Latest / Wake Up with Miya / Episode 211. Beneath San Francisco: Bohemian Grove, Secret Councils & Vampires | Jessie Czebotar

Transcript

Episode 211. Beneath San Francisco: Bohemian Grove, Secret Councils & Vampires | Jessie Czebotar · Wake Up with Miya

• 0:00
  Speaker 1: Even knowing and understanding who were the architects, because your
• 0:05
  Speaker 1: architects are the ones who are going to understand how
• 0:09
  Speaker 1: to embed the spiritual contracts into the structure of the
• 0:13
  Speaker 1: building to be able to tell what altars they're going
• 0:17
  Speaker 1: to put there, what entities they're going to be worshiping.
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  Speaker 1: And then who's funding those buildings when they're first being built.
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  Speaker 1: That's important to look at, to understand because that's, going
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  Speaker 1: to be the true history. And I liked it at
• 0:34
  Speaker 1: the beginning of this article, they've got this map, but
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  Speaker 1: it really puts it into perspective because look at how
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  Speaker 1: much they claim is all, you know, over here's your
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  Speaker 1: heavy hidden area. You got a huge cluster there, which
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  Speaker 1: tells me like, I look for the clusters. So this
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  Speaker 1: tells me that all of, all of this is, is
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  Speaker 1: your main underground in that area.
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  Speaker 2: What if some of San Francisco's strangest statues, buildings, and
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  Speaker 2: public artwork are revealing something hidden in plain sight? Today,
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  Speaker 2: Jesse Saboder is helping me explore these unusual landmarks, San
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  Speaker 2: Francisco's powerful founding families, and whether there could be deeper
• 1:25
  Speaker 2: meaning behind the symbols displayed throughout the city. Before we
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  Speaker 2: get started, if you're enjoying these conversations, make sure you follow,
• 1:34
  Speaker 2: subscribe and hit that notification bell, leave a positive review
• 1:39
  Speaker 2: on Apple, and please share this show with someone who
• 1:42
  Speaker 2: would find these topics interesting. If you'd like even more content,
• 1:47
  Speaker 2: including extended conversations and exclusive episodes, be sure to check
• 1:51
  Speaker 2: out the plus side on Patreon and through YouTube memberships.
• 1:56
  Speaker 2: The links are in the show notes below. Now, without
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  Speaker 2: further ado, here's my conversation with Jesse Saboter. Enjoy the show. Aloha, Jesse,
• 2:06
  Speaker 2: and welcome back to the show. I'm so happy that
• 2:10
  Speaker 2: you're here again joining me. I know we have some
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  Speaker 2: fascinating topics to explore today, but before we get into them,
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  Speaker 2: I know you've been busy with your ministry, your classes,
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  Speaker 2: and several other projects. So please tell us what have
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  Speaker 2: you been working on lately and where can we go
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  Speaker 2: to learn more and connect with you?
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  Speaker 1: Yeah, you can always connect with me on patreon.com, but
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  Speaker 1: also on my website, thekingdomlivingwithjessie.com. Some of the things I
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  Speaker 1: want to point out that I've been working on this
• 2:44
  Speaker 1: month on my YouTube channel, jessiesaboter4619, I have a bunch
• 2:48
  Speaker 1: of mini videos shorts about, uh, the Mabon season and
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  Speaker 1: the rituals that are coming up, uh, different things with that,
• 2:59
  Speaker 1: which will include even marriage to the beast ceremonies. So
• 3:04
  Speaker 1: if you're wanting to find out about those things, I
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  Speaker 1: encourage you to catch that on my YouTube channel. Then
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  Speaker 1: I have the university's decode two coming up and that
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  Speaker 1: will be September 8th. And then, um, The big one
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  Speaker 1: I'm really excited about is the Cisterns Decode. I often
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  Speaker 1: talk about different roles in the system, the priestesses. I've
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  Speaker 1: talked about their training and some of the locations where
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  Speaker 1: training occurs. So this gets even deeper because there are
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  Speaker 1: specific areas where training happens, and those are connected to cisterns, waterways, pools.
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  Speaker 1: So I'm going to start to decode some of those
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  Speaker 1: places and get into the logistics. You know, why does
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  Speaker 1: the system want to use them? And what were these
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  Speaker 1: ancient waterways used for? And then I'm also going to
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  Speaker 1: start getting into the libraries, which is another area many
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  Speaker 1: occultists use. And we can decode our libraries as well.
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  Speaker 1: And we're going to get into some like the Bavarian
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  Speaker 1: State Library in Munich, Germany. We're going to get into
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  Speaker 1: the Vatican Secretive Library Collection. Are there things that, you know,
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  Speaker 1: even for occultists are considered forbidden? So that's going to
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  Speaker 1: be an interesting discussion. And you can find these and
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  Speaker 1: sign up for them on my website, thekingdomlivingwithjessie.com.
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  Speaker 3: Wow.
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  Speaker 2: That sounds fascinating. And thank you for sharing that.
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  Speaker 4: Yeah.
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  Speaker 2: I appreciate it.
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  Speaker 1: Okay.
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  Speaker 2: Well, let's get into today's topic. So I asked you
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  Speaker 2: if you could do something on San Francisco, because I
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  Speaker 2: recently went to San Francisco where I took a walking
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  Speaker 2: tour and I noticed some unusual things throughout the city.
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  Speaker 2: like the faceless Grim Reaper figures that are, that's on
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  Speaker 2: the building of, I think it's 580 California Street and
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  Speaker 2: the mysterious Pacific Union Club outside or inside is the,
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  Speaker 2: I guess it was a former flood mansion. The last
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  Speaker 2: name is Flood. I saw heart-shaped sculptures all over the
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  Speaker 2: city and even an enormous female statue that reminded me
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  Speaker 2: of a titan so i know that all has to
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  Speaker 2: do something with hidden symbols so i find myself looking
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  Speaker 2: at cities very differently now i'm excited to hear your
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  Speaker 2: perspective and what may be hidden beneath the surface i'm
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  Speaker 2: excited to get into this.
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  Speaker 1: Yeah definitely so i always start you know like as
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  Speaker 1: the elite the higher members are going into a city
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  Speaker 1: or a territory, even for vacation, they want to know
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  Speaker 1: what's there and what groups are there. And so the
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  Speaker 1: best way to kind of start off is always looking
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  Speaker 1: at the city sigils. So when you pull up for
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  Speaker 1: San Francisco, you know, we find some interesting things in this.
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  Speaker 1: The first thing that we're looking at is this middle
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  Speaker 1: area here. And this tells us about the lodges and
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  Speaker 1: any underground military facilities that will be in the area. So,
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  Speaker 1: you know, the wording like if it's like you're up
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  Speaker 1: top will represent authority under the Northern Lodge. Down below
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  Speaker 1: represents authority under a Southern Lodge. But what we see
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  Speaker 1: is for this area, everything is filed under that northern lodge.
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  Speaker 1: And then we do see a larger dot here, which
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  Speaker 1: this is going to tell us that there's an underground
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  Speaker 1: submarine line under that area. Now, they even have like
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  Speaker 1: when you see, I call it the floating shield, like
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  Speaker 1: they've got the shield within the image. That tells you
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  Speaker 1: that there is stuff under there. underneath um you know
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  Speaker 1: they purposely make it look like an island and what
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  Speaker 1: it's telling you is that the above ground you're going
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  Speaker 1: to have the priory of zion and we see the
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  Speaker 1: mountains for your order of odin they'll be doing a
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  Speaker 1: lot of the above ground stuff but then all of
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  Speaker 1: this other stuff represents other groups that kind of have
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  Speaker 1: that charge under uh the water and we see again
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  Speaker 1: our priory, we see landscapers with the compass, we see
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  Speaker 1: your basic Masonic groups, and when we see the plow
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  Speaker 1: and the anchor, all of that stuff, the anchor is
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  Speaker 1: going to connect to your priory, but the farmer, the
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  Speaker 1: farm equipment is always going to tell you that they
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  Speaker 1: have areas where they're recruiting. So you know, it's a
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  Speaker 1: high area for recruiting masons, but then there's the secretive stuff,
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  Speaker 1: you know, and we see that like the crown of
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  Speaker 1: the shield, they have what looks like a nest or
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  Speaker 1: a crown on fire. And then you see the eagle or,
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  Speaker 1: you know, the Griffin coming out of it. That, you know,
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  Speaker 1: tells you that they've got, you know, you're, when you
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  Speaker 1: see the wings like this, it's going to be your
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  Speaker 1: 33rd degree or above, but this is purposely meant to
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  Speaker 1: look more like a Griffin than an Eagle. And that's
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  Speaker 1: going to, you know, it also can look like your
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  Speaker 1: Phoenix bird. So it's meant to kind of represent your
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  Speaker 1: order of Phoenix overall over the whole area. And you
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  Speaker 1: had a high connection with San Francisco, um, to Colonel
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  Speaker 1: Michael Aquino, to Nazis like Michael Carcock. So they're going
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  Speaker 1: to file the things under there in connection to your
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  Speaker 1: Order of the Phoenix. Now, as we get into it more,
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  Speaker 1: we are going to definitely have some resources and find
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  Speaker 1: a high connection to Freemasonry in the area, even in
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  Speaker 1: connection to to the Pacific Union Club, which was James
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  Speaker 1: Flood's mansion. So I want to start with that. And
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  Speaker 1: I want to kind of show like, notice how it's
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  Speaker 1: so peculiar. Like they've kept the mansion and the area
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  Speaker 1: around it in that perfect square formation. And even as
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  Speaker 1: you look at the mansion itself, you see it's very
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  Speaker 1: much built in almost that perfect square. When we see
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  Speaker 1: that design, it is very particular. And many, you know,
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  Speaker 1: in your, early 18, 1900s, when they would build up things,
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  Speaker 1: they would purposely do that design to show that there
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  Speaker 1: were holding grounds underneath. So you'd see a lot of
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  Speaker 1: your early jail houses would be in that perfect square.
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  Speaker 1: So chances are that, you know, that there's holding cells
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  Speaker 1: or cages underneath this. I definitely believe that there is
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  Speaker 1: a tunnel system and we'll get into that and show
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  Speaker 1: that here in a minute. So, you know, this whole
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  Speaker 1: area all along that whole entire coast, California up through Oregon, Washington,
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  Speaker 1: was a high area of trafficking humans, you know, especially
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  Speaker 1: in the earlier centuries. And You know, were some of
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  Speaker 1: these masons, did they use their positions, their wealth? Did
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  Speaker 1: it come from the smuggling of humans and the supplying
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  Speaker 1: of humans in different areas? It did. And there are
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  Speaker 1: some interesting stories surrounding Pacific Union that even get into
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  Speaker 1: that flood had some mistresses. There were, you know, things
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  Speaker 1: that those mistresses were kind of held underground. those things
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  Speaker 1: would maybe support, you know, what we're seeing in the
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  Speaker 1: structure of the building. Now, they also have some interesting,
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  Speaker 1: like you can see it better, like right here, but
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  Speaker 1: the front entrance of the building, notice how it's got
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  Speaker 1: kind of these three arches and the capstones right in
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  Speaker 1: them at the, As you scan out, you see more
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  Speaker 1: like that middle part. You see that there actually are
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  Speaker 1: three doorways. That is another way that they would mark
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  Speaker 1: the three archways. So that would mark a northern wall.
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  Speaker 1: And then underground, you would have... Along the western wall
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  Speaker 1: would be where the altars are. So... they're very well,
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  Speaker 1: you know, like if this is your northern wall here,
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  Speaker 1: in here is where there could be an altar underground there.
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  Speaker 1: So there are some things that we're seeing, you know,
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  Speaker 1: you also get the interesting, the brownstone. Now, that was
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  Speaker 1: something that many of your early Brotherhood men would use
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  Speaker 1: in building their buildings because it, brownstone is energized in
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  Speaker 1: a certain way. It was a very sturdy material that
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  Speaker 1: they could use. You had some of your brownstone, uh,
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  Speaker 1: primarily coming out of the quarries out of the Pennsylvania
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  Speaker 1: areas where you have like the connection to Hershey and
• 13:32
  Speaker 1: the But this brownstone, it's claimed that it came out
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  Speaker 1: of the New England areas, but still like those upper areas.
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  Speaker 1: And there's vast amounts of caves up in those areas, too.
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  Speaker 1: You also had the Chattaqua Society, which was kind of
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  Speaker 1: a group of elite men and women. And You know,
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  Speaker 1: was there a connection between some of those high-powered groups
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  Speaker 1: and their expansion into different areas through those that were
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  Speaker 1: connected to the railroads, the mining? You know, I think
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  Speaker 1: there definitely was. So I think all of that is,
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  Speaker 1: you know, gives us some kind of backstory as to
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  Speaker 1: why this was would be so important and significant and
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  Speaker 1: why they've preserved it so well.
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  Speaker 2: They did.
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  Speaker 1: I like this view because I want to point out,
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  Speaker 1: you know, you get a lot with ley lines and
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  Speaker 1: energy in the system and they kind of have some,
• 14:49
  Speaker 1: you know, most of the time we are used to
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  Speaker 1: energy that may flow in one direction and Like we
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  Speaker 1: see the front door and we're like, okay, there's energy
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  Speaker 1: going this way. But why they liked these square buildings
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  Speaker 1: is because they could actually get multiple energy flows. And
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  Speaker 1: we see that we have that here. You get a
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  Speaker 1: structure where you got multiple energy flows. And when we look,
• 15:22
  Speaker 1: look at how it flows literally straight into the front
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  Speaker 1: of that big catholic church right back there you know
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  Speaker 1: so i want to point that out because i don't
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  Speaker 1: think that was by accident i really think that was
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  Speaker 1: strategically by design here we see the gates of astroth
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  Speaker 1: and ball we see the solomonic steel at the front
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  Speaker 1: and this we're going to see some more of in
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  Speaker 1: the buildings in the area but when we see this
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  Speaker 1: is going to be cascading arches But when you see
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  Speaker 1: like that kind of triangle shape there, this is what
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  Speaker 1: I call like that half eye of Horus look. And
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  Speaker 1: that tells you that there's altars of Lilith in the place.
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  Speaker 1: And you can get Lilith and Baal going hand in hand.
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  Speaker 1: And we're going to see as we look at some
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  Speaker 1: of the other stuff that there are altars to Lilith
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  Speaker 1: and Baal in the area.
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  Speaker 4: And these.
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  Speaker 1: maybe two of the significant places where those altars are underground. Um,
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  Speaker 1: you know, it's not far of a walk from underneath
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  Speaker 1: this church to this Western wall, if that's where the
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  Speaker 1: altar is.
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  Speaker 4: Right.
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  Speaker 1: Oh my God.
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  Speaker 2: Oh my God.
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  Speaker 4: Yep. Yep.
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  Speaker 2: And there's funny, there's a park right in between.
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  Speaker 1: Right. And they, they often do that. Like they would
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  Speaker 1: literally put their high buildings, uh, And they would put
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  Speaker 1: watchers or people that literally could look down and see
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  Speaker 1: the parks and the ritual areas. You know, they would
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  Speaker 1: know it was a ritual area underground, but they'll gather
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  Speaker 1: energy from the park and from kids playing in there.
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  Speaker 2: So in that park, I saw there was a statue
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  Speaker 2: of three or four kids playing ring around the rosy.
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  Speaker 1: Which, do you know the history behind that?
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  Speaker 2: No, I think you mentioned something about it before, but
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  Speaker 2: I forget.
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  Speaker 1: Yeah, so Ring Around the Rosie was a song that
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  Speaker 1: goes back to the Black Plague. And they believed, like
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  Speaker 1: it was superstition, that if you had posy flowers and
• 17:43
  Speaker 1: you stuck those in your pocket, that the Black Plague
• 17:47
  Speaker 1: would pass over you. But it represents like that song,
• 17:52
  Speaker 1: you know, ring around the rosy pocket full of posies, ashes,
• 17:57
  Speaker 1: ashes that we all fall down. It was about death.
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  Speaker 5: Oh.
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  Speaker 1: So it's interesting if they have a statue like that.
• 18:05
  Speaker 4: They do.
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  Speaker 1: And we were talking about an area where they have rituals.
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  Speaker 1: I'd be curious if this Catholic church has an incinerator.
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  Speaker 5: Oh.
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  Speaker 2: Connected to it how would you even know.
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  Speaker 1: Usually there you'll see like an incinerator stack going up
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  Speaker 1: oh yeah so i know it's grace's church grace grace
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  Speaker 1: cathedral g-r-a-c-e i believe cathedral i think.
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  Speaker 2: San francisco.
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  Speaker 1: Let's see if we can look at it here for
• 18:46
  Speaker 1: a second and see if we can see a stack.
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  Speaker 1: Let's look and see. Does it have an incinerator? Most
• 19:00
  Speaker 1: were built with them, and you'll see the... I wonder
• 19:05
  Speaker 1: if that's the older....
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  Speaker 2: This was built, they said, in the 1800s, and that
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  Speaker 2: stood the earthquake, and so did that Pacific Union building,
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  Speaker 2: Flood's Mansion that we were talking about. They both survived.
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  Speaker 2: I mean, they got a little bit of damage, of course,
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  Speaker 2: but they stood standing.
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  Speaker 1: Yeah, and you have a labyrinth in front of that,
• 19:30
  Speaker 1: which those are often used as spiritual gates.
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  Speaker 5: Oh, no.
• 19:34
  Speaker 2: Oh, my gosh. We went inside the Grace's church. There
• 19:38
  Speaker 2: is a labyrinth in the church.
• 19:40
  Speaker 1: Okay, so those are used as spiritual gates. We see
• 19:47
  Speaker 1: it's a gate to hell. And these are seals. like
• 19:50
  Speaker 1: when they put these marks on the floor those are
• 19:53
  Speaker 1: all seals this when we see the cascading archways like
• 19:58
  Speaker 1: that that means that you've got gates to hell so
• 20:04
  Speaker 1: those labyrinths can go to the lower realms and I
• 20:10
  Speaker 1: was trying to see from the outside structures around it.
• 20:18
  Speaker 1: Sometimes the stacks can be up high, but it doesn't necessarily...
• 20:24
  Speaker 1: It says it does not have an incinerator on site. Right.
• 20:39
  Speaker 2: That means they have one off a site, maybe, if
• 20:42
  Speaker 2: it's not on site.
• 20:46
  Speaker 1: Well, here it has memorial spaces, so it does, because
• 20:50
  Speaker 1: it says the cathedral houses a columbarium inside the Chapel
• 20:55
  Speaker 1: of St. Francis, located on the second level of the
• 20:59
  Speaker 1: bell tower, so it does. This space is used exclusively
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  Speaker 1: for the permanent in yearnment of cremated remains.
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  Speaker 2: Oh my gosh.
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  Speaker 1: I didn't know. Oh, it says though that the actual,
• 21:13
  Speaker 1: they may have used it in the past that, so
• 21:16
  Speaker 1: it's in the second level of the bell tower. They
• 21:22
  Speaker 1: may have used it in the past, but currently it
• 21:24
  Speaker 1: looks like they ship things off site is what they claim.
• 21:28
  Speaker 1: But yeah. So that second or that bell tower, So
• 21:36
  Speaker 1: one of these, the second level is where they do it.
• 21:39
  Speaker 5: What?
• 21:41
  Speaker 1: Isn't that crazy?
• 21:42
  Speaker 2: That is crazy. I didn't even know churches cremated people. Oh, yeah.
• 21:48
  Speaker 1: Yeah. The majority of your larger facilities in every area
• 21:53
  Speaker 1: have an incinerator in them.
• 21:55
  Speaker 2: Oh, my gosh. Do they say because they're cremating dead
• 22:01
  Speaker 2: Catholic people? Is that what they're supposed to be doing
• 22:04
  Speaker 2: with it?
• 22:06
  Speaker 1: Well, they would believe that in order to be resurrected,
• 22:09
  Speaker 1: the majority of your Catholic people are going to be buried.
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  Speaker 1: So then what are the incinerators for, right?
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  Speaker 3: Yeah.
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  Speaker 1: So it's going to get even more interesting because as
• 22:21
  Speaker 1: we get into that area, I like to look back
• 22:25
  Speaker 1: at the people and you have that Pacific Union mansion
• 22:29
  Speaker 1: being connected to James C. Flood. And this is him here.
• 22:36
  Speaker 1: And when I was looking for him, I found this article,
• 22:41
  Speaker 1: the square magazine, and it has not just flood, but
• 22:46
  Speaker 1: it has during his time, these four men were known
• 22:51
  Speaker 1: as the silver Kings in the area. And so you had,
• 22:58
  Speaker 1: this is the square magazine.com. You can see the, link
• 23:04
  Speaker 1: up here but it actually goes into and connects all
• 23:08
  Speaker 1: of their freemason connections so james claire flood definitely was
• 23:15
  Speaker 1: a mason and he was connected to the um the
• 23:21
  Speaker 1: golden gate lodge number 30 uh so you see right
• 23:27
  Speaker 1: here he was actually a member of the golden gate
• 23:30
  Speaker 1: lodge number 30 in san francisco along with the other men, um,
• 23:36
  Speaker 1: which are named in this article. And it talks about
• 23:42
  Speaker 1: some of the churches. You have the Scottish Presbyterian church and, uh,
• 23:48
  Speaker 1: some others that are named in the area that they
• 23:51
  Speaker 1: were interconnected with. So this article gives, you know, kind
• 23:57
  Speaker 1: of the back history that, um, the main guy it's
• 24:02
  Speaker 1: covering is David Jacks. And so he came into the
• 24:07
  Speaker 1: area and connected with James Flood is the story. And
• 24:14
  Speaker 1: that was because the gold rush had kind of hit.
• 24:17
  Speaker 1: And so they were going to come over into the
• 24:19
  Speaker 1: California area for the gold rush. However, then Flood realized
• 24:27
  Speaker 1: that there was different investment opportunities And he got into
• 24:34
  Speaker 1: connection with the silver mining and became one of the
• 24:40
  Speaker 1: barons over the silver mines. And then that's how they
• 24:45
  Speaker 1: all kind of went into that endeavor, investing into the
• 24:49
  Speaker 1: silver mines. And then the mansion was built and you
• 24:58
  Speaker 1: get a lot of interconnections. So This is what I believe,
• 25:03
  Speaker 1: and it looks like it was destroyed now, but I
• 25:07
  Speaker 1: found another article, which we'll get into in a minute,
• 25:10
  Speaker 1: that kind of maps out some of the Masonic building
• 25:14
  Speaker 1: history in San Francisco. This is the one that I
• 25:18
  Speaker 1: think was the Lodge No.
• 25:21
  Speaker 3: 30.
• 25:21
  Speaker 1: It was one of the older ones, and it was
• 25:23
  Speaker 1: destroyed by the Great Earthquake. But when you see the building,
• 25:29
  Speaker 1: notice again how we have all those half eyes of Horus.
• 25:33
  Speaker 1: And when you see that Y in there, that particular
• 25:39
  Speaker 1: shape is what represents the altars to Lilith and Baal.
• 25:44
  Speaker 1: And this Y shape actually goes back to what's known
• 25:50
  Speaker 1: as your Thule society. And they're one of the older orders,
• 25:56
  Speaker 1: but that Y shape will be something that they use.
• 26:01
  Speaker 1: And notice that, you know, very much in connection to
• 26:05
  Speaker 1: that Thule society, you get the Nazism in connection to that.
• 26:13
  Speaker 1: And you had them primarily doing a lot of takeover
• 26:17
  Speaker 1: of different areas in the early 20th late 1800s, early 1900s. Now,
• 26:26
  Speaker 1: one of the things I get into in my Winona,
• 26:29
  Speaker 1: Minnesota decode is where does the Thule Society come from?
• 26:34
  Speaker 1: And this is the ancient way of spelling it, just
• 26:39
  Speaker 1: the T-I-L-E. And it actually was an area. And it
• 26:48
  Speaker 1: goes back to an ancient territory that And that territory
• 26:52
  Speaker 1: was known for certain sea creatures. You get a lot
• 26:59
  Speaker 1: of the Nordic connection to it and a lot of
• 27:02
  Speaker 1: ritual area. And so this is where they would build
• 27:07
  Speaker 1: their altars and have their different entities and gods all
• 27:11
  Speaker 1: connected to the ancient area of Thule. And Thule was
• 27:16
  Speaker 1: connected to Atlantis. So these are lost islands and you
• 27:24
  Speaker 1: get mimics or mock-ups of these. And so when you
• 27:29
  Speaker 1: see the churches like that or the buildings that have
• 27:33
  Speaker 1: these half, you know, eye of Horus windows with the
• 27:37
  Speaker 1: Y's in them, that's what it's representing is that ancient
• 27:42
  Speaker 1: thule and the things, the altars, the entities, the contracts,
• 27:48
  Speaker 1: that go back to that, and Ball was a huge
• 27:51
  Speaker 1: entity that they would worship along with Lilith. So this
• 27:56
  Speaker 1: article is the CaliforniaFreemason.org, and you can see the rest there.
• 28:03
  Speaker 1: But this building is in there, and you're getting a
• 28:10
  Speaker 1: large amount. It talks about the architects that designed it,
• 28:16
  Speaker 1: kind of some of the areas that they came out
• 28:18
  Speaker 1: of it names a lot of people and notice like
• 28:21
  Speaker 1: the grandmaster was William Belcher now this is going to
• 28:26
  Speaker 1: come into into play because you get somebody with a
• 28:32
  Speaker 1: very similar name that is one of the main landowners
• 28:36
  Speaker 1: for Bohemian Grove you get Belcher was the grandmaster but
• 28:43
  Speaker 1: it was Riley Betchell with an L, Betchel, that donated
• 28:49
  Speaker 1: the land. Could it just be that they, you know,
• 28:53
  Speaker 1: switched some of the letters, but really those people were interconnected?
• 28:59
  Speaker 1: And you see that they've had a lot of members.
• 29:03
  Speaker 1: They started off around 6,000. I mean, think of that.
• 29:07
  Speaker 1: In 1860, They had 6,000 members.
• 29:13
  Speaker 2: That's a lot.
• 29:13
  Speaker 1: Like that's almost the whole city probably at that time.
• 29:18
  Speaker 1: And so, you know, really, this is not a small
• 29:21
  Speaker 1: thing in this area. It was huge.
• 29:24
  Speaker 2: Yeah.
• 29:26
  Speaker 1: And you'll see like some of the other buildings, like
• 29:28
  Speaker 1: the Reese building in the area. You get like the
• 29:34
  Speaker 1: new Masonic Hall, but it goes through like some of
• 29:37
  Speaker 1: the different buildings in that area that are all interconnected.
• 29:43
  Speaker 1: Let me go down. This was another old one, the
• 29:46
  Speaker 1: Golden Gate Hall of Sutter Street. And we see again,
• 29:52
  Speaker 1: those kind of certain archways are very prominent, which tells
• 29:57
  Speaker 1: us that kind of hidden behind the scenes, you have
• 30:01
  Speaker 1: a lot of the Thule Society involvement. You know, here again,
• 30:04
  Speaker 1: we're seeing those same shapes. This is another way they'll
• 30:09
  Speaker 1: show the scroll shape and, you know, representing the capstone.
• 30:16
  Speaker 1: When we see this style too, You'll also get that
• 30:20
  Speaker 1: a lot of your buildings for the Order of the
• 30:22
  Speaker 1: Phoenix will be kind of have that, I call it
• 30:26
  Speaker 1: kind of like the pyramid or the Aztec altar look. So,
• 30:33
  Speaker 1: you know, this is a really good article to look through.
• 30:36
  Speaker 1: It's got a lot of names, a lot of interconnections
• 30:39
  Speaker 1: in the city that you can see and how all
• 30:43
  Speaker 1: the Masons in the area were working together. Now, this
• 30:48
  Speaker 1: was interesting, too, because you had a connection with the
• 30:51
  Speaker 1: Masonic Ambulance Corps. So, you know, owning, you know, all
• 30:57
  Speaker 1: of that and then owning the ambulances and that's going
• 31:02
  Speaker 1: to connect to your Red Cross and everything.
• 31:04
  Speaker 2: Oh, my God.
• 31:06
  Speaker 1: We see like you get some groups like you've got
• 31:09
  Speaker 1: the Odd Fellows, which, you know, they're often an older
• 31:13
  Speaker 1: group in the area.
• 31:15
  Speaker 2: Yeah.
• 31:18
  Speaker 1: So this is a really good, well-done article to kind
• 31:25
  Speaker 1: of really get a good feel for just how expansive
• 31:28
  Speaker 1: it was in that area and what they've all infiltrated
• 31:33
  Speaker 1: and kind of who was really behind it all. Because
• 31:38
  Speaker 1: these are the names that you're not usually going to see.
• 31:41
  Speaker 1: You know, we want to always think, We always want
• 31:44
  Speaker 1: to look at the celebrities, the musicians, the people who
• 31:48
  Speaker 1: are the face front, but they're really not the power
• 31:52
  Speaker 1: behind it in the area. You know, when you think
• 31:55
  Speaker 1: about it, even knowing and understanding who were the architects,
• 32:00
  Speaker 1: because your architects are the ones who are going to
• 32:04
  Speaker 1: understand how to embed the spiritual contracts into the structure
• 32:10
  Speaker 1: of the buildings. To be able to tell what altars
• 32:13
  Speaker 1: they're going to put there, what entities they're going to
• 32:16
  Speaker 1: be worshiping, and then who's funding those buildings when they're
• 32:21
  Speaker 1: first being built. That's important to look at to understand
• 32:25
  Speaker 1: because that's, you know, going to be the true history.
• 32:30
  Speaker 1: And I liked at the beginning of this article, like
• 32:34
  Speaker 1: they've got this map, but it really puts it into
• 32:38
  Speaker 1: perspective because look at how much... they claim is all,
• 32:44
  Speaker 1: you know, over here's your heavy hidden area. You got
• 32:48
  Speaker 1: a huge cluster there, which tells me like, I look
• 32:51
  Speaker 1: for the clusters, you know, so this tells me that
• 32:55
  Speaker 1: all of, all of this is your main underground in
• 33:00
  Speaker 1: that area. Um, you know, and then you get it
• 33:05
  Speaker 1: kind of trailing off all the way across, but this
• 33:08
  Speaker 1: is your main underground. And this Connects straight to the waterways.
• 33:14
  Speaker 1: We'll see later, you know, they talk about an underground
• 33:19
  Speaker 1: sub line. Well, where does that go? You know, I,
• 33:25
  Speaker 1: my guess is it's got a branch right here that
• 33:27
  Speaker 1: goes straight out, but, you know, they highlight this area, which,
• 33:33
  Speaker 1: you know, that's one of the major access points then
• 33:36
  Speaker 1: for that underground sub line is that Southern part of
• 33:40
  Speaker 1: the San Fran area. But where does it all, you know,
• 33:44
  Speaker 1: does it have extensions that branch all the way out
• 33:47
  Speaker 1: to the water in all directions? It probably does. So
• 33:52
  Speaker 1: that gets into, you know, there are a lot of
• 33:56
  Speaker 1: secret tunnels. Pacific Union Club sits right on Knob Hill.
• 34:02
  Speaker 1: And there are known secret tunnels. Like here's some pictures
• 34:06
  Speaker 1: of the entryways, tunnels. into the secret tunnels of Knob Hill. And, uh,
• 34:14
  Speaker 1: you know, that's, it's documented that they're there. And some
• 34:19
  Speaker 1: of them you see are kind of more, um, you know,
• 34:23
  Speaker 1: hidden or kind of, you know, like there was one
• 34:28
  Speaker 1: where it's got like a little guy, you know, going
• 34:32
  Speaker 1: through a hole, but some of your tunnels are more
• 34:35
  Speaker 1: well refined. Like they're, They're really built up for access
• 34:39
  Speaker 1: in that area. And then you even get the Underground
• 34:43
  Speaker 1: Railroad under there. And, you know, that extends pretty far,
• 34:49
  Speaker 1: which then that connects to a lot of your railway tycoons.
• 34:53
  Speaker 1: You had four of them coming through that area. Flagler
• 34:57
  Speaker 1: being connected to those. And he was a Grand High Priest,
• 35:02
  Speaker 1: as we've talked about, for the Florida area's And that
• 35:07
  Speaker 1: area I've shown in a map before, like your land
• 35:14
  Speaker 1: surveying maps, you can look at those and look at
• 35:18
  Speaker 1: like the railroads and things like that. But it shows
• 35:21
  Speaker 1: how in Florida, you've got a railroad that goes straight
• 35:26
  Speaker 1: into the water. And it's like, well, why does it
• 35:29
  Speaker 1: go under the water? Like what in the world?
• 35:31
  Speaker 3: Why there?
• 35:32
  Speaker 1: Why there? but it's because under Florida sitting between there
• 35:36
  Speaker 1: and Cuba and kind of extending up towards the islands,
• 35:40
  Speaker 1: you've got the ancient underground water city of Meclon and
• 35:45
  Speaker 1: who is connected to that? Your order of the Phoenix.
• 35:49
  Speaker 1: So a lot of these, um, trains and other things,
• 35:54
  Speaker 1: they purposely built up these tunnel systems so they could
• 35:58
  Speaker 1: move their assets, um, you know, without any issues, without having,
• 36:05
  Speaker 1: without people knowing what they're all doing under the cities. Um,
• 36:11
  Speaker 1: your California area, you're going to get, um, a couple
• 36:18
  Speaker 1: underground cities that are going to be connected to your
• 36:21
  Speaker 1: Pacific ocean. Um, you know, you're going to get, uh,
• 36:26
  Speaker 1: the ancient, let me see if I can quick pull
• 36:29
  Speaker 1: it up here. Um, I like to look at the
• 36:32
  Speaker 1: flat earth maps, not because I'm not a flat earther,
• 36:40
  Speaker 1: but I believe that they reveal some of the truths
• 36:43
  Speaker 1: of some of the older ancient underground water cities. And
• 36:48
  Speaker 1: so when you look like this one in particular, you know,
• 36:52
  Speaker 1: we've got our main world here. but then, you know,
• 36:57
  Speaker 1: what do we have kind of off that Pacific ocean?
• 37:00
  Speaker 1: You get the ancient city of Mu. Um, and you know,
• 37:08
  Speaker 1: is that connected to Neverland, which is used by the Palisades,
• 37:15
  Speaker 1: California military base. And that's a huge underwater facility there. So,
• 37:21
  Speaker 1: you know, are those things interconnected? Um, with Mu and
• 37:27
  Speaker 1: some of these ancient lands. There's other maps that do
• 37:32
  Speaker 1: more justice, like this one was not coming through as clear, but,
• 37:38
  Speaker 1: you know, it's important to be aware of some of
• 37:40
  Speaker 1: those other territories and, you know, understand that there are
• 37:47
  Speaker 1: things that, you know, have been taken off the maps
• 37:50
  Speaker 1: because they don't want us to have access. They don't
• 37:54
  Speaker 1: want us to be aware. that there are lands beyond,
• 37:59
  Speaker 1: and some of those ancient lands are covered now and
• 38:04
  Speaker 1: are underwater. Let's keep going here, though. So we know
• 38:11
  Speaker 1: that there's tunnels, we know there's underground. That leads us
• 38:16
  Speaker 1: to some of the interconnections between Flood's Pacific Union Club
• 38:22
  Speaker 1: and the Bohemian Grove Club. Now notice in their symbol,
• 38:28
  Speaker 1: you know, you get the crest. Within a crest, you've
• 38:32
  Speaker 1: got a little one in there. And we see that
• 38:36
  Speaker 1: same thing over San Francisco. But they highly have marked
• 38:42
  Speaker 1: a B and a C here, which when we go
• 38:46
  Speaker 1: back to our San Francisco city sigil here, notice how...
• 38:57
  Speaker 1: you know, it's like when we look at this, what
• 39:01
  Speaker 1: do we see in those areas really? Notice you've got
• 39:06
  Speaker 1: that kind of cut off there, but then this area
• 39:10
  Speaker 1: is kind of what's marked and this area, you know,
• 39:16
  Speaker 1: why did they mark those two areas for Bohemian Grove?
• 39:20
  Speaker 1: Is it connected to you know, certain things that they
• 39:27
  Speaker 1: have in the area. When we go back to the
• 39:33
  Speaker 1: map here, it's just kind of interesting because we see
• 39:42
  Speaker 1: some things here in the southwest. So is there a
• 39:48
  Speaker 1: connection with Bohemian Grove and your mission Masonic Temple? Or
• 39:55
  Speaker 1: is it about the connection to the waterway there? And
• 40:00
  Speaker 1: we've got this area up here. So we're like, huh,
• 40:05
  Speaker 1: that's interesting. You know, is there access out into the
• 40:11
  Speaker 1: waterways here? And is there something under the water there
• 40:16
  Speaker 1: that your Bohemian Grove is getting connections to. Then you have,
• 40:23
  Speaker 1: you know, the owl, which, you know, that is going
• 40:29
  Speaker 1: to connect directly to the areas that they have for
• 40:35
  Speaker 1: Bohemian Grove. And you get that owl representing Molech and
• 40:41
  Speaker 1: a big altar to Molech and Baal that they have
• 40:45
  Speaker 1: in the woods there. And it's, it's massive. Um, like
• 40:50
  Speaker 1: pictures that you can find don't really do it justice.
• 40:54
  Speaker 1: It's more than above ground. Um, like what we commonly
• 41:00
  Speaker 1: see of the pictures when we look is that I
• 41:04
  Speaker 1: was trying to see if I can find me, maybe
• 41:08
  Speaker 1: put in altar at, well, I guess this was it.
• 41:13
  Speaker 1: So this is the structure. This is the owl altar
• 41:16
  Speaker 1: that they have. This is the above ground part. And
• 41:19
  Speaker 1: what they'll do is they do like this skit, almost
• 41:24
  Speaker 1: like they're play acting an ancient ritual. And they have
• 41:28
  Speaker 1: an effigy, you know, a fake person that they put
• 41:33
  Speaker 1: on the altar.
• 41:34
  Speaker 3: A portion of this conversation has been removed from the
• 41:36
  Speaker 3: public version. In the extended conversation... Jessie discusses what she
• 41:41
  Speaker 3: believes may exist beneath the Bohemian Grove altar, along with
• 41:45
  Speaker 3: alleged secret councils, occult contracts, Kabbalah symbolism, ancient entities, and
• 41:50
  Speaker 3: the rituals she connects to the site. To hear that
• 41:54
  Speaker 3: part of the conversation, join the Plus Side through Patreon
• 41:57
  Speaker 3: or YouTube memberships. The links are in the description below.
• 42:01
  Speaker 2: There's another building. I don't know if you saw this,
• 42:06
  Speaker 2: but when you talked about this Mayan... gods mexican you
• 42:11
  Speaker 2: know gods there is a building in san francisco that
• 42:14
  Speaker 2: we visited it's 450 sutter building 450 sutter building and
• 42:22
  Speaker 2: it's all mayan stuff and it was built in night
• 42:28
  Speaker 2: in 1929 it was completed in 1929 yep there.
• 42:30
  Speaker 1: And notice like here you've got your kabbalah ladder there
• 42:39
  Speaker 1: And here's your half turtle shell. Oh, my God. You know,
• 42:44
  Speaker 1: built that there and that structure.
• 42:47
  Speaker 2: Inside the building. Inside, too.
• 42:50
  Speaker 1: Yeah, look at that.
• 42:51
  Speaker 2: It's all full of Mayan stuff. It's crazy.
• 42:56
  Speaker 1: So you most likely there's the altar connection with that
• 43:00
  Speaker 1: building as well. And they'll probably have secret access there.
• 43:07
  Speaker 1: You know, here you see that clover or that like
• 43:12
  Speaker 1: four leaf there. And that goes back again to your ancient.
• 43:16
  Speaker 1: Let me see if I can pull it back up.
• 43:28
  Speaker 1: Or let's see, ancient flat earth maps. Because that's a
• 43:33
  Speaker 1: specific territory when you get into the flat earth maps
• 43:37
  Speaker 1: right here. This is like when you look at the
• 43:42
  Speaker 1: overall map, you see a completely closed in island up here.
• 43:48
  Speaker 1: They'll call this the Horus. This is an abyss, but
• 43:54
  Speaker 1: some claim that that territory is the ancient Garden of
• 43:59
  Speaker 1: Eden or And this is what it looks like up close.
• 44:03
  Speaker 1: So that's where they get that four-petaled flower imagery representing Eden.
• 44:09
  Speaker 1: This also is where they get the monarch, the butterfly wings.
• 44:15
  Speaker 1: And that becomes the base for their programs, everything like that.
• 44:21
  Speaker 1: So we see that in that building. Let me find
• 44:24
  Speaker 1: it again here. Um, notice how they've got it right there.
• 44:31
  Speaker 2: Oh, yep.
• 44:33
  Speaker 1: In the, as you walk in.
• 44:34
  Speaker 5: Yeah.
• 44:36
  Speaker 1: So that's interesting. Weird. They've, you know, they've get all
• 44:41
  Speaker 1: their different gods. Yes. Each of these connect like their old, um,
• 44:48
  Speaker 1: this is how the older contracts will look. And they
• 44:51
  Speaker 1: had images for each of their gods and their faces. Um,
• 44:59
  Speaker 1: And it even goes back to Meklon, which that's where
• 45:06
  Speaker 1: you get the imagery of the half-face, because that's why
• 45:13
  Speaker 1: they would do certain things with the half-face or the
• 45:17
  Speaker 1: removing of the face. That would be in honor of
• 45:21
  Speaker 1: their Order of Phoenix gods that they worship in entities.
• 45:27
  Speaker 1: And this building too, you're going to have a spiritual
• 45:30
  Speaker 1: gate in connection to it. So yeah, this is a good,
• 45:35
  Speaker 1: you know.
• 45:38
  Speaker 2: Good example of all that.
• 45:39
  Speaker 1: Yeah. And even notice the whole structure of the building
• 45:43
  Speaker 1: is spaced as a square too.
• 45:45
  Speaker 2: Yeah.
• 45:46
  Speaker 1: So holding grounds underneath. Yeah. So interesting. It is.
• 45:54
  Speaker 2: San Francisco is real interesting with buildings now that I'm
• 45:59
  Speaker 2: looking at it in a different way.
• 46:02
  Speaker 4: Yeah.
• 46:04
  Speaker 1: So you had in connection two groups I kind of
• 46:08
  Speaker 1: want to point out. So one of the main people,
• 46:12
  Speaker 1: this man here, Melvin Cyrus Meeker, he's one of the
• 46:18
  Speaker 1: main individuals. He was a timber operator there. And he's
• 46:23
  Speaker 1: one of the main people that helps supply the land
• 46:26
  Speaker 1: for Bohemian Grove. And then you had in connection with him,
• 46:32
  Speaker 1: the Betchel family, which we kind of brought out earlier,
• 46:36
  Speaker 1: and they donated a lot of the infrastructures to the camp. So,
• 46:42
  Speaker 1: you know, think about that. They've got it kind of
• 46:45
  Speaker 1: built up like a, you've got the altar, you've got the,
• 46:50
  Speaker 1: statue you've got cabins that are going to be there
• 46:54
  Speaker 1: uh you get um you know i think it was
• 46:58
  Speaker 1: more than just the above ground structures i think they
• 47:02
  Speaker 1: supplied a lot uh for bohemian grove that you know
• 47:08
  Speaker 1: and built that area up and um So this is
• 47:15
  Speaker 1: a very prominent individual businessman. I think he is also
• 47:19
  Speaker 1: a Bilderberg, but you get his company, what is it called?
• 47:29
  Speaker 1: The Mandalay Camps. So he actually supplies the camps and
• 47:37
  Speaker 1: they would have a lot of your high level corporate
• 47:41
  Speaker 1: businessmen But also your defense contractors and high-ranking government officials
• 47:48
  Speaker 1: is who he caters to. And does businessmen retreat and
• 47:54
  Speaker 1: stuff like that. And then you're going to get him
• 48:00
  Speaker 1: highly connected to a behind-the-scenes general. You get the Marine
• 48:07
  Speaker 1: Corps general. uh, general James M. Myatt. And, uh, so
• 48:16
  Speaker 1: these are some of the behind the scenes people highly
• 48:19
  Speaker 1: intertwined with that whole area. And, you know, are there
• 48:24
  Speaker 1: further connections, you know, is Betchel connected really to the
• 48:29
  Speaker 1: Belcher and, you know, both having access to lands, territories,
• 48:35
  Speaker 1: building materials, um, you know, so you get a lot
• 48:41
  Speaker 1: of interconnections with things. This same imagery here that you
• 48:46
  Speaker 1: see in connection to him becomes what gets into some
• 48:53
  Speaker 1: of your specialty UN global funding imagery, where they have
• 48:58
  Speaker 1: the multicolored circle with all the colors. And going back
• 49:06
  Speaker 1: to that, that Some of those UN special funds connect
• 49:12
  Speaker 1: back then to what's known as the Lucifer Trust, to
• 49:17
  Speaker 1: Alice Bailey, who was huge in this area. you also
• 49:21
  Speaker 1: had Blavatsky who was huge in this area and really
• 49:25
  Speaker 1: pushed for a lot of female and women things and
• 49:29
  Speaker 1: end time agendas but what was the interconnecting piece you
• 49:34
  Speaker 1: get the Lucifer Fund being backed by the Theosophical Society
• 49:38
  Speaker 1: and and the Theosophical Society being intertwined with your Thule Society.
• 49:47
  Speaker 1: So let's say Theosophical. And notice their imagery. You get
• 50:05
  Speaker 1: the swastika. you get that Kabbalah triangle, you get the
• 50:13
  Speaker 1: Anuk cross, you get the golden chain of Homer or
• 50:18
  Speaker 1: the Oreo Boris, but some of their older symbol for them,
• 50:24
  Speaker 1: you had a crown on top there and you get
• 50:27
  Speaker 1: the occultic. And whenever you see the letters like that,
• 50:34
  Speaker 1: those letters will usually always connect to certain brotherhood groups
• 50:39
  Speaker 1: connected to your railroad and train men.
• 50:44
  Speaker 4: Wow.
• 50:46
  Speaker 2: Yeah.
• 50:46
  Speaker 1: So all of that interconnecting and you get, you know,
• 50:51
  Speaker 1: a high connection to the UN in that area, but
• 50:55
  Speaker 1: who made the deals, who gave them the access, um,
• 50:59
  Speaker 1: you know, who's allowing them to the military stuff underneath
• 51:04
  Speaker 1: who's running all of that. Um, giving access to so
• 51:11
  Speaker 1: many elite.
• 51:14
  Speaker 2: Wow. What about those Grim Reapers on the building? That's 580,
• 51:23
  Speaker 2: I believe, California Street.
• 51:27
  Speaker 1: Which is it? That's down the same street as the
• 51:34
  Speaker 1: flood mansion. So yeah, so here's yeah good creepy yeah
• 51:42
  Speaker 1: you see the three grim reapers there yep which notice
• 51:46
  Speaker 1: your flood museum as well um you had that same
• 51:53
  Speaker 1: um in the mansion let me see if i could
• 51:57
  Speaker 1: pull it back up here Yeah. And there's some interesting
• 52:09
  Speaker 1: things too, because in the system, like you get special
• 52:15
  Speaker 1: training areas, like you have the thousand points of light,
• 52:19
  Speaker 1: but you also have the thousand and once points of light.
• 52:22
  Speaker 1: But notice how you get those very significant three capstones too.
• 52:28
  Speaker 1: So is there a connection? Let me find it again
• 52:33
  Speaker 1: here where we put the grim reapers. between the grim
• 52:37
  Speaker 1: reapers and the three capstones oh um you know so
• 52:44
  Speaker 1: that it's just interesting but you've got other it looks
• 52:47
  Speaker 1: like they have them in the building too.
• 52:49
  Speaker 2: Oh i didn't go in a building and there's 12
• 52:52
  Speaker 2: all together there's three on each side of the building
• 52:56
  Speaker 2: So 12 total. So I'm wondering if the number means
• 52:59
  Speaker 2: something too.
• 53:00
  Speaker 1: Right, representing the dead and the 12 tribes. You get
• 53:06
  Speaker 1: the same layout of the square being the same layout
• 53:11
  Speaker 1: as the encampment for Israel, the tribes of Israel. And
• 53:17
  Speaker 1: they have their sacred symbols. You get this layout of
• 53:24
  Speaker 1: being connected to their cherubic signs.
• 53:29
  Speaker 2: Oh, my God.
• 53:30
  Speaker 1: So the three in the north represent the eagle. The
• 53:33
  Speaker 1: three in the east represent the lion. The three of
• 53:37
  Speaker 1: the south represent the man or the sign of the man.
• 53:41
  Speaker 1: And the three in the west represent the sign of
• 53:43
  Speaker 1: the ox. All of those, you know, also representing zodiac houses.
• 53:50
  Speaker 1: So you get your 12 zodiacs. And for them in Kabbalah,
• 53:58
  Speaker 1: their Kabbalah magic, which I think we talked about last time,
• 54:05
  Speaker 1: is that, you know, they see it in two forms.
• 54:09
  Speaker 1: You have the upper part of the tree, and in
• 54:14
  Speaker 1: that they see themselves ascending into the heavens, into their godhood.
• 54:21
  Speaker 1: But when they get to that top, what do they do?
• 54:24
  Speaker 1: That's not the ultimate state of godhood. They believe that
• 54:28
  Speaker 1: ultimate state is in death. So really, you know, this
• 54:32
  Speaker 1: representing that ultimate state of death, ascension into the dead.
• 54:43
  Speaker 1: And this imagery too goes back, like you'll get like
• 54:48
  Speaker 1: as above, so it is below. So above that and
• 54:51
  Speaker 1: then below that area you get as the exact same
• 54:55
  Speaker 1: thing going just as deep.
• 54:58
  Speaker 2: Oh wow wow creepy because it's almost like it's watching
• 55:03
  Speaker 2: the city and the people in the city it's looking
• 55:06
  Speaker 2: down yeah.
• 55:08
  Speaker 1: Those statues i mean the heights of you know the dead.
• 55:15
  Speaker 2: Wow creepy yeah interesting um I noticed also that there's
• 55:22
  Speaker 2: heart sculptures all over San Francisco. And I know there's
• 55:25
  Speaker 2: the song, you know, I left my heart in San Francisco.
• 55:28
  Speaker 2: But there's hearts everywhere, all over the place. There are huge,
• 55:33
  Speaker 2: big sculptures of hearts. In Union Square, there's, I think,
• 55:38
  Speaker 2: four on each corner. Yep, they're all over the place.
• 55:43
  Speaker 3: All over.
• 55:43
  Speaker 5: Yep.
• 55:44
  Speaker 1: Even in banks.
• 55:45
  Speaker 2: Now this becomes.
• 55:47
  Speaker 1: Yeah, so you get some imagery, like you'll start to
• 55:50
  Speaker 1: see like these interesting type sculptures, different places. They'll have
• 55:55
  Speaker 1: birds where you get like, you know, they're uniquely coloring
• 56:01
  Speaker 1: on birds. Other places like Wyoming and Montana, you get
• 56:06
  Speaker 1: a buffalo where they're painting those, putting them in certain places.
• 56:11
  Speaker 1: And this is oftentimes ways that they're marking that there
• 56:15
  Speaker 1: are specific things underground. What specific things, you know, where
• 56:21
  Speaker 1: did these symbols go back to? And, um, you get
• 56:28
  Speaker 1: a few things. So the first is going to be,
• 56:33
  Speaker 1: let me see. Uh, uh, steam. Thank you. Um, you're, um,
• 56:42
  Speaker 1: The first is going to be your order of St. Augustine,
• 56:45
  Speaker 1: where you get the heart and the flaming. And so,
• 56:50
  Speaker 1: you know, that's going to be a huge thing that
• 56:53
  Speaker 1: that represents. A lot of times it's common to see
• 56:57
  Speaker 1: an arrow through there. But what's the deeper meaning like
• 57:02
  Speaker 1: of that symbology? And when you you'll get certain areas
• 57:07
  Speaker 1: that are marked for certain things. um, with your order
• 57:12
  Speaker 1: of St. Augustine, you know, that's going to be your
• 57:14
  Speaker 1: sovereign military, but even notice how, like in their imagery
• 57:20
  Speaker 1: of their buildings, notice the, the horns, the V shape, um,
• 57:28
  Speaker 1: you know, and where does that all go back to?
• 57:32
  Speaker 1: What are the more ancient and you're going to get, Your, um,
• 57:41
  Speaker 1: your Celine and your, your Celine convents. Notice that we've
• 57:47
  Speaker 1: seen some of this imagery. Um, you get certain words,
• 57:54
  Speaker 1: the solo deo gloria, you get that four pointed cross
• 58:00
  Speaker 1: and this, sometimes they'll use this to represent the four
• 58:04
  Speaker 1: leaf flowers in the imagery. Oh, wow. Either way, it's
• 58:08
  Speaker 1: also an eight-pointed star, like we see in this one,
• 58:12
  Speaker 1: which that's going to represent that they're going to ritually
• 58:15
  Speaker 1: sacrifice during all the seasons. And notice how you get
• 58:21
  Speaker 1: the tree of life. You get the up and the
• 58:24
  Speaker 1: down and the top and the bottom. And they're going
• 58:29
  Speaker 1: to claim they worship your Salah. This is meant to
• 58:34
  Speaker 1: be that oval or that Lilith sigil and you'll see
• 58:40
  Speaker 1: the floor delays where they kind of look like the
• 58:44
  Speaker 1: head is bowed down you know so and then you'll
• 58:49
  Speaker 1: see the nails and this is specific and it does
• 58:53
  Speaker 1: connect to other things we'll get into here some of
• 58:57
  Speaker 1: the older stuff you'll see the ursuline where you'll see
• 59:01
  Speaker 1: kind of the U shape with the mantle there you'll
• 59:07
  Speaker 1: see the two arms, that are kind of, you know,
• 59:11
  Speaker 1: like this, because that's their sign. Like they literally would
• 59:15
  Speaker 1: go up and they would put their arms like that
• 59:18
  Speaker 1: towards one another as they pass by. And that would
• 59:22
  Speaker 1: be the sign that they were your Celine. And you
• 59:27
  Speaker 1: can get the anchor sign being one of those signs
• 59:32
  Speaker 1: of the year Selene as well. And these women are high,
• 59:41
  Speaker 1: like they came into the Louisiana area. And why you
• 59:46
  Speaker 1: see the nails is because there's a connection with vampirism.
• 59:54
  Speaker 1: And Um, you'd get those that would, you know, they
• 59:59
  Speaker 1: would basically seal in coffins. Uh, they would be in
• 1:00:04
  Speaker 1: charge of raise people who died, you know, they would
• 1:00:09
  Speaker 1: be raised up into the vampirism and who trains, who
• 1:00:13
  Speaker 1: raises them up. You get your, your Celine women, um,
• 1:00:18
  Speaker 1: And for those, the heart, you won't see the arrow
• 1:00:21
  Speaker 1: through it, but it's common to see like the heart
• 1:00:23
  Speaker 1: with just like a little lit up pierced mark. And
• 1:00:28
  Speaker 1: you can see the crown of thorns. When you see that,
• 1:00:32
  Speaker 1: know that you're walking into vampire territory. You'll also see
• 1:00:37
  Speaker 1: the clouds there, the bubble clouds. Now, what's interesting about that,
• 1:00:42
  Speaker 1: I'm going to get into it, but.
• 1:00:50
  Speaker 1: This goes back to something that we would never even
• 1:00:53
  Speaker 1: think of. Look at your coat of arms for Istanbul. Now,
• 1:00:58
  Speaker 1: why does it have the same bubbles that you get,
• 1:01:02
  Speaker 1: you know, with the year Celine?
• 1:01:05
  Speaker 2: Huh?
• 1:01:05
  Speaker 1: Oh, interesting.
• 1:01:07
  Speaker 4: Huh?
• 1:01:08
  Speaker 1: Yeah. You know, you get areas, territories that, you know,
• 1:01:14
  Speaker 1: you're going to get your vampires using having access to, um,
• 1:01:19
  Speaker 1: You know, the coat of arms, the city sigils tell
• 1:01:23
  Speaker 1: us who has authorities to be in those areas.
• 1:01:26
  Speaker 5: Wow.
• 1:01:27
  Speaker 1: So you'll often see them with the white cross, you know,
• 1:01:33
  Speaker 1: the crown of thorns, the heart without the arrows. You
• 1:01:36
  Speaker 1: can also see the heart with the seven daggers, and
• 1:01:40
  Speaker 1: that will, you know, represent something even deeper, usually training areas.
• 1:01:49
  Speaker 1: for your grand high priests and priestesses. You may also
• 1:01:52
  Speaker 1: see the grapes that they'll use the, the grapes in there.
• 1:01:57
  Speaker 1: And that will, you know, they defecate the communion.
• 1:02:01
  Speaker 2: Wow.
• 1:02:04
  Speaker 1: And they do it all for the love of God.
• 1:02:06
  Speaker 1: That's what they claim.
• 1:02:08
  Speaker 2: That's what they claim. Yeah.
• 1:02:10
  Speaker 1: And you'll see their crosses also can have like the,
• 1:02:14
  Speaker 1: like usually you'll see the top, like instead of going
• 1:02:19
  Speaker 1: all the way up and pointed, it'll just be humped.
• 1:02:23
  Speaker 1: Like it will look like those like kind of bowed
• 1:02:25
  Speaker 1: down floor delays. So this can be another way that
• 1:02:29
  Speaker 1: their crosses are shown and they can use the green.
• 1:02:34
  Speaker 1: You'll see the Servium or the Gloria, the solo Deo
• 1:02:40
  Speaker 1: Gloria with these symbols. And you may see the dipper,
• 1:02:45
  Speaker 1: the small dipper there. So those can all be symbols
• 1:02:48
  Speaker 1: that your Celine will use.
• 1:02:53
  Speaker 2: So does that mean the hearts that we see in
• 1:02:55
  Speaker 2: San Francisco, there are locations underground of things? And does
• 1:03:02
  Speaker 2: it mean that there's vampires there too? Yeah, yeah. Oh
• 1:03:08
  Speaker 2: my gosh.
• 1:03:10
  Speaker 1: Are there places for the dead, those who will care?
• 1:03:12
  Speaker 5: Yeah.
• 1:03:13
  Speaker 1: You would get your saline convents being a place where
• 1:03:16
  Speaker 1: vampires could go and rest and have safety and be
• 1:03:21
  Speaker 1: provided and cared for as long as they behaved. If
• 1:03:24
  Speaker 1: they didn't behave, they'd get nailed in the coffin or
• 1:03:29
  Speaker 1: nailed in an area and sealed in that area for
• 1:03:35
  Speaker 1: a period of time.
• 1:03:36
  Speaker 5: Yeah.
• 1:03:38
  Speaker 2: Okay.
• 1:03:39
  Speaker 1: So that's what all that represents, you know. So they
• 1:03:42
  Speaker 1: don't want them to. But if you don't behave, you're
• 1:03:44
  Speaker 1: going to get sealed.
• 1:03:46
  Speaker 2: So they don't want them to go around biting people
• 1:03:49
  Speaker 2: and taking their blood, per se, the regular public.
• 1:03:52
  Speaker 1: Well, no, they have protocols and rules. They absolutely go around,
• 1:03:57
  Speaker 1: you know, feeding on people. But they have rules in
• 1:04:00
  Speaker 1: different areas that have to be followed. You get certain
• 1:04:04
  Speaker 1: groups that, you know, they have protocols as to when, who, where, how.
• 1:04:11
  Speaker 1: You know, and if you're coming to eat at their table,
• 1:04:15
  Speaker 1: you need to follow their rules. Where do you go
• 1:04:18
  Speaker 1: to get the rules? You know, that's what they show
• 1:04:22
  Speaker 1: you in that is where the rules are.
• 1:04:27
  Speaker 4: Wow.
• 1:04:28
  Speaker 2: That is crazy. I mean, I've seen the hearts in
• 1:04:32
  Speaker 2: a bank, big like that inside the bank. When we're
• 1:04:37
  Speaker 2: walking by, we're like, what the heck?
• 1:04:41
  Speaker 1: Wow.
• 1:04:42
  Speaker 2: I should have took note what bank it was.
• 1:04:44
  Speaker 1: I didn't, though.
• 1:04:46
  Speaker 2: I didn't take note.
• 1:04:48
  Speaker 4: Right.
• 1:04:48
  Speaker 2: Wow.
• 1:04:50
  Speaker 1: Let's see if it just comes up. Banks with heart sculptures. Well, yeah,
• 1:04:57
  Speaker 1: this is kind of unique, too.
• 1:04:59
  Speaker 2: Bank of America.
• 1:05:02
  Speaker 1: Was that it?
• 1:05:04
  Speaker 2: I didn't go upstairs. It was downstairs in the... I
• 1:05:10
  Speaker 2: don't know, lobby of the bank. I just happened to
• 1:05:14
  Speaker 2: see it when we were walking by.
• 1:05:16
  Speaker 5: Yeah.
• 1:05:18
  Speaker 2: Interesting.
• 1:05:20
  Speaker 4: Exactly.
• 1:05:21
  Speaker 2: Cause who owns that bank? It's gotta be a big name,
• 1:05:23
  Speaker 2: you know?
• 1:05:24
  Speaker 1: Wow.
• 1:05:29
  Speaker 2: That is crazy. This is so interesting. I love this.
• 1:05:36
  Speaker 4: Yeah.
• 1:05:37
  Speaker 1: I mean, it just always gets deeper and deeper. So much, you.
• 1:05:40
  Speaker 2: Know, it's crazy.
• 1:05:42
  Speaker 1: I know.
• 1:05:42
  Speaker 2: Well, Jessie, thank you so much for coming back and
• 1:05:45
  Speaker 2: joining me for another fascinating conversation. And thank you for
• 1:05:50
  Speaker 2: your time, your bravery, and your willingness to speak openly
• 1:05:55
  Speaker 2: about subjects that most people are afraid to discuss. You
• 1:06:00
  Speaker 2: helped us And help me better understand the unusual symbols
• 1:06:04
  Speaker 2: and building in histories throughout San Francisco and what may
• 1:06:10
  Speaker 2: be operating beneath the surface. So I always appreciate your
• 1:06:13
  Speaker 2: knowledge and your insight and what you bring to the show.
• 1:06:17
  Speaker 2: So I'm really looking forward to the next one.
• 1:06:20
  Speaker 1: Right.
• 1:06:21
  Speaker 2: Yes. So thank you, Jessie. Thank you. I appreciate it. Thanks, guys,
• 1:06:29
  Speaker 2: for listening, and I'll see you on the next one.
• 1:06:32
  Speaker 2: A hui hou ka kou. Bye.
• 1:06:50
  Speaker 5: I know you say.
• 1:07:08
  Speaker 4: You're not afraid to dive into something. You got nothing
• 1:07:14
  Speaker 4: to lose.
• 1:07:15
  Speaker 5: But I'm not that way.
• 1:07:18
  Speaker 4: Taking my sweet time. Don't want to be the one
• 1:07:22
  Speaker 4: to cry.
• 1:07:23
  Speaker 5: But I'm losing my cool. Breaking my rules. I don't
• 1:07:29
  Speaker 5: usually get told. my hands they shake when you walk
• 1:07:35
  Speaker 5: into the room and i can't sing.
• 1:07:38
  Speaker 4: Straight There's no one like you.
• 1:07:57
  Speaker 5: But how I can I chase this feeling with you?
• 1:08:02
  Speaker 4: Don't walk away from this tonight, I'm.
• 1:08:06
  Speaker 5: Going with you. Losing my cool, breaking my rules, I
• 1:08:11
  Speaker 5: don't usually get so out of my head. Walking the edge,
• 1:08:16
  Speaker 5: what am I falling into? Losing my cool, breaking my rules,
• 1:08:22
  Speaker 5: I don't usually get so out of my head. I'm
• 1:08:26
  Speaker 5: on my head, walking the edge, what am I falling into?
• 1:08:33
  Speaker 5: I'm here again, where do we land? Tell me, is
• 1:08:37
  Speaker 5: it too soon? Losing my cool, breaking my rules, I'm
• 1:08:41
  Speaker 5: going crazy over you. Crazy, I'm going crazy, crazy over you. Crazy,
• 1:08:48
  Speaker 5: got me crazy, crazy over you. Losing my cool, Thank you.