Latest / The Tom & Gerry Show Podcast / Episode 119: Lovely Girls

Transcript

Episode 119: Lovely Girls · The Tom & Gerry Show Podcast

• 0:00
  Speaker 1: Hello again. People often say, Fred, how can you climb
• 0:05
  Speaker 1: up a bloody gray chimney all the time? Are you
• 0:08
  Speaker 1: not afraid up there? Well, I'd tell thee this. There's
• 0:12
  Speaker 1: one thing that is guaranteed not to happen when I'm
• 0:15
  Speaker 1: up at chimney. I am one hundred percent certain, without
• 0:20
  Speaker 1: the shadow of a doubt, that I'm not going to
• 0:22
  Speaker 1: get bitten by a shark. I'm absolutely safe from shark
• 0:26
  Speaker 1: attacks up at Chimney, not like that poor bugger I
• 0:30
  Speaker 1: heard about today on Dom and Jerry Show. So yes,
• 0:34
  Speaker 1: jimneys might not be the safest in the world, but
• 0:37
  Speaker 1: I'll take a Jimney over the blood and sea. I'll
• 0:40
  Speaker 1: tell you that fun out. I'll see thee.
• 0:50
  Speaker 2: Ladies and gentlemen. But Tom and Jerry Show is back
• 0:52
  Speaker 2: in fold quality thanks to Tom getting his computer fixed. Tom,
• 0:57
  Speaker 2: do you care to tell the flying people exactly what
• 0:59
  Speaker 2: it was done to your computer? You know the terms?
• 1:01
  Speaker 2: You know what happened to your computer, don't you?
• 1:11
  Speaker 3: I tell you all. I think hats off to the
• 1:13
  Speaker 3: lads at the Is it the direct id in Clammel Heffy.
• 1:17
  Speaker 3: What a man, What a man? Holy Jesus Christ, as
• 1:20
  Speaker 3: he fucking said to me today, I walked in with
• 1:21
  Speaker 3: a bus today. But he persevered. Essentially, he went, he
• 1:25
  Speaker 3: wasn't going cracking this thing open. You can send it
• 1:27
  Speaker 3: the fucking Apple if you want, but that'll cause to
• 1:29
  Speaker 3: your arm in the leg, so or I can crack on.
• 1:32
  Speaker 3: And I went, you know what, I like the idea
• 1:34
  Speaker 3: you cracking on? And he basically, if you can imagine
• 1:36
  Speaker 3: that your your car, not the car, but they let's
• 1:41
  Speaker 3: say the gearbox has fucking seized. But rather than trying
• 1:47
  Speaker 3: to crack into said car, he just mounted a fucking
• 1:51
  Speaker 3: new gearbox kind of above the normal one would be.
• 1:54
  Speaker 2: And the tom, what you want to do here is
• 1:56
  Speaker 2: slow down because your technical speak might be losing some
• 1:58
  Speaker 2: of the audience here.
• 2:00
  Speaker 3: I know. I'm just I ain't no rocket surgeing.
• 2:03
  Speaker 2: This all that note, he's a great hammered a team
• 2:07
  Speaker 2: job on it.
• 2:08
  Speaker 3: He fucking did. And by god, like they were still
• 2:11
  Speaker 3: kind of at it while I was in there, and
• 2:12
  Speaker 3: I was enjoying kind of with the lads. They were
• 2:15
  Speaker 3: fucking they were doing gangbusters business. They're clearly fucking flying it.
• 2:20
  Speaker 3: Savage customer service like just but he did. He mounted
• 2:25
  Speaker 3: a new hard drive and the the the one that
• 2:28
  Speaker 3: would have been in this This is something I learned.
• 2:30
  Speaker 2: You know, the external hard drives, well.
• 2:34
  Speaker 3: The spinny ones, he say, not worth the fuck? He say,
• 2:36
  Speaker 3: isn't that technically what's inside your thing? He is? The
• 2:39
  Speaker 3: ones nowadays are solid state. It's just all the chips
• 2:41
  Speaker 3: and say all those this computer drum, it's twenty seventeen like,
• 2:46
  Speaker 3: so it's you know, it is nine years old. It's
• 2:48
  Speaker 3: nine years old. But it's a fucking animal. So I
• 2:51
  Speaker 3: ain't changing that.
• 2:52
  Speaker 2: It's two animals. This is an animal.
• 2:53
  Speaker 3: May it fucking is an animal? Because now he didn't
• 2:56
  Speaker 3: think I'll be able to put I pulled off my
• 2:57
  Speaker 3: own fucking time because he went, you're starting. I'm sorry, Paal,
• 3:01
  Speaker 3: you're starting you. I went, I we'll see yeah, And
• 3:05
  Speaker 3: I went. I went routing and digging and fucking tearing around,
• 3:08
  Speaker 3: and didn't I find a back door system into all
• 3:11
  Speaker 3: my old stuff.
• 3:12
  Speaker 2: Delightful?
• 3:13
  Speaker 3: So I found all the old stuff. So, lads, if
• 3:16
  Speaker 3: nothing's inspiration, when a fucking knuckle head like me can
• 3:20
  Speaker 3: just plow on with if you have the kind of
• 3:22
  Speaker 3: mindset of uh, pure ignorance, as we talked about in
• 3:28
  Speaker 3: the pasture, you can fucking get there and get a
• 3:32
  Speaker 3: thing going, and we will. People will have full sound
• 3:34
  Speaker 3: effects and everything this week as you will go forward.
• 3:37
  Speaker 3: Fucking Fred made it back, thank god. But we Yeah,
• 3:41
  Speaker 3: we're back on tracture and I'm in a good form
• 3:44
  Speaker 3: over it. It puts me in a good mood. My
• 3:46
  Speaker 3: neck is and crane and looking at a little now
• 3:48
  Speaker 3: it's a big screen for my aging eyes.
• 3:51
  Speaker 2: There you go.
• 3:52
  Speaker 3: Yeah, yeah, I got. I knew I had something exciting
• 3:55
  Speaker 3: to tell you for the first time about nine years.
• 3:58
  Speaker 3: Last Friday, no gig, tremendous and I got wait for
• 4:02
  Speaker 3: this jury go ahead. Ten solid hour sleep?
• 4:06
  Speaker 2: Oh nice?
• 4:08
  Speaker 3: Did you last get that? I woke up in bits.
• 4:11
  Speaker 3: I didn't know where I was. I was dancing around
• 4:13
  Speaker 3: out in the yard like a fellow. Do you know
• 4:14
  Speaker 3: like that? Do you know that that that John Travolta
• 4:16
  Speaker 3: from from from the pulp fiction where he's got his
• 4:20
  Speaker 3: jacket over his arm. He's kind of gone, huh, that
• 4:22
  Speaker 3: was me force ten yetes it is.
• 4:25
  Speaker 2: It's it's uh. You should have eased yourself into a
• 4:28
  Speaker 2: time with eight hours.
• 4:28
  Speaker 3: Sleep was a lot. It was a lot. I hadn't
• 4:33
  Speaker 3: I hadn't gone beyond six in like three years. So
• 4:37
  Speaker 3: to go straight to ten hour sleep chair. All my
• 4:39
  Speaker 3: joints were cracking. Everything was it was like you'd put
• 4:43
  Speaker 3: away something for the winter and it was all fucking
• 4:46
  Speaker 3: rusted up. And you need a wd farty in Greece
• 4:48
  Speaker 3: in the nipples and everything to grease my nipples jar.
• 4:51
  Speaker 2: That's where we're at, you know, tom haha, as you
• 4:54
  Speaker 2: mention it right, I wasn't gonna say this, but I did.
• 4:57
  Speaker 2: Actually can I show you something? Yeah here beside me,
• 5:00
  Speaker 2: can you read what that is?
• 5:02
  Speaker 3: Body glide outdoor blister and chafing bam, nipple grease. Quite literally,
• 5:12
  Speaker 3: two old bastards like just to get out, just to
• 5:16
  Speaker 3: just to survive the day for running.
• 5:18
  Speaker 2: Anybody that follows me on Instagram would have seen me
• 5:21
  Speaker 2: there a couple of weeks ago now for a running
• 5:22
  Speaker 2: came back with a nipples I have a pair.
• 5:26
  Speaker 3: Oh yeah yeah, teacher just tears.
• 5:28
  Speaker 2: You just tears the to me. Ah And it wouldn't
• 5:31
  Speaker 2: be all the t shirts fault now, So it is.
• 5:33
  Speaker 2: I go running around the place with these pizza slices
• 5:36
  Speaker 2: flapping in the wind. So that's why I don't run
• 5:41
  Speaker 2: any So I was, I was in the running shop
• 5:44
  Speaker 2: and I just had this in the running shop. There's
• 5:47
  Speaker 2: a running shop several and they have this. It's antie,
• 5:51
  Speaker 2: it's chafing bam. And I said, looking for the sake
• 5:53
  Speaker 2: of out of curiousity, Tom, give me the over under.
• 5:56
  Speaker 2: And what I'm showing to Tom is like a stick,
• 5:57
  Speaker 2: like like stick the odrant, and it really is.
• 6:00
  Speaker 3: It's just think I have an old spice, one from
• 6:02
  Speaker 3: about now exactly nine years ago, still have to go
• 6:04
  Speaker 3: in the drawer.
• 6:05
  Speaker 2: And this is like a stick, is like for all
• 6:06
  Speaker 2: intents and purposes, solid vasiline. Forty two grams.
• 6:10
  Speaker 3: How much time, jeez, you went to the running shop
• 6:13
  Speaker 3: for I'm gonna you gave big money for that. I
• 6:15
  Speaker 3: reckon you give but eighteen years.
• 6:17
  Speaker 2: I give exactly eighteen years.
• 6:18
  Speaker 3: First at the time. I know how to fucking rob people, Jared.
• 6:22
  Speaker 3: That's how I do. I know how to fucking rob people.
• 6:24
  Speaker 2: Show me a bloody nipple right now, Tom, Sure, a
• 6:26
  Speaker 2: bloody nipple?
• 6:27
  Speaker 3: I didn't good? Do you do you rub that like
• 6:29
  Speaker 3: in a round between your thighs. You're taint the whole lot,
• 6:31
  Speaker 3: because I mean guessing it interest your ditties bleeding.
• 6:34
  Speaker 2: You can value out of a stick, Tom, And we
• 6:36
  Speaker 2: leave it at that.
• 6:36
  Speaker 3: Okay, all right, Well I have stuff outside there, Jre
• 6:40
  Speaker 3: that you need to put on with the fucking stick.
• 6:42
  Speaker 3: It's that greasy.
• 6:45
  Speaker 2: Well, Tom, you're rested. I'm greased up.
• 6:47
  Speaker 3: Yeah.
• 6:48
  Speaker 2: I think that's as good as as good.
• 6:50
  Speaker 3: You're ever going to get through its Right now, we're
• 6:52
  Speaker 3: fucking in prime condition.
• 6:54
  Speaker 2: This show set up for as much success as it
• 6:56
  Speaker 2: has been in some time. We are going to get
• 6:59
  Speaker 2: into it, folks. Let's hit him with the weekly what
• 7:02
  Speaker 2: have you. This is a very complicated case, mad You know,
• 7:05
  Speaker 2: a lot of a lot of outs, a lot of
• 7:06
  Speaker 2: what have you, and a lot of scrans to keep
• 7:09
  Speaker 2: in my head.
• 7:10
  Speaker 3: Man, we we have no choice but to read you
• 7:13
  Speaker 3: do this. The culture is in is it? Is it
• 7:15
  Speaker 3: a culture thing?
• 7:16
  Speaker 2: Is it a shadow of a doubt?
• 7:18
  Speaker 3: It is a culture thing, isn't it?
• 7:20
  Speaker 2: And it's happening as we speak. We are recording on
• 7:22
  Speaker 2: Tuesday this week and it is nine two folks of
• 7:25
  Speaker 2: the Rows of Trille Festival down in Tralli. Tom, we
• 7:31
  Speaker 2: will not know who won the show by the time
• 7:34
  Speaker 2: we record this, and I gotta tell you, by the
• 7:36
  Speaker 2: time it airs on Thursday, I doubt that I have
• 7:38
  Speaker 2: caught up.
• 7:40
  Speaker 3: It's it's not what it used to be. It used like,
• 7:43
  Speaker 3: of course, there's a million things in the way nowadays,
• 7:45
  Speaker 3: Like you know, TV is kind of dead in its
• 7:48
  Speaker 3: own right. Somebody asked me.
• 7:49
  Speaker 2: To have to day.
• 7:50
  Speaker 3: Was it with Damon Diver's popular as I remember it
• 7:53
  Speaker 3: was doing two hundred and forty Yeah, like doing two
• 7:58
  Speaker 3: hundred and forty thousand fucking viewers. That is unheard of
• 8:02
  Speaker 3: in an Irish TV show nowadays. But we didn't have
• 8:05
  Speaker 3: much to compete with us, you know, which says tend
• 8:08
  Speaker 3: to everything you need to know.
• 8:09
  Speaker 2: Really, you fast forward ten or fifteen.
• 8:11
  Speaker 3: Years and Eurovision and Rose of Tree, the Color Housewife
• 8:16
  Speaker 3: of the Year award. These things were watched. These were watched.
• 8:19
  Speaker 2: Because yeah, we don't want to get we don't want
• 8:21
  Speaker 2: to get all we remember.
• 8:22
  Speaker 3: No, no, no, these were big.
• 8:24
  Speaker 2: Moments in the TV watching calendar in Ireland. And you
• 8:28
  Speaker 2: flash forward forty years and the Color Housewife of the
• 8:31
  Speaker 2: Year I believe has fallen by the wayside, Tom.
• 8:34
  Speaker 3: Raging at that. I think it's a scandal, ah and
• 8:37
  Speaker 3: the Rose of Trelle.
• 8:39
  Speaker 2: Nevertheless, they persist.
• 8:41
  Speaker 3: Of course it does because it's Kerry people and they know.
• 8:44
  Speaker 3: Let that go, I tell you something like this. Whatever
• 8:47
  Speaker 3: about the you take taking the capital out of it,
• 8:49
  Speaker 3: and we'll take cork out of it, because Kirk do
• 8:51
  Speaker 3: try and try and do everything, but kerry for a
• 8:55
  Speaker 3: place that's craggy and hilly and lumpy and on the
• 8:59
  Speaker 3: foot of the Teddy, where, by Jesus Christ, they can
• 9:03
  Speaker 3: do it, can't they. They they can between the puck fairs.
• 9:06
  Speaker 3: Only just then that they carry raises, just go, I
• 9:10
  Speaker 3: think just finished as well. They have now the roses tree.
• 9:14
  Speaker 3: They fucking they have the irony seed like they just
• 9:18
  Speaker 3: they unbelievable.
• 9:22
  Speaker 2: Well, listen, here's the here's the crack, right we we
• 9:24
  Speaker 2: we were gonna put this into We remember when the
• 9:26
  Speaker 2: Rosa tree. But I can tell you we remember when
• 9:28
  Speaker 2: fairly quickly, Tom. We remember when we would be allowed
• 9:31
  Speaker 2: to stay up to watch the Rosa Tree. And around
• 9:33
  Speaker 2: about ten o'clock at night, I'd be like, do you
• 9:35
  Speaker 2: know what You're all right? It's this is suboptimal crack.
• 9:40
  Speaker 3: It was.
• 9:42
  Speaker 2: It was a hard watching.
• 9:43
  Speaker 3: It was a hard watch because I never like, you're
• 9:45
  Speaker 3: kind of hoping for one of the girls to do
• 9:47
  Speaker 3: the contestants to do a mad jig or something like,
• 9:51
  Speaker 3: only because we'd so much else to be talking about, really,
• 9:55
  Speaker 3: if it was a little else to be at Tom,
• 9:57
  Speaker 3: you know, And I think that was an awful lot
• 9:59
  Speaker 3: of it. And I suppose it was a bit of
• 10:01
  Speaker 3: a glitz and glam sure, with glitz and glam coming
• 10:03
  Speaker 3: out of a yin yang these days, like it was
• 10:05
  Speaker 3: a bit of glitz and glam that.
• 10:06
  Speaker 2: Are for glitz and glam.
• 10:08
  Speaker 3: Anybody who's new and has never been tirled or whatever,
• 10:11
  Speaker 3: this is it.
• 10:12
  Speaker 2: This is probably what there is probably our job here
• 10:14
  Speaker 2: to day time. It's not common on the roads of
• 10:15
  Speaker 2: true because it's out of the game. But try and
• 10:19
  Speaker 2: explain it to somebody fresh to it exactly.
• 10:22
  Speaker 3: So I mean like that you you may or may
• 10:25
  Speaker 3: not know an awful lot about it, or you might
• 10:27
  Speaker 3: know fuck all about it, but the.
• 10:29
  Speaker 2: Idea all you want about it.
• 10:31
  Speaker 3: It's it's not a beauty pageant, right, so you'll take
• 10:34
  Speaker 3: you take your classic, you know, Miss America, Miss World,
• 10:38
  Speaker 3: Miss Europe, and it's not you know, big shiny white
• 10:41
  Speaker 3: tea baps out everywhere, waving like you're trying to unscrew
• 10:44
  Speaker 3: a light bulb.
• 10:45
  Speaker 2: There's no swimsuit section.
• 10:46
  Speaker 3: No, there's no swim suit, you know, And so there's
• 10:50
  Speaker 3: there's there's nothing to that. It has a bit more
• 10:54
  Speaker 3: there's a bit more cerebral to it. But I mean
• 10:56
  Speaker 3: they're not going to be doing any spelling bees either,
• 10:58
  Speaker 3: but there is. It's more supposed to be the the
• 11:03
  Speaker 3: class women, like the how would you say, I suppose
• 11:07
  Speaker 3: the loveliest girl, the loveliest girl essentially, and there are
• 11:11
  Speaker 3: only a couple was a documentary, Yeah, yeah, yeah, yeah, yeah,
• 11:16
  Speaker 3: if anybody wants to go have a look there's they
• 11:18
  Speaker 3: have done it. But they also there's some great sketches
• 11:21
  Speaker 3: that they didn't The Savage Eye back in the day. Yes,
• 11:23
  Speaker 3: John Cleary played and you know, and it's mix. Savage
• 11:28
  Speaker 3: plays one of the girls. And there'll be a handful
• 11:31
  Speaker 3: of Irish girls in it. But the rest are of descent,
• 11:35
  Speaker 3: so UK, you you know, America, Canada, Australia and New Zealand,
• 11:41
  Speaker 3: you name it. If they're if they're of descent or
• 11:44
  Speaker 3: they're over there this long time there they can go.
• 11:48
  Speaker 3: Like Natasha was actually back in the Dage, she was
• 11:51
  Speaker 3: into it and cut to the final of the Luxembourg
• 11:53
  Speaker 3: Grows when she lived there, right of course, yes, yeah.
• 11:55
  Speaker 2: Yeah, it's it's it's it's what's the word. I'm looking
• 11:59
  Speaker 2: to come the ASP.
• 12:00
  Speaker 3: The diaspora exactly. Now. They have to be women age
• 12:03
  Speaker 3: between eighteen to twenty nine. Don't know what happened to
• 12:06
  Speaker 3: you now? I think there was was there until.
• 12:10
  Speaker 2: Very recently you couldn't be married. And when I say
• 12:12
  Speaker 2: very recently, I mean in the last ten to fifteen years.
• 12:15
  Speaker 3: And was there one pregnant or something you couldn't Yeah,
• 12:18
  Speaker 3: you couldn't be pregnant on the day or something like that, or.
• 12:21
  Speaker 2: You couldn't be an unwed. Mother was another one. And
• 12:24
  Speaker 2: they changed that. They changed that spectacularly recently. Tom, I
• 12:28
  Speaker 2: think like within the last ten years. Sure, he couldn't
• 12:31
  Speaker 2: be an unwed.
• 12:32
  Speaker 3: That's where it went down hill, Jurham.
• 12:34
  Speaker 2: That's when I stopped watching. You'd hear that going around
• 12:37
  Speaker 2: the country. We're kidding, where kidding, but you would hear
• 12:39
  Speaker 2: that going around the country.
• 12:41
  Speaker 3: So these these women are invited over. Can I tell
• 12:43
  Speaker 3: you how many women? No, I can't. Let's say thirty
• 12:46
  Speaker 3: it's over.
• 12:47
  Speaker 2: I'm going to say, Tom, I think it's thirty two.
• 12:49
  Speaker 2: But then again I remember, not for nothing, not going
• 12:51
  Speaker 2: to go all we remember when buddy, But I remember
• 12:54
  Speaker 2: we used to get this shit done in one night? Yeah, yeah,
• 12:57
  Speaker 2: well the two night thing now it is.
• 12:58
  Speaker 3: But I mean, it's it's a tonight. It's a festival, really,
• 13:01
  Speaker 3: I know, I know that's we'll go down to it,
• 13:04
  Speaker 3: but they're not going into it like they're just the
• 13:06
  Speaker 3: town is buzzn't you get me? So there's a good
• 13:09
  Speaker 3: buzz around the place. The you know, there's a bit
• 13:11
  Speaker 3: of pageantry, there's a bit of there's a bit of
• 13:14
  Speaker 3: a parade, and there's there's a festival vibe to it.
• 13:17
  Speaker 2: Like you know, Well, if I if I may speak Tom,
• 13:20
  Speaker 2: how will I say this that the what we watch
• 13:23
  Speaker 2: on TV is not the competition, No, no thing is.
• 13:29
  Speaker 2: The thing is sort of I dare say, judged and
• 13:32
  Speaker 2: and and more or less decided on who is the
• 13:36
  Speaker 2: loveliest girl at the end of the week long festival
• 13:39
  Speaker 2: from the lovely girls going around town and meeting and
• 13:42
  Speaker 2: greeting shop owners.
• 13:43
  Speaker 3: But this is it, and so it is filmed live.
• 13:47
  Speaker 3: This is what kind of separates the apart from a
• 13:48
  Speaker 3: lot of things. It's filmed live. Like I said, it's
• 13:52
  Speaker 3: nearly like a Eurovision kind of thing, and it's filmed live.
• 13:54
  Speaker 3: And do yosh, the greatest mentaliest presenter of all times,
• 13:59
  Speaker 3: fucking doo. Who else would present it like? You know,
• 14:02
  Speaker 3: I think Pat Kenny did back in the day and
• 14:03
  Speaker 3: it was super awkward, I think Toberty and super awkward.
• 14:08
  Speaker 2: It was the game Born show when we were like, yes,
• 14:11
  Speaker 2: well then again what was it?
• 14:13
  Speaker 3: But they gave it to Dada. He is the carry man. Sure,
• 14:15
  Speaker 3: there's no better men to give it. But the one
• 14:19
  Speaker 3: that people a lot of people forget about are the escorts.
• 14:23
  Speaker 3: And I don't mean of the.
• 14:24
  Speaker 2: Explain this, to explain this to the edit Tanners time.
• 14:27
  Speaker 3: So this isn't the predecessor to the Ford focus. This
• 14:34
  Speaker 3: is uh male escorts again not actually paid heres these
• 14:39
  Speaker 3: lads actually pay to be es carts Now they're probably
• 14:44
  Speaker 3: for the most part they're sponsored by companies and stuff
• 14:47
  Speaker 3: like that. It's all very corporated these days. So it'll
• 14:50
  Speaker 3: be a lad whose job it is to be on wait,
• 14:53
  Speaker 3: on hand and fort we're beckon.
• 14:55
  Speaker 2: Call all week, open doors.
• 14:58
  Speaker 3: Yeah, and there'll be local lads. Go to the car
• 15:00
  Speaker 3: and get me smokes exactly exactly, can you yeah die
• 15:05
  Speaker 3: my dealer there? Will you please?
• 15:07
  Speaker 2: You sit in the car where when I top it
• 15:09
  Speaker 2: up with diesel.
• 15:09
  Speaker 3: Pet yeah, exactly. I'm Jones in here. Can you ring
• 15:12
  Speaker 3: me the dealer that sort of stuff. So these lads
• 15:14
  Speaker 3: have the job for the week, and they're tux seed
• 15:17
  Speaker 3: out up to the less and they have big rosy cheeks.
• 15:19
  Speaker 3: Aladyse that some have gotten better looking through the years,
• 15:21
  Speaker 3: but they're typically leads that they're no good woman yet,
• 15:24
  Speaker 3: you know, and their mothers to be so proud of them.
• 15:27
  Speaker 2: Oh it wasn't he, and and he he was an
• 15:29
  Speaker 2: escart of the rose tree. And they have a little
• 15:31
  Speaker 2: competition to themselves they do.
• 15:32
  Speaker 3: Yeah, yeah, yeah, and they they But I don't know.
• 15:35
  Speaker 3: I heard this could be I could be way off
• 15:37
  Speaker 3: the market here, and I'd like to be corrected on
• 15:39
  Speaker 3: it if I am. I heard it's like twelve grand
• 15:42
  Speaker 3: or something to be to be an esport to.
• 15:47
  Speaker 2: Walk around with a woman picking up for a week,
• 15:49
  Speaker 2: and here's me doing it for nott in town.
• 15:51
  Speaker 3: I know. Yeah, you lucky bastard. You might have had
• 15:54
  Speaker 3: to no, no, you might have had to pay twelve grands.
• 15:57
  Speaker 3: So that's why I think they take a lot of
• 15:58
  Speaker 3: sponsorship throughout the week. The lads are probably doing interviews
• 16:01
  Speaker 3: themselves and haven thanks to McBride Cole. I'm here this
• 16:06
  Speaker 3: week and I'm trapsing around with Patricia from New South
• 16:09
  Speaker 3: Wales and I'm showing her. You know, that'd be his,
• 16:12
  Speaker 3: So I suppose that's how he gets your spiel across.
• 16:14
  Speaker 2: Either that wonderful time escorting Patricia from New Wales around?
• 16:18
  Speaker 2: And might I just say it, but the fine quality
• 16:20
  Speaker 2: of red meals, red mills animal feeds. Might I just
• 16:25
  Speaker 2: throw that in?
• 16:26
  Speaker 3: And hasn't she got a lovely bottom? Have they all
• 16:29
  Speaker 3: got lovely bottoms?
• 16:30
  Speaker 2: Yeah? All of lovely bottoms. Tom. One thing about the
• 16:33
  Speaker 2: Rose of Trulie, what the televised part of it that
• 16:36
  Speaker 2: we get to see is that the Roses will all
• 16:39
  Speaker 2: come on and they have to display a talent of sorts. Now,
• 16:43
  Speaker 2: it's not a talent show. We've said, it's not a
• 16:45
  Speaker 2: beauty pageant. It is also not a talent show. Nevertheless,
• 16:49
  Speaker 2: these ladies' feet are held to the fire to do
• 16:51
  Speaker 2: some things on a live audience, and traditionally this will
• 16:55
  Speaker 2: be one of three things. Number one, if you can dance,
• 16:57
  Speaker 2: you dance. Number two, if you can sing, you sing,
• 17:01
  Speaker 2: And number three, if you can't do any of those things,
• 17:05
  Speaker 2: you know you're more than welcome to leave the stage.
• 17:08
  Speaker 2: But traditionally what the ladies will do is they will
• 17:11
  Speaker 2: read a poem yeah yeah, and.
• 17:15
  Speaker 3: Some cringey ship something you know, should be this South
• 17:18
  Speaker 3: Boston Rose or whatever, and she'd go the stony gray
• 17:21
  Speaker 3: soul of Mada hand.
• 17:23
  Speaker 2: I'm going to recite a poem. And after you get
• 17:25
  Speaker 2: a couple of these, you're like, and then you will
• 17:29
  Speaker 2: get one lady who's like in on the bit, shall
• 17:33
  Speaker 2: we say, yeah, yeah, it kind of knows that she
• 17:35
  Speaker 2: has no chance to win and is a bit of crack,
• 17:38
  Speaker 2: and she'll come out and do something. Should be like, Okay, daddy,
• 17:42
  Speaker 2: I'm going to do some close hand magic or I'm
• 17:44
  Speaker 2: going to do some fire breathing. Yeah, I'm going to
• 17:46
  Speaker 2: do something. But those roses are few and far between.
• 17:51
  Speaker 3: Oh yeah, I mean the beatbox and roses.
• 17:53
  Speaker 2: Never beat boxing ros never going to get break dancing Rose,
• 17:56
  Speaker 2: ain't gonna win.
• 17:57
  Speaker 3: Ship might hold him I here, hold them my skirt
• 18:02
  Speaker 3: or dress their dye as I as I break it down,
• 18:06
  Speaker 3: as I do, as I do my own rendition of
• 18:09
  Speaker 3: insane in the membrane. Yes, Cypress Hill.
• 18:11
  Speaker 2: What are you going to do tonight?
• 18:12
  Speaker 3: For? As well?
• 18:13
  Speaker 2: That he tonight I'm going to keep it fucking real, bro. Yeah,
• 18:19
  Speaker 2: and to the to the victor, go the spoils, Tom.
• 18:21
  Speaker 2: The lady has to win this, and she wins. She
• 18:25
  Speaker 2: wins what.
• 18:25
  Speaker 3: Exactly now, Okay, this is the fucking question. There is
• 18:31
  Speaker 3: a few pounds to be one, all right, but she
• 18:32
  Speaker 3: wins the accolade of rows of trolle.
• 18:36
  Speaker 2: First and foremost. You are the Rose of Trely. Write
• 18:38
  Speaker 2: that down.
• 18:39
  Speaker 3: Yeah, yeah, yeah, like I thought. There is sponsorship deals
• 18:44
  Speaker 3: that they will get throughout the year and stuff like that.
• 18:46
  Speaker 3: They get to tour around. I know that anybody.
• 18:48
  Speaker 2: You basically what you win, Tom, if I'm correct here
• 18:51
  Speaker 2: now and come at me in the comments if I'm wrong.
• 18:54
  Speaker 2: But you win a job for the year, and your
• 18:56
  Speaker 2: job is that you are the Rose of true You
• 18:58
  Speaker 2: are the ambassador of Ireland Kerry.
• 19:03
  Speaker 3: Yes, yeah, yeah, the Roses you get.
• 19:07
  Speaker 2: To Basically, it's like pack your bags, love, you're going
• 19:10
  Speaker 2: on a little world to you're going around.
• 19:11
  Speaker 3: Yeah yeah, yeah, Like they're conferences in Boston ship so
• 19:17
  Speaker 3: they I they do. Yeah, I knew there was cash.
• 19:19
  Speaker 3: So they do win a travel there's a travel bursary
• 19:23
  Speaker 3: along with a wage as an ambassad but they get
• 19:26
  Speaker 3: twenty five grand of a traveling bursary. They getting new
• 19:30
  Speaker 3: twenty five, They get a new this year. They get
• 19:33
  Speaker 3: themselves kia evy to toddle around with. They get obviously
• 19:40
  Speaker 3: complementally complimentary hotel stays, luxury acommodation, the Midlands Hotel them
• 19:44
  Speaker 3: truly or whatever. They get an all expenses paid trip
• 19:48
  Speaker 3: for their family as the Rose And I guess, sorry,
• 19:52
  Speaker 3: just a guest in Kerry, So you'll spend what will
• 19:55
  Speaker 3: come money they give you in Gerry.
• 19:58
  Speaker 2: You will get twenty five thou yes exactly, deeming blownely
• 20:03
  Speaker 2: in Kerry.
• 20:04
  Speaker 3: But I'd like I would imagine and listening to them,
• 20:07
  Speaker 3: and they do sound like because it's not a beauty contest,
• 20:10
  Speaker 3: and no it's not. It's it's it's just to see
• 20:14
  Speaker 3: she the right court of a woman, and they typically
• 20:17
  Speaker 3: do pick well like and they do. I think they
• 20:19
  Speaker 3: have right crack during the week too, because the pressure
• 20:22
  Speaker 3: is off a little bit. You're like, she does nothing
• 20:24
  Speaker 3: I can really do, do you know what I mean?
• 20:26
  Speaker 3: You're not like she stuck the lending on her flip
• 20:29
  Speaker 3: lap or her flip So I'm gonna there's nothing you
• 20:31
  Speaker 3: can really do that's gonna sway. I don't think like
• 20:36
  Speaker 3: unless you can be you know, you know you're working
• 20:39
  Speaker 3: with you know, doctors with a borders or whatever. You're like,
• 20:42
  Speaker 3: fucking give it to her. For fox sake. We're all
• 20:45
  Speaker 3: just fucking civil servants, you know, fucking pitches over here,
• 20:48
  Speaker 3: just saving kids and you gain.
• 20:49
  Speaker 2: The mother over here, you go on, you know.
• 20:52
  Speaker 3: So there's that element to it. But the big thing
• 20:55
  Speaker 3: to me was like we just accept it now there
• 20:57
  Speaker 3: as a thing. And I'm you know what, I like,
• 21:00
  Speaker 3: I'm glad it is stuck around that. You know, some
• 21:02
  Speaker 3: things have died off whatever, but like the Keller Housewife
• 21:04
  Speaker 3: of the Year award, But I'm glad that's stuck around
• 21:07
  Speaker 3: because there's certain you can poo poo, and you can
• 21:09
  Speaker 3: scoff at and all the rest, but there's some things
• 21:11
  Speaker 3: that you like to hang on to that are so
• 21:13
  Speaker 3: quintessentially irish before we get bleached out and turned into
• 21:17
  Speaker 3: everything else from around the world. This is the most
• 21:19
  Speaker 3: irish thing ever and I love it for that sense.
• 21:22
  Speaker 3: Am I gonna watch it? No, but I'll celebrate it.
• 21:25
  Speaker 2: But I'm happy that exists, much as I am with
• 21:28
  Speaker 2: a lot of these things.
• 21:29
  Speaker 3: Yeah, you know, yeah, I was wondering too. It's like, well,
• 21:33
  Speaker 3: how does a thing like this come about? Like clearly
• 21:36
  Speaker 3: it's mulah, you know what I mean, Like there's it
• 21:38
  Speaker 3: isn't for the good of our health, you know.
• 21:40
  Speaker 2: You Also, by the way, I just want to say
• 21:42
  Speaker 2: that Rosa Trelee is a relatively young festival. I think
• 21:45
  Speaker 2: it's only like sixty seven years old or some such.
• 21:47
  Speaker 3: Yeah, like it's around since fifty nine was the first
• 21:50
  Speaker 3: year of it. And essentially what And it was a
• 21:53
  Speaker 3: good idea too in a lot of ways, like post
• 21:57
  Speaker 3: war are like the immigration was cruel out of the west,
• 22:01
  Speaker 3: the West of Ireland, you know what I mean, from
• 22:03
  Speaker 3: Kerry to Donnygaud. The West of Ireland was a hard
• 22:06
  Speaker 3: place to make a few quid as in farming. And
• 22:10
  Speaker 3: anybody listened to this and go, I'm a city fellow,
• 22:13
  Speaker 3: trust me, you go back a couple of generations and
• 22:15
  Speaker 3: you're not too far gone from the odd I promise you.
• 22:18
  Speaker 2: Like.
• 22:18
  Speaker 3: And in the fifties there was a lot there was
• 22:20
  Speaker 3: farming in cities, you know what I mean, Like there
• 22:22
  Speaker 3: was so there was a it was a hard place
• 22:24
  Speaker 3: because rocky outcrops and everything. So it was a great
• 22:28
  Speaker 3: idea by a man by the name of Dan Nolan
• 22:31
  Speaker 3: who was the director of The Kerry the newspaper, and
• 22:34
  Speaker 3: he put it to a couple of businesses in order
• 22:37
  Speaker 3: to bring bring a celebration of the Asper back because
• 22:41
  Speaker 3: everybody's fucked off, we should do this lovely girls competition.
• 22:45
  Speaker 3: They're like, that's not a bad idea at all. What
• 22:47
  Speaker 3: a bit the criteria and that was it basically says, well,
• 22:49
  Speaker 3: what about it? What about? And this is this is
• 22:52
  Speaker 3: and you like this for branding jar what about we
• 22:55
  Speaker 3: base it on the song every County as it's what's
• 23:00
  Speaker 3: the county from? With the song from Anahan?
• 23:03
  Speaker 2: Oh Jesus Tom, it's because Sleeve.
• 23:05
  Speaker 3: The Man is the one for Tipperary And the.
• 23:06
  Speaker 2: Only one that springs to mind is four Country Roads
• 23:09
  Speaker 2: by Big Tom.
• 23:09
  Speaker 3: But no, I don't the wonder would sing A company
• 23:12
  Speaker 3: would say the Ga Team, like like the Rosa Moon
• 23:15
  Speaker 3: Coyne is.
• 23:18
  Speaker 2: Kill Kenny.
• 23:19
  Speaker 3: Yeah, you know.
• 23:20
  Speaker 2: You know I'm gonna say Raglan Road, but what the
• 23:22
  Speaker 2: fuck do I know?
• 23:23
  Speaker 3: Racliff Road is fucking doublin Christ about Yeah?
• 23:26
  Speaker 2: Written by who?
• 23:27
  Speaker 3: Okay right, sorry, yeah, okay. It's a hard one to sing,
• 23:32
  Speaker 3: you know. Prior to the g a team running out
• 23:34
  Speaker 3: onto the pitch anyway. But it was a song written
• 23:36
  Speaker 3: about a written by a man called William Pembroke mul Kinnock,
• 23:43
  Speaker 3: a wealthy Protestant merchant who fell deeply in love with
• 23:46
  Speaker 3: Mary O'Connor, a poor Catholic maid, in service to his family,
• 23:51
  Speaker 3: and because there are different social standings, that love was forbidden.
• 23:54
  Speaker 3: But old Willy was forced to flee Ireland. When he
• 23:57
  Speaker 3: returned years later, discovered Mary had magically died of tuberculosis,
• 24:02
  Speaker 3: devastated pen the ballot in her memory, immortalizing her beauty,
• 24:07
  Speaker 3: gentle nature and character of the rose of true And
• 24:09
  Speaker 3: that's what Here's a couple of.
• 24:13
  Speaker 2: Bars over their tumbe for your talent, and.
• 24:15
  Speaker 4: The pill moon was rising among the green meadows. The
• 24:21
  Speaker 4: sun was declining beneath the blue steam. When I stood
• 24:28
  Speaker 4: with my love to the pure crystal fountain that's stands
• 24:34
  Speaker 4: in the beautiful vill love.
• 24:38
  Speaker 3: Now here's the bit. Here's the bit when we get Pennett,
• 24:40
  Speaker 3: Pennett fucking down. She was lovely and fair as the
• 24:45
  Speaker 3: rose of the summer. That's a that's a big ass right.
• 24:49
  Speaker 3: Yet twas not her beauty alone that won me. In
• 24:52
  Speaker 3: other words, she's hot, but like she's just blow Oh no,
• 24:57
  Speaker 3: twas the truth in her eyes ever done? That made
• 25:00
  Speaker 3: me love Mary the Rose of truly. So I mean,
• 25:02
  Speaker 3: the truth in the woman's eyes is what were is,
• 25:05
  Speaker 3: what die is? That's what we're judging on.
• 25:07
  Speaker 2: We might have one of the world's only truth in
• 25:09
  Speaker 2: our eyes competitions.
• 25:11
  Speaker 3: I mean, there were stars in her eyes back in
• 25:13
  Speaker 3: the day, but that went a bit of a right a
• 25:14
  Speaker 3: few times. But I think truth in their eyes. I
• 25:17
  Speaker 3: think you're as you said, there can be no other
• 25:20
  Speaker 3: other thing like that. You know what it is. It's
• 25:22
  Speaker 3: it's it's untainted and I like that. It's it's moved
• 25:27
  Speaker 3: with the times. Like we said, you can be pregnant
• 25:30
  Speaker 3: at the time of it, you can be married, you
• 25:32
  Speaker 3: can have childer. I don't know what is the age thing.
• 25:37
  Speaker 3: I think they've hung on to that. I think don't
• 25:38
  Speaker 3: think they're budgeting that.
• 25:39
  Speaker 2: I think you got it. Yeah, I don't see many
• 25:42
  Speaker 2: old roses, do you know. I'm open for correction on this.
• 25:46
  Speaker 3: I never promised you a rose gardener, but they do.
• 25:50
  Speaker 3: And I there's nobody gonna like, nobody's gonna convince me.
• 25:54
  Speaker 3: I'm like, I'm glad that they opened the gates a
• 25:56
  Speaker 3: little bit more when free up at modern times. But agebh,
• 26:00
  Speaker 3: it doesn't change. I like that they're keeping it between
• 26:02
  Speaker 3: eighteen twenty nine. Have a crack, and if you miss it,
• 26:05
  Speaker 3: you miss it. It's like you know, you miss windows
• 26:08
  Speaker 3: all the time for certain age things.
• 26:10
  Speaker 2: Like it's very possible, Tom, that by the age of thirty,
• 26:12
  Speaker 2: you might have grown out of such things. This is it.
• 26:15
  Speaker 3: The crack may not be ninety, you know what I mean.
• 26:18
  Speaker 2: You want to be the old woman at the club.
• 26:20
  Speaker 3: But Jesus to you, I've been the old lady at
• 26:23
  Speaker 3: the club, and.
• 26:25
  Speaker 2: At the club, I'll tell you, Tom, Okay, the Rosa true.
• 26:29
  Speaker 2: You know, you never know. If we keep talking about
• 26:30
  Speaker 2: it another while, we will see who wins the fucking thing.
• 26:32
  Speaker 2: But from now we're going to post on with the
• 26:34
  Speaker 2: rest of the show. Ladies and gentlemen. Rosa truly. If
• 26:36
  Speaker 2: we have any former Roses listening to the show, Jesus
• 26:39
  Speaker 2: Christ let us know. But until then we'll hold all
• 26:42
  Speaker 2: that off for the end of the show. Enough about
• 26:44
  Speaker 2: the ladies. Time for the lad is, Tom. It's this lad.
• 26:49
  Speaker 3: Now there's that guy. This one literally swam into our
• 26:53
  Speaker 3: fucking we could not mention this. Sweet Jesus Christ, this.
• 27:00
  Speaker 2: Is news from last week, ladies and gentlemen, that a
• 27:03
  Speaker 2: gentleman fishing was bitten by a shark off the coast
• 27:08
  Speaker 2: of Waterford. So this lad is urman that got bit
• 27:12
  Speaker 2: by the shark, and we wish him a full and
• 27:14
  Speaker 2: speedy recovery. Fucking ran with sharks notwithstanding, and also the
• 27:20
  Speaker 2: other lad the shark himself, who, as this story unfolds,
• 27:25
  Speaker 2: Tom decided that he had had enough it was time
• 27:29
  Speaker 2: to bite some fils.
• 27:30
  Speaker 3: What did they say? You know what is the sharks
• 27:32
  Speaker 3: are famous for saying fuck around and find out. Sharks,
• 27:36
  Speaker 3: I believe are well known for saying I know the sharks.
• 27:39
  Speaker 2: Other famous phrase is done done, done done. Okay, it's Tom.
• 27:45
  Speaker 2: A couple of things about this story. A gentleman fisher
• 27:48
  Speaker 2: was tagging sharks off the coast of Waterford.
• 27:51
  Speaker 3: And spray painting.
• 27:54
  Speaker 2: Yeah, he was like he was putting the artists right
• 27:57
  Speaker 2: out the side of it's rule and just fu on
• 27:59
  Speaker 2: about his business.
• 28:01
  Speaker 3: Years ago, turpan turp tank, turped tank was here. He's
• 28:05
  Speaker 3: still with us to just barely yes, it led out
• 28:10
  Speaker 3: to share.
• 28:11
  Speaker 2: His story as a gentleman called Sebastian a chem I'm
• 28:14
  Speaker 2: not butchering that for you, but I hope not shark
• 28:16
  Speaker 2: attacking you there, pal and he uh number one. Various
• 28:21
  Speaker 2: stories came out of this as well, like you know
• 28:23
  Speaker 2: immediately this man had been bitting in half by a
• 28:26
  Speaker 2: shark and all this kind of crack but an actual fact, No, Tom,
• 28:29
  Speaker 2: he was tagging sharks, not fishing. Now by his own admission,
• 28:37
  Speaker 2: what they do is they catch the shark, tag it,
• 28:39
  Speaker 2: and release it back into the water for purposes that
• 28:42
  Speaker 2: are alien to me more than a second.
• 28:44
  Speaker 3: Yeah, I.
• 28:47
  Speaker 2: Because the guy doesn't appear to be like a marine
• 28:50
  Speaker 2: biologist of any sorts. So I don't know why you
• 28:52
  Speaker 2: would be tagging sharks other than to follow them around
• 28:54
  Speaker 2: and at some other stage.
• 28:57
  Speaker 3: Catch them down the line, it is, I don't think
• 29:00
  Speaker 3: you wouldn't be allowed catch fish for sharks here. But
• 29:03
  Speaker 3: it's basically to to it's it's like the idea of
• 29:09
  Speaker 3: being is that you to put and the fisheries companies,
• 29:13
  Speaker 3: we need to know where fucking sharks are basically so
• 29:17
  Speaker 3: they'll be not just you're just totally away from But
• 29:20
  Speaker 3: the idea being too is that they're going, well where
• 29:23
  Speaker 3: these fuckers warming Okay, we ain't gone fish in there, okay,
• 29:25
  Speaker 3: So this is it is a service, it is put
• 29:28
  Speaker 3: and and also like it's all the information has to
• 29:31
  Speaker 3: be given over to the Irish Fisheries Board in the
• 29:34
  Speaker 3: same way you tag you might tag a pine mart
• 29:37
  Speaker 3: and not the best to fucking electronic tag one of
• 29:39
  Speaker 3: them motherfuckers. Like, but if there was declining numbers to
• 29:43
  Speaker 3: at least going Jesus Christ, there's a drop off from
• 29:45
  Speaker 3: blue sharks, because there's a blue shark that gotta go
• 29:47
  Speaker 3: hold of them, right and they they they it's just
• 29:51
  Speaker 3: it's anything because these fellows don't won't show up for
• 29:55
  Speaker 3: our senses, their pricks. We know that they just don't
• 29:57
  Speaker 3: do that ship that they've said that they're spokesman has
• 30:00
  Speaker 3: said that from the outset that they ain't shown up
• 30:03
  Speaker 3: to know tell you that much to know, fucking legs party.
• 30:08
  Speaker 2: So again, there was initial reports and there was a
• 30:10
  Speaker 2: lot of hah came around from all this as well,
• 30:13
  Speaker 2: because people believe that this guy was catching sharks and
• 30:15
  Speaker 2: a bit and back and it was a bit of
• 30:16
  Speaker 2: a a bit of a carmera much like when you
• 30:18
  Speaker 2: hear about these big game hunters getting trampled by elephants
• 30:23
  Speaker 2: and all this kind of thing, which is a great
• 30:24
  Speaker 2: day out for the family, But in actual fact, this
• 30:27
  Speaker 2: chap was performing a service for the betterment of the
• 30:30
  Speaker 2: general fishing community, and in doing so, Tom the shark decided,
• 30:36
  Speaker 2: you know, what's the bastin You look tasty, hump. I
• 30:40
  Speaker 2: feel we're blowing past a lot here, Tom, I think
• 30:43
  Speaker 2: we're blowing past here. We're burying the lead. As they say,
• 30:46
  Speaker 2: I did not know that there were fucking sharks in
• 30:49
  Speaker 2: the water outside Ireland.
• 30:51
  Speaker 3: You're right on the money with me there. I didn't
• 30:54
  Speaker 3: fucking know. I knew we had basking sharks. I didn't
• 30:57
  Speaker 3: know we had any bitey sharks.
• 30:59
  Speaker 2: I don't know those a body shark within one hundred
• 31:02
  Speaker 2: miles of me. I would have never gone to the seaside.
• 31:04
  Speaker 2: We never brought the kids to go fucking paddling in Malahide.
• 31:08
  Speaker 2: We've got fucking bity bastards and sharks in air cold water.
• 31:14
  Speaker 3: There's a there's a top acre up there, and I
• 31:17
  Speaker 3: will fucking give it to you if you want to
• 31:18
  Speaker 3: move the family in where there's next to zero shark
• 31:23
  Speaker 3: attacks where I am, because I'm eighty miles from the
• 31:25
  Speaker 3: ear as fucking sea, So just just get them there.
• 31:28
  Speaker 2: And my Tom, I'm teking and I don't think I
• 31:31
  Speaker 2: don't think I'm far enough to be honest with you.
• 31:34
  Speaker 2: So okay, this is this is, this is where I
• 31:36
  Speaker 2: realized that I can never go next to near the
• 31:38
  Speaker 2: sea ever again. Ah, Tom, you obviously didn't know the
• 31:44
  Speaker 2: were sharks in the sea around Ireland. But it does
• 31:46
  Speaker 2: strengthen their position on the sea.
• 31:48
  Speaker 3: It does exactly. And we will, I mean we'll, we'll,
• 31:50
  Speaker 3: you know, we can if for people who have never
• 31:53
  Speaker 3: heard our position on the sea, we can, we can
• 31:55
  Speaker 3: refer back to it a little bit where we get
• 31:57
  Speaker 3: to section see of this this project. I had no
• 32:03
  Speaker 3: grasp and im sure shit didn't think anybody would bothering
• 32:06
  Speaker 3: their hole hooking them in. Jesus Christ, lads, my kid
• 32:11
  Speaker 3: with a fucking nerve gone could pick the fucking thing
• 32:13
  Speaker 3: fucker from fifty meters away, shoot the fucker with a
• 32:15
  Speaker 3: nice little dart, and don't be bothering that bastard thing
• 32:18
  Speaker 3: like the last thing you're gonna pull in a sea wolf,
• 32:22
  Speaker 3: a fucking sea wolf. You. I hope that it just
• 32:25
  Speaker 3: lies there for you. Hey, put your boot against the
• 32:27
  Speaker 3: side of him. There after streaker tag in his vein.
• 32:30
  Speaker 2: Yeah you know, do you know what, I've seen him
• 32:32
  Speaker 2: a life get tagged. I've seen cattle get tagged. Do
• 32:34
  Speaker 2: you know what that don't have to do for cattle
• 32:36
  Speaker 2: to tag them, bring them into the.
• 32:37
  Speaker 3: House next to next to never. In fact, you are
• 32:40
  Speaker 3: legally obliged to have a what's known as a crush
• 32:44
  Speaker 3: on side jerr where you hunt him into a corral.
• 32:47
  Speaker 3: You close the crush on their the top part of
• 32:50
  Speaker 3: their neck.
• 32:51
  Speaker 2: It doesn't hurt them.
• 32:52
  Speaker 3: And need him a tag, I'll tell you one thing.
• 32:54
  Speaker 3: Best to look. Try and doing that fucking thing out
• 32:56
  Speaker 3: in an open field. It will fucking tramp him into
• 32:58
  Speaker 3: the ground. Have you ever even tried to get a
• 33:00
  Speaker 3: cat to sit still or while you're giving an ejection,
• 33:03
  Speaker 3: or to even put him into its own travel cage?
• 33:06
  Speaker 3: And get the fuck off me? A shark you're gonna
• 33:12
  Speaker 3: pull in, which, by the wayge are these cutting things
• 33:15
  Speaker 3: can get over three meters. That's that's nearly ten foot
• 33:18
  Speaker 3: in old money. Now, anything that's ten foot and has
• 33:22
  Speaker 3: a mouthful of fucking teeth, they can stay wherever it
• 33:25
  Speaker 3: wants to stay.
• 33:25
  Speaker 2: I'm happy to enjoy the sea, mister shark.
• 33:28
  Speaker 3: I'm happy to never know how many of them. They
• 33:30
  Speaker 3: are happy, happy, delighted, happy, Like I don't know how
• 33:34
  Speaker 3: many Kodiak bears are in Ireland right now. I don't know.
• 33:37
  Speaker 3: Not stressing about it once one bit, because as soon
• 33:40
  Speaker 3: as you start knowing that kind of shit, you start
• 33:43
  Speaker 3: asking for fucking trouble.
• 33:44
  Speaker 2: Like this is a new guy that that did a course,
• 33:49
  Speaker 2: it took like a ten week course or whatever for
• 33:51
  Speaker 2: scuba dive and just decided one day he wanted to
• 33:53
  Speaker 2: learn how to scuba dive, and he did his scuba
• 33:55
  Speaker 2: diving and they did scuba dives off the coast of
• 33:58
  Speaker 2: like holding all this kind of crack. And he tells
• 34:01
  Speaker 2: me that when you go down into the water, it's
• 34:03
  Speaker 2: like the very best to look getting through it because
• 34:06
  Speaker 2: it's literally like a wall of fish. It's it's not like, oh, well,
• 34:11
  Speaker 2: you know, you see a fish here and there. You
• 34:12
  Speaker 2: literally have to kind of bust your way down through
• 34:17
  Speaker 2: fucking millions of fish.
• 34:19
  Speaker 3: So what you're saying is we have no business in
• 34:22
  Speaker 3: amongst all the fish.
• 34:23
  Speaker 2: And the notion to me that in the middle of
• 34:26
  Speaker 2: all that that you do kind of make your way
• 34:27
  Speaker 2: through this forest of fish as you're pissing around in
• 34:31
  Speaker 2: the sea off Holt for reasons that I can't fathom.
• 34:33
  Speaker 2: But while you're doing all that, you might just run
• 34:35
  Speaker 2: the corner and all of a sudden, Hello Bruce hump.
• 34:38
  Speaker 2: But you face off now, you be all right, Jesus
• 34:40
  Speaker 2: Christ Sebastian ak akam Sorry, I was going to say that.
• 34:49
  Speaker 2: I'm trying to I'm trying to say how how he
• 34:51
  Speaker 2: said it in his way of saying it, but a
• 34:53
  Speaker 2: bit of my way of saying it kind of basically said, yeah,
• 34:58
  Speaker 2: fair play shark. You know I've done you wrong. I
• 35:01
  Speaker 2: dragged you into the boat may A Kulpa and you
• 35:04
  Speaker 2: bit me. I don't blame the shark for biting me.
• 35:07
  Speaker 2: He was straight up with it now, because we had
• 35:09
  Speaker 2: kind of prepared a little bit to be like again,
• 35:12
  Speaker 2: when we heard the story first, it sounded very much
• 35:14
  Speaker 2: like these poachers get that get you know, gored by
• 35:17
  Speaker 2: bulls and ship like this, and we're there like, well,
• 35:19
  Speaker 2: you know, fuck around and find out, but no natural fact.
• 35:22
  Speaker 2: This guy is like you know, I I I was
• 35:24
  Speaker 2: working at my job, I got too close to the
• 35:27
  Speaker 2: lad and I lost the finger, you know, like that,
• 35:29
  Speaker 2: he's just like, I can't blame the lad.
• 35:31
  Speaker 3: For Yeah, yeah, lads be biting you know what I mean?
• 35:34
  Speaker 2: It is.
• 35:34
  Speaker 3: It's like I think you know the story of the scorpion,
• 35:37
  Speaker 3: you know.
• 35:37
  Speaker 2: With the with the rug. Yeah, which what am I
• 35:41
  Speaker 2: going to do? Yeah?
• 35:42
  Speaker 3: But he like he said to himself, because typically you'd
• 35:45
  Speaker 3: stay like a couple of a meter back and you'd
• 35:48
  Speaker 3: be all right, because they typically don't move. This particular
• 35:51
  Speaker 3: one had enough of his ship. He'd heard his cousins
• 35:54
  Speaker 3: getting tagged, and thought I have some and he latched
• 35:59
  Speaker 3: onto his his calf and fucked him up.
• 36:02
  Speaker 2: Exactly in Sebastian's own word words. The fish is in
• 36:07
  Speaker 2: the right We took it out of the water, and
• 36:09
  Speaker 2: his survival instincts kicked in. I like fair play. There
• 36:13
  Speaker 2: you go.
• 36:13
  Speaker 3: He's been left. He's missing a chunk of tissue, which is,
• 36:16
  Speaker 3: in all fairness, it's a crocodile in d story. You're
• 36:18
  Speaker 3: going to have that foot up on every bar stool
• 36:20
  Speaker 3: in the fucking country, aren't you?
• 36:21
  Speaker 2: Bitten by shark?
• 36:22
  Speaker 3: Bitten by a shark. He needs skin grafts, and I
• 36:25
  Speaker 3: think he's going to have a couple of nice puncture
• 36:26
  Speaker 3: wounds from the thing. He's arrived the Corky University Hospital
• 36:31
  Speaker 3: sent out of chopper got him probably gone, that's.
• 36:33
  Speaker 2: Some called call. I was just thinking, it's just like,
• 36:36
  Speaker 2: you know, we've got a patient coming in. What is it?
• 36:39
  Speaker 2: Did he fall off a ladder or what's that? What's
• 36:40
  Speaker 2: our typical thing? Did he fall off a ladder having
• 36:42
  Speaker 2: respiratory problems? Oh? No, we we we got one for you.
• 36:45
  Speaker 2: We got a shark bite. You know, And by shark bite,
• 36:48
  Speaker 2: you mean what I mean a shark bit a man,
• 36:51
  Speaker 2: a shark shark.
• 36:54
  Speaker 3: It's is there is there another word for what I'm thinking?
• 36:57
  Speaker 3: They're no, it was a genuine bite, biting.
• 37:00
  Speaker 2: This is this like some slang? Is this like some
• 37:02
  Speaker 2: young people slang? He got a shark bite? So that
• 37:04
  Speaker 2: like an overdose or something. No, listen to me, son
• 37:07
  Speaker 2: of a bitch. I got a man soaking wet. It
• 37:10
  Speaker 2: was like pissing blood because he's been bitten by a
• 37:13
  Speaker 2: shark in Waterford.
• 37:15
  Speaker 3: He has I said he had. It was like I
• 37:17
  Speaker 3: was admiring the fish itself when I jumped in a
• 37:20
  Speaker 3: millisecond and grabbed into my into my calf. I can't
• 37:24
  Speaker 3: say it was a deliberate attack or not a deliberate attack,
• 37:27
  Speaker 3: but the fish was in the right We took it
• 37:29
  Speaker 3: out of the water and the fish was in his survival.
• 37:31
  Speaker 2: Instead, like that's a big day for Sebastian that I
• 37:36
  Speaker 2: would admiring the shark and like, wow, that's a nice bastard.
• 37:40
  Speaker 3: I would I would leave off the first part of
• 37:42
  Speaker 3: that possible maybe is maybe? Isn't he won one hundred percent?
• 37:47
  Speaker 3: He didn't fucking not deliberty bite onto the limb that
• 37:51
  Speaker 3: was closest to him. He wasn't going looks like a
• 37:54
  Speaker 3: nice bit of fucking seaweed over the No, he went
• 37:56
  Speaker 3: both are fuckers and lockdown. But they did just throw
• 38:00
  Speaker 3: them apart.
• 38:01
  Speaker 2: But I did like the way that he said, like,
• 38:03
  Speaker 2: we didn't want to panic the fish further, so we
• 38:05
  Speaker 2: put them back in the water. No, you kicked and
• 38:09
  Speaker 2: suplex that fish back into the water. Get this fucking
• 38:12
  Speaker 2: ahead of the boat before he bites more, you sons
• 38:14
  Speaker 2: of bitches.
• 38:17
  Speaker 3: It's a moment too where you're like a fox said
• 38:20
  Speaker 3: ship but you're like, there has to be something in
• 38:22
  Speaker 3: the back of your mind. Okay, you're panicking, You're trying
• 38:24
  Speaker 3: to stem the blood and all the rest, and you're like, okay,
• 38:26
  Speaker 3: just hang in there, said, but you're gonna be okay,
• 38:28
  Speaker 3: keep the leg elevated. But you're sitting there on the
• 38:30
  Speaker 3: deck with him with his leg over your shoulder, and
• 38:32
  Speaker 3: you're like, I just saw a fucking shark bite somebody.
• 38:38
  Speaker 3: Do you know there's there has to be an element
• 38:39
  Speaker 3: of it where you're kind of going.
• 38:41
  Speaker 2: It's one for the pub, isn't it. It's you for
• 38:44
  Speaker 2: pints this evening. No, he's not. I come let me.
• 38:47
  Speaker 3: Show you this without dry phone. And there's a picture
• 38:50
  Speaker 3: of a fucking bitten legs.
• 38:52
  Speaker 2: Like, which ever did me a wee favor? Tom? Okay,
• 38:55
  Speaker 2: So there you go. This lad a shark, and indeed
• 38:57
  Speaker 2: Sebastian who seems to be, if nothing else, a good
• 39:02
  Speaker 2: sport about the whole thing.
• 39:05
  Speaker 3: Look, Jarrett, is only one way to cap this off,
• 39:07
  Speaker 3: and it's it's it's a tale as old as time.
• 39:09
  Speaker 3: And if a proverb that say a million times they see,
• 39:15
  Speaker 3: fill it into fuck.
• 39:17
  Speaker 2: Fill it into fuck. And of course myself and Tom,
• 39:19
  Speaker 2: if we have a fear of sharks, it comes from
• 39:22
  Speaker 2: the movies we watched down through the years.
• 39:24
  Speaker 3: It comes from a fucking absolute natural saying places.
• 39:29
  Speaker 2: From a natural knowledge. That's something that's ninety percent teeth.
• 39:31
  Speaker 2: It's probably not something to be fucked with. But we watched,
• 39:34
  Speaker 2: we watched shark movies down through the years, Tom, and
• 39:36
  Speaker 2: we've watched them for a long time because we're not
• 39:38
  Speaker 2: exactly young folks or well into our forties now at
• 39:41
  Speaker 2: this stage, we've seen a lot come and we've seen
• 39:43
  Speaker 2: a lot go. We talk about it in the final
• 39:45
  Speaker 2: segment of the show called We Remember When When I
• 39:50
  Speaker 2: was a young.
• 39:50
  Speaker 3: Lad twenty or thirty or forty years ago, I like that.
• 39:54
  Speaker 2: Tom, dreams can come true. If you want to be
• 39:56
  Speaker 2: part of the Tom and Jerry Show, just drop us
• 39:57
  Speaker 2: a comment on our Instagram. It can inspire wholes we're
• 40:00
  Speaker 2: about to get into here. We got a call on Instagram.
• 40:05
  Speaker 2: We got a DM as they said, someone slid into
• 40:07
  Speaker 2: our DMS to our DMS nice and account called Trowbridge Milling,
• 40:15
  Speaker 2: Trowbridge Millworking. Actual fact, I personally don't know where true
• 40:18
  Speaker 2: Bridge is. But we've had the correspondence with this listener
• 40:21
  Speaker 2: over down through the years, and we thank you for
• 40:22
  Speaker 2: listening to the Tom and Jerry Show. They ask, have
• 40:27
  Speaker 2: you ever done a we remember on when movies were
• 40:30
  Speaker 2: actually funny? And you know this is something that comes
• 40:35
  Speaker 2: around every now and then. It's like, how come there
• 40:37
  Speaker 2: are no good comedies these days? How come there are
• 40:39
  Speaker 2: no good comedies these days? And I like to think Tom,
• 40:41
  Speaker 2: in our lifetime, born in the eighties, we've seen a
• 40:45
  Speaker 2: lot of funny movies coming through. But is it fair
• 40:49
  Speaker 2: to say that there are no more comedies being made?
• 40:52
  Speaker 2: When we put these things to the sword? And if
• 40:54
  Speaker 2: there are no more comedies being made, can we on
• 40:57
  Speaker 2: the Tom and Jerry Show figure out why? I mean,
• 41:00
  Speaker 2: that's twenty minutes a podcast in time for any man.
• 41:02
  Speaker 3: Right, do you know? It's it's a It was hilarious
• 41:06
  Speaker 3: that this one came in because quite literally I was talking.
• 41:08
  Speaker 2: With a youth.
• 41:10
  Speaker 3: He would have been a youth. He's eighteen years of age.
• 41:14
  Speaker 3: And in all fairness, he's a good lead. He's a
• 41:16
  Speaker 3: good lead dope as you imagine eighteen year olds are,
• 41:20
  Speaker 3: but hidden sharpness like then he'll be sharp in a
• 41:22
  Speaker 3: couple of years. Like but he coming he was asking
• 41:26
  Speaker 3: about comedies like and he said, well, what's like? He
• 41:29
  Speaker 3: doesn't like He doesn't watch them like typically because he
• 41:32
  Speaker 3: doesn't have a grasp of what like he had now
• 41:36
  Speaker 3: he loves watching when it's put in front of him
• 41:38
  Speaker 3: something like like Borat, He's like, what the fuck? What
• 41:43
  Speaker 3: the fuck? The young you know, like they what are
• 41:46
  Speaker 3: the lads day? The in between ers? You know what
• 41:48
  Speaker 3: I mean, It's like, what the how come they don't
• 41:51
  Speaker 3: make this for me? Like, now, how come this isn't
• 41:54
  Speaker 3: getting made now?
• 41:55
  Speaker 2: And one of these every week?
• 41:56
  Speaker 3: I said, fad point man, I said, don't. I said,
• 41:58
  Speaker 3: there's I said that there's a load of factors as
• 42:01
  Speaker 3: to why it isn't being made that standard of comedy.
• 42:04
  Speaker 3: And there's there're like opinions or opinions, and you know,
• 42:07
  Speaker 3: as we talked about it too, jir like, there's very subjective.
• 42:10
  Speaker 3: It's very subjective, right boat. I don't fully buy that either.
• 42:16
  Speaker 3: There's a technical craft to comedy too, like like there
• 42:20
  Speaker 3: is any creative art form, no matter what it is, Like,
• 42:24
  Speaker 3: there's a technical craft. Spots you gotta hit. You gotta
• 42:26
  Speaker 3: hit spots in a certain wrestling match to make it work.
• 42:29
  Speaker 3: You gotta like, Okay, there's art, you know, candass art
• 42:33
  Speaker 3: out there is sixty four million for some cint fucking
• 42:36
  Speaker 3: a pain kind of You're like, well, you're just fucking
• 42:38
  Speaker 3: lounder money. There has to be certain elements, and a
• 42:43
  Speaker 3: lot of it it will come out come down to originality.
• 42:46
  Speaker 3: A lot of them will come down to tickling the
• 42:48
  Speaker 3: fucking maybe a current affairs kind of thing, you know,
• 42:51
  Speaker 3: like they boat like.
• 42:53
  Speaker 2: You know what I'm going to tell you, Tom, You
• 42:54
  Speaker 2: and I are about comedians by trade. A lot of it
• 42:57
  Speaker 2: comes down to time and time and time, and like
• 42:59
  Speaker 2: a lot of comes down to time. And sometimes things
• 43:04
  Speaker 2: appear and they just don't appear at the right time,
• 43:06
  Speaker 2: and they get lost in the shuffle, and you're saying
• 43:08
  Speaker 2: to yourself, God, there hasn't been a good comedy for years,
• 43:10
  Speaker 2: and then in actual fact, we just missed them. You
• 43:14
  Speaker 2: know what to do. Here's what we're going to do
• 43:16
  Speaker 2: for a finish here on this one. Here we are
• 43:19
  Speaker 2: going to take a look if they don't make good
• 43:21
  Speaker 2: comedies anymore, We're just going to take a look at
• 43:23
  Speaker 2: what we've kind of lived through. So, unfortunately, the rules
• 43:27
  Speaker 2: of this segment dictate that it takes place in our
• 43:29
  Speaker 2: lifetime nineteen eighty to present day. So Blaze and Saddles
• 43:33
  Speaker 2: is out, I'm afraid you know, yeah, yeah, et cetera.
• 43:35
  Speaker 2: So it has to be kind of made in our
• 43:37
  Speaker 2: time and we're not going this isn't going to be
• 43:40
  Speaker 2: an exhaustive list. It's not just going to be the
• 43:41
  Speaker 2: two of us house party. Cant I think this is funny?
• 43:45
  Speaker 2: That is that funny? We kind of we kind of
• 43:47
  Speaker 2: be a wee bit more scientific with that. We'll figure
• 43:50
  Speaker 2: out where the world started to run dry, if indeed
• 43:53
  Speaker 2: it did. And Tom, I'm going to tell you as well.
• 43:55
  Speaker 2: One other thing. Yeah, it's a very subjective sort of thing.
• 44:00
  Speaker 2: So what we'll aim for here is basically broad general
• 44:04
  Speaker 2: humor that buy and large most people would like. We're
• 44:07
  Speaker 2: not going to include any twenty eighteen art house movies,
• 44:12
  Speaker 2: which were a very droll commentary on society. No, but
• 44:15
  Speaker 2: I respect smile when I watch these things.
• 44:18
  Speaker 3: I will give you that. I will give you an
• 44:21
  Speaker 3: example of something that can get lost in the ether
• 44:23
  Speaker 3: and turn up to be what I found one of
• 44:25
  Speaker 3: the funniest things ever. It was and like that. It
• 44:29
  Speaker 3: was a bit art housing, but I was done. It's
• 44:31
  Speaker 3: got an independent thing, but it was again got lost
• 44:33
  Speaker 3: in either. It was a movie called Chopper. Do you remember
• 44:37
  Speaker 3: that Chopper right exactly? Yeah, Yeah, it didn't make it,
• 44:39
  Speaker 3: but I by chance saw it one day, had time
• 44:42
  Speaker 3: to kill in the Keno, which showed it was like
• 44:45
  Speaker 3: the water the Lighthouse in Dublin shows a lot of
• 44:48
  Speaker 3: independent stuff, and came away on what that might be
• 44:50
  Speaker 3: the funniest fucking thing I've ever seen?
• 44:52
  Speaker 2: Aunt exactly, but you know, in your heart and soul
• 44:55
  Speaker 2: you'd recommend that to a couple of boys that sit
• 44:57
  Speaker 2: down and watch it and knock crack a spile and
• 44:58
  Speaker 2: be like, what are you fucking Oh? Yeah, So so we'll
• 45:01
  Speaker 2: keep it. We'll keep it a little bit broader here
• 45:04
  Speaker 2: and and and and Rather than exhaustibly list out this movie,
• 45:08
  Speaker 2: in that movie and the other movie, Tom, I'm going
• 45:09
  Speaker 2: to take you back to the eighties. I want to
• 45:11
  Speaker 2: say everything was funnier in the eighties because you must remember, Tom,
• 45:15
  Speaker 2: we were fucking children.
• 45:16
  Speaker 3: There do you go? Now? Yeah? So like with respect, jar,
• 45:21
  Speaker 3: can you can you just can you rephrase how you
• 45:24
  Speaker 3: can that sentence?
• 45:26
  Speaker 2: We were we were children, don't you fucking know?
• 45:30
  Speaker 3: Yeah? Before you know it right around the corner like
• 45:35
  Speaker 3: it's Jesus Christia, we were children.
• 45:38
  Speaker 2: And your your new hard drives recording all this. Wow,
• 45:43
  Speaker 2: why does this show up? Yeah? We were we were
• 45:46
  Speaker 2: kids in the eighties time, So I can rest assured
• 45:48
  Speaker 2: you that we were laughing at our balls off at
• 45:51
  Speaker 2: Police Academy one through six. Ah, you sit down and
• 45:55
  Speaker 2: watch them in the Cold Heart of Light today and
• 45:57
  Speaker 2: that doesn't work. But what I will tell you in
• 46:00
  Speaker 2: the eighties, here's how we'll do with the eighties. Okay,
• 46:03
  Speaker 2: we look at who were the big stars of it,
• 46:05
  Speaker 2: and people say, like, you know, rather than pull out
• 46:08
  Speaker 2: this movie, that movie, the big stars in the nineteen
• 46:10
  Speaker 2: eighties in American comedies, which we would have loved over
• 46:14
  Speaker 2: here where Saturday Night Live people. Yeah, typically yeah, typically
• 46:20
  Speaker 2: you had Eddie Murphy, Chevy Chase, Dan Aykroyd, Bill Murray,
• 46:24
  Speaker 2: like you know, Steve Martin, Belushi while he was with
• 46:29
  Speaker 2: Lucy John Candy.
• 46:30
  Speaker 3: But Candy then was the other one, wasn't he from Shandy?
• 46:33
  Speaker 4: Yeah?
• 46:34
  Speaker 2: The Chicagan krowd.
• 46:35
  Speaker 3: Yeah.
• 46:35
  Speaker 2: So what we're talking about is they were like the
• 46:38
  Speaker 2: stars of of the time, and the movies that they
• 46:41
  Speaker 2: were in must be said are classics. Okay, So I
• 46:45
  Speaker 2: was I would hold him to a high standard. I'm
• 46:47
  Speaker 2: not going to turn around go like boy ataya. Steve
• 46:50
  Speaker 2: Gutenberg was knocking to hit after.
• 46:52
  Speaker 1: Yeah, yeah, yeah, yeah, yeah, yeah, yeah.
• 46:55
  Speaker 2: We laughed at Police Academy back in the day time
• 46:57
  Speaker 2: and the cold, hard light the day. I'm not sure
• 46:59
  Speaker 2: that it holds up. And I'm gonna like, I'm gonna say,
• 47:05
  Speaker 2: there may be a little bit of rose tinted memories
• 47:07
  Speaker 2: on a couple of these things. Big trading places fun
• 47:10
  Speaker 2: in this house. But if you haven't watched Coming to
• 47:14
  Speaker 2: America Again lately.
• 47:16
  Speaker 3: It's a it's a it's.
• 47:18
  Speaker 2: More of a slog than you remember. Yeah, it takes
• 47:20
  Speaker 2: them forty five minutes to get the Queens. There's a
• 47:23
  Speaker 2: very very funny twenty minute segment there when they settle
• 47:26
  Speaker 2: down in Queens.
• 47:27
  Speaker 3: The barb is fucking slow. Yeah, yeah, it is. It
• 47:32
  Speaker 3: is true. And I think also our pace, temperament, and
• 47:36
  Speaker 3: our I suppose our patience has changed too, you know
• 47:41
  Speaker 3: what I mean, your taste for everything has changed too.
• 47:43
  Speaker 3: And I'm using the broadstroke, not just me and Jerry,
• 47:47
  Speaker 3: the broad Western Western world would say in watching movies,
• 47:52
  Speaker 3: because you ain't gonna sit through, you know, the whole
• 47:54
  Speaker 3: training sequence of police again. Then you know police like
• 48:00
  Speaker 3: National Lampoon's driving. There's a lot of samey samy stuff
• 48:04
  Speaker 3: like going on through the whole thing, you know, until
• 48:06
  Speaker 3: you meet you know, cousin Randy.
• 48:08
  Speaker 2: It isn't you know, there's the highlights that you remember
• 48:11
  Speaker 2: that you lost your shit at. But you know, let's
• 48:15
  Speaker 2: be honest, like they weren't all gems. No, you move
• 48:18
  Speaker 2: yourself into the nineties time. And here's what I was
• 48:20
  Speaker 2: talking about, Timonds, because the stars of the eighties, you're
• 48:23
  Speaker 2: Bill Murray's and your Eddie Murphy's and Chevy Chase. Chevy
• 48:26
  Speaker 2: Chase couldn't get a kick in the stampede in the nineties. No,
• 48:29
  Speaker 2: he was gone.
• 48:30
  Speaker 3: He was gone.
• 48:30
  Speaker 2: Sorry, ye due to another factor, which we'll play a
• 48:34
  Speaker 2: part in a little oil. Tom Eddie Murphy couldn't give
• 48:38
  Speaker 2: it away in the nineties. Who was the big stars
• 48:40
  Speaker 2: in the nineties, Tom Jim Carrey came through in nineteen
• 48:43
  Speaker 2: ninety three, Dummer, Ace Ventura, Adam Sandler came through fan
• 48:49
  Speaker 2: than me.
• 48:50
  Speaker 3: Yeah, I would have been. I would have been more
• 48:52
  Speaker 3: so because I'd have wanted the first The first times
• 48:55
  Speaker 3: that came across Sandler was a tape that my sisters
• 48:58
  Speaker 3: had brought again it was his muse, who is this
• 49:01
  Speaker 3: hilarious bastard, you know, Curson in the middle of songs
• 49:04
  Speaker 3: and stuff like that. And then of course Jim Carrey,
• 49:06
  Speaker 3: you know what I mean. The guy was just goold,
• 49:08
  Speaker 3: just a rocket ship. But he was the Ernold Schwartzninggger
• 49:11
  Speaker 3: of the comedy.
• 49:12
  Speaker 2: Of the comedy world, a massive star. And we were
• 49:14
  Speaker 2: still like younger people. And in the nineties as well,
• 49:18
  Speaker 2: towards the end of it, you started getting all these
• 49:21
  Speaker 2: kind of sex comedies like American Pie and all this.
• 49:24
  Speaker 3: Yeah, yeah, yeah, we moved.
• 49:25
  Speaker 2: Into sort of this sort of gross out humor where it.
• 49:28
  Speaker 3: Was everything did we talked about this and when we
• 49:30
  Speaker 3: talked about wrestling, the Generation X kind of you.
• 49:32
  Speaker 2: Know, this Cherry Springer ship, yeah.
• 49:34
  Speaker 3: You know, Limp Biscuit and how they named their albums
• 49:37
  Speaker 3: and stuff LIKELF like you know what I mean, the
• 49:40
  Speaker 3: name like all it was all like it was all
• 49:43
  Speaker 3: that rebellious spiriting, that rebellious spirit.
• 49:46
  Speaker 2: And you know what if a dog shot in an
• 49:49
  Speaker 2: ice cream cone and somebody et.
• 49:51
  Speaker 3: If they went off a dog into a fucking cross
• 49:53
  Speaker 3: on you know, like exactly, you know what, what was
• 49:56
  Speaker 3: your man's name that Van Wilder and Wilder.
• 49:58
  Speaker 2: That's it and and and crack me up at the time, Tom,
• 50:02
  Speaker 2: I gotta tell you and Cole hard Light to day,
• 50:04
  Speaker 2: I don't know that I would sit down and watch
• 50:06
  Speaker 2: American Pie to any given started not a fit. You know,
• 50:10
  Speaker 2: you know, these things don't age all that well. And
• 50:13
  Speaker 2: you know people who say, well, because it's this, that
• 50:15
  Speaker 2: and the other, and you can't say this and you
• 50:16
  Speaker 2: can't say that, or like, you know, maybe I was
• 50:19
  Speaker 2: just twenty and I thought it was funny, and now
• 50:21
  Speaker 2: with respect, I don't.
• 50:24
  Speaker 3: There's there's that, and you made a valid point. I
• 50:27
  Speaker 3: don't think the world is like it's very I think,
• 50:30
  Speaker 3: very black and white to just say, and sometimes I
• 50:33
  Speaker 3: hear well season comedians say these things like oh you
• 50:37
  Speaker 3: you just you can't say these you can't do these
• 50:39
  Speaker 3: things anymore. They're gone super sensitive. I don't believe that
• 50:43
  Speaker 3: the world has actually gone that soft. Neither do I.
• 50:46
  Speaker 3: I think that the world probably fucking rougher and it's
• 50:50
  Speaker 3: just moved into a different realm. People have taken what
• 50:53
  Speaker 3: they want from that and gone, well, you know what,
• 50:54
  Speaker 3: I'll just go sign up to only fans.
• 50:56
  Speaker 2: How's that?
• 50:56
  Speaker 3: And you're like, all right. But I do think it
• 50:59
  Speaker 3: comes down into a couple of factors. Playing it safe
• 51:03
  Speaker 3: with big names, you know what I mean, Playing it safe,
• 51:06
  Speaker 3: and it was a plane, it saved by putting anything
• 51:09
  Speaker 3: you want around Jim Carey's neck of the nineties. You
• 51:12
  Speaker 3: know what I mean, putting anything you want around his neck.
• 51:15
  Speaker 3: It's getting greenlit and it's making a fucking bomb, it's
• 51:20
  Speaker 3: making a fortune. It migrated then into kind of I
• 51:25
  Speaker 3: suppose you you'd softer characters, and it was like, because
• 51:28
  Speaker 3: storylines change, human perception of things change, and public perception
• 51:33
  Speaker 3: and things change, and now you're looking for the kind
• 51:35
  Speaker 3: of sad sack guy, you know, rather than the verbal
• 51:39
  Speaker 3: verbos ace venture. Now you've got Adam set or fucking
• 51:43
  Speaker 3: Ben Stiller being a soppy prick and everything.
• 51:45
  Speaker 2: You know what I mean, Yeah, yeah, I mean Ben's
• 51:49
  Speaker 2: still are for good or for real then, And I
• 51:50
  Speaker 2: don't mind Ben Siller, but he was like you know, yeah,
• 51:55
  Speaker 2: he was one of the biggest stars of the two thousands.
• 51:57
  Speaker 2: Ben's still are coming through and and and like again,
• 51:59
  Speaker 2: like necessarily a Jim Carrey big character, not a big
• 52:04
  Speaker 2: character like Eddie Morphield the World course he had Zuolandern
• 52:07
  Speaker 2: as well, but by and large, you know, there's something
• 52:09
  Speaker 2: about Mary and you're along King Paul's and all this
• 52:13
  Speaker 2: kind of thing. He's playing more like sort of like
• 52:14
  Speaker 2: a gentle Tom hanksy kind of com Yeah, yeah, yeah, yeah,
• 52:19
  Speaker 2: you know, like this kind of thing. And Ben Stiller
• 52:22
  Speaker 2: was a big star in the two thousands and so
• 52:24
  Speaker 2: was This is when fucking Ron Burgundy, Will Ferle, Will Ferrell,
• 52:31
  Speaker 2: Why got that name not come to me? Will Ferrel,
• 52:33
  Speaker 2: Vince Vaughan, Owen Wilson, this kind of set comes through
• 52:38
  Speaker 2: and you start seeing your your your wedding crashers, and
• 52:41
  Speaker 2: your your Zoolanders and and your Dodgeball and all this
• 52:45
  Speaker 2: kind of thing. So so it's it's I feel like
• 52:48
  Speaker 2: we're still getting mid to big budget comedies with people
• 52:52
  Speaker 2: that you would know and trust, and you could if
• 52:54
  Speaker 2: you see Will Ferrell on the poster, you say to yourself,
• 52:57
  Speaker 2: I like Will Ferrell, I'll go see Will Farr.
• 52:59
  Speaker 3: Yeah, yeah, yeah, And that's exactly it. You're going to
• 53:02
  Speaker 3: go see it in the movies.
• 53:03
  Speaker 2: And two thousand and five, two thousand and six, at
• 53:05
  Speaker 2: this stage, Jim Carey has done Eddie Morphy on it.
• 53:08
  Speaker 2: Jim Carey can't fucking give it away at this stage,
• 53:10
  Speaker 2: or instead of instead of sticking with the comedy, he's like, well,
• 53:13
  Speaker 2: actually I'm a serious actor. Now I'm going to go
• 53:14
  Speaker 2: do fucking eternal sunshine. I'm going to go do all
• 53:16
  Speaker 2: this sort of thing.
• 53:17
  Speaker 3: People move on, you have to say, well, clad Thankfully
• 53:20
  Speaker 3: he realized too that even that wasn't for him, and
• 53:22
  Speaker 3: he just recluded himself back into you know, dumb and
• 53:26
  Speaker 3: dumber was the peak of him. Like really I think,
• 53:29
  Speaker 3: you know, with Jeff Daniels or whatever, but he reverted
• 53:31
  Speaker 3: back to being an artist. Good for the painter too,
• 53:34
  Speaker 3: by all accounts, like and he just went nah. Like
• 53:36
  Speaker 3: they interviewed him one day in the studio and huge
• 53:38
  Speaker 3: studio in Hollywood somewhere, and he was like, no, this
• 53:41
  Speaker 3: is me now, and there was a refreshment in that.
• 53:45
  Speaker 3: I was like, yeah, good man, you know here we
• 53:47
  Speaker 3: are no one has done and there's nothing wrong with
• 53:49
  Speaker 3: that at all at all.
• 53:49
  Speaker 2: Yeah, So let me get you out of the two
• 53:51
  Speaker 2: thousands and the Will Ferrels On, the Vince Fawns and
• 53:53
  Speaker 2: all that time, and we get into the twenty ten.
• 53:55
  Speaker 2: So we fucking lived all through this. It didn't move
• 53:57
  Speaker 2: this fast, I'll tell you that much. Into the twenty
• 54:00
  Speaker 2: tens is when you start seeing your Seth Rogan coming
• 54:03
  Speaker 2: through and your Jonah Hill and your James Franco and
• 54:06
  Speaker 2: you get your super bads and your forty year old
• 54:09
  Speaker 2: virgins and you're knocked ups and all this kind of
• 54:11
  Speaker 2: crack coming through, and all of that had its time,
• 54:14
  Speaker 2: and again a lot of people might be listening to
• 54:16
  Speaker 2: us going like, I haven't laughed at a single one
• 54:18
  Speaker 2: of these cons my entire life. But they had that,
• 54:20
  Speaker 2: you must be said, they were the big stars of
• 54:23
  Speaker 2: the time. They were playing it for the twenty something
• 54:26
  Speaker 2: year old stoner nation, which makes really big at the time.
• 54:30
  Speaker 2: So it's kind of moving as per society is drawn
• 54:34
  Speaker 2: to these things like, well, let's play the stoner kind
• 54:36
  Speaker 2: of losers, you know, living you know, and Tom, We're
• 54:39
  Speaker 2: going to get to it now in a second. But like,
• 54:40
  Speaker 2: show business is a business. So if the American Pies
• 54:44
  Speaker 2: of the two thousands weren't drawing the crowd, and by
• 54:46
  Speaker 2: the time I was there, I lived through it, folks.
• 54:48
  Speaker 2: By the time American Pie came three came out, everybody's like,
• 54:51
  Speaker 2: I'm fucking done with this absolute nonsense. But if they
• 54:53
  Speaker 2: had been making money, you would be getting teenagers sticking
• 54:57
  Speaker 2: their dicks and wedding cakes up until the twenty twenty
• 55:00
  Speaker 2: people stop paying to see it. So they said what
• 55:03
  Speaker 2: do people like these days? They seem to like this
• 55:05
  Speaker 2: set Rogan guy. What did he do? He smokes a
• 55:08
  Speaker 2: lot of weed. Well, I guess we're in the weed
• 55:10
  Speaker 2: comedies here, But.
• 55:11
  Speaker 3: Yeah, that's exactly like Pineapple Express was the you know,
• 55:15
  Speaker 3: the pinnacle of that kind of thing. You're like, ah, yeah, okay,
• 55:18
  Speaker 3: it wasn't for me. I was like, yeah, I'm fucking
• 55:20
  Speaker 3: done done with this ship.
• 55:21
  Speaker 2: I was there like, you know, it's it's it's fine.
• 55:23
  Speaker 2: And on the skirts of all this Tom as well
• 55:24
  Speaker 2: in the twenty tens it shees a wee bit later
• 55:28
  Speaker 2: on that trying to around that. You have your hangovers,
• 55:31
  Speaker 2: and you have your brides maids, you have got some
• 55:32
  Speaker 2: big you know. Don't tell me they don't make them
• 55:35
  Speaker 2: like they used to it they made them ash. I
• 55:37
  Speaker 2: remember watching The Hangover thinking it was very, very good,
• 55:39
  Speaker 2: and then The Hangover two came out and everybody started
• 55:42
  Speaker 2: bitching and complaining that, oh, it's just the same hangover again.
• 55:46
  Speaker 2: They just redid it again with your jokes, and I'm like,
• 55:48
  Speaker 2: you motherfuckers would not have survived the eighties when we
• 55:51
  Speaker 2: were watching Police Academy four and it's the same shit
• 55:54
  Speaker 2: over and over again.
• 55:56
  Speaker 3: Do you fucking keep on the bed? Yeah? Yeah, yeah, yeah,
• 55:58
  Speaker 3: What is it.
• 55:59
  Speaker 2: You want here? Like people say, like, oh, they don't
• 56:02
  Speaker 2: make comedies like they used to. They absolutely do. Maybe
• 56:04
  Speaker 2: you just didn't want to go see them. Oh you
• 56:06
  Speaker 2: can't say this that or the other. Might I draw
• 56:08
  Speaker 2: your eyes to a little comedy called Tropic Thunder starring
• 56:12
  Speaker 2: some of the biggest stars in the world saying Tom
• 56:14
  Speaker 2: handoing and appearing any fucking which way they wanted.
• 56:18
  Speaker 3: And you know what, it's it all came off. But
• 56:21
  Speaker 3: you can't. Here's the thing, like people go, oh, you
• 56:23
  Speaker 3: you could make Tropic Thunder. Now, you probably could. But
• 56:27
  Speaker 3: the problem is is that do you know what I reckon?
• 56:30
  Speaker 3: You could because it hadn't been done. It hadn't been
• 56:35
  Speaker 3: done prior I didn't say this something like what like
• 56:38
  Speaker 3: like Tropic Thunder is a one and done. You ain't
• 56:41
  Speaker 3: coming back to that, Like you can't circle back to
• 56:43
  Speaker 3: through it and go because it's hilarious in what it
• 56:47
  Speaker 3: was like, and they were actually they were you know
• 56:50
  Speaker 3: the fact that they were parodying actors who were.
• 56:52
  Speaker 2: Completing and fucking it in war movies and actually not
• 56:56
  Speaker 2: for nothing as well. Tidy Together, Tidy Together, to a
• 56:58
  Speaker 2: fairly decent action movie.
• 57:00
  Speaker 3: Yeah, yeah, yeah, yeah, on its own.
• 57:02
  Speaker 2: Yeah, here's the thing, Tom, Okay, people say you can't,
• 57:06
  Speaker 2: you couldn't make Trumpet Thunder today, you absolutely could. Would
• 57:10
  Speaker 2: people go see it? Now you're talking? Would people pay
• 57:14
  Speaker 2: money to go see one hundred million dollar action comedy?
• 57:19
  Speaker 2: This is a business, ladies and gentlemen.
• 57:21
  Speaker 3: That's the thing. I think it absolutely could be made
• 57:24
  Speaker 3: and has the potential. I don't think anybody's fallen off
• 57:27
  Speaker 3: and turns suddenly it's pure super soft. I think the
• 57:30
  Speaker 3: risk is too big now. I think the risk is
• 57:33
  Speaker 3: too big that you go fucking Robert down your.
• 57:36
  Speaker 2: Fucking I have been an interesting one for you there, buddy. Yeah.
• 57:41
  Speaker 2: And this is this is from Matt Damon himself, who
• 57:44
  Speaker 2: kind of summed it up very succinctly on a Hot
• 57:48
  Speaker 2: One's interview, eating the wings and he's pissing sweat now,
• 57:53
  Speaker 2: but he managed to give out this parallel wisdom. When
• 57:55
  Speaker 2: DVD sales went away, Yeah, you're asking why the comedies anymore?
• 58:00
  Speaker 2: Or do they not make comedies anymore? Why aren't comedies
• 58:02
  Speaker 2: funny anymore? Would they stop making printing DVDs? Would they
• 58:07
  Speaker 2: stop getting rental money? Out of extra vision or you
• 58:09
  Speaker 2: buying a DVD from HMV or anything like that. All
• 58:13
  Speaker 2: of a sudden, movies had to make all of their
• 58:15
  Speaker 2: money at the cinema. As Matt Damon said, we used
• 58:17
  Speaker 2: to release in the cinema and it would make this
• 58:19
  Speaker 2: amount of money, and they would six months it would
• 58:21
  Speaker 2: release in DVD and you'd make a second chunk of it.
• 58:24
  Speaker 2: You know. Maybe sometimes on DVD you'd make more than
• 58:27
  Speaker 2: you made in the cinema. Just that was just a
• 58:29
  Speaker 2: natural way it worked. When DVDs are taken out of
• 58:31
  Speaker 2: the equation, you have to make all your money at
• 58:33
  Speaker 2: the cinema, and all of a sudden, this idea that
• 58:36
  Speaker 2: you're going to spend twenty five million dollars making American Pie.
• 58:40
  Speaker 2: It's one thing to think, oh, you'll make it back
• 58:42
  Speaker 2: at home. If you're thinking you're going to make all
• 58:45
  Speaker 2: that money back in the cinema, that's not a given anymore. Ah,
• 58:49
  Speaker 2: And it's a much risk risk your adventure. So they'll
• 58:51
  Speaker 2: just turn around, go, actually, your fuck it, We'll make
• 58:53
  Speaker 2: Spider Man nine instead and put all the money into that.
• 58:56
  Speaker 3: And that's exactly it like, and we'll see what humor
• 58:58
  Speaker 3: we can actually crow bar into it. And that's why
• 59:00
  Speaker 3: you have the likes of Jason Momoa doing funny stuff
• 59:04
  Speaker 3: in the middle of Aquaman or right or Hemsworth doing
• 59:08
  Speaker 3: funny one.
• 59:09
  Speaker 2: It's like, we can't afford to make comedies, but how
• 59:11
  Speaker 2: about we give a star lord a couple of funny
• 59:14
  Speaker 2: lines and gardens and you'll laugh at it and you'll say, well,
• 59:16
  Speaker 2: it's kind of a comedy, I suppose.
• 59:18
  Speaker 3: And I think you've kind of answered the question there.
• 59:20
  Speaker 3: I don't think like I It's one of the most
• 59:25
  Speaker 3: frequent questions I get asked right by your average Joe
• 59:29
  Speaker 3: public is she's are you allowed to say? And I'm like, motherfucker,
• 59:35
  Speaker 3: I can say whatever the fuck I want. There's just
• 59:38
  Speaker 3: one rule. I better be able to make it fucking funny,
• 59:41
  Speaker 3: because I got nothing else. I got no I gott
• 59:44
  Speaker 3: I don't have a limp, I don't have any fucking
• 59:47
  Speaker 3: mental health issues I can talk about on stage. I've
• 59:49
  Speaker 3: got nothing for you to feel sorry or call me
• 59:51
  Speaker 3: brave for. So I better be funny as fuck when
• 59:54
  Speaker 3: I say it. And trust me, fucking people don't give
• 59:57
  Speaker 3: a fuck people.
• 59:59
  Speaker 2: I mean, you know people this you can't say that
• 1:00:02
  Speaker 2: totally can't he can tell that to this drunk guy
• 1:00:06
  Speaker 2: that gets the fucking trained to minute everything now and
• 1:00:08
  Speaker 2: then that I'm sitting on because he says any thing
• 1:00:10
  Speaker 2: he wants. Does anybody pay him money to hear it? No,
• 1:00:12
  Speaker 2: they don't. That's the difference.
• 1:00:14
  Speaker 3: But that's that's exactly. People haven't gotten soft. I don't genuinely.
• 1:00:18
  Speaker 3: It's a nice thing to blanket the world with. I
• 1:00:20
  Speaker 3: don't think people have changed at.
• 1:00:21
  Speaker 2: All, and an excuse for it's a nice excuse for
• 1:00:24
  Speaker 2: fail talent to say, oh well, look I was too
• 1:00:26
  Speaker 2: real for that.
• 1:00:27
  Speaker 3: Yeah, it was too really right now, you fucking funny, But.
• 1:00:31
  Speaker 2: That's what it is.
• 1:00:32
  Speaker 3: You nailed it on the head right there. And you're like,
• 1:00:35
  Speaker 3: follow the money, the money, and he and money has
• 1:00:39
  Speaker 3: gone fair tight, Like why are like you listen to
• 1:00:42
  Speaker 3: the smartleus, the three lads. There's a reason why so
• 1:00:45
  Speaker 3: much stuff is getting filmed in Ireland now getting filmed
• 1:00:48
  Speaker 3: in fucking Croatia. It's cause it costs some fucking money
• 1:00:52
  Speaker 3: and you're on a tight wire now before the kings
• 1:00:56
  Speaker 3: and queens of the business could just fucking roll out
• 1:00:59
  Speaker 3: any shit they wanted. Yeah, Harney, Harney got thirty million
• 1:01:04
  Speaker 3: for being mister Freeze and he didn't even want to
• 1:01:06
  Speaker 3: be it.
• 1:01:07
  Speaker 2: I'll give you a bad one, Tom in our lifetime.
• 1:01:09
  Speaker 2: Fifteen years ago, Danny McBride and Seth Rogan wrote a
• 1:01:13
  Speaker 2: medieval comedy called Your Highness, and they gave him seventy
• 1:01:16
  Speaker 2: five million dollars.
• 1:01:17
  Speaker 3: I couldn't believe.
• 1:01:18
  Speaker 2: The worst piece of shit I've ever seen. The only
• 1:01:20
  Speaker 2: thing I fucking natural life.
• 1:01:22
  Speaker 3: The only thing I was James franco Is. It was
• 1:01:25
  Speaker 3: one of the I can't I'm so glad you brought
• 1:01:27
  Speaker 3: it up because I can't actually describe it to people
• 1:01:29
  Speaker 3: when I tried to describe it. Because I'm a Danny
• 1:01:31
  Speaker 3: McBride fan, right, he's a very Anybody should go watch
• 1:01:35
  Speaker 3: The foot Fist Way and then turn around and watch
• 1:01:39
  Speaker 3: East Bound and down watch the entire season right of it.
• 1:01:43
  Speaker 3: I've still to watch watch The Righteous Gemstones, which apparently
• 1:01:47
  Speaker 3: is hilarious. But there you have it. Like that TV
• 1:01:50
  Speaker 3: show alone, you're like, well, look, with a TV there's
• 1:01:54
  Speaker 3: a reason why TV is safe because you're like, well,
• 1:01:57
  Speaker 3: we can catch people, and we've got eight episodes, will say,
• 1:02:01
  Speaker 3: or maybe they've given us ten episodes to catch people.
• 1:02:03
  Speaker 3: You've got an hour and forty five minutes to smash
• 1:02:06
  Speaker 3: it out of the park, and not everybody's going to
• 1:02:09
  Speaker 3: do a fucking Nolan on it and make all their
• 1:02:11
  Speaker 3: money back in the first weekend. It's as simple as that.
• 1:02:14
  Speaker 3: It comes down to the money thing, and it's safer
• 1:02:16
  Speaker 3: to throw it on a mimoa or a look.
• 1:02:19
  Speaker 2: And that's that's that's kind of what I'm thinking, Tom.
• 1:02:21
  Speaker 2: Look at what we've done here on this show. We've
• 1:02:23
  Speaker 2: told you who the stars of the eighties and nineties,
• 1:02:25
  Speaker 2: the two thousands, and the twos and tens hour. So
• 1:02:27
  Speaker 2: my question to you is, like, who is the comedy
• 1:02:30
  Speaker 2: movie star of the last five years that's smashing it
• 1:02:33
  Speaker 2: not on TV, brother on in the movies, who's the name?
• 1:02:37
  Speaker 3: Nobody? Nobody's doing the last the last one that I
• 1:02:40
  Speaker 3: would watch a movie if they were in based on comedy.
• 1:02:48
  Speaker 3: Melissa McCarthy Melissy, because you know she's gonna fucking be hilarious.
• 1:02:52
  Speaker 3: But she now has gone into she's she's landing and she's.
• 1:02:56
  Speaker 2: I mean Brad'smaids fifteen years ago. She's doing more serious
• 1:02:58
  Speaker 2: things now. But by all means, like spy in this
• 1:03:00
  Speaker 2: house gets watching awful lot. Anybody that's like it used
• 1:03:03
  Speaker 2: to be any Murphy was a stand up comedian who
• 1:03:05
  Speaker 2: became a movie star. Okay, yeah, so where are the
• 1:03:07
  Speaker 2: stand up comedians now? They ain't going into movies, Tom,
• 1:03:11
  Speaker 2: They're going into TV. Dan McBride went into Eastbound and
• 1:03:14
  Speaker 2: Righteous Chemstones. This ship done Markers movies.
• 1:03:16
  Speaker 3: Even if even here because now like they're doing it
• 1:03:19
  Speaker 3: Saturday Night Live. Say you you're saying Gillis is doing
• 1:03:21
  Speaker 3: Saturday Night Live. He ain't do no movies. Do you
• 1:03:23
  Speaker 3: know why he is podcasting? He no, he just sold
• 1:03:26
  Speaker 3: one hundred and seventeen thousand fucking tickets. He's selling sold
• 1:03:31
  Speaker 3: out star's.
• 1:03:31
  Speaker 2: He gonna spend what he's gonna spend six months doing.
• 1:03:34
  Speaker 3: This when you can go up and do an hour
• 1:03:36
  Speaker 3: set and get and drink during it and have the
• 1:03:38
  Speaker 3: fucking crack doing what he actually likes to do. I heard,
• 1:03:42
  Speaker 3: I heard Bill Burr. He takes up some acting roads
• 1:03:44
  Speaker 3: and stuff like that. He goes. But I am never
• 1:03:46
  Speaker 3: I'm a stand up who does a bit of acting.
• 1:03:48
  Speaker 3: I will never be an actor a movie star. Stand
• 1:03:51
  Speaker 3: up is way more fucking crack.
• 1:03:53
  Speaker 2: Like it's it's it's it's funny to say, like, you know,
• 1:03:56
  Speaker 2: there might be more, and even even people that are
• 1:03:59
  Speaker 2: established comedians who would naturally have a path two movies
• 1:04:03
  Speaker 2: back in the day, these days they are like, actually,
• 1:04:05
  Speaker 2: do you know what, I can just have a podcast
• 1:04:07
  Speaker 2: once a week, chat to my friends.
• 1:04:09
  Speaker 3: Do a few gigs, and make a fucking and not
• 1:04:12
  Speaker 3: have to sit.
• 1:04:13
  Speaker 2: Through this fucking bullshit for a movie that I made
• 1:04:16
  Speaker 2: for twenty million dollars time.
• 1:04:17
  Speaker 3: Kevin Hart, Kevin Hart is probably the one, but I
• 1:04:20
  Speaker 3: mean Kevin Hard about the bring a Dog shit he's
• 1:04:22
  Speaker 3: made in the last few years, and you're.
• 1:04:24
  Speaker 2: Like, what are you doing?
• 1:04:25
  Speaker 3: You set up, you do arena tours, what the fuck
• 1:04:28
  Speaker 3: are you doing? Movies for?
• 1:04:29
  Speaker 2: Kevin Hart would be about about the most prominent uh well,
• 1:04:34
  Speaker 2: definitely comedy star of our time, comedy current day.
• 1:04:37
  Speaker 3: He ain't doing it, nels Like, I'm sure he's probably
• 1:04:40
  Speaker 3: done a stoppy one of some sort somewhere, but I
• 1:04:42
  Speaker 3: don't know about but he you know, I mean, and
• 1:04:46
  Speaker 3: I would you believe it. The most watched thing he
• 1:04:49
  Speaker 3: has ever been involved in is hosting the Roast of
• 1:04:53
  Speaker 3: Tom Brady. Yeah, that's the biggest thing he's ever done.
• 1:04:56
  Speaker 2: And and you know, let's like, so the answer the
• 1:05:00
  Speaker 2: question why aren't comedy is funny anymore. The stars are
• 1:05:03
  Speaker 2: not interested in making movies. And you know, maybe we'll
• 1:05:06
  Speaker 2: come back to this in a week or two and
• 1:05:07
  Speaker 2: and and do the same, go through TV shows down
• 1:05:10
  Speaker 2: through the years, because I think you'll find tom that
• 1:05:12
  Speaker 2: whereas the comedy, the quality of comedy stars in movies
• 1:05:15
  Speaker 2: may have declined over our lifetime, the quality of the
• 1:05:18
  Speaker 2: people heading for TV is just going steadily.
• 1:05:21
  Speaker 3: Stop like you Gary oldman, fucking you know, you know
• 1:05:25
  Speaker 3: Murphy now is heading into TV.
• 1:05:26
  Speaker 2: And not even just dramas. I'm talking about specifically for comedies.
• 1:05:30
  Speaker 2: Even your man Donald Leeson, Brendan Gleeson's son was a
• 1:05:34
  Speaker 2: fairly established te movie star. And then the turn around
• 1:05:38
  Speaker 2: go like you want to do a spin off of
• 1:05:39
  Speaker 2: the Office for on a comedy show on network TV,
• 1:05:42
  Speaker 2: And it's like, abs fucking litally I'll do that.
• 1:05:44
  Speaker 3: He always said that comedy is first, first, first, like
• 1:05:48
  Speaker 3: so so so, like.
• 1:05:52
  Speaker 2: You know, you're asking, how come things aren't aren't aren't
• 1:05:54
  Speaker 2: funny anymore? Number one, there's no money yet anymore. Definitely
• 1:05:59
  Speaker 2: not on the back. That's the critical cannot tell me
• 1:06:01
  Speaker 2: the TV is not as funny, if not funnier than
• 1:06:04
  Speaker 2: it has ever been. You know, it's it's, it's, it's, it's,
• 1:06:06
  Speaker 2: it's I do not buy that also was off here.
• 1:06:11
  Speaker 3: Also the they there's such a fucking plethora of stuff
• 1:06:17
  Speaker 3: out at the minute that in the eighties, nineties and
• 1:06:21
  Speaker 3: two thousands when American Pie dropped or any of these
• 1:06:26
  Speaker 3: since when Borat even drive, there was fuck all to
• 1:06:28
  Speaker 3: compete with it. There was nothing, like I talked at
• 1:06:31
  Speaker 3: the top of this segment when we did that TV show,
• 1:06:34
  Speaker 3: like there was there was nobody to complete with it,
• 1:06:36
  Speaker 3: So of course we were killing it. There was no
• 1:06:38
  Speaker 3: and all your attention and all your talk at work
• 1:06:40
  Speaker 3: and all your talk in school was about that particular
• 1:06:43
  Speaker 3: show or that particular that particular movie. Now the amount
• 1:06:47
  Speaker 3: of times like that kid today, I was like, well,
• 1:06:50
  Speaker 3: where do I start it? Do you know what for
• 1:06:52
  Speaker 3: shits and giggles? Start with somebody you've heard of? Will Ferle.
• 1:06:56
  Speaker 3: I was like, okay, where do I go as either
• 1:06:58
  Speaker 3: anchorman or teleting And actually, you watch Talladegyga nights. It's
• 1:07:02
  Speaker 3: so silly. The kids are hilarious in it. I'm gonna
• 1:07:04
  Speaker 3: fucking Randhaus kick you in the head. Chip you know,
• 1:07:08
  Speaker 3: start there. He's like, what, Okay, right. I never Okay,
• 1:07:13
  Speaker 3: he was excited, but he no fucking grasp because his
• 1:07:16
  Speaker 3: entire world is he has five thousand movies to fucking
• 1:07:21
  Speaker 3: go look at, not just the one that takes over
• 1:07:24
  Speaker 3: the movie theaters for a fucking a month.
• 1:07:27
  Speaker 2: And not for nothing as well. Tom, I must be
• 1:07:29
  Speaker 2: said that, like, you know, if I want to have
• 1:07:30
  Speaker 2: a laugh, I'll watch twenty five minutes of TikTok's and
• 1:07:33
  Speaker 2: laugh my ass on.
• 1:07:34
  Speaker 3: That's what I'm saying.
• 1:07:35
  Speaker 2: He turned around at somebody and going, why shoud watch
• 1:07:37
  Speaker 2: this for an hour and forty five minutes? It is
• 1:07:38
  Speaker 2: like it's a bit of an ask here, buddy. It's
• 1:07:39
  Speaker 2: a bit of an ask. So here's what we're gonna do,
• 1:07:41
  Speaker 2: just for a finish, Okay, we want to show some
• 1:07:44
  Speaker 2: some light at the end of the tunnel for anybody
• 1:07:46
  Speaker 2: that says they don't make comedies anymore. You know what
• 1:07:50
  Speaker 2: every now and then to do in last we'll keep
• 1:07:53
  Speaker 2: it the last five or ten years. A couple of comedies, Tom,
• 1:07:56
  Speaker 2: that will scratch an itch. If you're turning around and
• 1:07:59
  Speaker 2: saying they don't make common is like they used to,
• 1:08:02
  Speaker 2: or they don't make anything that I like, or they
• 1:08:04
  Speaker 2: don't make anything that I have laughed at as much
• 1:08:06
  Speaker 2: as I did when I watched Beverly Hills cop or
• 1:08:10
  Speaker 2: whatever it was back as a child. Are there a
• 1:08:13
  Speaker 2: couple in your arsenal there, buddy, that you think might
• 1:08:17
  Speaker 2: change people's opinions?
• 1:08:19
  Speaker 3: Ah? There are, there are.
• 1:08:22
  Speaker 2: I'm gonna I'm gonna give you a couple. I'll give you,
• 1:08:24
  Speaker 2: I'll give you a headstart. Alright, Yeah, I'll give you
• 1:08:26
  Speaker 2: a couple of a couple. I'm gonna give you three
• 1:08:27
  Speaker 2: movies in the last like five years that are that
• 1:08:29
  Speaker 2: are that are super good. There's a movie starring Jennifer
• 1:08:32
  Speaker 2: Lawrence called No Hard Feelings, all Right, and it is
• 1:08:35
  Speaker 2: about as close as successor to an American Pie as
• 1:08:40
  Speaker 2: exists today. A lady in her thirties and she's a
• 1:08:43
  Speaker 2: real lay about drunk and she gets hired to take
• 1:08:46
  Speaker 2: the virginity of this shy little show. And it is
• 1:08:52
  Speaker 2: fucking hilarious and it's dirty, it's body it's a real
• 1:08:57
  Speaker 2: sort of sex comedy kind of thing, and it is,
• 1:08:59
  Speaker 2: you know, not just dirty. It is also very funny
• 1:09:02
  Speaker 2: and it's sweet, and it's a good story, and it's
• 1:09:04
  Speaker 2: about an hour and a half long, and it won't
• 1:09:06
  Speaker 2: waste your time. There's another comedy called Good Boys, which
• 1:09:10
  Speaker 2: was made about five years ago. Yeah, and it starts
• 1:09:13
  Speaker 2: a bunch of like little It's like a bunch of
• 1:09:15
  Speaker 2: little ten year olds who are trying to get It's
• 1:09:18
  Speaker 2: very like super Bad. They're going to like a party
• 1:09:20
  Speaker 2: and they're going to be spinning the bottle and they
• 1:09:21
  Speaker 2: don't know anything about girls, so to spend the whole
• 1:09:24
  Speaker 2: movie wondering what it will be. And it's very like
• 1:09:27
  Speaker 2: The in Between Us. It's dirty as fuck. You can't
• 1:09:30
  Speaker 2: believe that they hired ten year olds to say. What
• 1:09:32
  Speaker 2: comes out of these kids' mouths like, it's very very funny,
• 1:09:37
  Speaker 2: And again, Tom, not for nothing. It's an hour and
• 1:09:39
  Speaker 2: a half if you like anything from the eighties or nineties,
• 1:09:42
  Speaker 2: and they're like, why don't they make anything like that anymore?
• 1:09:44
  Speaker 2: They absolutely do Good Boys on Netflix. One last one
• 1:09:47
  Speaker 2: for you. Yeah, if you're saying, yeah, but they don't
• 1:09:49
  Speaker 2: make the Beverly Hills Cop, they don't make the body
• 1:09:51
  Speaker 2: cop movies, that don't make the fun sort of action
• 1:09:54
  Speaker 2: movies that I grew up loving. Might I introduce you
• 1:09:58
  Speaker 2: to the good guy, the nice guy Nice guys?
• 1:10:02
  Speaker 3: Yeah, I was thinking of the good movie.
• 1:10:05
  Speaker 2: Called The Nice Guys with Ryan Goslin and Russell Crowe.
• 1:10:08
  Speaker 2: Fucking hilarious action comedy written by the same guy that
• 1:10:13
  Speaker 2: made Little Weapon, absolutely fucking fantastic. And if anybody has
• 1:10:16
  Speaker 2: said that the New Naked Gun isn't as funny as
• 1:10:18
  Speaker 2: the old ones, watched the game, it's very good.
• 1:10:20
  Speaker 3: I did. What was the other one?
• 1:10:22
  Speaker 2: Then? With the was it the other guys? Was the
• 1:10:24
  Speaker 2: other guys that' say that that trips me up? Other
• 1:10:26
  Speaker 2: guys is Doug?
• 1:10:27
  Speaker 3: Do you know what there was?
• 1:10:29
  Speaker 2: All right?
• 1:10:29
  Speaker 3: I kind of liked How to Kill Samuela Jackson at
• 1:10:32
  Speaker 3: the Rock right at the beginning and immediately, yeah, immediately, yeah,
• 1:10:36
  Speaker 3: I had I in my mind. I they watched them
• 1:10:39
  Speaker 3: cards as well. If I'm going to go in the
• 1:10:41
  Speaker 3: last ten years one that fucking made me out. And
• 1:10:44
  Speaker 3: in all fairness to the man, fucking he has he is,
• 1:10:51
  Speaker 3: He's mister fucking teflank. He to everything he touches turns
• 1:10:56
  Speaker 3: the fucking gold even when he holds. When he's an interview,
• 1:10:58
  Speaker 3: he comes across so good and it's Canadian sweetheart. Ryan
• 1:11:04
  Speaker 3: Reynolds in dead Pool. In dead Pool, Yeah, there you go, Like,
• 1:11:07
  Speaker 3: are you telling me when his tiny hand grew back
• 1:11:10
  Speaker 3: that that wasn't one of I fucking nearly ripped the
• 1:11:14
  Speaker 3: sides off the fucking seed in the cinemare you go.
• 1:11:18
  Speaker 2: It's like, that's a comedy forced in a superhero movie. Second,
• 1:11:21
  Speaker 2: that's not a super hooven hero movie with a few
• 1:11:23
  Speaker 2: funny bits and.
• 1:11:24
  Speaker 3: Straight up, straight up and do you know what they did?
• 1:11:27
  Speaker 3: They Okay, they might be milking at a small but
• 1:11:29
  Speaker 3: at the minute, but they they they did something that
• 1:11:33
  Speaker 3: I thought was sacrileges. But they do with every fucking
• 1:11:34
  Speaker 3: superhero movie now. And they don't like one, they'll just
• 1:11:36
  Speaker 3: fucking get another actor and make a completely different storyline,
• 1:11:39
  Speaker 3: like and never the previous one never happened. But like
• 1:11:41
  Speaker 3: Deadpool did show up in Ryan Reynolds did show up
• 1:11:45
  Speaker 3: as Deadpool when they you know, they turned him into
• 1:11:48
  Speaker 3: that freak in the X Men, but they stayed in
• 1:11:51
  Speaker 3: his mouth. Remember I do remember that.
• 1:11:54
  Speaker 2: That's the end of him the Wolverine movie.
• 1:11:56
  Speaker 3: Yeah, and the Wolverine movie. And I was like, well,
• 1:11:58
  Speaker 3: fair foxed and for went back to it. And it
• 1:12:00
  Speaker 3: was it was like taking the piss at the first
• 1:12:04
  Speaker 3: bueler at the end. It was pin fucking perfect that way.
• 1:12:09
  Speaker 2: It was sharp, it was It's welcome e Thugh, which we.
• 1:12:12
  Speaker 3: Like, and one other that it's so original in his thing,
• 1:12:16
  Speaker 3: like I think I think a lot of people for
• 1:12:20
  Speaker 3: whatever reason, maybe it's because he's not American, but Taigawaykiki
• 1:12:25
  Speaker 3: mix some of the funniest ship like he did that
• 1:12:31
  Speaker 3: one with Hitler where he played Hitler as a fucking
• 1:12:35
  Speaker 3: invisible friend to take care. But he made he was involved,
• 1:12:40
  Speaker 3: I believe in the making of one of my favorite
• 1:12:43
  Speaker 3: TV shows, along with The East Bound and Down, which,
• 1:12:45
  Speaker 3: by the way, get on. He made one called What
• 1:12:48
  Speaker 3: We Do.
• 1:12:49
  Speaker 2: In the Shadow and the movie version.
• 1:12:51
  Speaker 3: Of that hell tonight it is when you hear that
• 1:13:00
  Speaker 3: you bury go bat Matt and it switches into me,
• 1:13:05
  Speaker 3: like you don't have to say you can just become a
• 1:13:07
  Speaker 3: bad that.
• 1:13:08
  Speaker 2: Well they will will. We'll get background to the TV
• 1:13:11
  Speaker 2: shows in a couple of weeks now. But even the
• 1:13:13
  Speaker 2: even the movie version of What We Do in the
• 1:13:14
  Speaker 2: Shadows is fantastic. So like, hey, if you're saying that
• 1:13:16
  Speaker 2: movies aren't funny anymore, dig into it. There's some absolutes.
• 1:13:20
  Speaker 2: They definitely are.
• 1:13:21
  Speaker 3: They definitely are. It's the is that are all our
• 1:13:24
  Speaker 3: focus and the funnel and the mill race. This is
• 1:13:26
  Speaker 3: talking to to So this is this is milling, isn't it.
• 1:13:29
  Speaker 3: This is Troebrid's milling, which is Troubridge is in? I
• 1:13:32
  Speaker 3: think it's not. I do believe, and I do believe
• 1:13:34
  Speaker 3: they're non for the milling. So the mill race that
• 1:13:37
  Speaker 3: was there back in the early days, maybe in your youth,
• 1:13:41
  Speaker 3: that was channeling you towards whoever the fuck they said,
• 1:13:45
  Speaker 3: what's the next big thing? That's what comedy was back
• 1:13:48
  Speaker 3: in the day. That's what action was. Action movies have
• 1:13:50
  Speaker 3: gone to shite as well, do you know what I mean?
• 1:13:52
  Speaker 3: There's an argument for where's the fucking That is the.
• 1:13:56
  Speaker 2: One last thing I want to bring back around, Tom,
• 1:13:58
  Speaker 2: I said, I'd come back round to this now from
• 1:14:00
  Speaker 2: the eighties and nineties. If you remember the eighties and
• 1:14:03
  Speaker 2: nineties as you were growing up as being a golden
• 1:14:05
  Speaker 2: age of all these big, high falutin comedies which were
• 1:14:09
  Speaker 2: high concept. What about this? How about an African prince
• 1:14:12
  Speaker 2: that moves to in America? How about you know, two
• 1:14:16
  Speaker 2: jazz musicians that are going to run from the cops.
• 1:14:18
  Speaker 2: How about all this kind of thing. There's one element
• 1:14:21
  Speaker 2: in all that that there isn't anymore. And that is cocaine, buddy,
• 1:14:26
  Speaker 2: cocaine all day, every day, filmmakers, actors, screenwriters, fucking the
• 1:14:33
  Speaker 2: lad pulling the lights, everybody off their tits on coke. Yeah, night, noon,
• 1:14:38
  Speaker 2: and morning, coming up with the maddest shit going. And
• 1:14:41
  Speaker 2: then a couple of guys dropped dead from it all,
• 1:14:43
  Speaker 2: and everyone's like, maybe we shouldn't do cocaine all day
• 1:14:45
  Speaker 2: every day on.
• 1:14:46
  Speaker 3: This that's it, you know what I mean? Somebody gets
• 1:14:47
  Speaker 3: shot on set, and you know, whatever.
• 1:14:50
  Speaker 2: Of it does, does, does, does, does lose denternet. But
• 1:14:52
  Speaker 2: to this day there are still a couple of mad
• 1:14:54
  Speaker 2: batters out there.
• 1:14:55
  Speaker 3: If if anybody wondered how much gears done, I said,
• 1:14:58
  Speaker 3: just maybe watch Boogie Nights and kind of give you.
• 1:15:00
  Speaker 3: It's a bit of a documentary if you've ever seen it,
• 1:15:02
  Speaker 3: But it's a documentary on a somewhat true story, and
• 1:15:05
  Speaker 3: there's a lot of coke done behind this scene in
• 1:15:08
  Speaker 3: that scenario.
• 1:15:09
  Speaker 2: Take a look at any documentary, Take a look at
• 1:15:11
  Speaker 2: the recent documentary of Chevy Chase detailing his career through
• 1:15:14
  Speaker 2: the seventies, eighties and into the nineties.
• 1:15:16
  Speaker 3: And the Peruvian marching powder was prevalent.
• 1:15:20
  Speaker 2: Money was spent Tom any rate, are we fucking out
• 1:15:24
  Speaker 2: of the planet with that one there? Or are we
• 1:15:26
  Speaker 2: somewhere in it? Troebridge Milling. We hope that we answered
• 1:15:30
  Speaker 2: your question a little bit. Troubridge Millwork.
• 1:15:31
  Speaker 3: We hope you a great quest, question a little quest.
• 1:15:33
  Speaker 2: Keep them coming, folks, keep them coming to our social
• 1:15:36
  Speaker 2: media channels, don't you know? At Tom and Jerry's show
• 1:15:40
  Speaker 2: on Instagram, Tom would a T Jerry with a G
• 1:15:42
  Speaker 2: is where they landed with that? You can find us
• 1:15:44
  Speaker 2: both at our respective places a business on Blue Sky
• 1:15:49
  Speaker 2: and Instagram. Tom what else? We want these fine people to.
• 1:15:52
  Speaker 3: Go ahead and hit subscribe whatever platform you're on, if
• 1:15:55
  Speaker 3: you just landed on this as a result of movies
• 1:15:57
  Speaker 3: or whatnot, you can you can actually ask a question
• 1:16:01
  Speaker 3: or you can make comment underneath Spotify for sure, but
• 1:16:05
  Speaker 3: Spotify seems to be the bigger one of late. Hit
• 1:16:07
  Speaker 3: the bell as well. The bell I can't. If you
• 1:16:09
  Speaker 3: just hit subscribe, it'll just land there. But the bell
• 1:16:11
  Speaker 3: I can will actually give you a notification on Thursday
• 1:16:13
  Speaker 3: morning when it lands in at five am, and we
• 1:16:15
  Speaker 3: have to do five am because some of our listeners
• 1:16:18
  Speaker 3: are in Australia. Some of our listeners further brough. Some
• 1:16:21
  Speaker 3: listeners are just early risers and now to the job
• 1:16:26
  Speaker 3: Cowsny Milk and Brick Sneedley and you know that kind
• 1:16:28
  Speaker 3: of way. So if you want it, go ahead, hit
• 1:16:31
  Speaker 3: the bell. If you are an Apple podcast, give us
• 1:16:33
  Speaker 3: a screenshot and let us know where you are. If
• 1:16:35
  Speaker 3: you can give us a five star or five tombs
• 1:16:37
  Speaker 3: up on whatever platform you're on, do that. It'd be great.
• 1:16:40
  Speaker 3: But the comments and I do, I would suggest whatever
• 1:16:42
  Speaker 3: about following myself and Jerry. Do follow myself and Jerry.
• 1:16:46
  Speaker 3: We have our own individual things going on. I throw
• 1:16:48
  Speaker 3: up a lot of silly comedy and stuff, but Jerry
• 1:16:50
  Speaker 3: has been on real I love actually because I don't
• 1:16:53
  Speaker 3: know what Jerry's posted, and I'm.
• 1:16:55
  Speaker 2: Gonna I've fallen into a thick vein of of material.
• 1:17:00
  Speaker 2: I'm about to post it to the Tom and Jerry Instagram.
• 1:17:03
  Speaker 2: It's some of the most sexual material we've ever gone.
• 1:17:06
  Speaker 2: Is either going to gain us a lot of followers
• 1:17:08
  Speaker 2: or losers our entire audience one or the other.
• 1:17:10
  Speaker 3: It's neither one of us but our tops off though
• 1:17:12
  Speaker 3: no the brand.
• 1:17:15
  Speaker 2: I'll give you a hint. Tom Hydraulic press and nails.
• 1:17:20
  Speaker 3: Oh we're talking that now that is you won't be
• 1:17:23
  Speaker 3: doing scrolling. You'll just land with us and stay with us. Yeah, yeah,
• 1:17:29
  Speaker 3: that is lads like only like like you know that
• 1:17:33
  Speaker 3: you see lads dropping like a rock into icy water
• 1:17:36
  Speaker 3: and smashing the ice, and for some reason, I will
• 1:17:38
  Speaker 3: watch that and I'll continue to watch, and they know
• 1:17:41
  Speaker 3: whatever it is.
• 1:17:42
  Speaker 2: About the reason Instagram has decided that the one thing
• 1:17:44
  Speaker 2: I need to see more than anything else is lads
• 1:17:47
  Speaker 2: smashing pains glass with a hammer.
• 1:17:48
  Speaker 3: Yeah, I'm into that though.
• 1:17:49
  Speaker 2: I yeah, I'm not wrong at times. All right, say
• 1:17:53
  Speaker 2: good luck too.
• 1:17:54
  Speaker 3: It looked up men