Latest / 70 80 / SETTANTAxOTTANTA: Anni 50. Dagli Stati Uniti arrivano in Italia Abbott e Costello, più noti come Gianni e Pinotto

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SETTANTAxOTTANTA: Anni 50. Dagli Stati Uniti arrivano in Italia Abbott e Costello, più noti come Gianni e Pinotto · 70 80

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  for the ones who get it done. Siamo con il direttore
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  Massimo Lualdi che introduce l 'argomento odierno.
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  What are we talking about today? About comedians.
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  From the 50s to most of the 70s, in Italy, the
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  nickname Gianni and Pinotto was derived to identify
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  a male couple on the generis. In some ways, the
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  two -radio -cinema -television Gianni and Pinotto
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  remembered the most famous Staglio and Olio,
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  with Gianni, Abbott, in the most serious part
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  of the couple, like Olio, and Pinotto, Costello,
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  of norma bistrattato, like Staglio. But what
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  are you doing? Why don't you wait for your service?
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  I can't. I'm busy. But you like long days. I
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  know. If I were a musician, I would have some
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  chances. Yeah, but you're not. I know this too.
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  I'm a great beast. I haven't learned anything.
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  You don't play any instrument. The bell. Wait,
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  I have an idea. Do you know what's in here? A
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  gramophone with records. A gramophone? There's
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  a piano disc. Why? Here, I should take it to
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  the other side of the pool. Then I'll take it
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  to the other side. But nothing done, we'll take
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  it here. In reality, in their adventures, which
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  they often saw in the clothes of employees and
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  policemen, Gianni, dubbed in Italy by Lauro Gazzolo,
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  father of the actor Nando, and Pinotto, dubbed
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  by Carlo Romano, compared to Stanlio and Olio,
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  were more interchangeable. But the biggest difference
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  between the two couples, at least under the film
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  profile, is the presence in that of Gianni Abbot,
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  pseudonym of William Alexander Abbott, and Pinotto,
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  Lu Costello, pseudonym of Luis Francis Cristillo,
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  of parodies of cinematographic characters of
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  the horror genre such as Frankenstein, The Invisible
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  Man, Count Dracula, The Wolf Man, Dr. Jekyll
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  and Mr. Hyde. Model then inspired by other comic
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  actors. The pair Abbott and Costello, Gianni
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  and Pinotto, formed theater in 1936, starting
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  at Broadway in 1939 with the comedy The Streets
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  of Paris. . . . . . . In 1938, the two are engaged
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  for a 10 -minute sketch in the broadcast of The
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  Kate Smith Hour and, given their success in 1940,
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  they debut with a program centered on the couple.
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  In the same year they are written by Universal
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  for the film One Night in the Tropics. It goes
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  even better the following year with the film
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  Gianni e Pinotto Reclute, which un incasso record
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  dando il via alla produzione di ben 36 pellicole
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  tra il 1940 e 1956 anche se il tripudio giunge
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  dalla sitcom televisiva che porta il nome della
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  coppia con episodi di 30 minuti Lo devo dire
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  io avanti. Avanti! Non adesso, stupido! Come
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  le pare? Oh, molto bene. Ma perché... But the
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  two actors do not know how to adapt to the changes
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  of the post -war period. The repetitiveness of
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  their sketches, as well as a model surpassed
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  by comicals, quickly relegates them to oblivion.
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  So much so that after the film Gianni and Pinotto
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  banditi col botto, the couple dissolves in 1957.
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  Things get worse and worse and the two return
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  under the spotlight for an investigation into
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  tax evasion, which followed in 1959 the premature
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  death of Costello for a heart attack. Abbott,
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  marginalized by show business, withdraws from
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  the scenes. salvo tornarci nel biennio 1967 -1968
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  prestando la propria voce alla serie animata
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  Gianni e Pinotto, prima della sua scomparsa nel
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  1974. Grazie al direttore di 7080 .it Massimo
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  Lualdi per aver trattato l 'argomento giornaliero.
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  on.