Latest / Scam Goddess / Nicolas Cage and the Mystery of the Missing Movie with Jay Jurden

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Nicolas Cage and the Mystery of the Missing Movie with Jay Jurden · Scam Goddess

• 0:17
  Speaker 1: What's poppin', congregation? It's your girl Lacey Mosley, a.k.a.
• 0:21
  Speaker 2: Scam Goddess, back with another installment of the comedy podcast
• 0:24
  Speaker 2: all about robbery, fraud, and those who practice it. Sometimes
• 0:27
  Speaker 2: we love them, sometimes we hate them. One thing's for sure,
• 0:29
  Speaker 2: we will likely laugh at them, but never at the victims.
• 0:33
  Speaker 1: And I am what?
• 0:34
  Speaker 2: If you've been listening to this podcast or now watching
• 0:36
  Speaker 2: this podcast, you should already know I'm very what? Come on,
• 0:39
  Speaker 2: parasocial girlies. Yes, excited, elated, thrilled for today's guest. He
• 0:44
  Speaker 2: is an icon and a homie of mine. Jay Jordan
• 0:48
  Speaker 2: is an American comedian, writer, actor. His special Yes Ma'am
• 0:52
  Speaker 2: is streaming on Hulu right now. And you've seen him
• 0:54
  Speaker 2: on HBO, The Tonight Show, Variety, Vulture and so much more.
• 0:59
  Speaker 2: I love having a real stand-up comedian. If you're not
• 1:01
  Speaker 2: following Jay Jordan on threads or on any of his socials,
• 1:04
  Speaker 2: you are really missing out because his takes are spicy.
• 1:07
  Speaker 1: Like, they hot as hell. He doesn't even say hot
• 1:09
  Speaker 1: take anymore.
• 1:09
  Speaker 2: We just know anytime he's got his fingers on the keyboard,
• 1:12
  Speaker 2: it's going.
• 1:13
  Speaker 1: To be lit.
• 1:14
  Speaker 3: Yeah, my hottest take right now, tell some jokes. I
• 1:18
  Speaker 3: don't know, tell some jokes. Give people what they pay for.
• 1:21
  Speaker 3: Stop making these folks who already pay for tickets pay
• 1:24
  Speaker 3: for drinks. pay for valet, pay for Uber, pay for
• 1:27
  Speaker 3: a babysitter. Stop making them work.
• 1:29
  Speaker 1: This feels like a scam because I was about to
• 1:31
  Speaker 1: ask you, what's your relationship with scams?
• 1:32
  Speaker 4: Do you love them? Do you hate them?
• 1:33
  Speaker 1: Have you been a part of any?
• 1:35
  Speaker 3: There is a small contingent of very scammy comedians right
• 1:40
  Speaker 3: now in America. They're scams. They go, ooh, I tricked
• 1:44
  Speaker 3: these people again. I got away with it. I made
• 1:46
  Speaker 3: them work and tell me my... They gave me my
• 1:52
  Speaker 3: material and I... And I got off scot-free.
• 1:54
  Speaker 1: So are you talking about like crowd work comics?
• 1:55
  Speaker 3: Not just crowd work comics because I think there are
• 1:58
  Speaker 3: moments where you can like be in the moment with
• 2:00
  Speaker 3: the crowd and like really get something new and fun.
• 2:02
  Speaker 3: But if like every time I see you, you doing
• 2:05
  Speaker 3: a census. Every time I see you, you putting out
• 2:07
  Speaker 3: a questionnaire. Every time I see you, you basically ask you.
• 2:12
  Speaker 3: Now you're a biographer for these people because you asking
• 2:15
  Speaker 3: them their childhood. You asking them their job, their dreams,
• 2:18
  Speaker 3: their aspirations. I think there's a level of comic who
• 2:21
  Speaker 3: really is like, oh, I scammed them. I got away
• 2:23
  Speaker 3: with it again.
• 2:24
  Speaker 4: I'm the opposite.
• 2:25
  Speaker 3: I want those people to be like, oh, my God,
• 2:26
  Speaker 3: Jay works his ass off for us. So that's I mean,
• 2:29
  Speaker 3: and that's that's really how I feel. And I know
• 2:31
  Speaker 3: some people they go, oh, Jay, are you are you hating?
• 2:34
  Speaker 3: Are you like are you being too snooty? And I
• 2:37
  Speaker 3: don't think it's crazy to tell people to do their
• 2:39
  Speaker 3: fucking job.
• 2:40
  Speaker 1: No, I don't think it's crazy either. Especially if you're
• 2:43
  Speaker 1: privileged enough to do a job that you're passionate about.
• 2:46
  Speaker 4: What if you came here and had someone talk for
• 2:47
  Speaker 4: you on your podcast?
• 2:49
  Speaker 1: I've tried a couple times.
• 2:51
  Speaker 4: Some days I was tired.
• 2:53
  Speaker 1: They might see a little script in front of them.
• 2:55
  Speaker 1: I'm like, you read that paragraph. You read paragraph four.
• 2:58
  Speaker 1: It doesn't work.
• 2:59
  Speaker 4: Read this ad for me.
• 2:59
  Speaker 1: Yeah, read the ad for me.
• 3:00
  Speaker 4: You like me undies, go ahead.
• 3:02
  Speaker 1: Yeah, you love me undies, don't you? Me too. Go ahead,
• 3:05
  Speaker 1: talk about.
• 3:05
  Speaker 4: It a little bit.
• 3:06
  Speaker 1: Hold on, let me make sure the mic's on. No,
• 3:08
  Speaker 1: I absolutely agree with you.
• 3:10
  Speaker 2: And what it also does is it encourages bad behavior.
• 3:14
  Speaker 2: And we've been seeing this in every kind of concert
• 3:17
  Speaker 2: venue for so long. I think it's such a scam
• 3:20
  Speaker 2: to come to a concert and be robbed out of
• 3:22
  Speaker 2: the experience because your other patrons are either filming the
• 3:26
  Speaker 2: entire thing like they about.
• 3:27
  Speaker 1: To put it on HBO. Listen, I'm off and get
• 3:30
  Speaker 1: you a little clip.
• 3:31
  Speaker 2: I got clips of me at the Beyonce concert that
• 3:33
  Speaker 2: wasn't acting like I was on payroll filming the whole thing.
• 3:36
  Speaker 1: Absolutely not.
• 3:36
  Speaker 4: Three cameras set up. Triangulated. No.
• 3:40
  Speaker 2: Look, she was flying over with that horse, and I
• 3:41
  Speaker 2: was like in the, like, y'all say sweated on me.
• 3:43
  Speaker 1: I was in the stand.
• 3:45
  Speaker 4: So when she was above me in.
• 3:46
  Speaker 1: The horse, I was in my sofa like, yes. And like, okay, yes,
• 3:49
  Speaker 1: have your moment. I'm not against that.
• 3:50
  Speaker 2: But they are now just holding their phones up, blocking
• 3:52
  Speaker 2: people's views the whole concert.
• 3:54
  Speaker 1: And then, don't get me on the hooting and hollers.
• 3:57
  Speaker 3: Listen, because you know what happens? You can tell who
• 4:01
  Speaker 3: was the person who ruined the pizza party for the
• 4:03
  Speaker 3: class in fifth grade. Because Beyonce says, everybody on mute.
• 4:07
  Speaker 3: There was literally people who knew to be quiet. And
• 4:09
  Speaker 3: they said, this is my moment.
• 4:10
  Speaker 4: How dare you? How dare you?
• 4:12
  Speaker 1: Because this is about community. The new challenge was about community. Yes.
• 4:16
  Speaker 2: And now listen, I recently ran on some TikToks that
• 4:19
  Speaker 2: it was that artist that we canceled because he said
• 4:22
  Speaker 2: that we couldn't.
• 4:22
  Speaker 1: Daniel Caesar. He was like, if y'all want to cancel me,
• 4:25
  Speaker 1: black people are like, okay.
• 4:26
  Speaker 3: I got in trouble because I made fun of him.
• 4:29
  Speaker 3: He was on a breakfast club talking about polyamory. I
• 4:31
  Speaker 3: was like, you might not be the spokesperson.
• 4:33
  Speaker 4: You know how cute you got to be to get
• 4:36
  Speaker 4: away with being like, you know, like non-monogamy.
• 4:38
  Speaker 1: No, actually, the people who be hot don't look good.
• 4:41
  Speaker 1: It's just like the same thing with sex parties.
• 4:43
  Speaker 2: Everybody thinks a sex party is going to be like
• 4:45
  Speaker 2: Christian Grey. Everybody is going to be in there with
• 4:46
  Speaker 2: whips and chains and abs and hot titties. No, it
• 4:49
  Speaker 2: is like the strangest looking accountant you've ever seen.
• 4:52
  Speaker 4: I'm going to add a caveat. That's for straight people.
• 4:54
  Speaker 3: Because with the lesbian sex parties and the gay sex parties,
• 4:58
  Speaker 3: the queer sex parties.
• 4:58
  Speaker 1: Okay, the queer sex parties are sexy.
• 4:59
  Speaker 4: They be.
• 5:00
  Speaker 1: I'd be a little jealous. I'm like, everybody got abs
• 5:02
  Speaker 1: in there?
• 5:03
  Speaker 4: Like, are you fucking kidding me?
• 5:04
  Speaker 3: No, but I also think that, like, okay, and we
• 5:08
  Speaker 3: are talking about Beyonce for the tiniest bit. If we
• 5:10
  Speaker 3: bring up scams, Beyonce is not a scam artist, but
• 5:14
  Speaker 3: there's one song where she does scam you.
• 5:16
  Speaker 4: You know what I'm talking about.
• 5:18
  Speaker 3: When we get to the options up on Love on Top,
• 5:21
  Speaker 3: Beyonce does start to be like, y'all got it.
• 5:25
  Speaker 4: Actually, that's y'all.
• 5:26
  Speaker 1: But we do like it.
• 5:27
  Speaker 4: We love it.
• 5:28
  Speaker 3: I've been trying to get up there. But it is
• 5:30
  Speaker 3: her being like, I'm not about to.
• 5:31
  Speaker 4: Yeah.
• 5:33
  Speaker 3: I'll be like, see. I'll be like, baby, baby. Beyonce
• 5:38
  Speaker 3: takes a break during that song. For the past four years,
• 5:41
  Speaker 3: Beyonce be like, I'm not about to.
• 5:42
  Speaker 4: Y'all got it. Y'all sound good.
• 5:44
  Speaker 1: And that's fine.
• 5:44
  Speaker 2: And that's fine. But like at the Daniel Caesar concert,
• 5:48
  Speaker 2: it went viral on TikTok. He has very terrible fans,
• 5:51
  Speaker 2: which makes sense because he's not a great guy. And
• 5:54
  Speaker 2: they would be at the concert. And Daniel Caesar don't
• 5:56
  Speaker 2: got no music you need to hoot or holler to.
• 5:59
  Speaker 2: So he's singing the song and.
• 6:00
  Speaker 1: There's girls screaming to the point where everyone in the
• 6:04
  Speaker 1: stadium heard it. Like, And people were like, can you
• 6:08
  Speaker 1: please stop? We're trying to hear the soft song.
• 6:11
  Speaker 3: I saw Ariana Grande at the Barclays, and she was
• 6:13
  Speaker 3: doing this really cool thing where she was dropping, it
• 6:15
  Speaker 3: was before the album came out, so she was going
• 6:17
  Speaker 3: to do two songs that were unreleased from the upcoming album, Pedal.
• 6:22
  Speaker 3: But what she had to do in real time, she
• 6:23
  Speaker 3: was going to loop the vocals in front of us.
• 6:25
  Speaker 4: So she had like the station.
• 6:27
  Speaker 1: Yeah, I saw her do that.
• 6:28
  Speaker 3: And so like, but you have to be so quiet
• 6:29
  Speaker 3: because any noise will be caught on the specific recording.
• 6:32
  Speaker 3: And so then she had to start over twice in
• 6:34
  Speaker 3: New York. And I was like, honestly, if you want to,
• 6:37
  Speaker 3: Ariana Grande, you can shoot those fans. I wouldn't get mad.
• 6:41
  Speaker 4: Because that's crazy.
• 6:42
  Speaker 1: We listening to Black Bagger. That's crazy to have.
• 6:47
  Speaker 4: An artist who you paid money to see play.
• 6:49
  Speaker 3: In concert, say, hey, everyone, thank you so much for
• 6:52
  Speaker 3: being loud.
• 6:52
  Speaker 4: We had so much fun.
• 6:54
  Speaker 3: Can you be quiet for two seconds? So I can
• 6:55
  Speaker 3: make my art for you. So I can actually sing
• 6:58
  Speaker 3: a new song and loop it and record it live
• 7:00
  Speaker 3: for y'all. And there were people in the stadium who
• 7:02
  Speaker 3: were like, nah, girl, I'm more important.
• 7:06
  Speaker 2: And that's what the crowd work comedians have created. And
• 7:09
  Speaker 2: so now when you go, like, at least when I'm
• 7:11
  Speaker 2: getting up and stuff, I've noticed that people are much
• 7:13
  Speaker 2: more vocal during the show.
• 7:14
  Speaker 1: And I'm like, baby, you paid to see me, not us.
• 7:16
  Speaker 4: What you mean?
• 7:17
  Speaker 1: Why are you talking?
• 7:18
  Speaker 3: I shut them up usually by like, I, most of
• 7:21
  Speaker 3: the time I just start like going fast enough that
• 7:25
  Speaker 3: they go, I want to, I go, you ain't gonna
• 7:26
  Speaker 3: have a chance to, you ain't gonna have a chance
• 7:28
  Speaker 3: to chime in. Or at the end of the show,
• 7:30
  Speaker 3: they'll go, oh my gosh.
• 7:31
  Speaker 4: That was so impressive. You, you talked the whole time.
• 7:33
  Speaker 4: I go, baby, it was 15 minutes.
• 7:36
  Speaker 1: I'm supposed to talk to them.
• 7:37
  Speaker 4: You think I can't talk for 15 minutes? You think
• 7:39
  Speaker 4: I can't? Listen, I could talk to you for an hour.
• 7:41
  Speaker 1: Oh, Jay, I know. You're a generational yapper like me.
• 7:44
  Speaker 1: We love to yap. That's why I had to make
• 7:46
  Speaker 1: yapping a job. I was like, I can't shut up.
• 7:49
  Speaker 1: So I guess I got to have a podcast. But
• 7:51
  Speaker 1: I did this six years ago.
• 7:52
  Speaker 2: I did it before it became problematic. All y'all motherfuckers
• 7:54
  Speaker 2: went to Best Buy and got some microphones. And now
• 7:55
  Speaker 2: y'all think y'all can talk about everything.
• 7:57
  Speaker 1: $ 200 dinners and who gets the big piece of chicken
• 8:00
  Speaker 1: ass podcast.
• 8:01
  Speaker 4: This is actually meta because Lacey... You, as.
• 8:06
  Speaker 3: A person who was an early adopter to the podcast medium,
• 8:09
  Speaker 3: you've seen people start to scam. You've seen people go
• 8:11
  Speaker 3: from being like, oh, I have an actual point of
• 8:15
  Speaker 3: view to being like, all right, OK, so we're going
• 8:18
  Speaker 3: to ask the black delegation what we ask every month.
• 8:21
  Speaker 3: what are we doing with bi men? Do we need
• 8:23
  Speaker 3: a man in the home to raise little boys?
• 8:25
  Speaker 4: Right. It gets crazy.
• 8:28
  Speaker 1: Crazy.
• 8:28
  Speaker 4: To see these people rehab.
• 8:29
  Speaker 1: And it's the same talking points. That's the scam to me.
• 8:32
  Speaker 4: One thing about these topics, they're going to put it
• 8:34
  Speaker 4: in the microwave. They're going to put it in the microwave.
• 8:37
  Speaker 1: And don't be a skinny, blonde, white woman.
• 8:39
  Speaker 2: You can reheat everybody's nachos, and you are going to
• 8:41
  Speaker 2: make way more money doing it. If I was a
• 8:43
  Speaker 2: white woman, Scam Goddess would be right next to Joe Rogan.
• 8:46
  Speaker 4: This is, no, you should do, you should do a whole, I'm, I'm, okay.
• 8:50
  Speaker 1: Okay. I'm too late, though. I came out as black
• 8:52
  Speaker 1: too soon.
• 8:52
  Speaker 4: That's what I'm going to say.
• 8:53
  Speaker 2: I'm like, if I had AI, not AI, because fuck AI,
• 8:56
  Speaker 2: and fuck chat, GPT, GTP, GPT.
• 8:58
  Speaker 1: I don't use it.
• 8:59
  Speaker 4: Yeah.
• 9:00
  Speaker 1: But thank you.
• 9:01
  Speaker 2: I'm glad my fans know I have enough integrity that
• 9:02
  Speaker 2: they reached out to me when they heard one of
• 9:04
  Speaker 2: those ads randomly on the show once.
• 9:05
  Speaker 1: I was like, maybe we did not approve that, and
• 9:07
  Speaker 1: we'll make sure.
• 9:07
  Speaker 4: That doesn't happen again.
• 9:08
  Speaker 3: Sometimes I'll see the AI posters for some of my friends,
• 9:11
  Speaker 3: and I go, man, you had $ 100 to pay somebody
• 9:15
  Speaker 3: to put a poster together. I would rather see horrible Photoshop.
• 9:18
  Speaker 3: I want to see Microsoft Paint. I love horrible Photoshop.
• 9:19
  Speaker 4: I want to see Microsoft Paint before I see AI.
• 9:22
  Speaker 1: Oh, I love horrible Photoshop.
• 9:23
  Speaker 4: It's canon.
• 9:25
  Speaker 1: It's iconic. It's like a collage. I'll tell you who
• 9:28
  Speaker 1: the guy is after because you'll know who it is.
• 9:30
  Speaker 1: I can't say. Everyone probably knows. But we were talking
• 9:34
  Speaker 1: for a little bit. This was years ago. And he
• 9:36
  Speaker 1: was kind of asking me to send him a nude photo.
• 9:38
  Speaker 1: I don't send nudes.
• 9:39
  Speaker 4: Okay.
• 9:40
  Speaker 1: I don't have nudes.
• 9:41
  Speaker 4: Okay.
• 9:41
  Speaker 1: I can confidently hand my phone to anybody. You're not
• 9:43
  Speaker 1: going to see me busting it wide, nowhere, up and
• 9:46
  Speaker 1: through there. I don't play those games.
• 9:48
  Speaker 4: I don't encourage this. I have a bunch of nudes
• 9:51
  Speaker 4: on my phone.
• 9:51
  Speaker 1: Jay is a hoochie hoe. And he would be happy
• 9:53
  Speaker 1: if his nudes came out. Because he damn near nude
• 9:55
  Speaker 1: on the internet.
• 9:56
  Speaker 4: All the damn time. If a news leaked today. He
• 9:57
  Speaker 4: would be proud.
• 9:58
  Speaker 1: He would repost it.
• 9:59
  Speaker 4: I wouldn't be proud. I can give y'all a good one. Actually,
• 10:02
  Speaker 4: I don't know. Let me send you one.
• 10:05
  Speaker 1: I got a new ab.
• 10:06
  Speaker 4: He was like, listen.
• 10:07
  Speaker 1: He was like, I had an 8-pack then. Now I
• 10:09
  Speaker 1: done squeezed on 11. I got 11. I got more
• 10:10
  Speaker 1: on the top.
• 10:12
  Speaker 4: I got one more vein in it. You know what?
• 10:16
  Speaker 1: And I can't risk that. So eventually I sent him,
• 10:20
  Speaker 1: I drew a stick figure on the print app.
• 10:24
  Speaker 4: That's funny.
• 10:24
  Speaker 1: And then I took a photo and I cropped it
• 10:27
  Speaker 1: to where it's just my face. And I put my
• 10:29
  Speaker 1: face on the stick figure with the boobs and the booty.
• 10:31
  Speaker 4: And I sent that.
• 10:32
  Speaker 1: I was like, here's your new.
• 10:32
  Speaker 4: That's beautiful.
• 10:34
  Speaker 1: Like, we love Photoshop. We love authenticity.
• 10:36
  Speaker 3: Listen, back in middle school, that would have done it
• 10:38
  Speaker 3: for me. That would have done it. In middle school?
• 10:40
  Speaker 3: In middle school?
• 10:41
  Speaker 1: You would have imagined my stick figure boobs and been like, woo!
• 10:44
  Speaker 3: I know more than one guy who in middle school
• 10:47
  Speaker 3: drew his own porn. He said, you know what? I
• 10:50
  Speaker 3: can't get access to it. He said, but the human
• 10:52
  Speaker 3: imagination has no boundaries.
• 10:55
  Speaker 1: We are losing recipes. Right? Where are the porn artists
• 10:59
  Speaker 1: who are drawing it by hand and passing it out?
• 11:01
  Speaker 4: That's me being full granddaddy. I said, back in my day,
• 11:03
  Speaker 4: we used to draw it. We draw it. Look at me.
• 11:06
  Speaker 4: Go get the pencil. Go get a pencil sharpener. You
• 11:08
  Speaker 4: don't know what a pencil sharpener is. Go get a
• 11:10
  Speaker 4: pencil sharpener.
• 11:10
  Speaker 1: You ain't never turned. That's a kid break. That's the
• 11:12
  Speaker 1: water cooler for kids.
• 11:13
  Speaker 3: Typing everything. Now, go get a pencil. Number two, because
• 11:16
  Speaker 3: you got to put it on the scantron.
• 11:18
  Speaker 4: Go get a number.
• 11:18
  Speaker 1: I don't even know why they made any other numbers
• 11:20
  Speaker 1: because number two is the only one we used. I
• 11:22
  Speaker 1: guess the other ones were for artists.
• 11:23
  Speaker 4: You know, if you autistic, go get a thick one.
• 11:25
  Speaker 4: Go get a fat pencil.
• 11:27
  Speaker 1: Get you a number seven.
• 11:28
  Speaker 4: Get you a number seven. Look, I'm on the spectrum.
• 11:30
  Speaker 1: I can say that.
• 11:31
  Speaker 4: I probably would have needed the seven.
• 11:32
  Speaker 3: If you need the texture, go get you a thick
• 11:34
  Speaker 3: pencil and draw you some titties.
• 11:36
  Speaker 4: Okay?
• 11:37
  Speaker 3: I don't know what these men, they hate women now
• 11:39
  Speaker 3: because they ain't never drawn some titties.
• 11:41
  Speaker 1: Oh, my God.
• 11:41
  Speaker 4: This is beautiful.
• 11:42
  Speaker 1: They need yearning.
• 11:43
  Speaker 4: Yes.
• 11:44
  Speaker 1: We got to bring yearning back. Yes.
• 11:46
  Speaker 4: And you know how we do it? Like we said earlier,
• 11:48
  Speaker 4: put these kids in the mines. Yeah. They going to
• 11:50
  Speaker 4: yearn for some love if they, you know.
• 11:53
  Speaker 1: And they have so much energy.
• 11:54
  Speaker 4: Moving around cold. Yes.
• 11:55
  Speaker 1: Okay.
• 11:56
  Speaker 2: You know, it's like we start the day, we throw
• 11:58
  Speaker 2: on that Miss Rachel around 3 a.m.
• 12:00
  Speaker 1: So you can get up, brush your teeth, get ready
• 12:02
  Speaker 1: for the mines.
• 12:02
  Speaker 4: Yeah, yeah. A little bit of Bluey, maybe.
• 12:04
  Speaker 1: A little bit of Bluey.
• 12:05
  Speaker 4: Yeah.
• 12:05
  Speaker 2: And a little bit of, what's the black girl who
• 12:07
  Speaker 2: be doing all them songs?
• 12:08
  Speaker 4: Oh, Gracie's Corner.
• 12:09
  Speaker 1: Gracie's Corner.
• 12:10
  Speaker 4: Gracie's Corner.
• 12:11
  Speaker 1: That's what you do at the end to get.
• 12:12
  Speaker 4: You hyped up. Gracie's Corner. Now you lit.
• 12:14
  Speaker 3: I knew Gracie's Corner was real when Paul Wall did
• 12:17
  Speaker 3: a Gracie's Corner song.
• 12:18
  Speaker 1: Uh-huh.
• 12:18
  Speaker 4: They play A, B, C, D, E, F, G.
• 12:21
  Speaker 1: I'm headed to the mines, don't fuck with me. Hey!
• 12:23
  Speaker 4: Okay?
• 12:25
  Speaker 1: Like, get up high. And then let them go to
• 12:28
  Speaker 1: the mines. They gonna sleep good when they get home.
• 12:31
  Speaker 4: They playing Gracie's Corner before they go to the kid trap.
• 12:37
  Speaker 4: What you need?
• 12:37
  Speaker 1: I got that Lack. I got that Similac.
• 12:39
  Speaker 4: I got that Similac. Hey, I got some Nylas.
• 12:41
  Speaker 1: The Similac is spitting as fuck, so that will work. Now, Jay,
• 12:47
  Speaker 1: so if I was to make a summation here, you
• 12:51
  Speaker 1: think that it's scammy that comedians are going up in
• 12:54
  Speaker 1: front of people, taking their money, taking their two-drink minimum,
• 12:58
  Speaker 1: and their babysitter cash, and then doing a completely... made
• 13:04
  Speaker 1: up show with no direction that's heavily reliant on the
• 13:07
  Speaker 1: audience's input.
• 13:08
  Speaker 3: Yes but i'll even add a more specific caveat i
• 13:11
  Speaker 3: think if you do a piece of crowd work that
• 13:15
  Speaker 3: you clip and edit and then you put on your
• 13:17
  Speaker 3: page and you monetize and the person in the crowd
• 13:20
  Speaker 3: has funnier stuff to say then you you need to
• 13:23
  Speaker 3: pay them a portion of what tiktok meta and facebook
• 13:27
  Speaker 3: pay you Because you got paid. They paid to see
• 13:32
  Speaker 3: you work them to get paid twice over. Once for
• 13:35
  Speaker 3: the in-person show and once online when you post the clip.
• 13:38
  Speaker 3: Because now you at home, you're going, wait a second,
• 13:40
  Speaker 3: I said all the funny stuff. He posts on his page.
• 13:43
  Speaker 3: All you can do is be like, that's me. Yeah,
• 13:44
  Speaker 3: that's me.
• 13:45
  Speaker 1: As you can tell. Yeah, but we call that being
• 13:47
  Speaker 1: paid in exposure.
• 13:48
  Speaker 4: Exposure, no.
• 13:49
  Speaker 1: The oldest act exposure.
• 13:50
  Speaker 3: I'll be watching some of these interactions with some of
• 13:52
  Speaker 3: these couples. I'll be like, well, they getting divorced after this.
• 13:55
  Speaker 4: This is terrible.
• 13:56
  Speaker 3: You just paid for me to watch your marriage fall
• 13:58
  Speaker 3: apart in real time on Facebook.
• 14:01
  Speaker 4: And now all the Facebook aunties and grandmas commenting.
• 14:04
  Speaker 1: Oh, and the aunties don't stop at Facebook. They send
• 14:06
  Speaker 1: us links.
• 14:06
  Speaker 4: In our text. And you know what else?
• 14:08
  Speaker 1: They alert the whole family.
• 14:09
  Speaker 3: Have you been made? The aunties have also made it
• 14:11
  Speaker 3: to threads. The Facebookification.
• 14:14
  Speaker 2: They're accidentally making it to threads because they don't know
• 14:17
  Speaker 2: the meta of it all. So sometimes they post something like,
• 14:20
  Speaker 2: have you seen what, who are we looking for?
• 14:21
  Speaker 1: What's her name?
• 14:22
  Speaker 2: Sally or something. There was that one lady who didn't
• 14:24
  Speaker 2: realize she was posting threads and she was like, Linda?
• 14:26
  Speaker 2: I think there's a lady that we're always supposed to
• 14:28
  Speaker 2: be looking for in Europe. They're like, she's in Europe
• 14:30
  Speaker 2: and we don't know where she is. So if you
• 14:32
  Speaker 2: see her, let us know. And everybody's like, we want
• 14:33
  Speaker 2: to see Linda. And then anybody who posts about Europe
• 14:35
  Speaker 2: or anywhere in Europe, they're like, did.
• 14:37
  Speaker 4: You see Linda?
• 14:38
  Speaker 1: No.
• 14:40
  Speaker 4: Because Linda is the name.
• 14:42
  Speaker 3: That is the auntie name that gets lost now.
• 14:45
  Speaker 4: Do you know any young Lindas? I don't know no
• 14:47
  Speaker 4: young Lindas. Do we know any young Lindas? Any young?
• 14:51
  Speaker 4: Not a Linda under 50. Right? Yeah. That was a
• 14:54
  Speaker 4: Linda cutoff. It was. Now, you know, it's crazy.
• 14:58
  Speaker 2: And Jay just broke the fourth wall and introduced this
• 15:01
  Speaker 2: as a talk show.
• 15:02
  Speaker 1: There are four other people in this room. And he's like,
• 15:04
  Speaker 1: y'all know it. Say yeah. We can break that fourth wall.
• 15:08
  Speaker 1: There are lots of people in this room besides me
• 15:10
  Speaker 1: and Jay.
• 15:11
  Speaker 3: I got a cousin named Linda and you know those
• 15:13
  Speaker 3: cousins that have always.
• 15:14
  Speaker 4: Been aunties in your head?
• 15:16
  Speaker 1: Because they're older than you.
• 15:17
  Speaker 3: It's my great grandma's niece. It's some connection there.
• 15:21
  Speaker 1: Yeah, I know what you mean. It's blood, but it's
• 15:23
  Speaker 1: like they're older enough that you're like, I can't call
• 15:25
  Speaker 1: you cousin. You gotta be aunt.
• 15:26
  Speaker 4: Because that's disrespectful.
• 15:28
  Speaker 1: Yeah, you gotta be auntie.
• 15:29
  Speaker 4: Because if you a cousin, you gotta be outside with us.
• 15:32
  Speaker 1: Smoking weed.
• 15:33
  Speaker 3: Not smoking weed. Running around playing outside.
• 15:36
  Speaker 2: Yeah, but also smoking weed.
• 15:38
  Speaker 1: You ain't did no cousin walk on Thanksgiving?
• 15:40
  Speaker 4: Well, yeah, that's different though. That's like teenage cousins.
• 15:43
  Speaker 1: That's what I'm saying.
• 15:44
  Speaker 2: So I'm like, if you're not in cousin walk smoking
• 15:46
  Speaker 2: weed territory, then you're an auntie.
• 15:48
  Speaker 4: You're an auntie. Even if we are cousins.
• 15:50
  Speaker 1: You gotta be automatic auntie.
• 15:51
  Speaker 3: Older cousins, that's such a fast, because now I'm someone's
• 15:54
  Speaker 3: older cousin.
• 15:55
  Speaker 4: I am too. But I can't be.
• 15:56
  Speaker 3: I'm just, I'm like, I'm just an older queer relative.
• 16:00
  Speaker 3: That's so cool. I'm a gay uncle now.
• 16:04
  Speaker 1: And gay uncles are the coolest. I lost one of
• 16:07
  Speaker 1: my gay uncles.
• 16:08
  Speaker 4: Oh, I'm sorry.
• 16:10
  Speaker 1: No, it's okay.
• 16:12
  Speaker 2: My Uncle Henry. During the time we were losing a
• 16:15
  Speaker 2: lot of gay people. So he didn't become an elder,
• 16:17
  Speaker 2: but he was so fucking cool.
• 16:19
  Speaker 1: That's beautiful. And beautiful. And he had the greatest skin.
• 16:21
  Speaker 1: Look at his skin.
• 16:23
  Speaker 2: And, like, dressed well, and he was so, like, cool.
• 16:26
  Speaker 2: So it's like, I'm glad that we have you here
• 16:28
  Speaker 2: to be the cool, sexy gay uncle who has way
• 16:31
  Speaker 2: too many ho hoochie photos online.
• 16:34
  Speaker 4: My niece.
• 16:35
  Speaker 1: You're going to see your gay uncle in a speed up.
• 16:36
  Speaker 3: Yeah, my niece, Riley, she came to my wedding in
• 16:39
  Speaker 3: New York, but it was like, she went to a
• 16:41
  Speaker 3: gay wedding when she was, like, young.
• 16:43
  Speaker 4: So then she went back to school. She was like, oh,
• 16:44
  Speaker 4: y'all ain't never been to no gay wedding? Trash. I
• 16:48
  Speaker 4: have culture. She went to a gay wedding in New York.
• 16:50
  Speaker 1: I went to gay weddings before I went to straight weddings.
• 16:52
  Speaker 4: See?
• 16:53
  Speaker 1: My gays started getting married first.
• 16:54
  Speaker 4: Lesbians?
• 16:55
  Speaker 1: Oh, my gosh.
• 16:56
  Speaker 4: Lesbians and gays.
• 16:56
  Speaker 1: My friend Kimia Bepornia, she's an actress, too. Super funny.
• 16:59
  Speaker 1: You can see her on Abbott.
• 17:01
  Speaker 2: She married Hailey, who is a very amazing writer, who
• 17:05
  Speaker 2: also has been writing up a superstore. I can name
• 17:08
  Speaker 2: a bunch of things that Hailey writes on. And so
• 17:09
  Speaker 2: they got married. And when I tell you the cutest
• 17:13
  Speaker 2: lesbian wedding... Kimmy is Persian, so her family brought dancers.
• 17:18
  Speaker 2: And then her dad walked to every table, Jay, and
• 17:20
  Speaker 2: he slammed down a stack of $ 100 bills on every
• 17:23
  Speaker 2: table so we could tip and throw it up. And
• 17:25
  Speaker 2: Haley's Cuban, so the Cubans was coming out with AIDS.
• 17:28
  Speaker 4: It was lit as fuck.
• 17:31
  Speaker 1: Another gay wedding in Mexico, two men, I performed at it.
• 17:34
  Speaker 4: I love that.
• 17:35
  Speaker 1: I'm going to be at all the gay weddings.
• 17:37
  Speaker 3: I'm going to say a stereotype that I think we
• 17:38
  Speaker 3: can agree with that no one's going to get mad about.
• 17:40
  Speaker 4: Persians and Iranians.
• 17:43
  Speaker 3: They probably love Versace and Cash more than black people.
• 17:47
  Speaker 4: Yeah, no.
• 17:48
  Speaker 1: They have a black aesthetic.
• 17:50
  Speaker 4: Yeah, yeah, yeah.
• 17:51
  Speaker 1: Like a rapper aesthetic.
• 17:52
  Speaker 4: Black is too broad.
• 17:53
  Speaker 1: They have a rapper aesthetic.
• 17:55
  Speaker 4: Exactly.
• 17:56
  Speaker 3: A lot of Persian men in L.A. dress like the
• 17:58
  Speaker 3: Migos in 2012. Do you see it?
• 18:01
  Speaker 1: Mm-hmm.
• 18:02
  Speaker 4: You understand what I'm talking about?
• 18:03
  Speaker 2: They be wearing Sauvage or they be wearing a YSL,
• 18:05
  Speaker 2: a loud YSL cologne.
• 18:06
  Speaker 4: Listen, they don't play about cologne. Mm-hmm. And I love it.
• 18:11
  Speaker 1: And I love it. You can smell me before I
• 18:12
  Speaker 1: walk in the room.
• 18:13
  Speaker 4: So I understand. I got on the elevator. I said, Lacey?
• 18:18
  Speaker 1: That didn't linger. That didn't linger.
• 18:21
  Speaker 4: I felt like Wolverine. I said, Lacey? My claws popped out.
• 18:27
  Speaker 1: No more clothes.
• 18:28
  Speaker 4: I have the knuckles. I have the knuckles.
• 18:30
  Speaker 1: Well, on that knuckle bubble, we're going to move on
• 18:32
  Speaker 1: to my favorite part of the show, Historic Hoodwings.
• 18:35
  Speaker 2: This is where I will regale Jay with a famous
• 18:37
  Speaker 2: con caper group of criminals we don't know yet.
• 18:40
  Speaker 1: Maybe we love them. Maybe we hate them. We'll find
• 18:43
  Speaker 1: out along the way. So today, we're talking about.
• 18:47
  Speaker 2: Thieves who stole a hard drive containing an unencrypted copy
• 18:53
  Speaker 2: of the finished but unreleased Nicolas Cage movie, Fortitude.
• 18:59
  Speaker 4: Off of the desk at.
• 19:01
  Speaker 1: The Netflix office.
• 19:03
  Speaker 2: It's not the first time Netflix has gotten in trouble
• 19:04
  Speaker 2: for leaving money on the table.
• 19:07
  Speaker 1: So Fortitude. This is Nicolas Cage, if you guys don't know.
• 19:12
  Speaker 4: That's, wow.
• 19:13
  Speaker 2: I don't know who dressed him.
• 19:17
  Speaker 3: You know, I'm going to say great look for a
• 19:19
  Speaker 3: lesbian wedding. If Nicolas Cage went to a lesbian wedding,
• 19:23
  Speaker 3: he wouldn't be the only person wearing that.
• 19:25
  Speaker 1: Oh, and he would definitely be going home with somebody, okay?
• 19:28
  Speaker 1: When they play, it's all like, who getting fucked tonight?
• 19:30
  Speaker 1: He looking like this. That's all, come on, who getting
• 19:33
  Speaker 1: fucked tonight? Who getting fucked tonight?
• 19:36
  Speaker 4: And it's him.
• 19:37
  Speaker 1: He's looking at you with that same stare. Like, you
• 19:39
  Speaker 1: coming home with me, girl.
• 19:41
  Speaker 4: Listen, we love you, Nicole Cage. That is a... that, listen.
• 19:44
  Speaker 4: It's even Nicole Cage. Right? That's, wow, that's a sapphic outfit.
• 19:48
  Speaker 4: The bedazzled jacket.
• 19:49
  Speaker 1: It is a sapphic outfit. The bedazzled, just a little
• 19:51
  Speaker 1: razzle dazzle.
• 19:52
  Speaker 4: Whoa.
• 19:52
  Speaker 1: With a little silk underneath because I'm soft and silky.
• 19:57
  Speaker 4: Pink glasses inside.
• 19:58
  Speaker 3: These rose colored glasses. Listen, Nick Cage, we speak your name.
• 20:04
  Speaker 3: We speak your name in rooms that you aren't even in,
• 20:07
  Speaker 3: Nick Cage. We appreciate you.
• 20:09
  Speaker 4: We appreciate you.
• 20:10
  Speaker 1: Glad award. Immediately. Scams!
• 20:20
  Speaker 4: Cards!
• 20:22
  Speaker 1: So the movie.
• 20:23
  Speaker 2: Fortitude stars Nicolas Cage as Dusko Popov.
• 20:28
  Speaker 4: Say the name again. Dusko Popov.
• 20:31
  Speaker 1: Dusko Popoff. Look, he gonna dust you, he gonna pop off. Okay,
• 20:37
  Speaker 1: so this is Dusko. I kind of see why they
• 20:39
  Speaker 1: cast him.
• 20:40
  Speaker 4: Yeah, okay.
• 20:40
  Speaker 1: Dusko is some fine shit.
• 20:43
  Speaker 3: Dusko has what a lot of black people refer to
• 20:46
  Speaker 3: as a sexy white boy nose.
• 20:47
  Speaker 4: He does.
• 20:49
  Speaker 3: So a lot of, we don't talk about it enough,
• 20:51
  Speaker 3: but if you ever, if you ever swirl a little bit,
• 20:54
  Speaker 3: a lot of black people who every now and then hit.
• 20:57
  Speaker 1: Swirl a little bit.
• 20:58
  Speaker 3: If you ever swirl a little bit, a lot of
• 20:59
  Speaker 3: black people, they say, oh, if I am going to
• 21:01
  Speaker 3: be with a white boy, he has.
• 21:03
  Speaker 4: To have an interesting nose. They go, we need a schnoz.
• 21:08
  Speaker 3: You need something to break up a boring ass, little
• 21:12
  Speaker 3: tiny cutesy.
• 21:14
  Speaker 4: You won't.
• 21:14
  Speaker 3: That's a good nose. You know what we call that
• 21:17
  Speaker 3: in New York? That's an old country nose. That nose
• 21:20
  Speaker 3: came to Ellis Island, and they said, wait a second,
• 21:22
  Speaker 3: we're changing this last name.
• 21:23
  Speaker 1: Right?
• 21:23
  Speaker 4: Yeah, yeah, yeah. Dusko. Who? Dusko. I'm assuming Dusko is
• 21:28
  Speaker 4: Eastern European, Russian, Ukrainian.
• 21:30
  Speaker 2: Well, he's a real-life World War II businessman lawyer, and
• 21:33
  Speaker 2: he's a spy from Serbia.
• 21:35
  Speaker 4: Serbia. Okay, Serbia. Yes.
• 21:37
  Speaker 3: Listen, can I tell you this? In my opinion, Serbian's
• 21:41
  Speaker 3: up there when it comes to being the blackest of
• 21:43
  Speaker 3: the whites.
• 21:44
  Speaker 1: Okay, I'm going to put the Irish above them.
• 21:46
  Speaker 4: Irish above them.
• 21:47
  Speaker 1: Because of the colonization, the Irish people are the real Negroes.
• 21:50
  Speaker 4: Serbia comes around four. You want to know why? Because
• 21:53
  Speaker 4: it's Serbia and Montenegro. You see? Yeah, Montenegro. I understand.
• 21:59
  Speaker 4: Third eye. Negro. Serbia, Montenegro.
• 22:04
  Speaker 1: And look at them lips.
• 22:05
  Speaker 4: It's Montenegro up in here. I know a nigga named Montenegro. Montenegro.
• 22:10
  Speaker 1: Montenegro.
• 22:10
  Speaker 4: His name Montenegro.
• 22:11
  Speaker 1: Montenegro. Period. So he pretended to work for the German
• 22:17
  Speaker 1: intelligence service.
• 22:18
  Speaker 2: The Germans thought he was a good asset because he
• 22:20
  Speaker 2: had been born wealthy and had business connections in France
• 22:23
  Speaker 2: and the UK. But actually, he hated the Nazis and
• 22:27
  Speaker 2: he was working as a double agent for MI6.
• 22:31
  Speaker 3: Oh, double agent working, tricking the Nazis.
• 22:33
  Speaker 4: That's like when I went to the mothership. I'm kidding. No,
• 22:37
  Speaker 4: but seriously, that's good. We hate Nazis.
• 22:39
  Speaker 1: We trick the Nazis every day.
• 22:41
  Speaker 3: We have to say this as comics now. It's crazy
• 22:43
  Speaker 3: we have to say this. I hate Nazis. You hate Nazis?
• 22:48
  Speaker 4: Yeah. Lacey hates Nazis. I hate Nazis.
• 22:51
  Speaker 3: Right now, comedy is weird because you have to say
• 22:52
  Speaker 3: it or else people will be like, I love Nazis.
• 22:54
  Speaker 4: I hate them.
• 22:55
  Speaker 1: No, yeah.
• 22:56
  Speaker 4: Just a preference thing. I hate them.
• 22:58
  Speaker 1: I hate Nazis, and I really hate when Nazis stream
• 23:01
  Speaker 1: the show.
• 23:01
  Speaker 4: Yeah, I hate it.
• 23:02
  Speaker 1: Oh, it makes me so mad. Leave so many comments, Nazis.
• 23:07
  Speaker 1: Really tear me up. It's not for engagement. Don't worry.
• 23:09
  Speaker 1: You're not working for me. Just, like, give me your opinions. Oh, no.
• 23:13
  Speaker 4: She doing the algorithm. She tricking. She tricking us.
• 23:17
  Speaker 1: Hey, trick her if you got it.
• 23:19
  Speaker 2: So he worked on Operation Fortitude. in which spies trick
• 23:24
  Speaker 2: German leadership into thinking the Allied invasion of Europe would
• 23:28
  Speaker 2: happen at Galissas instead of Normandy, where it actually happened.
• 23:35
  Speaker 2: So he was like giving them false information. He was like, yo,
• 23:38
  Speaker 2: I got the drop. They told me to tea. They
• 23:39
  Speaker 2: said it's going to happen over here. So don't even
• 23:42
  Speaker 2: staff nobody up at Normandy.
• 23:43
  Speaker 1: That's crazy. We should actually take everybody and go over here.
• 23:46
  Speaker 4: Oh, a little switcheroo on D-Day. Yes. A little switcheroo.
• 23:49
  Speaker 1: You know America ain't never won no war without tricking.
• 23:51
  Speaker 4: Switch the D out.
• 23:52
  Speaker 1: Okay, we've lost hella wars.
• 23:54
  Speaker 4: Hella wars. And we were trying to rebrand it.
• 23:57
  Speaker 1: We were trying to rebrand it.
• 23:58
  Speaker 4: We losing one now. We losing one bad.
• 24:01
  Speaker 1: We stay losing one.
• 24:01
  Speaker 4: We losing one bad.
• 24:02
  Speaker 1: I'm so sorry, but when the leaders of Iran were like,
• 24:05
  Speaker 1: we're waiting for them, which I've said on this podcast,
• 24:07
  Speaker 1: I was like, no, you don't go to places where
• 24:09
  Speaker 1: people are waiting for you. We are going to lose.
• 24:11
  Speaker 4: They said pull up. That's crazy. It's on my slide.
• 24:14
  Speaker 1: What? What?
• 24:16
  Speaker 3: They on TikTok live saying, turn your location on. Turn
• 24:19
  Speaker 3: your location on.
• 24:21
  Speaker 1: No, we in there. Trump don't even worry about that.
• 24:24
  Speaker 2: And it's always support our troops, support our troops, until
• 24:27
  Speaker 2: now we have the Abraham Lincoln where these soldiers are
• 24:31
  Speaker 2: literally starving.
• 24:32
  Speaker 1: On these boats.
• 24:32
  Speaker 4: Since 2025.
• 24:33
  Speaker 1: They've been on that boat for eight months, going on nine.
• 24:35
  Speaker 2: 2025. They ain't seen their families. They haven't eaten a
• 24:38
  Speaker 2: good meal. Everybody funky in there.
• 24:41
  Speaker 1: Funky. Because they can't get the toiletries they need.
• 24:44
  Speaker 4: On the boat.
• 24:44
  Speaker 1: Funky.
• 24:44
  Speaker 2: They jumping off the boat. Like, I'm tired of smelling
• 24:46
  Speaker 2: this funk. I'd rather die. And they're like, get your
• 24:49
  Speaker 2: ass back up. We're going to save your life. They're like,
• 24:50
  Speaker 2: don't save my life. I'm trying to leave.
• 24:52
  Speaker 3: They on the USS Stinkin'. It's not the USS Lincoln
• 24:55
  Speaker 3: no more.
• 24:56
  Speaker 4: They funkified the boat.
• 24:57
  Speaker 2: Now the foxes of it all are trying to turn
• 24:59
  Speaker 2: on them and be like, you a soldier.
• 25:01
  Speaker 1: You know what you signed up for. This is fine. No,
• 25:03
  Speaker 1: it's not fine. What happened to.
• 25:05
  Speaker 4: Take care of the troops? It's sad. The last boat
• 25:08
  Speaker 4: that was that funky, it was a Tom Joyner cruise.
• 25:10
  Speaker 4: It's too.
• 25:11
  Speaker 1: That's not fair. Auntie's always got their white diamonds on.
• 25:13
  Speaker 4: I was talking about the music. Oh, okay. It's that
• 25:16
  Speaker 4: kind of funky.
• 25:17
  Speaker 1: I was like, it's not funky people. It's just going
• 25:19
  Speaker 1: to smell like white diamonds and, you know.
• 25:21
  Speaker 4: Jergens.
• 25:22
  Speaker 1: Loud.
• 25:23
  Speaker 4: Cherry Blossom.
• 25:23
  Speaker 1: Cherry Blossom. Negroes love Cherry Blossom Jergens.
• 25:26
  Speaker 4: The aunties don't play. This is what it sounds. If
• 25:30
  Speaker 4: you ever want to meet an auntie, this is what
• 25:31
  Speaker 4: you're going to hear.
• 25:34
  Speaker 1: And what you're going to smell is a peppermint at
• 25:35
  Speaker 1: the bottom of her purse. Her purse smell good.
• 25:37
  Speaker 4: And she going to be mad you didn't put no
• 25:38
  Speaker 4: lotion on that baby's face.
• 25:39
  Speaker 1: I think I need to drop a little peppermint in
• 25:40
  Speaker 1: my purse. It's time. Oh.
• 25:44
  Speaker 4: I told an older woman that was hitting on me once,
• 25:46
  Speaker 4: I said, watch out, I eat Werther's. Watch out. I said, hey.
• 25:49
  Speaker 1: I love me a whimsical caramel candy.
• 25:52
  Speaker 4: I want me a strawberry candy. Don't play with me.
• 25:54
  Speaker 2: And I know I don't know where to buy them.
• 25:56
  Speaker 1: I saw them once at a Dollar Tree. And I
• 25:59
  Speaker 1: was like, is this where they're getting them?
• 26:00
  Speaker 4: You blinked and they disappeared.
• 26:01
  Speaker 1: They did.
• 26:02
  Speaker 4: Yeah. I don't know where to find them again. That's
• 26:03
  Speaker 4: how you were coming into your auntie.
• 26:04
  Speaker 1: You slowly started seeing them.
• 26:05
  Speaker 4: And then it disappeared.
• 26:07
  Speaker 2: I did a sketch on the Black Lady Sketch Show
• 26:08
  Speaker 2: where I was telling Gabrielle Dennis that she was becoming
• 26:10
  Speaker 2: an auntie.
• 26:10
  Speaker 1: It's like, you're 35. Yeah.
• 26:12
  Speaker 3: Listen, I'm close. Wonder why? I got some linen in
• 26:16
  Speaker 3: this tote. I'm wearing linen. My pants are linen. I
• 26:20
  Speaker 3: got two linen soft items.
• 26:22
  Speaker 4: It's breathable. Listen. It's breathable. I'm not about to play.
• 26:25
  Speaker 1: And speaking of breathable, people were breathing in Dusko.
• 26:31
  Speaker 4: Dusko. Pop off, Dusko. Pop off, Dusko.
• 26:34
  Speaker 1: He was a big playboy and wooed famous women during
• 26:37
  Speaker 1: his missions.
• 26:38
  Speaker 4: Listen.
• 26:39
  Speaker 1: Including the French actress Simone Simon. So he got a baddie.
• 26:44
  Speaker 4: Simone Simon.
• 26:45
  Speaker 1: Simone Simon.
• 26:46
  Speaker 4: Wait a second. That's just a drag name. Wait a second.
• 26:48
  Speaker 4: Your name can't be Simone Simon. That's a great drag name.
• 26:53
  Speaker 1: And she's eating.
• 26:54
  Speaker 4: Simone, Simone, you're playing with gender.
• 26:57
  Speaker 1: Oh, girl. I know she was cunty.
• 27:00
  Speaker 4: This is wild. I love this.
• 27:02
  Speaker 2: His German handlers referred to him by the codename Ivan.
• 27:07
  Speaker 2: He was codenamed Tricycle by the British MI5 because he
• 27:12
  Speaker 2: was the head of the group of three double agents.
• 27:15
  Speaker 2: I thought Big Ol' Dick was giving Big Dick.
• 27:18
  Speaker 4: I didn't. I saw the nose. I said, correlation.
• 27:22
  Speaker 1: Car real big.
• 27:23
  Speaker 3: Yeah.
• 27:23
  Speaker 1: House real big. Dick real big.
• 27:25
  Speaker 4: Everything real big. Dick real big. Dick real big. Dick
• 27:29
  Speaker 4: real big.
• 27:30
  Speaker 1: It's giving dick real big. But they try to keep
• 27:33
  Speaker 1: it classy.
• 27:33
  Speaker 4: Tricycle.
• 27:34
  Speaker 1: But we know.
• 27:35
  Speaker 4: Because everybody got to ride.
• 27:40
  Speaker 2: So Disco was the real life inspiration for the character
• 27:44
  Speaker 2: of James Bond.
• 27:46
  Speaker 4: Whoa. Yes. James Bond was Serbian. The inspiration for James Dusko.
• 27:52
  Speaker 1: This is beautiful.
• 27:55
  Speaker 4: This is great.
• 27:56
  Speaker 1: I love it. That's my Serbian accent. I feel like
• 27:58
  Speaker 1: that was good.
• 27:58
  Speaker 4: That was pretty good. I worked with three Serbian. I
• 28:01
  Speaker 4: was a personal trainer, sex worker.
• 28:03
  Speaker 3: I was a personal trainer when I first moved to
• 28:05
  Speaker 3: New York City and I worked at a gym with
• 28:07
  Speaker 3: three Serbians.
• 28:09
  Speaker 4: One named Toza.
• 28:11
  Speaker 1: One.
• 28:12
  Speaker 3: I think named Ivan, and then another one whose name
• 28:17
  Speaker 3: is escaping me.
• 28:18
  Speaker 4: But his ass was pristine. But his ass is not
• 28:21
  Speaker 4: escaping you.
• 28:22
  Speaker 3: He had a Serbia and a Montenegro.
• 28:25
  Speaker 4: Yes, it was crazy.
• 28:27
  Speaker 3: You talk about those Central European hills. So I'm looking
• 28:32
  Speaker 3: at the Balkan states. So I remember talking to them,
• 28:34
  Speaker 3: and Serbians are so funny because they're so... Because they've
• 28:39
  Speaker 3: been in so many civil wars. They talk about guns and, like,
• 28:43
  Speaker 3: you know, basically public executions and murder so casually.
• 28:48
  Speaker 4: They're like, oh, that's when they killed those people.
• 28:50
  Speaker 1: Yeah, that's when they killed him. They brought him to square.
• 28:52
  Speaker 1: They killed him.
• 28:52
  Speaker 4: It was a murder. You understand? Anyways. Oh, my God.
• 28:56
  Speaker 1: What would you like to eat?
• 28:57
  Speaker 4: Chicken?
• 28:57
  Speaker 1: Stop. You want the special?
• 28:58
  Speaker 4: Lazy. I can't. Stop. I'm trying to be respectful.
• 29:01
  Speaker 1: I'm seducing you.
• 29:02
  Speaker 4: This ain't that kind of podcast.
• 29:03
  Speaker 1: This is where I talk to you like this and
• 29:05
  Speaker 1: then this is good.
• 29:06
  Speaker 4: Oh my God.
• 29:07
  Speaker 1: I talk to you like this the.
• 29:07
  Speaker 4: Rest of the time. I want the black Russian. There
• 29:09
  Speaker 4: we go.
• 29:10
  Speaker 1: The rest of the time I talk to you like this.
• 29:12
  Speaker 4: Can I say something also about black people and Russians?
• 29:14
  Speaker 3: Black people and Russians are the only people who I
• 29:17
  Speaker 3: know still name their baby Natasha.
• 29:19
  Speaker 4: Natasha. We do love Natasha. Natasha.
• 29:22
  Speaker 1: It's good.
• 29:22
  Speaker 4: Black people.
• 29:23
  Speaker 1: Tatiana as well. We love Tatiana. We will name Tatiana
• 29:26
  Speaker 1: as well.
• 29:26
  Speaker 3: If you know a black person or a Russian, Eastern European,
• 29:29
  Speaker 3: Natasha and Tatiana, we took those names.
• 29:32
  Speaker 4: Perfect names.
• 29:32
  Speaker 1: Good girls. Yes. Always turn out good.
• 29:35
  Speaker 4: Very strong.
• 29:35
  Speaker 1: I can't get out of it. Fuck! Where my rushes at?
• 29:42
  Speaker 4: That's true.
• 29:43
  Speaker 1: Like, where my rushes at?
• 29:44
  Speaker 4: Because I feel this, though.
• 29:47
  Speaker 3: If Putin is letting y'all listen to big money players
• 29:50
  Speaker 3: over there.
• 29:51
  Speaker 4: Shout out.
• 29:52
  Speaker 1: If Putin lets y'all listen.
• 29:53
  Speaker 4: To big money players. If y'all can watch this.
• 29:55
  Speaker 1: I feel like Putin would love Will Ferrell.
• 29:57
  Speaker 4: Yes.
• 29:57
  Speaker 1: Like, I feel like he.
• 29:58
  Speaker 4: Would love Will Ferrell. Riding shirtless on a horse. So good.
• 30:01
  Speaker 1: So funny.
• 30:01
  Speaker 4: He would love Will Ferrell. That's actually how we bring
• 30:04
  Speaker 4: everything together.
• 30:05
  Speaker 1: Yeah.
• 30:05
  Speaker 4: I think Will could bring it. He needs to go
• 30:07
  Speaker 4: over there.
• 30:07
  Speaker 1: You know how Dennis Rodman used to go see Kim Jong-un?
• 30:09
  Speaker 4: Speak on it.
• 30:10
  Speaker 1: So we send.
• 30:11
  Speaker 4: Will Ferrell to Putin.
• 30:12
  Speaker 1: Yes. And then he helps us fix.
• 30:15
  Speaker 4: Yes. He goes, Vladimir, I'm going to play you in
• 30:17
  Speaker 4: a movie. Vladimir Putin goes. Vladimir.
• 30:20
  Speaker 1: Vladimir, I play you in a movie. I make you funny.
• 30:22
  Speaker 4: I love this.
• 30:22
  Speaker 1: I put you on the horse, make you sexy funny.
• 30:24
  Speaker 4: This is good. This is how we fix it.
• 30:26
  Speaker 1: Yes.
• 30:26
  Speaker 4: Look at us, coming up with solutions.
• 30:28
  Speaker 3: A lot of podcasts ain't going to do this.
• 30:30
  Speaker 1: They're not coming up with solutions.
• 30:31
  Speaker 4: It took two black people from the South to be like,
• 30:33
  Speaker 4: this is how we fix it. And guess what? We
• 30:35
  Speaker 4: can't give them too much because they will assassinate one
• 30:37
  Speaker 4: of us. Oh, damn.
• 30:38
  Speaker 1: Yeah.
• 30:39
  Speaker 4: Damn.
• 30:39
  Speaker 1: Okay, wait. Who would look sexier in the clouds?
• 30:41
  Speaker 4: That's tough. That's hard.
• 30:43
  Speaker 1: That's tough. Because you.
• 30:46
  Speaker 3: Because I don't want to be in the casket. I
• 30:47
  Speaker 3: want to be propped up.
• 30:48
  Speaker 1: We're both beautiful and we're both black and we're both queer. Damn,
• 30:53
  Speaker 1: who do they choose?
• 30:53
  Speaker 4: Listen, that's going to be flip a coin for them. Damn.
• 30:57
  Speaker 1: I feel like it might be me because they've assassinated
• 30:59
  Speaker 1: a lot of black men. It would be a nice
• 31:01
  Speaker 1: switch up to kill a woman.
• 31:03
  Speaker 4: No, but I don't want... Honestly... You know what, Lacey?
• 31:07
  Speaker 1: You know what?
• 31:07
  Speaker 4: I'm going to stop smiling. I'm going to miss you.
• 31:09
  Speaker 1: This lights up a room. They're going to get me.
• 31:15
  Speaker 1: Your smile lights up a room, too.
• 31:16
  Speaker 4: Smile more. It's bad. No, I can't. I don't want
• 31:18
  Speaker 4: to know.
• 31:19
  Speaker 1: Show those 32. Okay, well, we got to get back
• 31:21
  Speaker 1: to Dusko.
• 31:23
  Speaker 4: Dusko Popov. He was tricking. He was tricking.
• 31:26
  Speaker 1: Yeah. He tricked the Nazis. Yeah, he tricked the Nazis, right,
• 31:29
  Speaker 1: as a double agent. Dusko was the real-life inspiration, right,
• 31:32
  Speaker 1: for James Bond, as we said. The movie Fortitude also
• 31:35
  Speaker 1: stars Matthew Goode, Ben Kingsley, and Michael Sheen. Okay, yeah.
• 31:41
  Speaker 4: I love Ben Kingsley.
• 31:41
  Speaker 1: Charlie Sheen's dad.
• 31:43
  Speaker 4: Yeah, Martin Sheen.
• 31:45
  Speaker 1: So here he is holding that gun.
• 31:47
  Speaker 2: It was shot on a 35mm in the fall of
• 31:49
  Speaker 2: 2025 in London.
• 31:50
  Speaker 1: I love when things are shot on cameras, baby. Yes.
• 31:53
  Speaker 2: Directed by Simon West, who also made Tomb Raider and
• 31:56
  Speaker 2: Con Air and another Cage movie.
• 31:58
  Speaker 1: Listen, Con Air was lit.
• 32:00
  Speaker 4: Yeah, Tomb Raider too.
• 32:01
  Speaker 1: Inspirational to me.
• 32:02
  Speaker 4: Tomb Raider. What may I say? I'm running through this
• 32:05
  Speaker 4: nigga's house like a tomb raider.
• 32:06
  Speaker 1: He's a con movie maker.
• 32:07
  Speaker 4: We love a con movie maker.
• 32:08
  Speaker 1: If we're doing robbery, are we doing fraud? Yes. So
• 32:12
  Speaker 1: the heist. After Netflix expressed interest in buying the distribution
• 32:16
  Speaker 1: rights to Fortitude, Associated producer Daniel Hito dropped off a
• 32:20
  Speaker 1: hard drive with a copy of the movie on it
• 32:22
  Speaker 1: June 15, 2026 at the Netflix LA office, along with
• 32:28
  Speaker 1: instructions to wipe the device once the Netflix team had
• 32:31
  Speaker 1: watched the film. We know ain't nobody wiping no device.
• 32:35
  Speaker 4: These are children.
• 32:36
  Speaker 1: Nobody knows how to wipe anything.
• 32:38
  Speaker 4: He dropped the thumb drive at the Netflix.
• 32:41
  Speaker 1: And he said, wipe the device when you're done.
• 32:43
  Speaker 4: You know how I can tell that place ain't secure?
• 32:45
  Speaker 4: I walked in there.
• 32:46
  Speaker 1: Same.
• 32:47
  Speaker 4: Been all of it through. Been all of it through.
• 32:50
  Speaker 1: The cabinets, the refrigerators, everything.
• 32:52
  Speaker 4: Board rooms. I could have asked him that, too. Y'all
• 32:54
  Speaker 4: ain't watching shit.
• 32:56
  Speaker 1: I'm up in there like, da-dum.
• 32:59
  Speaker 4: I'm messing with the remotes. Y'all ain't got Hulu? Put
• 33:02
  Speaker 4: on my special. They said, Jay, this is a Netflix office.
• 33:04
  Speaker 4: Put it on Hulu, though. Put it on Hulu, though.
• 33:06
  Speaker 4: Put it on Hulu, though.
• 33:07
  Speaker 1: Y'all ain't got Hulu. Y'all ain't got Hulu. Y'all didn't
• 33:11
  Speaker 1: watch our competitors. Period.
• 33:12
  Speaker 4: Imagine going to Netflix and being like, put on Amazon
• 33:15
  Speaker 4: Prime real quick for me.
• 33:16
  Speaker 1: I got something y'all want to see. They got it.
• 33:22
  Speaker 4: They have to.
• 33:23
  Speaker 2: So within 24 hours, Netflix executives screened the film.
• 33:28
  Speaker 1: Hido also told Netflix to notify him when the drive
• 33:30
  Speaker 1: was ready for pickup, but Netflix was unresponsive to several
• 33:33
  Speaker 1: efforts to pick up the drive.
• 33:35
  Speaker 4: Wait a sec.
• 33:36
  Speaker 1: Now, physical media is dying, and you brought them physical media.
• 33:40
  Speaker 1: I don't understand why you thought they was going to
• 33:42
  Speaker 1: give it back to you.
• 33:43
  Speaker 3: Daniel also said Netflix was unresponsive. Welcome to the club, man.
• 33:48
  Speaker 3: Welcome to the club, man. Sometimes they be like, we
• 33:50
  Speaker 3: going to talk to you a little bit. Hey, we
• 33:52
  Speaker 3: love it. Hey, we love it. Oh, big fans of Jay.
• 33:55
  Speaker 3: Big fans of Daniel. We're going to talk to you
• 33:56
  Speaker 3: in a bit.
• 33:57
  Speaker 4: Hey, sit tight. Hey, sit tight. We got to give
• 34:00
  Speaker 4: Chappelle another $ 5 million. Wait a minute. Wait a minute.
• 34:02
  Speaker 4: Wait a minute. He said Netflix was unresponsive. Welcome to
• 34:06
  Speaker 4: being a comic, Daniel.
• 34:09
  Speaker 1: Oh, he's so hot, though. So, wait a minute, though.
• 34:14
  Speaker 2: On June 25th, a Netflix executive sent an email to
• 34:20
  Speaker 2: two members of the Fortitude film team. Sometime in the
• 34:24
  Speaker 2: last 10 days, the hard drive has been stolen, along
• 34:29
  Speaker 2: with a bunch of other ones.
• 34:30
  Speaker 4: Other ones.
• 34:32
  Speaker 1: Netflix says its internal investigation found that the other hard
• 34:36
  Speaker 1: drives were empty. So they're trying to be like, oh.
• 34:40
  Speaker 2: I know you said empty the hard drive once we
• 34:42
  Speaker 2: watched it, but it actually had gotten stolen. But it
• 34:45
  Speaker 2: was stolen with the other empty hard drives that we
• 34:47
  Speaker 2: definitely emptied. So don't worry about it because it was
• 34:50
  Speaker 2: stolen and it was definitely probably empty.
• 34:53
  Speaker 4: Wait, now this is getting crazy.
• 34:56
  Speaker 3: So this is a scam about a movie that was
• 34:59
  Speaker 3: about a scammer for good. So this was a story
• 35:04
  Speaker 3: about a good scammer who was tricking Nazis.
• 35:06
  Speaker 1: We're in the Russian doll of scams.
• 35:08
  Speaker 4: That now... When the Serbian doll of scams. This is amazing.
• 35:12
  Speaker 1: The Serbian doll of scams. I like that. So Sean Burney,
• 35:18
  Speaker 1: Netflix's head of acquisitions, said that this type of theft
• 35:21
  Speaker 1: had never happened before.
• 35:22
  Speaker 4: He just ran for mayor of L.A.
• 35:24
  Speaker 1: No. That was Spencer Pratt. But it looks like Spencer.
• 35:29
  Speaker 4: That ain't Spencer.
• 35:30
  Speaker 1: That's Spencer Cousins.
• 35:31
  Speaker 4: That ain't Spencer.
• 35:32
  Speaker 1: This is definitely Spencer Cousins.
• 35:33
  Speaker 4: That ain't Spencer.
• 35:34
  Speaker 1: Damn, he's definitely Spencer Cousins.
• 35:37
  Speaker 4: That ain't Spencer.
• 35:38
  Speaker 3: Oh, Lord.
• 35:39
  Speaker 4: That ain't y'all ex-would-be Republican mayor. Wait, look at this
• 35:41
  Speaker 4: lady over here.
• 35:42
  Speaker 1: She's side-eyed.
• 35:43
  Speaker 4: She knows. Because she thinks that ain't Spencer.
• 35:45
  Speaker 1: She knows.
• 35:45
  Speaker 4: She's thinking that ain't Spencer.
• 35:47
  Speaker 1: I bet she knows.
• 35:48
  Speaker 3: I bet she knows. I bet she knows. She said, Spencer,
• 35:53
  Speaker 3: you ain't slick. She said, Sean, sure, whatever. You Spencer.
• 35:58
  Speaker 3: I know Spencer Pratt when I see Spencer Pratt. I
• 36:01
  Speaker 3: didn't watch the OC for nothing. I didn't watch the
• 36:03
  Speaker 3: Hills for nothing.
• 36:04
  Speaker 4: We're hiding.
• 36:05
  Speaker 1: Well, he said that the type of theft had never
• 36:12
  Speaker 1: happened before. Hmm.
• 36:14
  Speaker 2: He says Netflix checked their security cameras and they are
• 36:17
  Speaker 2: monitoring piracy websites with no luck.
• 36:20
  Speaker 4: Hmm.
• 36:21
  Speaker 1: The thieves are still at large. Because you the thieves.
• 36:26
  Speaker 4: Yeah.
• 36:26
  Speaker 1: What you mean?
• 36:27
  Speaker 3: Netflix, you downloaded that man's movie and said, I don't
• 36:30
  Speaker 3: know where it went.
• 36:31
  Speaker 1: They said, da-dum.
• 36:32
  Speaker 4: And they took it. Netflix said, still watching?
• 36:37
  Speaker 1: Nope.
• 36:38
  Speaker 4: This is crazy.
• 36:39
  Speaker 1: Want us to remind you later?
• 36:40
  Speaker 4: Really? Really, Netflix? You doing what crackhead cousins used to do?
• 36:44
  Speaker 4: Be like, I don't know where it is. I don't know.
• 36:46
  Speaker 4: Wait a second.
• 36:48
  Speaker 1: It was a USB, right? USB. Not P?
• 36:51
  Speaker 4: Okay, wait a second. A jump drive, a flash drive,
• 36:54
  Speaker 4: what you call it?
• 36:54
  Speaker 3: Yeah.
• 36:55
  Speaker 4: I got a floppy disk. You mean this? No, okay.
• 36:57
  Speaker 4: Let me look.
• 36:58
  Speaker 3: I'm going to look for it. If it turns up,
• 37:00
  Speaker 3: if it turns... Listen, you're going to be the first
• 37:02
  Speaker 3: person I call. The first person I call.
• 37:03
  Speaker 4: If it turns up... If it was a snake.
• 37:05
  Speaker 1: If it may be.
• 37:06
  Speaker 3: If it was a snake, it would have bit me.
• 37:07
  Speaker 3: If it turns up, if I find it, I'm going
• 37:10
  Speaker 3: to let you know.
• 37:12
  Speaker 4: How much money?
• 37:12
  Speaker 3: You said it was $ 200.
• 37:15
  Speaker 4: We'll get it.
• 37:16
  Speaker 1: So, Sean.
• 37:17
  Speaker 3: You know, because if somebody take it, God ain't going
• 37:19
  Speaker 3: to bless them. If somebody take it, God ain't going
• 37:21
  Speaker 3: to bless them. They can't do nothing with that money.
• 37:22
  Speaker 1: You have really doubled down. So, Sean Spencer.
• 37:29
  Speaker 4: Sean Barney.
• 37:31
  Speaker 1: Yeah, Sean Barney.
• 37:32
  Speaker 4: Spencer Pratt.
• 37:33
  Speaker 2: He claimed that thieves would need a key to unlock
• 37:36
  Speaker 2: the movie, even though Netflix had allegedly asked the production
• 37:39
  Speaker 2: company to unlock the drive prior to delivering it.
• 37:42
  Speaker 4: You can unlock thumb drives?
• 37:44
  Speaker 1: Yeah, because it's password protected so that people don't steal it.
• 37:50
  Speaker 1: You know how sometimes we get screeners. This is very Hollywood. Yeah, yeah.
• 37:53
  Speaker 1: Sometimes we get screeners and you gotta log in. Now,
• 37:56
  Speaker 1: I miss physical screeners. I loved having physical media.
• 37:58
  Speaker 4: We bought a DVD player just for that.
• 38:00
  Speaker 2: And now it's like, log in here and you can
• 38:01
  Speaker 2: only watch it in this set of time or you
• 38:03
  Speaker 2: can only do this or da-da-da-da-da. Like, that's what honestly
• 38:07
  Speaker 2: drug me into The Pit. I had screeners for The
• 38:09
  Speaker 2: Pit and they fucked up and gave me the whole
• 38:11
  Speaker 2: goddamn season because I had actors from The Pit come
• 38:14
  Speaker 2: on the show.
• 38:15
  Speaker 1: And it was so good.
• 38:17
  Speaker 4: Lacey, it's so funny. I was so addicted.
• 38:20
  Speaker 3: I now know you were talking about The show The Pit,
• 38:23
  Speaker 3: but I thought you meant like some sort of metaphysical pit.
• 38:26
  Speaker 4: You said that dragged me into the pit. I said,
• 38:28
  Speaker 4: of despair? What's going on? I said, get up out
• 38:31
  Speaker 4: of it, Lacey. Get up out of it. Get up
• 38:33
  Speaker 4: out of it. Get up out of it.
• 38:35
  Speaker 1: This persona, now I know if I see this one,
• 38:37
  Speaker 1: you're scamming. Because what is this, Jay? The pit.
• 38:42
  Speaker 4: It dragged me into the pit.
• 38:44
  Speaker 1: So... Sean offered to reimburse the production company for the
• 38:50
  Speaker 1: missing hard drive. Instead, the writer-producer is suing Netflix for
• 38:54
  Speaker 1: $ 105 million. Whoa! That means our prices are going to
• 38:59
  Speaker 1: go up. Remember Netflix was in the, like, the three-digit
• 39:03
  Speaker 1: money amounts? Now it's in the five. I'm including the period.
• 39:07
  Speaker 4: Yeah, the little juju.
• 39:08
  Speaker 2: So now it's in the four. So it was in
• 39:10
  Speaker 2: the three, now it's in the four. So I'm including
• 39:12
  Speaker 2: the decimal, exactly. So it was like, oh, this amount
• 39:15
  Speaker 2: of money.
• 39:16
  Speaker 4: It used to be nine.
• 39:17
  Speaker 1: And now it's like 21.
• 39:18
  Speaker 4: Nine, and now it's in, yeah. It's in the 20s.
• 39:21
  Speaker 3: And what's wild is that they... I guarantee they didn't
• 39:25
  Speaker 3: offer them $ 105 million. That wasn't the offer. So he
• 39:30
  Speaker 3: is saying, I don't want whatever y'all offered. Because they
• 39:33
  Speaker 3: probably just offered to pay for the flash drive. I
• 39:35
  Speaker 3: give you $ 20. You know what you need?
• 39:36
  Speaker 1: What is this, a sandisk?
• 39:38
  Speaker 4: You need $ 30? A sandisk?
• 39:39
  Speaker 1: Yeah, we got $ 15 for you.
• 39:40
  Speaker 3: Yeah, what do you need? I can go to the
• 39:42
  Speaker 3: Geek Squad. Talk to the receptionist.
• 39:43
  Speaker 1: Actually, it's going to cover your parking, so yeah, you good.
• 39:47
  Speaker 4: You want a lanyard? We can put on a lanyard
• 39:49
  Speaker 4: so you don't lose it again.
• 39:51
  Speaker 2: We added somebody else in now that we're talking about
• 39:53
  Speaker 2: that lawsuit. We have Simone Ephraim. We got a lot
• 39:56
  Speaker 2: of Simone Simones.
• 39:57
  Speaker 1: Up in here. Yeah, this is the second Simone. Yeah,
• 40:00
  Speaker 1: this is boy Simone. We got girl Simone Simone, and
• 40:03
  Speaker 1: we got boy Simone. So Simone Ephraim, the film's writer
• 40:06
  Speaker 1: and producer, also happens to be a Swiss billionaire.
• 40:10
  Speaker 4: What?
• 40:10
  Speaker 1: Who spent seven years on his passion project to write
• 40:14
  Speaker 1: and personally finance this movie. The movie costs $ 45 million
• 40:18
  Speaker 1: to make, but Simone is suing for $ 105 million, arguing
• 40:22
  Speaker 1: that because the Fortitude team has to tell potential buyers
• 40:26
  Speaker 1: the movie could already be leaked, the theft is hindering
• 40:28
  Speaker 1: the sales process and could further impact everything from insurance
• 40:32
  Speaker 1: to marketing.
• 40:33
  Speaker 4: Yes.
• 40:34
  Speaker 3: I want to take a moment to say Simone Afram,
• 40:37
  Speaker 3: a Swiss billionaire. If you want to produce a comedy special,
• 40:41
  Speaker 3: I could also.
• 40:43
  Speaker 1: Right.
• 40:44
  Speaker 4: We can make it about Dusko.
• 40:45
  Speaker 1: We don't need to be 45 million.
• 40:47
  Speaker 4: I don't need 45 million. We could make this movie.
• 40:51
  Speaker 3: I can make a couple of jokes about this and
• 40:53
  Speaker 3: you can get some of your money back. You just
• 40:55
  Speaker 3: got to give me one minute, two minutes.
• 40:58
  Speaker 1: Five now?
• 40:59
  Speaker 4: Five now?
• 41:00
  Speaker 1: Like six?
• 41:01
  Speaker 4: Twelve. You a Swiss billionaire. I love Swiss chocolate. I
• 41:06
  Speaker 4: do too.
• 41:06
  Speaker 1: Swiss mist.
• 41:07
  Speaker 4: Swiss mist.
• 41:08
  Speaker 1: Marshmallows. Yes. Yeah, let us in.
• 41:10
  Speaker 4: Simone.
• 41:12
  Speaker 2: So the lawsuit says, though it's mishandling of the film
• 41:15
  Speaker 2: and subsequent dismissiveness... Netflix has jeopardized plaintiff's investment of over
• 41:20
  Speaker 2: $ 45 million and the significant value.
• 41:23
  Speaker 1: Of the film itself.
• 41:25
  Speaker 4: The horse.
• 41:26
  Speaker 2: Netflix has also deprived the film, its cast, and its
• 41:30
  Speaker 2: creators of the opportunity to bring their work to market
• 41:33
  Speaker 2: and receive recognition that properly marketed worldwide release would likely
• 41:37
  Speaker 2: have generated.
• 41:38
  Speaker 4: Mm-hmm.
• 41:39
  Speaker 1: Mm.
• 41:39
  Speaker 4: That's an Oscar.
• 41:40
  Speaker 1: They say you robbed opportunities. Like, this could have been
• 41:42
  Speaker 1: Oscar moments. Yeah. This could have been people's press. And
• 41:44
  Speaker 1: that does happen. I've been in projects that were fully
• 41:48
  Speaker 1: filmed and then didn't come out. Luckily for me, it
• 41:51
  Speaker 1: was one that I didn't want to come out. I
• 41:53
  Speaker 1: was actually very happy. They switched the script up on me.
• 41:56
  Speaker 1: I was playing a rapper named Queen Coochie.
• 41:58
  Speaker 4: You don't want to know. Queen Coochie?
• 41:59
  Speaker 1: Yeah, it was bad.
• 42:00
  Speaker 4: Queen Coochie? I love this. I'm so glad it never
• 42:02
  Speaker 4: came out.
• 42:03
  Speaker 1: Walmart got sued and I got saved.
• 42:06
  Speaker 3: I've been in a situation where I got cast. did
• 42:09
  Speaker 3: the role shot it two days on set we got
• 42:12
  Speaker 3: cut from the movie people were making fun of the
• 42:14
  Speaker 3: movie online and as like the rollout the press rollout
• 42:18
  Speaker 3: because i was cut i didn't have to defend the
• 42:20
  Speaker 3: movie it was like this movie's terrible that's crazy that's
• 42:24
  Speaker 3: wild that y'all saying that that's whoa i still get
• 42:27
  Speaker 3: residual from that movie they're small now but i still
• 42:32
  Speaker 3: get them.
• 42:33
  Speaker 1: Listen, I was a black lady on Insecure.
• 42:36
  Speaker 4: That was the role. That was the title.
• 42:38
  Speaker 1: And it was a.
• 42:39
  Speaker 2: Dream sequence, which when I read it, I was like, fuck,
• 42:42
  Speaker 2: there's a possibility that this could get cut.
• 42:43
  Speaker 1: Because it's a dream sequence, you know? So we shoot
• 42:46
  Speaker 1: it all, right?
• 42:47
  Speaker 2: And I had told my family, told them too early
• 42:50
  Speaker 2: in my lesson, that I was in Insecure.
• 42:52
  Speaker 1: Me and Issa laugh about this. But I told them.
• 42:55
  Speaker 1: And then... Insecure comes out, and I get told from
• 42:59
  Speaker 1: my reps that I'm not going to be in it.
• 43:01
  Speaker 1: The dream sequence is cut out. Yes.
• 43:03
  Speaker 4: Okay, cool.
• 43:03
  Speaker 1: It was a season three trailer, right? Why am I
• 43:06
  Speaker 1: in the trailer? Ooh.
• 43:08
  Speaker 2: So now I feel like, oh my gosh, she in Insecure.
• 43:11
  Speaker 1: She lit. She lit. Okay. I knew it wasn't actually
• 43:14
  Speaker 1: ever going to air. Yeah. Yeah. But honestly, though, kind
• 43:18
  Speaker 1: of cunt.
• 43:18
  Speaker 4: Kind of cunt.
• 43:19
  Speaker 1: Very cunt. You didn't cut me for my performance.
• 43:20
  Speaker 4: Yeah.
• 43:21
  Speaker 1: Okay, y'all cut for story reasons. You end up in
• 43:23
  Speaker 1: the trailer. You should sell in the show with me now.
• 43:27
  Speaker 3: I had a situation like that where I was in
• 43:28
  Speaker 3: the trailer for Savado the Thickest this past season that
• 43:30
  Speaker 3: just came out. I was in the trailer and then
• 43:32
  Speaker 3: I was in one episode and they're like, and more.
• 43:34
  Speaker 3: I was like, that's it. You actually saw me twice.
• 43:37
  Speaker 3: You saw me in the trailer and then you saw
• 43:38
  Speaker 3: me in the episode.
• 43:39
  Speaker 4: I'm done.
• 43:41
  Speaker 3: But with Insecure, the funnier thing with Insecure is when
• 43:44
  Speaker 3: you end up in one of the crazy scenes. So,
• 43:47
  Speaker 3: you know, TSA Bay, you know, Reggie, he was having
• 43:51
  Speaker 3: sex with Issa's character.
• 43:52
  Speaker 4: He showed his ass.
• 43:53
  Speaker 3: Reggie's like a good friend of mine. He's a hilarious
• 43:55
  Speaker 3: comic from Philly based in New York.
• 43:57
  Speaker 4: So funny. But like for a good year, just people
• 44:01
  Speaker 4: be like, hey.
• 44:01
  Speaker 1: I saw your ass.
• 44:03
  Speaker 3: I saw your ass on Insecure. Hey, man, look at
• 44:06
  Speaker 3: me when I talk to you, man. I saw your ass.
• 44:09
  Speaker 1: Look at me when I'm talking to you while.
• 44:10
  Speaker 4: You're saying I saw your ass. Look at me, big
• 44:12
  Speaker 4: booty TSA dude. Why were you fucking on Issa like that?
• 44:17
  Speaker 4: Why were you fucking on Issa like that?
• 44:19
  Speaker 3: She was sad. I can say it. I showed my
• 44:23
  Speaker 3: ass on HBO. High maintenance. Season four, episode two. Booty
• 44:27
  Speaker 3: was out. My mama saw the episode. You know what
• 44:30
  Speaker 3: she said? That's my ass.
• 44:32
  Speaker 4: I said, you're right. You're right, Margaret. I got it
• 44:34
  Speaker 4: from you.
• 44:35
  Speaker 1: That's genetics.
• 44:35
  Speaker 4: She was like, I made that ass. She said, that
• 44:37
  Speaker 4: one person, that's me.
• 44:40
  Speaker 1: My mom didn't give me her ass, so I'm never
• 44:42
  Speaker 1: showing it.
• 44:44
  Speaker 2: Listen, look, these titties can't get Boston's ball money, but
• 44:47
  Speaker 2: they got to get.
• 44:48
  Speaker 4: It's got to be artistic. They're amazing boobs.
• 44:52
  Speaker 3: In L.A., you rarely, in L.A., you see so many
• 44:56
  Speaker 3: people and they go, oh, you know, I guess I
• 44:59
  Speaker 3: got to go to L.A. get my boobs done. When
• 45:00
  Speaker 3: people come to L.A. with titties, that's a power move.
• 45:05
  Speaker 1: Yeah, you're supposed to get them when you're here. You're
• 45:06
  Speaker 1: supposed to get them.
• 45:07
  Speaker 4: When you're here.
• 45:08
  Speaker 3: That's like when you bring a dish to someone's house.
• 45:09
  Speaker 3: They go, oh my gosh, thank you. Thank you for
• 45:11
  Speaker 3: bringing something. Thank you for bringing something. Because people don't
• 45:14
  Speaker 3: have class no more. Some people just bring ice.
• 45:17
  Speaker 1: That's crazy.
• 45:17
  Speaker 4: They bring cups. You brought some cups.
• 45:20
  Speaker 1: I brought some cups. You brought some sea cups. I
• 45:21
  Speaker 1: brought some sea cups. Scams!
• 45:28
  Speaker 4: Cards!
• 45:30
  Speaker 1: So now, I think this is a strong... Case here, Simon.
• 45:35
  Speaker 4: $ 105 million. Simon.
• 45:37
  Speaker 1: We're going to call him Simon because we got Simon Simon.
• 45:39
  Speaker 1: So you're going to have to be Simon, boy Simon.
• 45:42
  Speaker 1: Simon Simon.
• 45:43
  Speaker 2: So Simon says, Netflix also refused to cooperate with the
• 45:47
  Speaker 2: Los Angeles Police Department.
• 45:49
  Speaker 1: What? But this isn't the first time Simon, whose business
• 45:52
  Speaker 1: interests aren't public information, sued someone over a movie he
• 45:56
  Speaker 1: spent seven years writing and producing. I guess he'd be
• 45:58
  Speaker 1: doing this.
• 45:58
  Speaker 4: Wait.
• 45:59
  Speaker 1: Previous lawsuit.
• 46:00
  Speaker 2: So Simon had another previous lawsuit. At one point, Martin
• 46:03
  Speaker 2: Scorsese was attached to the project. Simon later sued him.
• 46:07
  Speaker 1: Sued Marty.
• 46:08
  Speaker 4: Okay.
• 46:09
  Speaker 2: Claiming he took $ 500, 000 from a first-time screenwriter to help
• 46:12
  Speaker 2: develop the film and didn't end up doing it. Scorsese's
• 46:15
  Speaker 2: lawyers called it a classic example of the novice filmmaker
• 46:18
  Speaker 2: who refuses to appreciate the stark difference between expectation and
• 46:22
  Speaker 2: reality in the filmmaking business.
• 46:24
  Speaker 1: It was later settled. But it was settled though, so Marty.
• 46:29
  Speaker 4: Okay.
• 46:30
  Speaker 1: Martin. Martin.
• 46:31
  Speaker 4: You so crazy.
• 46:32
  Speaker 1: I love you, Martin. Martin Scorsese. Honestly, Martin, we are
• 46:35
  Speaker 1: actors and we're going to be on your side. We
• 46:37
  Speaker 1: just don't let you have this one.
• 46:38
  Speaker 4: Listen, Martin Scorsese.
• 46:39
  Speaker 1: It does say it was settled, though. So, Martin, what
• 46:41
  Speaker 1: you have to settle for?
• 46:41
  Speaker 4: This is what happened. Martin Scorsese is an older man.
• 46:43
  Speaker 4: He didn't know. That was tricking him. Martin, what'd you do?
• 46:46
  Speaker 4: That was fooling him.
• 46:48
  Speaker 1: Don't tell us, but tell me.
• 46:49
  Speaker 4: They was fooling him.
• 46:49
  Speaker 3: I'm not about to argue with the man who made
• 46:51
  Speaker 3: all the mob movies. Y'all ain't about to have me
• 46:52
  Speaker 3: beat up.
• 46:53
  Speaker 1: I feel like he know too much about mob.
• 46:55
  Speaker 4: Yeah.
• 46:55
  Speaker 1: Like it might be meta.
• 46:57
  Speaker 4: Oh, yeah. He definitely knows somebody. To me, this is meta.
• 47:00
  Speaker 3: Because what if Netflix stole it and then returned it
• 47:03
  Speaker 3: all in the hopes that they can tell this story
• 47:05
  Speaker 3: and double dip and release the movie? What if they
• 47:07
  Speaker 3: have the story that is about Dusko?
• 47:09
  Speaker 1: Do I have a tinfoil hat?
• 47:10
  Speaker 4: Listen, put it on. They got the story about Dusko.
• 47:14
  Speaker 4: They got Fortitude.
• 47:15
  Speaker 3: But then because this is a movie about tricking people,
• 47:18
  Speaker 3: now they also have the heist of the film. So
• 47:20
  Speaker 3: now if they want to, they can make a documentary
• 47:22
  Speaker 3: and a further, they can make a second movie about
• 47:25
  Speaker 3: how this movie got stolen. It's about spies. You can
• 47:27
  Speaker 3: intercut in between the spy foot. Man, you can't trick me.
• 47:32
  Speaker 1: I can't trick me.
• 47:33
  Speaker 4: I've been in this industry too long. I see it.
• 47:36
  Speaker 4: I see for what it is. I know.
• 47:38
  Speaker 3: I wasn't even gay before I started doing comedy. I said,
• 47:44
  Speaker 3: if I'm going to do- Comedy turned me gay. I said,
• 47:46
  Speaker 3: if I'm going to do- Wait, let me think. I said,
• 47:47
  Speaker 3: if I'm going to be successful.
• 47:49
  Speaker 1: In Hollywood- Hey, had I eaten some coochie before I
• 47:51
  Speaker 1: started comedy? I don't think I did. See?
• 47:55
  Speaker 4: See?
• 47:56
  Speaker 3: That's what- You come to L.A., that's what's going to
• 47:57
  Speaker 3: happen to you. You come out here. I'm full Mississippi
• 48:03
  Speaker 3: uncle now. Yeah, you went to L.A. Went to L.A.
• 48:06
  Speaker 3: They said, all you want is sashimi. Now look at you.
• 48:09
  Speaker 3: Now look at you. You going full.
• 48:12
  Speaker 4: I'm a sake.
• 48:12
  Speaker 1: Okay.
• 48:15
  Speaker 3: You eat some yellowtail. You eat some yellowtail. That's a
• 48:19
  Speaker 3: light-skinned woman. You eat some yellowtail. Got some hamachi. I
• 48:24
  Speaker 3: know a girl named Hamachi. Went out there and became
• 48:28
  Speaker 3: a lesbian. L-A-S-B-U-N exclamation point.
• 48:35
  Speaker 4: A lesbian.
• 48:38
  Speaker 1: My stomach hurts.
• 48:40
  Speaker 4: Okay. You on the Ozempic because you can only eat coochie.
• 48:43
  Speaker 4: You can't hold nothing else down. Breaking my heart.
• 48:47
  Speaker 1: The way you're reading me for filth right now is crazy. Okay.
• 48:51
  Speaker 1: I have to finish the episode, Jay.
• 48:53
  Speaker 4: Acai bowls.
• 48:56
  Speaker 1: Okay.
• 48:57
  Speaker 4: You know what they put in there. You gotta stop.
• 48:59
  Speaker 1: You gotta stop. You gotta stop.
• 49:03
  Speaker 4: They say you want some matcha. I said, I'm a...
• 49:06
  Speaker 4: I said.
• 49:07
  Speaker 1: I said... I said, you better macho your ass back there.
• 49:19
  Speaker 4: And give me some coffee.
• 49:25
  Speaker 1: I'm reading now. I'm reading. I'm fighting for my life.
• 49:29
  Speaker 4: I was the person who said I had a hard out.
• 49:32
  Speaker 4: I don't.
• 49:34
  Speaker 1: You son of a bitch. The previous lawsuit. So Martin
• 49:41
  Speaker 1: Scorsese got sued.
• 49:44
  Speaker 3: That was me doing an impression of the audience members
• 49:45
  Speaker 3: at Chocolate Sunday this past weekend.
• 49:49
  Speaker 1: He later settled it. God, my throat hurts. And Fortitude
• 49:55
  Speaker 1: isn't the first Nicolas Cage movie to be stolen.
• 49:58
  Speaker 4: What?
• 49:59
  Speaker 1: He was in a movie called Stolen.
• 50:01
  Speaker 3: No.
• 50:02
  Speaker 1: No. What?
• 50:09
  Speaker 2: Appropriately named in 2012. It was a ripoff of Taken.
• 50:16
  Speaker 2: And I love that.
• 50:17
  Speaker 4: Oh, my God. Wait a second.
• 50:19
  Speaker 1: He's in a lot of movies. Now, listen, I love
• 50:21
  Speaker 1: the ripoff of Taken.
• 50:22
  Speaker 4: This is to be taken?
• 50:23
  Speaker 1: To be taken. And listen, I love this because one
• 50:28
  Speaker 1: of my favorite things that black people do is we
• 50:29
  Speaker 1: rename things. You know there's no S in Nordstrom's?
• 50:33
  Speaker 4: What?
• 50:34
  Speaker 1: We added that. There's no SMJC pennies.
• 50:36
  Speaker 4: We added that as well. It's more than one store.
• 50:39
  Speaker 1: It is.
• 50:39
  Speaker 4: Okay.
• 50:40
  Speaker 1: Which is why we're correct.
• 50:41
  Speaker 4: Yeah, exactly. Yes.
• 50:42
  Speaker 1: And one time I called my mother, Lori.
• 50:44
  Speaker 4: Mm-hmm.
• 50:45
  Speaker 1: And I was like, hey, Mom, what are you doing?
• 50:47
  Speaker 1: She said, me and Daddy just laying here watching Retook. Mm-hmm.
• 50:50
  Speaker 1: And I said, oh, I haven't heard of Retook. Mm-hmm.
• 50:54
  Speaker 1: Is that like a new movie? I haven't watched that.
• 50:55
  Speaker 1: Let me throw that out, too.
• 50:56
  Speaker 4: Mm-hmm, Retook.
• 50:57
  Speaker 2: And she was like, you know, it's the one with
• 50:59
  Speaker 2: the neck chopping, with Liam Neeson with the neck chopping.
• 51:01
  Speaker 1: I said, take it?
• 51:02
  Speaker 4: Mm-hmm.
• 51:03
  Speaker 1: And she was like, yeah, retook.
• 51:05
  Speaker 4: Retook.
• 51:05
  Speaker 1: I said, taken to?
• 51:07
  Speaker 4: Yep.
• 51:09
  Speaker 1: Retook.
• 51:09
  Speaker 4: That's logic, though. I like that. Retook. Retook.
• 51:14
  Speaker 1: So stolen.
• 51:15
  Speaker 4: Stolen.
• 51:16
  Speaker 1: They was like, taken. Now we got stolen.
• 51:18
  Speaker 4: Stolen.
• 51:18
  Speaker 1: Robbed.
• 51:19
  Speaker 4: Pilfered.
• 51:20
  Speaker 1: Napped.
• 51:22
  Speaker 4: Snatched. Burgled.
• 51:27
  Speaker 1: Burgled twins.
• 51:27
  Speaker 4: Burgled. Burgled.
• 51:29
  Speaker 1: That burgled my baby.
• 51:30
  Speaker 4: That unburgled my baby. Burgled. Burgled.
• 51:33
  Speaker 1: It hit all the neck chops you want.
• 51:34
  Speaker 2: I love that.
• 51:36
  Speaker 1: Liam rarely had to use a gun. He was just
• 51:39
  Speaker 1: neck chopping. Yeah, yeah. Now, he did do that interview
• 51:42
  Speaker 1: where he talked about walking around Europe with a bat.
• 51:44
  Speaker 4: Looking for black men. Looking for black men.
• 51:46
  Speaker 1: Yeah, yeah. And I was like, damn, Liam, we was
• 51:48
  Speaker 1: on your side. You were one of our favorite whites.
• 51:49
  Speaker 1: I can't believe you did this to us.
• 51:53
  Speaker 4: I was just looking for a black bastard. That's what
• 51:55
  Speaker 4: he said. He said, I was just looking for a
• 51:57
  Speaker 4: black bastard.
• 51:58
  Speaker 1: And he was comfortable enough to say.
• 52:00
  Speaker 4: That, sir.
• 52:01
  Speaker 3: Were you under the influence? Why did you think this
• 52:02
  Speaker 3: was a good thing to say? He picked the right
• 52:04
  Speaker 3: place to do it, though. He didn't come to America.
• 52:06
  Speaker 3: He didn't go, I was in Houston looking for a
• 52:07
  Speaker 3: black bastard.
• 52:08
  Speaker 1: Oh, no, because he would have found.
• 52:10
  Speaker 4: He would have found a couple.
• 52:12
  Speaker 1: And you don't want to find them.
• 52:13
  Speaker 4: That is funny. You're right. He was like, spot a T.
• 52:17
  Speaker 1: I was looking for a spot a T, Negro. A
• 52:19
  Speaker 1: spot a T. Like, you weren't looking for us. Because
• 52:22
  Speaker 1: we'd be looking for you.
• 52:24
  Speaker 3: To go to Europe and be like, I was looking
• 52:26
  Speaker 3: for a black bastard.
• 52:27
  Speaker 4: Ain't nothing over there. You know where you could go.
• 52:30
  Speaker 1: They're there, though.
• 52:31
  Speaker 4: There's some.
• 52:31
  Speaker 1: I've met some very lovely European bros.
• 52:34
  Speaker 4: I was just in London for a week. They came
• 52:36
  Speaker 4: out to the show. They were fun.
• 52:38
  Speaker 1: Yeah.
• 52:38
  Speaker 4: I love it. I love it, innit?
• 52:41
  Speaker 1: I love it, innit, too.
• 52:42
  Speaker 4: Innit.
• 52:43
  Speaker 1: I love it, innit.
• 52:43
  Speaker 4: Innit.
• 52:44
  Speaker 1: Innit. Brov. Brov.
• 52:45
  Speaker 4: Bruv.
• 52:46
  Speaker 1: Bruv. Bruv. Bruv.
• 52:48
  Speaker 4: And you know how strong we are?
• 52:49
  Speaker 1: My guy cousin.
• 52:50
  Speaker 4: Bruv.
• 52:50
  Speaker 3: Because what we're doing right now, yes, I know, culturally insensitive.
• 52:53
  Speaker 3: I don't do this to their face, but.
• 52:56
  Speaker 1: Oh, I do it to their faces.
• 52:57
  Speaker 4: Okay. I do. Well, now.
• 52:59
  Speaker 1: Did I have a little pickpocket?
• 53:00
  Speaker 3: You kind of are doing whenever white people do the.
• 53:05
  Speaker 4: Nah, I could.
• 53:07
  Speaker 1: No, no, it's not the same. No, no, it's not
• 53:09
  Speaker 1: the same.
• 53:09
  Speaker 4: Okay, no, it's not the same.
• 53:10
  Speaker 1: No, it's a little more Australian.
• 53:12
  Speaker 4: It's more Australian.
• 53:13
  Speaker 1: Yeah. It's more Australian. All I really can say in
• 53:15
  Speaker 1: an Australian accent is like lazy desk.
• 53:17
  Speaker 3: Didn't they send you over there?
• 53:18
  Speaker 1: No, I was in Ireland. Yeah, having a good crock.
• 53:21
  Speaker 1: I was in Ireland.
• 53:22
  Speaker 4: Ireland?
• 53:23
  Speaker 1: Yes. I'm learning all the European regional accents for my
• 53:25
  Speaker 1: next scam. But whenever you get kicked out.
• 53:28
  Speaker 4: Yes.
• 53:28
  Speaker 1: No, babes. I'm trying to get that Irish passport. They
• 53:30
  Speaker 1: got all the stamps. You can go to the UK,
• 53:31
  Speaker 1: go to the EU. Like, I need that.
• 53:34
  Speaker 4: I need that.
• 53:35
  Speaker 1: So, I'm going to find me a little shamrock, a
• 53:36
  Speaker 1: little Liam. Somebody at the end of the rainbow.
• 53:39
  Speaker 4: A little shamrock. To love me.
• 53:41
  Speaker 1: Okay? Hurry it.
• 53:44
  Speaker 4: Party like a shamrock star. So, this is Stolen, right?
• 53:46
  Speaker 1: Stolen. I didn't watch Stolen. But now I kind of
• 53:49
  Speaker 1: want to watch Stolen. Should we all do a movie
• 53:50
  Speaker 1: night at Stolen? Like, I feel like we need to
• 53:52
  Speaker 1: watch it. Nicolas Cage makes a lot of movies.
• 53:56
  Speaker 4: They.
• 53:58
  Speaker 3: If two of your movies get stolen, that's like, it's
• 54:03
  Speaker 3: not your fault, but you are.
• 54:04
  Speaker 1: I feel like you are contributing to the stolenness of
• 54:06
  Speaker 1: the movie.
• 54:07
  Speaker 4: You know what it is?
• 54:08
  Speaker 3: Have you ever had someone, they go, oh, I lost
• 54:11
  Speaker 3: my phone. And then within the same calendar year, they
• 54:15
  Speaker 3: lose it again.
• 54:16
  Speaker 4: You go, now it's you. You go first. At first, okay,
• 54:21
  Speaker 4: sometimes there's still phones in the club. I've been to Miami.
• 54:23
  Speaker 4: Or maybe you.
• 54:24
  Speaker 2: Lose your phone in an airplane seat that's like the
• 54:27
  Speaker 2: reclining one. This is very specific, not from my own experience,
• 54:31
  Speaker 2: but the reclining airplane seat, and then it's stuck in between,
• 54:34
  Speaker 2: and then they won't let you get it out, and
• 54:36
  Speaker 2: then you can't get it, and you got to get
• 54:37
  Speaker 2: a new phone and work from your iPad for a
• 54:39
  Speaker 2: little while.
• 54:39
  Speaker 3: And you go, wow, I really lost it. I thought
• 54:42
  Speaker 3: Delta One was going to be the lap of luxury.
• 54:44
  Speaker 3: I have lost my phone.
• 54:45
  Speaker 1: Yeah, Delta One was like, you're not the one or
• 54:47
  Speaker 1: the two. We're not taking care of you. You're not the.
• 54:50
  Speaker 4: One or the two. Yeah, but now if you lose
• 54:53
  Speaker 4: a second movie. No, it's like you're losing.
• 54:56
  Speaker 1: Too many movies.
• 54:56
  Speaker 4: You're losing movies.
• 54:57
  Speaker 1: Like, movies is a lot to lose.
• 54:59
  Speaker 4: Right, more than one.
• 55:00
  Speaker 1: That's like losing a house. It's like, how did you
• 55:02
  Speaker 1: lose two houses? Yeah.
• 55:04
  Speaker 4: It just took them.
• 55:05
  Speaker 1: I came back and it was just stilts. Like, what happened?
• 55:08
  Speaker 1: What happened? It feels too big to lose. Right?
• 55:11
  Speaker 4: You worked hard on this.
• 55:14
  Speaker 1: So Nick Cage has been the star of somewhere around
• 55:18
  Speaker 1: 100 films.
• 55:18
  Speaker 4: That's beautiful.
• 55:19
  Speaker 1: And appeared in smaller roles and about 50 more. The
• 55:23
  Speaker 1: actual number is disputed online. He's averaged more than two
• 55:26
  Speaker 1: movies per year over his 40-year career. That would be
• 55:29
  Speaker 1: 80 off rip. And up to four movies per year
• 55:32
  Speaker 1: since 2015. Some of them are great. Some of them
• 55:35
  Speaker 1: are not. Many are streaming. But the main... Streaming being
• 55:40
  Speaker 1: last is Honestly.
• 55:41
  Speaker 4: Streaming is killing us. Some are good. Some are great.
• 55:43
  Speaker 1: Some of them are streaming.
• 55:45
  Speaker 4: Some of them are streaming.
• 55:46
  Speaker 1: But the man did win an Oscar for Best Actor,
• 55:49
  Speaker 1: so give him a break. His movies have grossed over
• 55:51
  Speaker 1: $ 6. 4 billion worldwide.
• 55:54
  Speaker 2: He has to work a lot to afford his spending
• 55:56
  Speaker 2: habits that include two castles, a pet octopus, and dinosaur bones.
• 56:02
  Speaker 2: He once outbid Leonardo DiCaprio to acquire a 270,000, 67-million-year-old
• 56:06
  Speaker 2: Tarbosaurus skull.
• 56:10
  Speaker 1: Which also may have been stolen. What? But how much
• 56:15
  Speaker 1: is one stolen Netflix screener worth? Only a court system
• 56:18
  Speaker 1: can decide. Yeah, that's how you know you have too
• 56:21
  Speaker 1: much money. When you are bidding on dinosaur bones against
• 56:25
  Speaker 1: Leonardo DiCaprio, you have absolutely lost the plot.
• 56:29
  Speaker 4: Wait a minute. What if Nicolas Cage is in on this?
• 56:32
  Speaker 1: Rich people become boring.
• 56:33
  Speaker 3: Nicholas Cage stole the Fortitude movie and now he's hiding
• 56:40
  Speaker 3: it and making Netflix and Simone fight against each other
• 56:44
  Speaker 3: and then he's going to pop up with.
• 56:46
  Speaker 2: Okay, but he must be still living in delusion because
• 56:48
  Speaker 2: does he think that he is like 1980s or 90s
• 56:52
  Speaker 2: Nicholas Cage?
• 56:53
  Speaker 1: Ain't nobody paying that much for a Nicholas Cage movie
• 56:55
  Speaker 1: right now.
• 56:56
  Speaker 4: Okay, but he don't know that.
• 56:58
  Speaker 1: He living in delusion.
• 56:59
  Speaker 4: He don't know that.
• 57:00
  Speaker 1: He was like, what if I steal me? Then everybody's
• 57:03
  Speaker 1: going to want me.
• 57:03
  Speaker 4: That's beautiful.
• 57:05
  Speaker 1: But I love his confidence, though.
• 57:06
  Speaker 4: I love it.
• 57:06
  Speaker 1: I actually never want him to let his self-esteem down.
• 57:09
  Speaker 1: You know what? You should think that you could steal
• 57:11
  Speaker 1: your own movie and that it would be fought for.
• 57:13
  Speaker 3: Nicholas Cage did this. That's my call. Nicholas Cage is
• 57:19
  Speaker 3: the person. He put on a hat, and then he
• 57:21
  Speaker 3: took the jump drive.
• 57:23
  Speaker 1: He took a hat and rose-colored glasses.
• 57:25
  Speaker 4: He put on the big hat. The lesbian hat. Pull
• 57:28
  Speaker 4: it back up. The lesbian hat.
• 57:30
  Speaker 1: We need to go back to lesbian Nicolas Cage if
• 57:32
  Speaker 1: we can.
• 57:32
  Speaker 4: They said, who's that lesbian? We don't know her. We
• 57:34
  Speaker 4: don't know her. She walked off with the jump drive.
• 57:36
  Speaker 1: But she was powerful, though.
• 57:37
  Speaker 4: Yes.
• 57:37
  Speaker 1: She had on a sparkly suit and a silk top.
• 57:40
  Speaker 1: He walked in the building like that and stole the
• 57:42
  Speaker 1: thumb drive.
• 57:43
  Speaker 4: Exactly.
• 57:44
  Speaker 1: They were like, we have to look at this powerful
• 57:45
  Speaker 1: lesbian hat.
• 57:46
  Speaker 4: Because you trust that person. Yeah. That lesbian said, I'm
• 57:48
  Speaker 4: going to make sure Rosie sees this.
• 57:50
  Speaker 1: She spent too much time on her fit to not
• 57:51
  Speaker 1: trust her.
• 57:52
  Speaker 4: Exactly.
• 57:53
  Speaker 1: We have to trust her.
• 57:54
  Speaker 4: I was blinded by the rhinestones. They caught the light.
• 57:57
  Speaker 1: That's why he was stealing. You were blind and he
• 57:59
  Speaker 1: was like.
• 58:02
  Speaker 4: You know how if you got lasers in the place,
• 58:04
  Speaker 4: the rhinestones, they castrated.
• 58:05
  Speaker 1: They refracted the light.
• 58:06
  Speaker 4: They refracted the light.
• 58:07
  Speaker 1: So it's just like rich.
• 58:08
  Speaker 4: That's a cloak of invisibility, practically.
• 58:12
  Speaker 1: A lesbian cloak of invisibility.
• 58:14
  Speaker 4: Yes, which is Hollywood not making lesbian movies.
• 58:17
  Speaker 1: And we need so many more lesbian movies.
• 58:19
  Speaker 4: Lesbian movies, what they do is they make a- Oh.
• 58:21
  Speaker 2: My God, should I write the movie about like a
• 58:23
  Speaker 2: butch queen who ruins my life with her backpack and problems?
• 58:25
  Speaker 4: You should. But you got to make sure that- That's
• 58:27
  Speaker 4: all she got is.
• 58:28
  Speaker 1: A backpack and problems. I might call it that.
• 58:34
  Speaker 3: Well, because, like, a lot of lesbians, the movies y'all
• 58:36
  Speaker 3: get are, like, it's in the 1950s, and by the end,
• 58:39
  Speaker 3: the women are old and about to die, and they touch.
• 58:41
  Speaker 4: Hands, and they kind of go. That would really be it.
• 58:43
  Speaker 4: They go.
• 58:43
  Speaker 1: They be on the porch after their husbands are dead
• 58:47
  Speaker 1: and have a spontaneous elderly orgasm when they touch hands.
• 58:54
  Speaker 1: And then they die. It'd be like, ah, I just
• 58:57
  Speaker 1: need this one nut before.
• 59:05
  Speaker 4: Yeah.
• 59:06
  Speaker 1: Yeah. We need more. We need more.
• 59:09
  Speaker 3: And we expect you to produce it, Nicolette Cage.
• 59:14
  Speaker 1: Nicolette!
• 59:15
  Speaker 4: Nicolette, we expect you to produce it.
• 59:17
  Speaker 1: Nicolette, you are now ally, okay? And it's not by choice, okay?
• 59:20
  Speaker 4: You've been drafted. You've been drafted to the LGBT army.
• 59:23
  Speaker 4: This is the draft.
• 59:25
  Speaker 3: We picking some up. That's right, straights. We drafting some
• 59:28
  Speaker 3: of y'all now. You don't want to be gay? Too
• 59:31
  Speaker 3: fucking bad. This is Uncle Sam. This is Auntie Sam.
• 59:34
  Speaker 1: We want you.
• 59:39
  Speaker 4: Me? Me? You. I'm gay now? You a lesbian.
• 59:43
  Speaker 1: Yes. Okay. You got the hairline for it.
• 59:47
  Speaker 4: No. Where are the poors?
• 59:50
  Speaker 1: We like it.
• 59:51
  Speaker 4: Come on over. Okay?
• 59:53
  Speaker 1: You're now in recruitment.
• 59:54
  Speaker 4: Lil' Fizz, you a lesbian now. I speak it. I
• 59:58
  Speaker 4: send it.
• 59:59
  Speaker 1: David Banner? House father. We won't fully turn you. With
• 1:00:04
  Speaker 1: the wig. But after you was dancing with that wig.
• 1:00:06
  Speaker 4: With the wig. David Banner, you an ally. Yeah, you
• 1:00:08
  Speaker 4: gotta work for us. You an ally, David Banner. You
• 1:00:10
  Speaker 4: work for us now. You don't even know.
• 1:00:11
  Speaker 1: I don't make the rules.
• 1:00:13
  Speaker 4: You put that wig on.
• 1:00:14
  Speaker 1: And so did you. You called us. It was a
• 1:00:16
  Speaker 1: bat signal. You put that wig on backstage. That's like
• 1:00:18
  Speaker 1: Alabama Brawl. You throw the hat up in the air,
• 1:00:20
  Speaker 1: we show up. Throw that wig on, the gays are here.
• 1:00:23
  Speaker 4: You threw the wig up, hopped under it.
• 1:00:26
  Speaker 1: And then started skipping. Hello? You thought you were going
• 1:00:28
  Speaker 1: to skip in a green suit and a wig and
• 1:00:29
  Speaker 1: we weren't going to call you to the draft? Please
• 1:00:31
  Speaker 1: be serious.
• 1:00:33
  Speaker 4: See you there. We need you to do a JSA
• 1:00:36
  Speaker 4: eight count next month.
• 1:00:38
  Speaker 1: Next month.
• 1:00:38
  Speaker 4: Major in.
• 1:00:39
  Speaker 1: And we're not playing. So, Netflix itself. Mm-hmm. has had
• 1:00:49
  Speaker 1: a nice profitable year, mostly due to a $ 2. 8 billion
• 1:00:54
  Speaker 1: termination fee Paramount paid them for not buying Warner Brothers. Whoa.
• 1:00:59
  Speaker 2: It's been Monopoly for a minute, and we were trying
• 1:01:02
  Speaker 2: to figure out who's going to buy the Monopoly.
• 1:01:05
  Speaker 3: This has been scams on scams on scams on scams
• 1:01:08
  Speaker 3: on scams.
• 1:01:10
  Speaker 1: What?
• 1:01:11
  Speaker 4: They paid Paramount. Paramount paid them.
• 1:01:14
  Speaker 2: No, so Paramount had to pay them because they were
• 1:01:16
  Speaker 2: in the deal for buying Warner Brothers. Then Paramount wanted
• 1:01:20
  Speaker 2: to swipe in because Paramount ain't got, I can't even
• 1:01:22
  Speaker 2: really say that.
• 1:01:23
  Speaker 1: Watch iCarly on Paramount Plus.
• 1:01:26
  Speaker 3: And watch Comedy Central. New Comedy Central stuff coming in
• 1:01:30
  Speaker 3: too from Paramount.
• 1:01:31
  Speaker 4: Get Paramount. You're Paramount +. It's good. Who doesn't love Yellowstone?
• 1:01:35
  Speaker 4: We love it. We love Yellowstone.
• 1:01:37
  Speaker 1: Put it in your eyeballs.
• 1:01:38
  Speaker 4: Put that Yellowstone in your land, man. Drag Race. They
• 1:01:41
  Speaker 4: got Drag Race. Yeah.
• 1:01:43
  Speaker 1: And then DMV.
• 1:01:44
  Speaker 4: The Challenge.
• 1:01:45
  Speaker 1: Funny comedy.
• 1:01:46
  Speaker 4: You want to see 40-year-olds blow out they knees? Watch
• 1:01:48
  Speaker 4: The Challenge.
• 1:01:49
  Speaker 1: You need to see 40-year-olds blow out they knees.
• 1:01:51
  Speaker 4: Come on. Them people.
• 1:01:53
  Speaker 1: How can you appreciate your knee if you ain't seen
• 1:01:55
  Speaker 1: one blown?
• 1:01:56
  Speaker 4: You don't want to see CT?
• 1:01:57
  Speaker 3: They got that man locked up in the cage like
• 1:01:59
  Speaker 3: a pit bull. They just got him eating kibble out
• 1:02:01
  Speaker 3: the bowl, ready to attack.
• 1:02:03
  Speaker 1: These are things you're missing. SpongeBob. Paramount +.
• 1:02:06
  Speaker 3: CT has been doing the challenge since I was in
• 1:02:09
  Speaker 3: high school.
• 1:02:09
  Speaker 1: And he's some fine shit. And that's all he know.
• 1:02:12
  Speaker 4: How to do. Hey.
• 1:02:13
  Speaker 1: Oof. He's like a golden retriever man.
• 1:02:16
  Speaker 4: Nah, that's a pit bull man. That's not a golden
• 1:02:18
  Speaker 4: retriever man. That's a pit bull man. But you know what?
• 1:02:20
  Speaker 2: They do the same activities sometimes. Because golden retriever go
• 1:02:23
  Speaker 2: fetch stuff. Pit bull man will go fetch stuff.
• 1:02:25
  Speaker 1: But pit bull man is harder to train. That's what
• 1:02:28
  Speaker 1: you're right. He is a pit bull.
• 1:02:28
  Speaker 2: Because if he was a golden retriever, he'd have a
• 1:02:30
  Speaker 2: wife by now who knew how to send his skills
• 1:02:32
  Speaker 2: into the right direction.
• 1:02:33
  Speaker 3: A pit bull man, every now and then you say, kid,
• 1:02:34
  Speaker 3: stop playing with that dog. You know that dog crazy.
• 1:02:38
  Speaker 1: Yeah, he a little. He a little. Stop.
• 1:02:41
  Speaker 4: Okay. No, he bite you.
• 1:02:42
  Speaker 1: Yeah, he not lassy.
• 1:02:43
  Speaker 4: He's like.
• 1:02:44
  Speaker 2: He'll tell you somebody's sucking the whale, but it's like
• 1:02:47
  Speaker 2: he biting your ankle.
• 1:02:47
  Speaker 1: You like, what? What? And he like, the whale.
• 1:02:52
  Speaker 4: Shout out CT. Because that's what he got. CTE. Shout
• 1:02:55
  Speaker 4: out CT. Shout out CT.
• 1:02:58
  Speaker 1: Call him CTE.
• 1:02:59
  Speaker 4: It's crazy.
• 1:02:59
  Speaker 1: CTE. Jay, I got to wrap this up because you
• 1:03:02
  Speaker 1: killing me. So what's going to happen to Fortitude?
• 1:03:07
  Speaker 3: I'm trying to watch. Oh, you know, that's crazy. So, Lacey,
• 1:03:11
  Speaker 3: can I tell you something that relates to this? I
• 1:03:13
  Speaker 3: didn't even know you were going... So, I found a
• 1:03:15
  Speaker 3: flash drive last time I was at Netflix.
• 1:03:17
  Speaker 4: And I think... Wait a second. I mean... Why are
• 1:03:20
  Speaker 4: you pulling a couple back? What is happening right now?
• 1:03:26
  Speaker 4: I think I got the.
• 1:03:27
  Speaker 2: Why are you rummaging like me?
• 1:03:29
  Speaker 4: I think I got it. It's a... Nope. That's a
• 1:03:32
  Speaker 4: power bank.
• 1:03:33
  Speaker 1: Okay. Okay. So, you got it.
• 1:03:36
  Speaker 4: No, I don't have it.
• 1:03:37
  Speaker 1: Well, what will happen to Fortitude? Let's see.
• 1:03:39
  Speaker 2: Simon Afrem says that he continues to see tremendous interest
• 1:03:45
  Speaker 2: in the film, and he hopes to find the right
• 1:03:47
  Speaker 2: partner for distribution as the worldwide rights remain available. Will
• 1:03:53
  Speaker 2: it be leaked online and lose all its value? Or
• 1:03:55
  Speaker 2: will it be released in theaters and actually get a
• 1:03:57
  Speaker 2: bump from the heist news cycle? Or was Simon actually
• 1:04:02
  Speaker 2: the one who stole it?
• 1:04:03
  Speaker 1: Oh!
• 1:04:04
  Speaker 2: Attempting to make his money back via lawsuit.
• 1:04:07
  Speaker 1: We may never know.
• 1:04:10
  Speaker 4: Ooh. Okay. Yeah. You know what I do know?
• 1:04:15
  Speaker 1: I think, honestly, I'm going to vote for Simon Stollett.
• 1:04:18
  Speaker 1: I'm going to ask your opinion.
• 1:04:19
  Speaker 2: I'm voting for Simon Stollett just because Nicolas Cage is
• 1:04:23
  Speaker 2: not the movie star that he was before.
• 1:04:26
  Speaker 1: He ain't bringing in box office numbers.
• 1:04:28
  Speaker 2: And you spent $ 45 million on this, and I think
• 1:04:30
  Speaker 2: you realized you wasn't even going to get that $ 45 back.
• 1:04:32
  Speaker 1: Wow. So you were like, ugh. Maybe I steal it,
• 1:04:35
  Speaker 1: and then I don't have to worry about it.
• 1:04:38
  Speaker 4: Yeah, this is a little bit of dope boy activities.
• 1:04:41
  Speaker 3: Whenever you say, oh, I'm going to flip this, but
• 1:04:44
  Speaker 3: then you sell it to somebody, but then you rob
• 1:04:46
  Speaker 3: them to get it back because you.
• 1:04:47
  Speaker 4: Weren't going to make the money in the first place.
• 1:04:49
  Speaker 1: And then sell it again.
• 1:04:49
  Speaker 4: A little double back. A little double back.
• 1:04:51
  Speaker 1: That's what it's giving.
• 1:04:52
  Speaker 2: It's giving like, you know what Zaslav been doing. Shooting movies,
• 1:04:57
  Speaker 2: spending all the money, and then be like, we're not
• 1:04:59
  Speaker 2: going to release the movie. We got to tax write
• 1:05:00
  Speaker 2: off it. And it was definitely going to make five
• 1:05:02
  Speaker 2: times what we shot it for.
• 1:05:04
  Speaker 3: Lacey, do you understand how wild it is that Wile E.
• 1:05:08
  Speaker 3: Coyote vs. Acme is about a little person being taken
• 1:05:13
  Speaker 3: advantage of by a big company and then the people
• 1:05:15
  Speaker 3: who made the movie got taken advantage of by a
• 1:05:17
  Speaker 3: big company?
• 1:05:18
  Speaker 1: And that, it's crazy.
• 1:05:20
  Speaker 4: That's crazy.
• 1:05:21
  Speaker 1: He was fighting for his life.
• 1:05:22
  Speaker 4: That's wild. So yes, I'm with you.
• 1:05:24
  Speaker 1: Wile E. Coyote.
• 1:05:25
  Speaker 4: Wile E. Coyote. Meep meep.
• 1:05:27
  Speaker 1: See? They meep meeped him.
• 1:05:28
  Speaker 4: Oh, they meep meep. They painted a tunnel on a wall.
• 1:05:33
  Speaker 1: But it was AMC Theater.
• 1:05:36
  Speaker 4: They went running. We going to the movies.
• 1:05:38
  Speaker 1: Right. Boom.
• 1:05:41
  Speaker 2: No, we was never going to the movies, babes. This
• 1:05:43
  Speaker 2: is a tax write-off. Welcome to capitalism.
• 1:05:48
  Speaker 4: Simone, while we did, Lacey just blew your scam up.
• 1:05:52
  Speaker 4: I didn't. Lacey just blew your scam up.
• 1:05:54
  Speaker 1: Stop trying to put everything on me.
• 1:05:55
  Speaker 4: Lacey blew your scam up.
• 1:05:56
  Speaker 1: I need plausible deniability.
• 1:05:58
  Speaker 3: I don't know what happened to the films. I don't
• 1:06:00
  Speaker 3: know what happened. You know what I think? I think
• 1:06:04
  Speaker 3: whoever wants to get this movie made, they're going to
• 1:06:06
  Speaker 3: have to have some real fortitude.
• 1:06:09
  Speaker 4: Wait, fortitude. Maybe in theaters, question mark. Fortitude. Starring Nicolas Cage. Fortitude.
• 1:06:24
  Speaker 1: Well, that brings us to the end of a fantastic episode. Jay,
• 1:06:26
  Speaker 1: we always ask on this podcast, where would you like
• 1:06:28
  Speaker 1: to be found? Anything you want to plug, promote?
• 1:06:30
  Speaker 3: Yes, you can watch my special. Yes, ma'am, currently on Hulu.
• 1:06:34
  Speaker 3: I'm also on tour. You can see me coming to
• 1:06:37
  Speaker 3: your city. I'm going to Chicago. I'm coming back to
• 1:06:40
  Speaker 3: Los Angeles October 30th to do my hour. I'll be
• 1:06:44
  Speaker 3: all over the place. I mean, I'm all over the
• 1:06:47
  Speaker 3: place right now. I'm shooting the Comedy Central taping today.
• 1:06:51
  Speaker 3: So that's fun. That'll be fun. I'm going to say
• 1:06:53
  Speaker 3: some crazy stuff about them.
• 1:06:55
  Speaker 1: As you should.
• 1:06:56
  Speaker 3: So just follow me online. Get through all the thirst traps.
• 1:07:01
  Speaker 1: There's a lot of thirst for them, though.
• 1:07:02
  Speaker 3: I put up one today. It's not why I was
• 1:07:05
  Speaker 3: late for this. I posted that while I was in
• 1:07:07
  Speaker 3: the car on the way here. Because I know sometimes
• 1:07:09
  Speaker 3: people be like, Jay, let me look at the time
• 1:07:11
  Speaker 3: stamp on this. I clicked send in the car. It's
• 1:07:15
  Speaker 3: not why I was late. I had my clothes on.
• 1:07:18
  Speaker 4: I was ready.
• 1:07:19
  Speaker 1: The more you speak, the less I believe.
• 1:07:20
  Speaker 3: No, that's not why I was late. I was late,
• 1:07:23
  Speaker 3: but I wasn't late. Do you see what I'm saying?
• 1:07:25
  Speaker 1: He also moved this show up.
• 1:07:27
  Speaker 4: I moved it up, but then I came down.
• 1:07:29
  Speaker 1: It was late.
• 1:07:30
  Speaker 4: I was trying to meet you halfway down at the
• 1:07:32
  Speaker 4: borderline where I'm going to wait for you.
• 1:07:33
  Speaker 1: And you know what? I'm not even going to skip
• 1:07:35
  Speaker 1: looking down. Night and day. This is what I say.
• 1:07:40
  Speaker 1: I can't get....
• 1:07:46
  Speaker 4: Any further.
• 1:07:47
  Speaker 1: Further than this. I want you so bad, it's my
• 1:07:52
  Speaker 1: only wish.
• 1:07:53
  Speaker 4: Stacey Ferguson. Stacey Ferguson. Period.
• 1:08:00
  Speaker 1: Oh, my God. When she started doing the flips, I
• 1:08:03
  Speaker 1: was like, yeah, she on drugs. Honestly, also, I'm so extra.
• 1:08:07
  Speaker 1: I love to do a split. I love to do
• 1:08:10
  Speaker 1: a flip. So I honestly resonated with her when she
• 1:08:13
  Speaker 1: was doing it. Like, I don't know. And her national
• 1:08:16
  Speaker 1: anthem is right up there with Whitney Houston for me. Yeah.
• 1:08:19
  Speaker 1: For different reasons.
• 1:08:20
  Speaker 4: You want to know why? Guess what?
• 1:08:21
  Speaker 1: Whitney's is iconic now, and so is Fergie's.
• 1:08:27
  Speaker 4: Sometimes you got to make a song your own.
• 1:08:30
  Speaker 1: She made it all her own.
• 1:08:31
  Speaker 3: How you gonna make a song your own? You don't
• 1:08:33
  Speaker 3: take no strong choices. Some of y'all ain't never did nothing.
• 1:08:36
  Speaker 3: Y'all never taken a risk. Y'all ain't never had.
• 1:08:39
  Speaker 1: A band up wave.
• 1:08:40
  Speaker 4: You know what they don't got, Lacey? You know what
• 1:08:41
  Speaker 4: they don't got? They don't got no fortitude. You don't
• 1:08:44
  Speaker 4: got no fortitude.
• 1:08:46
  Speaker 2: And congregation, with that, you can follow Scam Goddess Pod
• 1:08:49
  Speaker 2: on all platforms. You can watch us on YouTube for
• 1:08:51
  Speaker 2: the full-length episode. You can also get my book, Scam Goddess,
• 1:08:54
  Speaker 2: wherever books are sold or listened to. You can watch
• 1:08:56
  Speaker 2: the TV show Scam Goddess on Hulu. You can watch
• 1:08:58
  Speaker 2: me on Going Dutch. You can watch me on movies
• 1:09:00
  Speaker 2: on netflix and shit watch me wherever but one thing
• 1:09:02
  Speaker 2: you need to do is give me five stars on
• 1:09:05
  Speaker 2: whatever app that you're using that's a free way for
• 1:09:08
  Speaker 2: you to support black people and thus also supporting social
• 1:09:12
  Speaker 2: justice because i do that as well and everyone. And
• 1:09:15
  Speaker 2: then you can talk about it at dinner parties. Yes,
• 1:09:17
  Speaker 2: we're on the same page.
• 1:09:18
  Speaker 1: Love that. Congregations, stay fortified.