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Sean Paul + Classic Interviews · The Breakfast Club

• 0:01
  Speaker 1: You know the most dangerous morning show, The Breakfast Club Morning.
• 0:10
  Speaker 1: Everybody is DJ M v Angela Yee Scharlaman the guy.
• 0:13
  Speaker 1: We are the Breakfast Club. We got a special guest
• 0:15
  Speaker 1: in the building goes by the name of la Keith.
• 0:18
  Speaker 1: Did I say that right? You probably know better as
• 0:22
  Speaker 1: Darius from atl Atlanta plays straight out of Company. I
• 0:27
  Speaker 1: ain't like that one. Now. I love you as Darius.
• 0:30
  Speaker 1: But Snoop was a kind of a scrape. You see.
• 0:32
  Speaker 1: What it was is me and Snoop we smoked together, yeah,
• 0:37
  Speaker 1: and then he gave me the old cave. It was like,
• 0:39
  Speaker 1: you know, I'm hard in him up so and what
• 0:42
  Speaker 1: you gotta do? That's true? How you got the role
• 0:47
  Speaker 1: as Snoop? Audition forward? Man, like everybody in the nation,
• 0:50
  Speaker 1: we like. It was like every blackmail. They sent out
• 0:53
  Speaker 1: audition go audition forward. And how did you study for
• 0:56
  Speaker 1: that role? Did you have to study or you So? Look,
• 0:58
  Speaker 1: I got the role at ten pm and night and
• 1:00
  Speaker 1: then um at ten pm I got to day. It
• 1:03
  Speaker 1: was like you got to you gotta be there at
• 1:04
  Speaker 1: five am the next day. So that was my time
• 1:06
  Speaker 1: for prep, right, So I was just listening to Snoop stuff,
• 1:09
  Speaker 1: doing you know what I mean, and then showed up
• 1:11
  Speaker 1: and went to work. Do you think you were a
• 1:12
  Speaker 1: good Snoop? I was happy with what I did, you
• 1:15
  Speaker 1: know what I mean. I wouldn't plaster my face up
• 1:17
  Speaker 1: as the poster child for Snoop, but I can't play
• 1:21
  Speaker 1: Snoop in every movie. No got no but I did.
• 1:23
  Speaker 1: I feel like I did what was necessary. We got
• 1:25
  Speaker 1: the job done. I guess it was the look you
• 1:27
  Speaker 1: you know what I mean. Look, it was crazy because
• 1:29
  Speaker 1: everybody kept saying, you don't look like Snoop, you don't
• 1:31
  Speaker 1: look like Snooping. I look at myself every goddamn day
• 1:34
  Speaker 1: in the mirror, and I know what I looked like.
• 1:36
  Speaker 1: I know I don't look like that dude. But I
• 1:38
  Speaker 1: got the role, you know what I mean? So you know,
• 1:40
  Speaker 1: actually it's crazy because I was sitting right next to
• 1:42
  Speaker 1: a dude who looked just like Snoop when I was
• 1:44
  Speaker 1: doing audition, and I was like, he for show, gonna
• 1:47
  Speaker 1: get the role. I know he gonna get it. So
• 1:49
  Speaker 1: you know, when they called me back, I was like, Okay, cool,
• 1:51
  Speaker 1: he was just a bad actor. I was better with
• 1:53
  Speaker 1: the improb man. We're a Snoop fan and not too much,
• 1:56
  Speaker 1: not too much. I mean from Callie, isn't you? Yeah,
• 1:59
  Speaker 1: you're got a new faith Noah. I remember like looking
• 2:02
  Speaker 1: at the Doggie Style album and being young and confused
• 2:05
  Speaker 1: and not knowing whether I was sexually attracted to the
• 2:07
  Speaker 1: dog or like what I should. Yeah, I was like, yo,
• 2:12
  Speaker 1: I remember, I'm starting to look at dogs weirdly now.
• 2:16
  Speaker 1: But I didn't really, I didn't really dive into the
• 2:18
  Speaker 1: music like that. I guess I was too young to
• 2:20
  Speaker 1: understand it really. Right, Well, Atlanta is I think for
• 2:23
  Speaker 1: all of us one of our favorite new shows out
• 2:25
  Speaker 1: right now? Did you know it's going to take off
• 2:26
  Speaker 1: the way that it did? Did you feel like that
• 2:28
  Speaker 1: when you first saw the script? When you know, I
• 2:31
  Speaker 1: had no idea. I think really nobody had no perspective
• 2:35
  Speaker 1: for the way it was gonna touch us and touch
• 2:37
  Speaker 1: people stuff. I'm glad. How did you look? I already
• 2:41
  Speaker 1: approached you for the role. Yeah. Personally, yeah, I was fire.
• 2:45
  Speaker 1: Performance was great, out of competent, you know what. I
• 2:48
  Speaker 1: think that's what it was. I think it was the voice. No.
• 2:51
  Speaker 1: I was at a club and I was I was
• 2:53
  Speaker 1: actually really drunk, um just dancing in this club, just
• 2:56
  Speaker 1: you know, and then I bump into somebody like, hey, Keith,
• 2:59
  Speaker 1: I was man. I wasn't really looking at him because
• 3:01
  Speaker 1: he had on some like nice shoes. They were glittering
• 3:04
  Speaker 1: looking at the shoes. And then I look up and
• 3:06
  Speaker 1: I'm like, oh this Donald this sho man, Yo, what's up? Man?
• 3:08
  Speaker 1: I know you are like, yeah, I think you'd be
• 3:10
  Speaker 1: perfect for this role. And so he sent me the
• 3:12
  Speaker 1: uh size and I, you know, I do a self
• 3:15
  Speaker 1: tape audition, and I do a secondary audition for network,
• 3:18
  Speaker 1: and I go to shoot the polits. How did you
• 3:20
  Speaker 1: an act? And if it was no school or nothing, um,
• 3:22
  Speaker 1: I just gotta google. You just straight up in there,
• 3:28
  Speaker 1: I said, I'm gonna google. And how did you get auditions?
• 3:31
  Speaker 1: You just googled auditions too well. I googled it something
• 3:33
  Speaker 1: along the lines of actory stuff you typed in act.
• 3:41
  Speaker 1: And so for about fifty pages, I just filled out
• 3:44
  Speaker 1: everything I could find and you know, try to get
• 3:46
  Speaker 1: a break some way I could. We went on a
• 3:48
  Speaker 1: lot of dry runs, a lot of things with scams,
• 3:50
  Speaker 1: and at some point something came through and it was
• 3:52
  Speaker 1: a modeling agency and it was a runway modeling agency.
• 3:55
  Speaker 1: So yeah, I learned how to walk the roadway for
• 3:59
  Speaker 1: no reason. Whatso I see you, Russell Westbrook. But so
• 4:05
  Speaker 1: every other week they would have agents come through. And
• 4:08
  Speaker 1: one week of agent came through and I said, I
• 4:09
  Speaker 1: want audition for him, and said, you ain't got no material.
• 4:12
  Speaker 1: I don't know if you guys, I don't care. I
• 4:13
  Speaker 1: want to audition for him, So let me come in.
• 4:16
  Speaker 1: Jumped up on the table and did whatever I thought
• 4:18
  Speaker 1: it was necessary, which was from mine, from my mind
• 4:20
  Speaker 1: at that time, to pretend like I was a surfer.
• 4:23
  Speaker 1: All right, come on, you gotta do some something along
• 4:32
  Speaker 1: the line to that dog and you know, and it
• 4:35
  Speaker 1: was the role. It was no role, but I think
• 4:38
  Speaker 1: he really liked he appreciated my Yeah, and so he
• 4:44
  Speaker 1: was just like, I see something then you don't know
• 4:46
  Speaker 1: what it is. I guess it was dar all right.
• 4:49
  Speaker 1: We got more with la Keith from the show Atlanta.
• 4:51
  Speaker 1: So don't go anywhere. It's the Breakfast Club Morning the Morning.
• 4:54
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlemagne and Guy. We
• 4:58
  Speaker 1: are the breakfast Club. We have the Keith he plays
• 5:02
  Speaker 1: Darius on the show Atlanta. In the building. Now you
• 5:04
  Speaker 1: wrapped to right like in real life. I know, paper
• 5:08
  Speaker 1: Boy said he wasn't a rapper in real life. His
• 5:11
  Speaker 1: character all about that paper boy. We're wondering, are they
• 5:15
  Speaker 1: ever gonna put these songs out for real? Like that?
• 5:19
  Speaker 1: So I really liked that. So there's some dope music.
• 5:22
  Speaker 1: I mean, it's just catchy. Do a soundtrack and probably
• 5:25
  Speaker 1: do sound tracks doing at soundtrack? They should, they should.
• 5:28
  Speaker 1: Do you enjoy the club, because I know a lot
• 5:29
  Speaker 1: of things have happened for you just from going out,
• 5:31
  Speaker 1: running into people by chance, being in the right place
• 5:34
  Speaker 1: at the right time. In real life, do you enjoy
• 5:36
  Speaker 1: going out or is it just part of the job.
• 5:39
  Speaker 1: Part of the job, you know. I can only enjoy
• 5:41
  Speaker 1: the club when I'm blitzed. I gotta be at the bar.
• 5:45
  Speaker 1: I'm like, a matter of fact, one of these bottles
• 5:47
  Speaker 1: y'all got back here. I would appreciate you want to
• 5:49
  Speaker 1: drink if you hence forth my friend for let me
• 5:52
  Speaker 1: see you take that shot, then you acting right now.
• 5:54
  Speaker 1: It's got a lot of drinks. Man, let me see
• 5:56
  Speaker 1: we got backroom, paying bathroom for it. I don't know
• 5:59
  Speaker 1: where to start. Hit with the shot and then chase
• 6:01
  Speaker 1: it with put no, no nothing in here. Man. You
• 6:04
  Speaker 1: liked was familiar with that? I gonna give you nothing
• 6:06
  Speaker 1: that's gonna make you do the mannequin child. That's that
• 6:09
  Speaker 1: is cool, man. I like that hate is really cool
• 6:11
  Speaker 1: because a lot of people just stuck in life. You're
• 6:14
  Speaker 1: not gonna have a drink with him? There you go,
• 6:17
  Speaker 1: there you go, righteously correct. How long you've been drinking?
• 6:22
  Speaker 1: How long you've been drinking? That's my first drink all day.
• 6:25
  Speaker 1: I'm talking about in life, like when you first That's
• 6:27
  Speaker 1: what I'm talking about. Stop keith Man, why are you lying?
• 6:32
  Speaker 1: Hey man, I'm not lying. I'm cheetah in. I have
• 6:41
  Speaker 1: things changing, you can say Jarius on Atlanta. I'm sure
• 6:44
  Speaker 1: things have been different because the show has been such
• 6:45
  Speaker 1: a big hit. And I know when you go out everywhere,
• 6:47
  Speaker 1: everybody knows who you are. Yeah, it's nice man. You know.
• 6:51
  Speaker 1: I'm glad that I could be recognized for something I
• 6:53
  Speaker 1: feel good about being a part of, you know, because
• 6:55
  Speaker 1: I could easily be going on there trying to dunck
• 6:57
  Speaker 1: and die, you know what I mean. But but that's
• 6:59
  Speaker 1: for would have it. I've done something that I can
• 7:01
  Speaker 1: be very proud of that I feel like it's a
• 7:03
  Speaker 1: staple now um for television and for the culture moving
• 7:06
  Speaker 1: it forward, so I feel good about it. When people
• 7:08
  Speaker 1: come up and say, hey, man, you know, can I
• 7:10
  Speaker 1: measure your tree? I'm like, yes, you can measure my tree.
• 7:12
  Speaker 1: You know what I mean? I see you gotta. I
• 7:13
  Speaker 1: read it somewhere that you got a leading role now
• 7:15
  Speaker 1: in a movie where you're playing a Brooklynite. Yes, sir, sir?
• 7:19
  Speaker 1: Did you just call me sir? It's a respectful title. Yeah, yeah, yeah,
• 7:34
  Speaker 1: I lived there for a little while. How about your
• 7:37
  Speaker 1: rapping career now? Is that at the forefront of all
• 7:40
  Speaker 1: of you? And what's your rapper name? I guess Moors
• 7:43
  Speaker 1: will be the entity that I designed from a music. Um,
• 7:47
  Speaker 1: but I just I guess I exist under the same
• 7:49
  Speaker 1: name that I exist under Trippy thing balancing the career
• 7:53
  Speaker 1: of acting with that, so you know, I kind of
• 7:55
  Speaker 1: just have to find time for it, like I've been. Um,
• 7:58
  Speaker 1: now that Atlanta is sort of shooting, it has been
• 8:00
  Speaker 1: pushed back. I've gotten more time to like work on
• 8:02
  Speaker 1: the music. And before then I was just going boopa
• 8:04
  Speaker 1: boo who consistently just working, And so now I need
• 8:07
  Speaker 1: to block out time to actually work on the music.
• 8:09
  Speaker 1: So now I get that space now to just actually
• 8:12
  Speaker 1: dive into it because I'm not the type of person
• 8:14
  Speaker 1: who just wakes up and I'm inspired, you know what
• 8:16
  Speaker 1: I mean, Like just there are things that come to
• 8:18
  Speaker 1: me and I'm inspired in the moment and different things
• 8:19
  Speaker 1: that happened. So it's a process for me. So with More's,
• 8:22
  Speaker 1: I'm just really taking my time with it, making sure
• 8:24
  Speaker 1: what I'm saying exactly what I want to say, and
• 8:26
  Speaker 1: I'm being real. Would you like to leave us with
• 8:27
  Speaker 1: some Yes, it's that runaway Jane Go being done away
• 8:34
  Speaker 1: with that same old a. Joe Horsh exclaimed, Go vibrating
• 8:37
  Speaker 1: at the speed of a jar rating skiza that get
• 8:39
  Speaker 1: it popping on the swipe of a Visa cigarette and
• 8:42
  Speaker 1: COVID drinking monolithic Mona Lisa groovy music coming through and
• 8:44
  Speaker 1: thrust in you speakers, chucking the meek up of off
• 8:46
  Speaker 1: the edge of my media, out of the reach of thinking.
• 8:48
  Speaker 1: That's for people, brother, the greatest reef of Califa. I
• 8:52
  Speaker 1: got that fired like Mother Teresa's demon capeche thirteen vision
• 8:55
  Speaker 1: ain't the way you could see it, that mastery of algorithm.
• 8:57
  Speaker 1: I'm computing my sleep zoom pass Dupha's ass blacks and
• 9:00
  Speaker 1: Duke rags and lap a master with that cancer flash
• 9:03
  Speaker 1: a racted light. The way these patterns lining up. My
• 9:06
  Speaker 1: mind's an isotrophically balanced cipher suck on my siphon longer
• 9:09
  Speaker 1: than white men. Sound bites to your incis how you
• 9:11
  Speaker 1: turn into Tyson burning the mic. She's like a virgin,
• 9:13
  Speaker 1: that type that make tracks drip something burger. They're like
• 9:16
  Speaker 1: bills looking right because I don't breaking my make laws
• 9:18
  Speaker 1: and burn down courthouses, high for baseball, sliding in safe,
• 9:22
  Speaker 1: this rape brawl and infinite like my ninety six eminem
• 9:25
  Speaker 1: and eight balls balls. That's it what you went more?
• 9:33
  Speaker 1: You know what? I'm friend, man, you spit something. Don't
• 9:37
  Speaker 1: wrap he used to wrap his rap. Name is Dizzy
• 9:41
  Speaker 1: van Winkle fits. But there you have it. It's Charlotte.
• 9:45
  Speaker 1: Man is mean. I love you as Darius. I love
• 9:51
  Speaker 1: you as Darius. Hey man, that's just the role he's playing.
• 9:59
  Speaker 1: The Breakfast Club. Everybody's cd j M vy angela Ye
• 10:06
  Speaker 1: Charlomne the god we all the breakfast club. We got
• 10:09
  Speaker 1: a special guest in the building and this man is
• 10:11
  Speaker 1: in love. Oh my god, Miller, Miller, I listened to
• 10:17
  Speaker 1: the divine femination, feminine, divine, feminine. Explain that title interesting title.
• 10:22
  Speaker 1: That's saying, like the woman is God. I'm just talking
• 10:25
  Speaker 1: about you know, how you love and how it affects
• 10:29
  Speaker 1: my life. Love? Have you heard album? He sounds like
• 10:33
  Speaker 1: he is singing, but this is, but this is, but this,
• 10:36
  Speaker 1: this is, this is. This is an album I've been
• 10:38
  Speaker 1: working on for for a while though, talk about this
• 10:42
  Speaker 1: because let's talk. Let's talk. Why are you say? Mac Miller?
• 10:49
  Speaker 1: You moved to Brooklyn, which was exciting. I think Macmeller
• 10:52
  Speaker 1: I've seen him out in about a couple of times.
• 10:54
  Speaker 1: Don't get nervous, man with your girlfriend at the time,
• 11:02
  Speaker 1: and that is when you started working on this. Yeah, right,
• 11:06
  Speaker 1: So what happened to her? Yeah? What happened? What's up? What? What?
• 11:10
  Speaker 1: What happened to you? What happened to you? He says, yeah, right,
• 11:16
  Speaker 1: he changed. No, man, it's it's she's doing her like
• 11:21
  Speaker 1: I'm doing me. How are you doing? Mary chilling? Yeah?
• 11:25
  Speaker 1: Well we ever? Yeah, how's that? Yeah? How's that going?
• 11:28
  Speaker 1: I love it good? I think about this. It sounds
• 11:30
  Speaker 1: like a woman is your new vice, not drugs. You
• 11:33
  Speaker 1: know what's crazy? Is that? Like? Uh? Love is like
• 11:37
  Speaker 1: has always I've always been fascinated by the similarities between
• 11:42
  Speaker 1: love and drugs. Yeah, okay, I really feel like the
• 11:45
  Speaker 1: two things can affect a human being in a very
• 11:49
  Speaker 1: similar way. When when when the love is gone, you
• 11:51
  Speaker 1: do feel a withdrawal from that. Yeah, Like they say,
• 11:53
  Speaker 1: it's like dopamine. You can be high off a lot.
• 11:55
  Speaker 1: It's crazy. This is a strange time for you though,
• 11:57
  Speaker 1: because you are dating arian a grind day and you
• 12:00
  Speaker 1: probably don't want people to ask you about it in
• 12:01
  Speaker 1: an interview. But you do a whole album that yeah, yeah, love,
• 12:08
  Speaker 1: so you know, people for sure, I get it. I
• 12:11
  Speaker 1: get it. People are gonna put it together. It's crazy
• 12:13
  Speaker 1: to me that people are like, the whole album is
• 12:15
  Speaker 1: about her? Who else would it be about? But I'm
• 12:18
  Speaker 1: saying it. But but like the time table wise, like
• 12:22
  Speaker 1: how quickly do you think I'm can make an album? So,
• 12:25
  Speaker 1: how does you feel about you making songs about other women?
• 12:28
  Speaker 1: I'm not, But it's not necessarily about other You need
• 12:31
  Speaker 1: to chill, it's not it's not it's not really songs
• 12:35
  Speaker 1: about other women's songs about um my perspective on love.
• 12:41
  Speaker 1: Love makes you feel yeah, yeah, and and and and
• 12:44
  Speaker 1: but by the way, like like we're grown, Like there's
• 12:47
  Speaker 1: been people in my life that have that have that
• 12:50
  Speaker 1: have affected my perspective on what love is and exactly
• 12:56
  Speaker 1: like what we everyone everyone learns from from from all
• 12:59
  Speaker 1: experience in their life. So people people saying that the
• 13:02
  Speaker 1: whole albums about her is wild to me just because
• 13:07
  Speaker 1: it's like there's like it would be literally impossible, like
• 13:12
  Speaker 1: soul has to be about somebody in particular. No, I
• 13:15
  Speaker 1: mean listen, first of all, thank you for listening to
• 13:18
  Speaker 1: the album, Charlotte Magine. He really likes soul mate, No,
• 13:22
  Speaker 1: thank you man, But like, um no man, I mean
• 13:25
  Speaker 1: it's it's it's bits and pieces of everything. To be honest, bro,
• 13:29
  Speaker 1: like who knows, I don't know, like like getting into
• 13:34
  Speaker 1: good Night get but to be real. But to be real?
• 13:41
  Speaker 1: Like what real? Though? What we got more with Mac
• 13:48
  Speaker 1: Miller when we come back, keep it locks. It's the
• 13:50
  Speaker 1: breakfast Club, Good Morning, the breakfast Club Morning. Everybody is
• 13:57
  Speaker 1: DJ m vy angela Ye, Charlottagne the god. We are
• 14:00
  Speaker 1: the Breakfast Club. We got Mac Miller in the building.
• 14:03
  Speaker 1: Let me ask you this, would you say that Arianna
• 14:05
  Speaker 1: Grande is your dream woman because you want first single?
• 14:10
  Speaker 1: And I know I'm sure y'all had a little thing
• 14:12
  Speaker 1: back then it's coming whoa. First of all, I disrespect
• 14:17
  Speaker 1: my girl like that. Man, It ain't even but things
• 14:20
  Speaker 1: have come full circle now. Everybody want to see him,
• 14:23
  Speaker 1: no problem, pro like your celebrity couple. Right, And it
• 14:26
  Speaker 1: is this bully that's picking on your woman, right, that's
• 14:28
  Speaker 1: what I was picked you You who's picking on one?
• 14:33
  Speaker 1: Say let's say Ariana Grande has an interview, somebody gets
• 14:36
  Speaker 1: a little disrespectful. She doesn't like it. I didn't be
• 14:39
  Speaker 1: alway disrespectful. She wasn't disrespectful. Look, you can't go around
• 14:42
  Speaker 1: here looking no pastries to night, all right, I'll take notes, Yes,
• 14:44
  Speaker 1: no pastry licking. I'll keep it in mind. And you're
• 14:47
  Speaker 1: alone with a boo at being supportive, being supportive? Yeah, absolutely, Okay,
• 14:52
  Speaker 1: it's okay to be alone even when you have a boot. Absolutely,
• 14:56
  Speaker 1: that's my guy. We're seeing it on the blobs this
• 14:57
  Speaker 1: week with you and mister Macmiller. That's my man. You
• 15:00
  Speaker 1: know what I'm saying. Yeah, so salute to him. Cool? Yeah, absolutely,
• 15:03
  Speaker 1: Arianna giving me that look like you not ask me
• 15:05
  Speaker 1: about my brand on live TV? Okay, that's my man,
• 15:10
  Speaker 1: my man. She hates me. She doesn't know, she doesn't
• 15:13
  Speaker 1: she saw me conversation and she goes, oh my god,
• 15:17
  Speaker 1: my worst night. Man. She sounds like she does horrible
• 15:27
  Speaker 1: slow she does. I do think if she hated you,
• 15:30
  Speaker 1: she probably wouldn't have said anything. No, no, no, man, no,
• 15:33
  Speaker 1: like she's been coming to all the interviews. She ain't
• 15:36
  Speaker 1: come to this one that she has not been coming
• 15:38
  Speaker 1: to all the interviews. Mask stop line, that's it, that's it. Okay,
• 15:46
  Speaker 1: you right. She's a huge fan of Sway. I can
• 15:53
  Speaker 1: see that. But that's in my question. Would you say
• 15:55
  Speaker 1: that's your dream woman? You were on her huge single
• 15:57
  Speaker 1: now full Circle she's on the album. Was at somebody
• 16:00
  Speaker 1: that back then? You were like, man, but no, you
• 16:03
  Speaker 1: know what is that? We we were just really close friends.
• 16:07
  Speaker 1: The back of my neck is turned. I'm a Caucasian male,
• 16:12
  Speaker 1: and that happens to Caucasian males sometimes things just get red.
• 16:17
  Speaker 1: You wouldn't know what that's like. No, man, but it's
• 16:23
  Speaker 1: it's like, uh, because I noticed for a period of
• 16:25
  Speaker 1: time you have Big Sean were cool. Whoa yea yea.
• 16:31
  Speaker 1: This is crazy. I'm seeing Big Sean penis picks intimidated
• 16:35
  Speaker 1: wild y'all the world? Can I live? Can I live?
• 16:42
  Speaker 1: Are you intimidated after seeing Big Sean Penis pick. I
• 16:44
  Speaker 1: ain't see big show for you to know, first of all,
• 16:49
  Speaker 1: y'all wild, this is a great this is a crazy thing.
• 16:52
  Speaker 1: Like like I was wondering, Like I was, like, I wonder, like,
• 16:55
  Speaker 1: what's like, what's gonna happen this morning? You know, I
• 16:58
  Speaker 1: knew some was gonna happen, but I didn't think like this,
• 17:01
  Speaker 1: your friend. I didn't think it was gonna be coming
• 17:04
  Speaker 1: from all angles, you know what I mean, to be
• 17:06
  Speaker 1: in a high profile relationship that it's different. You know
• 17:09
  Speaker 1: what's weird is that I'm actually happy for that question
• 17:13
  Speaker 1: because it's like, uh, I'm here to like talk about
• 17:17
  Speaker 1: music that I make, and I happen to be in
• 17:20
  Speaker 1: a fantastic relationship with someone I also enjoy making music with,
• 17:25
  Speaker 1: you know what I mean. So it those those lines
• 17:28
  Speaker 1: can get blurred very easily, like what I'm here trying
• 17:32
  Speaker 1: to do? Bro, that's crazy all that's not what is
• 17:38
  Speaker 1: doing Like I was in the middle of I was
• 17:42
  Speaker 1: in Yeah, why is that right? Why did you go
• 17:44
  Speaker 1: to your your toolbar for that? In your email? You
• 17:47
  Speaker 1: went right to the bookmarks. This is new for me.
• 17:51
  Speaker 1: I mean, like, like you want to be just put
• 17:57
  Speaker 1: your yeah like that. I'm just in exactly exactly. Yeah,
• 18:03
  Speaker 1: it's okay, let me know how how how is your girl?
• 18:08
  Speaker 1: She's great, beautiful, kids are beautiful. You will get all
• 18:12
  Speaker 1: on the pregnant so I can ask you about whoa.
• 18:13
  Speaker 1: Let's chill let's ship. See like that's what I'm saying.
• 18:17
  Speaker 1: You know you already got that ring ready, all y'all
• 18:20
  Speaker 1: need to chill out. The Divine Feminine is out right now,
• 18:23
  Speaker 1: that's the album question. You don't pet he listened to
• 18:29
  Speaker 1: the album? You don't have it first of all? Anyways,
• 18:32
  Speaker 1: Angela crazy if anyone knew that, but noah. But look,
• 18:35
  Speaker 1: look that's what I'm saying. All I'm saying it is like, yeah,
• 18:37
  Speaker 1: we are together. Cool? What I mean like like it's
• 18:44
  Speaker 1: I'm just saying, but my album's out, ladies and gentlemen,
• 18:47
  Speaker 1: it's Mac Miller. The album is dope. Though I'm not
• 18:49
  Speaker 1: just saying that because my man, Divine Feminine is really
• 18:52
  Speaker 1: a dope album. It's the breakfast cup than it would
• 18:55
  Speaker 1: be a good sport for that was Bryson till it
• 18:57
  Speaker 1: would exchange morning. Everybody's DJ Envy Angela Ye, Charlomagne the
• 19:02
  Speaker 1: guy we are the Breakfast Club. We got a special
• 19:05
  Speaker 1: guest in the building. Shot Charlemagne swears your Puerto Rican.
• 19:09
  Speaker 1: But I tell that's my first question. You have to
• 19:12
  Speaker 1: dispel this rum at Chanpa. I heard an interview with
• 19:14
  Speaker 1: being mind bros. Are are you Jamaican? Are you really
• 19:17
  Speaker 1: from the Bronx? Jamaican? I know what you are? Man,
• 19:21
  Speaker 1: Wait so you're not really Hispanic from the Bronx? No, sir,
• 19:25
  Speaker 1: you started the rule. I I heard an interview. I
• 19:30
  Speaker 1: know there's a lot of discrepancy to people are like
• 19:32
  Speaker 1: YO were from for you? But yeah, yeah, that ain't
• 19:35
  Speaker 1: that That's been around for a whileeople on, people on,
• 19:39
  Speaker 1: but people so short an interview I'm talking about Yeah, yeah, yeah,
• 19:43
  Speaker 1: definitely study that rum because I never never heard before
• 19:48
  Speaker 1: I started. I've sailed that a lot too. I said
• 19:51
  Speaker 1: that a lot all the time. But anybody that knows
• 19:57
  Speaker 1: anything about reggae knows that Sean Paul's from Jamaica. So yeah,
• 20:00
  Speaker 1: I would I would do up somebody. No, at least
• 20:01
  Speaker 1: that I made a market, at least in that they
• 20:03
  Speaker 1: could then of the industry out there. You know that's
• 20:06
  Speaker 1: an understatement. I saw you too. The number one pop
• 20:09
  Speaker 1: artists in the UK or something. Yeah, right now, I
• 20:11
  Speaker 1: had three number one singles this year over there, so wow,
• 20:15
  Speaker 1: that's amazing. You know what's amazing is that you've managed
• 20:18
  Speaker 1: to do all different genres of music with all different
• 20:21
  Speaker 1: people from all over the world and nobody ever, says
• 20:23
  Speaker 1: Sean Paul has sold out. But that's a hard thing
• 20:26
  Speaker 1: to do that. I don't know. I think I picked
• 20:30
  Speaker 1: some good songs to go on, Like this present number
• 20:32
  Speaker 1: one right now over there is a clean banditt. It's
• 20:35
  Speaker 1: about a single mom. So it's just a type of
• 20:38
  Speaker 1: song to it at the time when when it's needed
• 20:40
  Speaker 1: probably which kind of helps me out. Also, you know
• 20:44
  Speaker 1: what I mean, bigger part single moms out there, it
• 20:47
  Speaker 1: was a needed song. I think that Tim that you
• 20:49
  Speaker 1: mean to step up them again. So that's true though,
• 20:52
  Speaker 1: because these guys be shooting these girls clubs up and
• 20:54
  Speaker 1: getting pregnant and then leaving them uncut. Yeah, most reggae
• 20:58
  Speaker 1: music is not as popular as it was before. Like
• 21:00
  Speaker 1: even now on the radio you might hear one reggae
• 21:03
  Speaker 1: song maybe two a day. Yeah, because everybody else stealing
• 21:05
  Speaker 1: reggae style. That's why you staying consistent, man, How do
• 21:08
  Speaker 1: you stay consistent with it, and like Charlamie said, how
• 21:09
  Speaker 1: do you feel about all this stealing the reggae or
• 21:12
  Speaker 1: Jamaica style? You know, I stay on it. Like these
• 21:15
  Speaker 1: five songs that I just gave you on the CD,
• 21:17
  Speaker 1: are you still passing our CD show six? Yeah? People
• 21:21
  Speaker 1: be like what is that? So yeah, I just stayed
• 21:26
  Speaker 1: doing it, you know what I mean. So there might
• 21:27
  Speaker 1: be like a lot of songs that you hear that
• 21:30
  Speaker 1: you know, but there's a lot more that you probably
• 21:32
  Speaker 1: don't know, you know what I mean. So the cream
• 21:34
  Speaker 1: rights to the top on people will know the bigger ones.
• 21:37
  Speaker 1: But I just don't think that every song is going
• 21:39
  Speaker 1: to do is a hit. So I just keep doing them,
• 21:40
  Speaker 1: you know what I mean. It's um, it's like liquid
• 21:43
  Speaker 1: vibes on my brain at the time where I might
• 21:45
  Speaker 1: feel a rhythm that's really dope, and I said, yeah,
• 21:47
  Speaker 1: this COVID something. So I keep doing it and the
• 21:51
  Speaker 1: top ones come up, and so stay there. I think
• 21:53
  Speaker 1: a lot of people think that this business is all
• 21:56
  Speaker 1: like one hit, you know what I mean? So you
• 21:58
  Speaker 1: do I want hit and you rely on that for
• 22:00
  Speaker 1: a long time. I was. I was told from very
• 22:03
  Speaker 1: early that you was because your last hit. I mean,
• 22:05
  Speaker 1: I try to find them. But other than that, not
• 22:08
  Speaker 1: not not just HiT's just just put it on music,
• 22:10
  Speaker 1: you know, I mean because you're not your typical West
• 22:13
  Speaker 1: Indian artists, reggae artists, because like Charlemagne says, you don't
• 22:17
  Speaker 1: look like your typical Oh now you want to agree
• 22:19
  Speaker 1: with me. Now you see not even in front of
• 22:23
  Speaker 1: you. You You look at you from the typical You're making
• 22:25
  Speaker 1: a West Indian artists. You look like, yeah, I waspanding
• 22:29
  Speaker 1: from the Bronx. Yeah, but yeah, yeah, yeah for I
• 22:32
  Speaker 1: don't know, I don't know. I don't know if that's
• 22:33
  Speaker 1: apart to the uphel But you know, as I said before,
• 22:37
  Speaker 1: I give tanks for being in this position. You know,
• 22:40
  Speaker 1: as you said, you raise a question of other people
• 22:43
  Speaker 1: doing reggae music don saw music, And you know, I
• 22:46
  Speaker 1: take my hotsip to people or even the funds who
• 22:50
  Speaker 1: revere the music so much that other people want to
• 22:52
  Speaker 1: do it. That's just a do a feeling, you know
• 22:54
  Speaker 1: what I mean, Back in the day when everybody was coming,
• 22:57
  Speaker 1: I mean for remixes or to hit top our song. Um,
• 23:00
  Speaker 1: it's the same feeling I'm getting. No, you know, Ceo
• 23:02
  Speaker 1: was a big song this year. And the song called
• 23:05
  Speaker 1: Cheap Thrills and she just came at me. I was
• 23:07
  Speaker 1: surprised that she went down Saw and I didn't know
• 23:10
  Speaker 1: it was going to be a big, big singer. I
• 23:12
  Speaker 1: just like the melody and did Yeah. I just like
• 23:15
  Speaker 1: the melody and did it. I'm a final hers find
• 23:17
  Speaker 1: of her writing on her vioice tool just happening. I
• 23:19
  Speaker 1: don't know. Put your stamp on Tory Lanes, you know.
• 23:22
  Speaker 1: And I think in a way that kind of helps.
• 23:24
  Speaker 1: When he does a song with a reggae vibe and
• 23:26
  Speaker 1: then Sean Paul is on it, and yeah, he's on
• 23:28
  Speaker 1: your single, I never got to be a big market
• 23:30
  Speaker 1: for you, right because they got a big, big, yeah
• 23:33
  Speaker 1: reggae vibe. But yeah, and I do have family up there,
• 23:35
  Speaker 1: you know what I mean, uncle's and cousins and stuff,
• 23:38
  Speaker 1: so kind of closen there they bother you when when
• 23:41
  Speaker 1: artists do that style, let's say, like Drake does more
• 23:44
  Speaker 1: of a Caribbean style. Now, over the years, Jake has
• 23:47
  Speaker 1: had many different songs. When he first came out too,
• 23:49
  Speaker 1: he's on a lot like Waiting to me. I know,
• 23:51
  Speaker 1: he's saw on a little different. So it's someone who
• 23:53
  Speaker 1: goes with it. To the floor of what's happening down
• 23:56
  Speaker 1: saw is really back in you know mainstream where there's
• 24:00
  Speaker 1: artists like Sean Mendez doing it, you know pop pop
• 24:02
  Speaker 1: pop type people. Um, it's just it's just a testament
• 24:06
  Speaker 1: to the strength of the music. So I don't I
• 24:08
  Speaker 1: don't even mind that. The question came up earlier this
• 24:11
  Speaker 1: year of the whole you know, are the artists get
• 24:14
  Speaker 1: in there due respect and whatever? And the question wants
• 24:18
  Speaker 1: to ask I mean an interview and people was like, oh,
• 24:20
  Speaker 1: he feel a way about it too. I don't. I
• 24:22
  Speaker 1: don't necessarily feel a way. Boys. I feel good that,
• 24:24
  Speaker 1: you know, the fans are our love in the music
• 24:27
  Speaker 1: so much other artists wanted to come and do it.
• 24:29
  Speaker 1: That's pretty cool. We got more with Shooting Paul. When
• 24:32
  Speaker 1: we come back keeping lock. It's the Breakfast Club. Good morning,
• 24:37
  Speaker 1: Well y'allass DJ mvy angela ye, shall I mean the
• 24:40
  Speaker 1: guy we are the Breakfast Club. We got a special
• 24:42
  Speaker 1: guest in the building, Sean Paul. Now you said artists
• 24:45
  Speaker 1: the only biggest they last hit. I don't know if
• 24:47
  Speaker 1: that applies to you, because it seems like you can
• 24:48
  Speaker 1: make money forever. Off give me the light and get
• 24:51
  Speaker 1: busy and I'm still in love with you, Like I know,
• 24:54
  Speaker 1: you're still touring crazy off those records. Yeah, we still
• 24:56
  Speaker 1: we still do touring, offer it um, and we're still
• 24:59
  Speaker 1: trying to find things to beat it because I don't
• 25:02
  Speaker 1: think that that my thing is to be like, oh yeah, retire. No,
• 25:05
  Speaker 1: I've seen some great people in my industry, you know,
• 25:08
  Speaker 1: people like Toots. You may not know who that is,
• 25:10
  Speaker 1: what Toots and the man tells he's up there in years,
• 25:12
  Speaker 1: you know what I mean, and he's doing it. So
• 25:14
  Speaker 1: those kind of artists inspire me myself too that I know,
• 25:17
  Speaker 1: I'm just gonna keep on doing music as long as
• 25:20
  Speaker 1: I can. Um. Is it easy to make timeless music
• 25:23
  Speaker 1: when you pull off pull from real life? Like you
• 25:25
  Speaker 1: said you made the single Mother record, Yeah, I guess,
• 25:28
  Speaker 1: I guess. I guess that is an instant um just
• 25:32
  Speaker 1: just the just the concept alone is an instant classic
• 25:35
  Speaker 1: to me. So yeah, that's cool. But I mean if
• 25:38
  Speaker 1: you look at her have a song called crump Up,
• 25:40
  Speaker 1: and that's talking about girls shaking that thing he had
• 25:42
  Speaker 1: crump pup when you do it, so yeah, that's not
• 25:46
  Speaker 1: so prolific. And it's writing that man happen when you
• 25:49
  Speaker 1: have sex with a young girl. Yeah, you start cramping up, like, Yeah,
• 25:55
  Speaker 1: what song of yours was the most profitable? You could
• 25:59
  Speaker 1: say that the the three biggest songs in my in
• 26:01
  Speaker 1: my in my careers, um um songs I get busy,
• 26:05
  Speaker 1: temperature and give me the light. Okay, there's a few,
• 26:08
  Speaker 1: there's like five for them that that I'm main. You know.
• 26:11
  Speaker 1: The one would Beyonce to open up to another. Ye,
• 26:13
  Speaker 1: for sure, that's a that's a huge song. Sometimes I
• 26:16
  Speaker 1: don't do it though, I mean I do it a lot.
• 26:19
  Speaker 1: I do it a lot like but on this on
• 26:20
  Speaker 1: this pastur on this m john My cruise two years ago,
• 26:24
  Speaker 1: I opened the show and I did that song, and
• 26:27
  Speaker 1: so this year I figure it's very much similar type
• 26:31
  Speaker 1: of crowd, and I didn't want to give them the
• 26:32
  Speaker 1: exact same show, so I didn't do that song all
• 26:35
  Speaker 1: the hits to rely on them, so to speak. It
• 26:37
  Speaker 1: was a huge song. It was a rumor that jay
• 26:40
  Speaker 1: Z didn't want Beyonce performing that song with you remember
• 26:43
  Speaker 1: something like that before to be doing that dagger and
• 26:49
  Speaker 1: all that stuff like that dag all over beyond up
• 26:52
  Speaker 1: on stage with my woman. Oh boy, Yeah, I can't
• 26:55
  Speaker 1: believe you still remember them rumors. No, I just thought
• 26:57
  Speaker 1: about it when he brought the song up, but I
• 26:59
  Speaker 1: never had no problem. Yeah. We did that song three
• 27:04
  Speaker 1: times ever on stage right, once in once in um
• 27:08
  Speaker 1: Eure up somewhere on once in California a couple of
• 27:11
  Speaker 1: year records. Your best records are with women, though, like
• 27:13
  Speaker 1: with Beyonce, you know, even Blue can't trump people get
• 27:17
  Speaker 1: about the brief joint. Yeah, no, few I even forget
• 27:20
  Speaker 1: about it. I don't do that a lot. I really
• 27:23
  Speaker 1: don't do that a lot. But when didn't do drop people,
• 27:25
  Speaker 1: it's like you, yeah, for sure, why do you think
• 27:29
  Speaker 1: you make some of your best musical women. I don't know.
• 27:31
  Speaker 1: It's just the vibe especially of what I do, even
• 27:34
  Speaker 1: freestyle about a lot. You know, it comes out just
• 27:37
  Speaker 1: like latest dancing, and especially when you see the videos
• 27:40
  Speaker 1: and we get to see it's like always a party.
• 27:42
  Speaker 1: For sure. It do make you think about that when
• 27:44
  Speaker 1: you hear the song in the club and you remember, like,
• 27:46
  Speaker 1: oh the video baby was dancing. They was in front
• 27:48
  Speaker 1: of Mirrory. It kind of as much. So, I mean
• 27:50
  Speaker 1: that's my thing, you know. I sing about party and
• 27:53
  Speaker 1: I singing about trees, and I singing about ladies things.
• 27:56
  Speaker 1: We love making that has gotten a little violent recently. Yeah,
• 28:00
  Speaker 1: when you know, when we were younger, it was you know, recently,
• 28:03
  Speaker 1: it was it was a way to get up on
• 28:04
  Speaker 1: a woman. Now I was like, they jumping off the
• 28:07
  Speaker 1: top and the women are jumping on they're breaking people's penises.
• 28:12
  Speaker 1: Some broken penis stories. I don't know. You you you
• 28:15
  Speaker 1: search different things on the into them. I'm not seeing
• 28:21
  Speaker 1: those stories as much yet, but yeah, people do get injured,
• 28:25
  Speaker 1: and it's something it's a part to my coach. I
• 28:28
  Speaker 1: have not been into How did that start? I don't
• 28:30
  Speaker 1: remember that dagger. Yeah, that's the thing. It's the music.
• 28:33
  Speaker 1: You know, the music kind of got really crazy sounding,
• 28:37
  Speaker 1: and the only way to move to that is to
• 28:40
  Speaker 1: do that, you know what I mean. I mean I
• 28:41
  Speaker 1: like the music at the time too, but I just
• 28:43
  Speaker 1: wasn't into that. I got I got all my knees.
• 28:46
  Speaker 1: I don't need to please. I don't need to be
• 28:48
  Speaker 1: like jumping off of the roof onto a young lady
• 28:51
  Speaker 1: for real. Right. Yeah. I was watching it actually without
• 28:55
  Speaker 1: breaching on my own in the business, and he was like, yo,
• 28:57
  Speaker 1: so they're doing this with clothes on. I'm right here
• 29:00
  Speaker 1: close but yeah, yeah, it's a part of the culture
• 29:03
  Speaker 1: that they came and went. Actually that green is not
• 29:06
  Speaker 1: so much done anymore. There's a couple of people. Yeah,
• 29:09
  Speaker 1: they kind of made it illegal, and there's still a
• 29:11
  Speaker 1: kid going around doing this thing. He's kind of famous now,
• 29:13
  Speaker 1: kidding in Marvin the Beast, he's still doing. Why do
• 29:16
  Speaker 1: they want to dance so violently? Red like old school
• 29:19
  Speaker 1: down times ten? You don't know. He says it's entertainment.
• 29:22
  Speaker 1: I don't know if he's enteraining himself or you think
• 29:24
  Speaker 1: he entertained me, But I'm not entertained. But yeah he
• 29:27
  Speaker 1: soon some girl gonna press charges on him, big not.
• 29:31
  Speaker 1: What do you? What do you think about Safari? Um Safari? No,
• 29:35
  Speaker 1: I know this dude. I meant him a couple of
• 29:37
  Speaker 1: times in terms of doing Dan Saw music. I've never like.
• 29:41
  Speaker 1: He does like a hybrid to me in terms of
• 29:43
  Speaker 1: hip hop with it with a yard flavor kind of thing.
• 29:45
  Speaker 1: So I mean, what I think about him, I don't know.
• 29:48
  Speaker 1: I don't know what he brought to the table and
• 29:51
  Speaker 1: saying he's going hard with the truth. You don't think
• 29:54
  Speaker 1: about no, damn Safari. Yeah, I don't. I don't think
• 29:56
  Speaker 1: about it. But I know, yeah, bless up, Yeah, riding
• 30:06
  Speaker 1: around thinking about Yeah, yeah for sure, But I don't know.
• 30:13
  Speaker 1: I don't have no opinion. I guess now we got
• 30:16
  Speaker 1: to prove your Jamaica. What do you eat poom poom? Yes,
• 30:20
  Speaker 1: I eat poom poom. You might not be Jamaican. But yeah,
• 30:23
  Speaker 1: but rumor by the way that I eat poom poom.
• 30:29
  Speaker 1: Funny the way you say it to me, poom poomm.
• 30:33
  Speaker 1: I know, I mean, I ain't a poom poom. You
• 30:34
  Speaker 1: don't eat pompom. No, what you might know, it ain't
• 30:38
  Speaker 1: it ain't you know? If I ropart, you know, you
• 30:40
  Speaker 1: have to pull out the er, make sure that have
• 30:42
  Speaker 1: to be fresh. Yeah, but even as a married man, yes,
• 30:45
  Speaker 1: you have to these married tink questions. I don't really
• 30:48
  Speaker 1: like to get into what because your ring so that's
• 30:51
  Speaker 1: like yeah, sure yeah, but sometimes for us keep the
• 30:54
  Speaker 1: part that seemed plan quiet, you know, right? Or you
• 30:58
  Speaker 1: late to places a lot? Yeah? Sure, you two later?
• 31:07
  Speaker 1: Do you like white women with long hair? White women
• 31:13
  Speaker 1: were lying here with white women with big bunch? Is
• 31:16
  Speaker 1: probably that's new? No, No, that ain't new. Sometimes noadays,
• 31:19
  Speaker 1: there's a lot more because of the operation. But but
• 31:24
  Speaker 1: but that ain't. There's the white ladies. Gotta be a bunch.
• 31:27
  Speaker 1: Sometimes you love to kiss teeth, Yes, definitely my own teeth,
• 31:32
  Speaker 1: my kiss in my life. I don't know if people
• 31:35
  Speaker 1: know what I mean, but yeah, that's all I got about.
• 31:42
  Speaker 1: I'm out of making stereotypes. Only only go four to five.
• 31:45
  Speaker 1: We got more with shooting Paul. When we come back,
• 31:47
  Speaker 1: keep it locked. It's the Breakfast Club. Good morning morning.
• 31:52
  Speaker 1: Everybody's TJ M vy Angela Ye, Charlomagne the guy. We
• 31:56
  Speaker 1: are the Breakfast Club. We got a special guest, Sean.
• 31:58
  Speaker 1: Paul's in the building now. Nick Canneth doing a movie
• 32:01
  Speaker 1: called King of the Dance Hall. Yeah, do you think
• 32:04
  Speaker 1: he can do an accurate depiction of dance hall culture
• 32:06
  Speaker 1: if he's not Jamaican or not of that. Actually I
• 32:09
  Speaker 1: was in Jamaica when he was shooting it, and oh yeah,
• 32:13
  Speaker 1: I mean, I mean like a one scene, like like
• 32:15
  Speaker 1: in Belly. They gave me a one man. I just
• 32:18
  Speaker 1: realized that was you in Belly. I don't know, I
• 32:20
  Speaker 1: don't know. I was looking at something. I was like, oh,
• 32:22
  Speaker 1: that was Paul and Belly. Yeah. Yeah, for my two minutes,
• 32:26
  Speaker 1: not thirty seconds. So this movie is the same starring role.
• 32:29
  Speaker 1: I got like, but yeah, I actually when I saw
• 32:34
  Speaker 1: what was going on and I saw him coming to
• 32:36
  Speaker 1: the dances and actually doing the movies and stuff, I
• 32:39
  Speaker 1: was like, bro, you represented it quite well, you know
• 32:42
  Speaker 1: what I mean in terms of I don't know how
• 32:43
  Speaker 1: it was going to turn out to find but he
• 32:46
  Speaker 1: was the right people. Um, he came in on kind
• 32:49
  Speaker 1: of found out who is the real you know dancer
• 32:51
  Speaker 1: cruise and who is you know who which is top
• 32:54
  Speaker 1: music and musicians and whatnot. So that was pretty cool.
• 32:57
  Speaker 1: And I actually told him that was discussing our next
• 33:01
  Speaker 1: kind of project that I think somebody should should attack.
• 33:04
  Speaker 1: What's the next project? Just a movie about Marcus Garvey?
• 33:07
  Speaker 1: I think that important figure. Yes, every time Jamaica movies
• 33:12
  Speaker 1: are we're depicted. It's a lot about gangsterism and that
• 33:15
  Speaker 1: kind of stuff, which is a big part of the culture.
• 33:17
  Speaker 1: But um, there's there's also someone who's a very strong
• 33:22
  Speaker 1: icon in terms of black liberation. Yeah, black liberation. He
• 33:25
  Speaker 1: was the first black man to print what they called media. Yeah,
• 33:30
  Speaker 1: first publisher in this side of the earth. So I
• 33:33
  Speaker 1: just feel that, you know, I was kind of telling him,
• 33:35
  Speaker 1: I'm bust about it. At the time, I'm saying, I
• 33:37
  Speaker 1: wish someone would do a real movie about that, just
• 33:40
  Speaker 1: represented in the real way. It's controversial. Figure, there's some
• 33:43
  Speaker 1: people in Jamaica who felt like he stole their money,
• 33:46
  Speaker 1: and there's some people who still you know who, who
• 33:48
  Speaker 1: revere him as you know, like a profit. So it's
• 33:51
  Speaker 1: controversial in that respect. And um, I think it's just
• 33:54
  Speaker 1: like a movie was made about Malcolm X, and um
• 33:58
  Speaker 1: we should try to get one. I don't know about
• 34:00
  Speaker 1: our hero. I absolutely agree. You know, it's funny. I
• 34:02
  Speaker 1: remember when it was the Olympics and Bob Costas said
• 34:05
  Speaker 1: you saying, Boat is the most famous man from Jamaica,
• 34:09
  Speaker 1: even surpassing Bob Barley. And I was like you saying,
• 34:12
  Speaker 1: ain't bigger than Bob, but Marcus Garvey in mines in
• 34:15
  Speaker 1: your eyes. But for right now, kids, I mean he's kids, yeah,
• 34:20
  Speaker 1: but huge. I mean, I mean look at it. Sometimes
• 34:23
  Speaker 1: people there's kids now who think that Damon Morley is
• 34:27
  Speaker 1: elder to them. Yeah. I can you talk about how
• 34:30
  Speaker 1: little Yadi might say, oh, I don't know this music
• 34:33
  Speaker 1: because he wasn't around Bob Costans though, by the way,
• 34:37
  Speaker 1: right he'll be like, oh, Drake is the greatest artist
• 34:39
  Speaker 1: and Tupacket Biggie are overrated. But this dude said that. Anyway,
• 34:44
  Speaker 1: that's the next school topic. But but but still, but
• 34:47
  Speaker 1: Bob was more than a musician. Of course, he's a
• 34:50
  Speaker 1: revolutionary figure, you know what I mean, and I profit
• 34:53
  Speaker 1: in his own right. Um, his songs are prolific. They
• 34:56
  Speaker 1: still mean something today when someone plays him, they're like, yo,
• 34:59
  Speaker 1: that was yesterday. But the fame right now and the
• 35:02
  Speaker 1: amount of in your facedness that it is to these kids. Uh,
• 35:06
  Speaker 1: you know, all the social media and just him doing
• 35:08
  Speaker 1: what he was, the greatness that he's doing. Um, you
• 35:11
  Speaker 1: know you're saying he's a year miam, bro, don't you
• 35:13
  Speaker 1: live next to him? I live right near to him.
• 35:16
  Speaker 1: Already got a lot of loud parties. Yeah he did
• 35:19
  Speaker 1: that at that time. That told me he had a
• 35:21
  Speaker 1: lot of celebrating to do. Though it's a young dude,
• 35:25
  Speaker 1: So I wasn't mad at dude. You don't hang out
• 35:27
  Speaker 1: what you're saying, Bo, you stay out of trouble. All
• 35:32
  Speaker 1: the really rich people in Jamaica living at each other, Yeah,
• 35:35
  Speaker 1: I would. I would say that there's a few neighborhoods
• 35:38
  Speaker 1: that that you know, you have to have money for
• 35:40
  Speaker 1: by hosting on him. Yeah, the King of the don
• 35:45
  Speaker 1: Saw Nick Cannon. Well, now the first the first King
• 35:47
  Speaker 1: of the Donsaw would be yellow Man. That's a long
• 35:50
  Speaker 1: time ago. But yeah, um, and then you know, beat
• 35:53
  Speaker 1: him on come saying as the king, and then you
• 35:55
  Speaker 1: have vibes card telling incarcerated on people saying he the king.
• 35:59
  Speaker 1: And if you was saying, oh because Billboard said that
• 36:02
  Speaker 1: I am the king, but answer to me. You know,
• 36:05
  Speaker 1: there's so much players in the game. A wheel can't
• 36:07
  Speaker 1: run without all the sport them good, you know what
• 36:09
  Speaker 1: I mean. So I think I'm a very big spoke
• 36:12
  Speaker 1: on the wheel. But I don't. I don't want to
• 36:14
  Speaker 1: speak and say that, yo, I am the king of
• 36:16
  Speaker 1: this because just just narcissistic. In this business, I have
• 36:22
  Speaker 1: to be narcissistic, because you have to think about yourself.
• 36:26
  Speaker 1: The video, the flight, the show, all of that has
• 36:28
  Speaker 1: to do with you alone and so and so I
• 36:30
  Speaker 1: don't I don't I don't feel to be coming out
• 36:33
  Speaker 1: and being like, yo, I'm the king of this because everybody,
• 36:35
  Speaker 1: all of us got to go through the same type
• 36:37
  Speaker 1: of things. You forgot the studio people that kind of
• 36:41
  Speaker 1: want part of that action. I'm part of that energy,
• 36:45
  Speaker 1: and you have to deliver through all of that a
• 36:48
  Speaker 1: song that the general public would like. And then after that,
• 36:51
  Speaker 1: this is all this promotion and this kind of thing.
• 36:54
  Speaker 1: So it's really how you play, like the steps that
• 36:57
  Speaker 1: you take. And I mean, it's not about the talent,
• 36:59
  Speaker 1: because if you was really about talent in the hip
• 37:02
  Speaker 1: hop industry, you wouldn't have some of these little younger
• 37:04
  Speaker 1: cats talking to that. Yeah boy, yeah, I mean I
• 37:12
  Speaker 1: don't I don't even know. I don't know how much
• 37:13
  Speaker 1: of those music either. But you don't like his comments,
• 37:16
  Speaker 1: But no, I just don't like his comments because there
• 37:19
  Speaker 1: are artists that I revere and and I understand that
• 37:22
  Speaker 1: probably kids don't care about writing right now. I understand
• 37:25
  Speaker 1: that they they don't know where hip hops start from.
• 37:29
  Speaker 1: Where it's more to me like a chanting thing. It's
• 37:31
  Speaker 1: almost like you are channeling something straight truiose when someone
• 37:36
  Speaker 1: else writes it. I don't have the same reverence for
• 37:39
  Speaker 1: that kind of artist, in my opinion. But kids don't
• 37:42
  Speaker 1: care about that right now. That Drake they care about. No,
• 37:45
  Speaker 1: it ain't just Drake. I mean, there's a lot of
• 37:48
  Speaker 1: artists that that don't really fully write their stuff. Yeah, um,
• 37:51
  Speaker 1: in the hip hop industry. So when you see people
• 37:54
  Speaker 1: who can freestyle like my boy Tory Lanes, he can't freestyle,
• 37:59
  Speaker 1: he can't come off the top of it and give
• 38:01
  Speaker 1: you a story that you cannot understand how you feel
• 38:04
  Speaker 1: something from And it's more magic that way to me.
• 38:06
  Speaker 1: You pick up to those who can and do that,
• 38:09
  Speaker 1: and the kids who don't understand that. I understand that,
• 38:12
  Speaker 1: y'all don't. You aren't paying attention to that, But you
• 38:15
  Speaker 1: have to pard I'm into the history of the team many.
• 38:17
  Speaker 1: I mean, even if you don't respect the way how
• 38:20
  Speaker 1: Diggie used to come off the top of it in
• 38:21
  Speaker 1: a freestyle, you have to respect the steps he took
• 38:24
  Speaker 1: and ultimately gave his life in this industry flight. So
• 38:28
  Speaker 1: it's a disrespectful said that. But when it comes to
• 38:30
  Speaker 1: the like you know, the kids like, yeah, they shouldn't.
• 38:32
  Speaker 1: It just be our job to teach them. Now if
• 38:34
  Speaker 1: they if we teach them and then they still disrespect it,
• 38:37
  Speaker 1: then I feel like this land is warranted. Ask that
• 38:40
  Speaker 1: question ten times in different interviews. You still haven't gone.
• 38:43
  Speaker 1: But has anybody pulled him to the side and say, hey,
• 38:44
  Speaker 1: listen to this pop record listen to this biggie record,
• 38:47
  Speaker 1: you know what I mean, probably don't have no time
• 38:48
  Speaker 1: for that. To tell the truth. I mean, when I
• 38:51
  Speaker 1: was growing up, it was not music was not as accessible,
• 38:54
  Speaker 1: but nowadays there's so much information that kids could could
• 38:57
  Speaker 1: miss out. I understand it. Bro signed that day. You
• 39:01
  Speaker 1: just signed what you're on. So who did you look
• 39:03
  Speaker 1: up to as some of the greatest. Definitely above Marlin
• 39:06
  Speaker 1: Um and people who are in my industry, like super Catch,
• 39:10
  Speaker 1: Sharan Ella, cool J was huge to me, EPMD run,
• 39:14
  Speaker 1: DMC legends. Yeah, yeah, people they pioneered the game. My
• 39:19
  Speaker 1: brother Reggae is writing your own music, Yeah for sure.
• 39:22
  Speaker 1: I do write with a lot of people, especially nowadays.
• 39:24
  Speaker 1: But ninety nine percent of the songs I've written, you know,
• 39:27
  Speaker 1: from light glue Um Temperature, that's written by myself. We
• 39:31
  Speaker 1: got more. We showing pot where we come back, don't move.
• 39:33
  Speaker 1: It's to Breakfast Club. Good Morning, the Breakfast Club that
• 39:40
  Speaker 1: was Beyonce with Sorry Morning, Everybody's DJ MV and julu Ye,
• 39:44
  Speaker 1: Charlomagne the guy. We all the Breakfast Club. We got
• 39:46
  Speaker 1: a special guest in the building, Sean Paul. I was
• 39:49
  Speaker 1: sur prosed about the technology when I went to Jamaica.
• 39:51
  Speaker 1: I want the King said, that must have been like
• 39:52
  Speaker 1: the first time I was by maybe twelve years ago
• 39:54
  Speaker 1: and I went to Usain Bolt's restaurant. Yeah, and the
• 39:57
  Speaker 1: amount of technology that Jamaica had the United States didn't
• 40:01
  Speaker 1: have at that time. With technology and the tables, like
• 40:05
  Speaker 1: I explained all the time, about ten years ago, they
• 40:07
  Speaker 1: had a table where you can actually order on the
• 40:09
  Speaker 1: screen on the table. So it was let's say you
• 40:12
  Speaker 1: wanted jerk chicken the white rice, you hit the jerk
• 40:14
  Speaker 1: chicken on the white rice on the table and then
• 40:16
  Speaker 1: the food. Yeah, the menu was actually on the glass
• 40:19
  Speaker 1: of the table and you can watch you ever seen
• 40:21
  Speaker 1: there before twelve years ago? Probably no way the time.
• 40:28
  Speaker 1: The airport now the airport and he was twelve years
• 40:30
  Speaker 1: ago in Jamaica, Kingston, So what's your point though? There's
• 40:33
  Speaker 1: technology is there, but not for everybody. That's that's my
• 40:36
  Speaker 1: that's my thing. I mean, it's not for everybody there,
• 40:39
  Speaker 1: so so make it more accessible and yeah, make it
• 40:41
  Speaker 1: more accessible. Make make you know, there's kids who sometimes
• 40:45
  Speaker 1: they come up to you and they're like, yo, they
• 40:47
  Speaker 1: need something. So I'm like, why you're in school? They're
• 40:50
  Speaker 1: like if I don't. If I don't come ask you
• 40:52
  Speaker 1: for money today, tomorrow I'm not gonna be able to
• 40:54
  Speaker 1: buy food in school. And because I didn't have nothing,
• 40:57
  Speaker 1: my mom didn't send me to school today. That was
• 40:59
  Speaker 1: surprisedly made kinks in more of a tourist spot. I
• 41:02
  Speaker 1: always try to do that myself. No, it's no really,
• 41:04
  Speaker 1: hotels they're like with spies, so much people. There's so
• 41:08
  Speaker 1: much good. It's a lot. But that's the thing. The
• 41:11
  Speaker 1: thing is that we don't rob tourists. That's the thing.
• 41:14
  Speaker 1: There's just violence within communities and the whole system is
• 41:18
  Speaker 1: just kind of afraid of having tourists there. And the
• 41:22
  Speaker 1: most tourists been been programmed to be like I'm afraid
• 41:25
  Speaker 1: of there, you know what I mean. If they tell you,
• 41:26
  Speaker 1: don't leave the resort you go to every time I've
• 41:28
  Speaker 1: been drik it four times, don't lead the resort you
• 41:31
  Speaker 1: didn't go to, Kings know what, I don't care where
• 41:34
  Speaker 1: you are. Don't leave the resort unless you're with somebody
• 41:36
  Speaker 1: who knows the area. Well, I don't care where you are.
• 41:39
  Speaker 1: I wouldn't leave the resort anywhere if I'm not with
• 41:41
  Speaker 1: somebody that can help me. Guy, I mean that's not
• 41:43
  Speaker 1: a smart thing to do period. Yeah. So like saying
• 41:46
  Speaker 1: with our dancers, we went to Mozambique and we was like,
• 41:48
  Speaker 1: don't go on the road. And they went on the
• 41:50
  Speaker 1: road and they lost their phone, not lost their Yeah,
• 41:55
  Speaker 1: so we was like, bro, we told you don't go
• 41:57
  Speaker 1: and roll without us. We're in numbers just better, you
• 42:00
  Speaker 1: know what I mean. And of course if you know
• 42:02
  Speaker 1: someone in the place for sure, well yeah, I mean
• 42:05
  Speaker 1: I've been trying to get people to there's a lot
• 42:07
  Speaker 1: of people I know that our tourists that are like,
• 42:09
  Speaker 1: I don't want to come Jamaica on a woman because
• 42:11
  Speaker 1: every time I come there, I go to the to
• 42:13
  Speaker 1: the resort and the resort is great, but they want
• 42:16
  Speaker 1: a different experience and they wanted to see something more
• 42:18
  Speaker 1: of the culture. So I try to get people to
• 42:21
  Speaker 1: come in. Like if I knew you were there, I
• 42:23
  Speaker 1: would send Field King Sonomic, you know, if for Charlotte
• 42:31
  Speaker 1: bring them, No. No, But it's it's it's like when
• 42:33
  Speaker 1: I go Beanie man Or, we usually get me and
• 42:36
  Speaker 1: we go everywhere through the hood. He takes us to
• 42:39
  Speaker 1: the best eateries, restaurants. I mean, we drove I think
• 42:41
  Speaker 1: like thirty forty minutes out to the beach, had breakfast
• 42:43
  Speaker 1: at the beach. It's beautiful. Remember when you dja that
• 42:47
  Speaker 1: on the beach. When we were out there before, it
• 42:49
  Speaker 1: was like a the technology on the beach. Nothing was
• 42:54
  Speaker 1: There was a light show on the beach. I was
• 42:58
  Speaker 1: the fireworks. Your fireworks. It's a light show. Well, I
• 43:01
  Speaker 1: hope you get the Marcus Gorvey movie. May do it
• 43:03
  Speaker 1: before Tyler Perry doesn't. Man, I cannot stay to see
• 43:05
  Speaker 1: my deal, but we're ever going to do it. Just
• 43:07
  Speaker 1: put some of the education I'm bucking on drumming cup.
• 43:09
  Speaker 1: Please do they teach you about Marcus Garvey and Jamaica schools?
• 43:12
  Speaker 1: Yeah as a kid, you know, but I mean the
• 43:15
  Speaker 1: full story. And I don't know if you know what
• 43:17
  Speaker 1: Marcus Garvey is still considered in terms of in America.
• 43:21
  Speaker 1: His name has a criminal activity on it. I don't
• 43:25
  Speaker 1: know what. But we're trying to get it off because
• 43:28
  Speaker 1: this is a national hero to us. Hey, instally we
• 43:30
  Speaker 1: got Marcus. Yeah, for sure. You had one hundred and
• 43:33
  Speaker 1: forty four people marching up and down in Harlem, so
• 43:37
  Speaker 1: that was a big thing in those days. I just
• 43:40
  Speaker 1: feel that the same ports On story tells Google Marcus
• 43:43
  Speaker 1: Gorvey kids, but we appreciate you joining us. Thank you, sir.
• 43:48
  Speaker 1: It's the breakfast Comble Morning. I was born to Donkey.
• 43:54
  Speaker 1: It's the Donkey, Charlomagne Devil. Donkey to Dave goes to
• 44:12
  Speaker 1: a young lady named Natika Harris. Now. Natika is from Miami, Florida,
• 44:16
  Speaker 1: I believe, and she is the relative of a young
• 44:18
  Speaker 1: seventeen year old man who spent the final moments of
• 44:21
  Speaker 1: his life trying to rob a woman's house before that
• 44:23
  Speaker 1: woman killed him during a confrontation. Let's go to CBS
• 44:27
  Speaker 1: Miami for the report. Police relatives of seventeen year old
• 44:30
  Speaker 1: Treyvon Johnson are angry. The teenager was shot and killed
• 44:33
  Speaker 1: last night by a homeowner who police say was protecting
• 44:37
  Speaker 1: her property. Police say the Da Dorsey Technical College student
• 44:40
  Speaker 1: Virgo rised at home south of seventy ninth Street near
• 44:43
  Speaker 1: ninety five. Detectives say the fifty four year old homeowner
• 44:46
  Speaker 1: was alerted of the break in by her security system.
• 44:49
  Speaker 1: With officers already on their way, she rushed home to
• 44:52
  Speaker 1: check things out, and police say she was armed. According
• 44:56
  Speaker 1: to detectives, there was a confrontation and one shot was fired.
• 45:00
  Speaker 1: Johnson was pronounced dead at the hospital. What's wrong? She
• 45:03
  Speaker 1: did not have to shoot him. It's no reason that
• 45:05
  Speaker 1: she should have waited until after he walked out the yard.
• 45:07
  Speaker 1: She call him life, he's already and then why would
• 45:09
  Speaker 1: she shoot him? Now? I am truly sorry this young
• 45:11
  Speaker 1: man lost his life. But honestly, this is what Second
• 45:14
  Speaker 1: Amendment rights are based on. I have to write the
• 45:15
  Speaker 1: bad arms and I have the right to defend myself
• 45:17
  Speaker 1: and my property. And when you break into someone's house,
• 45:20
  Speaker 1: someone's sanctuary with them and their family rest their head
• 45:23
  Speaker 1: at all bets are off. I understand the police were
• 45:26
  Speaker 1: called and all that good stuff, But if she went
• 45:28
  Speaker 1: there and you know he was still there, hey, may
• 45:30
  Speaker 1: God be with him. Now, Natica is saying that women
• 45:33
  Speaker 1: didn't have to kill her cousin, But truth is, her
• 45:35
  Speaker 1: cousin should not have been in that woman's house in
• 45:36
  Speaker 1: the first place. Why are we always trying to pick
• 45:39
  Speaker 1: and choose what the consequences of our actions are going
• 45:42
  Speaker 1: to be. That's not how any of this life thing works.
• 45:45
  Speaker 1: When you do dirt, you get dirt, period, and there's
• 45:47
  Speaker 1: no levels to this dirt. Now, Fatica said her cousin
• 45:50
  Speaker 1: was a good kid, let's hear it. But he was
• 45:52
  Speaker 1: not supposed to die like this. He had a future
• 45:55
  Speaker 1: ahead of him. Trayvonn Head goals, and he was a
• 45:57
  Speaker 1: very funny guy. He was very big on education. He
• 45:59
  Speaker 1: loved going to school, he loved learning that. Now, she's right,
• 46:02
  Speaker 1: he wasn't supposed to die like that, especially if he
• 46:04
  Speaker 1: was as educated as she says. Okay, basically, what na
• 46:07
  Speaker 1: Tika is saying is he knew better. That's what it
• 46:09
  Speaker 1: sounds like to me. If you're educated and a good kid,
• 46:11
  Speaker 1: and you love learning, then you shouldn't know better than
• 46:13
  Speaker 1: to commit a crime like this. But clearly this young
• 46:16
  Speaker 1: man made a poor choice and he paid for with
• 46:18
  Speaker 1: his life. Look, we all should be allowed to make mistakes,
• 46:20
  Speaker 1: but sometimes you make fatal mistakes and you don't get
• 46:23
  Speaker 1: a chance to learn from them. But other people can
• 46:26
  Speaker 1: learn from you. Okay, if you're educated and have a future,
• 46:29
  Speaker 1: don't go break it into people's houses, kids, because you
• 46:32
  Speaker 1: might get shot. All right, Sometimes people have to die
• 46:34
  Speaker 1: in order for the rest of us to live. Let
• 46:36
  Speaker 1: this be a harsh lesson. There's some of you kids
• 46:38
  Speaker 1: out there who made hear this story. Now, the reason
• 46:41
  Speaker 1: Natika Harris is getting donkey to day is because of
• 46:44
  Speaker 1: the reasoning she gave CBS News as to why her
• 46:47
  Speaker 1: cousin broke into this house. Can we hear it? Police?
• 46:50
  Speaker 1: You have to understand, you have to look at it
• 46:52
  Speaker 1: from every child's point of jew that was raised in
• 46:54
  Speaker 1: the hood. How he gonna get his money to have
• 46:57
  Speaker 1: clothes to go to school? That's stupid? She is he
• 47:00
  Speaker 1: gonna get his money? She didn't say that. Hold hold on,
• 47:03
  Speaker 1: play that any She didn't say that. Play that again.
• 47:05
  Speaker 1: You have to understand. You have to look at it
• 47:07
  Speaker 1: from every child's pointed you that was raised in the hood.
• 47:10
  Speaker 1: How he gonna get his money to have clothes to
• 47:12
  Speaker 1: go to school? Seventeen years old in the hood. How
• 47:15
  Speaker 1: else is he supposed to get closed? Um? I mean,
• 47:17
  Speaker 1: I guess if his parents can't provide for him, how
• 47:19
  Speaker 1: about get a job or job back, some groceries, cut
• 47:25
  Speaker 1: some grass, wash some cars, recycled cans, give blood, don
• 47:28
  Speaker 1: age sperm, open a lemonade, standards the front. But you
• 47:31
  Speaker 1: really set selling seventeen thirty eight out of it? How
• 47:34
  Speaker 1: about do it out? When I grew up, my mama said,
• 47:36
  Speaker 1: you needed two pair jeans, a black pan in a
• 47:39
  Speaker 1: blue pet. How about to do it out and think
• 47:40
  Speaker 1: you know you stay down until you come up. I
• 47:42
  Speaker 1: could think of a million other ways for kids in
• 47:44
  Speaker 1: the hood to make money, and none of them include
• 47:46
  Speaker 1: breaking and entering. We have to stop protecting foolishness. Okay,
• 47:49
  Speaker 1: we have to take these options off the table. I
• 47:51
  Speaker 1: don't care how broke you are in the hood. Resorting
• 47:53
  Speaker 1: to crime, it's never the answer to trust me. Okay,
• 47:55
  Speaker 1: I was there, I sold track, I went to jail.
• 47:57
  Speaker 1: I've had guns pulled on me. I thank god I'm
• 48:00
  Speaker 1: still alive. But I didn't have to do none of that.
• 48:02
  Speaker 1: I chose to live like that. There's always other options,
• 48:05
  Speaker 1: and there's no excuse for those options, especially this one.
• 48:09
  Speaker 1: Your head again. Please, you have to understand. You have
• 48:11
  Speaker 1: to look at it from every child's pointed jew that
• 48:13
  Speaker 1: was raised in the hood. How he gonna get his
• 48:16
  Speaker 1: money to have clothes to go to school? That's crazy.
• 48:19
  Speaker 1: I understand life can be frustrating and difficult, but that
• 48:22
  Speaker 1: is no excuse for you to break and enter into
• 48:24
  Speaker 1: someone's home. And now some donkeys crazy, some donkey the
• 48:28
  Speaker 1: digs just sell themselves. Please give him the ticket, Harris
• 48:30
  Speaker 1: the Biggest Heatart. Please that genuinely hurt my heart like
• 48:36
  Speaker 1: I cannot do. There was no other solutions that lost. No,
• 48:42
  Speaker 1: that is no, that is not acceptable people at all. Right,
• 48:46
  Speaker 1: the Breakfast Club wanting everybody is DJ Envy, Angela Yee,
• 48:52
  Speaker 1: Charlomagne and the God. We are the Breakfast Club and
• 48:55
  Speaker 1: we have a special guest. Yeah, the Hood's second favorite
• 48:58
  Speaker 1: doctor doctor Mammy comes doctor Miami. Oh my goodness, doctor doctor.
• 49:04
  Speaker 1: Well number three is not bad with that list. Good company,
• 49:07
  Speaker 1: good company. We're so glad you here. We need you
• 49:09
  Speaker 1: for so many reasons this morning. I now, why do
• 49:11
  Speaker 1: you have a tube of mash sweet potatos? Doct do
• 49:14
  Speaker 1: you have the chee? Charlayne? When you supposed to bring
• 49:16
  Speaker 1: the chips, you brought the chips. No, I didn't know
• 49:17
  Speaker 1: anything about it. Come on now, okay, all right, So
• 49:20
  Speaker 1: that's actually this is a little bit of plaster. I
• 49:22
  Speaker 1: tell you why I brought it for it. So for
• 49:23
  Speaker 1: everyone who's listening on the radio, I'm gonna describe it
• 49:26
  Speaker 1: to you carefully and we're gonna get some participation from
• 49:27
  Speaker 1: the DJ's here. So we got this big program with
• 49:30
  Speaker 1: launching today called the Regiment, right, and the Regiment is
• 49:33
  Speaker 1: a daily checklist that you can use, simple, straightforward, medically
• 49:36
  Speaker 1: vetted that allows you to make some smart decisions in
• 49:39
  Speaker 1: your life. It includes things like try Oolong tea, which
• 49:42
  Speaker 1: is a tea that it has less caffeine in it
• 49:44
  Speaker 1: that gives a lot of energy tea because has other
• 49:45
  Speaker 1: phenols other chemicals in it that are valuable. I think
• 49:48
  Speaker 1: of green tea green banana. Black tea is like a
• 49:50
  Speaker 1: black ovally ripe banana, so ulong t is a yellow banana.
• 49:53
  Speaker 1: It's right in the middle. So it's something you can
• 49:56
  Speaker 1: try a use that. Oh yeah, I'm so proud of you.
• 50:00
  Speaker 1: But I want you to having prebiotics and probiotics probotics.
• 50:03
  Speaker 1: Obviously the bacteria in your gut. You want to have
• 50:05
  Speaker 1: the food to feed that bacteria too, which is called prebiotics.
• 50:07
  Speaker 1: Things like green apples have prebiotics. Cabbage has probiotics in it,
• 50:11
  Speaker 1: so you want to feed the bacteria. So I want
• 50:12
  Speaker 1: to detail. This checklist is all on doctors like I.
• 50:15
  Speaker 1: My app launched today, by the way, so thinks. So
• 50:17
  Speaker 1: it's a very simple, phrazy way to figure out what
• 50:19
  Speaker 1: you got to do. But one of the reasons important
• 50:22
  Speaker 1: is because the number one cause of problems death in particular,
• 50:25
  Speaker 1: but colo caused impotence, wrinkles and other things. Is hardening
• 50:28
  Speaker 1: of the arteries. So I brought you your own demo
• 50:30
  Speaker 1: to understand why people get hardening of the arteries and
• 50:32
  Speaker 1: try to break through some of the clutter. So you see,
• 50:34
  Speaker 1: I want to keep my artery, solf. I want to
• 50:36
  Speaker 1: keep moteries. That is so well stated, as always perfectly articulated.
• 50:41
  Speaker 1: He was so good in the show, by the way,
• 50:43
  Speaker 1: and you know I did not have to bleep anything
• 50:45
  Speaker 1: he said mostly mostly. That's why I am lying for
• 50:48
  Speaker 1: the doctor. I didn't recognize it. Yes, all right, so
• 50:52
  Speaker 1: describe what you see here. This is an artery. Yes,
• 50:55
  Speaker 1: it's got red on the inside. I've got a little
• 50:57
  Speaker 1: glass here. This glass represent the sugar in your body.
• 51:01
  Speaker 1: So people say, especially the community, say, yaht's a little
• 51:04
  Speaker 1: bit of sugar. There's no such thing a little bit
• 51:05
  Speaker 1: of sugar. It's being a little bit pregnant. When you
• 51:07
  Speaker 1: got sugar, When you got sugar in your body, when
• 51:12
  Speaker 1: you have blood sugar that's high, you have a little
• 51:14
  Speaker 1: bit of diabetes. It's like having broken broken pieces of
• 51:16
  Speaker 1: glass shard inside your body. Now, the lining of the
• 51:19
  Speaker 1: arteries is very thin, little lining like teflon line. Now
• 51:22
  Speaker 1: watch what happens. I take the sugar and I begin
• 51:24
  Speaker 1: to scrape at this. When I scrape at it, I
• 51:26
  Speaker 1: begin to tear holes, all right, And those holes become
• 51:30
  Speaker 1: problems because blood can seep into those holes. And more importantly,
• 51:33
  Speaker 1: the body doesn't want to have any holes in the
• 51:35
  Speaker 1: arteries because not supposed to be any holes. That's blood sugar.
• 51:37
  Speaker 1: Now what about blood pressure? Blood persons like having a
• 51:39
  Speaker 1: hammer right right? And the hammer can you hear that?
• 51:42
  Speaker 1: You bang a hole in the artery. And when you
• 51:44
  Speaker 1: bang a hole in the artery, now you really have
• 51:46
  Speaker 1: to fix it. So how does the body fix it? Well,
• 51:48
  Speaker 1: if you're sitting in the studio here and I bang
• 51:49
  Speaker 1: a hole in that wall behind you, Charlottagne, how do
• 51:51
  Speaker 1: you fix it? What's the body's plaster called I don't know, cholesterol,
• 51:57
  Speaker 1: it's called cholesterol. Can you get this sloppy cholesterol stuff
• 52:01
  Speaker 1: and you start to spacklet in there? That's the that's
• 52:05
  Speaker 1: some mash sweet potatoes you were talking about. It does
• 52:06
  Speaker 1: like steet potatoes and teas and cheese. But you get
• 52:09
  Speaker 1: the smegma right, sure, you get you get that cutty
• 52:15
  Speaker 1: layering in there, and that's called athrosclerosis harding in the arteries.
• 52:19
  Speaker 1: So let's go back for a second. If you don't
• 52:21
  Speaker 1: have a hole in the artery from high blood pressure,
• 52:23
  Speaker 1: if you haven't scraped up the artery from high sugar,
• 52:25
  Speaker 1: you haven't damaged it with cigarettes, then you don't have
• 52:27
  Speaker 1: to repair it, So you don't care about cholesterol. That's
• 52:30
  Speaker 1: why people get so fixated on their cholesterol. But what
• 52:32
  Speaker 1: they should really be focused on is what's causing the
• 52:34
  Speaker 1: holes in the artery. Now, if you do have a
• 52:36
  Speaker 1: cholesterol issue, you want to know what kind of cholesterol
• 52:38
  Speaker 1: it is. So if it's healthy HDL cholesterol, it means
• 52:40
  Speaker 1: you've got a beautiful spackling that's so smooth you can't
• 52:43
  Speaker 1: tell it's there. Okay, if you get lousy LDAL cholesterol, exactly,
• 52:46
  Speaker 1: you have got to have here, which is really cruddy
• 52:48
  Speaker 1: looking stuff. It's about to fly with healthy Yeah, yeah,
• 52:52
  Speaker 1: healthy hdo it's called HDL cholesterol. What kind of foods
• 52:55
  Speaker 1: of those fish, oils, walnuts, flax seeds, the healthy fats
• 52:59
  Speaker 1: give you more of the good HDL. Frankly, losing weight
• 53:02
  Speaker 1: and doing sports automatically helps with the HDL and gaining
• 53:06
  Speaker 1: weight and not doing sports raises the bad. People love
• 53:09
  Speaker 1: to say I've fat shame, when all I want people
• 53:10
  Speaker 1: to do is be healthy, because it is a health risk. Frankly,
• 53:14
  Speaker 1: if anything you're addicted to foods an example, but it's
• 53:16
  Speaker 1: true of almost anything else. Is mean. You tell people
• 53:18
  Speaker 1: they got a problem with it, well, they already knew that.
• 53:20
  Speaker 1: People can look in the mirror and see they're heavy.
• 53:22
  Speaker 1: They can see that. You know. They don't like that
• 53:23
  Speaker 1: they smoke, So I tell people they smoke, and then
• 53:26
  Speaker 1: it's bad for them. They get nervous and anxious about it,
• 53:28
  Speaker 1: and they feel worse about themselves. So what do they do.
• 53:30
  Speaker 1: They go smoke to relax. So that's very different saying
• 53:33
  Speaker 1: you're fat. Yes, that's true. I tell people that if
• 53:35
  Speaker 1: you really love yourself, like I don't trust that. If
• 53:37
  Speaker 1: you're fat and you tell somebody that I love you,
• 53:39
  Speaker 1: no you don't because you don't evenly love yourself. If
• 53:40
  Speaker 1: you really love yourself, lose from weight. Yeah you know. Yeah.
• 53:43
  Speaker 1: I got a genetic test on myself this summer and
• 53:46
  Speaker 1: I was shocked by what I found. So I thought
• 53:48
  Speaker 1: genetic test would tell about whether I'm going to get cancer,
• 53:50
  Speaker 1: heart disease, or whatever. This genetic test told me that
• 53:53
  Speaker 1: I crave fats, but I don't like carbs that much genetically. Okay,
• 53:58
  Speaker 1: Now why is that important? Because most of us get
• 54:00
  Speaker 1: heavy because we eat too many carbs. So if you
• 54:02
  Speaker 1: genetically crave carbohydrates, then you're gonna be having a tough
• 54:06
  Speaker 1: time cut back on them because you're gonna be ovoid.
• 54:08
  Speaker 1: And it makes you feel good, right because similarly dope
• 54:10
  Speaker 1: mean and it's it is comfort food, so you're gonna
• 54:11
  Speaker 1: eat more of it. So when people who are skinny
• 54:13
  Speaker 1: safe just eat stop eating carbs, well, it's not that easy.
• 54:15
  Speaker 1: It's actually genetically predisposed. It's like just run faster. Well,
• 54:18
  Speaker 1: I mean I could run faster, I would, but I'm
• 54:19
  Speaker 1: just not as fast as they have. The guy, don't
• 54:21
  Speaker 1: you got to balance that genetics out by working out,
• 54:23
  Speaker 1: like if you Yes, But now that we know that
• 54:25
  Speaker 1: more and more that our basic behaviors are driven by
• 54:27
  Speaker 1: our genes, you do have to balance it out. But
• 54:29
  Speaker 1: you should know what your weaknesses are. So if you know,
• 54:30
  Speaker 1: you're got to weakeness with the carbs, which people sort
• 54:32
  Speaker 1: of figure it out over their life. They just can't
• 54:34
  Speaker 1: have any carbs. I mean, they really just because you can't.
• 54:36
  Speaker 1: It's like have an alcohol if you have an alcohol
• 54:38
  Speaker 1: and product problem, you just can't have a little bit
• 54:39
  Speaker 1: of alcohol. You literally have just a stop. So you
• 54:42
  Speaker 1: draw lines, you say, okay, I'm not going to cross
• 54:43
  Speaker 1: the border there. Guys, all right, we got more with
• 54:45
  Speaker 1: doctor Oz when we come back. Keep it locked as
• 54:47
  Speaker 1: the breakfast Club. Good morning. That was needed me, Rhanna morning.
• 54:51
  Speaker 1: Everybody is dj Envy Angela yee sha. I mean the
• 54:54
  Speaker 1: guy we are the breakfast club. Doctor Oz is in
• 54:57
  Speaker 1: the building that Doctor Oz. A lot of people are
• 54:59
  Speaker 1: getting common cold. Now cold is starting to come around.
• 55:02
  Speaker 1: Angeleie just got the cold and I'm gona getting a
• 55:03
  Speaker 1: little sniffle. What can we do to prevent the common condoms?
• 55:07
  Speaker 1: So yeah, condoms for sure. You two show up your protection. Um,
• 55:11
  Speaker 1: I know, I know, I know. I'm just I'm humoring him, please,
• 55:14
  Speaker 1: I'm humoring him. Number one thing for your immune system,
• 55:17
  Speaker 1: actually it's part of the regiment, is to sleep. It's
• 55:20
  Speaker 1: a single most underappreciated problem. More. I always say that
• 55:23
  Speaker 1: whenever I'm definitely taken because I don't don't get enough sleep.
• 55:26
  Speaker 1: It weakens your immune system and actually predispose you to
• 55:28
  Speaker 1: other problems. In fact, the high bloodressure with the hammer
• 55:30
  Speaker 1: I talked about it earlier, that's caused by by not
• 55:32
  Speaker 1: sleeping as well. One of the best best ways to
• 55:35
  Speaker 1: get it down is star sleeping a little more effectively.
• 55:37
  Speaker 1: So that's one. Number Two is there are some folks
• 55:39
  Speaker 1: that think that elderberry might help and herbal treatments that's
• 55:42
  Speaker 1: old and been used in Europe for many years. Physical
• 55:44
  Speaker 1: activity actually helps, right, but you can't do it exhaust
• 55:47
  Speaker 1: and stuff like that. You know, it's never been shown
• 55:49
  Speaker 1: in clinical trials to be beneficial. It makes theoretical sense,
• 55:53
  Speaker 1: which is why they sell a lot of the stuff,
• 55:54
  Speaker 1: but when you actually try to use it in people's heart.
• 55:56
  Speaker 1: But here's the thing. If you're starting to feel a
• 55:58
  Speaker 1: sniffles and you start taking a product like that and
• 56:00
  Speaker 1: then you start also sleeping better and maybe cutting out
• 56:03
  Speaker 1: alcohol for a night or two, whether you're you're gonna
• 56:05
  Speaker 1: get better right right time will make you better. So
• 56:07
  Speaker 1: it's hard to tell if it was the pill that
• 56:08
  Speaker 1: got you better or your other changes that you made.
• 56:10
  Speaker 1: If you're smart enough to take the pill, you're probably
• 56:13
  Speaker 1: smarteno to do other things as well. We don't scretch
• 56:14
  Speaker 1: the importance of sleep enough in our coach, especially in
• 56:16
  Speaker 1: hip hop, because you had Nah saying sleep as the
• 56:19
  Speaker 1: cousin of death. Maybe like hustlers don't sleep? But did
• 56:22
  Speaker 1: he has since we nick done that and said that
• 56:24
  Speaker 1: he was wrong, Yeah, because he's almost fifty better than that.
• 56:27
  Speaker 1: He's here, he's sleeping now, and I think it's as
• 56:29
  Speaker 1: you point out, it's actually worth it's a sign a weakness, right,
• 56:32
  Speaker 1: sleeping and sign a weakness. But real man, real women
• 56:34
  Speaker 1: don't have to sleep, and it's the opposite. How much
• 56:36
  Speaker 1: sleep should we get a night? Yeah, so five percent
• 56:39
  Speaker 1: of people can get away with less than six hours
• 56:41
  Speaker 1: a night. Everybody else needs to sleep more. So if
• 56:43
  Speaker 1: you're at one of those pokes out there and you
• 56:44
  Speaker 1: think I can get away with less than six hours,
• 56:46
  Speaker 1: unless you're really special one in twenty people, you're not.
• 56:49
  Speaker 1: That's not you. You're actually cunning yourself. So the way
• 56:52
  Speaker 1: you can tell if you're sleeping enough is if you
• 56:54
  Speaker 1: wake up with a little bit of a dream. You
• 56:56
  Speaker 1: should have dreams, you remember when you wake up. If
• 56:58
  Speaker 1: you don't ever dream, you're not sleeping. I never dream, Yeah,
• 57:01
  Speaker 1: so that means that you're all the time, and I
• 57:02
  Speaker 1: dream in color you do all kinds of colors. Yeah,
• 57:06
  Speaker 1: that's what you want to have. Because REM sleep means
• 57:07
  Speaker 1: REM is the restorative sleep, they rapid eye movement sleep.
• 57:10
  Speaker 1: You need that in order to truly recharge your brain.
• 57:13
  Speaker 1: So if you're not getting the REM sleep, but which
• 57:15
  Speaker 1: is the dreams sleep, then it means that you're not
• 57:17
  Speaker 1: truly that in your brain room. Now, did you sleep
• 57:19
  Speaker 1: in portions like? Okay, go home for an hour and
• 57:22
  Speaker 1: then go to bed at night for four hours and
• 57:25
  Speaker 1: so Leonardo da Vinci, probably the most famous smart man ever, right,
• 57:31
  Speaker 1: would never sleep more than two hours a night, but
• 57:33
  Speaker 1: he would nap all day long. So napping is good.
• 57:35
  Speaker 1: Napping is good. So I nap personally, So here's I
• 57:38
  Speaker 1: do it. Usually, So eight hours after you get up,
• 57:40
  Speaker 1: you should feel like you're tired. You're supposed to do
• 57:43
  Speaker 1: and so you should try to take a nap. You
• 57:45
  Speaker 1: can take coffee and you know this, this pillow, that
• 57:48
  Speaker 1: pill but the best way to do is this slide
• 57:49
  Speaker 1: down for just five ten minutes, and you don't want
• 57:51
  Speaker 1: to sleep more in about ten minutes because that's just
• 57:53
  Speaker 1: enough to get you into that nice light sleep, feel recharged,
• 57:56
  Speaker 1: but not deep enough. They make you groggy, which you
• 57:58
  Speaker 1: want to avoid. And then if you can make that
• 58:00
  Speaker 1: part of routine your regimen. Our lunch period, I eat
• 58:03
  Speaker 1: for half of it and then I nap for about
• 58:05
  Speaker 1: ten minutes. You get the itis and it's fantastic. Yeah,
• 58:08
  Speaker 1: what's the best way to set of your brain before
• 58:10
  Speaker 1: you go to sleep in night? Because I read something
• 58:11
  Speaker 1: that said you shouldn't get on the internet or shouldn't
• 58:13
  Speaker 1: get on social media before you like two hours prior
• 58:15
  Speaker 1: to sleeping. I usually help people for twenty to thirty
• 58:17
  Speaker 1: minutes because two hours they won't do anyway. But it's
• 58:20
  Speaker 1: not just the internet, it's the light. Then when you
• 58:22
  Speaker 1: look at it at a pad or a foam, that
• 58:25
  Speaker 1: light is turning off your brain's ability to make melotonin.
• 58:28
  Speaker 1: And melotonin is the chemical, the hormone in the brain.
• 58:30
  Speaker 1: It tells you it's nighttime. So you need to give
• 58:32
  Speaker 1: your brain a chance. So if you go out, I
• 58:34
  Speaker 1: don't know if you ever go camping, If you go
• 58:35
  Speaker 1: outside and you're seeing the sun go down, when the
• 58:37
  Speaker 1: sun actually sets, those orange rays tell your brain to
• 58:40
  Speaker 1: make melatonin. Really yeah, and that melatonin is powerfully able
• 58:44
  Speaker 1: to get you to say, okay, it's nighttimetime you go
• 58:45
  Speaker 1: to bed. Now, when you're looking at a computer screen,
• 58:48
  Speaker 1: you don't let those rays stimulate your brain. So they're
• 58:50
  Speaker 1: making smart lightbulbs now that don't emit the same Uvy light.
• 58:54
  Speaker 1: You can actually buy a lightbulb that, although it looks white,
• 58:56
  Speaker 1: it's actually not white. Just you know, just use it
• 58:59
  Speaker 1: by the nightstand. So the last half an hour before
• 59:01
  Speaker 1: you go to bed, you can use that to read
• 59:03
  Speaker 1: the paper or whatever. But what you don't want to
• 59:04
  Speaker 1: do is re engage your brain with emails and texts
• 59:07
  Speaker 1: and church in the web. I know it's tempting to
• 59:09
  Speaker 1: do that, but it stimulates your brain. It delays you
• 59:11
  Speaker 1: get into sleep. But a bat sleep with the TV
• 59:13
  Speaker 1: on the worst, they think it helps them get to steep.
• 59:16
  Speaker 1: You're basically numbing yourself until you pass out. It's like
• 59:19
  Speaker 1: having a drink before you go to bed. It's that's
• 59:21
  Speaker 1: not why you know, if you're gonna drink, do not
• 59:22
  Speaker 1: drink at bedtime. It's not the time to drink because
• 59:24
  Speaker 1: the steep you gets not normal step when you have that.
• 59:26
  Speaker 1: What about sex before bed, like people away the bast sleep, sex, mastivation, whatever,
• 59:30
  Speaker 1: you need to do anything that centers you and that
• 59:33
  Speaker 1: does meditation also works. But I think, look, the reason
• 59:36
  Speaker 1: that sex is a great aphrodisiac is you can do
• 59:39
  Speaker 1: it from you know, be in love with the person
• 59:40
  Speaker 1: you're with, and then your zone. You're in the right
• 59:42
  Speaker 1: space to go to sleep. Do you think social media
• 59:44
  Speaker 1: is negatively affecting our mental health? You think it'll have
• 59:46
  Speaker 1: like long term effects on our brain. So I won't
• 59:48
  Speaker 1: guess on this. Actually have data we have actually today,
• 59:51
  Speaker 1: the AS Report comes out the State of Women in
• 59:53
  Speaker 1: America in two sixteen, and I did a big survey
• 59:56
  Speaker 1: in fifteen hundred women and I asked them questions like that,
• 59:58
  Speaker 1: and so the number we have an epid dmic of
• 1:00:00
  Speaker 1: loneliness right now in America. People just feel like they're
• 1:00:03
  Speaker 1: by themselves. You would think they wouldn't because they get
• 1:00:05
  Speaker 1: social media, But sixty percent of women only follow other women.
• 1:00:09
  Speaker 1: They don't actually ever engage. So it's a bunch of
• 1:00:10
  Speaker 1: lonely women tweeting each other, telling each other how lonely
• 1:00:13
  Speaker 1: they are. But think but yeah, and here's the bigger thing.
• 1:00:14
  Speaker 1: Many women say they don't trust other women to talk
• 1:00:17
  Speaker 1: to because they feel they're going to be caddy or
• 1:00:19
  Speaker 1: they're not going to be honored but we need to
• 1:00:21
  Speaker 1: change that because we've always been able to talk to
• 1:00:23
  Speaker 1: each other then be empathetic and connect, and we don't
• 1:00:25
  Speaker 1: do that when you're just texting back. So I think
• 1:00:28
  Speaker 1: the solution is not the head of social media, but
• 1:00:30
  Speaker 1: they use social media for good. So send a note
• 1:00:32
  Speaker 1: out to say I want to meet with you and
• 1:00:33
  Speaker 1: have coffee or to something together. Just create a real
• 1:00:36
  Speaker 1: experience at least once a day independent of social media.
• 1:00:39
  Speaker 1: Otherwise you create these drive by friendships. It seems like
• 1:00:43
  Speaker 1: you got friends, you think you're close, But challenge yourself,
• 1:00:47
  Speaker 1: who would you go to if you really had a
• 1:00:49
  Speaker 1: crisis that you really thought we'll keep get your back.
• 1:00:51
  Speaker 1: And if you can't answer that question with a couple names,
• 1:00:53
  Speaker 1: or if you don't think you're that person for someone else,
• 1:00:55
  Speaker 1: then change that. Why not When you think about the phone,
• 1:00:58
  Speaker 1: they also say it don't sleep with the phone nar
• 1:00:59
  Speaker 1: your head. Well, the package in certain some of these
• 1:01:01
  Speaker 1: phones tells you not to do that because the phone
• 1:01:03
  Speaker 1: is always on looking for messages, right, so it's sending
• 1:01:06
  Speaker 1: out raise. So if it's within five feet of your head,
• 1:01:09
  Speaker 1: there's some data that it might interfere with the quality
• 1:01:11
  Speaker 1: of r sleep. So I say, why I take a chance.
• 1:01:13
  Speaker 1: Let's put the phone five feet away from your head.
• 1:01:15
  Speaker 1: Perfect that way, you know for sure it's not bothering you.
• 1:01:18
  Speaker 1: The newer phones and some of the cases do help
• 1:01:20
  Speaker 1: with some of that exposure. So I think it's gonna
• 1:01:21
  Speaker 1: be less and less of an issue. But again, for now,
• 1:01:24
  Speaker 1: five feet away. We got more with Doctor Oz. When
• 1:01:26
  Speaker 1: we come back, keep it locked. It's the breakfast club.
• 1:01:28
  Speaker 1: Good morning, the breakfast club that was designed a Pandem morning.
• 1:01:36
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlotte and the guy.
• 1:01:39
  Speaker 1: We are the breakfast Club. Doctor Oz is in the
• 1:01:42
  Speaker 1: building now, Doctor Oz. People try to lose weight, Flat
• 1:01:45
  Speaker 1: TUMMYT and diabase. What do you think about Instagram? Right, yeah,
• 1:01:49
  Speaker 1: you're following the intergram models. One of the Instagram models.
• 1:01:52
  Speaker 1: Oh let me show you, doctor. Flat tummy t is
• 1:01:55
  Speaker 1: a product that people promote that said actually helps women
• 1:01:59
  Speaker 1: lose that that extra little polege and here a little stomach.
• 1:02:02
  Speaker 1: I love this. I gotta I gotta learn about I
• 1:02:05
  Speaker 1: think really well, I mean doesn't work well well. So
• 1:02:08
  Speaker 1: detox tas per se are are interesting because they might
• 1:02:12
  Speaker 1: help some Oh my goodness, yeah you go, yeah, I'll
• 1:02:16
  Speaker 1: go to Berneese. So I show them only the best
• 1:02:17
  Speaker 1: ye Burnee Burgos, Yes, more than Instagram model. But yeah, okay,
• 1:02:21
  Speaker 1: you get the picture. Yeah, I get the picture for sure.
• 1:02:23
  Speaker 1: Yeah yeah. So, um so the thing together. He talks
• 1:02:29
  Speaker 1: teas exactly, I'm trying to focus. Um Yeah, detox tase
• 1:02:34
  Speaker 1: you can copy them. You can do them yourself because
• 1:02:35
  Speaker 1: they basically are caffeine and some herbs that do that
• 1:02:38
  Speaker 1: help you deal with hunger issues. So on doctors dot com,
• 1:02:41
  Speaker 1: we've got some alternatives that are inexpensive because a lot
• 1:02:43
  Speaker 1: of the detox tas are pretty pricey, and I don't know,
• 1:02:46
  Speaker 1: spend a couple hundred bucks and stuff when you can
• 1:02:47
  Speaker 1: get it for ten bucks and you know, use it
• 1:02:49
  Speaker 1: all you want. I can't vouch for all women that
• 1:02:51
  Speaker 1: are in packages because you can't tell what's in them sometimes.
• 1:02:53
  Speaker 1: And I know that they use caffeine as a foundation element.
• 1:02:55
  Speaker 1: So a little bit of caffeine is good, but a
• 1:02:57
  Speaker 1: lot's not. Yeah. But these teas these girls be promoting
• 1:03:00
  Speaker 1: advertise they can make your stomach flat. Takeaway bloating reducing metabolism,
• 1:03:06
  Speaker 1: Well again, bloating can be impacted by tease. Uh, and
• 1:03:09
  Speaker 1: metabolism is definitely impacted by teas. And so the question
• 1:03:12
  Speaker 1: is us too much of a good thing bad for you?
• 1:03:14
  Speaker 1: Because I can whack you with a grammar caffeine and
• 1:03:17
  Speaker 1: that does those things, by the way, but you're gonna
• 1:03:20
  Speaker 1: fugittery and you're gonna get really cratering when you're when
• 1:03:22
  Speaker 1: it wears off in a couple of hours. Because listen,
• 1:03:24
  Speaker 1: if you want to have a lifestyle that takes you
• 1:03:27
  Speaker 1: in the right direction, there's no if the quick fixes
• 1:03:29
  Speaker 1: are nice for a couple of weeks of help here
• 1:03:31
  Speaker 1: and there, but you're not gonna base your life drinking
• 1:03:33
  Speaker 1: these teas that you're discussing, right, some people do. They
• 1:03:35
  Speaker 1: don't want to do the next side. They're like, oh,
• 1:03:36
  Speaker 1: let me drink the tea. No, it's it's it's a
• 1:03:38
  Speaker 1: it's a short term crutch to get get you, to
• 1:03:40
  Speaker 1: re angle you in the right direction. It's like moving
• 1:03:42
  Speaker 1: the steering with a little bit, but you don't want
• 1:03:44
  Speaker 1: to keep turning it or you're gonna run off the road.
• 1:03:45
  Speaker 1: But yeah, DJ kald on the shows like are you
• 1:03:49
  Speaker 1: talking about losing weight? I talked to him about his health.
• 1:03:52
  Speaker 1: He has lost in weight and he's losing more. He's
• 1:03:54
  Speaker 1: on the regiment. He can share with me some of
• 1:03:56
  Speaker 1: the things he's doing now. But by the way, I
• 1:03:58
  Speaker 1: learned the whole vocabulary blessed up, bless bless up. You
• 1:04:01
  Speaker 1: don't talk talk. I think he's trying. So there's you know,
• 1:04:08
  Speaker 1: I think some of some of its genetic. So he's
• 1:04:09
  Speaker 1: he's palced in originally, and so people that part of
• 1:04:12
  Speaker 1: the world, they couldn't need a lot of carbohydrates because
• 1:04:14
  Speaker 1: they get into trouble real quick. And so because genetically
• 1:04:17
  Speaker 1: some cultures, the people in those areas of the world
• 1:04:20
  Speaker 1: were used to not having a ton of food. So
• 1:04:22
  Speaker 1: if you move genetic people who are very thrifty with
• 1:04:24
  Speaker 1: their calories to a part of the world where there
• 1:04:26
  Speaker 1: are a lot of calories, you don't just shift in
• 1:04:28
  Speaker 1: one generation. Yeah, So people from subcontinent of India the
• 1:04:32
  Speaker 1: same way American Indians out in the Pueblo areas and
• 1:04:35
  Speaker 1: in New Mexico and Arizona, they have very high insensive
• 1:04:37
  Speaker 1: obesity because you take them out of an environment where
• 1:04:40
  Speaker 1: they could survive with very little nutrients int take, and
• 1:04:42
  Speaker 1: you put them in a place where there's you know,
• 1:04:43
  Speaker 1: he got French fries everywhere that you're gonna put weight on.
• 1:04:46
  Speaker 1: But I'm impressed by the soul of that man. That
• 1:04:49
  Speaker 1: guy is going to do things to help a lot
• 1:04:51
  Speaker 1: of people. Yeah, my kids rarely tell me they want
• 1:04:54
  Speaker 1: to come to the show. They were mad when they
• 1:04:56
  Speaker 1: found out that he was on. I didn't tell them.
• 1:04:58
  Speaker 1: That's very inspiration. Yeah. So if he's influencing, you know,
• 1:05:01
  Speaker 1: my kids and getting other kids, well, then God bless him.
• 1:05:03
  Speaker 1: And he has done the right things for his health.
• 1:05:05
  Speaker 1: He's had a couple of health scare. He talked about
• 1:05:07
  Speaker 1: the alopecia he had, which is a he lost a
• 1:05:09
  Speaker 1: little second parts of his beard, which is a gray
• 1:05:11
  Speaker 1: calla just needs to accept it. So, no, it's not gray.
• 1:05:14
  Speaker 1: He lost the hair, okay, And that happens from stress.
• 1:05:17
  Speaker 1: Things that happened to our skin, in our hair when
• 1:05:18
  Speaker 1: we're stressed out. A little eyego is an example. You
• 1:05:21
  Speaker 1: have these little white spots on your skin. Yeah, he
• 1:05:24
  Speaker 1: is in his face and Michael Jackson would think about that, right, so, so,
• 1:05:27
  Speaker 1: and now that's associated with how your body is dealing
• 1:05:30
  Speaker 1: with stress, because your immune system is attacking your own cells.
• 1:05:32
  Speaker 1: I don't know if it allego had to do with stress.
• 1:05:34
  Speaker 1: I always thought that was just a hereditary it's genetic.
• 1:05:37
  Speaker 1: There is a genetic element, but the genetic element is
• 1:05:39
  Speaker 1: that it allows your immune system to attack your skin.
• 1:05:41
  Speaker 1: It'slopecia reversible if it's the kind of alopecia that the
• 1:05:45
  Speaker 1: DJ Khalid had. Yes, because it's primarily stress related. Women
• 1:05:47
  Speaker 1: get alopecia with childbirth, round pregnacy. Talking about skin and
• 1:05:53
  Speaker 1: skin bleaching and pregnancy, not pregnancy, but the skin bleaching
• 1:05:56
  Speaker 1: is a big issue from for for for me, for
• 1:05:59
  Speaker 1: me because he showed me to talk beautifully about his
• 1:06:02
  Speaker 1: own path to this. But I still don't understand skin.
• 1:06:05
  Speaker 1: But I didn't blue. Yes, they're covering his skin. They
• 1:06:08
  Speaker 1: didn't have to bleach and which you know was very effective.
• 1:06:11
  Speaker 1: But I still don't understand why African Americans bleached skin.
• 1:06:14
  Speaker 1: And you said yeah, but you said it's quite nicely,
• 1:06:16
  Speaker 1: and I think it was like a good fair one
• 1:06:17
  Speaker 1: to hear that. You know, you know, you like, you
• 1:06:19
  Speaker 1: like what you're born with. Yeah, I love my skin.
• 1:06:21
  Speaker 1: I want my skin to be healthier, but I don't
• 1:06:22
  Speaker 1: want to be another complexion. You know, he was a
• 1:06:25
  Speaker 1: couple of complexions at one time. But then people, Yeah,
• 1:06:28
  Speaker 1: he was dark head, he was light hair. You said
• 1:06:30
  Speaker 1: you were fifty shades of black, shades of black. But
• 1:06:32
  Speaker 1: he said that was his line. Oh no, said, he
• 1:06:35
  Speaker 1: brought up a good point after that question again, I said,
• 1:06:37
  Speaker 1: why do people's tan then, because I know I like
• 1:06:38
  Speaker 1: to get a tan, you know I don't. I don't
• 1:06:40
  Speaker 1: get tanning. And yes, it makes you look I think
• 1:06:43
  Speaker 1: it's a nice glowe. I do always put on, like,
• 1:06:46
  Speaker 1: you know, a good amount of stund black and everything,
• 1:06:48
  Speaker 1: but I still like to get a little tint of color. Yeah,
• 1:06:50
  Speaker 1: I'm okay with that. But for me, a tint of
• 1:06:53
  Speaker 1: color is different from you know, looking like you're a
• 1:06:54
  Speaker 1: whole different complexion. You should look like your normal color
• 1:06:57
  Speaker 1: with a little tan on it, not so the different
• 1:06:59
  Speaker 1: colors you can and tell. And I always put some
• 1:07:01
  Speaker 1: black in my face, my ears, my neck, back, in
• 1:07:03
  Speaker 1: my hands, right, but I don't usually put some black
• 1:07:05
  Speaker 1: on my chest, on my back until I've seen a
• 1:07:07
  Speaker 1: little bit of sun because you do want the vitamin
• 1:07:10
  Speaker 1: D from the sun exposure. So I think we all
• 1:07:12
  Speaker 1: naturally expect a little bit of a glow from the
• 1:07:14
  Speaker 1: sun because it means you're getting some vitamin D. But
• 1:07:16
  Speaker 1: then they say the sun ages you, though, like I said,
• 1:07:18
  Speaker 1: that's why I put the sun black on my face
• 1:07:20
  Speaker 1: in my ears, because if you show your ass to
• 1:07:22
  Speaker 1: the sun, it's not gonna age. And if it does,
• 1:07:23
  Speaker 1: who cares. Right, it's but you don't want your face
• 1:07:26
  Speaker 1: being with the old looking ass. It's a good point. Actually,
• 1:07:29
  Speaker 1: maybe maybe it's okay. There's only one last thing to do.
• 1:07:32
  Speaker 1: Leave put your love all. Yeah, that's what let's do. Charlotmaine,
• 1:07:35
  Speaker 1: come on, why you so why you want to be
• 1:07:38
  Speaker 1: my ass so bad? Because we're trying to make sure
• 1:07:40
  Speaker 1: that you're healthy's trying to help. There's gonna go and
• 1:07:43
  Speaker 1: we're gonna we're gonna examine your grade. I'm gonna gonna
• 1:07:49
  Speaker 1: do what you're gonna you know, I want to go
• 1:07:55
  Speaker 1: any fingers still us all? Okay, yeah, okay, it's too real.
• 1:08:01
  Speaker 1: Alrightday keeping real goes wrong? Thank you, doctor oz Let
• 1:08:05
  Speaker 1: right in, mister breakfast club, Good morning,