Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / The Saint: Cupid and the Corpse (EP1473)

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The Saint: Cupid and the Corpse (EP1473) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

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Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
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is your host, Adam Graham. If you have a comment, send it
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to me Box thirteen at Great Detectives dot net, follow us on Twitter at
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Radio Detectives, and become one of our friends on Facebook, Facebook dot com
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Slash Radio Detectives. Well, before we do get started, I want to
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encourage you, if you haven't already, pick up your copy of All I
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Needed to Know I learned from drag Deed. In it, I examined life
1:00
lessons from Dragnet, as well as six other great detectives and police officers from
1:10
television, radio and literature, including POI Row, Johnny Dollar, and of
1:15
course Frank Race. So you can pick up your copy. It's available Barnes
1:19
Andnoble dot com for the nook and as well as for the kindle, and
1:23
if you have an ebook reader not available into your stores, you can pick
1:26
it up at smash words dot com. Well, now it's time for today's
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episode of the site. There was a lost episode a little bit of disagreement
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on that, but today's episode aired originally August the twenty seventh of nineteen fifty
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and the title is Cupid in the Corpse. The Adventures of the Saint starring
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Vincent Price. The Saints based on characters created by Leslie Charteris and non pavilions
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from books, magazines of motion pictures. The Robin Hoood of Modern Crime now
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comes, transcribe a radio starring Hollywood Brilliant and tell us the doctor of Vincent
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Price as the Saint. You know something, Simon, Something then among them
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the fact that you're a very disturbing person. Perhaps that's my ancident answer to
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what may I ask? Why you phoned me the moment I returned from Bermuda.
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I've been wondering why you're gonna plan me with a football game, a
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dinner and a play. Why not just relax and enjoy I'd like to,
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particularly when I remember that last evening we spent together in Bermuda before you had
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to fly back to the States on some nasty murder business or other. Yes,
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there was quite an evening, wasn't it. White. Do you know
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you're very beautiful? I've always enjoyed your thinking, so Simon. Well,
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inasmuch as I have a tremendous distaste for murder interfering with moonlight, I now
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intend to take up where we left off litt a football game. Oh,
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well, it'll be a good game. As a matter of fact, it
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had better be the trouble I had digging up tickets for it. Well,
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here we are, Anne, My, how things have changed since I was
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in Bermuda. Imagine and now holding football games and cigar stores instead of stadium.
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This happens to be Tony Kartago's little establishment. There's an office inside where
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Tony conducts his main business, which consists of handling bets and scalping tickets.
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Oh you do know the loveliest people, Simon, for which you should offer
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thanks. We couldn't get any seats to day's game otherwise Tony has a couple
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of puns. Well didn't your mother ever tell you there's not polite to go
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running into people that way. I'm terribly sorry I didn't see you. My
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apology not bad nice manners too. I wonder why she came tearing out of
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Tony's that way. If you're interested, Tony can probably tell you. I
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wonder where I've seen that girl before? Some harpies huddle, I am,
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Oh someplace. I bet you couldn't buy cigars in here for love of money.
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I'm not sucking enough to layouds against that. The real business is conducted
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right in here. He are you, Tony? I want you to meet
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Hey, let her stand back in. My old grandmother would often say,
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yes, I see he's been shot, hasn't be afraid, so he's still
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alive, though, Tony, Tony, who did it? Can you hear
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me? Tony? Who guns you? Oh? No, I didn't,
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Duke he knows it's me, Tony Temperary who shot you? Don't know?
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Barns effect friend Dad? Uh m hm h oh, Simon is he he
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is? Well, there's nothing to do but call the police. Why Simon,
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the saint calling in the police on a case? What's happened to you?
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It's very simple, and I'm much more interested in the beautiful woman.
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Oh thank you, you're welcome. Well, why don't you call them?
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Oh a visiting two visitors? Darling man in a gun? That phone's getting
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kind of heavy and mister the phone, yes, he has, come to
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think of it, he is kind of heavy. If I'll take care of
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it, that's better. You know, you're the second person we've met today
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who should read Emily post. Don't you know it? Isn't polite to point
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at people, particularly with a gun. And it's also impolite to tell you
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see what he means, darling, he wants you to shut up? Is
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that it? I wondered what he was driving. That's very fun. I'm
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so glad you liked it, so I have a better routine. It goes
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like you was making up. Get up, Simon, you kill them?
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I just sleeping. Maybe that gun over his head linimate thing or two.
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And if you're smart, you won't kick up any fuss. They just as
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soon kiss you too, kiss me, yeah, with the butt of my
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gun. No re lives, baby, Simon, Wake up, Simon?
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Wake? Oh, come on, Simon, wake d Let's leave a later
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call Simon. All right, ann Hey, what goes on here? We're
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tired up? Yes, Pete thought we'd be more tractable that way. You
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know something. He's right. Where are we? How'd we get here?
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Up, Pete? He's the guy who counked you, and a buddy of
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his named Louis brought us here. It's a warehouse of some kind. We're
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in one of the storage bins on the first floor. Nice we stored away
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for the window. No no, with a little luck, we'll be out
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of here in five minutes. Mistaken identity. And I'm not superman. And
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these ropes are pretty tight and strong, darling yours maybe, but mine I
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I've had them loose enough to throw off of fifteen minutes. I was just
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waiting for you to wake up. No, don't tell me you're a superwoman.
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No, no, I owed all to dear sweet Louis Well. I
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looked at him piteously out of my big blue eyes. He just couldn't tie
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me up too tightly. I work myself free while you were sleeping soundly in
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the corner. Never again, while I underestimate the persuasive powers of women.
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And see what you can do about getting me loose. There's a little knife
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in my vest pocket that might help. I've got it, you know,
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Simon. I just remember who that girl was we saw running out of Tony's
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place. Yeah, who is she? Betty Streeter? She ah there,
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that fixed up your hands. Let's have the knife. I'll get my legs
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loose myself. Betty's Streeter, the luscious lollipop, who's picture has been in
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the newspapers lately over an engagements home. Yes, that's right, she's engaged
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to Jack Land as an old boyfriend of mine. Oh lucky girl, Jack
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is so handsome and that's very interesting. The legs are loose. Now,
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let's see if I can stand up. How do you feel outside of that
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bar burst in my head and the fact that my legs are apparently cut off
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of the nia. Someone's coming sit those ropes, so you lie down the
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floor quick, Okay. When he comes in, make with those baby blues
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and attract his attention for a minute. I'll be behind the door. Then,
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well, I won't be dealing a hand of cannastic. Whoa hello,
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piece? How do you feel? Fine? Just come back. I had
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a boyfriend Rosey here, I am peep with a peachy Now that's what I
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call more like it. Come on your feet, Yeah, better pick up
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the peas pop gun and let's get out of here. That's the first sensible
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thing you've said today. Let's what's that noise, sona? I don't know,
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but it sounds like my head feels. There's no time to delve into
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strange noises now, so come on, let's go quiet. And I wonder
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if Louis the other mug is hanging around no no after pizza it's you and
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didn't find anything. I heard him say he was going to report to the
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boss. I guess he's still reporting. Then he seems deserted. Oh look
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there's the front door and that's head for it. Well, it's certainly nice
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to be out of there. What was the name of that girl again?
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Girl? Oh Betty Streeter. Why look at the sign on this building sign,
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Simon, it says streets Warehouse. Yeah, that's what it says,
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doesn't it. Come on, man, let's find out what this is all
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about, Simon, Darling, I thought you were going to call the police.
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And Darling, that was before Pete hit me over the head with his
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gun bow. Oh, I was afraid of that. Okay, what's our
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first stop? The first we find ourselves a nice telephone directory? Yeah,
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I ask why? To find out what street the streeters live on? Yes?
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Well hello Jack? Remember me? Remember you? Oh? And sweetheart,
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if you don't think she'll get a load of this, Jack, that's
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rather warm greeting after all these years. Oh oh, yes, Simon,
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I want you to meet an old friend of mine, Jack Landers. Jack.
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This is Simon template. Glad to see your templeman, but not as
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glad as you are to see. Yeah, well not quite, come on
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in, thank you? What are you folks doing here? Anyhow? We
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came to see Betty Street here. This is where she lives, isn't it,
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Belly? Yes, remember the girl you're engaged to. Sure my long,
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she's in the living room with her father. Say, by the way,
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landers, have you got a handkerchief? Hag at you here? Of
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course? What well? I have heard that misplaced lipstick is a better detonator
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for atomic blast than plutonium. And before the two balls? Maybe all right?
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Template? Well Betty Simon smoke? What was that? Either Betty's involved
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in the premature explosion that they were shots? Come on, let's see the
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living room tablet to the left? Time which you stay back? An Betty
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bellby what? Jack? Someone shot out through the window's hurt? Look after
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mister tueter Jack. I'll take care of the guy at the window, to
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be careful. Simony may still be out of here. Now she tells what
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they got a crack on the template? Did you get him, Jared?
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I think I got him in the leg. He stumbled aft the first shot,
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but he got away in that car. And now that quiet is descended
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once again, it might be pertinent to inquire as to the state of mister
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Streeter's health. Oh, it's nothing serious, just a slight flash woods like
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wound. He was like my whole dad basted arm has been torn off.
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Any idea who was so interested in perforating the street of skin mister Streeter,
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I'll share he was one of Dad. There's no need to talk like that
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now. I bashed it, Betty. There's no reason for me to hide
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things. That crook's been trying to chisel in on my warehouse business for over
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a year. He's taking one of them over already. You couldn't possibly be
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talking about Duke Raymond, could you. That's right, Templar. He's threatened
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mister streeterter before. Box has always sent one of his gunmen around and forced
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that. Oh you've got to give in to him. Dad. The next
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time you won't be so lucky. You ought to realize now that he won't
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stop at anything. Give in nonsious. I hate to sound mercenary, mister
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Streeter, but how much would it be worth to you to get your skirts
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cleared of Duke Raymond? How much would it be worth? Who are you?
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My name's Simon Templar, if that means anything to the saint, I
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confessed? Has that started in Misstreeter? Oh? Why why? Why?
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No? Not at all? I just didn't expect of course, after all,
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only sinner's need be frightened by saints. From mister Streeter, what do
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you say? All right, I'll make you a knocker ten thousand dollars if
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you get Duke Raymond out of the way. Nothing. If you don't,
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you've just made yourself a deal. Simon, You taking money for a case
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the jury's award damages for broken hearts, and and you have no idea how
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badly I feel about letting Cupid down? Well, miss Morley, this is
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our famous riverfront. How do you like it? I don't. Now.
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There's the spot we're heading for. Do you see it? Well? I
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see some speedboats more than a dark if that's what you're talking about. Any
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particular reason for coming here? The usual reason. We're going for a little
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boat ride. How much for the ride, buddy? Twelve miles of four
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miles. That's fair enough. Come on, an, let's get here.
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You know. The more I think about this, Simon, the crazier I
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think you are. Why would anyone want to travel twelve miles out into the
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ocean to see Duke Graymond. Of course. Oh, why see, he's
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playing far a neptune on top of the weight. I presume, not exactly.
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You'll see when we get out there, and I'll expect a great big
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apology for those words when we get back. You mean, if you get
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back, don't you? Yeah, I see that man's here again. Tell
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me, PD, my friend, what are you doing here? You're coming
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along for a rhyme? That's right, you know, after paying a buck
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for twelve miles out and twelve miles back, I think I've got a right
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to be particular about the kind of company I have. Well, don't let
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a body fella's gun in my hand makes us equals besides you. But apparently
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half a buck, why only half a dollar PG because it's cheaper by the
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dozen, right PD? Yeah, yeah, you'll get the idea. Now,
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you may be going twelve miles out, but I don't think you're ever
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coming back. And now, Pete, this ride hasn't been very comfortable so
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far. That guns sticking in my back irritation. Yeah, it's too bad
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and sympathetic, so aren't you. Well, the ride's nearly over. There's
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Duke Raymond up ahead. That's funny. I don't see anything but an old
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freighter up there. That's it. Lay the black dudes, the black juice,
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the quaint ship. Gambling is the specialty. And I always thought that
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was against the law, that when you prove my oldt and you're Duke Raymond,
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that isn't you see, son? There's not a CAVN cruiser coming up
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behind. It's coming up fast too, and no lights on. I don't
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like it. I don't like it at all. Oh, don't worry,
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Pete, it's just pulling ahead of us. I guess, hey, hey,
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what do you think of doing the hardest run into it? How are
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you doing it? Like? So? Not much? Just a couple of
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more strokes, you'll do it, and a girl just two more? Now,
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Oh, wit must have been intellected. Wait a minute, I'll climb
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on board. Okay, now that does it? Okay, give me your
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hand. He does it. Quite an experience, I'd say, where are
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we in a speedboat? More to the black Deusee, which reminds me it's
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time to go to work. You're not actually going aboard that ship, are
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you? That was my original intention, wasn't it? Besides, kayton Is
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boyfriend will drown if I don't get help out to and you've got to earn
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that ten thousand dollars I know, right as usually angels. Now listen closely.
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Do you know how to run a speedboat? Yes? Yes I do,
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and I've got a funny idea. You're gonna have to run one in
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a very few minutes. I do. Oh you. I'm Simon Pemford,
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the man Pete was supposed to bring in part in the wet cloth this damn
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sea air, you know, worsh pate. The last time I saw he
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was hanging onto a wrecked speedboat a couple of hundred yards away, hanging on
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or come on, get down the casius chapler, watch the racket, Duke.
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I have a funny hunch you're gonna lay off Streeter's business, am I?
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What makes you think so? It's a possible murder rap? Talking to
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Tony Katager was bumped off. Why you're so smart? You wouldn't know?
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Maybe I do. I guess it was because he knew too much about bonds.
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Yeah, you know, securities, negotiable ones with a lot of dough.
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Well, if you get that idea from Tony he talked before he died.
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He mentioned you and Bonds. Tony always talk too much. You talk
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too much too beginning to get what you mean. I thought you would,
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you know, Duke, there you are sitting behind that desk with a gun
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in your hand. I wonder you wonder what I wonder? How you look
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with that desk on top of you. I'm too bad, Duke, you
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miss me. Sorry, I can't do the same. Sound. Imagine that,
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Duke Graymond sleeping during business hours. You're never gonna head that way.
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Old boy Horatio Algier would positively frown upon you. Nice going, Anne,
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Thank you kindly for picking me up out of the water. If I'd known
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what was going to happen, I wouldn't have when I saw you dive off
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that rail and all those people started shooting at Oh, just a necessary unpleasantness,
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my sweet. I had to get some information from Duke about Bonds Box.
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You're going to play the market right now. I'm playing the field.
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There's a murderer in it, and I'm going to start at mister Streeter's warehouse.
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Way that way. The warehouse is over to the life side. Sure,
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we're going next door, and just what do you expect to find the
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issue? Yes, of course there you see the Travers Printing company. Well,
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I see it, but I can't understand it. How did you know
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this place was here? And why I look for? Tony Kataker told me
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to look for one just before he died, and that's for this place.
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You remember the thumping noise we heard as we were leaving the warehouse, Why,
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of course it was made by a printing pressure. That's what I thought.
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We should we go in. But this are it's so dark, nobody
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will be in there. Two facts would impress me no end. Now let
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me see I should have some keys in my pocket. Why bother? That
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door is already partially open, right, Oh, this is blackest pitch in
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here. You can't risk a light until we're sure it's empty. There's a
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crack of light over there, seemed to come from a doorway into another room.
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I'm wondering. Oh, I hit my foot against something soft. You
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don't say Suppose you look up at this e evening while I shine this pencil.
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Flash down? Oh, Simon perfectly expressed. He's dead, isn't he
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auto He's been tied up, gagged, strangled, and shot in the leg.
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Who is he? I think he's the gentleman who tried to kill mister
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Street because Jack shot him in the leg. Remember he's probably mister Travers.
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The printer. What is it silent? Why did you turn off the light?
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Because that light in the other room just went out? And I hate
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to be a non conformist. Where are you going? Going to step over
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there and see what's up? Be careful, I'm not sure, but I'll
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risk it. I'm going after him. What's wrong? Whoever? It was
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locked and bolted this door? I have to pick it down. Someone may
23:00
still be in there. You have the most pessimistic thoughts. Wait a lot,
23:04
find the light switch. Well, nobody's here. He must have gone
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out that window. And if I hadn't been idiot enough to bump into something
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in the darkest case might have been over by now you'd have been dead.
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I what when are you using? So it's the frame under that lead pot
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over there? What's cookie? Printers use them to melt their old line of
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type slugs? And why would that be going? Now? Do you think
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the killer? There was a reason I wanted you along tonight. You've just
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hit it. There's the type thing and see those engraved copper and think plates
23:41
on that work table. If we'd come in a few minutes later, they'd
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have been in that lead pot. I'm not so good at rading upside down
23:48
and backwards. But uh, six percent the venturous state of secured a taxes.
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So that's it. What would you mind explaining something, Dada Darling.
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First, I've got a little surprise party to prepare. Surprise party. Yeah,
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as soon as I removed the handkerchief gag from mister Travis, send a
24:14
message to Duke Raymond and make a few phone calls, we'll go to the
24:17
scene of the party. How nice. Now, what's gonna happen there?
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What usually happens at a surprise party? Oh, don't tell me. I
24:25
know one very foxy murderer is going to get a great, big surprise.
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So the surprise party is going to be at Tony Cartako's place. Right,
24:45
you are there, it is? Now, what's gonna happen? Simon?
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All I know is that you call a lot of people in a disguised voice
24:52
and told them something about bonds and Tony's why. And if you look inside
24:56
the sugar store, what do you think there's a light? I'm correct,
25:00
and that must mean one of the guests has arrived. Not quiet as we
25:04
go in, I want to see if that's an early bird or a worm.
25:15
Seems to be awfully busy looking for something. Help the poor soul find
25:18
it. Hello, Betty? Hello, what's the matter? Betty? Looking
25:25
for some bonds? Bond the ones you were called about this morning? I
25:30
don't know what you're talking about that, Betty. That'll never do. However,
25:34
I wasn't the one who called you this morning. How did you know
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about that? Hey? Wait for the party? Jack? Hello? There,
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all right, temporary? What's just short about? Hello? Gentlemen,
25:45
Nice of you to come, mister Streeter. Jack, I was just talking
25:48
to Betty about that phone call of this morning. What did you call her?
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Say? Betty? Something about your father's life being endangered over some bonds
25:56
and that you better get down here fast to save him my life danger?
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What kind of nonsiense is that it was nonsense to Betty? She came down
26:03
here all right. We walked in right after Betty left and found Tony carte
26:07
Go dead. Now just a minute, you're making a pretty dangerous accusation.
26:11
There temp weapons to be true, mister Streeter. Duke Raymond forced you to
26:15
sell him that warehouse next to the Travers Printing company, didn't he Yes,
26:21
and it took a lot of force. He ruined the business by destroying merchandise,
26:25
wrecking trucks, usual racketeering message. I had to sell stop losing money.
26:30
Maybe you better not talk so much later. Yeah, maybe you won't
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be healthy for well more, guess, Duke Raymond and tea. Yeah that's
26:38
right, Zepler, what gives here? And now that's a rather silly question.
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Duke, you came here looking for bonds, didn't you? So your
26:45
message was a frame at them only in a manner of speaking, Chum.
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Someone in this room owed you money from gambling, didn't they, Duke,
26:52
and promised to pay negotiable securities to be left until called for. Here at
26:56
Tony Cartego's sure right, template keeps talking. But when Pete came to pick
27:02
up the bonds for you, they were missing and Tony was dead. It's
27:04
lucky for you too. If you tried to sell those bonds, you'd have
27:07
been arrested. They were forgeries, follies. You're sure about that, I
27:12
know it, and I can prove it. I surprise, surprise, what
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do you think of your gambling friend now, dude, a dirty jubble crosser
27:22
with all that done in the family too. Oh, Lon is gonna know
27:26
you don't do it? Stop right there. I was thinking the same thing,
27:30
Jack. Oh no, Jack, not you pretty sharp bunch. Your
27:33
template got it all figured out. Oh, I've been known to get around
27:37
landers anyway. It was rather obvious to take it after you kissed Anne,
27:41
after he kissed me. What did that have to do with it? You
27:45
see? And I get something to say for you. He's dead. Old
27:56
Pete, here, my dear, thanks for been a busy well. I
28:00
went for my gun to oh, think nothing of it, Pete, and
28:03
to show my appreciation here the big guy, Duke. Let's not be hasty,
28:10
shall we. I've got a gun too, the one I borrowed from
28:11
you. Aboard your ship. Get on the phone and call the police for
28:15
you, mister Streeter. Get out your check book. The amount is ten
28:18
thousand, payable to your favorite charity. Your friend, Duke Raymond, won't
28:22
bother you again for a long long time. It's like another drinking No thank
28:40
you, Simon, I suppose I should thank you for a lovely day.
28:45
It had its points, but the football game might have been more exciting.
28:48
I doubt it, but I still need some answers, don't you see?
28:52
And Jack was terrified when he couldn't pay Duke a huge gambling deaddy odin,
28:56
so he hit on the idea of forging bonds. He had travel brink them.
29:00
But I still don't understand why he killed Trout. He had to make
29:03
sure the Travers wouldn't talk. So when Jack went to the print shop to
29:07
destroy the evidence of the forged plates, he destroyed Travers took it's before I
29:11
was Tony killed. Tony held the bonds for Duke, but when he discovered
29:15
they were forged, he called the streeter home. Then he got the message
29:18
and hurried down to see what it was all about. She thought Tony was
29:22
talking about her fun and Jack was there over the conversation and beat her to
29:26
Tony right, and he tried to kill us with the cruise that to stop
29:30
us from getting Duke's store. M hen okay, As to mind, I
29:33
guess I've got it, except for that crack about the kiss. How come
29:38
you knew Jack Landers was guilty because he kissed me? Lipstick? Care?
29:44
What lipstick? Yeah? Now you see after you kissed him, he had
29:48
lipstick all over his face. When I called it to his attention, he
29:52
wiped it off with his handkerchief, and the handkerchief that gag travers had lipstick
29:56
on it too. Oh, and to think that just because he kissed me,
30:03
he's dead. I wouldn't feel that way about it if I were you.
30:08
Your kisses wouldn't kill anyone. And I can prove it. Can you
30:11
Simon sure where you see? I guess you're right. Oh? Please,
30:21
don't agree so quickly. Why not? I'm seriously considering making a lifetime work
30:26
out of proving it. You've been listening to one of the transcribed adventure of
30:42
the Saint, the robin Hood of Modern Crime. Now here's our starvants and
30:45
Price, ladies and gentlemen. In tonight's cast. You heard Shirley Mitchell,
30:49
Barbara Eyler, Jack Moyles, Tom Brown, Edmund McDonald, and Anthony Barrett.
30:55
Missus Vincent Price inviting you to join us again next week at the same
30:57
time for another exciting adventure of the thing. Good night, welcome back,
31:14
Well another great outing for the Saint. I love when they do episodes where
31:21
he moves about the city and It creates this really sort of big sense to
31:27
the mystery. When you have these scenes. They're not super short, but
31:33
there are a lot of different locations and encounters, so another action pack story.
31:38
Only repetitive thing I noticed was having it end with the with a heavy
31:45
taking care of the killer, only for Simon to take care of the heavy.
31:51
But other than that, again a very solid episode. I also wanted
31:56
to mention here with the confusion, there were two episodes, one that aired
32:05
August thirteenth and August twentieth. The title of the one that aired on August
32:09
thirteenth was Dossier on a Damsel in Distress, and some of the information Digital
32:15
deliftp had indicated the information the newspapers have been given indicated the story that we
32:22
have regarding the general plot, but he said that the title of the episode
32:31
for last week actually was from August twentieth, Reflection on Murder. Neither title
32:37
quite seems to fit the story, but at any rate, Yeah, there
32:42
was one lost episode in the mix somewhere, but we're on track now with
32:47
this episode from August twenty seventh. Well, that will do it for today.
32:52
We will be back tomorrow with Crime and Peter Chambers and then be sure
32:58
and join us again Monday for another episode of The Saint. In the meanwhile,
33:02
send your comments to Box thirteen at Great Detectives dot net, follow us
33:07
on Twitter at Radio Detectives, and become one of our friends on Facebook,
33:13
Facebook dot com. Slash Radio Detectives from Boise, Idaho. This is your
33:17
host, Adam Graham signing off.