Latest / The World of Phil Hendrie / Episode #3857 The New Phil Hendrie Show

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Episode #3857 The New Phil Hendrie Show · The World of Phil Hendrie

• 0:00
  Speaker 1: What to do the simple folk? Hello, everyone, help them
• 0:05
  Speaker 1: escape with them. This is the world famous Phil Henry Show,
• 0:09
  Speaker 1: and today I'm Margaret Gray. Will be guest hosting here
• 0:12
  Speaker 1: on the Phil Henry Show. And don't well, I don't
• 0:17
  Speaker 1: know that he's gonna just don't even say it. And
• 0:19
  Speaker 1: I will be guest hosting on the Phil Henry Show
• 0:23
  Speaker 1: with me as General Galen Shaw. Along with him is
• 0:26
  Speaker 1: Bud Dickman. Why are the three of you? I don't
• 0:29
  Speaker 1: know if you'll appreciate faith. Phil said, I could play
• 0:34
  Speaker 1: the music that I want. Phil said, so let's tell
• 0:40
  Speaker 1: you what. Let's start this again, Bud Dickman if you'll
• 0:42
  Speaker 1: do the honors. But if you'll do the honors, let's
• 0:46
  Speaker 1: start this piece. Start the music again.
• 0:49
  Speaker 2: Oh all right, you know Bud Dickman will do the honors.
• 0:55
  Speaker 2: It means start the Sorry. Okay here ladies, gentlemen, Mark
• 0:59
  Speaker 2: and Mabel Gray, Mabel Gray youth.
• 1:03
  Speaker 1: Why don't just just shine it on? You don't then
• 1:06
  Speaker 1: escape when they shine it on? Anyway, Hello everyone, and
• 1:09
  Speaker 1: welcome to the world Famous Phil Henry Show. I'm Margaret Gay.
• 1:12
  Speaker 1: God damn you who is waiting? Start again? Started again?
• 1:17
  Speaker 2: Bud?
• 1:17
  Speaker 1: All right? What to do the simprovo. Hello everyone, I'm
• 1:23
  Speaker 1: Margaret Gray and welcome to the world famous Phil Henry Show.
• 1:26
  Speaker 1: Don't say anything with me is General Galen Shaw, Bud Dickman,
• 1:31
  Speaker 1: and Robert Leonard. How are you Robert? I'm good Gray.
• 1:33
  Speaker 1: I mean, you can do whatever you want final with me. Well,
• 1:35
  Speaker 1: isn't that nice that you give me your that you
• 1:38
  Speaker 1: give me your sale of approval? Not that I need it,
• 1:40
  Speaker 1: but thank you. You're welcome. However, anyway, ladies and gentlemen,
• 1:45
  Speaker 1: I have been selected by mister Henry the guest host
• 1:47
  Speaker 1: today because Phil is, as we speak, traveling into the
• 1:52
  Speaker 1: city of Los Angeles, where he is scheduled to do
• 1:56
  Speaker 1: what we call in the business adr or looping. That
• 1:59
  Speaker 1: is a yes, yes, yes, when dubbing. You know something,
• 2:06
  Speaker 1: pull the music down because I can't stand listening to
• 2:09
  Speaker 1: this drunk It's it's great music. H There, you go
• 2:12
  Speaker 1: against me every time you do that. Never mind for
• 2:15
  Speaker 1: a moment. I would appreciate it very much if you
• 2:17
  Speaker 1: would give me the courtesy that you give Phil. I've
• 2:19
  Speaker 1: given you the courtesy I give Phil, which is none.
• 2:24
  Speaker 1: WHOA well, you know something, You've got a point there.
• 2:26
  Speaker 1: So let's say this today. You give me the courtesy
• 2:29
  Speaker 1: that you've never given, You've never given anyone else. I
• 2:34
  Speaker 1: know what I did. Hey, we're gonna you know what's
• 2:36
  Speaker 1: good for the goose, It's good for the gander. Well,
• 2:39
  Speaker 1: isn't that original?
• 2:41
  Speaker 2: Good?
• 2:42
  Speaker 1: Gerrold, Tell what about it?
• 2:44
  Speaker 2: I could come up that something more, a little bit
• 2:46
  Speaker 2: more original.
• 2:47
  Speaker 1: Yeah, you could come up with something a little more original.
• 2:52
  Speaker 3: Weird.
• 2:53
  Speaker 1: Look, I'm gonna lay the law down for you just once. Oh,
• 2:55
  Speaker 1: you're laying the law down. Yes, Phil left me in
• 2:59
  Speaker 1: charge of this program, and I'm laying down the law.
• 3:02
  Speaker 1: Don't say it, Bud, what I knew. I didn't let
• 3:07
  Speaker 1: that one go? Oh for Fox?
• 3:08
  Speaker 2: Who is that me? I couldn't help because I got scared.
• 3:12
  Speaker 1: Go On, get the fan on. God, I'm laying is
• 3:15
  Speaker 1: that egg? Yes, I'm laying down. Oh baby, not damn Bud.
• 3:22
  Speaker 2: Do what I got scared when she yelled at me.
• 3:24
  Speaker 1: I'm laying the law down right now, and I'm telling
• 3:27
  Speaker 1: you that I will conduct this program the way I
• 3:31
  Speaker 1: see fit and no one else. Now we have a
• 3:34
  Speaker 1: great deal to deal with in the program today. I
• 3:36
  Speaker 1: think you're going to enjoy. We have a man who
• 3:39
  Speaker 1: was very important to me in my life, bond Rintel.
• 3:42
  Speaker 1: He was my vocal coach. He was also my very
• 3:45
  Speaker 1: very early dance instructor. He's going to be my guest
• 3:48
  Speaker 1: here on the program as well as my husband. Frank
• 3:51
  Speaker 1: Gray will join us. Frank will I have the very
• 3:54
  Speaker 1: first installment of the Frank Gray File, the Frank Row
• 3:58
  Speaker 1: hold on for the Frank Gray. I already the first installment,
• 4:01
  Speaker 1: because I will talk to Phil about extending this into
• 4:05
  Speaker 1: the regular program. Bob, miss Adam's gonna have to sign
• 4:09
  Speaker 1: off on it, did you think so? Do you think,
• 4:10
  Speaker 1: mister Henry, you'll have to sign off it? I know that, yeah,
• 4:13
  Speaker 1: but I know he will. I don't know, but I'm
• 4:15
  Speaker 1: calling it the first installment anticipating that he will. And
• 4:19
  Speaker 1: if he doesn't, then I'll make a big stink and
• 4:22
  Speaker 1: I'll cause problems. In other words, you'll behave the way
• 4:26
  Speaker 1: you always do. I've got to get things done. I
• 4:30
  Speaker 1: am very sorry. I did not mean to start this
• 4:31
  Speaker 1: program emotionally, but I've got these three, these three nether wits. Now,
• 4:36
  Speaker 1: another wit is not a nitwit. Another wit is not
• 4:39
  Speaker 1: a dim wit. Another wit is a wit from the
• 4:42
  Speaker 1: nether reaches. In other words, a dim wit is dim,
• 4:44
  Speaker 1: A half wit is half, but another wit is beyond
• 4:48
  Speaker 1: wit another wit if if you will, uh, either's what
• 4:52
  Speaker 1: where are you going? Anie? What is this? Ray Bradbury Olivers,
• 4:55
  Speaker 1: excuse me for a minute, General another wit? This is
• 4:58
  Speaker 1: a word that I came up with last night, and
• 5:00
  Speaker 1: I like this word. Call out another whip? Yes, what
• 5:04
  Speaker 1: about a Netherland? What about Netherlands? You know what, I'd
• 5:07
  Speaker 1: leave it to a bone brain freaked like you to
• 5:10
  Speaker 1: well you call another which, yeah, I leave it to
• 5:12
  Speaker 1: another whit like you to ask me where what country?
• 5:16
  Speaker 3: See?
• 5:16
  Speaker 2: What countries talk about in Netherlands?
• 5:19
  Speaker 1: What about Netherlands? Well, if you're talking about another whip,
• 5:23
  Speaker 1: I'm talking about the nether reaches, as in out in hell,
• 5:28
  Speaker 1: which is where I am right now. By the way,
• 5:30
  Speaker 1: I'm in hell.
• 5:32
  Speaker 2: You said, that's what Fletcher Christian said to the captain
• 5:35
  Speaker 2: of the barley.
• 5:35
  Speaker 1: Well, easily you're reading your history. Isn't that nice? All right,
• 5:40
  Speaker 1: it's time for us to go to Is this the
• 5:42
  Speaker 1: Bob Bob Baking? Come on, Malond Travick, all right, we're
• 5:45
  Speaker 1: gonna do Bob baking. Now. Bob has the traffic for us. Bob, Hello,
• 5:49
  Speaker 1: it's Margaret Dray, tell us what the traffic's like.
• 5:54
  Speaker 3: I got a hound, I got my hand in my
• 5:56
  Speaker 3: past right talking about Jim Trelin, Jim Perman when I
• 5:59
  Speaker 3: said he's gonna trying out about outbound. Hey listen, if
• 6:02
  Speaker 3: you're up from the sixteen freeway, you're going out and
• 6:04
  Speaker 3: out the Soundtown, you're gonna be looking at her for a
• 6:06
  Speaker 3: much sides is Loo's gonna be a lot of cars
• 6:07
  Speaker 3: stealing around and the guy going out the side of
• 6:09
  Speaker 3: the hill. Hey, up here, we gotta I brought that.
• 6:11
  Speaker 3: There's a bard tap over here that's got the flat tire.
• 6:13
  Speaker 3: If the end a flat tire, you got to make
• 6:15
  Speaker 3: sure you gotta spare a tire. And if you go
• 6:16
  Speaker 3: out here with a leafting, you're gonna find out that
• 6:18
  Speaker 3: there's a lifting and there's dead team gum and you're
• 6:20
  Speaker 3: a lifting bob. Make you driving. And this is Harvey
• 6:25
  Speaker 3: Warman with Newsbreak. With Newsbreak, I'm Harvey Warman. The car
• 6:32
  Speaker 3: the Golddden State that day, Warrick wa Regarder.
• 6:37
  Speaker 1: Beat U shit, you need glasses?
• 6:42
  Speaker 3: Hey, hold on for getting you just never mind? Okay,
• 6:45
  Speaker 3: the Golden Study Warrior, You're.
• 6:49
  Speaker 1: The Golden that sounds like you want.
• 6:51
  Speaker 3: To give me a break here, General the Golden Staddy Warrior,
• 6:56
  Speaker 3: uh deafie added deprecated. Could I say defecated? I said daffiatic, Yes, defeated.
• 7:04
  Speaker 1: For God's sake, defeated, defeated.
• 7:08
  Speaker 3: Oh who completed the kleman kavala leir a Jesus. Give
• 7:15
  Speaker 3: me those glasses, honey, Hi, guys out there, give me
• 7:19
  Speaker 3: the glasses. Give him the granddaddy. That's right. Don't you
• 7:24
  Speaker 3: ever run away with the glasses now the Deni's come
• 7:29
  Speaker 3: in here and get your daughter. I know she's my granddaughter.
• 7:32
  Speaker 3: She just kicked me in the shin. Then she tried
• 7:34
  Speaker 3: to bite my foot. She's taking my shoe off right now.
• 7:37
  Speaker 3: Dennis getting here, Harvey holo, hold on, hold on, Denise,
• 7:40
  Speaker 3: getting your granddaughter's taking off my shoe in about five seconds.
• 7:44
  Speaker 3: She's gonna bite my foot. Four three two one, God
• 7:53
  Speaker 3: damn it. Get your gut. The kid's on my leg.
• 7:57
  Speaker 3: Hold on, I've got a kid on my leg. Here.
• 7:59
  Speaker 1: What are you doing?
• 8:00
  Speaker 3: I've got my daughter. Get my granddaughter. They Clemal gets well,
• 8:13
  Speaker 3: I have.
• 8:13
  Speaker 1: No idea what just happened. But do you want to
• 8:15
  Speaker 1: call him up right now? What in the name of
• 8:18
  Speaker 1: everything holy is going on in that home. I really
• 8:20
  Speaker 1: I have. There are days when I wonder whether or
• 8:23
  Speaker 1: not whether or not Harvey Warreman. And we all love him,
• 8:25
  Speaker 1: we know him, and we certainly do appreciate him, and
• 8:29
  Speaker 1: God knows he's he's doing better than a lot of us. Uh,
• 8:33
  Speaker 1: but what uh what are you trying to say? I'm
• 8:36
  Speaker 1: wondering whether or not he should be put away? Goddamn,
• 8:39
  Speaker 1: I thought I never thought i'd hear the day that
• 8:42
  Speaker 1: I just I'm wondering. It sounds frightening. Well, not a
• 8:46
  Speaker 1: Oman's Graham gonna talk about Harvey woman and put him away? Oh, relaxed,
• 8:52
  Speaker 1: William Robert. I'm not saying that we should. I'm saying
• 8:54
  Speaker 1: that we could, and I'm not even saying that we
• 8:57
  Speaker 1: could or that we would, But I am saying that
• 9:01
  Speaker 1: we might. And would that be right?
• 9:04
  Speaker 2: Well, it could be, it might be right, But at
• 9:08
  Speaker 2: what fright of a cart?
• 9:10
  Speaker 3: You know?
• 9:11
  Speaker 1: Don't try to rhyme things that don't get that's right anyway.
• 9:16
  Speaker 1: I'm sorry, I lost myself. There's programmers just as out
• 9:19
  Speaker 1: of control when you host it as when Henry does.
• 9:22
  Speaker 1: Oh that's a load of horse dungue. And you know
• 9:24
  Speaker 1: that I have a I have a purpose. I have
• 9:27
  Speaker 1: a theme for this program, and I will push forward.
• 9:30
  Speaker 2: Yeah, you go ahead and right push forward. I hope
• 9:33
  Speaker 2: things come out a lot more smoothly here than I'd
• 9:36
  Speaker 2: usually do in a bowel movement. I'm Bud Dick, Minnie.
• 9:40
  Speaker 1: You are a fil You know something you do come
• 9:43
  Speaker 1: from another, reaches your mind, your soul. You're with everything.
• 9:47
  Speaker 1: Now I have with me Robert. Robert didn't do it
• 9:50
  Speaker 1: because he's more reliable. You think Robert is with us,
• 9:54
  Speaker 1: and he is actually getting the phone call up. Now
• 9:57
  Speaker 1: I have with me bonn and Tail. Here is Bonnantel.
• 9:59
  Speaker 1: He is at He is at the Cafe Exchange in
• 10:02
  Speaker 1: New York City, a place bond that you and I
• 10:06
  Speaker 1: knew well when I was your student.
• 10:07
  Speaker 3: How are you, Margaret? Wonderful? I'm just wonderful and I
• 10:12
  Speaker 3: am here. Who's thinking of you?
• 10:14
  Speaker 1: I'm so excited to have you with us. But I
• 10:17
  Speaker 1: did do you go to the Did you go to
• 10:18
  Speaker 1: the Cafe Exchange? Just as a way of as a
• 10:21
  Speaker 1: little bit of a nostalgia, I did.
• 10:23
  Speaker 3: I came over this morning. I said, well, I'll talk
• 10:27
  Speaker 3: to her on her program. Well, I got some breakfast.
• 10:30
  Speaker 3: I'm on line here now.
• 10:31
  Speaker 1: The Cafe Exchange is a big cafeteria in New York
• 10:35
  Speaker 1: City where Bonn and I or in those days, mister Intel, a.
• 10:42
  Speaker 3: Little older than you, but of course you're now a
• 10:45
  Speaker 3: professional and a woman.
• 10:46
  Speaker 1: But in those days we used to go over there
• 10:48
  Speaker 1: and we'd have breakfast, would we, Yes, we did, and
• 10:50
  Speaker 1: we had some wonderful breakfasts, and we talked about our
• 10:54
  Speaker 1: lesson and the lesson the bond would give me lessons
• 10:57
  Speaker 1: in vocalization and in speech and in dance.
• 11:00
  Speaker 3: Yes I did, Yes I did. It was a great experience,
• 11:04
  Speaker 3: and I had so many students in those days, but
• 11:07
  Speaker 3: you are certainly one of one of my brightest.
• 11:11
  Speaker 1: Well a little a little bit later on, I'm going
• 11:14
  Speaker 1: to be singing a song for you, and we'll break
• 11:18
  Speaker 1: out some of those old lessons and see how we
• 11:21
  Speaker 1: how we do.
• 11:22
  Speaker 3: I anticipate you'll do a great, great job. Margaret.
• 11:27
  Speaker 1: Now, how are you born? What is going on these
• 11:29
  Speaker 1: days with you?
• 11:29
  Speaker 3: Oh? I'm fine, I'm fine. I spend my days now
• 11:34
  Speaker 3: mostly walking along the river here in downtown, you know,
• 11:39
  Speaker 3: near the near the battery. Or I will come uptown
• 11:43
  Speaker 3: sometimes for a show, you know, Johanna takes.
• 11:46
  Speaker 1: Me and uh, oh that's your daughter, Joanna.
• 11:48
  Speaker 3: Yes, yes, he takes me for a Joanna and uh
• 11:52
  Speaker 3: and uh and Jeff as her husband, uh uh and uh,
• 11:57
  Speaker 3: well her husband didn't name only I wouldn't go into it.
• 12:00
  Speaker 3: But the some of us that don't think he's really
• 12:03
  Speaker 3: a man to her. Uh you know what I mean.
• 12:06
  Speaker 1: Now, Now keep in mind, born that we're on the air.
• 12:09
  Speaker 3: All right, it's a public broadcast.
• 12:11
  Speaker 1: Then, yes it is, dear.
• 12:13
  Speaker 3: Oh okay, I thought it was on the internet or something.
• 12:16
  Speaker 1: Well, it is on the internet, but everyone can tune
• 12:18
  Speaker 1: into it.
• 12:19
  Speaker 3: Oh, I say, I say, all right.
• 12:21
  Speaker 1: Now I want to introduce around the panel that I
• 12:23
  Speaker 1: have with me right now. We have General Galen Shaw, Yes, sir,
• 12:27
  Speaker 1: how are you, sir?
• 12:28
  Speaker 3: Very good, General General saw right.
• 12:31
  Speaker 1: Yes, Sir Galen Shaw, at your service.
• 12:33
  Speaker 3: Oh right, thank you very much.
• 12:35
  Speaker 1: And we have a Bud Dickman, Bud Dickman, yes, sir,
• 12:38
  Speaker 1: mister mister rite.
• 12:40
  Speaker 3: Oh but what's your name, Bud Bud?
• 12:44
  Speaker 2: It's Bud Dickman.
• 12:45
  Speaker 1: Bud b U d Bud Dickman.
• 12:47
  Speaker 3: Bud Bud Dickman. Okay, blood and.
• 12:50
  Speaker 1: Robert Leonard, Robert Leonard yes, how are you sir.
• 12:53
  Speaker 3: Well, Helena, Robert, how are you okay?
• 12:56
  Speaker 1: Yes? And these are all my co hosts on the
• 12:58
  Speaker 1: program today, Oh.
• 12:59
  Speaker 3: Okay, okay. So, and do you do the show from
• 13:04
  Speaker 3: a radio studio.
• 13:05
  Speaker 1: Yes, yes, we do it in much like a radio
• 13:08
  Speaker 1: program from radio studio. Yes. And for those of you
• 13:10
  Speaker 1: are just tuning in, I'm talking here to Bond, Rittell.
• 13:13
  Speaker 1: Bond was my He was my vocal coach, he was
• 13:16
  Speaker 1: my debts instructor. He was so many things to me,
• 13:19
  Speaker 1: so many things do so many young women in those
• 13:22
  Speaker 1: those those heavy days in the sixties there in New
• 13:24
  Speaker 1: York City. Weren't those some wonderful days?
• 13:26
  Speaker 3: Oh, there was a marvelous time in musical theater and
• 13:30
  Speaker 3: then the kaver at the musicals. You know when I
• 13:37
  Speaker 3: was studying not just Margaret, not just you, Margaret, but
• 13:40
  Speaker 3: I had your sister Gwynn, yes, yes, and I had
• 13:46
  Speaker 3: Benny Lantree and who's at father. All of them went
• 13:51
  Speaker 3: on too great notoriety on the stage.
• 13:55
  Speaker 1: Now, you were there when I understudied on Camelot, weren't you?
• 14:00
  Speaker 3: Yeah, I was off stage. You did very very well.
• 14:03
  Speaker 1: And we opened the program with a song from Camelot called, uh,
• 14:08
  Speaker 1: what else do the simple folk do?
• 14:11
  Speaker 3: Oh? Oh? Oh?
• 14:14
  Speaker 1: Do do do?
• 14:14
  Speaker 3: Did?
• 14:15
  Speaker 1: Do you remember that song?
• 14:16
  Speaker 3: Oh? Christ do? I ever brings back so many great
• 14:20
  Speaker 3: The thing about that song, Moderret, was that you were
• 14:24
  Speaker 3: a good singer, but you weren't. That wasn't your best song,
• 14:28
  Speaker 3: as we used to talk about that.
• 14:29
  Speaker 1: Well, I know, but it is a very nostalgic very
• 14:33
  Speaker 1: doesn't it bring back pleasant memories?
• 14:35
  Speaker 3: Oh? It does? But were the first notes of the
• 14:37
  Speaker 3: song caused a little bit of anxiety in me because
• 14:41
  Speaker 3: when I heard you sing it the first time in
• 14:44
  Speaker 3: New York City. Now, bun hold on, Margaret, I might
• 14:47
  Speaker 3: have to say this. When I heard you sing it
• 14:49
  Speaker 3: the first time in New York City on stage there
• 14:52
  Speaker 3: at the at the Mental Aid Theater, Uh, break into
• 14:56
  Speaker 3: those notes again, if you wouldn't mind, I'm sorry.
• 14:59
  Speaker 1: You want you want you to sing song?
• 15:00
  Speaker 2: Yeah?
• 15:01
  Speaker 3: Oh?
• 15:01
  Speaker 1: You want me to start singing it?
• 15:03
  Speaker 3: Yeah? Start singing?
• 15:04
  Speaker 1: What else do the simple folk?
• 15:07
  Speaker 3: Dude? Yeah? Right right? What I what I objected to
• 15:12
  Speaker 3: was the you know you you would as if you
• 15:17
  Speaker 3: were looking at the audience.
• 15:18
  Speaker 1: And saying, well, we don't have to critique it right now.
• 15:22
  Speaker 3: Oh no, but I've got just I've got the train
• 15:24
  Speaker 3: of thuck going.
• 15:25
  Speaker 1: Let him finish.
• 15:26
  Speaker 2: Yeah, yeah, I want to hear this.
• 15:27
  Speaker 1: Oh, I'll bet you do well.
• 15:29
  Speaker 3: No, hold on, I'm so sorry. Wait a minute, here
• 15:33
  Speaker 3: comes to the young man with my breakfast? All that? Yes?
• 15:35
  Speaker 3: Is this the eggs? Is this the salur cream? Which
• 15:39
  Speaker 3: is the eggs in? Which is the salad cream?
• 15:41
  Speaker 1: Darling? Do you need help?
• 15:42
  Speaker 3: No? I don't need any help. Uh but I'm here
• 15:45
  Speaker 3: by myself, and I get this fuddled. Yes? Would you
• 15:49
  Speaker 3: bring me also a little piece of bread? How much?
• 15:53
  Speaker 3: Fifty cents? Fuck that?
• 15:55
  Speaker 1: Jesus Bohn. Are you all right?
• 15:58
  Speaker 3: I know, I'm fine. I'm fine. A thing that was
• 16:01
  Speaker 3: so when you sang what else do the little folk do?
• 16:04
  Speaker 3: I said to myself, she's overplaying it. She's overplaying her hand.
• 16:10
  Speaker 3: She's overplaying her hand.
• 16:11
  Speaker 1: Well, the song is what else do the simple folk do?
• 16:14
  Speaker 3: What else do the simple folk do? That's the name
• 16:17
  Speaker 3: of it.
• 16:17
  Speaker 1: Yeah, so that's the Camelot song. Now I'm looking at
• 16:21
  Speaker 1: it right now, sir?
• 16:22
  Speaker 3: Who said that? Is that? Robert Leonard? Yeah, yes, sir, okay, Robin.
• 16:26
  Speaker 3: And what does it say?
• 16:27
  Speaker 1: The name of the song is what else do the
• 16:28
  Speaker 1: simple folk do?
• 16:30
  Speaker 3: What else do the civil folk do?
• 16:32
  Speaker 1: No, dear, what else did the simple fulk do?
• 16:34
  Speaker 3: Oh? What else do the simple folk? What is the song?
• 16:37
  Speaker 3: What else do the little folk do? Well?
• 16:39
  Speaker 1: That's probably Darby McGill.
• 16:41
  Speaker 3: You know, that's right, that's the Disney thing, all right.
• 16:44
  Speaker 2: So yeah, they have a song called what else? That's
• 16:46
  Speaker 2: the little People do?
• 16:47
  Speaker 3: I didn't say the little people did? I I said
• 16:49
  Speaker 3: what else do the little folk do? To keep their
• 16:53
  Speaker 3: minds from becoming a part? Was the lyric?
• 16:56
  Speaker 1: Yeah? Well in the song what else did the simple
• 16:59
  Speaker 1: folk do? It goes what else do the simple folk do?
• 17:03
  Speaker 3: Do?
• 17:03
  Speaker 1: Do?
• 17:03
  Speaker 3: Do? Do?
• 17:04
  Speaker 2: Do?
• 17:04
  Speaker 1: Do? Do? Do?
• 17:04
  Speaker 3: Don't do that, Margaret, you know you're a much better
• 17:08
  Speaker 3: singer than that.
• 17:09
  Speaker 1: I'm just doing a little shorthand. So you know the
• 17:11
  Speaker 1: metal D?
• 17:12
  Speaker 3: So I know the metal D? What is the metal D?
• 17:15
  Speaker 1: The melody? The melody?
• 17:16
  Speaker 3: Oh, the melody? Yes, well, Margaret, I loved your singing.
• 17:21
  Speaker 3: You have a much better voice than when you go
• 17:23
  Speaker 3: into the over dramatic you you you despoil. I think
• 17:28
  Speaker 3: the gift that God has given you, That's all I'm
• 17:29
  Speaker 3: trying to say.
• 17:30
  Speaker 1: All right, well, how does this sound? What else do
• 17:33
  Speaker 1: the simple folk do?
• 17:34
  Speaker 3: Oh? That's much better, much much better, much better. Uh,
• 17:39
  Speaker 3: but when you excuse me, because I want to dig
• 17:41
  Speaker 3: in here. They bought me a mess of eggs. I've
• 17:43
  Speaker 3: got some bacon here, you you, Margaret, can you hold on?
• 17:48
  Speaker 1: Well, we're going to take a break there and then
• 17:49
  Speaker 1: come back.
• 17:50
  Speaker 3: To you, all right, but just want you come in.
• 17:52
  Speaker 3: I want beans and bacon, beans and bacon. Yeah, that's eggs.
• 17:56
  Speaker 3: Where to bean? Oh? Those are the beans? What are
• 17:59
  Speaker 3: those refried bean? Oh? Those are refried beans, John, I
• 18:03
  Speaker 3: don't want that. I want beans that are not fried.
• 18:06
  Speaker 3: I got the wrong I think I've got the wrong order.
• 18:09
  Speaker 1: All right, why don't you? Uh, I tell you what?
• 18:12
  Speaker 1: Can I put you on the phone.
• 18:12
  Speaker 3: With the general He might help you say that again?
• 18:15
  Speaker 1: Listen, if you don't mind, mister Rentel, I can get
• 18:18
  Speaker 1: on the phone with you and straighten the order out
• 18:20
  Speaker 1: with the young man there.
• 18:21
  Speaker 3: That'd be very nice with you. That would be very
• 18:23
  Speaker 3: nice of you. I appreciate that.
• 18:26
  Speaker 1: All Right, We're gonna take a break here. This is
• 18:28
  Speaker 1: the Phil Henry Show. I'm Margaret Ray, I'm guest hosting,
• 18:31
  Speaker 1: and we'll be right back.
• 18:33
  Speaker 2: Easy answered.
• 18:34
  Speaker 3: Ah, what I've got, I've got eggs, I don't know
• 18:38
  Speaker 3: what the hell this is.
• 18:39
  Speaker 1: Talk to the guy, get the guy in. Hey, you, yeah,
• 18:45
  Speaker 1: this is what is? He ordered?
• 18:47
  Speaker 3: What he ordered? The refried beans he wanted to have.
• 18:53
  Speaker 1: I don't believe it. Are you really hispanic?
• 18:55
  Speaker 3: No, I'm not just doing a voice. He ordered refried beans,
• 18:59
  Speaker 3: and uh, he ordered potatoes.
• 19:01
  Speaker 1: And what did you give him?
• 19:03
  Speaker 3: I brought him at Well, it doesn't look that way
• 19:05
  Speaker 3: to me. It looks like something. It looks like someone
• 19:08
  Speaker 3: threw up on the plate.
• 19:09
  Speaker 1: And you know, so, don't forget ladies and gentlemen. Of course,
• 19:14
  Speaker 1: the Phil Henry Show website is where you get your
• 19:17
  Speaker 1: backstage pass. A backstage pass to the world famous Phil
• 19:20
  Speaker 1: Henry Show is equal to oh my god, years and
• 19:23
  Speaker 1: years and years and years and years of free listening
• 19:25
  Speaker 1: on any other station. One day of listening to the
• 19:29
  Speaker 1: world famous Phil Henry Show website is equivalent to a millennia,
• 19:34
  Speaker 1: a millennia of listening to the other garbage that's available
• 19:39
  Speaker 1: to you in the audio world. I'm Margaret Gray, guest
• 19:43
  Speaker 1: hosting today on the Phil Henry Shows.
• 19:46
  Speaker 2: What do you mean Jesus saying today.
• 19:50
  Speaker 1: Margaret, you're really putting it on? Don't tell me what
• 19:53
  Speaker 1: I'm doing you're not doing right? What a but you
• 19:57
  Speaker 1: you know what, you animals? I pulled you animals out
• 19:59
  Speaker 1: of the woods and out of the wild. If it
• 20:02
  Speaker 1: hadn't been for me, you'd be out there still gnawing on,
• 20:05
  Speaker 1: gnawing on, bark. What the fuck are you talking about?
• 20:09
  Speaker 1: And watch your language on my show? Oh great, we
• 20:13
  Speaker 1: were on the air still, Uh boob, that's go ahead. Uh,
• 20:21
  Speaker 1: welcome back here. This is markare Gray here filling in
• 20:23
  Speaker 1: for Phil Henry on the Phil Henry Show today. So
• 20:26
  Speaker 1: that was wonderful. Bond Rentel, my vocal coach. Now that
• 20:31
  Speaker 1: that poor man is there in the middle of a
• 20:32
  Speaker 1: big cap, is he gonna be all right? Oh, he'll
• 20:35
  Speaker 1: be fine. He staggers down there often, I say stagger.
• 20:39
  Speaker 1: He is not a well man, but he's not. There's
• 20:42
  Speaker 1: nothing wrong with him in terms of he's not an
• 20:44
  Speaker 1: alcoholic or drug addict, but he does stagger everywhere that
• 20:47
  Speaker 1: he goes. And uh, how do you always gonna be able
• 20:50
  Speaker 1: to He's fine. His daughter, Joanna, I'm sure, is in
• 20:53
  Speaker 1: the area. But he likes to be independent, so he
• 20:55
  Speaker 1: likes to go in there and have his breakfast. And
• 20:57
  Speaker 1: it sounded to me as if he ordered what he wanted.
• 21:00
  Speaker 2: He said, it looked like someone threw up on a plate.
• 21:02
  Speaker 1: He doesn't know until he tastes it. Once he puts
• 21:04
  Speaker 1: his Once he puts his lips around a morning sausage,
• 21:09
  Speaker 1: he'll never look back. Yeah, okay, whatever that means. What
• 21:13
  Speaker 1: do you mean? Whatever that means that that's what was
• 21:15
  Speaker 1: written here. Well, that's a commercial lifestyle. Once you put
• 21:18
  Speaker 1: your lips around my morning so I don't know. Welcome back,
• 21:21
  Speaker 1: ladies and gentlemen. I want to make this comment. I'm
• 21:23
  Speaker 1: Margaret Gray, by the way, filling in here on the
• 21:24
  Speaker 1: Phil Henry Show. Two things number one and don't let
• 21:28
  Speaker 1: me forget this bud the pregnant girl.
• 21:30
  Speaker 2: Yeah, a pregnant lady on on on EPB ESPN man, Yeah, ESPN.
• 21:36
  Speaker 1: Yes. The other thing is I got into a heated
• 21:38
  Speaker 1: exchange on Twitter with a vial and disgusting and despicable
• 21:46
  Speaker 1: quote unquote female. I have no idea whether these people
• 21:49
  Speaker 1: are actually who they say they are, But she claimed
• 21:52
  Speaker 1: to be some very wealthy Newport Beach woman of some
• 21:57
  Speaker 1: means who knows probably flat on her back is how
• 22:00
  Speaker 1: she makes money. Uh that's off very anti feminist, does it?
• 22:05
  Speaker 1: Let me tell you something. This woman's politics were to
• 22:08
  Speaker 1: the right, to the right, all right of Horst Wessel. Uh,
• 22:14
  Speaker 1: what are you talking about?
• 22:15
  Speaker 2: Horse?
• 22:16
  Speaker 1: You don't know who Horse Wessel is not the thing
• 22:20
  Speaker 1: to put on prime rib. The thing you put on
• 22:23
  Speaker 1: prime rib. Christ alway are you talking about horse? Radish?
• 22:28
  Speaker 2: Put a jackass man today, Break.
• 22:31
  Speaker 1: It up, Break it up. Horst Wessel was a brown
• 22:34
  Speaker 1: shirt in Germany in the thirties who was killed in
• 22:37
  Speaker 1: some bar fight. He was a He was a slob
• 22:40
  Speaker 1: and a slug. He was an animal of the lowest order.
• 22:43
  Speaker 1: And yet the Nazis needed a man to elevate to
• 22:45
  Speaker 1: the stature of almost sainthood. So they picked this Swinehe
• 22:50
  Speaker 1: up out of the street, some leader hosen wearing beer
• 22:54
  Speaker 1: swilling and and sausage sucking, Bavarian bum who was killed
• 23:00
  Speaker 1: in a bar fighter. Like I said, I think, actually,
• 23:02
  Speaker 1: what I think happened was he was shot by someone's
• 23:04
  Speaker 1: father when they came in on him attacking a twelve
• 23:07
  Speaker 1: year old something like that. I want to come on, Michael,
• 23:09
  Speaker 1: you're trying to embellish it. I'm not embellishing it that much.
• 23:14
  Speaker 1: But the Nazis needed to have a figure to raise
• 23:18
  Speaker 1: up and to hearken to. And so they wrote a
• 23:21
  Speaker 1: song called the Horst Wessel Song, and it's it's an
• 23:25
  Speaker 1: Asenine song. He goes like, Yavol, yavol, you know.
• 23:28
  Speaker 2: Yeah, it's all about Germany and everything.
• 23:30
  Speaker 1: Yes, it's a bunch of swim. But if this one
• 23:33
  Speaker 1: that I'm talking about is a feminist with the politics
• 23:36
  Speaker 1: to the very to the very right of a Horst
• 23:40
  Speaker 1: Wessel or Jon Gogon or doss Ugen. H who the
• 23:46
  Speaker 1: hell is dasa's Ugen. You don't know your Nazis, do you? No,
• 23:49
  Speaker 1: I don't know those ones. Well, I've never heard of
• 23:51
  Speaker 1: das Ugen, Doss Well, I don't know if he existed.
• 23:54
  Speaker 1: I'm making names up, but you understand.
• 23:56
  Speaker 2: Yeah, mits Bray is just approximating the guy.
• 23:59
  Speaker 1: You mean, approximating the guy. Either the guy existed or
• 24:02
  Speaker 1: he didn't. Okay, now let's get with it around here
• 24:05
  Speaker 1: in general, don't bark your orders at me, all right,
• 24:07
  Speaker 1: nohow I know it's her show, for God's sake, but
• 24:11
  Speaker 1: don't be coming up with the dasa's Uga and some
• 24:14
  Speaker 1: other fictitious fairytale Nazzy. I don't need that. The real
• 24:18
  Speaker 1: ones are real enough. Well, I'll give you that. I'll
• 24:20
  Speaker 1: give you that. You know what I'm saying. The real
• 24:22
  Speaker 1: ones were real enough, all right, I'll give you that.
• 24:24
  Speaker 2: Yeah, I'll give you that.
• 24:26
  Speaker 1: I'll do it you now. So this woman is another word.
• 24:31
  Speaker 1: She's a fascist of and you know that I'm a libro.
• 24:34
  Speaker 1: I don't think I've ever kept that quiet. But this
• 24:37
  Speaker 1: pig that I spoke to on Twitter. And then then
• 24:41
  Speaker 1: here is the thing that was the most interesting of all.
• 24:44
  Speaker 1: See these people, I know a lot of conservatives. I
• 24:46
  Speaker 1: know a lot of guy general you are conservative. Wouldn't
• 24:49
  Speaker 1: say that I'm very conservative, very conservative, all right, but
• 24:52
  Speaker 1: I would not call you a racist. No, not the least.
• 24:56
  Speaker 1: That's got nothing to do with conservatism. Well, guess what
• 24:59
  Speaker 1: this pig and the pack of swine that she runs
• 25:03
  Speaker 1: with on Twitter, they were all white power this and
• 25:07
  Speaker 1: but they were tea party and they were Ted Cruz fans.
• 25:11
  Speaker 1: But they all talk about white people. This might be blent. Well,
• 25:14
  Speaker 1: she had a man that was also she was also
• 25:17
  Speaker 1: tagging on her tweets. And I looked him up and
• 25:20
  Speaker 1: his name was Kelly something. He's in Chicago, and he
• 25:24
  Speaker 1: uses the picture of a very handsome man. That's why
• 25:26
  Speaker 1: I don't think these people are who they say. The
• 25:28
  Speaker 1: art no good. I mean, the people are gonna play
• 25:30
  Speaker 1: in this one thing. She says she lived in Newport Beach.
• 25:33
  Speaker 2: Yes, she probably lives in a hole in a hole
• 25:35
  Speaker 2: in a desert somewhere. That's what they do.
• 25:38
  Speaker 1: Oh no, I know that. But my the interest that
• 25:41
  Speaker 1: I have in all of this, and Frank is gonna
• 25:42
  Speaker 1: come on here in a moment as we start the
• 25:44
  Speaker 1: Frank Gray file is to find out just where these
• 25:49
  Speaker 1: animals are from. And so to that end, I want
• 25:52
  Speaker 1: to bring Frank on and talk a little bit about that.
• 25:56
  Speaker 1: I think that it would be most edifying, all right,
• 26:00
  Speaker 1: if there's a way that we can find out where
• 26:03
  Speaker 1: they're and who they really are. I'm not trying to
• 26:05
  Speaker 1: do anything other than attach your real name to these
• 26:09
  Speaker 1: people so that they stand by their odious opinion. The
• 26:15
  Speaker 1: world Famous Phil Henry Show, Margaret Gray guest hosting, will
• 26:18
  Speaker 1: be right back. I got and you had just better
• 26:23
  Speaker 1: hold onto your ass in this next segment.
• 26:26
  Speaker 4: Yeah, well, Famous Phil Henry Show brought to you about
• 26:33
  Speaker 4: a Phil Henry Show website.
• 26:35
  Speaker 2: Yeah yeah, yeah, all right.
• 26:40
  Speaker 1: Welcome back, ladies and gentlemen to the world Famous Phil
• 26:44
  Speaker 1: Henry Show. And it's time now, time now, thank you
• 26:53
  Speaker 1: a Frank Gray file with my husband, Frank Ray, get
• 27:00
  Speaker 1: that way and here he is, ladies and gentlemen, a
• 27:03
  Speaker 1: entertainment attorney and a long long time manager in a
• 27:08
  Speaker 1: long time well, just a long time familiar face in
• 27:12
  Speaker 1: the halls of power in Hollywood. Frank Gray, Frank, how
• 27:15
  Speaker 1: are you dear?
• 27:15
  Speaker 3: All right? I'm out today? Is that that guy, well,
• 27:21
  Speaker 3: was that bond got the eggs?
• 27:24
  Speaker 1: Hey, mister Wrenn, tell you would you get born off
• 27:27
  Speaker 1: that poor man? Get him off of there and find
• 27:31
  Speaker 1: out if we can at least somehow send him some helpers.
• 27:36
  Speaker 1: I don't know anyway, let me get on here with
• 27:40
  Speaker 1: with Frank Gray. Who's my husband? Frank you hear me?
• 27:43
  Speaker 3: Yeah, I can hear you. I've been on this goddamn.
• 27:45
  Speaker 1: Well we're on the air now, all right, but I've.
• 27:48
  Speaker 3: Been on an excuse my language, but I'm want to
• 27:51
  Speaker 3: And then I heard go on, there is there someone
• 27:53
  Speaker 3: taking care of von Yes.
• 27:56
  Speaker 1: I believe so. I think his sister's there.
• 27:58
  Speaker 3: Well, tell him that he can't let her out of
• 28:00
  Speaker 3: his sight. I mean, if he's you know, he's he's
• 28:04
  Speaker 3: her sister, then he's got to be there for her.
• 28:07
  Speaker 1: Yes, I know that, Frank, Frank wire here to talk about.
• 28:10
  Speaker 1: What is that?
• 28:12
  Speaker 3: That's a my car? Is that my carl? Hey has
• 28:16
  Speaker 3: that cop? If that's ask that comp If that's my car,
• 28:19
  Speaker 3: he'd know. Hey, Hey, how you doing? Yeah? That's uh yeah,
• 28:24
  Speaker 3: he's married to He's married to that big tall go loot.
• 28:29
  Speaker 3: Yeah that's his husband. Hey, how you doing, Cheryl? Is
• 28:34
  Speaker 3: that my car? That is my car?
• 28:37
  Speaker 1: You don't know your own car?
• 28:38
  Speaker 3: Frank, hold on for a minute, Margaret, will you Cheryl? Hey,
• 28:42
  Speaker 3: how's the how's the husband? Oh she is okay, Well, Cheryl,
• 28:48
  Speaker 3: can you jimmy the door open and turn the alarm
• 28:52
  Speaker 3: off because I'm on the air with my wife. Yeah,
• 28:54
  Speaker 3: he's waiting for me right now. He's going to open
• 28:57
  Speaker 3: it up. I'm here just out in front of the
• 29:00
  Speaker 3: Hall of Justice in downtown Los Angeles. I'm about to
• 29:03
  Speaker 3: go inside. But I did some nosing around on the internet. Margaret,
• 29:08
  Speaker 3: my wife asked me to find out about this one,
• 29:12
  Speaker 3: as he puts it, slut in Newport Beach. It pretends
• 29:15
  Speaker 3: to be some blonde hair at multi millionaire. So I
• 29:19
  Speaker 3: looked into him and it turns out that he is,
• 29:23
  Speaker 3: in fact a blonde has money. However, the money, you're right,
• 29:27
  Speaker 3: Margaret has made laying on his back. He lays on
• 29:31
  Speaker 3: his back and spreads for every businessman that comes, you know,
• 29:35
  Speaker 3: rolling through town. And that's how he makes his money,
• 29:39
  Speaker 3: sleeping with other women's husbands. And that's I think he
• 29:44
  Speaker 3: has a boyfriend. Her name is Jerry, and he likes
• 29:48
  Speaker 3: deep sea diving along with Jerry Jerry, she doesn't do
• 29:52
  Speaker 3: anything other than just shower him with money.
• 29:55
  Speaker 1: So this woman that I was talking to, Yeah.
• 29:58
  Speaker 3: You were right about him. He's a slut that just
• 30:01
  Speaker 3: spreads for everything. It's what we call in the business,
• 30:04
  Speaker 3: a low fi spread. You've heard of a high five spread.
• 30:07
  Speaker 1: Right, No, Frank, I've never heard of a high or low.
• 30:09
  Speaker 3: Five you know I've Yeah, Oh, I forgot Margaret. You're
• 30:12
  Speaker 3: just as pure as the driven stuff. Well does not
• 30:14
  Speaker 3: need to be sarcastic, Frank, all right, Well, a high
• 30:17
  Speaker 3: five spread is Beverly Hills on. A low fire spread
• 30:22
  Speaker 3: is down in Newport Beach. It's all that newbau Reach money.
• 30:25
  Speaker 3: It's all those broads that think they're all this and
• 30:28
  Speaker 3: a bag of chips and at the minute, sugar Daddy
• 30:31
  Speaker 3: gets eaten by a shark, or she goes out of
• 30:34
  Speaker 3: town and disappears in Mexico or the rainforest of Columbia,
• 30:37
  Speaker 3: and suddenly he hasn't got a pot to throw it
• 30:39
  Speaker 3: out of his asses out on pch hitchhiking in a
• 30:42
  Speaker 3: short skirt, probably even showing fur.
• 30:45
  Speaker 1: And all right, Frank, thank you.
• 30:47
  Speaker 3: I'm sorry. I got a little consient, myl So, now,
• 30:50
  Speaker 3: what was the other one?
• 30:51
  Speaker 1: The other one was this guy Kelly in Chicago.
• 30:53
  Speaker 3: All right, I looked into her. That picture is not
• 30:57
  Speaker 3: really who she is as a man, obviously, but she
• 31:03
  Speaker 3: is much shorter, swarthier, darker. She's also married, and she's
• 31:09
  Speaker 3: a mid level business person in Chicago. She's married to
• 31:14
  Speaker 3: a lovely woman. His name is Bithynia or Booth or
• 31:17
  Speaker 3: Baganvilli or some bullshit I don't know. And she's an
• 31:22
  Speaker 3: arch arch conservative. In point of fact, she is Jewish
• 31:27
  Speaker 3: with some Arabic roots, but has some sort of a
• 31:31
  Speaker 3: self hate going on there and identifies as a tea
• 31:34
  Speaker 3: party white and hashtags all this white power.
• 31:37
  Speaker 1: All right, And do you have a name?
• 31:38
  Speaker 3: No? I do not have any. But even if I
• 31:40
  Speaker 3: did have a name, I'm not giving it to you
• 31:43
  Speaker 3: there you go.
• 31:43
  Speaker 1: That's a good idea, Frank.
• 31:44
  Speaker 3: I'm not given it to you.
• 31:46
  Speaker 1: And why not, Frank, because I know what you're.
• 31:48
  Speaker 3: Going to do with it. You're going to go out
• 31:49
  Speaker 3: and cause hell on Earth. Now, we don't need it, Okay.
• 31:53
  Speaker 3: You don't need to be outing people all the time, Margaret.
• 31:56
  Speaker 1: Well, Frank, these people need to stand behind the things
• 31:58
  Speaker 1: they say.
• 31:59
  Speaker 3: Look at you've found out enough now until these individuals
• 32:03
  Speaker 3: actually hoot people with their acidine opinions. I'm not telling
• 32:07
  Speaker 3: you the names of anybody, to understand.
• 32:09
  Speaker 1: Frank, I want that name.
• 32:11
  Speaker 3: I'm not kidding. Oh man, what are you gonna do? Now?
• 32:14
  Speaker 3: Cut me off?
• 32:14
  Speaker 1: You got it?
• 32:16
  Speaker 3: Fuck it?
• 32:18
  Speaker 1: Well, that's that's you got that right. I know how
• 32:21
  Speaker 1: to keep that bad boy in line. I don't get
• 32:23
  Speaker 1: the name, then Frank doesn't get what Frank wants, all right.
• 32:27
  Speaker 1: And one of the things that Frank likes is I
• 32:29
  Speaker 1: think we've all I've been very very vocal about this.
• 32:32
  Speaker 2: Yeah. He likes to get dress up, get and get
• 32:35
  Speaker 2: slacked around.
• 32:35
  Speaker 1: Right, Yes, Frank goes into costume. He loves to get
• 32:39
  Speaker 1: into colonial period costume and have his face slapped. In fact,
• 32:43
  Speaker 1: it's very exciting for us to dress in colonial period costume.
• 32:46
  Speaker 1: He'll get into a lot of times. And this has
• 32:48
  Speaker 1: nothing to do with Frank's sexuality. Mister Grayson Poon, now
• 32:52
  Speaker 1: watch this, Yes, Frank, what do you want?
• 32:54
  Speaker 3: I can't believe that you're telling people.
• 32:56
  Speaker 1: Yeah, I knew he'd squeal. This is right out a
• 33:00
  Speaker 1: little bit too much. All right, then, I'll just say this,
• 33:03
  Speaker 1: Frank and I enjoyed dressing in period costume and slapping
• 33:07
  Speaker 1: each other's faces until we get blood at the corner
• 33:10
  Speaker 1: of the mouth. What are you applauding for. I don't know.
• 33:14
  Speaker 1: I just didn't know what else.
• 33:16
  Speaker 2: Yeah, I didn't ask to do.
• 33:17
  Speaker 1: Look at the two of you getting all getting a
• 33:19
  Speaker 1: little tongue tied, aren't you. I'm not tongue tied? What
• 33:22
  Speaker 1: are you talking about? All right? Well, coming up, we
• 33:24
  Speaker 1: are excited to bring back Bond and Rintel. This is
• 33:28
  Speaker 1: a very short show today, folks, because Phil Henry, as
• 33:32
  Speaker 1: I told you, is out doing some voice work. He's
• 33:35
  Speaker 1: in Los Angeles, and so we've had to shorten the
• 33:39
  Speaker 1: show and we've had to move things around, and just
• 33:41
  Speaker 1: a lot of WHOI and hokum and who who and
• 33:43
  Speaker 1: woo woo and you know, all that hoo hoo and
• 33:46
  Speaker 1: woo woo. Yes, yes, that's right. You know that'd be
• 33:49
  Speaker 1: a think about to have a cartoon show called that.
• 33:52
  Speaker 2: Yeah, and woo woo.
• 33:54
  Speaker 1: Oh that's good. The woo. You sound Bud like you.
• 33:59
  Speaker 1: You you sound you've got a nurse. Fu there, you
• 34:03
  Speaker 1: sound like you have a nurse following you everywhere. That
• 34:05
  Speaker 1: is very rotten. It may be rotten, but it smells
• 34:08
  Speaker 1: good to me. All Right, let's take a break. I'm sorry,
• 34:15
  Speaker 1: I've got gas. Let's take a break, and then let's
• 34:19
  Speaker 1: come back. And then let's take another break, and then
• 34:21
  Speaker 1: let's come back again. And let's just do that a lot,
• 34:24
  Speaker 1: you know, and and and dance around and act stupid.
• 34:27
  Speaker 1: What do you think? Yeah, that's that's great, Margaret. That
• 34:29
  Speaker 1: sounds like a real good use of your time. And
• 34:32
  Speaker 1: uh yeah, well let's fight now. We'll be right back
• 34:36
  Speaker 1: and we'll have bond rintel by a vocal coach, and
• 34:40
  Speaker 1: I'm going to sing Gypsies, tramps and thieves.
• 34:46
  Speaker 4: Well famous Phil Henry Show. Margaret Gray is a guest
• 34:49
  Speaker 4: host today. Yeah you know everybody. Hi, I'm Bud Dickman. Yeah,
• 34:54
  Speaker 4: I talk seriously with you for just a second. Here
• 34:57
  Speaker 4: you want to put on a baseball cap, or you
• 34:59
  Speaker 4: want to get a I had or anything.
• 35:01
  Speaker 2: Let me just recommend to you. I know I play
• 35:04
  Speaker 2: like a real dumbass on a show and you know,
• 35:06
  Speaker 2: but in real life, I'm very sober and I'm very
• 35:09
  Speaker 2: you know.
• 35:09
  Speaker 1: I like to assess what I wear, and I want to
• 35:11
  Speaker 1: go out in the world.
• 35:12
  Speaker 2: I want to look look my best and feel my best,
• 35:14
  Speaker 2: and look and feel my best, don't look my best.
• 35:17
  Speaker 2: That's why I like to put on the Tata Beverly
• 35:20
  Speaker 2: Hills sweatshirt and everything like that. And you can get
• 35:23
  Speaker 2: a hat and then Dan Dan, hold on, Dan, here's
• 35:27
  Speaker 2: another thing. Get a shotglass and with a shocklas you
• 35:31
  Speaker 2: can walk around and go huh hi.
• 35:34
  Speaker 1: Yes, the world famous Phil Henry Show online star for
• 35:37
  Speaker 1: all kinds of jackasses.
• 35:39
  Speaker 2: We walk around and say, hullo, hi, May I pour
• 35:42
  Speaker 2: you a shot of done?
• 35:43
  Speaker 1: Julia, what a jacket of what a jack of all
• 35:48
  Speaker 1: as trades?
• 35:50
  Speaker 2: Oh my god?
• 35:55
  Speaker 1: Oh this is nice. Where'd you find this, Robert?
• 35:57
  Speaker 3: Oh?
• 35:57
  Speaker 4: This is all Sam Spence, NFL new and a film,
• 36:00
  Speaker 4: NFL mob, nfilm music, NFL music.
• 36:05
  Speaker 1: It's the music from the NFL film.
• 36:07
  Speaker 2: Oh oh yeah, that's it.
• 36:10
  Speaker 1: Well, I like this do to do? This reminds me
• 36:12
  Speaker 1: of New York so much, because New York is, let's
• 36:15
  Speaker 1: face it, New York is where all great art begins,
• 36:18
  Speaker 1: and it is where I had my start, my humble
• 36:21
  Speaker 1: start as a singer, as a dancer. And with me
• 36:23
  Speaker 1: is Bonn rin Town. Bon is my ex vocal coach
• 36:27
  Speaker 1: and now retired. How is your breakfast?
• 36:29
  Speaker 3: Bon Oh? It was wonderful, Margaret, wonderful and a sooner Joanna,
• 36:34
  Speaker 3: my daughter is with me.
• 36:35
  Speaker 1: Yes.
• 36:36
  Speaker 3: And as soon as she came in, and she pointed
• 36:38
  Speaker 3: out where the tobacco sauce was and the tabasco. Yes,
• 36:44
  Speaker 3: the tabasco sauce, and she showed me where the different
• 36:47
  Speaker 3: things were. That I was fine, but I was a
• 36:49
  Speaker 3: little bit fuddled. In a Puerto Rican came over and
• 36:52
  Speaker 3: then I heard him pretending to talk in Puerto Rican,
• 36:55
  Speaker 3: but he was actually just a Caucasian who had been
• 37:00
  Speaker 3: a Broadway producer and was now bussing tables in this
• 37:04
  Speaker 3: Excuse me for saying this, if I may in this crap,
• 37:08
  Speaker 3: can you know? And I found out it was Jerry
• 37:11
  Speaker 3: vermil And.
• 37:12
  Speaker 1: Oh my god, and he's a bus boy.
• 37:15
  Speaker 3: Yes. In fact, the general you spoke to him.
• 37:17
  Speaker 1: Yeah, I know it was a fake Hispanic accent.
• 37:19
  Speaker 3: Yes, And I said, Jerry, it's bond Rentel and he
• 37:22
  Speaker 3: began to weep and he sat down.
• 37:25
  Speaker 1: Oh you're kidding.
• 37:26
  Speaker 3: No, he sat down. He wept into my shoulder. I
• 37:29
  Speaker 3: hugged him and I said, what are you doing here?
• 37:33
  Speaker 3: And he said, you wouldn't believe the tale that I have.
• 37:36
  Speaker 3: He said, if you'll, if you'll buy me lunch. I
• 37:39
  Speaker 3: knew he was putting a bite on me. I knew
• 37:41
  Speaker 3: he was putting the bite on me for a lunch
• 37:43
  Speaker 3: and I said all right, and then he said, how
• 37:45
  Speaker 3: about dinner too. He's putting the bite on me. So
• 37:48
  Speaker 3: for the next week I'm going to be buying him
• 37:50
  Speaker 3: lunches and dinners to find out all about him. And
• 37:54
  Speaker 3: I don't care how exciting his story is. I don't
• 37:57
  Speaker 3: think it's worth me spending all that.
• 38:00
  Speaker 1: Oh I should say that you want to take that bet, it's.
• 38:02
  Speaker 3: Too late now, and I've pretty much said I'll buy
• 38:05
  Speaker 3: him lunch and dinner for the rest of the week,
• 38:07
  Speaker 3: which is with us Today's Thursday. For well, it's only
• 38:09
  Speaker 3: a couple of a couple of days.
• 38:11
  Speaker 1: So you don't want to tell us the story now,
• 38:13
  Speaker 1: because you've got to get it later.
• 38:14
  Speaker 3: Yeah, I've got to get it later. I can't tell
• 38:16
  Speaker 3: it now. And there's very little chance I'm gonna be
• 38:18
  Speaker 3: on the air with you again, you know. So why
• 38:21
  Speaker 3: is that? Well? I mean free, you know it's fun,
• 38:26
  Speaker 3: but I can't stagger down here every day, and I
• 38:29
  Speaker 3: can't do it from my own apartment because I don't
• 38:31
  Speaker 3: get any self service.
• 38:33
  Speaker 1: So all right, well, I tell you what. Let's do
• 38:35
  Speaker 1: what we planned on doing, and that I want you
• 38:37
  Speaker 1: to hear me sing a song that you and I
• 38:40
  Speaker 1: would sing together. It was one of my favorites and
• 38:42
  Speaker 1: one of yours.
• 38:43
  Speaker 3: Oh I think I know the song?
• 38:46
  Speaker 1: Why can you guess?
• 38:47
  Speaker 3: Yes? Go ahead, Gypsy's Tramps and Teeth it is. Oh
• 38:52
  Speaker 3: my god, I think I'm gonna cry, Margaret, you sang
• 38:57
  Speaker 3: this with such authority and beauty. Oh oh, all right, sir, No,
• 39:03
  Speaker 3: I'm not all right. Could you quit rubbing your thigh?
• 39:07
  Speaker 3: Why don't you bug off? All right?
• 39:10
  Speaker 1: Please? Bond, don't behave there?
• 39:12
  Speaker 3: All right, I'm behaving. I'm behaving. Someone get that phone,
• 39:15
  Speaker 3: all right? Am I even a cafeteria anymore? I'm int
• 39:17
  Speaker 3: a Oh yus, Oh, you're in an office now. Oh
• 39:20
  Speaker 3: my god, I've walked over to my attorney's office. I
• 39:22
  Speaker 3: thought I was still in the cafeteria. I was about
• 39:23
  Speaker 3: to ask you for a plain of eggs. Carry, isn't
• 39:26
  Speaker 3: that I? Margaret? You? Margaret, you do an old man
• 39:30
  Speaker 3: of service if you would sing that song.
• 39:32
  Speaker 1: I'm about to sing that song. Ladies and gentlemen. This
• 39:35
  Speaker 1: is a song that was so important to both Bonn
• 39:38
  Speaker 1: and myself. I was his student, he was my teacher.
• 39:43
  Speaker 1: The song Gypsies, Tramps and Thieves A favorite of ours.
• 39:48
  Speaker 1: And oh, I should put the lineup there, A favorite
• 39:51
  Speaker 1: of ours, and I should say a song that was
• 39:53
  Speaker 1: taught me by by Bond, and one that I sing
• 39:57
  Speaker 1: with great joy. Well, I was born in the wagon
• 40:04
  Speaker 1: of a traveling show my mama. You no, no, no, no, no, no, no, God,
• 40:10
  Speaker 1: damn it.
• 40:10
  Speaker 3: No stop it, stop strap it.
• 40:15
  Speaker 1: Well, what happened?
• 40:16
  Speaker 3: What happened? What happened? I dropped the phone. I'm sorry.
• 40:22
  Speaker 1: What are you sharing everybody for?
• 40:24
  Speaker 3: I'm sorry, I just I dropped the phone. Did you
• 40:26
  Speaker 3: start the song already or yes?
• 40:28
  Speaker 1: I started the song?
• 40:30
  Speaker 3: Well, what are you yelling at me for it?
• 40:31
  Speaker 1: Don't start screaming? No no, no, no, no.
• 40:34
  Speaker 3: Well, I'm sorry I dropped the goddamn phone. Hey, hey, you,
• 40:39
  Speaker 3: I'm sorry now I'm going to.
• 40:40
  Speaker 1: Start it all over again. And I would appreciate it
• 40:42
  Speaker 1: if you would not frighten me.
• 40:45
  Speaker 3: I apologize, Margaret, that just to day, all right, I
• 40:49
  Speaker 3: think I'm fine now, all.
• 40:50
  Speaker 1: Right here then, Ladies and Gentlemen. Gypsy's Tramps and Thieves
• 40:53
  Speaker 1: a song that was done by Share and one that
• 40:56
  Speaker 1: I learned as a very young singer dancer in New.
• 41:01
  Speaker 3: That's writ song.
• 41:05
  Speaker 1: Well, I was born in the wagon of a travelin show.
• 41:09
  Speaker 1: My mama used to dance for the money and blow.
• 41:12
  Speaker 3: I would don't do that, don't do that, Turn the
• 41:16
  Speaker 3: filip off, turn the garbage off. Why do you do that?
• 41:20
  Speaker 1: I believe in I believe in in in improvising.
• 41:24
  Speaker 3: I hate it.
• 41:25
  Speaker 1: Well, it's something I've developed.
• 41:27
  Speaker 3: Oh god, I was born in.
• 41:29
  Speaker 1: The wag of a travelin show.
• 41:31
  Speaker 3: In the wag, my mama.
• 41:33
  Speaker 1: Used to dance and she'd.
• 41:34
  Speaker 3: Blow, Papa, oh you dirty sweep. How many times did
• 41:39
  Speaker 3: I tell you, Margaret, turn the gun? How many times
• 41:42
  Speaker 3: did I tell you you want slap? Not to do
• 41:46
  Speaker 3: that kind of thing to the music. The writer, the artist,
• 41:50
  Speaker 3: they have already laid this in concrete and marble. And
• 41:54
  Speaker 3: you you would come along and presume to change the
• 41:57
  Speaker 3: lyrics of Gypsy's tramps and free PEPs? Is that what
• 42:01
  Speaker 3: you say? Is that what you're saying? Yes, all right,
• 42:05
  Speaker 3: that's all I wanted to know.
• 42:06
  Speaker 1: It picked up a boy, just sat the mobile, gave
• 42:10
  Speaker 1: him a ride, filling with a hot meal. Then he
• 42:12
  Speaker 1: filled me with his hot meal. Jesus rode with us
• 42:17
  Speaker 1: to Memphis, and Papa would have shot him if he
• 42:20
  Speaker 1: knew what he did.
• 42:24
  Speaker 3: Gipsy straps and thieves, you can hear it from the people,
• 42:28
  Speaker 3: big gipsy straps and.
• 42:31
  Speaker 1: Teem shut up. And every night all the men would
• 42:34
  Speaker 1: come around and lay their money down. Wow wow, wow, wow, wow,
• 42:43
  Speaker 1: whatever the bod? I hung up on that old fruit. Now, then,
• 42:47
  Speaker 1: I it's not the right thing to say to a guy. Well,
• 42:50
  Speaker 1: I said it didn't I. You people are going to
• 42:53
  Speaker 1: learn your lesson that when Margaret Gray is on board.
• 42:56
  Speaker 1: When Margaret Gray is on board, no one is safe.
• 42:59
  Speaker 1: No one is safe in town. Remember that, and remember it, real,
• 43:04
  Speaker 1: real good. I had to talk all the way through
• 43:08
  Speaker 1: that so we could segue out of that garbage into
• 43:10
  Speaker 1: this lonely surfer.
• 43:14
  Speaker 3: It's a lusty fire.
• 43:18
  Speaker 1: What the hell was that? World famous Phil Henry Show
• 43:22
  Speaker 1: is executive produced by Phil Henry for Siempre Incorporated. All
• 43:26
  Speaker 1: rights reserve on iHeart podcasts.