Latest / I Am All In with Scott Patterson / I Was Gonna Stay Open Late in Case Anyone Wanted to Eat after the Meeting...Forget That! (S2 E8, "The Ins and Outs of Inns")

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I Was Gonna Stay Open Late in Case Anyone Wanted to Eat after the Meeting...Forget That! (S2 E8, "The Ins and Outs of Inns") · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in. Oh, just you, I am all
• 0:17
  Speaker 1: in with Scott Patterson and I Heart Radio podcast. Hey everybody,
• 0:21
  Speaker 1: it's Scott Patterson and this is the I Am all
• 0:24
  Speaker 1: In podcast I Heart Radio, one of them productions, The
• 0:27
  Speaker 1: Ins and Outs of Ins. This is season two, episode
• 0:32
  Speaker 1: eight seven. Hey I got it, Yes eight boom nailed it. Hello,
• 0:37
  Speaker 1: don't have to redo it. Thank you very much. What
• 0:40
  Speaker 1: an episode. This is my favorite episode so far. I
• 0:44
  Speaker 1: loved just about everything about this episode. I was. I
• 0:50
  Speaker 1: was charmed by the all of it. I was so
• 0:54
  Speaker 1: moved and so charmed and so pleased by this episode.
• 0:57
  Speaker 1: And I think it had Look, you know what I
• 0:58
  Speaker 1: think really matters. I I think guest stars matter. Elizabeth
• 1:02
  Speaker 1: Franz matters. She gave a brilliant performance in this and
• 1:09
  Speaker 1: she was the she. She was the treasure that everybody
• 1:13
  Speaker 1: was looking for for answers. You know, Emily went to her,
• 1:18
  Speaker 1: Laurel I went to her, everybody went to her. And um,
• 1:23
  Speaker 1: I just you know, I have never liked the characters
• 1:26
  Speaker 1: in this show more than I liked them or love
• 1:29
  Speaker 1: them in this episode. I mean, Elizabeth is Mia, the
• 1:32
  Speaker 1: inn owner, just so everything right, Mia, the the who
• 1:35
  Speaker 1: came into uh to drop in on Laurel line see
• 1:39
  Speaker 1: how things were going, and then they got into the hole.
• 1:42
  Speaker 1: Well let's get into it. So so I just I
• 1:45
  Speaker 1: have so much to say about this episode. I loved
• 1:47
  Speaker 1: it so much. I guess hello, Danielle Romo, Hello, Riley
• 1:53
  Speaker 1: Pelusis Hello Amy Sugarman, and I guess Riley give us
• 1:57
  Speaker 1: a rundown, give us synopsis. This is Season in two,
• 2:00
  Speaker 1: Episode eight, The Ins and Outs of Inns air date
• 2:03
  Speaker 1: November one. Laura, Lai and Suki have the first fight
• 2:07
  Speaker 1: of their long friendship when, upon hearing that the Independence
• 2:10
  Speaker 1: In may be sold, Laura Lee panics and decides that
• 2:13
  Speaker 1: their shared dream of opening the End together is doomed
• 2:16
  Speaker 1: to failure. Well, I'll tell you what, you know, there's
• 2:19
  Speaker 1: far more meat on the bone than just that. But
• 2:21
  Speaker 1: that was definitely the a story. Um, how does everybody
• 2:26
  Speaker 1: feel about? Okay, so let's unpack this. So yes, uh,
• 2:33
  Speaker 1: they go they you know, Mia shows up, drops in
• 2:36
  Speaker 1: on Laura Lie say hello, and that's perfect timing because
• 2:41
  Speaker 1: you know they want to buy uh, they want to
• 2:43
  Speaker 1: buy that old what is it? The old Independence Center
• 2:45
  Speaker 1: is the old Dragon Flying Rachel property. They want to
• 2:49
  Speaker 1: buy the Rachel property. We don't know how much it costs.
• 2:52
  Speaker 1: We do know that the independence in is five times
• 2:56
  Speaker 1: as much money to purchase, so that's out of the question.
• 2:58
  Speaker 1: If they want to sort of re tool that place
• 3:00
  Speaker 1: or just preserve it and and take over the business,
• 3:03
  Speaker 1: that's not going to be possible. Um. So they have
• 3:06
  Speaker 1: this this ramshackle, broken down property on the edge of
• 3:09
  Speaker 1: tail right, and they want to purchase it, refurbish it
• 3:14
  Speaker 1: and open up their own business. Good for them. Mia
• 3:17
  Speaker 1: shows up and they get into it and why haven't
• 3:21
  Speaker 1: you know? Suki and Lauraa get into the hole nuts
• 3:25
  Speaker 1: and bolts of it, and you know, you need to
• 3:27
  Speaker 1: tell her that you're thinking about leaving this job. And
• 3:32
  Speaker 1: then we find out that me is the one that
• 3:35
  Speaker 1: took her in when she was sixteen with a little
• 3:37
  Speaker 1: baby and took care of her and was her mother basically.
• 3:41
  Speaker 1: And it was very deep rooted and very moving actually
• 3:45
  Speaker 1: finding out all this information, all this expository and all
• 3:48
  Speaker 1: this exposition in this in this episode, and then we
• 3:53
  Speaker 1: get to the point where where Suki and Laura get
• 3:57
  Speaker 1: into this knockdown, dragging out verbal It was. It was
• 4:02
  Speaker 1: hard to watch because there's such good friends and it's
• 4:04
  Speaker 1: so great together and to see them in conflict like
• 4:06
  Speaker 1: that was was upsetting. It was it was truly upsetting.
• 4:09
  Speaker 1: And I think, uh and I and it really hit
• 4:14
  Speaker 1: me on a personal level when I realized why she
• 4:18
  Speaker 1: was having such a difficult why why Laurel I was
• 4:20
  Speaker 1: having such a difficult time letting go of the independence
• 4:23
  Speaker 1: and after she realized, Hey, this is where I had,
• 4:27
  Speaker 1: this is where I raised my baby. You know, this
• 4:29
  Speaker 1: is where I came. And you know, I know how
• 4:33
  Speaker 1: this feels because I just let go of my house
• 4:35
  Speaker 1: of eighteen years and this is where you know, we
• 4:37
  Speaker 1: have this is where we had our baby, and it
• 4:40
  Speaker 1: affected us deeply to sell that house, even though it
• 4:42
  Speaker 1: was time to go and you know, um and you know,
• 4:47
  Speaker 1: get into a new sort of situation. Um. But it's deeply,
• 4:51
  Speaker 1: deeply emotional and it was so beautifully drawn out in
• 4:55
  Speaker 1: this episode. Um, I'm glad they kissed and made up.
• 4:59
  Speaker 1: That's for But I think other highlights are, you know,
• 5:05
  Speaker 1: the the arc that is Jess and what he's going through,
• 5:10
  Speaker 1: and the chalk outline and the town meeting. I thought
• 5:15
  Speaker 1: the town meeting was a little extreme, but until I
• 5:18
  Speaker 1: realized how many incidents Jess authored in that town, you know,
• 5:22
  Speaker 1: in a negative sense. I was like, I thought it
• 5:24
  Speaker 1: was significant. Also because lor Lie it really was team Luke.
• 5:30
  Speaker 1: She was stood up in front of the town two
• 5:34
  Speaker 1: to have your back, and I thought that was that
• 5:36
  Speaker 1: was major. And also Rory stood up for me to
• 5:39
  Speaker 1: Jess like, don't you know this guy's just he's a pariah.
• 5:42
  Speaker 1: Now I didn't think I was a pariah. I was
• 5:44
  Speaker 1: always well and that worked. Suddenly the toasters fixed, Yes,
• 5:48
  Speaker 1: suddenly the toasters fixed. He just got a kind of
• 5:50
  Speaker 1: influence on him right away. You know, Milo knocked me
• 5:55
  Speaker 1: out in this episode. He really did. He showed what
• 5:58
  Speaker 1: a skilled, subtle actor he is um and he's just
• 6:02
  Speaker 1: really easy on the eyes. I mean, there isn't a
• 6:04
  Speaker 1: bad angle. And I just kept thinking, why didn't this
• 6:08
  Speaker 1: guy become a movie star because he had you know,
• 6:12
  Speaker 1: maybe he just didn't feel modern enough. I don't know
• 6:15
  Speaker 1: was he kind of does he at that time? Did
• 6:17
  Speaker 1: he feel like a throwback to just feels very James
• 6:20
  Speaker 1: Dean right right, I mean rebellious and sullen and withdrawn
• 6:25
  Speaker 1: and you know, soft spoken. I mean that's all very powerful.
• 6:28
  Speaker 1: But yeah, I think he's become a huge star right absolutely, No,
• 6:33
  Speaker 1: absolutely in television, yes, but not on the not on
• 6:36
  Speaker 1: the silver screen. And I always wonder why that never happened.
• 6:40
  Speaker 1: And I know that he I know that he had
• 6:44
  Speaker 1: some difficulty after Gilmore and after Heroes, trying to get
• 6:47
  Speaker 1: his own series, and you know, network executive saying to him,
• 6:51
  Speaker 1: you know, you're just not the lead of a series. Sorry.
• 6:54
  Speaker 1: Oh that happened to him a couple of times. And
• 6:59
  Speaker 1: because what's so fast sinating is I'm glad you bring
• 7:01
  Speaker 1: up Heroes. And then obviously this is us. He stands
• 7:04
  Speaker 1: out in in an ensemble cast like Gilmore Heroes, this
• 7:09
  Speaker 1: is Us. He becomes that shiny object. He really stands
• 7:14
  Speaker 1: out in each of those projects. I mean, talk about
• 7:18
  Speaker 1: if you were going to build an actor for stardom,
• 7:22
  Speaker 1: it would look and sound and feel like Milo. It
• 7:25
  Speaker 1: really would. Um. I love Jazz too, I love the character.
• 7:29
  Speaker 1: I think the chalk outline is hysterical. That was hilarious,
• 7:38
  Speaker 1: it really was, and so genius, like for the for
• 7:43
  Speaker 1: the bad Boy, he's not actually ever really harming anything.
• 7:46
  Speaker 1: I mean, I think when he stole the money that
• 7:48
  Speaker 1: was probably not good, but the chalk outline is literally harming. No,
• 7:54
  Speaker 1: one and hilarious because as Taylor Taylor at his best.
• 8:00
  Speaker 1: I thought Taylor was as best and most frothy. I mean,
• 8:04
  Speaker 1: it was just unhinged he came in the diner. I
• 8:07
  Speaker 1: love that scene between Luke and and Taylor the most,
• 8:11
  Speaker 1: the most. It was just such a grand scene. Um, anyway,
• 8:17
  Speaker 1: got so much going on this episode. There's so many
• 8:21
  Speaker 1: things to break down, because I want to hear you
• 8:23
  Speaker 1: talk about more about Mia and Lorelei, Lorelize fight with
• 8:28
  Speaker 1: Suki and Luke and lore Lye in this episode, and
• 8:34
  Speaker 1: then all the way I want to hear your thoughts
• 8:35
  Speaker 1: on Emily at the end. So I don't know where
• 8:37
  Speaker 1: to begin. Just you know, I'm going to start with
• 8:40
  Speaker 1: my favorite moment for Luke in the entire piece so
• 8:45
  Speaker 1: far and all of the episodes that I've seen so far,
• 8:48
  Speaker 1: I have not I have I have right commercial First,
• 8:53
  Speaker 1: let the people, Hey, al right, I guess we should
• 8:59
  Speaker 1: take a break. Huh. Let's take a break, and then
• 9:02
  Speaker 1: when we come back, I'm going to discuss my all
• 9:05
  Speaker 1: time favorite moments so far to date of for Luke.
• 9:09
  Speaker 1: We'll be back after these words. Yeah, al right, everybody,
• 9:16
  Speaker 1: we're back. We're gonna get into how I feel about
• 9:19
  Speaker 1: Luke and and his favorite. My favorite moment, uh seeing
• 9:23
  Speaker 1: Luca's when I really fell in love with the character
• 9:26
  Speaker 1: and realized what Luke really is to that town and
• 9:31
  Speaker 1: what he's capable of. I saw it in bits and
• 9:33
  Speaker 1: pieces watching these But now when Mea comes into the
• 9:36
  Speaker 1: diner and he sees her and he smiles, he lights up.
• 9:41
  Speaker 1: He comes out from behind the diner and he gives
• 9:43
  Speaker 1: her a big hug and he and he grabs her
• 9:46
  Speaker 1: by the shoulders, says, so good to see it. It
• 9:48
  Speaker 1: felt like a nineteen fifties movie where it was just
• 9:53
  Speaker 1: this reunion and it was just for me. It was
• 9:56
  Speaker 1: a beautiful moment, and it said everything there is to
• 9:58
  Speaker 1: say about that character, her and really about her character
• 10:02
  Speaker 1: about It's like her character was so beloved and so
• 10:07
  Speaker 1: wonderful that she made everybody else look great. She elevated
• 10:11
  Speaker 1: everybody's appeal. Um, So you know, guest, Stars Matter, I mean,
• 10:16
  Speaker 1: you dropped that into the middle of Stars Hollow, and
• 10:18
  Speaker 1: you've got to you've got somebody of the caliber of
• 10:21
  Speaker 1: Elizabeth France, because if you look at a resume, it's
• 10:23
  Speaker 1: filled with Emmy Awards, Tony Awards. Drama Desk Awards. I mean,
• 10:28
  Speaker 1: this is a very very accomplished actress on stage, uh
• 10:33
  Speaker 1: and in London, but all in New York on Broadway.
• 10:36
  Speaker 1: I mean, my god, so important because if she's only
• 10:42
  Speaker 1: had that impact on Laura la that's one thing, but
• 10:46
  Speaker 1: we really see her quote power over stars hollow because
• 10:51
  Speaker 1: of the impact she had on Luke. That's where you're like,
• 10:55
  Speaker 1: oh wow, this woman is the town queen, the town hero.
• 10:59
  Speaker 1: She's back and everyone loves her and she means so
• 11:02
  Speaker 1: much to everyone in the town. I've never seen Luke
• 11:07
  Speaker 1: look so good. I've never seen him so relaxed and happy.
• 11:13
  Speaker 1: He was just filled with warmth and love and and
• 11:16
  Speaker 1: just you know, and it's around Laurel. It's a little
• 11:18
  Speaker 1: nerve racking for him, right, so he's a little tense,
• 11:21
  Speaker 1: but he just he just relaxed with with Mia and
• 11:24
  Speaker 1: not hugging that. Oh my god. I just I guess
• 11:27
  Speaker 1: I'll say this because we'll talk about it many episodes.
• 11:31
  Speaker 1: It's very interesting that they recast her with Kathy Baker later,
• 11:36
  Speaker 1: So I guess, well, yes, and we'll talk about that
• 11:40
  Speaker 1: many moons from now. But yes, because I thought she
• 11:44
  Speaker 1: was so perfect, So maybe she was working or there's
• 11:47
  Speaker 1: some reason we'll discover very much in demand theater actress. Uh. Anyway, Um,
• 11:54
  Speaker 1: I've never liked Just so much. I have never liked
• 11:57
  Speaker 1: Luke so much. I have never liked laurel Ize much.
• 12:00
  Speaker 1: I have never liked Rory so much. I have never
• 12:02
  Speaker 1: liked Dean so much. And I think the stars that
• 12:06
  Speaker 1: Paris was not in this episode. I was thaying that,
• 12:09
  Speaker 1: please don't enter stage left, Please keep her out of
• 12:14
  Speaker 1: this episode. Can we make a note, just a note
• 12:17
  Speaker 1: somewhere that we write down that I do believe you
• 12:20
  Speaker 1: will come around on Paris. Somebody just write that down
• 12:23
  Speaker 1: note today. I do think you will. But continue, it's just,
• 12:29
  Speaker 1: you know, Rory's yogic like balance of her psyche and
• 12:33
  Speaker 1: her emotions and her her her love and her warmth
• 12:37
  Speaker 1: toward other human beings, and her complete understanding of where
• 12:42
  Speaker 1: Paris is coming from and is managing her pain and
• 12:46
  Speaker 1: is going to help her along her path. I mean,
• 12:47
  Speaker 1: she's so much more mature. And I've stated this previously,
• 12:50
  Speaker 1: but but just just to have a break from Paris,
• 12:53
  Speaker 1: I think as a steady diet, It's like no, but
• 12:57
  Speaker 1: you know, maybe in a couple of episodes on Mister
• 12:59
  Speaker 1: and it will be really entertaining. But I would love
• 13:02
  Speaker 1: to get your thoughts on something. And I find this
• 13:06
  Speaker 1: to be well, I won't even say what I think
• 13:07
  Speaker 1: I want to. I've got a couple more minutes. Go ahead,
• 13:09
  Speaker 1: shoot away. So what do you think or feel of
• 13:14
  Speaker 1: Taylor often referring to Luke as a young man multiple times?
• 13:23
  Speaker 1: And I thought it was quite fascinating. That's just condescending,
• 13:27
  Speaker 1: you know, That's all it is. He's just condescending to
• 13:29
  Speaker 1: Luke and and Luke doesn't take the bait. And you know,
• 13:34
  Speaker 1: there's something I agree with you that it's condescending and
• 13:37
  Speaker 1: yet also endearing. There's something about so do you think
• 13:41
  Speaker 1: it's father? Yes, and that he's known him Taylor right,
• 13:48
  Speaker 1: Taylor's known Taylor knew his dad right obviously. And he
• 13:52
  Speaker 1: made a reference to wait, was that Brian who's coming
• 13:57
  Speaker 1: at you in the town meeting? Is it Brian Tarn?
• 13:59
  Speaker 1: Do you know? Okay? He also calls him young man
• 14:03
  Speaker 1: so and I thought that was hilarious with the two
• 14:06
  Speaker 1: of them arguing because they who was born first and
• 14:08
  Speaker 1: the whole, the whole thing. So I do think it
• 14:12
  Speaker 1: was It's condescending yet lovely. I liked the I think
• 14:17
  Speaker 1: it makes stars Hollow look like an even more appealing
• 14:19
  Speaker 1: place due to the fact that Taylor would convene a
• 14:22
  Speaker 1: meeting of the of the town of small business owners,
• 14:25
  Speaker 1: of the business owners and you know, try to draw
• 14:29
  Speaker 1: some resolution against Jess. I mean, what were they gonna do,
• 14:32
  Speaker 1: like aust him? Are they gonna right? And then let's
• 14:36
  Speaker 1: keep things moving here boys. You know, it's very It's
• 14:40
  Speaker 1: just like, oh my god, this is not a meeting.
• 14:43
  Speaker 1: This is a Thanksgiving family dinner. Luke wasn't invited. I mean,
• 14:49
  Speaker 1: that was That was quite the Luke rant. That was
• 14:52
  Speaker 1: quite the rant. It was great. That was That was
• 14:55
  Speaker 1: a Luke rant, and it was It was a nice
• 14:58
  Speaker 1: moment when Laurel I backed me up and finished that
• 15:01
  Speaker 1: scene has to be so hard to do. I mean,
• 15:05
  Speaker 1: it's all that dialogue and all those people and one
• 15:08
  Speaker 1: person screws it up and we're back to the beginning. No, yeah,
• 15:13
  Speaker 1: but that's not a big deal. That's that's not that
• 15:18
  Speaker 1: big of though. These actors are so good that they
• 15:20
  Speaker 1: don't screw up very much. Nobody misses the They all
• 15:24
  Speaker 1: hit their marks. It was so much to work with
• 15:27
  Speaker 1: these these these very talented individuals. They were you know,
• 15:33
  Speaker 1: they were on their cues and that's not easy to do.
• 15:36
  Speaker 1: I mean that back and forth, back and forth real quick,
• 15:39
  Speaker 1: without any without any gaps. I mean I'm interested. So
• 15:41
  Speaker 1: when you're doing, you know, doing a scene like that
• 15:43
  Speaker 1: and everyone's nailing it, is it like the perfect tennis
• 15:47
  Speaker 1: match or you know, winning a marathon some sort of
• 15:50
  Speaker 1: does it give you that sort of like adrenaline and
• 15:53
  Speaker 1: high like you know what? Yes? But do you know
• 15:56
  Speaker 1: what it feels like? It feels like real life. It
• 16:00
  Speaker 1: doesn't feel like you're in a scene acting. It feels
• 16:02
  Speaker 1: like you're really this is really happening because every everybody's
• 16:06
  Speaker 1: energy level and focus is the same. We're all on
• 16:09
  Speaker 1: the same wavelength and that's what makes it all possible
• 16:13
  Speaker 1: and it just makes it feel real. Wow, that's what
• 16:16
  Speaker 1: it feels like, And that's where you're trying to get,
• 16:20
  Speaker 1: you know, So there's some element and forgiving me fun
• 16:23
  Speaker 1: crazy of like that Sally Struthers is bad Bette to
• 16:27
  Speaker 1: you is Sally Struthers is bad bet Like do they
• 16:30
  Speaker 1: as the years go on, do characters sort of blur
• 16:32
  Speaker 1: with their their real life person? Yeah? I mean she's
• 16:38
  Speaker 1: just so upbeating positive anyway. But as you saw in
• 16:42
  Speaker 1: the Friends Giving, she's very introspective and philosophical, you know,
• 16:47
  Speaker 1: extremely bright. Not that Bad Bat wasn't, but she was
• 16:50
  Speaker 1: just a different kind of smart. Right. But but you know,
• 16:56
  Speaker 1: Sally herself is so self aware and she's so studied
• 17:00
  Speaker 1: and she just really knows who she is. And I
• 17:01
  Speaker 1: think Bad Bad is too, just in a different way. Um,
• 17:06
  Speaker 1: But yeah, but I mean, look, Sally is such a professional.
• 17:08
  Speaker 1: She comes on the set and she's on and her
• 17:11
  Speaker 1: job when she's not acting in between setups is to
• 17:14
  Speaker 1: keep that place light. And I think the real theater
• 17:17
  Speaker 1: professionals know how to do that because they want the
• 17:20
  Speaker 1: set to not get tight or tense or boring or
• 17:23
  Speaker 1: the energy low. They want to keep it up, so
• 17:26
  Speaker 1: they tell stories, they tell jokes, they sing songs, They
• 17:29
  Speaker 1: keep it up and lively, and they keep everybody happy
• 17:31
  Speaker 1: because they want those They want the atoms to be
• 17:33
  Speaker 1: flying around and everything positive. So that's when they do
• 17:36
  Speaker 1: their best work. It's really making me want to know
• 17:39
  Speaker 1: from you, what does it feel like to Scott Patterson
• 17:44
  Speaker 1: that you are Luke like? Truly? For millions of people,
• 17:50
  Speaker 1: you will never really be Scott You're always going to
• 17:54
  Speaker 1: have an element of oh, that's Luke to them. I
• 17:57
  Speaker 1: have that same thing with Sarah Jessica Parker, Like I
• 17:59
  Speaker 1: don't really know where Harry Bradshaw ends and Sarah Jessica
• 18:02
  Speaker 1: Parker begins because to me, I just worship them both
• 18:07
  Speaker 1: because I love Carrie Bradshaw. So, like, what does that
• 18:09
  Speaker 1: feel like to you, that like you are Luke. I
• 18:12
  Speaker 1: don't know that you'll have another role that defines you. No,
• 18:17
  Speaker 1: probably not know, most likely not. Um, what does it
• 18:22
  Speaker 1: feel like? It's just it's just such a it's just
• 18:25
  Speaker 1: another person. It's just a I don't know, I feel
• 18:30
  Speaker 1: like an accomplished craftsman who crafted a character, and I
• 18:36
  Speaker 1: feel like I did a good job so far from
• 18:40
  Speaker 1: what I'm saying. I'm not like, you know, a percent
• 18:42
  Speaker 1: on and there's some flaws here and there, but I
• 18:47
  Speaker 1: don't know, I just feel good about it, you know,
• 18:50
  Speaker 1: I feel good about it. I mean, I it's like
• 18:52
  Speaker 1: everywhere I go, people recognize me and they're just you know,
• 18:56
  Speaker 1: they get to have their I mean, there's a there's
• 18:59
  Speaker 1: a girl that him who I do videos for her mother,
• 19:01
  Speaker 1: sick mother up in Minnesota, and she they're just so nice.
• 19:05
  Speaker 1: They come up and say, oh my god, my mom
• 19:06
  Speaker 1: and I bonded over you, and she's not doing well
• 19:09
  Speaker 1: and she's going in for a surgery and a procedure.
• 19:12
  Speaker 1: Could you could you just say hi to her? Or
• 19:15
  Speaker 1: can I take a photo with you? You know, let's
• 19:17
  Speaker 1: let's so, I've done like two videos. Every time I
• 19:20
  Speaker 1: go into gym, I'm doing a video for her mom
• 19:21
  Speaker 1: because I want her mom to feel better. So it's
• 19:23
  Speaker 1: like it's almost like this gift where you know, you
• 19:27
  Speaker 1: can share this with people and it just lifts their spirits.
• 19:30
  Speaker 1: I mean, nobody's coming up to me as Scott and saying, hey,
• 19:32
  Speaker 1: you look like a real swell guy. My mom is
• 19:35
  Speaker 1: not feeling well. Could you make a little video for
• 19:40
  Speaker 1: It's just it's just due the fact that these people,
• 19:44
  Speaker 1: you know, bonded over this show, and you know, it's
• 19:48
  Speaker 1: it's it's a very it's and I don't want to
• 19:51
  Speaker 1: sound too cornball here, but it's kind of responsibility. I
• 19:54
  Speaker 1: feel a responsible I feel a responsibility to the fans.
• 19:57
  Speaker 1: I do. If someone met you and then they walk
• 20:00
  Speaker 1: away and they're like, Luke's an asshole, that'd be awful.
• 20:07
  Speaker 1: That's probably happened a future maybe at the golf course.
• 20:13
  Speaker 1: You know, it's interesting because only only two old men
• 20:17
  Speaker 1: who try to steal my golf balls when I'm not looking.
• 20:19
  Speaker 1: Then I'm a little bit like get away from It's
• 20:22
  Speaker 1: interesting to think about because Milo really is Jess, but
• 20:28
  Speaker 1: he also is the is the guy from this is? Uh? Now?
• 20:33
  Speaker 1: For Lauren, I think she is Laurel. I like, even
• 20:37
  Speaker 1: though she went on in Parenthood was amazing, I still
• 20:39
  Speaker 1: am like, she's still Laureally. She's not getting away from that.
• 20:44
  Speaker 1: You know about the girl from the Mighty Ducks, It's like,
• 20:49
  Speaker 1: that's Laurali in the Mighty although alexis to me when
• 20:54
  Speaker 1: I think of her now, it's hard for me to
• 20:57
  Speaker 1: not think of The Handmaid's Tale because the performance is
• 21:00
  Speaker 1: Sisterhood of the Traveling Pants. Come on, Alexi's Middell is
• 21:06
  Speaker 1: Sisterhood of the Traveling Pants. Riley backed me up. First
• 21:12
  Speaker 1: thing that comes to mind, I never never those I
• 21:17
  Speaker 1: never saw those movies. Although I hear they're delightful. I
• 21:20
  Speaker 1: wouldn't have even thought of that. To me, it's rory.
• 21:24
  Speaker 1: But then the Handmaid's Tale is just if you haven't
• 21:28
  Speaker 1: seen that, it is unbelievable. I mean it'll. But I
• 21:32
  Speaker 1: think if you're handed things that are well written and
• 21:36
  Speaker 1: well crafted to begin with, and you don't screw them up,
• 21:40
  Speaker 1: you've got half a shot at leaving some what of
• 21:43
  Speaker 1: a legacy, you know, behind, You've got a shot. And
• 21:46
  Speaker 1: I think that's what happened here with this character and
• 21:49
  Speaker 1: with other characters in the show. People are leaving behind
• 21:51
  Speaker 1: a legacy for for people to hang onto. Well. I
• 21:55
  Speaker 1: love that you bring that up, because in this maybe
• 21:57
  Speaker 1: one of the reasons this episode is so wonderful is
• 22:00
  Speaker 1: because we get a little glimpse of Luke as a kid,
• 22:04
  Speaker 1: just with the Mia and Taylor and then the Star
• 22:08
  Speaker 1: Trek references, Like there's just some things where we're like,
• 22:12
  Speaker 1: this guy was a kid once, which I don't think
• 22:15
  Speaker 1: many people think about because he's so gruff manly. Luke. Yeah,
• 22:23
  Speaker 1: you know, gosh, it's hard for me to really evaluate
• 22:31
  Speaker 1: Luke with this hard shell, you know. I just it's
• 22:36
  Speaker 1: just how it felt. It felt right, It's just like
• 22:40
  Speaker 1: this has to be, this is how it's going to be.
• 22:43
  Speaker 1: This character came alive in me, and this was the interpretation.
• 22:47
  Speaker 1: It's just an interpretation and different actors going to interpret
• 22:50
  Speaker 1: it differently. Um but it's just how I did it
• 22:53
  Speaker 1: and it's nothing like me. Well, there are some aspects,
• 22:58
  Speaker 1: but it's but it's I can't evaluate it. I can't
• 23:02
  Speaker 1: really I love his fierce loyalty. I don't. I don't
• 23:06
  Speaker 1: know why. I think. I don't understand as well as fans,
• 23:10
  Speaker 1: um are people that can be uh objective about it
• 23:16
  Speaker 1: um as to why he had such an ympy so likable.
• 23:19
  Speaker 1: Because I will say this, even though it's like a
• 23:22
  Speaker 1: little bit embarrassing and I'm not fishing no, but this
• 23:26
  Speaker 1: is what I will say. Twenty years ago, when I
• 23:28
  Speaker 1: watched this show for the first time, it was like
• 23:32
  Speaker 1: the ultimate crush on Luke and I think I'm telling
• 23:36
  Speaker 1: you I think that I think a lot of puzz pause,
• 23:40
  Speaker 1: hang on, we need to discuss I don't I still do,
• 23:49
  Speaker 1: because you feel it's really weird. When I watched these episodes,
• 23:54
  Speaker 1: it's not this same. I don't you guys don't good
• 24:01
  Speaker 1: on Luke and I even now when I watch it,
• 24:04
  Speaker 1: I still crush on Luke. Oh my god, somebody. I
• 24:07
  Speaker 1: hope people defend me on this. I'm not saying I'm like, oh,
• 24:10
  Speaker 1: I love Scott like it's like I love Luke, you'll
• 24:17
  Speaker 1: covering her eyes. I would like to know that Amy's
• 24:20
  Speaker 1: as red as her red sweater that she's wearing. I'm
• 24:25
  Speaker 1: telling you the people look. I think I think I
• 24:29
  Speaker 1: walked into something that was so well drawn to begin
• 24:33
  Speaker 1: with that it was going to be very difficult to
• 24:35
  Speaker 1: look bad in that role, no matter who you put
• 24:38
  Speaker 1: in there. But I think I gave it a specific flavor.
• 24:40
  Speaker 1: Somebody else could have given it another flavor, maybe equally
• 24:44
  Speaker 1: as appealing. Who knows, But it just felt because all
• 24:49
  Speaker 1: that comes to mind is Eric Sulton Back to the
• 24:51
  Speaker 1: Future and it's it's so bad and Michael J. Fox
• 24:58
  Speaker 1: is it one of my favorite movies of all time?
• 25:03
  Speaker 1: And Eric stold. So I don't think that any actor
• 25:06
  Speaker 1: can just nail apart. It's like, it's gotta right, it's
• 25:10
  Speaker 1: gotta be a perfect fit. And I think right, I
• 25:14
  Speaker 1: believe that. And I feel the same way about Lauren
• 25:17
  Speaker 1: playing Laura Line. I agree with you. I agree with you.
• 25:22
  Speaker 1: I think that was her role that she was meant
• 25:25
  Speaker 1: to play. And I think Luke was my role that
• 25:27
  Speaker 1: I was meant to play. Nobody else could have played it.
• 25:30
  Speaker 1: Um and there you go. It's just I mean it's
• 25:34
  Speaker 1: like you hang in there long enough, you know something
• 25:37
  Speaker 1: might come. Can we talk about toaster gate? Toaster gate?
• 25:43
  Speaker 1: So Luke working on the toast Do we need to
• 25:46
  Speaker 1: take a break and then we'll talk about toaster gate. Yeah,
• 25:49
  Speaker 1: let's take a break. You know what before we get
• 25:51
  Speaker 1: let's leave the fans just panting with anticipation over a
• 25:55
  Speaker 1: toaster gate. What could that possibly bring. We're gonna take
• 25:59
  Speaker 1: a break. We're gonna tell all off. Everybody's taking a knee.
• 26:01
  Speaker 1: We're gonna get some gatorade. We're gonna be fine. Alright, alright,
• 26:04
  Speaker 1: al everybody. We'll be back after these words. Yeah, al right, everybody,
• 26:12
  Speaker 1: we're back, and we're going to talk about toaster gate.
• 26:16
  Speaker 1: Dubbed by Amy Sugarman. Uh that sugarman, sugar shock. Uh?
• 26:24
  Speaker 1: Are you going to open that store? Are we do
• 26:26
  Speaker 1: want to open that store? Su Amy? Sugar Shack Chocolate,
• 26:32
  Speaker 1: Tory Chocolate, Arrian, Let's keep We'll keep trying. I don't know,
• 26:37
  Speaker 1: did you say there's not a lot of money in chocolate.
• 26:41
  Speaker 1: I think chocolate is a tough business, and I think
• 26:44
  Speaker 1: it's it's a highly saturated field. I love asking you
• 26:48
  Speaker 1: about money, particularly right now as Laurel. I went to
• 26:52
  Speaker 1: Luke to learn about her LLC and all the right thing, right,
• 26:56
  Speaker 1: building the moat around your personal money in your home
• 27:03
  Speaker 1: toaster gate. Well, alright, so listen when when the young
• 27:09
  Speaker 1: uns get taken out to the wood ship to get
• 27:12
  Speaker 1: get their cane in. Uh, and they learned their lessons
• 27:16
  Speaker 1: from their sore rumps. Uh. Then they come in and
• 27:20
  Speaker 1: fix the toaster, but they don't tell you about it.
• 27:23
  Speaker 1: They just do it grudgingly, right, and uh, you know,
• 27:27
  Speaker 1: Luke was sitting there fixing a toaster. I guess Jess
• 27:30
  Speaker 1: is some kind of mechanical genius because he saw that
• 27:33
  Speaker 1: it wasn't working and it wasn't gonna work the way
• 27:35
  Speaker 1: I was doing it because I was like jamming a
• 27:37
  Speaker 1: screwdriver down. Yeah, well it was unplugged. I mean, I mean,
• 27:43
  Speaker 1: I'm not an idiot, right, I'm I'm not gonna like,
• 27:47
  Speaker 1: can you imagine that looks electrocuted or electrocuted. So anyway,
• 27:55
  Speaker 1: Jess comes along Chris. He says, you're not doing it right. Whatever,
• 27:58
  Speaker 1: And then then after his tongue lashing from Rory, that's
• 28:03
  Speaker 1: what I was going to ask over his mischief, right,
• 28:07
  Speaker 1: And of course Jess always uses that to provoke, and
• 28:10
  Speaker 1: Dean was provoked, and I love Dean's little look at
• 28:13
  Speaker 1: him as he was walking away, like what just happened?
• 28:17
  Speaker 1: It's like, I want to kick this kid's head. I
• 28:21
  Speaker 1: don't know if i'd mess with Dean. I mean we're talking,
• 28:23
  Speaker 1: you know my what Spilo five nine and and and
• 28:27
  Speaker 1: Jared six four. I mean they're gonna they're gonna go
• 28:30
  Speaker 1: up against each He's gonna go up against six four
• 28:34
  Speaker 1: every time. Jez scrappy? Is he scrappy? He's smart. That's
• 28:41
  Speaker 1: why Jess is like a freaking genius. But keep going
• 28:44
  Speaker 1: about toaster Gate. He kind of is right character. Um,
• 28:50
  Speaker 1: So then you know, towards the end UH of the episode,
• 28:54
  Speaker 1: Luke sees that the toaster is fixed, and we all
• 28:56
  Speaker 1: see that it's it's it's Jesse's doing because Jess walking
• 29:00
  Speaker 1: lance glance ry the glance right right, and then the
• 29:04
  Speaker 1: glance at Rory, and then it's like Mr Cool is
• 29:08
  Speaker 1: out the door, He's got everything under control. Yeah, Mr
• 29:12
  Speaker 1: Cool's out the door. But exactly Mr Cool's out the door. Yeah.
• 29:16
  Speaker 1: I think it's major because Rory is the really the
• 29:24
  Speaker 1: only one that's got an influence over Jess. And she
• 29:29
  Speaker 1: really does. That scene was major when she's talking to
• 29:35
  Speaker 1: him and saying, you're hurting Luke and I can't stand
• 29:41
  Speaker 1: here and allow it. Right, Well, you're dealing with a
• 29:46
  Speaker 1: sixteen year old girl who has substance, who is still
• 29:51
  Speaker 1: sixteen year old girl, but she's a little more mature
• 29:53
  Speaker 1: for her age than your average sixteen year old girl.
• 29:56
  Speaker 1: And yeah, you're a great looking guy and you're super
• 29:58
  Speaker 1: cool and you're James Dean, come back to life, the
• 30:00
  Speaker 1: whole deal. But that don't impress me none unless you're
• 30:05
  Speaker 1: a good person, you know, because we live in a
• 30:07
  Speaker 1: small town here, and your values are not aligning with
• 30:11
  Speaker 1: these town values. Yeah, okay, so you know, you go
• 30:15
  Speaker 1: be cute somewhere else. Yeah, that's finally she stood up
• 30:21
  Speaker 1: for Luke. I loved it, both did in this episode.
• 30:26
  Speaker 1: And uh, I liked it too. I thought they that's
• 30:30
  Speaker 1: their boy you know. It was very BOYFRIENDI fatherly, just
• 30:35
  Speaker 1: very like it was important. That's That's was my takeaway. Yeah,
• 30:43
  Speaker 1: really solidified them as a unit, at least on a
• 30:46
  Speaker 1: friendship level, potentially a romantic level, and how she views
• 30:51
  Speaker 1: Luke and how her real feelings came out about Luke,
• 30:53
  Speaker 1: about what a what a good influence. He's been on
• 30:56
  Speaker 1: her life and has had her back. So it's like,
• 30:59
  Speaker 1: you know, we don't do that around here, buddy. You know,
• 31:02
  Speaker 1: she'll stomp on him. She'll she'll stomp on him. He
• 31:06
  Speaker 1: messes with he continues to miss them. Luke. So yeah,
• 31:09
  Speaker 1: I think it's nothing Luke did or said. That was
• 31:12
  Speaker 1: the wake up call. Rory gave him the wake up.
• 31:15
  Speaker 1: So for me, the two most important moments were Toastergate
• 31:20
  Speaker 1: and Emily Is both brief moments. But Emily and Mia, Wow,
• 31:28
  Speaker 1: yeah that was that was heavy. It was a tear
• 31:31
  Speaker 1: jerking moment for sure. Not a dry eye in my
• 31:34
  Speaker 1: media room, let me yeah. And okay, so let me
• 31:38
  Speaker 1: ask you this to start. You're Mia, Loria comes to
• 31:42
  Speaker 1: her in, she's cold, she's wet, she's got the baby.
• 31:45
  Speaker 1: Do you do what she did? Or do you do
• 31:48
  Speaker 1: what Emily said she should have done? That was crucial
• 31:54
  Speaker 1: line and what a what a great line, you know.
• 31:58
  Speaker 1: And I'll set it up for the other and say,
• 32:00
  Speaker 1: already know. But it's like Emily said to her, Yes,
• 32:03
  Speaker 1: I took her in and took care of her. And
• 32:06
  Speaker 1: Emily said, did it ever occur to you to maybe
• 32:08
  Speaker 1: just turn her around and send her home. And it
• 32:13
  Speaker 1: was just so I mean, that's the thing about Kelly Bishop,
• 32:18
  Speaker 1: how she can play a scene on so many different
• 32:22
  Speaker 1: levels emotionally, the range of her feelings and the range
• 32:26
  Speaker 1: of her emotions. Um that that that was dancing across
• 32:32
  Speaker 1: her face, and you could just the flicker in her
• 32:34
  Speaker 1: eyes about the guilt she felt and the anger that
• 32:39
  Speaker 1: she felt that she wasn't um that Mia didn't turn
• 32:43
  Speaker 1: around and send her home. It's her daughter, that's my
• 32:46
  Speaker 1: granddaughter and my daughter. How dare you? You know? Why
• 32:49
  Speaker 1: didn't you? And then the regret as she turned around
• 32:52
  Speaker 1: and the grand lady that she is thanking showing that
• 32:57
  Speaker 1: vulnerability and saying thank you at the end of it
• 33:02
  Speaker 1: broke my heart. I agree, it's just heartbreaking right now
• 33:05
  Speaker 1: talking about it because I don't know, you know, usually
• 33:09
  Speaker 1: I'm like, that person's right, that person is wrong. I
• 33:12
  Speaker 1: don't know who was right or wrong in that she
• 33:17
  Speaker 1: was right and she was wrong, I guess, but you know,
• 33:20
  Speaker 1: she heard on the side of caution. She listened to
• 33:22
  Speaker 1: a sixteen year old girl's tail of She felt abandoned
• 33:28
  Speaker 1: by her family, she felt out of touch with her family,
• 33:30
  Speaker 1: she felt like all this life was being shoved down
• 33:33
  Speaker 1: her throat and she had to escape because she didn't
• 33:36
  Speaker 1: feel it, she didn't want it. Obviously, there's a lot
• 33:40
  Speaker 1: we don't know it right, right, right, So it's it's
• 33:43
  Speaker 1: it's active in our minds and our imaginations about what
• 33:45
  Speaker 1: really went down, the nuance of that scene. I mean,
• 33:49
  Speaker 1: I could, I could just start crying right now, because
• 33:53
  Speaker 1: when she walks away and she you know, she bombed,
• 33:55
  Speaker 1: she kind of mic drops her like I would have
• 33:58
  Speaker 1: turned her around and sent her back to her family.
• 34:00
  Speaker 1: And then she walks to the door and she looks
• 34:02
  Speaker 1: back and says, oh my god, I'm crying. I can't
• 34:05
  Speaker 1: And I say this when she said, oh my, do
• 34:11
  Speaker 1: you have pictures? And then Nia says, I'll have a
• 34:15
  Speaker 1: box to you tomorrow, and the like conversation with two
• 34:19
  Speaker 1: of them. It's because because it's the loss of time,
• 34:26
  Speaker 1: it's the loss. It's a mother's loss of her daughter
• 34:31
  Speaker 1: because she is lost to her. They are two completely
• 34:35
  Speaker 1: separate entities, they are not bonded, and she wants to
• 34:39
  Speaker 1: be so bad and it's the same pain you felt
• 34:42
  Speaker 1: when she realized, let's reach out and give any virtual good.
• 34:46
  Speaker 1: It's because and then Nia is so fine and says,
• 34:50
  Speaker 1: I'll have the box to tomorrow. I mean, the level
• 34:54
  Speaker 1: of humanity in that scene was second to none. I
• 35:00
  Speaker 1: mean there's a lot of humanity in that show. I
• 35:02
  Speaker 1: mean there's a lot of goodness and and values in
• 35:05
  Speaker 1: that show. At that moment, I don't know that there's
• 35:08
  Speaker 1: been a more humanity in anything, because it was just
• 35:12
  Speaker 1: so stark, so so clear of the loss of my
• 35:17
  Speaker 1: daughter and Emily feeling it's so deeply and how she's
• 35:20
  Speaker 1: going to express that to me because she was angry
• 35:24
  Speaker 1: at her. She she tongue last year a little bit,
• 35:27
  Speaker 1: she thanked her, She was grateful for her. You're the
• 35:31
  Speaker 1: woman that replaced me. You're the woman that I should
• 35:34
  Speaker 1: have been to my daughter. If I were more like you, Mia,
• 35:37
  Speaker 1: I would not have lost her. Me And knowing who
• 35:41
  Speaker 1: she was and knowing I knew you'd come, I knew
• 35:45
  Speaker 1: we would have this moment. M hmm, it was fate. Yeah,
• 35:49
  Speaker 1: it was. It was the most maybe the most powerful
• 35:52
  Speaker 1: moment of the show. Yeah. I would say up there,
• 35:56
  Speaker 1: Richard's heart attack stands out to me as that was
• 36:00
  Speaker 1: very significant. But that right, but that was out of nowhere.
• 36:04
  Speaker 1: That just sort of came out of nowhere. It was powerful.
• 36:06
  Speaker 1: I agree with you, but I think that I think
• 36:09
  Speaker 1: that moment had that moment had been set up since
• 36:13
  Speaker 1: day one. Yeah, I can't think of another moment so far.
• 36:18
  Speaker 1: And each episode kept tilling the soil and planting the seeds,
• 36:22
  Speaker 1: and you know, we were watching this moment grow and
• 36:24
  Speaker 1: grow and grow until it finally matured in that scene
• 36:26
  Speaker 1: and it was like it was devastay. I did too.
• 36:31
  Speaker 1: I mean I I cried my eyes out last night.
• 36:35
  Speaker 1: It was it was And then my wife, my wife
• 36:38
  Speaker 1: knocks on the door says, are you okay? No, just
• 36:40
  Speaker 1: watching the football game. You know, I'm a little upset.
• 36:45
  Speaker 1: The fight, the fight between Loralai and Suki was also
• 36:53
  Speaker 1: not as emotional but more painful, Like, oh god, that
• 36:59
  Speaker 1: kind of took a back. Yeah, this was more Yeah,
• 37:04
  Speaker 1: that fight between Laurela and not to jump around, but um,
• 37:08
  Speaker 1: that's kind of what we do here. Uh, we don't
• 37:12
  Speaker 1: have any plans, but you know that's the beauty of it.
• 37:16
  Speaker 1: That's what I love about it. It's just you know,
• 37:18
  Speaker 1: I love freestyling with you guys. Um, but you know,
• 37:22
  Speaker 1: it's it lacked, it lacks some impact. But it was
• 37:27
  Speaker 1: also very necessary that maybe that arc, you know, that
• 37:31
  Speaker 1: storyline with the fight and then getting back, you know,
• 37:34
  Speaker 1: making up. You know, that's all necessary to show the stakes,
• 37:40
  Speaker 1: how how high the stakes are for those two that
• 37:44
  Speaker 1: I was all m m. Because then Emily comes on
• 37:48
  Speaker 1: stage and it's all over, folks, because you know, this
• 37:50
  Speaker 1: is this is what it's about. Right, It's like keeping
• 37:53
  Speaker 1: to the portrait. You know, it's not it's not called
• 37:56
  Speaker 1: Gilmore girls in the chef, right, was just just holding
• 38:01
  Speaker 1: her arm up. Everybody needs to send in their weird
• 38:07
  Speaker 1: ass portraits, like I mean, I've seen some creepy ones,
• 38:12
  Speaker 1: like have you ever that I don't know. I don't
• 38:14
  Speaker 1: think it's a thing as much anymore. But when I
• 38:16
  Speaker 1: was young, everyone was getting their portrait done and I
• 38:19
  Speaker 1: used quotes and it was so the paintings turned out
• 38:23
  Speaker 1: so creepy. I was not, uh ever, asked to pose
• 38:30
  Speaker 1: for a portrait. I was not privy. I was not
• 38:34
  Speaker 1: aware that anybody in in my neighborhood was posing for portraits.
• 38:38
  Speaker 1: We were a portrait family, but we did photo. We
• 38:41
  Speaker 1: had to go and get our photo. And I'm not
• 38:44
  Speaker 1: saying sears like this was like, but in my town, yes,
• 38:48
  Speaker 1: there was this artist and she did all the portraits
• 38:51
  Speaker 1: and it's quite expensive. And it was exactly like that
• 38:53
  Speaker 1: where you had to sit there for a hundred hours
• 38:55
  Speaker 1: and like pose and then they got painted and then
• 38:59
  Speaker 1: they You know, that's really nice. That's a nice family
• 39:04
  Speaker 1: thing to do. I mean, that's a nice bonding experience.
• 39:08
  Speaker 1: I don't know, I think, Yeah, I'm curious how many
• 39:10
  Speaker 1: people have some great I think I actually might. I
• 39:14
  Speaker 1: guess I think I might do that with my family.
• 39:16
  Speaker 1: You should, Yeah, I think I'm gonna do it. That's
• 39:20
  Speaker 1: kind of nice. I'd love to have a can hold
• 39:22
  Speaker 1: his arm up with a swan in front of him
• 39:26
  Speaker 1: with a robot. God, you guys have to take I
• 39:31
  Speaker 1: cried so much. I'm literally going to have to take
• 39:33
  Speaker 1: advil after this show. Oh, because you're you're blocked up.
• 39:40
  Speaker 1: Oh my goodness, Oh my gosh. Yeah. It was. It
• 39:44
  Speaker 1: was a powerful, powerful episode. It really showed everybody in
• 39:47
  Speaker 1: their best light and their most vulnerable, and they're most
• 39:50
  Speaker 1: giving and their most supportive. And it was just a
• 39:53
  Speaker 1: joy to watch that happen and setting us so on
• 39:56
  Speaker 1: a trajectory and so many things. Yeah, and I knew
• 40:01
  Speaker 1: any moment that Paris was not going to show up,
• 40:04
  Speaker 1: and I was just so relieved I needed a break
• 40:06
  Speaker 1: from her. But I going to grow on you, I do,
• 40:12
  Speaker 1: I do. I want to get to the point where
• 40:13
  Speaker 1: I'm entertained by it. But it's just Harris is my favorite.
• 40:19
  Speaker 1: Really yeah, I just think she's she's turned into a
• 40:22
  Speaker 1: cartoon and it's kind of over for that character. For me.
• 40:25
  Speaker 1: I don't get why anybody she needs to be in therapy.
• 40:31
  Speaker 1: It's just like it's it's too It's just too much,
• 40:34
  Speaker 1: which is why she's my favorite Character's too hateful, I
• 40:38
  Speaker 1: will say. Also, I love food in the show looks
• 40:44
  Speaker 1: so incredible. Like there's a scene where Laura goes into
• 40:48
  Speaker 1: the kitchen and I'm like, literally, that food. This is
• 40:52
  Speaker 1: the most delicious, beautiful looking television food I've ever seen
• 40:58
  Speaker 1: in my home. It's really they did a great job
• 41:02
  Speaker 1: on that. Um I was salivating. I mean, I watched
• 41:06
  Speaker 1: the episode after dinner and I was got hungry again,
• 41:08
  Speaker 1: so I had to get a second Hopings kitchen. And
• 41:12
  Speaker 1: it's like it's a testament to Melissa's acting because she's
• 41:16
  Speaker 1: so good at at acting like a chef and doing
• 41:20
  Speaker 1: homework and all of that stuff she's doing is what
• 41:23
  Speaker 1: a chef would be doing. I thought the same thing.
• 41:25
  Speaker 1: So it looks like, oh, this is a real chef
• 41:28
  Speaker 1: preparing a real meal and it's very special, and oh
• 41:31
  Speaker 1: you can smell it, you want to taste it. I mean,
• 41:34
  Speaker 1: it feels like it's almost time. It's almost that time.
• 41:37
  Speaker 1: I don't know what else? What else haven't we Uh,
• 41:40
  Speaker 1: there's got to be something that we didn't. We didn't come.
• 41:43
  Speaker 1: We nailed it. I think we'll talk more about your
• 41:46
  Speaker 1: star trek love and pop culture. I think there was
• 41:49
  Speaker 1: some mention of Luke skateboarding, which I thought, Oh, that's
• 41:53
  Speaker 1: that's an unexpected I didn't picture that. I did. I'd
• 41:57
  Speaker 1: skateboarded as a kid too. That's when it was the
• 41:59
  Speaker 1: craze was just beginning. I was out in front of
• 42:03
  Speaker 1: my house, skateborn down the street with all my friends.
• 42:07
  Speaker 1: Oh you know, I do have one question, and everyone's
• 42:09
  Speaker 1: gonna be mad that I don't know this, But is
• 42:13
  Speaker 1: the woman that owns the Rachel property the same woman
• 42:16
  Speaker 1: that did the wedding cake? Is that the same bakery?
• 42:20
  Speaker 1: Is that? Who that is? Does anyone known? You? Try
• 42:24
  Speaker 1: to figure that out? So and we might have to
• 42:27
  Speaker 1: do it next week because it might be a little
• 42:30
  Speaker 1: bit more of a dig. But is that the same woman?
• 42:34
  Speaker 1: But isn't it? But isn't an interesting Her function in
• 42:36
  Speaker 1: the show was to set up because she couldn't let
• 42:42
  Speaker 1: go of the dragon play in because it was like
• 42:43
  Speaker 1: her child. She didn't have any she didn't have any children,
• 42:47
  Speaker 1: and everybody was dead. She was the last one a
• 42:50
  Speaker 1: line larious by the way. Her only family was that
• 42:54
  Speaker 1: that broken down dragonflay In. So she's definitely not going
• 42:57
  Speaker 1: to sell it. S like, what are you gonna do
• 42:58
  Speaker 1: with it after you die? But they don't to say.
• 43:01
  Speaker 1: And then the shock and then the shock on Laurelized
• 43:03
  Speaker 1: face when MIAs seemed pleased that she was leaving because
• 43:06
  Speaker 1: oh gosh, now I can take one of the offers
• 43:09
  Speaker 1: and I can sell it and move on the independence
• 43:12
  Speaker 1: in that is I'm talking about, and it just and
• 43:14
  Speaker 1: then it hit laurelh my god, It's like my life
• 43:18
  Speaker 1: is really changing and I'm like getting out of my
• 43:20
  Speaker 1: comfort zone a little here. I'm so comfortable in this town.
• 43:22
  Speaker 1: I love this town, I love this job, I love
• 43:24
  Speaker 1: these people. This woman has been so supportive. I raised
• 43:27
  Speaker 1: my baby here, you know, And now it's just gonna
• 43:31
  Speaker 1: be in New Ownership and I'm not going to be
• 43:33
  Speaker 1: here anymore, and I will say before we do. Popults
• 43:36
  Speaker 1: are subtle but important. Was the mention of Richard in
• 43:39
  Speaker 1: Akron that it's like he's gone to Akron to sort
• 43:45
  Speaker 1: of do this crappy insurance thing so that we don't
• 43:49
  Speaker 1: forget Richard's work is a little messed up right now.
• 43:54
  Speaker 1: So yeah, they're too too exactly. There are to um
• 44:03
  Speaker 1: two places in this episode that bugged me that I
• 44:06
  Speaker 1: didn't think really I thought they should have. I did
• 44:10
  Speaker 1: not like the opening. I did not like how it
• 44:13
  Speaker 1: made Laurel I look, I didn't that dinner table stuff
• 44:15
  Speaker 1: was Yeah, the portrait conversation with Moral I being so
• 44:21
  Speaker 1: antagonistic and childish about it, and I just thought, boy,
• 44:24
  Speaker 1: this is over the top. I mean, aren't we beyond
• 44:26
  Speaker 1: this now? Um? Sorry, that's just how I felt. You know.
• 44:31
  Speaker 1: These openings are hard, and I just I just didn't
• 44:34
  Speaker 1: like her character. It's like her care you know, I
• 44:37
  Speaker 1: go back and forth between really loving her and then
• 44:41
  Speaker 1: just sort of disliking her in these moments where she's
• 44:43
  Speaker 1: antagonizing her mother so much and to the point where
• 44:47
  Speaker 1: Emily just like slammed her fork down on the or
• 44:50
  Speaker 1: the salt shaker down on the table, just like, hey stop.
• 44:54
  Speaker 1: It's like, I don't blame her. Uh. And then you
• 44:57
  Speaker 1: know those jokes for me with me and and that
• 45:03
  Speaker 1: I can't I couldn't understand a word. And then Michelle
• 45:05
  Speaker 1: was like speaking, and then Rory was interpreting. Oh he
• 45:08
  Speaker 1: says he doesn't like you. Oh he says you should
• 45:11
  Speaker 1: get the heck out of here. You know, I didn't
• 45:13
  Speaker 1: find that funny or endearing in any way. Show. Yeah,
• 45:15
  Speaker 1: I mean that's fair. I just thought it was kind
• 45:17
  Speaker 1: of clumsy. So you know, look, as much as I
• 45:21
  Speaker 1: love this episode for me, it's my favorite episode so far,
• 45:23
  Speaker 1: there was a couple of clutches for me. And that's fair, right,
• 45:26
  Speaker 1: I Like, you know, you can't can't all be and
• 45:29
  Speaker 1: all the unicorns and rainbows and perfect. We have to
• 45:31
  Speaker 1: have some things that you're like, right, So we're gonna
• 45:35
  Speaker 1: do a pop culture Riley, We're gonna get into pop culture.
• 45:39
  Speaker 1: But Amy, that was a great call um so fran Weston,
• 45:42
  Speaker 1: who owns a little bakery. She was also in Red
• 45:44
  Speaker 1: Light on the Wedding Night, and she will be in
• 45:47
  Speaker 1: one more episode season three, episode eighteen, Happy birthday. Okay, good, Yeah,
• 45:57
  Speaker 1: you're on Riley. Let's light it up pop callure with
• 46:00
  Speaker 1: Riley pellucis Lady gentlemen, whoa, let's say that again? Who
• 46:10
  Speaker 1: with pop culture? Thank you so much for the introduction. Um,
• 46:15
  Speaker 1: so first, I'm so excited for this pop culture this episode.
• 46:18
  Speaker 1: There's some really great stuff in here. So first off,
• 46:21
  Speaker 1: Laura La is warning Rory not to ask Emily any
• 46:23
  Speaker 1: further about at dinner about the portrait, and Laura La
• 46:26
  Speaker 1: says danger Will Robinson. Danger. This is a reference to
• 46:29
  Speaker 1: Laws in Space in American science fiction television series, which
• 46:32
  Speaker 1: originally aired between nineteen sixty five and nineteen sixty eight
• 46:35
  Speaker 1: on CBS. The show's most famous catchphrase is, in fact,
• 46:38
  Speaker 1: danger Will Robinson. The phrase was actually uttered only once
• 46:42
  Speaker 1: in the entire eight three episode series. Is That Right?
• 46:47
  Speaker 1: And The series was rebooted in two thousand eighteen, and
• 46:50
  Speaker 1: the season three premiere was actually last week on the
• 46:52
  Speaker 1: sci Fi channel. Um. June Lockhart from the original series
• 46:56
  Speaker 1: had the biggest parking space on the twentieth Century Fox
• 46:59
  Speaker 1: lot because she would often drive her favorite vehicle to work,
• 47:03
  Speaker 1: which was fire engine. And Will Robinson was played by
• 47:09
  Speaker 1: Bill Mooney and the robot costume was top heavy with
• 47:14
  Speaker 1: upper section a D D five lower section. I'm not
• 47:17
  Speaker 1: really sure how anyone moves in that kind of costume.
• 47:20
  Speaker 1: And there was actually a Lost in Space film starring
• 47:24
  Speaker 1: William Hurt, Matt LeBlanc, Gary Oldman, and Heather Graham. I
• 47:28
  Speaker 1: wanted to become an actor because of William Hurts performance
• 47:31
  Speaker 1: and altered States in the early eighties. That's what made
• 47:36
  Speaker 1: me want to become a Riley that I wanted to add.
• 47:39
  Speaker 1: When you just revealed that they only said danger Will
• 47:44
  Speaker 1: Robinson once, it made me look up this and it
• 47:48
  Speaker 1: will lead us into some of our Star Trek pop culture,
• 47:51
  Speaker 1: you know, beam me up, Scottie. Though it has become
• 47:56
  Speaker 1: irrevocably associated with the series and films, the exact is
• 48:00
  Speaker 1: was never actually spoken in any Star Trek television episodes
• 48:05
  Speaker 1: or film. How is that possible? Shatner. So we might
• 48:13
  Speaker 1: have to do some more digging on that. But that's
• 48:15
  Speaker 1: what's so crazy, Like people say dameser Will Robinson in
• 48:19
  Speaker 1: pact like all the time? How the timing? We just
• 48:23
  Speaker 1: I just did New York Comic Con and I was
• 48:25
  Speaker 1: sitting at a table in the green room with William Shatner.
• 48:27
  Speaker 1: I could have asked him, oh, before he went to
• 48:30
  Speaker 1: space or after before like a couple of days before
• 48:33
  Speaker 1: he went to space, he was talking about going to space.
• 48:37
  Speaker 1: We're all sitting around listening to Riley. Can we do
• 48:40
  Speaker 1: the Star Trek ones now? Because Riley and I were
• 48:43
  Speaker 1: going over this yesterday and we had the big debate
• 48:45
  Speaker 1: because who's hotter Shatner or Chris Pine. And here's the thing.
• 48:51
  Speaker 1: Shatner was a hottie when he was on Star Trek.
• 48:55
  Speaker 1: Like I get now he's ninety, but like when he
• 48:58
  Speaker 1: was Captain Kirk in the g TV show, Babe, he
• 49:03
  Speaker 1: was a babe. I'm going to refuse myself from this conversation.
• 49:09
  Speaker 1: I'm a photo. Really, go ahead, have had it well?
• 49:14
  Speaker 1: Speaking of beat me up Scotty was actually said in
• 49:16
  Speaker 1: this episode. Lorelei says, Yeah, the town's too dull to
• 49:20
  Speaker 1: work up a real murder. Roy says, but you're one
• 49:22
  Speaker 1: beat me up Scotty reference away from being the victim
• 49:25
  Speaker 1: of one. I'm holding up a photo of Shatner when
• 49:30
  Speaker 1: he was in his early days as Captain Kirk. It's
• 49:34
  Speaker 1: like Marlon brownerous, continue, look at that. There you go.
• 49:42
  Speaker 1: So as we talked about. Beat me Up Scotti is
• 49:44
  Speaker 1: a popular catchphrase that made its way into culture from
• 49:47
  Speaker 1: the television series Star Trek. The original series um Actually,
• 49:50
  Speaker 1: when NBC was promoting Star Trek and magazines, all shots
• 49:53
  Speaker 1: of spots pointed, eyebrows and ears were airbrushed out of
• 49:56
  Speaker 1: the pictures because NBC thought that no one would want
• 49:58
  Speaker 1: to watch the show due to box resemblance to the Devil,
• 50:02
  Speaker 1: which is weird. However, this concern is quickly invalidated upon
• 50:07
  Speaker 1: the series airing, with Spock becoming not only one of
• 50:10
  Speaker 1: the most popular characters, but also a sex symbol with
• 50:13
  Speaker 1: young female agree. I think those guys were hotties back then,
• 50:25
  Speaker 1: and as we talked about on October. On October, actor
• 50:29
  Speaker 1: William Shatner UM is best known for Captain James Kirk
• 50:33
  Speaker 1: went to Space for Real aboard the Blue Origin New
• 50:36
  Speaker 1: Shepherd Rocket and this is Cool. Lucile Ball heavily advocated
• 50:42
  Speaker 1: for the show and it was largely her influence with
• 50:44
  Speaker 1: NBC which led to the Second Chance after rejection of
• 50:47
  Speaker 1: the original pilot. Shatner, Nichols, t K, and Koenig are
• 50:53
  Speaker 1: for remaining members that are still alive today and as
• 50:57
  Speaker 1: we previously mentioned. Adam Nimoy directed season one, episode three
• 51:00
  Speaker 1: of Kill Me Now and Gilmour Girls, and his father
• 51:02
  Speaker 1: is Leonard Spock, who pays Leonard was there at the Rats.
• 51:09
  Speaker 1: George Taka is, so I can't believe you met all
• 51:12
  Speaker 1: these guys and you didn't like tell us. Oh my god.
• 51:15
  Speaker 1: Now I found a picture of Shatner with his shirt off,
• 51:21
  Speaker 1: telling the post. Maybe you're having your own little experience.
• 51:27
  Speaker 1: I'm a trekker, like I love Star Trek, the real Trek.
• 51:33
  Speaker 1: He's call it being a trekker. And I know this
• 51:36
  Speaker 1: because I took a whole class of college about Star Trek.
• 51:38
  Speaker 1: My favorite Star Trek is Star Trek for the Voyage Home.
• 51:42
  Speaker 1: I've seen it like fifty times. Speaking of Sulu Um,
• 51:46
  Speaker 1: Bootsy and Luke are having their their arguments, showing photos
• 51:50
  Speaker 1: of William Shatner, Um and foods. He says. Luke has
• 51:55
  Speaker 1: been on my case since the first grade when he
• 51:57
  Speaker 1: wrongly accused me of sabotaging clay imprint that he made
• 52:00
  Speaker 1: of his hand and Loraa licens Oh think heart? Was
• 52:02
  Speaker 1: he dressed like Sulullo? Woman? Was such a good line.
• 52:07
  Speaker 1: You gotta played tars and it looks like listening knows.
• 52:11
  Speaker 1: I'm just holding up shirtless shots of Shatner. That's easy
• 52:15
  Speaker 1: to say. It's getting very blue in here on this episode.
• 52:19
  Speaker 1: We're gonna have to change. You're gonna go there, We're
• 52:21
  Speaker 1: gonna be called in front of the ratings. Boy. We
• 52:23
  Speaker 1: put a couple of shirtless shots and Instagram so everyone
• 52:26
  Speaker 1: can judge for themselves. So many things for the Instagram
• 52:31
  Speaker 1: poster gate. I want to know what the people think.
• 52:34
  Speaker 1: And can we put a shirtless shot of George here
• 52:39
  Speaker 1: and let's ask him on the to be the right thing? Na?
• 52:44
  Speaker 1: Or should Mia have done what Emily said? But anyway,
• 52:46
  Speaker 1: I digress, continue Riley. So Sula was portrayed by George
• 52:50
  Speaker 1: t kay And so Sula didn't have a first name
• 52:52
  Speaker 1: in the series, but he did get his first name
• 52:55
  Speaker 1: in the source books, but it was not spoken on
• 52:57
  Speaker 1: screen until Star Trek eleven, Undiscovered Star Trek six, Undiscovered Country.
• 53:03
  Speaker 1: So I'm thrown off to handle it anymore. You're you
• 53:06
  Speaker 1: keep going, Riley, You're doing great. I think Dr Laura
• 53:10
  Speaker 1: would give me the same advice. So it's good, Okay,
• 53:14
  Speaker 1: Moving on, lorrel I says she was scowling in the
• 53:17
  Speaker 1: family portrait. Laurel I says, I was going for a
• 53:19
  Speaker 1: Billy Idol thing. So. Billy Idol first achieved fame in
• 53:23
  Speaker 1: nineteen seventies, emerging from the London punk rock scene as
• 53:25
  Speaker 1: the lead singer of the group Generation X, and then
• 53:27
  Speaker 1: decided to go solo in Billy had a signature scal
• 53:31
  Speaker 1: which is what Loreli is referring to, and he played
• 53:35
  Speaker 1: himself in the Adam Sandler movie The Wedding Singer. He
• 53:38
  Speaker 1: nearly landed a much bigger role when he was considered
• 53:41
  Speaker 1: for the part of the T one thousand in Terminator too.
• 53:44
  Speaker 1: Some of Billy's biggest hits were Rebel Yell, White, Wedding, Nightcrawling,
• 53:48
  Speaker 1: and Eyes Without a Face. I used to live in
• 53:51
  Speaker 1: Billy Idol's apartment. My first apartment in New York City
• 53:55
  Speaker 1: was Billy Idol's old apartment, and I slept in his bed.
• 54:00
  Speaker 1: It was a round bed round yes, it was a
• 54:03
  Speaker 1: huge loft department. Some lawyer had rented it and he
• 54:07
  Speaker 1: was looking for a roommate. My very first night in
• 54:09
  Speaker 1: New York, my friend Yvonne took me to Nell's and
• 54:13
  Speaker 1: nobody got into Nell's. Madonna didn't even get to Nels Yvonne.
• 54:16
  Speaker 1: They opened up the gates for her the velvet rope.
• 54:19
  Speaker 1: We walked into Nells and here we are in Fairyland
• 54:22
  Speaker 1: and u um and I met this lawyer guy and
• 54:26
  Speaker 1: he said, you know, I'm looking for a roommate. Said, okay,
• 54:30
  Speaker 1: it was Billy Idol's a apart. We used to get
• 54:32
  Speaker 1: all his mail there. He kept getting We kept getting
• 54:34
  Speaker 1: Billy Idol's mail there and as I think his girlfriend
• 54:37
  Speaker 1: at the time, anyway, we would find a lot of
• 54:40
  Speaker 1: role up dollar bills. I'll say that this is the eighties.
• 54:46
  Speaker 1: Emily is having Rory pose for her portrait and Emily says, oh,
• 54:49
  Speaker 1: now you have a problem with swans and thrones. Laura
• 54:51
  Speaker 1: I says, because Swanson throne screamed one thing. Mom Siegfried
• 54:55
  Speaker 1: and Roy so sig Freedom woy Aer duo of German
• 54:58
  Speaker 1: American magicians and entertainers, best known for their appearances with
• 55:01
  Speaker 1: white lions and white tigers. In two thousand three, Roy
• 55:04
  Speaker 1: was attacked by a tiger on stage, leaving him partially paralyzed.
• 55:07
  Speaker 1: He never actually blamed the tiger, and actually he claimed
• 55:11
  Speaker 1: that the tigers saved his life, which I don't know.
• 55:15
  Speaker 1: It's very interesting in two thousand and four. Their act
• 55:17
  Speaker 1: became the basis for the animated sitcom Father of the Pride.
• 55:20
  Speaker 1: That's so random, but not the Father of the Bride
• 55:22
  Speaker 1: like Steve Martin one obviously, for no, it was like
• 55:26
  Speaker 1: a animated sitcom. Oh, Father, Father Pride, Father of the Pride.
• 55:34
  Speaker 1: I get it because of the lions Pride. I thought
• 55:36
  Speaker 1: you said, Father Pride. Um Sigfried sadly passed away from
• 55:42
  Speaker 1: pancreatic cancer in January of two thou and Roy passed
• 55:46
  Speaker 1: away in May to COVID complications. So Um Michelle Lowlyne
• 55:52
  Speaker 1: Suki are brainstorming on potential names for their in and
• 55:55
  Speaker 1: Michelle says, how about the money Pit, which is very
• 55:59
  Speaker 1: cheek and reference not only two. Money Pit is six
• 56:02
  Speaker 1: American comedy film starring Tom Hanks and Shelley Long as
• 56:05
  Speaker 1: a couple who attempt to renovate a recently purchase house,
• 56:09
  Speaker 1: but also cheeky because it's logical and it's gonna be
• 56:11
  Speaker 1: a money pit. For the scene with the bathtub falling
• 56:14
  Speaker 1: two floors down after being filled with water, Tom Hanks
• 56:17
  Speaker 1: does an obnoxious laugh which sounds like the imitation of
• 56:20
  Speaker 1: a sea lion. This clip of him laughing is commonly
• 56:24
  Speaker 1: used for the Universal Backlaw Tour when the tour guides
• 56:27
  Speaker 1: joke with the visitors during breaks and filming. Tom Hanks
• 56:31
  Speaker 1: like to drive around the vintage vintage Lincoln Model L
• 56:34
  Speaker 1: series classic car, which is featured in the movie, and
• 56:38
  Speaker 1: apparently Real Hell's Angel Bikers from Real Hell's Angel Chapter
• 56:42
  Speaker 1: portrayed the Hell's Angel Bikers in the movie. And finally,
• 56:46
  Speaker 1: Walter Fielding mentions to one of his colleagues about not
• 56:49
  Speaker 1: naming yourself Meryl Streep, and Tom Hanks would actually go
• 56:52
  Speaker 1: on and start with Meryl in the two thousand seventeen
• 56:55
  Speaker 1: the post This next one is my favorite. Everyone is
• 56:58
  Speaker 1: making claims about what Jess has done. Stars Hollow Laura
• 57:01
  Speaker 1: la says I heard he controls the weather and wrote
• 57:03
  Speaker 1: the screenplay A Glitter, Glitter, Glitterous This who thousand and
• 57:09
  Speaker 1: one American romantic musical drama film starring Mariah Carey, Max Beasley,
• 57:13
  Speaker 1: and Rapper de Brat. In an interview with Watch What
• 57:16
  Speaker 1: Happens Live in two thousand nine, Mariah Carey said that
• 57:19
  Speaker 1: she regrets making the film. It was such a bomb
• 57:22
  Speaker 1: and it sucked. It was so else. I really loved
• 57:28
  Speaker 1: the film. Is it one of those watchable Sunday afternoon films.
• 57:32
  Speaker 1: I loved glitter I loved it. I love the music.
• 57:38
  Speaker 1: I loved it was glittery. You know, like you loved
• 57:43
  Speaker 1: loved it or you hate watch? Did you guys know
• 57:45
  Speaker 1: that's a thing heat watching. We can talk that about
• 57:48
  Speaker 1: talk about that another time. He loved it. No, I
• 57:51
  Speaker 1: fully bought it. Time to watch things that they hate.
• 57:55
  Speaker 1: Sometimes I do. You've done some free time? Sometimes I
• 57:58
  Speaker 1: can make time. So the original cut for the film
• 58:01
  Speaker 1: ran at two and a half hours because of the music,
• 58:03
  Speaker 1: as noted by a director, was which is what made
• 58:06
  Speaker 1: the editing process so difficult. During filming, tracks using backup
• 58:10
  Speaker 1: singer Mary and Tatum were used in play some Riant
• 58:12
  Speaker 1: Carrey's voice. To avoid bootlegging, Carry recorded her vocals close
• 58:17
  Speaker 1: to release date of the soundtrack and let and all
• 58:19
  Speaker 1: the lead vocals were used. And they can't wait until
• 58:22
  Speaker 1: Scar has to review in the movie reviews, I'll be
• 58:26
  Speaker 1: counting down the days, everybody, you and Henry, that would
• 58:30
  Speaker 1: be funny. That's probably a good idea to review that movie.
• 58:36
  Speaker 1: And that's it for your pop culture. Riley, what's your
• 58:39
  Speaker 1: favorite line? Thank you? I love when they're going back
• 58:42
  Speaker 1: and forth with the names because I just feel like
• 58:44
  Speaker 1: it's just all the names are so abstorted, or the
• 58:46
  Speaker 1: inn in it's like an end that's in with the
• 58:50
  Speaker 1: in crowd. To sit down, Danielle. Okay, so mine is
• 58:56
  Speaker 1: from It was one of the first scenes. It's really
• 59:00
  Speaker 1: not like a line per se. It's just like I
• 59:04
  Speaker 1: when when they said it, it was delivered so well,
• 59:06
  Speaker 1: and I just could not stop laughing Um, LAURAAI goes
• 59:10
  Speaker 1: get out of here and Emily Emily goes, I will
• 59:13
  Speaker 1: not get out of here. I don't know why. I
• 59:15
  Speaker 1: just loved it so much. So in the town meeting,
• 59:21
  Speaker 1: the town meeting is happening and Mrs Lanahan says something
• 59:26
  Speaker 1: and LAURAA leans down and says, you really shouldn't be
• 59:30
  Speaker 1: driving anymore. Mm hmmm mm hmm. All right, I'm gonna
• 59:36
  Speaker 1: tell you the best line in the whole thing, and
• 59:38
  Speaker 1: it's gonna blow all your best lines out of the water,
• 59:41
  Speaker 1: because this was the best line in the whole episode. Okay,
• 59:46
  Speaker 1: And I'm not backing down from this line. And it
• 59:50
  Speaker 1: happened in the very first scene at the dinner table,
• 59:53
  Speaker 1: when Laurel I was being a pain in the neck
• 59:56
  Speaker 1: and Emily said, Laurel, I should I get you a
• 59:58
  Speaker 1: little mirror so that you could look at yourself while
• 1:00:00
  Speaker 1: you're having this conversation with yourself. That was funny too.
• 1:00:05
  Speaker 1: I mean that was like old school just dropping it.
• 1:00:10
  Speaker 1: Just that's a mic drop line. Terrific line. Good friend,
• 1:00:14
  Speaker 1: and I think Luke had a couple of good lines.
• 1:00:15
  Speaker 1: There was a million good lines in this episode, yeah,
• 1:00:20
  Speaker 1: including was he wearing a su shirt? My kids? What's
• 1:00:28
  Speaker 1: next week? Riley? Are we going to read the Are
• 1:00:31
  Speaker 1: we going to read the good the bad reviews? We're
• 1:00:32
  Speaker 1: out of time for that. But we forgot fashion. Everybody
• 1:00:35
  Speaker 1: needs to say their favorite fashion moment? Riley, do you
• 1:00:38
  Speaker 1: have a favorite fashion moment? I do have a favorite
• 1:00:43
  Speaker 1: fashion moment. I loved Lane's blue kind of teal turtleneck
• 1:00:48
  Speaker 1: with her denim jacket over it when they're looking at
• 1:00:51
  Speaker 1: like the chalk outline. That is very cloil. Did you
• 1:00:55
  Speaker 1: grab a fashion moment? I forgot, uh, I forgot to
• 1:01:00
  Speaker 1: do it. But our lovely producer Riley Um added some
• 1:01:04
  Speaker 1: pictures to Rundown, so I'm stealing one from there, but
• 1:01:11
  Speaker 1: I gotta give it to Dean with the long red
• 1:01:13
  Speaker 1: T shirt and the puffer jacket best over it. I
• 1:01:17
  Speaker 1: just like, I won't forget for next week to add
• 1:01:19
  Speaker 1: this to my list of tasks. I blew it this week.
• 1:01:26
  Speaker 1: I'll say, Jesus God, crying all over the place, falling
• 1:01:30
  Speaker 1: apart emotionally all over. I mean, it's unbelievable. So what's
• 1:01:34
  Speaker 1: your what's yours? I forgot to look so just I
• 1:01:37
  Speaker 1: have to have a pass this week, and I'll do
• 1:01:39
  Speaker 1: it because I'm not gonna half acid and make it
• 1:01:41
  Speaker 1: up right now. I'm gonna do it real, So I'll
• 1:01:44
  Speaker 1: start mine next week. I remember last week. Yeah, I'm
• 1:01:47
  Speaker 1: gonna again. I'm gonna refuse myself from this segment. But
• 1:01:51
  Speaker 1: the people love it fashion segment. The people love it,
• 1:01:55
  Speaker 1: so we can just the girls can handle this one,
• 1:01:58
  Speaker 1: all right. I'll tell you I think I like Luke's
• 1:02:01
  Speaker 1: shirt when he hugs Yeah. Yeah, okay, I don't know
• 1:02:08
  Speaker 1: why it had some red in it, right, Okay, there
• 1:02:10
  Speaker 1: you go soon next week. We really do need to
• 1:02:13
  Speaker 1: read the reviews because I especially like the one that
• 1:02:16
  Speaker 1: said shut up Amy. They're sitting right here screaming at me.
• 1:02:20
  Speaker 1: They're both screaming at me right now. Literally over for
• 1:02:22
  Speaker 1: twenty minutes too long. M H. Next, when are we
• 1:02:26
  Speaker 1: gonna get with it? Next week We'll start with it, everybody.
• 1:02:30
  Speaker 1: That's gonna be a rap on the ins and outs
• 1:02:32
  Speaker 1: of inns. Thanks for downloading, Best fans on the planet.
• 1:02:34
  Speaker 1: I'm Scott Patterson and this is the I Am All
• 1:02:36
  Speaker 1: In Podcast with iHeart Radio, one of leven productions. Thank you,
• 1:02:39
  Speaker 1: Riley Pelucis, Thank you, Danielle Roma, thank you Amy Sugarman. Again. Thanks,
• 1:02:45
  Speaker 1: best fans on the planet. Thanks for the downloads, and
• 1:02:48
  Speaker 1: h we will see you next time. M Hey everybody,
• 1:03:21
  Speaker 1: and don't forget follow us on Instagram at I Am
• 1:03:24
  Speaker 1: All In Podcast and Emailie at Gilmore at I heart
• 1:03:29
  Speaker 1: radio dot com. Oh you Gilmore fans. If you're looking
• 1:03:32
  Speaker 1: for the best cup of coffee in the world, go
• 1:03:34
  Speaker 1: to my website for my company scott EP dot com,
• 1:03:38
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• 1:03:40
  Speaker 1: EP dot com Grade one Specialty Coffee. Yeah.