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Transcript

Academy Award Ep10 Arise, My Love · Academy Award

• 0:09
  Speaker 1: The House of Squibb, manufacturing chemist to the medical profession
• 0:12
  Speaker 1: since 1858, brings you Academy Award. The pictures, the players,
• 0:16
  Speaker 1: the techniques and skills which have won or been nominated for,
• 0:20
  Speaker 1: the coveted awards granted each year by the Academy of
• 0:22
  Speaker 1: Motion Picture Arts and Sciences to each in his field
• 0:26
  Speaker 1: for outstanding achievements. The House of Squibb, makers of the
• 0:45
  Speaker 1: great family of Squibb medicinal products, brings you Paramount's hit picture, Arise,
• 0:49
  Speaker 1: My Love, which won the 1940 Academy Award for the
• 0:53
  Speaker 1: year's Best Original Story. As our star today, we are
• 0:57
  Speaker 1: happy to present Mr. Ray Millan, who, as Best Actor
• 1:00
  Speaker 1: of the Year, won the 1945 Academy Awards.
• 1:04
  Speaker 2: Spain, summer of 1939. The Spanish Civil War is over
• 1:17
  Speaker 2: and the actors take their places in the wings.
• 1:32
  Speaker 3: Ready to go on stage for the Second World War. Some, however,
• 1:36
  Speaker 3: have finished their careers. They wait in the military prison
• 1:40
  Speaker 3: to pay the price of the defeated. Well, Lieutenant, my
• 1:47
  Speaker 3: turn to be shot, huh?
• 1:49
  Speaker 4: Well, I'm ready. Here's my last will and testament. Bring
• 1:53
  Speaker 4: it with you.
• 1:54
  Speaker 5: Your wife has warned you of reprieve, Lieutenant Martin.
• 1:57
  Speaker 4: My what? Your wife. You are pardoned. Wife? You nuts.
• 2:02
  Speaker 5: Senor, you will come this way, huh?
• 2:04
  Speaker 6: Oh, Tom. Tom, it's you. Darling, don't you understand? You're free.
• 2:19
  Speaker 6: You're pardoned. Your wife is here. Haven't you got a
• 2:23
  Speaker 6: kiss for her?
• 2:24
  Speaker 4: Yeah, sure. Oh, Dom.
• 2:27
  Speaker 6: Leaving me in a New York apartment with back rent
• 2:30
  Speaker 6: and one child. And another one on the way.
• 2:33
  Speaker 4: No.
• 2:34
  Speaker 6: Oh, Dom, I hate you. I hate you. Maybe I
• 2:37
  Speaker 6: shouldn't come.
• 2:37
  Speaker 4: For you at all.
• 2:38
  Speaker 7: Senora, he is a young man. When I was his
• 2:42
  Speaker 7: age and engaged, I too ran away for service in
• 2:44
  Speaker 7: Spanish Morocco. Salvador, bring the prisoners' belongings at once. I'm
• 2:50
  Speaker 7: sure Senora and Senora Martina are in a hurry to leave.
• 2:54
  Speaker 4: Oh, Tom!
• 2:55
  Speaker 6: Tom, you're free!
• 2:56
  Speaker 4: Uh-huh, so it seems, darling. The papers of which are signature.
• 3:00
  Speaker 4: Very well, Lieutenant. I'll take care of them at once. Come.
• 3:06
  Speaker 4: All right, let's have it. Who are you?
• 3:08
  Speaker 6: Be careful if you don't want the two of us shot.
• 3:10
  Speaker 6: They might be listening.
• 3:11
  Speaker 4: What gives, gorgeous?
• 3:12
  Speaker 6: I'm Augusta Nash, Associated News. I thought up this gag
• 3:15
  Speaker 6: to make a story. An exclusive beat.
• 3:17
  Speaker 4: But why pick me?
• 3:18
  Speaker 6: It had to be an American for the home papers.
• 3:21
  Speaker 8: You see?
• 3:21
  Speaker 4: Oh, sure, sure.
• 3:23
  Speaker 6: I hope you don't mind.
• 3:24
  Speaker 4: Of course not. I can get shot any day.
• 3:27
  Speaker 6: My darling, my darling. Oh, they have been so kind.
• 3:31
  Speaker 6: The Spanish are the most civilized people on earth. They
• 3:34
  Speaker 6: have souls.
• 3:38
  Speaker 4: I beg your pardon, but it is time for you
• 3:41
  Speaker 4: to go. Can I call you a car?
• 3:44
  Speaker 6: No, Your Excellency, I hired one.
• 3:46
  Speaker 8: We're catching a plane for Paris at 2.55.
• 3:49
  Speaker 4: Paris.
• 3:50
  Speaker 1: I'd much rather be in Paris this afternoon than in
• 3:52
  Speaker 1: your pine box, Governor.
• 3:53
  Speaker 6: Goodbye, Excellency.
• 3:54
  Speaker 8: And again, I thank you from the bottom of an
• 3:57
  Speaker 8: overflowing heart.
• 3:59
  Speaker 4: It is nothing, nothing. Oh, come, darling, the car is waiting.
• 4:03
  Speaker 6: Goodbye.
• 4:04
  Speaker 4: Goodbye.
• 4:06
  Speaker 5: They say he shot down 19.
• 4:09
  Speaker 4: Of our planes. Oh, yes. A very good pilot.
• 4:15
  Speaker 5: He forgot something. A letter addressed to you. His last
• 4:20
  Speaker 5: will and testament, I think. No harm in reading it.
• 4:25
  Speaker 5: What a man will write when he is about to die. Finally,
• 4:30
  Speaker 5: I direct.
• 4:32
  Speaker 7: That there shall be no melancholy among these, my flying friends,
• 4:37
  Speaker 7: as I die an orphan and a bachelor.
• 4:42
  Speaker 4: A bachelor? Maldita! She is not his wife! We have
• 4:46
  Speaker 4: been tricked!
• 5:00
  Speaker 8: What kind of a church bell makes a sound like that?
• 5:02
  Speaker 4: That's no church. That's the alarm bell at the prison. Tom,
• 5:04
  Speaker 4: we're trapped.
• 5:05
  Speaker 6: They're coming across the field.
• 5:06
  Speaker 4: Get in the plane. Come on. It's this or nothing.
• 5:08
  Speaker 4: Look out.
• 5:09
  Speaker 6: The mechanic's spotted you.
• 5:10
  Speaker 4: Case the same. Take care of you. Step down.
• 5:13
  Speaker 9: Tom, don't help me.
• 5:13
  Speaker 4: I can't get in.
• 5:14
  Speaker 6: Let's get going, baby.
• 5:15
  Speaker 4: Hold on.
• 5:16
  Speaker 1: This is going to be the fastest takeover of the books.
• 5:20
  Speaker 4: Here we go. Arise, my love, my fair one, and
• 5:24
  Speaker 4: come away.
• 5:41
  Speaker 6: Arise, my love, my fair one, and come away. You
• 5:45
  Speaker 6: said that?
• 5:47
  Speaker 4: I distinctly remember you.
• 5:48
  Speaker 6: Saying it as we took off.
• 5:50
  Speaker 4: Yeah, Song of Solomon, chapter 2, verse 13.
• 5:53
  Speaker 9: I know, but why?
• 5:55
  Speaker 4: Why, good luck. Some pilots say terrible things. I say
• 5:58
  Speaker 4: nice things. Scared?
• 6:01
  Speaker 1: Yeah.
• 6:02
  Speaker 6: But I've got a lulu of a story.
• 6:03
  Speaker 4: It ought to get better soon.
• 6:05
  Speaker 1: We've got exactly 47 gallons of gas, and this crate
• 6:08
  Speaker 1: is two miles to the gallon.
• 6:10
  Speaker 4: That's 94 miles, and it's 120 to the French border.
• 6:12
  Speaker 6: Why didn't you steal a plane with a full tank?
• 6:15
  Speaker 1: Look, I got a good notion to get out of
• 6:16
  Speaker 1: this fat little cloud we're in and let those two
• 6:18
  Speaker 1: fighters on our tail get in a few bursts at you.
• 6:21
  Speaker 9: Have we got things on our tail?
• 6:22
  Speaker 4: Yeah, Spaniards with no souls at all.
• 6:25
  Speaker 6: This will make a much better story if we land
• 6:27
  Speaker 6: in France.
• 6:28
  Speaker 1: I'm sure it will. If we land back in Spain,
• 6:30
  Speaker 1: it'll look reasonably like an obituary, baby.
• 6:35
  Speaker 6: Tom, they're shooting at me. Get back in your crowd.
• 6:38
  Speaker 4: All right, but you better be grateful to me when
• 6:40
  Speaker 4: we do.
• 6:45
  Speaker 8: Phew!
• 6:46
  Speaker 6: That was close. But what a story I've got now.
• 6:49
  Speaker 4: Oh, I don't know.
• 6:51
  Speaker 6: What do you mean? It's got everything. Reporter tricks fascists.
• 6:54
  Speaker 6: Rescues doomed pilot. Chased by fighters. Makes French border with
• 6:57
  Speaker 6: tailwind and prayer and one drop of gasoline left.
• 7:00
  Speaker 4: What about love interest?
• 7:02
  Speaker 6: What do you mean, lover?
• 7:04
  Speaker 4: Just what I say. Better move over here close.
• 7:07
  Speaker 6: I will not.
• 7:09
  Speaker 4: Okay.
• 7:10
  Speaker 2: Get back in the car, Bill.
• 7:17
  Speaker 6: Shoot us down.
• 7:18
  Speaker 4: Promise to put a love interest in this epic? No.
• 7:20
  Speaker 2: Yes, yes. Anything you say.
• 7:29
  Speaker 4: Now, as I was saying, what this tale needs is
• 7:32
  Speaker 4: a little love interest. Darling? Darling? Well, you're right about
• 7:52
  Speaker 4: that last drop of gasoline.
• 7:53
  Speaker 6: Where are we?
• 7:54
  Speaker 4: Coming down in French territory. Oh, what a ride. Well,
• 7:57
  Speaker 4: you got your story, didn't you?
• 7:58
  Speaker 6: And you're alive, aren't you?
• 8:00
  Speaker 4: Okay, Miss Brisbane, hold on. Lafayette, we are here.
• 8:09
  Speaker 6: You coined a phrase.
• 8:11
  Speaker 4: Yeah, I got lots of them. What happens now?
• 8:13
  Speaker 6: I'm getting to a telegraph office to file my story.
• 8:16
  Speaker 4: Wait.
• 8:17
  Speaker 6: Four, you can't take advantage of me now.
• 8:19
  Speaker 4: Look, now don't be a dope, Gusto. Go roll your hoop, hero.
• 8:23
  Speaker 6: You're only a front page story in my life. And
• 8:25
  Speaker 6: if I never see you again, it'll be okay with me.
• 8:28
  Speaker 4: Hello?
• 8:30
  Speaker 2: Hello?
• 8:39
  Speaker 4: Monsieur, a lady is on her way up to see you.
• 8:42
  Speaker 4: Miss Augusta Nash of the Associated News, monsieur. No! Oh,
• 8:46
  Speaker 4: but yes.
• 8:47
  Speaker 1: Oh, but of course. Now Paris is really Paris. Just
• 8:52
  Speaker 1: a moment. Well, if it isn't French Paige Gusto herself.
• 8:59
  Speaker 1: Come on in, baby. Paris sure was lonesome without you.
• 9:03
  Speaker 6: I'm here on assignment. I had to call you.
• 9:06
  Speaker 4: Well, that's too bad.
• 9:08
  Speaker 8: I've got to know everything about you. 50,000 more words,
• 9:11
  Speaker 8: as a matter of fact. You're a big success in
• 9:14
  Speaker 8: the hometown papers.
• 9:15
  Speaker 4: That's what a love interest will do.
• 9:17
  Speaker 8: If I told the truth about what a cad you are,
• 9:18
  Speaker 8: you'd be the biggest heel in the United States.
• 9:20
  Speaker 4: But in Paris, oh, la, la.
• 9:23
  Speaker 8: I've got a cameraman. A great big cameraman standing just
• 9:27
  Speaker 8: outside that door. One pass out of you and he'll
• 9:29
  Speaker 8: take your picture for a welcome mat.
• 9:31
  Speaker 4: Relax, Miss Nash.
• 9:32
  Speaker 1: You're as safe with me as you would be at
• 9:34
  Speaker 1: home in a Ford Roadster on a Saturday night.
• 9:39
  Speaker 6: Thank you.
• 9:41
  Speaker 8: Now, let's get the thrilling details of your moronic childhood.
• 9:46
  Speaker 9: Born?
• 9:47
  Speaker 4: Yes, though some people seem to resent it. Where? Cleveland, Ohio.
• 9:53
  Speaker 1: But tonight I'm in Paris, and they have a guillotine
• 9:55
  Speaker 1: here for people who work at this hour.
• 9:56
  Speaker 4: It's 8 o'clock.
• 9:57
  Speaker 6: Ten of.
• 9:58
  Speaker 4: All right. But on the Champs-Élysées, the lights are bursting
• 10:01
  Speaker 4: into bloom. In the restaurants, wines are growing cold, and women,
• 10:05
  Speaker 4: women are putting perfume behind their ears. Miss Nash, have
• 10:08
  Speaker 4: you ever been to Maxime's?
• 10:09
  Speaker 6: No, I always carry a box lunch.
• 10:12
  Speaker 1: Well, it has a red plush, candlelight, mirrors, caviar, champagne,
• 10:16
  Speaker 1: and there's something in the air.
• 10:18
  Speaker 4: L'amour? Yeah, all right, so I'm devoting my first three
• 10:21
  Speaker 4: nights to it.
• 10:21
  Speaker 6: That's an awful lot of amour.
• 10:23
  Speaker 4: I was in jail an awful long time. I have
• 10:26
  Speaker 4: reserved a table for 9 o'clock.
• 10:27
  Speaker 6: I won't go.
• 10:29
  Speaker 4: Who's inviting you? I'm meeting a lady there.
• 10:33
  Speaker 6: With perfume behind her ears?
• 10:34
  Speaker 4: Well, as a matter of fact, she's a Romanian. You
• 10:38
  Speaker 4: know anything about Romanians?
• 10:39
  Speaker 8: No, no, I collect Persians.
• 10:42
  Speaker 1: Well, Romanians have no sense of time. This one always
• 10:45
  Speaker 1: keeps me waiting. Now, while I'm waiting, I can be interviewed.
• 10:49
  Speaker 6: You can be stuffed for all I care.
• 10:51
  Speaker 4: Of course.
• 10:52
  Speaker 1: You can go back to Associated News and tell them
• 10:54
  Speaker 1: that you couldn't get the additional.
• 10:56
  Speaker 4: 50,000 words because.
• 10:57
  Speaker 6: I see what you mean.
• 10:58
  Speaker 1: Then shall we say Maxine's at nine?
• 11:01
  Speaker 6: Why, certainly, Mr. Martin, certainly.
• 11:03
  Speaker 8: You will know me because I'll be wearing a shawl
• 11:05
  Speaker 8: over my head when you hear the slap of my
• 11:08
  Speaker 8: bare feet.
• 11:08
  Speaker 6: On the floor. Just tell the waiter I'm the girl
• 11:11
  Speaker 6: with your laundry.
• 11:12
  Speaker 4: Good.
• 11:13
  Speaker 1: And when my Romanian heavy date shows up, I'll expect
• 11:16
  Speaker 1: you to run along.
• 11:17
  Speaker 4: Good evening, Miss Nash. See you at nine. No!
• 11:35
  Speaker 1: You will hear the second part of Academy Award in
• 11:38
  Speaker 1: just 52 seconds. Incidentally, you probably don't take much longer
• 11:42
  Speaker 1: than that to brush your teeth. And yet, even in
• 11:45
  Speaker 1: so short a time, Squibb Dental Cream can help you
• 11:48
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• 11:52
  Speaker 1: you can taste, feel, and see the refreshing difference. Yes,
• 11:57
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• 12:00
  Speaker 1: flavor cool and tangy as crushed fresh mint itself. And
• 12:04
  Speaker 1: Squibb Dental Cream livens up your smile, too, uncovers natural
• 12:08
  Speaker 1: sparkle that adds to your sense of well-being. For Squibb
• 12:11
  Speaker 1: Dental Cream contains one of the safest, softest, yet most
• 12:16
  Speaker 1: effective polishing agents known to dental science. So tonight, try
• 12:21
  Speaker 1: Squibb Dental Cream, the dentifrice that loves up to the
• 12:24
  Speaker 1: standard of perfection which distinguishes every member of the great
• 12:28
  Speaker 1: family of Squibb products.
• 12:30
  Speaker 4: Taste, feel, and see.
• 12:33
  Speaker 1: The refreshing difference. In a moment, you will hear part
• 12:36
  Speaker 1: two of Arise, My Love. But first, for making this
• 12:39
  Speaker 1: story available, we want to thank Paramount Pictures, whose current
• 12:43
  Speaker 1: release is To Each His Own, starring Olivia de Havilland.
• 12:56
  Speaker 1: And now, the House of Squibb presents part two of
• 12:59
  Speaker 1: Academy Awards, starring Ray Moland in Arise, My Love.
• 13:18
  Speaker 6: Now, you said you never met Lindbergh. Where were you
• 13:21
  Speaker 6: when he made his flight?
• 13:22
  Speaker 1: I was in the Boy Scouts, Troop C, Wolf Patrol.
• 13:26
  Speaker 1: I just rubbed up two scout masses the wrong way
• 13:28
  Speaker 1: and I.
• 13:28
  Speaker 4: No, no, no, that won't do. No, no, no, no.
• 13:30
  Speaker 6: You were in New York, one of cheering millions. That
• 13:33
  Speaker 6: was when you vowed to fly or die.
• 13:35
  Speaker 4: How did I do?
• 13:37
  Speaker 6: You turned out to be a louse.
• 13:39
  Speaker 4: Thanks. Have a drink?
• 13:41
  Speaker 6: Yes, I will. Cordon Rouge, 33, with a dash of
• 13:44
  Speaker 6: crème de menthe.
• 13:45
  Speaker 4: Why, certainly. Louis, you heard the lady. Oui. Flower girl. Oui, monsieur.
• 13:51
  Speaker 1: Gusteau, I have a problem. You see, the last time
• 13:54
  Speaker 1: I saw this Romanian lady fair, we had a bit
• 13:56
  Speaker 1: of a row.
• 13:58
  Speaker 4: She seemed to get the impression that I was in
• 13:59
  Speaker 4: something of a heel.
• 14:01
  Speaker 6: No, don't tell me it's all over town.
• 14:03
  Speaker 4: Yep. So, Augusto, I must erase the footprint left by
• 14:07
  Speaker 4: a heel.
• 14:09
  Speaker 6: Why, you're beginning to sound human.
• 14:12
  Speaker 4: Well, you see, I'm quite crazy about this girl. She's swell, really.
• 14:17
  Speaker 4: Only she has standards. Now, these flowers might help. What
• 14:21
  Speaker 4: should I choose?
• 14:22
  Speaker 6: Oh, you wouldn't want anything routine. How about these? Jasmine.
• 14:26
  Speaker 4: Those little things?
• 14:28
  Speaker 9: Smell them.
• 14:30
  Speaker 4: Wonderful. Chasseur, put these on my table, please. Oui, monsieur.
• 14:34
  Speaker 8: Now, let's get on with our interview.
• 14:37
  Speaker 6: Uh, you were in commercial aviation. Were you ever a
• 14:40
  Speaker 6: test pilot?
• 14:40
  Speaker 4: Nope, that was Gable.
• 14:43
  Speaker 6: You'd better sip your wine.
• 14:45
  Speaker 4: Oh, yeah, the wine with the clement, of course. Oh,
• 14:53
  Speaker 4: listen to that.
• 14:55
  Speaker 6: My favorite song.
• 14:57
  Speaker 4: Yeah, it's pretty.
• 14:59
  Speaker 6: My big sister's beau used to sing it. Oh, he
• 15:02
  Speaker 6: had a terrible voice, but a lot of feeling.
• 15:07
  Speaker 4: Gaston.
• 15:08
  Speaker 2: Yes, Tom?
• 15:10
  Speaker 4: Couldn't we dance?
• 15:11
  Speaker 8: What about your Romanian girlfriend?
• 15:13
  Speaker 4: Well, I told you she was always late. Well, all right.
• 15:17
  Speaker 9: But hold me so I can keep an eye on
• 15:19
  Speaker 9: the front door.
• 15:20
  Speaker 4: Okay, Gusto. You watch the door and I'll watch you.
• 15:36
  Speaker 1: Tom.
• 15:38
  Speaker 4: Yeah?
• 15:39
  Speaker 9: Paris is wonderful. Even in a rented fiat.
• 15:43
  Speaker 4: You're terrific. You'd be terrific even in Pittsburgh. Tom. Yeah?
• 15:49
  Speaker 9: Whatever happened to that fat Romanian?
• 15:52
  Speaker 4: She wasn't so fat. How can you tell?
• 15:54
  Speaker 6: She never showed up.
• 15:56
  Speaker 9: Maybe she doesn't even exist.
• 15:58
  Speaker 4: Maybe.
• 16:00
  Speaker 9: Maybe I walked into a trap.
• 16:03
  Speaker 4: Gusto, do you like being trapped? I loved it tonight.
• 16:07
  Speaker 4: What do you mean, tonight? I'm playing for keeps.
• 16:11
  Speaker 6: No, Tom, I'm sorry.
• 16:12
  Speaker 8: I've had a grand time, really, and I've had a
• 16:14
  Speaker 8: grand time from the moment I first saw you walk
• 16:16
  Speaker 8: into that prison office. But I'm getting out of this trap, Tom,
• 16:20
  Speaker 8: right here in this corner.
• 16:22
  Speaker 6: Driver, stop here. Now, look, Tom, let me get.
• 16:26
  Speaker 8: This off my chest. I'm falling in love, Tom. I
• 16:31
  Speaker 8: know all the signs about me. Chills, fever, weak stomach.
• 16:35
  Speaker 4: The works.
• 16:37
  Speaker 6: And I can't afford it. You see, Tom, I.
• 16:41
  Speaker 8: I've just gotten a break in the newspaper business, and
• 16:43
  Speaker 8: I want to go places for a while.
• 16:45
  Speaker 9: I want to watch history.
• 16:46
  Speaker 6: Being made and write about it. I got ink in
• 16:49
  Speaker 6: my blood, Tom.
• 16:50
  Speaker 4: Oh, nonsense.
• 16:51
  Speaker 1: No dame of what you've got showing has any business
• 16:53
  Speaker 1: to have ink in her blood. And as far as
• 16:55
  Speaker 1: careers are concerned, I'll give you one that'll keep you dizzy.
• 16:58
  Speaker 4: Watching over a goon called Martin.
• 17:00
  Speaker 9: I know, Tom. When I'm near you, I keep looking
• 17:04
  Speaker 9: at the world through a wedding ring.
• 17:07
  Speaker 8: And that isn't good for a headline hunter. Now, look,
• 17:10
  Speaker 8: tonight I go up to my room and I beat
• 17:12
  Speaker 8: my brains and write the last chapter on the life
• 17:14
  Speaker 8: of Tom Martin, aeronaut.
• 17:15
  Speaker 4: Oh, nuts.
• 17:16
  Speaker 9: Then when I write the end of that story, I
• 17:18
  Speaker 9: pack my bags and rush out and catch a train.
• 17:20
  Speaker 4: Train? What are you talking about?
• 17:22
  Speaker 6: Train to Berlin, Tom.
• 17:24
  Speaker 8: Berlin, where the madmen are drawing a bloodbath for the world.
• 17:28
  Speaker 9: Associated News is sending me there as a correspondent.
• 17:31
  Speaker 6: It's a big break.
• 17:33
  Speaker 4: Break, huh?
• 17:35
  Speaker 1: You talk of getting a break when those swine are
• 17:36
  Speaker 1: getting ready to ruin the world... You talk of seeing
• 17:39
  Speaker 1: the world through a wedding ring.
• 17:40
  Speaker 4: Don't hand me that. You see the world through an
• 17:42
  Speaker 4: ice cube, baby.
• 17:43
  Speaker 1: Tom.
• 17:44
  Speaker 4: Go ahead. Go ahead and try and write that story.
• 17:47
  Speaker 4: Tell those millions at home how you won the heart
• 17:49
  Speaker 4: of a dashing flyer.
• 17:50
  Speaker 1: Tell them he offered you love, devotion, the real McCoy,
• 17:53
  Speaker 1: complete with wedding ring and a little flat in Sunnyside,
• 17:55
  Speaker 1: and how you bravely turned him down because you were
• 17:58
  Speaker 1: to write about Hitler and his hoodlums because, after.
• 18:00
  Speaker 4: All, marriage is for simple folk. But a newspaper woman
• 18:03
  Speaker 4: has a public. Good night, Miss Nash, and happy headlines. Tom! Oh, Tom,
• 18:11
  Speaker 4: it isn't so. It isn't so. It isn't... Tom! Conductor,
• 18:33
  Speaker 4: would you please help me open this window? It's stifling
• 18:36
  Speaker 4: in here. Sure, let me help.
• 18:38
  Speaker 8: Oh.
• 18:38
  Speaker 4: It's close in here, isn't it? Huh?
• 18:42
  Speaker 1: These European trains always smell of eau de cologne and
• 18:45
  Speaker 1: hard-boiled eggs.
• 18:46
  Speaker 9: Tom, what are you doing here? Why are you running
• 18:48
  Speaker 9: after me?
• 18:49
  Speaker 4: I'm not running after you.
• 18:51
  Speaker 1: Just have gone the same train, same compartment.
• 18:54
  Speaker 4: It's just a coincidence, that's all.
• 18:56
  Speaker 6: Just a coincidence.
• 18:57
  Speaker 4: That's right. Here. Here, Lynn. Here I am. Warsaw. Thank you.
• 19:06
  Speaker 4: You're going to Warsaw?
• 19:07
  Speaker 1: Volunteer Tomasz Laszlo Matynowski reporting for duty with the Polish
• 19:11
  Speaker 1: Air Force.
• 19:11
  Speaker 9: When did you enlist?
• 19:12
  Speaker 4: Before breakfast. My credentials?
• 19:16
  Speaker 1: The Polish consulate is working night and day, signing up flyers.
• 19:20
  Speaker 1: Looks like any moment now.
• 19:22
  Speaker 9: Tom, did last night have anything to do with your
• 19:25
  Speaker 9: joining up?
• 19:26
  Speaker 4: Last night? No. Nights seldom have anything to do with
• 19:30
  Speaker 4: my decisions. You see, I have principles. When Adolph takes
• 19:34
  Speaker 4: a poke at those poles, he takes a poke at
• 19:36
  Speaker 4: people like me. Simple. Yeah. Simple. What are you looking at, Kirsten?
• 19:45
  Speaker 6: Scenery.
• 19:47
  Speaker 4: Wood. Trees. Yeah. The forest of Compiègne. Oh. Look here.
• 19:55
  Speaker 4: A kind grandmother dozing in her rocking chair. Old trees
• 20:00
  Speaker 4: doing catches in the wind because they still think Louis
• 20:03
  Speaker 4: XIV will be passing by.
• 20:05
  Speaker 9: Who said that? Doesn't sound like you.
• 20:07
  Speaker 8: No.
• 20:08
  Speaker 1: No.
• 20:09
  Speaker 4: A French boy who was with me in Spain. He
• 20:12
  Speaker 4: used to talk about this scenery back in Spain.
• 20:14
  Speaker 6: He must have been a nice boy.
• 20:16
  Speaker 4: He was. He had principles, too.
• 20:19
  Speaker 1: That when very few people could afford them.
• 20:23
  Speaker 4: You know, it would be kind of.
• 20:24
  Speaker 1: A nice gesture if we could stop this train and
• 20:26
  Speaker 1: take his memory through that forest.
• 20:29
  Speaker 4: Sit beside a book. Stroll where the wild strawberries grow.
• 20:33
  Speaker 6: Nobody can stop this train.
• 20:35
  Speaker 4: Only a pull of that emergency cord.
• 20:37
  Speaker 6: You don't savvy much French.
• 20:39
  Speaker 9: Sign says that anyone who pulls that cord is a
• 20:41
  Speaker 9: joke or a devil's ally.
• 20:43
  Speaker 4: French is so excitable. Listen, career woman, you're as safe
• 20:47
  Speaker 4: as in a church. You're worried about your career. Well,
• 20:50
  Speaker 4: nothing can stop you now. It's Berlin at 70 miles
• 20:53
  Speaker 4: an hour. No danger at all.
• 20:55
  Speaker 6: No danger, whatever.
• 20:57
  Speaker 4: So, there being no danger, you might as well admit
• 21:00
  Speaker 4: you feel toward me the same way I feel toward you.
• 21:02
  Speaker 1: All right.
• 21:05
  Speaker 4: I admit it.
• 21:08
  Speaker 9: There is no danger now.
• 21:09
  Speaker 4: None at all. Even when I take you in my arms.
• 21:14
  Speaker 4: No danger. So ever. Oh, honey. Look, I never did
• 21:24
  Speaker 4: like kissing girls on trains. Let's get off this thing
• 21:27
  Speaker 4: and spend a few hours in the forest of Compiègne.
• 21:29
  Speaker 6: You can't stop this train now.
• 21:31
  Speaker 4: Oh, yes, I can. Watch me. All I have to
• 21:34
  Speaker 4: do is pull this emergency cord.
• 21:48
  Speaker 6: Tom.
• 21:51
  Speaker 9: Oh, Tom, darling. I know this is the forest of complaint.
• 21:57
  Speaker 9: I think it's really paradise.
• 21:59
  Speaker 1: Well, it seems the way to get to paradise is
• 22:03
  Speaker 1: pull the emergency cord.
• 22:04
  Speaker 4: On a train.
• 22:05
  Speaker 8: Oh, Tom, why should we have paradise when the rest
• 22:09
  Speaker 8: of the world is ready to burst into an inferno?
• 22:13
  Speaker 4: Let's enjoy paradise while we can.
• 22:16
  Speaker 9: Don't you think we'd better get back to the inn?
• 22:17
  Speaker 4: Just one more minute, darling. Just one. It's so cool.
• 22:22
  Speaker 1: You know, there's dew in your hair.
• 22:27
  Speaker 9: And there's an ant strolling up your cheek.
• 22:30
  Speaker 4: I wish it were your lips. Such a little kiss.
• 22:37
  Speaker 9: Such a little ant.
• 22:42
  Speaker 6: Oh, Tom, this is too good to laugh.
• 22:44
  Speaker 4: No tears, please. Even if it is our last day.
• 22:47
  Speaker 6: No tears.
• 22:49
  Speaker 4: But it's early, and it'll be a long day.
• 22:51
  Speaker 6: Maybe the sun will stop. Listen. What is it?
• 22:57
  Speaker 4: Bombers. It's begun.
• 23:03
  Speaker 9: Get back to the inn.
• 23:03
  Speaker 4: There's a radio there. With six German armies pushing.
• 23:18
  Speaker 1: Rapidly toward the heart of Poland, and with Nazi bombs
• 23:21
  Speaker 1: falling on every important Polish town, the French and English
• 23:24
  Speaker 1: governments await an.
• 23:25
  Speaker 4: Answer to their ultimatum.
• 23:27
  Speaker 1: General mobilization has been ordered in both countries. Tom!
• 23:32
  Speaker 4: The train to Paris at 8-5.
• 23:33
  Speaker 9: You are Americans, I believe.
• 23:35
  Speaker 8: Before you came in, there was a broadcast from your
• 23:37
  Speaker 8: embassy on Prairie asking that all Americans return to America
• 23:40
  Speaker 8: as soon as possible.
• 23:41
  Speaker 4: Thank you.
• 23:42
  Speaker 6: Oh, Tom, what do we do now?
• 23:44
  Speaker 4: Well, you'd feel pretty foolish to take a part in
• 23:45
  Speaker 4: one of the races, huh?
• 23:47
  Speaker 7: Yes.
• 23:48
  Speaker 6: We stay.
• 23:49
  Speaker 8: We're not turning back now. We're not running home just
• 23:51
  Speaker 8: because we got sentimental for a day or two. No,
• 23:54
  Speaker 8: we make great gestures, don't we?
• 23:56
  Speaker 9: We're gallant.
• 23:57
  Speaker 4: We're reckless.
• 23:58
  Speaker 6: We're the new lost generation.
• 24:00
  Speaker 9: You flying till it happens till they smash it a bit.
• 24:03
  Speaker 4: And I writing and writing. Oh, Tom, I wouldn't care
• 24:09
  Speaker 4: if I never wrote another word. Of course, don't.
• 24:12
  Speaker 9: Oh, Tom.
• 24:16
  Speaker 4: You laugh at the little newsreels in Cleveland.
• 24:20
  Speaker 9: To me, Cleveland sounds like heaven.
• 24:22
  Speaker 4: Heaven.
• 24:23
  Speaker 2: Heaven.
• 24:36
  Speaker 4: I'm sorry. Ile-de-France is sold out. Aquitania is sold out.
• 24:39
  Speaker 4: Washington is sold out.
• 24:40
  Speaker 6: But you said we.
• 24:41
  Speaker 4: Oh, yes, madam. Oh, here you are. Two on the Athenia.
• 24:44
  Speaker 3: Oh, good.
• 24:45
  Speaker 4: Tom, we're on the Athenia. Boat leaves Liverpool at four o'clock.
• 24:48
  Speaker 4: Plane in one hour. Thank you very much.
• 25:03
  Speaker 9: We're on our way, Tom.
• 25:05
  Speaker 4: Here you are, sir. Champagne and mint. And four glasses
• 25:08
  Speaker 4: as ordered, sir. Thank you, steward. Are you expecting a
• 25:11
  Speaker 4: storm tonight? Oh, no, sir. Just a precautionary measure so
• 25:14
  Speaker 4: the lights can't be seen. The admiralty has ordered a
• 25:16
  Speaker 4: complete blackout. No calls for alarm. We're at war, sir.
• 25:19
  Speaker 4: So we've heard.
• 25:21
  Speaker 1: Well, here's to Augusta Nash, career woman, foreign correspondent, queen
• 25:27
  Speaker 1: of headlines.
• 25:29
  Speaker 4: Goodbye, career woman. Into the ocean with the glasses.
• 25:32
  Speaker 6: Into the mighty deep.
• 25:33
  Speaker 1: Toast number two to Tom Martin, crusader, avenger of the oppressed.
• 25:39
  Speaker 4: Goodbye, Tom Martin, crusader. Into the deep, deep, deep.
• 25:44
  Speaker 9: None of the Athenians' lives deserve a sonata.
• 25:47
  Speaker 6: Not even a thought.
• 25:48
  Speaker 4: Not even a thought. Dead men tell no tales.
• 25:53
  Speaker 9: Tom, you wouldn't have it any other way.
• 25:56
  Speaker 6: Now.
• 25:57
  Speaker 4: No, darling. We're playing for keeps.
• 26:00
  Speaker 9: Oh, Tom, I.
• 26:04
  Speaker 4: Tom! Tom! Mr.
• 26:05
  Speaker 2: Capito, clear those boats. Wait for the.
• 26:08
  Speaker 4: Coast of Ireland. Help! Help!
• 26:22
  Speaker 9: Help!
• 26:22
  Speaker 1: Help!
• 26:23
  Speaker 4: Help! Help!
• 26:24
  Speaker 1: Help!
• 26:24
  Speaker 9: Help!
• 26:24
  Speaker 1: Help!
• 26:25
  Speaker 2: Help!
• 26:25
  Speaker 4: Help!
• 26:25
  Speaker 3: Help!
• 26:25
  Speaker 2: Help!
• 26:25
  Speaker 4: Help!
• 26:26
  Speaker 6: Help! Help!
• 26:47
  Speaker 4: The last time he was so done in, he just
• 26:48
  Speaker 4: fell forward on the stick. So you took over. Oh,
• 26:51
  Speaker 4: I had to, Gusto. Mr.
• 26:52
  Speaker 1: Martin.
• 26:52
  Speaker 4: Yeah. I beg your pardon, sir. The commander says it's
• 26:54
  Speaker 4: all right, sir. Thank you. I'll be with you in
• 26:55
  Speaker 4: a minute. Yes, sir.
• 26:56
  Speaker 1: They wanted me to help find that sub. They need me, Gusto. Oh, please,
• 27:00
  Speaker 1: please don't look at me like that. Don't make me
• 27:03
  Speaker 1: feel as if.
• 27:03
  Speaker 4: I'm walking out on you. Only yesterday we thought we
• 27:07
  Speaker 4: could throw two people overboard. God knew better. He threw
• 27:10
  Speaker 4: us right.
• 27:10
  Speaker 6: Back after them.
• 27:11
  Speaker 4: Yes. Oh, Gusto, I've never loved you so much. You're
• 27:15
  Speaker 4: joining them? The RAF? But look, Gaston.
• 27:18
  Speaker 6: This is the end.
• 27:20
  Speaker 4: The end? You don't think this is the end?
• 27:24
  Speaker 1: That some crowd down in that sub is going to
• 27:25
  Speaker 1: click his heels and say that freedom is a sign
• 27:27
  Speaker 1: of weakness and incompetence? And that he and his master
• 27:30
  Speaker 1: race only have to push a button and we all
• 27:32
  Speaker 1: go down like stones to the bottom?
• 27:34
  Speaker 4: No.
• 27:36
  Speaker 1: This isn't the end. This is the beginning, darling. A
• 27:39
  Speaker 1: beginning of something you and I.
• 27:40
  Speaker 4: Have to end before we can go back to Cleveland.
• 27:43
  Speaker 4: Before any free person can go back anywhere and stay free.
• 27:46
  Speaker 4: I know, Tom. I know.
• 27:48
  Speaker 6: There must be a phone in the village, and I
• 27:49
  Speaker 6: have a story to tell the world. That will be
• 27:51
  Speaker 6: a beginning.
• 27:52
  Speaker 4: We're ready, son. Thank you. Yes, darling. You say it
• 27:56
  Speaker 4: to America. Say, arise, my love. Be strong so you
• 28:00
  Speaker 4: can stand up straight and say to anyone in the
• 28:02
  Speaker 4: God's heaven, all right, whose way of life will it be?
• 28:07
  Speaker 4: Yours or ours? Goodbye, darling. Not goodbye. Just, I'll be
• 28:15
  Speaker 4: seeing you. Yes, darling. I'll be.
• 28:20
  Speaker 9: Seeing you.
• 28:21
  Speaker 4: This way, sir. Okay, RAF, after you.
• 28:43
  Speaker 1: Today, thanks to medical science, thousands with heart conditions may
• 28:47
  Speaker 1: now live reasonably normal, happy lives. That is why at
• 28:52
  Speaker 1: the House of Squibb, no work is more satisfying than
• 28:55
  Speaker 1: the production of digitoxin, used in the treatment of certain
• 28:59
  Speaker 1: heart conditions.
• 29:00
  Speaker 4: To give you some.
• 29:01
  Speaker 1: Idea of the complex processes necessary in the making of
• 29:04
  Speaker 1: this vitally needed drug.
• 29:06
  Speaker 4: you should know that squib.
• 29:07
  Speaker 1: Technicians must process three tons of dried digitalis leaves to
• 29:12
  Speaker 1: obtain one pound of pure digitoxin crystals. Through the development
• 29:18
  Speaker 1: of quantity production techniques, squib has helped to make this
• 29:21
  Speaker 1: important drug available to physicians in uniform strength and purity
• 29:26
  Speaker 1: for everyone who needs it. With digitoxin, as with all
• 29:30
  Speaker 1: other members of the great family of squib products, The
• 29:33
  Speaker 1: House of Squibb is following an endless quest for perfection
• 29:37
  Speaker 1: that is the Squibb ideal. One more reason why, in
• 29:40
  Speaker 1: home or hospital, Squibb is a name you can trust.
• 29:50
  Speaker 1: Ray Moland appeared today through the courtesy of Palomar Pictures
• 29:52
  Speaker 1: and is currently being seen in Palomar's new production.
• 29:55
  Speaker 4: The Well-Groomed Bride.
• 29:57
  Speaker 1: Arise, My Love was written for radio by Frank Wilson
• 30:00
  Speaker 1: with an original musical score composed and conducted by Luke Stevens.
• 30:03
  Speaker 4: Our producer-director is Dee Engelbach.
• 30:06
  Speaker 1: You are invited to listen to Academy Award again next
• 30:08
  Speaker 1: week at the same time when the House of Squibb
• 30:11
  Speaker 1: will bring you another great Academy Award performance, the delightful
• 30:14
  Speaker 1: comedy-drama Ruggles of Red Gap with two outstanding stars, Charles
• 30:18
  Speaker 1: Lawton and Charlie Ruggles. Until then, this is Hugh Brandage
• 30:22
  Speaker 1: bidding you good night for the House of Squibb, a
• 30:24
  Speaker 1: name you can trust. This is CBS, the Columbia Broadcasting System.