I played a woman whose son is out in
- 23:59Speaker 3: a fishing boat with friends and they can't find them.
- 24:02Speaker 3: They don't come back, the coastguard can't find the huge
- 24:05Speaker 3: storm comes up, so you know, I'm left I and
- 24:10Speaker 3: my ex husband and my son's girlfriend and all are
- 24:15Speaker 3: just left not knowing. And I certainly some of some
- 24:21Speaker 3: of what I some of the feelings that came out
- 24:25Speaker 3: in Adam and even in Poltergeist were there the sort
- 24:30Speaker 3: of the terror and in this case the anger of
- 24:35Speaker 3: this woman who can't get answers from chicerarly from the coastguard.
- 24:38Speaker 3: And Josh Duamel plays the the head of the Coastguard,
- 24:43Speaker 3: who I'm you know, demanding answers about why they haven't
- 24:48Speaker 3: found my son and why they can't get helicopters out there,
- 24:51Speaker 3: and all of that sort of mother mother, lioness, protective
- 24:58Speaker 3: insis came came to the four in this movie and
- 25:05Speaker 3: it's a powerful story. It's it's really amazing. And Joe
- 25:09Speaker 3: Krnan his direction, I mean, we shot in Malta with
- 25:14Speaker 3: in this huge tank that levels out into the ocean
- 25:19Speaker 3: actually so they could shoot the boat scenes, which are
- 25:24Speaker 3: extraordinary and these guys trying to survive in this storm.
- 25:29Speaker 3: It's a it's a good movie. It really is a
- 25:31Speaker 3: good movie. It's got Zachary Levi and Josh Tamel and.
- 25:40Speaker 1: Ten you that's all that matters and.
- 25:42Speaker 3: Me and Forriana Lima and a wonderful cast. But it's
- 25:49Speaker 3: and it's still in theaters somewhere but some places. But
- 25:53Speaker 3: it's also now available video on demand and it's going
- 25:57Speaker 3: to be streaming on Paramount Plus starting in April. So
- 26:02Speaker 3: okayat it's it's a really it's it'll hold you. It's
- 26:07Speaker 3: and it's a true story.
- 26:08Speaker 4: So I will definitely watch it before we close. Did
- 26:12Speaker 4: you know that they were going to do the sequel
- 26:17Speaker 4: to Adam while you were while you were shooting the
- 26:20Speaker 4: first one or did that come later?
- 26:23Speaker 1: It later?
- 26:24Speaker 3: Yeah, we had no idea that there would be the sequel,
- 26:28Speaker 3: and and I'm sure it may have been the minds
- 26:31Speaker 3: of the you know, writers and producers, but I'm sure
- 26:34Speaker 3: it was it was when they saw the impact of
- 26:38Speaker 3: what the first one had that they felt it would
- 26:46Speaker 3: that they should extend the story. Yeah, and so that
- 26:50Speaker 3: that was very interesting too, to sort of do the
- 26:52Speaker 3: continuation of that.
- 26:54Speaker 1: Right, which covers a lot of the the that struggle
- 26:58Speaker 1: to keep the marriage together and of all of the
- 27:01Speaker 1: things that come in the in in in in the aftermath.
- 27:06Speaker 3: Right.
- 27:08Speaker 1: Well, I just this has been such a pleasure for me.
- 27:12Speaker 1: You're I'm truly a fan, as I said, and I
- 27:15Speaker 1: admire you and this this movie is really just it's beautiful.
- 27:20Speaker 1: And I know the sect. The sequel is streaming and
- 27:24Speaker 1: you I think you can see the original as well,
- 27:29Speaker 1: and I just recommend that people do. And uh, is
- 27:33Speaker 1: there anything else you'd like to add?
- 27:37Speaker 3: No, not really, just that it's a for me. It's
- 27:41Speaker 3: been a real honor to play some real women. I
- 27:46Speaker 3: played Marybeth Whitehead, who was the first surrogate mother in
- 27:49Speaker 3: a Baby m And it's always complicated. I mean, there
- 27:55Speaker 3: are always many sides and you know, many directions that
- 28:02Speaker 3: and many different points of view about different people who
- 28:05Speaker 3: are real people. So that's been interesting. But as an actress,
- 28:13Speaker 3: it's provided me with a real challenge that I have
- 28:18Speaker 3: enjoyed being able to pursue.
- 28:23Speaker 1: I always wonder if these projects. Do you think that
- 28:27Speaker 1: there was any kind of personal healing for John and
- 28:30Speaker 1: Revey from doing this movie or certainly I know because
- 28:36Speaker 1: it did so much for their organizations and the work
- 28:42Speaker 1: that they were doing. But I do wonder if personally,
- 28:45Speaker 1: you know, it gave them any kind of healing or enclosure.
- 28:50Speaker 1: I don't think anybody ever really gets that.
- 28:51Speaker 3: But I don't feel really equipped to say, but my
- 28:56Speaker 3: instinct says yes, that that they found sort of a
- 29:02Speaker 3: strengthening of a direction and a purpose, particularly after people
- 29:09Speaker 3: saw it and there was this huge response. I'm sure
- 29:12Speaker 3: that must have helped them sort of find a way
- 29:18Speaker 3: to use their energies and their grief that was productive
- 29:25Speaker 3: at the time when we were shooting. I don't know.
- 29:27Speaker 3: I know that it was very hard for them both,
- 29:30Speaker 3: particularly for Revey I think, to be there when we
- 29:33Speaker 3: were when we were actually shooting, But John Walsh was
- 29:39Speaker 3: just he was very determined and so he was there
- 29:44Speaker 3: quite a.
- 29:44Speaker 1: Lot, quite a lot. Yeah. Well, I have really enjoyed
- 29:51Speaker 1: spending time with you, and thank you so much for
- 29:55Speaker 1: being with me today.
- 29:57Speaker 3: Thank you, It's been a pleasure, a real pleasure.
- 30:00Speaker 1: Glad and again you can catch Joebeth's new movie Not
- 30:04Speaker 1: Without Hope in limited theaters now and it will start
- 30:07Speaker 1: streaming in April. So I want to hear what cases
- 30:12Speaker 1: you all are interested in hearing about. What are you
- 30:15Speaker 1: watching that you want us to talk about? What actors
- 30:18Speaker 1: or producers or directors or writers do you want to
- 30:20Speaker 1: hear from. Hit us up on our dms at Killer
- 30:23Speaker 1: Thriller Pod on Instagram and TikTok and let us know,
- 30:27Speaker 1: and make sure to follow the pod on socials and
- 30:30Speaker 1: subscribe to Amy and TJ Presents wherever you listen to
- 30:34Speaker 1: podcasts that will wrap us up for today until next time.