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Episode 304: The Prodigal (SG-A 5.14) · Get Into Gate: A Stargate Podcast

• 0:25
  Speaker 1: Get into K episode three hundred and four. We're so
• 0:31
  Speaker 1: close to Pittball territory.
• 0:33
  Speaker 2: Master three or four?
• 0:34
  Speaker 1: Master three or four?
• 0:35
  Speaker 2: Isn't that? That's what my parents used to call me
• 0:37
  Speaker 2: when I was little because I wasn't a misty yet. Yeah,
• 0:40
  Speaker 2: apparently the young mister is master. Yeah, in the same
• 0:42
  Speaker 2: way miss is yet is. Yeah.
• 0:44
  Speaker 1: I used to cut master. I used to. I used
• 0:46
  Speaker 1: to love that because, like, you know, you look at
• 0:47
  Speaker 1: those forms that you'd have to tick and there would
• 0:49
  Speaker 1: be a mister, then be a missus, a miss or
• 0:52
  Speaker 1: a miss And I'm like, what about what do I
• 0:55
  Speaker 1: get called?
• 0:55
  Speaker 2: Like?
• 0:55
  Speaker 1: If I'm not a miss, I'm not I'm not married. Mum,
• 0:57
  Speaker 1: what do they called me? She has master? Master Louis,
• 1:00
  Speaker 1: Are you joking? That's brilliant?
• 1:03
  Speaker 2: Master Lewis.
• 1:03
  Speaker 1: I referred to myself the other week on air at
• 1:06
  Speaker 1: workers as Mitchell of Burkedale because I was talking to something.
• 1:10
  Speaker 1: One of our callers was from Berkdale, That's the suburb
• 1:12
  Speaker 1: I live in. And then LUTSI topped it up one
• 1:14
  Speaker 1: of my co workers and said, of House Lewis, you know,
• 1:16
  Speaker 1: like Mitchell love Burkedoor, Mitchell from Berkedale, of House Lewis.
• 1:19
  Speaker 1: I was like, oh oh I like that.
• 1:22
  Speaker 2: I like that you can't use master anymore.
• 1:24
  Speaker 1: Though, No, got some connotation.
• 1:27
  Speaker 2: Yeah, like now it's what is it's the primary bedroom,
• 1:29
  Speaker 2: not the master bedroom. Off, what's what's that? You're pro slavery? Okay,
• 1:35
  Speaker 2: all right, no worries. That's oh the views expressed by
• 1:39
  Speaker 2: Master Lewis of Birkdale, of House Lewis.
• 1:41
  Speaker 1: Damn it. Yeah, they're really going to find me using
• 1:43
  Speaker 1: and now aren't they. We're here to talk about some
• 1:45
  Speaker 1: stuck Actually no, if you know what, First of all,
• 1:47
  Speaker 1: why why did you not when you said they call
• 1:50
  Speaker 1: me master? I think you meant they call master.
• 1:52
  Speaker 2: You said three or four because he's mister three oh five, right,
• 1:56
  Speaker 2: so you have to go one back.
• 1:57
  Speaker 1: From that master three or four? Because I was like,
• 1:58
  Speaker 1: what what happened?
• 1:59
  Speaker 2: Well, we we we flipped so wild and I actually
• 2:02
  Speaker 2: forgot that that was what you had said.
• 2:03
  Speaker 1: Yeah, I go to because I'm like, I could have
• 2:05
  Speaker 1: been missed three or four and Master three or four
• 2:07
  Speaker 1: because my birthday is April thirty.
• 2:10
  Speaker 2: Oh yeah.
• 2:10
  Speaker 1: In Australia we say date, month, year, the correct.
• 2:13
  Speaker 2: Way to do it. Yeah, like hear that, Jacob, hear
• 2:16
  Speaker 2: that Jacob the correct way to day.
• 2:17
  Speaker 1: They make a point when they go, hey, what do
• 2:18
  Speaker 1: you April thirty? If I say April thirty, that is
• 2:21
  Speaker 1: four thirty. But it's like when you say April thirty
• 2:23
  Speaker 1: or you say the thirtieth of the fourth, and yeah.
• 2:26
  Speaker 2: Yeah you're going seconds, minutes, hours, Yes, you know what
• 2:30
  Speaker 2: I mean, like it goes, it goes that way. Yeah,
• 2:32
  Speaker 2: you know when you tell the time and you go
• 2:34
  Speaker 2: it's nine thirty more nights me when you write it,
• 2:36
  Speaker 2: I know when you're write when you say it, I
• 2:38
  Speaker 2: don't care if you say April thirty or thirtieth of April.
• 2:40
  Speaker 1: I don't care. I don't like when people when they
• 2:42
  Speaker 1: say the number and then the month, but they don't
• 2:43
  Speaker 1: put the the st or the you know when they say,
• 2:47
  Speaker 1: you know, thirty April.
• 2:49
  Speaker 2: No, what do we what are we talking?
• 2:51
  Speaker 1: What do we do it?
• 2:52
  Speaker 2: I on a daily basis have to email dates to
• 2:55
  Speaker 2: my clients for like when jobs are happening, that kind
• 2:57
  Speaker 2: of stuff. And I am any Nazi. I am very
• 3:01
  Speaker 2: pedantic foray.
• 3:05
  Speaker 1: Yeah I like to have a master bedroom. But you're
• 3:08
  Speaker 1: a full Nazi about.
• 3:09
  Speaker 2: What grammar you know? And the th H the r D.
• 3:12
  Speaker 1: That's why you say prolific on Twitter? Mate, is oh, yeah,
• 3:15
  Speaker 1: you love being a grammar nazi. Yeah, and I'll stand
• 3:18
  Speaker 1: by that if you if you like, because I'm like
• 3:20
  Speaker 1: that too. If you missed some punctuation, Mate, I am
• 3:23
  Speaker 1: going to I'm sorry, whatever point you're trying to make. Yeah,
• 3:26
  Speaker 1: I'm one of.
• 3:27
  Speaker 2: Those petty people. I've actually been nervous of incurring your
• 3:32
  Speaker 2: wrath in that. Whereas like sometimes on a text, I
• 3:35
  Speaker 2: will like on a group message, all of like realized
• 3:37
  Speaker 2: that I've used the wrong there or the wrong too. Well,
• 3:39
  Speaker 2: i should say autocorrect has put the wrong and I'm like, oh,
• 3:43
  Speaker 2: I'm not leaving that there to leave myself open for
• 3:44
  Speaker 2: a for a whoopan, So I will go back in
• 3:47
  Speaker 2: and I will change it to the right. Thank God
• 3:49
  Speaker 2: for the edit button, I know.
• 3:50
  Speaker 1: But now when it comes unmedited, I know, I hate that.
• 3:53
  Speaker 1: I just want to see what he got the wrong?
• 3:56
  Speaker 2: Yeah, yeah, there's another one. Yeah, see that. That's because
• 3:59
  Speaker 2: I just don't want incur the wrath of Master Mitchell
• 4:02
  Speaker 2: of Birkdale.
• 4:03
  Speaker 1: Thank you. Yeah, let's move on. We are here to
• 4:07
  Speaker 1: talk about Prodigal episode number fourteen, season five of Stargate
• 4:15
  Speaker 1: Atlantis I believe.
• 4:17
  Speaker 2: Look, i'll start early. I believe the final season of
• 4:19
  Speaker 2: Deep Space nine had an episode called the Prodigal.
• 4:22
  Speaker 1: Why do you do that? Why do you do anyhow?
• 4:25
  Speaker 2: It's just the things that stick in my head. I'm
• 4:27
  Speaker 2: gonna look it up now. I know it's I know
• 4:28
  Speaker 2: it's an episode about Toy, not Tory, about Ezri.
• 4:32
  Speaker 1: But you say that like I'm supposed to understand it. Yeah,
• 4:37
  Speaker 1: and old Foe bent On revel. Oh, yep, the girl.
• 4:40
  Speaker 2: From Whispers from a couple of weeks ago, Remember the
• 4:42
  Speaker 2: long with a short, little pixie haircut, that that bear
• 4:44
  Speaker 2: kit was down. That's Ezri Dax from d Space nine. Sure, yeah,
• 4:50
  Speaker 2: I said that in the episode. You wouldn't remember, are
• 4:52
  Speaker 2: you joking? Of course I don't remember. I could have
• 4:55
  Speaker 2: told you her entire IMDb and you still wouldn't have remembered.
• 4:58
  Speaker 1: An Old Foe bent and and infiltrates the gate room
• 5:02
  Speaker 1: to take control of Atlantis.
• 5:05
  Speaker 2: Prodigal Daughter, it was called, it's called Prodigal Daughter.
• 5:08
  Speaker 1: Is this is still going?
• 5:09
  Speaker 2: This is obviously the Prodigal Sun. So you still haven't
• 5:14
  Speaker 2: played the audio, So I'm going to keep going. This
• 5:16
  Speaker 2: is all one as far as I'm concerned until you
• 5:18
  Speaker 2: play the Little Jesus.
• 5:19
  Speaker 1: We better hurry up.
• 5:21
  Speaker 2: Okay, that was view bread and you're welcome. I know
• 5:24
  Speaker 2: how much you hate it when Rinin doesn't play the audio.
• 5:26
  Speaker 1: What do you think? What do you think? What do
• 5:31
  Speaker 1: I think?
• 5:34
  Speaker 2: Keep that in?
• 5:37
  Speaker 1: I think I had. I must have watched the first
• 5:41
  Speaker 1: couple of minutes of this and then had to have
• 5:43
  Speaker 1: stopped and then came back. So I watched up until
• 5:47
  Speaker 1: sometime after it had up, you know, guest starring conn Treneer.
• 5:51
  Speaker 1: I'm like, oh, okay, Michael's in this, But because it
• 5:55
  Speaker 1: was like, oh wow, the powers out except for the
• 5:57
  Speaker 1: control room cut to credits, it was like such a
• 5:59
  Speaker 1: lack line to tease to what's going to come up
• 6:02
  Speaker 1: for the actual so I wasn't necessarily thinking, oh, Michael's
• 6:06
  Speaker 1: got to do that once I saw Conna tron his name.
• 6:08
  Speaker 1: But then when I came back to it very very
• 6:10
  Speaker 1: soon after I must have cut there, it was still
• 6:12
  Speaker 1: something of a surprise. So I was kind of glad
• 6:14
  Speaker 1: that I, okay, got it spoilt, but then it got
• 6:16
  Speaker 1: to it got sort of saved for me along the way,
• 6:19
  Speaker 1: but I'd kind of forgotten about what happened the last
• 6:23
  Speaker 1: time that we saw Michael, it was only through dialogue,
• 6:25
  Speaker 1: and they're like, I thought we killed him. Well, we
• 6:27
  Speaker 1: saw the ship blow up, but of course he might
• 6:28
  Speaker 1: have gotten off, and I'm like, oh, that's right, that happened,
• 6:31
  Speaker 1: the thing in the back, when the thing happened, and yeah, okay, what.
• 6:33
  Speaker 2: Else would have happened to the magic invisible puddle jump up?
• 6:36
  Speaker 2: Exactly exactly so, and there's questions of how did Michael
• 6:40
  Speaker 2: operate it without the atagh but he's been he's been
• 6:44
  Speaker 2: playing around with his DNA for years now, so maybe
• 6:47
  Speaker 2: he's given himself that didnk not give it was his voice.
• 6:49
  Speaker 1: A little bit more plams than usual.
• 6:52
  Speaker 2: I feel like I didn't notice that. I only noticed
• 6:54
  Speaker 2: all the all the veins in his face. Yeah, he
• 6:56
  Speaker 2: didn't look well, No, he looks stressed. He looks And
• 6:59
  Speaker 2: that was one of my disappointments is this whole episode
• 7:01
  Speaker 2: was based around he wanted Turan so that he could
• 7:06
  Speaker 2: use Tourn's like, you know, hybrid DNA because Tauran is just,
• 7:09
  Speaker 2: you know, the first child of a hybrid, but also
• 7:12
  Speaker 2: Taylor has raised DNA as well, and he's like, oh,
• 7:15
  Speaker 2: it's so that I can you know, use it to
• 7:18
  Speaker 2: have greater control over the hybrids, and I'm like, I
• 7:21
  Speaker 2: feel like the hybrids are pretty well under control. So yeah,
• 7:24
  Speaker 2: I actually because literally all I remembered about this episode
• 7:28
  Speaker 2: was the end when he falls, well, when Taylor you know,
• 7:30
  Speaker 2: stops on his feet. But I kind of wished it
• 7:33
  Speaker 2: had been a situation where it was like, oh, something
• 7:36
  Speaker 2: was wrong with all the messing around that he'd done
• 7:38
  Speaker 2: with his DNA, he was degrading, he was on his
• 7:41
  Speaker 2: way out or something like that, and it was Torren's
• 7:45
  Speaker 2: DNA that would revive him or you know, keep him
• 7:48
  Speaker 2: alive or something like that. I feel like there could
• 7:51
  Speaker 2: have been more stakes towards this, you know, brazen attack
• 7:53
  Speaker 2: that Michael's put on Atlantis. So I was like, oh,
• 7:56
  Speaker 2: he just wants he just wants torn Well, he obviously
• 7:58
  Speaker 2: wants Taylor for other reason, but.
• 8:01
  Speaker 1: Yeah, that was that was that was a pitch. And
• 8:05
  Speaker 1: he's like, Hey, look, let's everything that's ever happened. I
• 8:10
  Speaker 1: think I'm willing to marry you and and and take
• 8:14
  Speaker 1: take take care of your baby. Who do you think
• 8:17
  Speaker 1: you're rescuing this woman? What do you start living on
• 8:19
  Speaker 1: the street? Mate?
• 8:20
  Speaker 2: Look, I have very conflicting thoughts about AI and using that.
• 8:24
  Speaker 2: But I really would love someone or some kind of
• 8:27
  Speaker 2: AI to do up Michael singing somewhere that's green from
• 8:31
  Speaker 2: Little Shop of Horrors, you know, a wide piked fence,
• 8:34
  Speaker 2: and he's just like having this big imagination, like just him,
• 8:37
  Speaker 2: Taylor and touring, just having this beautiful life together, him
• 8:40
  Speaker 2: as a housewife, all that kind of stuff. Because yeah,
• 8:43
  Speaker 2: that's that's the vibe. The last time we kind of
• 8:45
  Speaker 2: got that slight vibe, I think was in Michael's first
• 8:49
  Speaker 2: episode when like he escapes and he and Taylor are
• 8:53
  Speaker 2: kind of on that on that planet, but he's also
• 8:56
  Speaker 2: like about to feed on her. So I feel like
• 8:58
  Speaker 2: that plot thread kind of fell away a lot. But
• 9:01
  Speaker 2: then yeah, it just came back here for the final episode,
• 9:04
  Speaker 2: sort of last minute.
• 9:06
  Speaker 1: So all right, there was something that I was just about
• 9:09
  Speaker 1: to bring up. But I have had a look at
• 9:11
  Speaker 1: some of the audio because I love how you titled
• 9:13
  Speaker 1: the audio. I mean, we've brought this up on a
• 9:15
  Speaker 1: previous podcast. Yeah, you've titled one. I think that was
• 9:21
  Speaker 1: a line that became I think my favorite part of
• 9:24
  Speaker 1: the episode.
• 9:24
  Speaker 2: So I'm just gonna get rogue here is it because
• 9:26
  Speaker 2: you identified with it.
• 9:28
  Speaker 1: Uh, maybe not. Okay, So I'm gonna play it and
• 9:32
  Speaker 1: then well I'm just going rogue. If it's not what
• 9:34
  Speaker 1: I thought. You can just talk about it because you
• 9:37
  Speaker 1: obviously picked it up for a reason. It's two years ago.
• 9:39
  Speaker 2: We're outing we can already fix them.
• 9:42
  Speaker 1: Okay, No, oh, you've got to be kidding me.
• 9:44
  Speaker 2: It was the next thing on my list you said
• 9:46
  Speaker 2: you were going to fix. I don't know when I
• 9:47
  Speaker 2: was getting to what I swear.
• 9:49
  Speaker 1: And you had two years it was busy, No wonder
• 9:54
  Speaker 1: you titled that bitch.
• 9:55
  Speaker 2: Yeah, that's so see, Yeah, that's you. And it's like,
• 9:59
  Speaker 2: have you have you seen that movie yet? No, you've
• 10:01
  Speaker 2: had two years.
• 10:03
  Speaker 1: Getting around so no, um, yeah, that's not what I
• 10:09
  Speaker 1: was thinking. Actually, in playing that, I remember it wasn't
• 10:11
  Speaker 1: I was busy. It was let's get to work, was
• 10:14
  Speaker 1: the line that was said by Michael. But that I
• 10:18
  Speaker 1: I was watching the episode on my phone at that point.
• 10:20
  Speaker 1: I remember just walking in the stairs and I hit
• 10:23
  Speaker 1: like halfway when he said that, and I'm like, hang on,
• 10:25
  Speaker 1: Oh that feels a little too real. It stopped me
• 10:28
  Speaker 1: in my tracks because watching someone else go hang on.
• 10:31
  Speaker 1: But yeah, you said you fixed it's like, oh shit, um,
• 10:36
  Speaker 1: what about well let me give it. No, let me
• 10:38
  Speaker 1: let me, let me, let me, let me talk around it,
• 10:41
  Speaker 1: try and save myself. So myself shiit, No I did,
• 10:43
  Speaker 1: I haven't done it. It's like two years and I'm like, oh, yeah,
• 10:45
  Speaker 1: you've got there's no way to bounce back from that, Ronnie.
• 10:48
  Speaker 1: That's two years. And thinking if I was playing this
• 10:51
  Speaker 1: on speakers and not in headphones, Sarah would be like, ah,
• 10:54
  Speaker 1: that sounds like no, my my.
• 10:59
  Speaker 2: Look at that box out in the garage.
• 11:00
  Speaker 1: Holy shit, man, Like okay, it's we're about to hit
• 11:05
  Speaker 1: I'm going to say bang on three years since she
• 11:07
  Speaker 1: went over her brother lives overseas. She went with her
• 11:09
  Speaker 1: parents to go visit, and I just remember when she
• 11:11
  Speaker 1: was away for like a week and I'm like, I'm
• 11:13
  Speaker 1: finally going to tear into Like we got a little
• 11:16
  Speaker 1: walk in robe and I had a bunch of shit
• 11:19
  Speaker 1: in there. I remember sitting in there one night going
• 11:20
  Speaker 1: I'm going to get this done. I'm going to get
• 11:22
  Speaker 1: all the all the boxes that are hanging around and
• 11:24
  Speaker 1: just just the mess that are cleaned up. It's a
• 11:26
  Speaker 1: bit clutted. And I got like, let's say I got
• 11:30
  Speaker 1: ninety two percent of it done and then you know,
• 11:32
  Speaker 1: the next day she came home a month ago, two
• 11:38
  Speaker 1: months ago, I actually like, it's still not done, but
• 11:42
  Speaker 1: oh my Christ, is it clean. But literally, for three
• 11:44
  Speaker 1: years it's just been like no different. Like for the
• 11:46
  Speaker 1: first year in a bit we lived in that house,
• 11:48
  Speaker 1: next to nothing was done about it. She was gone
• 11:50
  Speaker 1: for a week, and I'm like, that's what I'm going
• 11:52
  Speaker 1: to do. That's almost a gift. She'll be able to
• 11:54
  Speaker 1: walk home, walk into that little room and be able
• 11:56
  Speaker 1: to actually get in and around it far easier. And
• 11:59
  Speaker 1: then when I didn't finish it on my that's right.
• 12:01
  Speaker 1: It doesn't matter whether she's home or not. I'll just
• 12:03
  Speaker 1: get it done. And it took me nearly three years
• 12:06
  Speaker 1: to do it again.
• 12:07
  Speaker 2: Look, I'm gonna I'm gonna just skip over the opening
• 12:11
  Speaker 2: and gave me there about so she so she can
• 12:13
  Speaker 2: get in wider and easier, or whatever you said was.
• 12:16
  Speaker 1: She could walk in easier. How dare you look?
• 12:20
  Speaker 2: You know me, I'm not a storytopper. I've never been
• 12:22
  Speaker 2: a storytopper. But I see that, and I raise you.
• 12:26
  Speaker 2: My mother passed away four and a half years ago.
• 12:30
  Speaker 2: She lived in the same house my entire life. That
• 12:33
  Speaker 2: house was built when I was born, So there was
• 12:35
  Speaker 2: a lot of stuff to clear out of her house,
• 12:37
  Speaker 2: including just an entire room's worth of photo albums like
• 12:41
  Speaker 2: her entire life. She she was the youngest child of eleven.
• 12:44
  Speaker 2: There's a lot of that stuff. And then obviously I'm
• 12:47
  Speaker 2: the youngest child of three. You know, there's a lot
• 12:49
  Speaker 2: of a lot of stuff going on. My elder sister,
• 12:52
  Speaker 2: the useless bitch, make sure that well.
• 12:58
  Speaker 1: Sorry, Just.
• 13:00
  Speaker 2: So we were like, okay, what do we do with
• 13:02
  Speaker 2: all these photos because like some of our annies and
• 13:03
  Speaker 2: uncles will want them, Like what do we you know,
• 13:06
  Speaker 2: And the older sister goes, well, I'll digitize them all.
• 13:08
  Speaker 2: And the way we do, everyone can have a copy
• 13:11
  Speaker 2: of it. You know, I'm okay, yeah, cool. We all
• 13:13
  Speaker 2: pitched in some money and so she get this fancy
• 13:15
  Speaker 2: thing where you put the photos in and you know,
• 13:17
  Speaker 2: hires scans and digitizes them. And then mum had this
• 13:21
  Speaker 2: beautiful photo frame in her house that was it was
• 13:24
  Speaker 2: a timber frame with like parwashell inserts in it, shadow nice,
• 13:28
  Speaker 2: And I was like, that's beautiful. I'm gonna I'm gonna
• 13:31
  Speaker 2: paint the frame of that black leave the Parwa shell
• 13:33
  Speaker 2: and I'll put a beautifl photo, beautiful photo of mum
• 13:35
  Speaker 2: in there, and I'll put that up on my wall.
• 13:37
  Speaker 2: Still don't have it. It's been four and a half years.
• 13:41
  Speaker 2: Still don't have all those photos from my elder sister,
• 13:45
  Speaker 2: who's the only one in our family who doesn't have
• 13:46
  Speaker 2: a job and doesn't work because she's the lady of
• 13:49
  Speaker 2: leisure at home. She still doesn't have it.
• 13:52
  Speaker 1: So let this be the reminder. Well, the bit that
• 14:02
  Speaker 1: I was going to bring up was Michael going into
• 14:06
  Speaker 1: talk to Taylor and he sort of not so much
• 14:10
  Speaker 1: outlies the plan, but basically, you know, we get to
• 14:12
  Speaker 1: then see how he got there, and you know, yeah,
• 14:17
  Speaker 1: I'm like, oh yeah, we'd actually didn't see how we
• 14:19
  Speaker 1: got in there, and then you know how Ronan got
• 14:22
  Speaker 1: from point A to point B where we'd already you know,
• 14:24
  Speaker 1: seen him.
• 14:25
  Speaker 2: It was very sneaky because if you notice when you
• 14:26
  Speaker 2: watch the opening, Woolsey's reaction to Ronan saying I can't read,
• 14:32
  Speaker 2: I don't I can't write, and I can't I don't
• 14:33
  Speaker 2: really talk, and his reaction when they play the flashback
• 14:37
  Speaker 2: they actually play the incoming Unscheduled off World activation thing
• 14:42
  Speaker 2: over the top of that the second time. Yeah, very
• 14:44
  Speaker 2: very clever, sneaky.
• 14:45
  Speaker 1: Yeah. And then it gets to a point where they
• 14:48
  Speaker 1: get it takes out of the control room and everybody
• 14:50
  Speaker 1: stunned on the ground and then Okay, we've taken over this. Okay,
• 14:53
  Speaker 1: we've got control of this room. Blah blah blah. And
• 14:55
  Speaker 1: then Michael goes, Okay, now we can get to work,
• 14:59
  Speaker 1: and then it cuts back to to him in the
• 15:00
  Speaker 1: room with Taylor and she says, get to work on what.
• 15:03
  Speaker 1: And I'm like, is he telling the story for Vader?
• 15:05
  Speaker 3: Yeah?
• 15:06
  Speaker 1: Yeah, And then I then I said over here, yeah,
• 15:08
  Speaker 1: and then I went.
• 15:08
  Speaker 2: Type type, type, type type, and then and then Woolsey
• 15:10
  Speaker 2: looked like this, even though Michael.
• 15:13
  Speaker 1: I think, wola, because you know Wolsey, Oh on that guy,
• 15:16
  Speaker 1: Oh Richard. And then I walk over and I say,
• 15:18
  Speaker 1: very confidently, I stand up, and as music swelled behind me, Taylor,
• 15:21
  Speaker 1: trust me, there was music there, and I said, let's
• 15:24
  Speaker 1: get to work, and then that naturally would feed into
• 15:27
  Speaker 1: her saying get to work on what. It just like,
• 15:29
  Speaker 1: it just took me out of the episode for a second,
• 15:31
  Speaker 1: the idea that he was telling the story with such
• 15:36
  Speaker 1: detail that they felt like that was the way to
• 15:38
  Speaker 1: like bring us back into the present time scene, to
• 15:42
  Speaker 1: to write that as the piece of dialogue. I just
• 15:45
  Speaker 1: absolutely no, not. Its brilliant.
• 15:46
  Speaker 2: You know what I got? I got something that I
• 15:47
  Speaker 2: can add to that for you, hold on, hold on
• 15:50
  Speaker 2: it be worth it? I be worth if worth if
• 15:51
  Speaker 2: be worth, if be worth it?
• 15:53
  Speaker 1: What got it?
• 15:57
  Speaker 2: Gotta work?
• 15:58
  Speaker 1: Can you see him doing that as he he's absolutely
• 16:01
  Speaker 1: that was like her here leading into this becoming a
• 16:03
  Speaker 1: musical episode.
• 16:05
  Speaker 2: In Michael retelling the story to Taylor, he pulled out
• 16:08
  Speaker 2: his phone like I did, and just started playing that
• 16:10
  Speaker 2: let's work by atis if everyone wants to know him
• 16:12
  Speaker 2: my new K pop obsession and anyone that you know
• 16:16
  Speaker 2: wants to wants to make that for us Alban Alban
• 16:19
  Speaker 2: used to do a lot, a bunch of that stuff.
• 16:21
  Speaker 1: Yeah, I don't know, just for for a Michael episode.
• 16:24
  Speaker 1: It just felt like, and I guess that's exactly what
• 16:27
  Speaker 1: it was like, Okay, we didn't see it's not like
• 16:29
  Speaker 1: we saw him die, and yet somehow still he is.
• 16:32
  Speaker 1: He is back, but it still felt like an epilogue
• 16:36
  Speaker 1: to Michael, and they've just sort of like brought him
• 16:38
  Speaker 1: back in almost from the dead because of how, like
• 16:41
  Speaker 1: you said, you were picking up on the on the
• 16:42
  Speaker 1: makeup difference, isn't it? And I thought his voice sounded
• 16:45
  Speaker 1: a little bit funny and just as much confidence as
• 16:48
  Speaker 1: he tried to admit that he was feeling, which you know,
• 16:51
  Speaker 1: he just wasn't. He was just he was stressed, and
• 16:53
  Speaker 1: he didn't think that, you know, I'm gonna blow up
• 16:55
  Speaker 1: the base like cool sick, now blow it up because
• 16:58
  Speaker 1: we're not coming with you? Oh well, how bad I
• 17:01
  Speaker 1: do this? Nah? Not interested? Ah shit, Uh well this
• 17:05
  Speaker 1: would be I've got his DNA anyway, so hah. And
• 17:10
  Speaker 1: like nothing, no point did anything really ever work for him,
• 17:13
  Speaker 1: And he just always looked like he was behind the
• 17:15
  Speaker 1: eight ball, even though he was for a good chunk
• 17:16
  Speaker 1: of this episode in control of what was happening. But
• 17:19
  Speaker 1: I just didn't feel like it had the Michael threat
• 17:22
  Speaker 1: that we've always seemed to have had in a lot
• 17:24
  Speaker 1: of other episodes, maybe when we're off, maybe just being
• 17:26
  Speaker 1: back at Atlantis that was too stressful for his head,
• 17:28
  Speaker 1: Like mentally, he was unstable because of where he is,
• 17:31
  Speaker 1: whereas usually when we've been out on Hive ships or
• 17:33
  Speaker 1: either planets or his labs and all that sort of stuff.
• 17:36
  Speaker 1: He has been in control and he does seem like
• 17:38
  Speaker 1: this quite unstoppable.
• 17:40
  Speaker 2: Threat and the way come back to the scene of
• 17:41
  Speaker 2: the crime. Yeah yeah, yeah. I think the other thing too,
• 17:43
  Speaker 2: is his outfit was really weird.
• 17:46
  Speaker 1: Yeah.
• 17:46
  Speaker 2: He looked like a cross between like Geppetto from Pinocchio.
• 17:52
  Speaker 2: Yeah yeah, and remember Finster from Power Rangers, the guy
• 17:56
  Speaker 2: that would make all the monsters. Yes, he has like
• 17:57
  Speaker 2: a little apron in the front with whatever Michael's wearing.
• 18:01
  Speaker 2: It looked like some kind of alien overall apron thing.
• 18:04
  Speaker 2: It just it was a very weird outfit compared to
• 18:06
  Speaker 2: like his you know, red crocodile skin and whatever he
• 18:09
  Speaker 2: had last time and stuff like that. She just didn't
• 18:11
  Speaker 2: look as threatening out a bit of it he had.
• 18:13
  Speaker 2: He had grandpa energy.
• 18:15
  Speaker 1: Yeah, a little bit, that's me.
• 18:16
  Speaker 2: He just didn't just didn't seem that.
• 18:18
  Speaker 1: The grandpas can't be threatening.
• 18:19
  Speaker 2: I mean, I'm not on the.
• 18:23
  Speaker 1: Just say that, but yeah, it was just an odd
• 18:27
  Speaker 1: sort of episode. I just felt like, Okay, it's just
• 18:29
  Speaker 1: it just didn't I didn't have the omph that I
• 18:31
  Speaker 1: thought that it was going to as as it went on.
• 18:34
  Speaker 1: But at the same time, it gave I think Taylor
• 18:38
  Speaker 1: as uh not held back in a way, but I
• 18:41
  Speaker 1: mean she was forced to carry around her baby the
• 18:44
  Speaker 1: entire time, so physically there was only going to be
• 18:46
  Speaker 1: so much she could do when she was never going
• 18:48
  Speaker 1: to put her baby down.
• 18:49
  Speaker 2: Right now, this is something that I wanted to ask
• 18:51
  Speaker 2: you as as the only parent in the room, something
• 18:54
  Speaker 2: that I personally found a little out of character for Taylor.
• 18:58
  Speaker 2: I guess pre to and Taylor like pre mother Taylor
• 19:02
  Speaker 2: is when she hid in the little in the panel
• 19:06
  Speaker 2: in the wall, I would have expected Taylor to put
• 19:11
  Speaker 2: Taurin in there, close it up, then go and kick
• 19:16
  Speaker 2: some asks. I felt very it felt very out of
• 19:20
  Speaker 2: character for what I expect Taylor to do. But Taylor's
• 19:24
  Speaker 2: a mother now, so her priorities are very much changed,
• 19:27
  Speaker 2: so I understand her doing that. But it just I
• 19:31
  Speaker 2: almost wish there was a scene at the end. I mean,
• 19:33
  Speaker 2: obviously we got a massive payoff with the way she
• 19:36
  Speaker 2: just dirtily just did Michael. She's just like, I'm you
• 19:39
  Speaker 2: threaten my son. I have zero tolerance for you, piece
• 19:44
  Speaker 2: of shit. I'm not just gonna let you fall. I'm
• 19:46
  Speaker 2: gonna stomp your pinky until you let him. Just drag
• 19:53
  Speaker 2: it out and just let him know that she's the mother.
• 19:56
  Speaker 1: Did John say Taylor, like, don't do it. You know
• 19:58
  Speaker 1: this is not you because I someone yelled out to
• 20:01
  Speaker 1: her right.
• 20:01
  Speaker 2: Yeah, yeah, because like he Michael had just beaten the
• 20:04
  Speaker 2: shit out of John. Yeah, and then Taylor came in
• 20:06
  Speaker 2: and went hahaha boom yeah, like uh yeah, I feel
• 20:10
  Speaker 2: like he was like Taylor, you.
• 20:12
  Speaker 1: Know, whereas I'm like he would want to kill him
• 20:14
  Speaker 1: more than anybody, you know. And also especially with the
• 20:19
  Speaker 1: the beginning of I guess the whole thing book ended
• 20:22
  Speaker 1: it really about the reports. Yeah, okay, it was. There
• 20:26
  Speaker 1: is a bit of a joke for Ronan to be like, yeah,
• 20:28
  Speaker 1: this happened, and this happened, and then this happened and
• 20:29
  Speaker 1: we won end of mission reports like ah hah.
• 20:31
  Speaker 2: Oh yeah, I've got to hear for You've got to
• 20:33
  Speaker 2: here for you mission report.
• 20:36
  Speaker 1: Michael and vaded Atlantis tried to blow it up. We
• 20:40
  Speaker 1: stopped him, and a report sigh, you god damn it,
• 20:48
  Speaker 1: which you know, it's perfect to Ronan's character. Yeah, but
• 20:52
  Speaker 1: I thought, oh do they is this where they sort
• 20:54
  Speaker 1: of fudge some details, like they go up and they go, oh,
• 20:56
  Speaker 1: Michael fell to his death or whatever happened.
• 20:59
  Speaker 2: Yeah, I feel like John's call out to Taylor would
• 21:03
  Speaker 2: have been like almost in a way, it's like, is
• 21:05
  Speaker 2: she gonna regret, like, you know, there's there's someone else
• 21:12
  Speaker 2: dying while you're like in self defense, whereas this was
• 21:16
  Speaker 2: a straight up execution. Yeah, And she had absolutely no remorse.
• 21:22
  Speaker 1: Or even stop. And then he comes over and he's
• 21:24
  Speaker 1: the one to do it, as if like a you
• 21:26
  Speaker 1: don't need that on a conscience, you know, like you're
• 21:28
  Speaker 1: already gone through enough. Let me be the one to.
• 21:31
  Speaker 2: Or you do one hand, I'll do the other, you know,
• 21:34
  Speaker 2: so they.
• 21:35
  Speaker 1: They Yeah, because I just found that really surprising that
• 21:38
  Speaker 1: he would tell her not again, it's a it was
• 21:41
  Speaker 1: straight up murder, which is fine because him he falls
• 21:45
  Speaker 1: away like the Joker at the end of Batman, and
• 21:47
  Speaker 1: I'm like, oh, is he dead? Is he dead? Dead? There?
• 21:51
  Speaker 2: Was he dead? This is the final episode for Michael.
• 21:54
  Speaker 1: I had no I just I mean I had no doubt,
• 21:57
  Speaker 1: Like I'm like, do they do we see his body
• 22:00
  Speaker 1: sort of thing, and they go down, they find him
• 22:02
  Speaker 1: and they make sure because I mean, no one's surviving
• 22:05
  Speaker 1: that give Wraith or not. Yeah, he's dead.
• 22:07
  Speaker 2: He's a he's like a bug on a windscreen at
• 22:09
  Speaker 2: the point.
• 22:10
  Speaker 1: Yeah, yeah, so yeah, I'm glad about that. But okay,
• 22:13
  Speaker 1: putting the baby down, I'm like, maybe it was a
• 22:14
  Speaker 1: case of, like, well, if she puts the baby into
• 22:17
  Speaker 1: the the closet and then just hide on the other
• 22:21
  Speaker 1: side of the closet, hides on the other side of
• 22:23
  Speaker 1: the room, It's like, well, what if something does happen
• 22:25
  Speaker 1: to her one other the baby never gets or doesn't
• 22:28
  Speaker 1: get found from other four or five hours. Maybe they've
• 22:30
  Speaker 1: got Taylor, they threaten her, says what happens to a baby,
• 22:33
  Speaker 1: they leave.
• 22:33
  Speaker 2: The baby starts crying and makes the sound while she's away. Yeah,
• 22:36
  Speaker 2: and then one of the you know, one of the
• 22:38
  Speaker 2: hybrids gets there.
• 22:38
  Speaker 1: Yeah, so it's like almost, Okay, our fate's going to
• 22:41
  Speaker 1: be the same. I was a bit like the idea
• 22:45
  Speaker 1: that the other hybrid heard the baby cry stops, turns
• 22:49
  Speaker 1: around and comes back and then goes and just kid.
• 22:51
  Speaker 1: I'm like, no, it's different to hearing a bit of
• 22:55
  Speaker 1: a thud, right, And You're like, that could be a
• 22:57
  Speaker 1: cupboard door, it could be the guy who just felt
• 23:00
  Speaker 1: on those stairs, like it could have been anything, anything.
• 23:02
  Speaker 1: When you hear a baby cry and you just laugh
• 23:04
  Speaker 1: it off, like it's just the air conditioning.
• 23:07
  Speaker 2: And wouldn't the hybrids have like you know, hearing, hearing
• 23:11
  Speaker 2: and like that.
• 23:12
  Speaker 1: Don't perhaps even smell, you know whatever.
• 23:14
  Speaker 2: But even if they don't, it's an ethosion, so it
• 23:17
  Speaker 2: already smell. But then add add a diaper into that nappy.
• 23:22
  Speaker 1: Mate, to be honest, not really wait a second.
• 23:24
  Speaker 2: If if she's what what what's tailor using as a nappy?
• 23:30
  Speaker 2: Surely they're not, you know, surely they're not shipping in
• 23:32
  Speaker 2: Huggies for her. So she just used she.
• 23:35
  Speaker 1: Might be a pair of that prefers cloth washing them
• 23:37
  Speaker 1: just all the time.
• 23:38
  Speaker 2: Which Athosians wouldn't be using cloth nappies and then and
• 23:41
  Speaker 2: then washing washing them. It'd be it'd be a single
• 23:44
  Speaker 2: use rag loin cloth situation.
• 23:47
  Speaker 1: Yeah, I don't know, that's interesting. Maybe that's why the
• 23:50
  Speaker 1: Athosian baby sleeps so well. It's like genetically speaking, it's
• 23:54
  Speaker 1: used to just you know, some rags. Yeah, they have
• 23:57
  Speaker 1: brought in some Huggies. Great people, if the want to
• 23:59
  Speaker 1: sponsor the show, I would love that. Targeate podcasts brought
• 24:02
  Speaker 1: to you by nappies.
• 24:03
  Speaker 2: But your kids are out of dappies. Now what are
• 24:06
  Speaker 2: you gonna do with? Oh, you just want the hohld
• 24:08
  Speaker 2: cold hard cash. You don't want them to send us.
• 24:09
  Speaker 1: I don't need it. I don't need products.
• 24:11
  Speaker 2: Yeah, you know.
• 24:11
  Speaker 1: Then again, like literally as we record this, I've got
• 24:13
  Speaker 1: a cousin of mine who's like, not so much him
• 24:16
  Speaker 1: as much as his wife dying for their second baby
• 24:19
  Speaker 1: to be born. She's been walking around, she going on
• 24:21
  Speaker 1: hikes for two weeks, trying to force that bad. So
• 24:24
  Speaker 1: I've got I've got somewhere.
• 24:25
  Speaker 2: For the pro Huggies do.
• 24:27
  Speaker 1: Oh my god, he just messaged me. That's WHOA there's
• 24:29
  Speaker 1: no baby, send me something on.
• 24:30
  Speaker 2: INSTAGRAMA Huggies do adult diapers? Or is that just depend
• 24:35
  Speaker 2: because we both got some oldies in our lives, both
• 24:37
  Speaker 2: of us would have a need for it now, No,
• 24:39
  Speaker 2: not us young bucks. Maybe they would be under a
• 24:42
  Speaker 2: different name, you know, like a little Shell company. Yeah, yeah,
• 24:45
  Speaker 2: I feel like no eighty year old wants to know
• 24:47
  Speaker 2: my Huggies.
• 24:48
  Speaker 1: Yeah. Anyway, this kid in the cupboard with Taylor, when
• 24:52
  Speaker 1: it goes to I, I would have thought in a way,
• 24:57
  Speaker 1: if it's maybe, even if it's not, okay, you take
• 25:00
  Speaker 1: in a risk I was, I would say, almost get
• 25:01
  Speaker 1: into the cupboard, pop it onto the boob.
• 25:04
  Speaker 2: Oh, just start start dreaming.
• 25:07
  Speaker 1: They call a dream feed, right, so you can breastfeed
• 25:09
  Speaker 1: while they're sleeping. That baby's going to stay quiet, right,
• 25:12
  Speaker 1: it's already sleeping. You start feeding it.
• 25:16
  Speaker 2: Getting all about that?
• 25:16
  Speaker 1: What But now of the men race maybe not just
• 25:21
  Speaker 1: had her baby in real life.
• 25:23
  Speaker 2: As a woman, so they're not going to listen to it.
• 25:25
  Speaker 2: That's true, you know what I mean.
• 25:26
  Speaker 1: Us men, aren't we the worst pigs?
• 25:29
  Speaker 2: Carlbinder and Robert C. Cooper, they're not. They're not getting
• 25:32
  Speaker 2: involved with their kids the way you are. They're not.
• 25:33
  Speaker 2: They're not. They're not finding out about breastfeeding.
• 25:36
  Speaker 1: The risk though, is that you do feed the baby
• 25:39
  Speaker 1: and then that that actually does wake it up, and
• 25:41
  Speaker 1: then it's it's awake and maybe it's a little bit
• 25:44
  Speaker 1: of gas, and then it's going to cry because it's
• 25:46
  Speaker 1: in pain. It can't relieve itself. So the risk of
• 25:49
  Speaker 1: it needing to sleep, which she even said at the
• 25:51
  Speaker 1: end of the Oh my god, he slept through the
• 25:52
  Speaker 1: whole ordeal, and I'm like, no, he didn't.
• 25:54
  Speaker 2: He cried in the cupboard for like, I mean, the
• 25:58
  Speaker 2: baby had gotten quite large since the last time we
• 26:00
  Speaker 2: saw it.
• 26:01
  Speaker 1: That that was quite a large baby.
• 26:03
  Speaker 2: What I really would have loved this episode came, you know,
• 26:06
  Speaker 2: in the proverbial you know, sixth season of Atlantis or
• 26:09
  Speaker 2: something like that, where the baby was a little bit
• 26:11
  Speaker 2: older and she had it strapped to her back like
• 26:13
  Speaker 2: Luke Skywalker and Yoda and that way she was going
• 26:15
  Speaker 2: and doing all the you know, the kick ass with
• 26:18
  Speaker 2: tour and strapped to her. But I think that would
• 26:20
  Speaker 2: have been cool. He just need to be old enough. Yeah,
• 26:25
  Speaker 2: she's gonna get it, Like the baby takes the punches
• 26:27
  Speaker 2: for her, then that's that's just a human shield at
• 26:28
  Speaker 2: that point.
• 26:29
  Speaker 1: Well, that's it. I was thinking more of a like,
• 26:31
  Speaker 1: you know, close contact with Michael and then the baby
• 26:34
  Speaker 1: like sneezes in his face.
• 26:36
  Speaker 2: Or it's like Ripley, Like the baby is Ripley and
• 26:40
  Speaker 2: Taylor is the big yellow Exo skeleton. He's just like
• 26:44
  Speaker 2: left punch from her. You, yes, left punch, left punch,
• 26:48
  Speaker 2: right right kick, right kick F.
• 26:51
  Speaker 1: One f one.
• 26:55
  Speaker 2: You reference that we played before the mission report. This
• 26:58
  Speaker 2: is what I thought of immediately, And I know and
• 27:00
  Speaker 2: I feel like you you would have you would have
• 27:02
  Speaker 2: felt me on this one mission report December sixteen.
• 27:06
  Speaker 1: N Yeah, they.
• 27:14
  Speaker 2: Couldn't help. But that's all I that's all I heard
• 27:15
  Speaker 2: with that. God's it is still one of the best.
• 27:19
  Speaker 2: Absolutely still one of the best. Something I really did
• 27:23
  Speaker 2: like with this is the the Michael Ronan fight in Yeah,
• 27:28
  Speaker 2: that was some really good fight choreography. I really really
• 27:31
  Speaker 2: enjoyed that. I was like, damn, this is like fast
• 27:33
  Speaker 2: and punch. It was kind of like almost like born
• 27:35
  Speaker 2: identity kind of style stuff. I really like that. It
• 27:38
  Speaker 2: felt it felt different to a lot of the other
• 27:39
  Speaker 2: fights that we've seen before. I think because it's one
• 27:42
  Speaker 2: of the few ones that Ronan has lost. Yeah, so
• 27:46
  Speaker 2: I guess, yeah, you had to sort of play up
• 27:47
  Speaker 2: the fact that, you know, this is a harder fight
• 27:49
  Speaker 2: for Ronan because Michael is that good. But obviously I think, yeah,
• 27:52
  Speaker 2: when it came to the Taylor John Michael fight, obviously
• 27:57
  Speaker 2: you know Michael was kicking John's ass, but that was
• 28:01
  Speaker 2: a two on one fight. But also I also think
• 28:03
  Speaker 2: because Taylor, I mean, you know, I have the high
• 28:06
  Speaker 2: ground now kind of situation. I think also he would
• 28:09
  Speaker 2: have been sort of almost shocked in a way, like
• 28:12
  Speaker 2: surprise a that she's there, but I think because of
• 28:17
  Speaker 2: the way it kind of reveals Michael's feelings for her
• 28:19
  Speaker 2: and that kind of stuff, he probably wouldn't have been
• 28:22
  Speaker 2: as ruthless as he would have been with Ronan. I mean,
• 28:25
  Speaker 2: towards the end, they're the whole thing that screwed up
• 28:27
  Speaker 2: the whole battle, Like the whole the whole fight is
• 28:29
  Speaker 2: because Ronan. Michael stopped to cut Ronan's head off as
• 28:34
  Speaker 2: as a trophy, and I was like, that is dark.
• 28:36
  Speaker 2: I mean, we know he's done because in that was
• 28:38
  Speaker 2: it the Last Man or whatever, the Alternate Future or
• 28:41
  Speaker 2: whatever you see, you see him he cuts the Queen's
• 28:44
  Speaker 2: head off and walks out there with a crowd duplication,
• 28:46
  Speaker 2: So he's you know, yeah, yeah, he's got a style.
• 28:51
  Speaker 1: Yeah, I mean it certainly it helps the Michael character
• 28:53
  Speaker 1: that he bested Ronan in a fight. Although you know,
• 28:59
  Speaker 1: I did n't to feel sorry for Jason mameoa again
• 29:03
  Speaker 1: that doesn't have a lot to do at the start,
• 29:06
  Speaker 1: then gets into a fight Losers. He's unconscious for most
• 29:10
  Speaker 1: of the rest of the episode, and then is pointed
• 29:13
  Speaker 1: out that he needs to spend more time in hospital
• 29:17
  Speaker 1: than Woolsey does. Yeah, that's like that's it, And I'm like, oh,
• 29:21
  Speaker 1: like and it was a touch of it, not enough,
• 29:23
  Speaker 1: but just a touch. Role. I was thinking about you
• 29:25
  Speaker 1: with the whole Savior John thing, where like, you know,
• 29:28
  Speaker 1: he John after like we haven't seen Ronan for ten
• 29:30
  Speaker 1: or fifteen minutes, and then like John's running through the
• 29:33
  Speaker 1: gate room and sees Ronan on the ground and it's
• 29:35
  Speaker 1: just like, yeah, well, I'm gotta go because I've gotta
• 29:37
  Speaker 1: go save the day because he's not here. I was like, well,
• 29:39
  Speaker 1: of course John's going to say the day. Yeah, you know,
• 29:41
  Speaker 1: because I think Ronan's up there having that same fight.
• 29:44
  Speaker 1: Even if he was beaten again by by Michael. He
• 29:49
  Speaker 1: ain't telling Taylor to stop. He's definitely getting up there
• 29:52
  Speaker 1: and doing what you said, like let's let's stand on
• 29:54
  Speaker 1: one hand each. Yeah this guy, you.
• 29:56
  Speaker 2: Know, so let's lift him up and then drop him.
• 30:00
  Speaker 1: Yeah.
• 30:00
  Speaker 2: Absolutely, yeah. I guess the only thing you Droan really
• 30:03
  Speaker 2: had there was he was you know, he was the
• 30:04
  Speaker 2: first one to wake up from the stun bubble. He
• 30:06
  Speaker 2: was you know, so he had that moment. But yeah,
• 30:08
  Speaker 2: it's funny. There's a running joke in Archer where they
• 30:11
  Speaker 2: just talk about it. It's like if you're unconscious for
• 30:13
  Speaker 2: a long time, like that's super bad. Like the longer
• 30:16
  Speaker 2: you are unconscious like that, the more chance you have
• 30:18
  Speaker 2: of like brain damage. That super bad, super bad. So
• 30:23
  Speaker 2: you know, but I mean, you know, Rona don't really
• 30:24
  Speaker 2: use anything in this nogget anyway, so.
• 30:27
  Speaker 1: He hasn't had to talk all right, the way to
• 30:30
  Speaker 1: sort of say the day with the idea of like hey,
• 30:32
  Speaker 1: let's go up there, let's take the thing of the
• 30:34
  Speaker 1: shield down and then we'll and then we'll open it,
• 30:37
  Speaker 1: we'll dial the gate and it'll it'll do enough just
• 30:40
  Speaker 1: to even eat half of their puddle jump. Yeah, and
• 30:42
  Speaker 1: that just as a as a VFX was the holy
• 30:46
  Speaker 1: ship that looks so cool.
• 30:48
  Speaker 2: That was like they with early SG one when that
• 30:50
  Speaker 2: guy committed suicide by by puddle and it was just
• 30:54
  Speaker 2: his shoes left.
• 30:55
  Speaker 1: Yeah. Yeah, but this for it to like the gate
• 30:59
  Speaker 1: to then switch off as soon as it was like yeah,
• 31:01
  Speaker 1: that was just a weapon that we used, like we
• 31:03
  Speaker 1: used a wormhole as a weapon. It's like the event, like,
• 31:06
  Speaker 1: holy shit.
• 31:07
  Speaker 2: I did see a bit of trivia where someone reckons
• 31:09
  Speaker 2: in that moment where Rodney is flying the puddle jumper
• 31:13
  Speaker 2: up to the tower and you see an outside shot
• 31:15
  Speaker 2: of the tower. The trivia says, you can see some
• 31:19
  Speaker 2: of the damage left over from the explosion from the
• 31:21
  Speaker 2: Daniel Jackson episode. I couldn't tell. It was dark, and
• 31:26
  Speaker 2: I don't know that we've really seen the control tower
• 31:28
  Speaker 2: that close up before. So maybe if someone saw something
• 31:31
  Speaker 2: interpreted of scaffolding or some kind of but eye, it
• 31:34
  Speaker 2: would it seems weird that you would fix all the
• 31:36
  Speaker 2: inside and have that picturesquely be perfect before you would
• 31:39
  Speaker 2: fix the outside structure, considering it's a space ship.
• 31:43
  Speaker 1: Yeah, yeah, exactly. Yeah go underwater at a moment's notice.
• 31:46
  Speaker 2: Yeah yeah, yeah, you might have to drop on So
• 31:48
  Speaker 2: I wasn't sure about that one. A funda a trivia though,
• 31:52
  Speaker 2: was that jumper when they got down to the to
• 31:56
  Speaker 2: the underwater bay. If you look at the jumper's windscreen,
• 32:00
  Speaker 2: it's all dirty and silty, you know, all that kind
• 32:02
  Speaker 2: of stuff that was That was real. That was basically
• 32:08
  Speaker 2: when they you know, pulled the puddle jumper out of
• 32:10
  Speaker 2: storage or whatever, one of the grips was about to
• 32:12
  Speaker 2: wipe down the windscreen because that was just regular studio
• 32:16
  Speaker 2: you know, dirt that is, and the directory no, no, no, no,
• 32:18
  Speaker 2: no no, no, no, no, keep that, keep that, keep that,
• 32:20
  Speaker 2: And I'm like, that's really really good. And then the
• 32:25
  Speaker 2: he was he was credited as lead hybrid, So I
• 32:29
  Speaker 2: think it's the one with like the moppy hair that
• 32:30
  Speaker 2: was in the control room with Michael. The last time
• 32:35
  Speaker 2: we saw him was in season six of s G one,
• 32:38
  Speaker 2: where he played the pivotal character of out of control
• 32:42
  Speaker 2: driver in Sight Unseen, which is the one where everyone
• 32:48
  Speaker 2: saw those Yeah yeah, yeah, yeah, because that was those
• 32:52
  Speaker 2: weird like interdimensional bugs that that like only corn could see.
• 33:01
  Speaker 2: And yeah, there was like that one like sucky glowy
• 33:04
  Speaker 2: bug on the windscreen that was like that's it. So
• 33:09
  Speaker 2: you know, he's getting up in the world.
• 33:11
  Speaker 1: Yeah, I mean I still like, you know, I know
• 33:14
  Speaker 1: they're all hybrids and now still trying to work it out,
• 33:16
  Speaker 1: but i mean they just didn't have a lot of
• 33:19
  Speaker 1: presents about him, any of the hybrids, and the fact
• 33:21
  Speaker 1: that he's the only one with a bit of flange
• 33:22
  Speaker 1: in his voice. I'm like, well, they just seem a
• 33:25
  Speaker 1: bit it seems like.
• 33:27
  Speaker 2: A downgrade from like the big Giant Beatles from that
• 33:29
  Speaker 2: one episode, Yeah, the big monster predator Beetles. What are
• 33:33
  Speaker 2: these guys having because like, you know, what was Taylor's
• 33:37
  Speaker 2: baby daddy's name?
• 33:39
  Speaker 1: Oh god, God, she said it enough times over the season.
• 33:45
  Speaker 2: Because then you she even have in this episode. She
• 33:47
  Speaker 2: was like, well, he's, you know, visiting our people. That's
• 33:49
  Speaker 2: why he's not here. I'm just gonna slide back and
• 33:53
  Speaker 2: just there you go. Of course, because Canaan jarris as well. Yeah,
• 33:58
  Speaker 2: because it spelled the same, just pronounced differently.
• 34:00
  Speaker 1: Of course it is. It's a cha apostrophe, and no,
• 34:04
  Speaker 1: I understand that's the pronunciation of it. It should have
• 34:07
  Speaker 1: been spelt like that.
• 34:08
  Speaker 2: A creepy bit of trivia though, creepy yea, yeah, yeah,
• 34:10
  Speaker 2: because obviously I didn't remember anything about this episode except
• 34:13
  Speaker 2: for Michael falling to his death. So I read the
• 34:15
  Speaker 2: trivia before I watched the episode, just so i'd write
• 34:17
  Speaker 2: down on my notes and stuff. And one of them
• 34:20
  Speaker 2: be trivia is final appearance of Tora and John him Mahugan.
• 34:25
  Speaker 2: And I'm like, do they kill Taylor's baby? Did I
• 34:27
  Speaker 2: block that out because the would be and dark? But no,
• 34:31
  Speaker 2: this is just the last time we see Taylor's baby
• 34:33
  Speaker 2: on screen. Ah yeah, that pivotal character.
• 34:36
  Speaker 1: I love that you said they're not shipping in Huggies
• 34:39
  Speaker 1: for Taylor and their baby. Well they sure have shit
• 34:41
  Speaker 1: found room for remote control car and that was big too,
• 34:47
  Speaker 1: like the size of your palm.
• 34:48
  Speaker 2: You see the geting shot and you're like the little
• 34:50
  Speaker 2: and then they pick them up and they're like they're massive.
• 34:52
  Speaker 1: Yeah, fine, they're down, like you know, just chilling out
• 34:56
  Speaker 1: doing all that. And then Taylor's there or what do
• 34:58
  Speaker 1: you do? I go for a walk. It's the only
• 34:59
  Speaker 1: thing that can't him down. And then when they leave
• 35:02
  Speaker 1: that place, because the powers off sounded very ominous, Well.
• 35:06
  Speaker 2: We must leave this plats leave this.
• 35:08
  Speaker 1: Place now, and they look towards the good. They are
• 35:11
  Speaker 1: so far away from the rest of the city. I
• 35:16
  Speaker 1: would have rather Okay, Rodney's not going to do it.
• 35:18
  Speaker 1: But when we've seen characters like go somewhere for a beer,
• 35:22
  Speaker 1: you're probably walking that far. Hey, let's just go and
• 35:25
  Speaker 1: have a boy's not out. Take a couple of beers
• 35:26
  Speaker 1: down near the dock, or race some cars.
• 35:28
  Speaker 2: It'll be fine. Okay, you can take a transport. You
• 35:32
  Speaker 2: can take a transport to get your three quarters the
• 35:33
  Speaker 2: way there. Yeah, that's true, and then you can only walk,
• 35:35
  Speaker 2: but up power goes out.
• 35:36
  Speaker 1: But I'm just thinking.
• 35:39
  Speaker 2: Why is Taylor walking that far to get her baby
• 35:42
  Speaker 2: to sleep? And to be fair, she should have heard
• 35:45
  Speaker 2: those were my control cars walking down that corriage. I'm
• 35:48
  Speaker 2: I'm not trying to victim Blaine, no, but if you're
• 35:50
  Speaker 2: trying to keep a baby asleep, you are hyper aware
• 35:52
  Speaker 2: of any noise going around.
• 35:54
  Speaker 1: Mate. I became a ninja, especially with my second boy,
• 36:00
  Speaker 1: like he was. He was so aware to any noise.
• 36:03
  Speaker 1: I lost hours of my life every single night putting
• 36:07
  Speaker 1: a kid to sleep because he had to be in
• 36:10
  Speaker 1: like a deep sleep for like forty minutes before I
• 36:13
  Speaker 1: could make any noise in the house. And me, you
• 36:15
  Speaker 1: know me, if I stop moving, I fall asleep. Oh yeah,
• 36:17
  Speaker 1: you're a sho And so I would put him down
• 36:18
  Speaker 1: stay with him because any movement, any noise, and he
• 36:21
  Speaker 1: would wake up. So I'll just sit there next to him,
• 36:24
  Speaker 1: and then I would wake up three and a half
• 36:25
  Speaker 1: hours later every time. And I'm like, look at all
• 36:28
  Speaker 1: the things I could have been doing with Yeah.
• 36:29
  Speaker 2: See, there's a part of me where I go if
• 36:31
  Speaker 2: I ever wanted to be a parent, It's like, do
• 36:34
  Speaker 2: I just want to adopt a five year old so
• 36:35
  Speaker 2: that I don't have to worry about any of that sort.
• 36:37
  Speaker 1: He is one we prepared.
• 36:38
  Speaker 2: Yeah, but then also it's like, nah, because there's a
• 36:41
  Speaker 2: lot of pre program that's already been done in that
• 36:43
  Speaker 2: five year old that I've got to try and undo.
• 36:45
  Speaker 2: So I'm like, ah, but then I also don't Yeah,
• 36:47
  Speaker 2: I don't want to do any of that or any
• 36:48
  Speaker 2: of that newborn shit, yeah, tour.
• 36:50
  Speaker 1: Training or anything like. Yeah, it's kind of like they've
• 36:52
  Speaker 1: got a vague awareness.
• 36:53
  Speaker 2: Of That was when I started to like yourkis and
• 36:56
  Speaker 2: you know what i mean, up until the point there
• 36:57
  Speaker 2: were five, I'm like, I don't even want to know
• 36:58
  Speaker 2: about you. Yeah, whereas you know, the older they get,
• 37:00
  Speaker 2: I'm like, the more time I want to spend with them.
• 37:02
  Speaker 1: Yeah. Yeah, yeah, Yeah, they're like people.
• 37:05
  Speaker 2: Yeah, they're yeah, they're actually they're actually.
• 37:07
  Speaker 1: Having they're humans that I half made.
• 37:10
  Speaker 2: Okay, Well, my little grand nephew for the first year
• 37:13
  Speaker 2: of his life, I just called him a baked potato.
• 37:15
  Speaker 2: He's like I was just like, fine, wrap it in
• 37:17
  Speaker 2: foil whatever. And and now he's like two and a half,
• 37:20
  Speaker 2: he'll be three in February, and he's so much fun.
• 37:24
  Speaker 2: He's so much fun at the moment he's you know,
• 37:26
  Speaker 2: but I have him for an hour and then I
• 37:28
  Speaker 2: hang him back.
• 37:28
  Speaker 1: Yeah, yeah, thank you.
• 37:30
  Speaker 2: He was so cute. I saw him the other day
• 37:32
  Speaker 2: and we're all sitting around the table, like having a
• 37:34
  Speaker 2: drink and stuff like that. Just it was morning tea,
• 37:36
  Speaker 2: not a not a drink drink, I'm judging, and he
• 37:39
  Speaker 2: was bored. So he had a couple of his little
• 37:41
  Speaker 2: toy story matchbox cars and stuff like that, and he
• 37:44
  Speaker 2: comes over and he goes, come with me, Come with me.
• 37:46
  Speaker 2: I'm like what, and then he grabs my hand. He
• 37:48
  Speaker 2: just grabs my whole thumb and then just drags me
• 37:51
  Speaker 2: away by the thumb so that I can play cars
• 37:53
  Speaker 2: with him. I'm like, this is the most adorable. Free's
• 37:56
  Speaker 2: so cool.
• 37:56
  Speaker 1: Yeah, I love it.
• 37:58
  Speaker 2: The speaking of cool, the kickboxing, the banks, the banks lady.
• 38:04
  Speaker 2: Oh yes, yes, yes, yes, that was all her, all her,
• 38:08
  Speaker 2: no stunt double, that's all stuff that she did. This
• 38:11
  Speaker 2: is the character that I thought was from the start episode. Yeah,
• 38:14
  Speaker 2: yeah yeah. And I don't know if you picked up
• 38:16
  Speaker 2: on it a little bit here, but this is what
• 38:18
  Speaker 2: the writer Carl Bonder had to say about it. So
• 38:22
  Speaker 2: here's Sharon the big fight here.
• 38:23
  Speaker 1: Yeah, she did it all. No doubling.
• 38:26
  Speaker 3: Yeah, Dyna mate, and of course Ronnan is suitably impressed,
• 38:34
  Speaker 3: so we should be.
• 38:36
  Speaker 1: Yeah.
• 38:37
  Speaker 3: Yeah, it was a scene where I said, hmm, we
• 38:40
  Speaker 3: need to get these two together. Oh yeah, if there
• 38:43
  Speaker 3: was a season six that would have happened.
• 38:46
  Speaker 1: Yeah that makes sense, Yeah, that makes sense. Yeah.
• 38:49
  Speaker 2: Absolutely.
• 38:50
  Speaker 1: You don't want to make it like, you know, surface
• 38:52
  Speaker 1: level going. Well, they both kick ass people, they both
• 38:54
  Speaker 1: look like they don't say a lot. Obviously they're perfect fit.
• 38:57
  Speaker 1: They could be like too good of a perfect fit,
• 38:59
  Speaker 1: but right, I would have been happy for them to
• 39:01
  Speaker 1: explore that, you know, maybe make Keller a little bit
• 39:04
  Speaker 1: jealous because she's this cutesy, mousey little you know, science girl,
• 39:07
  Speaker 1: health girl, nurse girl, doctor girl, and she's like, wow,
• 39:10
  Speaker 1: you got this woman over here, can kick someone over
• 39:12
  Speaker 1: there in the face.
• 39:13
  Speaker 2: What you call Sarah?
• 39:14
  Speaker 1: Hey a girl?
• 39:15
  Speaker 2: Hey her health girl? Bring that candy stripper over. I
• 39:19
  Speaker 2: don't know't know what you guys do.
• 39:21
  Speaker 1: It said, this is the episode she's actually gonna listen to,
• 39:24
  Speaker 1: if we haven't lost it by now.
• 39:25
  Speaker 2: Oh my god, Taylor, though, I've got a little screenshot. Therefore,
• 39:31
  Speaker 2: you don't open up. Just because when I was cutting audio,
• 39:33
  Speaker 2: I just had to pause it, and.
• 39:36
  Speaker 1: She first finds them racing cars for the second time first.
• 39:39
  Speaker 2: Time, and I just poor Taylor, poor Rachel Luttrell. I
• 39:43
  Speaker 2: just paused it unintentionally at a very unfortunate moment where
• 39:48
  Speaker 2: that look on her face just looks like a cross
• 39:51
  Speaker 2: between just like smug but a shit eating green. It's
• 39:53
  Speaker 2: it's not a flattering thing. And I love doing that
• 39:56
  Speaker 2: every now and then, Like if you know, if I'm
• 39:58
  Speaker 2: watching something on Netflix and someone calls me and I pause,
• 40:01
  Speaker 2: it's always funny just to see what kind of faces yeah,
• 40:03
  Speaker 2: people make, So yeah, we'll chuck that up on socials
• 40:06
  Speaker 2: or something like that. Yeah. I was like, ah, that's unfortunate.
• 40:11
  Speaker 2: And the other Rachel thing too is And this could
• 40:14
  Speaker 2: just be a nitpick. But when she was hiding in
• 40:16
  Speaker 2: the cupboard on the wall, how did she reply to
• 40:21
  Speaker 2: Michael's calm, like when Michael got over the loud?
• 40:24
  Speaker 1: Yeah, I found that weird.
• 40:25
  Speaker 2: Is it just because earlier in the episode she like
• 40:27
  Speaker 2: got her little ear piece back when when she was
• 40:29
  Speaker 2: in I was about to say Weir's office, but it's
• 40:31
  Speaker 2: Woolsey's office now poured out, But yeah, so I'm assuming
• 40:36
  Speaker 2: she still had that her in ear, but because it
• 40:38
  Speaker 2: was so dark, you couldn't see. So I just think
• 40:41
  Speaker 2: maybe from a directing point of view or something like that,
• 40:43
  Speaker 2: they maybe miss There should have been a moment where
• 40:45
  Speaker 2: you saw her tapper ear or they littered a little
• 40:48
  Speaker 2: bit differently so you could see the little microphone coming
• 40:50
  Speaker 2: down the side of her mouth or something like that.
• 40:51
  Speaker 1: Such a small micael like it doesn't come down that far.
• 40:54
  Speaker 1: I still worry about that.
• 40:55
  Speaker 2: I remember when the show first aired, there were a
• 40:57
  Speaker 2: couple of episodes where I actually thought those were hot
• 41:00
  Speaker 2: mics and they were actually using audio from the actors,
• 41:04
  Speaker 2: because there was a couple of moments where just it
• 41:07
  Speaker 2: sounded like their voice was too close to a microphone,
• 41:10
  Speaker 2: And I'm like, have they had to use that because
• 41:12
  Speaker 2: of some kind of audio issue or something like that.
• 41:14
  Speaker 1: But I wonder whether that's I'm sure that's been done
• 41:16
  Speaker 1: at some point, like as a great backup.
• 41:18
  Speaker 2: I mean, they did it in Sea Patrol.
• 41:21
  Speaker 1: Did a lot of things. I'm sure.
• 41:24
  Speaker 2: I love how you did the the just the exasperated,
• 41:27
  Speaker 2: just just like Woolsey did when he got the mission report.
• 41:30
  Speaker 1: From I liked with those pieces right at the start
• 41:34
  Speaker 1: where the power went out and Rodney clicks the clicks
• 41:38
  Speaker 1: the ear piece like you were wanting Tailed to do.
• 41:40
  Speaker 1: How loud that is? And are we are we kind
• 41:43
  Speaker 1: of as an audience hearing what Rodney's hearing because it's
• 41:45
  Speaker 1: such a loud click. Surely that's not emitting from that
• 41:49
  Speaker 1: piece of equipment.
• 41:50
  Speaker 2: May be deaf well. Yeah, Also in a tactical scenario,
• 41:55
  Speaker 2: that's that's giving that's giving away your position.
• 41:57
  Speaker 1: Yeah, I think Taylor was hiding in the cabin. Put
• 42:02
  Speaker 1: it on silent mode for christ. Yeah.
• 42:04
  Speaker 2: The only worst bit of technology than that was apparently
• 42:07
  Speaker 2: the laptops on Atlantis are rigged with the explosives. Did
• 42:10
  Speaker 2: you see that moment when bikel like threw the laptop
• 42:12
  Speaker 2: and it just kind of exploded, And I'm like, what
• 42:15
  Speaker 2: is this a Samsung tablet? Like? What do we eat?
• 42:17
  Speaker 1: Wow? I thought you were just going to go straight
• 42:18
  Speaker 1: to Apple.
• 42:19
  Speaker 2: Yeah, no, I'll see that. I Hey, I'm aware. I'm
• 42:21
  Speaker 2: aware that Samsung has a you know, a Tensity.
• 42:26
  Speaker 1: Yeah.
• 42:26
  Speaker 2: Yeah, there's a whole there's a whole range of Samsung
• 42:29
  Speaker 2: tablets that like overheating and burning.
• 42:31
  Speaker 1: Wouldn't happen in Apple, would it? What?
• 42:32
  Speaker 2: I will should know? They do they sell your socks
• 42:35
  Speaker 2: for eighty bucks. There's this new thing that's been brought
• 42:38
  Speaker 2: out and it's like it's an it's an iPhone holder. Right.
• 42:42
  Speaker 2: Imagine a sock, like a long orange sock, where like
• 42:45
  Speaker 2: the tube part of the top has been split in
• 42:47
  Speaker 2: the middle into two like handles and then you drop
• 42:50
  Speaker 2: your phone in it. Right, that's what that's Apple's latest product.
• 42:55
  Speaker 2: It's a it's a pocket for when you don't have
• 42:59
  Speaker 2: a pocket. How it's being marketed, it's inspired by pockets.
• 43:06
  Speaker 1: Yeah, please do. It's giving energy about when they brought
• 43:08
  Speaker 1: out the AirPods.
• 43:11
  Speaker 2: All right, have you seen the new iPod that is
• 43:14
  Speaker 2: just it's it's ear pods and the case is an
• 43:18
  Speaker 2: iPod so you can now listen. You can while your
• 43:22
  Speaker 2: your EarPods are charging in their box. It's got an
• 43:24
  Speaker 2: iPod screen on the outside so you can play music.
• 43:27
  Speaker 1: Brilliant You like it? No, because we.
• 43:29
  Speaker 2: Just come full circle. We're back to iPods. But they
• 43:33
  Speaker 2: have wireless friggin EarPods in them.
• 43:36
  Speaker 1: Now iPods. You couldn't. They didn't have speakers on them.
• 43:38
  Speaker 1: What do you mean they did?
• 43:39
  Speaker 2: You could plug it a little speaker, you could plug
• 43:40
  Speaker 2: it in.
• 43:41
  Speaker 1: But they weren't a speaker. Is that what you're saying
• 43:42
  Speaker 1: that when you plug, you plug the ear pods into
• 43:46
  Speaker 1: the iPod to charge them.
• 43:48
  Speaker 2: Yeah, it has us. It looks like it. I imagine
• 43:50
  Speaker 2: you've got a little iPod and it opens up and
• 43:53
  Speaker 2: it stores your EarPods inside it.
• 43:55
  Speaker 1: Yeah, and so where does the where does the music
• 43:56
  Speaker 1: come from then when you listen to it?
• 43:57
  Speaker 2: I don't know.
• 43:58
  Speaker 1: I didn't look hard at it is. It's its own
• 44:01
  Speaker 1: speaker at the same time.
• 44:02
  Speaker 2: But what I'm saying is people get EarPods for your
• 44:05
  Speaker 2: phone and then have to put them in a little case
• 44:08
  Speaker 2: that is now an iPod. Why didn't we just keep iPods?
• 44:11
  Speaker 2: I still have an iPod. I love it.
• 44:14
  Speaker 1: I'm not saying as much of a problem, but maybe
• 44:16
  Speaker 1: I don't understand. I'll have to please Yeah, because my
• 44:19
  Speaker 1: issue that was they invented hey, not non invented, but say, hey,
• 44:22
  Speaker 1: here's some here's some cordless, some wireless earphones.
• 44:27
  Speaker 2: I've never owned them because I would lose them.
• 44:29
  Speaker 1: Oh my god, No, I don't trust myself. Never, never
• 44:31
  Speaker 1: would buy them in a million years. But then they
• 44:33
  Speaker 1: came out with the cord that you could buy to
• 44:37
  Speaker 1: wrap around your neck. That was some bullshit to house
• 44:40
  Speaker 1: them in. It's like, hey, here's this so you don't
• 44:42
  Speaker 1: lose your EarPods.
• 44:44
  Speaker 2: It's like a glasses chain. Glasses are designed to sit
• 44:46
  Speaker 2: on your face and hang over your ears. When you
• 44:48
  Speaker 2: get a chain so they can hang around your neck.
• 44:49
  Speaker 1: Yeah, yeah, And and people are like, oh my god, yeah,
• 44:53
  Speaker 1: i don't want to lose my EarPods. I'd love that.
• 44:54
  Speaker 1: I'm like, we already had it with those with the
• 44:58
  Speaker 1: wired What what are we doing?
• 45:01
  Speaker 2: Don't even go here?
• 45:02
  Speaker 1: Oh god, let's get out of here. You find that
• 45:04
  Speaker 1: that's episode three hundred and four.
• 45:08
  Speaker 2: How excited you for next week? What have you got?
• 45:10
  Speaker 1: I mean, I'm not anywhere near as excited as what
• 45:12
  Speaker 1: you are.
• 45:13
  Speaker 2: You're mister three or five.
• 45:14
  Speaker 1: You you were the want to bring it up. I
• 45:16
  Speaker 1: wouldn't have remembered that.
• 45:17
  Speaker 2: It's because I'm just a little parrot of memes in
• 45:19
  Speaker 2: pop culture references. I don't have any original thought.
• 45:22
  Speaker 1: I wouldn't have brought it up without you. I'm saying
• 45:24
  Speaker 1: this is a team effort, and now now I feel
• 45:26
  Speaker 1: the pressure to play some pitball next week.
• 45:29
  Speaker 2: Well I mean clearly, but pressure.
• 45:31
  Speaker 1: But having said that, it'll kick us off Spotify the
• 45:33
  Speaker 1: episode I won't like it on Spotify. Yeah, so maybe
• 45:37
  Speaker 1: we can play like one second of it. Okay, Yeah,
• 45:40
  Speaker 1: let's do that.
• 45:41
  Speaker 2: All right, mister three or five in one second?
• 45:44
  Speaker 1: Yeah, something like that. Uh yeah, we'll be back. What
• 45:46
  Speaker 1: are we talking next week? Remnant, Remnants, cool ree or
• 45:49
  Speaker 1: fat that is? That's episode three. Get into the game,
• 45:58
  Speaker 1: get into eight Starry Gate, and send me some maass.
• 46:03
  Speaker 2: Bring