Latest / Stuff Mom Never Told You / Feminists Around the World: Zanele Muholi
Transcript
- 0:05Speaker 1: Hey, this is Anny and Samantha and welcome to.
- 0:07Speaker 2: Stuff Wh've never told you, a production of iHeartRadio.
- 0:18Speaker 1: And today for activists around the world, we are featuring
- 0:22Speaker 1: the works and afficacy of South African artists Zanelli Moholy.
- 0:28Speaker 1: They go by bathim and describes themselves as a visual
- 0:31Speaker 1: activist who uses their works as way to advocate for
- 0:35Speaker 1: the rights and protection of the South African queer community,
- 0:39Speaker 1: specifically the lesbian and non binary and trans community. They
- 0:43Speaker 1: do a lot of work in that field in specific areas. First,
- 0:47Speaker 1: if you haven't go and followed their works on social media,
- 0:51Speaker 1: they have updated and shown new shows that they're happening
- 0:54Speaker 1: on their site and is under their name and I
- 0:57Speaker 1: will spell it correctly this time A N E L
- 1:01Speaker 1: E M the UHO l I. So you should go
- 1:05Speaker 1: and follow their works. They have some great content on there.
- 1:08Speaker 1: They have some good like meditation stuff, vibration stuff. You know,
- 1:12Speaker 1: we love that over here. So if you need that
- 1:14Speaker 1: in your feed go follow them first and foremost. So
- 1:17Speaker 1: here's a bit about them from the Britannica dot com
- 1:20Speaker 1: Because yes they are pretty big, but I mean for
- 1:23Speaker 1: those who are not in the art world at the
- 1:25Speaker 1: we need to feature them obviously, so Zanelli Maholy born
- 1:29Speaker 1: July nineteen, nineteen seventy two. They identify as visual artists
- 1:33Speaker 1: rather than an artist, and is non binary using vadim pronouns.
- 1:37Speaker 1: Their work, primarily photography, seeks to make more visible the
- 1:41Speaker 1: black l gpt quia plus community in South Africa, where
- 1:45Speaker 1: discrimination has often repressed queer and trans stories. Mohoy says
- 1:49Speaker 1: of their work that my mission to rewrite a Black,
- 1:52Speaker 1: queer and trans visual history of South Africa for the
- 1:55Speaker 1: world to know of our resistance and existence at the
- 1:57Speaker 1: height of hate crimes in South Africa and beyond. They
- 2:01Speaker 1: are the youngest of eight children from the town of Umlazi.
- 2:06Speaker 1: Growing up during the time of apartheid in their country,
- 2:08Speaker 1: Mohoy worked to fight against the violence and belittling rhetoric
- 2:12Speaker 1: that was prevalent and kind of still is against the
- 2:15Speaker 1: lgbtqia plus community. As they advanced their career and passion,
- 2:20Speaker 1: their work was used as their own activism around the world.
- 2:24Speaker 1: Working with publications like Behind the Mask, they made sure
- 2:27Speaker 1: to show the struggles women, especially queer women, experience in
- 2:30Speaker 1: a country that tried to silence them and that tries
- 2:33Speaker 1: to silence them. Yeah. Work like this led them into
- 2:38Speaker 1: co founding organizations like Forum for the Empowerment of Women
- 2:41Speaker 1: or a Few, which worked to advocate and provide safety
- 2:44Speaker 1: for women in the community. At the same time, Moholy
- 2:48Speaker 1: continued in getting their education and advanced in their arts.
- 2:51Speaker 1: After getting their MFA at Ryerson University in Toronto, they
- 2:55Speaker 1: founded another nonprofit in Concio, which specifically worked on queer
- 2:59Speaker 1: media advocacy and activism. So they're already doing a lot.
- 3:03Speaker 1: Going by the term visual activists. Maholly has talked about
- 3:06Speaker 1: using their art as tool to bring change. Here's a
- 3:09Speaker 1: bit from sfmoma dot org. What does it mean to
- 3:13Speaker 1: be a visual activist? For South African artists? Zanelli Mahoy,
- 3:17Speaker 1: art is a tool of for social change. My practice
- 3:20Speaker 1: as a visual artist looks at black resistance existence as
- 3:23Speaker 1: well as insistence, Mahoy explained in an interview published by
- 3:27Speaker 1: Autograph App. Most of the work I've done over the
- 3:30Speaker 1: years focuses exclusively on black LGBTQIA and gender nonconforming individuals,
- 3:36Speaker 1: making sure we exist in the visual archive. So they
- 3:40Speaker 1: have done a lot of interviews. They did a great
- 3:42Speaker 1: YouTube series about their exhibits and talking about how their
- 3:45Speaker 1: work is political is political because they are talking about
- 3:49Speaker 1: resistance and it will never not be which I think
- 3:52Speaker 1: is something important that we have to talk about because
- 3:55Speaker 1: in this day and the age of people being like,
- 3:56Speaker 1: why does it all have to be political? Because if
- 3:59Speaker 1: we want to make change of resistance, it is political.
- 4:02Speaker 1: And the article goes on to talk about their works
- 4:05Speaker 1: of saying a self described visual activist, Zanelli Moholy uses
- 4:10Speaker 1: the camera to explore issues of gender, identity, representation, and race,
- 4:15Speaker 1: often photographing their own body or members of their LGBTQ
- 4:18Speaker 1: plus community in South Africa. Moholy calls attention to the
- 4:22Speaker 1: trauma and violence enacted on queer people while celebrating their
- 4:25Speaker 1: beauty and resilience. Activism essential to Moholly's artistic practice, from
- 4:30Speaker 1: their early work contending with the dangers of being queer
- 4:32Speaker 1: in South Africa to their more recent work embracing their
- 4:35Speaker 1: own blackness and gender expression. So in two thousand and four,
- 4:39Speaker 1: they did their first solo show in Johannesburg featuring photos
- 4:43Speaker 1: from her series Only Half the Picture. So this is
- 4:45Speaker 1: kind of one of her earliest works. And a bit
- 4:47Speaker 1: more from the Britannica article shot in black and white,
- 4:51Speaker 1: the works document members of the black LGBTQIA plus community
- 4:55Speaker 1: and intimate moments that defy taboos. Participants' faces are not shown,
- 5:00Speaker 1: only isolated parts of the body, such as a hairy
- 5:02Speaker 1: chest and a lace spra or a thigh showing a long,
- 5:05Speaker 1: thick scar. The show was met with critical acclaim and
- 5:09Speaker 1: Maholly was soon showing internationally, including in Vienna, Amsterdam, Milan
- 5:13Speaker 1: and Lagos and obviously more. And They emphasize the term
- 5:18Speaker 1: participants instead of subjects due to the fact that they
- 5:21Speaker 1: feel that the people involved are collaborators of activism and advocacy.
- 5:26Speaker 1: They have talked about the importance of empowering their participants
- 5:29Speaker 1: and allowing them to have a say in the artwork,
- 5:31Speaker 1: especially as they're being represented, and though their photography has
- 5:35Speaker 1: been their main focus around the world, they also love
- 5:38Speaker 1: other artistic expressions, such as painting and even directing. During
- 5:43Speaker 1: the pandemic, they focused more on painting due to the
- 5:46Speaker 1: lack of opportunities of social events and gathering, so you know,
- 5:49Speaker 1: you got to express yourself some way, even if it's
- 5:51Speaker 1: not with other people. And they've also directed several documentaries.
- 5:55Speaker 1: In twenty ten, they did one title Difficult Love, which
- 5:58Speaker 1: gives a bit of insight into the lives of Moholly
- 6:01Speaker 1: and other black lesbians in South Africa. So they go
- 6:04Speaker 1: around telling those stories, which was actually broadcast around the world.
- 6:08Speaker 1: Then they did another one later titled We Live in Fear,
- 6:11Speaker 1: which was released by the Human Rights Watch. So they've
- 6:14Speaker 1: done a lot of this type of work. I think
- 6:16Speaker 1: it's important to note, and they've still done a lot
- 6:19Speaker 1: of works since the pandemic twenty twenty and beyond, including
- 6:23Speaker 1: a show they did titled Sunyama in Yan Gamma, which
- 6:28Speaker 1: this is what the Britannica wrote about that their colorful
- 6:30Speaker 1: self portraits recall the compositions of Sanyama in ghan Yama
- 6:36Speaker 1: and continue Maholly's investigation of the black body, gender and representation.
- 6:41Speaker 1: So that specific one was based on their own self portrait.
- 6:45Speaker 1: They're taking like different types of pictures of them and
- 6:48Speaker 1: how they envisioned where they would be, what they would
- 6:51Speaker 1: look like during different timelines. So they talked about this
- 6:54Speaker 1: work specifically and like envisioning and fantasizing what it would
- 6:58Speaker 1: have been like had they been there during that time,
- 7:01Speaker 1: or had had black bodies and black women been included
- 7:04Speaker 1: so beautiful work. I think one of the pictures were
- 7:07Speaker 1: actually shared or was actually on the cover of the
- 7:10Speaker 1: National Geographic, So you know, pretty big deal, pretty big deal.
- 7:16Speaker 1: The article continues. That same year, a major survey of
- 7:20Speaker 1: their work was held at Tate Modern, London. Other exhibits
- 7:23Speaker 1: include Zanelli Moholy I Me, which was released in twenty
- 7:26Speaker 1: twenty four at the San Francisco Museum of Modern Art,
- 7:29Speaker 1: Being Moholy Portraits as Resistance at the Gardner Museum Boston,
- 7:34Speaker 1: and Zanelli Moholly twenty twenty one in Berlin. Their photos
- 7:37Speaker 1: are in the collections of many world renowned institutions, including
- 7:41Speaker 1: Central Pompadou Paris, the Gougenheim Museum, New York, and the
- 7:45Speaker 1: Zeit's Museum of Contemporary Art Africa, Cape Town. So they've
- 7:49Speaker 1: got a lot of work going on, and in fact,
- 7:51Speaker 1: according to their Instagram, they have an upcoming show in Miami, Florida. Interesting, right,
- 7:57Speaker 1: I'm telling you. They're all three local. They had a
- 7:58Speaker 1: show in Nola as well, New Orleans, so they are
- 8:02Speaker 1: about the world. So if you get an opportunity, it's
- 8:05Speaker 1: definitely something worth going to check out and seeing it
- 8:08Speaker 1: as beautiful works, and they have tons and tons and
- 8:11Speaker 1: tons of accolades, and we're just going to name a few,
- 8:14Speaker 1: including the Federal Award in twenty thirteen, which was the
- 8:17Speaker 1: South Africa's LGBTI Awards. They won the twenty sixteen Outstanding
- 8:21Speaker 1: International Alumni Award from Ryerson University. They won the Honor
- 8:26Speaker 1: Fellowship of the Royal Photographics Society in Bath, England in
- 8:29Speaker 1: twenty eighteen, the Lucy Humanitarian Award in twenty nineteen, and
- 8:33Speaker 1: I do believe her work has been featured and released
- 8:38Speaker 1: in award winning books as well. So if you want
- 8:40Speaker 1: to look for those out there in the world, you
- 8:44Speaker 1: should again go and check out their social media, their
- 8:47Speaker 1: Instagram because they have a lot of work up and
- 8:49Speaker 1: I think it's amazing as they continue their work and
- 8:52Speaker 1: continue their artistry and celebrating their visual activism.
- 8:58Speaker 2: Yes, yes, go check all of that stuff out if
- 9:01Speaker 2: you have not already. Listeners and as always, if you
- 9:05Speaker 2: have any suggestions, let us know any resources, anything we
- 9:09Speaker 2: should check out. You can email us at Hello at
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- 9:25Speaker 2: Thanks as always too our superprendews Christina, our secretive producer Maya,
- 9:29Speaker 2: and your contributor Joey. Thank you and thanks to you
- 9:31Speaker 2: for listening stuff Never told you. Dispection by Heart Radio.
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