Latest / Bussin' With The Boys / Ryan Hurd & Ernest
Transcript
- 0:00Speaker 1: This episode of Busting with the Boys. The Boys is
- 0:02Speaker 1: presented by Barstool Sports. All right, we're busting with the boys.
- 0:06Speaker 1: There's no real there we go. I see the excitement
- 0:09Speaker 1: back there. We don't have We don't really do many
- 0:11Speaker 1: like just straight in like intros. See, we don't gotta
- 0:14Speaker 1: wait for me to be like, Okay, this is busting
- 0:16Speaker 1: with the boys. You do this, blah blah blah. Have
- 0:19Speaker 1: you listened to us?
- 0:20Speaker 2: I love I love love the pod. Dude.
- 0:23Speaker 1: Let's go, hey boys, there we go with some energy.
- 0:26Speaker 2: I was the delaining one, was the one that got
- 0:29Speaker 2: me hooked. So oh that was our first one. That
- 0:31Speaker 2: was just just that dude. Is he not like that's
- 0:34Speaker 2: awesome because you see him around town, like he'll go
- 0:36Speaker 2: out to dinner and have like his people and like
- 0:39Speaker 2: I so you see that dude out. I've seen him
- 0:40Speaker 2: like at Red Door, and I've seen him at like
- 0:42Speaker 2: on the you know East Side.
- 0:44Speaker 1: Was that Ernest? Is that Ernest?
- 0:48Speaker 2: We got Ernest?
- 0:49Speaker 1: Ernest? Ernest Keith always call him know he's about to
- 0:55Speaker 1: crash the pod in this case Smith, but this is
- 0:56Speaker 1: gonna be a great pod. We got Ryan Hurd, We
- 0:59Speaker 1: got Ernest about the crash. We got country music all
- 1:02Speaker 1: over the place. You have something, you have something coming
- 1:04Speaker 1: out soon, don't you. Yeah, man, I have an EP
- 1:06Speaker 1: coming out on on Friday. So that's the I don't
- 1:09Speaker 1: know what I am lost on dates and days, but yeah,
- 1:12Speaker 1: whenever this comes out, we don't know.
- 1:14Speaker 2: Yet twenty sixth of June, so that when it is Friday,
- 1:17Speaker 2: two days now.
- 1:18Speaker 1: Explain this is gonna be a stupid question. Explain to
- 1:20Speaker 1: me what EP means, Like, why is that so?
- 1:22Speaker 2: EP is?
- 1:23Speaker 1: Album?
- 1:23Speaker 2: Is all right? In music back in the day when
- 1:26Speaker 2: you were making records, you'd have like forty fives and
- 1:28Speaker 2: you'd have like thirty threes and seventy eight's, but they abbreviated,
- 1:34Speaker 2: uh EP. It means extended play, but for some reason
- 1:38Speaker 2: we use it to say a shorter album. So basically
- 1:41Speaker 2: EP is usually like a four, five, six song record
- 1:44Speaker 2: that you put out and you know, because you know,
- 1:48Speaker 2: it takes, you know, so much of a marketing push
- 1:50Speaker 2: to put out like a full like twelve song album
- 1:53Speaker 2: and just it's really expensive to do it. A lot
- 1:55Speaker 2: of times newer artists like me put out, you know,
- 1:57Speaker 2: a four or five song collection just to like get
- 1:59Speaker 2: new mus out there. And to like build a brand
- 2:01Speaker 2: and to build a fan base. But this one's different
- 2:04Speaker 2: because I've put out like three original ones, but this
- 2:07Speaker 2: one is like kind of B sides and alternate versions
- 2:10Speaker 2: of songs because I when I got to Nashville, I
- 2:13Speaker 2: went to college at Belmont, but I started writing songs
- 2:16Speaker 2: for other people. So that's been my job here for
- 2:20Speaker 2: eight years, nine years now. And then I've along the
- 2:24Speaker 2: way gotten a record deal and started like pushing my
- 2:26Speaker 2: own music out at the same time. But this EP
- 2:31Speaker 2: that comes out on Friday is songs that I've written
- 2:34Speaker 2: for other people with my voice on them.
- 2:36Speaker 1: So songs that So you're saying, you've already written these
- 2:41Speaker 1: songs for other people and they've already been put out, Yeah,
- 2:43Speaker 1: and now they're going to be in your voice because
- 2:45Speaker 1: you wrote them.
- 2:46Speaker 2: Sure, they're like hits I've written for other people. And
- 2:48Speaker 2: then a live version of a song that is on
- 2:51Speaker 2: one of my records called Wish for the World is
- 2:53Speaker 2: on there. And then it's just all recordings of songs
- 2:56Speaker 2: I've written for other people.
- 2:57Speaker 1: So we'll back up to you said nine years ago
- 3:01Speaker 1: you started writing in Nashville, So when you're writing songs
- 3:04Speaker 1: for other people, and then you start getting your own gigs.
- 3:07Speaker 1: How are you implementing yourself as you're writing songs for
- 3:10Speaker 1: other people and all this is just killer? Are you
- 3:12Speaker 1: kind of like a could I sing it?
- 3:14Speaker 2: Maybe? I don't know. Man, it's so hard to get
- 3:17Speaker 2: your song recorded by somebody else that you sort of
- 3:20Speaker 2: when it happens, it's just a massive victory. So I
- 3:24Speaker 2: look at what I do in Nashville, it's like two
- 3:28Speaker 2: different shoes. It's like I got a right foot in
- 3:30Speaker 2: the left foot, and I can't really imagine doing one
- 3:32Speaker 2: without the other. Because like a lot of people have
- 3:35Speaker 2: found out about me as a as an artist because
- 3:38Speaker 2: of the songs I've written for other people. And then
- 3:41Speaker 2: on the other side of that, a lot of artists
- 3:42Speaker 2: that I've toured with and stuff have I've had a
- 3:44Speaker 2: lot of opportunities to like write with and for them
- 3:47Speaker 2: because they've you know, seen me as an artist and liked,
- 3:51Speaker 2: like to a tea or something that I've put out
- 3:53Speaker 2: like on my own name. So they sort of like
- 3:56Speaker 2: feed each other like weirdly like separate businesses, but they
- 4:00Speaker 2: are really complimentary.
- 4:01Speaker 1: So were you was your goal when you were starting
- 4:04Speaker 1: to like obviously be a musician a singer where you
- 4:07Speaker 1: are now? But when you're writing at first, or is
- 4:10Speaker 1: that something that you're just separating the entire time, Like
- 4:12Speaker 1: you weren't expecting somebody to be like, hey, you seem
- 4:14Speaker 1: like you got a nice voice?
- 4:15Speaker 2: Now? Was the other way around? I wanted to be
- 4:17Speaker 2: a writer because I just think it's the coolest job
- 4:20Speaker 2: in the world. Man, Oh really, Yeah. I wanted to
- 4:22Speaker 2: write songs because when I got here, I was like,
- 4:24Speaker 2: wait a minute, there's people who just write the songs.
- 4:26Speaker 2: They don't have to tour, they don't have to And
- 4:28Speaker 2: I wasn't. I didn't like find my singing voice really
- 4:31Speaker 2: until I was like a couple of years into my writing,
- 4:34Speaker 2: I don't think, because it's mostly like singing is just
- 4:37Speaker 2: about style. Yeah, I mean some people can rip. Like
- 4:39Speaker 2: my wife is Maren Morris, and she's just like obviously a.
- 4:43Speaker 1: Very yeah, she's like that, she's like the stud.
- 4:46Speaker 2: Yeah, she can sing. She's got like one of those
- 4:48Speaker 2: voices that's like, well that's not normal. That's but for
- 4:51Speaker 2: guys like me most I think most people who work
- 4:54Speaker 2: in country music, it's like you sort of are more
- 4:57Speaker 2: of a stylist than a vocalist. Half the time. So like,
- 5:00Speaker 2: I didn't find that until I had written some songs
- 5:02Speaker 2: for other people, and like people started sort of copying
- 5:06Speaker 2: my voice on their records. And that's when I started
- 5:09Speaker 2: getting looks from like record companies. And I actually said
- 5:11Speaker 2: no a couple of times. It's like, man, I just
- 5:12Speaker 2: want to this is getting rolling for me. I just
- 5:15Speaker 2: want to write stay home. And then so you prefer
- 5:18Speaker 2: being the writer. Well then eventually I was like, ah,
- 5:21Speaker 2: I gotta try this. Yeah, I don't know, it's cool, man,
- 5:23Speaker 2: it's hard. I mean a lot of work being the
- 5:25Speaker 2: artist on that. Like it's the artist part is like
- 5:29Speaker 2: ninety percent not music, like all.
- 5:32Speaker 1: This stuff that goes in behind somebody.
- 5:34Speaker 2: It's not like you're going to go like like I
- 5:38Speaker 2: don't know, there's not a whole lot of music that
- 5:40Speaker 2: goes on. It's mostly like doing busting with the boys,
- 5:43Speaker 2: but not that fun. Yeah, that makes sense. You're doing
- 5:46Speaker 2: a whole lot of press, and you're doing a whole
- 5:47Speaker 2: lot of like just work with radio stations. But it's
- 5:52Speaker 2: mostly just like riding on a bus waiting around to play,
- 5:55Speaker 2: you know. That's what being an artist is, and then
- 5:57Speaker 2: doing all the press and all this stuff. Around it.
- 5:59Speaker 2: But when you're a writer, you're one hundred percent creative
- 6:01Speaker 2: all the time. And that's the coolest part about that,
- 6:04Speaker 2: and that's you know you do. You don't get like
- 6:07Speaker 2: the glory of it. You know, you don't like have
- 6:09Speaker 2: like two thousand people screaming your song back back at
- 6:11Speaker 2: you when you're the writer. But you get a lot
- 6:13Speaker 2: of respect in town, and you get obviously.
- 6:15Speaker 1: A lot of respect where it matters the most.
- 6:17Speaker 2: Sure from like those artists and those people in town
- 6:19Speaker 2: that really respect it. And there's a whole like songwriting
- 6:22Speaker 2: community that's really special. And so I'm really lucky to
- 6:25Speaker 2: get to do both things. Man, I get to like
- 6:29Speaker 2: still write songs for other people. I've had a really
- 6:31Speaker 2: cool year honestly as as a writer, and then had
- 6:35Speaker 2: my first ever my song to a t went platinum
- 6:39Speaker 2: like a month ago, which is crazy.
- 6:41Speaker 1: Oh let's go, we got platinum? Boys, Yeah, Zach, where
- 6:43Speaker 1: you at, Chase? You got to partake in the clapping?
- 6:46Speaker 1: I don't know, you get I don't know if you
- 6:48Speaker 1: get it.
- 6:48Speaker 2: My tour manager Chases here and he's a huge part
- 6:51Speaker 2: of everything we do. And but then you know, I
- 6:54Speaker 2: don't know, it's been it's just been a cool sort
- 6:57Speaker 2: of like this is the balance I've always wanted to
- 6:59Speaker 2: strike and I find gotten to do that.
- 7:01Speaker 1: That's fucking awesome, dude. I know, uh, like from the
- 7:03Speaker 1: outside looking in and you talk to people who like Ernest,
- 7:07Speaker 1: I know he has a lot of respect for writing
- 7:09Speaker 1: and people who write, but they were they're not like
- 7:11Speaker 1: the voice because when you're I guess uh, ignorant too,
- 7:15Speaker 1: you just think the artist makes this, like they write it,
- 7:18Speaker 1: they do all this stuff. And then now that since
- 7:20Speaker 1: I've moved here and you get to talk with people
- 7:22Speaker 1: like yourself, like Ernest, you realize there's so like a
- 7:25Speaker 1: lot of those people they just funnel the song and
- 7:27Speaker 1: they're just kind of the face to to the song
- 7:30Speaker 1: or to the album.
- 7:31Speaker 2: Hey man, you need a vehicle, right, you need a bus?
- 7:34Speaker 1: Yeah, no doubt.
- 7:35Speaker 2: I don't know, man, it it's crazy. I know Ernest
- 7:38Speaker 2: because we have just started writing together, you know, in
- 7:41Speaker 2: the last year, and he's one of the Honestly, there's
- 7:44Speaker 2: there's not a lot of people who swing a different hammer.
- 7:47Speaker 2: Like most people you sit down with, you're like, okay,
- 7:49Speaker 2: we can write a great song. Every it feels like
- 7:51Speaker 2: everybody's the same amount of talented, and then you meet
- 7:55Speaker 2: people like arn Or, like Michael Hardy or or Maren honestly, honestly,
- 7:59Speaker 2: Maren's best songwriter I've ever ever encountered.
- 8:03Speaker 1: Your wife.
- 8:04Speaker 2: Yeah, and we started we got we met writing songs,
- 8:07Speaker 2: so I believe that way before we were actually together.
- 8:11Speaker 2: But but like there's those dudes that you meet like
- 8:14Speaker 2: like arn Or, like Hardy or you're just like, oh
- 8:16Speaker 2: my god, this guy, this guy.
- 8:19Speaker 1: Well they kind of separate.
- 8:20Speaker 2: I guess they just spit brilliance and you're like, I'm
- 8:24Speaker 2: just recording you. Like that's what I did with Ernest
- 8:27Speaker 2: when we wrote a Heartless for Diplo and Morgan Wallen,
- 8:31Speaker 2: and half of that is just like me like with
- 8:33Speaker 2: my phone, sticking it in front of Ernest and like
- 8:36Speaker 2: just recording it so that we could go back and
- 8:39Speaker 2: make sure we had it down like that and that
- 8:41Speaker 2: I mean, that dude's just a brilliant guy.
- 8:43Speaker 1: And then you guys are doing that and then you
- 8:46Speaker 1: kind of give the product to the voice you want
- 8:49Speaker 1: to match.
- 8:50Speaker 2: Man, it's so hard. So we each have called publishers.
- 8:53Speaker 2: They're like record companies for songwriters. They own or they
- 8:57Speaker 2: are partners with you and in you know your copyright.
- 9:00Speaker 2: But what they do is they like book your calendar.
- 9:02Speaker 2: So they're like, you know, yesterday I wrote with with
- 9:06Speaker 2: Hardy and Monday I wrote with a Buddy Matt and
- 9:09Speaker 2: Ross Kopperman. But like they book a calendar and then
- 9:11Speaker 2: they take the songs and the demos that you make
- 9:13Speaker 2: and they pitch them out to artists and labels, and
- 9:15Speaker 2: so they're the ones who are supposed to like exploit
- 9:18Speaker 2: the music and get it recorded. But like, it's just
- 9:22Speaker 2: funny how songs find a way.
- 9:23Speaker 3: Man.
- 9:24Speaker 2: It's like, uh, they're all like undrafted free agents. Yeah,
- 9:28Speaker 2: but I mean it's like how do you like they
- 9:31Speaker 2: just go through each little step and eventually they like
- 9:34Speaker 2: a miracle happens. It's like so like oh this sometimes
- 9:38Speaker 2: I'll send a song to somebody, or I'll write it
- 9:41Speaker 2: with the artist. And I wrote a song with Kane
- 9:44Speaker 2: Brown called Worldwide Beautiful, and that's one that just like
- 9:48Speaker 2: was sort of like a magic like magic, you know
- 9:52Speaker 2: what I mean. And some days it's magic, but other
- 9:54Speaker 2: times it's like the song goes through like this manager
- 9:57Speaker 2: and then like they show the artist and the artist
- 10:00Speaker 2: holds it and then they record it and then like
- 10:04Speaker 2: it's like a series of like ten coin flips all
- 10:06Speaker 2: coming up heads in order to have a hit on
- 10:08Speaker 2: the radio. And that's like what we're all going for
- 10:12Speaker 2: is just to like have those big hits. So but
- 10:15Speaker 2: publishers help with those ten coin flips.
- 10:18Speaker 1: Gotcha.
- 10:18Speaker 2: You're the ones who get like make sure each step
- 10:21Speaker 2: is they're trying to get the song heard by whoever
- 10:25Speaker 2: can make decisions to record and put them out.
- 10:29Speaker 1: So gotcha. So that's that's where the importance of like
- 10:32Speaker 1: is the publisher kind of the same as the label.
- 10:35Speaker 2: Yeah, but on the writing side, gotcha, they're Yeah, they're important.
- 10:38Speaker 1: They're awesome, man, signing with those teams, like when people
- 10:40Speaker 1: sign deals and stuff, because sometimes you wonder, like if
- 10:43Speaker 1: somebody's very good at music, why would they sign with
- 10:45Speaker 1: anybody if they can kind of get it out themselves.
- 10:47Speaker 1: So that's that's me thinking that not having any idea.
- 10:50Speaker 2: Honestly, it's easy to do that now and it's ever been.
- 10:53Speaker 2: And a lot of these dudes who are like a
- 10:58Speaker 2: lot of these guys who get it moving on their
- 11:00Speaker 2: own then partner with a label, like they own a
- 11:02Speaker 2: lot of that stuff. It's like most people the label
- 11:06Speaker 2: owns a lot of the artists to like do like
- 11:08Speaker 2: a joint venture with the label, so like it's kind
- 11:10Speaker 2: of swinging back like in favor of the artists now
- 11:14Speaker 2: in a cool way because of the way people listen
- 11:16Speaker 2: to music now, because of the Internet, because of.
- 11:19Speaker 1: Some more leverages came to the Oh yeah.
- 11:21Speaker 2: Okay, so we're but uh man, it's a cool time
- 11:24Speaker 2: to make music, especially in Nashville. Like I everybody feels
- 11:28Speaker 2: like everybody wants a piece of what we're doing, and
- 11:30Speaker 2: that's that's really cool. I mean, Maren did the Middle
- 11:33Speaker 2: with z Diplo made a country record. It feels like
- 11:37Speaker 2: every country artist is getting like a pop artist to
- 11:40Speaker 2: like feature on their big hits, Like Gabby Barrot just
- 11:44Speaker 2: had Charlie Pooth on hers. So it just it feels
- 11:48Speaker 2: like Nashville is like in a really great spot as
- 11:51Speaker 2: a genre. And you know, you could always have all
- 11:55Speaker 2: these people who like love or don't love what's happening
- 11:58Speaker 2: on music. Row. I just I'm like a head down guy.
- 12:01Speaker 2: I just put my head down and keep doing my
- 12:03Speaker 2: thing and don't like read too much about like what's
- 12:06Speaker 2: country and what's not. But I do love, like I
- 12:09Speaker 2: do think that we're in a really cool spot as
- 12:11Speaker 2: a genre and as a just as a creative city,
- 12:15Speaker 2: because this is the best music town in the world.
- 12:17Speaker 2: Oh bar none, there's not. It's not even close to
- 12:19Speaker 2: me as far as like the songwriting community, the proximity
- 12:22Speaker 2: that everybody has, and just like the overall talent. I
- 12:26Speaker 2: just it's amazing how much great music is made here,
- 12:31Speaker 2: whether you've whether it is released or not.
- 12:34Speaker 1: Do you feel like you have much of Like, you know,
- 12:39Speaker 1: how everybody argues like, oh, this is more country than that,
- 12:42Speaker 1: and like the old days and the new stuff.
- 12:45Speaker 2: I'm not Sturgil and I know it, and that's okay
- 12:48Speaker 2: with me. And you know, there's going to be those
- 12:49Speaker 2: dudes who just want to listen to that stuff and
- 12:52Speaker 2: that's great and it's not like a I think that's
- 12:54Speaker 2: absolutely country music, obviously probably more traditional country music than
- 12:58Speaker 2: what we do. But yeah, you know, that's just so
- 13:00Speaker 2: funny the way that the internet works. It's just all
- 13:03Speaker 2: these like genre lines have blended so much. And I
- 13:08Speaker 2: don't know, I'm not that worried about that conversation.
- 13:11Speaker 1: Yeah, yeah, So.
- 13:12Speaker 2: I'd love to make like like a really like a
- 13:15Speaker 2: much more traditional country record at some point, but I've
- 13:18Speaker 2: sort of gone down this lane now where I get
- 13:22Speaker 2: to I've sort of created a sound and it's really
- 13:25Speaker 2: it's created a fan base and I really have enjoyed
- 13:27Speaker 2: that part of it. And it's not super traditional country
- 13:30Speaker 2: at all. So I'm just never not going to be that.
- 13:35Speaker 2: I'm not going to win that one. Yeah, and I
- 13:37Speaker 2: know I'm fine with it.
- 13:39Speaker 1: What do you enjoy doing more writing or touring and
- 13:44Speaker 1: kind of doing the whole musician thing.
- 13:45Speaker 2: I can't. I don't know. Writing is great until you
- 13:48Speaker 2: get burnt. And so the fun part about being like
- 13:52Speaker 2: doing both is that I very rarely get like burnt
- 13:54Speaker 2: out on writing.
- 13:56Speaker 1: Because when you feel like you're starting to get burned it.
- 13:58Speaker 2: As much as I used to used to be like
- 14:00Speaker 2: when you get going, you're writing like five or six
- 14:02Speaker 2: songs a week and just you run out of ideas
- 14:05Speaker 2: and sort of get feels like work a little bit
- 14:09Speaker 2: more like you're trying to force it. Right now, I'm
- 14:11Speaker 2: writing like two or three a week, and I feel
- 14:14Speaker 2: like I hit the bulls eye a little bit more. Yeah,
- 14:16Speaker 2: just because of my mind is fresh and I usually
- 14:18Speaker 2: have ideas and I'm only writing with people that I love.
- 14:23Speaker 2: I'm not trying out a whole new bunch of news.
- 14:25Speaker 2: It's just a cool thing to like feel like I
- 14:27Speaker 2: feel like I'm in my prime a little bit. Yeah,
- 14:30Speaker 2: like as a creative person. And I don't know, it's
- 14:34Speaker 2: been cool to uh, it's been cool to like get
- 14:38Speaker 2: into that spot. But I miss touring, man, I miss
- 14:40Speaker 2: the people the most. I don't miss airplanes, but I
- 14:42Speaker 2: miss like my bus. Yeah, we we have a cool crew.
- 14:46Speaker 2: And miss my boys, and I miss like obviously, like
- 14:50Speaker 2: we have a really cool road situation and it's like
- 14:53Speaker 2: we have like a mixed bus. We have girls and
- 14:56Speaker 2: guys on it. Everybody's working and everybody it's always a
- 15:00Speaker 2: really like great mood and we just we did it
- 15:03Speaker 2: like my headline tour. Just I mean the last two
- 15:06Speaker 2: weeks got canceled because of this ship. But I missed
- 15:10Speaker 2: that and I miss I miss electric guitars. Yes, I
- 15:14Speaker 2: miss I missed my people though, That's what I miss.
- 15:18Speaker 1: Do When when do you get to go on the
- 15:19Speaker 1: road next?
- 15:20Speaker 2: Or do you know I'm supposed to play Labor Day weekend?
- 15:22Speaker 1: Chase, what the hell we'll see? Where are we going?
- 15:25Speaker 2: Tom? Just Chase is just waiting for the same thing
- 15:27Speaker 2: I'm waiting on. That's exactly right, waiting for somebody to go.
- 15:31Speaker 1: You just you just set it up whenever you get
- 15:33Speaker 1: the green light, exactly Okay.
- 15:35Speaker 2: Yeah, Chase is a tour manager. So anything that has
- 15:38Speaker 2: to do with moving me from point A to point
- 15:40Speaker 2: B is Chase's job.
- 15:42Speaker 1: He doesn't he doesn't set up point A and B.
- 15:44Speaker 2: No, that's booking agents do that. Uh. I have an
- 15:49Speaker 2: agent at William Morris who books all of my live performances.
- 15:55Speaker 2: I wrot the shows. And then you have a manager
- 15:58Speaker 2: who's sort of like the sea oh oh of what
- 16:01Speaker 2: you're doing. Yeah, and then there's just so many people involved.
- 16:05Speaker 2: You have a record company, agent, manager, what else tour manager?
- 16:10Speaker 1: Is it? Is it dumb to to assume that you
- 16:14Speaker 1: and your wife, you guys have kind of the same team,
- 16:16Speaker 1: or do you guys?
- 16:17Speaker 2: Actually we do have.
- 16:19Speaker 1: We have the same managers, Okay, And so you guys
- 16:22Speaker 1: kind of work with like a lot of the same
- 16:23Speaker 1: people we do.
- 16:24Speaker 2: Yeah. Yeah, And our bands are really close, Like we've
- 16:28Speaker 2: they all worked really closely together. We've toured together quite
- 16:30Speaker 2: a bit, played a lot of the same festivals and
- 16:34Speaker 2: I we were gonna tour this year. I was gonna
- 16:39Speaker 2: open a handful of her like headline shows because we
- 16:44Speaker 2: just had a baby, and so that's kind of I
- 16:46Speaker 2: don't know, I didn't really want to be away from
- 16:48Speaker 2: him all that much. And she obvious.
- 16:52Speaker 1: You got a boy, right, what's his name? His name
- 16:54Speaker 1: is Hayes Andrew. Shout out Hayes Andrew. When when when
- 17:00Speaker 1: was he? When was he born?
- 17:02Speaker 2: March twenty third of this year.
- 17:05Speaker 1: So he's a co he's he's a COVID baby. Well, yeah, pandemic.
- 17:09Speaker 1: He was born in the pandemic.
- 17:10Speaker 2: Yeah, we were. It was like the first week that
- 17:12Speaker 2: they had like shut the hospital down. It was crazy
- 17:15Speaker 2: and no visitors, just me and like some people start
- 17:20Speaker 2: like other places, not here, but like you were hearing
- 17:22Speaker 2: stories about like like Dad's not being able to go
- 17:27Speaker 2: because of this stuff. Like I don't know, maybe that happened,
- 17:29Speaker 2: maybe it didn't, but we were terrified and uh, no visitors,
- 17:33Speaker 2: which actually, looking back, like that's okay, Like it was
- 17:37Speaker 2: just kind of cool to like be have your moment
- 17:40Speaker 2: and then like my parents and her parents came over
- 17:42Speaker 2: like when we got home. But yeah, it was. It
- 17:45Speaker 2: was terrifying. Man. It's got like doctors wearing like face
- 17:48Speaker 2: shields and shit.
- 17:49Speaker 1: And like, oh my god, this is not knowing how
- 17:51Speaker 1: serious it.
- 17:52Speaker 2: Maybe yeah, yeah, that's it. But it's been it's been cool, man,
- 17:56Speaker 2: different like we've we've been like really, I don't know.
- 18:00Speaker 2: I feel like when you do what we do, we
- 18:01Speaker 2: don't have to ever have to grow up. And and
- 18:04Speaker 2: so now it's like we can be we still have
- 18:06Speaker 2: that lifestyle you have to there's this one little thing
- 18:10Speaker 2: you have to be responsible for it every day. So
- 18:12Speaker 2: it's a little bit different, but we're we're figured it out.
- 18:15Speaker 1: Man.
- 18:15Speaker 2: The cool part about not being able to tour is
- 18:17Speaker 2: we get to be home for a second, and I
- 18:20Speaker 2: would have missed some stuff that I'm glad that I
- 18:24Speaker 2: had time at home for, Like I would have missed
- 18:27Speaker 2: He's just like little things, man. You like wake up
- 18:30Speaker 2: in the morning and you see him and he's like,
- 18:32Speaker 2: oh my god, he's bigger. Yeah, And I can't imagine
- 18:34Speaker 2: like I would have had to do I think three
- 18:37Speaker 2: weekends now away from them, and I can't imagine like
- 18:41Speaker 2: coming back after one of those weekends and being like,
- 18:43Speaker 2: oh my god, like he grew so now. But now
- 18:46Speaker 2: I see him every day and eventually that's not going
- 18:49Speaker 2: to be the case. And we're gonna have to go
- 18:51Speaker 2: back to life as we need it to be. But
- 18:53Speaker 2: but right now it's cool to be home.
- 18:55Speaker 1: Now, say you and your wife, you guys tour together.
- 18:57Speaker 1: Will will the baby like tour with you guys.
- 19:01Speaker 2: Yeah, So Maren has a bus that is like fitted
- 19:06Speaker 2: outfitted for a baby. So it's like we have like
- 19:11Speaker 2: our apartment in the back, and then there's like a
- 19:14Speaker 2: bunk that has a crib in it and a baby
- 19:16Speaker 2: monitor and a noise machine, and then like the we
- 19:22Speaker 2: have somebody who like stays next to him and the
- 19:24Speaker 2: bunk across from him because we have to have help
- 19:28Speaker 2: out there just because there's so much stuff going on.
- 19:31Speaker 2: And he goes to bed at seven o'clock and rock
- 19:34Speaker 2: shows don't start till nine, so we have some help
- 19:37Speaker 2: out there. And then yeah, man, there's some other stuff
- 19:40Speaker 2: that she got just that's baby specific.
- 19:43Speaker 1: But yeah, we have a bus that sounds like a
- 19:46Speaker 1: bus we need to look into boys, an apartment in
- 19:48Speaker 1: the back. Yeah, a baby crib for a tailor. Make
- 19:51Speaker 1: sure keep a monitor on him. He can't do anything
- 19:53Speaker 1: on his own, you know what I mean.
- 19:55Speaker 2: That's awesome, Dude's Yeah, my bus is just twelve bunks
- 19:58Speaker 2: and we go. We i'd town to town and have
- 20:01Speaker 2: a good time. But yeah, no babies on that one yet,
- 20:04Speaker 2: no dogs or babies.
- 20:05Speaker 1: It's probably benefits. It's probably a benefit too to touring
- 20:07Speaker 1: with your wife's because don't people go on the road
- 20:10Speaker 1: and they're gone for hell. I don't know how long.
- 20:12Speaker 1: How long is like an average tour.
- 20:14Speaker 2: I mean we well in Nashville, it's different because we
- 20:16Speaker 2: can do weekends because we're in the middle of the country.
- 20:19Speaker 2: So yeah, we usually do like a ten day run
- 20:21Speaker 2: out west ten to fourteen days like West Coast. Yeah,
- 20:25Speaker 2: and then we'll do like Maren will do like a
- 20:28Speaker 2: ten day Europe run a lot like every year every
- 20:32Speaker 2: other year. But that's basically it. So then we can
- 20:35Speaker 2: leave most of the time like Wednesday night, play Thursday, Friday, Saturday,
- 20:40Speaker 2: be home Sunday. That's generally the rhythm that people in
- 20:44Speaker 2: Nashville have except for with the exception of West Coast
- 20:48Speaker 2: and Europe. And then these people have been playing like
- 20:51Speaker 2: festivals in Australia too, which is a long way to go.
- 20:56Speaker 2: So I haven't done that yet, but maybe we will someday.
- 21:00Speaker 2: That's dope, man.
- 21:01Speaker 1: This episode of Busting with the Boys is brought to
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- 24:13Speaker 1: You gotta rock and you gotta a rock and family.
- 24:17Speaker 2: Yeah, man, it's been cool.
- 24:18Speaker 1: You guys are kind of like a power family.
- 24:19Speaker 2: I have a good a good Maaron's just a really
- 24:23Speaker 2: great partner and really supportive of my music. And it's
- 24:26Speaker 2: been cool to like watch her become a superstar. And
- 24:30Speaker 2: you know, I I love my career too. And it's
- 24:33Speaker 2: they're they're very separate, but very I don't know, they
- 24:37Speaker 2: just fit together really nicely our lives. It's taken a
- 24:40Speaker 2: couple of years, but I feel like we have a
- 24:41Speaker 2: really cool rhythm with uh just being like creative partners
- 24:45Speaker 2: and because and and actually like having a marriage and
- 24:49Speaker 2: a kid. It's been, Uh, it's been fun to find
- 24:51Speaker 2: those balances.
- 24:53Speaker 1: What are some uh, what are some of the times
- 24:54Speaker 1: where you guys head butt in the music world, whether
- 24:57Speaker 1: it be touring, writing with or for each other, like
- 25:00Speaker 1: any of that stuff. Give me a moment where it's
- 25:02Speaker 1: not all smelling roses.
- 25:04Speaker 2: We still write together, which is cool. I'm excited that
- 25:07Speaker 2: she still asked me to write songs with her because
- 25:09Speaker 2: she's got a really small group now that she trusts
- 25:12Speaker 2: to be creative with I don't know, like creatively, I
- 25:17Speaker 2: kind of just am there when it's always time. It's
- 25:23Speaker 2: always just about time and like when just calendar stuff.
- 25:30Speaker 2: And that's why we have the same manager is like
- 25:32Speaker 2: those those like frictions are minimized when you have one
- 25:37Speaker 2: person managing both of our time. Yeah, but like it's
- 25:40Speaker 2: always like just getting on the same page time wise.
- 25:46Speaker 1: Have either of you have ever said that's a stupid lyric.
- 25:50Speaker 2: I don't think we've said it like that to each other.
- 25:54Speaker 2: I say that to it. I would say it to
- 25:56Speaker 2: someone like Earn be like, no, that's not it. But
- 25:59Speaker 2: I say it about myself more than anything. Usually I'm like,
- 26:01Speaker 2: you'll say somebody like that's not right. Yeah, but uh yeah, man,
- 26:05Speaker 2: that we that she's just a fantastic songwriter. And that's
- 26:10Speaker 2: like where it all starts with everybody is like getting
- 26:14Speaker 2: good songs, whether you write them or you find them,
- 26:16Speaker 2: like that always is the most important thing because that's
- 26:21Speaker 2: I mean, that's why people buy ticket is to hear
- 26:23Speaker 2: that song that they love.
- 26:25Speaker 1: Yeah.
- 26:26Speaker 2: You know, me and Ern are sort of in the
- 26:28Speaker 2: same boat where it's like we we have a lot
- 26:31Speaker 2: of ship moving as writers. Right now, we're both trying
- 26:33Speaker 2: to get like over that hump as you where is
- 26:36Speaker 2: he's out there drinking beer in the parking lot and
- 26:38Speaker 2: he didn't get him and he didn't bring me one.
- 26:41Speaker 1: This could be a good conversation about the writing world
- 26:43Speaker 1: because they've written, they wrote together.
- 26:45Speaker 2: We're in the same boat where it's like we're both
- 26:47Speaker 2: just looking at each other, like how fuck do you
- 26:49Speaker 2: get on the radio?
- 26:51Speaker 1: Yeah, what's what's one of your favorite memories on the road?
- 26:57Speaker 2: What do you think favorite memories?
- 27:01Speaker 4: Well?
- 27:01Speaker 2: See, like I my rhythm is like I wake up
- 27:06Speaker 2: and then you like work out because there's like no
- 27:09Speaker 2: like you just wake up and then you tell you
- 27:10Speaker 2: at night, like nine o'clock at night, so you work out,
- 27:14Speaker 2: eat lunch. But like I can't party until the show's
- 27:19Speaker 2: over for the most part, So like I just remember
- 27:22Speaker 2: this whole tour we just did. Like I'd come back
- 27:24Speaker 2: to the bus and my band has worked all day
- 27:27Speaker 2: and I'd want to party and they'd be like too tire.
- 27:30Speaker 2: They just go to bed, and I'm like, what are we?
- 27:32Speaker 2: What is this? So I I just remember, like nobody
- 27:36Speaker 2: wants to party anymore. But I don't know. I've had
- 27:40Speaker 2: a I've I've been on the road with like FGL
- 27:43Speaker 2: and Thomas Rhett, who's.
- 27:44Speaker 1: Been the most fun to be on the road with. Hey,
- 27:47Speaker 1: keep keep keep name dropping too. Rattle that list off
- 27:49Speaker 1: again so we can find a winner.
- 27:51Speaker 2: I've been on the road with tr FGL, Chase Rice
- 27:56Speaker 2: just like as like part of their packages. Hey, buddy,
- 27:59Speaker 2: how are you sorry?
- 28:01Speaker 4: What ready to go?
- 28:04Speaker 2: Did you bring me a beer?
- 28:06Speaker 4: I drink too and I locked my car. I can
- 28:09Speaker 4: get you you want a Corona, but this is a
- 28:11Speaker 4: Budweiser bus.
- 28:13Speaker 3: This is.
- 28:15Speaker 1: What kind of we aren't we are? We aren't sponsored
- 28:17Speaker 1: by him though, so you can could we can talk
- 28:20Speaker 1: about whatever.
- 28:21Speaker 2: I was sponsored by Corona for a while. It was fun.
- 28:24Speaker 2: One of the coolest moments was like pulling up into
- 28:26Speaker 2: the driveway and there was a palette of Corona there.
- 28:31Speaker 2: It was like twenty five cases of Corona in bottles
- 28:35Speaker 2: and we drank like four or five in two days,
- 28:37Speaker 2: but maybe more but cases. But yeah, it was like
- 28:41Speaker 2: that was one of my biggest flexs on That was
- 28:43Speaker 2: my That was my biggest flex was was was twenty
- 28:46Speaker 2: five or thirty cases of Corona just sitting there.
- 28:49Speaker 3: That's amazing of it I.
- 28:53Speaker 2: Should have.
- 28:55Speaker 1: The pot. His cigarette is out and he is on
- 28:58Speaker 1: the pot.
- 28:59Speaker 3: We're here.
- 29:00Speaker 1: We were just talking to him the question we had
- 29:02Speaker 1: his favorite memories on UH on the Road, and I
- 29:05Speaker 1: think his list was Chase, Rice, Thomas Rhett if I
- 29:08Speaker 1: had the most.
- 29:09Speaker 2: Fun on the Chase Tour because that's just the wildest one.
- 29:13Speaker 2: TR was fun because it was all everybody doing the
- 29:17Speaker 2: for the first time, like tr headlining for the first time,
- 29:20Speaker 2: Kelsey Ballerini's first time playing arenas, and then me and
- 29:23Speaker 2: Russell Dickerson were just the first time doing anything. Yeah,
- 29:25Speaker 2: so we were stoked. I like doing obviously like doing
- 29:28Speaker 2: my own show the most because.
- 29:30Speaker 3: You get to run the show, fucking yours.
- 29:32Speaker 1: Yeah, it's your Chase. Seems like a good time. We
- 29:36Speaker 1: got to interview him the virtual stuff, but yeah, he
- 29:38Speaker 1: seems like a fun time.
- 29:40Speaker 2: The first night ever on the Chase Tour, we're playing
- 29:43Speaker 2: have you played Kegs and Jordan, New York the Syracuse
- 29:46Speaker 2: you will. It's just like it's the middle of nowhere
- 29:50Speaker 2: if they call it like the Syracuse market, but I
- 29:52Speaker 2: don't even think it's close to Syracuse, And it's the
- 29:54Speaker 2: only thing in the town is this little dive venue
- 29:58Speaker 2: and they have a uh the stage is plywood and
- 30:02Speaker 2: there's like Chase draws like two thousand people. I don't know,
- 30:08Speaker 2: uh would There's tons of people there and and I
- 30:11Speaker 2: like show up and I'm about to play, and all
- 30:12Speaker 2: of a sudden, like the tour manager John gets like
- 30:17Speaker 2: I like to see him get punched in the head.
- 30:19Speaker 2: Like some dude like walked up to Chase his bus
- 30:21Speaker 2: and started like taking a leak on his bus and
- 30:24Speaker 2: John like goes over to like get the security guard
- 30:28Speaker 2: and get this dude kicked out, and the dude just
- 30:29Speaker 2: whips around and like just punches him in the head.
- 30:33Speaker 2: And so like, who punched you in the head? The
- 30:35Speaker 2: guy who beat on his.
- 30:36Speaker 3: Bus punched the tour manager in the head?
- 30:39Speaker 2: Yeah, like the side of the head.
- 30:40Speaker 3: Dude.
- 30:41Speaker 2: John Lasard is reaching over the security guards and has
- 30:44Speaker 2: got this dude by the beard. It's just shaking him
- 30:46Speaker 2: by the beard.
- 30:47Speaker 3: Oh no, but uh it.
- 30:49Speaker 2: Was that was my first night on the Chase Rice tour.
- 30:51Speaker 1: And I was like, that was your first night, Yeah,
- 30:54Speaker 1: that's the bar.
- 30:55Speaker 2: It was like my third show ever.
- 30:57Speaker 1: And he cheems like people don't like you.
- 30:59Speaker 3: No, it was just some people get rowdy around you.
- 31:03Speaker 2: Yeah, it was. That was the rowdiest tour I've ever
- 31:05Speaker 2: been on, and it was my first one. It was
- 31:07Speaker 2: on my third show ever, and I was like, oh
- 31:09Speaker 2: my god, what am I doing? But uh, that was fun.
- 31:12Speaker 2: That was like one of those days where you're like
- 31:14Speaker 2: one of those tours, are like not sure how the
- 31:16Speaker 2: we had like a sprinter van. You're not like sure
- 31:18Speaker 2: how that thing got from city to city? Right, don't
- 31:22Speaker 2: really remember?
- 31:22Speaker 3: Did you have to drive?
- 31:24Speaker 2: Not much?
- 31:25Speaker 1: Yeah.
- 31:25Speaker 2: I always drove like coming home because like I wasn't.
- 31:28Speaker 2: I was not about like taking our time to get home.
- 31:32Speaker 2: So I was like I will go, I will we
- 31:34Speaker 2: are going home.
- 31:34Speaker 1: Yes, So so you guys won't have like a bus
- 31:37Speaker 1: driver every time, like sometimes they'll just be.
- 31:40Speaker 3: Well now I do, but early on when you can't
- 31:43Speaker 3: afford a bus, you take van.
- 31:45Speaker 1: Yeah.
- 31:45Speaker 3: Buses are ridiculous, like ten grand for the weekend at least.
- 31:49Speaker 5: Yeah.
- 31:49Speaker 2: Yeah, oh old Dominion. That was a great.
- 31:52Speaker 3: Tour to be Those are fun guys, fun dudes I had. Yeah,
- 31:56Speaker 3: those are fun guys.
- 31:57Speaker 2: I forgot I did that at the end of last
- 31:58Speaker 2: year as the last tour I was on. That was.
- 32:01Speaker 2: That's a great they have a great Uh fan base
- 32:03Speaker 2: for someone like me, like they're they're fans, and my
- 32:05Speaker 2: fans are like, I feel like there's a.
- 32:08Speaker 6: Lot of a lot of car over crossover overlap, So
- 32:12Speaker 6: why why is that?
- 32:14Speaker 2: I don't know. I just think that just the type
- 32:15Speaker 2: of music we both make.
- 32:17Speaker 1: It it's not it's not too redneck.
- 32:19Speaker 3: I mean, yeah, I know I have a mullet, but
- 32:20Speaker 3: I'm not the most redneck.
- 32:21Speaker 1: I was telling him, like, are you swing a lot
- 32:23Speaker 1: of different ways? He was actually complimenting earlier, saying there's
- 32:27Speaker 1: not many. There's not many people who swing a different
- 32:29Speaker 1: hammer all the time.
- 32:30Speaker 3: Wasn't quite ready for that, I guess in your seat? Sorry, Pops,
- 32:35Speaker 3: do I need to get up?
- 32:36Speaker 7: Or Taylor Wells kind of glued to my seat?
- 32:43Speaker 3: So sorry?
- 32:44Speaker 2: Do you want to share this microphone?
- 32:46Speaker 1: Similar we were talking about yesterday with like sports and
- 32:48Speaker 1: everything else you have, like ninety percent of the league
- 32:50Speaker 1: is kind of the same and then there's some unicorns.
- 32:53Speaker 2: Actually, someone's sitting over there right now.
- 32:54Speaker 1: You are You are too, well, Taylor, Taylor is.
- 32:58Speaker 4: This is definitely play more talented than.
- 33:02Speaker 1: In the football.
- 33:04Speaker 2: Songwriters. Who are you meet songwriters? They are all kind
- 33:08Speaker 2: of the same amount of talent. And then you get
- 33:09Speaker 2: in the room with guys like like Michael and Iarn
- 33:13Speaker 2: and you're like, oh my god, this guy's I would
- 33:16Speaker 2: never say this to your face.
- 33:17Speaker 3: Well don't.
- 33:23Speaker 7: This guy.
- 33:23Speaker 2: This guy's hands down more talented than everybody else. It's
- 33:26Speaker 2: like the guys that can just like spit out a
- 33:28Speaker 2: second verse in like one second, and you're like, oh,
- 33:30Speaker 2: that's it and we don't have to change anything, Like,
- 33:32Speaker 2: not a lot of people can just like, actually, there's
- 33:35Speaker 2: not even a lot of people I think that can
- 33:36Speaker 2: write lyrics. To be honest, I think that. I don't
- 33:39Speaker 2: mean that in a world full of songwriters, that's pretty heavy.
- 33:42Speaker 2: I think that's like, I think that's the most challenging
- 33:45Speaker 2: thing for most people. And then like when when you
- 33:47Speaker 2: meet people who are it comes like very effortless, like
- 33:50Speaker 2: you or Michael, It's like, damn, that's the special Eric Pasley.
- 33:54Speaker 2: Do you guys know who Eric Pasley is. He's another
- 33:57Speaker 2: dude like that that you might not think of. That's like,
- 33:59Speaker 2: it's it's just effortless. So that was my compliment for
- 34:02Speaker 2: you earlier.
- 34:03Speaker 3: Well, thank you, damn glad I got to hear that.
- 34:05Speaker 2: Yeah, And I'll never give you another one.
- 34:06Speaker 3: That's fine. Now, that'll hold me over that.
- 34:08Speaker 1: You guys seem like you're in similar lanes where you
- 34:10Speaker 1: started out and kind of writing, and you're known and
- 34:12Speaker 1: well respected for all the writing, and now you're both
- 34:14Speaker 1: kind of touring and doing your music thing. You were
- 34:17Speaker 1: talking about that earlier about how he kind of got
- 34:19Speaker 1: into music. This episode of Busting with the Boys is
- 34:21Speaker 1: also brought to you by Feltman shut Out Feltman's Dude
- 34:24Speaker 1: and the Glizzies. Last week, I've learned on Twitter what
- 34:28Speaker 1: a glizzy was, not just Twitter, but the Urban Dictionary,
- 34:30Speaker 1: and a glizzy is a hot dog. So I became
- 34:33Speaker 1: a grizzy gladiator. Last week they shipp us some hot
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- 34:42Speaker 1: a couple Glizzies. I know that's a little but hey,
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- 34:46Speaker 1: There's no pause out there. We throwed at a couple
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- 34:51Speaker 2: No pause.
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- 35:04Speaker 1: military veteran run business, revived in twenty fifteen. The founders,
- 35:07Speaker 1: Michael and Joe Quinn, revived the brand in honor of
- 35:10Speaker 1: their late brother Jimmy, who is tragically killed on nine
- 35:12Speaker 1: to eleven. And when I say veteran owned, these are
- 35:15Speaker 1: real hardcore vettes. These boys got thirty plus years in uniform,
- 35:19Speaker 1: one hundred and thirteen months deployed overseas, with Joe deployed
- 35:22Speaker 1: three times to combat after his brother was killed on
- 35:25Speaker 1: nine to eleven. They all played D one sports at
- 35:27Speaker 1: Army as well, so athletes military. It all makes sense, USA.
- 35:32Speaker 1: The Quinn brothers are diehard sports fans, especially football and baseball. Hence,
- 35:35Speaker 1: while they sponsored the boys with some Glizzies. So here's
- 35:38Speaker 1: the thing. The Quinns have put together an annual Mets
- 35:40Speaker 1: game in honor of their brother Jimmy every year. Obviously
- 35:44Speaker 1: they can't be at the ballpark this year, so they're
- 35:46Speaker 1: going to do sort of a virtual thing. Bustin fans
- 35:48Speaker 1: get discount off their entire order with code busting, and
- 35:53Speaker 1: the website is www dot Feltman's of Coneyiland dot com.
- 35:58Speaker 1: Let me say that again. You get a discount off
- 36:00Speaker 1: your entire order with the code busting at Feltman'sofconey Island
- 36:04Speaker 1: dot com. And for the vets and first first responders
- 36:08Speaker 1: on their website, they can get an additional ten percent
- 36:11Speaker 1: off with I D dot me at checkout. So veterans
- 36:15Speaker 1: first responders, you get an additional ten percent off by
- 36:18Speaker 1: typing in I D dot me at checkout. Shout out
- 36:22Speaker 1: the boys and Feltman's Love the Glizzies. Dude, keep them coming. Everybody,
- 36:24Speaker 1: go track Glizzie. Get on their site now uncured all beef,
- 36:27Speaker 1: hot dogs, go go get those boys. Due gosh, damn it,
- 36:33Speaker 1: answer it.
- 36:34Speaker 3: I can't answer that.
- 36:36Speaker 1: Oh yeah, I just gonna sit here and dance. I
- 36:45Speaker 1: can't answer that.
- 36:46Speaker 3: You might, yeah, but you ain't smoking window whizzle every time. Dude,
- 36:50Speaker 3: my mom could call. That's the ringer.
- 36:52Speaker 1: Yeah, to get to get off the the earnest. But
- 36:55Speaker 1: I want to go back to the EP thing. He
- 36:57Speaker 1: was explaining what EP was, and would you say, what
- 37:00Speaker 1: does E P mean?
- 37:01Speaker 2: I mean he's stended play. But it's fucked up because it's.
- 37:03Speaker 1: Extended playlist, but it's a shorter album.
- 37:05Speaker 3: Yeah, it's not extended.
- 37:06Speaker 4: I thought, I'm an executive producer.
- 37:08Speaker 1: I thought, so, does hear episode.
- 37:12Speaker 4: EPs on like TV shows or songs?
- 37:15Speaker 3: Yes, you get that paper because yes, because you're the
- 37:17Speaker 3: executive producer.
- 37:18Speaker 4: That's what I'm saying.
- 37:19Speaker 7: When we walked away from your podcast yesterday, I'm speaking
- 37:21Speaker 7: very loudly because.
- 37:22Speaker 2: I'm like, that's okay, that's okay right now.
- 37:26Speaker 7: When I talk about, I want to EP on your
- 37:27Speaker 7: next album, so I want to I want to get in.
- 37:29Speaker 4: That do it known as a songwriter.
- 37:31Speaker 3: Do it, get Dereck Henry on my on my project.
- 37:33Speaker 3: If you want to be known as a.
- 37:34Speaker 1: Songwriter, you got to write the songs.
- 37:37Speaker 2: Dude.
- 37:38Speaker 3: You can executive produce and not know anything about music.
- 37:41Speaker 1: People do it all the time.
- 37:42Speaker 7: Song But if let's say the four of us are
- 37:44Speaker 7: sitting in a room and we wrote a song right now,
- 37:46Speaker 7: and I said one word that made it in that song.
- 37:49Speaker 4: You don't say a word, right, you just get credit
- 37:51Speaker 4: for right.
- 37:51Speaker 3: Yes, dude, if we if me and Ryan wrote a
- 37:53Speaker 3: song right now.
- 37:54Speaker 4: And y'all here, Taylor and Will and Taylor y'all.
- 37:58Speaker 3: Y'all it is Will and Taylor because y'all are the room.
- 38:00Speaker 3: Actually it's a one, two, three, four, five six.
- 38:03Speaker 1: We don't have to give them credit there, you do
- 38:04Speaker 1: because they're in the room.
- 38:06Speaker 3: Yeah, that's Nashville.
- 38:08Speaker 2: I think we could argue that that that that half
- 38:10Speaker 2: of the room doesn't need credit for the song. We
- 38:13Speaker 2: could argue that, but it would be literally split. You
- 38:15Speaker 2: get twenty five twenty five twenty five twenty five if
- 38:18Speaker 2: you do it in La, though, or New York is
- 38:20Speaker 2: different because they would go.
- 38:21Speaker 4: I'll give you four percent of mind twenty five.
- 38:23Speaker 2: But you would get if you were in LA, they
- 38:26Speaker 2: would like start arguing.
- 38:27Speaker 1: Over like they're keeping but get that mic closer.
- 38:30Speaker 2: They would argue about like who who wrote what, and
- 38:34Speaker 2: like how much you each deserved? Yeah, and so like
- 38:37Speaker 2: you would like all those A lot of those songs
- 38:39Speaker 2: go into dispute, so nobody gets paid until the dispute
- 38:42Speaker 2: is settled because some guys like, well I deserve more
- 38:44Speaker 2: than four percent because I moved this mic cable or something.
- 38:47Speaker 3: And they hold up everybody's pay In Nashville, you feel
- 38:50Speaker 3: like it's different than Nashville.
- 38:51Speaker 2: Pretty much just cut and dry, the only thing you
- 38:53Speaker 2: run into in Nashville is like if somebody potentially like
- 38:59Speaker 2: if you are on top of somebody else's song, you
- 39:01Speaker 2: might have to give them some credit. Like Brett Eldridge
- 39:04Speaker 2: when he did that Crazy song, he had that Celo
- 39:08Speaker 2: Green like Crazy, he had literally like the the hook
- 39:14Speaker 2: to Crazy, and so he had to give credit that
- 39:19Speaker 2: those writers had to give credit to all the people
- 39:21Speaker 2: who wrote Crazy. And I'm sure it wasn't like an
- 39:23Speaker 2: equal split, but like sometimes you have to do that.
- 39:25Speaker 2: But other than that, like it's just we split it
- 39:28Speaker 2: all down the middle here or equally than la oh yeah,
- 39:34Speaker 2: because I mean it's just if you.
- 39:36Speaker 7: Wrote song, well, me, Will and Ernest had a thumb
- 39:39Speaker 7: up brasses the whole time in the morning.
- 39:40Speaker 1: That's so I'm saying Taylor and I were just sitting
- 39:42Speaker 1: here and you guys walked out like, well, even it's
- 39:43Speaker 1: gonna be a great.
- 39:44Speaker 4: Song, number one song because you've had four or five
- 39:46Speaker 4: number one songs.
- 39:47Speaker 2: Yeah, But I would say two things to that. I
- 39:49Speaker 2: would say you because when we wrote Heartless, I was
- 39:52Speaker 2: the dude I walked in and he started just it
- 39:56Speaker 2: fell out of him and I just had my phone
- 39:57Speaker 2: being like no, you got to say that again exactly
- 39:59Speaker 2: like that, and you need that guy to be like
- 40:01Speaker 2: definitely the editor right sometimes, And then i'd also say
- 40:05Speaker 2: that if it's truly like I did ninety five percent
- 40:07Speaker 2: of it and it was a huge hit, I'm not
- 40:10Speaker 2: I'm just not gonna do it again. You know, all
- 40:12Speaker 2: your people be like, we gotta get this crew back together,
- 40:14Speaker 2: and I'd be.
- 40:15Speaker 3: Like, no, but the crew is technically already together.
- 40:23Speaker 2: That's what I would That's yeah, So that's the fall
- 40:26Speaker 2: figures itself out.
- 40:27Speaker 3: Yeah.
- 40:28Speaker 4: Do you like being a songwriter? Do they be a
- 40:30Speaker 4: performer better?
- 40:30Speaker 2: Is that one of them? They're different? I like being
- 40:32Speaker 2: a songwriter. That question, it's music all the time.
- 40:35Speaker 1: Yeah, but he let him elaborate more.
- 40:37Speaker 3: Two of us missed it.
- 40:38Speaker 2: I would like for you to.
- 40:41Speaker 1: Performing.
- 40:42Speaker 2: I think you'll have a similar answer. But I like
- 40:45Speaker 2: when you're a writer, you're creative all the time. It's
- 40:47Speaker 2: all music, and when you're an artist, it's like ninety
- 40:50Speaker 2: percent not music bullshit, And it's that's a word for it.
- 40:57Speaker 2: It's just like I'm yeah, So I like doing both
- 41:01Speaker 2: things because the less I write, I feel like the
- 41:04Speaker 2: more I hit the bulls eye. Yeah, because my I'm
- 41:06Speaker 2: never burnt. But also and I like playing shows. I
- 41:10Speaker 2: like obviously like the recording of music. I like the
- 41:13Speaker 2: music part of being an artist, but there's so much
- 41:15Speaker 2: attached to it. That's like. But I also don't want
- 41:18Speaker 2: to just write songs because I feel like you just
- 41:20Speaker 2: write too many and you get burnt out and then
- 41:22Speaker 2: just they get shittier. So I like doing both things
- 41:26Speaker 2: and earnest like you were one of the few dudes
- 41:28Speaker 2: like me who does both.
- 41:29Speaker 3: Yeah, there's not a lot of them. I totally agree.
- 41:31Speaker 3: I feel the same way about artistry. They're like there's
- 41:33Speaker 3: a there's a part of me. Maybe it's ego or whatever,
- 41:36Speaker 3: but I've always wanted to perform songs or like, sometimes
- 41:39Speaker 3: I'll be writing a song and it's I know, as
- 41:42Speaker 3: soon as we're writing it, this is for me. I
- 41:44Speaker 3: want to sing this song. So like that that or
- 41:48Speaker 3: whatever is getting itched by being an artist. But as
- 41:52Speaker 3: far as creator goes, like I can't turn off writing songs.
- 41:56Speaker 3: I'm gonna be writing songs either way.
- 41:57Speaker 1: Well, you kind of I feel like you just create
- 41:59Speaker 1: shit all the time, whether you're just creating a text
- 42:01Speaker 1: for myself. Yeah, just like trying to make somebody laugh.
- 42:05Speaker 3: Yeah, yeah, yeah, I mean that's the fact that songwriting
- 42:09Speaker 3: is a job is unreal, Like haha, high school teachers
- 42:12Speaker 3: like you're a d D and not listening in class,
- 42:16Speaker 3: so you better pay attention. You're gonna need to go
- 42:18Speaker 3: finish college if you want to get a real job.
- 42:19Speaker 2: It's like, I have a sociology degree, which is basically.
- 42:22Speaker 3: How do you and how does that make it? And
- 42:23Speaker 3: how does that make you feel?
- 42:26Speaker 1: You know what?
- 42:28Speaker 2: I had not a lot to do with writing a song,
- 42:30Speaker 2: so whatever, I just yeah. I think the difference too,
- 42:34Speaker 2: is like a lot of people want to be an artist,
- 42:36Speaker 2: like I wish I was a country music artist, but
- 42:38Speaker 2: then there's dudes that are just like that kid just
- 42:40Speaker 2: is one. Yes, And that's like so like people, you
- 42:44Speaker 2: get better at writing songs, get better at making recordings,
- 42:47Speaker 2: but either sometimes either are one or you aren't one.
- 42:49Speaker 2: And I think that that's what people, like real fans
- 42:53Speaker 2: kind of catch on to, is like they know.
- 42:56Speaker 3: What, Zach, Yeah, I want to be an NFL football Yeah,
- 43:00Speaker 3: I ain't gonna. I can go to the gym every day. Again,
- 43:02Speaker 3: we can.
- 43:02Speaker 2: Tackle each other every Thursday night.
- 43:04Speaker 3: I'm not taking a hit from either of y'all, I'll
- 43:06Speaker 3: take a hit.
- 43:07Speaker 1: Have you had.
- 43:10Speaker 2: You ever had to tackle Derrick Henry?
- 43:12Speaker 1: Yeah? Will he was a few times, he was right there.
- 43:20Speaker 1: A couple of times you tripp or something. Well, yeah,
- 43:23Speaker 1: you go through with it. No, Yeah, he's a he's
- 43:26Speaker 1: a monstery somebody you just you just drop low on
- 43:28Speaker 1: in the hole. A lot of guys are very prideful
- 43:31Speaker 1: and they want to see if they got it. But
- 43:33Speaker 1: as you see Derrick Henry, the majority of times.
- 43:36Speaker 3: I was gonna say the majority of the time, did
- 43:39Speaker 3: Earl Thomas and Derrick Henry a Father's Day card this year?
- 43:43Speaker 1: Had a hard We actually, hey, it's his it's his
- 43:46Speaker 1: mic on yet exactly. Yeahs Taylor, you're grabbing that mic.
- 43:51Speaker 1: I don't know if it's on right now. We can
- 43:54Speaker 1: all we can all hear you for sure. It is okay.
- 43:56Speaker 7: I've been holding my tongue like since I've walked in here.
- 43:58Speaker 7: By the way, I'm very sorry.
- 44:00Speaker 2: I don't mean you do that. I'm having a having
- 44:03Speaker 2: a great time. Yeah, I told him this year we
- 44:07Speaker 2: just had a baby. I get it. I said, Yo,
- 44:10Speaker 2: he's three months yesterday, born in the quarantine. He's pretty
- 44:14Speaker 2: good and he's getting there. We're almost there, dude.
- 44:17Speaker 7: The first six months is like I'm just keeping this
- 44:19Speaker 7: thing a lot.
- 44:20Speaker 2: Oh yeah, I wake up at four am every day
- 44:22Speaker 2: to feed him and then put him back to bed.
- 44:24Speaker 4: And tough life.
- 44:26Speaker 7: It gets there for sure. My my first daughter, she
- 44:28Speaker 7: was born July July fifth, and like two weeks later
- 44:31Speaker 7: I had to go to camp. But those two weeks
- 44:33Speaker 7: I was like, I was like in it because my
- 44:35Speaker 7: wife is she's dead, right yeah. And then my daughter
- 44:39Speaker 7: now she's due July sixteenth, and so it's like I'm
- 44:41Speaker 7: kind of I kind of get a get jail free throat.
- 44:43Speaker 2: I have to go to CAP.
- 44:44Speaker 7: It's kind of a weird little deal.
- 44:46Speaker 2: But we were we were gonna I was gonna be
- 44:48Speaker 2: I mean, we tour, so our schedules kind of go
- 44:51Speaker 2: like this, but we we wanted a tour together this
- 44:53Speaker 2: year just so that like I didn't miss a whole
- 44:55Speaker 2: chunk of time. But it's a it's a lot of work, man.
- 44:58Speaker 2: They're like, oh, it's a lot of work, and then
- 44:59Speaker 2: you are doing it. Oh shit, this is is a
- 45:02Speaker 2: lot a lot of work. And then you always I think,
- 45:04Speaker 2: like your kid has a rough day. Like my daughter,
- 45:06Speaker 2: she's gett me three, and she'll.
- 45:08Speaker 7: Like like be super like mean, or like she'll do
- 45:13Speaker 7: something that's like not good right, and I'll be like, hey,
- 45:15Speaker 7: don't don't do that, And like then you get frustrated
- 45:17Speaker 7: as your patients are low and then they go to bed,
- 45:19Speaker 7: and then your head you're like, what if I just
- 45:21Speaker 7: created a serial killer by doing the right things. Some
- 45:24Speaker 7: people do kid, some people do Dahmer, all those guys,
- 45:28Speaker 7: But like, you know, I don't want to to be
- 45:30Speaker 7: a Dahmer.
- 45:31Speaker 2: You know what I'm saying.
- 45:32Speaker 3: Manson Jimmy Dahmer had no idea when he when you know,
- 45:36Speaker 3: when he went ahead said I'm shooting it, Jeffrey, No,
- 45:43Speaker 3: Timmy's his dad. I'm talking. But when I'm saying, I'm
- 45:46Speaker 3: not talking about a bullet. When I say shooting it,
- 45:49Speaker 3: I'm talking about I'm gonna make this kid. And then
- 45:51Speaker 3: that kid we named him Jeffrey damn dude could not Yeah,
- 45:55Speaker 3: for sure.
- 45:56Speaker 7: But parenting. Parenting is the most stresful job in the
- 45:57Speaker 7: world because you just feel like every day is like,
- 46:00Speaker 7: am I doing the right thing as a parent? Am
- 46:01Speaker 7: I making sure that this kid? When they're three months old,
- 46:04Speaker 7: you're like, hey, I'm keeping you alive, and then six
- 46:06Speaker 7: months hits and you'll be like you're gonna come home
- 46:08Speaker 7: and he's gonna be like kind of smiling anything.
- 46:09Speaker 2: All right. That's the hardest part is when you're like
- 46:16Speaker 2: you don't feel like a dad until like the kid comes,
- 46:19Speaker 2: because it's like you're not pregnant with it. You can't
- 46:21Speaker 2: feel a kick a little bit, but that's it. And
- 46:23Speaker 2: then like it comes and I didn't feel like this
- 46:26Speaker 2: massive emotional flow is more like all right, here's the kid,
- 46:30Speaker 2: and we're gonna keep it alive. But slowly he's like
- 46:33Speaker 2: starting to have like facial expressions and like starting to
- 46:35Speaker 2: like you could see like recognizes me. That part's cool,
- 46:39Speaker 2: Like that's like, my it's been like a steady increase
- 46:42Speaker 2: in feeling like a dad as opposed to just like
- 46:45Speaker 2: this huge wave of it. But yeah, it's it's it's
- 46:49Speaker 2: I don't know, I don't know if we're gonna do
- 46:51Speaker 2: it again.
- 46:52Speaker 7: We had one where like you gotta give it, you
- 46:54Speaker 7: gotta give it.
- 46:55Speaker 2: He's pretty easy though, and that's the thing is, like, man,
- 46:56Speaker 2: we got an easy kid. Everybody tells us he's easy.
- 46:59Speaker 2: Why would we how do we potentially get a shitty one?
- 47:02Speaker 1: Yeah, let's say I hear the second one.
- 47:03Speaker 2: Hear the second ones are the handfuls bit of a doozy.
- 47:05Speaker 7: No, I've always thought like the second one. Like my wife,
- 47:09Speaker 7: she was the second one, and she was like the
- 47:12Speaker 7: good kid like Quinn, her brother, wild child, like add
- 47:15Speaker 7: poster child like me, bam bam bam bam, off the walls.
- 47:18Speaker 7: And then I was the first and I was the
- 47:20Speaker 7: kid that was off the walls. But my brother would
- 47:22Speaker 7: sit there and just watch me. But I feel like
- 47:24Speaker 7: the second kids always like easier for whatever reason, because
- 47:28Speaker 7: they're being entertained by the first one. Now having to
- 47:32Speaker 7: like then you go from my Hey, both of us,
- 47:33Speaker 7: you and me, we're gonna get on the skate. We're
- 47:35Speaker 7: going to make sure these kids no no on nowhere
- 47:37Speaker 7: and I'm doing something wrong. When you got too, it's like, hey,
- 47:39Speaker 7: i'll see you. I'll see you to night before we
- 47:40Speaker 7: go to bed.
- 47:41Speaker 2: Yeah, you're lucky, and we had to get in there.
- 47:44Speaker 7: You know I'll be over here, you'd be over there.
- 47:46Speaker 7: Parenting's cool as shit, though it's different. I feel like
- 47:50Speaker 7: like before I had kids, I didn't know if I'd
- 47:52Speaker 7: ever want to have kids, But now that I have kids.
- 47:54Speaker 4: I'm like, man, it's the coolest thing ever.
- 47:55Speaker 2: I didn't want one until I was with Mare and
- 47:57Speaker 2: I was like, I could have a kid with you,
- 48:00Speaker 2: And I never had that like like there's you know,
- 48:04Speaker 2: people are like, man, I just want to be a dad,
- 48:06Speaker 2: like they've dreamed about it their whole life. And I
- 48:07Speaker 2: was like when I met her and I was like, okay,
- 48:09Speaker 2: that makes sense. So I've had that's been awesome. I
- 48:14Speaker 2: wouldn't have done it unless it was with somebody who's like, oh,
- 48:16Speaker 2: I want to have a kid with you. I think.
- 48:18Speaker 7: I think a lot of ways people get stuck in
- 48:20Speaker 7: Like people make plans like by the time I'm twenty five,
- 48:22Speaker 7: I want to have this job. By the time I'm
- 48:24Speaker 7: twenty seven, I want to be married by the time
- 48:25Speaker 7: I'm thirty, I want to have two kids. And they
- 48:27Speaker 7: have like this timeline in their head. But then you
- 48:29Speaker 7: end up like just saying, Okay, well I need to
- 48:32Speaker 7: be married by twenty seven, so I'm going to marry
- 48:34Speaker 7: the person that i'm with right now. That's and that
- 48:35Speaker 7: person might not be the person for you. You know
- 48:37Speaker 7: what I'm saying. Because I was kind of that way too,
- 48:39Speaker 7: Like I was really you know, I was kind of.
- 48:41Speaker 2: A rambling man.
- 48:42Speaker 7: I was kind of going from place to place, kind
- 48:44Speaker 7: of a little bit of a fuck boy. To be
- 48:45Speaker 7: totally honest with you, I was, I was riding a
- 48:46Speaker 7: little thirty out there and yeah, think you this stand
- 48:50Speaker 7: up gentleman. You and I met Taylor, and all that
- 48:53Speaker 7: stuff kind of like just went away.
- 48:54Speaker 2: I was just like, man, this is oh.
- 48:55Speaker 7: Yeah, A proposed her in five weeks, five weeks, five weeks,
- 48:58Speaker 7: proposer in five weeks, got married on four twenty and uh,
- 49:03Speaker 7: thank you. Married got married on four secretly some little
- 49:10Speaker 7: church at Vanderbilt. No one knew about it, and then
- 49:12Speaker 7: we got married two years later, very for everybody else.
- 49:14Speaker 2: So it was a cool gig.
- 49:16Speaker 3: Man.
- 49:17Speaker 1: I feel like some of that stuff can be like
- 49:18Speaker 1: I chalk it up as like small town syndrome, because
- 49:21Speaker 1: when I was growing up, we all kind of breach.
- 49:23Speaker 1: You up in small towns and you kind of think, like,
- 49:26Speaker 1: I want to be buried probably with a kid by
- 49:28Speaker 1: twenty five because everyone around you, the generation above you,
- 49:31Speaker 1: like they all did it, even though they're all arguing
- 49:34Speaker 1: now and they kind of all hate each.
- 49:35Speaker 3: Other'sall town syndrome is a great song time you see.
- 49:40Speaker 6: That's the great.
- 49:42Speaker 3: Syndrome getting married.
- 49:48Speaker 2: My name by that one.
- 49:49Speaker 7: Hey hey, well hey we all yeahmall town sydrum comes out.
- 49:53Speaker 1: Boys, we all made that.
- 49:54Speaker 2: We made the cut on now everyone, We'll have to
- 49:57Speaker 2: We'll have to. We'll negotiate.
- 49:59Speaker 3: We'll figure that out, all right.
- 50:03Speaker 1: Have you guys heard of Paint your Life. I've always
- 50:07Speaker 1: wanted a portrait of my dog hanging on my wall
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- 51:25Speaker 1: text the word boys to sixty four thousand. That's boys
- 51:29Speaker 1: to sixty four thousand. I will say it one last time.
- 51:32Speaker 1: Text boys on your cell phone to sixty four thousand.
- 51:37Speaker 1: Paint your life and celebrate the moments the matter the most.
- 51:40Speaker 1: Shut out the boys at Paint your Life. Yeah, do
- 51:42Speaker 1: you guys ever get feel like slided? When do you
- 51:46Speaker 1: ever feel like people are trying to use you for
- 51:48Speaker 1: the talent of obviously writing and using you? Guys all
- 51:51Speaker 1: the way up until like, all right, I'm gonna.
- 51:52Speaker 2: Take it from here. Please use me, Yeah, yeah, I
- 51:55Speaker 2: mean please, don't know Ernie.
- 51:56Speaker 1: Ernests had a little smirk over there like he's like, yeah,
- 51:58Speaker 1: a fucking life, please me, and about to use this
- 52:01Speaker 1: shirt as a towel to drop a sweat off my forehead.
- 52:04Speaker 3: Denim cow the Canadian tuxedo.
- 52:07Speaker 1: I thought, the day.
- 52:08Speaker 3: You've been on the bus before and there was no
- 52:10Speaker 3: air last time, right, So I don't know what made
- 52:12Speaker 3: it last because I wanted to dress decent. I didn't
- 52:16Speaker 3: want to come up here looking homeless. And now Ryan
- 52:18Speaker 3: was going to come correct with that. Yes, dude, I
- 52:20Speaker 3: had the car.
- 52:23Speaker 1: I told you I.
- 52:24Speaker 2: Don't you don't come onto the bus with your weak ship.
- 52:27Speaker 2: And Aaron was trying to just got a little warm.
- 52:29Speaker 3: It's okay, that's it. I had a flannel and I
- 52:31Speaker 3: really thought to myself, it's in the car, and I
- 52:32Speaker 3: was like, I feel like he might be wearing plaid.
- 52:34Speaker 3: So I threw the double denims on and I was right, dude,
- 52:38Speaker 3: when I got in right, I was right.
- 52:39Speaker 7: A quick side note. I know people make fun of
- 52:41Speaker 7: the Canadian tuxedo. Big fan of it. I think denim
- 52:45Speaker 7: on Denham looks great. I don't care who knows it,
- 52:47Speaker 7: did it?
- 52:48Speaker 2: Big fan of that.
- 52:48Speaker 3: It's a hot one, but it is.
- 52:50Speaker 7: And I run hot too, run hot.
- 52:53Speaker 3: Yeah you sleep, you got a big fan when you sell.
- 52:55Speaker 7: My wife hates fans.
- 52:59Speaker 1: My huge thing.
- 53:00Speaker 7: I'm a big I'm a big go to the hotel
- 53:02Speaker 7: on away games and then first thing I do, crank
- 53:04Speaker 7: that thing down with yes. It's like in the fifties.
- 53:07Speaker 7: I'm like, that's all right, We're gonna be all right.
- 53:10Speaker 3: In the middle of the night, like running back and forth,
- 53:12Speaker 3: it's beginning, like Christmas comes over your TV. It gets
- 53:16Speaker 3: so cold and there dying dude had Christmas at a
- 53:20Speaker 3: at an extended stay.
- 53:21Speaker 1: Dude, that's awesome.
- 53:23Speaker 2: That was a grind.
- 53:24Speaker 3: I was raising the pace raising a puppy on tour
- 53:27Speaker 3: and we were staying at extended stays all across.
- 53:30Speaker 2: It's a different world than an extended stay. You brought
- 53:32Speaker 2: your dog on tour, Yeah, little baby puppy in a
- 53:34Speaker 2: van by yourself.
- 53:36Speaker 3: Me, Delaney, uh, my tour manager and my dog and
- 53:40Speaker 3: we went all over and he was like, you know
- 53:42Speaker 3: that the mics doud three months old. No, that was
- 53:45Speaker 3: on the Mason Ramsey tour. Yes, which was a little
- 53:48Speaker 3: more toned down because he's fourteen. I was, I did
- 53:54Speaker 3: all my drugs and drinking elsewhere.
- 53:57Speaker 2: That was the Mountain Dew Tour.
- 53:59Speaker 3: The mountain too, Yeah, No, it was.
- 54:01Speaker 1: It was the white Claw Tour for me.
- 54:03Speaker 3: I was drinking so much white claw and Mason finally
- 54:05Speaker 3: came out to me. He goes, white claws are bad
- 54:07Speaker 3: for your voice. You should drink water. And I'm like,
- 54:10Speaker 3: listen here, kid, this is my first, second or third rodeo.
- 54:15Speaker 3: All right, I'm gonna drink white.
- 54:17Speaker 1: Claws white for your voice. Did you ground him on
- 54:21Speaker 1: the spot.
- 54:22Speaker 3: Yeah, put him in his place, punched him.
- 54:24Speaker 7: How about that, though, Dude, you you can't become a
- 54:26Speaker 7: famous football player by yodeling in a Walmart.
- 54:30Speaker 1: That's just no dope.
- 54:31Speaker 3: Would that be if you could? You can become a
- 54:33Speaker 3: professional player. About just hauling off at a minor league game.
- 54:37Speaker 7: Sometime sounds game. He threw like ninety six That's what
- 54:41Speaker 7: I'm saying.
- 54:41Speaker 2: And now he's got signed by the A Yeah.
- 54:43Speaker 7: Sign, that's right.
- 54:44Speaker 3: It's insane.
- 54:46Speaker 7: Football is worst sport to pick.
- 54:47Speaker 1: Huh.
- 54:48Speaker 7: Basketball, You out there, just go crush it, crush it.
- 54:52Speaker 3: Boom, you're in I mean, you've made a lot of
- 54:54Speaker 3: money with football, so why is it the worst sport?
- 54:57Speaker 7: It's the worst sport to get like, like.
- 55:01Speaker 5: I think it's the worst sport to get like found, okay,
- 55:06Speaker 5: get found in a Walmart?
- 55:07Speaker 1: Well were we gary? Bring that stuff back up? What
- 55:09Speaker 1: were we talking about?
- 55:10Speaker 2: Who knows you were? You were going in on saying
- 55:12Speaker 2: use me, Oh yeah, as long as the check clears man, Yes,
- 55:16Speaker 2: just use it up. Take my music, like, cut it
- 55:20Speaker 2: however you want, put it on the race.
- 55:21Speaker 1: So there there's something that there's a formula already in
- 55:23Speaker 1: place for people that want to do something like that.
- 55:25Speaker 3: Yeah, we're paid a song, like it's publishing royalties, you're
- 55:28Speaker 3: paid to do it. Yeah.
- 55:29Speaker 2: But I think like in your case, like you are
- 55:33Speaker 2: in that crew of like Morgan and Michael and and
- 55:37Speaker 2: like there is a thing there that you have created
- 55:41Speaker 2: with the other those other two dudes. It's like it's
- 55:44Speaker 2: a it's a style, and it's very much something that
- 55:47Speaker 2: you're a part of. And so I think it's like
- 55:49Speaker 2: with you, it's just waiting your turn to when like
- 55:52Speaker 2: that third dude can come in and and and do
- 55:55Speaker 2: it like kind of behind those two guys boats. I
- 55:58Speaker 2: mean the thing about Morgan and my they got their
- 56:00Speaker 2: first and that's the only thing that it is. So yeah,
- 56:03Speaker 2: but you get to write all the songs and have
- 56:04Speaker 2: all the singles, and obviously that's a good living. But
- 56:07Speaker 2: uh but yeah, man, it's just we're we're in the
- 56:09Speaker 2: same boat where it's like, man, we just need like
- 56:11Speaker 2: that one like I had a my song got to
- 56:14Speaker 2: top twenty at radio and then it, uh it's a
- 56:18Speaker 2: platinum record. But it just it's like you need like
- 56:20Speaker 2: to stack those up a couple of times before you
- 56:22Speaker 2: can like have that ball rolling. And that's like the
- 56:24Speaker 2: same boat that we're both in.
- 56:25Speaker 7: There's gotta be some sort of politics that plays into it, though.
- 56:27Speaker 7: If you have that many guys getting together doing riding around,
- 56:29Speaker 7: that's the nine Yeah you don't want to do Yeah, yeah,
- 56:34Speaker 7: you got to sit there and all right, well not
- 56:35Speaker 7: a're just gonna say the song it's going to be
- 56:37Speaker 7: number one. I'm sure there's a different release.
- 56:39Speaker 3: Yeah, there's. I mean it's a lot of behind the
- 56:40Speaker 3: scenes stuff that like sometimes artists don't even have much
- 56:44Speaker 3: say and what comes out next or when and how
- 56:47Speaker 3: how they're released. Oh really, Yeah, I mean we're definitely
- 56:51Speaker 3: involved in like picking songs and stuff and all that,
- 56:53Speaker 3: but sometimes, you know, labels get to look at analytics
- 56:56Speaker 3: and actual numbers, so it's like less of a guessing game,
- 56:59Speaker 3: like oh, I like this song, Let's do this. It's like, well,
- 57:01Speaker 3: this one's streaming well, so let's numbers are already saying
- 57:05Speaker 3: this will probably do well, so let's run that one
- 57:07Speaker 3: to radio.
- 57:07Speaker 1: There's like all that being so, Aaron, let's take your
- 57:10Speaker 1: feelings out of it, look at the.
- 57:11Speaker 3: Dyea And that's hard to do as a creator because
- 57:14Speaker 3: feeling is like everything. We write songs around feeling, and
- 57:17Speaker 3: right when it comes to what we actually get to
- 57:20Speaker 3: portray ourselves as like sometimes we get we have to
- 57:23Speaker 3: take that feeling away.
- 57:24Speaker 1: Yeah, gotcha.
- 57:25Speaker 2: I had this song come out called what Her Name Was? Summer,
- 57:27Speaker 2: and it was my favorite song, and I was like,
- 57:29Speaker 2: this is the one, this is it, and I was
- 57:31Speaker 2: the only one that thought that, and then.
- 57:36Speaker 1: I am right.
- 57:37Speaker 2: And then it went to it got too serious and
- 57:40Speaker 2: it got like it did all right, but it was
- 57:42Speaker 2: very obvious it was not the one.
- 57:43Speaker 1: I was like, he comes in the meeting, Hey, Ryan,
- 57:46Speaker 1: did you learn your lessons?
- 57:49Speaker 2: Yeah? I talk about that dumb ass song you want
- 57:51Speaker 2: to play and you can tell like when you play live,
- 57:56Speaker 2: like what songs are huge? And that's one that I'm like, oh,
- 57:58Speaker 2: this is going to be huge. And then it's like
- 58:00Speaker 2: very medium.
- 58:01Speaker 3: I didn't do it.
- 58:01Speaker 1: It didn't do very well live you hear.
- 58:05Speaker 3: It's just not like on the people are like, fuck yeah,
- 58:07Speaker 3: it's not the reaction you dreamed that.
- 58:09Speaker 7: Yeah, Like that scene in Queen where the guy starts
- 58:12Speaker 7: to singing and the whole crowd start behind him.
- 58:14Speaker 1: He just stop.
- 58:15Speaker 7: That's the whole thing kind of That's like the thing
- 58:17Speaker 7: you dream about as like an athlete, because athletes want
- 58:19Speaker 7: to be singers, songwriter, as actor. They want to be
- 58:22Speaker 7: what they're not. Everybody wants to be what they're not.
- 58:24Speaker 7: And so like you sit there and you're watching Queen
- 58:26Speaker 7: or the Elton John movie or any ship like that.
- 58:29Speaker 7: I mean, I'm not trying to be you know, a
- 58:30Speaker 7: homosexual guy from London, super talented, super talented, but happy.
- 58:35Speaker 2: Being what I am.
- 58:36Speaker 7: But I'm saying as a singer songwriter, like having somebody
- 58:40Speaker 7: like call recall to you would be like the dopest
- 58:42Speaker 7: shit ever, or.
- 58:43Speaker 1: Like telling that lawyer dude, like no, I think this
- 58:45Speaker 1: single tell the off. Dude, you're having that amount of
- 58:49Speaker 1: cloud that's and then you walk out and then throw
- 58:51Speaker 1: a fucking rock at the window. You know what happened.
- 58:54Speaker 2: Yeah, it's a great movie. You'll my favorite movie.
- 58:56Speaker 7: I actually love that movie.
- 58:58Speaker 2: Like they didn't they did just used is the actual vote?
- 59:01Speaker 2: Maybe's the actual Freddie Mercury vocal? Right? Yes, I liked
- 59:04Speaker 2: that they did that because yes, you can't fake that.
- 59:06Speaker 2: You can't.
- 59:07Speaker 3: The one movie that I thought was really good the
- 59:10Speaker 3: music movie, was Walk the Line Joaqum Phoenix, Yeah, Joe
- 59:16Speaker 3: him Phoenix. I don't know, but yeah, Walkurd Wait you
- 59:20Speaker 3: of this.
- 59:22Speaker 7: I don't want to get addicted to it. I think addicted.
- 59:24Speaker 7: I think I'd like to try me some of that
- 59:26Speaker 7: cocaine sounds kind of expensive. It's the least expensive.
- 59:28Speaker 3: Drug there is and not once did you pay for drugs? Yes,
- 59:33Speaker 3: Walkard's best, but Joaquum did a pretty good Johnny Cash.
- 59:35Speaker 1: I was okay with Joaquem's voice in that.
- 59:37Speaker 2: He had my favorite ever acceptance at the Oscars when
- 59:41Speaker 2: he used his time to uh decree milk oh yes
- 59:47Speaker 2: to cry.
- 59:48Speaker 1: Yeah, it was like a vegan it was a vegan
- 59:51Speaker 1: chant he got he won like.
- 59:57Speaker 2: The biggest award he could ever win. He's like milk
- 59:59Speaker 2: is bad And that was basically all he said.
- 1:00:01Speaker 7: Yeah, he's a super private dude, right, like strange. Yeah,
- 1:00:04Speaker 7: it's a strange cat, But I feel like those guys
- 1:00:06Speaker 7: are the most interesting to.
- 1:00:07Speaker 1: Me when anybody who does the Jokers fucking.
- 1:00:10Speaker 7: When I see somebody that's super off the wall, I'm like,
- 1:00:12Speaker 7: I gotta get to know that guy, Like what makes
- 1:00:14Speaker 7: that dude? Ways want to be people that way different
- 1:00:16Speaker 7: than me?
- 1:00:17Speaker 3: Ben Burgess, Ben Burgess is that guy.
- 1:00:19Speaker 2: Yeah, it's like the dude, You're like, that dude's a genius.
- 1:00:23Speaker 2: He's a genius, but it's tough to like rope him in.
- 1:00:26Speaker 2: And when you do, it's great, but you gotta like
- 1:00:28Speaker 2: really sit there until you gotta wait for it.
- 1:00:32Speaker 7: Kind of like h c L.
- 1:00:34Speaker 1: Yeah, a little bit like that.
- 1:00:34Speaker 7: Hammercock was definitely like hammer Cock dude, hammer Cock La
- 1:00:38Speaker 7: Floor was definitely one of those cats that were like
- 1:00:40Speaker 7: you talked to him and be like, oh, this guy
- 1:00:41Speaker 7: is just yeah, he's a wavelength and I.
- 1:00:43Speaker 1: Yeah, expanded Hammercock.
- 1:00:48Speaker 7: So we did I think the podcast that she just
- 1:00:50Speaker 7: came out right yesterday. So we did a podcast with
- 1:00:52Speaker 7: David b and uh. I know that the head coaching
- 1:00:55Speaker 7: the Packers.
- 1:00:59Speaker 1: Ago was sure for the Titans, hammercock hammercock.
- 1:01:03Speaker 7: Well he looks he's got that appeal, that vibe of
- 1:01:07Speaker 7: when you look up reality porn and you see like
- 1:01:09Speaker 7: the unsuspecting guy. It's like, well, you know, I didn't
- 1:01:11Speaker 7: study this week, and then the big bosomed milf comes
- 1:01:14Speaker 7: in with the ruler and you didn't study. I mean, look,
- 1:01:18Speaker 7: he's got great teeth, got absolute peace on him.
- 1:01:21Speaker 1: You feel like when you're talking to him and telling
- 1:01:22Speaker 1: the story, he's like kind of smiling like that, but
- 1:01:25Speaker 1: he's thinking about something else that has to do.
- 1:01:29Speaker 2: He can run. I can see that guy delivering a pizza.
- 1:01:35Speaker 7: Sausage on this one. He's got a great porn look. Man,
- 1:01:40Speaker 7: he's got a football doesn't work out for him, which
- 1:01:42Speaker 7: it looks like it is the NFC Championship, right, yeah,
- 1:01:45Speaker 7: makes the NFC Championship. He's got Aaron Rodgers, he should
- 1:01:47Speaker 7: do Jordan Love no active NFL porn.
- 1:01:51Speaker 2: I don't know. I don't play football, But.
- 1:01:54Speaker 1: Where about that?
- 1:01:57Speaker 2: He was apparently?
- 1:01:58Speaker 7: Oh man, dude, I'm a huge Michigan fan. Are you
- 1:02:01Speaker 7: You're from Kalamazoo right from Kalamo. I don't know if
- 1:02:03Speaker 7: you're a Bronco guy or whatever. Yeah, but I mean
- 1:02:05Speaker 7: you're not only a Bronco guy, but I'm a big
- 1:02:07Speaker 7: Michigan fan.
- 1:02:07Speaker 2: You got you guys. You want a last team to
- 1:02:09Speaker 2: beat Ohio State.
- 1:02:10Speaker 7: So yeah, thank you, very thank you for doing that.
- 1:02:12Speaker 7: Don't be a friend, flat boys. Yeah three Ohio State,
- 1:02:16Speaker 7: Stiffrey Bowl three for Ohio State.
- 1:02:20Speaker 2: That's a big deal.
- 1:02:20Speaker 7: That's a big fucking So this boy is my hero.
- 1:02:23Speaker 1: And uh, Taylor's your hero.
- 1:02:25Speaker 2: Beat he beat Ohio State.
- 1:02:26Speaker 7: Okay, heroes and we uh and then Sugar Bowl win, right, Yeah,
- 1:02:32Speaker 7: when the Sugar Bowl we went out, I think that
- 1:02:33Speaker 7: was the only actually good year we had because from
- 1:02:36Speaker 7: O nine to thirteen, that's when I was at Michigan,
- 1:02:38Speaker 7: was really a very dark time, weird, very weird. Rich
- 1:02:42Speaker 7: Rodriguez came from West West Virginia.
- 1:02:44Speaker 1: You really brought him down, did not.
- 1:02:46Speaker 7: He did not have a good night's sleep, I think
- 1:02:47Speaker 7: the whole time he was there.
- 1:02:48Speaker 2: No, it was tough.
- 1:02:49Speaker 7: Yeah, it was tough for him. And then Brady Hook
- 1:02:50Speaker 7: came in, who everybody wanted hardball but settle for Hoke
- 1:02:55Speaker 7: and uh, it just didn't work.
- 1:02:56Speaker 2: Out hok either.
- 1:02:57Speaker 7: But that that that Sugar Bowl win was really cool
- 1:02:59Speaker 7: against West uh Virgina Tech. It's like triple overtime.
- 1:03:02Speaker 4: Brendan Gibbons with the kick. Did you ever see his interview?
- 1:03:05Speaker 2: I don't remember it, but I watched. I mean I
- 1:03:07Speaker 2: was watching the game he did.
- 1:03:08Speaker 7: He did an interview after the game and they like
- 1:03:10Speaker 7: iced him twice and that's exactly what kicks and like,
- 1:03:13Speaker 7: what were you thinking about? And he was like, I
- 1:03:14Speaker 7: was just thinking about brunette girls on the beach.
- 1:03:18Speaker 1: Yeah.
- 1:03:18Speaker 7: He was like, yeah, coach tells me whenever I'm getting iced,
- 1:03:21Speaker 7: just to think about girls in the beach. I'll never
- 1:03:22Speaker 7: miss a kid. He kicked that thing, right. I love
- 1:03:26Speaker 7: Brendan Gibbon.
- 1:03:26Speaker 1: I feel like everything kind of changed for Michigan when
- 1:03:28Speaker 1: you guys lost the Appalachian State.
- 1:03:30Speaker 7: But that was that was before I was. There was
- 1:03:31Speaker 7: two thousand and eight.
- 1:03:32Speaker 2: That was last year that was in the air. That
- 1:03:35Speaker 2: was right, so like it all went weird that year.
- 1:03:39Speaker 2: I remember when Michigan, ohioseate was one two with Chad
- 1:03:42Speaker 2: Hanny Mike Hall, Yeah, and they lost by it was
- 1:03:44Speaker 2: it two?
- 1:03:44Speaker 7: It's like seven, right Smith.
- 1:03:46Speaker 1: To Troy Smith and Maurice Clarette.
- 1:03:48Speaker 2: Yeah, and then we won or Michigan. We I was
- 1:03:51Speaker 2: on the team. I then like they beat him with
- 1:03:55Speaker 2: the nard and then that was it and they've just
- 1:03:57Speaker 2: gotten their ass beat ever since, and it's been really
- 1:03:59Speaker 2: just appointing.
- 1:04:00Speaker 7: Well, there was there was one game after I left
- 1:04:02Speaker 7: that was pretty close. It was that fourth and inches
- 1:04:06Speaker 7: and they didn't get it.
- 1:04:07Speaker 2: But they gave it to him. That's bullshit, absolute, you know,
- 1:04:09Speaker 2: and everybody's like, oh, it didn't matter because they got
- 1:04:12Speaker 2: the ball back, but Wilton dropped the ball on the
- 1:04:15Speaker 2: on the goal line and whatever.
- 1:04:18Speaker 7: Well shape Patterson, our helmets are cool. Yeah, responsor by Jordan.
- 1:04:23Speaker 7: We should definitely go there. There's a there's I've actually
- 1:04:25Speaker 7: talked to Portnoy about this when we were in Miami.
- 1:04:28Speaker 7: Is Michigan's just it hurts to say it because I
- 1:04:32Speaker 7: went there. You're a fan, but very irrelevant at this time.
- 1:04:36Speaker 7: I don't know what you need to do because you
- 1:04:38Speaker 7: have the Jordan sponsorship, you have the history and tradition
- 1:04:40Speaker 7: at Michigan's unbelievable. The uniforms are iconic. What I don't
- 1:04:44Speaker 7: know what they have to do to kind of catch
- 1:04:45Speaker 7: up with Ohio State.
- 1:04:46Speaker 2: Because they need to drop to the academic requirements a
- 1:04:49Speaker 2: little bit. Well, your boy got in there, and I'll
- 1:04:52Speaker 2: tell you what it wasn't good. I got two seven
- 1:04:55Speaker 2: with the sliding scale. My act was stupid good, but
- 1:04:59Speaker 2: I got. And so they're not quite like Vanderbilt. Where
- 1:05:02Speaker 2: Vanderbilt you literally have to be able to get in
- 1:05:04Speaker 2: school to play there. That's a death penalty and it's hell.
- 1:05:07Speaker 3: Were you a good test taker? Was that good test taker?
- 1:05:10Speaker 2: No?
- 1:05:11Speaker 1: I was.
- 1:05:11Speaker 7: I was kind of what you were alluding to about
- 1:05:13Speaker 7: the ad D pay attention to school guy. Yeah, I
- 1:05:16Speaker 7: got to I got to Michigan and I joked with
- 1:05:18Speaker 7: you about the sociology because I was a general state's major.
- 1:05:21Speaker 7: But I got there and they're like, well, so what
- 1:05:23Speaker 7: do you What do you want to do after college?
- 1:05:25Speaker 7: Was the Wa'm going to go to the NFL? Like well,
- 1:05:27Speaker 7: you know football punds, Yeah, and like, well statistically, and
- 1:05:30Speaker 7: I told a story too many times on the podcast,
- 1:05:32Speaker 7: but I definitely was like that was my fucking move,
- 1:05:35Speaker 7: and so I didn't. I was a king of a
- 1:05:37Speaker 7: two point zero at Michigan, absolute king of it, he said.
- 1:05:40Speaker 3: The king of the two point h I graduated with
- 1:05:41Speaker 3: the one point nine high school high school.
- 1:05:43Speaker 1: I never got out of college.
- 1:05:44Speaker 7: So you played when year in baseball in college?
- 1:05:47Speaker 3: Yeah, but I never got out. I just quit after one.
- 1:05:50Speaker 3: But I got there. I mean, thank god for Christian
- 1:05:52Speaker 3: schools because they're accepting the dumb ass kid but saying,
- 1:05:56Speaker 3: you know what, you got a norm on you. Let's
- 1:05:58Speaker 3: let's sign them up.
- 1:05:59Speaker 2: The Lord needs you here.
- 1:06:00Speaker 7: Yeah, Lord.
- 1:06:01Speaker 3: Yeah, the Lord was like kind of change our mind.
- 1:06:05Speaker 3: They kind of kind of talked with the other two
- 1:06:06Speaker 3: and we change our mind.
- 1:06:08Speaker 7: You kich allt of Michigan game.
- 1:06:09Speaker 1: Still.
- 1:06:10Speaker 2: Yeah, we went to Notre Dame this year. Actually, it's
- 1:06:12Speaker 2: fun now because we can take my bus up there. Yeah,
- 1:06:14Speaker 2: and we go and we'll just wake up back home.
- 1:06:17Speaker 7: Super super easy drive to not far off from here.
- 1:06:20Speaker 2: No, not at all.
- 1:06:21Speaker 1: Are you talking about the apartment bus.
- 1:06:23Speaker 2: Well, my bus has the twelve bunks, gotcha, gotcha to
- 1:06:26Speaker 2: throw everybody.
- 1:06:26Speaker 1: And you should hear about this apartment bus. They got
- 1:06:28Speaker 1: my wife.
- 1:06:29Speaker 7: Listen to the pod.
- 1:06:30Speaker 2: My wife has a really sweet bus that has a
- 1:06:32Speaker 2: baby crate in it and our apartments in the back.
- 1:06:35Speaker 2: But but yeah, it's that he was asking how you
- 1:06:38Speaker 2: take a baby on the road. It's like, well, we
- 1:06:39Speaker 2: have a bus that's like set up. It's like monitors
- 1:06:42Speaker 2: and white noise machines.
- 1:06:43Speaker 1: And yeah, will yeah, build on the bus.
- 1:06:46Speaker 7: You just drive the bus and then the babies.
- 1:06:48Speaker 1: Did you hear him? Our apartments in the back of
- 1:06:49Speaker 1: the bus. We need to look into a bus like that.
- 1:06:52Speaker 7: We got great bus.
- 1:06:53Speaker 1: This is fun.
- 1:06:54Speaker 2: This is a great bus. This is a cooler bus
- 1:06:56Speaker 2: than that.
- 1:06:57Speaker 7: I would this bus just bus as best as cool
- 1:06:59Speaker 7: as it gets. It's about twenty seven thousand dollars to
- 1:07:01Speaker 7: get this thing running. The floor the floor under.
- 1:07:03Speaker 1: You got to put it on a different chassis.
- 1:07:05Speaker 7: Yeah, chassis. The floor is so uh there's no drivers seat,
- 1:07:10Speaker 7: there's literally no driversy.
- 1:07:11Speaker 2: You could just risk it.
- 1:07:13Speaker 3: Risk this, dude, nail the lawn chair down to the floorboard.
- 1:07:17Speaker 7: Okay, engine doesn't work.
- 1:07:18Speaker 3: Driver's engine doesn't work. Yeah, steal an engine.
- 1:07:22Speaker 1: Yeah, and then my parts are obsolete for this model.
- 1:07:27Speaker 7: Not like big and fashion anymore.
- 1:07:30Speaker 2: Crowdsources.
- 1:07:31Speaker 7: Kickstarter could do a Kickstarter we could. I'll tell you what.
- 1:07:35Speaker 7: When that song comes up that you and Will started,
- 1:07:39Speaker 7: We'll take you get put it.
- 1:07:41Speaker 1: Right in do with me, like I can't Taylor just
- 1:07:44Speaker 1: pay this or that, like you run a risk right there,
- 1:07:46Speaker 1: trying to do a kickstarter for Taylor.
- 1:07:49Speaker 5: Like crowdfunding, Fuck it, I'll do it. I'm making for
- 1:07:56Speaker 5: me and kickstart for the bus. I feel like that
- 1:07:59Speaker 5: said just coming your mouth.
- 1:08:04Speaker 2: Yeah, we run into that too, not to the same level,
- 1:08:07Speaker 2: but but yeah. No one's like, hey, I don't crowd
- 1:08:11Speaker 2: from my record at this point, like you you're on
- 1:08:13Speaker 2: OURCA records, you can't.
- 1:08:14Speaker 3: Yeah, you get that's that's a bad look for OURCA.
- 1:08:17Speaker 1: Well, it's a worse look for r C.
- 1:08:18Speaker 2: Yeah.
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- 1:10:29Speaker 1: I hope you guys are thoroughly enjoying the boy Ryan heard.
- 1:10:32Speaker 1: The dude is a motherfucking stud who's RCA.
- 1:10:35Speaker 2: That's my record company. So he's on Big Loud Records,
- 1:10:37Speaker 2: Big Loud, Big Loud, Yeah yesterday with yes, sir, I'm
- 1:10:41Speaker 2: on a RCA Records, which is like Elvis.
- 1:10:43Speaker 1: And Classic Beyonce. So you guys are competitors.
- 1:10:46Speaker 7: No, well, it sounds like after you Elvis and Beyonce,
- 1:10:48Speaker 7: it's not a fucking yeah. You know, we had Elvis
- 1:10:51Speaker 7: and Beyond.
- 1:10:53Speaker 3: Beyond.
- 1:10:54Speaker 1: He's set in the standard.
- 1:10:56Speaker 3: RCA is like one of the one of the og
- 1:10:58Speaker 3: record life.
- 1:10:59Speaker 2: No record come. But he's like, hey, where do you bank?
- 1:11:01Speaker 2: That's like all it is like you, Yeah, I would
- 1:11:04Speaker 2: bake it son Trust, I bank it Pinnacle. Well it's
- 1:11:06Speaker 2: like those are We're not competing.
- 1:11:10Speaker 1: Right is that? Now? Is that who you signed with
- 1:11:12Speaker 1: recently in March?
- 1:11:13Speaker 4: What?
- 1:11:14Speaker 2: Then you signed with some publisher now is Big Machine?
- 1:11:18Speaker 2: So that's like Scott Boarshea and whatever. So I probably
- 1:11:21Speaker 2: shouldn't bring that. Bring up the other thing, Garrett, you
- 1:11:25Speaker 2: signed in March with who Big Machine Music? So the
- 1:11:29Speaker 2: publishing side of of of that record company?
- 1:11:32Speaker 1: Now that that's a that's a big deal, right Is
- 1:11:34Speaker 1: that a big deal? Yeah, it's big for me, Like
- 1:11:37Speaker 1: I had Big Machines.
- 1:11:38Speaker 2: I was at Universal Publishing for a long time.
- 1:11:41Speaker 1: You had a picture. I saw you had a signing
- 1:11:43Speaker 1: picture like a high schooler come into a college.
- 1:11:45Speaker 2: Yeah, we do that.
- 1:11:46Speaker 1: That's a big deal. Hey, let's go signing it more.
- 1:11:50Speaker 2: I mean we we Uh. I don't know how would
- 1:11:53Speaker 2: you describe this. I'm trying to like, it's it's a
- 1:11:55Speaker 2: big deal.
- 1:11:56Speaker 1: It's a publishing deal.
- 1:11:57Speaker 3: It's like yeah, well, I mean look, I mean for
- 1:12:00Speaker 3: a lot of people getting a publishing deal, I mean
- 1:12:03Speaker 3: for me, I mean I was working at donut Den
- 1:12:05Speaker 3: in Green Hills.
- 1:12:06Speaker 2: You worked a donut den?
- 1:12:07Speaker 3: Hell yeah, I got a lifetime free donuts. Can't tell.
- 1:12:13Speaker 2: Dude.
- 1:12:13Speaker 1: Yeah.
- 1:12:14Speaker 3: I mean for for most people, that's the dream. You
- 1:12:17Speaker 3: come to Nashville, you want, you want to write songs,
- 1:12:19Speaker 3: you get it. You get somebody to give you a
- 1:12:21Speaker 3: publishing deal. Guess what, that's your job. You don't have
- 1:12:25Speaker 3: a regular job anymore.
- 1:12:26Speaker 7: And if you get the.
- 1:12:27Speaker 3: Dream, yeah, that's it.
- 1:12:28Speaker 1: Getting a publishing deal.
- 1:12:30Speaker 2: For me, that was it. That was like I signed
- 1:12:32Speaker 2: my first deal when I was twenty five years old,
- 1:12:34Speaker 2: and I that was like, that means you are a professional,
- 1:12:39Speaker 2: paid professional songwriter. Yes, And if you put that into context.
- 1:12:42Speaker 2: Somebody told me this once and I looked it up.
- 1:12:44Speaker 2: It kind of holds true. In America, there's thirty five
- 1:12:47Speaker 2: thousand paid professional baseball players, okay, majors, minors, semi pro, whatever.
- 1:12:53Speaker 2: There's thirty five hundred paid professional songwriters in America. People
- 1:12:57Speaker 2: who make a living as not all artists, but guys
- 1:13:01Speaker 2: like me and Ernest and girls who write songs for
- 1:13:04Speaker 2: other people like that's their job is just the writing
- 1:13:06Speaker 2: of the music. There's thirty five hundred people in America
- 1:13:09Speaker 2: that do that job, and maybe somebody can update me
- 1:13:11Speaker 2: because I was like five years ago somebody told me
- 1:13:13Speaker 2: that they're just obvious.
- 1:13:14Speaker 1: You need to start leveraging the NFL numbers because we're
- 1:13:16Speaker 1: smaller than the baseball numbers.
- 1:13:18Speaker 7: We're like twenty I think we're like twenty two, twenty
- 1:13:21Speaker 7: two hundred, twenty two hundred NFL players, and like right now,
- 1:13:25Speaker 7: there's a lot more because you have a bigger roster
- 1:13:27Speaker 7: you have you have fifty three man roster times thirty two.
- 1:13:31Speaker 1: Yeah.
- 1:13:32Speaker 2: Boys, it's way easier to be a songwriter than a
- 1:13:35Speaker 2: baseball player, but way harder to be a well.
- 1:13:39Speaker 1: Closer around there.
- 1:13:40Speaker 7: Yeah, but also like you, I mean, minor minor league
- 1:13:42Speaker 7: BASBA players even Triple.
- 1:13:43Speaker 2: A don't make shit.
- 1:13:44Speaker 1: You don't make sure they don't make it.
- 1:13:45Speaker 7: But like most songwriters will be baseball players.
- 1:13:49Speaker 3: Dude, dude, I would like to probably compare a double
- 1:13:53Speaker 3: a baseball player's salary to a first publishing deal salary.
- 1:13:57Speaker 1: Oh really, that you got to make sure NFL players?
- 1:14:00Speaker 2: Was that that somebody telling us twenty eight hundred songwriters? Damn? Wow?
- 1:14:05Speaker 1: Even less dude, I know, well, it's tables keep turning.
- 1:14:08Speaker 2: It's not tables. Turn last ten years have been a
- 1:14:12Speaker 2: little rough on the old uh on the songwriters, just
- 1:14:14Speaker 2: because of the way that music's consumed. Is trying to
- 1:14:17Speaker 2: get that balance back out. But uh yeah, so most
- 1:14:21Speaker 2: songwriters are not millionaires. That's like the that's just the
- 1:14:24Speaker 2: truth of it. Most of them make a common misconception
- 1:14:26Speaker 2: kind of well, I mean like some of them are,
- 1:14:28Speaker 2: but most of them, like you're my first deal was
- 1:14:30Speaker 2: for like twenty eight thousand dollars a year.
- 1:14:32Speaker 1: Now is that twenty five?
- 1:14:33Speaker 2: That's like pretty good? Yeah, how long is that contract?
- 1:14:37Speaker 3: Probably forty years? Yeah, how many years?
- 1:14:39Speaker 2: Four years?
- 1:14:39Speaker 1: How old are you now?
- 1:14:40Speaker 2: Thirty three?
- 1:14:42Speaker 1: So when you re up to this one, is it
- 1:14:44Speaker 1: you basically moved up in publishing companies.
- 1:14:47Speaker 2: The same amount of quality. I mean, both of those
- 1:14:51Speaker 2: companies are amazing. Universal Music is obviously like the big
- 1:14:54Speaker 2: music company in the world. But yeah, yeah, it's more
- 1:14:57Speaker 2: like the percentages come back in my favor the more
- 1:15:01Speaker 2: that I do it. God, Like the salary part of
- 1:15:05Speaker 2: it's a draw, so it's like an advance, but the
- 1:15:09Speaker 2: royalties are what you're you're partnering, you're.
- 1:15:11Speaker 3: Splitting, right, they'll give you a month, they'll give you
- 1:15:14Speaker 3: a monthly payment.
- 1:15:14Speaker 1: The potential is better you pay it back.
- 1:15:16Speaker 2: Yeah, it goes back.
- 1:15:17Speaker 3: To it comes comes back out of your pocket.
- 1:15:19Speaker 1: And yeah, I'm just trying to learn, dude. So it
- 1:15:21Speaker 1: sounds like a big deal music.
- 1:15:22Speaker 2: The money like the way money flows and music is wild,
- 1:15:25Speaker 2: just wild. Yeah, it's it's complicated, and then once you
- 1:15:29Speaker 2: get it, you're like, oh that makes sense. Yeah.
- 1:15:31Speaker 3: Business manager was the best thing that ever happened to me,
- 1:15:33Speaker 3: because yeah, I have a good one. I can't think
- 1:15:35Speaker 3: about it, and now I don't have to. I just
- 1:15:37Speaker 3: have to, like son some papers every now and then,
- 1:15:38Speaker 3: and I know all of my ship's getting taken care of.
- 1:15:42Speaker 3: No dude, all my bills, Like, I don't worry about it.
- 1:15:45Speaker 2: He sneaks the power of attorney in there.
- 1:15:49Speaker 7: He signed this you're an idiot. Yeah yeah, I keep
- 1:15:55Speaker 7: on writing them songs and as you kill, keep going,
- 1:15:57Speaker 7: keep seeing me.
- 1:15:58Speaker 2: Those people get they get a dirty business manager. Those
- 1:16:01Speaker 2: people get kicked out pretty quick. So yeah, they get
- 1:16:04Speaker 2: found out.
- 1:16:05Speaker 3: Yeah, no question, had your credit card yesterday?
- 1:16:07Speaker 7: I still ye, yeah, I know he still has credit
- 1:16:10Speaker 7: card on the bustle with the boys credit card, so
- 1:16:15Speaker 7: you could have bought beers. I could. I think it's
- 1:16:19Speaker 7: the first, don't. I don't know what Will has been
- 1:16:20Speaker 7: spending this credit card on, but I bought six bottles
- 1:16:22Speaker 7: of water not with it?
- 1:16:24Speaker 2: Yeah, what have you been spending on it?
- 1:16:26Speaker 7: Yeah?
- 1:16:26Speaker 1: I don't use it like a debit card?
- 1:16:28Speaker 3: Would you use it for cars?
- 1:16:30Speaker 1: Trucks? Cars? As I'll plug that card info for Venmo
- 1:16:35Speaker 1: and paying people like using the card instead of giving
- 1:16:38Speaker 1: like the whole bank account card feed.
- 1:16:40Speaker 7: Obviously, I got to look at that buck.
- 1:16:43Speaker 3: Yeah, I think where would we should settle on? Twenty
- 1:16:45Speaker 3: five d a piece.
- 1:16:48Speaker 7: The buses and even more to condition than it was before.
- 1:16:51Speaker 3: We're gonna put it back into the bus.
- 1:16:55Speaker 2: I was when I walked down, Here's like, this is
- 1:16:57Speaker 2: cooler in person.
- 1:16:58Speaker 1: See those things aren't cool?
- 1:17:00Speaker 2: Are great in person than they are.
- 1:17:02Speaker 7: Most of this stuff. I think ninety nine percent of
- 1:17:06Speaker 7: these stickers were on here when we first got this bus.
- 1:17:09Speaker 3: I'd rather be spanking the monkey.
- 1:17:11Speaker 2: I love it.
- 1:17:12Speaker 7: There's one's my favorite.
- 1:17:13Speaker 1: I think you were just thinking out loud, Okay, I
- 1:17:17Speaker 1: was like, all right about Matt.
- 1:17:24Speaker 7: My favorite sticker on this entire bus is behind you
- 1:17:27Speaker 7: when you open the door on like that panel behind you,
- 1:17:29Speaker 7: there's a big lizard and there's no lot lizards my
- 1:17:33Speaker 7: favorite one. You ever heard a lot of lizard? So
- 1:17:35Speaker 7: truckers drive trucks when you go to like a Love's
- 1:17:38Speaker 7: gas station, your travel across country, those hookers lot lizards
- 1:17:44Speaker 7: and then these they're grimy hookers that you get you
- 1:17:46Speaker 7: paying like twenty bucks.
- 1:17:47Speaker 3: No love that for anything.
- 1:17:48Speaker 7: Put your peep over a sock or something like that
- 1:17:50Speaker 7: in a town I don't know where is. I'm a
- 1:17:52Speaker 7: big fan of that one. Little educational pieces. Yeah, but
- 1:17:57Speaker 7: if you had to ask, can't afford it.
- 1:18:03Speaker 1: In that movie erin water Boy, this is one I
- 1:18:09Speaker 1: should know.
- 1:18:10Speaker 3: This is like, I'm not you think I'll just sit
- 1:18:13Speaker 3: there and soberly watch movies and take it all in.
- 1:18:16Speaker 1: Or beer Fest.
- 1:18:17Speaker 3: Oh god, that's it. I haven't seen that in years.
- 1:18:20Speaker 7: That's a that's a phenomenal alright movie. The movie is
- 1:18:23Speaker 7: so dumb. They kill off a character and then bring
- 1:18:26Speaker 7: his twin brother back character and it was asked to
- 1:18:29Speaker 7: be known as landfill quality fucking movies.
- 1:18:33Speaker 2: I need to go back and watch Tonight, We're gonna
- 1:18:34Speaker 2: Me and You're gonna get together, watch The blind Side
- 1:18:36Speaker 2: and beer Fest.
- 1:18:37Speaker 1: Yeah, yes, last story, talk to us how you met,
- 1:18:42Speaker 1: how you met Maren? And we want detail. Obviously, we
- 1:18:44Speaker 1: can read stories, we can read articles, we can see
- 1:18:46Speaker 1: you guys met.
- 1:18:47Speaker 7: We're asking you to make us some money on views here.
- 1:18:48Speaker 7: So here's a favorite.
- 1:18:49Speaker 2: Yeah, I met we writing songs and so like she
- 1:18:54Speaker 2: moved to town to be a songwriter, not an artist,
- 1:18:57Speaker 2: and we started writing like every week or two and
- 1:19:01Speaker 2: and had like a creative relationship first and eventually became
- 1:19:06Speaker 2: something different. But like we wrote songs like Tim McGraw
- 1:19:09Speaker 2: and brothers Osbourne and she was a writer and then
- 1:19:12Speaker 2: all of a sudden, she started like writing songs that
- 1:19:15Speaker 2: people couldn't sing, Like she'd try to pitch them and
- 1:19:18Speaker 2: then but nobody could do it. And that's when she
- 1:19:21Speaker 2: started like making her own recordings again. And she's been
- 1:19:25Speaker 2: doing this since she was eleven years old, like playing
- 1:19:27Speaker 2: bars and like that's what people say. They're like, oh,
- 1:19:29Speaker 2: this is like she became like was a fast. It
- 1:19:32Speaker 2: was like fast for her and it's like, eh, kind
- 1:19:35Speaker 2: of like if you take the whole, take it as
- 1:19:36Speaker 2: a whole. It was. She's been doing it since she
- 1:19:38Speaker 2: was eleven years old. But she's there's not I mean odd,
- 1:19:41Speaker 2: like nobody she's the best songwriter I've ever met.
- 1:19:45Speaker 3: I still believe that, Like there's no sorry, it's okay.
- 1:19:48Speaker 3: I let that one go.
- 1:19:50Speaker 2: I think most people would be like, yeah, it's true.
- 1:19:52Speaker 2: She best singer in Nashville. Is it's just kind of crazy,
- 1:19:56Speaker 2: like there's there and she's also like we talked about
- 1:19:59Speaker 2: ninety center of the ship is not music that ninety
- 1:20:02Speaker 2: percent she is great at so like she's just sort
- 1:20:06Speaker 2: of like the if you would build an artist in
- 1:20:09Speaker 2: for like country music in Nashville, it's it's her. So
- 1:20:13Speaker 2: but we man, it's cool. We've had a really cool relationship.
- 1:20:16Speaker 2: It is funny like I you, you forget how famous she.
- 1:20:22Speaker 2: I forget how famous she is and so like because
- 1:20:25Speaker 2: I am like a writer and I have a career
- 1:20:28Speaker 2: as an artist, but it's not the same in any
- 1:20:31Speaker 2: like even in the same stratosphere as hers. So it
- 1:20:33Speaker 2: is funny like I'll sometimes forget, like, oh shit, she's
- 1:20:37Speaker 2: a superstar and I am. I have to like kind
- 1:20:40Speaker 2: of keep that in mind. It is like harder to
- 1:20:43Speaker 2: like go out with her now, and like even we
- 1:20:46Speaker 2: have like a couple of places we can go to dinner,
- 1:20:48Speaker 2: but like for the most part, like she's got to
- 1:20:50Speaker 2: kind of keep a low profile now. And uh but yeah,
- 1:20:53Speaker 2: we we got engaged in Michigan at our lake house Michigan.
- 1:20:58Speaker 2: Uh yeah, man, cool?
- 1:21:00Speaker 1: What was your what was your first flirting pickup line tour?
- 1:21:04Speaker 1: When did the table start to turn when you guys
- 1:21:05Speaker 1: were at what comment did you have to.
- 1:21:08Speaker 7: Saw a question?
- 1:21:09Speaker 1: Well?
- 1:21:10Speaker 2: I don't know, I could. I could. We definitely into
- 1:21:12Speaker 2: each other, like pretty early on, but I remember we
- 1:21:15Speaker 2: ended up, uh were we started dating I think officially
- 1:21:20Speaker 2: like New Year's Eve of like five years ago or
- 1:21:22Speaker 2: something like that. So that was that was pretty That
- 1:21:26Speaker 2: was pretty cool. It was like we're just gonna be
- 1:21:28Speaker 2: dating now, and so that was kind of fun to
- 1:21:30Speaker 2: like make out in front of everybody making Facebook, like
- 1:21:35Speaker 2: all your friends are there, Like I guess they're actually
- 1:21:37Speaker 2: together now, So like, oh.
- 1:21:39Speaker 1: Yeah, Ryan fucking pulled it off.
- 1:21:42Speaker 2: I mean, at one point, you know, I had more
- 1:21:45Speaker 2: going on than than she did when we first you know,
- 1:21:47Speaker 2: started writing, because she had just moved in Nashville, and
- 1:21:49Speaker 2: then very quickly the script was flipped. So which is
- 1:21:54Speaker 2: totally okay. Man. I feel like if you uh, I
- 1:21:58Speaker 2: just I've always I don't feel threatened ever. I think
- 1:22:03Speaker 2: people have asked me that it's like does this ever,
- 1:22:05Speaker 2: like do you feel threatened by the success of your wife?
- 1:22:07Speaker 2: It's like, fuck, no, man, It's like this is I
- 1:22:09Speaker 2: have like the ultimate freedom. Oh I don't have. Like
- 1:22:12Speaker 2: everything I do is just like icing like everything, like
- 1:22:16Speaker 2: because being with somebody like that. I think that like
- 1:22:19Speaker 2: dudes a lot of times get attracted to strong women
- 1:22:21Speaker 2: and then they can't handle it because they feel like
- 1:22:24Speaker 2: for some reason it diminishes them. And I feel the
- 1:22:27Speaker 2: exact opposite. I feel like being with a strong woman
- 1:22:29Speaker 2: frees me up to be literally do whatever I want.
- 1:22:32Speaker 2: I don't have to worry about like I mean obviously
- 1:22:35Speaker 2: to worry about her, but like I don't have to
- 1:22:38Speaker 2: prop her up in any way. It's just she can
- 1:22:41Speaker 2: handle her own shit, and I feel like that is
- 1:22:43Speaker 2: a really cool way to have a relationship. You get
- 1:22:47Speaker 2: to go golfing, and I like watching her like pop
- 1:22:49Speaker 2: off on the internet at people, Like that's really fun
- 1:22:52Speaker 2: for me. And then people either tell me like to
- 1:22:55Speaker 2: back her up or like to tell her to stop,
- 1:22:58Speaker 2: and it's like, man, I don't need to say anything,
- 1:23:00Speaker 2: Like I'll come in there every once in a while
- 1:23:01Speaker 2: when I feel like I need to say something. But
- 1:23:03Speaker 2: for the most part, she can handle herself and that's cool. Yeah,
- 1:23:07Speaker 2: and then uh, I don't know. I'm just like been
- 1:23:09Speaker 2: proud over the last month because she's one of the
- 1:23:12Speaker 2: I think the few country artists that's like been really
- 1:23:15Speaker 2: vocal about like the stuff going on in our country
- 1:23:18Speaker 2: and just even if you don't agree with it, like hey,
- 1:23:21Speaker 2: she's putting herself out there in a big way and
- 1:23:24Speaker 2: and and that's that takes nuts. It really does, especially
- 1:23:27Speaker 2: in our genre.
- 1:23:28Speaker 3: Where you know that everybody's going to crucified, famously crucified
- 1:23:32Speaker 3: yea having an opinion.
- 1:23:33Speaker 1: Oh yeah, especially if you don't that's correct.
- 1:23:36Speaker 2: Yeah, it's just like keep politics out of it. It's like, no,
- 1:23:39Speaker 2: you just don't.
- 1:23:39Speaker 7: Agree with her politics, like she said, exactly what you want.
- 1:23:43Speaker 2: Just like the massive double standard for people who I
- 1:23:46Speaker 2: think are I mean you deal with the people tell
- 1:23:49Speaker 2: I mean, if if if you if you have any
- 1:23:55Speaker 2: opinion it it's like, hey, you just go like just
- 1:23:57Speaker 2: keep singing. That's all we want you to do. And
- 1:23:59Speaker 2: it's like I'm a I built this platform, it's mine.
- 1:24:02Speaker 2: I can do whatever the funk I want with it, right, or.
- 1:24:04Speaker 6: It's like what Okay, so what is your exact job? Oh,
- 1:24:07Speaker 6: you're a your only plumbers can have an opinion. But
- 1:24:12Speaker 6: hearn is actually like really outspoken to on social media,
- 1:24:15Speaker 6: and that's hey.
- 1:24:16Speaker 7: You don't say I just think that man wrots a
- 1:24:20Speaker 7: bullet on a Wednesday. He's outspoken.
- 1:24:24Speaker 2: It's hard to have that when you when your platform
- 1:24:26Speaker 2: is smaller. And I feel the same way. And sometimes
- 1:24:29Speaker 2: I say stuff and sometimes I don't. And this, this
- 1:24:31Speaker 2: conversation got a little took a left turn from yeah
- 1:24:36Speaker 2: for sure, shout out number. I want I want details
- 1:24:40Speaker 2: on how you and Marin got together, but like, honestly,
- 1:24:42Speaker 2: it's just like it was a creative partnership that became
- 1:24:44Speaker 2: something more and now we really do have a cool thing.
- 1:24:47Speaker 1: That's awesome. Dude. Well I appreciate you coming on bus
- 1:24:50Speaker 1: with the boys. Apologies for the boy beings. Yeah, everybody crashing.
- 1:24:55Speaker 1: I think it made for a good seat.
- 1:24:56Speaker 7: Like Bruce Pearl, I love seeing you, I love seeing you,
- 1:25:01Speaker 7: I love I love you.
- 1:25:02Speaker 3: We got to play golf, were neighbors.
- 1:25:04Speaker 2: Me and Will played yesterday. We invited you.
- 1:25:08Speaker 3: I had I had another golf, you know, golf.
- 1:25:10Speaker 1: He golfed eighteen.
- 1:25:12Speaker 2: I didn't have time to play eighteen yesterday he has golf,
- 1:25:14Speaker 2: You're always welcome to come back.
- 1:25:18Speaker 7: That's fucking crazy. Hey, Taylor, Literally, I literally did Ernest's
- 1:25:21Speaker 7: podcast yesterday and he's like, I got to play eighteen holes.
- 1:25:23Speaker 7: I was like, cool, man, I'll see you called the bill. Hey,
- 1:25:26Speaker 7: I did Ernest's podcasts, like, yeah, man, that's great, gotta go.
- 1:25:28Speaker 7: I'm going to play golf. And I had him like,
- 1:25:30Speaker 7: are they fucking playing together dude? Without me?
- 1:25:34Speaker 2: I don't.
- 1:25:34Speaker 7: I don't golf, So would you think would you? I'd
- 1:25:38Speaker 7: go out there and hey, if you good enough, guy,
- 1:25:40Speaker 7: beers on a golf cart. Everybody see uh yeah, everybody
- 1:25:44Speaker 7: sucks at golf.
- 1:25:46Speaker 2: That's the thing. I know.
- 1:25:46Speaker 7: I'm not worried about sucking at things. I'm say, this
- 1:25:50Speaker 7: can go down a really weird road, but very much.
- 1:25:53Speaker 4: I know.
- 1:25:53Speaker 1: I can't wait. I can't wait. I've heard him a
- 1:25:55Speaker 1: couple of times.
- 1:25:56Speaker 7: People who think they've made it, gotcha. I'm twenty nine
- 1:26:00Speaker 7: years old, twenty nine this month. Actually I'm actually still
- 1:26:03Speaker 7: twenty eight and still.
- 1:26:05Speaker 3: Haven't made it.
- 1:26:05Speaker 7: It's hard, Yes, I haven't made it.
- 1:26:07Speaker 4: It's hard for me.
- 1:26:08Speaker 1: It's hard for me to pick up See what he's
- 1:26:10Speaker 1: building down the road.
- 1:26:12Speaker 7: But I never had that bug as a kid. My
- 1:26:13Speaker 7: dad never made me go or nothing. Hell long, I've
- 1:26:15Speaker 7: been golfing for well.
- 1:26:16Speaker 2: I grew up playing and then I quit because I
- 1:26:19Speaker 2: was like, I'm bored and I don't want to do
- 1:26:20Speaker 2: this anymore. He had made it yet, I hadn't made
- 1:26:22Speaker 2: it yet, and that I made it, honestly, like when
- 1:26:24Speaker 2: everything's shut down, that was the only thing you could do.
- 1:26:26Speaker 2: And I was like, I guess I'm gonna go to
- 1:26:27Speaker 2: play too golf with my brother.
- 1:26:28Speaker 3: I might not make it because of golf. Yeah, Like, dude,
- 1:26:33Speaker 3: I literally quarantine. I never played golf in my life.
- 1:26:35Speaker 3: I was always a baseball player, though, and I sliced
- 1:26:37Speaker 3: the shit out of the ball from the left side
- 1:26:39Speaker 3: with my golf swing, so I was always discouraged. Quarantine happened.
- 1:26:43Speaker 3: My parents started playing golf out of nowhere, so I
- 1:26:45Speaker 3: was going to meet them at the caave and like
- 1:26:47Speaker 3: walk nine holes with them two or three times a week.
- 1:26:50Speaker 3: And I just swopped over and started hitting right handed
- 1:26:52Speaker 3: and realized I had way more fun. And I just
- 1:26:55Speaker 3: haven't stopped since the beginning of Quarantine. I just played
- 1:26:57Speaker 3: golf all the time.
- 1:26:57Speaker 1: I love the camaraderie, you know what I mean. Yeah,
- 1:27:01Speaker 1: And you're like, it's my brother and to my manager,
- 1:27:03Speaker 1: I'm like, okay, I'm going three people I've never actually
- 1:27:05Speaker 1: been met in real life. But it was a solid time.
- 1:27:08Speaker 7: Were you nervous at that first t though?
- 1:27:10Speaker 3: Yeah?
- 1:27:11Speaker 1: What what gets me is is everyone wants to be
- 1:27:13Speaker 1: so silent when somebody's swinging and me, I kind of
- 1:27:15Speaker 1: don't mind, Like, hey, boys play some music. Yeah I
- 1:27:21Speaker 1: stopped watching me all right, Hey, but no doubt you
- 1:27:24Speaker 1: definitely feel that way. It's more like, I hope I
- 1:27:26Speaker 1: don't just roll this thing in front of me. But
- 1:27:28Speaker 1: I was like I was getting them in the air
- 1:27:29Speaker 1: and they were just going everywhere else you hit, But
- 1:27:31Speaker 1: I don't mind. I didn't mind that at least I'm
- 1:27:34Speaker 1: swinging them hit.
- 1:27:34Speaker 7: I'll tell you what I love. What I going to
- 1:27:36Speaker 7: like top golf, getting a pitching wedge out, hitting it
- 1:27:39Speaker 7: completely wrong. I hit that thing one hundred and ninety.
- 1:27:41Speaker 1: Yeah, I'm going to talk. You were about to compliment hit.
- 1:27:48Speaker 2: Hit one. He got a hold of one and went
- 1:27:50Speaker 2: like eight feet off the ground for like two hundred
- 1:27:52Speaker 2: and eighty yards.
- 1:27:53Speaker 1: Oh my god.
- 1:27:53Speaker 2: And we just say, yeah, just like guy, this.
- 1:27:57Speaker 1: Boy has been lifting weights a Chase. He was a
- 1:28:00Speaker 1: fan of the old. Uh, I've been taking your cigar
- 1:28:02Speaker 1: holder around you like that piece? Oh I've been, Yeah,
- 1:28:04Speaker 1: I've been utilizing it.
- 1:28:06Speaker 7: Who is it?
- 1:28:07Speaker 2: This is.
- 1:28:09Speaker 7: Hey Taylor.
- 1:28:11Speaker 1: Chase, that's his tour manager. And he's also like he
- 1:28:14Speaker 1: was claiming that Jack and Garrett are two of his
- 1:28:17Speaker 1: boys that he grew up with.
- 1:28:18Speaker 7: There you ever seen them play spike Ball?
- 1:28:21Speaker 4: I haven't.
- 1:28:22Speaker 7: Actually, Oh well they're actually one, two, three, four, fourth
- 1:28:28Speaker 7: and fifth place on the bus right now talking about
- 1:28:31Speaker 7: that spike Yeah, he's barstool tag this in that barstool.
- 1:28:34Speaker 1: I did see that. I was like, little did they
- 1:28:36Speaker 1: know that we've been taking this very serious.
- 1:28:37Speaker 7: We've been taking spike ball serious as fuck.
- 1:28:39Speaker 1: You probably got a roll though, Yeah, you gotta roll.
- 1:28:41Speaker 1: I appreciate you coming on man.
- 1:28:43Speaker 2: This was fun.
- 1:28:44Speaker 1: Guys, gals, people of all ages, appreciate you so much
- 1:28:48Speaker 1: for tuning me into another episode of Busting with the Boys.
- 1:28:51Speaker 1: If you haven't yet, please subscribe to the episode on Apple, podcast, Spotify,
- 1:28:56Speaker 1: whatever platform you're on.
- 1:28:57Speaker 2: We're on there.
- 1:28:58Speaker 1: We have a YouTube channel, Busting with the Bull. We
- 1:29:00Speaker 1: would love if you subscribe there as well. If you
- 1:29:03Speaker 1: are subscribed and you want to be more for the boys,
- 1:29:05Speaker 1: unsubscribe and resubscribe. Again, it sounds funny, it's stupid and
- 1:29:09Speaker 1: kind of obnoxious, but all of your subscriptions and resubscribing
- 1:29:13Speaker 1: and stuff, it helps in these little algorithm games for
- 1:29:16Speaker 1: climbing charts. Because again, we were very organic you guys.
- 1:29:19Speaker 1: Where we're at is because of you guys, so we
- 1:29:22Speaker 1: like to keep it fucking organic and just from us,
- 1:29:25Speaker 1: dude to us versus the world.
- 1:29:27Speaker 2: But we really do.
- 1:29:28Speaker 1: We really appreciate your guys and support. A few of
- 1:29:31Speaker 1: you had questions about merchandise. You can go Our merchandise
- 1:29:34Speaker 1: store is on barstoolsports dot com. Go over to shop
- 1:29:38Speaker 1: and we are under the brand Bustle with the Boys.
- 1:29:41Speaker 1: You can find all of our gear there. We restart constantly. Now,
- 1:29:44Speaker 1: if you guys have any ideas, shout us out. If
- 1:29:46Speaker 1: you guys buy the gear, shout us out. We really
- 1:29:49Speaker 1: do love when you guys talk back to us, add us,
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- 1:29:56Speaker 1: in on our YouTube episodes, and again, we just love it. Man,
- 1:30:00Speaker 1: We love you guys, we appreciate you so much. Keep
- 1:30:03Speaker 1: being for the fucking boys. Keep being a wolf.
- 1:30:06Speaker 2: Uh.
- 1:30:06Speaker 1: The biggest of hugs and the tiniest of kisses. We
- 1:30:09Speaker 1: love you. We appreciate you. Tune in next week for
- 1:30:12Speaker 1: another episode of Busts with the Boys.
- 1:30:18Speaker 2: H nod Man a.
- 1:30:26Speaker 7: Mother drug stops Darklings, Donas hall
- 1:30:32Speaker 2: Zasy loves Louise