Latest / The Breakfast Club / INTERVIEW: Ali Siddiq On Comedy In Prison, Upcoming Tour, Katt Williams Situation, DJ Scratch Apology + More

Transcript

INTERVIEW: Ali Siddiq On Comedy In Prison, Upcoming Tour, Katt Williams Situation, DJ Scratch Apology + More · The Breakfast Club

0:01
Speaker 1: Every day up waiting, click your ass up the breakfast Club.
0:05
Speaker 1: You don't finish for y'all.
0:06
Speaker 2: Done morning, everybody in stej Envy just hilarious.
0:10
Speaker 1: Charlamagne the guy, we are the breakfast club law the
0:13
Speaker 1: Roses here as well. We got a special guest in
0:15
Speaker 1: the building.
0:15
Speaker 3: Yes, indeed, at least a Dick.
0:18
Speaker 1: Welcome, brother Man, good, thank you, thank y'all for having
0:21
Speaker 1: me back. I'm good Man, got a toy, he said
0:24
Speaker 1: in The Shadows tour kicks off August twenty second in
0:26
Speaker 1: Lantic City. Yep, we back on it. You know, I
0:28
Speaker 1: took six weeks off and now I'm coming back. So yeah,
0:31
Speaker 1: how much do you write Ali oh Man? Every every
0:36
Speaker 1: other day? It gotta be right every other day.
0:39
Speaker 4: Because I was watching two Suns two Sundays an hour
0:41
Speaker 4: and twenty minutes long.
0:43
Speaker 1: Yeah, that was That's the easy part by my family,
0:47
Speaker 1: because I know him. You know, I don't have to
0:50
Speaker 1: I don't have to really write nothing with that. I
0:52
Speaker 1: just have to structure it, you know how much? How
0:54
Speaker 1: I mucha say it? And then you know, Rugged was
0:56
Speaker 1: a little bit more. No program that I had to
1:01
Speaker 1: really write out Rugged to know which stories I was
1:03
Speaker 1: gonna say. And how I was gonna say them, and
1:06
Speaker 1: the time, like I try to write everything in chronological order. Yeah,
1:10
Speaker 1: so you know that's the that's the and that's the
1:11
Speaker 1: hard part of it. If I if I forget a story,
1:14
Speaker 1: then I gotta go back. Now it's like this Nigga
1:17
Speaker 1: line because it don't match the timeline.
1:22
Speaker 4: So when you go out on the in the shadows
1:23
Speaker 4: to how much of that material.
1:25
Speaker 1: Do you use it?
1:25
Speaker 4: You just leave all of that on YouTube and you
1:27
Speaker 4: just got something brand new.
1:28
Speaker 1: So in the Shadows now is the is the news?
1:33
Speaker 1: The news specials that I'm shooting in February and DC.
1:37
Speaker 1: So I'm gonna shoot three new specials in February and
1:39
Speaker 1: d C. I just shot three in Detroit in October.
1:43
Speaker 1: So we got five specials in the can that we
1:46
Speaker 1: can drive much material? Man, yeah jesus yeah yeah.
1:51
Speaker 4: So do you feel like breaking down the business? I
1:52
Speaker 4: just want to know how that translates into dollars?
1:54
Speaker 1: Oh, it's like how many like the whole program? The
1:58
Speaker 1: whole program?
2:03
Speaker 4: It?
2:04
Speaker 1: So how a special translates from Okay, so let me
2:08
Speaker 1: start with this. I'm always insulted when somebody say they
2:12
Speaker 1: saw me on Netflix because I'm like, no, you did
2:14
Speaker 1: not know Netflix. You saw me on YouTube because I'm independent.
2:18
Speaker 1: So what happens is I shoot, I shoot the special,
2:22
Speaker 1: so you I get paid for doing it. Because I
2:24
Speaker 1: only shoot when I'm on tour. So I shoot in
2:28
Speaker 1: the places that I'm performing. I'm not oh, let me
2:31
Speaker 1: pick some day and shoot somewhere else. I'm doing the
2:34
Speaker 1: specially because I'm ready. When I got to Detroit, I
2:37
Speaker 1: was ready for the three specials, so we sold out
2:39
Speaker 1: the three shows that we did. So we do two
2:42
Speaker 1: shows for each special, so that's six that's six paydays
2:46
Speaker 1: just to shoot it. So then after I shoot it,
2:49
Speaker 1: I premier it on a different platform for my immediate fans.
2:55
Speaker 1: So now that I'm at a million followers on YouTube,
2:58
Speaker 1: that's a million people that's that have the possibility of
3:01
Speaker 1: going to the platform that I put it on to
3:05
Speaker 1: premiere before anybody else.
3:06
Speaker 3: Season it could be any platform, yeah yeah.
3:08
Speaker 1: But we do moment.
3:10
Speaker 3: Yeah.
3:11
Speaker 1: So then after two months, because I wait two or
3:15
Speaker 1: three months before I put it on YouTube for free.
3:17
Speaker 1: So now that that translates into commercial dollars.
3:20
Speaker 4: So people paid for the watching on the moment, Yes,
3:25
Speaker 4: and now you do it for commercials.
3:27
Speaker 3: But smart so you shoot.
3:29
Speaker 5: You said you shot four specials in the last couple
3:31
Speaker 5: of months, three in the last three months.
3:34
Speaker 1: When did you get time to do? You have to
3:35
Speaker 1: practice your material because like most of the communities was like,
3:38
Speaker 1: let me try this out. You got to the thing
3:42
Speaker 1: is you I'm on the road. It's one hundred city tour.
3:45
Speaker 1: So I'm gonna take the first thirty cities and work
3:49
Speaker 1: the stories. And then by the time i get the
3:51
Speaker 1: city number forty, that's when we're shooting, you know what
3:54
Speaker 1: I'm saying. So I'm gonna work all these So we
3:56
Speaker 1: got forty four dates, forty four theaters after you know,
4:00
Speaker 1: I do already on Wednesday. Because when you take when
4:03
Speaker 1: you take time off, you have to go to the
4:06
Speaker 1: minor leagues first, you know, and to come back come
4:08
Speaker 1: back because I've been I was my how my stories
4:12
Speaker 1: line up was kind of awful. Little bit. I was
4:15
Speaker 1: forgetting major parts of the story. I'm like, wow, I
4:19
Speaker 1: wasn't supposed to say that. Yet people They're like, say, no,
4:23
Speaker 1: you can't go, and then I had to start staying.
4:25
Speaker 1: I'm like, let me. It's the part that I forgot
4:27
Speaker 1: to tell y'all. But it works because I tell stories.
4:31
Speaker 1: So it's I'm so connected to my audience that they
4:36
Speaker 1: wait for it, you know, like and it's a it's
4:39
Speaker 1: a very special thing that I really that I really
4:42
Speaker 1: think is cool because you know, I transitioned after what
4:46
Speaker 1: I've been doing standing up twenty eight years in December.
4:49
Speaker 1: It'll be twenty eight years in December. So how I
4:53
Speaker 1: used to be when I look back at how I've
4:56
Speaker 1: gotten to this point, you know, is crazy. Now I'm recap.
5:01
Speaker 1: I'm going into how I got to this point now
5:04
Speaker 1: in the new specials how I even started? Because people
5:07
Speaker 1: will say that somebody wrote years ago that I started
5:09
Speaker 1: in prison, and I try to and I keep trying
5:11
Speaker 1: to clean this up. I did not start. There's no
5:14
Speaker 1: comedy clubs. Most people work out in prison.
5:21
Speaker 3: You didn't comedy.
5:22
Speaker 1: I know somebody I don't know who wrote that initially,
5:28
Speaker 1: and it's been sticking. So every time I get in
5:30
Speaker 1: of you, So you started in prison, there's no comedy
5:32
Speaker 1: club between the child and the reck yard. Well, I'm like, yo, everybody,
5:36
Speaker 1: come ahead, I'm gonna get it done. No, it was
5:39
Speaker 1: more like the first two years I was wild, and
5:43
Speaker 1: I give I give it that I was. I was
5:46
Speaker 1: on prison time. It wasn't even surviving. It was oh man, okay.
5:54
Speaker 1: So they used to have this. They used to have
5:55
Speaker 1: a mop bucket with the handle. Me and probably some
5:59
Speaker 1: other people at the reason. They took the handle off
6:03
Speaker 1: so the Mexicans would cut the handle off and turn
6:06
Speaker 1: it into knives. I got into it with a dude
6:10
Speaker 1: and I dropped him, and then I went to the
6:12
Speaker 1: third floor. I was so mad, I was violent. I
6:15
Speaker 1: went to the third floor. I filled my bucket up
6:17
Speaker 1: with water and I dropped it down on him. You
6:20
Speaker 1: know what I'm saying, So huh.
6:23
Speaker 3: Not a bucket.
6:26
Speaker 1: Of water. I dropped the bucket and everything on And
6:29
Speaker 1: to do that you got to have a handle. Doing
6:32
Speaker 1: it like this is a little awkward, but yeah, I was.
6:36
Speaker 1: I was on one. I was.
6:37
Speaker 3: I was for you to do that.
6:41
Speaker 1: Man stole your chips and no, damn. I had a
6:45
Speaker 1: problem with people talking reckless like That's why I didn't
6:49
Speaker 1: play dominoes, because see, people, people lose their mouth in dominoes.
6:54
Speaker 1: So we playing and I told him, I said, hey, man,
6:57
Speaker 1: I don't want to play because y'all don't know how
6:58
Speaker 1: to talk. Right now, we ain't gonna say nothing. So
7:01
Speaker 1: then we playing dominos and I called ten and then
7:05
Speaker 1: the next thing, I know, ten inches in you and
7:07
Speaker 1: then I just got it. Don't even worry about it.
7:11
Speaker 1: Don't even worry about it, don't even see this. This
7:14
Speaker 1: is what I said. I said, I don't do this,
7:20
Speaker 1: and I just mean I lost it, and and people knew.
7:23
Speaker 1: We was like, like, oh boy, you about to you
7:25
Speaker 1: about you might want to go put your boots on.
7:27
Speaker 1: But this little boy is a wild man like. And
7:30
Speaker 1: I figured out, look, you see how I can't take
7:33
Speaker 1: all that. And the thing is, I figured out that
7:38
Speaker 1: most people can't fight hand in hand. I've been boxing
7:42
Speaker 1: since I was six. So I was like, Yo, it
7:44
Speaker 1: don't matter how big York, I ain't gonna wait class.
7:47
Speaker 1: You know what I'm saying. It's like, if you're trying
7:48
Speaker 1: to do something, let's do it. But in now you
7:53
Speaker 1: have to check somebody chin. You know what I'm saying
7:56
Speaker 1: about everything, and it and it just came too came
7:59
Speaker 1: too much for me. So about two years in, his
8:01
Speaker 1: old head told me, he said, yo, man, you can't
8:04
Speaker 1: keep living like this. Because I was like, yo, I
8:07
Speaker 1: would be on that basketball court. And this is where
8:11
Speaker 1: I say, eighty five percent of my fight starle on
8:13
Speaker 1: that court. Know what I'm saying, get undercutted. We were
8:17
Speaker 1: doing I'm doing you dirty on that court, and all
8:20
Speaker 1: of a sudden your mouth and went crazy, and I
8:22
Speaker 1: just all right, no, no, I'm waiting. I'm like, soon
8:25
Speaker 1: as we get back to this block is on and
8:28
Speaker 1: I'll just butt you on your head and oh man,
8:31
Speaker 1: a can, a can of tuna and a pair of socks.
8:35
Speaker 1: You can get the work done. Nineteen when I went,
8:40
Speaker 1: he was young. Yeah, so nineteen four days after after
8:43
Speaker 1: I turned nineteen hours I was gone.
8:45
Speaker 3: We do that with locks in high school.
8:47
Speaker 1: Put the lock, put you put your lock on your belt.
8:51
Speaker 1: The compilation. Now you put that on a loop of
8:53
Speaker 1: your belt. You get, Yeah, you get the swing. The
8:57
Speaker 1: swing is pretty good too, though you gotta wrap it.
8:59
Speaker 1: The swing is swing is pretty good. All those people
9:04
Speaker 1: that you beat up in jail, they never came back
9:05
Speaker 1: at you never see them at your shows, like you
9:07
Speaker 1: remember me. I'm the one that you man, you know,
9:08
Speaker 1: it's wild. It's more dudes that I beat up in
9:11
Speaker 1: high school that be on one than anything. I was
9:15
Speaker 1: just and and at this function, I had to I'm
9:17
Speaker 1: gonna say this publicly because I always say if you
9:20
Speaker 1: if you disrespect somebody a lowd, you gotta homeboy, you
9:24
Speaker 1: gotta you gotta apologize, you gotta apologize loud. So DJ Scratch,
9:30
Speaker 1: I'm quite sure you know him. Scratch, Yeah, DJ, the
9:33
Speaker 1: real Scratch. So I'm it's my last day of vacation.
9:37
Speaker 1: I'm having a good time, you know what I'm saying.
9:40
Speaker 1: Then he's back there doing his mix. I'm like, and
9:43
Speaker 1: I'm on the mic. I don't want hear that. I
9:45
Speaker 1: won't hear everything from the South. I don't want hear
9:48
Speaker 1: nothing all that. I don't want to hear none of it.
9:52
Speaker 1: And scar faces like yo yeah, and scar faces like
9:57
Speaker 1: this yo lead Chuck rockets on the side. Oh it's
10:01
Speaker 1: on and I'm if it's a video of it out,
10:04
Speaker 1: but I had already apologized for the video came out
10:06
Speaker 1: and Scratches.
10:07
Speaker 3: Like Scratch down.
10:10
Speaker 1: Now and I'm I'm wilding, and I'm like, yo, I
10:15
Speaker 1: don't want to hear nothing. So he yeah, man, I
10:18
Speaker 1: don't want.
10:18
Speaker 3: To hear this ship.
10:19
Speaker 1: I don't want I'm on one because just okay, this
10:22
Speaker 1: thing and you just got back from Italy. You don't
10:24
Speaker 1: want to find out that you got a possible for
10:26
Speaker 1: dinner and saying, I just got back from the East Coast.
10:28
Speaker 1: I don't hear nothing East Coast because y'all don't play
10:31
Speaker 1: enough South up here for me. So I'm like, I
10:33
Speaker 1: don't want to be I don't want to be at
10:35
Speaker 1: fifty fifteen in the South. I'm in Houston on my
10:37
Speaker 1: block and I'm here here none of that. I don't
10:42
Speaker 1: hear none of it. And I'm wilding you at the
10:46
Speaker 1: club in Houston, and I'm wilding and scratches like, yo,
10:51
Speaker 1: he's stopped the muse, Yo you they ain't hearing the transitions.
10:54
Speaker 6: Dude, Man, I don't care nothing about that. Play fat
10:57
Speaker 6: pack key slim power wall, I'm saying, a man, And
11:04
Speaker 6: how that stopped?
11:05
Speaker 1: Scarface just looking at me like because he brought the
11:08
Speaker 1: one brought me over there. I was at a whole
11:10
Speaker 1: other club having a good time. He said, Yo, Lee,
11:13
Speaker 1: come over. It's the wooler Ridge Reunion nineties union. Lee
11:16
Speaker 1: come over here. So me special ed and be fine
11:22
Speaker 1: and we walk over and man, after soon as I
11:28
Speaker 1: heard the transition, I was like, I don't want it.
11:32
Speaker 1: I don't want it, and scratch y'all, man, you're talking
11:35
Speaker 1: all over my stuff. Like, man, I don't give damn
11:37
Speaker 1: about that, and but I won't apologize. No, no, I
11:44
Speaker 1: wrote him a text. He'll show people the text I
11:46
Speaker 1: wrote him. Yo, I'm talking of the next day, my
11:50
Speaker 1: man was like, yo, boy, you was on one that May,
11:53
Speaker 1: and he showed me the video. I said, man, name me,
11:56
Speaker 1: let me scratch. I said, yo, bro, My apologized, Man,
12:01
Speaker 1: I was on one. And then the video starts circulating.
12:04
Speaker 1: But these people don't know how I apologized. I got
12:06
Speaker 1: to see this video that yo, and you just and
12:10
Speaker 1: I know I was spastic because when scar Face told
12:13
Speaker 1: me the chill, I just gave it the mic and
12:15
Speaker 1: I looked at the crowd like that, like, don't nobody knew?
12:20
Speaker 4: And he's like, okay, the crowd into it before you
12:24
Speaker 4: got on the micro.
12:26
Speaker 1: Man, I'm not going through all that. I'm just I apologize.
12:29
Speaker 3: You want to apologize about it?
12:32
Speaker 7: When add the video circulated, this get mad all over again.
12:35
Speaker 1: I don't know. I both went in, but I know
12:38
Speaker 1: I apologize way early. Look now, Envy looking it up here,
12:46
Speaker 1: something my something, my apologies, but then the video wasn't
12:49
Speaker 1: not yet thought it.
12:50
Speaker 3: I'm like, man, that's my type of carrying on.
12:54
Speaker 1: But I always, but I already apologize, you know what
12:56
Speaker 1: I'm saying. And I looked at my press cut. I said, okay,
13:00
Speaker 1: Breakfast Club, you gotta be a good one again. You
13:05
Speaker 1: got on the stage, Yo, I'm already on the state.
13:09
Speaker 1: Don't do that. And I was already on the stage.
13:12
Speaker 1: Look he right next to him. Yo, who was you drinking?
13:26
Speaker 3: I don't want it?
13:29
Speaker 1: What the yo? But the okay, y'all got.
13:36
Speaker 8: No mi yo, it's my last day vaking.
14:02
Speaker 1: You see.
14:04
Speaker 4: Oh man, here's the thing, man, I feel like leaves paying.
14:08
Speaker 4: I love DJ Scratch, but I have been in South
14:11
Speaker 4: Carolina where you got a DJ from New York And
14:13
Speaker 4: when they do m O P and they keep going,
14:19
Speaker 4: at least.
14:20
Speaker 3: Play the song.
14:21
Speaker 1: They just keep doing that. Yeah, man, n V he
14:25
Speaker 1: vy ain't here here DJ. He's like, yo, you bob
14:32
Speaker 1: that Wow. I don't even understand. And I used to
14:34
Speaker 1: be I used to a record do you know the
14:37
Speaker 1: first time? You know, that was my first time at him.
14:40
Speaker 1: But you know, I know his work. You know, I
14:41
Speaker 1: used to run a record pool, keep playing record. He
14:43
Speaker 1: would have beat it all up secause we would trying
14:45
Speaker 1: to jump out leave thre He was just some drug
14:46
Speaker 1: here that he would have came out with boxing and
14:49
Speaker 1: it was somebody scarface gave me the mic. I'm already
14:58
Speaker 1: on the mic, but that would have been bad though,
15:02
Speaker 1: because it was it was it was no bro, we
15:07
Speaker 1: in let me, let mean give me. I'm I'm gonna
15:10
Speaker 1: put this outdea, I'm playing. I remember the last time
15:13
Speaker 1: a dude said something to me in the club, and
15:16
Speaker 1: that's same club fifty fifteen, and the cops told him, yo,
15:23
Speaker 1: you are not going to survive this, and he ain't
15:25
Speaker 1: even gonna tell you. Do you see that man ain't
15:27
Speaker 1: said nothing. I'm just looking at him like this and
15:29
Speaker 1: everybody behind him and see that. They're like, bro, do
15:33
Speaker 1: you understand where you are? You are in third ward?
15:37
Speaker 1: That man got a house right down the street and
15:40
Speaker 1: you're on his block. It's no way to run, It's
15:43
Speaker 1: no like it's once. Once we get out of this club,
15:47
Speaker 1: there's nowhere too high You on me the block, like,
15:54
Speaker 1: but just make sure the apology is sick.
16:00
Speaker 3: Trying to he don't see.
16:01
Speaker 9: What's going on at first, But did you see face
16:10
Speaker 9: face face really face said face pulled me to the side,
16:14
Speaker 9: like yo, lead, hey man, I brought you over here.
16:19
Speaker 1: I was like, but I was having a good time
16:21
Speaker 1: while I was at You brought me over here and
16:24
Speaker 1: asked me to get on the mic, and then I
16:27
Speaker 1: was flying with I was fired with Blasters DJ. You
16:29
Speaker 1: know what I'm saying, def jam blast with DJ. It
16:31
Speaker 1: was all type. I was here, fat pant, I was there,
16:33
Speaker 1: and then I ain't. I'm like, Nigga, No, I ain't
16:37
Speaker 1: feeling this, not right now. I was you apologize, but
16:43
Speaker 1: I did apologize scratch DJ scratch. I humbly apologized for
16:50
Speaker 1: stepping on your transitions, and he was what I did?
16:56
Speaker 1: You ain't here the technique and all I'm like, yeah
16:59
Speaker 1: about that? I want the south side, south side? Yeah
17:05
Speaker 1: about this?
17:06
Speaker 3: Applied the vice pamphlet, Man.
17:07
Speaker 1: Man, Man, don't call I was pamp, you know, talking,
17:14
Speaker 1: I see what I'm doing. I called him for publishing.
17:17
Speaker 1: I called him for publishing connected man, and people ain't
17:21
Speaker 1: hit me back or nothing. I ain't look like a
17:23
Speaker 1: black publishing that he like, look at it, look look
17:25
Speaker 1: at the other bookie. Yeah heart, I could have did
17:28
Speaker 1: it in hard back myself. Why you do his like
17:31
Speaker 1: I want to?
17:31
Speaker 4: It?
17:31
Speaker 10: Ain't hold on, damn, never hit me back.
17:40
Speaker 1: Eighty six Family I'm the best, cold bloody he said, yeah,
17:44
Speaker 1: you talk me. Tell me about this pamphlet. Then it's
17:47
Speaker 1: a whole there's a whole book with a Skew number
17:50
Speaker 1: and everything on like that, got a I got a car,
17:55
Speaker 1: We got a table of context. Tell us about your man.
17:58
Speaker 1: I don't want to say nothing. Tell me about your bro.
18:06
Speaker 11: Sure, the States of America.
18:10
Speaker 1: Yeah, but it's cold.
18:15
Speaker 11: It's apt of advice.
18:16
Speaker 1: Yeah, it's the it's the you know, people always ask me,
18:18
Speaker 1: i'll leave, how did you get from point A to
18:21
Speaker 1: point B? And I say, well, these are the thirteen
18:24
Speaker 1: people that I listen to their advice. You know a
18:28
Speaker 1: lot of times people give you an asked for advice
18:31
Speaker 1: and they never use it. They get mad at you
18:33
Speaker 1: when something don't work out. Like what I'll try to
18:35
Speaker 1: tell you, you know what I'm saying. So my mom,
18:39
Speaker 1: you know she's in there, My mom, my dad's in there.
18:42
Speaker 1: Dick Gregory Bruce Bruce d Q. Yeah, Rob, Rob Stapleton
18:48
Speaker 1: is that. Rob Stapleton is a huge reason. You know,
18:55
Speaker 1: I remember when Rob Stapleton called me out of nowhere.
18:58
Speaker 1: It's like when them calls, you just get it. It's
19:00
Speaker 1: maybe six Rob Stables and calls like, Yo, you got
19:05
Speaker 1: to get out them chilling circuit rooms. I said, what
19:08
Speaker 1: you know, but I'm making pretty good money in these
19:11
Speaker 1: chilling circuit room He said, bright, it don't matter. You
19:14
Speaker 1: are too talented to just be in those chilling circuit rooms.
19:20
Speaker 1: You should go to the mainstream. Room said now you're
19:24
Speaker 1: gonna have to take a pay cut. You're gonna have
19:26
Speaker 1: to take a huge pay cut, but it's gonna work
19:28
Speaker 1: out for you. Two weeks later, malik As calls me
19:33
Speaker 1: and DL wants a host at the Houston impriv which
19:40
Speaker 1: I headlined this club before, for one night. And I'm like,
19:46
Speaker 1: I go back as the host. I'm like, man, what
19:48
Speaker 1: they paying. He's like fifty dollars what I said per
19:52
Speaker 1: per show And he's like yeah, so and I'm thinking, man,
19:58
Speaker 1: I make way more money than that. And then Rob
20:02
Speaker 1: Stable popping in my head. So then I take the
20:06
Speaker 1: gig DL. I do the show with DL. Then he
20:09
Speaker 1: asked me, yo, what you got next week? I said,
20:11
Speaker 1: I'm chilling. I ain't got nothing. So he takes me
20:14
Speaker 1: to Austin. It's probably four white, it's probably four black
20:18
Speaker 1: people in the whole building. You know what, I'm saying,
20:20
Speaker 1: and three of them in the green room me, DL
20:24
Speaker 1: and Derreck, Keena and one guy that's a waiter do
20:29
Speaker 1: that show with him. I do off and on with
20:31
Speaker 1: DL for two thousand and six, two thousand and seven.
20:35
Speaker 1: DL becomes a host of Death Jam. In two thousand
20:38
Speaker 1: and eight, I'm on the show. I'm the season finale.
20:42
Speaker 1: You know what I'm saying. That year, I remember because
20:43
Speaker 1: it was a season finale, the Wire and Death Jam
20:46
Speaker 1: the same at the same time. Then I just the clubs.
20:51
Speaker 1: I'm in the clubs and I'm doing an hour in
20:54
Speaker 1: front of d L and DL coming to an hour ten.
20:59
Speaker 1: It's just two man shows after that. So it's like
21:02
Speaker 1: the training and being with DL taught me how to
21:04
Speaker 1: be very classy in my approach to how dealt with
21:09
Speaker 1: the gms, how that with the managers, how deal with
21:12
Speaker 1: the wait staff, you know, because when you think about it,
21:17
Speaker 1: the clubs promote from within, so that that that waitress
21:22
Speaker 1: that you mistreated, now she's the manager of the club,
21:26
Speaker 1: you know what I'm saying. Or like the like the
21:29
Speaker 1: big shot to Raymond Cook he is he runs all
21:32
Speaker 1: of the improvs in Texas. Raymond was a server when
21:36
Speaker 1: I came to the m prov but now he's the
21:39
Speaker 1: head guy, you know, because they want they want you
21:41
Speaker 1: to know the ins and outs of the whole entire business.
21:45
Speaker 1: So people go there and they some comics go and
21:49
Speaker 1: they mistreat these people, you know what I'm saying, and
21:52
Speaker 1: don't know what there'll be six years down the road.
21:55
Speaker 1: The five years down the road and they and young comics. Man,
21:59
Speaker 1: that's on the road with other people. They didn't start
22:02
Speaker 1: becoming elitist because they thinking that who you're featuring for,
22:07
Speaker 1: that's not you, you know what I'm saying, Like they
22:11
Speaker 1: I hear these young comics. Oh man, you and clubs.
22:16
Speaker 1: You know how much bread you can make in the club?
22:18
Speaker 1: You must say, because you've never headlined the club, so
22:21
Speaker 1: you don't know what the check looked like, you know
22:23
Speaker 1: what I'm saying. So I know Baltimore. When I came
22:26
Speaker 1: to Baltimore Comedy Factory, we did eight sold out shows.
22:29
Speaker 3: Crazy.
22:30
Speaker 1: That check was so crazy, and I was like, yeah,
22:35
Speaker 1: I don't want to do no, no, I'm good, and
22:41
Speaker 1: dudes like, yo, you can do this. Every time, I said,
22:43
Speaker 1: every time, I realized how.
22:46
Speaker 4: Much money comedians making them clubs and don't realize how
22:50
Speaker 4: well comedians are living.
22:51
Speaker 3: Like they y'all be balling.
22:53
Speaker 1: Yeah, we Yeah. It's some people that you know that
22:58
Speaker 1: came to the crib and they was like, so this
23:00
Speaker 1: this this is you. I got like six of these,
23:04
Speaker 1: like you got six properties. Yeah, I can stay all
23:08
Speaker 1: over Houston, you know what I'm saying, Hey, this is
23:10
Speaker 1: your car, this is what this is what we're doing.
23:14
Speaker 1: And like, yo, but I've been rich a long time.
23:17
Speaker 1: I've been rich like twice, you knowlegally and illegally, you know,
23:23
Speaker 1: just legally. Just I just sleep better, you know. So
23:27
Speaker 1: you know when people be I listen to people on
23:30
Speaker 1: the internet and people be talking fly like okay, just
23:33
Speaker 1: put your bread up versus you know, my bread. I'm
23:37
Speaker 1: talking about liquid. I ain't talking about it, no, and
23:40
Speaker 1: then my stocks and bonds other things, but you're talking
23:42
Speaker 1: about liquid. We can put that on the table.
23:44
Speaker 4: And that was so funny because if you flip it right,
23:47
Speaker 4: you got probably comedians who do a lot of stuff
23:49
Speaker 4: online that people will think, because they're getting all this attention, they.
23:52
Speaker 3: Got the bread. But it's actually the other way around.
23:55
Speaker 4: It's it's the comedians that are constantly working in them
23:57
Speaker 4: clubs that's actually making.
23:59
Speaker 1: The money and working period. You know, you can be
24:03
Speaker 1: a right on a show and be doing well and
24:07
Speaker 1: a comment that's in the club is still doing better
24:09
Speaker 1: than you. And then when you when that show was over,
24:12
Speaker 1: Now you're trying to find work and the guy who's
24:16
Speaker 1: been on the road is still making a check. You know,
24:20
Speaker 1: even when I'm practicing, my bag is crazy. Even when
24:23
Speaker 1: I'm practicing before I get it, Like I did what
24:27
Speaker 1: five weeks the all of August, in this first part
24:31
Speaker 1: of August all in the clubs now the theater. I'm back.
24:34
Speaker 1: I'm at the Tropicana on Friday. I'm We've been sold
24:39
Speaker 1: out for what three weeks? Before I even got there,
24:42
Speaker 1: they said, you want to do another show. I'm like, nah,
24:45
Speaker 1: I'm cool. I just want to go home. I've been
24:47
Speaker 1: on the road for nine days. But when I'm all
24:50
Speaker 1: my checks in my backpack, I don't catch my money
24:52
Speaker 1: til I get home. I want to go to my
24:54
Speaker 1: private banker. I want to walk in and watching them
24:56
Speaker 1: people be this is the type of stuff I get
24:59
Speaker 1: off on that that people be sitting in there waiting people.
25:02
Speaker 1: I just walk in and the ladies just like and
25:04
Speaker 1: I'm like, oh, how long I've been in here. That's
25:09
Speaker 1: my That's the only thing that I make me happy
25:11
Speaker 1: is small, you know, luxuries. I don't need nothing. I
25:15
Speaker 1: don't need nothing big, you know what I'm saying. But ally,
25:18
Speaker 1: what made you become a comedian? Man? This is what
25:22
Speaker 1: I think that I was good. And I think that
25:26
Speaker 1: me wanting people to be happy and learn from stuff
25:31
Speaker 1: that I was saying was kind of my push because
25:35
Speaker 1: when people say I started in prison, I was on
25:39
Speaker 1: closed custody. They made me the SSI on closed custody,
25:44
Speaker 1: and they ain't had no TV. And so when I
25:47
Speaker 1: was working over there, these boys been locked They lock
25:49
Speaker 1: up twenty three hours a day, you know what I'm saying.
25:52
Speaker 1: They get out just a shower. And they've been back
25:54
Speaker 1: there a long time. And it started with me just
25:57
Speaker 1: wanting them to have a food hot. You know. They
25:59
Speaker 1: would bring this food and it would be cold and
26:03
Speaker 1: I and I always knew this is why they be
26:05
Speaker 1: over here tripping because y'all don't give them no clean
26:08
Speaker 1: clothes and because the difference with clean clothes in the
26:11
Speaker 1: prisons like this. So I because I'm not on clothes,
26:15
Speaker 1: because I have the ability to go in there and
26:17
Speaker 1: lobby for some brand new underwear. And this is this
26:20
Speaker 1: is when I knew I was never going back to
26:22
Speaker 1: the prison, because they all your underwears in the webhouse.
26:25
Speaker 1: You know, they wash them all together. So then you
26:29
Speaker 1: you got the shower, they just throw you underwear and
26:31
Speaker 1: several people the water these underwear, you know what I'm saying.
26:35
Speaker 1: So you get some new ones straight out of the box.
26:38
Speaker 1: They will never see the laundry again. You keep them
26:41
Speaker 1: and you wash them out yourself. So they was giving
26:44
Speaker 1: these dudes the worst underwear because I had to pass
26:48
Speaker 1: all that stuff. I'm like, yo, I'd be like, yo, no,
26:50
Speaker 1: somebody that blew satchee, wow. You know what I'm saying,
26:57
Speaker 1: Say yo, who knew some largest cause? But so I
27:01
Speaker 1: would went I went to the laundry. I'm like, yo, man,
27:04
Speaker 1: let me get a box. Let them clean underwell, man
27:07
Speaker 1: for these dudes. You know what I'm saying, Let me
27:09
Speaker 1: make sure they fool hot, because y'all not what y'all
27:12
Speaker 1: not gonna do is throw defecation on me like you
27:16
Speaker 1: was doing the rest of you. And they was only
27:18
Speaker 1: doing that because they was getting mistreated. So I started
27:22
Speaker 1: letting them read the paper because I had I would
27:24
Speaker 1: read the paper every day. Let him read the paper.
27:26
Speaker 1: Then I start telling them what was going on in
27:28
Speaker 1: the unit. And since they ain't had no TV, this
27:31
Speaker 1: is this is my this was my contribution. I would
27:34
Speaker 1: watch Martin so intense because I was gonna go back
27:40
Speaker 1: and react the whole episode for him because they ain't
27:43
Speaker 1: had no TV. So after Martin went off, I didn't
27:49
Speaker 1: have nothing to give them, so I just started doing
27:52
Speaker 1: commentary about what was going on in the rest of
27:53
Speaker 1: the prison. I sit there with their broomstick and be like, yo,
27:57
Speaker 1: it's all three runs and they on the ball, whatever
28:00
Speaker 1: what else happened? And so did start comedy, But that's
28:06
Speaker 1: not starting. I started just joking comedy cafe. That wouldn't
28:09
Speaker 1: That wasn't saying that this is me just telling stories.
28:12
Speaker 1: But I was. I was very.
28:16
Speaker 4: Your whole style of storytelling.
28:19
Speaker 11: You got a punchline, you just storyteller.
28:23
Speaker 1: I just you know, reenact the situation. But start for this.
28:33
Speaker 1: It wasn't comedy then, yeah, you wasn't getting no you know.
28:36
Speaker 1: So the the other thing about it. So people would
28:40
Speaker 1: say that I was funny because I would stop a
28:43
Speaker 1: lot of altercation, Like after the first two years of
28:45
Speaker 1: me wild, and my whole mindset was, now, if you're
28:49
Speaker 1: gonna get beat up, don't go to school, and everybody
28:54
Speaker 1: know that it's about me. Hey, I'm gonna come to you. Hey, bro,
28:57
Speaker 1: you what what your education looking like? Because if you
29:00
Speaker 1: stay in here and you just doing prison stuff, when
29:03
Speaker 1: you get in the world, you're gonna be back. So
29:05
Speaker 1: you might want to get a g D. You might
29:07
Speaker 1: want to get the trade or something, because if you don't,
29:10
Speaker 1: everybody else on this block goes to school to do
29:12
Speaker 1: a trade, You're gonna be stealing. You're gonna be still
29:15
Speaker 1: our people to lock him. I don't want you to
29:17
Speaker 1: get killed, bro, and go to school. And if you don't,
29:23
Speaker 1: you know, you know there's a fight gonna come with
29:25
Speaker 1: this and you you're not gonna fight me. You're gonna
29:29
Speaker 1: fight Mitch. You're gonna fight Brian. You're gonna and everybody like, yeah, bro,
29:32
Speaker 1: we go to school over here, and this is the
29:35
Speaker 1: this is the mandate. When we was on tour regime,
29:38
Speaker 1: you had to go to school because if you didn't,
29:41
Speaker 1: your your mind is gonna drift into something crazy. But
29:45
Speaker 1: when people tried to fight, I was just rastionally, just
29:49
Speaker 1: come over, I'm like, hey, y'all, y'all about to fight? Like, man,
29:52
Speaker 1: what you want? I said, Bro, I'm just can I
29:54
Speaker 1: ask a question? Damn y'all staff? So I just want
29:58
Speaker 1: to ask, Okay, y'all about to fight, which one of
30:01
Speaker 1: y'all are willing to lose this fight twice? Wait? What
30:05
Speaker 1: the hell you're talking about? I said, because one of
30:06
Speaker 1: y'all gonna win. One y'all gonna win for sure, and
30:09
Speaker 1: then the CEO's are gonna come in and beat the
30:12
Speaker 1: ship out of both y'all. So who want to lose twice?
30:17
Speaker 1: People started laughing, Then they started thinking about it, like, yeah,
30:20
Speaker 1: that's what's going happen, like yo, and this is something major, bruh.
30:24
Speaker 1: It's not worth it because them CEOs man, you know
30:28
Speaker 1: it's I always think about it like this, you know,
30:31
Speaker 1: on on Bugs Bunny, when he would hit that dudo
30:35
Speaker 1: on the head, they ask you how many lumps you want?
30:36
Speaker 1: One or two? They gonna give you six that stick,
30:40
Speaker 1: that stick and then choking you out and all that.
30:43
Speaker 1: And I'll just be sitting there, look look at you
30:44
Speaker 1: that Look at you getting choked. Now, I told you
30:47
Speaker 1: over there, you ain't have to get all that you
30:50
Speaker 1: have to get drugs. You're looking bad, man, And when
30:53
Speaker 1: they bring you back, it's like, look at your head
30:56
Speaker 1: and I ain't and I ain't gonna ease up. Look
30:59
Speaker 1: at your head in that. See I warned you.
31:02
Speaker 7: So you went from the one while to teaching, and
31:07
Speaker 7: then you also seem like you did a lot of
31:10
Speaker 7: like mental work with yourself as well.
31:11
Speaker 1: Like what makes you angry now? Like does anything make
31:14
Speaker 1: you mean? Oh man, this is this is where the
31:16
Speaker 1: work really happened. D scratch playing after that years later?
31:22
Speaker 1: Right now? Did scratch? That was? That was? I was
31:25
Speaker 1: just wild. But this is what makes me upset now
31:29
Speaker 1: that I'm trapped in this present of always having to
31:34
Speaker 1: let sucker dudes make it. You know what I'm saying.
31:39
Speaker 1: You know, it's always I leave you better than that.
31:42
Speaker 1: But that's the that's the problem. I dudes keep being
31:45
Speaker 1: suckers because they always somebody always talking somebody down from
31:50
Speaker 1: you know, putting hand so and incarcerated. You got. You
31:55
Speaker 1: can't say nothing false about somebody and not have to
32:00
Speaker 1: see You can't be running your face and then not
32:03
Speaker 1: have to see that person and you can't. It's like
32:06
Speaker 1: it's people in this society don't understand consequences. So you
32:12
Speaker 1: can say whatever you want to say and be disrespectful
32:15
Speaker 1: on that Internet and be disrespectful interviews and do all
32:17
Speaker 1: the rest of that. But you you what I call
32:22
Speaker 1: talking from a safe space. If you're talking with a crew,
32:25
Speaker 1: you're talking on the internet, or you talking out of town.
32:28
Speaker 1: You know what I'm saying. Anything I've ever said, I
32:30
Speaker 1: just said straight up to a person what I'm saying.
32:33
Speaker 1: And if you want to see it, bro, I'm not
32:36
Speaker 1: willing to lose no scuffles. So and it's whatever we
32:40
Speaker 1: can and we can do it in the ring, or
32:42
Speaker 1: we can do it, we can do it somewhere control.
32:44
Speaker 1: But I'm in this prison where I have to keep
32:48
Speaker 1: letting people make it. So when people say something crazy,
32:53
Speaker 1: it's a lot of it's a lot of talk that
32:56
Speaker 1: happens with me with people, and I respect man big
32:59
Speaker 1: up the d L and David Banner because it's it's
33:03
Speaker 1: a lot dre It's a lot of talk that has
33:07
Speaker 1: to happen with me because just it just irritates me
33:10
Speaker 1: that people can just say something so crazy. And then
33:17
Speaker 1: people started being on their side without no facts, and
33:19
Speaker 1: you like, yeah, and I can say I'm cool, but
33:27
Speaker 1: I don't see you. Then when I see you, I
33:32
Speaker 1: don't think you know what on site means. I don't
33:36
Speaker 1: and I don't think that you These dudes that be talking.
33:40
Speaker 1: Dick Gregory in that book told me this, yo, man,
33:42
Speaker 1: these people you're gonna bro, You're gonna make it if
33:46
Speaker 1: you can control your attitude, because it is these are
33:49
Speaker 1: industry people that's playing something. Hm. I was this in
33:55
Speaker 1: the eighties, you know what I'm saying. I was. I
33:59
Speaker 1: was a formable opponent in the eighties. Then when I
34:03
Speaker 1: got busted in the early nineties, this, I was already
34:07
Speaker 1: in the streets way before New Jackson. The movie didn't
34:09
Speaker 1: make me be in the streets. So and what I
34:13
Speaker 1: did inside, man, I really I really got to pray
34:21
Speaker 1: for people and and cry for people because I'm like, yo, man,
34:25
Speaker 1: what I do to you? You like you don't really
34:28
Speaker 1: you don't really understand because I've already done it, Like
34:31
Speaker 1: I'm not I'm not playing with you, and you don't
34:34
Speaker 1: have like in this on my children. You really don't
34:39
Speaker 1: have enough people to stop me from doing something to you.
34:43
Speaker 1: You Really, I don't care nothing about your security, bro,
34:47
Speaker 1: I don't care nothing about none of that. But what
34:49
Speaker 1: has to keep me together is me. I have to
34:55
Speaker 1: I have my children have to come into my head.
35:00
Speaker 1: I spend one time I let somebody puppet tear me
35:03
Speaker 1: to so much violence that I was gonna do something
35:06
Speaker 1: of this whole family. And it wasn't no secret like
35:11
Speaker 1: they see me and I'm telling them, Yo, listen, yo,
35:16
Speaker 1: people started this with me and I'm by myself. I'm
35:19
Speaker 1: not coming with men. I ain't got no manute man. Yeah,
35:24
Speaker 1: he is here for the people, not for me to
35:29
Speaker 1: save me from myself, because I will get out there
35:33
Speaker 1: and he know me. I'm not gonna say nothing. I'ma
35:35
Speaker 1: be like this.
35:36
Speaker 7: I saw down Anthony on seven PM in Brooklyn. He
35:39
Speaker 7: was talking about the situation with kat Williams.
35:41
Speaker 1: Yeah, I don't even I don't get I don't want
35:44
Speaker 1: to give him no press. Yeah, because that's that's a
35:47
Speaker 1: whole nother. And then the first thing people do is
35:50
Speaker 1: come to me yo Lee that I said, Man, you
35:53
Speaker 1: know what's crazy when somebody can spend the narrative from
35:57
Speaker 1: what the actual problem was. Yeah, this ain't about me
36:03
Speaker 1: knowing you and you knowing me. This ain't about that.
36:05
Speaker 1: It's about you challenge somebody to something and then I
36:09
Speaker 1: challenge you to the same million dollar boxing match. It's
36:12
Speaker 1: in the rent well, and then you go on what
36:14
Speaker 1: he did. I thought he was a celebrity. I would
36:17
Speaker 1: give him the match. Damn the celebrity. I got the
36:20
Speaker 1: bread because guess what you can hide behind all of that?
36:25
Speaker 1: Who knew who Bust the Douglas was when he fought
36:27
Speaker 1: Mike Tyson. I Look, who knew who Roach was when
36:32
Speaker 1: he got ready to fight Tank Matt we're talking about
36:37
Speaker 1: it's Tank though everybody is not on the same level
36:40
Speaker 1: in boxing, but if you if you somebody call you out,
36:45
Speaker 1: it is what it is.
36:55
Speaker 3: I watched.
36:59
Speaker 1: I Averley watching boxing, didn't know who Roaches was. But
37:02
Speaker 1: then I'm like, I went back in his career, like
37:04
Speaker 1: I don't know who Wilder was because he hadn't fought nobody.
37:08
Speaker 3: What you talk about back what youre talking.
37:09
Speaker 1: About when Wilder first, when fire the first jumped on
37:11
Speaker 1: the scene, I didn't know who he was because he
37:14
Speaker 1: hadn't fought nobody that I even was paying attention.
37:16
Speaker 3: To until he got to the knock out street.
37:18
Speaker 1: Until he got who is he knocking out?
37:20
Speaker 3: I mean a bunch of nobody.
37:21
Speaker 4: But at the time the heavyweight division really didn't have nothing,
37:24
Speaker 4: and he was like, you know, loud from Alabama, the
37:27
Speaker 4: bomb Squad.
37:28
Speaker 3: I paid, I paid a lot of attention.
37:30
Speaker 1: I just know him because to this day that's that's
37:36
Speaker 1: and that was like. But I like when I saw
37:39
Speaker 1: wild I was like, Oh, he gonna lose to this,
37:41
Speaker 1: to this this boy because of the of the lineage,
37:47
Speaker 1: because a Manuel Steward, so a Manual Steward was training him.
37:51
Speaker 1: Being a Manual Stewart sons. I'm saying now he ain't
37:53
Speaker 1: gonna be fairy because fiery don't know how to buy.
37:56
Speaker 1: And anybody know about Manual Stewart. All boxers, all heavyweights
38:01
Speaker 1: over six foot, a Manual Steward has trained and they
38:04
Speaker 1: have become champions. Now Wilder had a chance to train
38:09
Speaker 1: with Manual Steward, but I guess, you know, whatever didn't
38:12
Speaker 1: work out. And then I looked at his legs. I'm like,
38:15
Speaker 1: there was some little legs to be and boxing is
38:18
Speaker 1: in the feet, boxing his feet. So it's kind of
38:22
Speaker 1: like when dudes was locked when we was locked up.
38:25
Speaker 1: If a dude hit you with his best shot and
38:28
Speaker 1: you don't drop, he know he's in trouble. After that
38:30
Speaker 1: I didn't hit you with everything I had and you ain't.
38:34
Speaker 1: I remember this dude stole me. I was looking this way.
38:38
Speaker 1: I turn around five. I'm like, is that what you did?
38:42
Speaker 1: And then he started running and I'm like, and I
38:44
Speaker 1: had the jump rope and I right right around his
38:47
Speaker 1: neck and man them when it came it had been
38:50
Speaker 1: bad for him. But you because you stole me, and
38:52
Speaker 1: I as soon as you steal me, I already know
38:54
Speaker 1: you scared. If you come with somebody else, I know
38:56
Speaker 1: you scared. You know what I'm saying. And that's from
38:58
Speaker 1: my grandmother. I got into some dudes, eight dudes, and
39:02
Speaker 1: my grandmother say, well, go back out there, because they scared.
39:04
Speaker 1: It's only you now. She was halfway right. Three of
39:08
Speaker 1: them wasn't scared at all. Three of them was read
39:12
Speaker 1: about that business that alone.
39:14
Speaker 4: Time said, whenever you got a problem with a person,
39:17
Speaker 4: you approach that person and you put them to the
39:19
Speaker 4: side and you have a conversation. You walk up on
39:21
Speaker 4: him with a bunch of people. He know that you
39:23
Speaker 4: really ain't serious, because.
39:25
Speaker 1: I don't walk up on nobody, no a bunch of people.
39:27
Speaker 1: I'm like, yo, and I ain't gonna make no scene.
39:32
Speaker 1: And none of that. I'm like, hey, bro, listen, you
39:36
Speaker 1: said something that was out of pocket. You know what
39:38
Speaker 1: I'm saying. And then this is the other thing is
39:41
Speaker 1: when other people jump on the bandwagon about cloud cloud,
39:48
Speaker 1: what I need? What? How does that even equate to cloud?
39:53
Speaker 1: It don't even equate. Like, it's no dollars that come
39:57
Speaker 1: from that. It's nobody gonna let me go see him
40:00
Speaker 1: now that they that they got it. No, But so
40:03
Speaker 1: you forget how long I've been doing it, So why
40:06
Speaker 1: would I need? And I'm talking about and when I
40:08
Speaker 1: hear veterans saying things, I'm like, oh, so you're jealous
40:11
Speaker 1: of what's happening right now. So so so now you
40:15
Speaker 1: you trying to pick a side in order to get cloud.
40:19
Speaker 1: You know how crazy it is for somebody who always
40:21
Speaker 1: report about what other people doing to talk about somebody
40:23
Speaker 1: else trying to get cloud. So you trying to get cloud?
40:26
Speaker 1: That's what you do, right, That's what you do on
40:28
Speaker 1: the radio, right, That's what you do on whatever you're
40:30
Speaker 1: doing it on. But it's a it's a funny. It's
40:33
Speaker 1: a funny thing, especially when you know in your head
40:37
Speaker 1: the truth.
40:37
Speaker 4: But on my two sons, you start off the specially
40:39
Speaker 4: by talking about how you don't want to fight no more.
40:41
Speaker 1: Fifty Yeah, that's but that's a that's on the special.
40:44
Speaker 1: I don't want. I don't want. I didn't want to
40:47
Speaker 1: fight my son, and I don't want to fight my son.
40:54
Speaker 10: That yeah, that's yeah, you know, but yeah, yeah, but
41:05
Speaker 10: you know my hand, you know, I don't.
41:08
Speaker 1: I don't want to fight nobody though, I really don't.
41:11
Speaker 1: But I don't want. I don't want to be I
41:13
Speaker 1: have trouble with people lying on me though, because and
41:18
Speaker 1: people are like, well, that's wives is so important, I said,
41:21
Speaker 1: because of this Emmit till happened because of a lie.
41:27
Speaker 1: You know what I'm saying. It's a lot of things
41:30
Speaker 1: happen because of one lie. Propaganda is one of the
41:34
Speaker 1: biggest things that happened to black life. Slavery was one thing,
41:41
Speaker 1: but the propaganda of what was sold about us after
41:46
Speaker 1: that is the most crippling thing.
41:48
Speaker 4: Yeah, the mid old movie called Birth of a Nation
41:50
Speaker 4: came out in nineteen fifteen, and a lot of the
41:52
Speaker 4: negative stereotypes that you know that that were put on
41:56
Speaker 4: black people were because of that film. A fucking film
41:58
Speaker 4: called the Birth of a Nation about in nineteen fifteen.
42:01
Speaker 4: I believe it was, and they made us that the
42:03
Speaker 4: whole stereo types about fried chicken and everything came from
42:05
Speaker 4: that film.
42:06
Speaker 3: Damn.
42:06
Speaker 11: But I guess I do have one question. You know,
42:08
Speaker 11: you said you don't want to talk about it much.
42:09
Speaker 11: What has the conversation that Kat Williams is having done
42:13
Speaker 11: to you? Because you're still successful in booking all the
42:15
Speaker 11: shows and making all the money, so like, what does
42:17
Speaker 11: him clearing up anything do for you?
42:19
Speaker 1: It's not about him cleaning up, it's about the lie
42:22
Speaker 1: that's being told on you. You know, it don't work
42:26
Speaker 1: for me.
42:27
Speaker 11: That's about the opening of the show versus like how
42:29
Speaker 11: that happened? You been on the show?
42:32
Speaker 1: On what show?
42:33
Speaker 11: So there wasn't the conversation that you do. You had
42:35
Speaker 11: a contract with the club, which is how you were open.
42:37
Speaker 1: See what you're saying, that's the guess the lie.
42:40
Speaker 3: You're saying, I don't even know the store, so that's stuff.
42:44
Speaker 1: That's the lie. Yeah.
42:45
Speaker 11: So the story that from what he said and what
42:48
Speaker 11: I read, was that he was saying that you only
42:51
Speaker 11: opened up for him because you had a contract with
42:52
Speaker 11: the club, not because it was something that was a
42:54
Speaker 11: part orchestrated within the show.
42:56
Speaker 1: Why And that's the and watch this. Nobody is small
42:58
Speaker 1: enough to say, well, why would he have to pay? Then?
43:00
Speaker 1: If I had a contract with the club, with the
43:02
Speaker 1: with the venue, why would he have to pay.
43:04
Speaker 7: Me if he already came.
43:09
Speaker 1: If never catch a check? But why would he have
43:12
Speaker 1: to give me a check if I have a contract
43:14
Speaker 1: with the venue. I've never had a contract with no
43:18
Speaker 1: venue to open up. That's why you would never find
43:19
Speaker 1: another comic that said, oh, he opened up for me
43:23
Speaker 1: at the Relying Arena. I've never even opened up for
43:26
Speaker 1: nobody there. So the lie is he had a contract
43:31
Speaker 1: with the venue. That's why he was there. At first,
43:34
Speaker 1: I wasn't on this the other version, I wouldn't even
43:37
Speaker 1: on the show. So now I'm on the show. But
43:40
Speaker 1: it's because of this. Then it's the lie is. I
43:44
Speaker 1: walked into the green room and told his whole crew,
43:47
Speaker 1: I'm doing thirty minutes and ain't none of y'all can
43:50
Speaker 1: follow me. You talk about nigga who don't even talk
43:52
Speaker 1: to nobody at the shows, and who are the five people? Now?
43:56
Speaker 1: You got to get your crew to lie, to be
43:59
Speaker 1: still be a part of your crew, to say who
44:01
Speaker 1: the fire people? Shema Franklin ain't gonna say that. She
44:05
Speaker 1: ain't gonna say that because that's a lie. Which what
44:08
Speaker 1: is nigga? What? Which? What is your problem? Nigga? Which
44:10
Speaker 1: one is the problem? At first? You didn't know me?
44:13
Speaker 1: Now I got a contract with the venue? Nigga? Where
44:15
Speaker 1: you get that from? You just pulling shit out your
44:18
Speaker 1: ass to try to make yourself look better because you
44:23
Speaker 1: don't want that ass whooping? Did I asked you what?
44:25
Speaker 1: Because nigga, I don't even understand. Then you said, you
44:27
Speaker 1: put me out of the club. You need to put
44:28
Speaker 1: me out of shit. I walked out to get my
44:31
Speaker 1: partner ghetto and they wouldn't let me back in. But
44:33
Speaker 1: I performed for two nights. That's the confusing part. But
44:39
Speaker 1: if I, if I had a contract with the venue,
44:43
Speaker 1: wouldn't the venue pay me and let you back in
44:47
Speaker 1: and let me back in? Why would I have to
44:49
Speaker 1: be there? Say, Ralph, you come open this door.
44:54
Speaker 3: Did you really not cash the check cat gave you?
44:56
Speaker 1: The man? I do that shit in the trash.
45:00
Speaker 3: There's a lot of money, and that's a stemmy.
45:02
Speaker 1: It wasn't a lot of money for me. I was.
45:05
Speaker 1: I was only there because I was asked to be there.
45:09
Speaker 1: If I wasn't asked to be there, I would have
45:10
Speaker 1: never came there. Oh and the other part of the
45:14
Speaker 1: story was I came there and I was looking to perform.
45:19
Speaker 1: Nigga looking to perform in Houston? Why would I be
45:23
Speaker 1: looking to perform now this? And then it's crazy is
45:29
Speaker 1: he's saying it as if this is modern day nigga.
45:32
Speaker 1: This isn't two thousand, fourteen fifteen before you had all
45:38
Speaker 1: the crew with you. Then we don't know each other. Bro,
45:42
Speaker 1: It's not even about us not knowing each other. But
45:46
Speaker 1: if people go back to Prayer View and m University,
45:50
Speaker 1: damn near two thousand, what four or five, it's me
45:55
Speaker 1: Kat and Alex Thomas performing there, thousand kids with pictures
46:00
Speaker 1: for that we in shreport like I don't even understand what.
46:06
Speaker 1: And prior to that, when your name was Cat and
46:08
Speaker 1: a Hat, I booked you and Rodney Perry at my
46:13
Speaker 1: comedy spot because I heard that you wasn't doing that well.
46:16
Speaker 1: And then I reached out Sharon Balwan to tell anybody.
46:20
Speaker 1: He faxed me his head shot. You know what a
46:23
Speaker 1: fact headshot looked like. It's just like a blurred copy.
46:26
Speaker 1: And you Nigga would have had a top hat on
46:28
Speaker 1: and a cane.
46:31
Speaker 5: He faxed it this early two thouars, and I never
46:37
Speaker 5: told the story because I couldn't remember who the other
46:40
Speaker 5: comic was.
46:41
Speaker 1: And me and Rodney Perry ended up talking, and Rodney's like, man,
46:44
Speaker 1: I don't even understand this because it was me you
46:48
Speaker 1: and I said, what what what you're talking about? Ronnie?
46:52
Speaker 1: He said, yeah, you booked us at this spy called
46:56
Speaker 1: Cloud Now you was doing this thing called Uptown Saturday Night.
46:58
Speaker 1: I said, God, damn, Rodney Perry, you were on the
47:03
Speaker 1: other comic bro. So I didn't I didn't even understand.
47:07
Speaker 1: I'm confused. I don't even know what it started, like,
47:09
Speaker 1: where did where did it start from?
47:11
Speaker 11: It started from the was there.
47:13
Speaker 1: It started from me accepted, if you challenged Kevin to
47:18
Speaker 1: a boxing match, somebody who is doing whatever he's doing,
47:23
Speaker 1: he got time for you. Why don't you let me
47:26
Speaker 1: get that match for that million dollars? Because I got
47:29
Speaker 1: time and I want to I want to save this
47:31
Speaker 1: ship that that happened at at the Houston over Line Arena.
47:36
Speaker 1: Said this is what this is what I said on
47:39
Speaker 1: This is what I said. Because my story ain't changed
47:41
Speaker 1: since it happened.
47:42
Speaker 11: But it was the show, and then it was the
47:43
Speaker 11: boxing match conversation.
47:44
Speaker 1: No, it was the boxing match first.
47:46
Speaker 11: Oh, I thought the boxing match happened after okay, and.
47:48
Speaker 1: Then then it's all this this, this ridiculous is about
47:52
Speaker 1: this show. And I'm like, bro, he said, yeah, but
47:57
Speaker 1: he was on Willie Dee first with a whole nother story.
48:00
Speaker 3: I ain't gonna lie stories, ain't.
48:02
Speaker 2: Gonna box bro the phone together noo yeah, and he
48:10
Speaker 2: and I want to be there because I don't trust you,
48:12
Speaker 2: I said, Man, you can trust me.
48:14
Speaker 1: I'm not gonna I'm not. I just wanted to see
48:17
Speaker 1: what it is, though, because now and now you've Nene
48:20
Speaker 1: said it's something way out of pocket, and I'm like, okay,
48:24
Speaker 1: I say so. And then you said, what do he
48:28
Speaker 1: say on site? Mean on site? Stop it?
48:31
Speaker 3: I don't want to.
48:33
Speaker 1: Stop it? Like bro, stop it? You know what I'm saying,
48:36
Speaker 1: And like yo, man, and at my worst, at my worst, man, Bro,
48:43
Speaker 1: you this is I'm with I'm with it whatever the
48:47
Speaker 1: ring or the street, but I would prefer in that ring.
48:51
Speaker 3: You can't beat him in the rais though.
49:00
Speaker 1: You gotta be when you rob niggas, you gotta be.
49:04
Speaker 4: I was looking at this Netflix thing you posted. It
49:06
Speaker 4: said what we watched the Netflix engagement report. I thought
49:08
Speaker 4: this was dope. From December twenty twenty four to June
49:11
Speaker 4: two thousand twenty five, if your specials were on Netflix,
49:15
Speaker 4: you would be you would have three of them in
49:17
Speaker 4: the top nine of the specials that they put out
49:20
Speaker 4: from December twenty twenty four to June twenty twenty five.
49:23
Speaker 3: That's impressive.
49:24
Speaker 1: Those are Netflix. Those are Netflix numbers, right.
49:27
Speaker 3: So Netflix, I didn't, I didn't. I saw you posted.
49:28
Speaker 3: But it's from Netflix.
49:29
Speaker 1: Yeah, Netflix, that's Netflix numbers. This and this is what
49:33
Speaker 1: this is where where people will say about cloud and
49:36
Speaker 1: the rest of this. I've put out a special every
49:39
Speaker 1: year that the opposition has put out a special. Two
49:42
Speaker 1: those are Netflix numbers. It's a it's a special that's
49:45
Speaker 1: not on now. Somebody specially not on that in viewership,
49:50
Speaker 1: who's special missing? It's not a special that's on now.
49:54
Speaker 1: I'm just no, no cap no flex noning. I know
49:57
Speaker 1: one thing in viewership is not a special. It's a
49:59
Speaker 1: special that's not on.
50:00
Speaker 3: That was that the same time when it.
50:03
Speaker 1: Can't come exact same time. I'm saying it's a special
50:06
Speaker 1: that ain't on now.
50:07
Speaker 4: To be fair, Ali, this is from December twenty twenty
50:11
Speaker 4: four to June two to twenty five.
50:12
Speaker 1: CAT came out the week after mind, the week before mine,
50:17
Speaker 1: the week before.
50:19
Speaker 3: Did this chat came out in April?
50:21
Speaker 11: This is still the first The IMDb is saying April nine,
50:24
Speaker 11: twenty twenty four.
50:25
Speaker 3: He would be on it.
50:28
Speaker 4: I'm just telling you it came out in April. This
50:30
Speaker 4: is from December twenty four. The June twenty twenty five.
50:34
Speaker 4: CAT came out in April of last year, twenty twenty four.
50:40
Speaker 3: You ain't gonna look at me like you look at Scratch.
50:42
Speaker 1: You do know, you do know I dropped the specially
50:45
Speaker 1: in twenty twenty four. He dropped down on the dropped
50:49
Speaker 1: two specially twenty twenty four. Every year, what.
50:51
Speaker 3: I'm saying the three that you dropped all from twenty twenty.
50:53
Speaker 1: Five, that's the twenty five list, the twenty four let's
50:56
Speaker 1: say the same thing. Hold, let me look at it.
50:59
Speaker 11: I see here for Williams is may Fo.
51:01
Speaker 3: Yeah.
51:01
Speaker 4: The one I'm looking at from December twenty four to
51:02
Speaker 4: June twenty five.
51:05
Speaker 1: You know what came out of May? Domino effect? Domino
51:07
Speaker 1: effect three that I bought.
51:10
Speaker 3: That that you got three specials in the top ten.
51:14
Speaker 1: I just know I ain't doing no chicken shacks. Some positivity, please, all.
51:19
Speaker 1: I know I ain't doing no chicken shacks. Somebody said,
51:21
Speaker 1: I'm in.
51:21
Speaker 4: A chicken shack, said just I don't even talk about
51:25
Speaker 4: giving no pres I know.
51:27
Speaker 3: Hold on, this is big though.
51:29
Speaker 4: Your specials Ill performed ninety percent of all Netflix specials.
51:34
Speaker 3: That's big, man, that's huge.
51:36
Speaker 4: And my two sons in the top five, that's right.
51:39
Speaker 1: And Ruggedy right behind it. And then the one, the
51:42
Speaker 1: one I produced Marcus Wiley is not big, but I
51:45
Speaker 1: produced that completely and completely independent. I know a lot
51:50
Speaker 1: of times people this is one thing about black people.
51:52
Speaker 1: They always say you need to be independent, you need
51:54
Speaker 1: to be independent, but want you to be white indoors.
51:58
Speaker 1: That's the other part about it. Want you to be
52:00
Speaker 1: endoored unless you with a major Like I don't have
52:03
Speaker 1: an agent, you know, I don't have no I'm not
52:07
Speaker 1: signed to an agency, you know. So I just have
52:10
Speaker 1: my manager, my role manager me, you know, my my
52:15
Speaker 1: publicity team, and then my production crew that I work
52:18
Speaker 1: with a big shot out to Eric Abrams. It's and
52:22
Speaker 1: Matt Schuler. It's the what we're doing is like I'm
52:27
Speaker 1: about to start distributing other people's specials, turning my YouTube
52:31
Speaker 1: into a network, not just just not just mine. So
52:34
Speaker 1: it was the test was was the same program that
52:37
Speaker 1: I would do for myself, could I do that for
52:39
Speaker 1: somebody else? And Marcus d Wiley was a testing ground.
52:42
Speaker 1: So and it's not just that, well, we didn't just
52:45
Speaker 1: shoot a special. If you look Marcus, we shot a
52:49
Speaker 1: special and then we marketed him and then in June
52:53
Speaker 1: Marcus went on his own tour. See that's the difference
52:56
Speaker 1: between how you you teach somebody the fish versus constantly
53:02
Speaker 1: giving them fi. I don't find no pride in Oh,
53:06
Speaker 1: you know, Charlemagne been opening up for me for eight years.
53:12
Speaker 1: I die. Charlemagne can't go on the road by itself.
53:16
Speaker 1: But if you out with me for two years and
53:19
Speaker 1: we build and we build you, and we give you
53:22
Speaker 1: your own your own lane, and then we market you
53:25
Speaker 1: in that own lane, and then we we lobby our
53:28
Speaker 1: relationships to put you in these clubs by yourself, and
53:32
Speaker 1: then you do that for two years, and then in
53:34
Speaker 1: two years you in the theater by yourself. You know,
53:37
Speaker 1: markets you the new special in September. You know, we're
53:40
Speaker 1: producing this new joint September. So that's the way that
53:45
Speaker 1: you you actually help somebody, not hold them hostage with
53:49
Speaker 1: you for eight nine years and then they can't go
53:53
Speaker 1: fish on their own. You know, that's that's a that's
53:56
Speaker 1: a crazy mentality. D L knew I was leaving. Bill
53:59
Speaker 1: Bell me knew I was leaving. I was with d
54:02
Speaker 1: L for four years, out with Bill for four years.
54:04
Speaker 1: But I and Bill always called me Bobby Brown. I'm like, yo,
54:07
Speaker 1: I was leaving. The addition, you know what I'm saying,
54:12
Speaker 1: I was, I was out and so in that in
54:16
Speaker 1: that concept when it's it's other comedies, other comedy friends
54:22
Speaker 1: that I have that I want to produce their specials.
54:24
Speaker 1: And this is where you start to understand the industry.
54:27
Speaker 1: There's some people who sent me their specials and I
54:30
Speaker 1: didn't I have it. You gotta be so bold. I
54:37
Speaker 1: ain't saying like it just wasn't it wasn't on brand.
54:41
Speaker 1: So I gotta yo, I got the brand right now,
54:50
Speaker 1: Like I knew he didn't like it.
54:51
Speaker 7: No what you said, it was a pamphlet, not a book.
55:01
Speaker 1: It's like you gotta tell your friends, like, hey, man, look,
55:04
Speaker 1: I don't think this is your I don't think you
55:08
Speaker 1: want to be introduced like this. You kind of want
55:11
Speaker 1: to come out a little stronger than than this. I
55:15
Speaker 1: don't want to hear that's real.
55:16
Speaker 3: No, da Jabelle throw and not.
55:24
Speaker 4: Donelle did his special during COVID and by the time
55:27
Speaker 4: it was time to come out, it was it was
55:29
Speaker 4: kind of dated, like the materials like that. So they
55:32
Speaker 4: was like, this, ain't that you should you should go
55:34
Speaker 4: back and do it again.
55:35
Speaker 7: Okay, why are you pause like that? Because he did
55:38
Speaker 7: not have to just thrown that, didn't he?
55:40
Speaker 1: He He set it up here.
55:48
Speaker 3: Like that.
55:49
Speaker 1: It's one of the things that you know, you want.
55:51
Speaker 3: To swing on Downell No, I like the cool.
55:56
Speaker 1: It's just with me, your writing. You're gonna have to
56:02
Speaker 1: up your pen, you know, with me. In order to
56:07
Speaker 1: produce your spec it has to have a beginning, a middle,
56:12
Speaker 1: in the end. It has to have a through line.
56:14
Speaker 1: Because a set is not a special. You know, if
56:18
Speaker 1: people go on my YouTube, I never called what was it?
56:23
Speaker 1: What was that? Don't judge your book by his cover.
56:26
Speaker 1: I never called it a special. I never called pta
56:30
Speaker 1: a special. It's a show. It's a set. But it's
56:34
Speaker 1: not a special. The specials are Domino Effect one through four,
56:38
Speaker 1: and then Rugged and My Two Sons, and I did
56:42
Speaker 1: My Two Sons and Rugged to show man, don't don't
56:46
Speaker 1: try to lock me in no prison box. Before I
56:49
Speaker 1: ever did Mexicot on Boots, I had been doing stand
56:52
Speaker 1: up for about fifteen years and I and I and
56:55
Speaker 1: I did it because I didn't want to get caught
56:58
Speaker 1: up in the whole prison stigma is a prison come.
57:03
Speaker 1: So I never did any of the stories. So when
57:06
Speaker 1: I my friends had heard them stories a thousand times,
57:08
Speaker 1: and I remember bills like, Yo, man, if you don't
57:11
Speaker 1: ever do this story, bro, I'm going to kill you.
57:15
Speaker 1: You know what I'm saying, because this man's got on boots.
57:18
Speaker 1: And then this story about feasts and I still haven't
57:20
Speaker 1: done feasts, and that that's the That's one of the
57:25
Speaker 1: funniest stories. That and then Brown Brown and Winn is
57:29
Speaker 1: funny too, the bodybuild big dudes doing bodybuilding and had
57:34
Speaker 1: me judging the contestant to give us.
57:36
Speaker 3: Give us one for you gon win one.
57:38
Speaker 1: Of them Brown and winning on my Instagram as a
57:43
Speaker 1: cartoon now. But feasts feast is different. Feasts like forty eleven,
57:50
Speaker 1: about five foot dude. But he has a huge afro
57:54
Speaker 1: that he he ties down with a with a T shirt.
57:58
Speaker 1: I wasn't gonna say Charlamagne, said Dafro. Then he pushes
58:01
Speaker 1: down on the teacher. But it's out for it's huge.
58:04
Speaker 1: This dude. This is why you gotta watch your mouth.
58:07
Speaker 1: This dude. About six three six four, we on We
58:11
Speaker 1: all in the cafeteria eating and then we heard you
58:15
Speaker 1: can cuss up here. I don't like curs on royo.
58:19
Speaker 1: He said, Pitch, give me some more pancakes. And we
58:24
Speaker 1: knew who was on pancakes that day because Feast worked
58:26
Speaker 1: in the kitchen, and we knew who was on pancakes.
58:30
Speaker 1: And we heard, give me some small pancakes. And this
58:33
Speaker 1: is when you kind of know that you were in trouble,
58:35
Speaker 1: when the whole cafeteria quiet, all the races, all the
58:41
Speaker 1: races are quiet, like white maskin Asian black. We was like,
58:47
Speaker 1: I said, well, maybe Feast, this is what I said
58:49
Speaker 1: my head. Maybe Feast took a break and he ain't
58:52
Speaker 1: on the pancakes. And I look and Feast was on
58:55
Speaker 1: the pancakes. I was said, oh sh came and sat
59:00
Speaker 1: down and the Mexicans came to him first, Hey, bro,
59:06
Speaker 1: go home. You know you need to go apologize the feast.
59:09
Speaker 1: And he said, lo man, fuck that little bit.
59:12
Speaker 3: Oh.
59:13
Speaker 1: I said again, I turned to somebody, said this nigga said,
59:18
Speaker 1: white boys like yo yo my man, yo yo yo. Listen, bro,
59:21
Speaker 1: you might want to go apologize the feast. I ain't
59:24
Speaker 1: apologizing that bitch. This nigga keeps saying it. I'm like,
59:30
Speaker 1: my head is burned. I'm like this nigga is wow.
59:34
Speaker 1: And they they want him to go apologize because they
59:38
Speaker 1: don't want to stop the flow or whatever was they
59:40
Speaker 1: got coming in. So he get on the block and
59:47
Speaker 1: I come to him. I said, Yo, my man, straight up,
59:50
Speaker 1: I'm just being you know, real, you should go apologize that.
59:55
Speaker 1: Nigga said, man, fuck you wearing feast. I said, damn,
59:59
Speaker 1: fuck me, damn, it's wrong. I go back over. I said, don't.
1:00:04
Speaker 1: Nobody said nothing said that, and everybody went to commissary
1:00:11
Speaker 1: I'm talking about and bust a whole sixty. Hey, let
1:00:14
Speaker 1: me get let me get forty soups, let me get,
1:00:16
Speaker 1: let me get coffee, let me get that, let me
1:00:17
Speaker 1: get some letters, let me get all my ship because
1:00:20
Speaker 1: we're going to be on lockdown. We're going to be
1:00:23
Speaker 1: on lockdown. I know what this is gonna be. Man,
1:00:26
Speaker 1: our doors roll at four thirty in the morning, it's
1:00:31
Speaker 1: five twenty. Them doors ain't popped. My selling this old
1:00:34
Speaker 1: dude too. My I damn it, I ain't get to
1:00:37
Speaker 1: go to the commons, Sara I said, Nigga, Yeah, it's gonna
1:00:41
Speaker 1: be rough. Man. When they start calling Muslim brothers out
1:00:46
Speaker 1: say the talk, say so, tell me what happened to
1:00:49
Speaker 1: capterior I said, and I'm in there, talk aloud. I
1:00:52
Speaker 1: don't know what happened. I don't I don't know what
1:00:55
Speaker 1: appen been in my cell all day. Man feasts in
1:00:59
Speaker 1: his and feasts been there, sins. Feast has the old
1:01:04
Speaker 1: typewriter like this ship that he got. He got that
1:01:10
Speaker 1: Harry Tubman type writer. And we looking at feasts and
1:01:15
Speaker 1: feast looking like this and and feast don't talk, and
1:01:19
Speaker 1: feasts mouthed to me, said he's been there since he
1:01:25
Speaker 1: was sixteen years old. This man is in his late thirties. Brother,
1:01:31
Speaker 1: it's ain't who you want to play with. And then
1:01:35
Speaker 1: they called the cold and we saw situation and I'm
1:01:41
Speaker 1: like that warding, like do you know what happened like
1:01:46
Speaker 1: that was in my celle. I'm not even on that block,
1:01:49
Speaker 1: but we could imagine what happened. Feast wasn't playing that
1:01:53
Speaker 1: bullshit what it means? No, you know, we don't disclose
1:01:58
Speaker 1: that type of out on the radio. We don't do that. Yeah,
1:02:04
Speaker 1: that ask me that off. There's no don't nobody call Feast. No,
1:02:11
Speaker 1: you don't call no man out his name, not in
1:02:12
Speaker 1: that because you can't. You can't. The echoes too loud,
1:02:17
Speaker 1: because if one person, you let one person call you
1:02:20
Speaker 1: out your name. You on a unit with three thousand people,
1:02:24
Speaker 1: you got three thousand people calling you out your name.
1:02:28
Speaker 1: Your mental you think I'm strong, ain't. That's just one dude.
1:02:31
Speaker 1: Now your mental capacity can't take your name coming from
1:02:35
Speaker 1: Charlemagne to hey, bitch, you not gonna take that. And
1:02:40
Speaker 1: then and then you gotta think in the free society,
1:02:44
Speaker 1: somebody call you out your name, you can walk away.
1:02:49
Speaker 1: I'm not wire like that. Hmm, I'm not. My My
1:02:53
Speaker 1: wires is institute. You might you might well put a
1:02:57
Speaker 1: gate around me. I'm like, cause that's the first thing.
1:02:59
Speaker 1: Come mind.
1:02:59
Speaker 9: Who I'm so glad you changed your life.
1:03:08
Speaker 1: Still big on that. I didn't even talk. I don't
1:03:11
Speaker 1: talk about.
1:03:12
Speaker 7: Friends, and he'd be laughing at a little bit.
1:03:19
Speaker 1: I learned a couple of baits today. I'm that's right.
1:03:21
Speaker 1: You don't call no man and you don't play what
1:03:27
Speaker 1: what's the song? Yoologized? Tour in the shadows to Where
1:03:42
Speaker 1: did they go.
1:03:42
Speaker 3: For the tickets?
1:03:43
Speaker 1: Man? I go to a dot com or go to
1:03:46
Speaker 1: Alice Steak comedy on YouTube, or go to ticket master.
1:03:50
Speaker 1: Well you know whatever tickets are. So you know that's
1:03:53
Speaker 1: one thing about telling tickets. People people call you as
1:03:57
Speaker 1: if there ain't never been no concert. Man. I get
1:03:59
Speaker 1: tickets to your the same way we got to Eric,
1:04:02
Speaker 1: but they show niggas. I saw you, I saw you
1:04:05
Speaker 1: moving your hymns at Eric, but they showed nigga. Now
1:04:07
Speaker 1: you know how get taken because you know me.
1:04:12
Speaker 3: At the same website.
1:04:13
Speaker 1: Yeah, you can get on Amazon. It should be on
1:04:15
Speaker 1: Charlotte Maine's because you know everything he do is the
1:04:18
Speaker 1: best seller? Can I can I get my pamphlet to
1:04:21
Speaker 1: be a best seller?
1:04:22
Speaker 3: Want the pamphlet? But what we're gonna do? Check your
1:04:27
Speaker 3: email right now? Check your email. I put you on
1:04:34
Speaker 3: during an interview.
1:04:36
Speaker 1: Okay, I did I signed your book and everything you
1:04:42
Speaker 1: don't wait to read quick. Wow, this is man.
1:04:45
Speaker 3: Cut it out.
1:04:46
Speaker 1: Man's supposed to be a quick some people, because you
1:04:51
Speaker 1: know people don't read no long ass books.
1:04:53
Speaker 7: Exactly here talking about the long as book every day.
1:04:55
Speaker 1: When I when I see him talk about these are
1:04:57
Speaker 1: the best sellers right here, I'm like, who waded the
1:04:59
Speaker 1: big ass book? They just stamping this nigga ship. You
1:05:06
Speaker 1: just give it to it, just gonna make it the
1:05:07
Speaker 1: best of that big ass encyclopedia. Who read Nigga Jesus
1:05:11
Speaker 1: and he got over that bike. He's like, I read,
1:05:13
Speaker 1: I read the introduction. He ain't read that book. Right.
1:05:19
Speaker 1: It's the Breakfast Club.
1:05:20
Speaker 3: Good morning, and turn that up.
1:05:23
Speaker 4: Every day a week ago, clicks up the Breakfast Club.
1:05:27
Speaker 1: You finish for y'all Done.