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The Future of Worship Music: Andre Discusses Trends and Innovations · Music Explored Podcast

• 0:46
  Is.
• 0:47
  But
• 0:47
  so
• 0:48
  much
• 0:48
  has
• 0:48
  also
• 0:48
  changed
• 0:49
  since
• 0:49
  those
• 0:49
  early
• 0:50
  days
• 0:50
  for
• 0:51
  us
• 0:51
  all.
• 0:51
  The
• 0:51
  way
• 0:52
  that
• 0:52
  music
• 0:52
  was.
• 0:52
  Sort
• 0:53
  of.
• 0:53
  The
• 0:54
  expectation
• 0:55
  of
• 0:55
  music
• 0:55
  in
• 0:55
  the
• 0:55
  church
• 0:56
  has
• 0:56
  changed
• 0:57
  tremendously.
• 0:58
  When
• 0:58
  Drakey
• 0:59
  and
• 0:59
  I
• 0:59
  were
• 0:59
  growing
• 1:00
  up
• 1:00
  in
• 1:00
  our.
• 1:00
  In
• 1:00
  our
• 1:01
  little
• 1:01
  church.
• 1:02
  Why
• 1:02
  am
• 1:02
  I
• 1:02
  laughing?
• 1:02
  In
• 1:02
  our
• 1:03
  little
• 1:03
  church,
• 1:04
  we
• 1:04
  did
• 1:05
  things
• 1:05
  the
• 1:05
  best
• 1:05
  we
• 1:05
  could.
• 1:06
  Well,
• 1:06
  they
• 1:06
  did.
• 1:07
  We
• 1:07
  were
• 1:07
  kind
• 1:07
  of
• 1:07
  young
• 1:07
  back
• 1:08
  then.
• 1:08
  But
• 1:09
  just
• 1:09
  as
• 1:09
  far
• 1:09
  as
• 1:09
  the
• 1:10
  music,
• 1:10
  the
• 1:10
  integrity,
• 1:11
  the
• 1:11
  authenticity
• 1:12
  of
• 1:12
  it,
• 1:13
  in
• 1:13
  the
• 1:13
  sense
• 1:13
  of
• 1:13
  staying
• 1:14
  true
• 1:14
  to
• 1:14
  what
• 1:15
  the
• 1:15
  music
• 1:15
  was
• 1:16
  written
• 1:17
  and
• 1:17
  produced
• 1:17
  as,
• 1:18
  versus
• 1:18
  not
• 1:19
  authenticity
• 1:20
  as
• 1:20
  far
• 1:20
  as
• 1:20
  where
• 1:20
  it
• 1:20
  comes
• 1:20
  from,
• 1:22
  but
• 1:22
  just
• 1:22
  being
• 1:22
  able
• 1:22
  to
• 1:23
  produce
• 1:23
  and
• 1:24
  sort
• 1:24
  of
• 1:24
  imitate
• 1:25
  music
• 1:25
  the
• 1:26
  way
• 1:26
  that
• 1:26
  it
• 1:26
  was
• 1:26
  recorded
• 1:27
  has
• 1:27
  changed
• 1:27
  so
• 1:28
  much.
• 1:28
  And
• 1:29
  just
• 1:29
  trying
• 1:29
  to.
• 1:30
  Yeah,
• 1:30
  yeah.
• 1:30
  And
• 1:31
  jumping
• 1:31
  back
• 1:32
  to
• 1:32
  multitracks.com,
• 1:33
  that's
• 1:34
  a
• 1:34
  huge
• 1:35
  thing
• 1:35
  there.
• 1:35
  And
• 1:35
  you
• 1:36
  mentioned,
• 1:36
  like,
• 1:36
  Ableton,
• 1:37
  whatever
• 1:37
  it
• 1:37
  is
• 1:37
  that
• 1:37
  you
• 1:37
  use
• 1:38
  as
• 1:38
  sort
• 1:38
  of
• 1:38
  like
• 1:38
  your
• 1:39
  playback
• 1:40
  system,
• 1:40
  but
• 1:41
  just
• 1:42
  having
• 1:42
  the
• 1:43
  access
• 1:43
  to
• 1:44
  the
• 1:44
  tracks
• 1:44
  and
• 1:45
  almost
• 1:45
  being
• 1:45
  able
• 1:45
  to
• 1:46
  fill
• 1:46
  out
• 1:46
  the
• 1:47
  parts
• 1:47
  that
• 1:47
  are
• 1:47
  needed
• 1:49
  and
• 1:49
  still
• 1:49
  fill
• 1:50
  in
• 1:50
  the
• 1:50
  parts
• 1:50
  that
• 1:50
  you
• 1:51
  don't
• 1:51
  have
• 1:51
  access
• 1:51
  to.
• 1:52
  You
• 1:53
  guys
• 1:53
  have
• 1:53
  done
• 1:53
  good
• 1:53
  with
• 1:53
  that.
• 1:54
  And
• 1:54
  I
• 1:54
  know
• 1:54
  that
• 1:54
  you
• 1:54
  mentioned
• 1:55
  sort
• 1:55
  of
• 1:55
  the
• 1:55
  founder
• 1:56
  started
• 1:56
  off
• 1:56
  with
• 1:57
  this
• 1:57
  with
• 1:57
  his
• 1:57
  own
• 1:58
  music
• 1:58
  and
• 1:59
  sort
• 1:59
  of
• 1:59
  it
• 2:00
  grew.
• 2:01
  Sounds
• 2:01
  good
• 2:01
  and
• 2:02
  it
• 2:02
  sounds
• 2:02
  amazing.
• 2:03
  It
• 2:03
  is,
• 2:04
  but
• 2:05
  it
• 2:05
  doesn't
• 2:06
  sound
• 2:06
  like
• 2:06
  it
• 2:06
  would
• 2:06
  have
• 2:06
  been
• 2:07
  that
• 2:07
  easy
• 2:07
  to.
• 2:08
  To
• 2:08
  do.
• 2:08
  So
• 2:09
  can
• 2:09
  you
• 2:09
  tell
• 2:10
  us.
• 2:10
  I
• 2:10
  know
• 2:10
  it
• 2:10
  was
• 2:10
  before
• 2:11
  you
• 2:11
  started
• 2:11
  sort
• 2:11
  of
• 2:11
  the
• 2:12
  transition
• 2:12
  from
• 2:14
  our
• 2:14
  own
• 2:14
  tracks
• 2:15
  to
• 2:15
  now
• 2:15
  you're
• 2:15
  with
• 2:15
  labels.
• 2:16
  Like,
• 2:16
  there
• 2:16
  has
• 2:16
  to
• 2:16
  be
• 2:17
  a.
• 2:17
  There's
• 2:17
  a
• 2:18
  big
• 2:18
  gap.
• 2:18
  There's
• 2:18
  a
• 2:19
  lot
• 2:19
  of
• 2:19
  ground
• 2:19
  and
• 2:19
  proof
• 2:20
  of
• 2:20
  concept
• 2:20
  to
• 2:21
  cover
• 2:21
  there.
• 2:21
  Do
• 2:21
  you
• 2:21
  know
• 2:21
  much
• 2:21
  about
• 2:22
  that?
• 2:22
  Well,
• 2:23
  it's
• 2:23
  just
• 2:24
  you
• 2:24
  got
• 2:25
  to
• 2:25
  work
• 2:25
  at
• 2:25
  it
• 2:25
  every
• 2:25
  day,
• 2:25
  you
• 2:26
  know,
• 2:26
  it's
• 2:26
  like
• 2:26
  every
• 2:27
  day.
• 2:27
  And
• 2:27
  so,
• 2:28
  no,
• 2:28
  we
• 2:28
  started
• 2:29
  in
• 2:29
  2006
• 2:30
  and
• 2:30
  started
• 2:31
  working
• 2:31
  at
• 2:31
  it
• 2:31
  and
• 2:32
  then
• 2:32
  was
• 2:32
  the
• 2:32
  first
• 2:33
  integrity
• 2:33
  deal
• 2:34
  there.
• 2:34
  I'm
• 2:34
  not
• 2:35
  Quite
• 2:35
  sure
• 2:35
  what
• 2:35
  year.
• 2:35
  29,
• 2:37
  10
• 2:38
  or
• 2:38
  something
• 2:38
  like
• 2:38
  that.
• 2:38
  And
• 2:39
  then,
• 2:39
  you
• 2:39
  know,
• 2:40
  labels
• 2:40
  started
• 2:41
  picking
• 2:41
  up
• 2:41
  and
• 2:41
  adding
• 2:42
  and
• 2:44
  so.
• 2:45
  And
• 2:45
  it's
• 2:45
  always
• 2:46
  about
• 2:46
  being,
• 2:46
  like,
• 2:47
  innovative
• 2:47
  in
• 2:48
  everything
• 2:48
  you
• 2:48
  do
• 2:49
  to
• 2:50
  push
• 2:50
  the
• 2:50
  boundaries.
• 2:51
  And
• 2:52
  that's
• 2:52
  what
• 2:52
  Multitracks
• 2:53
  has
• 2:53
  been
• 2:53
  doing
• 2:54
  basically,
• 2:55
  for
• 2:55
  the
• 2:55
  whole
• 2:55
  time.
• 2:56
  It's
• 2:56
  being
• 2:56
  innovative.
• 2:57
  And
• 2:58
  so
• 3:00
  what
• 3:00
  was
• 3:00
  innovative
• 3:01
  there,
• 3:01
  like
• 3:02
  in
• 3:02
  2008,
• 3:03
  Nine
• 3:03
  is
• 3:03
  like
• 3:04
  taking
• 3:04
  for
• 3:04
  granted
• 3:05
  today.
• 3:05
  Right.
• 3:05
  But,
• 3:06
  you
• 3:06
  know,
• 3:07
  today
• 3:07
  we're
• 3:07
  still
• 3:08
  innovating.
• 3:08
  We
• 3:09
  still
• 3:09
  have
• 3:09
  some
• 3:11
  new
• 3:11
  things
• 3:12
  coming
• 3:12
  up
• 3:13
  all
• 3:13
  the
• 3:13
  time.
• 3:14
  I
• 3:14
  mean,
• 3:15
  I
• 3:15
  wish
• 3:15
  that
• 3:16
  I
• 3:16
  could
• 3:16
  say
• 3:17
  everything
• 3:17
  sometimes,
• 3:18
  but
• 3:18
  I
• 3:18
  can't.
• 3:19
  Please
• 3:20
  do.
• 3:20
  This
• 3:20
  is
• 3:20
  a
• 3:21
  safe
• 3:21
  place
• 3:21
  right
• 3:21
  here.
• 3:22
  You
• 3:22
  can
• 3:22
  trust
• 3:23
  us
• 3:23
  and
• 3:23
  our
• 3:23
  listeners
• 3:24
  to
• 3:24
  keep
• 3:24
  it
• 3:25
  tough.
• 3:26
  Yeah,
• 3:27
  no,
• 3:27
  we'll
• 3:27
  stay
• 3:27
  on
• 3:27
  our
• 3:28
  toes.
• 3:29
  And
• 3:29
  actually,
• 3:30
  can
• 3:30
  I
• 3:30
  mention.
• 3:30
  Well,
• 3:30
  I
• 3:30
  guess
• 3:31
  it's
• 3:31
  fair
• 3:31
  to
• 3:31
  mention
• 3:31
  some
• 3:31
  of
• 3:32
  the
• 3:32
  changes
• 3:33
  that
• 3:33
  have
• 3:33
  sort
• 3:34
  of
• 3:34
  come
• 3:34
  out
• 3:34
  since
• 3:34
  I've
• 3:35
  been
• 3:35
  using
• 3:35
  it
• 3:36
  in
• 3:36
  the
• 3:36
  last
• 3:37
  couple
• 3:37
  years.
• 3:37
  So
• 3:37
  I'd
• 3:37
  love
• 3:38
  to
• 3:38
  shout
• 3:38
  some
• 3:38
  of
• 3:38
  those
• 3:39
  out
• 3:39
  if
• 3:39
  I
• 3:39
  could
• 3:39
  now.
• 3:40
  Yeah,
• 3:40
  go
• 3:41
  ahead.
• 3:41
  So
• 3:41
  I
• 3:42
  guess
• 3:42
  originally
• 3:43
  the
• 3:43
  use
• 3:44
  and
• 3:45
  the
• 3:45
  expectation
• 3:45
  for
• 3:46
  multi
• 3:46
  tracks
• 3:46
  was
• 3:47
  basically,
• 3:47
  as
• 3:48
  we
• 3:48
  mentioned,
• 3:48
  just
• 3:49
  you're
• 3:49
  in
• 3:49
  a
• 3:49
  band,
• 3:50
  you're
• 3:50
  on
• 3:50
  stage,
• 3:50
  whatever
• 3:51
  it
• 3:51
  is,
• 3:51
  whatever
• 3:51
  size
• 3:52
  band
• 3:52
  you
• 3:52
  have,
• 3:53
  and
• 3:53
  then
• 3:53
  you
• 3:53
  have
• 3:54
  some
• 3:54
  tracks
• 3:54
  that
• 3:54
  are
• 3:54
  playing
• 3:55
  alongside
• 3:55
  you.
• 3:56
  So
• 3:56
  if
• 3:56
  there's
• 3:56
  some
• 3:57
  specific
• 3:57
  piano
• 3:58
  parts,
• 3:58
  for
• 3:58
  example,
• 3:59
  to
• 3:59
  keep
• 3:59
  it
• 3:59
  very
• 3:59
  simple,
• 4:01
  and
• 4:01
  your
• 4:01
  piano
• 4:01
  player
• 4:02
  is
• 4:02
  not
• 4:02
  capable
• 4:02
  or
• 4:03
  busy
• 4:03
  playing
• 4:03
  organ,
• 4:04
  whatever
• 4:04
  it
• 4:04
  is,
• 4:05
  you
• 4:05
  can
• 4:05
  still
• 4:05
  have
• 4:05
  that
• 4:06
  piano
• 4:06
  track
• 4:07
  guiding
• 4:07
  you
• 4:07
  through
• 4:07
  the
• 4:08
  songs.
• 4:08
  And
• 4:08
  in
• 4:09
  addition
• 4:09
  to
• 4:09
  that,
• 4:09
  you
• 4:10
  have
• 4:10
  song
• 4:10
  sections,
• 4:11
  so
• 4:11
  it
• 4:11
  will
• 4:11
  count
• 4:11
  you
• 4:11
  into
• 4:12
  the
• 4:12
  song.
• 4:12
  So
• 4:12
  say
• 4:13
  intro,
• 4:13
  2,
• 4:14
  3,
• 4:14
  4.
• 4:15
  And
• 4:15
  all
• 4:15
  through
• 4:15
  the
• 4:16
  song
• 4:16
  it's
• 4:16
  going
• 4:16
  to
• 4:16
  give
• 4:16
  you
• 4:16
  a
• 4:17
  count
• 4:17
  into
• 4:17
  the
• 4:17
  next
• 4:17
  section.
• 4:18
  So
• 4:18
  verse
• 4:18
  2,
• 4:19
  3,
• 4:19
  4
• 4:20
  to
• 4:20
  your
• 4:20
  chorus
• 4:20
  and
• 4:21
  then
• 4:21
  even
• 4:21
  all
• 4:22
  the
• 4:22
  way
• 4:22
  through
• 4:22
  to
• 4:22
  outro.
• 4:23
  So
• 4:23
  that's
• 4:23
  very
• 4:24
  clear.
• 4:24
  So
• 4:24
  you're
• 4:24
  playing
• 4:24
  along
• 4:25
  with
• 4:25
  the
• 4:25
  metronome
• 4:25
  to
• 4:26
  keep
• 4:26
  the
• 4:26
  time
• 4:27
  you
• 4:27
  have
• 4:27
  a
• 4:27
  guide
• 4:28
  which
• 4:28
  is
• 4:28
  literally
• 4:29
  guiding
• 4:29
  you
• 4:29
  through
• 4:29
  the
• 4:30
  song.
• 4:30
  So
• 4:30
  it's
• 4:30
  almost
• 4:30
  impossible
• 4:31
  to
• 4:31
  get
• 4:31
  lost.
• 4:32
  And
• 4:33
  where
• 4:33
  it
• 4:33
  started
• 4:33
  to
• 4:33
  get
• 4:33
  a
• 4:33
  little
• 4:34
  cooler
• 4:34
  for
• 4:34
  me
• 4:35
  at
• 4:35
  least
• 4:35
  is
• 4:36
  when
• 4:36
  you
• 4:36
  could
• 4:36
  start
• 4:37
  to
• 4:37
  integrate
• 4:37
  the
• 4:37
  MIDI
• 4:38
  cues.
• 4:38
  So
• 4:39
  now
• 4:39
  you
• 4:39
  can
• 4:40
  from
• 4:40
  your.
• 4:40
  Whatever
• 4:41
  device
• 4:41
  you're
• 4:41
  using,
• 4:41
  whether
• 4:42
  it's
• 4:43
  a
• 4:44
  computer
• 4:44
  or
• 4:44
  a
• 4:44
  tablet,
• 4:45
  like
• 4:45
  this
• 4:45
  one
• 4:45
  here,
• 4:46
  that's
• 4:46
  actually
• 4:47
  this
• 4:47
  playbook
• 4:47
  up
• 4:48
  on
• 4:48
  it.
• 4:48
  Now
• 4:49
  you
• 4:49
  can
• 4:50
  trigger
• 4:50
  this.
• 4:51
  So
• 4:51
  you
• 4:51
  hit
• 4:51
  play
• 4:51
  on
• 4:52
  the
• 4:52
  song.
• 4:53
  Now
• 4:53
  a
• 4:53
  MIDI
• 4:53
  cue
• 4:54
  can
• 4:54
  be
• 4:54
  set
• 4:54
  to
• 4:55
  trigger
• 4:55
  the
• 4:55
  lighting.
• 4:55
  So
• 4:56
  you
• 4:56
  can
• 4:56
  go
• 4:56
  dim,
• 4:56
  you
• 4:57
  could
• 4:57
  go
• 4:57
  bright.
• 4:57
  Whatever
• 4:58
  you
• 4:58
  pre
• 4:58
  program,
• 4:59
  it
• 4:59
  gets
• 4:59
  cooler.
• 5:00
  Doriki.
• 5:01
  Okay,
• 5:01
  tell
• 5:01
  me
• 5:01
  more.
• 5:02
  You
• 5:02
  can
• 5:02
  trigger
• 5:03
  lyrics.
• 5:03
  So
• 5:03
  all
• 5:04
  the
• 5:04
  way
• 5:04
  through.
• 5:04
  I
• 5:04
  don't
• 5:05
  know
• 5:05
  if
• 5:05
  you
• 5:05
  can
• 5:05
  see
• 5:05
  too
• 5:05
  much
• 5:05
  here,
• 5:06
  but
• 5:06
  I'm
• 5:06
  sure
• 5:06
  Andre
• 5:06
  or
• 5:07
  will
• 5:07
  put
• 5:07
  some
• 5:07
  links
• 5:08
  up
• 5:08
  to
• 5:08
  things
• 5:08
  later
• 5:09
  on.
• 5:10
  You
• 5:10
  can
• 5:10
  trigger
• 5:10
  lyrics
• 5:11
  all
• 5:11
  the
• 5:11
  way
• 5:11
  through
• 5:11
  the
• 5:11
  song.
• 5:12
  It's
• 5:12
  triggering
• 5:13
  slides
• 5:13
  that
• 5:14
  are
• 5:14
  on
• 5:14
  another
• 5:14
  computer
• 5:15
  hosting
• 5:16
  propresenter,
• 5:17
  which
• 5:17
  is
• 5:17
  kind
• 5:17
  of
• 5:17
  like
• 5:18
  PowerPoint
• 5:18
  from
• 5:19
  back
• 5:19
  in
• 5:19
  the
• 5:19
  day.
• 5:19
  If
• 5:19
  you
• 5:20
  stopped
• 5:20
  at
• 5:20
  technology
• 5:20
  there,
• 5:21
  people
• 5:21
  still
• 5:22
  use
• 5:22
  PowerPoint.
• 5:23
  No,
• 5:23
  this.
• 5:24
  So
• 5:24
  you
• 5:24
  could
• 5:24
  be
• 5:24
  triggering
• 5:25
  the
• 5:25
  lighting
• 5:25
  as
• 5:25
  you
• 5:26
  play
• 5:26
  through.
• 5:26
  Triggering
• 5:27
  lyrics.
• 5:27
  So
• 5:27
  that's
• 5:28
  the
• 5:28
  lyrics
• 5:28
  for
• 5:29
  online
• 5:30
  viewers
• 5:31
  in
• 5:32
  the
• 5:32
  congregation
• 5:33
  or
• 5:33
  in
• 5:33
  the
• 5:34
  building,
• 5:34
  whatever
• 5:34
  type
• 5:35
  of
• 5:35
  building
• 5:35
  it
• 5:35
  is,
• 5:36
  as
• 5:36
  well
• 5:36
  as
• 5:36
  you
• 5:37
  can
• 5:37
  have
• 5:37
  it
• 5:37
  for
• 5:38
  your.
• 5:38
  Your
• 5:38
  singers.
• 5:39
  So
• 5:39
  on
• 5:39
  stage
• 5:39
  they
• 5:40
  can
• 5:40
  have
• 5:40
  the
• 5:40
  lyrics
• 5:40
  as
• 5:41
  they
• 5:41
  go
• 5:41
  through
• 5:41
  the
• 5:41
  songs.
• 5:42
  It's
• 5:42
  on
• 5:42
  a
• 5:42
  TV
• 5:43
  or
• 5:43
  a
• 5:43
  phone,
• 5:43
  wherever
• 5:43
  it
• 5:44
  is.
• 5:44
  And
• 5:44
  Then
• 5:45
  there's
• 5:46
  so
• 5:46
  much
• 5:46
  more
• 5:46
  I
• 5:46
  could
• 5:46
  keep
• 5:47
  going,
• 5:47
  but
• 5:47
  I
• 5:47
  should
• 5:47
  give
• 5:47
  it
• 5:47
  back
• 5:48
  to
• 5:48
  you
• 5:48
  to
• 5:48
  sort
• 5:48
  of
• 5:49
  jump
• 5:49
  on
• 5:49
  there.
• 5:50
  I'm
• 5:51
  looking.
• 5:51
  Who's
• 5:51
  the
• 5:52
  brand
• 5:52
  ambassador
• 5:52
  here?
• 5:53
  I'm
• 5:53
  looking
• 5:53
  to
• 5:53
  like
• 5:55
  song
• 5:55
  specific
• 5:56
  patches
• 5:56
  right
• 5:56
  now
• 5:57
  since
• 5:57
  we're
• 5:57
  on
• 5:57
  MIDI
• 5:58
  out
• 5:58
  here.
• 5:59
  That's
• 5:59
  pretty
• 5:59
  cool
• 6:00
  because
• 6:00
  you
• 6:00
  can
• 6:01
  use
• 6:01
  song
• 6:02
  specific
• 6:02
  patches,
• 6:03
  I
• 6:03
  mean
• 6:03
  on
• 6:04
  keys.
• 6:04
  Because
• 6:04
  I'm
• 6:04
  a
• 6:04
  keyboard
• 6:05
  player
• 6:06
  and.
• 6:06
  Yep.
• 6:07
  In
• 6:07
  main
• 6:07
  stage.
• 6:07
  And
• 6:08
  it
• 6:08
  sounds
• 6:08
  really
• 6:09
  amazing,
• 6:09
  you
• 6:09
  know,
• 6:10
  like
• 6:10
  all
• 6:10
  the
• 6:10
  sounds.
• 6:11
  Like
• 6:11
  sometimes
• 6:12
  like
• 6:12
  you
• 6:12
  play
• 6:13
  just
• 6:13
  boom.
• 6:14
  Then
• 6:14
  you
• 6:14
  listen
• 6:15
  to.
• 6:15
  Am
• 6:15
  I
• 6:16
  the
• 6:16
  one
• 6:16
  playing
• 6:16
  all
• 6:16
  these
• 6:16
  sounds?
• 6:17
  Oh
• 6:18
  yeah,
• 6:18
  look
• 6:18
  at
• 6:18
  that,
• 6:18
  those
• 6:19
  high
• 6:19
  sounds,
• 6:19
  these
• 6:20
  arpeggios
• 6:20
  there
• 6:21
  going
• 6:21
  on,
• 6:21
  that
• 6:21
  bass
• 6:22
  loop
• 6:23
  there
• 6:23
  going
• 6:23
  on
• 6:23
  and
• 6:24
  all
• 6:24
  this.
• 6:25
  So
• 6:25
  it's
• 6:25
  pretty,
• 6:25
  it's
• 6:26
  pretty
• 6:26
  impressive
• 6:26
  how
• 6:26
  it
• 6:27
  sounds.
• 6:28
  So
• 6:28
  I
• 6:28
  would
• 6:29
  play
• 6:29
  then
• 6:29
  you
• 6:30
  need
• 6:30
  to
• 6:30
  change
• 6:30
  patch
• 6:31
  throughout
• 6:31
  the
• 6:31
  song,
• 6:31
  right,
• 6:32
  to.
• 6:32
  To
• 6:32
  reflect
• 6:33
  the,
• 6:33
  the
• 6:34
  intensity
• 6:34
  of
• 6:34
  the
• 6:34
  music
• 6:35
  and
• 6:35
  all
• 6:35
  that.
• 6:35
  Yeah,
• 6:36
  yeah.
• 6:36
  So
• 6:36
  then
• 6:36
  I
• 6:37
  was
• 6:37
  going,
• 6:37
  oh,
• 6:37
  where
• 6:37
  do
• 6:38
  I
• 6:38
  need
• 6:38
  to
• 6:38
  change
• 6:38
  patch
• 6:38
  all
• 6:39
  the
• 6:39
  time?
• 6:39
  Like
• 6:39
  I'm
• 6:40
  never
• 6:40
  sure.
• 6:40
  But
• 6:40
  now
• 6:41
  with
• 6:41
  media
• 6:41
  out,
• 6:42
  you
• 6:42
  have
• 6:42
  song
• 6:42
  specific
• 6:43
  patches
• 6:44
  cues,
• 6:44
  song
• 6:45
  specific
• 6:45
  patch
• 6:45
  cues.
• 6:46
  So
• 6:46
  you
• 6:46
  can
• 6:46
  have
• 6:47
  them
• 6:47
  like
• 6:47
  in
• 6:49
  playback
• 6:50
  and
• 6:50
  it
• 6:50
  will
• 6:50
  change
• 6:51
  your
• 6:51
  patch
• 6:52
  patches
• 6:52
  automatically.
• 6:53
  So
• 6:53
  that's.
• 6:54
  Oh
• 6:54
  yes,
• 6:56
  I
• 6:56
  love
• 6:56
  this,
• 6:56
  you
• 6:56
  know,
• 6:57
  so.
• 6:58
  So
• 6:58
  I've
• 6:58
  been
• 6:58
  playing
• 6:58
  with
• 6:59
  this
• 6:59
  recently.
• 7:00
  That's
• 7:00
  a
• 7:00
  fun
• 7:01
  feature.
• 7:01
  I
• 7:01
  love
• 7:01
  it.
• 7:01
  Yeah,
• 7:01
  that's
• 7:02
  another
• 7:02
  feature
• 7:03
  of
• 7:03
  the
• 7:03
  MIDI
• 7:04
  out.
• 7:04
  So
• 7:04
  it
• 7:04
  can
• 7:04
  control
• 7:05
  your
• 7:05
  lighting,
• 7:05
  control
• 7:06
  your
• 7:07
  lyrics,
• 7:08
  lyric
• 7:09
  slides
• 7:09
  or
• 7:09
  control
• 7:09
  your
• 7:10
  patches
• 7:10
  or
• 7:10
  on
• 7:11
  guitar,
• 7:11
  you
• 7:11
  know.
• 7:11
  So
• 7:12
  it's
• 7:12
  very,
• 7:12
  very
• 7:13
  cool.
• 7:13
  And
• 7:13
  actually
• 7:14
  one
• 7:14
  of
• 7:14
  the
• 7:14
  newer
• 7:14
  ones,
• 7:15
  if
• 7:15
  I
• 7:15
  could
• 7:15
  keep
• 7:16
  this
• 7:16
  rolling
• 7:16
  just
• 7:17
  a
• 7:17
  bit
• 7:17
  longer,
• 7:18
  is
• 7:18
  something
• 7:18
  because.
• 7:19
  So
• 7:19
  just
• 7:20
  depending
• 7:20
  on
• 7:20
  what
• 7:21
  your
• 7:21
  needs
• 7:21
  are,
• 7:22
  some
• 7:22
  bands
• 7:23
  are
• 7:24
  large
• 7:24
  enough
• 7:24
  or
• 7:24
  capable
• 7:25
  player
• 7:25
  wise
• 7:26
  of
• 7:26
  covering
• 7:26
  more.
• 7:28
  But
• 7:28
  in
• 7:28
  our
• 7:29
  case,
• 7:29
  there's
• 7:30
  a
• 7:31
  lot
• 7:31
  of
• 7:31
  the
• 7:31
  tracks
• 7:31
  we
• 7:32
  don't
• 7:32
  necessarily
• 7:33
  need
• 7:33
  just
• 7:33
  because
• 7:34
  of
• 7:34
  where
• 7:34
  we
• 7:34
  are,
• 7:34
  band
• 7:35
  wise,
• 7:36
  size
• 7:36
  and
• 7:36
  I
• 7:37
  guess
• 7:37
  capability
• 7:37
  as
• 7:38
  well.
• 7:38
  But
• 7:39
  the
• 7:39
  last
• 7:39
  rollout,
• 7:40
  man,
• 7:41
  it
• 7:41
  took
• 7:42
  over
• 7:42
  a
• 7:42
  lot
• 7:42
  of
• 7:42
  the
• 7:43
  others
• 7:44
  that
• 7:44
  have
• 7:45
  been
• 7:45
  coming
• 7:45
  up
• 7:45
  in
• 7:45
  conversations
• 7:46
  as
• 7:46
  far
• 7:46
  as
• 7:47
  best
• 7:47
  for
• 7:48
  playback.
• 7:49
  And
• 7:49
  that
• 7:50
  feature
• 7:50
  is
• 7:50
  being
• 7:51
  able
• 7:51
  to
• 7:52
  automate
• 7:52
  and
• 7:53
  automation.
• 7:54
  I
• 7:55
  was
• 7:55
  like,
• 7:55
  okay,
• 7:55
  I'm
• 7:56
  sold
• 7:56
  on
• 7:56
  this,
• 7:56
  I'm
• 7:57
  using
• 7:57
  it,
• 7:57
  I
• 7:57
  enjoy
• 7:57
  it.
• 7:58
  But
• 7:58
  the
• 7:58
  automation
• 7:59
  was
• 7:59
  like
• 8:00
  a
• 8:00
  dream
• 8:01
  come
• 8:01
  true.
• 8:01
  Because
• 8:01
  now
• 8:02
  what
• 8:02
  you
• 8:02
  can
• 8:02
  do
• 8:02
  is
• 8:04
  some
• 8:05
  songs
• 8:05
  you
• 8:05
  want
• 8:05
  a
• 8:05
  specific
• 8:06
  line,
• 8:06
  right?
• 8:06
  Like
• 8:07
  if
• 8:07
  you
• 8:07
  think
• 8:07
  of
• 8:07
  any
• 8:07
  song,
• 8:08
  there
• 8:08
  might
• 8:08
  be
• 8:08
  that
• 8:08
  line
• 8:09
  that
• 8:10
  kind
• 8:10
  of
• 8:11
  makes
• 8:11
  it
• 8:12
  brings
• 8:12
  a
• 8:12
  song
• 8:12
  out
• 8:13
  or
• 8:13
  it's
• 8:13
  kind
• 8:13
  of
• 8:13
  like
• 8:14
  deeply
• 8:14
  associated
• 8:15
  with
• 8:15
  the
• 8:15
  song
• 8:16
  and.
• 8:16
  And
• 8:16
  things
• 8:16
  like
• 8:17
  that
• 8:17
  were
• 8:18
  really
• 8:18
  cool.
• 8:18
  Cause
• 8:19
  you
• 8:19
  don't
• 8:19
  have
• 8:19
  to
• 8:19
  necessarily
• 8:20
  have
• 8:20
  like,
• 8:21
  you
• 8:21
  might
• 8:21
  have
• 8:21
  five
• 8:22
  different
• 8:22
  guitar
• 8:22
  parts
• 8:23
  in
• 8:23
  one
• 8:23
  song.
• 8:24
  So
• 8:24
  you
• 8:24
  have
• 8:24
  tracks
• 8:24
  for
• 8:24
  every
• 8:25
  single
• 8:25
  one
• 8:25
  of
• 8:25
  them.
• 8:26
  With
• 8:26
  this
• 8:26
  feature,
• 8:27
  maybe
• 8:27
  Guitar
• 8:27
  3
• 8:28
  plays
• 8:28
  something
• 8:28
  really
• 8:29
  cool
• 8:29
  every
• 8:29
  time
• 8:29
  it
• 8:30
  goes
• 8:30
  into
• 8:30
  the
• 8:30
  bridge
• 8:31
  or
• 8:31
  on
• 8:31
  that
• 8:32
  last
• 8:32
  chorus,
• 8:33
  you
• 8:33
  can
• 8:34
  have
• 8:34
  all
• 8:34
  of
• 8:34
  the
• 8:34
  guitars
• 8:35
  out
• 8:35
  if
• 8:35
  you
• 8:35
  wanted
• 8:36
  to.
• 8:36
  But
• 8:36
  when
• 8:36
  you
• 8:37
  get
• 8:37
  to
• 8:37
  that
• 8:37
  section
• 8:37
  where
• 8:37
  you
• 8:38
  want
• 8:38
  it,
• 8:39
  have
• 8:39
  that
• 8:39
  dial
• 8:39
  in
• 8:40
  and
• 8:40
  then
• 8:40
  drop
• 8:41
  right
• 8:41
  back
• 8:41
  out.
• 8:41
  And
• 8:41
  that
• 8:42
  goes
• 8:42
  for
• 8:42
  everything
• 8:42
  right
• 8:43
  across
• 8:43
  the
• 8:43
  board.
• 8:43
  So
• 8:44
  it
• 8:44
  took
• 8:44
  customization
• 8:45
  to
• 8:45
  a
• 8:46
  whole
• 8:46
  nother
• 8:46
  level.
• 8:46
  Yes.
• 8:47
  Yeah.
• 8:48
  Sounds
• 8:48
  like
• 8:48
  it.
• 8:48
  Yeah.
• 8:49
  Yeah.
• 8:49
  And
• 8:49
  the
• 8:49
  excitement
• 8:50
  is
• 8:50
  real.
• 8:50
  Cause
• 8:50
  I'm
• 8:50
  using
• 8:51
  this
• 8:51
  stuff,
• 8:51
  so
• 8:51
  it's
• 8:51
  like
• 8:52
  it's
• 8:52
  making
• 8:53
  my
• 8:53
  life
• 8:53
  easier
• 8:53
  and
• 8:54
  better.
• 8:54
  Every
• 8:54
  time
• 8:54
  there's
• 8:55
  a
• 8:55
  new
• 8:55
  product
• 8:55
  roll
• 8:55
  out,
• 8:56
  I'm
• 8:56
  just
• 8:56
  waiting.
• 8:56
  I
• 8:56
  was
• 8:57
  like,
• 8:57
  please
• 8:57
  come
• 8:57
  on
• 8:57
  and
• 8:57
  drop
• 8:58
  some
• 8:58
  more.
• 8:58
  That
• 8:58
  was
• 8:59
  like
• 8:59
  three
• 8:59
  weeks
• 8:59
  ago
• 8:59
  when
• 9:00
  this
• 9:00
  one
• 9:00
  came
• 9:00
  out.
• 9:00
  That's
• 9:01
  the
• 9:01
  latest,
• 9:02
  latest
• 9:02
  thing
• 9:02
  that
• 9:03
  came
• 9:03
  out.
• 9:03
  And
• 9:05
  stay
• 9:05
  attentive
• 9:06
  because
• 9:06
  some
• 9:07
  more
• 9:07
  is
• 9:07
  coming
• 9:07
  out
• 9:07
  very
• 9:08
  soon.
• 9:12
  But
• 9:12
  Multitracks
• 9:13
  has
• 9:13
  evolved
• 9:13
  a
• 9:13
  lot
• 9:14
  through
• 9:14
  the
• 9:14
  years.
• 9:14
  Because
• 9:15
  at
• 9:15
  first
• 9:16
  when
• 9:16
  we
• 9:16
  started,
• 9:16
  it
• 9:16
  was
• 9:17
  like,
• 9:17
  basically
• 9:18
  tracks
• 9:19
  for
• 9:19
  Ableton
• 9:20
  mostly.
• 9:20
  Right.
• 9:21
  So
• 9:21
  you
• 9:21
  can
• 9:21
  download
• 9:21
  the
• 9:22
  multitracks
• 9:22
  still
• 9:22
  today
• 9:23
  and
• 9:23
  have
• 9:23
  the
• 9:24
  Ableton
• 9:24
  session
• 9:25
  and
• 9:25
  just
• 9:25
  use
• 9:25
  it
• 9:25
  in
• 9:26
  Ableton,
• 9:26
  which
• 9:26
  is
• 9:26
  a
• 9:26
  great
• 9:27
  solution.
• 9:27
  Yeah,
• 9:27
  you
• 9:28
  provide
• 9:28
  those
• 9:28
  as
• 9:28
  well.
• 9:28
  I
• 9:29
  forgot
• 9:29
  in
• 9:30
  what?
• 9:30
  Sorry,
• 9:31
  no,
• 9:31
  I
• 9:31
  said
• 9:31
  I
• 9:31
  forgot
• 9:32
  that
• 9:32
  you
• 9:32
  provide
• 9:32
  those
• 9:32
  as
• 9:32
  well.
• 9:33
  So
• 9:33
  if
• 9:33
  you're
• 9:33
  not
• 9:33
  using
• 9:34
  the
• 9:34
  Multitracks
• 9:34
  app,
• 9:35
  you
• 9:35
  can
• 9:35
  download
• 9:35
  all
• 9:36
  the
• 9:36
  files?
• 9:36
  Yes,
• 9:36
  And
• 9:37
  I
• 9:37
  believe
• 9:37
  they
• 9:37
  come
• 9:37
  with
• 9:38
  the
• 9:38
  Ableton
• 9:38
  file.
• 9:39
  So
• 9:39
  you
• 9:39
  can
• 9:39
  just
• 9:39
  import
• 9:40
  it
• 9:40
  directly
• 9:40
  into
• 9:40
  Ableton.
• 9:41
  It
• 9:41
  will
• 9:41
  set
• 9:41
  up
• 9:41
  with
• 9:41
  the
• 9:42
  intros.
• 9:43
  You
• 9:43
  can
• 9:43
  basically
• 9:44
  use
• 9:44
  any
• 9:44
  app.
• 9:44
  You
• 9:45
  can
• 9:45
  just
• 9:45
  download
• 9:45
  the
• 9:45
  files,
• 9:46
  use
• 9:46
  whatever
• 9:47
  Logic,
• 9:47
  Cubase,
• 9:47
  whatever
• 9:48
  you
• 9:48
  prefer.
• 9:49
  With
• 9:49
  Ableton,
• 9:50
  the
• 9:50
  advantage
• 9:50
  is
• 9:50
  you
• 9:51
  have
• 9:51
  the
• 9:51
  Ableton
• 9:51
  session,
• 9:53
  so
• 9:53
  you
• 9:53
  don't
• 9:53
  have
• 9:54
  to
• 9:54
  reenter
• 9:54
  the
• 9:54
  tempo
• 9:55
  and
• 9:55
  all
• 9:55
  that
• 9:55
  stuff.
• 9:59
  So
• 9:59
  people
• 10:00
  were
• 10:00
  using
• 10:01
  on
• 10:01
  Ableton
• 10:02
  and
• 10:02
  throughout
• 10:03
  the
• 10:03
  years.
• 10:03
  Well,
• 10:04
  we
• 10:04
  launched
• 10:04
  Playback.
• 10:05
  Playback
• 10:06
  is
• 10:06
  our
• 10:06
  multitrack
• 10:07
  app
• 10:07
  to
• 10:07
  play
• 10:07
  tracks.
• 10:07
  So
• 10:08
  it
• 10:08
  was
• 10:08
  only
• 10:08
  on
• 10:08
  iOS
• 10:10
  at
• 10:11
  first,
• 10:12
  and
• 10:13
  more
• 10:13
  simple.
• 10:13
  It
• 10:14
  was
• 10:14
  more
• 10:14
  like
• 10:15
  it
• 10:15
  was.
• 10:15
  The
• 10:16
  goal
• 10:16
  was
• 10:16
  to
• 10:16
  make
• 10:16
  it
• 10:16
  available
• 10:17
  to
• 10:18
  more
• 10:18
  people.
• 10:19
  So
• 10:19
  Ableton,
• 10:20
  sometimes
• 10:20
  a
• 10:20
  little
• 10:21
  can
• 10:21
  be
• 10:21
  complicated.
• 10:23
  So
• 10:23
  that
• 10:24
  made
• 10:24
  it
• 10:25
  playing
• 10:25
  Tracks
• 10:26
  now
• 10:26
  available
• 10:27
  to
• 10:27
  everyone.
• 10:27
  Basically,
• 10:28
  so
• 10:29
  simple.
• 10:29
  But
• 10:29
  now
• 10:30
  Playback
• 10:30
  has,
• 10:31
  like,
• 10:32
  evolve,
• 10:33
  evolve,
• 10:33
  evolve
• 10:34
  through
• 10:34
  the
• 10:34
  years,
• 10:34
  like
• 10:34
  features
• 10:35
  and
• 10:35
  features
• 10:36
  and
• 10:36
  features.
• 10:36
  And
• 10:37
  then
• 10:37
  people
• 10:37
  are
• 10:37
  looking
• 10:37
  at,
• 10:38
  wait,
• 10:39
  wait,
• 10:39
  is
• 10:40
  it
• 10:40
  playback?
• 10:41
  Should
• 10:41
  I
• 10:41
  stay
• 10:42
  on
• 10:42
  Ableton
• 10:42
  or
• 10:42
  should
• 10:43
  I
• 10:43
  go
• 10:43
  on
• 10:43
  playback
• 10:44
  now?
• 10:44
  So
• 10:44
  people
• 10:44
  are.
• 10:44
  That's
• 10:45
  the
• 10:45
  question
• 10:45
  they're
• 10:45
  asking
• 10:45
  themselves
• 10:46
  right
• 10:46
  now.
• 10:47
  But
• 10:47
  the
• 10:47
  thing
• 10:48
  that's
• 10:48
  when
• 10:48
  you
• 10:48
  compare,
• 10:49
  like,
• 10:49
  app
• 10:49
  with
• 10:49
  app.
• 10:50
  But
• 10:52
  what's
• 10:53
  key
• 10:53
  to
• 10:53
  Multitracks
• 10:54
  now
• 10:54
  is
• 10:54
  that
• 10:55
  it
• 10:55
  has
• 10:55
  developed
• 10:55
  into
• 10:56
  A
• 10:56
  total
• 10:56
  echo
• 10:57
  system.
• 10:58
  So
• 10:58
  it's
• 10:59
  not
• 10:59
  just
• 10:59
  the
• 10:59
  app,
• 11:00
  it's
• 11:00
  rehearsal
• 11:01
  mix.
• 11:02
  It's
• 11:02
  how
• 11:03
  you
• 11:03
  write
• 11:03
  your
• 11:03
  set
• 11:04
  list,
• 11:04
  how
• 11:04
  it
• 11:04
  syncs
• 11:05
  with
• 11:05
  planning
• 11:05
  center.
• 11:06
  It's
• 11:07
  also
• 11:08
  your
• 11:08
  charts
• 11:09
  in
• 11:09
  chart
• 11:10
  builder.
• 11:10
  So
• 11:10
  all
• 11:11
  this
• 11:11
  is
• 11:11
  the
• 11:12
  echo
• 11:12
  and
• 11:12
  communicates
• 11:13
  together.
• 11:14
  So
• 11:14
  when
• 11:15
  you
• 11:15
  consider
• 11:16
  the
• 11:16
  ecosystem
• 11:17
  then
• 11:18
  in
• 11:18
  my
• 11:18
  view,
• 11:18
  there's
• 11:19
  just
• 11:19
  no
• 11:19
  question
• 11:20
  anymore.
• 11:21
  You
• 11:21
  might
• 11:21
  way
• 11:22
  better
• 11:22
  to
• 11:22
  go
• 11:22
  on
• 11:23
  playback,
• 11:23
  especially
• 11:23
  now
• 11:24
  that
• 11:24
  it's
• 11:24
  on
• 11:24
  max.
• 11:24
  On
• 11:25
  top
• 11:25
  of
• 11:25
  that,
• 11:26
  you'll
• 11:26
  benefit
• 11:27
  more
• 11:27
  as
• 11:27
  a
• 11:28
  worship
• 11:28
  team
• 11:29
  because
• 11:29
  that's
• 11:30
  our
• 11:30
  goal.
• 11:31
  We're
• 11:31
  developing
• 11:31
  that
• 11:32
  app
• 11:32
  for
• 11:32
  worship
• 11:32
  teams.
• 11:33
  So
• 11:33
  as
• 11:33
  a
• 11:33
  worship
• 11:34
  team,
• 11:34
  you'll
• 11:34
  have
• 11:35
  more
• 11:35
  advantage
• 11:36
  if
• 11:36
  you're
• 11:36
  in
• 11:36
  the
• 11:37
  multi
• 11:37
  track
• 11:38
  ecosystem.
• 11:39
  So
• 11:40
  when
• 11:40
  I
• 11:40
  meet
• 11:40
  churches
• 11:41
  in
• 11:41
  Canada,
• 11:42
  well
• 11:42
  that's
• 11:42
  what
• 11:42
  I
• 11:43
  do
• 11:43
  about
• 11:43
  like
• 11:44
  the
• 11:44
  ecosystem
• 11:44
  and
• 11:45
  how
• 11:45
  that
• 11:45
  can
• 11:45
  help
• 11:46
  them.
• 11:47
  As
• 11:47
  you
• 11:47
  prepare
• 11:47
  your
• 11:48
  tracks,
• 11:48
  you
• 11:49
  also
• 11:49
  prepare
• 11:49
  your
• 11:49
  charts
• 11:50
  and
• 11:52
  you
• 11:52
  write
• 11:52
  your
• 11:52
  set
• 11:52
  list.
• 11:53
  It
• 11:53
  comes
• 11:53
  directly
• 11:54
  from
• 11:54
  planning
• 11:55
  center
• 11:55
  or
• 11:56
  directly
• 11:56
  from
• 11:56
  multitracks.
• 11:58
  All
• 11:58
  your
• 11:58
  team
• 11:59
  receive
• 11:59
  their
• 11:59
  resources.
• 12:00
  Whether
• 12:00
  it's
• 12:01
  the
• 12:01
  rehearsal
• 12:02
  mix
• 12:02
  or
• 12:02
  charts
• 12:04
  tracks,
• 12:04
  everything.
• 12:05
  You
• 12:05
  save
• 12:05
  so
• 12:06
  much
• 12:06
  time.
• 12:08
  The
• 12:09
  time
• 12:09
  you
• 12:09
  save.
• 12:10
  That's
• 12:10
  what
• 12:10
  people
• 12:10
  say,
• 12:11
  whoa,
• 12:11
  we're
• 12:11
  talking
• 12:12
  hours.
• 12:12
  Most
• 12:13
  definitely
• 12:13
  hours
• 12:14
  per
• 12:14
  what
• 12:14
  would
• 12:14
  have
• 12:15
  taken
• 12:15
  maybe
• 12:15
  at
• 12:16
  least
• 12:16
  if
• 12:16
  you're
• 12:17
  skilled
• 12:18
  and
• 12:18
  efficient,
• 12:19
  a
• 12:19
  couple
• 12:19
  hours,
• 12:20
  maybe
• 12:20
  four
• 12:20
  hours
• 12:21
  in
• 12:21
  a
• 12:21
  lot
• 12:21
  of
• 12:21
  cases
• 12:22
  to
• 12:22
  get
• 12:22
  like
• 12:22
  a
• 12:23
  Sunday
• 12:23
  ready.
• 12:23
  Probably
• 12:24
  longer
• 12:24
  actually,
• 12:24
  depending
• 12:25
  how
• 12:25
  many
• 12:25
  songs
• 12:25
  you're
• 12:26
  doing.
• 12:26
  Yeah,
• 12:26
  but
• 12:27
  yeah,
• 12:27
  you're
• 12:27
  saving
• 12:28
  a
• 12:28
  wealth
• 12:28
  of
• 12:28
  time.
• 12:29
  I
• 12:29
  might
• 12:29
  get
• 12:30
  you
• 12:30
  to
• 12:30
  circle
• 12:31
  back
• 12:31
  and
• 12:31
  kind
• 12:31
  of
• 12:32
  explain
• 12:32
  what
• 12:32
  a
• 12:32
  couple
• 12:32
  of
• 12:33
  those
• 12:33
  products
• 12:33
  are
• 12:33
  quickly.
• 12:34
  Yeah,
• 12:34
  sure.
• 12:34
  I
• 12:34
  was
• 12:35
  going
• 12:35
  to
• 12:35
  actually
• 12:35
  ask
• 12:35
  for.
• 12:36
  Some
• 12:37
  planning
• 12:37
  center
• 12:38
  which
• 12:38
  ties
• 12:38
  in
• 12:38
  and
• 12:38
  then
• 12:39
  Chart
• 12:39
  builder.
• 12:40
  Chart
• 12:40
  builder.
• 12:41
  Yeah,
• 12:41
  yeah.
• 12:41
  So
• 12:42
  what
• 12:42
  we
• 12:42
  have.
• 12:42
  Okay,
• 12:43
  Rehearsal
• 12:43
  mix.
• 12:43
  Rehearsal
• 12:44
  mix
• 12:44
  is
• 12:44
  pretty
• 12:44
  awesome.
• 12:45
  So
• 12:45
  you
• 12:45
  can,
• 12:45
  your
• 12:45
  team
• 12:46
  can
• 12:46
  listen
• 12:46
  to
• 12:47
  their
• 12:47
  own
• 12:47
  part
• 12:48
  or
• 12:48
  their
• 12:48
  own
• 12:48
  track
• 12:49
  elevated
• 12:50
  in
• 12:50
  the
• 12:50
  mix.
• 12:51
  So
• 12:51
  you're
• 12:51
  a
• 12:52
  guitar
• 12:52
  player,
• 12:52
  you
• 12:53
  can,
• 12:53
  with
• 12:53
  what
• 12:53
  we
• 12:53
  call
• 12:54
  the
• 12:54
  up
• 12:54
  mix,
• 12:55
  you
• 12:55
  can
• 12:55
  hear
• 12:55
  your
• 12:55
  guitar
• 12:56
  louder
• 12:56
  in
• 12:57
  the
• 12:57
  mix.
• 12:57
  And
• 12:58
  so
• 12:58
  you
• 12:58
  can
• 12:58
  really
• 12:58
  learn
• 12:59
  it
• 13:00
  whenever,
• 13:00
  wherever
• 13:01
  you
• 13:01
  are
• 13:01
  from
• 13:01
  your
• 13:02
  home
• 13:02
  during
• 13:02
  the
• 13:03
  week
• 13:03
  before
• 13:03
  the
• 13:04
  practice
• 13:05
  and
• 13:05
  you
• 13:06
  learn
• 13:06
  your
• 13:06
  guitar
• 13:07
  part
• 13:07
  and
• 13:07
  then.
• 13:08
  You
• 13:08
  can
• 13:08
  switch
• 13:08
  to
• 13:08
  the
• 13:08
  minus
• 13:09
  mix.
• 13:09
  Then
• 13:09
  you
• 13:09
  switch
• 13:10
  to
• 13:10
  the
• 13:10
  minus
• 13:10
  mix,
• 13:10
  which
• 13:11
  is
• 13:11
  the
• 13:11
  other
• 13:11
  way
• 13:11
  around.
• 13:11
  Around.
• 13:12
  Now
• 13:12
  you
• 13:12
  hear
• 13:12
  all
• 13:13
  the
• 13:13
  parts
• 13:13
  except
• 13:13
  your
• 13:14
  own
• 13:14
  guitar
• 13:14
  part.
• 13:14
  So
• 13:15
  now
• 13:15
  you
• 13:15
  can
• 13:15
  play
• 13:15
  and
• 13:16
  practice
• 13:16
  with
• 13:16
  it
• 13:16
  to
• 13:16
  make
• 13:17
  sure
• 13:17
  you
• 13:17
  know
• 13:17
  your
• 13:17
  part
• 13:18
  very
• 13:18
  well.
• 13:18
  So
• 13:19
  same
• 13:19
  thing
• 13:19
  for
• 13:19
  singers,
• 13:20
  alto
• 13:20
  tenors,
• 13:21
  you
• 13:21
  know,
• 13:21
  many
• 13:22
  times
• 13:22
  they're
• 13:23
  wondering
• 13:23
  what's
• 13:23
  their
• 13:24
  voice,
• 13:24
  what's
• 13:24
  their
• 13:24
  line,
• 13:25
  you
• 13:25
  know.
• 13:26
  So
• 13:26
  basically
• 13:27
  with
• 13:27
  rehearsal
• 13:28
  mix,
• 13:28
  when
• 13:29
  the
• 13:29
  team
• 13:29
  arrives
• 13:29
  at
• 13:30
  rehearsal,
• 13:31
  they
• 13:31
  should
• 13:31
  know,
• 13:32
  they
• 13:32
  should
• 13:32
  already
• 13:32
  know
• 13:33
  all
• 13:33
  their
• 13:33
  parts.
• 13:34
  You
• 13:34
  know,
• 13:34
  because
• 13:34
  hey,
• 13:35
  say
• 13:35
  that
• 13:35
  again,
• 13:35
  real
• 13:35
  quick,
• 13:35
  Andre.
• 13:36
  Yes.
• 13:38
  So
• 13:38
  basically
• 13:39
  the
• 13:39
  team,
• 13:39
  when
• 13:39
  they
• 13:40
  arrive
• 13:40
  at
• 13:40
  the
• 13:40
  rehearsal,
• 13:41
  they
• 13:41
  should
• 13:42
  already
• 13:42
  know
• 13:42
  their
• 13:43
  parts,
• 13:43
  right.
• 13:43
  Because
• 13:44
  they
• 13:44
  practice
• 13:45
  during
• 13:45
  the
• 13:45
  week
• 13:46
  preaching
• 13:47
  many
• 13:47
  times
• 13:47
  what
• 13:47
  we
• 13:47
  do.
• 13:48
  And
• 13:48
  that's
• 13:48
  what
• 13:48
  we've
• 13:48
  done
• 13:48
  all
• 13:48
  the
• 13:49
  time
• 13:49
  historically.
• 13:50
  We
• 13:50
  get
• 13:50
  that
• 13:50
  rehearsal
• 13:51
  and
• 13:51
  then
• 13:51
  we
• 13:51
  go
• 13:51
  along
• 13:51
  and
• 13:51
  we
• 13:52
  say,
• 13:52
  okay,
• 13:53
  what
• 13:53
  are
• 13:53
  the
• 13:53
  songs
• 13:54
  today?
• 13:54
  What
• 13:54
  are
• 13:55
  the
• 13:55
  chords?
• 13:56
  What
• 13:56
  is
• 13:56
  my
• 13:57
  vocal
• 13:57
  line?
• 13:57
  And
• 13:58
  then
• 13:58
  you
• 13:58
  know,
• 13:58
  okay,
• 13:59
  this
• 14:00
  is
• 14:00
  gonna
• 14:00
  be
• 14:00
  long
• 14:01
  tonight.
• 14:01
  And
• 14:01
  we're
• 14:02
  only
• 14:02
  learning
• 14:03
  individual
• 14:03
  parts,
• 14:03
  you
• 14:04
  know.
• 14:04
  But
• 14:04
  if
• 14:04
  you're
• 14:05
  in
• 14:05
  like
• 14:05
  you
• 14:05
  play
• 14:06
  for
• 14:06
  a
• 14:06
  band
• 14:07
  or
• 14:07
  an
• 14:07
  orchestra,
• 14:08
  you
• 14:08
  don't
• 14:08
  do
• 14:08
  that.
• 14:08
  You
• 14:08
  don't
• 14:09
  get
• 14:09
  like
• 14:09
  the
• 14:09
  play
• 14:10
  the
• 14:10
  symphony
• 14:10
  there
• 14:10
  and
• 14:10
  say,
• 14:11
  okay,
• 14:11
  I'm
• 14:11
  gonna
• 14:11
  sight
• 14:11
  read
• 14:12
  my
• 14:12
  music.
• 14:12
  You
• 14:12
  should
• 14:13
  your
• 14:13
  music.
• 14:13
  You're
• 14:13
  just
• 14:14
  practicing
• 14:15
  to
• 14:15
  make
• 14:15
  sure
• 14:16
  you
• 14:16
  know
• 14:16
  the
• 14:16
  whole
• 14:17
  thing
• 14:17
  works
• 14:17
  together
• 14:18
  and
• 14:18
  make
• 14:18
  some
• 14:18
  adjustments.
• 14:20
  But
• 14:20
  you
• 14:21
  know,
• 14:21
  if
• 14:21
  you're
• 14:22
  not
• 14:22
  learning
• 14:23
  your
• 14:23
  part
• 14:23
  ahead
• 14:23
  of
• 14:24
  rehearsal,
• 14:24
  you're
• 14:24
  just
• 14:25
  making
• 14:25
  everybody
• 14:25
  else
• 14:26
  lose
• 14:26
  their
• 14:26
  time,
• 14:27
  basically
• 14:27
  because
• 14:27
  you
• 14:27
  got
• 14:28
  to
• 14:28
  learn
• 14:28
  your
• 14:28
  own
• 14:28
  individual
• 14:29
  part
• 14:29
  now.
• 14:29
  Exactly.
• 14:30
  Yeah.
• 14:30
  So
• 14:31
  that's
• 14:31
  Rehearsal
• 14:32
  Mix.
• 14:32
  So
• 14:32
  it's
• 14:33
  really
• 14:33
  powerful
• 14:33
  tool.
• 14:34
  You
• 14:34
  can
• 14:34
  subscribe
• 14:35
  and
• 14:35
  have
• 14:35
  access
• 14:35
  to
• 14:36
  20,
• 14:37
  25,000
• 14:37
  songs
• 14:38
  on
• 14:39
  multitrack.
• 14:39
  25,000.
• 14:40
  Wow.
• 14:40
  You
• 14:40
  have
• 14:41
  access
• 14:41
  to
• 14:41
  everything.
• 14:42
  Yeah.
• 14:42
  So
• 14:43
  that's
• 14:43
  Rehearsal
• 14:43
  Mix
• 14:45
  and
• 14:45
  then
• 14:46
  we
• 14:46
  have
• 14:46
  Chart
• 14:47
  Pro.
• 14:47
  Chart
• 14:48
  Pro
• 14:48
  is
• 14:48
  a
• 14:48
  subscription
• 14:49
  to
• 14:49
  our
• 14:49
  charts.
• 14:50
  So
• 14:50
  you
• 14:51
  subscribe
• 14:51
  to
• 14:51
  Chart
• 14:51
  Pro,
• 14:52
  you
• 14:52
  have
• 14:52
  access
• 14:52
  to
• 14:53
  all
• 14:53
  of
• 14:53
  our
• 14:53
  charts.
• 14:54
  The
• 14:55
  chart,
• 14:55
  they
• 14:55
  always
• 14:56
  match
• 14:56
  the
• 14:56
  multi
• 14:57
  track.
• 14:57
  So
• 14:57
  when
• 14:57
  you
• 14:57
  hear
• 14:58
  like
• 14:58
  your
• 14:58
  guide
• 14:59
  cues
• 14:59
  saying
• 14:59
  intro
• 15:00
  chorus,
• 15:01
  well
• 15:01
  that's
• 15:01
  what
• 15:02
  you
• 15:02
  see
• 15:02
  on
• 15:02
  your
• 15:02
  chart.
• 15:03
  You're
• 15:03
  not
• 15:03
  going
• 15:03
  to
• 15:03
  see
• 15:03
  something
• 15:04
  else.
• 15:04
  You
• 15:04
  know,
• 15:04
  sometimes
• 15:05
  you
• 15:05
  don't
• 15:05
  have
• 15:05
  the
• 15:06
  matching
• 15:06
  tracks.
• 15:07
  You
• 15:07
  know,
• 15:08
  you
• 15:08
  hear
• 15:08
  chorus
• 15:08
  and
• 15:08
  it's,
• 15:09
  I
• 15:09
  have
• 15:09
  a
• 15:09
  pre
• 15:10
  chorus
• 15:10
  here.
• 15:12
  So.
• 15:12
  So
• 15:13
  that's
• 15:13
  the
• 15:13
  charts
• 15:14
  and
• 15:14
  you
• 15:14
  can
• 15:14
  bring
• 15:15
  these
• 15:15
  two
• 15:15
  subscriptions,
• 15:16
  Rehearsal
• 15:16
  Mix
• 15:16
  and
• 15:17
  Chart
• 15:18
  Pro
• 15:18
  into
• 15:19
  our
• 15:19
  app
• 15:19
  called
• 15:20
  Chart
• 15:20
  Builder.
• 15:22
  So
• 15:22
  Chart
• 15:22
  Builder
• 15:23
  is
• 15:23
  our
• 15:23
  app
• 15:23
  for
• 15:24
  iOS
• 15:25
  and
• 15:25
  Android.
• 15:25
  So
• 15:26
  no
• 15:26
  matter
• 15:26
  what
• 15:26
  device
• 15:27
  your
• 15:27
  team
• 15:27
  has,
• 15:28
  I'm
• 15:28
  pretty
• 15:29
  sure
• 15:29
  everybody
• 15:29
  has
• 15:29
  one
• 15:30
  of
• 15:30
  those
• 15:30
  two
• 15:30
  devices
• 15:31
  in
• 15:31
  your
• 15:31
  worship
• 15:32
  team.
• 15:33
  So
• 15:33
  you
• 15:33
  can
• 15:34
  bring
• 15:34
  both
• 15:34
  subscriptions
• 15:35
  in
• 15:35
  there
• 15:35
  and
• 15:35
  have
• 15:35
  access
• 15:36
  to
• 15:36
  all
• 15:36
  the
• 15:36
  charts,
• 15:37
  all
• 15:37
  of
• 15:37
  the,
• 15:38
  all
• 15:38
  of
• 15:38
  their
• 15:39
  here
• 15:39
  sold
• 15:39
  mixes.
• 15:40
  And
• 15:40
  it
• 15:40
  has
• 15:41
  more
• 15:41
  advantages.
• 15:42
  So
• 15:42
  the
• 15:42
  best
• 15:42
  way
• 15:43
  to
• 15:43
  use
• 15:44
  Rehearsal
• 15:44
  Mix
• 15:45
  and
• 15:45
  Chart
• 15:46
  Pro
• 15:46
  is
• 15:46
  in
• 15:47
  Chart
• 15:47
  Builder.
• 15:48
  You
• 15:48
  receive
• 15:49
  your
• 15:49
  set
• 15:49
  list
• 15:49
  there
• 15:50
  from
• 15:50
  planning
• 15:50
  center
• 15:51
  or
• 15:51
  for
• 15:51
  multi
• 15:52
  tracks
• 15:53
  and
• 15:53
  you
• 15:54
  have
• 15:54
  all
• 15:54
  your
• 15:54
  music
• 15:55
  there,
• 15:55
  the
• 15:55
  right
• 15:55
  key
• 15:56
  line
• 15:56
  with
• 15:56
  the
• 15:57
  upmix,
• 15:57
  the
• 15:57
  minus
• 15:58
  mix,
• 15:58
  your
• 15:58
  chart
• 15:59
  and
• 16:00
  all
• 16:00
  of
• 16:00
  this
• 16:01
  chart
• 16:01
  builder
• 16:02
  syncs
• 16:03
  with
• 16:03
  playback
• 16:04
  or
• 16:04
  app
• 16:04
  playback.
• 16:05
  So
• 16:06
  as
• 16:06
  the
• 16:06
  md,
• 16:07
  you
• 16:07
  decide,
• 16:07
  oh,
• 16:08
  I'm
• 16:08
  going
• 16:08
  to
• 16:09
  change
• 16:09
  the
• 16:09
  order
• 16:10
  of
• 16:10
  songs
• 16:11
  here.
• 16:11
  The
• 16:12
  chorus
• 16:13
  the
• 16:13
  verses,
• 16:13
  I'm
• 16:14
  gonna
• 16:14
  start
• 16:14
  with
• 16:14
  three
• 16:14
  choruses,
• 16:15
  whatever.
• 16:16
  So,
• 16:16
  well,
• 16:16
  that
• 16:17
  will
• 16:17
  be
• 16:17
  reflected
• 16:17
  in
• 16:18
  chart
• 16:18
  builder.
• 16:18
  So
• 16:19
  all
• 16:19
  the
• 16:19
  whole
• 16:19
  team,
• 16:20
  they're
• 16:20
  gonna
• 16:20
  see
• 16:20
  their
• 16:20
  chart
• 16:21
  rearranged
• 16:22
  with
• 16:22
  three
• 16:22
  choruses
• 16:23
  at
• 16:23
  first
• 16:23
  and
• 16:23
  then
• 16:24
  rehearsal
• 16:24
  mix
• 16:25
  with
• 16:25
  three
• 16:25
  choruses
• 16:26
  also.
• 16:26
  So
• 16:27
  they'll
• 16:27
  be
• 16:27
  able
• 16:27
  to
• 16:28
  practice
• 16:29
  knowing
• 16:29
  what's
• 16:30
  coming
• 16:30
  up.
• 16:30
  You
• 16:30
  know,
• 16:31
  having
• 16:31
  the
• 16:31
  right
• 16:32
  arrangement,
• 16:34
  not
• 16:34
  only
• 16:35
  can
• 16:35
  you
• 16:35
  do
• 16:35
  that,
• 16:36
  like
• 16:37
  prepare
• 16:37
  your
• 16:38
  arrangement
• 16:39
  playback
• 16:39
  ahead
• 16:39
  of
• 16:39
  time,
• 16:40
  but,
• 16:40
  you
• 16:40
  know,
• 16:40
  you
• 16:40
  can
• 16:41
  also
• 16:41
  what
• 16:41
  we
• 16:42
  call
• 16:42
  playback
• 16:43
  sync.
• 16:43
  You
• 16:44
  can
• 16:44
  sync
• 16:44
  it
• 16:45
  while
• 16:45
  live.
• 16:46
  Your
• 16:47
  chart
• 16:47
  is
• 16:47
  going
• 16:47
  to
• 16:48
  flow
• 16:48
  and
• 16:49
  adjust
• 16:49
  to
• 16:50
  whatever
• 16:50
  is
• 16:50
  happening
• 16:51
  in
• 16:51
  playback.
• 16:51
  So
• 16:52
  the
• 16:52
  MD
• 16:52
  decides
• 16:52
  to
• 16:53
  jump
• 16:53
  to
• 16:53
  the
• 16:53
  last
• 16:54
  chorus
• 16:54
  or
• 16:55
  come
• 16:55
  back
• 16:55
  to
• 16:55
  the
• 16:55
  beginning.
• 16:56
  And
• 16:57
  the
• 16:57
  whole
• 16:57
  thing,
• 16:57
  you're
• 16:57
  going
• 16:57
  to
• 16:57
  see
• 16:58
  their
• 16:58
  chart
• 16:58
  just
• 16:58
  adjusts
• 16:59
  live
• 17:00
  to
• 17:00
  what
• 17:01
  is.
• 17:02
  What's
• 17:03
  playing
• 17:03
  on
• 17:03
  a
• 17:03
  playback.
• 17:03
  So
• 17:04
  it's
• 17:04
  a
• 17:04
  really
• 17:05
  cool
• 17:05
  feature.
• 17:05
  That
• 17:06
  is
• 17:06
  impressive.
• 17:06
  Yeah.
• 17:07
  You
• 17:07
  can't
• 17:07
  get
• 17:08
  lost
• 17:09
  this
• 17:09
  way.
• 17:09
  You
• 17:09
  should
• 17:10
  know
• 17:10
  what
• 17:10
  you
• 17:10
  are.
• 17:11
  Yeah,
• 17:12
  yeah.
• 17:12
  No
• 17:12
  excuses.
• 17:13
  Yeah.
• 17:13
  Sometimes.
• 17:14
  Oh,
• 17:14
  maybe
• 17:14
  this
• 17:14
  is,
• 17:15
  like,
• 17:15
  too
• 17:15
  easy.
• 17:16
  There's
• 17:16
  no
• 17:16
  guessing.
• 17:17
  It
• 17:17
  really
• 17:18
  is.
• 17:18
  It
• 17:18
  really
• 17:18
  is.
• 17:20
  Yeah.
• 17:21
  So.
• 17:22
  And
• 17:22
  also,
• 17:22
  on
• 17:23
  top
• 17:23
  of,
• 17:23
  like,
• 17:23
  having
• 17:23
  the
• 17:24
  chords,
• 17:25
  you
• 17:25
  have
• 17:25
  the
• 17:26
  lyrics.
• 17:26
  And
• 17:26
  then
• 17:27
  also
• 17:27
  there's
• 17:27
  that
• 17:28
  thing
• 17:28
  you
• 17:28
  have
• 17:28
  called
• 17:29
  MD
• 17:29
  cues.
• 17:30
  So
• 17:30
  it's
• 17:30
  basically
• 17:30
  telling
• 17:31
  you
• 17:31
  what
• 17:31
  the
• 17:31
  dynamic,
• 17:32
  even
• 17:32
  sometimes
• 17:33
  what
• 17:33
  instruments
• 17:33
  should
• 17:33
  be
• 17:34
  in
• 17:34
  or
• 17:34
  dropping
• 17:34
  down.
• 17:35
  So
• 17:35
  it
• 17:35
  might
• 17:35
  have
• 17:35
  a
• 17:35
  note
• 17:36
  that
• 17:36
  says,
• 17:36
  like,
• 17:37
  drums
• 17:37
  out
• 17:37
  or
• 17:38
  all
• 17:38
  in.
• 17:39
  Right.
• 17:39
  Stuff
• 17:40
  like
• 17:40
  that.
• 17:40
  So
• 17:40
  it
• 17:41
  really
• 17:41
  is
• 17:41
  foolproof.
• 17:41
  And
• 17:42
  that's
• 17:42
  right
• 17:42
  across
• 17:42
  the
• 17:42
  stage.
• 17:43
  Everybody
• 17:43
  can
• 17:43
  be
• 17:44
  just
• 17:44
  looking
• 17:44
  at
• 17:44
  their
• 17:44
  charts
• 17:45
  and
• 17:45
  following
• 17:45
  through.
• 17:46
  Exactly.
• 17:46
  Very
• 17:47
  cool.
• 17:47
  Exactly.
• 17:47
  Exactly.
• 17:48
  Yeah.
• 17:48
  I
• 17:48
  wish
• 17:49
  to
• 17:51
  tell
• 17:52
  every
• 17:52
  church
• 17:53
  in
• 17:53
  Canada
• 17:54
  I
• 17:54
  know
• 17:54
  hey,
• 17:55
  there's
• 17:55
  a
• 17:55
  better
• 17:56
  way.
• 17:57
  There
• 17:57
  is
• 17:57
  a
• 17:57
  video.
• 17:58
  Exactly.
• 17:59
  Less
• 17:59
  time.
• 18:01
  It's
• 18:01
  all
• 18:01
  done
• 18:01
  for
• 18:01
  you.
• 18:02
  You
• 18:02
  mentioned
• 18:03
  25,
• 18:03
  000
• 18:04
  songs.
• 18:04
  Yeah.
• 18:05
  Yeah.
• 18:06
  I
• 18:06
  didn't
• 18:06
  realize
• 18:06
  it
• 18:07
  was.
• 18:07
  I
• 18:07
  guess
• 18:07
  it
• 18:07
  makes
• 18:07
  sense.
• 18:07
  I
• 18:08
  didn't
• 18:08
  realize
• 18:08
  approximately.
• 18:09
  Like,
• 18:09
  I
• 18:09
  didn't
• 18:09
  check
• 18:10
  last
• 18:10
  time,
• 18:11
  but.
• 18:11
  Yeah.
• 18:11
  But
• 18:12
  it's
• 18:12
  in
• 18:12
  that
• 18:13
  range.
• 18:13
  Yeah.
• 18:14
  Wow,
• 18:15
  that's
• 18:16
  crazy.
• 18:17
  I
• 18:17
  had
• 18:17
  a
• 18:17
  question
• 18:17
  just
• 18:18
  about
• 18:19
  the.
• 18:19
  It
• 18:19
  seems
• 18:20
  like
• 18:20
  you
• 18:20
  guys
• 18:20
  have
• 18:20
  really
• 18:21
  taken
• 18:21
  the
• 18:22
  time
• 18:22
  to
• 18:24
  break
• 18:24
  down
• 18:25
  worship
• 18:25
  and
• 18:26
  every
• 18:26
  need
• 18:27
  of
• 18:27
  like,
• 18:27
  you
• 18:27
  know,
• 18:28
  an
• 18:28
  MD
• 18:28
  or
• 18:29
  any
• 18:29
  audio
• 18:30
  engineer
• 18:30
  at
• 18:30
  a
• 18:30
  church.
• 18:31
  I
• 18:31
  just
• 18:31
  wonder
• 18:32
  what
• 18:32
  the
• 18:32
  R
• 18:32
  D
• 18:33
  is
• 18:33
  like
• 18:33
  at,
• 18:33
  you
• 18:34
  know,
• 18:34
  the
• 18:34
  headquarters
• 18:35
  or
• 18:35
  if
• 18:35
  you've
• 18:35
  had
• 18:35
  any
• 18:36
  insight
• 18:36
  as
• 18:36
  to
• 18:37
  what
• 18:37
  goes
• 18:37
  in
• 18:38
  behind.
• 18:38
  Like,
• 18:38
  because
• 18:39
  I'm
• 18:39
  sure
• 18:39
  you
• 18:39
  guys
• 18:39
  are
• 18:39
  constantly
• 18:40
  thinking
• 18:40
  of
• 18:40
  innovating
• 18:41
  or
• 18:41
  adding
• 18:42
  to
• 18:42
  this
• 18:42
  ecosystem.
• 18:43
  And
• 18:43
  I
• 18:44
  wonder,
• 18:44
  like,
• 18:44
  what
• 18:44
  is
• 18:44
  the
• 18:45
  research
• 18:45
  and
• 18:45
  process
• 18:46
  behind
• 18:46
  developing
• 18:47
  these
• 18:47
  tools
• 18:48
  that
• 18:48
  are
• 18:49
  ready
• 18:49
  for
• 18:49
  launch
• 18:49
  or
• 18:50
  for
• 18:50
  the
• 18:50
  public
• 18:50
  or
• 18:50
  for
• 18:50
  churches?
• 18:51
  What's
• 18:52
  the
• 18:52
  process?
• 18:54
  Yeah.
• 18:54
  Like,
• 18:55
  is
• 18:55
  there
• 18:56
  a
• 18:56
  giant
• 18:56
  team
• 18:57
  I
• 18:57
  can
• 18:57
  only
• 18:57
  imagine
• 18:58
  it's
• 18:58
  got
• 18:58
  to
• 18:58
  be
• 18:58
  a
• 18:59
  pretty
• 18:59
  robust
• 18:59
  team
• 18:59
  that's,
• 19:00
  you
• 19:00
  know,
• 19:01
  going
• 19:01
  through
• 19:01
  these
• 19:01
  things
• 19:01
  with
• 19:02
  a
• 19:02
  fine
• 19:02
  tooth
• 19:02
  comb
• 19:03
  to
• 19:03
  kind
• 19:03
  of
• 19:03
  make
• 19:03
  sure
• 19:03
  that
• 19:04
  the
• 19:04
  product
• 19:04
  you're
• 19:05
  adding
• 19:05
  is,
• 19:05
  you
• 19:06
  know,
• 19:06
  right
• 19:06
  for
• 19:07
  the
• 19:07
  ecosystem.
• 19:07
  At
• 19:07
  Mult,
• 19:08
  everybody
• 19:09
  gets
• 19:09
  involved
• 19:10
  in
• 19:10
  the
• 19:10
  ideas.
• 19:11
  You
• 19:11
  know,
• 19:11
  we,
• 19:12
  we
• 19:12
  share
• 19:12
  ideas
• 19:13
  together
• 19:14
  and
• 19:14
  we,
• 19:16
  we
• 19:16
  gather
• 19:16
  them
• 19:17
  and
• 19:17
  we
• 19:17
  try
• 19:17
  to
• 19:18
  discern
• 19:18
  them.
• 19:19
  So
• 19:19
  we
• 19:19
  have
• 19:19
  a
• 19:19
  product
• 19:19
  team
• 19:20
  which
• 19:20
  managed
• 19:20
  the
• 19:21
  whole
• 19:21
  thing.
• 19:22
  But
• 19:22
  I
• 19:22
  mean
• 19:23
  I
• 19:23
  like
• 19:23
  through
• 19:24
  the
• 19:24
  years
• 19:24
  I
• 19:24
  was
• 19:25
  able
• 19:25
  to
• 19:25
  share
• 19:26
  many
• 19:26
  ideas
• 19:27
  many
• 19:27
  times
• 19:27
  and
• 19:28
  it's
• 19:28
  just
• 19:28
  the
• 19:28
  same
• 19:28
  for
• 19:29
  everyone.
• 19:30
  And
• 19:31
  we
• 19:32
  believe
• 19:32
  that
• 19:32
  a
• 19:32
  good
• 19:33
  idea
• 19:33
  can
• 19:33
  come
• 19:33
  from
• 19:34
  anywhere.
• 19:35
  Agree,
• 19:36
  that's
• 19:36
  one
• 19:37
  thing.
• 19:37
  But
• 19:37
  not
• 19:37
  only
• 19:37
  that,
• 19:38
  we
• 19:38
  really
• 19:38
  tried
• 19:40
  hard
• 19:40
  to
• 19:40
  listen
• 19:40
  to
• 19:41
  our
• 19:41
  users.
• 19:42
  You
• 19:42
  know,
• 19:42
  the
• 19:43
  best
• 19:43
  feedback
• 19:44
  we
• 19:44
  get
• 19:44
  from
• 19:44
  a
• 19:45
  user,
• 19:45
  hey,
• 19:45
  we'd
• 19:45
  like
• 19:46
  to
• 19:46
  have
• 19:46
  this,
• 19:46
  we'd
• 19:46
  like
• 19:46
  to
• 19:47
  have
• 19:47
  that,
• 19:47
  you
• 19:47
  know,
• 19:47
  and
• 19:48
  then
• 19:48
  we
• 19:48
  don't
• 19:49
  just
• 19:49
  say,
• 19:49
  okay,
• 19:50
  good
• 19:50
  idea,
• 19:50
  no,
• 19:50
  we
• 19:51
  take
• 19:51
  note
• 19:51
  of
• 19:51
  it.
• 19:52
  We,
• 19:53
  we
• 19:53
  put
• 19:53
  it
• 19:54
  there
• 19:54
  and
• 19:55
  we
• 19:56
  write
• 19:56
  it
• 19:56
  down
• 19:56
  and
• 19:57
  we
• 19:57
  put
• 19:57
  it
• 19:57
  on
• 19:58
  our
• 19:58
  board
• 19:58
  of
• 19:59
  ideas
• 20:00
  and
• 20:01
  we,
• 20:03
  we
• 20:03
  made
• 20:03
  sure
• 20:03
  to
• 20:04
  follow,
• 20:05
  follow
• 20:05
  up
• 20:05
  with
• 20:05
  that.
• 20:06
  So
• 20:07
  yeah,
• 20:07
  so
• 20:07
  our
• 20:08
  many
• 20:08
  times
• 20:08
  our
• 20:08
  users
• 20:09
  who
• 20:10
  bring
• 20:10
  the
• 20:12
  best
• 20:12
  ideas
• 20:13
  and.
• 20:13
  I
• 20:13
  guess
• 20:14
  it
• 20:14
  sounds
• 20:14
  like
• 20:14
  at
• 20:14
  least
• 20:14
  some
• 20:15
  of
• 20:15
  your
• 20:15
  team
• 20:15
  are
• 20:16
  users
• 20:17
  themselves,
• 20:17
  right?
• 20:19
  Definitely
• 20:19
  helps.
• 20:19
  Oh
• 20:20
  yeah,
• 20:20
  for
• 20:20
  sure.
• 20:20
  But
• 20:21
  you
• 20:21
  can
• 20:21
  tell
• 20:22
  the
• 20:22
  difference
• 20:22
  between
• 20:22
  a
• 20:22
  product
• 20:23
  that
• 20:23
  was
• 20:24
  developed
• 20:24
  for
• 20:25
  an
• 20:25
  end
• 20:25
  user
• 20:26
  and
• 20:27
  kind
• 20:27
  of
• 20:27
  stays
• 20:27
  static
• 20:28
  or
• 20:28
  doesn't
• 20:29
  really
• 20:31
  move
• 20:31
  with
• 20:32
  changes
• 20:32
  required
• 20:33
  to
• 20:33
  keep
• 20:33
  up
• 20:34
  with
• 20:34
  I
• 20:34
  guess
• 20:35
  the
• 20:35
  evolution
• 20:35
  of
• 20:36
  wherever
• 20:36
  it
• 20:36
  is
• 20:36
  in
• 20:37
  this
• 20:37
  case
• 20:37
  music.
• 20:37
  But
• 20:38
  this
• 20:38
  product,
• 20:38
  like
• 20:39
  I've
• 20:39
  mentioned
• 20:39
  before,
• 20:39
  definitely
• 20:40
  has
• 20:40
  done
• 20:40
  that.
• 20:40
  So
• 20:41
  makes
• 20:41
  sense.
• 20:42
  I
• 20:42
  guess
• 20:42
  just
• 20:43
  being
• 20:43
  a
• 20:43
  combination
• 20:43
  of
• 20:44
  taking
• 20:44
  in
• 20:45
  user
• 20:45
  input
• 20:45
  and
• 20:46
  being
• 20:46
  users
• 20:46
  yourself
• 20:46
  in
• 20:47
  a
• 20:47
  lot
• 20:47
  of
• 20:47
  cases.
• 20:48
  Definitely
• 20:48
  helps.
• 20:49
  Definitely
• 20:49
  helps.
• 20:50
  That's
• 20:51
  really
• 20:52
  cool.
• 20:53
  As
• 20:53
  a
• 20:53
  beginner
• 20:53
  or
• 20:54
  someone
• 20:54
  that's
• 20:54
  never
• 20:54
  used
• 20:55
  the
• 20:55
  product,
• 20:55
  what
• 20:56
  would
• 20:56
  you
• 20:56
  maybe
• 20:57
  suggest
• 20:57
  as
• 20:58
  like
• 20:58
  a
• 20:58
  good
• 20:59
  introduction
• 20:59
  into
• 21:00
  using
• 21:00
  multitrack
• 21:01
  stack?
• 21:01
  Well,
• 21:02
  the
• 21:02
  truth
• 21:02
  is
• 21:03
  a
• 21:03
  lot
• 21:03
  of
• 21:03
  churches
• 21:04
  don't
• 21:04
  even
• 21:04
  have
• 21:04
  in
• 21:05
  ears,
• 21:05
  right?
• 21:06
  They
• 21:06
  don't
• 21:07
  have
• 21:07
  an
• 21:07
  in
• 21:07
  ear
• 21:07
  monitoring
• 21:07
  system.
• 21:08
  So
• 21:08
  that's
• 21:09
  one
• 21:09
  thing
• 21:10
  you
• 21:10
  need
• 21:10
  to
• 21:11
  start
• 21:11
  having
• 21:11
  in
• 21:11
  ear
• 21:12
  monitoring
• 21:12
  system.
• 21:12
  And
• 21:12
  that's
• 21:13
  there
• 21:13
  are
• 21:13
  many
• 21:14
  reasons
• 21:14
  for
• 21:14
  that.
• 21:14
  First,
• 21:14
  we
• 21:15
  know
• 21:15
  that
• 21:15
  when
• 21:15
  you
• 21:15
  remove
• 21:16
  all
• 21:16
  the
• 21:17
  wedges
• 21:17
  on
• 21:18
  stage,
• 21:18
  you
• 21:18
  know
• 21:18
  your
• 21:19
  sound
• 21:19
  automatically
• 21:20
  gets
• 21:20
  better
• 21:20
  in
• 21:21
  the
• 21:21
  room,
• 21:21
  right?
• 21:21
  Because
• 21:21
  you
• 21:22
  have
• 21:22
  all
• 21:22
  that
• 21:22
  sound
• 21:23
  competing,
• 21:24
  right?
• 21:26
  The
• 21:26
  poor
• 21:27
  engineer
• 21:27
  there
• 21:27
  in
• 21:27
  the
• 21:27
  room
• 21:28
  trying
• 21:28
  to
• 21:28
  make
• 21:28
  a
• 21:28
  sound
• 21:28
  and
• 21:29
  he's
• 21:29
  competing
• 21:29
  with
• 21:29
  all
• 21:30
  the
• 21:30
  musicians.
• 21:31
  So
• 21:32
  that's
• 21:33
  one
• 21:33
  thing.
• 21:33
  And
• 21:34
  two,
• 21:34
  well
• 21:34
  then
• 21:35
  once
• 21:35
  you
• 21:35
  have
• 21:35
  in
• 21:36
  ears,
• 21:36
  you
• 21:36
  can
• 21:36
  start
• 21:36
  playing
• 21:37
  with
• 21:37
  the
• 21:37
  click.
• 21:37
  That's
• 21:38
  what
• 21:38
  I
• 21:38
  tell
• 21:39
  worship
• 21:39
  teams,
• 21:40
  you
• 21:40
  know
• 21:40
  that
• 21:40
  sometimes
• 21:41
  they're
• 21:41
  not
• 21:41
  sure,
• 21:42
  can
• 21:42
  we
• 21:42
  do
• 21:42
  this?
• 21:43
  You
• 21:43
  know,
• 21:43
  I'll
• 21:43
  say,
• 21:44
  just
• 21:44
  start
• 21:44
  playing
• 21:44
  with
• 21:45
  the
• 21:45
  click.
• 21:45
  Play
• 21:46
  with
• 21:46
  the
• 21:46
  click.
• 21:47
  Your
• 21:47
  whole
• 21:47
  band.
• 21:48
  Because
• 21:48
  once
• 21:48
  your
• 21:48
  whole
• 21:49
  band
• 21:49
  has
• 21:49
  the
• 21:50
  click
• 21:50
  in
• 21:50
  their
• 21:50
  ears,
• 21:51
  it
• 21:52
  gets
• 21:52
  a
• 21:52
  lot
• 21:53
  easier.
• 21:53
  Because
• 21:53
  if
• 21:54
  you
• 21:54
  only
• 21:54
  have
• 21:54
  like
• 21:55
  one
• 21:55
  musician,
• 21:56
  the
• 21:56
  drummer
• 21:56
  trying
• 21:56
  to
• 21:57
  carry
• 21:57
  the
• 21:57
  band,
• 21:57
  you
• 21:57
  know,
• 21:58
  the
• 21:58
  whole
• 21:58
  band
• 21:58
  will
• 21:59
  pull,
• 21:59
  push,
• 22:00
  pushing,
• 22:00
  pulling.
• 22:01
  So
• 22:02
  it's
• 22:02
  difficult.
• 22:02
  But
• 22:03
  when
• 22:03
  the
• 22:03
  whole
• 22:03
  team
• 22:04
  has
• 22:04
  the
• 22:04
  click,
• 22:06
  it's
• 22:06
  way
• 22:07
  easier.
• 22:08
  Way
• 22:08
  easier.
• 22:08
  So
• 22:09
  even
• 22:09
  if
• 22:09
  your
• 22:09
  musicians
• 22:10
  are
• 22:10
  not
• 22:10
  like
• 22:11
  pros,
• 22:12
  well,
• 22:13
  they
• 22:13
  can
• 22:14
  probably
• 22:14
  do
• 22:15
  it
• 22:15
  very
• 22:16
  well
• 22:16
  if
• 22:16
  the
• 22:16
  whole
• 22:16
  team
• 22:16
  has
• 22:17
  the
• 22:17
  click.
• 22:17
  There
• 22:18
  a
• 22:18
  mistake.
• 22:19
  Worship
• 22:19
  teams
• 22:20
  do.
• 22:20
  Sometimes
• 22:20
  they
• 22:20
  say,
• 22:21
  okay,
• 22:21
  I'm
• 22:21
  gonna
• 22:22
  try
• 22:22
  the
• 22:22
  click,
• 22:22
  but
• 22:22
  not
• 22:22
  too
• 22:23
  loud,
• 22:23
  please,
• 22:23
  in
• 22:23
  my
• 22:24
  ears.
• 22:24
  You
• 22:24
  know,
• 22:24
  just
• 22:24
  like,
• 22:25
  that's
• 22:25
  the
• 22:25
  worst
• 22:25
  you
• 22:26
  can
• 22:26
  do.
• 22:26
  You
• 22:26
  know,
• 22:26
  it's
• 22:26
  like,
• 22:27
  either
• 22:27
  have
• 22:28
  it
• 22:28
  loud
• 22:28
  or
• 22:28
  not
• 22:28
  at
• 22:29
  all.
• 22:29
  Because
• 22:31
  cowbell.
• 22:34
  More
• 22:35
  cow.
• 22:35
  Yeah.
• 22:36
  So
• 22:36
  that's
• 22:36
  what
• 22:36
  I
• 22:36
  think
• 22:36
  worship
• 22:37
  teams
• 22:37
  can
• 22:37
  do.
• 22:37
  To
• 22:37
  start.
• 22:39
  That's
• 22:39
  what
• 22:39
  we
• 22:39
  call
• 22:40
  for
• 22:41
  our
• 22:41
  live
• 22:41
  tools.
• 22:42
  Right.
• 22:42
  Then
• 22:43
  you
• 22:43
  can
• 22:43
  start
• 22:43
  adding
• 22:43
  tracks.
• 22:44
  And
• 22:44
  that's
• 22:45
  our
• 22:45
  live
• 22:45
  tool.
• 22:45
  But
• 22:45
  we
• 22:46
  also
• 22:46
  have
• 22:46
  all
• 22:46
  our
• 22:46
  rehearsal
• 22:47
  tools
• 22:47
  that
• 22:47
  we
• 22:47
  talked
• 22:47
  about
• 22:48
  earlier,
• 22:48
  where
• 22:48
  you
• 22:49
  have
• 22:49
  a
• 22:49
  rehearsal
• 22:49
  mix
• 22:50
  and
• 22:50
  you
• 22:50
  have
• 22:51
  your
• 22:51
  charts
• 22:52
  and
• 22:52
  chart
• 22:52
  builder.
• 22:53
  Well,
• 22:53
  that
• 22:53
  you
• 22:54
  can
• 22:54
  start
• 22:54
  anytime.
• 22:56
  You
• 22:56
  can
• 22:56
  subscribe
• 22:56
  today.
• 22:57
  And
• 22:57
  even
• 22:58
  if
• 22:58
  you
• 22:58
  don't
• 22:58
  have
• 22:58
  in
• 22:59
  your
• 22:59
  monitoring
• 22:59
  system
• 22:59
  and
• 23:01
  huge
• 23:01
  plus
• 23:01
  for
• 23:01
  your
• 23:02
  team,
• 23:02
  you
• 23:02
  know,
• 23:03
  definitely
• 23:03
  that's
• 23:04
  true.
• 23:04
  Yeah,
• 23:05
  it's
• 23:05
  a
• 23:05
  good
• 23:05
  starting
• 23:05
  place.
• 23:06
  You're
• 23:06
  right.
• 23:06
  That
• 23:06
  makes
• 23:06
  sense.
• 23:07
  Yeah,
• 23:07
  yeah,
• 23:07
  yeah,
• 23:08
  Absolutely.
• 23:08
  That
• 23:09
  makes
• 23:09
  sense.
• 23:09
  There's
• 23:09
  another
• 23:10
  thing
• 23:10
  I
• 23:10
  noticed
• 23:10
  actually.
• 23:11
  There
• 23:11
  was
• 23:11
  a
• 23:11
  time
• 23:13
  just
• 23:13
  because,
• 23:13
  well,
• 23:14
  at
• 23:14
  our
• 23:14
  church,
• 23:14
  we
• 23:15
  have
• 23:15
  two
• 23:15
  campuses
• 23:16
  and
• 23:16
  they're
• 23:16
  pretty
• 23:17
  much
• 23:18
  running
• 23:19
  the
• 23:19
  same
• 23:19
  service
• 23:20
  both
• 23:20
  every
• 23:21
  Sunday.
• 23:21
  So
• 23:22
  everything
• 23:22
  kind
• 23:22
  of
• 23:22
  has
• 23:22
  to
• 23:23
  be
• 23:23
  aligned.
• 23:23
  So
• 23:23
  even
• 23:24
  if
• 23:24
  we
• 23:24
  don't
• 23:24
  necessarily
• 23:25
  need
• 23:25
  a
• 23:25
  chart
• 23:26
  for
• 23:26
  maybe
• 23:26
  some
• 23:27
  musicians
• 23:27
  or
• 23:27
  one
• 23:28
  band
• 23:28
  at
• 23:28
  the
• 23:29
  other,
• 23:29
  we
• 23:29
  probably
• 23:29
  do.
• 23:30
  And
• 23:31
  one
• 23:31
  of
• 23:31
  the
• 23:31
  things
• 23:32
  that
• 23:32
  I
• 23:32
  came
• 23:32
  across
• 23:33
  more
• 23:33
  recently
• 23:33
  was
• 23:33
  Zurba.
• 23:34
  It
• 23:34
  was
• 23:34
  a
• 23:34
  new
• 23:34
  song
• 23:35
  that
• 23:35
  was
• 23:35
  introduced.
• 23:35
  I
• 23:36
  think
• 23:36
  the
• 23:36
  album
• 23:36
  came
• 23:36
  out
• 23:37
  in
• 23:37
  February
• 23:38
  and
• 23:38
  we
• 23:38
  were
• 23:38
  doing
• 23:38
  the
• 23:39
  song
• 23:39
  like
• 23:39
  a
• 23:39
  week
• 23:39
  later.
• 23:41
  So
• 23:41
  there
• 23:41
  wasn't
• 23:41
  much
• 23:41
  available.
• 23:42
  But
• 23:42
  I
• 23:42
  had
• 23:43
  emailed,
• 23:43
  what
• 23:43
  would
• 23:43
  have
• 23:43
  been
• 23:43
  probably
• 23:44
  three
• 23:44
  weeks,
• 23:44
  I
• 23:44
  should
• 23:44
  say.
• 23:45
  I
• 23:45
  had
• 23:45
  emailed
• 23:46
  just
• 23:46
  requesting
• 23:47
  a
• 23:47
  chart
• 23:47
  again
• 23:48
  to
• 23:48
  save
• 23:48
  time
• 23:48
  because
• 23:49
  I
• 23:49
  didn't
• 23:49
  really
• 23:49
  want
• 23:49
  to
• 23:49
  have
• 23:50
  to
• 23:50
  do
• 23:50
  it
• 23:50
  if
• 23:50
  I
• 23:50
  didn't
• 23:50
  need
• 23:50
  to.
• 23:51
  And
• 23:51
  it
• 23:51
  was
• 23:51
  at
• 23:51
  the
• 23:52
  point
• 23:52
  where
• 23:52
  I'm
• 23:52
  like,
• 23:52
  I'm
• 23:52
  probably
• 23:52
  going
• 23:53
  to
• 23:53
  have
• 23:53
  to
• 23:53
  do
• 23:53
  the
• 23:53
  chart
• 23:53
  because
• 23:53
  it's
• 23:54
  a
• 23:54
  brand
• 23:54
  new
• 23:54
  song.
• 23:55
  But
• 23:55
  I
• 23:55
  Requested
• 23:56
  it
• 23:56
  from
• 23:56
  multitracks.com
• 23:57
  I
• 23:57
  got
• 23:57
  an
• 23:57
  email,
• 23:58
  it
• 23:58
  must
• 23:58
  have
• 23:58
  been
• 23:58
  like
• 23:58
  a
• 23:59
  week
• 23:59
  and
• 23:59
  a
• 23:59
  half
• 23:59
  later
• 23:59
  saying,
• 24:00
  your
• 24:00
  chart's
• 24:00
  available.
• 24:01
  And
• 24:01
  I
• 24:01
  was
• 24:02
  like,
• 24:02
  holy
• 24:02
  smokes.
• 24:04
  Yeah.
• 24:05
  Yeah,
• 24:06
  you
• 24:06
  can
• 24:06
  request
• 24:07
  your
• 24:07
  chart.
• 24:07
  You
• 24:07
  go
• 24:07
  on
• 24:07
  the
• 24:08
  website
• 24:08
  there
• 24:08
  and
• 24:08
  it
• 24:08
  says,
• 24:09
  request
• 24:09
  chart
• 24:09
  or
• 24:10
  in
• 24:10
  chart
• 24:10
  builder.
• 24:11
  Request
• 24:11
  a
• 24:11
  chart
• 24:12
  there.
• 24:12
  And
• 24:12
  the
• 24:13
  guys
• 24:13
  are
• 24:13
  going
• 24:13
  to
• 24:13
  put
• 24:13
  it
• 24:13
  on
• 24:14
  their
• 24:14
  list
• 24:14
  in
• 24:14
  there.
• 24:14
  They're
• 24:15
  so
• 24:15
  quick.
• 24:15
  Usually
• 24:16
  you
• 24:16
  request
• 24:16
  it.
• 24:16
  Cool.
• 24:17
  And
• 24:17
  it
• 24:17
  shows
• 24:17
  up
• 24:17
  eventually,
• 24:18
  you
• 24:18
  would
• 24:18
  think,
• 24:19
  but
• 24:20
  not
• 24:20
  these
• 24:20
  guys.
• 24:21
  We
• 24:22
  have
• 24:22
  an
• 24:22
  active
• 24:22
  team
• 24:22
  and
• 24:23
  they
• 24:23
  write
• 24:23
  their
• 24:23
  charts.