Latest / What's Your (Least) Favorite Scary Movie? / #295: Texas Chainsaw 3D (2013)

Transcript

#295: Texas Chainsaw 3D (2013) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello, what's your least favorite scary movie?
• 0:10
  Do your thing, because welcome to What's Your Least Favorite
• 0:14
  Scary Movie? The podcast where we talk about
• 0:16
  the good, the bad, the ugly and the absurd and all of our
• 0:19
  favorite. And least favorite scary movies?
• 0:20
  Because we believe every horror movie rightfully has its fan
• 0:23
  base. If we don't always get it.
• 0:24
  My name is Travis. And it's Jesse and we're back.
• 0:27
  We're back in Texas. Back back.
• 0:29
  We're in Newt, Texas, and we are talking about Texas.
• 0:32
  Chance O3. That's right, baby.
• 0:36
  Before we get into it, quick announcement.
• 0:38
  Obviously this is the end of the month, So what I need our budget
• 0:41
  tier patrons to do is be on the lookout for two things this
• 0:45
  weekend. 2 Your vote for the September movie September and
• 0:50
  your bonus episode. We're going to talk about what
• 0:54
  we have heard is essentially an Angry Orchard ad, but it's the
• 0:58
  new Jason Voorhees short. Angry Jason?
• 1:00
  Yeah. So that is coming out this
• 1:03
  weekend. So keep an eye on Patreon feed
• 1:07
  as always. Well, I say as always, as
• 1:09
  always, as of recently, we will have that bonus episode
• 1:12
  available for like single purchase if you would like to
• 1:15
  just listen to that and not be a full recurring patron.
• 1:20
  Yeah, excited about that. See what is new for the Jason
• 1:25
  verse, as they like to call it. Honestly, I don't know.
• 1:29
  I kind of like Angry Richard. I don't like that the whole
• 1:31
  thing's an ad, but well. Yeah, we'll.
• 1:33
  Drink an Angry Orchard as we watch it.
• 1:35
  Maybe, I don't know, I have to watch it.
• 1:38
  I'm reserving judgement until. Then yeah, yeah, yeah, OK.
• 1:41
  Well, with that out of the way, I have our poll results for last
• 1:44
  week's movie. Yay, polls last.
• 1:46
  Week we talked about Hatchet 2, which has a little slasher known
• 1:52
  as Victor Crowley, and we wanted to ask everybody who do you want
• 1:56
  him to fight? Because it seems like he is the
• 2:00
  type of guy that's primed to fight to go toe to toe with
• 2:03
  another horror icon considering his franchise is filled with
• 2:06
  them. He's angry, he's angry, he wants
• 2:08
  to fight. He's angry and he's not in an
• 2:10
  orchard, he's in a swamp. Yeah, that's a lot.
• 2:13
  That's like the orchards. That's the swamp of the South.
• 2:17
  That's the Orchard of the South. Yeah.
• 2:19
  OK, so we have three options. We have Jason Voorhees,
• 2:22
  obviously. Yeah, candy man.
• 2:24
  And a leather face, kind of obvious.
• 2:27
  We had a Leatherface in the movie there.
• 2:28
  Yeah. So between the three of them,
• 2:30
  62% went Jason to be the Match, 8% would like it to be Candyman,
• 2:35
  and 31% Leatherface. OK, so here are my thoughts on
• 2:40
  this. I've been thinking this over for
• 2:42
  the past 18 hours. So a lot of thought.
• 2:46
  So I would love the idea of him fighting Jason Voorhees because
• 2:51
  that's Kane hotter versus Kane hotter, and that's really funny.
• 2:53
  First of all, I would like to see how they go about filming
• 2:56
  that. Also that.
• 2:57
  We kind of got Victor Crowley versus Leatherface because he
• 3:02
  already put up the biggest fight against him.
• 3:04
  He did, but he was without chainsaw.
• 3:07
  That's true. And then finally, because you
• 3:10
  brought this up, you're like, well, it also doesn't even make
• 3:13
  sense because Kaney man's a ghost.
• 3:14
  And I was like, so is Victor Crowley.
• 3:17
  That's true. He's a repeater.
• 3:19
  So I'm kind of leaning towards Ghost V ghosts.
• 3:22
  I actually like that too, now that I think about it, because
• 3:25
  yeah, ghosts versus ghosts. Like you can get some freaky
• 3:28
  battles going on there. I want to see Candy Man stick
• 3:31
  the bees on Victor Crowley. Do we think Victor Crowley
• 3:34
  doesn't like bees? Like we know he's not bothered
• 3:36
  by spiders, but do you think of bee is a different situation?
• 3:39
  I don't think he likes anything. I think he hates everything,
• 3:42
  including bees. He doesn't care that they
• 3:44
  pollinate. Oh man.
• 3:45
  He does not care about that. What is going to happen when
• 3:48
  your swamp ecosystem can no longer sustain itself?
• 3:51
  Victor. He's.
• 3:52
  Too consumed with vengeance and anger and yeah, he doesn't have
• 3:59
  time for any of that. He's he's reliving the worst day
• 4:02
  of his life. And what's he going to do when
• 4:04
  they pave his swamp and put up a parking lot?
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  He's going to terrorize that strip of the town.
• 4:10
  I can't wait for that to happen. That's going to be a fun new
• 4:12
  movie. Welcome.
• 4:14
  OK. All right, So that's it then.
• 4:15
  I guess we can go on into our Texas Chainsaw coverage.
• 4:18
  Yeah. Yes, we can.
• 4:20
  From, from. I had to do these notes on my
• 4:24
  tablet this week and it was trickier than I expected, so
• 4:28
  we're gonna go with it. But just know I had
• 4:31
  difficulties. Much like Texas Chainsaw, we
• 4:33
  modernized. Yes.
• 4:35
  OK, so Text Chainsaw 3D released January 4th, 2013.
• 4:41
  The studios didn't even want to give this a chance.
• 4:44
  Dude, you said January 1st. January 4th. 4th OK, well that
• 4:48
  was that was around the time 3 release.
• 4:51
  It was a birthday movie for you. I remember January 12th that
• 4:54
  movie came out in the 12th. That just might be the year or
• 4:57
  the month that Texas Chainsaw lives. 3.
• 4:59
  Weather Face Texas Chainsaw Massacre 3.
• 5:02
  Oh, OK. I was like, I thought you meant
• 5:05
  in 2013. And I was like, I don't know
• 5:06
  what you're talking about. OK, We watch it on our DVD
• 5:10
  because we have most of these on physical media.
• 5:13
  But you can stream it on Plex, Peacock, YouTube or YouTube TV,
• 5:18
  the prime versions of those or Prime Premium.
• 5:22
  You can also rent it from Google TV, Apple TV or Fandango at
• 5:25
  home. Written by a lot of people, Adam
• 5:29
  Marcus, Deborah Sullivan, Kirsten Elms, Steve and Sesko.
• 5:33
  And obviously, this is based on characters created by Kim Hinkle
• 5:37
  and Toby Hooper. Adam Marcus sounds familiar to
• 5:40
  me. And that came up last night.
• 5:41
  And that's why. OK, I I knew it as soon as I saw
• 5:44
  the name. I just want to confirm it.
• 5:45
  He's the guy that wrote Jason Goes to Hell and directed it.
• 5:49
  Yeah. So if you guys hate that movie
• 5:51
  and this movie, that's probably the common thread right there.
• 5:54
  That's probably why we love this.
• 5:56
  Movie. Yeah, Actually, yeah.
• 5:58
  Directed by John Lewis and hop music by John Frizzle.
• 6:02
  And I want you to know I checked the soundtrack, only one Trey
• 6:07
  Songz song. So it's singular.
• 6:10
  It's not Trey's songs, it's Trey song.
• 6:13
  Yes, that's unfortunate for him. Special effects makeup KMB.
• 6:17
  Yeah, I think that they've kind of just like they're part of the
• 6:21
  franchise at this point. Starring Alexandra Daddario as
• 6:24
  Heather Miller, Dan Yeager as Leatherface, Trey Songz as Ryan,
• 6:29
  Scott Eastwood as Carl, Tanya Raimondez, Nikki Sean Soups as
• 6:34
  Daryl Karam, Maliki Sanchez as Kenny, Tom Berry as Sheriff
• 6:39
  Hooper and Paul Ray as Bart Hartman.
• 6:43
  Bart Hartman. Bart Hartman.
• 6:44
  Bart Hartman. I think Bart Hartman's a better
• 6:47
  name. Bart Hartman.
• 6:49
  What if he just like, didn't close his A one day and
• 6:53
  everybody started calling him Bert and his real name's
• 6:55
  actually Bert? That's a fear he has to live
• 6:58
  with. Drevis, it's time for our
• 7:01
  favorite game. Budget or budget?
• 7:05
  I think this is budget. Absolutely.
• 7:09
  Roughly 20 million. That's a lot of money for this.
• 7:11
  Opening weekend 21 million. Worldwide gross 47 million.
• 7:16
  Oh, I didn't do as good as I would have thought.
• 7:18
  I know it's. Still not bad.
• 7:19
  I mean, it made twice this budget.
• 7:20
  Yeah, yeah, that's true. It's not bad.
• 7:23
  I picked 3 movies from 2013. OK.
• 7:25
  The theme is the things family will drag you into.
• 7:30
  Interesting. OK.
• 7:31
  The first one is Oculus. Oh man, yeah, that's a fucked
• 7:35
  up. Family right there.
• 7:36
  Yeah. That premiered at the Toronto
• 7:38
  International Film Festival on September 8th, 2013.
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  Budget of 5 million. Worldwide gross of 44 million.
• 7:45
  IMDb score of 6.5 out of 10. I didn't give you the IMDb score
• 7:48
  of Texas Chainsaw 3D, did I? No, it's rude.
• 7:53
  I I would assume so. 4.8. Yeah, 4.8 Come on guys.
• 7:57
  Like it's at least in the fives. Yeah, be that nice at least, you
• 8:01
  know. OK, second movie Carrie.
• 8:07
  OK, yeah, Kerry, another fucked up family.
• 8:09
  Yep, that. Released October 18th, 2013, $30
• 8:13
  million Budget Worldwide Gross 84,000,000 IMDb 5.8 out of 10.
• 8:18
  People like that one. How are people rating the 2013
• 8:22
  Kerry 5.8 The Texas Chainsaw 3D 4.8 a whole point lower just.
• 8:26
  For like I want to provide context from me on this.
• 8:30
  I watched that version before any other version and I didn't
• 8:33
  even like it. Whenever I saw it, I was like,
• 8:35
  this isn't good. And I get the the version that
• 8:37
  people probably aren't going to like this that are into the
• 8:39
  original too. Yeah, the original is amazing.
• 8:42
  Well, now we are talking about a remake that is widely beloved by
• 8:47
  original lovers and that is Evil Dead.
• 8:50
  Oh yeah, Evil Dead. It's a really good.
• 8:52
  Remake yeah, that's right, that released April 5th, 2013.
• 8:56
  Budget of 17,000,000 Worldwide gross of 97,000,000.
• 9:00
  IMDb of 6.5 out of 10. Yeah, that, that tracks right
• 9:03
  there. Guess what?
• 9:05
  What 1 tag line? OK, just one.
• 9:08
  I think if it's 3D it should be at least three tag lines.
• 9:11
  Yeah, you like a minimum. You need at least three.
• 9:13
  Yeah. We're not going to come up with
• 9:15
  three, so I'm going to immediately be a hypocrite.
• 9:17
  OK. So, you know, we don't have to.
• 9:20
  Evil wears many faces. I actually kind of like that.
• 9:25
  Like. Not bad.
• 9:26
  How have we not had this tag line for any movie in this
• 9:30
  franchise so far? It's so fitting.
• 9:35
  I feel really weird right now. I have, I'm using a like a new
• 9:39
  chair because my chair that I've been sitting on for the past few
• 9:42
  months, it broke through. I sat all the way through it, so
• 9:46
  we now did the funeral for it. It's out there on the curb and I
• 9:49
  had to bring in one of our folding chairs or a little.
• 9:52
  It's a camping chair. Yeah.
• 9:53
  Camping. Yeah.
• 9:54
  And I am so much lower than Jesse.
• 9:56
  I feel like a child. Yeah, he's like looking down on
• 9:58
  him over my shoulder. Like what you doing down?
• 10:00
  There, the dynamic has shifted and I really do not care for it.
• 10:04
  Yeah. OK, I have some fun facts.
• 10:07
  OK, we'd we watch some of the behind the scenes on the DVD.
• 10:10
  There's actually quite a bit available, but I just went with
• 10:14
  some of the the more like leatherfacey and special
• 10:17
  effectsy stuff. Yeah, those are fun.
• 10:19
  I like those the most. Yeah, so they really wanted a
• 10:22
  big guy to play Leatherface because Leatherface is a big
• 10:26
  guy. But the producer said, But I
• 10:28
  don't want like, a wrestler or a football player, someone who's
• 10:31
  in shape, because Gunner Hansen had a belly.
• 10:33
  So we found Dan Yeager. He's 6 foot six, he has belly
• 10:38
  and he's got scary eyes. You know, and that's like,
• 10:41
  that's a great way to cast that character.
• 10:43
  Yeah. I think I wouldn't be mad if
• 10:44
  they turned him into a giant like they did with Michael Myers
• 10:47
  and his remake. And I know this isn't a remake,
• 10:49
  but like, you know. Like the big of Michael Myers
• 10:52
  and the. H2O.
• 10:55
  H2O. Yeah, I like this.
• 10:57
  Yeah, give it like, make it true to him.
• 10:59
  He was like a big belly dude. Yeah, and I like it cuz Dan
• 11:02
  Yeager actually like you could tell he, he says that he ripped
• 11:06
  off Gunner Hanson's work and that is such a put down to
• 11:08
  himself because he clearly put a lot of thought and study into
• 11:12
  everything. And he met Gunner Hanson and
• 11:14
  Sally Hardesty or Sally Hardesty, Marilyn Burns.
• 11:18
  He met them both on set because they both had roles like small
• 11:22
  roles as well. That was my first time learning
• 11:24
  that she was in this. Yeah, she was the grandmother.
• 11:26
  I had no idea until. Today.
• 11:29
  And Gunner Hanson plays Boss Sawyer at the beginning, who
• 11:32
  tells Drayton to just give the boy a boy.
• 11:34
  Yeah, but he like, he was geeking out the whole time, so
• 11:39
  excited about these. And he's like just talking about
• 11:41
  how much the first movie meant to him.
• 11:43
  And he's like, you know, his whole thing is his family.
• 11:45
  He's always been used as an object by other people.
• 11:47
  And now it's like, what does he do?
• 11:49
  And he's taking all this very seriously.
• 11:51
  And he's like listening to the things Gunner Hansen's telling
• 11:53
  him. And then he's also like
• 11:55
  characterizing it cuz he's like, you know, his foot gets hurt at
• 11:57
  the end of the original. And so then he's been living in
• 12:00
  a basement for 20 years. He's not going to be walking
• 12:04
  completely great. So he gave him like a stiff leg
• 12:07
  gait and his right foot turned out and he was like, you know,
• 12:10
  it really hurts to film 14 hour days like that.
• 12:13
  I can see that. I'm a little bit sad that he's
• 12:15
  not doing the Dewey walk. He could have lifted that one
• 12:17
  from old David Arquette, you know.
• 12:19
  But David Arquette was a wrestler and they said no,
• 12:22
  that's. True.
• 12:22
  He takes a chainsaw. You're right.
• 12:25
  Yeah. Yeah.
• 12:27
  His whole thing, by the way, I feel like they were teetering on
• 12:31
  almost like mockumentary levels of his coverage because like,
• 12:35
  he's like, yeah, like, I are you.
• 12:37
  Are you about to talk about that?
• 12:38
  How at the end it started to seem like we're going to watch
• 12:41
  like a cold case reenacting because he's like, you know, I
• 12:46
  was surprised at how dark it got because I'm playing this
• 12:49
  character and hearing these women scream for their lives
• 12:53
  just really made you want to cut him up with a chainsaw even
• 12:56
  more. And then like it like it cuts to
• 12:59
  like a like a like with his dialogue talking about that him
• 13:03
  just like standing on set, like waiting in between takes and he
• 13:06
  just has like these fucking dead eyes.
• 13:07
  He was just like, he's thinking about murder in that moment
• 13:11
  right there. And it's real.
• 13:12
  Like I feel like people need to be concerned about this guy.
• 13:16
  He did not act like he. Was just why we're not meeting
• 13:18
  Dan Yeager at conventions. Yeah, he's like, I can't be in
• 13:21
  that headspace. He seemed like a really cool guy
• 13:23
  and if he was like actually putting this on as like a like a
• 13:25
  funny bit. I really.
• 13:27
  Yeah, like he. Yeah, it seemed good.
• 13:30
  Like I. No, I yeah, I don't think he
• 13:32
  actually would. Have no, no, no, no.
• 13:33
  Like he got way too into his character.
• 13:35
  'S head. I was like watching that behind
• 13:37
  the scenes footage. I was like, I feel like I
• 13:39
  stepped into like a modern day sitcom like Parks and Rec or The
• 13:43
  Office here, you know? Yeah, but it was really cool.
• 13:46
  And the. So I'm gonna get into talking
• 13:49
  about the masks a little bit. So we're getting into some of
• 13:51
  this. They first of all had three
• 13:53
  masks that they made. They really only described 2 of
• 13:55
  them for us, but one of them had to be like his favorite pair of
• 13:58
  slippers. You know, his cozy, comfy thing
• 14:00
  that he wears around the house. Yeah.
• 14:02
  And then they needed the scary one for the slaughterhouse, and
• 14:05
  they wanted to do some new things with it.
• 14:08
  They wanted to update it. And these guys that were working
• 14:11
  for KMB, they were so excited. Just both huge Texas Chainsaw
• 14:16
  fans and so excited to be assigned to this.
• 14:18
  Yeah. And so they were thinking really
• 14:20
  hard about the mask and they were giving it some updates that
• 14:22
  they thought would really both look really cool on screen, be
• 14:26
  true to the original, and also maybe be a little bit of an
• 14:28
  improvement because the older masks were always super stiff.
• 14:31
  They made these a little bit more flexible so that way Dan
• 14:34
  would be able to show more of his facial expressions, work
• 14:38
  with it a little bit more. They made it so that way it
• 14:41
  tightens kind of like a bootstrap on the back.
• 14:44
  And they wanted to make it easier for him to get on and
• 14:46
  off. And some of those things that
• 14:47
  they did to compensate for like the tighter fit, it was molded
• 14:50
  to fit his face specifically. They had this detail of him
• 14:54
  sewing the mask onto his face. Yeah, that was a gnarly bit.
• 14:58
  Yeah, that was it was really gross.
• 15:00
  And there was a fun little like snippet of Gunner Hansen saying
• 15:04
  we saw them doing that and I was just like, man, why don't we
• 15:08
  think of that for mine? Nobody will ever beat the
• 15:11
  original mask though. That mask is probably one of the
• 15:13
  most terrifying masks out there. Yes, and they did recreate that
• 15:17
  for the opening scene. Looked a little bit off.
• 15:20
  It looks, yeah, it looks just a little bit too bright.
• 15:24
  A little bit too bright, but also the way I guess it's just
• 15:26
  like the thing like with Nick Castle, like, yeah, the Nick
• 15:30
  Castle nose effect, like it'll only fit him that way.
• 15:33
  Like you can't you put it on somebody else's head.
• 15:35
  It doesn't fit the same. Yeah, just a couple of other
• 15:38
  cool things that I saw. They actually had, like,
• 15:41
  different types of chainsaws for different types of things that
• 15:43
  they were shooting, which makes sense.
• 15:45
  But they had a completely rubber one that had, like, the ability
• 15:48
  to rig, like, smoke machines and stuff to it.
• 15:50
  It's completely rubbished. That way he could run through,
• 15:52
  like, the woods and on tracks and stuff like that without
• 15:54
  worrying about falling and actually hurting himself.
• 15:56
  That's smart. Yeah.
• 15:58
  And there were several deaths that were rewritten, which
• 16:01
  rewrites are never surprising when we have as many writers as
• 16:04
  are listed here. But one of the big things was
• 16:07
  Kenny's death ended up getting rewritten.
• 16:09
  He didn't even know the actor. Karam didn't even know what his
• 16:14
  death was going to be until it was like being shocked.
• 16:17
  He's like, yeah, we're just doing like, death by 1000 little
• 16:20
  tortures. And eventually what they ended
• 16:23
  up doing was giving him the cut and half chainsaw kill because
• 16:26
  they didn't have a chainsaw kill written.
• 16:28
  Oh, really? Yeah, they didn't have a
• 16:31
  chainsaw kill prepared. And they're like, we can't call
• 16:33
  this a Texas Chainsaw movie without Chainsaw Kill.
• 16:37
  Even in the new beginning had one.
• 16:39
  Yeah, so we had that and we also had Trey Songz death was
• 16:45
  tinkered with quite a bit because he was always going to
• 16:47
  die in the car crash, but the way they were wanting to do it
• 16:51
  kept switching around. So at first they're doing a full
• 16:52
  body cast of them and then they just needed head and neck and
• 16:55
  they were going to put that in the crash.
• 16:57
  And they're like, no, we're just going to have Trey like on the
• 17:00
  ground and he's going to do this, but you already have the
• 17:02
  cast of his head. We'll take that.
• 17:05
  We're going to put it in a bucket in the cellar.
• 17:07
  OK, Yeah, I do remember seeing that head.
• 17:09
  Yeah. OK, well, that makes sense.
• 17:11
  Yeah. So those are those are the main
• 17:15
  like little factoids I got about this.
• 17:19
  OK. And that's all.
• 17:19
  Good stuff, right? There, Yeah, yeah.
• 17:21
  I thought it was all pretty interesting.
• 17:23
  I would have kept going but my tablet was giving me fits and I
• 17:29
  had the potential to lose the stuff I already had written down
• 17:32
  so. Yeah.
• 17:33
  That's why we're doing this way this week.
• 17:35
  That's OK, it works just fine all right.
• 17:39
  Now I guess we go on to good, bad, ugly and absurd serving
• 17:43
  with. You OK?
• 17:45
  All right. So, yeah, we have hyped it up
• 17:48
  this entire time. Jesse and I are fans of this
• 17:52
  movie. There are things to enjoy about
• 17:54
  it. I think I'm seeing a lot of
• 17:55
  people coming around on this one.
• 17:57
  Yes, we had some good conversations with some of our
• 17:59
  friends about it last weekend too, and they're like a lot of
• 18:02
  things that we hadn't thought of before too, so I'm really
• 18:04
  excited to. It was more positive than I was
• 18:06
  expecting to be honest. But like the first thing that I
• 18:10
  like about this is this is the one, the first one to do like
• 18:13
  the legacy sequel with like the aged up villain slasher icon and
• 18:20
  like Halloween 18 did it. I feel like it gets all of the
• 18:25
  credit for it. But I think we need to give this
• 18:27
  movie credit for doing that too, because I thought that that was
• 18:29
  actually pretty well done. And I I like the way that they
• 18:33
  handled it in this one. I I mean, it does kind of
• 18:36
  confuse the whole timeline even more because we, we've created a
• 18:40
  brand new one again. But you know, I, I, I like what
• 18:44
  they did with it. Yeah, if we're gonna excuse
• 18:46
  Halloween for doing that, then. But The thing is, Halloween was
• 18:50
  way more consistent. Like there were, there are
• 18:53
  splitting timelines, but there's not as many as there are in this
• 18:56
  franchise and we're already getting another one.
• 18:59
  I'm just saying in terms of the like legacy.
• 19:02
  Oh yeah, characters. Yeah.
• 19:04
  Another thing I I like the chainsaw chases in this movie.
• 19:08
  I feel like they did a really good job with it.
• 19:11
  That's the thing that I feel like was missing in the last one
• 19:15
  and the last few to be fair. Like the remake has decent ones,
• 19:19
  but this one right here. I love that scene of him chasing
• 19:23
  Heather out of the house into the graveyard and then I get
• 19:26
  leads all the way to the road, all the way to the amusement
• 19:29
  park. I love that we kind of right or
• 19:33
  wrong with him attacking the van cuz how many versions of this
• 19:37
  movie have we seen the final girl getting away at the end And
• 19:39
  he just kind of like grazes the car and he's like, yeah, but
• 19:42
  this time he was like actually digging in, Got the wheels.
• 19:46
  He learned his lessons and I appreciate that.
• 19:50
  Like another good thing that I liked about that scene, I don't
• 19:52
  know, there's just so much about that is I like that.
• 19:55
  Like he tried to ran his way through the gate and it didn't
• 19:58
  work. Yes.
• 19:59
  That was so cool because like you expected to just bust open
• 20:02
  like in movies but no like no it fucks up your car.
• 20:05
  I kind of like it too because both of them are like no, give
• 20:07
  the gate room to move and Ryan's like Nah, I'm just going to bust
• 20:11
  through it. I also love that we finally let
• 20:15
  Weatherface shine by himself. It's not the family that's still
• 20:19
  in the spotlight for him. This time we actually get to see
• 20:22
  how does he operate on his own and like he's still the same.
• 20:26
  He doesn't need the family there giving orders for him to be like
• 20:29
  this. And you don't need to have like
• 20:30
  the cook and the dinners and shit like that for him to have
• 20:33
  his time. Like he like, I like how they
• 20:36
  did that. He goes, he gets these people,
• 20:38
  he takes them to his basement and like people keep fucking
• 20:41
  with them and he keeps like getting them like.
• 20:43
  I think it ultimately he is still consistent because he is
• 20:46
  attacking people that are breaking into his house.
• 20:51
  He doesn't realize that one of them owns the house.
• 20:53
  He doesn't know, but to be fair, she didn't follow the one simple
• 20:57
  direction. She had to read the letters.
• 20:59
  And he was so clear about that, too.
• 21:01
  He's like read the. Three times he's like, be sure,
• 21:04
  be sure to read it. Verna Vera thorough.
• 21:06
  She explains everything in this letter and that's the first
• 21:09
  thing he says when they meet up at the bar.
• 21:11
  Like a little shit. He's like, did you not read her
• 21:12
  letter? Whoa.
• 21:14
  Valid question. It is.
• 21:16
  And yeah, like, I mean, I just, I like that.
• 21:19
  Yeah. And I, I just think the movie
• 21:22
  moves at a really good pace. Like, really you think like,
• 21:25
  like when you get to that scene of him chasing them, like it
• 21:28
  just doesn't stop. Like, it goes from there.
• 21:31
  Like, it goes into the town and then the cops go over.
• 21:33
  Like I I think it all just flows so nicely.
• 21:36
  Yes, I think that's the thing that a lot of movies around this
• 21:39
  time frame kind of like suffered from because it's like we're
• 21:42
  trying to add too many plot points like they this and this
• 21:44
  and this and this and this. And re watching this last night
• 21:46
  I was pleasantly surprised at how simple it really was.
• 21:50
  Yeah, me too. Like, I mean, it all makes
• 21:53
  sense. It's not like all outlandish
• 21:54
  shit. Like people like came to his
• 21:56
  house, he chased them away, went into the amusement park and then
• 22:00
  like went back and then the cops go and investigate and, you
• 22:02
  know, like it. It just all naturally falls into
• 22:05
  place. And I don't know, I liked it.
• 22:07
  I thought the story was actually really good for a sequel.
• 22:11
  Yeah. Good flow, good runtime.
• 22:12
  Just I like this movie man. Yes, I agree.
• 22:16
  So one of the things that we've talked about with a lot of these
• 22:19
  sequels, as much as we love them, there's before a lot of
• 22:22
  them, there's not a lot of variation.
• 22:23
  Somehow they get to this town, they get broken down, family
• 22:27
  captures them, they have dinner, get tortured a little bit more.
• 22:31
  There's a little bit of variations on the theme.
• 22:34
  I think obviously we could point out a couple that deviate more
• 22:36
  than the others, but that's been the same general gist.
• 22:38
  And this is this is such a nice, right?
• 22:41
  Yes, we're still getting them to the town, but things are
• 22:45
  different now. First of all, this family is not
• 22:47
  the only family in town. The whole town is evil, but
• 22:51
  they're evil different from the Sawyers.
• 22:53
  I love that twist. It kind of makes the Sawyers
• 22:55
  into the good guys in the end, you know?
• 22:57
  Like as we've been singing since 1973, kind of on Teen
• 23:02
  Leatherface. Don't go into a stranger's
• 23:04
  house, yeah? Exactly.
• 23:05
  Yeah, and now this, like, it even adds to that bit of lore,
• 23:10
  and I think that's just so great.
• 23:12
  I like that we still have the family ties, though, because
• 23:15
  that is such an important part of it.
• 23:16
  Like, I'm glad that it's Leatherface gets to be like the
• 23:20
  leader of his own thing because he's, you know, just by himself.
• 23:24
  It's. Yeah, it's an interesting to
• 23:25
  like explore that because it's always, I feel like everybody's
• 23:29
  always under the impression that he's under the direction of
• 23:32
  other people and like now like you get to see him on his own.
• 23:35
  Like how does he handle operating by himself?
• 23:38
  And to be fair, he was on his own for most of the first one.
• 23:40
  He got left home alone and he just wanted to like he had
• 23:43
  strangers coming to his house and he was like what the fuck?
• 23:45
  He's remember his little sad staring out the window that we
• 23:48
  talked about. One of the most heartbreaking.
• 23:50
  Moments. I also like that this one is
• 23:53
  really explicit about the makeup and the clothes and the shoes.
• 23:56
  Like we've always had that Pretty Woman mask.
• 23:58
  We've always talked about it. It's always been there.
• 24:00
  But I like that. Like this movie is trying to be
• 24:01
  like, yes, no, this is an important piece of this
• 24:04
  character. Yeah.
• 24:05
  And I like that we put it there and I just do this movie is
• 24:10
  campy in all the right ways for me.
• 24:12
  Like we get to this fair and people are like a mixture of
• 24:16
  scared, but also like I'm going to go get my cotton candy.
• 24:19
  She like climbs the Ferris wheel.
• 24:21
  It's so it's like the most impractical way to try and get
• 24:25
  away. But also you're in a fair, like
• 24:26
  we're going to take advantage of the Ferris wheel.
• 24:28
  It's so it's really fucking funny.
• 24:29
  We have so many parking lot like pedestrian car hits, hit and
• 24:36
  runs. They're not really running
• 24:38
  though, but like the number of pedestrians because I get hit in
• 24:40
  the parking lot in this movie is higher than it should be.
• 24:45
  The fucking newspaper just being with the police evidence.
• 24:49
  I know, yeah. You know what?
• 24:50
  Newspaper who thinks is police evidence unless it's like
• 24:53
  actually evidence. It's not like they have it in
• 24:55
  there as a recap of the things that happened.
• 24:57
  This sound is not ran like most times and.
• 25:01
  Bert is just like he's a whole other level, like he is chewing
• 25:06
  on his lines. I love it so much.
• 25:09
  And then at the end his death is extra funny because technically
• 25:13
  a chainsaw death but also not really cuz Leatherface uses the
• 25:16
  chainsaw to cut his hands off. So he falls into the grinder and
• 25:19
  then just his little yeah kicking the hands down after it.
• 25:24
  What the whole do you think 'cause?
• 25:26
  It's not only that. Yeah, there's like a couple of
• 25:28
  lines that like, like I think I like a lot of initial reactions,
• 25:32
  like, oh, this is bad. But I lean towards the campy
• 25:35
  too. Like when Nikki, like, shoots
• 25:37
  the shotguns. Like welcome to Texas,
• 25:38
  motherfucker. Hey, he lives in Texas.
• 25:41
  You are now you're. You're welcome to.
• 25:43
  Texas. That would have been a better
• 25:45
  line. I'm welcome to Texas.
• 25:46
  Motherfucker. Just put this shotgun through
• 25:48
  there. Like it also not only does it
• 25:50
  like you're firing at them, but you're also confusing them.
• 25:53
  Like what the fuck is she talking about?
• 25:54
  Yeah, so I just, I this movie is just fun, and that's all I want
• 26:00
  from a Texas Chainsaw movie. I want fun, and I get that from
• 26:04
  this. Yeah.
• 26:05
  OK. Alright, some bad stuff.
• 26:07
  Yes. I feel like in the beginning,
• 26:11
  the amount of callbacks that we get to the original, it is a
• 26:14
  little excessive and it kind of took me out of it every now and
• 26:17
  then, like here's an armadillo, here's the butt shot, here's
• 26:20
  like all of this. You know what I mean?
• 26:22
  I even made a note. I was like red short butt shot.
• 26:24
  Yeah, it's just like, I get it. This is a sequel to The Texas
• 26:27
  Chainsaw. We understand, we know like it.
• 26:29
  Every other movie has done that at this point.
• 26:31
  Like, OK, let's, let's let this movie stand on it's own for a
• 26:35
  little bit. We don't need all of these,
• 26:37
  like, gratuitous callbacks and stuff like that.
• 26:40
  And the final thing is I think Heather's Whiplash character,
• 26:45
  Whiplash is it's a lot like she's suddenly, as soon as she
• 26:50
  learns she's a Sawyer, she's like, oh, I'm unhinged, I got a
• 26:52
  knife. I'm going to like start stabbing
• 26:54
  through the cop car. And, you know, I fully embrace
• 26:58
  being like a cannibal killer family person, you know?
• 27:01
  Yeah. And it's just like, you need to
• 27:03
  process that. Like she's read the newspaper
• 27:07
  about how her family was. She's like, all right,
• 27:09
  understand the whole family history.
• 27:10
  I know my role in this. So I'm going to be crazy now
• 27:15
  pretty much that. It's just it comes out of
• 27:16
  nowhere. It's it comes out of nowhere,
• 27:19
  but also like so she's been terrorized, chased by this guy.
• 27:22
  Then she talks to Farnes words. She's like, well, that's your
• 27:25
  cousin. And now she's putting together
• 27:29
  the pieces of what she read in the evidence, and that's when
• 27:33
  she decides, OK, we'll figure out Jed in a minute.
• 27:36
  Right now, all of these cops are trying to kill me, and they're
• 27:38
  also bad people. Yeah.
• 27:39
  Cops and mobs. Yeah.
• 27:41
  So I don't know. You're right.
• 27:43
  It would have been nice to have a little bit more growth with
• 27:45
  that. Yeah, it is just too sudden for
• 27:47
  me. For me, there were just a couple
• 27:50
  of things. CGI meat grinder at the end,
• 27:53
  you've got candy we didn't need. We didn't need that.
• 27:56
  That would be like something out of Buffy Season 2.
• 27:59
  It's. Yeah.
• 28:03
  I thought the beginning. Also, like the flashback
• 28:05
  sequence with the Sawyer standoff, it wasn't grimy enough
• 28:08
  for me. So what'll it be?
• 28:10
  Yeah, I wanted it to be a little sweatier and dirtier.
• 28:13
  Isn't it also weird that like in the original movie, it's just
• 28:17
  the three of them, but now suddenly they got a whole
• 28:19
  fucking flock of a family at their house?
• 28:21
  No, that's part of what I like about this movie, because it
• 28:23
  makes no fucking sense, but I'm still OK with it.
• 28:26
  It's just a lot. There's a lot of people, like
• 28:28
  suddenly the whole goddamn town is living in this house like
• 28:32
  that was, and it's the same day, like it's immediately after the
• 28:35
  event. So that movie and now
• 28:37
  everybody's there. Yeah and then the other thing is
• 28:43
  the boob tape on Heather's shirt at the end.
• 28:46
  And we were talking about this with Johnny from the Patreon
• 28:49
  last weekend. Hi Johnny.
• 28:51
  Like that scene her shirt getting split open was only just
• 28:55
  to show that scar. And first of all there are a few
• 28:57
  things that are not realistic. 1 is that the shirt would lay the
• 29:00
  way it is is clear scub boob tape on is keeping that shirt
• 29:03
  from I think that nipple. Well, I think like reason #1 why
• 29:07
  they did this is because they wanted to get some like
• 29:10
  Alexandria Daddario boob action. Which she's hot so.
• 29:14
  I get it. But also like, why are we
• 29:18
  ignoring the Texas Chainsaw staple white tank top?
• 29:22
  That would also show the scar right there.
• 29:25
  Like we there's a lot of better ways.
• 29:26
  Yes, yeah. For sure.
• 29:27
  It was just clunky and it felt very much like Alexandra's
• 29:30
  Dario's hot. And I'm like, yeah, we've been
• 29:32
  watching her on our screen, but I'm just.
• 29:35
  It's just like, yeah, like that shirt would not be covering the
• 29:39
  nipples. Yeah, it would not lay that way.
• 29:41
  It's just. Different like a.
• 29:45
  Do the Jessica Biel, is it Biel? Is she the one that was in the
• 29:48
  remake? Yeah.
• 29:49
  Do the route of like white tank top and get it wet if you need
• 29:53
  to desperately highlight reviews.
• 29:54
  That's true, that works really well too.
• 29:57
  So that's just, those are little moments that like Take Me Out in
• 30:02
  a way that like don't feel as fun and silly and can't be as
• 30:05
  some of the other things people complain.
• 30:07
  About yeah, yeah, I can feel about.
• 30:10
  OK, so some ugly stuff. Well, I think easy is the mob
• 30:15
  justice mentality that we get from the town folk there.
• 30:19
  Yes, they were right to be mad at those people.
• 30:22
  They're killing innocent people. I mean, yeah, they came to their
• 30:26
  house and walked in. I think that they would have
• 30:28
  left if you would have said, hey, get out of my house, you
• 30:30
  didn't have to chainsaw eat them.
• 30:32
  But you know, like you don't do your thing 'cause you can do
• 30:35
  that if you choose to, I guess. Alone, he was just protecting
• 30:39
  the house. I he was just doing what he
• 30:41
  knew. I get that he needs to use words
• 30:43
  instead of like immediate actions such as chainsaw chase
• 30:47
  E. You know, like instead of the E
• 30:50
  pray love is chainsaw chase E. That's all right.
• 30:55
  There's one of. There's one of our three tag
• 30:57
  lines. Chainsaw Chase E.
• 31:00
  Chainsaw. Or live, laugh, love, eat.
• 31:03
  Yeah, there we go. Not eat, pray, love.
• 31:05
  That's like a book or something, right?
• 31:06
  Yes. OK.
• 31:07
  And also like the end of the movie, again, probably second to
• 31:13
  the Leatherface panicking and the original that I feel sorry
• 31:17
  for. I feel sorry for seeing
• 31:19
  Leatherface get beaten down by the mayor and Otis or whatever.
• 31:24
  Ollie. And he's just like, he's got the
• 31:26
  whimpers, man. You feel bad for it and you
• 31:28
  learn that he has the mentality of an 8 year old and then it
• 31:31
  just makes you sad. His face is bleeding because
• 31:33
  they kicked his face. They don't know his mask is sewn
• 31:35
  to his face. But we know, so we know it's
• 31:37
  more than just. Like it hurts, man.
• 31:39
  It's a fresh wound, OK? He's still like, like you said,
• 31:42
  beauty is pain. Yes, and he is still feeling the
• 31:44
  pain from that beautiful face. I just felt so sorry for him
• 31:48
  there. And, you know, it works in that
• 31:51
  moment because you're supposed to, like, be in a weird way,
• 31:54
  rooting for him. Although, again, I always root
• 31:57
  for the killers in these movies. But yeah.
• 31:59
  I'm just team don't trespass so. OK, that's.
• 32:03
  Fair, I'm going to see your mob mentality and raise you one baby
• 32:09
  stealing. Yeah, baby's stealing another
• 32:12
  common thread in these movies. Yeah, this time they gets she
• 32:16
  gets stolen from the Sawyers. And because Newt is possibly the
• 32:20
  most corrupt police sheriff station we've ever like, I've
• 32:24
  never seen such incompetent sheriffs as we have in the Texas
• 32:28
  Chainsaw franchise. To be fair, the sheriff is
• 32:30
  awesome. The mayor is a fucking dirtbag.
• 32:33
  He does not have a lot of backbone.
• 32:34
  Against the mayor, though, he doesn't.
• 32:36
  But then again, like, you know, I think like, he's kind of got
• 32:40
  it stacked up against him. He's the only good cop there.
• 32:43
  And like the Mirror has everybody else on him, like, you
• 32:45
  know, he's going to get mobbed. I'm also going to say I don't
• 32:49
  like when Marvin went in the house and was saying things I'm
• 32:53
  not going to repeat about leather faces like clothes and
• 32:57
  makeup that he has in his room. You're in his room, man.
• 33:00
  You don't. Do you have a warrant?
• 33:02
  No, no. Probable cause leading inside
• 33:07
  the house. I think that that's fair.
• 33:08
  It's Texas. How do they know it wasn't like
• 33:11
  a slaughtered animal? Maybe the van with all the blood
• 33:15
  and chainsaw damage. Yeah, too much thought into this
• 33:21
  right here. You're right.
• 33:22
  Also Nikki and Ryan, and I like that.
• 33:24
  Like Heather just immediately doesn't even care because
• 33:28
  there's more things going on. I'm glad that she just glosses
• 33:31
  over it. She's so amazed by the house
• 33:34
  that she doesn't give a fuck that her best friend is having
• 33:36
  an affair with her boyfriend. Yeah, yeah.
• 33:40
  So those are my uglies. OK, well, let's move over to
• 33:44
  absurds. First off, I think it's pretty
• 33:47
  rude that the family and the cops are like, yeah, it's this
• 33:50
  is all Leatherface, right? Like everybody, the entire
• 33:53
  family had like dealings with the shit in the beginning.
• 33:57
  But when like the cop, the sheriff shows up at the house,
• 34:00
  he's like, just give me your son.
• 34:02
  You know what's Jed? You know, like, I think that
• 34:04
  that's a little bit, I don't know, like the, the people were
• 34:07
  like out in the open kidnapping people, like with a sack and a
• 34:10
  broom and shit like that. I don't know, I I think that
• 34:13
  that's a little bit weird. I think, what the fuck does this
• 34:18
  mean? Meat and carcass are Oh yeah,
• 34:21
  meat and carcass are run in the family.
• 34:24
  That's right, because. Oh, she's, she's working in the
• 34:27
  meat department and she does her little bone crafts.
• 34:29
  Exactly. Yeah.
• 34:30
  Like she was born to be a Cyrus, and she's working on me and
• 34:33
  she's got like, yeah, like bone art.
• 34:35
  Just like weather face. She takes after him.
• 34:37
  This movie hands lands heavily on the nature side of nature
• 34:42
  versus nurture. I had a final one, but I don't,
• 34:46
  I guess I got like distracted because all I wrote was leather.
• 34:50
  Didn't get what was I going for there?
• 34:53
  I don't know. Maybe it'll come to me as we
• 34:55
  talk about it. My observance are Bill Mosley
• 35:02
  calling Sally Hardesty bitch meat bitch.
• 35:06
  Meat. Yeah, he's like, you let that
• 35:07
  bitch meat get away. It's so gross.
• 35:11
  But it's also, I've never heard that phrase and it just like
• 35:15
  caught me off guard. Man, yeah, it's so actually just
• 35:18
  thinking about it, it's so weird.
• 35:19
  Like that entire scene, it's just nothing.
• 35:21
  But like previous cast members from all the other movies, it's
• 35:23
  a. Reunion.
• 35:24
  It's weird to see him be the cook, although I feel like he
• 35:26
  does do a good cook voice but seeing him.
• 35:29
  Yeah. Like looking at the cook from
• 35:31
  the first movie and then now seeing Bill Mosley, it's just
• 35:34
  like, too much of a physical difference for me.
• 35:37
  Yeah, they should have like given him some makeup or like a
• 35:39
  wig or something. Yeah, we know Bill Mosley will
• 35:42
  shave his head if he's asked to. Yeah, or just make him chop top,
• 35:45
  you know, like just throw a chop top in this opening and I think
• 35:47
  we'd all be happy. The worst sheriff department.
• 35:53
  They are terrible. Yeah, like newspapers, let's
• 35:56
  say. Evidence.
• 35:56
  Yeah. And then also there are moments
• 36:00
  when Jed is like hitting people with meat tenderizers and other
• 36:07
  such things, and he makes a sound that sounds like the big
• 36:10
  swamp in Super Mario 64. Yeah.
• 36:15
  And that just took me out a little bit.
• 36:19
  But those are my, those are my main absurds.
• 36:22
  All right. Well, I guess that means it's
• 36:25
  time for us to rate. Yeah, man, I think actually
• 36:29
  sitting down and taking notes and watching this movie
• 36:31
  seriously again instead of just throwing it on it made me
• 36:35
  appreciate it even more this time around.
• 36:38
  I've said it before, this is my comfort Texas.
• 36:40
  Chainsaw. It's a good one.
• 36:42
  I'm gonna give it an 8. I like this one a lot.
• 36:44
  All right, I'm giving it a nine. Fuck everybody that's making
• 36:48
  faces at their phones or computers right now.
• 36:50
  I love this movie. Damn.
• 36:53
  So 8.5 starting average. Suck it, IMDb.
• 36:57
  Yeah, it's like double your score, fucker.
• 37:01
  OK, cool. Let's talk about it.
• 37:03
  Let's talk. About it.
• 37:05
  So we start off, we've got a voice over of Sally recapping
• 37:09
  what happened in 1973. Units are called to the house
• 37:14
  and Drayton says that Jed was just protecting his house.
• 37:17
  Yes. OK.
• 37:19
  So we have to talk though. So we there's an alternate
• 37:22
  opening, OK, it's mostly the same with additional shots and
• 37:25
  some of the things restructured. I want everybody to know I told
• 37:28
  Travis last night that somewhere out there, the monkey paw that
• 37:33
  is assigned to me curled its finger out because I've been
• 37:36
  begging to know what happened to the truck driver.
• 37:39
  Oh, yeah. So in the theatrical edition, we
• 37:41
  don't see this. Like, it's like we in the
• 37:43
  alternate opening, it starts with Bill Mosley going into
• 37:46
  Weather Faces Lair, and he's like, you did this.
• 37:48
  And then the camera pans a little bit to the right and you
• 37:51
  see the trucker. He is on a meat hook.
• 37:53
  He died. He did not get away.
• 37:55
  And to emphasize is the point even more, they show his truck
• 37:59
  on the side of the road. Well, that was gonna be there
• 38:02
  the entire time that guy left that shit.
• 38:04
  He's like, fuck it, new career for me.
• 38:06
  I'm not gonna be a trucker anymore, or I'm just never
• 38:08
  coming to Texas again. Yeah.
• 38:09
  So he was not still running to this day.
• 38:13
  Our IP trucker. Which that was one of her polls
• 38:17
  too. Like if he like, like who's the
• 38:19
  fastest? And now I know that he's at the
• 38:21
  bottom because I go to face like dance in the street and still
• 38:24
  manage to go and catch up to him and bring him back.
• 38:26
  And we've already we established leather phase is not athletic.
• 38:30
  He had an injured leg in this moment here.
• 38:32
  He had a chainsawed and he still caught up to that guy and killed
• 38:36
  him. And he had probably like he had
• 38:38
  a chance to go a long way. But yeah, that's just sad, man.
• 38:42
  I I hate that monkey paw for sure.
• 38:44
  Girl, I do want to say that I like the the editing of this
• 38:49
  alternate opening a little bit better.
• 38:51
  Yeah, I think it's a. It flows a little better for.
• 38:53
  Me, you get some more scenes, just a little bit more.
• 38:56
  Yeah, I did. I think I liked it a little bit
• 38:58
  better too. But yeah.
• 39:00
  So the sheriff arrives, yeah, call us for real.
• 39:03
  Other face to come out. And then the family just decided
• 39:06
  amongst themselves like, yeah, like just give him other face.
• 39:09
  Like he's not. Right.
• 39:11
  And I like Drayton's, like I'll send him out, but he's getting a
• 39:13
  good lawyer. And the sheriff who they have de
• 39:16
  aged with a very badly done wig that they just slapped a hat on
• 39:21
  top of so they didn't have to try and make it like.
• 39:23
  Yeah, yeah, they did a bad job for both.
• 39:25
  Of them I wish they'd just done the saw backwards cap.
• 39:29
  I just wish they'd done that with.
• 39:31
  It as a sheriff, yeah, I guess they're the whole cop like
• 39:36
  department yeah, like they're kind of informally dressed
• 39:39
  anyways, they're wearing blue jeans, you know yeah, yeah.
• 39:43
  So they decided, yeah, they're gonna, you know, send them out,
• 39:45
  but everything. Everything was going to be fun,
• 39:48
  but then Bert Hartman or Bart Hartman, Bart Hartman,
• 39:52
  whichever. You Bart Hartman now, because
• 39:54
  he's about to hurt a man. That's how he chance.
• 39:58
  That's what, yeah, that's how he goes since the mode right there.
• 40:01
  It's it's like, and I still know what you did last summer.
• 40:04
  Where Ben's son? Yeah.
• 40:06
  Hi, Dad. Yeah, they they ride in with
• 40:11
  their mob and they're like, I heard he he killed him.
• 40:15
  So they're like, fuck it, we're going to torch this house.
• 40:18
  We got Molotov cocktails. We're going to throw it inside
• 40:21
  the house and we're going to start a shootout.
• 40:24
  And that's what goes down. The Sawyer family pretty much
• 40:27
  gets obliterated. They're all on fire.
• 40:30
  Are not very good shots. No, they're pretty terrible.
• 40:32
  I don't think they hit a single person.
• 40:34
  Yeah, they're. It's bad.
• 40:37
  And yeah, the house burns down and they think that they killed
• 40:41
  everybody and it's now night time and they're all digging
• 40:46
  through the ashes. One of them finds a chainsaw.
• 40:48
  He's like, I'm going to put this over the bar, which has this
• 40:51
  whole bar decoration. I'm not going to lie.
• 40:53
  But it's also evidence, yeah. But this is again, like, it's
• 40:57
  OK. We'll we'll replace it with a
• 40:58
  newspaper. Yeah, it'll be fine.
• 41:00
  Yeah, and the newspapers, they're taking a photo of them
• 41:03
  like, yeah, we're, we're super happy about this.
• 41:05
  Newt's a fucked up town, people. Yeah, I didn't even think the
• 41:08
  check is in a real place. I mean, I'm kind of curious.
• 41:11
  I I I'm sure it probably isn't, but Texas is a big state, so.
• 41:15
  It is. That's true.
• 41:16
  Newt, Texas. It's a region in.
• 41:22
  No, it's fictional. No fictional.
• 41:24
  I started reading too. Really.
• 41:25
  OK. Well, OK, so it's just that
• 41:27
  makes sense. One of the guys goes over to the
• 41:31
  side and is just kind of looking around the property and then he
• 41:34
  finds hidden is a mother and her baby.
• 41:38
  The mother is half dead, She is burnt pretty badly and she's
• 41:42
  holding the baby to her chest. And he said, OK, it's good, it's
• 41:47
  good, she's all right. And then he kills the woman
• 41:49
  just. Kicked her face.
• 41:50
  I thought it was maybe a knockout, but apparently it was
• 41:52
  enough of an impact to kill her. Right.
• 41:54
  She was not doing well. Yeah, that's true.
• 41:55
  She was barely hanging on. Then we cut to Oh well, we do
• 42:01
  see first that the baby has a burn on his chest, yes.
• 42:04
  Then we cut to meat packaging in the.
• 42:07
  The Modern. Area the deli section of a food
• 42:11
  store. Yeah, I feel like her ancestors
• 42:15
  would be a little bit sad. That's not like a classic
• 42:16
  slaughterhouse. She's just in like the daily
• 42:18
  department. She's.
• 42:19
  Making do with what she has, there might not be a
• 42:20
  slaughterhouse in the town she's in.
• 42:22
  That's true. We don't even really know where
• 42:23
  she is right now, I don't think. It's implied she's not in Texas.
• 42:28
  Definitely not because like I I guess I don't know actually
• 42:32
  because like, no, because the whole thing that's.
• 42:34
  The thing about going to New Orleans?
• 42:35
  Well, that's the thing. So like I was going to say,
• 42:37
  they're like, we're going to go to New Orleans.
• 42:40
  We need to make a pit stop in Texas.
• 42:42
  If you're going to Texas, you've gone past New Orleans.
• 42:45
  It depends on which way you're going though.
• 42:48
  I guess it's true. So are they on the western side?
• 42:50
  I don't. I guess I don't know.
• 42:51
  It's weird, you're right. I don't know.
• 42:53
  I feel like in any case, they were planning this four day road
• 42:57
  trip for Halloween in New Orleans.
• 42:58
  Yeah, and I feel like 4 days probably wouldn't be enough for
• 43:03
  this road trip regardless. No, probably not.
• 43:05
  Yeah. No, along with a pit stop in
• 43:08
  Texas which they they don't have that planned yet.
• 43:11
  First we have to meet Nikki and learn that she is best friends
• 43:15
  with Heather and Heather and her boyfriend Ryan set Nikki up on a
• 43:20
  blind date with one of his high school band buddies.
• 43:22
  Now was this marching band or did they have a band that played
• 43:25
  like teenage shows and in houses?
• 43:28
  Well, I think it's like that kind of band because I the I
• 43:32
  rationalized them having the van as him being a band guy.
• 43:35
  Like that was his band. So like, OK, we're gonna, this
• 43:37
  is how we're gonna get a van. You know the classic van for the
• 43:39
  Texas Chainsawk movie? I really like how multifaceted
• 43:42
  Kenny is as a character who we get almost no screen time for.
• 43:45
  Kenny was my favorite character, yeah.
• 43:47
  Honestly, he makes crepes. That's his go to move to impress
• 43:50
  a woman. And honestly, if somebody made
• 43:52
  me crepes, I'd be like, shit, I don't even know if I can make
• 43:54
  crepes. I don't even still understand
• 43:57
  the crepes, it's too foreign of a concept for me.
• 44:00
  I've never been treated by a man to some crepes in the morning.
• 44:04
  I'm so damn dude you're making me feel inadequate here and I'm
• 44:07
  already in the tiny. Chair.
• 44:09
  Yeah. Tiny chair.
• 44:10
  No grape hat, no crate paving. I know.
• 44:14
  I feel all bad. Yeah.
• 44:17
  So we now see her at her house. She's doing her weather face
• 44:22
  inspired art she. Just brings the bones home from
• 44:24
  work. And that is so fucked up.
• 44:28
  And then Ryan's like I thought we agreed we wouldn't bring our
• 44:31
  work home with this. Good.
• 44:33
  Yeah, Yeah. I think that that's a fair thing
• 44:35
  to say there, Ryan. Yeah.
• 44:37
  But can you? Imagine if I just started
• 44:39
  bringing bones home from work and you'd be like, what's that?
• 44:40
  I was like, I got something from work and you'd be like, what?
• 44:42
  No, what? No.
• 44:44
  Well. I think I'd be even more
• 44:45
  concerned considering where you were.
• 44:47
  Can you start bringing Bones home?
• 44:49
  It probably wouldn't be good, but she's got some mail and she
• 44:54
  opens it and it's her grandmother has passed away.
• 44:57
  Hold on. But first, before she even reads
• 44:59
  the mail, we have a moment of Ryan saying he loves her weird
• 45:03
  little birthmark on her chest. Yeah, cuz they're about to have
• 45:05
  some sex or something, yeah. Or something.
• 45:09
  I don't know. Yeah, I don't know what people
• 45:11
  can do in this situation. Yeah, so she reads and she's
• 45:14
  like, OK, well, I guess I need to go down to Texas now.
• 45:19
  Yeah, cuz her grandma died and he said I thought all your
• 45:21
  grandparents were dead. And she's like, yeah, Yep, so
• 45:24
  did I. So she goes and talks to her
• 45:26
  parents, who reveal that. They're not the bio parents.
• 45:30
  They say she was adopted, which I guess in the loosest of terms
• 45:34
  is true. Yeah, I mean, it sounds better
• 45:37
  than you were stolen. I mean, she's young right now.
• 45:41
  I have to assume she's like 2021 or so.
• 45:44
  So she probably hasn't been in a situation yet where she has
• 45:46
  needed her birth certificate. Yeah, but this, this was gonna
• 45:49
  get blown wide open at some point anyway.
• 45:52
  Yeah, that's true. Yeah.
• 45:53
  And her family kind of sucks. Like he, the dad is like, yeah,
• 45:58
  if I had, if I mind, I would have left you there.
• 46:00
  Your, your family was shit. It was a shit pile.
• 46:03
  We saved you from a shit pile, basically.
• 46:05
  Yeah, he also says, oh, your mom's uterus is fucked.
• 46:08
  Yeah, and the mom, the mom immediately jumps on the
• 46:11
  defense. He's like, what are you don't
• 46:12
  think we're good parents now, Huh.
• 46:13
  Huh. Huh.
• 46:14
  I was like, no, nobody said that.
• 46:15
  I just want to know the story of my real parents, that's all.
• 46:17
  But what is? But when she comes back, she
• 46:19
  chills around. She's like, I always thought
• 46:20
  those people were fucking weird. Yeah, yeah.
• 46:23
  And this is where he, she says. I got a pack, but I got to go to
• 46:27
  Texas, not New Orleans. And then surprise, Nikki and
• 46:30
  Kenny are there. Ryan knew she'd want to go deal
• 46:33
  with this. So they're going to go to Texas
• 46:35
  all together as a group before going to New Orleans.
• 46:37
  And I think that's a good friendship moment.
• 46:39
  It is, yeah. So we're seeing them in the van.
• 46:43
  They're Rd. tripping. They're doing like the most
• 46:45
  cliched and. Yeah, party time with bopping to
• 46:49
  some Trey Songz Yeah Trey song. Is this the Trey song?
• 46:54
  We there were two instances where like this could be one of
• 46:56
  Trey songs. I don't remember which song it
• 46:59
  was. That was definitely Trey Songz
• 47:01
  and like I recognized it from. Oh, it was later days.
• 47:04
  It was the later one, yeah. Yeah, so it's not this one.
• 47:07
  They are now on a gas station. This is my favorite Kenny moment
• 47:10
  because like they go like the 2 girls go in and get the snacks
• 47:14
  and then Ryan's like they're like hey it's okay.
• 47:17
  Like yeah that's a lot of snacks but I use your card and then
• 47:20
  Ryan's like oh that's okay because I use Kenny's card for
• 47:22
  the gas. He just turns like wait what the
• 47:24
  fuck? Where'd you get my card from?
• 47:25
  Man, that's not cool. I thought you're gonna say your
• 47:28
  favorite Kenny moment was him hitting this drifter in the
• 47:31
  parking lot. No, I just.
• 47:32
  Like the way that he delivered, like, hey, man, that's not cool.
• 47:35
  It was so authentic. Like, that's how I would react
• 47:38
  in that. Like, yeah, it was funny.
• 47:39
  It endeared me to him. And then also him running over a
• 47:43
  man endeared me even more because he drives and hits the
• 47:46
  hitchhiker. Also, why was the hitchhiker
• 47:49
  walking right in front of this van that had its lights on and
• 47:51
  was clearly about to start driving?
• 47:53
  I've always thought it was a calculated move.
• 47:55
  Yeah, I mean, I assume it is because he uses that.
• 47:58
  He was like, he's like, I won't see if y'all will give me some
• 48:00
  food or a ride. I'm going to Shreveport.
• 48:05
  And they're like, well, we got to go to Texas before we go to
• 48:07
  New Orleans. And he's like, that's fine,
• 48:09
  that's fine. So they let him in.
• 48:13
  We got a hitchhiker in the movie now.
• 48:15
  And he's not. He's not cutting people or
• 48:17
  taking inappropriate photos at this point.
• 48:19
  That's true. He's actually like, you know,
• 48:21
  having good chitchat with him in the the van there.
• 48:26
  So they get to the address that she was given and the lawyer
• 48:29
  pulls up. I think it's also ridiculous
• 48:31
  that new population of 2306. That's a lot more people than I
• 48:35
  would expected for this small ass town.
• 48:37
  I grew up in a town smaller than that.
• 48:39
  I'm glad that we actually have more townspeople in this, though
• 48:43
  I can't emphasize enough how nice it is to have somebody
• 48:46
  other than the Sawyers. It is nice to actually explore
• 48:49
  the city a little bit, like it's not just nothingness.
• 48:52
  Yeah, I agree with you there. And I like, you know, people
• 48:55
  assuming that they're there for the fair because that probably
• 48:57
  is the most exciting thing happening in Newt right now.
• 49:00
  So it's like, why else would you be here?
• 49:01
  Yeah. Yeah.
• 49:02
  But the lawyer pulls up and he's got all this stuff for.
• 49:06
  He says Verna was the solid of the earth.
• 49:07
  Not super popular around here, but I think she was pretty cool.
• 49:10
  Also, the house is yours. This is your place now if you
• 49:13
  want it. But the trust says you cannot
• 49:15
  sell it, so I don't know what happens.
• 49:17
  If she doesn't want it, it's. Illegal.
• 49:19
  Can you really make it? Like you can have it, but you
• 49:20
  can't sell it? I feel like that's like.
• 49:23
  I don't know how trusts work, but I know that they're pretty
• 49:26
  intense, so maybe so the gate? The code to the gate is O 819.
• 49:35
  Texas Chainsaw. Day right, August 19th.
• 49:38
  So he gives her a letter from Bruno, says make sure you read
• 49:41
  this. He says it about 10 times.
• 49:43
  He smacks her on the face with the envelope, rubs it under her
• 49:47
  nose. Reads it to her, but she's
• 49:49
  spaced. Out.
• 49:49
  Yeah. And gives her keys.
• 49:52
  There's keys to like all of the doors in the house.
• 49:53
  He's like, she was pretty particular, pretty safe about
• 49:57
  things. So they Kenny drives the van
• 50:02
  down the driveway and everybody else is just walking.
• 50:05
  I don't know why. I really don't either.
• 50:08
  It's because we needed to get the classic red Jean short ass
• 50:11
  shot from Nikki. Walking up to a house, although
• 50:14
  we've already got, like, there's a couple of those shots in this
• 50:16
  movie. Yeah, it's not just this one
• 50:18
  time. It's like they wanted to have
• 50:19
  like options for it and they ended up just liking all.
• 50:22
  Everybody likes an ass shot. Yeah, it's fast and furious.
• 50:25
  Yeah, I mean, and again, I'm not trying to objectify them, but
• 50:29
  Heather and Nikki, they are hot. So so they get in there and
• 50:34
  they're all like super impressed.
• 50:35
  The house looks really nice. I love how furnished it is.
• 50:38
  This is another piece that I love about this movie because it
• 50:41
  adds complexity to the Sawyer family because you've also got
• 50:44
  the Carson's. And I like to imagine Verna was
• 50:47
  like, she didn't like how Grammy and dirty the Sawyers are.
• 50:51
  And she's like, I'm going to take Sweet Jet in.
• 50:52
  I'm going to show them how it's nice to have a clean home with
• 50:55
  new furniture. I am so impressed.
• 50:58
  Like it's gay did now. Yeah, it's a fucking mansion.
• 51:01
  It is amazing. They have a wine cellar.
• 51:03
  Yeah, like this is a bougie fucking.
• 51:06
  House it is. This is what you have always
• 51:09
  asked about. When you're like, how rich are
• 51:10
  these people? And you see this, you're like.
• 51:12
  Now that the Carsons are rich, yes.
• 51:14
  Yeah, that was where the money came from.
• 51:16
  Yes. So everybody's going around,
• 51:18
  they're playing pool, listening to records while Heather visits
• 51:23
  her family graveyard. Because apparently the
• 51:25
  friendship support only goes so far is actually making it to the
• 51:28
  house. Yeah, do your grieving by.
• 51:30
  Yourself, you're bringing us down, Heather, Go go cry out
• 51:34
  there. And it's weird because like she
• 51:35
  sees her grandma's grave which is freshly dug, which is
• 51:38
  confusing because later it will not be dug.
• 51:40
  I was wondering about that too. Because we will find out later,
• 51:44
  Verna's body is actually still inside.
• 51:46
  Yeah, I know. I was confused about that too.
• 51:48
  Like did he dig up the body and put it up there while she was?
• 51:52
  Gone. I don't know.
• 51:53
  Yeah, I don't know. So.
• 51:55
  You're trying to like, it's like, hey, I watched this cool
• 51:56
  movie Halloween, and this guy did this thing where he put a
• 51:59
  body in a bed and it just seemed like a fun idea.
• 52:01
  OK, no, I'm going to call you out a little bit too, because we
• 52:04
  watched Fast and Furious 7 last night and we saw little Letty's
• 52:10
  tombstone. Yeah, dumb was about to bash
• 52:12
  the. Tombstone.
• 52:12
  And you were like, keep it as a souvenir.
• 52:15
  And I was like, OK, Michael. Maybe I was a little bit, you
• 52:19
  know, tainted by Michael's behavior in that movie.
• 52:22
  I grew up and watched it a little bit too much.
• 52:24
  But I think it would be cool to have your own tombstone as a
• 52:26
  decoration in the house. It's pretty awesome.
• 52:29
  I think it's pretty cool. Hope you are ready for the
• 52:31
  weirdest birthday gift ever next year.
• 52:33
  I would get a twin size bed and make that my headboard.
• 52:38
  Like honestly it would be amazing.
• 52:40
  OK. Every bit.
• 52:42
  Oh, and she sees her mom's grave.
• 52:44
  That's the point I was trying to get to.
• 52:46
  Yeah, yeah, yeah. Well, what she assumes is her
• 52:48
  mom. I don't think she knows her
• 52:49
  mom's name. It's like right next to Verna's
• 52:52
  and I think it's like kind of it's like beloved daughter or
• 52:57
  something. So I think that's that's what
• 52:58
  we're supposed to extrapolate from it.
• 53:00
  Yeah. Well, yeah, we'll get.
• 53:01
  Confirmed because especially because date of death is August
• 53:03
  19th. Yeah, OK.
• 53:06
  Which would. Be the day after the Texas
• 53:08
  Chainsaw Massacre, because that happened the 18th.
• 53:11
  Did it they've they keep referring to it as the 19th?
• 53:14
  That's the day that the whole family was killed.
• 53:16
  It's the day after the sweater. Hold on.
• 53:18
  You're right. Yeah, the slaughter was on the
• 53:21
  18th and then everything kind of took place that next morning
• 53:24
  with the cops and all. The 18th, 18th.
• 53:27
  OK, so the day after. That's a weird.
• 53:29
  Thing that's but that's when the family gets slaughtered.
• 53:31
  The the mob didn't come until after like this this the
• 53:35
  massacre happened the day before.
• 53:36
  Yeah, yeah, OK, you're right. You're.
• 53:38
  Right mob was the day at the next day.
• 53:39
  OK, OK, we're all clear now. All right, whatever.
• 53:43
  Anyways, they are gonna go get some food from town and they're
• 53:46
  letting the hitchhiker, I don't remember his name, Daryl.
• 53:50
  Daryl. But he does this in a way where
• 53:53
  it seems like he's gonna get into the van with them.
• 53:55
  He says that he's gonna spring her steaks for them because
• 53:57
  they've been so nice to him. And he seems like he's about to
• 53:59
  climb in the van. And he goes.
• 54:00
  I'm gonna go clean up in the house.
• 54:02
  I'll hang out here. Yeah, and they're like, sure.
• 54:05
  Yeah. Like we just met you.
• 54:06
  We'll leave you here in the house.
• 54:07
  I'll. Just met you, just found this
• 54:09
  house. Don't have a an itemized list of
• 54:12
  everything that's in here. Certainly not insured.
• 54:15
  So they drive off and he takes this opportunity to ransack the
• 54:19
  whole place. He's digging up all of like the
• 54:21
  fixins and everything. And then he finds a secret.
• 54:24
  Door I like how he knocks the candles off the candlesticks and
• 54:27
  just takes the candlesticks yeah like the it's such a like nice
• 54:32
  nicely choreographed movie that the.
• 54:34
  Actor does he? It's really smooth.
• 54:35
  I'm curious how he determine what's of value.
• 54:38
  But you find a secret hidden door.
• 54:42
  You enter that door. He's doing a Jean Valjean in
• 54:44
  LES. Yeah, so he, he, he goes into
• 54:47
  the door, the secret door, and he explores the lair and he sees
• 54:53
  that they have a fucking wine cellar, which is pretty crazy.
• 54:57
  Into the wrong. Room wrong place, wrong time.
• 55:00
  Weather face right there hits him with a hammer and starts
• 55:02
  bashing his head. Yeah, and they had made a like a
• 55:06
  mold of his head and shoulders. They wanted him making like a
• 55:09
  face. So they had the hit to his head
• 55:12
  with a foam meat tenderizer and then they use a real tenderizer
• 55:16
  with a fake head and shoulders that they like put some cuts
• 55:20
  into and filled with blood. They didn't want it to be a huge
• 55:22
  blood splatter, but they wanted blood to come out.
• 55:24
  So they had one shot to get it right basically because of the.
• 55:28
  That was one of the things like seeing in that shot, that scene,
• 55:31
  like behind the scenes, it was so well lit, but then bright.
• 55:35
  And then in like it cut to the actual footage and it's so dark.
• 55:39
  They had to have done some like, editing to get it like that
• 55:42
  because yeah, it was. It shocked me.
• 55:45
  Yeah. Meanwhile, in town, Ryan is in
• 55:48
  the freezer section and Nikki comes and just grabs his crotch
• 55:51
  in. Well, he didn't seem into it.
• 55:54
  No, he said, Nope, we're not doing that.
• 55:56
  She was. Nobody's watching it.
• 55:57
  And he goes, listen, that was one time I had about 18 comic
• 55:59
  causes. And she's like, you were begging
• 56:02
  for it. And he's like, well, not now.
• 56:03
  Yeah, now I'm begging you to stop.
• 56:05
  Yeah, and Heather's out there getting some charcoal.
• 56:10
  I guess we're going to do some. Grilling.
• 56:11
  Yeah, I think it was like wood chips, like, you know, like
• 56:14
  Mesquite chips or something. That's what I think.
• 56:16
  That's what I assumed was happening.
• 56:17
  Yeah, and she's out there. And then one of the deputies
• 56:21
  stops by and gives his advice on what the best 1 is.
• 56:24
  Deputy Carl. Carl Little Mr. Nobody.
• 56:28
  Little. Nobody.
• 56:30
  And he's doing his best to put it on the moves.
• 56:32
  And she's like, he's like, hey, So what are you here for the
• 56:36
  fair? And she's like, no, I'm here for
• 56:38
  a house warming party, you know, house off of whatever St. has to
• 56:42
  go. Dead way or something?
• 56:43
  Yeah, pretty generic. He's like, oh, that's the old
• 56:45
  Carson house. And he's like, not anymore, it's
• 56:47
  my house. She's like and I guess I, I
• 56:49
  guess I am a Carson so. Yeah, I guess so.
• 56:52
  That's when Bert hops in. He's the mayor of this town
• 56:54
  because of course he is. He said, oh, my family and the
• 56:57
  Sawyers go way back. How about I take that place off
• 57:00
  your hands? And she was like, no thanks.
• 57:01
  He's like, sure, just name, Name the proud.
• 57:03
  And then he's like, oh, you're heart balling me, Huh?
• 57:05
  So your opening offer was to take it for free?
• 57:08
  Come on, man. Yeah.
• 57:10
  Oh, you want money for? All right then, All right.
• 57:13
  Look at Little Miss Richie Rich right here.
• 57:17
  She was right to get weird vibes from him right off the gate.
• 57:19
  She's like, I'm gonna hop in the van.
• 57:20
  Bye, bye. He, just like he, comes across
• 57:23
  as evil. Yeah, he really does.
• 57:24
  He's slimy, Yeah. So they get back to the house
• 57:27
  and they see what they assumed is evidence that Darryl ripped
• 57:31
  them off. Which to be fair, no, not to be
• 57:35
  rude to the dead, but if he hadn't died he would have just
• 57:38
  ripped them off. So.
• 57:39
  Yeah, true. And it really takes absolutely
• 57:42
  no time for them to get over it because they realized he didn't
• 57:44
  really take anything of value. Except they're drinking out of
• 57:47
  red Sillo cups instead of whatever glasses are left in the
• 57:50
  house. Yeah, but it's also that age
• 57:52
  where you don't give a fuck. You're partying.
• 57:53
  It's party time. Everybody's like cooking or
• 57:56
  smoking some. They're jamming to some tunes,
• 57:59
  playing pool, and Heather is just wandering the house.
• 58:01
  She sees family photos, and she realizes that the scar on her
• 58:05
  chest matches the S necklaces that all of the Sawyer women are
• 58:09
  wearing. Kenny finds the hidden door in
• 58:12
  the kitchen. He said, yo, guys, there's a
• 58:14
  Butler's pantry. He's so excited.
• 58:17
  Again, Kenny's probably the best character.
• 58:19
  In this movie, yeah. And he he wanders down there and
• 58:23
  he sees where Daryl's stuff is kind of just throwing all around
• 58:27
  the room. So he's asking, he's like
• 58:28
  hollering out for Darrell. And as he is there he sees
• 58:33
  Weatherface and he tries to run away, but Weatherface has a hook
• 58:36
  and he hooks his back and drags him down the stairs.
• 58:38
  Yeah. And the actor said that he like,
• 58:41
  there was no faking the shot because the camera needed his
• 58:44
  face, so he had to actually get pulled down the stairs.
• 58:46
  And he said he was like, bumping his elbows a lot.
• 58:48
  They offered to give him like they had made a prosthetic like
• 58:52
  sleeve. And they were like, you put this
• 58:54
  on your arm if you want to kind of give your elbow with some
• 58:57
  padding. Yeah, yeah, that that hurts.
• 58:59
  Yeah. So yeah, there's bye, Kenny.
• 59:04
  We'll miss you in the rest of this movie.
• 59:06
  Yeah, well, he's still alive. We'll see him again in a little
• 59:09
  bit. He.
• 59:09
  Won't be meaningful. No.
• 59:12
  Yeah. Nikki Bussen.
• 59:14
  And she tells Ryan like he needs to come see something.
• 59:15
  It's so fucked up. Oh, my God, it's so fucked up.
• 59:18
  It's so fucked up. So they get out to the barn and
• 59:22
  she's like, it's under that bucket, It's under that bucket
• 59:23
  in there. It's so fucked up.
• 59:24
  Just look, Just look. And it's a bottle of tequila in
• 59:27
  two shot glasses. And then he turns around and
• 59:29
  she's like in her underwear and she's like, tells you it's
• 59:31
  pretty fucked. Up.
• 59:33
  Oh yeah, man. Get it?
• 59:35
  This is where Heather walks into a room and meets Grandma Verna.
• 59:41
  Yeah, I was like really confused for a second, I guess.
• 59:44
  Now I bet you've like you've brought everything up and I'm
• 59:47
  now putting together like he must have got the body and put
• 59:50
  it up there while they were gone.
• 59:52
  Yeah, well, because he is alone for the first time ever,
• 59:56
  basically. You had somebody come to his
• 59:57
  house. Somebody come in.
• 59:58
  So he just wanted his grandma there to keep him safe.
• 1:00:01
  Yeah, I guess it makes. Sense and he comes from a house
• 1:00:03
  where they keep a mummified grandpa so.
• 1:00:06
  But he's still alive. Barely.
• 1:00:08
  Barely, but he's still alive. He was at the shootout also if
• 1:00:12
  you guys aren't paying attention.
• 1:00:13
  That's true, yeah. But yeah, so he just poor little
• 1:00:16
  guy just panicked and went and got grandma out of the.
• 1:00:19
  Yeah, I guess you do feel a little bit bad.
• 1:00:21
  So she freaks out and she heads downstairs stairs into the
• 1:00:25
  kitchen, and she finds Weather Face just kind of in there,
• 1:00:28
  chopping up a hand. And now he's like God damn it,
• 1:00:31
  why does this happen to me always?
• 1:00:34
  Fucking time. And then?
• 1:00:36
  He or just trying to protect my house.
• 1:00:39
  Yeah, So she runs out the door, he grabs his chainsaw and we got
• 1:00:42
  a chase on our hands, people. She runs out.
• 1:00:44
  No. No, no, no, no, no, no, no.
• 1:00:46
  She comes into the kitchen and he's like God damn it.
• 1:00:49
  And all this again. And knocks her out, knocks her
• 1:00:50
  out, drags her down to the where.
• 1:00:52
  That's right. Yes.
• 1:00:53
  And she comes to and she says Kenny.
• 1:00:55
  And Kenny's like, because then he gets cut in half by a
• 1:00:59
  chainsaw. Yeah, he is our only true
• 1:01:02
  chainsaw. Kill this movie.
• 1:01:03
  It's still sad, you know you need the chainsaw action in
• 1:01:06
  these movies man. More chainsaw kills.
• 1:01:08
  I think the threat of the chainsaw is enough to be scary
• 1:01:10
  though for me honestly. That's true.
• 1:01:12
  The sound and the chase is pretty good on its own, yeah.
• 1:01:16
  So she she manages to get loose while this is happening.
• 1:01:22
  So she runs upstairs. Oh, I didn't even, I didn't even
• 1:01:25
  make my joke that I made to you last night.
• 1:01:28
  It's right here in my notes. Now's your chance.
• 1:01:31
  Oh my God, thank you. He killed Kenny.
• 1:01:33
  Killed Kenny, that bastard. She runs out and he chases her.
• 1:01:40
  Yeah. And this is where she goes and
• 1:01:41
  hides in Grandma Vernon's coffin.
• 1:01:44
  This is, I remember, this is the first scene that they released
• 1:01:48
  when this movie was coming out. And whenever I saw this, I was
• 1:01:51
  like, fuck yeah. I am excited for this movie
• 1:01:53
  because I love this moment. Like he goes out, chases her
• 1:01:56
  into the graveyard, she hides in the casket, he chainsaws into
• 1:02:00
  the casket somehow. Manages to avoid her long enough
• 1:02:04
  for Nikki and Ryan to stop their sexing and say hey, what are you
• 1:02:10
  doing chainsawing in a graveyard this late hour?
• 1:02:13
  And this is when he comes running for them.
• 1:02:16
  They put a wooden board in the doors of the barn, which I said
• 1:02:20
  he's got a chainsaw that won't stop him, immediately followed
• 1:02:23
  by him sticking the chainsaw through the door.
• 1:02:25
  Being like I've got a chainsaw, this won't stop me A.
• 1:02:28
  Bunch of dummies. And then Heather shoots him with
• 1:02:31
  a shotgun and says I'm welcome to text this motherfucker.
• 1:02:33
  Yeah. I wish.
• 1:02:37
  So they think that they got him, maybe.
• 1:02:39
  But then, whoa, a van drives right into the barn.
• 1:02:42
  It's Heather you. Know what is this?
• 1:02:45
  So Ryan immediately has to take over driving.
• 1:02:48
  I think Ryan's got like some deep seated misogyny.
• 1:02:52
  He's like, yeah, he's like woman driver.
• 1:02:55
  Not my getaway vehicle. Thank God damn it you drove into
• 1:02:57
  the barn. He's supposed to stay on the
• 1:02:59
  road. I gotta take over as always.
• 1:03:01
  And he takes, and I think part of this is him being
• 1:03:04
  self-conscious because like Heather busted through the barn
• 1:03:07
  doors so he feels like he needs to bust through the gate.
• 1:03:10
  And Heather, she's like, hold on, I'm just hitting the clicker
• 1:03:12
  so the gate will open. He goes no time for that.
• 1:03:13
  She goes no, like literally it's starting to open now.
• 1:03:15
  He goes no time, floor it floors it kills the van.
• 1:03:20
  Boom, right into the gate. I like this shot of weather face
• 1:03:23
  just like running down the long driveway.
• 1:03:26
  I also like his dedication. Like they're in the van.
• 1:03:29
  He's like, I'm going to get Jin's still chasing after and
• 1:03:34
  the van. It's not starting but.
• 1:03:37
  They the engines flooded or something and they eventually
• 1:03:39
  get it to start enough to back up.
• 1:03:41
  So I think he can open and then they drive out.
• 1:03:44
  But by this point Leatherface has caught up so he like
• 1:03:47
  chainsaws all down the side of the van and hits the tires.
• 1:03:51
  They are shredded. This causes the van to wreck I.
• 1:03:54
  Love that shot of him doing that and you're like, oh, they're
• 1:03:56
  getting away. Oh no.
• 1:03:57
  And then it's just like out of focus shot of them, just like
• 1:04:00
  flipping over. It feels very reminiscent of the
• 1:04:04
  new Final Destination movie. Oh yeah, like in the background.
• 1:04:07
  Yeah, we won't spoil it. Not gonna spoil anything, but if
• 1:04:10
  you know, you know, yeah. So Weatherface is going to go
• 1:04:13
  investigate. Mr. Ryan is dead.
• 1:04:16
  He died in the crash. They're 10.
• 1:04:19
  You know what? It's about time somebody died in
• 1:04:22
  a crash in these movies because too many people survived car
• 1:04:25
  crashes in the Texas Chainsaw movies.
• 1:04:27
  That's true. But at the same time, like, you
• 1:04:30
  know, like you miss a death, like a chainsaw death
• 1:04:33
  opportunity there, you know, like he's just dead now.
• 1:04:36
  It's a little anticlimactic, but.
• 1:04:38
  I like it though because there's something about Ryan like
• 1:04:41
  insisting he has to be the one to save the girls and he causes
• 1:04:45
  his own death. Yeah, yeah.
• 1:04:47
  He he wasn't really smart in this moment here.
• 1:04:49
  I also like Nikki in the van before they crash where she's
• 1:04:52
  like, where's Kennedy like that she.
• 1:04:55
  Actually care about him, yeah. That man made you crepes and
• 1:04:58
  you're out here doing tequila insects with Ryan and.
• 1:05:01
  She's a very selfish woman. Yeah, yeah.
• 1:05:03
  She wants her cake and she wants to eat it, and she wants her
• 1:05:06
  friend to serve it to her. Exactly.
• 1:05:09
  So Weatherface has chainsaw and all over the van now and Graze's
• 1:05:13
  Nikki Heather gets out of the van and wears Weatherface away
• 1:05:17
  the chaser through the woods. Yeah.
• 1:05:19
  So we got a wood chasing, which I I like those two.
• 1:05:22
  Those are good for this and they leads to an amusement park.
• 1:05:25
  And I fucking love this. Just like Child's Play 3.
• 1:05:27
  If you take kids, if you take a chase like this into the
• 1:05:30
  amusement park. I love that.
• 1:05:32
  It's so fun. It's like because it's the
• 1:05:34
  opposite of what you're expecting it to be.
• 1:05:36
  The only thing that would make this better is if we remembered
• 1:05:39
  that it was close to Halloween and we had more people dressed
• 1:05:41
  up. Yeah, As it is, we do have a pig
• 1:05:44
  mask. Pig mask The fact that
• 1:05:47
  Leatherface could have been pig net I.
• 1:05:49
  Know why? Why couldn't Deputy Carl has
• 1:05:52
  been there as a private citizen, You know, he's dressed up as a
• 1:05:56
  as a pig mess. I it was a missed opportunity,
• 1:06:00
  like honestly, but whatever I always like it also is like you
• 1:06:05
  can mix the two franchises here. Should you?
• 1:06:07
  Probably not, but you can. I'm not going to be mad about.
• 1:06:09
  It like it would be like. I know how you like do it.
• 1:06:12
  You just like the chain dot saw. Boom.
• 1:06:16
  That's the movie title right there.
• 1:06:18
  Yeah. Like, and what we didn't see is
• 1:06:20
  that Tobin Bell is actually on one of the little cars on the
• 1:06:23
  Ferris wheel. And like.
• 1:06:25
  He's like. Make a note of that.
• 1:06:27
  Yeah, he's like, I need to go to the police station later and see
• 1:06:29
  who this lady is. Cuz you don't, you don't climb
• 1:06:33
  Ferris wheels if you're an upstanding citizen.
• 1:06:35
  This this lady needs a pig nap and how dare you get chased by a
• 1:06:38
  homicidal maniac. Yeah, I was gonna say that's the
• 1:06:40
  thing that upsets him, not the fact that like there's a person
• 1:06:42
  chainsawing. No, it's that she interrupted
• 1:06:44
  the Ferris wheel with her own bullshit drama.
• 1:06:46
  Yeah, he's having a good time. He's like, do you know how many
• 1:06:48
  people have to face their death every single day?
• 1:06:50
  I've had to face my death several times.
• 1:06:51
  So many times, yeah. Yeah.
• 1:06:54
  So she another thing, it's weird that, oh, this is my absurd.
• 1:07:01
  This is what it was. Weather Face didn't get shot
• 1:07:03
  here. He's in Texas and people like,
• 1:07:06
  that's the place where everybody is armed.
• 1:07:08
  Yeah. How did nobody step up?
• 1:07:10
  Where's the fucking good man with a gun right here?
• 1:07:12
  You know what I mean? Didn't happen.
• 1:07:15
  Nobody shot him. Yeah, so Carl takes her back to
• 1:07:19
  the police station and. You missed the best part though,
• 1:07:22
  the part where he gets it's his getaway.
• 1:07:25
  He does the like the chainsaw toss in 3D at the the cop and it
• 1:07:30
  like is enough for him to just like do his little yeah like run
• 1:07:33
  into the woods. You know what I appreciate that
• 1:07:36
  this movie did 3D and for the most part you forget that it's
• 1:07:38
  3D. For the most part, yeah.
• 1:07:40
  But you have these moments right here and OK.
• 1:07:43
  I don't have, I have to make another divergent to this all
• 1:07:46
  franchise because we watched it in 3D the other day.
• 1:07:49
  Yeah. And the blood actually looks
• 1:07:51
  like blood. It's actually really good.
• 1:07:53
  It was a good experience. Yeah, it.
• 1:07:55
  Was a good experience but also how did it look so bad but we've
• 1:07:59
  got this maybe that was also made for 3D that.
• 1:08:02
  New technology. This is 2013.
• 1:08:04
  Five years. Also KNB doing the effects.
• 1:08:06
  Maybe that's true. Probably, that's definitely
• 1:08:08
  true. That whole we've talked about
• 1:08:11
  this. So the whole saw 3D shooting,
• 1:08:14
  production, everything was just. Why disaster?
• 1:08:16
  Yeah, OK. So yes, like you said, we get
• 1:08:22
  the chainsaw toss to the camera. We cut to the police station.
• 1:08:26
  Deputy Carl has taken, what's her name, Heather there.
• 1:08:30
  And Deputy Marvin is out of the crash site.
• 1:08:32
  So there's no victims on the scene.
• 1:08:34
  There's lots of blood and some chainsaw marks, and he sees a
• 1:08:37
  blood trail. The Sheriff Hooper says that he
• 1:08:41
  needs to stay with the van, and he is.
• 1:08:43
  Yeah, whatever. You're not my real boss.
• 1:08:45
  The mayor comes in and like I say, I'm going to have to tell
• 1:08:48
  you to go on in there some. Yeah, I'm gonna OK, let's talk
• 1:08:52
  about the Marvin part of this and then we'll talk about the
• 1:08:54
  Heather part of this because they're cutting back and forth
• 1:08:56
  between it. OK, So the Marvin part, like you
• 1:08:59
  said, he he wants, the mayor comes in on the radio.
• 1:09:04
  He tells Marvin to follow the trail of blood.
• 1:09:07
  And Sheriff Hooper says no, stand down.
• 1:09:11
  And the mayor says, you got your eagle on you, right?
• 1:09:14
  I don't feel like police stations issued Desert Eagles.
• 1:09:17
  This one does, yeah. I don't know man.
• 1:09:19
  That's where Bert puts all of the town budget towards is the
• 1:09:22
  police. Taxes go to that desert Eagles.
• 1:09:25
  Eagles. Yeah, I I like the fact that he
• 1:09:28
  also live streams this for them. Yeah, like it's pretty
• 1:09:31
  interesting, but they're like the.
• 1:09:32
  Type of thing that like we need to see horror movies embracing
• 1:09:35
  cell phones with. Yeah, well, people should on the
• 1:09:37
  next, not the next one, The one after the newest Texas Chainsaw
• 1:09:40
  for the live stream. Thing, but it's real.
• 1:09:42
  That's what would happen. It's true.
• 1:09:44
  Yeah. So, yeah, he's wandering down.
• 1:09:47
  He makes it down to the lair and he is like getting deeper and
• 1:09:49
  deeper. He sees weather, faces, bedroom.
• 1:09:53
  He's got a vanity. You know, he's got like a nice
• 1:09:56
  little set up in there. Yeah.
• 1:09:57
  He's got his makeup, his shoes, his dresses.
• 1:10:00
  And. It's all like, I'm glad that
• 1:10:02
  he's got a space where he is comfortable to be himself.
• 1:10:05
  Yeah, and then there's another room where he's comfortable to
• 1:10:07
  continue being himself, where he chops up his victims and there's
• 1:10:11
  all kinds of body parts and shit, and it's, it's bad.
• 1:10:14
  Yeah, so we see like the body parts from Trey, We see Kenny
• 1:10:18
  still there, and he goes over to the deep freezer and clearly
• 1:10:23
  this guy didn't watch any of the previous Texas Chainsaw movie.
• 1:10:26
  Because they all just pop up like that.
• 1:10:29
  He opens up the freezer and Nikki pops up.
• 1:10:31
  But like, I like this part. He's just like shoots her in the
• 1:10:34
  head. He's like, oh, Jesus.
• 1:10:35
  And then it's like the mayor's like, it's OK, it's OK.
• 1:10:37
  It didn't happen. Didn't happen it.
• 1:10:39
  Didn't happen, the phone gets disconnected and 1st like we
• 1:10:42
  didn't see anything. Yeah, none of this happened.
• 1:10:44
  Yeah. And then he gets killed.
• 1:10:46
  Marvin does. Yeah, it is.
• 1:10:48
  He gets killed by leather face. And leather face peels off his
• 1:10:52
  face, makes his new mask, right. And at the same time, he's got a
• 1:10:56
  copy of that photo of the mob from the newspaper slash police
• 1:11:02
  evidence file. And he crosses off Marvin's face
• 1:11:05
  and then puts his face on his face.
• 1:11:07
  And I love that. You know, I like the idea that
• 1:11:10
  that like everyone of them that he kills, he wears their face
• 1:11:13
  until he kills the next one. Yeah, I think that's a really
• 1:11:15
  cool detail. Yeah, I think it's it's poetic.
• 1:11:19
  And yeah, it's like he has his own little bulletin board where
• 1:11:22
  he's tracking down. And he even has, like, a picture
• 1:11:24
  of Sally on there, too. He's like, I'm gonna get her.
• 1:11:26
  She caused all this. Looks a lot like my grandma.
• 1:11:29
  That's weird. Yeah, that's a little bit.
• 1:11:32
  OK, so now over to the Heather events that were happening
• 1:11:34
  during this she so they. Carl brings her shirt because
• 1:11:39
  her little like punky emo shirt is covered in blood.
• 1:11:44
  And so she puts on this little button up shirt and then he
• 1:11:48
  takes her to talk with the sheriff.
• 1:11:50
  This is before they have called Deputy Marvin and he's like, and
• 1:11:53
  I pulled all the evidence from the from the Sawyer massacre and
• 1:11:57
  I also put the Carson files. So this is all here.
• 1:12:00
  And Carl knows what he's doing in this moment.
• 1:12:02
  We don't know it until later, but he knows what he's doing.
• 1:12:06
  He's trying to get her this this information so that way she
• 1:12:08
  knows why she's being killed later.
• 1:12:10
  You think that's what? She's doing.
• 1:12:11
  I think so. OK.
• 1:12:12
  I think that's what he's doing. OK.
• 1:12:14
  And then this is when the sheriff has to go deal with Bert
• 1:12:18
  and Marvin. So she's just sitting there
• 1:12:20
  alone. This is very scream three.
• 1:12:22
  You know where, Nevada. Going through the police files
• 1:12:24
  she's owned. The police files and she's
• 1:12:25
  reading all of this, this perfectly preserved newspaper.
• 1:12:29
  Listen, I don't care if that evidence box had been vacuum
• 1:12:34
  sealed. Newspaper falls apart like and
• 1:12:36
  weathers so quickly. It is insane that this like prop
• 1:12:41
  newspaper wasn't aged at least a little bit.
• 1:12:43
  Yeah, yeah, it's, it's perfect. It's got all the information she
• 1:12:47
  needs to. It's like she's just like, it's
• 1:12:50
  like all of these like quick shots of everything she's
• 1:12:52
  reading. But basically it's just like the
• 1:12:53
  family, like a list of who the family was.
• 1:12:56
  She realizes that it's like like who her mom is, like child
• 1:13:00
  unfound. Next time, her mom.
• 1:13:02
  Presumed dead. Presumed dead.
• 1:13:03
  They never found her body. She could be alive.
• 1:13:06
  I don't know, Maybe they were leaving that open for a future
• 1:13:10
  movie. But yeah, she gets all that.
• 1:13:13
  The baby was presumed dead. The baby was Heather.
• 1:13:16
  The mother was found deceased. It said found deceased, Yeah.
• 1:13:19
  OK, it said next to baby. Unfound.
• 1:13:21
  Presumed dead. OK, I was.
• 1:13:24
  Like, no, we know it doesn't need a sequel.
• 1:13:26
  We know where she is. She's right here.
• 1:13:28
  OK, OK. Forgive me.
• 1:13:29
  Forgive me. No.
• 1:13:30
  OK, little chair for life. Yeah, I'm banished to this
• 1:13:34
  chair. Yeah.
• 1:13:36
  So she's got all her information now.
• 1:13:38
  And she she. Had a penient red marker to
• 1:13:41
  write murderers across the newspaper with so that way she
• 1:13:43
  can leave and let them know that she knows.
• 1:13:45
  Yeah, cuz they they come back and she's gone and they find
• 1:13:48
  that Yeah, so. So that way she knows they know
• 1:13:50
  she knows they know. Exactly.
• 1:13:52
  So she goes to a pay phone outside and calls up old
• 1:13:55
  Farmsworth the lawyer. And he's like, hey, I told you
• 1:13:58
  to read this shit. I'm gonna tell you again for the
• 1:14:00
  50th time. Yeah, meet me at this bar so I
• 1:14:03
  can tell you in person again. So they meet up at a bar.
• 1:14:06
  And he's like, listen, I didn't read the letter myself, but
• 1:14:09
  Verna is a pretty detailed person and I would have assumed
• 1:14:11
  she would have just given you all the details about Jed.
• 1:14:13
  And she goes, I didn't read the letter.
• 1:14:14
  And he goes, well, you're stupid.
• 1:14:16
  Here's what you need to know about Jed.
• 1:14:18
  He is mentally stunted. I don't like the terminology for
• 1:14:22
  it, but. He has a mentality of an A year.
• 1:14:24
  Yeah, he's got. An intellectual disability
• 1:14:26
  disorder. So for him, because the last
• 1:14:32
  time he let a person get away, he lost his whole family.
• 1:14:36
  So unfortunately, even though he knows about you, he doesn't know
• 1:14:39
  what you look like or who you are.
• 1:14:41
  So he's going to keep coming after you until he gets you.
• 1:14:44
  You're going to need to find a way to let him know that you're
• 1:14:46
  actually his cousin. Also, the sheriff is going to be
• 1:14:50
  very ineffective at trying to stop the mayor from killing you
• 1:14:52
  because the mayor's going to get all of his buddies back together
• 1:14:54
  to kill you. Just so you know, I like that
• 1:14:59
  the mayor doesn't have like as big a group this time because we
• 1:15:02
  already know like Heather's parents moved that way from
• 1:15:05
  Newt. That's true.
• 1:15:05
  And, you know, some of them could have died.
• 1:15:07
  No, No. But yeah, it's a small crew.
• 1:15:09
  And they roll into the bar there, and Heather's like, OK,
• 1:15:13
  like, I got to go. And the Farnsworth guy
• 1:15:16
  intercepts and gets tossed on the table.
• 1:15:19
  He gets a. Horrible man.
• 1:15:20
  Yeah, he's just doing his job. He didn't do anything bad here.
• 1:15:23
  But she runs out through the back and she is running through
• 1:15:26
  the streets, gets hit by a car. It's not in the street, it's in
• 1:15:29
  the parking lot. In the parking lot in.
• 1:15:31
  The parking lot she gets hit by Ollie and she had taken a steak
• 1:15:34
  knife from the bar. What kind of parachute is this
• 1:15:36
  place serving? That's a good question.
• 1:15:38
  Is that just how Texas bars are? Apparently steaks all all over
• 1:15:43
  the place. But yeah, she uses it, stabs
• 1:15:46
  Ollie in the face and she she goes running, she flags down a
• 1:15:50
  cop car and it's Carl. And she's like, listen, they are
• 1:15:53
  trying to kill me. They beat up my lawyer.
• 1:15:56
  We need to go back and get him and and we need to go back to
• 1:15:58
  share Cooper. And they pass by the bar where
• 1:16:02
  the lawyer is outside very bloody and Bert is trying to
• 1:16:06
  clean up all these face and they don't slow down.
• 1:16:10
  And Heather's like stop, stop, stop.
• 1:16:13
  And then he gets a call from Bert, and Bert tells him to take
• 1:16:18
  her to the slaughterhouse. Yeah.
• 1:16:19
  And then he says, sounds good, dad.
• 1:16:23
  And she goes. And this is where she gets all
• 1:16:25
  like, Hannibal Lectry. Yeah, stabbed through the.
• 1:16:29
  Yep, She's just like, all right, I'm a, I'm a fucking Sawyer now.
• 1:16:32
  I'm a killer. She just embraces it fully.
• 1:16:36
  So she's up and the slaughterhouse, the cops drag
• 1:16:39
  her into there and they tie her up and Weatherface is cleaning
• 1:16:43
  up his own crime scene and he's willing in the cop car into the
• 1:16:46
  barn. Verna taught him how important
• 1:16:48
  it is to be clean and tidy. She's like, I don't care what
• 1:16:51
  kind of crafts you do with the carcasses, but you don't have to
• 1:16:53
  leave feathers and bones all over the floor.
• 1:16:55
  Yeah, so he learned to be tidy living with Verna.
• 1:16:58
  And, you know, it's for the best because as he's doing this, he
• 1:17:01
  overhears some police radio chatter and, like, meet us at
• 1:17:05
  the slaughterhouse. You know what to do.
• 1:17:06
  And then he's like. How are the slaughterhouse?
• 1:17:08
  And I love this. He's like, OK, I they're meeting
• 1:17:11
  there. This is my time for revenge.
• 1:17:13
  I need my special chainsaw. And he has a fucking gun rack of
• 1:17:16
  chainsaws. He goes over there, slides open
• 1:17:18
  the door. He's like, this is the good
• 1:17:19
  chainsaw that will do this job just fine.
• 1:17:22
  Gets it and starts walking. I.
• 1:17:23
  Want to know what kind of montage music is playing in his
• 1:17:25
  head in this moment? Oh man, this if this movie had
• 1:17:28
  that next to you. Farnsworth fills in Sheriff
• 1:17:33
  Huber on everything that's going on, and Sheriff Huber's like,
• 1:17:35
  God damn. It yeah.
• 1:17:36
  And then he's like, you know what?
• 1:17:38
  I know where they're going. Yeah, so I wrote.
• 1:17:41
  At this point, Heather has fully bought into the warning family
• 1:17:45
  thing, so she's like, all right, well, I'm a Carson, you're a
• 1:17:48
  Hartman. We can.
• 1:17:50
  No, she's embraced a Sawyer. She knows she's a Sawyer now.
• 1:17:53
  After reading them papers. Yeah, well, she knew it before,
• 1:17:56
  actually. But, you know, she she's fully
• 1:17:58
  embraced that lifestyle at this point.
• 1:18:00
  She's tied up. They cover open her chair, her
• 1:18:03
  shirt, and they walk outside to talk to the deputy.
• 1:18:08
  And then while that's happening, Leatherface is wandered inside
• 1:18:11
  the slaughterhouse, walks up right behind her and puts the
• 1:18:14
  chainsaw right on her shoulder. He's fucking with her.
• 1:18:17
  And he, like, gets down and puts his face next to hers.
• 1:18:20
  Like. Did he whisper something?
• 1:18:21
  Yeah, he. Was like, he is about to cut her
• 1:18:26
  and then he sees the edge of her scar and she's like and then he
• 1:18:33
  pulls the duct tape off her mouth and she goes I'm your
• 1:18:35
  cousin. I'm your cousin.
• 1:18:36
  It's me, Heather. I'm going to go out on a limb
• 1:18:39
  and say Verna didn't tell Jed that her cousin's name is
• 1:18:43
  Heather. She told her.
• 1:18:45
  She told him that her name is Edith.
• 1:18:47
  Oh yeah, probably. Yeah, because she assumed that
• 1:18:50
  Heather would have taken 5 minutes to read the letter.
• 1:18:53
  Everybody assumed that they assumed wrong.
• 1:18:58
  Yeah, a lot of this could have been prevented if she had just
• 1:19:00
  read the letter. But they're, they're now a team.
• 1:19:03
  And I I saw. He, I like it when he like,
• 1:19:06
  turns on the chainsaw for a second and you're like, is this
• 1:19:08
  gonna matter? But he just cuts for free.
• 1:19:10
  Yeah, so I I saw a good a name for the two of them together by
• 1:19:15
  somebody online. Heather Face.
• 1:19:16
  Heather Face. Yeah, it's so perfect, man.
• 1:19:19
  Like Oh my God, it like. That is their tag team name.
• 1:19:24
  That is, yeah. Heather Face.
• 1:19:25
  It's so good. So she's free and the cops come
• 1:19:30
  in and she runs away. She's like, all right, bye.
• 1:19:32
  She's like, bye, you can take care of yourself, right?
• 1:19:34
  Yeah. And she hears him crying because
• 1:19:36
  Ollie and Bart Bert. I don't know why I keep wanting
• 1:19:40
  to call him Bart. Because he's Bart hurt now.
• 1:19:42
  Because he's hurting Leatherface.
• 1:19:44
  Yeah. That's true.
• 1:19:44
  He's back into his evil entity. Yes, they're just beating a
• 1:19:49
  Leatherface. Making him cry, it's so sad.
• 1:19:53
  I made that new mask he so did to his face.
• 1:19:55
  It's sore. He just lost his cousin and he's
• 1:19:59
  like, well, I guess not everybody values family.
• 1:20:01
  But you know what happens? She comes in.
• 1:20:03
  She comes in and helps him. Got a pitch for it, kills Ollie,
• 1:20:06
  kills Ollie and goes over. Managed to turn on the grinder
• 1:20:09
  which they have a chain feeding and trying to drag Jed into it
• 1:20:14
  so she comes out. Bert Bart doesn't have a gun.
• 1:20:19
  No, I guess. Not does his city budget not go
• 1:20:21
  to his own weaponry. He seems corrupt enough.
• 1:20:24
  He wanted an old fashioned beating.
• 1:20:25
  Yeah, he had a crowbar. Yeah, yeah, he's, he's whooping
• 1:20:28
  him. And then Heather goes over there
• 1:20:31
  and grabs the chainsaw 3D tosses it to the other face and is like
• 1:20:35
  do your thing cuz. Yeah, and you know what he does?
• 1:20:38
  He does do his thing, starts it up the and he manages to get
• 1:20:43
  Swapparooski with Bert and Bert's getting pulled into the
• 1:20:48
  meat grinder and Jed just like cuts him at the wrist so he
• 1:20:52
  falls in and Sherry just watches the whole thing happen.
• 1:20:54
  Yeah, he like puts his gun down instead of keeping it pulled on
• 1:20:58
  him. He's like.
• 1:20:59
  So clean up this mess, Yeah, and Heather face.
• 1:21:04
  Heather Face. Jed looks loosening.
• 1:21:06
  It's like, listen, I'm gonna show you some stuff Grandma
• 1:21:08
  taught me. I'm gonna pass on.
• 1:21:09
  I'm gonna pass down the family traditions.
• 1:21:11
  I know that they want his name to be Jed Jedidiah.
• 1:21:15
  It's so bad, but I refuse to call him that.
• 1:21:17
  It's always gonna be Leatherface or Bubba.
• 1:21:19
  I just Jed was 3 letters so it was a lot easier for me to put
• 1:21:22
  that in my notes. If I ever need to do that, do LF
• 1:21:26
  or I'll just do leather. Yeah, I do LF a lot, but like we
• 1:21:29
  know his name is Jed and I feel. He's Bubba, OK?
• 1:21:33
  He's Bubba. Jed is the dumbest fucking name
• 1:21:35
  they could have given him. Whatever, they're home now.
• 1:21:38
  Yeah, they like slow walk all the way home.
• 1:21:40
  I like she is trying to clean up his cuts and then she goes to
• 1:21:43
  touch the mask and he like stops her.
• 1:21:45
  He puts a firm boundary in place.
• 1:21:47
  Yep. And we are proud of you, Weather
• 1:21:49
  Face. Good for you for having your
• 1:21:50
  boundaries. Standing up, this is going to be
• 1:21:52
  the healthiest family relationship that you've had.
• 1:21:54
  It's true. Yeah.
• 1:21:55
  Well, I don't know. She's kind of, she embraced that
• 1:21:58
  identity really hard and fast. I'm kind of scared to see how
• 1:22:01
  she goes. Well, we will find out in the
• 1:22:04
  post credits. So she finally reads the letter,
• 1:22:07
  she learns her birth name is Edith Rose and it seems like
• 1:22:10
  she's happy to just settle into this house.
• 1:22:13
  And then we get to the credits and then through the credits,
• 1:22:17
  bring a Ding Dong and her adoptive parents are out there
• 1:22:20
  saying like, maybe we can put up with some with some of her
• 1:22:23
  bullshit with all this money that comes along with it.
• 1:22:26
  And it's not Heather Edith. On the other side of the door,
• 1:22:30
  you just hear like a chainsaw starting up and then the door
• 1:22:32
  opens and it's the leather face with this chainsaw.
• 1:22:35
  Oh my God, he's he's good. And his revenge.
• 1:22:37
  Yep. And then he's probably going to
• 1:22:38
  wear that guy's face. Do you think he's?
• 1:22:40
  Probably going to make a face for her too out of the mom.
• 1:22:44
  I want that, Yeah, I want, I want.
• 1:22:47
  That's what I want. I know we don't do dream sequels
• 1:22:49
  for these, but that's my dream sequel is called Heather Face.
• 1:22:52
  And they're just wearing her adoptive parents faces and
• 1:22:55
  they've got chainsaws and stick knives and.
• 1:22:57
  We'll, we'll, we'll expand upon that here in a minute, OK.
• 1:23:01
  Well, we don't need to explain about it.
• 1:23:02
  We're not doing dream sequels. Oh yeah, we don't do that.
• 1:23:05
  Fuck covering our mouth out. OK.
• 1:23:06
  What are you rating it after we're talking about it.
• 1:23:09
  Yeah, man, I like this one. I think I'll keep it at an 8,
• 1:23:11
  but it's a really good sequel. I think I like it a lot.
• 1:23:15
  I'm keeping mine at a nine just because it's it's fun.
• 1:23:18
  It's fucking fun. Yeah, Talia, she was high energy
• 1:23:22
  throughout all of this. She was licky, she was hangry.
• 1:23:25
  She threw multiple tantrums like she again was siding with
• 1:23:30
  Leatherface. She was like, these people just
• 1:23:32
  keep coming into his home and bothering him.
• 1:23:34
  I yeah, I like it. It's so easy to get behind that.
• 1:23:37
  I think she's going to give this.
• 1:23:41
  She can't give it an 8 because we didn't see anybody really eat
• 1:23:44
  in this one. No, nobody ate.
• 1:23:46
  She's going to give it a 7. OK.
• 1:23:50
  Now they're together and it's like heaven.
• 1:23:52
  Yeah, that's it. Sure.
• 1:23:54
  Yeah, OK. Who's Zoe's Ultimate Warrior?
• 1:23:57
  Oh, boy, that's a tough one. I think it's, I think it's gonna
• 1:24:06
  be Heather because she plays with the real, like, the
• 1:24:10
  leftovers of her food. She's got the bones.
• 1:24:13
  I think Zoe, like, if like, she ate something that had bones,
• 1:24:16
  she'd like, make it a toy, OK. And yeah, Heather makes it art.
• 1:24:21
  OK. Yeah, I can agree with all of
• 1:24:23
  that. OK.
• 1:24:25
  All right. Who did you relate to?
• 1:24:28
  I, let's see who did I relate to?
• 1:24:37
  You know, I, I think I related to Kenny the most because I
• 1:24:43
  liked his, his version of partying.
• 1:24:45
  He's like, I'm going to cook some food, I'm going to drink,
• 1:24:47
  you know, just have a good time. I'm not going to try and sleep
• 1:24:49
  with anybody's partner or anything like that.
• 1:24:52
  I'm just going to be a good guy and I don't know, like everybody
• 1:24:56
  else, like I don't, I don't really relate to many other
• 1:25:00
  people in this movie to be true. I relate to the person in the
• 1:25:05
  pig mask at the fair. Oh yeah.
• 1:25:08
  If I was at a fair on Halloween time, I'd be dressed up.
• 1:25:10
  Not in the pig mask though, because the pig masks freaked me
• 1:25:12
  out. But.
• 1:25:13
  Pig masks are so good. I'd be.
• 1:25:15
  I'd be dressed. Like that, yeah, we we kind of
• 1:25:17
  glossed over that, but I like that like a little brief
• 1:25:19
  showdown between Leatherface and the pig mask because it's like
• 1:25:21
  chainsaw versus chainsaw and they get scared and ran away.
• 1:25:24
  Yeah, OK, OK, I've got some suggestions for tag lines.
• 1:25:30
  Well, it's so obvious man. Do you think cuz it's the what
• 1:25:34
  we've always used. But OK, go ahead.
• 1:25:36
  What else did you have? Tag lines are alternate names.
• 1:25:41
  Sorry, tag lines. OK, Yeah, go ahead with the tag
• 1:25:43
  lines all. Right.
• 1:25:44
  Well, you brought out chainsaw Chase.
• 1:25:46
  Eat. Yeah.
• 1:25:47
  So we've got that. I've got no Newt is good Newt.
• 1:25:54
  That's good. And face your demons.
• 1:26:00
  Oh that's good too. God, man, we got some we and we
• 1:26:04
  did 3. Yeah, we did 3.
• 1:26:06
  Oh, wow. OK, cool.
• 1:26:09
  Aw, man, that's so tough. No, new is good.
• 1:26:12
  New I feel like is appropriate for, like, putting on the sun.
• 1:26:15
  Like, welcome to Newt. No, Newt's good news.
• 1:26:17
  Like, you know, like God, it's so hard for me to pick between
• 1:26:23
  those two. Those are all really good ones.
• 1:26:26
  Yeah, I don't. You'd find a way to work them
• 1:26:29
  all into the drawing. If you that's too much, that's
• 1:26:32
  too much text. I have a hard enough time
• 1:26:33
  fitting one on there. No, like, OK, we have the
• 1:26:35
  Welcome to Newt sign and we've got Leatherface in his wine
• 1:26:40
  cellar with his little Live Laugh Love sign, but it's
• 1:26:42
  chainsaw chase each. Yeah, I guess you could do that.
• 1:26:47
  But you know what? You're editing this so whichever
• 1:26:52
  one is right in the moment for you, OK, after you've re
• 1:26:54
  listened to all of this, pick what's in your heart.
• 1:26:56
  We'll see what goes with the drawing.
• 1:26:58
  OK, OK, OK. Yeah.
• 1:27:01
  No, obviously this is the how we refer to this one.
• 1:27:04
  How we remember what it is is it's the do your thing cuts one.
• 1:27:07
  Yeah, that's the most iconic one.
• 1:27:08
  Yeah, the entire thing. Everybody knows which movie
• 1:27:10
  you're talking about when you say that.
• 1:27:11
  Yes. And that is like exclusively
• 1:27:14
  when you're like, which chainsaw do you want to watch?
• 1:27:16
  Also do your thing cuts. That's how I refer to this.
• 1:27:19
  Yeah. All right, so now it's time for
• 1:27:23
  some reviews. Okie, Dokie.
• 1:27:24
  And as we've discussed, we know this is not wait, wait.
• 1:27:27
  Wait, what would Dom do? OK, well, first of all, this is
• 1:27:34
  all about family, Yes. So Dom is gonna be heavily
• 1:27:38
  involved, but he's gonna have to get some help from Brian this
• 1:27:45
  time, OK? Because Brian is gonna know that
• 1:27:48
  what Heather needs to do is just tell Jed.
• 1:27:51
  Forget about Ka. Forget about KA, yeah.
• 1:27:55
  And then Dom is gonna have to come in because he's gonna say,
• 1:27:59
  OK, listen, I'm glad that we got this family stuff figured out.
• 1:28:02
  So we've got a bigger problem because it looks like little
• 1:28:04
  nobody has turned on us. Yes.
• 1:28:07
  But it turns out that he was a plant.
• 1:28:09
  Yes, in the police force. Because we don't see him.
• 1:28:12
  He doesn't get killed in this movie.
• 1:28:14
  He just kind of fucks off. Yeah.
• 1:28:17
  So yeah, he just disappears so. Yeah, I think he got extracted.
• 1:28:21
  It was all part of the plan of the group there.
• 1:28:24
  And, yeah. And really, the important thing
• 1:28:27
  is Dom is like, Heather learned the meaning of family, and
• 1:28:32
  Leatherface is learning, too, to, like, embrace new family.
• 1:28:36
  And, you know, Dom saw that. He's like, you know what?
• 1:28:38
  More work here is done. Yeah.
• 1:28:39
  And he just drives off into the sunset.
• 1:28:42
  OK. Here we go now reviews.
• 1:28:45
  Now reviews. Thank you for remembering WWDD.
• 1:28:49
  I was so unbelievably disappointed in this movie and
• 1:28:52
  it sickens me. If someone didn't know anything
• 1:28:54
  about the previous TCM movies, they would think this was just
• 1:28:57
  your everyday horny teenager horror movie.
• 1:28:59
  I believe that the TCM movies were always better than that,
• 1:29:01
  but now my opinion has changed. The movie started out good and
• 1:29:04
  had some good background information to later understand
• 1:29:06
  the present scenes. However, once we met the main
• 1:29:08
  characters of the movie, it was obvious that it wasn't going to
• 1:29:11
  meet my expectations. And the fact that Trey Songz was
• 1:29:13
  in this movie, even those acting skills were better than I
• 1:29:15
  expected totally ruined it for me.
• 1:29:17
  Also, the makers of the movie made a huge error with the the
• 1:29:19
  main character's age should be at least 40.
• 1:29:22
  The killings were not that severe, the only 3D parts were
• 1:29:25
  with the chainsaw which didn't happen that much, and
• 1:29:28
  Leatherface was turned into the sweet character that you began
• 1:29:30
  to feel bad for. And don't even get me started on
• 1:29:32
  how Heather was acting at the end of the movie.
• 1:29:35
  Whole storyline was completely changed during the first half of
• 1:29:38
  the movie. It's just like the other TCM
• 1:29:40
  movies, but the last half turns into some weird love family
• 1:29:42
  reuniting story that I absolutely hated.
• 1:29:44
  Plus other movies really portrayed the fact that the
• 1:29:46
  movie was based off of a true story.
• 1:29:48
  This new TCM makes it seem more like fantasy horror movie.
• 1:29:51
  It's all just very confusing. It makes me feel like a woman
• 1:29:53
  with a glass of wine wrote the story.
• 1:29:55
  Wow. OK, that's weird.
• 1:29:58
  You know, like, I think everybody's like dropped the
• 1:30:00
  whole thing of it being based off of true events, so we can
• 1:30:03
  kind of roll with it being like a horror movie franchise at this
• 1:30:06
  point. And listen, I get that Heather
• 1:30:09
  should be 40 at this point. We're assuming that this takes
• 1:30:12
  place in 2013. Yeah.
• 1:30:15
  And she would definitely be older than that.
• 1:30:17
  I'm. I'm in an 8 with this.
• 1:30:21
  You know what I mean? Like.
• 1:30:23
  You can't sweep everything away and call it, well, it's just
• 1:30:26
  camp. But you know, at the same time,
• 1:30:28
  like when you don't do that and you don't put any thought into
• 1:30:31
  that, I don't know, it kind of adds to the campiness of it a
• 1:30:34
  little bit. But it's silly.
• 1:30:35
  It is an oversight. Like I, I will agree.
• 1:30:38
  Yeah, they should have thought about that one a little bit
• 1:30:40
  better. Yeah, in in my head this is
• 1:30:43
  taking place in 1993, but again, it's an AU.
• 1:30:46
  So they have iPhones in 1990. Three.
• 1:30:48
  Yeah, exactly. Yeah.
• 1:30:50
  That's how I see it. And also like family has always
• 1:30:53
  been a big part of this movie. Always.
• 1:30:55
  It just always had like the franchise in general.
• 1:30:57
  They just handled it a different way than in other movies.
• 1:30:59
  And it was. I thought it was refreshing.
• 1:31:01
  I I did too. I like the way that they did it
• 1:31:03
  this time around, yeah. So.
• 1:31:06
  OK, cool. So listener reviews.
• 1:31:09
  At the time of recording we don't have anything, but I
• 1:31:13
  figured whenever that happens, I'm going to start doing a thing
• 1:31:17
  differently. I'm going to try and find the
• 1:31:18
  weirdest reviews I can find and try and read that in place.
• 1:31:21
  OK, just to have some fun with another review.
• 1:31:24
  OK, get a different perspective. I like it.
• 1:31:27
  So this is a 1 I I try to look for other sources too, but I
• 1:31:31
  ended up still finding this one on IMDb.
• 1:31:33
  OK, the title. It's a seven O 10 The House of
• 1:31:35
  Weatherface. Enough.
• 1:31:38
  All right. Does that mean that it's good
• 1:31:40
  enough or that they've had enough?
• 1:31:42
  I have no idea, so this is a weird review.
• 1:31:44
  I guess so. All right, so let's jump into
• 1:31:47
  this Texas Chainsaw 3D 2013. Alexandra Daddario, Dan Yeager,
• 1:31:53
  Trey Songz, Scott Eastwood, Tanya.
• 1:31:55
  OK, he's just listening off the the cast here for a long time.
• 1:31:59
  And then the House of Weatherface could have been the
• 1:32:02
  working title of this return to the Well of Horror in another
• 1:32:06
  chapter of the rebooted franchise, this time part
• 1:32:09
  prequel and part sequel, with the film queverly beginning with
• 1:32:13
  vintage footage of the original scarefest and then running on
• 1:32:17
  empty by having a back story of the whole King Butcher's family
• 1:32:21
  come to fruition when cousin Daddario and Harris, the
• 1:32:25
  infamous farmhouse and Churnal, unbeknownst to her, natch.
• 1:32:29
  With unknitting friends in tow. Period.
• 1:32:33
  Those are all one sentence. Let the carnage flow.
• 1:32:37
  While filmed in 3D, watch out for that hurtling chainsaw the
• 1:32:41
  film putters along with great predictability.
• 1:32:44
  And like his kissing cousins Jason, Michael and Freddie, old
• 1:32:48
  Leatherface gets the psychological profile and
• 1:32:51
  misunderstood childhood a la Norman Bates.
• 1:32:53
  While it's nice to see the to see newbie film maker throw a
• 1:32:57
  couple of cameos to original stars Hansen and Burns, it calls
• 1:33:01
  to enough. So this is this needed to be
• 1:33:05
  proofread and I'm. The word bond right here.
• 1:33:09
  Yeah. And I I don't know if this may
• 1:33:11
  be like an English as a second language type of thing so I
• 1:33:13
  don't want to make fun of that too much, but it just needed to
• 1:33:15
  be proofread because I'm assuming kissing cousins should
• 1:33:17
  be killing cousins. I like the idea of it being
• 1:33:20
  kissing cousins so. You you want to watch that movie
• 1:33:24
  with Freddie and Jason then? You know, I think it has the
• 1:33:27
  potential, you know? Yeah, I don't, I don't know.
• 1:33:30
  I just I thought that this is an amusing 1.
• 1:33:32
  I think it was somebody that had a lot of thoughts about it.
• 1:33:35
  And if it's English second language, I'm surprised because
• 1:33:39
  their name is George Schmidt. So I think it's just somebody
• 1:33:43
  that had word von and didn't really proofread.
• 1:33:45
  They just like got all of their thoughts out in one big thing
• 1:33:47
  and then boom all. Right.
• 1:33:49
  It's you've been doing your voice to text a lot lately.
• 1:33:52
  Yeah. And I imagine it's something
• 1:33:53
  kind of like that. It could have been, yeah.
• 1:33:56
  And I found knows Travis's Appalachian because he tried to
• 1:34:01
  say come sail away with me and it didn't come sell away with
• 1:34:04
  me. No, I said come sell away with
• 1:34:06
  we because I had Talia with us and it was like, OK, come sell
• 1:34:10
  as an SELL away with WE capital Wii.
• 1:34:15
  So I was like, he's clearly trying to sell his Nintendo Wii.
• 1:34:18
  Yeah, yeah, not the case. OK, this is it.
• 1:34:23
  That's it. This is it for August.
• 1:34:26
  We'll have our schedule out soon.
• 1:34:28
  Yep. Remember, budget to your patrons
• 1:34:30
  to vote before the end of the month.
• 1:34:32
  Yeah, we'll have Patreon. September.
• 1:34:33
  Vote Patreon. And look out for the bonus
• 1:34:36
  review of the new Jason Voorhees short movie.
• 1:34:40
  And yeah, we'll see what happens in September.
• 1:34:43
  Yeah, we don't know the next movie.
• 1:34:45
  Yeah. Season, Yeah, So we can't say
• 1:34:47
  what's up next, but we'll take this time to thank our bubbies
• 1:34:51
  on the Patreon. We have Joe as is his name,
• 1:34:54
  Amber, Michael, Chad, Johnny, Jason, Ward, Zombie and Tyler.
• 1:34:59
  Thanks everybody for being patrons.
• 1:35:01
  It means a lot to us that you guys support the show the way
• 1:35:03
  that you do. It makes us feel all warm and
• 1:35:05
  fuzzy inside. And yeah, we, we appreciate you
• 1:35:10
  guys. If you are unable to be a
• 1:35:12
  patron, we get it. You can do other things like
• 1:35:15
  liking and rating the show on whatever platform you listen on.
• 1:35:18
  Give us the highest rating possible.
• 1:35:20
  Share episodes with your friends, family, your kissing
• 1:35:23
  cousins, you know, whatever you want if you think that they are
• 1:35:27
  into that type of movie or horror in general.
• 1:35:29
  And yeah, you can find us online.
• 1:35:32
  We have our socials, we have Instagram and threads at least
• 1:35:35
  favorite scary movie podcasts, our blue skies at leastfaithpod,
• 1:35:39
  and we have a website. What's your least favorite scary
• 1:35:41
  movie.com? All right, so that's it.
• 1:35:44
  We will see you guys in September.
• 1:35:49
  Bye. Shit, I didn't write down the
• 1:36:03
  budget on this. I had to redo my notes.
• 1:36:07
  It was a whole thing. It's.
• 1:36:09
  OK, I'm editing. I thought I had written it back
• 1:36:14
  now, but I guess I. Did I'll go ahead Pause.