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Mo'Nique Interview and more · The Breakfast Club

• 0:00
  Speaker 1: Fifty per cent special heads a year. I love you
• 0:03
  Speaker 1: fifty percent rat to sit down, coming the most prominent form.
• 0:10
  Speaker 1: What you ass up early in the morning. But they
• 0:12
  Speaker 1: tell me it was y'all. I said, oh, hell yeah,
• 0:14
  Speaker 1: I'm getting them dangerous morning shop free people's choice. Actually,
• 0:19
  Speaker 1: I've got you Joma made God. People who look can't
• 0:22
  Speaker 1: believe you. Guys are the basket. Look if we know
• 0:25
  Speaker 1: this breakfast club petitions. Good morning usc yo yo yo
• 0:42
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:44
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:45
  Speaker 1: yo yo yo yo yo yo yo yo yo. Good
• 0:48
  Speaker 1: morning Angela. Yee yeah, morning damby Charlomagne the god beast
• 0:53
  Speaker 1: to the planet. Is Friday, Yes, it's Friday. Work week
• 0:58
  Speaker 1: starts today. I watched on a microphone because I can't
• 1:00
  Speaker 1: hear myself. Sound you good money? Hello? Hello, you good money? Okay,
• 1:06
  Speaker 1: if y'all say so, all right, it is Friday. Of
• 1:09
  Speaker 1: course we have Monique Comedian and at toor Monique. She'll
• 1:12
  Speaker 1: be joining us this morning. More Worldwide is here, so
• 1:17
  Speaker 1: we'll be kicking it with Monique a little bit later.
• 1:19
  Speaker 1: It should be very interesting. Why Why were you? Why
• 1:21
  Speaker 1: are we acting like this is a live interview. You know,
• 1:23
  Speaker 1: Monique had her prayer scope going yesterday during the interview,
• 1:26
  Speaker 1: and she already leaked it online. She leaked it to
• 1:28
  Speaker 1: some people. Some people haven't heard yet, they just heard
• 1:30
  Speaker 1: about it. That is true that I definitely know. Everybody
• 1:36
  Speaker 1: don't know it because her Facebook game popping like that.
• 1:38
  Speaker 1: But my thing is, it's an hour long interview. The
• 1:42
  Speaker 1: whole thing will be the whole thing will be out
• 1:43
  Speaker 1: in full later today, but we'll be playing some of
• 1:45
  Speaker 1: it the next hour, right. And this is the second
• 1:48
  Speaker 1: time ever, I think in Breakfast Club history that we
• 1:52
  Speaker 1: haven't taken a picture after the interview with the person
• 1:55
  Speaker 1: left Berman. Oh, we didn't take a picture with Burdman
• 2:02
  Speaker 1: because he just left, and we didn't take a picture
• 2:04
  Speaker 1: with Monique. Those are the two people that we haven't
• 2:06
  Speaker 1: taken pictures. She did have to go, and she didn't
• 2:08
  Speaker 1: have to go. Yeah, you and she was you know,
• 2:10
  Speaker 1: we went over and stop lying. Monique did not leave
• 2:13
  Speaker 1: happy whatsoever. Okay, she she actually, you know what, I'm
• 2:17
  Speaker 1: gonna put that a little piece of the video out later,
• 2:19
  Speaker 1: but you'll see how she left later on. Yeah, she
• 2:21
  Speaker 1: gave me a hug, She gave me a nice hug,
• 2:23
  Speaker 1: and she said some words to you. She definitely gave
• 2:26
  Speaker 1: you hug. She called me a slave or something like that.
• 2:28
  Speaker 1: She said something. Yeah, she went to Djoe. It wasn't Django,
• 2:33
  Speaker 1: it was Birth of the Nation. She said, I was
• 2:36
  Speaker 1: the slave that would take his wife to master to
• 2:40
  Speaker 1: let masters sleep with him, or something to that effect. Yeah,
• 2:43
  Speaker 1: that's out too early. And oh no, no, no no, she
• 2:46
  Speaker 1: said that right before walked out here that Oh we
• 2:48
  Speaker 1: got that on video too. Baby, One thing about me,
• 2:50
  Speaker 1: I tell the cameraman keep to camera's rolling from beginning
• 2:53
  Speaker 1: to end. Okay, we don't miss nothing. All right, Well,
• 2:55
  Speaker 1: that should be a lot of fun that happens next hour.
• 2:57
  Speaker 1: We'll get that on and we got front page that's
• 2:59
  Speaker 1: what we're talking about. We are going to talk about
• 3:02
  Speaker 1: the Missouri governor Eric Grayton's he has been indicted. Will
• 3:06
  Speaker 1: tell you what he did that caused that to happen.
• 3:09
  Speaker 1: All right, we'll get into all that. Keep a lock
• 3:12
  Speaker 1: that to breakfast club going on. And it's a Friday, Love.
• 3:15
  Speaker 1: I was getting some front page news. Now let's talk
• 3:19
  Speaker 1: Missouri governor. What's going on in Missouri? Well, yes, the
• 3:22
  Speaker 1: Missouri Governor Eric Grayton's was indicted yesterday because of allegations
• 3:27
  Speaker 1: of sexual misconduct and blackmail after he did admit that
• 3:31
  Speaker 1: he had an affair. This all went down last month.
• 3:33
  Speaker 1: He was charged with a first degree felony invasion of privacy.
• 3:37
  Speaker 1: Now he is saying that he just made a personal mistake,
• 3:40
  Speaker 1: and this is before he was in office. He said,
• 3:42
  Speaker 1: as I have said before, I made a personal mistake
• 3:44
  Speaker 1: before I was governor. I did not commit a crime.
• 3:46
  Speaker 1: With today's disappointing and misguided political decision, my confidence in
• 3:50
  Speaker 1: our prosecutorial system is shaken, but not broken. What happened
• 3:54
  Speaker 1: is he took a picture of the woman in full
• 3:57
  Speaker 1: of partial nudity without her knowledge or consent, and then
• 4:00
  Speaker 1: transmitted that image in a manner that allowed access to
• 4:03
  Speaker 1: that image via a computer. So he's not allowed to
• 4:06
  Speaker 1: do that. And he was trying to blackmail the woman
• 4:09
  Speaker 1: in trying to keep her quiet about their sexual encounter. Well,
• 4:13
  Speaker 1: first of all, if you're trying to keep your sexual
• 4:15
  Speaker 1: encounter quiet, don't take pictures of the young lady. Why
• 4:17
  Speaker 1: are you building a digital trail for yourself. Well, I
• 4:19
  Speaker 1: guess he took it to be able to blackmail her
• 4:21
  Speaker 1: later on so that she would anybody please give us
• 4:25
  Speaker 1: some money like everybody else throng with furst of all,
• 4:28
  Speaker 1: how old is he? That's the that's the fourteen fifteen
• 4:30
  Speaker 1: year old to do. I got a new picture of you,
• 4:32
  Speaker 1: so you better act writer. I'm actually clear this woman
• 4:36
  Speaker 1: also was married, so her her now former husband is
• 4:40
  Speaker 1: actually the person who also gave details about his former
• 4:43
  Speaker 1: wife having an affair with Gryton's back in twenty fifteen.
• 4:47
  Speaker 1: That's the best type of person to cheat with. If
• 4:49
  Speaker 1: you married and they married, both of y'all got something
• 4:52
  Speaker 1: to lose, you get caught. And then her husband tells,
• 4:56
  Speaker 1: no cheating is ever good, child, man, No cheating is good.
• 4:59
  Speaker 1: But I mean, you know, if you're going to do it,
• 5:01
  Speaker 1: that's the way to do it, you know, with somebody
• 5:03
  Speaker 1: that she was, somebody that got something to lose like
• 5:04
  Speaker 1: you do. Now, let's talk about these what happened with
• 5:07
  Speaker 1: the Florida shooting now? All right? Well, the sheriff's deputy
• 5:10
  Speaker 1: who did not engage the shooter at Marjorie Stoneman Douglas
• 5:13
  Speaker 1: High School feels like he did a good job, but
• 5:15
  Speaker 1: he has resigned. Now Here is what Brower County Sheriff
• 5:20
  Speaker 1: Scott Israel had to say about Scott Peterson. First, he
• 5:22
  Speaker 1: suspended him without pay, and then Scott Peterson abruptly retired
• 5:27
  Speaker 1: because they have video foot to showing that he actually
• 5:30
  Speaker 1: never went inside the building. He was outside the building
• 5:32
  Speaker 1: for four minutes while the shooter was killing students. In fact,
• 5:35
  Speaker 1: so he heard the shoot him and then just decided, Hey,
• 5:38
  Speaker 1: this is not everything. He didn't go inside, but he
• 5:39
  Speaker 1: didn't call it in, so he feels like he did
• 5:41
  Speaker 1: a good job. Hold on, he's a sheriff. No, the
• 5:43
  Speaker 1: sheriff speaks on why he suspended Peterson. He's a school
• 5:46
  Speaker 1: resource officer. Oh so, okay, that the school resource officers job.
• 5:51
  Speaker 1: You don't got the school resource officers don't got no gun? Right? Hey,
• 5:54
  Speaker 1: I think he does have a gun. Yeah, he has
• 5:56
  Speaker 1: a gun. That's his job. He's doing security. So if
• 5:58
  Speaker 1: he had a gun and he's doing already and he shook,
• 6:00
  Speaker 1: how do you think teacher's gonna feel? Exactly? You know
• 6:03
  Speaker 1: what I'm saying. But let's hear what the actual sheriff
• 6:06
  Speaker 1: who suspended Peterson without pay, Scott Israel, has to say.
• 6:10
  Speaker 1: Scott Peterson was absolutely on campus through this entire event.
• 6:15
  Speaker 1: He was armed, He was in uniform. After seeing video
• 6:18
  Speaker 1: and Scott Peterson's very own statement, I decided to suspend
• 6:23
  Speaker 1: Scott Peterson without pay, pending an internal investigation. Scott Peterson
• 6:28
  Speaker 1: chose to resign because he has the necessary time with
• 6:33
  Speaker 1: the agency and meets the requirements of retirement. He resigned
• 6:38
  Speaker 1: and slash retired. So he never engaged in the bass
• 6:41
  Speaker 1: cruise at all. He basically stood outside the building called
• 6:44
  Speaker 1: it in like yo, there's a shooter, and I mean,
• 6:47
  Speaker 1: what good at that? He froze? He definitely froze. Did
• 6:52
  Speaker 1: he freeze? Come stop it, Scott Peterson frozen? There's nothing
• 6:58
  Speaker 1: wrong with that. The guy had an a off fifteen.
• 7:00
  Speaker 1: But all I'm saying is Scott Peterson had a gun,
• 7:02
  Speaker 1: all right, and he was shooking scared to going in
• 7:04
  Speaker 1: and engage with this guy. How do y'all expect teachers
• 7:07
  Speaker 1: to engage with this guy? Are these guys? The thing is? Yeah,
• 7:10
  Speaker 1: And there's definitely something wrong with him freezing. I mean,
• 7:12
  Speaker 1: that's your job, that's what you're there for. You could
• 7:14
  Speaker 1: have saved seventeen lives. Hey, everybody got a plane till
• 7:17
  Speaker 1: you get punched in the face. You can train for
• 7:18
  Speaker 1: boxing all day long. Till you get into a real
• 7:20
  Speaker 1: fight and then you get hitting you like up. You know,
• 7:23
  Speaker 1: he was a thirty three year vet. Come on, and
• 7:25
  Speaker 1: what kind of gun did you have? You're talking about
• 7:27
  Speaker 1: a off fifteen verses probably had a revolver or a glock.
• 7:29
  Speaker 1: But the problem is a lot of these schools and
• 7:31
  Speaker 1: I'm sure, well you didn't have a security guard, but
• 7:33
  Speaker 1: I'm sure Charlomagne did a lot of the security guards.
• 7:35
  Speaker 1: The officers were old like they were old officers like
• 7:38
  Speaker 1: it looked like they were about to retire, and this
• 7:40
  Speaker 1: was an easy job for them. When I was a kid. Yeah,
• 7:42
  Speaker 1: you gotta think, you know, growing up, they didn't have
• 7:45
  Speaker 1: the action that we got. Now, you might have to
• 7:46
  Speaker 1: break up a fight or two or somebody didn't jump,
• 7:48
  Speaker 1: but ain't nobody walking up in the school with a
• 7:50
  Speaker 1: off fifteen. Don't all that chop action? All right, Well
• 7:53
  Speaker 1: that is your front page news. All right, thank you,
• 7:56
  Speaker 1: miss ye get it off your chest? Eight, don't drip
• 7:58
  Speaker 1: five eighty five, one oh five on. If you're upset,
• 8:00
  Speaker 1: you need to vent hit us up right now. Maybe
• 8:02
  Speaker 1: had we need to have more Nique on during this segment. No,
• 8:06
  Speaker 1: don't stop it. Monique's on the next hour, right, but
• 8:08
  Speaker 1: get it off your chests. Hit us up right now,
• 8:09
  Speaker 1: eight on drink five eight five one on five one,
• 8:12
  Speaker 1: or if you feel blessed, spread some positivity this morning,
• 8:15
  Speaker 1: hit us up right now. It's the Breakfast Club. Good morning,
• 8:17
  Speaker 1: the Breakfast Club. Pick up the mother mother phone and
• 8:23
  Speaker 1: don this is your time to get it off your chat.
• 8:26
  Speaker 1: You're man, We want to hear from you on the
• 8:29
  Speaker 1: Breakfast Club. Pa, butter, have the same energy. Hello, who's
• 8:34
  Speaker 1: this with y'all? Up? And God? What's up my brother peace?
• 8:43
  Speaker 1: How are you get it off your chests? Killing? Chilling? Man?
• 8:45
  Speaker 1: I'm just living like something too that man. I made
• 8:48
  Speaker 1: it this week, Man, I get en up to check next.
• 8:50
  Speaker 1: But what's up with y'all? Hey, Charlot Mane, did you
• 8:53
  Speaker 1: put the class on on deep Bro? I can't. I
• 8:55
  Speaker 1: can't listen to the interview. I had to watch it.
• 8:57
  Speaker 1: They wrong because this great white dude at work. If
• 9:00
  Speaker 1: y'allways playing at rock music, you don't want to let
• 9:03
  Speaker 1: me get my shine on with y'all in the morning time? Man,
• 9:06
  Speaker 1: did you put clamps on the bro? I don't know
• 9:08
  Speaker 1: what you call clamps, but you know me? I think well,
• 9:11
  Speaker 1: I had a nice grown conversation with Monique. I think
• 9:14
  Speaker 1: it was a nice I don't ever want to hear
• 9:16
  Speaker 1: the real out of you, man, because you keep it
• 9:18
  Speaker 1: up hot it man. You gotta sell them to get
• 9:20
  Speaker 1: their fingers out, mane Now when the last time we
• 9:26
  Speaker 1: see them? Three strikes? Listen, man, analytics don't matter. Nobody
• 9:29
  Speaker 1: cares about the truth and the lies more entertaining. Bro. Hello,
• 9:32
  Speaker 1: who's this all right? This is nas Hey neeze, get
• 9:35
  Speaker 1: it off your chest, mama, Hey, good morning guys. Um well,
• 9:38
  Speaker 1: I'm upset this morning and actually put at Charlotta maagne
• 9:41
  Speaker 1: because right here you're here in North Miami, Florida, and
• 9:44
  Speaker 1: you came to FIU Advanced. I'm very happy that, you know,
• 9:47
  Speaker 1: we got to see you, and you know you did
• 9:49
  Speaker 1: an awesome job on stage. But I thought for some
• 9:52
  Speaker 1: reason after the show that you're gonna do like a
• 9:54
  Speaker 1: book signing and take pictures. And it's like everyone just
• 9:57
  Speaker 1: rushed in stage and I didn't get my trance to
• 9:59
  Speaker 1: had you my book or nothing. No. I went to
• 10:02
  Speaker 1: the meet and gree we had a meet and greet
• 10:03
  Speaker 1: after That's what I told y'all. I said, come to
• 10:05
  Speaker 1: the meet and Greek but we were just like where
• 10:09
  Speaker 1: char Yeah, that's not my I don't know. That's not
• 10:12
  Speaker 1: my job to tell y'all where the meeting Greek. He
• 10:14
  Speaker 1: didn't know where it was. I didn't even know where
• 10:16
  Speaker 1: it was. They just got it him there. Yeah, but
• 10:18
  Speaker 1: smooth to that. And then he distend. I'm just like,
• 10:21
  Speaker 1: wait a minute, but where where you're like coming to meet?
• 10:23
  Speaker 1: And girl like where and where? And they disappeared and
• 10:25
  Speaker 1: I'm like, come on, man, really, yeah, they must they
• 10:28
  Speaker 1: did y'all dirty because they had food back then taking pictures.
• 10:31
  Speaker 1: I was there for a whole another hour. Now, Mama,
• 10:33
  Speaker 1: if I was you, what I would do is I
• 10:35
  Speaker 1: would get up right now and say where. I know
• 10:37
  Speaker 1: you're still in Miami? Can I possibly meet you somewhere
• 10:40
  Speaker 1: and get my book side? You don't know if I'm
• 10:41
  Speaker 1: still in Miami, but salute to Florida International University. Fy you,
• 10:45
  Speaker 1: I guess we're hooking up on huh? Yes? You always
• 10:47
  Speaker 1: hanging up on people too fast. It wasn't me. I
• 10:49
  Speaker 1: didn't know how you do. That is your right? Now?
• 10:53
  Speaker 1: That stop me? Watch his hands, watch his fingers? Why
• 10:55
  Speaker 1: I always want to watch my fingers. I'm gonna put
• 10:57
  Speaker 1: my fingers somewhere. I get it off your chests eight
• 10:59
  Speaker 1: hundred five five one on five one. If you're upset
• 11:02
  Speaker 1: and you need to vent hitting something now is the
• 11:04
  Speaker 1: breakfast Club. Good morning, the breakfast Club. Wake up, wake up,
• 11:10
  Speaker 1: wake y'all. This is your time to get it off
• 11:14
  Speaker 1: your chest with your man I'm blas. We want to
• 11:17
  Speaker 1: hear from you on the breakfass Club. Hello, who's this James? James,
• 11:22
  Speaker 1: get it off your chests. Yeah, I'm not happy, I'm
• 11:25
  Speaker 1: not mad, you know, I'm just I'm just laughing. Because
• 11:27
  Speaker 1: people will believe in a guy walked through the water.
• 11:30
  Speaker 1: They'll believe that God died and resurrected, you know, but
• 11:33
  Speaker 1: they can't fave on the fact that old Kay. You
• 11:35
  Speaker 1: know what, the government might be responsible for some of
• 11:37
  Speaker 1: these mass shootings, and you know mint because they want
• 11:41
  Speaker 1: to push their mental illness agenda. Like the Brothers, they
• 11:43
  Speaker 1: don't have mental illness. When they can murder, they do something.
• 11:46
  Speaker 1: They thugs. You know that these guys out of control,
• 11:49
  Speaker 1: their gangsters. But when a white guy killed the the
• 11:51
  Speaker 1: shoot things, oh it's mental illness. They you guys jump
• 11:54
  Speaker 1: to the mental illness thing. You know, the president is
• 11:57
  Speaker 1: putting out mental illness. How you guys diagnosed and mental
• 12:00
  Speaker 1: illness without knowing this person, without seeing this person. So
• 12:03
  Speaker 1: every time when of these people say mental illness for
• 12:05
  Speaker 1: white guys and taking on the burger king, they say,
• 12:07
  Speaker 1: you can't tell me. That's not an agenda. You can't
• 12:10
  Speaker 1: tell me. But he can potentially just be a disgusting,
• 12:13
  Speaker 1: sick person. Why are we turning to mental illness? He's
• 12:16
  Speaker 1: turning to mental illness every time a white person do something.
• 12:19
  Speaker 1: But brothers get shot down in the street. Oh, they thug,
• 12:21
  Speaker 1: so they deserved this. So they bad guys. Yo. President
• 12:25
  Speaker 1: Trump called guys who's kneeling ton of a bitches, definitely
• 12:27
  Speaker 1: calls them de nil. But a guy who shoots up
• 12:30
  Speaker 1: somebody is mentally ill. How I'm mins the president. You
• 12:33
  Speaker 1: ain't diagnosedis guy? You have no medical degrees. None of
• 12:36
  Speaker 1: these guys have medical degrees, says the diagnosed mental illness.
• 12:39
  Speaker 1: But if money gets shot up, they say in mental illness.
• 12:42
  Speaker 1: Well listen, I agree with you one hundred percent, but
• 12:45
  Speaker 1: I will say this sometimes it takes one in no one.
• 12:47
  Speaker 1: And Donald Trump knows mental illness when he sees it.
• 12:49
  Speaker 1: Come on, man, just like Columbus was a great guy.
• 12:52
  Speaker 1: We got a holiday, right. They always do stuff to
• 12:55
  Speaker 1: say this and that. Come on, we know what it
• 12:57
  Speaker 1: is already, we know the agenda. So while we acting
• 12:59
  Speaker 1: like we don't. All right, well, thanks for your call, man.
• 13:01
  Speaker 1: I didn't know what to say after that. Hello, who's this? Hello? Steve? Hey, Steve,
• 13:06
  Speaker 1: get it off her chess bro Okay, Well, the one
• 13:08
  Speaker 1: comment the guy made about that cop at the school
• 13:12
  Speaker 1: was scared or something because you were like comparing the
• 13:16
  Speaker 1: glock to the dude's rifle, the shooter's rifle. He froze ye,
• 13:20
  Speaker 1: And that don't feel right. It ain't like the glock's
• 13:23
  Speaker 1: gonna battle the rifle. The guy hits the kid with
• 13:26
  Speaker 1: a glock round, he's going down. It's a block against
• 13:30
  Speaker 1: the human, not a glock against the rifle. You know
• 13:32
  Speaker 1: what I'm saying. Yeah, but I mean in the head
• 13:34
  Speaker 1: and he's done. Yeah. You acting like you Yeah, we
• 13:38
  Speaker 1: call it a high powered telic gun kind of knock
• 13:41
  Speaker 1: him on his act. Yeah, but you're acting like this guy.
• 13:42
  Speaker 1: You're acting like this guy was a sharp shooter. Okay.
• 13:45
  Speaker 1: Number one and number two, clearly the guy was shook.
• 13:48
  Speaker 1: The guy with the thirty three year veterans. How old
• 13:49
  Speaker 1: was he in his fifties. You know what's crazy is
• 13:54
  Speaker 1: that even now after all of this, he still thinks
• 13:56
  Speaker 1: he did a good job. He definitely didn't do a
• 13:58
  Speaker 1: good job, especially if you had a good job. He
• 14:00
  Speaker 1: feels like he did what he was supposed to. I'm
• 14:02
  Speaker 1: sure he was scared, and I know anybody in that
• 14:04
  Speaker 1: situation would be scared, but he did not want to
• 14:06
  Speaker 1: go in. And there was teachers in there without weapons
• 14:08
  Speaker 1: that were trying to take that weapon from that guy. Yeah,
• 14:10
  Speaker 1: I think it was an assistant gym teacher. I think
• 14:13
  Speaker 1: the junior r C, junior r C leader, who else?
• 14:16
  Speaker 1: And a student? I think they said, yeah, all right,
• 14:19
  Speaker 1: so listen, some people got a heart, some people don't.
• 14:21
  Speaker 1: And you know, the man froze. That's just what it is.
• 14:24
  Speaker 1: All right, we'll get it off your chest. Eight on
• 14:26
  Speaker 1: drip five eighty five, one oh five one. If you're upset,
• 14:28
  Speaker 1: you need to vent. You could hit us up. Then
• 14:30
  Speaker 1: you got rumors on the way. Yes, we're gonna be
• 14:32
  Speaker 1: talking about people having separations. Will tell you who just
• 14:35
  Speaker 1: filed for divorce, who is leaving the brand that they've
• 14:39
  Speaker 1: been working with, and who has some comments for their
• 14:42
  Speaker 1: ex Okay, we'll get into all that when we come back.
• 14:44
  Speaker 1: He belocked us to breakfast Club. Good morning, the breakfast clubs.
• 14:53
  Speaker 1: Oh gosh, report got Breakfast Club. Well. Drake put out
• 15:03
  Speaker 1: a new pair of Obo Jordan's. They were snatched up
• 15:07
  Speaker 1: just very quickly last week. And now the rumor is
• 15:10
  Speaker 1: that he's gonna be leaving to go to Adidas. What
• 15:13
  Speaker 1: do you think about that? I think that's a good
• 15:15
  Speaker 1: move because Adidas is probably offering equity. Adidas is probably
• 15:18
  Speaker 1: cutting checks. I doubt Jordan Brand is cutting checks. They're
• 15:21
  Speaker 1: just letting you do the sneaker they absolutely on And
• 15:23
  Speaker 1: I think they've done it with Pharrell, They've done it
• 15:25
  Speaker 1: with Kanye, and I think Drake is big enough of
• 15:27
  Speaker 1: us to do the same. Yeah, San of those Jordan's.
• 15:31
  Speaker 1: But sometimes you gotta go and do those smart money
• 15:33
  Speaker 1: deals too, where they respect you enough to pay you
• 15:36
  Speaker 1: for what you bring to the table. Yes, because Jordan
• 15:38
  Speaker 1: Brand is like, look where Jordan's you. Having a sneaker
• 15:41
  Speaker 1: makes you look good coming in and design one, my guy. RIGHTII.
• 15:46
  Speaker 1: As a kid, you're growing up wearing your Jordan's. Yes,
• 15:49
  Speaker 1: your kids can't eat no sneakers, be right? But they
• 15:51
  Speaker 1: can't eat all some equity in Adidas, all right. Matt Barnes,
• 15:55
  Speaker 1: which the mother of his children his ex a very
• 15:58
  Speaker 1: happy birthday, Gloria go van Now, he said, hope this
• 16:01
  Speaker 1: day is everything you hope for and more. Although things
• 16:03
  Speaker 1: have been rocky, to say the least, the last four years,
• 16:06
  Speaker 1: I hope that for the take of our two beautiful
• 16:08
  Speaker 1: baby boys, we can come together and co parent them
• 16:11
  Speaker 1: to the best of our abilities. No more games or
• 16:13
  Speaker 1: bullish They need both of our love and support equally.
• 16:15
  Speaker 1: We lead different lives now, but we're still on the
• 16:17
  Speaker 1: same team. Anyways. Cheers to your day. Well, that seemed
• 16:21
  Speaker 1: like a nice post until she responded. Gloria Govan wrote, LMAO,
• 16:25
  Speaker 1: Matt Barnes, thank you, I think, and yes, one can
• 16:28
  Speaker 1: only continue to pray that you take your own advice
• 16:31
  Speaker 1: and learn peacefully coparent. But until then, I'll see you
• 16:33
  Speaker 1: in court next week because you love a frivolous lawsuit.
• 16:36
  Speaker 1: But hey, let's keep co parenting. And then she rolled
• 16:39
  Speaker 1: her eyes. Well, Matt Burns responded to that, Well, stealing money,
• 16:43
  Speaker 1: my social Security number and forging my signature to buy
• 16:46
  Speaker 1: your parents' nightclub and house is pretty serious. But hey,
• 16:48
  Speaker 1: I tried see you in court. Don't y'all hate seeing
• 16:51
  Speaker 1: this type of self play out in the public though,
• 16:53
  Speaker 1: I absolutely do, because I didn't know none of that,
• 16:55
  Speaker 1: And they're they're only doing that for their followers in
• 16:58
  Speaker 1: their audience, because both for him already know what it is.
• 17:01
  Speaker 1: So you're just doing that to put her on blast,
• 17:04
  Speaker 1: and she's just doing that to put him on blast.
• 17:05
  Speaker 1: Like I don't have to play out in the public. Well,
• 17:06
  Speaker 1: let's started out out with him really wishing her a
• 17:08
  Speaker 1: happy birthday, and then it just really went with nasty
• 17:11
  Speaker 1: from the Well, somebody got to pull back when you
• 17:13
  Speaker 1: see somebody being petty, when you see somebody going low,
• 17:16
  Speaker 1: you don't always got to take it to the floor
• 17:17
  Speaker 1: with him. Sometimes. I don't get me wrong, I love
• 17:19
  Speaker 1: taking it to the floor, but sometimes you do have
• 17:21
  Speaker 1: to go high when they go low. All right, now,
• 17:23
  Speaker 1: this is heartbreaking. Tisha Campbell filed for a divorce from
• 17:25
  Speaker 1: Dwayne Martin. What happened? They together for twenty two years
• 17:30
  Speaker 1: married and thirty years together. So after twenty seven years
• 17:34
  Speaker 1: of being together and two amazing children, it pains me
• 17:36
  Speaker 1: to announce that I filed for divorce. It's an emotional time,
• 17:40
  Speaker 1: and I graciously asked for privacy for me, our children,
• 17:42
  Speaker 1: and the rest of our family. That's crazy, man. Dwayne
• 17:45
  Speaker 1: and Tisha are two very good people. I had the
• 17:47
  Speaker 1: pleasure of going to their their club in La at
• 17:51
  Speaker 1: one time, and I club a restaurant. It's a restaurant.
• 17:53
  Speaker 1: It's a restaurant, slash lounge. It's a restaurant slash lungs.
• 17:56
  Speaker 1: I can't why can't I not remember the name of
• 17:57
  Speaker 1: it right now? Then lounge? Then yeah, then la and
• 18:01
  Speaker 1: I kicked with both of them, and they were both
• 18:02
  Speaker 1: really good people. So that's that's sad to hear man. Well,
• 18:04
  Speaker 1: Gene is back with Martin, so you know what it is?
• 18:07
  Speaker 1: All right? Kylie Jenner, this tweet that she sent out
• 18:10
  Speaker 1: actually might have costs Snapchat a huge loss. Their shares
• 18:14
  Speaker 1: actually dropped by as much as seven point two percent,
• 18:17
  Speaker 1: which is equals one point three billion dollars. She tweeted out,
• 18:20
  Speaker 1: so does anyone else not open Snapchat anymore? Or is
• 18:23
  Speaker 1: it just me? This is so sad? And then right
• 18:25
  Speaker 1: after that, bang, well, it was also the Snapchat update
• 18:28
  Speaker 1: that they did that nobody liked. What was the update?
• 18:30
  Speaker 1: Because I've been off Snapchat. I'm not sure because people
• 18:33
  Speaker 1: complained no, it was no, it was some update, or
• 18:36
  Speaker 1: maybe they did put it back. I don't. I just
• 18:37
  Speaker 1: know it was some update everybody was complaining about. And
• 18:40
  Speaker 1: then I guess Kylie said that. But I've been off Snapshot.
• 18:42
  Speaker 1: I've been deleted that off my phone. You I got
• 18:44
  Speaker 1: that kind of time. Why you are you on Snapchat
• 18:45
  Speaker 1: when you got the Instagram live thing, the Instagram story
• 18:48
  Speaker 1: to do the same thing? Now I got time follow
• 18:50
  Speaker 1: them devices all right. Well, Quincy Jones has issued an
• 18:53
  Speaker 1: apology for his recent interview that he did where he
• 18:56
  Speaker 1: revealed a lot of different things about people like Michael
• 18:59
  Speaker 1: Jackson R Prior. You know you guys all heard about it. Well,
• 19:03
  Speaker 1: he now has said this. A couple of weekends ago,
• 19:05
  Speaker 1: my six daughters, who I'm beyond proud of, took me
• 19:08
  Speaker 1: aside to do a surprise family intervention because there's some
• 19:11
  Speaker 1: silly things I've said in two recent interviews, and I've
• 19:14
  Speaker 1: learned my lesson. Let me tell you, I'm so grateful
• 19:16
  Speaker 1: for my daughters because they aren't scared to stand up
• 19:18
  Speaker 1: to their daddy. I am an imperfect human and I'm
• 19:21
  Speaker 1: not afraid to say it. And I'm sorry, and I'm
• 19:23
  Speaker 1: not afraid to say it. First of all, who was
• 19:24
  Speaker 1: Quincy Jone's apologizing to everybody that he talked about in
• 19:27
  Speaker 1: the article is dead. I'm in the family. I guess
• 19:31
  Speaker 1: the families of the people that passed away. He didn't
• 19:33
  Speaker 1: say the families he said. He said, I wouldn't had
• 19:35
  Speaker 1: private conversations and personally apologize to who in heaven you
• 19:39
  Speaker 1: went to heaven for talk to his daughters and had
• 19:41
  Speaker 1: to apologize. Now, he goes on to say, I'm sorry
• 19:44
  Speaker 1: to anyone who my words defended, and I'm especially sorry
• 19:46
  Speaker 1: to my friends who are still here with me and
• 19:48
  Speaker 1: to those who aren't. These friends are like blood family
• 19:51
  Speaker 1: to me. To my dear family and friends, thank you
• 19:53
  Speaker 1: for your grace. Thank you for calling me out when
• 19:55
  Speaker 1: I've clearly made a mistake, many mistakes. Even though sometimes
• 19:58
  Speaker 1: it's difficult to receive critics, SYSM or discipline, especially publicly,
• 20:02
  Speaker 1: I want you to know I hear you, I hear
• 20:03
  Speaker 1: all of you, and I thank you, Sorr. I encourage
• 20:05
  Speaker 1: you all to please grow with me and keep on
• 20:08
  Speaker 1: keeping on loving. Eighty five year old bold legged man
• 20:11
  Speaker 1: who was still learning from his mistakes well correct me
• 20:13
  Speaker 1: if I'm wrong, But all the people that he talked
• 20:16
  Speaker 1: about in that article a day, so I don't know
• 20:17
  Speaker 1: who you apologize to. And when you refer to yourself
• 20:19
  Speaker 1: as a bowl legged man, you might have slept a
• 20:21
  Speaker 1: mall and Brando too, well, these people do still have families,
• 20:24
  Speaker 1: and families feelings can get hurt by some of these
• 20:27
  Speaker 1: things that he said. So why were just breathing path
• 20:29
  Speaker 1: the fact that he said he's an eighty five year
• 20:31
  Speaker 1: old bold legged man. Why are he's still shooting it?
• 20:33
  Speaker 1: All right? Like that's the thirst trap? Like I'm bow legged,
• 20:36
  Speaker 1: bow legged man. All right, Well I'm angela yee And
• 20:38
  Speaker 1: that is your rumor report. All right, thank you, miss Nat.
• 20:41
  Speaker 1: When we come back, Monique, we're gonnakick it with Monique.
• 20:44
  Speaker 1: She came through yesterday and she taped it on her
• 20:47
  Speaker 1: periscope and she put some of it out. But we're
• 20:49
  Speaker 1: gonna get the interview on right now, the whole interview.
• 20:52
  Speaker 1: Monique is has received donkeya today a couple of weeks ago,
• 20:56
  Speaker 1: maybe a few weeks ago, and I don't think she's
• 20:58
  Speaker 1: happy about that. Okay, we'll get into that when we
• 21:00
  Speaker 1: come back. Keep a loot this to Breakfast Club. Good
• 21:02
  Speaker 1: morning morning. Everybody is DJ N v Angela Yee, Charlomagne
• 21:06
  Speaker 1: the guy. We are the Breakfast Club now, you guys
• 21:08
  Speaker 1: all No, Monique stopped by the Breakfast Club yesterday and
• 21:11
  Speaker 1: we're getting it on today. So we're gonna play that
• 21:14
  Speaker 1: for you special guests in the building, Miss Monique. Good morning,
• 21:17
  Speaker 1: good morning morning, good morning, good morning. When Monique walked in,
• 21:24
  Speaker 1: I gave a hug. I wanted her to know it's
• 21:25
  Speaker 1: all love. Yes, he did, my lofe. We just here
• 21:28
  Speaker 1: to have a conversation. That's all we're doing. Now, what's
• 21:30
  Speaker 1: going on today? Mis Morningue. A while ago, I had
• 21:33
  Speaker 1: to come out and I spoke in reference to Netflix
• 21:36
  Speaker 1: that we had to boy you know, I was asking
• 21:37
  Speaker 1: folks to stand with us as we boycott Netflix for
• 21:40
  Speaker 1: Jenda bias and color buy it correct, and we were
• 21:43
  Speaker 1: fighting for equality. And then I found out that I
• 21:47
  Speaker 1: had become Donkey of the day, yes by Leonard, and
• 21:50
  Speaker 1: I gotta call you by your name, baby, because okay, okay, baby,
• 21:55
  Speaker 1: he's getting real special Leonard. But we're gonna And then
• 21:59
  Speaker 1: I was called Donkey of the Day, and it really
• 22:02
  Speaker 1: caught me off guard because when I met this brother
• 22:06
  Speaker 1: some years ago, and I met a young man that
• 22:08
  Speaker 1: was full of humility and respect. And when I got
• 22:12
  Speaker 1: on an elevator, he actually held the door. I remember
• 22:15
  Speaker 1: like it was yesterday, and I said, oh, baby, thank you,
• 22:19
  Speaker 1: and he was just like that, yes, ma'am, and miss Monique,
• 22:22
  Speaker 1: is a pleasure to meet you. And we had a
• 22:24
  Speaker 1: very beautiful exchange. And I said to that brother, tell
• 22:28
  Speaker 1: your mama that she raised you right, and I said
• 22:32
  Speaker 1: it was my mama and my grandma, yes, ma'am. So
• 22:35
  Speaker 1: I felt like this was as still as a beautiful
• 22:38
  Speaker 1: young brother making his way, but full of humility and respect.
• 22:42
  Speaker 1: Two we fast forward and I become Donkey of the Day.
• 22:46
  Speaker 1: So I didn't want to have it to be here say.
• 22:49
  Speaker 1: I didn't want to have anybody exchange words that I
• 22:52
  Speaker 1: may have said to him. So my husband I wanted
• 22:54
  Speaker 1: to come on so we could understand how I got
• 22:57
  Speaker 1: titled Donkey of the Day. Did you give a dog
• 23:00
  Speaker 1: kid to day? Charlemagne? Well, I think it was due
• 23:02
  Speaker 1: to the whole Netflix situation. You know, when I heard
• 23:04
  Speaker 1: you say that, you know you wanted us to boycott
• 23:07
  Speaker 1: because of racial and gender biased but then you went
• 23:09
  Speaker 1: on to you know, mentioned two brothers and a woman,
• 23:13
  Speaker 1: so I said maybe she should be more specific and
• 23:15
  Speaker 1: say black woman gender biased. But then also just from
• 23:18
  Speaker 1: a business aspect, I wanted to know why did you
• 23:20
  Speaker 1: feel like, you know you should have gotten whatever Chris
• 23:23
  Speaker 1: Rock got, whatever Day Chappelle got, or whatever Amy Schumer got,
• 23:26
  Speaker 1: because I feel like this is a what are you
• 23:27
  Speaker 1: doing for me right now? Type of shed say what
• 23:30
  Speaker 1: they got? She said she should have got more than
• 23:32
  Speaker 1: she was offered, and then Charlemagne you brought up an
• 23:34
  Speaker 1: old Netflix special as well, but I was later on,
• 23:38
  Speaker 1: but my point was like, this is a what are
• 23:40
  Speaker 1: you doing for me right now? Kind of interest. We
• 23:43
  Speaker 1: all know Monique as a legend, but we also know
• 23:45
  Speaker 1: that those things, those deals that Netflix had given out
• 23:47
  Speaker 1: are based off recent stand up shows, recent shows, recent
• 23:50
  Speaker 1: concert recent arena's, recent tours like that. But I just
• 23:52
  Speaker 1: wanted to know why you felt like you deserved that much. Daddy,
• 23:56
  Speaker 1: would you like to start or would you like from me?
• 23:58
  Speaker 1: It didn't start with the offer for where the color
• 24:01
  Speaker 1: bias and the just respect transpired. It started from when
• 24:05
  Speaker 1: we had our initial conversation after Monique got her reviews
• 24:09
  Speaker 1: from the Nights, in which Benjamin and Caitlin, who are
• 24:13
  Speaker 1: representatives for Netflix, came out to see Monique and which
• 24:17
  Speaker 1: on two different nights they saw her get a standing ovation,
• 24:21
  Speaker 1: which subsequently gave them reviews of amazing and great show.
• 24:26
  Speaker 1: So when we're in the midst of having the conversation
• 24:30
  Speaker 1: prior to them giving the offer, we're in the midst
• 24:34
  Speaker 1: and he says, well, I want to make it very
• 24:36
  Speaker 1: clear that, you know, people speak about Dave Chappelle, Amy Schumann,
• 24:40
  Speaker 1: what they got. I want to just make it clear,
• 24:42
  Speaker 1: you know, so we can manage expectations that everybody doesn't
• 24:46
  Speaker 1: get those type of deals. Well, when we're in the
• 24:48
  Speaker 1: midst of that conversation, the phone disconnects. We never reconvened,
• 24:53
  Speaker 1: he never gets us back on, and our attorney looks,
• 24:56
  Speaker 1: calls me up and we speak and we're like, well,
• 24:58
  Speaker 1: that was strange. Are we going to get back on
• 25:00
  Speaker 1: the phone or not, Because anybody who does business knows
• 25:03
  Speaker 1: that this is the key time in which to build
• 25:06
  Speaker 1: the value of your client. Then we came back with
• 25:10
  Speaker 1: an offer that they allegedly had sent over that our
• 25:13
  Speaker 1: attorney and I had never received, and then on that
• 25:17
  Speaker 1: it was a certain time limit in which we were
• 25:20
  Speaker 1: supposed to respond, well, we had passed the time limit
• 25:23
  Speaker 1: because we never received it. When our attorney had asked
• 25:26
  Speaker 1: them to please resend the offer that they had allegedly sent,
• 25:30
  Speaker 1: it was clear that it had never been sent in
• 25:32
  Speaker 1: the first place. That to the second red flag when
• 25:35
  Speaker 1: we get on the phone to discuss the offer that
• 25:38
  Speaker 1: they had then finally sent over. Initially they didn't want
• 25:41
  Speaker 1: to have the conversation until I expressed to them it
• 25:44
  Speaker 1: is very ironic that the call we had was disconnected.
• 25:48
  Speaker 1: We never reconvened. You became evasive. You can't get on
• 25:52
  Speaker 1: the phone. Now I have to express what it's feeling like,
• 25:55
  Speaker 1: which is gender biased, color biased. And there's also an
• 26:00
  Speaker 1: issue that we didn't discuss that's in there as well.
• 26:03
  Speaker 1: So those three things are what led to it, in
• 26:05
  Speaker 1: conjunction with the fact that the very items that he
• 26:08
  Speaker 1: said did not translate for Monique, which were her resume,
• 26:12
  Speaker 1: what she's done in terms of movies. It didn't translate,
• 26:16
  Speaker 1: but he said those were the things that translated for
• 26:19
  Speaker 1: Amy Schumer. So why does Amy's resume work and Monique
• 26:23
  Speaker 1: does not? And they could not explain that. And if
• 26:25
  Speaker 1: he just joining us, that's Sydney that's Monique's managing husband
• 26:28
  Speaker 1: if he just joining us, so you know the voices. Well,
• 26:30
  Speaker 1: for I don't think Amy Schuman is funny, that's number one.
• 26:32
  Speaker 1: But she did sell out fifty arenas around the world,
• 26:35
  Speaker 1: including MSG and HBO wanted her as well, so she
• 26:38
  Speaker 1: created a bidding war based on those stats. So I
• 26:41
  Speaker 1: assume that's the reason her number was at that place. Well,
• 26:44
  Speaker 1: I want to address something because you said I assume,
• 26:47
  Speaker 1: and then you also said Monique is a legend. That's
• 26:50
  Speaker 1: what you said, absolutely, right, And then when Robbie Prole
• 26:54
  Speaker 1: and Netflix also says Monique is a legend, correct, absolutely,
• 26:59
  Speaker 1: And you believe that Chris Rock is a legend as
• 27:02
  Speaker 1: I do as well, Yes, and you would say Dave
• 27:04
  Speaker 1: Chappelle is a legend, right absolutely. What makes me a
• 27:07
  Speaker 1: different legend from Dave Chappelle and Chris Rock, Well when
• 27:11
  Speaker 1: it comes to those that Netflix, specially the fact that
• 27:13
  Speaker 1: they've shows. Prior to signing his Netflix deal, Chris Rock
• 27:17
  Speaker 1: was on tour with the Total Blackout Tour, selling our
• 27:19
  Speaker 1: shows arenas around the world before they did it, and
• 27:22
  Speaker 1: they learned him away from HBO. I understand what y'all
• 27:26
  Speaker 1: are coming to the table. With when I came to
• 27:28
  Speaker 1: the table and I said, guys, and I said it humbly.
• 27:32
  Speaker 1: I'm gonna decorate a comedian a line. And I said
• 27:35
  Speaker 1: that humbly. And then people, some people said, oh, Monique
• 27:39
  Speaker 1: is crazy till it was proven, till everybody actually saw
• 27:42
  Speaker 1: the numbers and said, well, I guess she's right about that.
• 27:46
  Speaker 1: And when you say this is a what have you
• 27:48
  Speaker 1: done for me lately? The question is how much more
• 27:51
  Speaker 1: do I have to do? Brother? Because when you do
• 27:54
  Speaker 1: a film called Almost Christmas, and that film has a
• 27:58
  Speaker 1: seventeen million dollars a budget, but it makes forty five
• 28:02
  Speaker 1: million dollars. And then my sister Amy Schuman does a
• 28:05
  Speaker 1: film called Snatched, and that film makes forty five million dollars,
• 28:10
  Speaker 1: but it has a budget of forty two million dollars.
• 28:13
  Speaker 1: Now what's the profit on that? I'm asking the question.
• 28:17
  Speaker 1: You made a lot more profit than Amy. It was
• 28:19
  Speaker 1: actually twenty five million dollar profit. But that movie Amy
• 28:23
  Speaker 1: did her Netflix deal before Snatched, No, he said. Robbie
• 28:27
  Speaker 1: Paul said that was what made him also give it
• 28:31
  Speaker 1: a deal because of the big movie that she had
• 28:33
  Speaker 1: coming out, right, And that's where we had to check, Well, yeah,
• 28:37
  Speaker 1: coming out that was so, but she did the Netflix
• 28:39
  Speaker 1: deal before that movie came out. Well, we actually talked
• 28:42
  Speaker 1: to the vice president of Netflix, Leonard Lenard, And what
• 28:45
  Speaker 1: happens is when you're basing off of what you're assuming
• 28:48
  Speaker 1: and then you give me a title of Donkey of
• 28:50
  Speaker 1: the Day. Is your mother still alive? Yes? Man? And
• 28:54
  Speaker 1: you're from what city in South Carolina? South Carolina? Monst Corner?
• 28:58
  Speaker 1: And if I was to call your mother your grand mother,
• 29:00
  Speaker 1: could they tell me stories of inequality that they had
• 29:02
  Speaker 1: to deal with? Absolutely? So, would your mother be a donkey? No?
• 29:06
  Speaker 1: Would your grandmother be a donkey? No? I need you
• 29:09
  Speaker 1: to explain how you gave me the title, because you're
• 29:12
  Speaker 1: not explaining it. You're going off of what I assume.
• 29:15
  Speaker 1: But because you're on that microphone. And when we open
• 29:18
  Speaker 1: up these microphones, we know just how powerful our voices
• 29:22
  Speaker 1: can be, don't we, Angela, Yes, we do, and we
• 29:24
  Speaker 1: know that what we say can become law, correct Lanard, Absolutely,
• 29:28
  Speaker 1: So when we do that, we must then explain it
• 29:31
  Speaker 1: to our community because we know how poisonous it can
• 29:35
  Speaker 1: be when we put things out, but we can't back
• 29:38
  Speaker 1: it up. We just say it. We have more with
• 29:40
  Speaker 1: Monique when we come back, we got to talk more
• 29:42
  Speaker 1: Netflix and negotiations, and it gets more awkward with her
• 29:45
  Speaker 1: and Charlomagne's give a lot to the Breakfast Club. The Morning,
• 29:48
  Speaker 1: the Breakfast Club Morning, everybody is dj N v Angela Yee,
• 29:55
  Speaker 1: Charlomagne the God, We all the breakfast Club. Monique is here, Sa.
• 30:00
  Speaker 1: I think everything you're saying about racial biases absolutely correct.
• 30:03
  Speaker 1: Gender bias is absolutely correct. We know that the black
• 30:05
  Speaker 1: woman is unappreciated and undervalue and a lot of different industries.
• 30:08
  Speaker 1: But I think that when it comes to this Netflix situation,
• 30:11
  Speaker 1: it's very specific. I think it's more of an individual
• 30:13
  Speaker 1: thing than it is a collective problem, Like can you
• 30:17
  Speaker 1: can you can you can? You honestly ask you? Is
• 30:19
  Speaker 1: this can you say? If it's an individual problem, how
• 30:24
  Speaker 1: comes that there are no individuals of color who happen
• 30:28
  Speaker 1: to be ce male comedians that have had the multiple
• 30:31
  Speaker 1: million dollar pay days with Netflix. Because what happens with
• 30:36
  Speaker 1: the black community it's what have you done lately? But
• 30:39
  Speaker 1: when you are a white person in this industry, it's
• 30:42
  Speaker 1: you're only as good as your last project. Well, I
• 30:45
  Speaker 1: thought it was drawing the amount of people that will
• 30:48
  Speaker 1: watch special, do you think this is specific to comedians,
• 30:52
  Speaker 1: because I do know they've given out multimillion dollar deals
• 30:54
  Speaker 1: to EBA, Dubna, Shonda Rhymes. So you think it's specific
• 30:57
  Speaker 1: to the comedy industry, Well, I'll let you answer it.
• 31:01
  Speaker 1: What black female comedian got the multi million dollars deal?
• 31:05
  Speaker 1: But don't you think it's coming? I'm sure, I'm sure.
• 31:07
  Speaker 1: I'm sure Tiffany Hattrish will be presented with something if
• 31:09
  Speaker 1: she hasn't already. Well, but we got to speak about
• 31:11
  Speaker 1: the sisters that's done it. See when Wanda Sykes is
• 31:15
  Speaker 1: number one hundred on Comedy Central's Top Comedians Ever, number seventy,
• 31:20
  Speaker 1: I'm sorry, daddy, number seventy on the top one hundred ever.
• 31:24
  Speaker 1: But they offered her two fifty. So what do you
• 31:27
  Speaker 1: say to that? Let Oh, you know, I actually asked
• 31:29
  Speaker 1: about that. I spoke to somebody on Netflix and they
• 31:31
  Speaker 1: offered that deal to Wander Sikes before this guy that
• 31:34
  Speaker 1: does these stand up deals even got into position. They
• 31:37
  Speaker 1: offered this deal to her some years ago. Does it
• 31:39
  Speaker 1: seem strange that you always have an answer when I'll
• 31:41
  Speaker 1: finish line keeps getting moved when I say, name me
• 31:44
  Speaker 1: one black female comedian that's got the million dollar payday.
• 31:48
  Speaker 1: I'm waiting to hear the answer, right, So you think
• 31:50
  Speaker 1: it's specific to comedians because I don't. I don't know
• 31:53
  Speaker 1: on Netflix any that. But I can't say and history
• 31:57
  Speaker 1: name her, well, I would ask what what what black
• 31:59
  Speaker 1: female comedian has sold out fifty arenas around the World's
• 32:03
  Speaker 1: there's four beautiful black female comedians that we just got
• 32:08
  Speaker 1: a Legends award. Her name is Samore, the name is Adel,
• 32:11
  Speaker 1: her name is Miss Laura, her name is Monique. And
• 32:14
  Speaker 1: when the Queens of Comedy was on tour, see we
• 32:16
  Speaker 1: made history. And I don't know if you've done your homework,
• 32:19
  Speaker 1: because we were the only female group, black, white, Latin
• 32:22
  Speaker 1: Asian to sell out consecutively around this country. But you'll
• 32:27
  Speaker 1: disregard that because you'll say, well, what did you do yesterday?
• 32:30
  Speaker 1: So you can't take it away. But if I'm doing
• 32:33
  Speaker 1: business and I'm basing it off doing it, deal with
• 32:35
  Speaker 1: somebody who did this last year, as opposed to doing
• 32:37
  Speaker 1: it fifteen years ago, twenty years ago, whenever it was.
• 32:39
  Speaker 1: Wouldn't it make more things to do with the person
• 32:41
  Speaker 1: who did it just a couple of years ago. If
• 32:42
  Speaker 1: you're doing business and you say, what's Monique's resume. Now
• 32:47
  Speaker 1: you're the businessman and you're looking at that resume and
• 32:51
  Speaker 1: everything on that resume says number one, Everything on that
• 32:55
  Speaker 1: resume says sell out. Now all of a sudden, is
• 32:58
  Speaker 1: it going to change? Businessman? If I was saying, if
• 33:01
  Speaker 1: I had to sign Kobe Bryant today, I'm not gonna
• 33:03
  Speaker 1: give Kobe Brant a hundred million dollars contract, well, you're right,
• 33:07
  Speaker 1: but his resume is amazing. The difference between Kobe Bryant
• 33:10
  Speaker 1: today and Monique today is when you're thirty six in
• 33:14
  Speaker 1: the game of basketball, you don't lost your step. When
• 33:18
  Speaker 1: you are fifty years old in the game of comedy,
• 33:21
  Speaker 1: your season and if she had to come, if they
• 33:24
  Speaker 1: had to come to Netflix to your point, because you
• 33:26
  Speaker 1: make a very good point, and Monique had a stumble
• 33:30
  Speaker 1: like a forty year old or a thirty eight year
• 33:33
  Speaker 1: old Kobe Bryant who's got a rupture to chilles heel
• 33:36
  Speaker 1: that you got to bounce back from, then it would
• 33:38
  Speaker 1: make sense. But if he dropped fifty and still was
• 33:41
  Speaker 1: dropping buckets, what would you say because they watched two
• 33:45
  Speaker 1: standing ovations and two sold out clubs. You're absolutely right,
• 33:49
  Speaker 1: Brothers City. Let me at this. Why not put together
• 33:51
  Speaker 1: a theater, our arena tour and sell that out and
• 33:55
  Speaker 1: then come back to the table. I'll table. It doesn't
• 33:57
  Speaker 1: have to go to see. My whole thing is is
• 33:59
  Speaker 1: that's something we were talking about, the money offered, and
• 34:01
  Speaker 1: my whole thing is as a businessman, being a legend
• 34:06
  Speaker 1: and all that doesn't necessarily matter. It's what's what's who
• 34:09
  Speaker 1: the people I want to see. You could be a
• 34:11
  Speaker 1: legend and people love you, but if you can't attract
• 34:14
  Speaker 1: the people to come to the place to see you
• 34:17
  Speaker 1: or to come to Netflix to watch you, it doesn't
• 34:18
  Speaker 1: mean the question almost Christmas, would you say that was
• 34:26
  Speaker 1: a hit movie? Definitely a hit movie. Would you say
• 34:28
  Speaker 1: Bessie was a hit? Yes? Would you say Precious Precious
• 34:33
  Speaker 1: was a hit? Absolutely? So the question is so, Monique,
• 34:35
  Speaker 1: you didn't do nothing in twenty seventeen that was on
• 34:37
  Speaker 1: TV that we could see, So that means you're irrelevant.
• 34:40
  Speaker 1: I don't think anything. What happens is when someone said
• 34:44
  Speaker 1: to me, Monique, doesn't become disheartening. When it's your folks,
• 34:49
  Speaker 1: it's understandable. I don't take a sense it's understandable and
• 34:53
  Speaker 1: not explain why when I have to sit here and
• 34:56
  Speaker 1: not the fin but explain to people that look like me. Well,
• 35:00
  Speaker 1: when did I become irrelevant? I said, was a movie
• 35:03
  Speaker 1: I'll call Almost Christmas? What in twenty sixteen? This is
• 35:06
  Speaker 1: twenty eighteen. So then all of a sudden, Oh, we
• 35:10
  Speaker 1: don't know if people are gonna show up and show out. Now,
• 35:12
  Speaker 1: when I did a show called The Bernie and Sid Show,
• 35:15
  Speaker 1: we'll show you know those brothers, two white brothers. And
• 35:17
  Speaker 1: when I walked in there, Lanard, I walked in with
• 35:20
  Speaker 1: a preconceiving ocean that I was gonna have to defend
• 35:23
  Speaker 1: myself because one is a strong Trump supporter and the
• 35:27
  Speaker 1: other is a Democrat. But I'm thinking I'm gonna have
• 35:29
  Speaker 1: to walk in and defend myself with these white brothers.
• 35:33
  Speaker 1: After five minutes of us talking, they shut their showdown
• 35:36
  Speaker 1: and they said, Monique, we're gonna call this what this is.
• 35:39
  Speaker 1: This is nothing but racism, and we can't sit back
• 35:42
  Speaker 1: and allow it and watch it happen. So no, we're
• 35:45
  Speaker 1: gonna tell our listeners two boycott Netflix until they get
• 35:48
  Speaker 1: it right, because you are a legend and we have
• 35:51
  Speaker 1: to honor and respect you. Now those are my white brothers.
• 35:54
  Speaker 1: Then I come to my folks, and I have to
• 35:57
  Speaker 1: be donkey of the day, which you still haven't explained, Leonard,
• 36:00
  Speaker 1: And you're gonna have to because when you make those
• 36:02
  Speaker 1: type of statements about your system to our community, what
• 36:07
  Speaker 1: you're saying to the community is as black women, you're devalued.
• 36:11
  Speaker 1: And if you stand up and you make a stand
• 36:14
  Speaker 1: and you say we need equality and we have to
• 36:17
  Speaker 1: say what's right and what's fair, and then a brother
• 36:20
  Speaker 1: that looks like me from South Carolina says, you're the
• 36:23
  Speaker 1: donkey of the day. You have to explain that to
• 36:26
  Speaker 1: our community. I've explained it. I said that. I think
• 36:29
  Speaker 1: that you're using racial and gender bias with your actual
• 36:32
  Speaker 1: real issues. The struggle that the black women are going
• 36:34
  Speaker 1: through in many industries is a real issue, but you're
• 36:36
  Speaker 1: using it to focus on something that you're dealing with individually.
• 36:40
  Speaker 1: Did you just see Viola Davis come out and say
• 36:43
  Speaker 1: pay her equally? Did you just hear that? Absolutely? So
• 36:46
  Speaker 1: when you have us saying the same thing, we're saying
• 36:50
  Speaker 1: pay us equally, you're saying, oh, Monique, this is an
• 36:53
  Speaker 1: isolated situation. Well, then what that says is you don't
• 36:56
  Speaker 1: know the history of this business that you're in and
• 36:58
  Speaker 1: you sit behind this microphe phone and you try to
• 37:01
  Speaker 1: be the guru of black culture. I'm gonna need you
• 37:03
  Speaker 1: to know the history of us before you begin to
• 37:06
  Speaker 1: label us. And once you know the history, you know.
• 37:09
  Speaker 1: I'm not saying anything unique, brother, I just unders understand
• 37:12
  Speaker 1: how you can justify making thirty million dollars twenty eighteen
• 37:15
  Speaker 1: for a standard special. When you say justify thirteen millions,
• 37:18
  Speaker 1: did you get a chance to read what the offer was?
• 37:22
  Speaker 1: I did read some of it, yes, well all of it.
• 37:25
  Speaker 1: The kids we got to read all of it. Because
• 37:28
  Speaker 1: what Chris Rock said a long time ago, if you
• 37:30
  Speaker 1: want to hire something from a black person, put it
• 37:32
  Speaker 1: in a book. This is not about comparing the definitive
• 37:37
  Speaker 1: numbers as to what Amy got and what Dave and
• 37:40
  Speaker 1: them got, because it's married to what you just communicated.
• 37:44
  Speaker 1: But when you ask a comedian to take a half
• 37:49
  Speaker 1: million dollars for two years, you can't say any jokes.
• 37:55
  Speaker 1: They don't want you to do stand up for two years,
• 37:58
  Speaker 1: and essentially they want you to take half a million
• 38:02
  Speaker 1: dollars and lose out on two million dollars of work
• 38:06
  Speaker 1: that you would have made on the road. Anyway, That
• 38:10
  Speaker 1: right there. It doesn't make sense. Hi, we have more
• 38:12
  Speaker 1: with Monique where we come back, don't move. It's the
• 38:14
  Speaker 1: breakfast Clucal Morning. Everybody is DJ Envy Angela Ye, Charlomagne
• 38:19
  Speaker 1: the guy we are the breakfast club. Monique is in
• 38:23
  Speaker 1: the building, charlomagnet deal. He just asks did we make
• 38:28
  Speaker 1: a counter offer? And that's a very important question that
• 38:31
  Speaker 1: Davis into the counter offer and said they won't. They
• 38:34
  Speaker 1: regretfully won't be able to do this deal. Hopefully you
• 38:36
  Speaker 1: guys could work together in the future, and that's the
• 38:39
  Speaker 1: point that we have to make to you, Lenard. But
• 38:42
  Speaker 1: in addition to that, my love, and this is in
• 38:45
  Speaker 1: conjunction with Roland Martin and John Mary putting out a
• 38:49
  Speaker 1: rumor that Monique was offered three million dollars and then
• 38:53
  Speaker 1: didn't have the decency as journalists to come back and
• 38:57
  Speaker 1: say we apologize for the misinformation. Because if you notice,
• 39:01
  Speaker 1: Monique keep Monique keeps producing receipts, and as crazy as
• 39:05
  Speaker 1: this sounds, this is a bigger picture than just Netflix,
• 39:09
  Speaker 1: because what has happened was you've heard about Lee Daniels
• 39:13
  Speaker 1: coming out speaking in reference to how difficult Monique was,
• 39:16
  Speaker 1: and the whole nine. We live in a culture in
• 39:19
  Speaker 1: which the ladies who are going up in the room
• 39:21
  Speaker 1: saying hashtag me too, and people are saying, well, you know,
• 39:25
  Speaker 1: if you're going up in the room at two o'clock
• 39:27
  Speaker 1: in the morning, you know you're about to get screwed,
• 39:31
  Speaker 1: So why do you go up there and do it?
• 39:33
  Speaker 1: But what happens is they'll say to Monique, why didn't
• 39:36
  Speaker 1: you go promote a movie for Lionsgate for free? Because
• 39:39
  Speaker 1: you know what they'll do to you. So now you're
• 39:42
  Speaker 1: in the damned if you do, damned if you don't situation.
• 39:45
  Speaker 1: Because the women who go up in the room, the
• 39:47
  Speaker 1: reason why they go up in the room, they know
• 39:49
  Speaker 1: they're going to get screwed when they go up in
• 39:51
  Speaker 1: the room. They just don't know how bad they're gonna
• 39:53
  Speaker 1: get screwed. If they don't go up in the room,
• 39:56
  Speaker 1: what happens off of them. This is why, again, Lenard,
• 40:01
  Speaker 1: you've got to be careful with your words, because you
• 40:04
  Speaker 1: called your sister donkey of the day, but you didn't
• 40:07
  Speaker 1: do your research, and you pulled that poison out into
• 40:10
  Speaker 1: our community. Was out fully doing your research, and now
• 40:15
  Speaker 1: as we sit here, you have to almost backtrack your
• 40:18
  Speaker 1: words well, when you ask a question, did you counter offer?
• 40:22
  Speaker 1: We put all of it out there. We put the
• 40:24
  Speaker 1: information out there, so you were so ready to do
• 40:27
  Speaker 1: good readio that you didn't do your homework. And when
• 40:31
  Speaker 1: you have a conversation, you know a brother named gerl
• 40:33
  Speaker 1: Kelly about would you consider him your friend? Absolutely? See,
• 40:37
  Speaker 1: I was on the road with Gerl Kelly two weeks ago. Yeah,
• 40:40
  Speaker 1: called Monique. I talked to uh Charlemagne and he said, man,
• 40:47
  Speaker 1: you know I love Monique. I wasn't doing nothing but
• 40:50
  Speaker 1: making ready of I didn't see it you have with
• 40:55
  Speaker 1: geral Kelly, because what again, when you say, did your
• 40:58
  Speaker 1: counter offer? See, we did, and they said there was
• 41:01
  Speaker 1: no negotiations. You take it to leave it. We didn't
• 41:05
  Speaker 1: actually counter offer. What they said in the midst of
• 41:08
  Speaker 1: our conversation, you've given us something to chew on. We're
• 41:11
  Speaker 1: going to come back and reflect on it. And we said,
• 41:14
  Speaker 1: and I said to them, trying to give them out,
• 41:17
  Speaker 1: are you sure, because here's the thing. We don't want
• 41:20
  Speaker 1: to waste your time if if it's not real. However,
• 41:25
  Speaker 1: if it's real and we can get something done, of
• 41:28
  Speaker 1: course we would love to do business with you. So
• 41:30
  Speaker 1: y'all really didn't make a counter offer. No, so what
• 41:33
  Speaker 1: we're saying it was negotiable. They were going to go
• 41:37
  Speaker 1: back to reflect on what we had discussed, and when
• 41:41
  Speaker 1: they came back, they said that we are based upon
• 41:44
  Speaker 1: our discussion, we decided not to make a counter offer
• 41:48
  Speaker 1: in reference to what it is that you're speaking in
• 41:51
  Speaker 1: reference to hopefully we can do business in the future
• 41:54
  Speaker 1: and so forth. Because what they were trying to emphasize
• 41:57
  Speaker 1: to us that a half a million dollars was a
• 42:01
  Speaker 1: strong enough number, and other people that they considered equal
• 42:05
  Speaker 1: to Monique, which they did not name, they said, they've
• 42:09
  Speaker 1: taken that number. If you notice you're having a conversation
• 42:13
  Speaker 1: with Monique, why is it that Netflix won't have a
• 42:18
  Speaker 1: conversation with people because they can bank on people like Charlemagne.
• 42:23
  Speaker 1: They can bank on our brothers and sisters like Charlemagne
• 42:27
  Speaker 1: that will say we'll fight them. We'll fight them for you,
• 42:30
  Speaker 1: for you don't have to fight us. I'm still trying
• 42:32
  Speaker 1: to get you in Brothers City to justify why you
• 42:34
  Speaker 1: think you deserved thirteen million dollars. There bidding war between platforms.
• 42:37
  Speaker 1: When you say, when you say justify, I'm gonna put
• 42:42
  Speaker 1: my resume on the table. That's all I'm gonna have
• 42:45
  Speaker 1: to do is I'm gonna put it on the table
• 42:47
  Speaker 1: when you say justify it, I'm gonna lay it out
• 42:49
  Speaker 1: on the table for you to look at it. Do
• 42:51
  Speaker 1: you do the numbers and ticket sales that Chris Rock
• 42:54
  Speaker 1: does that, Dave Chappelle does that, emshom with us. It's
• 42:56
  Speaker 1: given the opportunities. Why don't you answer the question? See,
• 42:59
  Speaker 1: it's given those opportunities. You're answering the question for yourself.
• 43:02
  Speaker 1: We're not given the same opportunities. Brother, But if you
• 43:04
  Speaker 1: do your why can't you in Sydney Garden book arena toys?
• 43:08
  Speaker 1: Do they go out and book their tours or do
• 43:10
  Speaker 1: promoters book? Then? See what we're gonna do right now
• 43:12
  Speaker 1: is and what I'm not gonna do with you now?
• 43:14
  Speaker 1: You want to play a tist protech and what you're
• 43:16
  Speaker 1: saying is a black woman's resume don't matter. I'm not
• 43:19
  Speaker 1: saying that trying to weaponize things such two hundred and
• 43:25
  Speaker 1: fifty thousand dollars and she's considered one of the best,
• 43:28
  Speaker 1: or that was years ago and they said that was
• 43:30
  Speaker 1: they would never do that now. And I literally heard
• 43:33
  Speaker 1: this like a few weeks ago. So you did talk
• 43:37
  Speaker 1: about the situation with Lee Daniels, and you talked about
• 43:40
  Speaker 1: people saying that. Now we've read some things also because
• 43:44
  Speaker 1: you're here and our cousins, but left for you to
• 43:46
  Speaker 1: speak on this. So there are people that say that
• 43:48
  Speaker 1: you didn't treat people well, yes, and that they've had
• 43:50
  Speaker 1: issues working with you and that you're difficult. Yes. So
• 43:52
  Speaker 1: let's address some of that. Because Roland Martin brought it
• 43:55
  Speaker 1: up when you guys spoke on Twitter. Yes, and he
• 43:58
  Speaker 1: talked about the Ebony magazine cover shoe that you did
• 44:00
  Speaker 1: with Chris Rock and Steve Harvey. Yes, and he said
• 44:03
  Speaker 1: that it was a nightmare because of you. What happened
• 44:05
  Speaker 1: at that shoot? Well, what happened if that shoot was
• 44:09
  Speaker 1: a check was thrown at one of our assistants, and
• 44:12
  Speaker 1: you don't throw anything at anyone. And I had a
• 44:14
  Speaker 1: problem with that. See, they won't fill you in on
• 44:17
  Speaker 1: all that happened. So you had to let that person
• 44:19
  Speaker 1: know that's not how you do business and that's unacceptable.
• 44:22
  Speaker 1: So I have no problem speaking on it. When they
• 44:24
  Speaker 1: said I mistreated people on almost Christmas, well we have
• 44:27
  Speaker 1: twenty interviews because we knew that they would say something
• 44:31
  Speaker 1: like that with the people that worked in the background professionals,
• 44:35
  Speaker 1: the lighting guys, the camera guys, where they all said
• 44:38
  Speaker 1: our experience with Monique was stella. What happens is you
• 44:41
  Speaker 1: hear the bullies speak out, but then the bullies run
• 44:45
  Speaker 1: because when those videos did come out, the Roland Martin
• 44:47
  Speaker 1: come back. When the videos did come out, just with
• 44:50
  Speaker 1: the three little videos, you heard nothing else, did you.
• 44:54
  Speaker 1: Let's backchack a little bit because Will Packer, Yes, okay,
• 44:58
  Speaker 1: so Will Packer and m Roland Martin. And you know
• 45:03
  Speaker 1: a lot of people have spoken out that have dealt
• 45:04
  Speaker 1: with you personally and said these things. But I haven't
• 45:07
  Speaker 1: really heard anybody say anything negative about Will Packer, about
• 45:11
  Speaker 1: working with Lee Daniels, and I haven't heard them say
• 45:15
  Speaker 1: anything negative about some of the people that they've worked it.
• 45:17
  Speaker 1: So why is it? Let me I can answer that.
• 45:19
  Speaker 1: That's a great question. You know the guy Harvey Weinstein,
• 45:23
  Speaker 1: and he was able to do that for how many years? Decades?
• 45:27
  Speaker 1: And why do you think that was Well, they were
• 45:29
  Speaker 1: working with a lot of people who felt like their
• 45:31
  Speaker 1: career would be in jeopardy if somebody spoke out. Do
• 45:34
  Speaker 1: you think this is a unique situation? Do you think
• 45:36
  Speaker 1: that people are fearful to speak out when they're mistreated.
• 45:39
  Speaker 1: Is it bestween mistreatment and sexual assault? Money? We we can't.
• 45:42
  Speaker 1: We can't put out false equivalences about people. I understand
• 45:45
  Speaker 1: what you're What is it between mistreatment and sexual me?
• 45:50
  Speaker 1: I guess levels to mistreatment? You're You're absolutely right. Mistreatment
• 45:55
  Speaker 1: is mistreatment, and you can't paint Will the same that's
• 45:59
  Speaker 1: what the same person. Let me say this because based
• 46:01
  Speaker 1: upon the information that you had, you feel comfortable with it.
• 46:06
  Speaker 1: Because this is the world we live in. If you
• 46:08
  Speaker 1: keep hearing it, it seems as if it's true. Asked
• 46:12
  Speaker 1: David Talbert, who was the director of Almost Christmas, if
• 46:16
  Speaker 1: Monique had to stop because Will Packer was given directions
• 46:21
  Speaker 1: over the director and he's the producer, and Monique said
• 46:26
  Speaker 1: stop for a moment, please. What we're not going to
• 46:29
  Speaker 1: do is disrespect to this black director, because if he
• 46:32
  Speaker 1: was a white director, you as the producer, would not
• 46:35
  Speaker 1: give direction over him. And to his credit, at that moment,
• 46:39
  Speaker 1: he seemed to have got it and was embarrassed by
• 46:43
  Speaker 1: what it was that he had done. And the reason
• 46:46
  Speaker 1: she had some difficulty with one of the individuals who
• 46:49
  Speaker 1: were the first ape or something like that she had
• 46:54
  Speaker 1: walked into Monique's trailer while she was undressed without knocking.
• 47:00
  Speaker 1: And I don't know if you know, but there was
• 47:02
  Speaker 1: a letter that Steve Harvey had written a while ago
• 47:05
  Speaker 1: in reference to how people just walk into his room.
• 47:09
  Speaker 1: What happens is she's the type of person that doesn't
• 47:12
  Speaker 1: allow people to get disrespected. And she's not gonna have
• 47:16
  Speaker 1: an issue with the people that are the hourly wage folks.
• 47:21
  Speaker 1: It's typically the people who are the powerful one. She's
• 47:26
  Speaker 1: not having no beef with nobody. There were people that
• 47:29
  Speaker 1: were getting their fingers pointed in their face that happened
• 47:31
  Speaker 1: to be black women by white men on the set
• 47:34
  Speaker 1: of Precious and she said, I can't allow that to happen. Guy.
• 47:38
  Speaker 1: So what happens is you are forgetting that this is
• 47:42
  Speaker 1: a country that had slavery for hundreds of years. And
• 47:46
  Speaker 1: when do we start realizing that we are so conditioned
• 47:51
  Speaker 1: to normalize bad treatment. When white men are able to say, hey, guys,
• 47:57
  Speaker 1: she's right, how does the black community not see it?
• 48:01
  Speaker 1: We have more with Monique when we come back, don't move.
• 48:03
  Speaker 1: It's the Breakfast Club, Good morning, the Breakfast Club Morning.
• 48:10
  Speaker 1: Everybody is DJ n D Angela yee, Charlomagne, the guy.
• 48:13
  Speaker 1: We are the breakfast club. We have Monique in the
• 48:16
  Speaker 1: building still, Charlomagne, I want to know about this though.
• 48:19
  Speaker 1: Have you received other offers from other screaming services? Let
• 48:22
  Speaker 1: me say this because other than that helped with negotiations
• 48:24
  Speaker 1: when you can come back ball being put over my head.
• 48:27
  Speaker 1: The offers that come in from Netflix, they can come
• 48:30
  Speaker 1: in low like that because they know you've been blackball.
• 48:34
  Speaker 1: You know what the word is about you, So we
• 48:36
  Speaker 1: assume that you're suffering and we can offer you whatever
• 48:40
  Speaker 1: we want to offer you. So the offers have come
• 48:43
  Speaker 1: in even lower than that. You had a Netflix special beforehand, though, right, well,
• 48:47
  Speaker 1: I didn't have a Netflix special. What happened was the
• 48:50
  Speaker 1: one and put it on there exactly. I didn't make
• 48:52
  Speaker 1: any deal with Netflix. So those shows just happened to
• 48:55
  Speaker 1: be on it, and they've been on there for a
• 48:57
  Speaker 1: long time. So someone would say this woman is not
• 49:00
  Speaker 1: bringing in anything, it's way, but we hold onto the content.
• 49:03
  Speaker 1: They've been on there for a minute. So well, I'm
• 49:07
  Speaker 1: assuming so we don't get a report on that. But
• 49:10
  Speaker 1: as I sit here again and I sit between my
• 49:14
  Speaker 1: sister WHOA, I know you deal with inequality. Angela. You're
• 49:18
  Speaker 1: in the same business I'm in, but you'll look at
• 49:21
  Speaker 1: me and you'll say, well, I need you to explain
• 49:23
  Speaker 1: to me. They said you was a problem here and
• 49:25
  Speaker 1: a problem there. We all know when you don't allow
• 49:28
  Speaker 1: bullies to take place, and when you don't allow yourself
• 49:30
  Speaker 1: to get bullied, don't you get labeled? Yes? But can
• 49:34
  Speaker 1: I just for full disclosure please? There are definitely people
• 49:38
  Speaker 1: that I know that I've worked with you on the
• 49:40
  Speaker 1: Ebony shoot. Yes, and I've heard things where they've told
• 49:43
  Speaker 1: me personally, people that were in the room save their names,
• 49:45
  Speaker 1: and it's not like I told Lenard before, keep it
• 49:48
  Speaker 1: on the playground. Well, okay, So I saw Alfred Edmond Jr.
• 49:52
  Speaker 1: Who's the editor in chief a Black enterprise magazine. I
• 49:55
  Speaker 1: saw that Amy Zuba Burnett, who was the editor in
• 49:58
  Speaker 1: chief of Ebony at the time of that shoe, who
• 50:00
  Speaker 1: was very excited to have you on the shoot. She
• 50:02
  Speaker 1: left a comment because he posted something about you and
• 50:05
  Speaker 1: the numbers and about your worth and how you are
• 50:08
  Speaker 1: the most decorated comedian and she commented it was a
• 50:11
  Speaker 1: nightmare working with her and I would never want to
• 50:14
  Speaker 1: go through something like that. Again, I saw that comment
• 50:16
  Speaker 1: is still on his page. Now. I would love to
• 50:18
  Speaker 1: sit down and talk with that sister face to face
• 50:21
  Speaker 1: so she can tell me about the nightmare. Because what
• 50:23
  Speaker 1: they won't do is they won't fill it in. See
• 50:26
  Speaker 1: they won't fill in. We would being arrogant and we
• 50:29
  Speaker 1: wanted to treat that woman as if we were doing
• 50:31
  Speaker 1: her a favor by putting her on the cover. As
• 50:33
  Speaker 1: my husband told me years ago, we don't disrespect anyone,
• 50:38
  Speaker 1: but we overrespect no one. And I want you to
• 50:40
  Speaker 1: look at me. I'm a big fat black woman. Real talk,
• 50:46
  Speaker 1: what big fat black woman has the stands up and
• 50:49
  Speaker 1: says this is not fair because what the feeling is
• 50:52
  Speaker 1: with some of our sisters and brothers. Monique, you should
• 50:55
  Speaker 1: be grateful you just got invited to the party because
• 50:58
  Speaker 1: of the way you look. So for anyone that says
• 51:01
  Speaker 1: they ever had a problem with me, bring them to
• 51:03
  Speaker 1: the table. Bring them to the table and let's have
• 51:06
  Speaker 1: a conversation. But what you'll find is we'll speak about
• 51:10
  Speaker 1: this woman when she can't see us. We'll make comments.
• 51:13
  Speaker 1: But we're the type of people that say, let's have
• 51:16
  Speaker 1: a conversation, and when you find out that they're wrong,
• 51:19
  Speaker 1: will you then speak up loudly for me as you
• 51:22
  Speaker 1: speak up for them. Absolutely, Let the Mornique and brother said,
• 51:25
  Speaker 1: you want to ask you a question, Let's just talk numbers.
• 51:28
  Speaker 1: If you put your numbers up against the Amy Schumer's
• 51:31
  Speaker 1: the Chris Rocks to Dave Chappeldan, I'm talking about selling
• 51:34
  Speaker 1: out arenas all over the world. How can you justify
• 51:36
  Speaker 1: getting a huge fainting like that when you're saying that
• 51:40
  Speaker 1: you're going to offer her one twenty six of what
• 51:42
  Speaker 1: Amy Schumer got and you're referring to Monique as a legend,
• 51:46
  Speaker 1: and you're seeing her performance and you see the people
• 51:52
  Speaker 1: standing up for at the end of the show. Have
• 51:54
  Speaker 1: you read the reviews to the Netflix special for Amy Schumer?
• 51:59
  Speaker 1: I don't think Amy's money. You don't got it. You
• 52:00
  Speaker 1: don't got Amy got me blocked on. This is the part, Daddy,
• 52:06
  Speaker 1: and we gotta wrap up the show. But when we
• 52:09
  Speaker 1: did sell out, then if the arenas around the world
• 52:12
  Speaker 1: msg a few times HBO's pressure, that did great. And
• 52:15
  Speaker 1: this was all in twenty Here's what brother Leonard is saying.
• 52:18
  Speaker 1: Let this year another show comes and they become number
• 52:22
  Speaker 1: one and not the Breakfast Club and then let a
• 52:24
  Speaker 1: host come in here that's been doing it for maybe
• 52:27
  Speaker 1: five years less than you, and then they get paid
• 52:30
  Speaker 1: twenty six times more than you. Then you come back
• 52:32
  Speaker 1: and have a conversation with us, because right, that's all
• 52:36
  Speaker 1: because what happens is when you sit here and you say,
• 52:39
  Speaker 1: make it make sense, well, we don't have to, because again,
• 52:43
  Speaker 1: and if you do have to make it make sense,
• 52:44
  Speaker 1: especially if you're calling on people too, we made things
• 52:47
  Speaker 1: like we made it make the bias because we're saying,
• 52:50
  Speaker 1: here's the resumes, guys, in conjunction with that. The only
• 52:54
  Speaker 1: thing we're saying is if hypothetically speaking, it wasn't thirteen
• 52:58
  Speaker 1: million Charla Mayne, we're saying, is how come there's not.
• 53:02
  Speaker 1: They're saying to the community that it's not one black
• 53:06
  Speaker 1: woman that is a veteran comedian out there the day
• 53:10
  Speaker 1: that is worth a seventh figure number. So what would
• 53:13
  Speaker 1: have been a respectable number from this Monique answering? Let me,
• 53:20
  Speaker 1: let me give you a respectable number for Monique, something
• 53:25
  Speaker 1: that would supersede what she would have made in two years,
• 53:31
  Speaker 1: and at the very least which she would have made
• 53:33
  Speaker 1: two years to be able to take to two years
• 53:37
  Speaker 1: off that they're contractually asking her to do to not
• 53:40
  Speaker 1: be able to tell jokes. You would not take a
• 53:43
  Speaker 1: deal because they're gonna give you a lump summer cash
• 53:46
  Speaker 1: that's going to castrate you out of three fourths of
• 53:50
  Speaker 1: your income. Do you understand what I'm saying? So the
• 53:52
  Speaker 1: deal didn't include the two years and didn't have that,
• 53:55
  Speaker 1: you couldn't tell jokes if I would have taken a
• 53:58
  Speaker 1: deal for five hundred thousand dollars and what position that
• 54:01
  Speaker 1: the babies is coming out? No, the deal is foul.
• 54:03
  Speaker 1: The deal is absolutely positively found. Nobody says the deal
• 54:06
  Speaker 1: is right, but you know, and in Sydney, you're a businessman,
• 54:09
  Speaker 1: Monique your businesswoman. Right, the deal is foul. I mean,
• 54:11
  Speaker 1: let's be clear. But that's why you counter offing that
• 54:15
  Speaker 1: they're hearing and based on what they know. They know
• 54:18
  Speaker 1: Monique's reputation. As far as what people are rumored to say,
• 54:23
  Speaker 1: it does matter. They know, they know that other networks
• 54:26
  Speaker 1: are not necessarily giving her the money and giving her less.
• 54:29
  Speaker 1: They know what it is. So why would I give
• 54:31
  Speaker 1: as a business person obscene number when I know she
• 54:34
  Speaker 1: can't get it anywhere else. It's foul, but it's business
• 54:38
  Speaker 1: but if you're saying, Monique, it is foul, and you're
• 54:40
  Speaker 1: all right. So if we know what's right and we
• 54:44
  Speaker 1: know it's foul, then what do we do. We do
• 54:46
  Speaker 1: it on our own. That's just like talking to Steve Harvey,
• 54:49
  Speaker 1: and brother Steve Harvey says, MO, I know you're right,
• 54:52
  Speaker 1: and I know you're not lying, but could you have
• 54:55
  Speaker 1: done it another way? No, you know what's the suggestion?
• 54:58
  Speaker 1: What's the other I you do the way we do it.
• 55:01
  Speaker 1: We do do it on our own. But we still
• 55:03
  Speaker 1: got to speak up. Like you say, Angela, well just
• 55:06
  Speaker 1: go somewhere else. Do you know how long we've been
• 55:08
  Speaker 1: going somewhere else. I think the problem started with you
• 55:10
  Speaker 1: coming out comparing yourself to Chris Rock Dan Chapelle and why.
• 55:14
  Speaker 1: And I think because because because there's no way that
• 55:17
  Speaker 1: you can justify getting that amount of money that they've got.
• 55:20
  Speaker 1: Now you have gotten more than five hundred thousand. Yes,
• 55:22
  Speaker 1: and I've said that one. Well, here's what I'm saying. No,
• 55:25
  Speaker 1: that's not what y'all know. What y'all were saying was
• 55:27
  Speaker 1: y'all should have got the same amount. Let me, let me,
• 55:31
  Speaker 1: let me get to that, let me answer that. Daddy,
• 55:34
  Speaker 1: what I said was, if I'm considered a legend like
• 55:37
  Speaker 1: my brothers, then why would I get what legends get?
• 55:40
  Speaker 1: Because that is exactly what I said, because their resume
• 55:43
  Speaker 1: recently just on paper. We're gonna listen, Leonard, We're gonna
• 55:48
  Speaker 1: let you hold on to that. But what I will
• 55:50
  Speaker 1: say to you is, and to all the black women
• 55:53
  Speaker 1: and women of color that is listening, when you hear
• 55:55
  Speaker 1: this brother's voice come over the air, and I'm gonna
• 55:58
  Speaker 1: apologize about what I'm getting ready to say. He does
• 56:00
  Speaker 1: not have a value on black women and women of color.
• 56:04
  Speaker 1: How can you say I'm gonna I'm gonna tell you
• 56:09
  Speaker 1: why contradictory. I'm gonna tell you why I said it.
• 56:12
  Speaker 1: Because what happens is when you leave a place called
• 56:15
  Speaker 1: Monk Monk's Corner, South Carolina, and you come to a
• 56:19
  Speaker 1: big city named New York, and then you change your
• 56:21
  Speaker 1: name to Shaloman Morning. Well, when you were there, you
• 56:25
  Speaker 1: become Shaloman the God. Now, I don't know if you
• 56:28
  Speaker 1: took the same principles that your mama and your grandmamma
• 56:30
  Speaker 1: gave you in Monk's Corner and you bought it to Manhattan,
• 56:34
  Speaker 1: New York. Because the brother I did meet on that elevator.
• 56:37
  Speaker 1: I mean a brother that was full of principle, and
• 56:39
  Speaker 1: I meant a brother who would not call a sister
• 56:42
  Speaker 1: a donkey of a day unless he knew all the
• 56:46
  Speaker 1: information and he could back up his statements. But as
• 56:50
  Speaker 1: we sit here and we did this interview, you begin
• 56:52
  Speaker 1: to ask questions that you should have asked before you
• 56:54
  Speaker 1: make the statement. So what question? But y'all really don't
• 56:57
  Speaker 1: have any answer. I have not justified why you feel
• 57:00
  Speaker 1: like you should have gotten that money, should have got
• 57:03
  Speaker 1: that we're not. And here's the thing, brothers and sisters
• 57:10
  Speaker 1: that get it the way that they get it, and
• 57:12
  Speaker 1: we get it the way that we get it. And
• 57:14
  Speaker 1: it's not an argument. I respect your decision. I respect
• 57:17
  Speaker 1: your no because you're entitled to it. However, as we
• 57:21
  Speaker 1: are entitled to ours. So what I am saying that
• 57:24
  Speaker 1: the devalue you place on black women, And you say,
• 57:27
  Speaker 1: how can I say that? Because out of your mouth
• 57:29
  Speaker 1: you're saying there is no black female comedian that is
• 57:32
  Speaker 1: worth that money, saying that hasn't been ill that if
• 57:39
  Speaker 1: I go down the list of black female comedians and
• 57:41
  Speaker 1: the work that those sisters have put in through the
• 57:44
  Speaker 1: years that opened up doors so that people like you
• 57:48
  Speaker 1: could sit where you sit. Her name is Marsha Warfield.
• 57:51
  Speaker 1: Her name is there a dog. Her name is Mom's maybe,
• 57:53
  Speaker 1: which she's no longer with us. That the list goes
• 57:56
  Speaker 1: on and on and Miss Monique like it's a true
• 58:03
  Speaker 1: Monique wrapping it at what are you going to do
• 58:05
  Speaker 1: moving forward? As far as with this special, We're gonna
• 58:07
  Speaker 1: keep on one pushing see the special is gonna happen,
• 58:11
  Speaker 1: what's gonna happen, and we're gonna let y'all see it.
• 58:13
  Speaker 1: But what we're gonna do with this situation right now
• 58:15
  Speaker 1: called the fight for inequality, we're gonna keep standing and
• 58:19
  Speaker 1: we're gonna hope the sisters like you would stand with
• 58:21
  Speaker 1: us to say when it's inequality, we must speak up,
• 58:25
  Speaker 1: and we must speak loudly because your daughters are coming. Okay, well,
• 58:28
  Speaker 1: thank you for joining us, all right? That wiz Monique,
• 58:34
  Speaker 1: Ladies and gentlemen, again, she came through yesterday and we
• 58:37
  Speaker 1: just got it on today. Donkey, today is up next.
• 58:40
  Speaker 1: So let's open up the phone line. Charlemagne. Yes, So
• 58:43
  Speaker 1: the question is eight on drip five eighty five, one
• 58:46
  Speaker 1: oh five one do you feel Monique deserved Donkey of
• 58:49
  Speaker 1: the Day. Yeah, Usually at far after the hour we
• 58:53
  Speaker 1: do Donkey of to Day. But since Donkey of the
• 58:55
  Speaker 1: Day has gotten under monique skin so much, and I've
• 58:59
  Speaker 1: never had somebody push back on me for being Donkey
• 59:02
  Speaker 1: Today like Monique has. I want to know, after hearing
• 59:05
  Speaker 1: this interview and everything that we've been seeing, do you
• 59:08
  Speaker 1: feel like she deserves Donkey Today for this Netflix situation?
• 59:12
  Speaker 1: Once again, I agree with everything she's talking about when
• 59:14
  Speaker 1: it comes to inequality and racial bias and gender bias,
• 59:19
  Speaker 1: but I don't think that has anything to do with
• 59:22
  Speaker 1: the fact that she's just not as hot as Dame Chapelle,
• 59:24
  Speaker 1: Kriss Rock and Amy Schumann, and that's why she didn't
• 59:26
  Speaker 1: get that pature right sway to Jerry eighty five eight
• 59:28
  Speaker 1: five one oh five one, do you feel Monique should
• 59:31
  Speaker 1: have got Donkey or the Day? Call us up now
• 59:36
  Speaker 1: time you get the junky day you are, I'm gonna
• 59:48
  Speaker 1: fatten all that around. They want this man to Stolten
• 59:51
  Speaker 1: Blowers man. They're waiting for Charlemagne the Top and blows.
• 59:54
  Speaker 1: She has to make a judgment who was gonna be
• 59:56
  Speaker 1: on the Donkey of the Day. They chose you to
• 59:59
  Speaker 1: breakfast a bitch, who's donkey of the day to day? Now?
• 1:00:04
  Speaker 1: Usually we do donkey today right here? Yes, usually Donkey
• 1:00:07
  Speaker 1: of to day is here. But since Monique mentioned donkey
• 1:00:10
  Speaker 1: of today seventy six times in a one hour span,
• 1:00:13
  Speaker 1: and she's very upset about being dunkey today, very upset
• 1:00:15
  Speaker 1: after hearing the interview, And you know, I just want
• 1:00:18
  Speaker 1: to know that people think she deserved to get donkey today.
• 1:00:21
  Speaker 1: All right, that's all I want to talk to the
• 1:00:24
  Speaker 1: people one on five one. Hello, who's this? This is Kaylin.
• 1:00:27
  Speaker 1: Hey Caleb. You think Monique deserved donkey today? Yes, I
• 1:00:30
  Speaker 1: absolutely think she deserved dunk here today. Like seeing like this,
• 1:00:33
  Speaker 1: nsy say you're selling a pair of shoes for two
• 1:00:36
  Speaker 1: hundred dollars and the person you're selling the shoes too
• 1:00:39
  Speaker 1: for two hundred dollars don't necessarily think they worked two
• 1:00:41
  Speaker 1: hundred dollars. They think they may be worth a hundred.
• 1:00:44
  Speaker 1: Can you get mad at that person because they want
• 1:00:45
  Speaker 1: to buy for a hundred or were you? The best
• 1:00:48
  Speaker 1: thing to do is gonna say that shoes to another person,
• 1:00:50
  Speaker 1: another person on the street, see how much you can
• 1:00:52
  Speaker 1: get for him. You can't get mad at Netflix because
• 1:00:54
  Speaker 1: they don't want to offer what you think you like.
• 1:00:56
  Speaker 1: Netflix doesn't doesn't old Monique. That's the thing, you know.
• 1:01:00
  Speaker 1: The funny thing is I said the same thing. I said.
• 1:01:02
  Speaker 1: Netflix is a business. And if I'm the owner of
• 1:01:05
  Speaker 1: Netflix and I know Monique is has rumored that she's
• 1:01:08
  Speaker 1: hard to work with, that nobody else wants to give
• 1:01:11
  Speaker 1: her a deal. I'm not gonna offer a lot of
• 1:01:13
  Speaker 1: money either. She has nowhere else to go. That's business.
• 1:01:15
  Speaker 1: And I'm telling you something else about one on one.
• 1:01:18
  Speaker 1: What's that when presented with a deal, if you don't
• 1:01:20
  Speaker 1: like the offer, counter offer, and after every first deal,
• 1:01:23
  Speaker 1: you're probably gonna have to counter offer. There's no first
• 1:01:25
  Speaker 1: deal that you're taken. You love it, and she didn't
• 1:01:27
  Speaker 1: even try to offer. I think in general, and let
• 1:01:29
  Speaker 1: people know that companies always offer you a low bone
• 1:01:32
  Speaker 1: number because they do expect you to come back with
• 1:01:34
  Speaker 1: the counter offer. Well, let's go to the phone lines. Hello,
• 1:01:37
  Speaker 1: who's this Good morning, Danielle, Good morning Danielle. Did Monique
• 1:01:41
  Speaker 1: deserve Dark Kid to day when she got it? Why?
• 1:01:44
  Speaker 1: How many more years do they gotta work? Thirty forty
• 1:01:47
  Speaker 1: years in the game and do still making a provid
• 1:01:49
  Speaker 1: like they came in a game yesterday. This is our legends.
• 1:01:52
  Speaker 1: We don't go away, Richard Pie like that. If Richer
• 1:01:54
  Speaker 1: Paride would have got an offer, a five hundred thousand
• 1:01:56
  Speaker 1: give away, two years of your work, do you live
• 1:01:58
  Speaker 1: in having augh afflets would have had to pay. And
• 1:02:01
  Speaker 1: the fact that they saying you saying, Joe thof Enva,
• 1:02:04
  Speaker 1: that nobody else has given it towards that shows that
• 1:02:07
  Speaker 1: she's not only seeing black balls but being exercide. That
• 1:02:11
  Speaker 1: means who else are they doing it? That's quietly sitting
• 1:02:14
  Speaker 1: by doing it themselves. That's not fair. That's not fair.
• 1:02:18
  Speaker 1: So you think more than black men, and the black
• 1:02:21
  Speaker 1: men want us to stands out and empower black people
• 1:02:24
  Speaker 1: with them, they got to stand behind their black women
• 1:02:27
  Speaker 1: when the black women are being exercised too. And there's
• 1:02:30
  Speaker 1: more people in this case, Oprah and Opra putting pop
• 1:02:33
  Speaker 1: going for select them generosity exist and we think he's
• 1:02:36
  Speaker 1: doing our own like that nothing hip hop not hip
• 1:02:39
  Speaker 1: hop hip hop? Yeah right, listen, man um, this is
• 1:02:43
  Speaker 1: the thing. No disrespect to none of the legends, but
• 1:02:46
  Speaker 1: even some of these legends will tell you they know
• 1:02:48
  Speaker 1: they can't get the pay days that some of these
• 1:02:50
  Speaker 1: new people get. But we keep talking about, uh, these
• 1:02:54
  Speaker 1: pay days, Like Chris Rock hasn't been in the game
• 1:02:56
  Speaker 1: for over twenty plus years. Dave Chappelle hasn't been in
• 1:02:58
  Speaker 1: the game over twenty plus years. You know why even
• 1:03:00
  Speaker 1: Chris got these big pay days because they're still hot
• 1:03:03
  Speaker 1: right now. Because there's still out here selling out arenas.
• 1:03:05
  Speaker 1: Dave Chappelle did fifteen hundred shows before he did his
• 1:03:08
  Speaker 1: Netflix deal and was selling out Radio City Music called
• 1:03:11
  Speaker 1: Chris rockets all over the world selling out arenas. Please
• 1:03:14
  Speaker 1: tell me when the last time you see more nice
• 1:03:15
  Speaker 1: in arena. It's like you said, it's drawing. Can sell
• 1:03:19
  Speaker 1: out Madison Square Garden? I don't know if Monie Ken
• 1:03:22
  Speaker 1: and said she said it was hip hop. Big Daddy Kane,
• 1:03:24
  Speaker 1: I'm gonna bring it to hip hop is a legend.
• 1:03:27
  Speaker 1: One of the reasons why I love hip hop so much.
• 1:03:29
  Speaker 1: Could he sell out Madison Square Garden right now by himself?
• 1:03:33
  Speaker 1: I don't think so. And jay Z Ken and jay
• 1:03:37
  Speaker 1: Z would get that money to do it, or a
• 1:03:39
  Speaker 1: new artist like lutu ouzi Vert probably can. That's why
• 1:03:43
  Speaker 1: they would give him the money. That doesn't mean Big
• 1:03:45
  Speaker 1: Daddy Kane is not a legend, because he is. But
• 1:03:48
  Speaker 1: they're gonna give the money to the person that has
• 1:03:49
  Speaker 1: the biggest drawing power. And and if you once again,
• 1:03:52
  Speaker 1: I don't think Amy Schuman is funny. But we're not
• 1:03:55
  Speaker 1: gonna sit here and act like she did not do
• 1:03:57
  Speaker 1: a fifty city arena, wore around the world and sell
• 1:04:02
  Speaker 1: it out in twenty sixteen to produce his own special
• 1:04:06
  Speaker 1: and then end up selling it to Netflix after. I
• 1:04:08
  Speaker 1: feel like things like that also give you more leverage.
• 1:04:10
  Speaker 1: It's already done, it's package. Do you guys want it?
• 1:04:13
  Speaker 1: It's a quick, easy thing for them to pick up.
• 1:04:16
  Speaker 1: And another thing too. Yeah, let's talk about some more
• 1:04:18
  Speaker 1: when we come back. I got some other little tidbits
• 1:04:19
  Speaker 1: I want to share with you. Okay, Well that was
• 1:04:21
  Speaker 1: Donkey to Day. When we come back eight five eight
• 1:04:23
  Speaker 1: five one on five one, when we come back, did
• 1:04:25
  Speaker 1: Monique deserve Donkey of the Day. We're gonna talk about
• 1:04:28
  Speaker 1: it some more. Keep a lock this to Breakfast Club,
• 1:04:29
  Speaker 1: Go Morning, the Breakfast Club Morning. Everybody is DJ Envy
• 1:04:37
  Speaker 1: angela Ye, Charlomagne the guy. We are the Breakfast Club now.
• 1:04:41
  Speaker 1: A couple of I think a month ago, a couple
• 1:04:43
  Speaker 1: of weeks ago, Charlemagne gave Monique Donkey of the Day. Now,
• 1:04:47
  Speaker 1: why did you give a donkey today? I can't even
• 1:04:48
  Speaker 1: remember now what was the specific reason, if there was one.
• 1:04:50
  Speaker 1: I mean, I gave her a donkey to day because
• 1:04:52
  Speaker 1: I feel like she's weaponizing things like racial bias and
• 1:04:55
  Speaker 1: being to bias and how undervalued and unappreciated the black
• 1:04:58
  Speaker 1: woman is. I mean, all of those issues are very
• 1:05:01
  Speaker 1: very real, but I think she's weaponizing them because she's
• 1:05:05
  Speaker 1: simply just not as hot as she once was. So
• 1:05:08
  Speaker 1: being that she's not as hot as she once was,
• 1:05:10
  Speaker 1: she can't get to pay days from Netflix. That Chris Rock,
• 1:05:12
  Speaker 1: Dave Chappelle, and Amy Schumer got it, and she called
• 1:05:15
  Speaker 1: for a boycotting Netflix based off those very real issues.
• 1:05:19
  Speaker 1: And I just I just don't like to see people
• 1:05:21
  Speaker 1: weaponize real issues for their own personal game. All right,
• 1:05:24
  Speaker 1: And we're asking eight hundred five eight five one on
• 1:05:26
  Speaker 1: five one do you think Monique deserved Donkey of the Day? Hello?
• 1:05:29
  Speaker 1: Who's this? Yo? Man? What up? Man? My name is
• 1:05:32
  Speaker 1: Rapping montowner matth Louisville, Kentucky. What up, y'all? What's up? Bro?
• 1:05:35
  Speaker 1: We're talking Monique this morning? You think she deserved donkey today,
• 1:05:38
  Speaker 1: man away one hund to win, y'all, man to ask
• 1:05:41
  Speaker 1: the world to literally boycott something that you know we
• 1:05:46
  Speaker 1: do every day when people don't have cable. Yet you
• 1:05:48
  Speaker 1: deserved donkey for that. But I do want to say
• 1:05:51
  Speaker 1: this much because I've listened to the interview. I've been
• 1:05:53
  Speaker 1: trying to call y'all for days. I've been trying to
• 1:05:56
  Speaker 1: speak on that day's nine love situation. Charlom may not
• 1:05:58
  Speaker 1: slightly agree with you when you say people who aren't
• 1:06:01
  Speaker 1: funny and are funny. Dave Chappelle is not funny to me,
• 1:06:04
  Speaker 1: but family get a million. I think they should have
• 1:06:06
  Speaker 1: done something better for Monique. That's just my personal up
• 1:06:09
  Speaker 1: man now, No, but but Dave may not be funny
• 1:06:12
  Speaker 1: to you, but Dave is funny to tens of millions
• 1:06:14
  Speaker 1: of other people who all the time and this is
• 1:06:18
  Speaker 1: sold out, sells out. Dave sold out Radio City Music
• 1:06:21
  Speaker 1: Hall like a million times. Yes, Like what are we
• 1:06:24
  Speaker 1: talking about here? But thank you for your car bro
• 1:06:26
  Speaker 1: Lonie should be concentrating her energy into actually doing like
• 1:06:29
  Speaker 1: another special or something like that, because I feel like
• 1:06:32
  Speaker 1: she's doing a tour about her boycott. Hello, who's this
• 1:06:35
  Speaker 1: good morning? This? Who Candice from Jersey. Okay, so can
• 1:06:38
  Speaker 1: I comment on the whole Monique thing? Go ahead, Candice,
• 1:06:41
  Speaker 1: she absolutely deserved. Don't care today because here's here's my thing.
• 1:06:44
  Speaker 1: I think Monique is a legend. I do think she
• 1:06:46
  Speaker 1: has an extensive resume, but she hasn't done anything like
• 1:06:48
  Speaker 1: currently that makes her as qualify as any schumer to
• 1:06:51
  Speaker 1: get an eleven million dollars deal with Netflix. I feel
• 1:06:54
  Speaker 1: like she shouldn't have worried about what was in Amy's bag,
• 1:06:57
  Speaker 1: and she should have got her own bag. And if
• 1:06:59
  Speaker 1: she really feel was like there's an inequality in black
• 1:07:02
  Speaker 1: women or women in the Hollywood business, she should get
• 1:07:05
  Speaker 1: her own studio, build your Brandon, and get your own studio.
• 1:07:08
  Speaker 1: Then you won't have to worry about doing deals with
• 1:07:10
  Speaker 1: Netflix and being under their you know, negotiation deals that's
• 1:07:14
  Speaker 1: not you know, suited to your your liking. But you
• 1:07:17
  Speaker 1: gotta do something you can't worry about somebody else trying
• 1:07:19
  Speaker 1: to get your own She said she said she can't
• 1:07:21
  Speaker 1: go out there and do her own arena tour. We
• 1:07:24
  Speaker 1: asked her that she said the reason she can't is
• 1:07:26
  Speaker 1: because promoters won't allow her to our, promoters don't book
• 1:07:30
  Speaker 1: her or whatever, and I don't necessarily like her. Correct. Well,
• 1:07:33
  Speaker 1: I want to say this, those top tier comedians like
• 1:07:36
  Speaker 1: Chris Rock, Dave Chappelle, Kevin Hart, promoters don't give them work. Okay,
• 1:07:40
  Speaker 1: those guys give the promoters work, and they determine what
• 1:07:44
  Speaker 1: dates those promoters services are needed. And I'm gonna say
• 1:07:48
  Speaker 1: something so real, Right, Charlotmagne, when you got to the
• 1:07:50
  Speaker 1: Breakfast Club, right, just got fired from radio station for
• 1:07:53
  Speaker 1: the fourth time. Your reputation wasn't the best in the world.
• 1:07:56
  Speaker 1: That people thought that I was a liability, a liability
• 1:07:59
  Speaker 1: and a troublemaker. Right, So when all true? When the
• 1:08:02
  Speaker 1: Breakfast Club gave you that offer, was it a great
• 1:08:04
  Speaker 1: offer or was it the lowest offer of the low?
• 1:08:07
  Speaker 1: I was broke. It was low. I mean it wasn't.
• 1:08:08
  Speaker 1: I mean, it wasn't it was it was it was
• 1:08:12
  Speaker 1: It wasn't the lords of the low. I will say
• 1:08:13
  Speaker 1: it was the most I had ever made in radio
• 1:08:16
  Speaker 1: up to that point. But based off what I'm making now,
• 1:08:19
  Speaker 1: it's not even closed. But you had to build up
• 1:08:21
  Speaker 1: something where people knew that you were a drawing then
• 1:08:24
  Speaker 1: you was able to knock them over the head. Correct. Absolutely,
• 1:08:26
  Speaker 1: I had to get those numbers. Uh, you got to
• 1:08:29
  Speaker 1: prove yourself once people realize that, you know, I'm not
• 1:08:31
  Speaker 1: the liability that they think I am, that I'm actually
• 1:08:33
  Speaker 1: a nice guy to work with. That that was helped.
• 1:08:36
  Speaker 1: But most but most importantly, it's the numbers. If I
• 1:08:39
  Speaker 1: didn't have these numbers when we first started the Breakast Club,
• 1:08:41
  Speaker 1: how many markets were we in one one New York City?
• 1:08:45
  Speaker 1: Now we're in eighty plus markets around the country and
• 1:08:47
  Speaker 1: one hundred and fifty countries via an armed forces network
• 1:08:51
  Speaker 1: got a crazy YouTube following, of course, I'm gonna get
• 1:08:54
  Speaker 1: that coin now. And that's the point eight hundred five
• 1:08:57
  Speaker 1: eight five one oh five one. We're talking Monique this
• 1:08:59
  Speaker 1: morn Do you think she deserved donkey today? We'll take
• 1:09:02
  Speaker 1: your calls when we come back as the Breakfast Club
• 1:09:04
  Speaker 1: of Morning Morning. Everybody is DJ Envy, Angela Yee, Charlomagne
• 1:09:08
  Speaker 1: the guy. We are the Breakfast Club. Now we're talking Monique.
• 1:09:11
  Speaker 1: She was here earlier today were actually she was here yesterday.
• 1:09:13
  Speaker 1: We played the interview today and we're asking did she
• 1:09:16
  Speaker 1: deserve donkey of the day when Charlemagne gave a donkey
• 1:09:18
  Speaker 1: to day weeks ago? That is the question now let's
• 1:09:21
  Speaker 1: go to the phone lines. Hello, who's this Hi? This
• 1:09:24
  Speaker 1: is Keana from Osting. Hey, Keana, did you think Monique
• 1:09:27
  Speaker 1: deserved donkey today? Absolutely not Charlomagne. I usually listen to
• 1:09:31
  Speaker 1: him every morning, and I'm very distrusted with the fact
• 1:09:34
  Speaker 1: that he did this to her. And I'm gonna tell
• 1:09:35
  Speaker 1: you why. I believe Monique in so many ways, and
• 1:09:39
  Speaker 1: I can relate to her because even though I'm not
• 1:09:41
  Speaker 1: in the filming industry, I'm in the finance Angel Straits
• 1:09:44
  Speaker 1: and I am the only black mortgage anser at my
• 1:09:46
  Speaker 1: job or a resail bank, and the five follows all
• 1:09:49
  Speaker 1: the Westchester County, and I get black balled all the time.
• 1:09:52
  Speaker 1: So it's like, you know, they try to pay black
• 1:09:53
  Speaker 1: women as aggressives and we ask for more than what
• 1:09:57
  Speaker 1: we are worse. But I just found out the other
• 1:09:59
  Speaker 1: day a lot of other loan offercers that are not
• 1:10:01
  Speaker 1: people of color are been getting paid more on their deal,
• 1:10:04
  Speaker 1: you know, So I can believe it. She has an
• 1:10:06
  Speaker 1: extensive was a man. I grew up off the Monique
• 1:10:08
  Speaker 1: watching the Parkers alone. And you know, he just asks
• 1:10:11
  Speaker 1: like her legacy is not working nothing, No, not at all.
• 1:10:15
  Speaker 1: That's not that's not what I'm saying. That's not what
• 1:10:17
  Speaker 1: I'm saying. That's not what I'm saying. I love. The
• 1:10:19
  Speaker 1: fact of the matter is Netflix is not giving kills
• 1:10:21
  Speaker 1: based off resumes and legacy. They're giving deals based off
• 1:10:25
  Speaker 1: what are you doing right now? We're acting like Chris Rock,
• 1:10:27
  Speaker 1: Dave Chappelle, Amy Schumer are not selling out arenas right
• 1:10:30
  Speaker 1: now and haven't been for the past four years, and
• 1:10:33
  Speaker 1: prior to getting these Netflix deals, That's why they got
• 1:10:36
  Speaker 1: these big Netflix deals. And the other thing, the other
• 1:10:38
  Speaker 1: thing I would say to you is not really just
• 1:10:40
  Speaker 1: about Netflix. And I know I keep bringing this out,
• 1:10:43
  Speaker 1: but I know she's had issues with people like and
• 1:10:45
  Speaker 1: she's called them out Lee Daniels, with Will Packer, with
• 1:10:48
  Speaker 1: Oprah and these aren't These are people of Kyler also
• 1:10:51
  Speaker 1: and Oprah as a black woman, and I think that
• 1:10:53
  Speaker 1: also affects certain things. She could have been doing more
• 1:10:56
  Speaker 1: projects with them, but because of whatever happened behind the scenes,
• 1:10:59
  Speaker 1: it's not happening for her. I'm gonna be honest with you.
• 1:11:01
  Speaker 1: I'm happy to be on that list, Monique. I'm happy.
• 1:11:03
  Speaker 1: I'm glad that I'm that you have me on the
• 1:11:05
  Speaker 1: list of people that you don't like like Oprah Tyler
• 1:11:07
  Speaker 1: Lee Daniels, I'm fine, thank you, less to be on.
• 1:11:10
  Speaker 1: I also want to say this too, man like when
• 1:11:13
  Speaker 1: it comes to like Madison Square Garden, nobody puts you
• 1:11:15
  Speaker 1: in Madison Square Guardian, like like comedians do so much
• 1:11:18
  Speaker 1: business in other places that it becomes an option. Like
• 1:11:21
  Speaker 1: like like somebody like Dave Chappelle doesn't like arenas, so
• 1:11:24
  Speaker 1: he'll do multiple shows at Radio City. That's Dave's choice.
• 1:11:27
  Speaker 1: Amy Schumer chose to play the Garden because she had
• 1:11:30
  Speaker 1: the option, and the Garden booked her based on past
• 1:11:33
  Speaker 1: ticket sales. Comics make their own opportunities. This isn't the
• 1:11:36
  Speaker 1: record business. So when Monique says that they won't allow
• 1:11:40
  Speaker 1: her to do arenas, it's not that they won't allow us,
• 1:11:43
  Speaker 1: she just don't have the option based off her past
• 1:11:45
  Speaker 1: and current ticket sale. Guard you don't think the drum power.
• 1:11:48
  Speaker 1: She doesn't have the drum power to fill it. Example,
• 1:11:51
  Speaker 1: I do believe that five for the thousand dollars is
• 1:11:53
  Speaker 1: not what she's worth. But in this situation, in this situation,
• 1:11:58
  Speaker 1: if nobody's giving you a deal in the else that
• 1:12:00
  Speaker 1: you got a lest in that and I know that
• 1:12:03
  Speaker 1: your name is Pool. Because people say that you're hard
• 1:12:05
  Speaker 1: to work with, I would give you a low deal
• 1:12:07
  Speaker 1: as well. I honestly would, because this is business. This
• 1:12:09
  Speaker 1: is not about your legacy. If it was about legacy,
• 1:12:12
  Speaker 1: i'd give you all the money in the world. But
• 1:12:13
  Speaker 1: this is about business, and I think Monique understands that.
• 1:12:16
  Speaker 1: Let's go tell hello, who's this yo? What's up? Man's talk? Tom?
• 1:12:22
  Speaker 1: Do you believe Monique should have got donkey today? Yes?
• 1:12:24
  Speaker 1: Give it to her again, YO, that's messed up. The
• 1:12:28
  Speaker 1: problem I got with it is because she's being divisive,
• 1:12:30
  Speaker 1: you know what I'm saying. She's using racial bias and
• 1:12:32
  Speaker 1: gender bias, and then she would you want to bring
• 1:12:35
  Speaker 1: in black producers like Will Packer and Lie Daniels and
• 1:12:37
  Speaker 1: compared on the people like Harvey Weinstein sexual sexual predators,
• 1:12:42
  Speaker 1: you know, and youre comparing our black producers to him
• 1:12:46
  Speaker 1: to make a point like where there's smoke, that's fire.
• 1:12:48
  Speaker 1: Everybody's came out and said that she's difficult to work
• 1:12:50
  Speaker 1: with everybody black man, black women. So stop using the
• 1:12:53
  Speaker 1: racial thing and stop using the gender thing and just
• 1:12:56
  Speaker 1: accepting for what it is, like it's not it's not
• 1:12:59
  Speaker 1: working for you right now. And that's why I give
• 1:13:01
  Speaker 1: her a donkey the day to begin with, because she's
• 1:13:03
  Speaker 1: weaponizing racial bias, gender bias, and these real issues like
• 1:13:06
  Speaker 1: black women being underappreciated and undervalued in the workplace for
• 1:13:09
  Speaker 1: a personal situation like she knows, she knows that what's
• 1:13:14
  Speaker 1: what's what's going on with her? And Netflix has nothing
• 1:13:16
  Speaker 1: to do with anything but analytics. I do, she don't
• 1:13:19
  Speaker 1: get the numbers. I do love the fact that we
• 1:13:21
  Speaker 1: can come up here as a community and be able
• 1:13:22
  Speaker 1: to talk about it, whether we agree or disagree. So
• 1:13:25
  Speaker 1: we appreciate Monique for coming up here. But one now
• 1:13:30
  Speaker 1: back though, hold on one thing. I was gonna say
• 1:13:32
  Speaker 1: that I thought it was a little strange and a
• 1:13:33
  Speaker 1: little crazy, and I did not like what Monique did.
• 1:13:36
  Speaker 1: But that was on you. Charlemagne was continue to call
• 1:13:38
  Speaker 1: you your government name. You know that that was that
• 1:13:41
  Speaker 1: because that was a sign of disrespect that what she
• 1:13:43
  Speaker 1: was trying to be. His name is Charlemagne the God
• 1:13:47
  Speaker 1: on the radio, d is Lenardi, machaality, my mama named me.
• 1:13:50
  Speaker 1: That what is wronging call my name? You think my
• 1:13:52
  Speaker 1: mama calls me Charlemagne the God? Your name is Charlemagne
• 1:13:55
  Speaker 1: on the radio that's your mama called. That's my wife
• 1:13:58
  Speaker 1: calls me up here. We can call you Lenard, that's
• 1:14:01
  Speaker 1: my name. I don't listen. Yes, what are you so
• 1:14:03
  Speaker 1: upset of that? Okay, you can. I don't care if
• 1:14:05
  Speaker 1: you don't care, I don't care, Lenard. Yes, let's wrap
• 1:14:09
  Speaker 1: this up. What's next. It's a lot of things we
• 1:14:14
  Speaker 1: can say about this Monique interview, but let me do
• 1:14:17
  Speaker 1: that over daddy. Let's wrap this up. Oh, thank you,
• 1:14:22
  Speaker 1: my love. Listen, my love. If it's one thing that
• 1:14:25
  Speaker 1: we can take from this Monique interview, if it's this
• 1:14:27
  Speaker 1: one thing, I want everybody to take his business one
• 1:14:30
  Speaker 1: on one. When presented a deal, if you don't like
• 1:14:32
  Speaker 1: to offer, counter offer, and after every first deal, you
• 1:14:35
  Speaker 1: will have to counter offer. If you don't counter offer,
• 1:14:38
  Speaker 1: you have no one to blame but yourself. They did
• 1:14:40
  Speaker 1: not counter offer, which is crazy to me. That that
• 1:14:42
  Speaker 1: alone is the craziest thing I took away from that interview.
• 1:14:45
  Speaker 1: I don't even know what we're talking about or what
• 1:14:47
  Speaker 1: we're debating if you didn't even counter offer. And by
• 1:14:49
  Speaker 1: the way, Monique thought they did counter offer, but her
• 1:14:51
  Speaker 1: husband said they didn't counter offer, So it sounds like
• 1:14:54
  Speaker 1: it's a miscommunication between talent and management. But that ain't
• 1:14:57
  Speaker 1: my business. Hope to show that out to money. I
• 1:15:00
  Speaker 1: do think she's funny, and I think that five hundred
• 1:15:02
  Speaker 1: thousand dollars was a way low offer. But I think
• 1:15:05
  Speaker 1: she should have counted offer. And I wish you the best.
• 1:15:08
  Speaker 1: Yeah that's what she said. But you know, I will
• 1:15:11
  Speaker 1: like I think she's funny, you know, and I'll definitely
• 1:15:13
  Speaker 1: wish you the best. By the way, go check out
• 1:15:15
  Speaker 1: Dave Chappelle's news stand up on Netflix, as well as
• 1:15:18
  Speaker 1: Chris Rock called Tambourine. All Right. I can't recommend Amy
• 1:15:21
  Speaker 1: Choomers because I don't think it's funny, but Dave Chappelle
• 1:15:23
  Speaker 1: and Chris Rock go check it out now. Daddy number two, No, yee,
• 1:15:26
  Speaker 1: Daddy number two, I'm not daddy. We got rumors on
• 1:15:29
  Speaker 1: the way, son, but I'm shut up. We got rumors
• 1:15:32
  Speaker 1: on the way. Yes, we are going to talk about
• 1:15:34
  Speaker 1: Tiffany Haddis in Oprah Winfrey. We got some great news.
• 1:15:37
  Speaker 1: All right, We'll get into all that when we come back.
• 1:15:39
  Speaker 1: Keep a lock this to Breakfast Club the morning. It
• 1:15:46
  Speaker 1: is the Rumor Report, angela ye, the Breakfast Club. Yes,
• 1:15:54
  Speaker 1: Tiffany had his congratulations to her. She is going to
• 1:15:56
  Speaker 1: be hosting the twenty eighteen MTV Movie and TV Awards
• 1:16:01
  Speaker 1: contracted Tiffany Hattash. She also did a two year first
• 1:16:06
  Speaker 1: first Look deal which we already know with HBO, and
• 1:16:09
  Speaker 1: she's starring in an animated series for Netflix, Tuca and
• 1:16:11
  Speaker 1: Bertie and so uh stopping Petty. Absolutely incredible time so far, Okay,
• 1:16:19
  Speaker 1: ever since Girlship things has just been crazy. Her last book,
• 1:16:22
  Speaker 1: The Last Black Unicorn, was a New York New York
• 1:16:24
  Speaker 1: Times bestseller. Her stand up special, Tiffany Hattish she Ready
• 1:16:27
  Speaker 1: was on Showtime last year, and she was also the
• 1:16:30
  Speaker 1: first black stand up comedian the host Saturday Night Live.
• 1:16:32
  Speaker 1: So she got like, she got like eight movies on deck.
• 1:16:35
  Speaker 1: And the most important thing is this, a lot of
• 1:16:37
  Speaker 1: them are coming out through her she Ready Productions. And
• 1:16:39
  Speaker 1: she got the last old GTV show coming on TV's
• 1:16:41
  Speaker 1: with Tracy Morgan. That's right, He'll be in Night School
• 1:16:44
  Speaker 1: that's gonna be in theaters later this year, alongside Kevin Hart.
• 1:16:47
  Speaker 1: So congratulations. Here she is making that big announcement. Hey,
• 1:16:50
  Speaker 1: it's me Tiffany Hattish, coming straight at you with some
• 1:16:54
  Speaker 1: good news. I'm gonna be hosting the MTV Movie and
• 1:16:57
  Speaker 1: TV Awards June eight, check it out Monday night. That's
• 1:17:02
  Speaker 1: gonna be off the chain because you know why I'm hosting,
• 1:17:05
  Speaker 1: and you know what that means. It's gonna be hilarious.
• 1:17:10
  Speaker 1: All right, We're looking forward to that. She was also
• 1:17:13
  Speaker 1: on with Ellen Degenerous and this was pretty exciting for her.
• 1:17:16
  Speaker 1: So here's how it all played out. Okay, Tiffany Hattris
• 1:17:19
  Speaker 1: was talking about how she really wants to open a
• 1:17:21
  Speaker 1: farmer's market with Oprah check it out. You had a
• 1:17:25
  Speaker 1: business proposition for her, and I forgot what it was. Oh,
• 1:17:28
  Speaker 1: it was about vegetables, yes, yes, Tiff and those vegetables,
• 1:17:31
  Speaker 1: because I know she got I've been checking our pictures
• 1:17:32
  Speaker 1: and stuff and doing my research, and I'll say she
• 1:17:34
  Speaker 1: got a lot of land, she got a lot of garden, right,
• 1:17:37
  Speaker 1: so I only got a little bit of garden. My
• 1:17:39
  Speaker 1: gardeners in the hood. So I came up with a
• 1:17:41
  Speaker 1: whole business plan. Right, We mostly hurt vegetables and then
• 1:17:44
  Speaker 1: some of mine and then we just go to different
• 1:17:47
  Speaker 1: farmers markets, right, and we bring our vestables when tiff
• 1:17:51
  Speaker 1: and I like that because I'm probably gonna be doing
• 1:17:53
  Speaker 1: most of the work. Yeah, probably Tiffany drop on a
• 1:17:57
  Speaker 1: closed Positiffy, she said, we'll make it. Think Oprah won't
• 1:18:00
  Speaker 1: be right there beside her pulling out the weeds and
• 1:18:03
  Speaker 1: growing plants. But anyway, all I know she's been off
• 1:18:06
  Speaker 1: in more than five hundred dollars. Tiffany has also says
• 1:18:09
  Speaker 1: that she wrote lots of letters to Oprah as well.
• 1:18:11
  Speaker 1: Listen to this. I did this movie called Their Eyes
• 1:18:14
  Speaker 1: Are Watching God and I was an extra and it
• 1:18:16
  Speaker 1: was a movie that Oprah was producing, and she had
• 1:18:18
  Speaker 1: walked by and I was making all the other extras
• 1:18:20
  Speaker 1: laugh and stuff. I was telling jokes and she she
• 1:18:23
  Speaker 1: was like, you're a very funny young like. I was like, yeah, she's.
• 1:18:27
  Speaker 1: And she was like, what's your name. I said, my
• 1:18:29
  Speaker 1: name is Tiffany Hatch and I'm a stand up comedian.
• 1:18:32
  Speaker 1: And she said, well, keep me updated on your career.
• 1:18:34
  Speaker 1: Write me let me know what you got going on.
• 1:18:36
  Speaker 1: I love comedy. I said, oh, yeah, I know, I know,
• 1:18:39
  Speaker 1: And so I would write right, and I never got
• 1:18:41
  Speaker 1: any rip nothing. All right, Well, guess what. There was
• 1:18:45
  Speaker 1: a reply and it all went down on the Ellen
• 1:18:47
  Speaker 1: Degenerate Show. Here is where Oprah steps out and surprises her.
• 1:18:52
  Speaker 1: You are so so so good. You were so so fun.
• 1:18:57
  Speaker 1: You told me that before in the dream. No, it's true, true,
• 1:19:02
  Speaker 1: ask questions and I answering and your voice really yes,
• 1:19:08
  Speaker 1: all of you. I'm so proud of you. I'm so
• 1:19:12
  Speaker 1: proud of you, so proud of you. This is big,
• 1:19:17
  Speaker 1: this is you know what I lost the letter? I
• 1:19:21
  Speaker 1: never made it. You like, if you don't know what
• 1:19:27
  Speaker 1: favor look like, look no further than Tiffany Hatters. Okay,
• 1:19:30
  Speaker 1: she is blessed black and Holly favored for real, for real?
• 1:19:33
  Speaker 1: All right, you don't know what favor looked like, look
• 1:19:35
  Speaker 1: no further than her? All right. Well. She then posted
• 1:19:38
  Speaker 1: her picture with Oprah and said, so just so, y'all know,
• 1:19:41
  Speaker 1: I posted it three times because I am that damn happy. Yes, yes, yes,
• 1:19:45
  Speaker 1: I cried, and yes I asked her to be my auntie.
• 1:19:47
  Speaker 1: So all things be to God for always coming through you,
• 1:19:51
  Speaker 1: hear my prayers and answer accordingly. Amen. All right, beautiful.
• 1:19:55
  Speaker 1: Now here's something else I'm really excited about. And this
• 1:19:59
  Speaker 1: is on that lix. All right. This is gonna be
• 1:20:02
  Speaker 1: a movie based on Rock sand Rock sand Roxanne Shanta
• 1:20:07
  Speaker 1: the movie NAS posted it as well. Congrats to the
• 1:20:09
  Speaker 1: Queen of the Crew called the Juice Chantey Queen's Bridge
• 1:20:12
  Speaker 1: stand up. Congrats to Pharrell on this one. I can't
• 1:20:14
  Speaker 1: wait to see this Rock Sand Rock Sand. So it's
• 1:20:16
  Speaker 1: actually gonna be March twenty third on Netflix. It's the
• 1:20:20
  Speaker 1: story of Roxanne Schanta. She was fourteen years old. She
• 1:20:23
  Speaker 1: was a member of the Juice Crew hip hop collective.
• 1:20:25
  Speaker 1: It starts Nia long My Herschela, ali Adam Harvitz from
• 1:20:28
  Speaker 1: the Basti Boy Ad Rock from the Basci Boys, and more,
• 1:20:31
  Speaker 1: and it also is co produced by Pharrell, Mimi Valdes,
• 1:20:34
  Speaker 1: and Forrest Whittaker. That's awesomest dope. If anybody else is excited,
• 1:20:39
  Speaker 1: I'm gonna ask you the shirt. I'm gonna have like
• 1:20:42
  Speaker 1: a viewing party or something, because I'm really excited to
• 1:20:44
  Speaker 1: see that. I actually tried off for one of the
• 1:20:46
  Speaker 1: roles in that movie. Didn't get it roll. I don't
• 1:20:51
  Speaker 1: even part of the Juice Crew, remember, and I wasn't
• 1:20:54
  Speaker 1: part of the Juice Crew. I mean it wasn't like
• 1:20:55
  Speaker 1: a large rollers like a promoter at a club, our
• 1:20:58
  Speaker 1: manager something. I don't know. So the why is a
• 1:21:00
  Speaker 1: while ago, at least two or three years, but dropping
• 1:21:06
  Speaker 1: Santa too. Well, I'm Angela Yee. Yeah, it was very
• 1:21:12
  Speaker 1: visual or I would have played it for you guys,
• 1:21:13
  Speaker 1: but make sure you go and look that up. So
• 1:21:15
  Speaker 1: super excited for the Rock Sand Rock Sanne movie. All right,
• 1:21:19
  Speaker 1: I'm Angela Yee and that is your rumor report. All right,
• 1:21:22
  Speaker 1: thank you, miss ye. Now when we come back, the
• 1:21:24
  Speaker 1: People's Choice mixes up next. Let us know what you
• 1:21:26
  Speaker 1: want to hear. We'll get your request one and it's
• 1:21:28
  Speaker 1: a breakfast local morning