Latest / What More Can I Say? / Cardi B's New Deal, Jay-Z's New Verse, Drake's Party, Chris Brown vs. His Cellmate & More!

Transcript

Cardi B's New Deal, Jay-Z's New Verse, Drake's Party, Chris Brown vs. His Cellmate & More! · What More Can I Say?

• 0:00
  Speaker 1: I writ y'all, welcome to the one More Can I Say? Podcast?
• 0:03
  Speaker 2: This episode where we had rider three hundred and seventy
• 0:07
  Speaker 2: four episodes of these things.
• 0:08
  Speaker 1: What's hattening?
• 0:09
  Speaker 2: I want your hot talko. Alright, let's introduce to other
• 0:13
  Speaker 2: members of the pot. That is the first lady, that pole,
• 0:15
  Speaker 2: the only lady of the pots. He's fucking what up?
• 0:18
  Speaker 1: Hey, y'all, what's up?
• 0:21
  Speaker 3: Somebody better woo whoop wooo? Right, yeah, right, hey y'all,
• 0:26
  Speaker 3: what's up?
• 0:27
  Speaker 1: What's up? What's up? That funny man over there brushing
• 0:30
  Speaker 1: his waves is Zach bug. I don't have a woo,
• 0:33
  Speaker 1: I don't have a brush, but woo, I don't know.
• 0:35
  Speaker 1: I saw you.
• 0:36
  Speaker 2: I wasn't looking. I just saw this motion. I don't
• 0:39
  Speaker 2: have hair, so that us it? You know, I got
• 0:42
  Speaker 2: you who being sensitive? Angry man starting off for already
• 0:46
  Speaker 2: he started to day with me. He's starting already. Woo
• 0:49
  Speaker 2: woo woo woo woo angry man. Now let's go ahead,
• 0:53
  Speaker 2: get hit the pot man. Cardi B has announced she
• 0:57
  Speaker 2: is the new face of Old Navy for their fall
• 0:59
  Speaker 2: Most Just Wanted Denim campaign. Cardi B continues to get
• 1:03
  Speaker 2: bags shout out to Old Navy the Scully Game.
• 1:07
  Speaker 1: I love them.
• 1:08
  Speaker 4: Then we just say on this podcast yesterday about how
• 1:11
  Speaker 4: hard Cardi B works yep, and the biggest hustle out there,
• 1:14
  Speaker 4: and here she comes with another deal. She even said, Hey,
• 1:17
  Speaker 4: if you girls got BBLS and you can't find jeans,
• 1:20
  Speaker 4: look old Navy got you. We got them and they
• 1:22
  Speaker 4: started twenty two dollars affordable. I noticed that about Cardi
• 1:26
  Speaker 4: And I don't know if she aligns her brands like
• 1:28
  Speaker 4: this on purpose, but do you know that she doesn't
• 1:30
  Speaker 4: do like the She's not behind all the hotest expensive
• 1:34
  Speaker 4: ticket stuff that people can't afford, her hair care line,
• 1:37
  Speaker 4: very affordable.
• 1:38
  Speaker 1: Jeans, you know what I'm saying. It seems like that
• 1:40
  Speaker 1: might be a conscious thing.
• 1:41
  Speaker 2: I don't know, it gotta be, I mean, and I
• 1:44
  Speaker 2: think I always say that when celebrities do stuff that
• 1:47
  Speaker 2: the everyday person that listens to your music can afford it.
• 1:50
  Speaker 2: Out you got everybody wearing Cardi B jeans, you know
• 1:53
  Speaker 2: what I mean, everybody a twenty two dollars jean. You're
• 1:56
  Speaker 2: gonna have so many women in those, especially, I mean
• 1:59
  Speaker 2: the BBLS. Shout out to the ladies that got BBLS.
• 2:03
  Speaker 2: And I know they're gonna be able to fit some
• 2:05
  Speaker 2: some big butts in there. Cardi's endorsing it.
• 2:10
  Speaker 3: Yeah, I think it's smart to come out with this
• 2:13
  Speaker 3: because so many women have the new booties. You know,
• 2:16
  Speaker 3: not everybody got their upgraded booty, and now you need
• 2:19
  Speaker 3: somewhere to put it. And so Cardi B Is gonna
• 2:21
  Speaker 3: give you the solution. And we know one thing about
• 2:23
  Speaker 3: Cardi B and her team, they are fly Okay, she
• 2:26
  Speaker 3: has some of the She's one of the best styled
• 2:29
  Speaker 3: entertainers in the business in my opinion. So I can't
• 2:31
  Speaker 3: wait to see what she does with this line, and
• 2:34
  Speaker 3: I hope it extends to her children, like I would
• 2:36
  Speaker 3: love to see how she dressed her kids in old
• 2:38
  Speaker 3: Navy because I think I maybe I'm speaking for everybody,
• 2:41
  Speaker 3: but when you were a kid, that's a lot of
• 2:43
  Speaker 3: kids were old Navy. Like we was shorties. We used
• 2:45
  Speaker 3: to get old Navy shirts for the Fourth of July.
• 2:46
  Speaker 3: Used to be a whole thing. So I want to
• 2:48
  Speaker 3: see that too.
• 2:49
  Speaker 1: Yeah. I get my son's stuff from old Navy all
• 2:51
  Speaker 1: the time.
• 2:51
  Speaker 4: Definitely, I hit the Navy six dollars shorts, yep, six
• 2:55
  Speaker 4: dollars t shirts.
• 2:56
  Speaker 1: Man, you rack up you spend one hundred dollars. He's
• 2:57
  Speaker 1: straight for the season. Yep, we don't child support. You
• 3:00
  Speaker 1: got three kids. That helps.
• 3:01
  Speaker 5: Come on now, everybok kaki short, everybody, come on now.
• 3:06
  Speaker 1: Clothes.
• 3:09
  Speaker 2: The old Navy is one of those places you go
• 3:11
  Speaker 2: back to school shopping for sure for sure, and coat
• 3:14
  Speaker 2: shopping for some reason.
• 3:15
  Speaker 1: You go get your coat winter. Yeah, win a coach
• 3:19
  Speaker 1: for sure for sure.
• 3:20
  Speaker 2: All right, let's get to this man. Beyonce drop the
• 3:22
  Speaker 2: remix to Morning Dew featuring Jay Z. Looks like we
• 3:26
  Speaker 2: got sound on that.
• 3:27
  Speaker 1: Let's hear it. Let's take you.
• 3:33
  Speaker 6: You know what that night this, Let's see what that
• 3:35
  Speaker 6: morning do top of the top, sloppy in the Morning Dew.
• 3:39
  Speaker 6: Watch you spent it. I don't need nothing new coming through.
• 3:43
  Speaker 6: Smell of fool in the old school holding this up.
• 3:46
  Speaker 6: Title a liar, but we know the truth.
• 3:50
  Speaker 5: Put the mute, let me put you on game.
• 3:57
  Speaker 2: I like I said, I like them to sing together,
• 4:01
  Speaker 2: but I don't know. I don't know if that was
• 4:03
  Speaker 2: one of Jay's stronger verses.
• 4:06
  Speaker 1: Was that a Jay strong verse.
• 4:07
  Speaker 5: He had about one mode rhyme with do and do
• 4:11
  Speaker 5: I was about.
• 4:11
  Speaker 1: Saying that jay Z, he's way better than what that
• 4:15
  Speaker 1: verse show, way better.
• 4:17
  Speaker 2: It wasn't he ain't hit this what a pause part
• 4:20
  Speaker 2: where he hit the pause. I kind of liked that,
• 4:23
  Speaker 2: but I mean, I woo.
• 4:27
  Speaker 4: It started strong, you know what I'm saying. Like the
• 4:29
  Speaker 4: first four bars, I was like, okay with that, morning
• 4:31
  Speaker 4: do it. And then you thought he was gonna kind
• 4:32
  Speaker 4: of switch the catens up, and he kept it the same.
• 4:35
  Speaker 4: I don't know hear the whole song.
• 4:37
  Speaker 3: I gotta make sure this was approved by jay Z,
• 4:39
  Speaker 3: like I gotta make sure this wasn't somebody didn't leak this.
• 4:42
  Speaker 3: I need to make sure this is the official remix.
• 4:45
  Speaker 3: Because he was even rapping too hard, like he was loud.
• 4:49
  Speaker 3: He was it was too hard, and then it was
• 4:51
  Speaker 3: too many rhymes with Malibu. I don't know, I don't know.
• 4:57
  Speaker 1: I don't know no man, now forward I know on
• 5:04
  Speaker 1: this pod, I said hey, I said, hey man, I
• 5:10
  Speaker 1: just be worried. I ain't saying he can't. I just worried.
• 5:14
  Speaker 2: And then somebody on this pod said, huh, I ain't
• 5:17
  Speaker 2: never worried about what jay Z do.
• 5:20
  Speaker 1: I ain't never worried about that.
• 5:21
  Speaker 5: I wasn't now I was not until now. Now I'm like, oh,
• 5:28
  Speaker 5: we gotta have a meeting.
• 5:29
  Speaker 4: Hold on, and you don't have to throw out these
• 5:33
  Speaker 4: verses if it ain't got to listen. You know, jay
• 5:36
  Speaker 4: Z can go harder than that.
• 5:37
  Speaker 1: You gotta listen to.
• 5:38
  Speaker 2: Here, boy, this is we all know that doing this,
• 5:42
  Speaker 2: doing anything and entertainment anything that don't even matter anything
• 5:47
  Speaker 2: coming off the bench, shoulder speak to come and then
• 5:52
  Speaker 2: jump back in you cat.
• 5:54
  Speaker 1: That's what took Drake so long. Drake got beat up.
• 5:57
  Speaker 1: He hadn't been rapping that much.
• 5:59
  Speaker 2: He had really been vacation on his plane, and he
• 6:02
  Speaker 2: had to make sure what he came out with was
• 6:04
  Speaker 2: at least solid. Jay's still living in it, like, man,
• 6:08
  Speaker 2: I can get off the bench and do whatever. I
• 6:09
  Speaker 2: look at my freestyles, look at that This it's a
• 6:15
  Speaker 2: miss and I don't like saying that about But that verse,
• 6:20
  Speaker 2: the piece that we heard.
• 6:22
  Speaker 1: We can go back. Listen to it right now. Hold on,
• 6:25
  Speaker 1: let's give it another. We know what that night did.
• 6:30
  Speaker 6: Let's see what that morning do. Top of the top,
• 6:33
  Speaker 6: sloppy is the morning do?
• 6:34
  Speaker 1: To watch you?
• 6:36
  Speaker 6: I don't need nothing new coming through meloboo in an
• 6:39
  Speaker 6: old school, So then this up type of a liar.
• 6:42
  Speaker 1: But we know the truth. Put the meal, U, let
• 6:48
  Speaker 1: me put you on game. Not second time around. I
• 6:53
  Speaker 1: like it. Second time around it got better.
• 6:57
  Speaker 5: It's failure.
• 6:58
  Speaker 1: I can't see that.
• 6:59
  Speaker 5: Yeah us, No, I get it now. I missed it.
• 7:03
  Speaker 5: I didn't hear it clearly the first time.
• 7:05
  Speaker 2: Okay, so we got we still got bars in there.
• 7:07
  Speaker 2: It's still got bars in there. Like see that morning dude.
• 7:10
  Speaker 2: Then he went off the dude, he is.
• 7:11
  Speaker 5: Not as strong he did eat when you hit the words,
• 7:15
  Speaker 5: we know what that night did. Let's see what that morning?
• 7:18
  Speaker 1: You start rapping locky?
• 7:27
  Speaker 4: You know what that means for the top slocky like
• 7:30
  Speaker 4: that more morning dude. I get that morning dude with.
• 7:33
  Speaker 5: Driving around in an old school Malaboo vintage.
• 7:37
  Speaker 1: I don't want nothing. Okay, so let's go let's go
• 7:42
  Speaker 1: back again. Let's go back again. We get.
• 7:46
  Speaker 2: We know what that night did.
• 7:47
  Speaker 6: Let's see what that morning do. Top of the top
• 7:51
  Speaker 6: sloppy in the morning duke, to watch you, vin, I
• 7:54
  Speaker 6: don't need nothing new coming through smelling pool in the
• 7:57
  Speaker 6: old school holding this up type.
• 8:00
  Speaker 1: But we know the truth. Mute.
• 8:06
  Speaker 2: Let me.
• 8:09
  Speaker 5: Forget everything.
• 8:11
  Speaker 4: And then you got to hear the rest of the
• 8:13
  Speaker 4: verse to cut off, so you know he might have
• 8:15
  Speaker 4: just even took it up to a whole other level.
• 8:17
  Speaker 1: Be sorry, he snaps. Be sorry, I like because the
• 8:19
  Speaker 1: benches A don't like nothing new.
• 8:21
  Speaker 5: But all I kept here was dou w sou. That's
• 8:25
  Speaker 5: why I couldn't hear the words.
• 8:27
  Speaker 1: Now I know the words, the words.
• 8:30
  Speaker 5: Let's see you know what that nice? Let's see what
• 8:32
  Speaker 5: that morning do?
• 8:35
  Speaker 3: Put them holes on mute mut he ate, He snap,
• 8:39
  Speaker 3: Oh sorry, I don't know what they I don't know
• 8:42
  Speaker 3: what they were talking about.
• 8:44
  Speaker 5: I never went against you whole never.
• 8:47
  Speaker 2: You were just worried nods ago no, but we okay,
• 8:52
  Speaker 2: so let me ask you this. So I wouldn't listen
• 8:54
  Speaker 2: to nightmareter dreams, Yeah, what's that about?
• 8:58
  Speaker 1: Okay? I just wanted okay, there, well go, that was.
• 9:01
  Speaker 2: Mic Miil redoing dreams tonightmares and it's not he rapping
• 9:05
  Speaker 2: in there.
• 9:05
  Speaker 1: But it ain't. He should have never touched it. I
• 9:08
  Speaker 1: got to hear it.
• 9:08
  Speaker 5: I ain't even gonna listen to it.
• 9:09
  Speaker 4: So he decided to like remix his song later, like
• 9:12
  Speaker 4: fourteen years later, right, m M something like that, something.
• 9:15
  Speaker 3: Like that, because I mean, when you had a song
• 9:17
  Speaker 3: that's a hit like it was for so long. I
• 9:20
  Speaker 3: guess he figured, like y'all saying y'all tied of heating
• 9:23
  Speaker 3: it in the club. Let me get yall a new
• 9:24
  Speaker 3: version of it, right, Yeah.
• 9:26
  Speaker 2: I guess we like that's a classic. That's a classic classic.
• 9:32
  Speaker 3: That is that?
• 9:33
  Speaker 2: And I think that's that's the best intro of hip
• 9:36
  Speaker 2: hop history. There's never been an intro to an album
• 9:38
  Speaker 2: that's been better than that ever.
• 9:43
  Speaker 1: Ever. You just can't an intro getting played like they
• 9:46
  Speaker 1: think about it. I don't.
• 9:50
  Speaker 2: That's why, because we don't remember the intros. That's because
• 9:53
  Speaker 2: we remember this one.
• 9:55
  Speaker 1: I can't say the best in hip hop history though.
• 9:57
  Speaker 1: That's that's tough, Zach. You can't. The only intro that
• 10:02
  Speaker 1: you can remember is dreams to night dreams and nightmares.
• 10:05
  Speaker 1: That's it.
• 10:06
  Speaker 2: That's why it's the best. Yep, you right, that's why
• 10:10
  Speaker 2: it's the best. All right, let's go ahead at this though.
• 10:12
  Speaker 2: Speaking of music, Drake get to ten women with fifty
• 10:16
  Speaker 2: thousand dollars each at his annual Strong Women, Stronger Drinks
• 10:20
  Speaker 2: event in Toronto that was created to celebrate women and
• 10:24
  Speaker 2: give them a space to connect and for him to sample.
• 10:30
  Speaker 2: Dude created a sampling event and called it oh My God,
• 10:35
  Speaker 2: all right.
• 10:35
  Speaker 3: I like this though, like y'all throwing these rooftop parties
• 10:38
  Speaker 3: and stuff. Y'all need to starry throwing parties like drake
• 10:42
  Speaker 3: and do what give us fifty thousand dollars? You know,
• 10:49
  Speaker 3: y'all want to have parties and yeah, parties over there.
• 10:52
  Speaker 5: I want to come to a Tonga pone party and
• 10:54
  Speaker 5: lead with twenty bands.
• 10:56
  Speaker 2: I wish I could, but I wouldn't. Let you know,
• 10:58
  Speaker 2: you leave with ten bands. There's some strings attached to
• 11:06
  Speaker 2: but that's called fifty thousand dollars of seed money. Ten
• 11:10
  Speaker 2: ten women got seed money.
• 11:12
  Speaker 5: Wow, that's amazing, though, Like, if you got it, do it.
• 11:16
  Speaker 2: What's the party thing? It's called strong Women, Stronger drinks.
• 11:21
  Speaker 2: The vents in Toronto created celebrate women and give them
• 11:25
  Speaker 2: a space to connect.
• 11:26
  Speaker 5: Oh yeah, that's a wilde.
• 11:30
  Speaker 2: It's dire Boller Cole is different. That is like, that's
• 11:35
  Speaker 2: something I'm just bored. It's needing new chicks out here.
• 11:38
  Speaker 1: Let's throw a party. I'm gonna come through and pick
• 11:42
  Speaker 1: the ones. I want. Strong women, stronger drinks. And he
• 11:48
  Speaker 1: gave so. He gave them.
• 11:49
  Speaker 2: He brought strong pretty women, put them all in the room,
• 11:56
  Speaker 2: gave them strong drinks and handed them fifty thousand dollars
• 12:00
  Speaker 2: in cash. Yep, that's wonderful. That's definitely he took the
• 12:05
  Speaker 2: game to the next level.
• 12:06
  Speaker 1: With that one.
• 12:07
  Speaker 2: That's that's tricking. If you got it personified, that's seed money.
• 12:12
  Speaker 1: Bro. I ain't mad at him.
• 12:14
  Speaker 3: He put Yeah, he had our fifty thousand dollars increments
• 12:17
  Speaker 3: to ten female creators and business owners. He had luxury
• 12:22
  Speaker 3: vehicles outside with bowls on them and burking bags.
• 12:26
  Speaker 1: So wait a minute, he gave them burking bags.
• 12:28
  Speaker 5: Too, and cars outside the party.
• 12:32
  Speaker 1: He gave out cars. Yes, yes, he is. He's got
• 12:38
  Speaker 1: to be stopped. That is.
• 12:42
  Speaker 3: I think this is a wonderful new new wave that
• 12:46
  Speaker 3: we should recreate everywhere.
• 12:49
  Speaker 2: Who else Oprah did that? I'm like, we like, yes,
• 12:54
  Speaker 2: we lived like Oprah Winfrey did it. Somebody else have
• 12:58
  Speaker 2: rich and were like Tyler Perry, were like Drake, Yes.
• 13:07
  Speaker 4: Tona's like this is evil Tonah saying he's doing good
• 13:10
  Speaker 4: for evil reasons.
• 13:11
  Speaker 3: Drake doesn't have to do this, you know that, right,
• 13:14
  Speaker 3: He don't have to. He don't have to do this
• 13:16
  Speaker 3: to get women. He's just Drake.
• 13:19
  Speaker 1: True.
• 13:19
  Speaker 5: So this is just a candier after cannisell Is hard.
• 13:23
  Speaker 2: Okay, all right, before I leave this we leave this point,
• 13:28
  Speaker 2: Drake invites you Kiki on Kiki, the Kiki that does
• 13:31
  Speaker 2: not not married. Yes, she owns her own beauty supply businesses.
• 13:37
  Speaker 2: And Drake invites you to his house, hands you fifty
• 13:40
  Speaker 2: thousand dollars in cash, gives you a luxury vehicle and
• 13:44
  Speaker 2: a Burken bag. You don't think you're gonna love Drake forever?
• 13:49
  Speaker 5: Yes, that's why.
• 13:51
  Speaker 2: That's what Drake call you late at night, Be like
• 13:53
  Speaker 2: what you're doing? Want come over for some drinks. Let's
• 13:55
  Speaker 2: talk about your business.
• 13:56
  Speaker 5: Yes, but unmarried Kiki beauty supply. I work in Kiki.
• 14:01
  Speaker 5: If Drake called me and just was calling me, is Drake,
• 14:03
  Speaker 5: I'm still going to Canada?
• 14:06
  Speaker 1: You know what I'm saying.
• 14:07
  Speaker 5: Yeah, it don't take all that.
• 14:09
  Speaker 3: So my thing, what Drake is doing is changing the
• 14:11
  Speaker 3: narrative about him across the country. He does that for
• 14:15
  Speaker 3: the women in Toronto or whatever, and he makes the
• 14:18
  Speaker 3: headline now Kiki and Chicago, who was just td e
• 14:21
  Speaker 3: key is now back ov okey and saying how amazing
• 14:25
  Speaker 3: Drake is for doing that. That's all he doing, He
• 14:28
  Speaker 3: creating a story so that we could He's changing the
• 14:31
  Speaker 3: narrative about how women so w now women are rallying
• 14:34
  Speaker 3: behind Drake again rather than what we were doing.
• 14:37
  Speaker 4: That's all that is, and that's that's very smart. But
• 14:40
  Speaker 4: what tone is saying, what you're missing is this is
• 14:43
  Speaker 4: a recruitment event. Absolutely, so he's also gonna see what's
• 14:47
  Speaker 4: out there. And if anything, I think he's doing everything
• 14:49
  Speaker 4: that you're talking about. But if something catches his eye
• 14:52
  Speaker 4: within this time period that he may not have the
• 14:55
  Speaker 4: number two.
• 14:55
  Speaker 3: It's his, absolutely, but it was But my point, I
• 14:59
  Speaker 3: my only disargument what that is that it was his anyway,
• 15:01
  Speaker 3: it was he didn't.
• 15:03
  Speaker 1: Need to know. He creates the event.
• 15:05
  Speaker 4: So now these invite these like these chicks are coming,
• 15:08
  Speaker 4: Does that make sense? Like they in my now they're
• 15:10
  Speaker 4: in my reach.
• 15:14
  Speaker 5: I'm saying, I hate to get a gameway, get a game,
• 15:17
  Speaker 5: go ahead.
• 15:17
  Speaker 1: So it's ten women, now ten, they's ten fatigue.
• 15:22
  Speaker 2: They are having this great experience, right, this is hospitality
• 15:27
  Speaker 2: at its finest.
• 15:28
  Speaker 1: Drake.
• 15:29
  Speaker 2: Yes, if Drake reaches out to you and says, hey, hey,
• 15:34
  Speaker 2: he key come up to Toronto, Drake, he could be
• 15:37
  Speaker 2: labeled as thirsty head and slid in your d MS.
• 15:40
  Speaker 2: But if Drake presents hospitality towards you and then you
• 15:45
  Speaker 2: want to just give it to him. Now he's just
• 15:47
  Speaker 2: taking what's his. It's called waiting for something to shake.
• 15:52
  Speaker 2: Drake Drake no all tenative women not going he but
• 15:56
  Speaker 2: he's like, yo, y'all have a good time, and he
• 15:59
  Speaker 2: is not going to even act like he's interested. And
• 16:03
  Speaker 2: somebody gonna be like they something shook out of that ten.
• 16:07
  Speaker 2: Maybe I'm at least saying four out of.
• 16:09
  Speaker 1: The ten shook.
• 16:11
  Speaker 5: I think Drake can go ten for ten.
• 16:14
  Speaker 1: Drake definitely can go ten for ten, just if he
• 16:16
  Speaker 1: chooses to go ten for ten.
• 16:17
  Speaker 4: What's gonna happen is Drake is gonna cause friend over
• 16:21
  Speaker 4: and he's gonna say he's gonna whisper in his ear
• 16:24
  Speaker 4: and tell him something, and then Drake's gonna disappear. And
• 16:26
  Speaker 4: then said friend is gonna walk up to a group
• 16:29
  Speaker 4: of ladies that Drake wants and say, hey, man, after
• 16:31
  Speaker 4: this we having a little something that the thing y'all
• 16:34
  Speaker 4: come through, okay, boom, and then it's over. But Drake's
• 16:38
  Speaker 4: not gonna be seen in the event trying to holler
• 16:40
  Speaker 4: at chicks because that kind of goes against It's gonna
• 16:43
  Speaker 4: look like, you know what he wants to.
• 16:44
  Speaker 1: He wants it to look like I'm just you know,
• 16:46
  Speaker 1: I just want to uplift the women. But he is
• 16:48
  Speaker 1: doing it for his image more more than to get
• 16:50
  Speaker 1: extra vagina. That's just the perks of it. I get it.
• 16:53
  Speaker 1: That's cool. Shout you Drake. All right, I wish I
• 16:56
  Speaker 1: could know something like that.
• 16:58
  Speaker 5: I wish y'all could too.
• 16:59
  Speaker 1: I wish I could.
• 17:00
  Speaker 2: I want you to know if I ever invite ten
• 17:02
  Speaker 2: women to my crib and give him fifty thousands of
• 17:04
  Speaker 2: Burking bags and some cars, trust me, it is some
• 17:09
  Speaker 2: evil reasons.
• 17:10
  Speaker 1: That's a shame. It's evil reasons.
• 17:14
  Speaker 2: Dropped My homie Friday dropped his trailer to the new
• 17:19
  Speaker 2: album Tension, released in August fourteenth. Shout out to Friday. Now, Zach,
• 17:23
  Speaker 2: you did put me on Friday's music. I had to
• 17:26
  Speaker 2: give you that.
• 17:27
  Speaker 1: And Friday's Friday is a good friend of the show. Yeah.
• 17:31
  Speaker 1: I like Friday. So you say he's dropping new music, yep,
• 17:33
  Speaker 1: August fourteenth.
• 17:34
  Speaker 4: I'm excited for it. You know, I've liked Friday since
• 17:37
  Speaker 4: he's come out. Both albums were good to me. Even
• 17:39
  Speaker 4: his live concert was good. He's got a.
• 17:41
  Speaker 1: Very unique, strong voice, different, but I like Friday. He's dope.
• 17:47
  Speaker 1: So I'm excited for the fourteenth. And R and B
• 17:49
  Speaker 1: is in a good place, y'all.
• 17:50
  Speaker 4: I just want to let y'all know, throughout this podcast,
• 17:52
  Speaker 4: you look at earlier episodes, I probably was talking trash
• 17:55
  Speaker 4: about how R and B ain't where it's supposed to be.
• 17:58
  Speaker 1: Today I can say that R and B is in
• 17:59
  Speaker 1: a great place. And I'm what do you what?
• 18:04
  Speaker 5: What's making you excited?
• 18:05
  Speaker 1: Who?
• 18:06
  Speaker 5: Which artists?
• 18:06
  Speaker 4: I mean, it's so many from just dropped that new
• 18:09
  Speaker 4: mood and it's moved to a classic. It's a banger,
• 18:13
  Speaker 4: you know what I'm saying, and he's doing it the
• 18:15
  Speaker 4: right way. You know, I'm gonna say L mean, I'm
• 18:17
  Speaker 4: gonna throw l mean in there. Even the young boy
• 18:20
  Speaker 4: j don oh, Yes, coming up tough. It's so many
• 18:25
  Speaker 4: Klani's album really solid album's album is solid.
• 18:30
  Speaker 1: R and B is in a good spot.
• 18:34
  Speaker 4: Yes it is, it is, And I'm happy to groups
• 18:37
  Speaker 4: and even like and no, you know I joke with
• 18:40
  Speaker 4: all the time about B two K being back, but
• 18:42
  Speaker 4: done that say something to to just how R and
• 18:44
  Speaker 4: B is where B two K can come back?
• 18:47
  Speaker 1: I mean B two K did did did a really
• 18:50
  Speaker 1: good job at the album. I did take a couple
• 18:51
  Speaker 1: of skips to it.
• 18:53
  Speaker 2: Do what.
• 18:55
  Speaker 1: You know what you skip because came out I skipped
• 19:03
  Speaker 1: through something.
• 19:05
  Speaker 5: I highly recommend listening to A. Marion's O two E P.
• 19:09
  Speaker 3: It is amazing and B two K mile Lische is
• 19:12
  Speaker 3: a great record that's now being added to radio across
• 19:14
  Speaker 3: the country.
• 19:17
  Speaker 1: So a record.
• 19:20
  Speaker 5: I've been working the record.
• 19:22
  Speaker 1: I work every two K record.
• 19:24
  Speaker 3: But I'm but like and I and I hate that
• 19:27
  Speaker 3: for me because when I when I'm serious about a song,
• 19:29
  Speaker 3: nobody takes me serious because I tell everything is great.
• 19:32
  Speaker 3: But when I tell you, oh, two is it's good,
• 19:36
  Speaker 3: it's really good, guys. And like Zach said, R and
• 19:39
  Speaker 3: B is in a great place, good place. All right,
• 19:44
  Speaker 3: I'm telling you, oh to just go listen to Reasons
• 19:47
  Speaker 3: all right?
• 19:48
  Speaker 1: All right? Well Chloe Bailey is she releasing records? She has?
• 19:52
  Speaker 3: She's been working with Timbland, Oh it would be nice
• 19:55
  Speaker 3: for her. She's been working with Timbling. They dropped I
• 19:57
  Speaker 3: think two songs so far. So give Chloe a listen.
• 20:02
  Speaker 1: I got out now.
• 20:04
  Speaker 2: She also shared her approach to health and fitness after
• 20:07
  Speaker 2: leaving the diet behind her statement is in the group text.
• 20:11
  Speaker 1: Anybody got that to read that? Get it? Oh? Well,
• 20:14
  Speaker 1: of course you were. That's it. Yes, you teme about
• 20:18
  Speaker 1: the statement that I don't see in the group text, right?
• 20:20
  Speaker 1: What statement? Ryan, Well, Ryan said, it's in there.
• 20:24
  Speaker 5: From Chloe Bailey.
• 20:27
  Speaker 1: Yep, her statement is in the group text.
• 20:29
  Speaker 3: What it says, Well, it ain't that he lied, So
• 20:34
  Speaker 3: let's look up Choe Bailey's statement.
• 20:35
  Speaker 2: Okay, health and fitness after leaving diet culture behind.
• 20:41
  Speaker 3: Anybody got experience producing a podcast? Don't laugh too hard.
• 20:47
  Speaker 3: We got any videographers out there too, because yesterday the
• 20:49
  Speaker 3: camera weren't working. Now we don't have a statement. It's
• 20:51
  Speaker 3: it's pips about to be handed out. Okay, let me
• 20:55
  Speaker 3: see she's ending her vegan diet apply at what More
• 21:01
  Speaker 3: Podcasts at gmail dot com. Hold on, let me find
• 21:06
  Speaker 3: this damn comment somebody in the group chat.
• 21:09
  Speaker 1: He just lied.
• 21:12
  Speaker 3: And okay, Chloe said, I know my weight fluctuates, but
• 21:17
  Speaker 3: I've been working out hard since February. Grateful that I
• 21:20
  Speaker 3: didn't lose the booty this time.
• 21:22
  Speaker 1: Though.
• 21:23
  Speaker 5: That was a statement we needed to read. Ryan, Yeah, yes, yeah,
• 21:28
  Speaker 5: he going on the right up in a suspension because what.
• 21:33
  Speaker 3: Okay, like she's leaving veganism, and I think that's a
• 21:37
  Speaker 3: big deal for somebody who has been vegan because that's.
• 21:39
  Speaker 5: Such a strict lifestyle.
• 21:41
  Speaker 2: But h.
• 21:50
  Speaker 3: Y'all, I know something wrong. Okay, I'm waiting on some
• 21:53
  Speaker 3: new meats to come out. Damn well, I ain't going
• 21:56
  Speaker 3: to be okay. I've been on the black mar I
• 22:00
  Speaker 3: get looking for new animals to frown. I damn sure
• 22:02
  Speaker 3: ain't going to begin that. Listen, leave Chloe alone. But
• 22:09
  Speaker 3: the force hate against Chloe Bailey drives me insane. And
• 22:12
  Speaker 3: y'all know, I been on this rant for force hating
• 22:17
  Speaker 3: on people who haven't done a thing to anybody. All
• 22:20
  Speaker 3: she does is wake up, look good, have a lot
• 22:23
  Speaker 3: of talent, and live her life, and people just hate
• 22:26
  Speaker 3: hate for no reason.
• 22:27
  Speaker 5: I don't understand what.
• 22:33
  Speaker 1: I don't think the thing is hate.
• 22:35
  Speaker 4: I don't think that's the correct thing, because I sometimes
• 22:39
  Speaker 4: I have no I want her to be successful. When
• 22:42
  Speaker 4: she first came out, I've always thought all that she's dope,
• 22:44
  Speaker 4: she's talented. Some stuff that Chloe does comes off a
• 22:49
  Speaker 4: little strange and weird, and when people call it out,
• 22:52
  Speaker 4: you know what I'm saying. I think she feels it's
• 22:55
  Speaker 4: it's hat and then she claps back and it just
• 22:56
  Speaker 4: gets sometimes weird, you know. So weird stuff happens around
• 23:01
  Speaker 4: Chloe sometimes, and I don't think they forcing the hate.
• 23:04
  Speaker 4: It's just some stuff just be weird. You know you
• 23:07
  Speaker 4: see it too, No, and I think you ignore it
• 23:09
  Speaker 4: because you love Chloe, And I understand that. I try
• 23:12
  Speaker 4: to ignore it too. But some stuff she does, you
• 23:15
  Speaker 4: be like Chloe, we didn't need all that. That feels
• 23:17
  Speaker 4: a little like you'll be a little embarrassed for somebody.
• 23:21
  Speaker 4: Sometimes you be a little embarrassed for Chloye. But you
• 23:23
  Speaker 4: do certain stuff and you know I'm telling the truth.
• 23:27
  Speaker 3: He has normalized a grown man performing in nightgowns. But
• 23:32
  Speaker 3: he want to say Chloe Bailey is weird.
• 23:35
  Speaker 1: Not she's weird. Okay, So sometimes like, no, explain the
• 23:39
  Speaker 1: man in nightgowns and she attext you.
• 23:46
  Speaker 5: Normal.
• 23:47
  Speaker 1: My guy don't talk, see what I'm saying. He don't do.
• 23:50
  Speaker 4: He doesn't do interviews like that. He doesn't do. All
• 23:52
  Speaker 4: he gonna do is give you that voice and sing
• 23:54
  Speaker 4: whatever he's singing. It blinds you.
• 23:56
  Speaker 1: You don't even know what he got on because the
• 23:58
  Speaker 1: voice is so she's Hey, guys, he's just a victim.
• 24:03
  Speaker 5: Wait to go on to swim and you'd be like, hey,
• 24:07
  Speaker 5: why are you talking like that?
• 24:07
  Speaker 1: What's going on, chloy? We gotta give us some grace.
• 24:10
  Speaker 4: I'm giving her the grace, but I'm saying that's what
• 24:12
  Speaker 4: people be seeing. It'd be that awkward stuff because it's awkward.
• 24:16
  Speaker 2: It gotta be awkward for somebody to because Chloe's just
• 24:19
  Speaker 2: a victim of all right, hey y'all, finna be the
• 24:23
  Speaker 2: next people. We got you, You got the endorsement, we
• 24:26
  Speaker 2: got you, y'all pretty y'all could sing all right, let's
• 24:29
  Speaker 2: push you out.
• 24:31
  Speaker 1: And it didn't stick.
• 24:32
  Speaker 2: So now she's stuck in that weird place of trying
• 24:35
  Speaker 2: to get something to stick. She had the engine behind it,
• 24:38
  Speaker 2: and then it just didn't stick. It didn't stick.
• 24:42
  Speaker 5: She's amazing. She's a great artist.
• 24:44
  Speaker 1: I didn't say she wasn't.
• 24:45
  Speaker 3: And I just believe that there's a lot of force
• 24:48
  Speaker 3: hate when it comes to Chloe and other people too.
• 24:52
  Speaker 3: I ain't gonna bring them up, but it's just a
• 24:54
  Speaker 3: lot of force hate out here in the world. And
• 24:56
  Speaker 3: y'all bother people that don't bother nobody bothering her. You
• 25:01
  Speaker 3: gotta see it online. Okay, throw her take her pictures
• 25:05
  Speaker 3: without her makeup on, and the memes.
• 25:08
  Speaker 1: Up like that.
• 25:09
  Speaker 3: Okay, I get that, Okay, Chloe Bailey dirty okay, but
• 25:15
  Speaker 3: they act like SOMEA Walker is normal and I'm gonna
• 25:19
  Speaker 3: leave it at that. So I hate doing this and
• 25:26
  Speaker 3: always think about weird because Sizz are weird, some are weird.
• 25:30
  Speaker 5: All all of my favorite artists we stopping.
• 25:34
  Speaker 2: You are going down a weird wall. You're going down
• 25:36
  Speaker 2: a bad rabbit hole. You're gonna make me do something
• 25:40
  Speaker 2: I don't want to do.
• 25:41
  Speaker 1: What you just said, Sizzle, it's weird.
• 25:45
  Speaker 2: And some of Walker we're weird, yes, yes, but they
• 25:48
  Speaker 2: also have one thing hit record, thank you right?
• 25:51
  Speaker 1: But what could be as weird as she wanted to
• 25:54
  Speaker 1: if she had?
• 25:55
  Speaker 5: So that's just let people be weird, though, is what
• 25:59
  Speaker 5: my point is.
• 26:00
  Speaker 3: You know what I'm saying. I'm never disputing their music.
• 26:03
  Speaker 3: Like I said, they are our favorite artists. I love
• 26:04
  Speaker 3: Somema Waka, love her music, love sis of music, but
• 26:07
  Speaker 3: they admittedly talk about being weird.
• 26:09
  Speaker 5: They say they weird. You know what I'm saying, Siss,
• 26:11
  Speaker 5: I'll tell you in a minute.
• 26:12
  Speaker 1: She's weird.
• 26:13
  Speaker 3: Someone get on the Internet and do all kind of
• 26:16
  Speaker 3: weird stuff and we just be like, Okay, but Chloe
• 26:19
  Speaker 3: get on it and take a selfie and everybody's dragon.
• 26:21
  Speaker 3: I think that's sports hate.
• 26:23
  Speaker 1: I just think if you allowed to be weird. Michael Jackson, Camels.
• 26:29
  Speaker 5: Y'all bullied Mike. Y'all bullied Mike.
• 26:31
  Speaker 2: But you know what, you know, when people stop bullying Mike,
• 26:34
  Speaker 2: he made thriller now every time, Mike, Yeah, Mike. The
• 26:39
  Speaker 2: moment Mike really got bullied is when the hit records
• 26:42
  Speaker 2: slowed down. Unfortunately it's bad. It's like, hey, you could
• 26:45
  Speaker 2: be weird, you could be look at all the weird
• 26:48
  Speaker 2: ass actors, but they just do. They do amazing movies,
• 26:52
  Speaker 2: and we kind of be like, all right.
• 26:55
  Speaker 5: My thing is, let people be weird in peace.
• 26:58
  Speaker 3: I was always the kid who was arguing with people
• 27:00
  Speaker 3: at school for bullying the weird kids, like I took
• 27:03
  Speaker 3: up for this. So maybe that's just where this is
• 27:05
  Speaker 3: coming from. Like I would have defended at in high school.
• 27:08
  Speaker 3: He wouldn't have had he wouldn't have had no problems
• 27:11
  Speaker 3: because I'm not weird.
• 27:15
  Speaker 1: But I'm just saying I get what you're saying. I
• 27:19
  Speaker 1: guess I'm saying this.
• 27:20
  Speaker 4: I do understand what you're saying, Kiki, and I don't
• 27:22
  Speaker 4: think I don't want you to think that I disagree
• 27:25
  Speaker 4: with you, Yes, but you can't. I don't think you
• 27:28
  Speaker 4: also have to ignore that sometimes Chloe has done things
• 27:32
  Speaker 4: and put stuff out on social that has been weird
• 27:36
  Speaker 4: and weird. Isn't even necessarily enough because, like you said.
• 27:39
  Speaker 2: Everybody does weird stuff something everybody, but we talk about
• 27:42
  Speaker 2: them too, and when they do weird stuff, we talk
• 27:46
  Speaker 2: about them.
• 27:47
  Speaker 1: You just said, I ain't got a moo moo and
• 27:49
  Speaker 1: this and that if she I don't know what it is.
• 27:54
  Speaker 5: It's really Tone's point.
• 27:55
  Speaker 3: We accept weird from artists would hit records and artists
• 27:59
  Speaker 3: that we like, I can love, And if y'all don't
• 28:01
  Speaker 3: feel that way about him, then y'all dragged.
• 28:04
  Speaker 5: The people that are a little different.
• 28:07
  Speaker 2: That's what she's saying. That's the part what she's saying
• 28:09
  Speaker 2: isn't right. You shouldn't let people be weird. You should
• 28:14
  Speaker 2: see we got there. Now let's get to this. Chris Brown, Uh.
• 28:19
  Speaker 1: He says that well.
• 28:20
  Speaker 2: His his former UK sailmate says that the singer switched
• 28:24
  Speaker 2: up on him after being released from prison.
• 28:26
  Speaker 3: Speaking of weird speaking switched up on him, Yeah, speaking
• 28:30
  Speaker 3: of weird, this whole situation.
• 28:34
  Speaker 1: And Chris actually said something to this. Do y'all got it?
• 28:36
  Speaker 2: He says in a group text, Ryan said, it's a
• 28:42
  Speaker 2: hold on, go ahead kick You looked that up about
• 28:44
  Speaker 2: the car. Well, because because he got me, I'm about.
• 28:48
  Speaker 4: To call hey man, hold on, y'all, I'm just gonna
• 28:52
  Speaker 4: call right hey, Ryan, Everything that you said was in
• 28:57
  Speaker 4: the group text. Ain't in the group text.
• 28:59
  Speaker 5: So, uh so come turn in your key card.
• 29:02
  Speaker 1: Yeah, you sleep your key card on the thing. We don't.
• 29:05
  Speaker 1: We done went to the group text three times in
• 29:08
  Speaker 1: the pie. Ain't been in nothing in that grather your belongings.
• 29:11
  Speaker 1: It's in the group text. We're gonna walk here about
• 29:13
  Speaker 1: it here.
• 29:14
  Speaker 4: We didn't get the Chloe take them to the elevator.
• 29:16
  Speaker 4: We didn't get the first what was the first one.
• 29:18
  Speaker 5: We didn't have Chloe Bailey's statement.
• 29:20
  Speaker 1: We didn't have Chloe Bailey.
• 29:22
  Speaker 5: He made the jay Z song sound weird the first time.
• 29:24
  Speaker 1: Yep, jay Zon.
• 29:26
  Speaker 5: And we don't have Chris Brown.
• 29:28
  Speaker 4: Yep, we ain't got Chris Brown either. No, don't don't
• 29:32
  Speaker 4: send it now, then tell me check the group Yes, yes, Okay, this.
• 29:36
  Speaker 3: Was a plane we in the add with no gasoline
• 29:39
  Speaker 3: pips for you, bro. Okay, and then oh then we
• 29:42
  Speaker 3: read the wrong tweet because of you you know what.
• 29:46
  Speaker 5: Show, We didn't argue about Chloe Bailey for twenty minutes on.
• 29:49
  Speaker 1: The wrong topic, on the wrong damn topic. Don't worry
• 29:54
  Speaker 1: about it.
• 29:54
  Speaker 3: Though, by our resumes at what More Podcasts at gmail
• 29:58
  Speaker 3: dot com.
• 30:01
  Speaker 1: No, no, how about you, you know, and do your job.
• 30:06
  Speaker 1: We're gonna we're gonna talk to you after this man. Okay,
• 30:10
  Speaker 1: is that right? Yeah? And he's gonna get mad. Tone
• 30:14
  Speaker 1: you ain't reading this stuff on the on the sheet, Sam, okay.
• 30:19
  Speaker 2: All right, all right, Well about the salemate, Kiki, yes,
• 30:25
  Speaker 2: all right, what's wrong? What the salemate is saying is crazy.
• 30:29
  Speaker 5: It's crazy.
• 30:32
  Speaker 2: He said I'm good enough for him for him in jail,
• 30:35
  Speaker 2: but now that I'm out, it's like he's too good
• 30:37
  Speaker 2: for me.
• 30:42
  Speaker 5: Okay.
• 30:42
  Speaker 3: Chris Brown collapsed back at former UK salemate, who claimed
• 30:46
  Speaker 3: the singer switched up on him after being released from prison,
• 30:49
  Speaker 3: despite remaining loyal throughout their sentence and too, and then
• 30:53
  Speaker 3: he dropped a quote. This act just read, so basically,
• 30:56
  Speaker 3: this man is saying he was in jail with Chris Brown.
• 30:58
  Speaker 3: They were close friends and jail and at some point
• 31:02
  Speaker 3: they and you know how you get well, I don't know.
• 31:04
  Speaker 3: I never been in jail, but people in jail be
• 31:06
  Speaker 3: making a lot of promises to people. And I think
• 31:09
  Speaker 3: what happened was Chris Brown and this guy he thought
• 31:12
  Speaker 3: Chris Brown was his actual friend. So when he got
• 31:15
  Speaker 3: when Chris got out, the guy would be hitting Chris
• 31:17
  Speaker 3: up for tickets and stuff, and Chris was giving them
• 31:19
  Speaker 3: tickets to his girlfriend or what would come see him
• 31:21
  Speaker 3: at the show, and something where Chris said no or
• 31:25
  Speaker 3: ignored him, and Buddy started releasing their messages and Chris
• 31:29
  Speaker 3: cussed him out.
• 31:30
  Speaker 1: And it looks really crazy.
• 31:32
  Speaker 2: Yeah, that, I'll tell you always goes wrong when the
• 31:35
  Speaker 2: communication stopped. Something go wrong with the communication between a
• 31:39
  Speaker 2: regular person a celebrity. Now we gotta start outing them
• 31:42
  Speaker 2: and saying, all crazy, come on, dog you as jail friend,
• 31:46
  Speaker 2: he gave you. Even if he gave you one pair
• 31:48
  Speaker 2: of tickets, well just one, I'd have been like, all right,
• 31:51
  Speaker 2: I'm cool, and me and Chris would seale mace man,
• 31:53
  Speaker 2: look we was talking.
• 31:54
  Speaker 1: Man, it's Miami Jay. You don't hit him up all
• 31:58
  Speaker 1: the time. No, it's Chris Fan Brown.
• 32:01
  Speaker 4: What relationship did you think you had with Chris? The
• 32:03
  Speaker 4: fact that he gave you tickets? He probably he watched
• 32:05
  Speaker 4: you backstage?
• 32:06
  Speaker 1: Was like, what up?
• 32:06
  Speaker 5: Bro?
• 32:07
  Speaker 1: Good seeing you man? Glad you out? I'm out? What
• 32:09
  Speaker 1: else do you want? How long was he in jail
• 32:11
  Speaker 1: with him? That's what I'm trying to figure out.
• 32:13
  Speaker 5: Did Ryan provide the audio from the man?
• 32:16
  Speaker 3: For?
• 32:16
  Speaker 2: Who?
• 32:16
  Speaker 5: From the guy? H?
• 32:18
  Speaker 1: It's audio there?
• 32:20
  Speaker 3: Yes? Okay, Well, the selly posted a note allegedly written
• 32:28
  Speaker 3: by Chris Brown to him on a piece of paper.
• 32:30
  Speaker 3: The note says to Dave, thank you, my brother. I
• 32:33
  Speaker 3: appreciate everything you've done for me while I've been blocked up.
• 32:38
  Speaker 3: Keep being a good person. God sees all, and he
• 32:41
  Speaker 3: sees your heart. You'll be home soon, bro, cheers Chris
• 32:45
  Speaker 3: Brown with a heart. And it looked like he put
• 32:48
  Speaker 3: some bloodstains on the note, which is again weird, but
• 32:54
  Speaker 3: we accept weird from pop certain people.
• 32:57
  Speaker 1: So yeah, well we don't know that he wrote the note.
• 33:00
  Speaker 5: Well, well, it's a signature there. I don't know allegedly.
• 33:04
  Speaker 1: Okay, oh again, how much what does he want from? Okay?
• 33:11
  Speaker 2: Here, let me go, let me, let me help anybody
• 33:13
  Speaker 2: out this wh we had the audio had a celebrity friend.
• 33:17
  Speaker 2: I'm cool with the Wrens tape.
• 33:20
  Speaker 1: I'm cool with him.
• 33:21
  Speaker 2: I will text the Wrins and he won't respond for months,
• 33:26
  Speaker 2: for months. I don't be like, oh bro, you bogus,
• 33:31
  Speaker 2: Oh bro you did oh man, tone, what's up?
• 33:34
  Speaker 1: Bro?
• 33:34
  Speaker 5: Man?
• 33:34
  Speaker 2: I meant to get back to you. Jason weaves Man
• 33:37
  Speaker 2: like my brother, I might hit weed now, I won't
• 33:40
  Speaker 2: take no months, but it might not. I might hit
• 33:42
  Speaker 2: We've heurn no return my text for about a couple
• 33:46
  Speaker 2: of days, three four days. But it don't mean nothing.
• 33:49
  Speaker 2: Celebrities are busy. It's the same thing that we was
• 33:52
  Speaker 2: talking about the other day about Shaboozie respect the curve,
• 33:59
  Speaker 2: Like that's it, Yeah, that's it.
• 34:02
  Speaker 3: It's weird when you think, I mean, because being in
• 34:05
  Speaker 3: jail is a different type of level. So Chris Brown
• 34:07
  Speaker 3: and he probably felt level to Chris Brown for some
• 34:10
  Speaker 3: you know what I'm saying. Like he probably felt they
• 34:11
  Speaker 3: was on the same you trauma bond when you're in
• 34:14
  Speaker 3: a hard place, you know what I'm saying. And so
• 34:16
  Speaker 3: he probably in his mind really thought that was his friend,
• 34:18
  Speaker 3: his brother, and that that relationship was going to continue
• 34:22
  Speaker 3: outside of prison. But I think you're just a little delusional,
• 34:25
  Speaker 3: you know what I'm saying, Like, yeah, just in jail
• 34:28
  Speaker 3: with him. Dog.
• 34:30
  Speaker 1: Let me tell you something.
• 34:31
  Speaker 4: Jail dudes really can't take reality. Well that's that's that's
• 34:36
  Speaker 4: they come out. Sometimes they think they in relationship with
• 34:39
  Speaker 4: the woman that they left when they think everything go
• 34:42
  Speaker 4: back to where it was. And if Chris was just
• 34:45
  Speaker 4: being a good guy and cool with him and like
• 34:46
  Speaker 4: really rocking with him, I don't think the guys lying.
• 34:49
  Speaker 4: I think they was cool in jail, but he didn't
• 34:51
  Speaker 4: realize this is just the jail thing. And when I'll
• 34:55
  Speaker 4: probably catch him in passing, he'll probably mess with me.
• 34:57
  Speaker 4: Every time he kept whatever city they're from or whatever
• 34:59
  Speaker 4: at at you. Every time you go to England or
• 35:01
  Speaker 4: wherever they was at, Chris ll take care of him.
• 35:03
  Speaker 4: They take care of my boy.
• 35:04
  Speaker 1: Yeah yeah, yeah, he can hit him. Yeah, he good.
• 35:07
  Speaker 4: And then you leave that as there. We're not gonna
• 35:08
  Speaker 4: hang out. We're not we're not going shopping together, we
• 35:12
  Speaker 4: not doing We're not that.
• 35:14
  Speaker 1: But jail people.
• 35:16
  Speaker 4: Sometimes have a tough time. Dudes reached out to you
• 35:21
  Speaker 4: to rap. They told my man, they met you one
• 35:26
  Speaker 4: time at a remote outside of Juil.
• 35:30
  Speaker 1: That's tough. And you said, Bro, email me, but the
• 35:33
  Speaker 1: jail he was like, that's my man.
• 35:35
  Speaker 4: He said, yeah, I'm probably gonna be open up for
• 35:36
  Speaker 4: a dongle pone day next year or soth like they put.
• 35:39
  Speaker 4: They start creating the story until you all this stuff
• 35:42
  Speaker 4: that's gonna happen.
• 35:43
  Speaker 2: They met you one time. Yes, that's tough, that's weird.
• 35:47
  Speaker 2: That's tough. I hate it when people get mad at me.
• 35:50
  Speaker 1: I want you to know y'all get mad at me
• 35:54
  Speaker 1: when y'all say, hey, ton, we was.
• 35:57
  Speaker 2: We was in the club back of O seven even
• 35:59
  Speaker 2: we was like by the bar and then we was.
• 36:02
  Speaker 2: I feel bad when I remember you.
• 36:05
  Speaker 5: Yes, you do.
• 36:06
  Speaker 3: You try to keep your word to everybody, and you
• 36:09
  Speaker 3: try to come through for everybody.
• 36:10
  Speaker 2: You do.
• 36:11
  Speaker 1: I try too hard. Yeah, I try to, you do.
• 36:14
  Speaker 5: I don't try it.
• 36:14
  Speaker 1: I don't even.
• 36:18
  Speaker 2: Like.
• 36:18
  Speaker 1: I don't remember Bro, I just remember me. I don't
• 36:23
  Speaker 1: really do that. I feel like, no remind me. I
• 36:27
  Speaker 1: don't remember you at all. Now. I hate doing that.
• 36:30
  Speaker 1: That's bad.
• 36:31
  Speaker 5: I don't.
• 36:31
  Speaker 1: I hate like some people. I remember now I will,
• 36:36
  Speaker 1: I remember faces.
• 36:37
  Speaker 2: It's red and I completely blackout on the whole situation.
• 36:42
  Speaker 1: But there is times that people have walked up to me,
• 36:44
  Speaker 1: especially like what three days ago the park. I was
• 36:48
  Speaker 1: at the park with my son exactly. The lady walks
• 36:50
  Speaker 1: up to me. It says, hey, you remember me, No,
• 36:55
  Speaker 1: I lived down the street.
• 36:57
  Speaker 4: Hey, I'm good for the even if I don't remember
• 37:01
  Speaker 4: out lie after you tell me the place.
• 37:04
  Speaker 5: Oh okay, so you let them refresh your memory, remind.
• 37:07
  Speaker 4: Me, and then they'll tell me. And then I may remember.
• 37:10
  Speaker 4: I may not, but you're gonna get the same response.
• 37:12
  Speaker 4: Hell yeah, I remember now, my boy, you being I
• 37:16
  Speaker 4: remember now. That's crazy, that's crazy.
• 37:20
  Speaker 1: That's so funny.
• 37:21
  Speaker 2: Let's get to this man, Lebron James be poorly has
• 37:24
  Speaker 2: the last dance. Stout died in the works after signing
• 37:27
  Speaker 2: with the Sixers, as he should.
• 37:28
  Speaker 5: It just reminded me. And when Tom called Friday, remember him?
• 37:35
  Speaker 1: I remember Friday.
• 37:37
  Speaker 5: It's funny though, because that's literally what the situation is.
• 37:41
  Speaker 1: It was. It was and I just and I don't.
• 37:43
  Speaker 1: I didn't follow.
• 37:44
  Speaker 2: I didn't follow the only thing about that Friday situation
• 37:47
  Speaker 2: that I say, maybe mad that I just like I
• 37:50
  Speaker 2: didn't follow my rules of engagement. I did not follow
• 37:53
  Speaker 2: it that they keep everything safe. We saw when we
• 37:57
  Speaker 2: was in La for what we were in La for
• 37:59
  Speaker 2: for BT Awards. We at t I party. I saw
• 38:02
  Speaker 2: doctor Cheyenne Brian again. I have seen it like three
• 38:05
  Speaker 2: or four times. I came up, she saw me, but
• 38:08
  Speaker 2: I still said, hey, talk upon I interviewed you at TSR.
• 38:12
  Speaker 1: Hey yeah, boom, and it was it and kept it pushing.
• 38:16
  Speaker 1: That's how I should have did it with Friday.
• 38:18
  Speaker 2: But I mean now it's actually become this joke has
• 38:21
  Speaker 2: become a joke on their side.
• 38:23
  Speaker 5: Yes, it's it's hilarious.
• 38:25
  Speaker 1: They still like like they laughed at it.
• 38:27
  Speaker 2: Like he walked up to me when we were saying Houston,
• 38:29
  Speaker 2: looking his glasses off, like it's me baby having Friday.
• 38:35
  Speaker 1: That's the fact that he was like, no, I remember,
• 38:39
  Speaker 1: hold on. He hit me with a sac I don't remember.
• 38:42
  Speaker 1: I don't remember he said hold on, he took the
• 38:44
  Speaker 1: glass off, you know me not no, no off. It
• 38:54
  Speaker 1: was that what it is hold on and it was
• 38:57
  Speaker 1: in there.
• 38:58
  Speaker 2: I'm talking I've probably only been in all my career,
• 39:02
  Speaker 2: been in maybe three parties that had had that were
• 39:07
  Speaker 2: like that, with that level of celebrity. I'm talking to
• 39:10
  Speaker 2: everybody just as I was, I was feeling like I
• 39:12
  Speaker 2: was one of them.
• 39:14
  Speaker 1: That was one of them. I had a lot of cocktails.
• 39:16
  Speaker 1: That's a bad That was a wild moment.
• 39:18
  Speaker 5: Man, it ain't wrong, that's so funny.
• 39:20
  Speaker 1: But yeah, let's get to this man.
• 39:21
  Speaker 2: I think he deserves it though, Lebron James The Last
• 39:24
  Speaker 2: Dance Style Documentary.
• 39:26
  Speaker 5: Yes, I think.
• 39:28
  Speaker 3: So do you think do you think Lebron is going
• 39:30
  Speaker 3: to try to get six rings or seven rings?
• 39:33
  Speaker 1: Impossible? Why would you say it's impossible for him to
• 39:38
  Speaker 1: get six or seven?
• 39:40
  Speaker 3: Uh?
• 39:40
  Speaker 1: Ge't seven? I don't think. I don't think his body
• 39:42
  Speaker 1: holds up to get seven.
• 39:43
  Speaker 5: But I'm like, maybe he trying to get six? To
• 39:46
  Speaker 5: me with Jordan's.
• 39:47
  Speaker 1: Absolutely, I think. I think.
• 39:49
  Speaker 4: I do think he has a chance to go back
• 39:52
  Speaker 4: to back with these Philadelphia seventy six ers if they
• 39:54
  Speaker 4: they messed.
• 39:55
  Speaker 1: Well, yeah, I think it's a chance. Yeah he could probably.
• 39:58
  Speaker 2: I mean I'm not met like people get mad at
• 40:00
  Speaker 2: him for trying to go get a ring. I mean,
• 40:03
  Speaker 2: Lebron not be in sports or at least basketball.
• 40:07
  Speaker 1: You playing for.
• 40:09
  Speaker 2: Money, shots and fame and ring and rings, legacy and legacy. Yeah,
• 40:16
  Speaker 2: so it's not like it's not a lot that you're
• 40:18
  Speaker 2: playing for. He's got a lot of that already.
• 40:21
  Speaker 1: He don't need no money.
• 40:22
  Speaker 2: The legacy is set. All he needs is like, hey, man,
• 40:25
  Speaker 2: I want you say Jordan got six rings? I got
• 40:29
  Speaker 2: six rings?
• 40:30
  Speaker 1: Yeah? What you gonna say?
• 40:31
  Speaker 2: And I mean and eventually when when Mike becomes like
• 40:36
  Speaker 2: a Bill Russell, how when people talk about Bill Russell
• 40:39
  Speaker 2: and Kareem.
• 40:41
  Speaker 1: You know you'd be like, oh, yeah, they were really good.
• 40:43
  Speaker 2: But Lebron gonna be the guy for most kids to
• 40:46
  Speaker 2: be like, yo, he's the greatest basketball player ever.
• 40:48
  Speaker 1: He had six rings. He better than me.
• 40:52
  Speaker 4: It's like, I couldn't be Lebron James still be out
• 40:54
  Speaker 4: there on the court. That's how you know you got
• 40:56
  Speaker 4: a different love for it. Be the Lebron James is
• 40:58
  Speaker 4: the Beyonces, the the Eddie you know, Murphy's he said
• 41:02
  Speaker 4: there anything I do more, y'all gonna judge and criticize,
• 41:07
  Speaker 4: you know what I'm saying. So people always say, oh,
• 41:09
  Speaker 4: he's ring chasing, He's going No, he just wants to
• 41:11
  Speaker 4: compete for a championship.
• 41:12
  Speaker 1: His legacy is set.
• 41:13
  Speaker 4: He can get ten more rings, and everybody's still gonna,
• 41:17
  Speaker 4: you know, have their opinion of why it was trying
• 41:20
  Speaker 4: to make them not legit. He's already to still play
• 41:23
  Speaker 4: the game and go through this type of criticism at
• 41:26
  Speaker 4: this late and you don't need nothing from nobody.
• 41:29
  Speaker 1: I think it's admirable and you gotta just love basketball.
• 41:32
  Speaker 4: And people say, oh, you ring chasing the man average
• 41:34
  Speaker 4: twenty seven points in the playoffs last year, beat the
• 41:36
  Speaker 4: Rockets without the other star on there by himself, so
• 41:41
  Speaker 4: he still got it. It ain't like he just scoring
• 41:44
  Speaker 4: six points a game and barely go No, he's just
• 41:46
  Speaker 4: still him.
• 41:48
  Speaker 1: People can't take that Mike didn't do that.
• 41:51
  Speaker 3: I'm not debating with you today on Mike Now what
• 41:55
  Speaker 3: she saying he said? He said, Yo, goat couldn't do that.
• 42:00
  Speaker 1: He was trashing at forty two. What'd you say.
• 42:06
  Speaker 5: He said that MJ was trash at forty two.
• 42:10
  Speaker 2: They're not gonna all I'm gonna say is this, and
• 42:12
  Speaker 2: I'm gonna be done and I'm done talking about it.
• 42:15
  Speaker 2: It ain't even really I could go We all heard
• 42:17
  Speaker 2: this debate. Mike won the championship three times in a row,
• 42:25
  Speaker 2: left basketball to play baseball, chill came back, almost.
• 42:30
  Speaker 1: Went to the finals, and then won it three more times.
• 42:36
  Speaker 5: Two took play professional golf at some point.
• 42:39
  Speaker 1: No, I made up. You made that up too much.
• 42:43
  Speaker 2: Sounded good though, So I ain't got I really can't.
• 42:48
  Speaker 2: That's all I say. I just like I got you,
• 42:50
  Speaker 2: I got you two three pieces crazy with teams that
• 42:52
  Speaker 2: are less talented than Lebron has won championships with no
• 42:57
  Speaker 2: Do you know what happened to that team Key Keepson's
• 42:59
  Speaker 2: were he year and I'm gonna leave it here. You
• 43:01
  Speaker 2: know that team when he went to go play baseball
• 43:04
  Speaker 2: when he wasn't on the team anymore. Yeah, that team
• 43:06
  Speaker 2: went to the Western Conference fights Eastern Conference fight.
• 43:09
  Speaker 1: But did they win? They didn't.
• 43:10
  Speaker 2: They didn't win, but they literally took it to like
• 43:12
  Speaker 2: game seven, they won fifty They won.
• 43:17
  Speaker 4: I believe they won fifty eight games the year that
• 43:19
  Speaker 4: looked that Mike played. Then when he retired, when he
• 43:22
  Speaker 4: left the game, they won fifty six the next year
• 43:24
  Speaker 4: without him. So, but it's less talented to be this
• 43:27
  Speaker 4: less I know they always say this less talented team
• 43:29
  Speaker 4: when Lebron lee.
• 43:30
  Speaker 1: For argument, when Lebron leave places, they turned the ship.
• 43:33
  Speaker 1: That's fair, they.
• 43:34
  Speaker 2: Don't because all the other that's because all the other
• 43:37
  Speaker 2: stars leave with him.
• 43:38
  Speaker 1: No, he shows up places and they become something.
• 43:40
  Speaker 4: So when he went to when he went to Cleveland,
• 43:42
  Speaker 4: when he went to Cleveland, they hadn't been in the
• 43:44
  Speaker 4: playoffs in four years.
• 43:46
  Speaker 1: Okay, I'm not gonna argue with it. They didn't and
• 43:48
  Speaker 1: then they next thing, you know, they're champions.
• 43:50
  Speaker 5: I didn't mean to start this.
• 43:51
  Speaker 1: I did say.
• 43:52
  Speaker 5: I didn't mean to start that.
• 43:53
  Speaker 2: All I'm saying is he won it three times in
• 43:56
  Speaker 2: a row. He did her left and did it and
• 44:01
  Speaker 2: did it again. That's the That's why I say it's
• 44:05
  Speaker 2: crazy to win a championship three years in a row,
• 44:10
  Speaker 2: stop and then say, you know what, I'm gonna win.
• 44:13
  Speaker 2: He literally ruined people's lives their whole career. He ruined
• 44:19
  Speaker 2: their life. They're like, yeah, this is it, we gonna
• 44:22
  Speaker 2: get it. And this fool won three ars in a row,
• 44:25
  Speaker 2: and now he's trash because you done got old. He
• 44:28
  Speaker 2: ruined people's lives.
• 44:29
  Speaker 4: He probably had the best seven year run in basketball
• 44:32
  Speaker 4: ever in sports and sports history, probably ever ever, he's ever,
• 44:37
  Speaker 4: but Lebron's had four careers in one career, four Hall
• 44:41
  Speaker 4: of Fame careers in one.
• 44:43
  Speaker 2: All right, you got it, all right, man, if you
• 44:46
  Speaker 2: got lives to have cool shoes, all right, Can we
• 44:49
  Speaker 2: go ahead and move on?
• 44:50
  Speaker 1: He does, Alright, gonna watch the documentary? Am I gonna
• 44:54
  Speaker 1: watch it? No? I'm a Lebron fan. I like Lebron.
• 44:57
  Speaker 1: I like the things like Lebron's outward facing.
• 45:01
  Speaker 2: It was a different time, But I think that I
• 45:04
  Speaker 2: don't even think Jordan, even if he lived in this
• 45:06
  Speaker 2: era where he would be outward facing like he is,
• 45:09
  Speaker 2: I still I still think he would still keep things
• 45:12
  Speaker 2: Lebron like let us in, let us see him Taco Tuesday,
• 45:15
  Speaker 2: let us see him work out a podcast, like do
• 45:18
  Speaker 2: a part like.
• 45:19
  Speaker 1: You know what I mean? I just I enjoy that
• 45:21
  Speaker 1: that he the people. Yeah, you know what I mean.
• 45:26
  Speaker 5: I'm so proud of his legacy is ridiculous.
• 45:29
  Speaker 1: Here we have better fashions, We got better, we got
• 45:35
  Speaker 1: better Mike.
• 45:37
  Speaker 4: Mike would have a stylist if he came up in this,
• 45:40
  Speaker 4: I don't think he would go because when people say that,
• 45:42
  Speaker 4: don't forget Mike and his heyday was a trendsetter as
• 45:45
  Speaker 4: far as fashion and style.
• 45:48
  Speaker 1: Niggas was getting hoop it rings and all of that.
• 45:51
  Speaker 1: That's because of Mike.
• 45:53
  Speaker 2: He was that. Yeah, definitely, he definitely made that. I
• 45:59
  Speaker 2: think I think he would he. I think he made
• 46:00
  Speaker 2: bald heads popular.
• 46:01
  Speaker 5: Yes he did.
• 46:02
  Speaker 1: He definitely made it popular. Who else was it, Well,
• 46:05
  Speaker 1: Mike made it a thing. No, it was other bald people.
• 46:08
  Speaker 1: But when he went bald, people was like it was okay.
• 46:11
  Speaker 1: People who could grow hair were going bald because of
• 46:15
  Speaker 1: Michael Jordan. Hi people were.
• 46:17
  Speaker 2: It was a lot more men trying to hang on
• 46:19
  Speaker 2: and had the ring and then had this little that
• 46:22
  Speaker 2: little piece. I don't know what that was, though, I'm
• 46:25
  Speaker 2: glad that. I'm glad I missed that air. Yeah, that
• 46:29
  Speaker 2: would have been crazy work, like I gotta walk around
• 46:32
  Speaker 2: my ring and then like.
• 46:33
  Speaker 1: Stuff in the middle, insane. I couldn't have been popular
• 46:37
  Speaker 1: like that.
• 46:38
  Speaker 2: No, I'm right cool, all right, man, If you got
• 46:42
  Speaker 2: locked up, who from the pot are you calling?
• 46:44
  Speaker 1: First? Zach, I'm gonna get you out.
• 46:49
  Speaker 5: Definitely calling Sack.
• 46:51
  Speaker 1: Who's a car first? Who would I call first? Definitely?
• 46:55
  Speaker 2: I would call ain't gonna lie to you and it ain't.
• 46:57
  Speaker 2: But you wouldn't call me I got locked up, come
• 47:04
  Speaker 2: get you.
• 47:05
  Speaker 1: No, it's not that.
• 47:07
  Speaker 4: For some reason this I know this is weird, but
• 47:10
  Speaker 4: for some reason I feel like I call key key,
• 47:11
  Speaker 4: but you would pull up, so like, yes, I'm coming.
• 47:14
  Speaker 2: I need.
• 47:15
  Speaker 4: She ain't coming out of the house, but I need
• 47:16
  Speaker 4: I need somebody to let everybody know. Like she's gonna
• 47:21
  Speaker 4: make sure that it's happening in emotion. You know what
• 47:24
  Speaker 4: I'm saying. And I can hear you get in the
• 47:26
  Speaker 4: call and be like, I get him and then you
• 47:29
  Speaker 4: come get me. You know what I'm saying, Cause I don't.
• 47:31
  Speaker 4: I don't have faith in key come from himself.
• 47:33
  Speaker 5: So i'd be like, how long they say that.
• 47:36
  Speaker 2: Look, I'm gonna come by in the morning after the show.
• 47:38
  Speaker 2: See she gonna try to pick me up on the
• 47:40
  Speaker 2: way somewhere. Ton'm gonna get up and come get me
• 47:44
  Speaker 2: with her. He'll leave the club. He'll be like, I'm
• 47:46
  Speaker 2: on the way, bro, but I need to see. The
• 47:49
  Speaker 2: thing is, you don't look at your phone, so you
• 47:53
  Speaker 2: think I'm gonna call you because you ain't gonna gonna
• 47:55
  Speaker 2: miss it.
• 47:56
  Speaker 5: Now he's gonna miss He always on the phone. I
• 48:00
  Speaker 5: don't want to put it.
• 48:01
  Speaker 1: I don't see it.
• 48:02
  Speaker 3: I don't want his pressure up, like because I know
• 48:06
  Speaker 3: the moment I caught that man is turning red. He's
• 48:08
  Speaker 3: gonna panic, He's gonna yell everybody at the station gonna.
• 48:13
  Speaker 5: Know what happened.
• 48:14
  Speaker 3: I can't call him right away. I gotta tell him
• 48:16
  Speaker 3: the story after I got everything worked out.
• 48:18
  Speaker 1: I'm not doing that. Oh please, I'm not doing that.
• 48:23
  Speaker 3: You would be You would be livid, like what like
• 48:26
  Speaker 3: you wouldn't intentionally tell everybody but your voice, like your
• 48:31
  Speaker 3: voice with everybody.
• 48:32
  Speaker 1: We're here, okay, everybody.
• 48:35
  Speaker 3: My friends are all listening watching this to know, Like
• 48:38
  Speaker 3: who you call Ryan twenty six in California. I've never
• 48:52
  Speaker 3: been over there.
• 48:53
  Speaker 1: I think would get the answer and go back to sleep.
• 48:55
  Speaker 5: Yeah, ain't nobody calling them?
• 48:56
  Speaker 2: Right?
• 48:56
  Speaker 1: Ass?
• 48:59
  Speaker 5: I gotta you.
• 49:02
  Speaker 1: Shoot, he's gonna talk to you.
• 49:06
  Speaker 2: He's not gonna be that, no emotion, and the voice
• 49:08
  Speaker 2: is gonna be like right, I'm locked up, man, tell
• 49:10
  Speaker 2: them to get me up out of here.
• 49:11
  Speaker 1: You are real? So what you do?
• 49:16
  Speaker 2: Man?
• 49:17
  Speaker 1: Where you at? That's crazy? All right? I'm gonna call him, alright?
• 49:21
  Speaker 1: Why do you sho? You gonna call him? Yeah? And
• 49:24
  Speaker 1: then you see a text Zach in jail? Go get
• 49:27
  Speaker 1: him now?
• 49:28
  Speaker 5: When he takes us the other day, it is anybody
• 49:30
  Speaker 5: seeing it is.
• 49:31
  Speaker 2: Anybody seeing my text. The only way n get me
• 49:36
  Speaker 2: out if I got his charge. He stole your charge.
• 49:43
  Speaker 1: He's like, is this it?
• 49:44
  Speaker 5: My hair?
• 49:46
  Speaker 1: Key stole that side of the room is charging? Still me?
• 49:50
  Speaker 1: I don't still what happened back in here? And saw it?
• 49:53
  Speaker 3: Oh?
• 49:54
  Speaker 1: I thought she had it.
• 49:55
  Speaker 5: I was the only one to respond to the young
• 49:57
  Speaker 5: brother because tanks for hours.
• 50:01
  Speaker 3: I was actually working and I said, let me stop
• 50:04
  Speaker 3: what I'm doing and go see if ride a charger
• 50:06
  Speaker 3: in here.
• 50:06
  Speaker 1: I didn't respond because I wasn't in there. I wasn't
• 50:08
  Speaker 1: at the street stations.
• 50:12
  Speaker 5: So right, so anyway, yeah, I really wouldn't call none
• 50:18
  Speaker 5: of y'all.
• 50:18
  Speaker 1: I'm being for real. You'll sit there and do my
• 50:22
  Speaker 1: time if I you do your time, Yeah, looking for you.
• 50:27
  Speaker 3: You're gonna have a hundred jokes when you come pick
• 50:30
  Speaker 3: me up. They gonna maybe take my wig off. I
• 50:33
  Speaker 3: can't wait till the part to pressure.
• 50:35
  Speaker 1: Gonna be up.
• 50:37
  Speaker 2: Pressure definitely would get up, but I would I would come,
• 50:40
  Speaker 2: I'm coming to get You'll you would. I ain't gonna
• 50:43
  Speaker 2: say nothing. I'm gonna just be like, damn, Kicky locked up,
• 50:46
  Speaker 2: that's crazy.
• 50:47
  Speaker 1: Now.
• 50:48
  Speaker 2: The only thing I would say I was like, if
• 50:50
  Speaker 2: anybody got Kiki's mama's sister number, I get so I
• 50:57
  Speaker 2: gotta I gotta get airy futy because I'm like, she
• 51:00
  Speaker 2: calling me shemus can't get in touch. I gotta do something. Yes,
• 51:03
  Speaker 2: I got because I probably call her Zach right after that,
• 51:06
  Speaker 2: like Kiki locked up. Bro, you gotta get her, We
• 51:11
  Speaker 2: gotta get her. All right, come on, she thene finally snapped. Snap,
• 51:17
  Speaker 2: all right, don't forget guys to ask the pods zac book.
• 51:20
  Speaker 1: How does that go? Well? You ask the pod.
• 51:22
  Speaker 4: So what you do is you ask us anything that
• 51:24
  Speaker 4: you want to ask us, and we definitely answer it.
• 51:26
  Speaker 4: We give advice, suggestions, whatever you want. Right, So, you
• 51:30
  Speaker 4: go to the iHeartRadio app and then you go to
• 51:32
  Speaker 4: w g C I and then you click that red
• 51:35
  Speaker 4: mic and then you just leave a message for us.
• 51:37
  Speaker 4: We go through all the messages and we answer them
• 51:39
  Speaker 4: on our Sunday show from four at six pm on.
• 51:42
  Speaker 1: W g C I.
• 51:44
  Speaker 2: And also, since we're right here with a little housekeeping,
• 51:46
  Speaker 2: remember that proper way to comment is hey, podfam is
• 51:52
  Speaker 2: blah blah blah.
• 51:53
  Speaker 1: From there we go.
• 51:55
  Speaker 2: Now, I know a lot of you have already said hey,
• 51:58
  Speaker 2: you know, we've already told you where we're from, but
• 52:00
  Speaker 2: we still like to see where you're from because when
• 52:02
  Speaker 2: people see that in the comments, they see that the
• 52:05
  Speaker 2: pod is everywhere.
• 52:06
  Speaker 1: Yep, So hey, hey what up podfam or howe you
• 52:10
  Speaker 1: want to start it? But remember from.
• 52:13
  Speaker 3: Such and such absolutely, and make sure you are listening
• 52:16
  Speaker 3: to the show every Sunday four o'clock Central time. You
• 52:20
  Speaker 3: can listen from across the country on the iHeartRadio app.
• 52:22
  Speaker 3: Just search for WGCI.
• 52:24
  Speaker 1: Yep. So you get actually you get an extra pod.
• 52:27
  Speaker 3: Yeah it's an extra pod. And yeah it's mandatory, actually supermandatory.
• 52:33
  Speaker 3: But let's get to this before we get out too
• 52:36
  Speaker 3: much of No. Amazon is now training drivers for slippery deliveries,
• 52:42
  Speaker 3: to deliver packages and hazardous weather. They just they got
• 52:45
  Speaker 3: to teach it because people probably messing up and taking
• 52:47
  Speaker 3: off work.
• 52:49
  Speaker 1: That is crazy to me, what get slippery training is wild?
• 52:54
  Speaker 4: So what they're doing is like giving you slippery conditions
• 52:57
  Speaker 4: and then having you train and walk through the package.
• 53:01
  Speaker 4: Amazon do not want you to take a day off.
• 53:03
  Speaker 4: They are like, hell, no, ain't no way these packages
• 53:05
  Speaker 4: getting out. We're gonna treat you how to walk in
• 53:07
  Speaker 4: slippery conditions. Yeah, so then getting so then when you
• 53:11
  Speaker 4: fall as it's on you, we trained you.
• 53:13
  Speaker 5: Yes, I mean look at the mail.
• 53:14
  Speaker 3: The postal workers they gotta walk in slippery conditions, and
• 53:17
  Speaker 3: I ain't paying no prime service for them. If I'm
• 53:20
  Speaker 3: paying prime and you slipping, slide and get my packages
• 53:23
  Speaker 3: to my dough, okay, figure it out.
• 53:26
  Speaker 5: Get you some boots, put a little salt truck down
• 53:28
  Speaker 5: there or something.
• 53:29
  Speaker 3: But no, because we'd have They never had mercy about
• 53:32
  Speaker 3: the postal workers. They gotta go to work, rainsleek, hell snow, gunshots, dogs,
• 53:37
  Speaker 3: loose everything to deliver them coupons that we ain't opening.
• 53:40
  Speaker 5: So if I'm paying for a service, absolutely there it is.
• 53:45
  Speaker 2: I'm a kick key. Yes, all right, let's go ahead.
• 53:48
  Speaker 2: Let's read some comments from the pod.
• 53:51
  Speaker 1: Mmmm, pips, don't you know news.
• 53:59
  Speaker 5: Like it out?
• 54:01
  Speaker 1: We need some music for what K's looking for? What
• 54:04
  Speaker 1: did they just say?
• 54:05
  Speaker 3: Oh my god, Alaskan cruise would be dope. That's from
• 54:11
  Speaker 3: Comichia Lockhart, I don't know why we were talking about that.
• 54:14
  Speaker 4: What are we talking about, elast I don't know when
• 54:16
  Speaker 4: we were talking about last we were talking about going
• 54:18
  Speaker 4: to Alaska maybe, and then she was in an Alaskan cruise.
• 54:23
  Speaker 5: Monica seventy said, tone getting it this morning.
• 54:26
  Speaker 1: That made me giggle.
• 54:26
  Speaker 5: They talking about you. How you keep moving in them chairs.
• 54:29
  Speaker 5: It's so funny.
• 54:33
  Speaker 1: Let me see. Oh.
• 54:34
  Speaker 3: Happiness in Maryland said, why y'all do tone like this?
• 54:38
  Speaker 3: L O L Now if he do this, moves with
• 54:40
  Speaker 3: his shirt off? Carry on from Baltimore, Maryland. So y'all
• 54:45
  Speaker 3: got him tworking.
• 54:46
  Speaker 5: In the chairs.
• 54:46
  Speaker 1: H I don't work. They just want to see him
• 54:50
  Speaker 1: decade it all up. You want to see tones. You
• 54:56
  Speaker 1: want to see Tone tworking in the chair? No nod.
• 55:03
  Speaker 5: Loretta Taylor said, you know you find when your camera glitching.
• 55:07
  Speaker 1: And you still look good.
• 55:13
  Speaker 3: Jay more abundantly said from Arizona Pie, Okay, Arizona Pie,
• 55:19
  Speaker 3: fam checking in. I enjoy y'all all so much. Y'all
• 55:23
  Speaker 3: truly brightened my day. Keep doing the Lord's work.
• 55:26
  Speaker 5: My goodness.
• 55:27
  Speaker 1: Yes, there we go.
• 55:30
  Speaker 3: Uh huh, let me see Novella Marie laughing at Zach
• 55:34
  Speaker 3: time about girl, if you don't put that plate up?
• 55:39
  Speaker 3: And another one from Happiness She said, Keiki as a
• 55:42
  Speaker 3: church girl, pick up the pieces is a good message.
• 55:45
  Speaker 5: You can preach that.
• 55:46
  Speaker 3: And it reminds me of the episode when Zach Hero
• 55:50
  Speaker 3: Martin Lawrence pick up the pieces. Yea, yeah, yeah, and
• 55:56
  Speaker 3: a few people of pop. I'm saying that they would
• 55:58
  Speaker 3: actually like the G unit shue. So wow, yeah, Gena
• 56:02
  Speaker 3: Lee said, I want those G units. I'm forty two
• 56:04
  Speaker 3: years old and my first paycheck and my first job,
• 56:07
  Speaker 3: I got me a G unit jacket and I still
• 56:09
  Speaker 3: have it.
• 56:11
  Speaker 1: You could do so much more with your money right now,
• 56:13
  Speaker 1: don't you get Don't do it, don't do it. I'm sorry. Wow,
• 56:21
  Speaker 1: it a little nostalgia. I guess that's it.
• 56:26
  Speaker 3: It's a lot more, but we don't have time. But
• 56:28
  Speaker 3: shout out to the Poe fam. I love y'all so much,
• 56:31
  Speaker 3: and I don't What I don't see though, is y'all
• 56:33
  Speaker 3: supposed to have two yess in these comments. Every week
• 56:36
  Speaker 3: you brought to the pot they needed, so they need
• 56:38
  Speaker 3: to vouch that you sent them. So that needs to
• 56:41
  Speaker 3: be in the comments.
• 56:42
  Speaker 5: Expeditiously.
• 56:43
  Speaker 1: Let's get it, giving y'all pips. How about that, hips, pips?
• 56:47
  Speaker 5: Your resumes? Send your resumes?
• 56:51
  Speaker 2: Oh no, hey, y'all, man, we will talk to y'all.
• 56:55
  Speaker 2: So we are TSR live, right, Yes, yep, TSR live.
• 56:59
  Speaker 2: So makes you chap? Did you know seven thirty Central Time?
• 57:03
  Speaker 2: That is eight thirty Eastern and five thirty Pacific. Definitely
• 57:07
  Speaker 2: check us out, don't miss it. And you know, well,
• 57:09
  Speaker 2: how let y'all later. What more can I say?