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Wir wissen wer wir sind · GOLDSTÜCKLi ahoy

• 0:00
  Speaker 0: Goldstückli, Ahoj!
• 0:18
  Speaker 0: Goldstückli, Ahoj!
• 0:23
  Speaker 0: Ladies and gentlemen and non-binary listeners, Libre Goldies.
• 0:44
  Speaker 0: It's time for Goldstückli Ahoj again.
• 0:47
  Speaker 0: New songs for your playlists.
• 0:52
  Speaker 0: in the living room.
• 0:54
  Speaker 0: And that's why I can record
• 0:59
  Speaker 1: these remote
• 1:01
  Speaker 0: switches with
• 1:02
  Speaker 1: you here with the best internet.
• 1:14
  Speaker 1: Yes, very good.
• 1:14
  Speaker 1: I've also put a new internet
• 1:16
  Speaker 0: in the Gold Studio.
• 1:18
  Speaker 0: Oh, really?
• 1:19
  Speaker 0: Yes.
• 1:19
  Speaker 0: Awesome.
• 1:20
  Speaker 0: In this case, we are both connected with top connections or with top lines.
• 1:25
  Speaker 0: I like that.
• 1:27
  Speaker 0: Glass fiber?
• 1:29
  Speaker 0: Cable, in any
• 1:30
  Speaker 1: case.
• 1:31
  Speaker 1: Okay, glass cable.
• 1:32
  Speaker 1: Probably.
• 1:32
  Speaker 0: Is there actually already a Lucerne version of Loser Baby from Beck?
• 1:39
  Speaker 1: I'm running out of the
• 1:41
  Speaker 0: door.
• 1:42
  Speaker 0: I'm in Luzern, baby.
• 1:45
  Speaker 0: So why don't you kill me?
• 1:47
  Speaker 0: I never
• 1:48
  Speaker 1: thought about it, and I don't think everyone else who lives here lives here either.
• 1:51
  Speaker 1: But it's a good idea.
• 1:52
  Speaker 0: Yeah, maybe you're not a local hero in Luzern,
• 1:54
  Speaker 1: you know?
• 1:55
  Speaker 1: You could, yeah, you could, like, you know, Tzanda Frank, you know, optimize, customize songs for villages.
• 2:03
  Speaker 0: Right.
• 2:04
  Speaker 0: At Frank Tzanda it was, I think, birthday, he just added names.
• 2:08
  Speaker 1: Happy birthday,
• 2:10
  Speaker 0: lieber
• 2:10
  Speaker 1: Markus.
• 2:11
  Speaker 1: Okay, so is everything
• 2:14
  Speaker 0: okay with you in Switzerland?
• 2:18
  Speaker 1: Yes, it's all good.
• 2:19
  Speaker 1: I visit my mother, who has been in nursing home for half a year.
• 2:21
  Speaker 1: And in the meantime, I do different things like chatting with Dominik, chatting with Vincent.
• 2:28
  Speaker 1: And then I go back to Hitzkirch from where I come and visit my
• 2:32
  Speaker 0: mother.
• 2:32
  Speaker 0: Okay, then.
• 2:33
  Speaker 0: Then a nice greeting from me and the collected listeners of this format here at the Mamma Heflige.
• 2:40
  Speaker 0: We jump into the playlist of the week and let's wash our heads right away, rinse our ears.
• 2:46
  Speaker 0: From the Berlin Formation Papst, the hot-loved trio.
• 2:51
  Speaker 0: So from us, hot-loved trio.
• 2:53
  Speaker 0: Call back, have an LP out and a first song for us in the
• 2:58
  Speaker 1: luggage.
• 2:59
  Speaker 1: Yes, I've been working on the new album from Papstran for half a year and I've always wanted to introduce a song in this format.
• 3:06
  Speaker 1: Now it's the last single for the album.
• 3:09
  Speaker 1: On Friday it's called Limbo Number Five.
• 3:13
  Speaker 1: Not Mambo Number Five,
• 3:14
  Speaker 0: but Limbo.
• 3:16
  Speaker 0: A little bit of America.
• 3:19
  Speaker 0: A
• 3:19
  Speaker 1: little bit of America.
• 3:20
  Speaker 1: Eric has a lot of fun, because the frontman is called Eric, and he already fits that very well.
• 3:25
  Speaker 1: Tillman and Thore are also with us, completing the trio.
• 3:28
  Speaker 1: Now I've got myself into it, because I think the song we're going to listen to is the best song of their new album, This Is Normal
• 3:46
  Speaker 0: Now.
• 3:48
  Speaker 1: But what doesn't mean that the rest is shit, or something like that.
• 3:59
  Speaker 1: Everything else than that.
• 4:00
  Speaker 1: I
• 4:01
  Speaker 0: think pubs are just getting better from album to album, and on a level where... who were a huge live band from minute one.
• 4:15
  Speaker 0: They were so good live from the beginning.
• 4:19
  Speaker 0: It was really unimaginable that you can be so good.
• 4:25
  Speaker 0: So young.
• 4:25
  Speaker 0: I always thought they were great.
• 4:33
  Speaker 0: They already have a work ethos, a work morale.
• 4:39
  Speaker 0: Yes, exactly.
• 4:41
  Speaker 0: That is often the reason, when you see such a good live band on stage.
• 4:45
  Speaker 0: They just rehearsed and spend a lot of time in roles with each other.
• 5:02
  Speaker 0: to perfect their art.
• 5:07
  Speaker 0: And that's really done by Papst.
• 5:14
  Speaker 0: That sounds
• 5:17
  Speaker 1: ultra-ordinary, what we're hearing here right now in the form of the song is Limbo No.
• 5:27
  Speaker 1: Five.
• 5:29
  Speaker 1: The delay is set to eleven and still not too much, you
• 5:39
  Speaker 0: have the feeling.
• 5:40
  Speaker 0: There
• 5:42
  Speaker 1: are dynamic ups and downs that pull you along when it starts again.
• 6:02
  Speaker 1: It's super high energy, this piece of music.
• 6:17
  Speaker 1: And for me, it's actually also a reference to the next Tony Hawk's Pro Skater series for the soundtrack.
• 6:25
  Speaker 1: My skater leg, my left leg, my pusher leg, so to speak.
• 6:29
  Speaker 1: That's right when this music runs.
• 6:31
  Speaker 1: He wants to jump on the board again.
• 6:33
  Speaker 1: And through the street cruises, to this soundtrack, I really like it very, very much.
• 6:36
  Speaker 1: If I want to further inform you about the live qualities or if you want to check if that's true, what Uli just said, that this is a great live band, it can, for example, go to Mollertorf in Hamburg on the twenty-fourth, or check here in Lido again on the thirty-first week later, like good pubs, by the way, with B in the middle.
• 7:07
  Speaker 1: If that hasn't come through yet.
• 7:09
  Speaker 1: And how well they are written.
• 7:12
  Speaker 1: And how well they are written.
• 7:15
  Speaker 1: And how well they are written.
• 7:17
  Speaker 1: And how well they are written.
• 7:20
  Speaker 1: And how well they are written.
• 7:24
  Speaker 1: And how well they are written.
• 7:26
  Speaker 1: And how well they are written.
• 7:30
  Speaker 1: which I think is a very good new genre, and there they are springing, because they invented it.
• 7:39
  Speaker 1: That's why it's called the Retour, from which you just spoke, which now starts in December.
• 8:07
  Speaker 1: Sorry for hyper-rocking.
• 8:08
  Speaker 1: Very good.
• 8:11
  Speaker 1: One is an empathic gang.
• 8:14
  Speaker 1: Here are Papst with Limbo number five.
• 8:19
  Speaker 1: There's a black cloud over everything.
• 8:22
  Speaker 1: All that's valuable just runs out of my head.
• 8:26
  Speaker 1: And all that's left behind I can't fall.
• 8:29
  Speaker 1: That was the new music by Papst.
• 8:40
  Speaker 1: The album is called This Is Normal Now.
• 8:43
  Speaker 1: It's a bit of a continuation of their last album, Crushed By The Weight Of The
• 8:47
  Speaker 0: World,
• 8:49
  Speaker 1: where they found out that everything is crap.
• 8:51
  Speaker 1: And now they somehow created a new electric power out of this low feeling to pull themselves out of the crap.
• 8:58
  Speaker 1: I think
• 8:59
  Speaker 0: it's great.
• 8:59
  Speaker 0: I think it also has to do with the fact that Erik is a dog owner.
• 9:04
  Speaker 0: I know Erik refugee.
• 9:07
  Speaker 0: But I meet him in a small forest near Berlin.
• 9:12
  Speaker 0: Because we also like to go for a walk with the dog.
• 9:14
  Speaker 0: And then suddenly Erik is standing in front of him with his bag.
• 9:18
  Speaker 0: And he nods friendlyly.
• 9:19
  Speaker 0: And you have the feeling that, well, with Aldem Lärm, who also makes the music of his band and the one the world is
• 9:27
  Speaker 1: about
• 9:28
  Speaker 0: to put out, that it does that very well.
• 9:35
  Speaker 0: That seems to him to be doing well with the little kitten.
• 9:46
  Speaker 0: Okay,
• 9:46
  Speaker 1: super.
• 9:46
  Speaker 1: Okay,
• 9:47
  Speaker 0: good.
• 9:47
  Speaker 0: A nice
• 9:49
  Speaker 1: episode title.
• 9:49
  Speaker 1: Yes,
• 9:49
  Speaker 0: that's right.
• 9:51
  Speaker 1: Although I think
• 9:52
  Speaker 0: this
• 9:54
  Speaker 1: episode should
• 9:55
  Speaker 0: actually include music from friends, friends and friends.
• 10:02
  Speaker 0: Because we have at least... Almost exclusively music on the tabletop of people we know.
• 10:08
  Speaker 0: Whether we know them personally, or who we know about two or three corners, or who we have on the screen, or who we have on the screen.
• 10:15
  Speaker 0: So it's not unknown.
• 10:16
  Speaker 0: The guys from Papst know who we are, we know who Papst is.
• 10:21
  Speaker 0: And that's the word in the Washington Center, who the band Papst is.
• 10:24
  Speaker 0: And similarly, it also applies to the next information from the south of the Republic, which we all have already estimated for decades.
• 10:34
  Speaker 1: You don't even need to explain much more about the No Twist.
• 10:36
  Speaker 1: But you
• 10:36
  Speaker 0: met them?
• 10:36
  Speaker 0: No, but I met them already.
• 10:38
  Speaker 0: And here is also in the production family with Ola Fopal, with whom I am friends.
• 10:45
  Speaker 0: He has produced this record
• 10:47
  Speaker 1: here again.
• 10:47
  Speaker 1: Neon Golden.
• 10:48
  Speaker 0: He also had the Neon Golden record back then.
• 10:51
  Speaker 0: He was here again in the studio for the new record of The Noteworthy.
• 10:55
  Speaker 0: It will appear in March, on March the thirteenth, under the inscription News from Planet Zombie.
• 11:00
  Speaker 0: So maybe thematically a little confused with the The boys from Papst, whose feelings for the world are also played in music form.
• 11:16
  Speaker 0: By the No Twist, it is so that they say to the new album, which will be released in March, but there is already information, that they say that it should be a record, that the dystopia or the dystopic feelings that
• 12:06
  Speaker 1: you just had should sound, but at the same time should also be told that the hope dies last.
• 12:26
  Speaker 0: That there will also be
• 12:29
  Speaker 1: a story or a continuation of the story.
• 12:32
  Speaker 1: Maybe
• 12:32
  Speaker 0: also without the people.
• 12:35
  Speaker 0: In any case, there will be one.
• 12:41
  Speaker 0: The river that flows through Munich.
• 12:49
  Speaker 0: So the Acha brother, he will do
• 12:52
  Speaker 1: it for a long, long
• 12:54
  Speaker 0: time.
• 12:55
  Speaker 0: And there is a future.
• 12:59
  Speaker 0: And that will also be told a little bit about this record.
• 13:04
  Speaker 0: And now we have a first single out of this LP.
• 13:21
  Speaker 0: It's called X-Ray.
• 13:23
  Speaker 0: And she surprised me extremely.
• 13:26
  Speaker 0: Whether
• 13:27
  Speaker 1: her freshness and whether the speed.
• 13:30
  Speaker 1: I thought maybe now
• 13:33
  Speaker 0: comes with the addition of an old something chill that you take back and something a little Slow Jam-like, but no, it goes all the way to the front in the ninth single of the No Twist.
• 13:47
  Speaker 0: Yes, and I think you also have a
• 13:50
  Speaker 1: bit of a back-to-back on your
• 13:53
  Speaker 0: beginnings.
• 13:54
  Speaker 0: The first record of the twelfth, which came out in the middle of the nineties, was also the only one that you recorded live as a live band.
• 14:32
  Speaker 0: And you're doing that again now.
• 14:36
  Speaker 0: So the new record of Planet Zombies has been completely live recorded in a week.
• 14:46
  Speaker 0: Okay, but then of course I would sweat hard editing.
• 14:49
  Speaker 0: Yeah, maybe.
• 14:52
  Speaker 0: Hard editing, I think.
• 14:53
  Speaker 0: Yeah, it's really great.
• 14:55
  Speaker 0: And also the sound is incredibly beautiful.
• 15:01
  Speaker 0: The bass changes the harmony again.
• 15:03
  Speaker 0: So then when you really think, now I understand the piece, the bass suddenly makes a completely different harmony.
• 15:24
  Speaker 0: And it's exactly what you like about No Twist.
• 15:32
  Speaker 0: I also think the organ of the secret hero is a harmony or a harmonic information.
• 15:41
  Speaker 0: The secret hero.
• 15:42
  Speaker 0: Yes, right.
• 15:42
  Speaker 0: The organ.
• 15:43
  Speaker 0: It makes a harmonic information.
• 15:48
  Speaker 0: The Orgel is the hero, there you have the following piece of the No Twist.
• 15:53
  Speaker 0: You can also look forward to them.
• 16:00
  Speaker 0: But they first play in April live concerts on the new record on the twenty-sixth in Hamburg, in the great freedom, or on the twenty-seven fourth in Astra in Berlin.
• 16:15
  Speaker 0: If you are in other cities like Munich, you should know yourself, if we download all the data here, then we will move over like Thomas Gottschalk.
• 16:25
  Speaker 0: Yes, but Munich is good that you're talking about it, because you have to mention that they're playing in the circus Krone on the ninth of June.
• 16:35
  Speaker 0: And of course there is home game.
• 16:36
  Speaker 0: Yes, exactly.
• 16:38
  Speaker 0: I have Olaf O'Pall, because it's sensitive to feedbacks.
• 16:41
  Speaker 0: At the back, the piece is still fibrous for about a minute and a half.
• 16:44
  Speaker 0: I've already complained about Olaf O'Pall.
• 16:46
  Speaker 0: I wrote him a text message because he has become very good, but at the back of this empty muster stand.
• 16:51
  Speaker 0: Okay, for your old ears, that's too much, right?
• 16:52
  Speaker 0: Yes, yes, for the tinnitus-plugged sounds of Vincent, that's not it.
• 16:55
  Speaker 0: But that's the end.
• 16:55
  Speaker 0: Great new music from the south of the Republic.
• 16:57
  Speaker 0: Here are the No Trace with X-Ray, new at Goldstückli Ahoj.
• 16:59
  Speaker 0: That was the No Trace with X-Ray, Goldstückli Ahoj.
• 17:29
  Speaker 0: It's called the format that takes you with new music.
• 17:32
  Speaker 0: We fill your playlists every week fresh, so that you can hear the old songs before the... Here, how do you say there?
• 17:41
  Speaker 0: At least halftime data number.
• 17:44
  Speaker 0: Halftime.
• 17:44
  Speaker 0: Yes,
• 17:44
  Speaker 1: they could
• 17:45
  Speaker 0: throw away the old ones.
• 17:46
  Speaker 0: Yes, exactly.
• 17:46
  Speaker 0: But not
• 17:47
  Speaker 1: the next song.
• 17:48
  Speaker 1: I
• 17:48
  Speaker 0: don't
• 17:49
  Speaker 1: think so either.
• 17:52
  Speaker 1: We always look for songs that I think
• 17:59
  Speaker 0: have
• 18:00
  Speaker 1: a great sustainability.
• 18:02
  Speaker 1: Somehow they just aren't old.
• 18:03
  Speaker 1: If you listen to our playlists, at least two of us, Then we didn't make it.
• 18:09
  Speaker 1: That's true.
• 18:10
  Speaker 1: Last week,
• 18:10
  Speaker 0: I had guests in my apartment for dinner.
• 18:15
  Speaker 0: And from Haule, I just let the Gold Sticky Playlist run.
• 18:17
  Speaker 0: And it was really over several hours.
• 18:20
  Speaker 0: So it was a really long evening.
• 18:22
  Speaker 0: And there was always someone who asked, and who is that?
• 18:26
  Speaker 0: And what is that?
• 18:26
  Speaker 0: Yes, really.
• 18:27
  Speaker 0: So it was really cool.
• 18:28
  Speaker 0: And I thought it was going really well.
• 18:31
  Speaker 0: Of course, there were a couple of ugly positions.
• 18:38
  Speaker 0: Super soft pop with played guitars.
• 18:41
  Speaker 0: But you have to say, in context, if it flows like this, then even the pieces that are not the favorite pieces fit in there very well.
• 18:50
  Speaker 0: So it shouldn't be a diss.
• 18:51
  Speaker 0: I just wanted to say that the
• 18:52
  Speaker 1: connection is very bad, but it has become good again.
• 18:55
  Speaker 1: The
• 18:55
  Speaker 0: Swiss Internet only works when
• 18:59
  Speaker 1: it's
• 19:00
  Speaker 0: fun.
• 19:00
  Speaker 0: Yes,
• 19:01
  Speaker 1: exactly.
• 19:02
  Speaker 0: We continue in the Circle of Friends and come from the No Twist to the Milner sisters, from the Achas to the Milners.
• 19:11
  Speaker 1: Yes, Eva and Phillip Milner accompany us, as you have already said, for a very long time.
• 19:16
  Speaker 1: As hundreds we have learned to know and love them and they have visited us again and again in the radio studio at Flux FM.
• 19:22
  Speaker 1: It was always nice to see her again and I am very happy now that she will be back with a new album.
• 19:30
  Speaker 1: It will be the fifth in February, on February the sixth.
• 19:34
  Speaker 1: It's called Sirens.
• 19:35
  Speaker 1: It took a bit longer.
• 19:37
  Speaker 1: until it was finished with this album.
• 19:39
  Speaker 1: Actually, the last album, The Current, came out two months before the pandemic.
• 19:48
  Speaker 0: Oh, that's how long it's
• 19:49
  Speaker 1: been.
• 19:49
  Speaker 1: Yes, yes, it's really just five years ago.
• 19:51
  Speaker 1: And then it really got into it and just put everything on its head.
• 19:55
  Speaker 1: They started again and again and tried again.
• 19:59
  Speaker 1: I also follow Eva on Instagram and then I got to know how she also struggled a bit, how she somehow just... No foot in the new door and how it didn't go forward.
• 20:10
  Speaker 1: And I always had a bit of a dull feeling in my stomach because I thought, oh no, please don't, please don't give up.
• 20:16
  Speaker 1: And now she's back and I'm really happy because I think this new piece has completely packed me.
• 20:23
  Speaker 1: Walk on Walls.
• 20:27
  Speaker 1: deep bass and the sounds that sometimes reminded me of moderates, fully picked up.
• 20:33
  Speaker 1: And when Eva goes into your chorus, she gives me the heart, it's a party.
• 20:36
  Speaker 1: The first
• 20:38
  Speaker 0: thing I hear is that the bass drum is very loud.
• 20:41
  Speaker 0: It's almost like a hip-hop.
• 20:42
  Speaker 0: Maybe that's the point why I remember it as a moderate.
• 20:45
  Speaker 0: The bass drum is actually too loud for pop.
• 20:49
  Speaker 0: It almost drinks into the foreground, which I like very much.
• 20:51
  Speaker 0: And then you have these arpeggios in the background, these synthesizers, which always play the same figure and put them into a flow.
• 20:59
  Speaker 0: And you're completely right.
• 21:02
  Speaker 0: Then comes this almost etheric song by Eva Milner, who always sweeps like this.
• 21:07
  Speaker 0: Gen Himmel steigt, so der kommt dann noch oben drauf und schon ist quasi die Kiste geschnürt, die hundreds Kiste.
• 21:14
  Speaker 0: Ich bin auch sehr überzeugt von dieser Nummer, die wir jetzt hier gleich hören werden und bin aber auch gespannt auf den Rest von der kommenden Platte.
• 21:22
  Speaker 1: Super, ich durfte sie schon hören.
• 21:24
  Speaker 1: Ich habe sie schon gekriegt im Stream und ich bin begeistert, weil sie sehr divers ist.
• 21:30
  Speaker 1: Also es gibt ganz viele verschiedene Arten von composition.
• 21:35
  Speaker 1: that really goes apart and is sometimes fluffy, sometimes very deep, always very, very well produced by Philipp.
• 21:41
  Speaker 1: He is now living in the Wendland on a farm.
• 21:43
  Speaker 1: There is now also the Houndred Studio at home.
• 21:47
  Speaker 1: So Eva and her husband Florian, who is also in the band, is basically the third in the band.
• 21:51
  Speaker 1: They always travel to the Wendland and there are sessions held up and great new music is produced, which we will hear
• 21:57
  Speaker 0: right away.
• 21:57
  Speaker 0: Very good.
• 21:58
  Speaker 0: The hundreds go up Goldstückli Ahoj with Walk On Walls.
• 22:03
  Speaker 0: Walk on Worlds belongs to
• 22:17
  Speaker 1: the hundreds, a song that tells you a little bit about losing yourself and finding yourself again.
• 22:44
  Speaker 1: And also the moment when you finally get some air and can really breathe.
• 22:58
  Speaker 1: That's a nice information, because it fits the album cover, which is already known and that you can already look at on the Internet.
• 23:41
  Speaker 1: You can see Eva
• 23:51
  Speaker 0: Milner, who is just diving out of the water and the moment... You know, especially when you've been dancing before, that you're looking forward to the moment when you get the air out again.
• 24:50
  Speaker 0: And that's of course a perfect translation of this idea into the optical, into the cover design.
• 25:11
  Speaker 0: We've talked about playlists before.
• 25:40
  Speaker 0: The Huntrits also have such a playlist.
• 25:59
  Speaker 0: It's an
• 26:14
  Speaker 1: inspiration playlist that you can listen to and see where you can get ideas.
• 26:24
  Speaker 1: Dancing with your shadow, that's what it's called when you want to listen in there.
• 26:27
  Speaker 1: There are music pieces by John Hopkins, which have also been remixed for hundreds.
• 26:32
  Speaker 1: Nitzki is with us, Jonas Policewoman, Soffie Hunger, Benjamin Clementine.
• 26:37
  Speaker 1: So you get a really good
• 26:38
  Speaker 0: idea
• 26:39
  Speaker 1: of where they look at things and let
• 26:42
  Speaker 0: them inspire.
• 26:42
  Speaker 0: Very nice.
• 26:44
  Speaker 0: Talent Boro's Genius Steals, you can also say, in the music or in the art, the talented, lazy ideas and the brilliant artists and artists, they just clap directly.
• 26:55
  Speaker 0: How exactly did the hundreds do it?
• 26:56
  Speaker 0: You can find that out if you skip through their playlists.
• 26:59
  Speaker 0: I would add
• 27:01
  Speaker 1: one more song to this playlist, but I can't because I don't have access to it.
• 27:06
  Speaker 1: Last Time by Moderat, that was the hidden track from their second album.
• 27:11
  Speaker 1: He was really from the back and was the absolute top pop song of Moderat.
• 27:17
  Speaker 1: That's why I think they didn't really have the courage to publicize him.
• 27:23
  Speaker 1: And they first hidden him.
• 27:24
  Speaker 1: He was later sung again.
• 27:26
  Speaker 1: It's a huge hit and it also sounds a
• 27:27
  Speaker 0: bit like Walk On Walls.
• 27:28
  Speaker 0: Yes, that's right.
• 27:29
  Speaker 0: So again an old song that you should listen to again.
• 27:31
  Speaker 0: To understand the new hundreds record, old songs that are important to understanding new music, that is also a topic for the rubric that is called... You hear that.
• 27:42
  Speaker 0: Old Stückli, Gold Stückli, Knack.
• 27:48
  Speaker 0: Thank you, Miki, for this great little moderation.
• 27:51
  Speaker 0: We are in the rubric Old Stückli in Gold Stückli.
• 27:55
  Speaker 0: Today a band... We discovered these bands in the nineties.
• 28:01
  Speaker 0: We never talked about it before, but we found out that we were big fans of Tordis from Chicago in the nineties.
• 28:11
  Speaker 0: A jazz band that does crowd-pop with jazz elements.
• 28:17
  Speaker 0: You don't know how to call it.
• 28:19
  Speaker 0: It's completely instrumental.
• 28:21
  Speaker 0: Never comes up with a song.
• 28:24
  Speaker 0: I understand, I love this music, otherwise it wouldn't have been on the playlist.
• 28:27
  Speaker 0: But I don't even know exactly how I came up with it, that I pulled myself into something like that.
• 28:31
  Speaker 0: How was it in Tordes with this shrieking music so big back
• 28:35
  Speaker 1: then?
• 28:35
  Speaker 1: Yes, of course, it was also the time of shrieking music.
• 28:40
  Speaker 1: It was the labels from England like Ninja Tune
• 28:42
  Speaker 0: or what else
• 28:44
  Speaker 1: was there for other things like Thrill Chalky, of course, the label of Tordes.
• 28:50
  Speaker 1: was already a famous indie label, because partially the publication of Thrill Chalky by City Slang, then almost came to Europe.
• 28:59
  Speaker 1: Then I think we took it over City Slang.
• 29:02
  Speaker 1: I don't know exactly.
• 29:03
  Speaker 1: In my case, the cover was mentioned by TNT, by the record where we now hear the same song.
• 29:09
  Speaker 1: Yes, that makes sense.
• 29:13
  Speaker 0: Yes, exactly.
• 29:14
  Speaker 1: You know what I mean.
• 29:15
  Speaker 1: And that's a drawing of a man on a CD-R cover.
• 29:21
  Speaker 1: It's just like a CD-roll.
• 29:23
  Speaker 1: There was the CD-ROMs in the nineties.
• 29:26
  Speaker 1: And it's just like a drawing.
• 29:28
  Speaker 1: And I thought, that's funny.
• 29:29
  Speaker 1: Then I heard it.
• 29:31
  Speaker 1: And it somehow caught me off guard from the
• 29:34
  Speaker 0: first song.
• 29:35
  Speaker 0: It's maybe a musician's record.
• 29:37
  Speaker 0: So a record for people who make music.
• 29:38
  Speaker 0: Because it's... Now, let's take a look at the Equator.
• 29:42
  Speaker 0: It's a relatively repetitive beat, but it's then solved by accents and dots.
• 29:50
  Speaker 0: which are so beautiful that I got to know back then, that I counted like this.
• 29:55
  Speaker 0: And I was like, when will he come
• 29:57
  Speaker 1: back?
• 29:57
  Speaker 1: You know?
• 29:58
  Speaker 0: Yes, exactly.
• 29:58
  Speaker 0: So that you were, you know, you built yourself a bit musically by listening to it.
• 30:02
  Speaker 0: Now that I'm talking about it, I also agree that I think it's a bit like No Twist to do that.
• 30:08
  Speaker 0: No Twist and Tordis, somehow it was, either I got the CDs both at the same time or...
• 30:13
  Speaker 1: They were friends, I think.
• 30:14
  Speaker 1: I think so.
• 30:15
  Speaker 1: I think they already know each other.
• 30:17
  Speaker 0: Maybe it's because of that.
• 30:18
  Speaker 0: I thought
• 30:20
  Speaker 1: the song Ten Day Interval
• 30:22
  Speaker 0: was my favorite
• 30:22
  Speaker 1: song with this marimba, because
• 30:25
  Speaker 0: back
• 30:26
  Speaker 1: then I also played marimba a bit through my drums.
• 30:31
  Speaker 0: It packed
• 30:31
  Speaker 1: me in full.
• 30:32
  Speaker 1: You've played all of that in McEntire, right?
• 30:34
  Speaker 1: The drummer and the producer of the record.
• 30:37
  Speaker 0: So amazing, great music.
• 30:38
  Speaker 0: And when it came out at that time, I was also there to apply for high school.
• 30:45
  Speaker 0: Then I wanted to become a director.
• 30:46
  Speaker 0: Really?
• 30:47
  Speaker 0: Then I got a DFFB and a HFF with short films.
• 30:51
  Speaker 0: And I shot one of them on Super-Acht.
• 30:52
  Speaker 0: And there was exactly this Marimba piece in the soundtrack.
• 30:58
  Speaker 0: And then I first realized that the record was going through again.
• 31:05
  Speaker 0: I
• 31:09
  Speaker 1: was like, hey, how
• 31:12
  Speaker 0: did you come to know that song so well?
• 31:18
  Speaker 0: And I was like, oh, because I just heard it three billion times in a cut.
• 31:33
  Speaker 0: It's now ninety-seven or
• 31:35
  Speaker 1: ninety-eight.
• 31:37
  Speaker 1: But it's also from a time when you really heard Alben.
• 31:43
  Speaker 1: That's
• 31:43
  Speaker 0: right.
• 31:44
  Speaker 0: I wanted to ask that again.
• 31:51
  Speaker 0: You just sat down and heard the LP completely.
• 32:06
  Speaker 0: And also with the TNT LP, which now works as a tone trigger for The Equator, I realized that
• 32:28
  Speaker 1: I After the end of one song, you knew how the next one would go.
• 32:37
  Speaker 1: You knew that it was so good that you could go to LPs in the past.
• 33:03
  Speaker 1: The last chord was played and you're already looking forward to the next one.
• 33:13
  Speaker 1: You could already count it.
• 33:15
  Speaker 1: Exactly.
• 33:17
  Speaker 1: If you knew your CD player well, you also knew how long the breaks are between the songs.
• 33:29
  Speaker 1: Exactly.
• 33:32
  Speaker 1: You came with the timing right?
• 33:39
  Speaker 1: Right.
• 33:41
  Speaker 1: By the way, they have released new music on the twenty-fourth of October.
• 33:50
  Speaker 1: That's right.
• 33:51
  Speaker 1: Touch is called
• 33:54
  Speaker 0: the LP.
• 33:54
  Speaker 0: A bit more techno-like than what you hear now.
• 33:57
  Speaker 0: But it's still high-pitched, boring, still fresh.
• 34:01
  Speaker 0: So if you want to play instrumental music with Chikagoa again, that's why the new album is also on the heart.
• 34:11
  Speaker 0: For those who don't know the Equator yet, sit down and watch out for... The development of this groove, how it develops and becomes more and more awesome in a few minutes, it's crazy.
• 34:24
  Speaker 0: It's really good, yes.
• 34:26
  Speaker 0: The goal is from Chicago as an old piece, a goal piece with The Equator from the year nineteen-six.
• 34:35
  Speaker 0: Last recommendation again, the LP TNT.
• 34:38
  Speaker 0: And for all of the EAV fans, sorry that we didn't play the EAV.
• 34:44
  Speaker 0: Tordis with the Equator, Ure Liebliger, has already indicated in the song that we had actually promised that we would play the first general insurance again, because we had to think about it during the last recording.
• 35:09
  Speaker 0: But then I heard that again yesterday and today.
• 35:14
  Speaker 0: Which record?
• 35:15
  Speaker 0: Several records.
• 35:16
  Speaker 0: I skipped through the hits and thought that everything actually sounds really terrible.
• 35:26
  Speaker 0: As a child, of course, you thought it was funny.
• 35:58
  Speaker 0: And there are also so many eighty years of aesthetics.
• 36:07
  Speaker 0: which are not that
• 36:11
  Speaker 1: great
• 36:12
  Speaker 0: anymore, but I was a bit disappointed.
• 36:15
  Speaker 0: Disappointed?
• 36:19
  Speaker 0: Yes, even though I don't know such a stable taste of music as a child.
• 36:31
  Speaker 0: Yes,
• 36:32
  Speaker 1: but please, you had to find one.
• 36:35
  Speaker 1: My first CD, because I still know it, can be the Swachs in Sünde.
• 36:38
  Speaker 0: From whom?
• 36:39
  Speaker 1: From EAV, that was my first CD that I bought here.
• 36:42
  Speaker 0: My first really from the pocket money bought CD, or LP back then.
• 36:46
  Speaker 0: There were no CDs left.
• 36:47
  Speaker 0: It was Songs from the Big Chair by Tiers for Fiers.
• 36:52
  Speaker 0: But it's stable.
• 36:56
  Speaker 0: Yes, it's stable, that's right.
• 36:57
  Speaker 0: And then I really remember that.
• 36:58
  Speaker 0: When I went to my mom, I said, I would like to buy the record of this band.
• 37:02
  Speaker 0: Ah, very cool.
• 37:03
  Speaker 0: And then she gave me three more marks to my pocket and then I could get them.
• 37:09
  Speaker 0: I also know exactly how it looked like and so on.
• 37:10
  Speaker 0: How old
• 37:10
  Speaker 1: were you then?
• 37:11
  Speaker 1: How old were
• 37:11
  Speaker 0: you then?
• 37:11
  Speaker 0: When did they come out?
• 37:12
  Speaker 0: Eighteen?
• 37:12
  Speaker 0: Eleven.
• 37:13
  Speaker 0: Ah, okay.
• 37:13
  Speaker 0: Or maybe a little later.
• 37:14
  Speaker 0: I don't know exactly.
• 37:15
  Speaker 1: So I know my first music cassettes.
• 37:17
  Speaker 1: Of course, there was an ERV with bank overlap.
• 37:20
  Speaker 1: I had music cassettes.
• 37:21
  Speaker 1: But also Chris Norman, Midnight Lady, I thought it was very good.
• 37:25
  Speaker 1: And Modern Talking, I thought it was also great.
• 37:27
  Speaker 0: Oh, well, then you really developed well.
• 37:30
  Speaker 0: I also had the best on the new German wave.
• 37:32
  Speaker 0: I was a little bit younger there.
• 37:33
  Speaker 0: Maybe it was still Forty, it was Forty's year, but I got them as a present from my cousin.
• 37:37
  Speaker 0: And there was my favorite songwriter from the Königssee.
• 37:41
  Speaker 0: Yololia, Yololia, Yololia,
• 37:46
  Speaker 1: Yololia,
• 37:47
  Speaker 0: the singer from the
• 37:48
  Speaker 1: Königssee.
• 37:51
  Speaker 0: We continue to deal with music that existed in the eighties.
• 37:55
  Speaker 0: We hear an interpretation of house music as house music.
• 38:00
  Speaker 0: Aerobique has a new single at the start that really comes around the corner, like the dance floor genre that existed in the nineties, in the eighties, in Germany on the disco floor.
• 38:16
  Speaker 0: And he makes this house music out of house music.
• 38:34
  Speaker 0: It's great.
• 38:41
  Speaker 0: I mean, we're
• 38:45
  Speaker 1: waiting for Aerobik in... Frühling, I think, with Bert and Ernie, of course, with Songs for Joy, on the Fettle, on the Eddy Fettle, which he played together with Chuck Palmaker and Bettina Stuckey.
• 38:56
  Speaker 1: You've already imagined it, I think, one or two years ago.
• 39:00
  Speaker 1: Aerobik.
• 39:01
  Speaker 1: Aerobik is not just a hand dump for all the guests, but also a hand dump for Goldstückre Podcast.
• 39:06
  Speaker 0: Right.
• 39:06
  Speaker 0: And of course, there is also a friendship connection here, at least to Annim Teutoburg Weiss, whom we both know very well.
• 39:13
  Speaker 0: Also, Aerobik is... So far, at least two corners have changed and we are happy about this excellent number.
• 39:21
  Speaker 0: I think the two of them have become really warm.
• 39:24
  Speaker 0: At the end of January, the year has ended, because Aerobik has played a matinee in Festa Kreuzberg to celebrate January the first.
• 39:34
  Speaker 0: And Arnim Teutoburg knows, what a fool believes, sung by the Doobie Brothers live on stage.
• 39:38
  Speaker 0: No,
• 39:38
  Speaker 1: I didn't
• 39:39
  Speaker 0: film it, I just cut the video.
• 39:40
  Speaker 0: Unfortunately, I didn't do it myself on site.
• 39:43
  Speaker 0: That was a great session.
• 39:46
  Speaker 0: I think they already knew each other, EroBik and Anima, but they were playing the bandset and singing like crazy.
• 39:51
  Speaker 0: You thought that was awesome.
• 39:52
  Speaker 0: And I also know from Anima that it is a very inspiring work with EroBik, because he is very fast.
• 39:58
  Speaker 0: A small musical genius.
• 40:00
  Speaker 0: He developed a musical idea or a song quickly and then only the vocals are missing and then you had to deliver and then it gets awesome.
• 40:06
  Speaker 0: So the two of them were a bit excited at that time.
• 40:08
  Speaker 0: And now he has just been invited to Hamburg again for a few hours with EroBik.
• 40:13
  Speaker 0: studio zu verbringen.
• 40:14
  Speaker 0: Ich hab noch mal gefragt, wie das abgelaufen ist.
• 40:16
  Speaker 0: Die haben sehr, sehr viel Musik gehört.
• 40:18
  Speaker 0: Und dann war eine halb von, also sehr viel Musik gehört und getanzt.
• 40:21
  Speaker 0: Und dann haben sie irgendwann gesagt, jetzt müssen wir selber ran.
• 40:22
  Speaker 0: Dann war das innerhalb von zwanzig Minuten aber auch erledigt,
• 40:25
  Speaker 1: weil
• 40:25
  Speaker 0: aerobik so ein krasses Genie ist.
• 40:27
  Speaker 0: Also natürlich war das nicht fertig produziert in zwanzig Minuten, aber es hat so ein Grundgerüst gegeben nach irgendwie sehr, sehr kurzer Zeit.
• 40:35
  Speaker 1: And it can be good, because the new year's matinee from the Rybik will take place again on January the first of January in Fester-Kreuzberg.
• 40:41
  Speaker 1: It can be good that Ada and Anim will be able to understand the best.
• 40:44
  Speaker 1: Well, I wouldn't
• 40:45
  Speaker 0: be disappointed.
• 40:46
  Speaker 0: At least Anim is also on the start of January the first.
• 40:50
  Speaker 0: And Ada, maybe also Michaela Dippel, by the way, means Ada with a bourgeois name.
• 40:56
  Speaker 0: She is in the electronic and in the house scene.
• 41:00
  Speaker 0: through a well-known name.
• 41:03
  Speaker 0: And that's what Erubik has already told us.
• 41:09
  Speaker 0: She will also go on tour all the time and not only be there for the first time, but also lay down a little bit beforehand and afterwards at home.
• 41:29
  Speaker 1: So
• 41:29
  Speaker 0: it could just be a very, very danceable event if you should go to Erubik in the next weeks and months.
• 41:51
  Speaker 1: I always thought a little
• 41:58
  Speaker 0: bit about Oliver Chathams or Cheathams Get Down on Saturday Night.
• 42:03
  Speaker 0: When I hear this beat, you know what I mean?
• 42:30
  Speaker 0: You know what I mean?
• 42:32
  Speaker 0: You have to listen to it.
• 42:34
  Speaker 0: It's the same chord sequence.
• 42:38
  Speaker 0: I wouldn't be surprised if it was similar to the hundreds where you said that these are the pieces that sound like inspiration sources.
• 42:52
  Speaker 0: If it would have been inspiration, it would have been for Aerobic.
• 42:56
  Speaker 0: That's what we'll find out later.
• 42:59
  Speaker 0: By the way, next Friday it seems to be on a seven inch.
• 43:01
  Speaker 0: So for all of you who are still looking for a Nikola gift, that would be a good idea.
• 43:12
  Speaker 0: Yes, of course.
• 43:13
  Speaker 0: Very good.
• 43:14
  Speaker 0: Thank you for the invitation.
• 43:17
  Speaker 0: It's aerobic to hear with Ada and Alim and understand the song.
• 43:28
  Speaker 0: When do you get it?
• 43:29
  Speaker 0: You get it!
• 43:30
  Speaker 0: Interpretation mistakes.
• 43:31
  Speaker 0: I don't know exactly.
• 43:35
  Speaker 0: I think it's nice.
• 43:37
  Speaker 0: I like to take over the interpretation.
• 43:42
  Speaker 0: The next song I want to introduce comes from Berlin.
• 43:46
  Speaker 0: We have a lot of Berlin today, or just a lot from Germany, you could say.
• 43:55
  Speaker 0: Or is it the first song that doesn't come from our friend, or from a friend?
• 44:01
  Speaker 0: That's right.
• 44:02
  Speaker 0: Lintholmen, I've never met, I don't know.
• 44:04
  Speaker 0: Me neither, but I would like to be friends with her, because I like what she does very much.
• 44:09
  Speaker 0: I have already made contact with her, she has also written back.
• 44:14
  Speaker 0: And I am very curious, because she said that many new things will come.
• 44:17
  Speaker 0: Because Lindholmen, who already said the name, has now released her first song last week.
• 44:24
  Speaker 0: And that's called Past Eleven.
• 44:26
  Speaker 0: In the song she describes a bit of her fear, which she had as a girl in the past, in front of a high, who she always visited shortly before going to bed.
• 44:44
  Speaker 0: So always so short of this dream, short of this sleep, that you always have such a world in between, which is the beginning, especially as a child.
• 45:03
  Speaker 0: I always had great fear of pirates and snakes and my bed, but it didn't work.
• 45:17
  Speaker 0: She was afraid of a shark, which she came to visit.
• 45:27
  Speaker 0: Sometimes it was terrifying, sometimes even strangely friendly.
• 46:17
  Speaker 0: So or so, it
• 46:18
  Speaker 1: felt very real.
• 46:19
  Speaker 1: And then she realized with the age, The land
• 46:31
  Speaker 0: heihe simply does not exist, neither in bedrooms,
• 46:42
  Speaker 1: nor under bed covers, but then also noticed that heihe exists then simply in the form of people.
• 47:13
  Speaker 1: They can also be like heihe sometimes and hide.
• 47:25
  Speaker 1: The cave of lions is actually called
• 47:55
  Speaker 0: Shark Tank, you
• 47:57
  Speaker 1: know?
• 47:57
  Speaker 0: There you go.
• 47:58
  Speaker 1: There you go.
• 47:59
  Speaker 1: The meat heihe
• 48:00
  Speaker 0: and the capitalist heihe.
• 48:01
  Speaker 1: Yes, exactly.
• 48:02
  Speaker 1: And I really liked the way this keyboard is used at the beginning.
• 48:07
  Speaker 1: Sounds a bit like Likes from Switzerland, from Team Goldström.
• 48:10
  Speaker 1: And
• 48:12
  Speaker 0: then this great
• 48:15
  Speaker 1: voice from Lind, this deep voice that I really like.
• 48:18
  Speaker 1: And Lind doesn't write here like the chocolate from Switzerland, he just leaves the tea.
• 48:23
  Speaker 1: So L-I-N-D.
• 48:25
  Speaker 0: Lind comes from Berlinsaste, Lind Holmen is also written together, a part of Göteborg, I learned
• 48:32
  Speaker 1: today.
• 48:34
  Speaker 1: Yes, I think either it's the Swedish or
• 49:01
  Speaker 0: Norwegian.
• 49:03
  Speaker 0: I didn't find that out because she also has a lot of Reels on her Instagram channel where she tells from an old fairy house what her grandfather heard, that they had to sell and so on.
• 49:59
  Speaker 0: So there's a lot to cover with her and I really hope that the new music that will come in the next few months will convince me just like this song here, past eleven.
• 50:38
  Speaker 0: Think it seems so real to me.
• 50:51
  Speaker 0: Drill the past eleven, breathe If you're afraid, just let me know.
• 51:04
  Speaker 0: Cue to heaven, cue to the aftershock.
• 51:12
  Speaker 0: We're falling deep, you don't see me.
• 51:22
  Speaker 0: Swipe past the fray, dance me at the aftershock.
• 51:30
  Speaker 0: Did you find it yourself?
• 51:34
  Speaker 0: I just found it myself.
• 51:37
  Speaker 0: So on the fly.
• 51:38
  Speaker 0: Who do I talk to?
• 51:45
  Speaker 0: more or less?
• 51:47
  Speaker 0: I have
• 51:51
  Speaker 1: one that I haven't heard
• 51:53
  Speaker 0: yet, but I think it's good.
• 51:59
  Speaker 0: I'm sure you'll like it too.
• 52:23
  Speaker 0: Hamburg was an honor.
• 52:26
  Speaker 0: And then they wanted to show the person who's in there in the
• 52:41
  Speaker 1: bag and wanted
• 52:44
  Speaker 0: to do that again.
• 52:45
  Speaker 0: And then he didn't open the bag.
• 52:49
  Speaker 0: He just didn't open it.
• 52:53
  Speaker 0: Do you know why?
• 52:55
  Speaker 0: There was a container there.
• 52:58
  Speaker 0: Sorry.
• 52:59
  Speaker 0: But against Schiller, I've already said that I think
• 53:09
  Speaker 1: Schiller is a great guy.
• 53:11
  Speaker 1: Because there's just a German in Switzerland who can be inspired by the Four Walls Städtersee and gives Switzerland a national
• 53:20
  Speaker 0: hero.
• 53:21
  Speaker 0: Wilhelm Tell.
• 53:22
  Speaker 1: Exactly, Schiller
• 53:23
  Speaker 0: wrote
• 53:24
  Speaker 1: it.
• 53:25
  Speaker 1: And there's really just a large part of the Swiss population who thinks that Wilhelm Tell was an existing person for seven, eight hundred years.
• 53:35
  Speaker 0: Wilhelm Tell me more.
• 53:38
  Speaker 1: Tell me more, tell me more.
• 53:40
  Speaker 0: Before we go into the history... from the head of the ratio Helvetia.
• 53:46
  Speaker 1: Helvetica.
• 53:47
  Speaker 1: Helvetica,
• 53:48
  Speaker 0: yes, Helvetia was the script, I think.
• 53:50
  Speaker 0: No, also,
• 53:51
  Speaker 1: yes, but Helvetia is the goddess, which is on the Münzen Chorstral.
• 53:56
  Speaker 0: Yes, completely, we are completely divided here with the terms, but that doesn't matter, because we only have one song to moderate.
• 54:03
  Speaker 0: And there's really fire on the ears.
• 54:07
  Speaker 0: It's about the very, very, very first single of the formation, Spit Play.
• 54:12
  Speaker 1: And
• 54:12
  Speaker 0: those are Martina Schöne-Radunski and the musician with the name... Where did I write
• 54:20
  Speaker 1: that?
• 54:20
  Speaker 1: Krypton Klingler Ionides.
• 54:22
  Speaker 1: Yes,
• 54:22
  Speaker 0: I wrote it down there.
• 54:23
  Speaker 0: Really.
• 54:24
  Speaker 0: Krypton, I didn't know.
• 54:24
  Speaker 0: I wanted to mention your last name.
• 54:26
  Speaker 0: Thank you for your help.
• 54:27
  Speaker 0: Martina Schöne-Radunski is known as a actress.
• 54:30
  Speaker 0: She plays in many... Stabil production.
• 54:35
  Speaker 0: If you look at the face, you might think, yes, I've seen it before.
• 54:38
  Speaker 0: Die for beginners.
• 54:39
  Speaker 0: Kim has a penis.
• 54:41
  Speaker 0: QoOoT at the age of fifty-six, according to such films and TV shows, you can pull yourself in.
• 54:46
  Speaker 0: But she's always made music.
• 54:49
  Speaker 0: And there are some colleagues and colleagues out there.
• 54:52
  Speaker 0: When I was working on a film back then, I sometimes told them that I also have a band.
• 54:57
  Speaker 0: And they were just playing shows, because they were always very, very angry.
• 55:03
  Speaker 0: that someone wrote his own text.
• 55:05
  Speaker 0: and an organized band and then with the own texts and the own music, the stage changes.
• 55:08
  Speaker 0: And not in front of the camera and recited texts that someone thought of or on the stage.
• 55:14
  Speaker 0: They always found that very cool.
• 55:15
  Speaker 0: This night, Martina Schöne-Radunzki doesn't have to feel it, because she's been doing it for a long time, so that she can go on stage.
• 55:22
  Speaker 0: And now she has a partner in crime with Krypton.
• 55:25
  Speaker 0: Except for the one you might know from the theater and film world.
• 55:29
  Speaker 0: Especially there, he's very, very busy and also... It's on his website, I think it's a great fan of distortion as an effect.
• 55:40
  Speaker 0: And that's what you hear in the next song, I.O.I.
• 55:44
  Speaker 0: Role.
• 55:44
  Speaker 0: And that fits into the Friends round, which was sent to me personally.
• 55:49
  Speaker 0: Because Martina is friends with my friend.
• 55:52
  Speaker 0: And then she just sent a song on the direct way through WhatsApp.
• 55:56
  Speaker 0: And also a little bit with the idea that I could play it here.
• 56:00
  Speaker 0: And then I thought, if you're doing so direct promo exercises, It has to be rewarded.
• 56:05
  Speaker 0: But I wouldn't have rewarded it if I didn't like the song.
• 56:07
  Speaker 0: And I think the song is very, very good.
• 56:09
  Speaker 0: It's very good.
• 56:10
  Speaker 0: It goes forward.
• 56:11
  Speaker 0: It's really
• 56:12
  Speaker 1: fast.
• 56:12
  Speaker 1: You're not just more of a potistic reason here.
• 56:14
  Speaker 0: No, exactly.
• 56:15
  Speaker 0: The singing is also extremely good.
• 56:18
  Speaker 0: Martina has already had other formations.
• 56:21
  Speaker 0: But she has a little more screaming, I have the feeling.
• 56:25
  Speaker 0: Here there is always a change in the conversation, singing and even a screamo moment.
• 56:30
  Speaker 0: I think that's very, very good.
• 56:31
  Speaker 0: So you think about it.
• 56:32
  Speaker 0: Maybe it's also a strength of actors and actresses that they can bring out a little more in a performance, a singing performance, because it's not boring either.
• 56:42
  Speaker 0: And sometimes even a little bit like an N-Clarke in Wütend, you know what I mean?
• 56:46
  Speaker 0: Ah,
• 56:46
  Speaker 1: yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes,
• 56:48
  Speaker 0: yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, Yeah, I owe you nothing, even if we're here
• 57:23
  Speaker 1: on a sex-positive party.
• 57:24
  Speaker 1: Maybe that doesn't mean anything.
• 57:27
  Speaker 0: That's how I understand the lyrics a
• 57:29
  Speaker 1: bit.
• 57:30
  Speaker 1: It's really very,
• 57:30
  Speaker 0: very interesting.
• 57:32
  Speaker 0: And I'm curious what's going to happen.
• 57:35
  Speaker 0: You've already opened similar bands for the Ravenets, although they only released one song before.
• 57:39
  Speaker 0: And there's still a lot going on.
• 57:42
  Speaker 0: A LP is announced.
• 57:44
  Speaker 0: I would be happy.
• 57:46
  Speaker 0: Okay, great.
• 57:46
  Speaker 0: The Ravenets are playing live again.
• 57:48
  Speaker 0: Okay.
• 57:48
  Speaker 0: Okay, good.
• 57:49
  Speaker 0: Okay.
• 57:49
  Speaker 0: Okay.
• 57:50
  Speaker 0: I'm going to the train, as
• 57:52
  Speaker 1: you can see here
• 57:53
  Speaker 0: in Switzerland, and I'm going to
• 57:57
  Speaker 1: my mom's.
• 57:57
  Speaker 1: And then I'm going to eat cake and drink coffee.
• 58:05
  Speaker 1: That would be the plan.
• 58:07
  Speaker 1: What else do you have?
• 58:07
  Speaker 1: I'm
• 58:09
  Speaker 0: hanging here in the gold studio.
• 58:11
  Speaker 0: I'm cleaning around a bit.
• 58:11
  Speaker 0: Look what else there is to do.
• 58:13
  Speaker 0: Maybe I'll play a round of drums.
• 58:14
  Speaker 0: Here's a drum.
• 58:16
  Speaker 1: Very nice.
• 58:16
  Speaker 1: Very nice.
• 58:17
  Speaker 1: Yes, that's so good.
• 58:18
  Speaker 0: Cool.
• 58:19
  Speaker 0: That would be better.
• 58:21
  Speaker 0: Thank you very much for the call.
• 58:23
  Speaker 1: Yes,
• 58:28
  Speaker 0: nice
• 58:28
  Speaker 1: to
• 58:30
  Speaker 0: meet you.
• 58:40
  Speaker 0: And we just chat, right?
• 59:00
  Speaker 0: I think it's a good idea.
• 59:14
  Speaker 0: Great.
• 59:14
  Speaker 0: Here we are at the end of the show, Spit Play with I.O.I.
• 59:45
  Speaker 0: Roll.
• 59:46
  Speaker 0: Until next time, thank you very much for your attention and yes, also for the turning on of Ahoj Radio.
• 1:00:29
  Speaker 0: Until next time, goodbye from Vincent and Ueli.
• 1:00:45
  Speaker 0: Bye bye.
• 1:01:08
  Speaker 0: Rollstückli, Vierundzwanzig Karat, ein Podcast.
• 1:01:16
  Speaker 0: Der Nummer eins Podcast unter Goldfischen, Goldhamstan und Golden Retriever mit Ueli und
• 1:01:48
  Speaker 1: Vincent.