Latest / Lux Radio Theater | Old Time Radio / Lux Radio Theatre - "So Proudly We Hail" (Old Time Radio, 1943)
Transcript
- 0:00Speaker 1: Aboard a hospital ship bound home from Australia, a group
- 0:03Speaker 1: of U.S. Army nurses looks back on service in the
- 0:06Speaker 1: Philippines during the Bataan and Corregidor campaign. On November 1st, 1943,
- 0:13Speaker 1: CBS brought listeners Lux Radio Theater, episode 412, with its
- 0:19Speaker 1: adaptation of Paramount's 1943 drama, So Proudly We Hail. Claudette Colbert,
- 0:26Speaker 1: Paulette Goddard, Veronica Lake, and Sonny Tufts returned to the
- 0:31Speaker 1: roles they played on screen as the nurses' memories traced
- 0:35Speaker 1: their entry into the Army Nurse Corps, wartime hospital work,
- 0:39Speaker 1: and personal ties formed under mounting military pressure. Cecil B.
- 0:44Speaker 1: DeMille is your host with Lux Toilet Soap. We now
- 0:48Speaker 1: take you back to the original broadcast.
- 0:51Speaker 2: Lux presents Hollywood.
- 1:04Speaker 3: The Lux Radio Theater brings you Claudette Colbert, Paulette Goddard,
- 1:08Speaker 3: and Veronica Lake in So Proudly We Hail, introducing Sonny
- 1:12Speaker 3: Tufts with Lest Remain. Ladies and gentlemen, your producer, Mr.
- 1:17Speaker 3: Cecil B.
- 1:18Speaker 2: DeMille.
- 1:25Speaker 4: Greetings from Hollywood, ladies and gentlemen. When the guns are
- 1:28Speaker 4: silent and American boys come home again from all over
- 1:31Speaker 4: the world, Many of our sons will owe their lives
- 1:35Speaker 4: to the courage and skill of women who were there
- 1:38Speaker 4: when the battle was on. Each branch of the service
- 1:41Speaker 4: has its own nurses, and tonight's play is dedicated to
- 1:45Speaker 4: all of them, the inspiring drama so proudly we hail.
- 1:50Speaker 4: Paramount made the picture, and tonight we present the same
- 1:53Speaker 4: three stars you applauded on the screen, Claudette Colbert, Paulette Goddard,
- 1:58Speaker 4: and Veronica Lake. And with this lovely and talented trio,
- 2:03Speaker 4: we have Paramount's new discovery, Sunny Tufts, who became an
- 2:07Speaker 4: overnight sensation in this picture. Among all the stories of
- 2:11Speaker 4: human heroism, none will be remembered longer than the saga
- 2:15Speaker 4: of Bataan and Corregidor. The heroes of that time were
- 2:19Speaker 4: called expendable, women as well as men. And so proudly
- 2:23Speaker 4: we hail as the drama of those women, the army nurses.
- 2:27Speaker 4: I don't remember any production in the history of the
- 2:29Speaker 4: Lux Radio Theater... that boasted three feminine stars of the
- 2:34Speaker 4: magnitude we have tonight. And certainly there's no theater anywhere
- 2:38Speaker 4: in the world that could hold the audience these three
- 2:41Speaker 4: will draw. But Lux Toilet Soap has built a house
- 2:45Speaker 4: as big as the nation itself, so that you may
- 2:48Speaker 4: enjoy the finest in drama every Monday evening. You aren't
- 2:51Speaker 4: actually present backstage while rehearsals are going on, but you
- 2:55Speaker 4: do have a hand in everything that happens here. You
- 2:58Speaker 4: select the plays and the players. And your purchase of
- 3:01Speaker 4: our product is the power that keeps these footlights burning.
- 3:06Speaker 4: I'm sure you'll buy Lux Toilet Soap anyway. But plays
- 3:09Speaker 4: like So Proudly We Hail give you a double hit.
- 3:12Speaker 4: And here's the first act. Starring Claudette Colbert as Davy,
- 3:16Speaker 4: Paulette Goddard as Joan, and Veronica Lake as Olivia. With
- 3:20Speaker 4: Sonny Tufts as Kansas, and Les Tremaine as John.
- 3:26Speaker 2: May the 7th, 1942.
- 3:28Speaker 5: Last night at 11 p.m., after a week of unceasing attack,
- 3:31Speaker 5: the island fortress of Corregidor was surrendered to the Japanese.
- 3:42Speaker 4: Out of the black sorrow and tragedy of defeat, there
- 3:45Speaker 4: came a light, the light of a miracle. This is
- 3:48Speaker 4: the story of that miracle, of eight American girls, army nurses,
- 3:53Speaker 4: who were delivered from the flames of Bataan. from the
- 3:56Speaker 4: roaring hell that was Corregidor. They arrived one morning at Melbourne.
- 4:01Speaker 4: Out of the sky they came. Eight American girls, hungry, tired, dirty,
- 4:07Speaker 4: still dressed in their blood-stained uniforms.
- 4:12Speaker 2: Welcome to Melbourne. I bring you General MacArthur's compliments.
- 4:15Speaker 6: Thank you, sir.
- 4:16Speaker 2: I am Colonel Mason.
- 4:17Speaker 6: How do you do?
- 4:18Speaker 7: I'm Lieutenant O'Doul. This is Lieutenant Armstrong, Leonard, Schwartz, Bocelli,
- 4:23Speaker 7: and Emerson.
- 4:25Speaker 2: I'm happy to know you all, and thank God you're here. Colonel.
- 4:28Speaker 6: Did any of the other girls get off Corregidor?
- 4:30Speaker 8: We were told there were ten more coming by submarine,
- 4:33Speaker 8: but we haven't heard from them since they left.
- 4:34Speaker 6: But aren't there any more? They said that everyone was
- 4:36Speaker 6: to be ordered off.
- 4:37Speaker 8: Everyone was ordered off, but we could only get about
- 4:40Speaker 8: twenty before it was too late.
- 4:41Speaker 6: Oh, then the rest of the girls are in the
- 4:43Speaker 6: hands of those filthy... We should have stayed.
- 4:45Speaker 2: You were carrying out your orders. Well, come along now.
- 4:48Speaker 2: The Red Cross has warm baths and clean clothes for you.
- 4:52Speaker 6: Colonel, do you happen to know when we're supposed to
- 4:54Speaker 6: go home?
- 4:54Speaker 2: On the very next transport.
- 4:56Speaker 5: Wait, I thought there were supposed to be eight of you.
- 4:59Speaker 6: That's right, sir. You see, David.
- 5:01Speaker 7: I mean, Lieutenant Davidson. She's just being brought off the plane.
- 5:04Speaker 5: Oh, a stretcher case.
- 5:05Speaker 6: Yes, sir.
- 5:06Speaker 2: Watch it, Joe.
- 5:06Speaker 5: I got it. What's the matter with her?
- 5:09Speaker 7: Well, we don't know exactly. She's been conscious all the way,
- 5:13Speaker 7: but she won't speak. She just lies there staring.
- 5:16Speaker 2: Watch it, please. Hold that stretcher a minute. Yes, sir.
- 5:19Speaker 8: Lieutenant Davidson, I'm Colonel Mason. You'll be all right now, Lieutenant.
- 5:23Speaker 8: You're out of it now. Lieutenant, do you hear me?
- 5:29Speaker 6: It's no use, sir.
- 5:30Speaker 2: Take her to the hospital. Watch it, please. We'll keep
- 5:41Speaker 2: her out here on the deck for a while, nurse.
- 5:43Speaker 2: The fresh air might help.
- 5:44Speaker 6: Yes, Major.
- 5:45Speaker 5: Lieutenant Davidson, is there anything you want? You're on your
- 5:48Speaker 5: way home now, Lieutenant. Doesn't that mean anything to you?
- 5:51Speaker 5: I'll see her again this afternoon.
- 5:55Speaker 6: Yes, Major. Major, is Davy any better?
- 6:00Speaker 2: Oh, good morning.
- 6:01Speaker 6: How is she, Major?
- 6:02Speaker 2: Frankly, very bad.
- 6:03Speaker 5: The closer we get to home, the worse she seems
- 6:05Speaker 5: to be.
- 6:05Speaker 6: What do you think's wrong?
- 6:06Speaker 2: It's simple. When people don't want to live, they die.
- 6:09Speaker 6: Oh, no.
- 6:10Speaker 7: I knew we did the wrong thing. She didn't want
- 6:12Speaker 7: to leave Corregidor, and when we got her on the plane,
- 6:14Speaker 7: she just collapsed.
- 6:15Speaker 2: If it were a mere physical collapse, I'd know what
- 6:17Speaker 2: to do. Frankly, I'm desperate.
- 6:19Speaker 6: I wonder.
- 6:20Speaker 2: I wonder if perhaps you can help me.
- 6:22Speaker 6: We'll do anything, Doctor.
- 6:23Speaker 5: It's not going to be easy. I know how much
- 6:25Speaker 5: you all want to forget what you've been through. But
- 6:27Speaker 5: I only have one hope left. This letter is addressed
- 6:30Speaker 5: to her. It came from Mindanao.
- 6:32Speaker 6: Who's the letter from, Major?
- 6:33Speaker 2: It's signed by somebody called John. John? Why, that's the boy.
- 6:36Speaker 5: Just a moment, please. I want you to tell me
- 6:38Speaker 5: everything you can remember. Things that might not even concern her.
- 6:42Speaker 5: You never know. It might have its place in the pattern.
- 6:44Speaker 6: Well, John knew her best. Lieutenant O'Doul, I mean.
- 6:47Speaker 5: Well, Lieutenant?
- 6:48Speaker 7: Well, I guess I did know her best. As a
- 6:51Speaker 7: matter of fact, we joined up together. That was almost
- 6:53Speaker 7: a year ago. She was the best nurse I'd ever
- 6:56Speaker 7: worked with. She was so good-natured, always patient and understanding, even.
- 7:01Speaker 6: About little things.
- 7:02Speaker 7: Like the time we were ordered to embark for Honolulu.
- 7:06Speaker 7: Davy was the first one at the dock and the
- 7:07Speaker 7: last to finish up. Everybody else was running around saying goodbye,
- 7:11Speaker 7: everybody except Davy. She was standing in the rain, seeing
- 7:14Speaker 7: that things got done. Hey, Odoo! Come on, you'd better
- 7:20Speaker 7: get aboard. Davy, you've got to help me. I'm in
- 7:23Speaker 7: a terrible jam.
- 7:24Speaker 6: What's the matter? Well, two of my fiancés came down
- 7:27Speaker 6: to the dock.
- 7:27Speaker 2: Two?
- 7:28Speaker 7: Well, you know how hard it is for me to
- 7:30Speaker 7: say no. I mean, when somebody asks me to marry him...
- 7:33Speaker 7: I thought it would be easy for you to say
- 7:34Speaker 7: no by now. Oh, well, golly, it's all in fun.
- 7:37Speaker 6: But if these two Irishmen ever meet up with each other... Davy,
- 7:40Speaker 6: can you stall one of them for a minute for me? Hey,
- 7:41Speaker 6: what's up? Well, there you are, darling.
- 7:43Speaker 2: I've been looking all over for you, Joan.
- 7:45Speaker 6: Well, I've been looking all over for you, too, dear. Now,
- 7:47Speaker 6: you stay here and I'll be right back.
- 7:49Speaker 2: Hey, wait.
- 7:50Speaker 6: Don't forget to write, dear.
- 7:52Speaker 2: What does she mean, don't forget to write?
- 7:53Speaker 8: Hey, hey, hey, Joan.
- 7:54Speaker 2: Oh, no, Captain.
- 7:55Speaker 9: Captain, will you hold these papers for me just for
- 7:57Speaker 9: a second?
- 7:58Speaker 2: Well, I'm in sort of a hurry.
- 7:59Speaker 6: No, and this here. Thank you.
- 8:02Speaker 2: We haven't had a chance to say goodbye yet.
- 8:03Speaker 6: Oh, there's lots of time to say goodbye. Say, who
- 8:06Speaker 6: wrote that?
- 8:07Speaker 2: Who wrote what?
- 8:09Speaker 6: Whenever a snowflake.
- 8:10Speaker 9: Leaves the sky, it turns and.
- 8:12Speaker 6: Turns to say goodbye.
- 8:13Speaker 2: I haven't the faintest idea. Where'd she go?
- 8:15Speaker 6: Do you know the rest of it?
- 8:16Speaker 5: The rest of what?
- 8:17Speaker 6: The poem.
- 8:18Speaker 5: Oh, no, I never did.
- 8:19Speaker 2: Oh, look, I.
- 8:19Speaker 6: Well, it goes... Let me see.
- 8:20Speaker 9: Whenever a snowflake leaves the sky, it turns and turns
- 8:24Speaker 9: to say goodbye.
- 8:25Speaker 2: That's fine. Goodbye.
- 8:26Speaker 6: No, no, no, Captain. Don't go. I remember the rest. Goodbye,
- 8:30Speaker 6: dear cloud, so cool and gray. Yes, and then it
- 8:33Speaker 6: goes something and something on its way.
- 8:35Speaker 2: Look, do you mind if I get on my way?
- 8:38Speaker 2: There we go.
- 8:39Speaker 6: Goodbye, Captain.
- 8:40Speaker 2: Now you see what you did? Now I've missed.
- 8:46Speaker 5: Her.
- 8:46Speaker 6: You see what I mean? Little things.
- 8:50Speaker 7: Well, we sailed out of San Francisco in a downpour
- 8:52Speaker 7: of rain. I remember seeing a Marine on deck walking
- 8:56Speaker 7: around without his raincoat.
- 8:58Speaker 6: I figured it was our job to keep the men healthy.
- 9:02Speaker 2: Hey, you.
- 9:03Speaker 6: You're going to catch cold, Leatherneck.
- 9:05Speaker 2: Who, me?
- 9:06Speaker 8: Never had a cold in my life.
- 9:11Speaker 7: I found out later his name was Kansas. At least
- 9:14Speaker 7: that's what they used to call him. He played football
- 9:17Speaker 7: back there.
- 9:17Speaker 6: Made the All-Americans. One day he came out on the
- 9:19Speaker 6: upper deck to get some sun.
- 9:23Speaker 2: Aye, Lieutenant. Let's cook it.
- 9:26Speaker 6: Oh, hello, Leatherneck. How's your cold?
- 9:28Speaker 2: Oh, it's not a cold. It's just a little runny dose. Oh.
- 9:32Speaker 7: Well, you'd better not take too much of this tropical sun.
- 9:35Speaker 7: You'll get burned.
- 9:36Speaker 2: Who, me? I'd have a bird. Best dad you ever seen.
- 9:41Speaker 2: What you doing?
- 9:42Speaker 6: I'm writing a letter to a friend.
- 9:44Speaker 2: Oh.
- 9:46Speaker 6: Oh, Irma, what's the date?
- 9:47Speaker 10: It's Sunday.
- 9:48Speaker 6: We had chapel. Sunday the what? Sunday the 7th.
- 9:50Speaker 10: Sunday the 7th.
- 9:56Speaker 7: December, Pearl Harbor. Most of us didn't even know what
- 10:00Speaker 7: it was, let alone where it was.
- 10:03Speaker 6: So instead of.
- 10:03Speaker 7: Landing at Hawaii, we were ordered to join a convoy
- 10:06Speaker 7: somewhere in the Pacific. None of us realized what the
- 10:09Speaker 7: whole thing meant. All we knew was that we stuck
- 10:11Speaker 7: to that convoy and at night we ran without lights.
- 10:17Speaker 2: Hi, Lieutenant.
- 10:17Speaker 6: Hi.
- 10:18Speaker 2: Hey, wait a minute, will you?
- 10:20Speaker 6: Well, what do you want?
- 10:22Speaker 2: Uh, look... What's the matter with me? Have I got
- 10:24Speaker 2: dandruff or something?
- 10:25Speaker 6: Well, I really can't tell out here in the dark.
- 10:28Speaker 2: That's not what I mean.
- 10:29Speaker 6: I know what you mean.
- 10:30Speaker 2: Look, why don't you ever let me see you?
- 10:32Speaker 7: Officers are not supposed to fraternize with enlisted men.
- 10:35Speaker 2: But I don't want to fraternize. I just want to
- 10:37Speaker 2: see you.
- 10:39Speaker 6: And past the time of day?
- 10:40Speaker 2: Well, it'd be better than nothing.
- 10:43Speaker 6: Take your arm away. What's the matter?
- 10:45Speaker 2: Something.
- 10:49Speaker 7: Well, just stop your maneuvers before you make contact with
- 10:51Speaker 7: the main body.
- 10:52Speaker 6: Hmm.
- 10:53Speaker 2: Look, don't you like me?
- 10:54Speaker 6: Mm-hmm, I like you.
- 10:56Speaker 2: It's just sort of so what, huh?
- 10:58Speaker 6: That's right.
- 10:59Speaker 2: Okay, won't bother you anymore.
- 11:00Speaker 6: Oh, well, don't go.
- 11:02Speaker 7: I'm just being childish. Sure would like to meet one guy, though,
- 11:06Speaker 7: that doesn't make a pass.
- 11:07Speaker 2: Well, when you do, you better begin to worry.
- 11:10Speaker 6: You're not so dumb.
- 11:11Speaker 2: I just talk dumb.
- 11:12Speaker 6: Well, all right, then. Come on and get it over with.
- 11:14Speaker 6: Put your arm around me.
- 11:16Speaker 2: Oh, fine.
- 11:17Speaker 7: Incidentally, I'm warning you, Kansas, I melt at a very
- 11:21Speaker 7: low temperature.
- 11:22Speaker 2: Well, then I'll try to be, pals.
- 11:24Speaker 7: Okay, and when you can't stand it any longer, from
- 11:26Speaker 7: time to time, I'll let you kiss me.
- 11:27Speaker 2: Is this one of those times? No. Okay, let me know.
- 11:34Speaker 6: Hey, golly, what's that?
- 11:36Speaker 2: I don't know, submarine, I guess. It was a sub.
- 11:41Speaker 11: All right.
- 11:46Speaker 7: They got two of the boats in our convoy. We
- 11:59Speaker 7: picked up about a hundred survivors. One of them was
- 12:02Speaker 7: a nurse from another ship, a girl named Olivia. She
- 12:05Speaker 7: was a strange kind of girl. Her hands had been burned,
- 12:08Speaker 7: and we tried to be friendly, but she wouldn't have
- 12:10Speaker 7: any part of us, so we wouldn't have any part
- 12:12Speaker 7: of her. One morning, Davy was in charge of the sickbay.
- 12:15Speaker 7: It was Olivia's first day of duty.
- 12:18Speaker 6: Oh, Olivia. Say, Olivia, it's good to see you. How
- 12:21Speaker 6: are your hands? They're fine. You know, you're a very
- 12:24Speaker 6: lucky girl. Lucky? Well, yes.
- 12:28Speaker 9: We didn't get many survivors. That's one way of looking
- 12:31Speaker 9: at it. Tell me, why did your boat leave after
- 12:34Speaker 9: Pearl Harbor? I realize we need supplies in the Philippines,
- 12:37Speaker 9: but it.
- 12:37Speaker 6: Doesn't... I don't know, and I don't ask a lot
- 12:39Speaker 6: of questions.
- 12:40Speaker 2: Oh, I see.
- 12:41Speaker 9: Incidentally, your orders came through. You're to join our unit.
- 12:45Speaker 9: You'll bunk in with Miss Bocelli. She's already mentioned it
- 12:48Speaker 9: to me. She doesn't want me to.
- 12:50Speaker 2: Oh. All right.
- 12:51Speaker 6: I'll find someone else. Doesn't matter to me.
- 12:56Speaker 2: Oh, Joan.
- 12:56Speaker 11: Yeah, Daisy?
- 12:57Speaker 6: Joan, come here.
- 12:59Speaker 7: Do you mind Olivia bunking in with you? Now, what
- 13:01Speaker 7: did I do to get punished? Honestly, I'd do it myself.
- 13:04Speaker 7: Only Rosemary's still a little homesick and frightened.
- 13:07Speaker 6: That Olivia.
- 13:07Speaker 7: I'd like to give her an injection and leave the
- 13:09Speaker 7: needle in.
- 13:10Speaker 6: But okay if I'm the victim.
- 13:12Speaker 2: Thanks.
- 13:12Speaker 7: I don't know why I'm so nice. Oh, Davy, there's
- 13:15Speaker 7: a patient down there supposed to have a bath and
- 13:17Speaker 7: he won't let me give it to him.
- 13:18Speaker 6: You want me to take over? Oh, I wish you would.
- 13:19Speaker 6: It's the third bed from the door.
- 13:20Speaker 2: Right.
- 13:25Speaker 6: Good morning.
- 13:26Speaker 5: Oh, don't be so cheerful. I know what you're here
- 13:28Speaker 5: for and I still say no female's going to bathe me.
- 13:31Speaker 2: No?
- 13:32Speaker 6: Well, let's see your chart. Lieutenant John Summers.
- 13:35Speaker 5: That's right.
- 13:36Speaker 6: With the medical unit. Mm-hmm. Oh, fine. A doctor and
- 13:40Speaker 6: you won't let a nurse wash you.
- 13:42Speaker 5: I'm not a doctor. I'm a technician. I was associate
- 13:45Speaker 5: professor of chemistry at Hawaii.
- 13:46Speaker 6: Oh, a professor. Well, that explains it. Give me your arm, please.
- 13:49Speaker 5: What are you doing?
- 13:50Speaker 6: You're going to have a bath, and don't be coy.
- 13:52Speaker 2: Now, go away.
- 13:53Speaker 5: I told you, no female's going to give me a bath.
- 13:55Speaker 6: Your mother did.
- 13:56Speaker 12: Let go.
- 13:57Speaker 6: Now, look. Do you give me your arm, or do
- 13:59Speaker 6: I take away the whole blanket?
- 14:01Speaker 2: Angels of mercy, huh? You're a bunch of wrestlers.
- 14:04Speaker 7: Here.
- 14:06Speaker 6: There, that's better.
- 14:07Speaker 2: Oh, wait, wait.
- 14:08Speaker 6: What's the matter?
- 14:10Speaker 2: My head, I.
- 14:11Speaker 6: You feel dizzy?
- 14:11Speaker 2: Yes, I do.
- 14:13Speaker 6: No feeling in your hands and feet?
- 14:14Speaker 5: Yeah, that's right.
- 14:15Speaker 6: Well, you know what it is, don't you?
- 14:16Speaker 2: What?
- 14:17Speaker 6: You need a bath.
- 14:18Speaker 2: Oh, now, look.
- 14:20Speaker 6: And stop faking.
- 14:21Speaker 2: Okay, okay.
- 14:24Speaker 5: Say, tell me, when people get to know you awfully well,
- 14:27Speaker 5: what do they call you?
- 14:28Speaker 6: Lieutenant. Oh.
- 14:34Speaker 7: That was John Summers. I'll tell you more about him later. Well,
- 14:38Speaker 7: on Christmas Eve, we all decided to dress up a
- 14:41Speaker 7: little and have a party. We'd been at sea for
- 14:43Speaker 7: almost a month, and we needed some relaxation. I wanted
- 14:46Speaker 7: to make an impression on Kansas, but the only snaky
- 14:48Speaker 7: thing I had was a black nightgown, which, with a few.
- 14:51Speaker 6: Trimmings, did for me. Rosemary Larson was in my room
- 14:54Speaker 6: while I was getting dressed. Here, John, why don't you
- 14:56Speaker 6: wear this locket? Oh, but that isn't mine. It must
- 14:58Speaker 6: be Olivia's. Oh, I don't think she's mine. Here, put
- 15:01Speaker 6: it on.
- 15:02Speaker 2: Oh, hello, Olivia.
- 15:04Speaker 6: Take that locket off. I only want to wear it tonight.
- 15:07Speaker 11: I said take it off. What do you mean snooping
- 15:10Speaker 11: around in my things?
- 15:11Speaker 6: Say, who do you think you are? Oh, you want
- 15:13Speaker 6: to play rough, huh?
- 15:15Speaker 2: Well.
- 15:15Speaker 6: Davy!
- 15:16Speaker 2: Davy!
- 15:17Speaker 7: What is it?
- 15:18Speaker 6: Stop it! Stop it! Well, she started it and I
- 15:20Speaker 6: don't get slugged by anybody. Stop it, do you hear me? Now,
- 15:23Speaker 6: what are you, a couple of children? What is this? Sorry, Davy.
- 15:27Speaker 6: It was my fault, Davy. By mistake, I opened Olivia's
- 15:30Speaker 6: musette bag. She had no right to take my locket.
- 15:33Speaker 6: She said it was a mistake. Now, I don't care
- 15:35Speaker 6: whose fault it was. You were both wrong. You realize that,
- 15:37Speaker 6: don't you?
- 15:38Speaker 9: I don't want to have to take any official action. Look, girls,
- 15:41Speaker 9: I know we're all nervous and jittery on a boat
- 15:44Speaker 9: going nowhere, getting nowhere, but we've just got to hang
- 15:47Speaker 9: on a little longer, that's all. I don't want this
- 15:49Speaker 9: to go outside the cabin. Come on, forget it and
- 15:52Speaker 9: shake hands.
- 15:53Speaker 2: Okay.
- 15:54Speaker 6: Sorry, Olivia. I'd like to be left alone.
- 15:57Speaker 2: All right, Joan. Go ahead.
- 16:02Speaker 9: Olivia, Joan's just impulsive. She really didn't mean any harm.
- 16:07Speaker 6: Come on, do you hear? They're starting the party. Why
- 16:09Speaker 6: don't you come up with me? It may be our
- 16:11Speaker 6: last party in a long time. Leave me alone, can't you?
- 16:15Speaker 6: Leave me alone!
- 16:18Speaker 2: All right, Olivia.
- 16:24Speaker 7: John Summers was up and around now. He and Davy
- 16:26Speaker 7: danced every dance that night.
- 16:28Speaker 5: You having fun?
- 16:30Speaker 6: Mm-hmm.
- 16:31Speaker 5: Say, did you get my present?
- 16:32Speaker 6: Oh, yes, thank you.
- 16:34Speaker 5: Well, what's mine in return?
- 16:36Speaker 6: My thanks.
- 16:37Speaker 5: Oh, I suppose I'll have to be satisfied with just that.
- 16:40Speaker 5: You realize this is the first time you've been in
- 16:42Speaker 5: my arms?
- 16:43Speaker 6: Oh, I've been in lots of arms.
- 16:44Speaker 5: Oh, yes, but these are mine. I want you to
- 16:46Speaker 5: get used to them.
- 16:55Speaker 6: Nothing? Why? You seem to be smiling all over tonight.
- 16:58Speaker 2: Oh, go away.
- 16:59Speaker 6: Merry Christmas! Good heavens, aren't you in bed yet?
- 17:03Speaker 7: Believe it or not, I was on the top deck
- 17:05Speaker 7: with Kansas singing Christmas carols. Can I bunk in here, Davy? Oh,
- 17:09Speaker 7: did you have another row with Olivia? No, but she's scary.
- 17:12Speaker 7: She just lies there and stares and never goes to sleep.
- 17:15Speaker 7: It's like sleeping in a graveyard. Okay, you take my bed.
- 17:18Speaker 7: I'll try it for tonight anyway.
- 17:19Speaker 6: Thanks, pal. Tell me, has she ever opened up? Ever
- 17:23Speaker 6: given you a hint of what's wrong?
- 17:24Speaker 7: There's nothing wrong. She's just naturally a frozen-faced ghoul.
- 17:28Speaker 2: Oh.
- 17:29Speaker 6: Well, good night, kids. Night, Davy. Are you asleep, Olivia?
- 17:39Speaker 2: No.
- 17:41Speaker 6: Mind if I turn on the light?
- 17:43Speaker 12: No.
- 17:44Speaker 6: Is it all right if I bunk in here?
- 17:46Speaker 13: Yes.
- 17:47Speaker 9: Oh, what's the matter, Olivia? Something's hurt you. Why don't
- 17:51Speaker 9: you talk about it? Come on, get it off your chest.
- 17:55Speaker 9: You can forget I'm your superior officer.
- 17:57Speaker 6: It's none of your business, so don't forget you are
- 17:59Speaker 6: my superior officer. Well, maybe if I knew what was
- 18:02Speaker 6: eating you, I could help.
- 18:03Speaker 9: Nobody can. I don't want anybody to try. I can
- 18:07Speaker 9: do it myself. Oh, this is the locket, isn't it? Now,
- 18:11Speaker 9: why did you lose your temper when Joan... Put that down!
- 18:14Speaker 9: Do I go through your things? Oh, I don't think
- 18:16Speaker 9: we'd better talk anymore. I'm beginning to get pretty sore.
- 18:19Speaker 9: All right, so you're beginning to get sore. Enjoy it,
- 18:23Speaker 9: but stop prying into things that don't concern you. Maybe
- 18:26Speaker 9: it does concern me. It concerns me that the morale
- 18:28Speaker 9: of this group remains high, and until.
- 18:30Speaker 6: You joined up, it was. You're just a troublemaker.
- 18:35Speaker 9: I don't really care what's bothering you at all.
- 18:38Speaker 6: I don't like you any more than the rest of.
- 18:39Speaker 2: The girls do.
- 18:40Speaker 9: I'm supposed to be a nurse, and that's all. Oh, no,
- 18:42Speaker 9: there's much more than that now that we're at war.
- 18:45Speaker 9: Maybe you don't know what's up. Maybe you don't know
- 18:47Speaker 9: what we're doing here.
- 18:49Speaker 6: You think I don't know? All right, I'll tell you.
- 18:53Speaker 6: I know what I'm doing. I know why I'm here.
- 18:56Speaker 6: I know what I'm going to do.
- 18:58Speaker 11: I'm going to kill Japs, every blood-stained one I can
- 19:01Speaker 11: get my hands on. Olivia, that doesn't sound nice coming
- 19:05Speaker 11: from a nurse, does it? We're supposed to be angels
- 19:08Speaker 11: of mercy. We're supposed to tend to the wounded and
- 19:10Speaker 11: take care of the sick. We're supposed to be kind
- 19:13Speaker 11: and tender and serve humanity in.
- 19:14Speaker 6: The name of humanity. What humanity? Jap humanity? Olivia, be quiet.
- 19:20Speaker 11: No, you asked me. You wanted to know. You pried
- 19:22Speaker 11: into things that didn't concern you. You wanted to know
- 19:25Speaker 11: what this locket is.
- 19:27Speaker 6: Well, look. It's a picture. It's a picture of a boy.
- 19:31Speaker 11: Today is Christmas, isn't it? The time for cheer and
- 19:36Speaker 11: good fellowship and for peace. Well, today's my wedding day.
- 19:39Speaker 11: He and I were to be married today in St.
- 19:42Speaker 2: Louis.
- 19:43Speaker 6: And why weren't we? Because he's dead.
- 19:46Speaker 10: He died that first morning.
- 19:48Speaker 6: They killed him.
- 19:50Speaker 2: I saw him.
- 19:51Speaker 6: He was running across the field. It was plain, and
- 19:53Speaker 6: they killed him. Sixty bullets, and by the time I
- 19:57Speaker 6: got to him, he was dead. His face was gone.
- 20:00Speaker 6: I couldn't see him anymore. Just blood.
- 20:03Speaker 2: Blood all over.
- 20:04Speaker 6: Olivia, don't, dear.
- 20:06Speaker 2: Don't. Let me go.
- 20:07Speaker 11: They must be punished and I'm going to punish them.
- 20:11Speaker 2: Yes, dear.
- 20:12Speaker 6: He was dead. It was ended for him.
- 20:15Speaker 9: Olivia, darling.
- 20:16Speaker 2: I wanted him.
- 20:18Speaker 6: He was all I had.
- 20:19Speaker 10: Yes, dear, I knew.
- 20:21Speaker 6: I loved him so much.
- 20:23Speaker 7: We were pretty anxious to get off that boat. But
- 20:31Speaker 7: we still didn't know where we were going. One night
- 20:34Speaker 7: up on deck, Davy met John Summers. It was a
- 20:36Speaker 7: quiet night, and all over the boat you could feel
- 20:38Speaker 7: the throbbing of the engines.
- 20:42Speaker 5: Hello.
- 20:43Speaker 6: Oh, hello.
- 20:44Speaker 5: Have you been trying to avoid me?
- 20:46Speaker 6: Frankly, I have. Why?
- 20:47Speaker 2: Oh, because.
- 20:49Speaker 6: Because I've been trying to avoid you.
- 20:52Speaker 5: Oh. Well, now, look, I don't want to seem impetuous.
- 20:55Speaker 2: You don't?
- 20:55Speaker 5: All right, I do want to seem impetuous, then. But
- 20:58Speaker 5: the point is, anything can happen.
- 21:00Speaker 6: Such as?
- 21:00Speaker 5: Well, the boat might sink.
- 21:02Speaker 6: Oh, it might.
- 21:03Speaker 5: And if it does, we might never see each other again.
- 21:05Speaker 6: That's possible.
- 21:06Speaker 5: Unless it's someplace in the hereafter.
- 21:09Speaker 6: Well, I'll see you there sometime. Good night.
- 21:11Speaker 5: No, no, wait a minute. I haven't made my point yet.
- 21:14Speaker 5: After all, I'm not such a bad guy. I'm supposed
- 21:16Speaker 5: to be very intelligent, in fact. I work hard. I
- 21:19Speaker 5: make $ 5, 000 a year. No, no, you make $ 166 a
- 21:20Speaker 5: month now.
- 21:20Speaker 6: Please, I mean this. I'm in love with you, Lieutenant. Lieutenant?
- 21:29Speaker 5: If only we'd met somewhere else before, you'd have had
- 21:31Speaker 5: a wonderful time as I wooed you.
- 21:32Speaker 2: You think so?
- 21:33Speaker 5: I'm positive. I'd have been really foolish. I would have
- 21:36Speaker 5: spent sleepless nights and bought flowers to lay at your feet.
- 21:39Speaker 5: I'd have been very careful with you in taxi cabs, knowing,
- 21:42Speaker 5: of course, that you're not that kind of a girl.
- 21:43Speaker 5: But first, I think my dog-like devotion would have made
- 21:47Speaker 5: you pity me a little. And then my fatal charm
- 21:49Speaker 5: would have snuck up on you, and before you knew it,
- 21:51Speaker 5: you'd be mine. In some dingy little French restaurant where
- 21:54Speaker 5: the wine wasn't too bad. But with all that's happening...
- 21:58Speaker 5: I don't have to be ridiculous for you to love me.
- 22:00Speaker 5: There's no time. Out there, this second, a torpedo might
- 22:03Speaker 5: be spinning toward us. And you've no time either. We
- 22:06Speaker 5: haven't got a second to waste.
- 22:07Speaker 6: You're right. There's no time. No time for anything personal.
- 22:13Speaker 6: But thanks for everything you said.
- 22:15Speaker 5: Janet.
- 22:16Speaker 9: No, no, please, John, don't make it difficult. I've been
- 22:19Speaker 9: trying to avoid you. That ought to tell you something.
- 22:22Speaker 6: I can't love you. I won't permit myself to.
- 22:24Speaker 2: Well, why not?
- 22:25Speaker 6: Because I've got a job to do.
- 22:26Speaker 2: Well, what's that got to do with it? We've all
- 22:27Speaker 2: got jobs to do.
- 22:28Speaker 9: I know, but our responsibilities are greater now. Nothing can
- 22:31Speaker 9: stand in the way. I wish we had met somewhere
- 22:35Speaker 9: in a dingy little French restaurant.
- 22:38Speaker 6: But maybe we will.
- 22:39Speaker 2: Later.
- 22:41Speaker 7: Good night.
- 22:41Speaker 5: Let me kiss you goodbye, then.
- 22:43Speaker 2: No. Just once.
- 22:45Speaker 6: All right.
- 22:48Speaker 5: Oh, Janet.
- 22:49Speaker 2: Janet.
- 22:51Speaker 6: John, listen.
- 22:52Speaker 5: What's the matter?
- 22:53Speaker 6: The engines have stopped.
- 22:54Speaker 2: Your life preserver. Where's your life preserver?
- 22:55Speaker 6: I left it down in the cabin.
- 22:56Speaker 5: Here, take mine.
- 22:57Speaker 2: No, I won't. Take it.
- 22:58Speaker 5: Darling, before anything happens, do you love me?
- 23:00Speaker 6: No.
- 23:00Speaker 5: You're lying. You do love me.
- 23:02Speaker 2: Yes. Well, say it then.
- 23:04Speaker 6: I love you.
- 23:04Speaker 2: Better get down to your station, Summers.
- 23:06Speaker 5: What do the engines stop for, sir?
- 23:07Speaker 2: Run up to the captain. I'm sure he'll be delighted
- 23:09Speaker 2: to tell you over a Scotch and soda.
- 23:11Speaker 6: There's a plane up there. I can hear it.
- 23:13Speaker 5: Is it one of ours, I wonder?
- 23:14Speaker 2: Sounds like it.
- 23:15Speaker 9: Listen.
- 23:16Speaker 2: Yes, it is one of ours. It's a PBY. Then
- 23:18Speaker 2: we can't be far away from land.
- 23:20Speaker 12: Land.
- 23:22Speaker 5: That'll be a relief. I wonder where we'll make port.
- 23:25Speaker 6: I heard this afternoon. Oh, I don't know what the
- 23:27Speaker 6: name of the place is exactly, but I heard the name.
- 23:30Speaker 2: Any port in a storm, where is it?
- 23:31Speaker 6: It was a place called... Oh, what was it?
- 23:34Speaker 2: Oh, yes. Batan. In a few moments, Mr.
- 23:48Speaker 3: DeMille and our stars Claudette Colbert, Paulette Goddard, Veronica Lake,
- 23:52Speaker 3: Sonny Tufts, and Lest Remain will return in So Proudly
- 23:56Speaker 3: We Hail. These are days when thousands of American women
- 24:00Speaker 3: serving on the home front are cheerfully working harder and
- 24:03Speaker 3: longer than they ever thought they could.
- 24:05Speaker 2: Many as factory workers.
- 24:07Speaker 10: Sorry, Mary, I just can't make it Sunday. We're working
- 24:09Speaker 10: all day, a rush shipment to get out.
- 24:11Speaker 2: Many housewives devoting their evenings.
- 24:13Speaker 6: Phew, I'm tired.
- 24:15Speaker 9: But I promised I'd be at the home nursing course tonight,
- 24:18Speaker 9: and I wouldn't renege for anything.
- 24:20Speaker 3: Not much time in their crowded days for elaborate beauty care.
- 24:23Speaker 3: But busy as they are, these women consider it mighty
- 24:26Speaker 3: important to keep on looking their prettiest.
- 24:28Speaker 2: One reason being... Oh, goodness.
- 24:31Speaker 10: I wouldn't dream of neglecting my looks just because Bill's away.
- 24:34Speaker 6: He wouldn't like that.
- 24:35Speaker 3: So these women with little time to spare are more
- 24:38Speaker 3: than ever glad of Luxe Toilet Soap, the gentle complexion
- 24:41Speaker 3: soap that makes their daily beauty care so easy and
- 24:44Speaker 3: so pleasant. They find active lather wonderfully rich and creamy.
- 24:48Speaker 3: It whisks away stale cosmetics thoroughly, every trace of dust
- 24:52Speaker 3: and dirt. Their daily active lather facials is the same
- 24:55Speaker 3: that famous screen stars take, like this.
- 24:58Speaker 10: Smooth the creamy luck soap lather well in. Lots and
- 25:02Speaker 10: lots of it. You can just feel your skin taking
- 25:05Speaker 10: on new freshness. Then rinse with warm water, splash with cold,
- 25:10Speaker 10: and pat dry with a towel. Use this care every
- 25:13Speaker 10: day and see if it doesn't make your complexion lovelier.
- 25:17Speaker 3: Yes, pretty women all over the country say that daily
- 25:19Speaker 3: facials with Hollywood Beauty Soap really work. Day by day,
- 25:24Speaker 3: this care can help skin to be softer and smoother.
- 25:27Speaker 3: Try it and see. If you should find your dealer
- 25:29Speaker 3: is temporarily out of Lux Toilet Soap due to wartime conditions,
- 25:34Speaker 3: ask for it again next time you shop. Remember, Lux
- 25:37Speaker 3: Toilet Soap is worth waiting for. We pause now for
- 25:41Speaker 3: station identification. This is the Columbia Broadcasting System.
- 26:05Speaker 4: Act II of So Proudly We Hail, starring Claudette Colbert
- 26:08Speaker 4: as Davy, Paulette Goddard as Joan, and Veronica Lake as Olivia,
- 26:12Speaker 4: with Sonny Tufts as Kansas, and Les Tremaine as John.
- 26:20Speaker 7: We landed the next day at Mariveles on Bataan Peninsula,
- 26:24Speaker 7: about 40 miles from the front line.
- 26:26Speaker 6: That's where Kansas was heading for when I met him
- 26:28Speaker 6: out on the road.
- 26:30Speaker 7: Hiya.
- 26:31Speaker 6: Hello, Kansas.
- 26:32Speaker 2: Gosh, I've been looking all over for you. Just wanted
- 26:34Speaker 2: to say so long.
- 26:36Speaker 6: Oh, well, I'll be seeing you. Kansas, are you scared too?
- 26:40Speaker 2: You mean you feel as if you suddenly lost your belly?
- 26:44Speaker 6: Yeah.
- 26:45Speaker 2: Well, me too, but I guess we'll get over it.
- 26:47Speaker 6: I hope so. Well, so long, Kansas, and don't get lost.
- 26:52Speaker 2: Who, me? I never get lost.
- 26:54Speaker 12: So long.
- 26:55Speaker 7: Hey, wait.
- 26:57Speaker 2: Huh?
- 26:57Speaker 6: Your gang went in the other direction.
- 26:59Speaker 2: Oh. Thanks.
- 27:01Speaker 6: Don't let anything happen to you, Kansas.
- 27:03Speaker 2: Who, me? Nothing ever happens to me.
- 27:05Speaker 6: Hey.
- 27:11Speaker 2: Fell over my duffel bag.
- 27:12Speaker 6: Yes, you did. Goodbye, Kansas.
- 27:14Speaker 2: So long.
- 27:22Speaker 7: We arrived at Lamar that night. It was a dusty
- 27:25Speaker 7: little village just behind the front lines. We were hoping
- 27:27Speaker 7: to get a couple of hours' sleep, but Ma McGregor
- 27:30Speaker 7: fixed that.
- 27:30Speaker 6: She was our commanding officer.
- 27:32Speaker 14: So, you finally got here. Well, my name is McGregor,
- 27:35Speaker 14: and my bite is worse than my bark. Now, you
- 27:37Speaker 14: better all dive into your whites, and I'll get you
- 27:39Speaker 14: some GI tomorrow. You can't wear whites here.
- 27:42Speaker 2: The nearest laundry's in Manila.
- 27:44Speaker 6: We need you right away. Some of our girls have
- 27:46Speaker 6: forgotten what the word sleep means. Gee, show them to
- 27:49Speaker 6: nurse's quarters. Now, get a move on. I'm glad you're here.
- 27:53Speaker 7: Thank you.
- 27:54Speaker 2: Thank you.
- 27:56Speaker 6: Captain McGregor?
- 27:57Speaker 2: Yes?
- 27:57Speaker 11: I'm Olivia Darcy. Do you have any Japanese wounded here?
- 28:01Speaker 2: A few. Why?
- 28:03Speaker 6: I'd like to handle them. Oh, do you know the language? No,
- 28:06Speaker 6: but I'm anxious to learn. Well, I guess you can
- 28:08Speaker 6: be accommodated.
- 28:09Speaker 2: I'll put you down for Ward 11.
- 28:11Speaker 6: Thank you, Captain. Here's your list, Lieutenant Davidson. You've been
- 28:18Speaker 6: assigned to surgery.
- 28:19Speaker 2: Thanks.
- 28:20Speaker 15: O'Doulton, the children's ward, and Emerson's in surgery with you.
- 28:23Speaker 15: Darcy's in with the Japanese wounded and... Darcy with the
- 28:25Speaker 15: Japanese wounded?
- 28:26Speaker 2: Oh, no!
- 28:27Speaker 6: Well, she requested it. Oh, but you mustn't. We've got
- 28:29Speaker 6: to get her out.
- 28:35Speaker 2: Olivia!
- 28:35Speaker 6: Olivia, where are you? Olivia, look at me. It's all right.
- 28:40Speaker 11: I couldn't do it. I didn't have the guts, I suppose.
- 28:44Speaker 11: I couldn't kill even a wounded rat.
- 28:46Speaker 9: Will somebody tell me what this is all about? Oh,
- 28:49Speaker 9: there's no reason to worry, Captain McGregor. I was just
- 28:52Speaker 9: a little silly. Well, don't you think it'd be better
- 28:53Speaker 9: if I took over here?
- 28:54Speaker 6: No, not at all. There's nothing wrong here. Is there, Olivia?
- 28:59Speaker 2: No.
- 29:00Speaker 6: You see, Captain, she'll be all right.
- 29:02Speaker 7: I know she will. Day after day, the wounded kept
- 29:13Speaker 7: pouring in. After a while, there weren't any beds. There
- 29:16Speaker 7: was no morphine, and still they kept coming. John Summers
- 29:20Speaker 7: had been up in the front line, and then one
- 29:22Speaker 7: evening he drove in with a truckload of wounded. When
- 29:24Speaker 7: Davy went off duty for an hour, she met him down.
- 29:26Speaker 2: By the river.
- 29:31Speaker 6: This is the place.
- 29:32Speaker 9: The Bataan River. Every time I get off, I come
- 29:36Speaker 9: here and pretend that.
- 29:37Speaker 2: You're with me.
- 29:38Speaker 5: You wouldn't even know there's a war going on.
- 29:39Speaker 2: Here.
- 29:40Speaker 6: That was the idea. Darling, was it terrible up there?
- 29:44Speaker 5: Well, it wasn't pretty. We're outnumbered. Sometimes the Jap losses
- 29:49Speaker 5: are 300 to 1 and still they keep coming. Those
- 29:51Speaker 5: Filipino scouts and our poor guys sleeping on their rifles
- 29:54Speaker 5: and machine guns. They're the bravest men I've ever even
- 29:57Speaker 5: heard of.
- 29:58Speaker 6: They must be.
- 29:59Speaker 5: They don't give quarter and they don't ask for any.
- 30:02Speaker 5: I can't figure it out, Jenny.
- 30:03Speaker 6: Figure what?
- 30:04Speaker 5: Why they do it. There's something other than just fighting
- 30:07Speaker 5: against the Japs. These fellows aren't a bit afraid to die.
- 30:10Speaker 6: That's our air raid signal. Come on. There's a trench
- 30:14Speaker 6: over there.
- 30:14Speaker 5: You know, this is the only nice thing the Japs
- 30:21Speaker 5: have done so far in this war.
- 30:22Speaker 6: What?
- 30:23Speaker 5: Giving us a place to hide out. An air raid,
- 30:25Speaker 5: a foxhole, and you.
- 30:26Speaker 6: Oh, it sounds like a song. Look at that sign.
- 30:29Speaker 2: This foxhole approved by good housekeeping.
- 30:32Speaker 6: You see, we have nothing but the best.
- 30:34Speaker 5: You know, sometimes I thought you might forget me.
- 30:38Speaker 6: I tried to.
- 30:39Speaker 2: You did?
- 30:40Speaker 5: What for?
- 30:41Speaker 6: Because you troubled me so much.
- 30:43Speaker 5: I'm sorry.
- 30:44Speaker 6: Everything that happens, everything I do, you're part of. I
- 30:48Speaker 6: can't get you out of my mind.
- 30:49Speaker 2: Don't try.
- 30:50Speaker 6: No, I'm not going to anymore.
- 30:54Speaker 5: What are you looking at me like that for?
- 30:56Speaker 9: I want to remember exactly how you look. You know,
- 30:59Speaker 9: sometimes I couldn't even remember the color of your eyes.
- 31:03Speaker 9: Your whole face was hazy.
- 31:05Speaker 5: That's when I look my best. I'm glad I had
- 31:08Speaker 5: you to think about up there.
- 31:10Speaker 6: John, I hate to think of you going back.
- 31:12Speaker 5: Well, then don't.
- 31:12Speaker 6: I have a feeling that if you do go back,
- 31:14Speaker 6: I'll never.
- 31:14Speaker 2: See you again. Now, don't worry.
- 31:16Speaker 5: I'll take care of myself. Promise you won't worry. I promise.
- 31:20Speaker 5: But I'll worry.
- 31:20Speaker 6: Oh, there goes the all-clear. Well, I guess the honeymoon's over.
- 31:26Speaker 5: Goodbye, darling.
- 31:28Speaker 2: Goodbye, John.
- 31:36Speaker 7: The pressure on the front line was too strong, and
- 31:38Speaker 7: we finally got orders to evacuate. All over the town,
- 31:42Speaker 7: the demolition squad was blowing up buildings. We were the
- 31:46Speaker 7: last to get out. At least we thought we were
- 31:48Speaker 7: getting out. But when we started to pile into the car.
- 31:53Speaker 9: Get down!
- 31:55Speaker 6: Get out of the car, everybody! Get back in the surgery!
- 31:57Speaker 2: Hurry!
- 31:58Speaker 7: It was a Jap patrol that had infiltrated through. We
- 32:02Speaker 7: had two machine gunners with us, but they were both killed.
- 32:05Speaker 6: We were alone in the village. Six girls.
- 32:08Speaker 2: What are we going to do?
- 32:10Speaker 6: Get down on the floor. Close that door and put
- 32:11Speaker 6: the light out. Now quiet, do you hear?
- 32:15Speaker 12: Davey.
- 32:16Speaker 4: We're alone.
- 32:17Speaker 6: There's no one left here but us. We'll get out somehow.
- 32:20Speaker 6: Do you think they'll miss us? Do you think they'll
- 32:22Speaker 6: send someone back for us?
- 32:23Speaker 2: Of course they will.
- 32:24Speaker 6: What are we going to do? I know what I'm
- 32:25Speaker 6: going to do. If somebody doesn't come, we'd better all
- 32:28Speaker 6: kill ourselves. But why? Somebody's coming. Davy said somebody's coming.
- 32:32Speaker 6: I was in Nanking. I saw what happened to the
- 32:34Speaker 6: women there. When the Red Cross protested, the Japanese called
- 32:37Speaker 6: it the privilege of serving His Imperial Majesty's troops.
- 32:41Speaker 7: It's an honor.
- 32:42Speaker 6: An honor you die for. Stop that nonsense. Do you
- 32:44Speaker 6: hear me?
- 32:44Speaker 2: Look. Look, here's a grenade.
- 32:46Speaker 6: Maybe we can get them if we... Here, give me that.
- 32:48Speaker 11: If we threw a grenade and missed it, it would
- 32:50Speaker 11: mean sure death for all of us. We might kill one...
- 32:53Speaker 11: Stop talking about killing. Now listen to me. I want
- 32:57Speaker 11: you all to stay here. I'm going out and start
- 33:00Speaker 11: that truck. As soon as you hear the motor running,
- 33:02Speaker 11: make a dash for it. It's our only chance.
- 33:04Speaker 6: Don't go, Davy. Don't go. Shh, be quiet. Davy, wait.
- 33:09Speaker 6: Come here a minute. What is it, Libby? Listen, if
- 33:13Speaker 6: one of us went... I mean, if one of us
- 33:17Speaker 6: gave herself up... Don't be crazy.
- 33:20Speaker 11: Listen, I've got a grenade. If I walk toward them
- 33:24Speaker 11: with my hands up, It's only a patrol. I could
- 33:26Speaker 11: wipe them out.
- 33:27Speaker 6: Give me that grenade.
- 33:29Speaker 2: Goodbye, Davy.
- 33:30Speaker 6: Give it to me, Libby. It's one or all of us.
- 33:33Speaker 6: Thanks for everything, Davy. Libby, come back. Davy, where's she going?
- 33:38Speaker 6: What's she going to do? Get away from the window.
- 33:42Speaker 6: She's walking up the road. She's got her hands up.
- 33:47Speaker 6: There's the chat patrol. They're coming toward her. I'll help
- 33:50Speaker 6: them up. I can't see it. They've surrounded it. Oh, Libby!
- 33:53Speaker 2: Libby! When we reached Olivia, she was dead. But so
- 33:58Speaker 2: were the Japs.
- 34:09Speaker 7: Our new base was right in the middle of the jungle.
- 34:12Speaker 7: We had more than wounded now. The men were coming
- 34:14Speaker 7: down with malaria and dysentery. Some of us got malaria, too.
- 34:19Speaker 6: Fevers of 104.
- 34:19Speaker 7: There wasn't any coddling. The soldiers were the patients.
- 34:24Speaker 2: Hi, Lieutenant.
- 34:30Speaker 6: Kansas, why, you big tramp.
- 34:33Speaker 2: You always say what I expect.
- 34:34Speaker 6: Well, isn't that nice? Say, what are you doing here, anyway?
- 34:38Speaker 2: I got some letters for you.
- 34:39Speaker 6: Oh, thanks, pal. Hey, they're open.
- 34:42Speaker 2: Yeah, well, I guess them censors must have run out
- 34:45Speaker 2: of glue.
- 34:46Speaker 6: Kansas, have you been reading my mail?
- 34:49Speaker 2: Well, I had to read myself to sleep, didn't I?
- 34:52Speaker 2: You don't want to deprive him of sleep, do you? Anyway,
- 34:55Speaker 2: I didn't read all of them Very dull, most of them,
- 34:58Speaker 2: very dull Oh.
- 34:59Speaker 6: Well, I'm terribly sorry Except this Dr.
- 35:04Speaker 2: O'Leary He's rather a cute guy, ain't he?
- 35:06Speaker 6: Is he?
- 35:07Speaker 2: He writes with that real literary style What's he to you?
- 35:11Speaker 7: Well, since you read them, dear, you ought to know Yeah,
- 35:15Speaker 7: and I don't like them Oh, well, that's too bad Hey.
- 35:17Speaker 2: I got some news. There's a big convoy on the way. What? Yeah,
- 35:20Speaker 2: supplies and reinforcements. Ought to be here tomorrow.
- 35:22Speaker 6: Hey, kids! There's a convoy coming!
- 35:28Speaker 2: A convoy!
- 35:33Speaker 6: Yes, Colonel White?
- 35:35Speaker 2: Oh, come in, Davidson.
- 35:37Speaker 12: We're sending McGregor to Corregidor. So I want you and
- 35:40Speaker 12: your staff to report to Baggio in the morning and
- 35:43Speaker 12: take over in her place.
- 35:44Speaker 6: Yes, sir. Do you know if there are any nurses
- 35:46Speaker 6: coming on the convoy?
- 35:47Speaker 2: What convoy?
- 35:49Speaker 6: What convoy? The one we've been celebrating all day.
- 35:53Speaker 2: There isn't any convoy. It's been sunk.
- 35:56Speaker 11: Oh, no.
- 35:57Speaker 12: They're trying to get others through to us, but only
- 35:59Speaker 12: a few small vessels have succeeded. Not enough to mean much.
- 36:04Speaker 6: Is it as bad as all that?
- 36:06Speaker 2: Yes. General MacArthur left tonight.
- 36:09Speaker 6: Left Batten?
- 36:10Speaker 2: He was ordered off. He's gone to Australia.
- 36:13Speaker 6: But why?
- 36:14Speaker 2: Because he's needed more there than he is here, I guess.
- 36:18Speaker 2: He didn't want to go.
- 36:20Speaker 6: Well, I'd better tell the others.
- 36:22Speaker 12: No, don't do anything about it. Good evening of relaxation
- 36:26Speaker 12: might help. What they don't know won't hurt them.
- 36:29Speaker 6: No, I suppose not.
- 36:30Speaker 2: Good night, Janet.
- 36:32Speaker 6: Good night, sir.
- 36:39Speaker 7: In a week or so, we got the worst of
- 36:40Speaker 7: the news. The whole front line had collapsed. We were
- 36:46Speaker 7: under fire for days. Rosemary Larson. Rosemary was killed when
- 36:51Speaker 7: they bombed the hospital. Davy's hands were burned down to
- 36:53Speaker 7: the bone trying to get her out.
- 36:55Speaker 6: And still the wounded came. And this time, one of
- 36:58Speaker 6: them was John Summers.
- 37:02Speaker 2: See?
- 37:03Speaker 6: Baby John Summers just came in. He's been wounded. What
- 37:05Speaker 6: is it? It's a leg wound. They're taking him to
- 37:06Speaker 6: surgery now to remove the fragment. There isn't time. We've
- 37:09Speaker 6: been ordered off. We're going to Corregidor. When? Right now.
- 37:12Speaker 6: Get him into a truck. I have to report to
- 37:13Speaker 6: the colonel, but I'll be right back. I've got everyone, sir.
- 37:22Speaker 6: We're ready to leave.
- 37:23Speaker 2: Good. Goodbye, Janet.
- 37:24Speaker 6: Aren't you coming? No, I'm not. Oh, but your orders.
- 37:27Speaker 2: New orders have just come through.
- 37:29Speaker 6: Have we surrendered?
- 37:30Speaker 2: We'll surrender at nine in the morning. Oh, no, no.
- 37:32Speaker 2: Go on now, quick. Yes, sir. Janet, wait. You've got
- 37:35Speaker 2: to do one thing for me. See to it that
- 37:37Speaker 2: the girls get through to the rock.
- 37:39Speaker 6: Yes, sir. We'll get through.
- 37:40Speaker 2: So long. Good luck, sir.
- 37:49Speaker 6: We made Mariveles that night.
- 37:51Speaker 7: All we had were a lot of small boats to
- 37:53Speaker 7: take us over to Corregidor, but Davy wouldn't come yet.
- 37:56Speaker 6: The doctor was going to operate on John. She found
- 37:58Speaker 6: him in a tunnel near the dock. Doctor! Doctor, is
- 38:05Speaker 6: John Summers here?
- 38:06Speaker 12: Yes.
- 38:07Speaker 5: Can you assist me, nurse?
- 38:08Speaker 6: No, my hands. They've been burned.
- 38:11Speaker 2: Oh. Oh, all right.
- 38:12Speaker 5: I think I can do it alone.
- 38:14Speaker 2: Come over here. Janet. Oh, John.
- 38:16Speaker 5: Darling. Hey, where are the others... You better go with us.
- 38:20Speaker 6: No, no, there's plenty of time.
- 38:22Speaker 2: All right, I'm ready. We'll have to go in for
- 38:24Speaker 2: that bomb fragment somewhere, sir. It may become infected.
- 38:27Speaker 5: That's not likely. It's probably a piece of good American steel.
- 38:31Speaker 2: Here we go. Sorry, we have no anesthetic.
- 38:33Speaker 5: Oh, that's okay. Give me your hand, Janet.
- 38:37Speaker 2: Is it out of order if we hold hands, doctor? Well,
- 38:40Speaker 2: her hands are.
- 38:41Speaker 6: No, no, it's all right, doctor.
- 38:42Speaker 2: Huh? Oh, very well.
- 38:44Speaker 5: Well, let's get it over.
- 38:45Speaker 6: Now. It's all right, darling. Hold my hand. Now hold tight. Tighter.
- 38:51Speaker 2: I think I've located it. I'll have another try now.
- 38:54Speaker 2: This may hurt even more.
- 38:56Speaker 5: Sounds like a dentist.
- 38:58Speaker 2: Janet.
- 38:58Speaker 6: Hold tighter, darling. Tighter.
- 39:01Speaker 2: Hang on, Lieutenant. Try to think of something else. Here
- 39:03Speaker 2: I am. Ham and eggs. Hotcakes. White bread. Coffee. Here
- 39:08Speaker 2: it comes now. Hold on.
- 39:12Speaker 6: John. It's all right, doctor. You can go right ahead now.
- 39:18Speaker 6: He's fainted.
- 39:32Speaker 2: And in just a few moments, Mr.
- 39:34Speaker 3: DeMille presents Claudette Colbert, Paulette Goddard, Veronica Lake, Sonny Tufts,
- 39:38Speaker 3: and Lest Remain in the third act of So Proudly
- 39:41Speaker 3: We Hail.
- 39:43Speaker 2: Evening, Mr.
- 39:43Speaker 6: Kennedy. Who do you think I just met?
- 39:45Speaker 2: A lovely screen star, I guess, Libby.
- 39:47Speaker 6: And you'd be right. It was Mrs. Thomas Wallace.
- 39:50Speaker 2: Mrs. Wallace?
- 39:51Speaker 6: Carol Landis to you, Mr. Kennedy.
- 39:53Speaker 2: Oh.
- 39:53Speaker 13: Remember, she was married recently in London to an American
- 39:56Speaker 13: Army pilot. I talked to her at 20th Century Fox
- 39:58Speaker 13: Studio where she's making four jills and a jeep.
- 40:00Speaker 2: Oh, of course.
- 40:02Speaker 3: Say, Libby, wasn't Carol the girl who got right up
- 40:03Speaker 3: close to the sound of guns when she was making
- 40:05Speaker 3: that tour of army camps in North Africa?
- 40:08Speaker 6: Uncomfortably close, Mr. Kennedy.
- 40:10Speaker 13: She actually had to crawl into a foxhole for shelter
- 40:12Speaker 13: one night during a bombing raid. And do you know
- 40:15Speaker 13: what she told me her first thought was when the
- 40:17Speaker 13: bombs began to fall?
- 40:18Speaker 2: Tell us, Libby.
- 40:19Speaker 6: Well, only a woman would have thought of it, Mr. Kennedy.
- 40:22Speaker 13: There goes my last pair of nylons, she said to herself.
- 40:26Speaker 13: But seriously, Carol said she was impressed over and over
- 40:29Speaker 13: again with the importance of looking lovely on that tour
- 40:31Speaker 13: of the camps. It meant so much to the boys
- 40:34Speaker 13: to see a pretty, well-groomed woman. She's come back convinced
- 40:37Speaker 13: that no girl should think of letting down on beauty
- 40:39Speaker 13: care these days.
- 40:40Speaker 3: Well, Libby, certainly Carol's complexion care is a quick, easy
- 40:43Speaker 3: one that works.
- 40:45Speaker 2: Carol's a luxe girl, you know.
- 40:46Speaker 6: She certainly is, Mr. Kennedy.
- 40:48Speaker 13: She says a woman is foolish not to give her
- 40:50Speaker 13: skin gentle, protecting care. I always use luxe toilet soap.
- 40:54Speaker 13: It's a real beauty soap. Carol depends on her daily
- 40:58Speaker 13: act of lather facials.
- 40:59Speaker 3: As many other busy and famous stars do, Libby. There's
- 41:02Speaker 3: something about the creamy lather of luxe toilet soap that
- 41:05Speaker 3: makes it the choice of lovely women everywhere. And here's
- 41:09Speaker 3: a thrift tip about Hollywood's beauty soap. Luxe toilet soap
- 41:12Speaker 3: is hard-milled. You can use each satin smooth cake down
- 41:16Speaker 3: to the thinnest sliver. That means a lot right now
- 41:19Speaker 3: when it's patriotic not to waste soap. Moisten that last
- 41:22Speaker 3: little sliver and press it against a new cake. And remember,
- 41:26Speaker 3: Luxe toilet soap will last even longer if you always
- 41:29Speaker 3: put it in a soap dish that's dry. Why not
- 41:32Speaker 3: get some of the fine white soap nine out of
- 41:34Speaker 3: ten screen stars use tomorrow?
- 41:37Speaker 2: Now, Mr. DeMille returns to the microphone.
- 41:40Speaker 4: Our stars had quite a hectic experience at Paramount while working,
- 41:43Speaker 4: and so proudly we hail. We'll ask them to tell
- 41:46Speaker 4: you about it after the play. Now here's the third act.
- 41:49Speaker 4: Starring Claudette Colbert, Paulette Goddard, and Veronica Lake, with Sonny
- 41:53Speaker 4: Tufts and Les Tremaine. On the deck of a hospital ship,
- 42:05Speaker 4: homeward bound from Australia... Nurse Joan O'Doul continues the story
- 42:10Speaker 4: of the escape to Corregidor.
- 42:13Speaker 2: The ship's doctor listens attentively.
- 42:15Speaker 4: Joan has paused for a moment, remembering the horror of Bataan.
- 42:20Speaker 5: Well, did Lieutenant Davidson get John Summers off Bataan?
- 42:23Speaker 6: Oh, yes, she did, Major. We rode across the darkness
- 42:27Speaker 6: to Corregidor. Corregidor spelled safety for us.
- 42:30Speaker 7: They called it the Gibraltar of the Pacific, and we
- 42:33Speaker 7: lived most of the time deep in the tunnels under
- 42:35Speaker 7: the rock. But the Japs plastered us day and night.
- 42:39Speaker 7: The noise almost split our eardrums. Once in a while,
- 42:43Speaker 7: we got out of the tunnel for a breath of air.
- 42:47Speaker 6: What, no dive bonus today? Oh, well, it's not time.
- 42:50Speaker 6: They're still out to lunch. There's no quinine left. No quinine?
- 42:55Speaker 6: What are we going to do? Nurse, what do you
- 42:57Speaker 6: think we're going to do? Well, they can't take us off.
- 42:59Speaker 6: Why are we here anyway?
- 43:01Speaker 2: Oh, why? Why?
- 43:03Speaker 6: Why isn't there any quinine? Why isn't there any food?
- 43:05Speaker 6: Why aren't there any supplies?
- 43:07Speaker 9: Why are we here like rats in a cage waiting
- 43:09Speaker 9: for the man to come and pour scalding water over us?
- 43:12Speaker 6: Why was nothing done? Why? Oh, take it easy, Davy.
- 43:15Speaker 6: I'll tell you why. It's our own fault.
- 43:17Speaker 2: Our fault?
- 43:18Speaker 6: What did we do? Because we believed we were the world.
- 43:21Speaker 9: That the United States of America was the whole world.
- 43:25Speaker 9: Those outlandish places. Bataan, Corregidor, Mindanao. Those aren't American names.
- 43:31Speaker 2: No.
- 43:32Speaker 6: They're just American graveyards. Well, why don't they get us off?
- 43:35Speaker 9: They can't get us off. We've become what they call
- 43:38Speaker 9: a delaying action. That's what those 50,000 men on Bataan were.
- 43:42Speaker 9: They were merely saving time.
- 43:45Speaker 6: I only hope to God the people back home aren't
- 43:47Speaker 6: losing it for us. Well, here they come again.
- 43:50Speaker 2: Henry, take shelter.
- 43:51Speaker 6: Yes, they're always on time anyway.
- 43:54Speaker 9: Come on, in the tunnel, kid.
- 44:04Speaker 6: Do the best you can, Davy.
- 44:05Speaker 14: Quinine or no quinine, we've got to keep their feeders down.
- 44:08Speaker 6: We're doing everything we know, Mom. I'm sure you are. John,
- 44:13Speaker 6: what do you want? We discharged you a week ago.
- 44:15Speaker 5: Well, I thought you knew I was your permanent patient.
- 44:18Speaker 2: What is it, darling?
- 44:19Speaker 5: I just wanted to say goodbye for a few days.
- 44:21Speaker 6: What do you mean?
- 44:22Speaker 5: Well, we sort of made up a little party and
- 44:24Speaker 5: we're going down around Mindanao to see if we can
- 44:26Speaker 5: find some quinine.
- 44:27Speaker 6: You can't go.
- 44:28Speaker 2: Why not?
- 44:29Speaker 6: Your leg, you're still too weak.
- 44:31Speaker 5: I'm no weaker than the rest.
- 44:32Speaker 6: John, you're not well yet.
- 44:34Speaker 5: We'll all be a lot worse if we don't get
- 44:35Speaker 5: some supplies.
- 44:37Speaker 6: When do you have to go?
- 44:39Speaker 5: We leave at five in the morning. That's nine long
- 44:41Speaker 5: hours from now.
- 44:43Speaker 6: Nine hours.
- 44:45Speaker 2: Wait a minute.
- 44:46Speaker 6: Oh, Ma?
- 44:48Speaker 11: Yes?
- 44:49Speaker 9: Ma, I want you to know I'm going to break
- 44:51Speaker 9: a regulation. Oh, is that something new with you? No,
- 44:55Speaker 9: but I'm really going to smash one this time. I'm
- 44:58Speaker 9: going to get married.
- 45:03Speaker 7: The chaplain married them an hour later. Mama Gregor gave
- 45:06Speaker 7: them a bottle of wine for a wedding present and
- 45:08Speaker 7: some bread and peanut butter. After the ceremony, they climbed
- 45:12Speaker 7: up to a gun emplacement overlooking the bay.
- 45:14Speaker 6: I'm not going to eat any more of this. I'm
- 45:18Speaker 6: going to save some.
- 45:19Speaker 2: Oh, not me.
- 45:20Speaker 5: This isn't the kind of wedding cake you put under
- 45:22Speaker 5: your pillow and sleep on.
- 45:23Speaker 6: John, look up there. The stars look like streetlights, don't they?
- 45:27Speaker 5: Sure. Haven't you ever been to the Rainbow Room before?
- 45:30Speaker 5: That's the street below us.
- 45:31Speaker 6: Oh, I see. I guess marrying you has changed my
- 45:34Speaker 6: perspective completely.
- 45:36Speaker 5: Oh, it's probably the wine.
- 45:38Speaker 6: I thought you were going to take me to a
- 45:39Speaker 6: dingy little French restaurant. This is pretty classy.
- 45:42Speaker 5: Holy cats, you remember everything I say.
- 45:46Speaker 6: I take you very seriously.
- 45:48Speaker 5: Hey, did I ever tell you about my place in
- 45:50Speaker 5: the country?
- 45:51Speaker 9: No, I don't know anything about you, really. I don't
- 45:54Speaker 9: even know if you have a middle name.
- 45:57Speaker 2: I have. It's Mattathias.
- 46:00Speaker 6: Oh, why?
- 46:01Speaker 2: An uncle.
- 46:03Speaker 5: He left me this little farm I was telling you about.
- 46:05Speaker 5: It's quite worth it.
- 46:06Speaker 7: Is it?
- 46:06Speaker 2: Yes.
- 46:07Speaker 5: You'd love it. A time will come when you and
- 46:10Speaker 5: I will go out on a summer evening... when the
- 46:12Speaker 5: grass is fresh and the clouds white... as if they'd
- 46:15Speaker 5: just been washed. The earth's warm and still... and time
- 46:20Speaker 5: passes quietly. Everything's simple. Just you and me and the kids.
- 46:27Speaker 6: Sons?
- 46:27Speaker 5: Daughters. They're more decorative. Let's get out of here and
- 46:31Speaker 5: go home.
- 46:33Speaker 6: Home.
- 46:35Speaker 9: I remember a poet somewhere... He said home is the
- 46:39Speaker 9: place where when you have to go there, they have
- 46:43Speaker 9: to take you in.
- 46:44Speaker 6: Darling, do you want to know something?
- 46:47Speaker 5: What?
- 46:48Speaker 6: I'm not afraid anymore.
- 46:55Speaker 5: Darling.
- 46:56Speaker 6: Darling, it's time to get up.
- 46:58Speaker 5: It's time to get.
- 47:00Speaker 6: Up and go to work. You've only got five minutes.
- 47:02Speaker 5: Oh, it's a fine time to go to sleep on
- 47:04Speaker 5: our honeymoon.
- 47:05Speaker 6: It was a wonderful honeymoon. Here, finish up that wine.
- 47:09Speaker 2: No, no, you.
- 47:09Speaker 6: No, go ahead. As my grandmother used to say, it'll
- 47:11Speaker 6: warm your stomach up.
- 47:12Speaker 5: All right. To you, honey. So long, darling.
- 47:20Speaker 6: So long, John.
- 47:21Speaker 5: And wait for me.
- 47:22Speaker 2: I'll be back.
- 47:23Speaker 6: I know. I'll be right here.
- 47:33Speaker 7: Kansas was on Corregidor, too. He came into the hospital
- 47:36Speaker 7: one morning while I was trying to fix a radio.
- 47:39Speaker 2: Ah, what you doing?
- 47:41Speaker 6: Oh, this radio's on the blink again.
- 47:43Speaker 4: Say, what would you like better than anything else in
- 47:46Speaker 4: the world?
- 47:46Speaker 6: A tomato. A nice, round, red, juicy tomato.
- 47:50Speaker 2: Oh.
- 47:51Speaker 7: A tomato and some flying fortresses. Oh, wouldn't that make
- 47:54Speaker 7: a lovely salad?
- 47:55Speaker 2: Yeah.
- 47:56Speaker 6: Why'd you ask me, Kansas?
- 47:58Speaker 2: Well, I got something for you. See? Chocolate.
- 48:01Speaker 6: Oh, gee, Kansas. That's well of you. Where'd you get it?
- 48:06Speaker 2: Well, a raiding party of Japs tried to land last night,
- 48:09Speaker 2: and I got me a couple of them, and on
- 48:11Speaker 2: one of them I found this chocolate.
- 48:13Speaker 6: Kansas, how could you do a thing like that to me?
- 48:18Speaker 2: I can't figure you dames out. Chocolate is chocolate.
- 48:21Speaker 6: You're positively disgusting. And don't fiddle with that radio. You'll
- 48:24Speaker 6: get a shock.
- 48:25Speaker 2: Who, me? I never get shocked. Look, don't ever say
- 48:32Speaker 2: don't to me again.
- 48:41Speaker 6: Right after that, our final orders came through. Colonel Clark
- 48:43Speaker 6: gave them to us early one evening.
- 48:45Speaker 2: At ease, girls.
- 48:46Speaker 5: It's a very serious occasion.
- 48:50Speaker 2: It's not known how much longer Corregidor can hold out.
- 48:52Speaker 2: I have here orders from headquarters.
- 48:56Speaker 4: Two nurses will meet in front of the main hospital
- 48:58Speaker 4: tunnel at 9 o'clock tonight.
- 49:00Speaker 5: Be evacuated to Australia.
- 49:06Speaker 7: There were about 20 of us ordered off. The rest
- 49:09Speaker 7: of us to follow as soon as possible. Davey was
- 49:12Speaker 7: one of the first 20, and so was I. When
- 49:14Speaker 7: I packed my things, I went looking for Kansas.
- 49:19Speaker 12: Hey.
- 49:20Speaker 2: Over here.
- 49:21Speaker 6: Kansas. We've been ordered off.
- 49:23Speaker 2: I know. It's all over the rock already.
- 49:25Speaker 6: Well, I came to say goodbye.
- 49:28Speaker 2: Well, I'm glad you did. Look, if you don't wait
- 49:32Speaker 2: for me back there, I'll break your neck.
- 49:33Speaker 7: Oh, be sure you don't break yours, Kansas.
- 49:36Speaker 2: Don't worry. Stop that sniffling. Here, give me your handkerchief. Here. Hey,
- 49:44Speaker 2: look at the size of that. When you get back,
- 49:47Speaker 2: you might get some real ones. I used to get
- 49:49Speaker 2: mine at the Five and Dime. Big red ones, remember? Mm-hmm. Bandanas.
- 49:55Speaker 2: Cheap as what a place those Five and Dimes are.
- 49:59Speaker 2: Everything in them, huh?
- 50:00Speaker 6: Yeah.
- 50:02Speaker 2: You might send me a dozen of them when you
- 50:04Speaker 2: get back.
- 50:05Speaker 6: Where, Kansas?
- 50:06Speaker 2: Here. What do you think? I'll be here till Tokyo
- 50:10Speaker 2: freezes over.
- 50:11Speaker 6: I suppose if we were to surrender that you'd be
- 50:12Speaker 6: dumb enough not to.
- 50:14Speaker 2: Yeah, I'd be dumb that way.
- 50:16Speaker 5: Oh, Kansas.
- 50:18Speaker 6: Kiss me goodbye, you big lug.
- 50:19Speaker 2: Now you're talking. Hey, we should have been doing more
- 50:25Speaker 2: of this in the campaign. You and your wanting to
- 50:27Speaker 2: be pals.
- 50:28Speaker 6: Well, I thought you were just another guy on the make.
- 50:32Speaker 2: I was.
- 50:32Speaker 6: Gee, I'm glad I met up with you, Kansas.
- 50:37Speaker 2: Pleasure's been all mine. You big blimp. Well, so long, kid.
- 50:42Speaker 2: I'll be seeing you.
- 50:43Speaker 6: Goodbye, Kansas, and be careful. Don't get killed.
- 50:47Speaker 2: Who, me? I'll never get killed.
- 50:50Speaker 4: Kansas.
- 50:59Speaker 6: There was a boat waiting for us at the dock
- 51:01Speaker 6: at midnight. Gregor lined us up. She wasn't leaving with us,
- 51:06Speaker 6: but she wanted to say goodbye. Well, I guess that's everybody.
- 51:10Speaker 6: Good luck to your children, all of you. Goodbye, Davy.
- 51:13Speaker 6: I'm not going.
- 51:14Speaker 15: You're not what?
- 51:15Speaker 6: I'm not going. I never intended to. You heard the orders. Now,
- 51:18Speaker 6: I don't want any funny business. You get on that boat.
- 51:20Speaker 16: No.
- 51:20Speaker 15: Do you realize that every moment of stalling here means
- 51:23Speaker 15: that those planes in the harbor are in danger? That's
- 51:25Speaker 15: not our artillery.
- 51:26Speaker 6: I can't go. I promised I'd be here when he
- 51:28Speaker 6: got back. He asked me to. Oh, now, please, Ma.
- 51:31Speaker 2: I order you to go.
- 51:32Speaker 6: I won't take orders. I'm not in the army anymore.
- 51:35Speaker 6: When I married, I broke regulations. It meant I was out.
- 51:38Speaker 6: You can't make me go. Stop talking like an hysterical schoolgirl.
- 51:41Speaker 6: I'm going to be right here when he gets back.
- 51:43Speaker 6: He won't be back.
- 51:45Speaker 2: How do you know?
- 51:46Speaker 6: Tell me, how do you know? There's been no word
- 51:48Speaker 6: at all. They've considered them officially lost for a week.
- 51:50Speaker 2: Oh, you're lying.
- 51:51Speaker 6: You know you're lying. You're just saying that. Would I
- 51:53Speaker 6: lie about that, Davy? Now, would I? No, of course
- 51:55Speaker 6: you wouldn't, but I know he's still alive. He's out
- 51:57Speaker 6: there somewhere, and I can't go. I can't. Janet, if
- 52:00Speaker 6: he's alive, he'll find me.
- 52:02Speaker 2: Let me go. I'm not going.
- 52:03Speaker 6: Down, everybody.
- 52:04Speaker 9: Down.
- 52:08Speaker 2: Davy. Davy. Mama, she's here.
- 52:10Speaker 6: No, she just stopped.
- 52:11Speaker 2: Get her in that boat. Hurry. Hurry.
- 52:23Speaker 6: Well, I guess that's all, Major. Davy wasn't like the
- 52:27Speaker 6: rest of us.
- 52:28Speaker 7: She never gave way, but now everything snapped at once.
- 52:31Speaker 6: When we got her on board the plane, she never
- 52:33Speaker 6: spoke again. Maybe we should have left her on Gregador.
- 52:37Speaker 5: What's happened would have happened some way or another. Thank you, Lieutenant.
- 52:41Speaker 5: Now I think maybe I can try to make her speak,
- 52:43Speaker 5: to hear at least. Come over this way. Miss Davidson,
- 52:50Speaker 5: we're almost home.
- 52:53Speaker 2: Do you hear me?
- 52:53Speaker 5: I have a letter for you, Miss Davidson. It says,
- 52:59Speaker 5: my darling, I'm writing this for Mindanao. We leave in
- 53:04Speaker 5: the morning for an unknown destination. I write with no
- 53:08Speaker 5: so-called premonitions. As a matter of fact, I'm writing this
- 53:12Speaker 5: in a pleasant little bar on the outskirts. I've ordered
- 53:16Speaker 5: two daiquiris.
- 53:17Speaker 2: One for you and one for me.
- 53:21Speaker 5: I miss you, darling. I think about you all the time.
- 53:24Speaker 5: I wish things were different. Things will be different. I
- 53:29Speaker 5: know that now because there is good in this war,
- 53:32Speaker 5: much as I hate it. This is not just a
- 53:35Speaker 5: war of soldiers. You weren't soldiers in the strict sense.
- 53:40Speaker 5: You were just kids from all walks of life, all
- 53:43Speaker 5: kinds of people. There's something new in this war, something good.
- 53:49Speaker 5: You could see it, this new thing, even in their tired,
- 53:52Speaker 5: hungry phases as they took courage one from another. This
- 53:56Speaker 5: is now a people's war because civilians also get killed.
- 54:01Speaker 5: It's the people's war because they've taken it over now
- 54:03Speaker 5: and are going to win it and end it with
- 54:05Speaker 5: a purpose, to live like men with dignity, in freedom.
- 54:10Speaker 5: This is our war now and this time it will
- 54:12Speaker 5: be our peace. I'm proud, proud to have known you, darling.
- 54:19Speaker 5: Proud to have received your love. Already I have had
- 54:22Speaker 5: a complete, rich life in three short months.
- 54:26Speaker 2: John. Do you hear, Miss Davidson?
- 54:29Speaker 6: She's opening her eyes.
- 54:31Speaker 2: Oh, Davy, Davy.
- 54:32Speaker 6: The letter.
- 54:35Speaker 10: Give me my letter, please.
- 54:37Speaker 7: My darling.
- 54:44Speaker 16: I'm enclosing a deed to that little farm I told
- 54:47Speaker 16: you about.
- 54:47Speaker 6: It's now in your name.
- 54:52Speaker 16: I'll wait for you there. Or if you're there first,
- 54:56Speaker 16: wait for me. Thank you, my darling, for my life.
- 55:02Speaker 16: Thank you for everything. You're devoted. And this is the
- 55:08Speaker 16: first time I've ever written it. You're devoted husband.
- 55:14Speaker 2: John.
- 55:18Speaker 6: Yes, darling.
- 55:21Speaker 7: I'll wait.
- 55:23Speaker 2: I'll wait.
- 55:39Speaker 4: Handsome is as handsome does. And we've had some handsome
- 55:42Speaker 4: acting tonight. from Claudette Colbert, Paulette Goddard, Veronica Lake, Sonny Tufts,
- 55:47Speaker 4: and Les Tremaine.
- 55:48Speaker 6: Thank you, C.B.
- 55:50Speaker 9: The real tribute to the nurses of the United States
- 55:53Speaker 9: Army will be found in the hearts of the American
- 55:55Speaker 9: fighting men.
- 55:57Speaker 6: It was a privilege for me to play the part
- 55:58Speaker 6: of one of those women.
- 56:00Speaker 4: I know that while the picture was in production, three
- 56:02Speaker 4: of the most beautiful women in Hollywood caused quite a
- 56:04Speaker 4: stir in the Paramount, Loz.
- 56:05Speaker 6: You mean overalls and dirty faces and steel.
- 56:08Speaker 10: Hats, Sonny?
- 56:08Speaker 2: Yeah, and in one case, no peekaboo bang.
- 56:11Speaker 16: Ha!
- 56:12Speaker 4: At long last, the world has seen Veronica Lake's other eye.
- 56:18Speaker 2: How do you like it, Veronica?
- 56:20Speaker 6: Well, I do see better.
- 56:24Speaker 4: After shooting a picture where your makeup consists mostly of mud,
- 56:27Speaker 4: you must have spent quite a bit of time each
- 56:29Speaker 4: day getting the mud off. In fact, I don't see
- 56:32Speaker 4: how you all came out of it looking so lovely.
- 56:34Speaker 6: Are you kidding?
- 56:35Speaker 2: No, of course not.
- 56:37Speaker 9: Do we have to tell you about soap? Now, don't
- 56:40Speaker 9: torture him. C.B., there's a very fine soap called Luxe.
- 56:44Speaker 2: We use it. Well, what do you know?
- 56:49Speaker 6: In fact, it was unanimous, Mr.
- 56:51Speaker 2: DeMille.
- 56:51Speaker 7: You know, he may not have heard that Lux soap
- 56:53Speaker 7: is an excellent complexion care.
- 56:55Speaker 4: I have triple proof of the prowess of Lux soap
- 56:58Speaker 4: right in front of me. By the way, Paulette, I
- 57:00Speaker 4: hear you've turned into a farmer.
- 57:02Speaker 6: Oh, 70 acres worth, Mr.
- 57:03Speaker 7: DeMille.
- 57:04Speaker 6: It's in New York State. What do you grow, Paulette? Chickens.
- 57:06Speaker 6: It works out very well.
- 57:08Speaker 7: Last spring, I traded some eggs for seed corn, and
- 57:10Speaker 7: now I'm using the corn to feed the chickens and
- 57:12Speaker 7: trading the eggs for the farm allotment of gasoline.
- 57:15Speaker 4: Not the same eggs, I hope. I'll never make a
- 57:18Speaker 4: horse trade with you. How about trading us a little
- 57:21Speaker 4: news on next week's show?
- 57:22Speaker 2: That's good news, Sonny.
- 57:24Speaker 4: Because our play is the Metro-Goldwyn-Mayer screen hit, Salute to
- 57:28Speaker 4: the Marines. And our stars are the same ones you
- 57:31Speaker 4: saw in the picture, Wallace Beery and Faye Bainter. Salute
- 57:36Speaker 4: to the Marines is the story of an old-time Sergeant
- 57:38Speaker 4: Major who retired just before the war and settled down
- 57:42Speaker 4: in peace and quiet with his family.
- 57:44Speaker 2: Right on the battlefront.
- 57:46Speaker 4: A real thriller with plenty of comedy and two real troopers,
- 57:49Speaker 4: Wallace Beery and Faye Bainter.
- 57:51Speaker 6: I know your audience will love it, C.B. Good night.
- 57:54Speaker 6: Good night.
- 57:55Speaker 2: Good night.
- 57:56Speaker 4: This was certainly a four-star evening. Our sponsors, the makers
- 58:05Speaker 4: of Lux Toilet Soap, join me in inviting you to
- 58:08Speaker 4: be with us again next Monday night when the Lux
- 58:10Speaker 4: Radio Theater presents... Wallace Beery and Faye Bainter in Salute
- 58:16Speaker 4: to the Marines with Noah Beery. This is Cecil B.
- 58:19Speaker 4: DeMille saying good night to you from Hollywood.
- 58:26Speaker 3: Ladies and gentlemen, American war production is being slowed down
- 58:30Speaker 3: by labor turnover, workers leaving their jobs for a variety
- 58:33Speaker 3: of causes. Many of these causes, such as bad housing
- 58:36Speaker 3: conditions and inadequate transportation, are being eliminated by cooperative action. Meanwhile,
- 58:42Speaker 3: every worker in a war job has a personal responsibility
- 58:45Speaker 3: to stick on the job. Men on the fighting fronts
- 58:48Speaker 3: are making great sacrifices. Men and women on the production
- 58:51Speaker 3: front owe it to our heroes to stay on their
- 58:53Speaker 3: war jobs. Claudette Colbert will soon be seen in the
- 58:57Speaker 3: Paramount picture, No Time for Love. Paulette Goddard's next Paramount
- 59:01Speaker 3: picture is Standing Room Only. And Veronica Lake will next
- 59:05Speaker 3: be seen on the screen in the Paramount production, The
- 59:07Speaker 3: Hour Before Dawn. The picture, so prestigious, we hail, was
- 59:11Speaker 3: produced and directed by Mark Sandridge. Heard in tonight's play
- 59:15Speaker 3: were Regina Wallace, Catherine Craig, Trudy Marson, Dorothy Scott, Marjorie Davies,
- 59:21Speaker 3: Leo Cleary, Boyd Davis, Charles Seal, Fred McKay, Norman Field,
- 59:26Speaker 3: Howard McNair, and Ed Emerson.
- 59:29Speaker 2: Our music was directed by Louis Silvers. And this is
- 59:32Speaker 2: your announcer, John N.
- 59:33Speaker 3: Kennedy, reminding you to tune in again next Monday night
- 59:36Speaker 3: to hear Wallace Beery and Faye Bainter in Salute to
- 59:40Speaker 3: the Marines with Noah Beery.
- 59:44Speaker 17: In these days of food shortages, don't be confused about vitamins.
- 59:48Speaker 17: Give your family BIMS, the new and different vitamin mineral
- 59:51Speaker 17: tablets scientifically designed to help make meals complete. VIMS give
- 59:56Speaker 17: you all the essential vitamins, including those of the B-complex.
- 1:00:00Speaker 17: All the minerals commonly lacking, too. Get VIMS from your druggist,
- 1:00:04Speaker 17: the qualified vitamin dealer. VI for vitamins, MS for minerals.
- 1:00:09Speaker 17: Get that VIMS feeling. This is the Columbia Broadcasting System.
- 1:00:16Speaker 1: We have been listening to Lux Radio Theater's So Proudly
- 1:00:19Speaker 1: We Hail. Follow Lux Radio Theater for more classic broadcasts.