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Tecuento T3 P16 - El Poder del Amor · Tecuento

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  A program to share. Drives Daniel Linsonic Friday Vitrice to fourteen hours on Radio
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  Trentopics Stories. I' ve taken it the gold The rooster will come.
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  I write without thinking, without thinking where I know bows or we differ his
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  sabre x fu flames. I already know how we' re married. Those
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  pictures are good afternoon. Dear friends, how are you starting a new afternoon
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  of telling you from the most lacking studio of Radio treintopic the Radio Transmedia number
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  one of Argentina accompany me in the operation and musicalization. Juan Greco How about,
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  John, everything is already available, Dear friends, to leave us messages.
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  The eleven twenty- six, forty- two, twenty forty- two
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  and from the outside, before setting the prefix fifty- four nine and just
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  repeating this cell eleven twenty- six, forty- two, twenty forty-
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  two. Well, today is a very special date in my family. Yeah,
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  well, they' re all involved. Fifty years ago, two souls
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  met and decided to continue together the path of life. Yes, fifty years
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  ago I met my other side, my complement. For that reason, this
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  program is dedicated to Helena, my lady Yes, which I do not know
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  what would have been of my life. I often ask, but she doesn
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  ' t answer me. Looks like we' re doing fine so far,
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  50 years. Let' s throw a little more and then the rest came.
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  Why it' s a wedding anniversary. Then came marriage daughter family,
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  all fast. Uh, I don' t know it was many years,
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  or anything like that, but beautiful, beautiful magical moments have happened to us.
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  Yeah, I had to pick again. And I don' t think
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  we' ve chosen each other. I believe that, as God says,
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  it creates us, the wind blows and souls come together. That' s
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  who we are. So, for this reason I thought this program was good
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  to explore the theme of love, the power of love with varied expressions.
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  Yes, on the one hand we will look seriously at the explanation of the
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  types of love, the emotion of the stories and much more. One of
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  the musical pauses that has to do with the subject today and that they will
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  listen to is included the Korean version of the Secret Garden series. I recommend
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  that series is not to make trouble, it is to enjoy life and it
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  is called urn my Ivery Synke, so at some point it will start to
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  sound after my words within the program and it is dedicated to my lady Yes,
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  how well I arrived here and I did not get excited. I'
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  m holding the tears. What is love, ma' am? Yes,
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  ma' am, what is love? The dictionary of the Royal Spanish Academy
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  defines love as an intense feeling of the human being who, starting from his
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  own insufficiency, needs to seek the encounter and union with another being feelings towards
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  another person that naturally attracts us and that, seeking reciprocity in the desire of
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  Union, completes us with joy and energy to live together, communicate and create.
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  There is much talk about the different types of love and here we have
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  tried to bring Socrates together with some psychologists of this age and they agree on
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  something. The six types of ludos soneros love, storsh mania, pragma and
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  agape the heroes. It' s about passion love or romantic love. It
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  is characterized by the appearance of a high passion, a highly sexualized love in
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  which there is a great emotional intensity, with a need to spend time together,
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  to have intimacy. Ludus is a love based on sex, where there
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  is no commitment. In this archetype we find open or fluid relationships, in
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  which there is no exclusivity with another person. Storge is a kind of love
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  that is built slowly and calmly, governed by commitment. Sexual intercourse and passion
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  are not the most important thing. We' d say it' s friendly
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  love. Mania is a love that is lived in an intense and possessive way,
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  it can generate a true obsession towards the person most loved to whom it
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  is idealized. There is a high emotional dependence and often feelings of possession appear
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  what it says in a chain of pision, of God of zeal frequently.
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  I think we can apply this to all femicide situations and everything else that there
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  is violence. Be that obsession with possessing the other pragma alludes to a highly
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  pragmatic form of love, in which the interests, duty or beliefs of what
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  has to be are above the sexual attraction, although it does not have to
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  have disappeared that sexuality of the couple. It is easy to find this type
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  in relationships that have taken many years of coexistence and in which the interests of
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  both are prioritized against other components of love. Finally, make this archetype assume
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  that the loved one is above his own interests. In a common way,
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  feelings of sacrifice arise toward her. It is considered an intermediate love between eros
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  and storg where one of the members of the couple gives everything for the other
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  in an unselfish way, without expecting anything in return. It only matters that
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  the other one is happy. The usual thing is that these loving relationships experience
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  different kinds of love in their evolution. There' s nothing totally pure.
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  It is changing and that people can live one or several types of love throughout
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  their life in a relationship or in several. Now I ask you what you
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  ' re hearing with what kind of love do you identify yourself with? And
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  they answered, they sent us a message to see what kind of love or
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  what kind of love they identify with? You guys? Remember that you can
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  write to us directly looking for eleven, twenty- six, forty- two,
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  twenty forty- two, eleven, twenty- six, forty- two,
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  twenty forty- two, with what kind of love do you identify yourself?
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  Yeah, well, Sylvia Fesquet, a prestigious writer and columnist for Clarín
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  newspaper, many years ago wrote a note about the truth of love. I
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  liked it and I share it here. I share it with you. Someone
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  can remember love is like wanting to conjure up the scented soul of roses in
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  a basement. Leave it there you could see the rose, but perfume never
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  and that' s the truth of things. Its perfume in search of that
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  truth goes lovers and lovers in the most complete sense of the word, not
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  in the pejorative meaning that gives it the ordinary use, alluding to the forbidden,
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  lovers in its purest meaning, those who love, those who love.
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  John Sennar said that the rub of two pieces of meat does not define the
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  phenomenon of love, as well as the pink string by the finger does not
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  explain the infinite miracle of sounds. And it is also in search of that
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  melody that the dance of the bodies is set in motion, executing the eternal
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  and unmistakable language of love. This is how these two complete half- beings
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  of nothing are sought, hidden, coveted, bequeathed, inaugurated every night,
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  every day what the first lovers discovered in the initiatory moment of humanity. And
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  that' s most of it. It is the wonder we have every time
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  is the first, every time it is unique, repeated and unrepeatable, different
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  and equal, similar but different. Sistered with the unfathomable mystery of the human.
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  No matter how many times we have looked into the abyss of love or
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  how many dawns we have been surprised by repeating those words that spell and all
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  together. Each new encounter will be a discovery, a new beginning will serve
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  little what has been learned. We will have to rewrite the codes of sanctifying
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  the path of bodies. They plotted a new human geography for hands to run
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  and old like the world, gestures, words, looks. Everything will be
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  as newly released as bone hocha mar o no o o o roso de vivir.
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  Now be sold new living cho, I have won your baby from your
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  self, your saint wins big or not, or or holy or going through
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  literature texts, commentaries and so on. I have come across this text that
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  I am going to share with you of Sorian palm referring to the literature source
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  of knowledge and sensitivity. It says so. Some consider idle and useless the
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  time we spend reading a book, but that is an opinion far removed from
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  reality. I am a reader at hours of those that arrive in the early
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  hours of the morning and can not take off from the story. I still
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  remember the last book I read from Chilean writer Isabel Allende. One of my
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  favorites is called Paula, fabulous novel, guilty of my nights of insomnium and
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  that I dropped my hair a little. Yes, that was the result of
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  the empathy I achieved with each character. Precisely literature helps us to be empathetic,
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  to understand the suffering of others and to enjoy with every moment of joy.
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  So it happened to me also with the work of what the wind took
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  away and that strong character, Scarlett O' Hara, who helped me understand
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  how many times the blows of life can embitter people, but the determination to
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  get ahead makes you overcome every obstacle you encounter on the way. That'
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  s why I think literature makes us better people. It is impressive how a
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  work written hundreds of years ago can have so much virginity and give us so
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  many lessons. There we have the texts of José Martí, for example,
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  or the book of the prince of Antoindesan is super Literature will never make us
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  lose. On the contrary, it allows us to win. Yes, winning,
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  gaining knowledge and sensitivity to better understand the society in which we live.
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  I didn' t know it was gonna happen one day. I knew that
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  I was going to end up knocking on that door and that night I simply
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  knocked the doorbell had come all the way there as flocked by an unknown will.
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  The house is more or less like I imagined it, a neighborhood house
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  in floresta, with a garden in front, with two or three masons and
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  a garden dwarf. He went out to open me up in his pajamas.
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  It was cold, I had an over- all on my shoulders. I
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  told him my name and he wasn' t surprised on the contrary, he
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  could have sworn he was waiting for me. I had knocked on the doorbell
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  without thinking that I was coming to tell him, not even knowing if I
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  was coming to tell him something, I didn' t have the best excuse
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  to be in that house at ten o' clock at night. The situation
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  was uncomfortable and absurd. He asked me to come and wait for him,
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  that he was going to change. I told him not to bother, he
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  was fine. Like this. I just forgot to add that they could dress
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  as they wanted, that at the end of the day, it was Carolina
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  ' s husband and that this was his home. We went to the kitchen.
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  He invited me with a mate. I said yes, drinking mate was
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  a way to stay quiet, to give yourself time, and he remembered that
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  Carolina, with all her softness and manners in the morning, sometimes also took
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  mate. She was very funny sucking the lightbulb from the side of her mouth
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  as if she was playing the protagonist of a tango lyrics. I used to
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  take math with a thinking face. I had seen her at night in my
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  apartment, while she was thinking of biting a pencil when she drew me one
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  of those maps or maps of places and houses where I had lived in Chica
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  and of those I always suspected never existed or not in the stories she told.
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  Well, yeah, I' d looked at that unprotected absent face many
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  times too, nakedr than her body, but I' d never looked at
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  her in the morning. While Calorina sucked when she said she would surely wonder
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  what she came to, she replied that he didn' t ask too many
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  questions and always knew that one day we were going to meet. He smiled
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  with his eyes fixed on the mate and what we saw. I don'
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  t know. I told him I was curious. I can see that.
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  He muttered We talked about politics. I' ll tell you a story that
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  the night paper brought, the news of a crime. We' re talking
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  about winter' s inclementness in Buenos Aires. We' re not talking about
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  Carolina. At some point he asked me if I wanted to see some pictures.
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  “ It’ s a little late,” he said. Standing up,
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  he came out of the kitchen and left me alone. I took advantage
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  of the truce to observe around me. I tried to imagine Carolina next to
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  that counter or on tops, trying to reach a saucepan, a kettle.
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  Maybe it was something like that that I' d come looking for in that
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  house and on one of the walls. I saw two very small squares.
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  I got up to look closely at them. They didn' t tell me
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  anything like knowing if she hung them up how to know if they meant anything.
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  The day he chose them. When he came back in, he was
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  carrying a cardboard box. He sat a little away from me and caught up
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  with the first photograph, Carolina alone. Behind some trees that could be a
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  square or a park. He dismissed several and caught up to me with other
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  Carolinas alone kneeling beside a dog upside down. He looked at three or four
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  more. One of them very carefully, put them under the rest in the
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  bottom of the box and reached me another Carolina alone. Then I understood something
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  absurd. I felt that man didn' t want to hurt me This one
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  ' s cute. He said Carolina next to a mailbox laughed yes, I
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  said without thinking about it. It was hard to see her laugh like that.
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  You' re not in any of the ones you showed me. I
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  told you ah understand, you were the one taking the picture. It'
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  s pretty much everything I remember or everything that happened that night. I told
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  him I had to go and he walked me to the entrance door, not
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  to the gate. It was at that moment that he told me the story
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  of the dwarf who had it. Carolina had bought it a year ago,
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  you know what she was like. He said he wasn' t sure he
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  knew her very much.“ That is true,” the pensive said.
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  I don' t think there was anyone who really knew her when she was
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  already clearing the gate lock. Or his voice behind my back was very beautiful.
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  It' s not true that I went out and closed the fence and
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  answered him since the coming. Yes, she was very beautiful and I walked
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  away with the feeling that she had been there. He felt the perfume of
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  his body in the air. It was the least you will trust me with
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  what I feel so much like, what the winner gives me the most were
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  what I always repeat to myself that, so I bring the smartest, the
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  most beautiful air Sok tell us the masks, what I can, what I
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  don' t want to Lose is more than you guess once lit up an
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  imminent danger. I like you because you scare me why you can' t
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  help it. I like why you' re a witch, why do you
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  play dreams? I like you because you tempt me to take me to your
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  land. I like why you ask for the crack in it gave me that
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  I least condemn what I want so much, what I want the most.
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  I have to say that I always repeat myself that so I toast the smartest,
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  prettiest and dis already tell me the letters, I can miss it what
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  I don' t want to lose baby you are more than you guess.
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  A mescha on, a danger imminent and said I like you because it scares
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  me because it has no remedy. I like it by stubborn park tera putting
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  so the sodium s I like you because you tempt me to take me to
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  your terredor. I like why you hit yourself with a half- stripe.
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  O O O O O O O O that the wagons tell us, is
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  missing and how we are doing well. Well, you may have noticed here
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  in the last few shows with great joy. With great joy our professional columnists
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  have been incorporated, what they want to share with you, your professions,
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  your experiences. And, well, today it kicks in for a series of
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  notes. Alejandra Faena. Alejandra Faena, you know. We' ve been
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  talking to her, we' ve reported her. He presented his book and
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  invited him and accepted it. He accepted this, I do not say challenge,
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  but yes, this proposal, that is, what you do is good,
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  what you do. Help people. You share it. She said yes,
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  I share, so I will leave you with Alejandra Faena, yoga teacher,
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  meditation teacher, with her first contribution to tell you. Let' s
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  hear it Hi, I' m telling you. I am Alefaena, professor
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  of rope, meditation, writer, to the first present book conscience and here
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  I will leave you a reflection. That' s interesting to me. We
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  in life come to an evolution, a spiritual evolution, and we generally go
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  through suffering, distress, good things, bad things. What happens to greater
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  suffering means that we have less understanding of things. Then, when we have
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  greater spiritual understanding, we acquire more inner peace. And when we have more
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  inner peace, we acquire more vital energy. This is a triangle. Imagine
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  it this way at one spiritually understood tip, at the other inner peace and
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  above vital energy. This is how it works. Greater spiritual understanding, greater
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  inner peace, greater vital energy can also work backwards. We have less vital
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  energy, less inner space and less spiritual understanding, I leave this reflection for
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  you to observe, only so that you can think about this subject and see
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  where each of you is just how good it is, we will have more
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  input from arij Andra a very good teacher. Love tales possess a unique magic.
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  They are able to transport us to worlds where romance intertwines with reality,
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  showing us love in its many facets, exploring deep emotions, desires and dreams
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  and inviting us to reflect on our own loving experiences, from the initial spark
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  of attraction to the deep bonds forged by years of shared intimacy. These tales
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  capture the essence of relationships with sincerity and elegance, and so we are going
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  to start one of those tales, called under the moon of Paris, in
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  a Paris dressed in gala by the flashes of sunset, walked to his thirst,
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  a woman whose beauty lay in the subtlety of his smile and in the
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  riddle that enclosed his eyes. Small brown colour and slender figure. Every step
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  he took seemed to follow the beat of an old waltz that still resonated in
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  the city' s sadoquins, the breeze of March, waving against his short
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  brown hair, as he passed by the painters who, as it is said
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  every afternoon, mined by mon matre seeking to capture the only light of the
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  city. His thirst expert in antiques admired the brushstrokes on the canvas. As
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  one who recognizes fragments of history in the objects he restores, meanwhile on the
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  terrace of a nearby café Alexander, a writer of restless look and rebellious hair,
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  ensnared, observed the crowd with curiosity, insight, his heart faithful to,
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  ink and paper. He had evaded deep compromises for fear that they would
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  chain his dream soul. That night, fate would warp their centuries. Under
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  the moon of Paris, Alexander saw his thirst and a whisper of inspiration roused
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  his mind. He followed her with his gaze, recording every moment every detail
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  of her presence. He mentally plotted phrase descriptions dialogues. Only when she got
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  out of sight, did she return to her notebook and write furiously. A
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  few days later, in a box office opened by literary evenings, they met
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  face to face their thirst attracted by that announcement of a new novel and alexanderd
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  waiting nervously in the public reaction. When his eyes crossed, something vibrated in
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  the air like a tense rope that finally gives away your gaze seems familiar to
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  me. We' ve met before. Suset asked feeling unexplainedly captivated by that
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  man of intense gaze only in my dreams that tend to preempt reality. Alexander
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  responded with a cautious smile. My name is Alexander. Nice to meet you.
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  They chatted casually, but each word weaved a deeper connection. Sucete found
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  in Alexander a sensitivity that resonated with his love for the old and the forgotten.
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  Alexander, for his part, leaves and covers himself imagining stories where Sucet
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  was not just a character, but a co- author. According to the
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  leaves of the trees began to regreen their encounters became usual. They walked through
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  the gardens of Luxembourg, shared evenings, where the music of diet piaf enveloped
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  them and the boom came old des teba. Confessions believe in fate. Alexander
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  asked his set one night, contemplating the reflection of the moon on the Seine.
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  I believe in a destiny that is written with the decisions we make.
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  He answered by taking his hand delicately. The petals of the cherry trees fell
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  like snowflakes Rosada and Paris, once again, played witness to rising love.
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  Sucet and Alexandred discovered in every conversation, in every complicit silence to a person
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  with whom they wished to share more than you look at chance. One evening
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  while they were walking through a used book market. Sucet found a copy of
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  Le Petit Prince, opened it and read it quietly. The essential is invisible
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  to the eyes Alexander, and if that which is not seen is what has
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  united us, then we are seeing with the whispering heart, Alexander looking at
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  it with tenderness. As the autumn came painting the Parisian canvas, the relationship
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  between his set and Alexander flourished in love beyond the effervescence of a passing passion.
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  A fierce night in November, sheltered by their hugs and hot coffee vapors,
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  Alexander Sermo of courage happened I have traveled countless pages, but only in
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  you I have found the chapter that I do not want to finish. You
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  ' d be the co- author of my life. The answer to his
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  set was a kiss called shared promises and dreams. As the Moon conjoined them
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  with its magic light, winter brought with it the snow and under its white
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  mantle, Alexander and his set crossed the door of a new stage, an
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  intimate wedding in a small library of Ruth' s opening surrounded by books and
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  the warm glow of candles. And so as the seasons changed and Paris continued
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  its ceaseless dance of lights and shadows. Two souls in n N in n
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  r RS. The perfect rhythm for their hearts and I tell you it published
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  Abraham Tells tales ara living all salt madness, showing ws independence or own heart
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  would have done another work nothings I or his bay this sober bus we love
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  me more me, I so much that give me honey you continue to stop
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  again Daneas, I do not love plateaun quelle we go here to sea again
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  not prepared, neoprevosé pica. Again it is crowning that we two build Ohara
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  chavo and between four nofa pairs censor how many things his thinks me proud softness.
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  So, it is that it is discovered in time or not fun anymore.
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  Love, let' s go here for another time. Help the heart
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  to take so many things so hope more sometimes how about friends, how they
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  walk good. Today, through emotions and so on, we are arriving here
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  minutes away from closing the program. I' ve been short of material.
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  I have to be honest. There are some expressions I' m going to
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  share with you and see what we play and remember from eleven twenty- six,
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  forty- two dointe forty- two to share what you think. It
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  is not necessary to agree with the speaker. That' s just expressing what
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  you guys are about is getting out. They saw that we are now in
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  the stage of getting out, pulling us out of the window, but well
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  let' s not be so aggressive. Let' s get things out of
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  the word here of John laughs at one of the expressions I' m looking
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  for to share with you, I find one that says so be soft.
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  Don' t let the world harden you. Don' t let the pain
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  make you resentful. Don' t let bitterness take peace and warmth away from
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  your soul, The nobility gives your heart. These thoughts apply to all and
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  to all times, because in the course of our life. We spent,
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  as I said before, many happy and not so happy moments. Then what
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  ' s going on? Many times the question comes when something happens wrong,
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  why me, why it touched me, what I' m to blame for
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  what I did. And that' s where we started to harden. Generally,
• 48:37
  things can' t be explained, but they happen because there' s
• 48:45
  a causality. Life is going to bring her back at one point in time,
• 48:51
  the good thing the bad. You remember that time we talked about the
• 48:54
  phrase everything happens, which is my phrase right now. This is so.
• 49:02
  It' s not like saying everything happens. It is to be indifferent,
• 49:09
  because things, when they happen, know how they are solved based on our
• 49:15
  attitude. What an attitude we take in the face of what happens to us.
• 49:21
  If it' s good, like that story I shared with you of
• 49:28
  the king also has one. You have to remember that everything happens, so
• 49:30
  let us enjoy the present because why we call this moment, because it is
• 49:38
  a gift, it is a present that gives us life. The past and
• 49:45
  it' s over, we already live it, it' s already out
• 49:49
  there. Let' s not let that past hurt. Let' s close
• 49:58
  those wounds and the future. The future is uncertain, but it is exciting.
• 50:05
  Yeah, and I want to close this special show here, thinking about
• 50:20
  Elena, my wife and I, and here I got excited. What happened
• 50:32
  was nice, it was strong, too. There were also moments that life
• 50:44
  wanted to break us, but it could not, because we had an attitude
• 50:55
  at every moment of looking at us, holding hands and going forward. The
• 51:04
  present is very good and the future is good, guys, the future I
• 51:15
  tell you when it happens. I' ll wait for you next Friday.
• 51:19
  Here at three hours we are going to have more news, more new topics,
• 51:24
  new columnists. And May. The big change is coming in May.
• 51:30
  Good week and I' ll wait for you. Friday was a tentado of
• 52:02
  the marriage you