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Romantasy Writers (with D.J. Mausner) · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to Artists on Artists on Artists on Artists.
• 0:07
  Speaker 1: This week, perhaps you're in the grocery store checkout aisle,
• 0:11
  Speaker 1: and you see a book that catches your eye. This
• 0:13
  Speaker 1: week we're talking to romanticy novelists.
• 0:17
  Speaker 2: The largest current genre in all of literature. Romanticy combines
• 0:22
  Speaker 2: the high fantastical worlds of fantasy with the nasty, dirty,
• 0:27
  Speaker 2: perverse world of romance. We sit down with these very, very,
• 0:32
  Speaker 2: very talented alchemists who put together those two key ingredients
• 0:37
  Speaker 2: and make the magic.
• 0:39
  Speaker 3: You lap up like a dog.
• 0:41
  Speaker 4: So get your shardnay and your weighted blanket and let's listen.
• 0:45
  Speaker 3: In Wow, I cannot believe all of us in the
• 0:51
  Speaker 3: same room together.
• 0:52
  Speaker 1: What a wonderful meeting of the mines this is.
• 0:58
  Speaker 3: It is just so nice, This is amazing. I'm so
• 1:02
  Speaker 3: excited to dive into the work today.
• 1:06
  Speaker 1: I'm such a big fan of all of your works.
• 1:09
  Speaker 5: Of course, of course.
• 1:11
  Speaker 1: This is of course, it's so wonderful to see authors
• 1:15
  Speaker 1: and to see what makes them tick, you know, And
• 1:18
  Speaker 1: I confess I'm not much of a person for the stage,
• 1:22
  Speaker 1: of course, but but this is a wonderful chance to
• 1:25
  Speaker 1: talk about what we love. The most.
• 1:28
  Speaker 6: But you have such presence here. That's what I really
• 1:31
  Speaker 6: noted at the last convention. Such presence, and you really
• 1:36
  Speaker 6: feel that in your novel.
• 1:37
  Speaker 1: Oh, thank you so much, Thank you very much.
• 1:42
  Speaker 3: It's an undenialle Charlie.
• 1:46
  Speaker 1: I really appreciate that very much.
• 1:50
  Speaker 3: Should we go around, I believe the book is on.
• 1:56
  Speaker 7: The side jackets. You could probably have regular This is
• 2:00
  Speaker 7: from the pictures on the jacket.
• 2:01
  Speaker 1: Yes, do we look like book jackets.
• 2:04
  Speaker 7: Let's do our jacket faces, Shelly.
• 2:06
  Speaker 6: Yes, the headshots of people who don't normally get their
• 2:10
  Speaker 6: foot is.
• 2:13
  Speaker 1: I can't wait to dive into that.
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  Speaker 3: Okay, let's go around and introduce ourselves, you know, and
• 2:18
  Speaker 3: so people can put a name to the face.
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  Speaker 6: Wonderful.
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  Speaker 3: Hi guys, my name is Jackson Dark.
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  Speaker 1: Bravo.
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  Speaker 3: Is it my real name. You'll have to get to
• 2:32
  Speaker 3: know me to find out. I am a romantic rider.
• 2:37
  Speaker 3: I focus on the Dragon, the fairy, and the fryman
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  Speaker 3: classic the genre. Let me take it back, that's not
• 2:51
  Speaker 3: that's the name of.
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  Speaker 8: You, guys.
• 2:57
  Speaker 3: Are you guys are starting to roast the jag, Dragon,
• 3:02
  Speaker 3: the ferry, and the friend. It's not a genre. It's
• 3:07
  Speaker 3: the name of the first book. That started on for me.
• 3:11
  Speaker 3: It's part of my Cosmic Light series twenty book series
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  Speaker 3: in which my main characters run around my little made
• 3:22
  Speaker 3: up world called full Blank for blank is a magical
• 3:26
  Speaker 3: place where a lot of things happen, and a fryman
• 3:30
  Speaker 3: just so happens to stumble into it.
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  Speaker 6: Oh yes, the odd.
• 3:35
  Speaker 7: In the real world we called it's a line cook
• 3:38
  Speaker 7: and the fan is of course a person that comes
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  Speaker 7: in and.
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  Speaker 3: Yeah, it's so amazing.
• 3:46
  Speaker 4: You're sitting around here with a bunch of people who
• 3:48
  Speaker 4: are God you are gone with.
• 3:55
  Speaker 3: I love your work.
• 3:56
  Speaker 4: I think I did a little bit of an endorsement
• 3:59
  Speaker 4: on one of the back of warri them thank.
• 4:01
  Speaker 3: You, Yes you wrote, oh wow, yes.
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  Speaker 7: Yes, you actually are part of all you will have
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  Speaker 7: I think on all the back of our book you
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  Speaker 7: have all.
• 4:09
  Speaker 1: Yes, I got an oh good from you.
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  Speaker 6: Yes, I got a great at points.
• 4:15
  Speaker 7: I got a what is this thing?
• 4:18
  Speaker 4: My publisher says, don't give them your writing for free,
• 4:22
  Speaker 4: for peach sake, So that's why I kind of just
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  Speaker 4: give a word.
• 4:27
  Speaker 1: You're letting the name do the work, of course.
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  Speaker 3: So that's me Jack Dork, Jackson Dark.
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  Speaker 6: Go ahead, I'm Kisses Stoneley, kiss of Yes. You know,
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  Speaker 6: I've written about four different series now that take place
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  Speaker 6: in worlds inspired by the by the elements. Yes, we
• 4:51
  Speaker 6: have a water world and it's sort of and we
• 4:55
  Speaker 6: have a fire world, which is sort of Those are
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  Speaker 6: the volcano Fey, which of course trademarked. Then we have
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  Speaker 6: the Earth world, which is mostly humanoid animals sort of
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  Speaker 6: like a sexual animal situation. And then we have the
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  Speaker 6: Air world, which is just birds, regular birds. And I
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  Speaker 6: actually want an award for my creative writing in that
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  Speaker 6: because there are no actual human English language speakers in
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  Speaker 6: the book, which just sort of a bunch of CAUs
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  Speaker 6: and squeaks.
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  Speaker 3: The way that you translated it and made it feel
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  Speaker 3: so special, how to capture a mocking bird's coca?
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  Speaker 1: And I don't want to put you on the spot,
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  Speaker 1: but I have a passage from that book that I
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  Speaker 1: love and it's all cause but I understood it perfectly,
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  Speaker 1: and it is it is sensual and it is delightful.
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  Speaker 1: When you read that start of chapter two, I think
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  Speaker 1: you know what I mean.
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  Speaker 6: Yes, so this is when they enter the bird Kingdom,
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  Speaker 6: which is of course a tue. Oh and sort of
• 6:07
  Speaker 6: when I wrote that, I'm really glad it resonated with
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  Speaker 6: you because I was channeling my second divorce when I
• 6:12
  Speaker 6: wrote that, and.
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  Speaker 7: I was wondering, if it was possible, could you tell
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  Speaker 7: us how you spilled that?
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  Speaker 6: Absolutely, So there's a lot of seas involved. Yeah, there's
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  Speaker 6: a lot of c's and there are some case and
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  Speaker 6: even from time to time I put a vowel between
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  Speaker 6: the two. And that's what I call writing.
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  Speaker 3: A little bit of cat cock cat cocky.
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  Speaker 6: There's a lot of cack and.
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  Speaker 5: Cock in my novels.
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  Speaker 3: Between A and A kick cock kick that one that
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  Speaker 3: we left.
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  Speaker 7: Probably we should talk about all the cuss words and
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  Speaker 7: slurs we've stumbled onto and writing our fantasy language.
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  Speaker 3: Well, it's just so fun to figure out what people
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  Speaker 3: call other people when they're angry at that.
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  Speaker 1: It's a fun thing.
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  Speaker 9: When we try to notate that they are sort of
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  Speaker 9: a lesser class.
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  Speaker 6: In the world. We're not.
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  Speaker 5: We're sort of doing an allusion to real life and
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  Speaker 5: not really.
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  Speaker 7: It's always it feels bad to read and it.
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  Speaker 1: Sounds weird tatting out of your mouth, even though we
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  Speaker 1: know it's not real.
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  Speaker 6: We know that's talking mostly about centers, and yet it's
• 7:33
  Speaker 6: still sounds basis.
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  Speaker 3: Middle Grounder that doesn't sound right.
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  Speaker 1: You know.
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  Speaker 6: How, even in.
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  Speaker 1: Fantasy worlds where anything is possible, we invent discrimination.
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  Speaker 3: It's like it's like a slant rhyme. It's like a
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  Speaker 3: slant rhyme, but it's a slant slur.
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  Speaker 1: Yes, absolutely struck a way.
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  Speaker 6: To sort of weave the star Cross Lovers arc. And
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  Speaker 6: there's no better way to do that than make it
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  Speaker 6: a world where like very well hung horsemen are absolutely
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  Speaker 6: pushed from society their traditions.
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  Speaker 3: And cast system. I always said it, I've always said it.
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  Speaker 1: Oh well, I on that note, I will introduce myself.
• 8:24
  Speaker 1: My name is Restaurante Excalibur, and I am the author of,
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  Speaker 1: of course, the Nights of the Bare Chested Table. These are,
• 8:39
  Speaker 1: of course a table full of shirtless nights are all
• 8:45
  Speaker 1: after the heart of our main girl, Mousie Rebecca.
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  Speaker 6: And and she has brown hair.
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  Speaker 1: From what I read, absolutely what she has own hair chocolate,
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  Speaker 1: dirt and brown as mud or oak or mahogany.
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  Speaker 3: I love how you explain her, all the different words
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  Speaker 3: for brown you come up with.
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  Speaker 1: And I prefer not to describe her face, so that
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  Speaker 1: anyone's face.
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  Speaker 3: May exist upon it could look like anything, or could
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  Speaker 3: be any it's not a visual character.
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  Speaker 1: No, No, she's not for you to see, only for
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  Speaker 1: you to be. And those six nights, oh, they are
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  Speaker 1: ravenous for her.
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  Speaker 3: Can I admit something? When I first saw the title
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  Speaker 3: of your book, I first swore the table was going
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  Speaker 3: to be bare chested, and not the men around it,
• 9:47
  Speaker 3: because it's you describe it as the knights of the
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  Speaker 3: bare chested table.
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  Speaker 1: Gerbo mean testing turn of grammar. Now, isn't it put
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  Speaker 1: the comma somewhere? And it's a question and whatnot?
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  Speaker 3: Well, because if you look at the knights of the
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  Speaker 3: round table, you're not saying the knights around.
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  Speaker 6: And that, and we don't do that in this genre.
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  Speaker 9: This is a genre that would be remiss to include
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  Speaker 9: any sort of body positivity outside of maybe scales.
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  Speaker 1: Or no, positively are scales here, that's for sure. No,
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  Speaker 1: it's the fair chested table because it was originally translated
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  Speaker 1: from Spanish, where of course you put the adjective before
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  Speaker 1: after the thing in the reverse order that we do it.
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  Speaker 3: And inspired by Spanish, Yes, I.
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  Speaker 1: Am, ever so inspired by Spanish. The country of Spain,
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  Speaker 1: It's many cities and customs, the famous siesta, and that's
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  Speaker 1: why I have a chapter in the middle where you
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  Speaker 1: take a siesta. It is fifteen blank.
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  Speaker 5: Pages for you to take a nap for I loved
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  Speaker 5: you playing with the form like that.
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  Speaker 6: You know, just blank pages. Some some speculated that perhaps
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  Speaker 6: you were unsure what to write. But what I believe
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  Speaker 6: is that you wanted the reader to be along this
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  Speaker 6: journey with you and all of your characters in the
• 11:21
  Speaker 6: middle of their room.
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  Speaker 1: So glad and now I saw this. I'm so glad
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  Speaker 1: you were able to pick up on this, because yes,
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  Speaker 1: my publisher sent me a few nasty emails saying, okay,
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  Speaker 1: clearly you didn't think of fifteen more pages to do.
• 11:35
  Speaker 3: With all publishers or pigs.
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  Speaker 7: Yes, I love my publisher.
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  Speaker 10: Pab absolutely asse.
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  Speaker 1: On both your households. Let's keep going about your publishing house,
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  Speaker 1: pop upon your or your Penguin random house.
• 12:08
  Speaker 7: On the Penguin, the legends himself.
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  Speaker 3: Goodmorrow, it's me Brash, our cars.
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  Speaker 6: Kan.
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  Speaker 11: Bross, Russ Camst awarded and metaled of all of us.
• 12:39
  Speaker 4: Back in the day when we give medals to books,
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  Speaker 4: I miss it. Now you just get an Oprah's breeding
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  Speaker 4: all the respect.
• 12:49
  Speaker 7: They are still giving metals to books. You're just not getting.
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  Speaker 3: And and I I did, I do want to say,
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  Speaker 3: don't diminish Oprah's breed book was what is it Oprah's
• 13:04
  Speaker 3: book Club?
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  Speaker 7: I will say, I don't agree with Oprah's Breeding Club.
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  Speaker 6: And weird.
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  Speaker 3: I think it's weird she started doing that.
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  Speaker 4: The last I got, the last ward I got was
• 13:16
  Speaker 4: the American Mark book Club, and I went, what the
• 13:19
  Speaker 4: fuck is this bullshrut?
• 13:21
  Speaker 3: Anyway?
• 13:22
  Speaker 5: I right.
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  Speaker 3: Within the world of Ho Ho.
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  Speaker 6: Naturally, naturally what whole.
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  Speaker 3: Whole bags with wings? Yes, trade trade, bark.
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  Speaker 5: Nice creature.
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  Speaker 3: It is a bag described to us.
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  Speaker 1: Describing so wonderfully. And your book, I couldn't possibly do it,
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  Speaker 1: just your.
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  Speaker 12: Imagination such a well developed, a specific type of fantasy character.
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  Speaker 3: What's about the I mean? Reading my box, I got
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  Speaker 3: so many A whole hero hawk bed. Another one comes
• 14:19
  Speaker 3: in the door, bra Another one comes in the door.
• 14:25
  Speaker 4: Round big bazook feathers up to the eye can see.
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  Speaker 4: It's a whole bag with wigs.
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  Speaker 3: Round big Bazook's feathers.
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  Speaker 5: The eyes can see.
• 14:44
  Speaker 3: So the feathers aren't up to the eyes. The fathers
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  Speaker 3: are up to the eyes.
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  Speaker 1: It's a whole bag.
• 14:52
  Speaker 3: With round big Bazook.
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  Speaker 6: What shall they make.
• 15:06
  Speaker 1: You're writing for the straight shooter. You don't many people
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  Speaker 1: who read fantasy expect a sort of cowry of language,
• 15:13
  Speaker 1: just sort of poeticism that transports you to another reality.
• 15:18
  Speaker 1: And your reality is blunt and and and the edges
• 15:23
  Speaker 1: are hard, deep.
• 15:27
  Speaker 6: Deep holes, turgid words. And that's why you're at the
• 15:30
  Speaker 6: top of.
• 15:30
  Speaker 3: This genre, because you've done something that none of us
• 15:33
  Speaker 3: have been able to do. We mostly sell these books
• 15:36
  Speaker 3: to female audiences. You have captured the men. Honk hawk
• 15:46
  Speaker 3: famous catch phrase.
• 15:47
  Speaker 2: Hog kok basically say it's beautiful of just a big
• 15:53
  Speaker 2: flying feathery Tip's really what the thing is.
• 15:56
  Speaker 6: Let's be honest with it, asking I was just a
• 16:00
  Speaker 6: nip flie at either side, and you've.
• 16:04
  Speaker 3: Really I mean, now I'm curious.
• 16:10
  Speaker 4: See you, young box will teach me about the teach
• 16:12
  Speaker 4: me about the new the new stuff, because they want
• 16:14
  Speaker 4: me to do audio books, because they want truck drivers
• 16:17
  Speaker 4: to read my books while they're draggling.
• 16:20
  Speaker 5: And I had to sit down with Larry.
• 16:21
  Speaker 3: The cable guy. He's doing my book, my whole back.
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  Speaker 5: And he will not be doing the world of.
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  Speaker 3: Reading my work.
• 16:37
  Speaker 5: And he said, no, I.
• 16:38
  Speaker 3: Want to listen to it. So amazing.
• 16:42
  Speaker 1: I can't wait to hear Marry the cable guy read
• 16:45
  Speaker 1: the whole bag.
• 16:48
  Speaker 3: I can't wait for his interpretation. And I'm I'm so
• 16:52
  Speaker 3: nervous to talk to everyone, big friend, big flan, Thank
• 16:55
  Speaker 3: you it.
• 16:55
  Speaker 2: My name is Francis Featherstone, and I am I am,
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  Speaker 2: of course the writer of the Quest of the Earth
• 17:02
  Speaker 2: and Sea Sky, Quest of the Earth and the Sky.
• 17:08
  Speaker 2: It's it's well, it's the series of books, and it's
• 17:10
  Speaker 2: a force about of a group of young rogues that
• 17:14
  Speaker 2: have to travel in this fantasy world. But here's the twist.
• 17:18
  Speaker 7: In this world.
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  Speaker 3: They walk on the air, and the Earth is the air, So.
• 17:26
  Speaker 2: Imagine the world is upside yes, they walk, they walk around.
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  Speaker 2: The Earth is like a negative space and the ozone
• 17:36
  Speaker 2: is the earth, but they're walking through So imagine if
• 17:39
  Speaker 2: living in Earth, you're walking and you're walking through dirt
• 17:43
  Speaker 2: in your head, but your feet.
• 17:45
  Speaker 6: Are on the air and you in your books really
• 17:47
  Speaker 6: are characterized by how much walking is handling.
• 17:49
  Speaker 13: Lots of walking, lots of walking. They're going on quests.
• 17:52
  Speaker 2: They're a bunch of teenagers obviously experiencing love and Earth.
• 17:57
  Speaker 3: But the Earth is the sky and the sky is
• 18:02
  Speaker 3: the Earth.
• 18:03
  Speaker 2: And I'm very excited because we've been working with Catherine Hardwick,
• 18:07
  Speaker 2: who is adapting the book to a movie, which.
• 18:13
  Speaker 5: Is so exciting.
• 18:14
  Speaker 3: I was, I was crying a screenplay. I'm, I'm.
• 18:18
  Speaker 2: I started writing the screenplay and now I have meaningful consultation.
• 18:31
  Speaker 1: That's a wonderful title.
• 18:33
  Speaker 3: That means whatever they do.
• 18:36
  Speaker 2: I can say if I like it or if I
• 18:39
  Speaker 2: don't like it, and it's meaningful and they get to
• 18:42
  Speaker 2: listen to that and then.
• 18:44
  Speaker 3: Do what they want to.
• 18:46
  Speaker 5: But it is meaningful.
• 18:48
  Speaker 14: It's well, they told me they're going to listen. They're
• 18:53
  Speaker 14: going to listen. So has anyone else's books an adapted?
• 18:57
  Speaker 14: It's very very interesting for your hand The.
• 19:00
  Speaker 1: Keys the Castle to sure sure, of course, I met
• 19:05
  Speaker 1: with the producer of Hallmark, which is not the channel.
• 19:10
  Speaker 1: It's sort of a series of uh of of of
• 19:14
  Speaker 1: a fantasy things whatever.
• 19:17
  Speaker 6: But he said he was on.
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  Speaker 1: He said my work was unadaptable, but it must remain
• 19:25
  Speaker 1: on the page, and so I shan't be And I
• 19:30
  Speaker 1: don't know why I started talking.
• 19:32
  Speaker 4: No, we're talking about adapt Well, why didn't yours be adapted?
• 19:36
  Speaker 3: Yeah, you have for animation.
• 19:38
  Speaker 6: What content cannot be made visual? He said?
• 19:42
  Speaker 1: The six bare chested men are not are not exactly.
• 19:49
  Speaker 1: The tension is lost when there's six of them and
• 19:52
  Speaker 1: it sort of just looks like a shirt versus.
• 19:54
  Speaker 3: What I wanted to say was yours felt the most adapted,
• 19:58
  Speaker 3: the most imaginative. You get a hated man.
• 20:03
  Speaker 1: What pervert could imagine? Six bear chested men? You know
• 20:07
  Speaker 1: it's sick, is it not.
• 20:09
  Speaker 6: One of my favorite things about your novels are the
• 20:12
  Speaker 6: creative names that you give your characters. And so these
• 20:14
  Speaker 6: six men, I'm just they're not coming to mind, the
• 20:17
  Speaker 6: six names of these.
• 20:18
  Speaker 1: Men, six men, and I shall rattle them off all
• 20:21
  Speaker 1: Brady Bunch. Imagine if you will, the Brady Bunch title
• 20:26
  Speaker 1: good Show in the middle squares situation.
• 20:31
  Speaker 3: This is exactly how I imagine my characters, the Brady Bunch.
• 20:36
  Speaker 1: Rebecca in the middle, she's looking up. And then it
• 20:42
  Speaker 1: is restaurante.
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  Speaker 3: So your name.
• 20:51
  Speaker 5: First out of the gate character.
• 20:53
  Speaker 3: You're.
• 20:57
  Speaker 1: Restaurante Pastoroni the name of the first bear Chester place in.
• 21:05
  Speaker 3: Spain, fantastic Spain, an old time Italian.
• 21:13
  Speaker 1: Space, Italian Spanish fusion.
• 21:15
  Speaker 3: Imagine if the medieval times of the Canterbury Tales was
• 21:19
  Speaker 3: it Spain Italy borna you knows.
• 21:21
  Speaker 2: I can imagine what if, what if Barcelona was a
• 21:24
  Speaker 2: little more Italian?
• 21:26
  Speaker 3: I love the world Roscoe oil with some.
• 21:32
  Speaker 6: The second tile.
• 21:33
  Speaker 1: She looks to the upper right hand owner of the
• 21:36
  Speaker 1: second bar chested man appears. His name is musical A
• 21:41
  Speaker 1: la Vodka and he is the one who sings.
• 21:47
  Speaker 3: I have a very tender spot for musical.
• 21:50
  Speaker 1: He's one of my favorite, the singing one like a mouse.
• 21:56
  Speaker 5: He turns to the left.
• 22:00
  Speaker 3: You're only on the top level, all right, corn, all right,
• 22:09
  Speaker 3: calm down.
• 22:12
  Speaker 1: Let's go down to tell you Senora Rissotto, the bad boy.
• 22:20
  Speaker 15: Transgender yess are sort of a bad boy queer character.
• 22:27
  Speaker 7: Yes, yes, he's queer because he has a girl's name,
• 22:31
  Speaker 7: and the girl's name is girl Spanish for girl, and of.
• 22:36
  Speaker 5: Course we mean queer. Is it the old timey sort
• 22:38
  Speaker 5: of strange.
• 22:41
  Speaker 3: Flex nicknacks, Yes.
• 22:43
  Speaker 6: Queer type.
• 22:46
  Speaker 1: She looks to the right hand tile.
• 22:49
  Speaker 3: But what is that?
• 22:50
  Speaker 1: It is marinera sombrero.
• 22:57
  Speaker 15: Pretty most defensive of them all, and he thinks he
• 23:04
  Speaker 15: likes books, moving on quickly to the bottom title bottom
• 23:09
  Speaker 15: title card.
• 23:09
  Speaker 1: She's looking around her. There have so many bare chested man,
• 23:16
  Speaker 1: some arrow and mouse.
• 23:20
  Speaker 6: Yeah, that took three books to get Jim and she looks.
• 23:23
  Speaker 1: Down upon air Spana.
• 23:33
  Speaker 6: Your parents.
• 23:37
  Speaker 5: Standing around.
• 23:38
  Speaker 6: Really, Oh my god, it's like this, but this is
• 23:46
  Speaker 6: this is.
• 23:49
  Speaker 1: So that's where I was trying to think of when
• 23:51
  Speaker 1: I wrote that character.
• 23:58
  Speaker 3: French French dessert, Yes, span Wrath, Spanya.
• 24:04
  Speaker 1: Taram Sue and he is an old soul is doctor
• 24:13
  Speaker 1: Italy Spayard, Italy Spaniard. And he is a professor, the
• 24:24
  Speaker 1: one that she looks to for advice and wisdom. So
• 24:27
  Speaker 1: shay them all again, I got them, I got I
• 24:32
  Speaker 1: remember that it would be helpful if I went backwards.
• 24:35
  Speaker 1: So we had doctor.
• 24:39
  Speaker 3: You can't even get the first one, just said it.
• 24:46
  Speaker 1: Doctor Italy Spania. Then we went back upwards to.
• 24:51
  Speaker 9: The way you snaffed about terms, and the first word
• 24:56
  Speaker 9: was not.
• 25:00
  Speaker 1: Then we went back to.
• 25:07
  Speaker 3: Oh, yes, one, I don't even remember.
• 25:17
  Speaker 1: Senor. Gosh, well you have to play back the tape,
• 25:20
  Speaker 1: I guess.
• 25:21
  Speaker 6: God God, perfect character names. You know, I really resonated with.
• 25:26
  Speaker 3: Because you are taking the worlds and adapting, almost like
• 25:30
  Speaker 3: every new book is a new place, and you're always
• 25:34
  Speaker 3: figuring out how to make a sexy climate.
• 25:38
  Speaker 6: It's true, which is really difficult because once you've done
• 25:40
  Speaker 6: all four elements. It's sort of where do you go
• 25:42
  Speaker 6: from there?
• 25:43
  Speaker 1: I heard you're going to the periodic table next.
• 25:45
  Speaker 6: I heard that, yes, and I know the periodic table
• 25:48
  Speaker 6: very well, and for that reason, I'm glad to be writing.
• 25:51
  Speaker 3: A book there we're starting.
• 25:53
  Speaker 6: I'm going to start with helium. I think aware of
• 25:57
  Speaker 6: the helio really.
• 25:59
  Speaker 5: Appus your sensibility.
• 26:02
  Speaker 6: That there's a lot about there's a lot of.
• 26:05
  Speaker 2: Where the helium actually makes things lower because if you
• 26:11
  Speaker 2: don't remember, remember.
• 26:14
  Speaker 3: In is a crowd and the clown is the sky.
• 26:19
  Speaker 3: So when you feel a balloon, it goes out the interesting.
• 26:29
  Speaker 6: Of course, I would love your notes. I feel like
• 26:32
  Speaker 6: it'll make my novels so much more well rounded. Certainly,
• 26:37
  Speaker 6: you just have.
• 26:37
  Speaker 3: Such a good way of, you know, writing this romance
• 26:42
  Speaker 3: capture romance like no one I've ever seen. How we're
• 26:47
  Speaker 3: gonna fall in love and helium well.
• 26:49
  Speaker 6: In helium in my world, unfortunately, it sort of follows
• 26:52
  Speaker 6: the kind of the natural law is more akin to
• 26:55
  Speaker 6: our world that's in.
• 27:00
  Speaker 1: You.
• 27:01
  Speaker 6: Yeah, But the problem is is it's a world where
• 27:04
  Speaker 6: you only know that you found your true mate when
• 27:07
  Speaker 6: you both inhale helium and your voices are at the
• 27:10
  Speaker 6: same tone.
• 27:12
  Speaker 1: So there's the moment.
• 27:13
  Speaker 6: It's the moments.
• 27:18
  Speaker 2: A divergent or baby world. Do we have the same
• 27:22
  Speaker 2: company because our voices out of the.
• 27:26
  Speaker 6: Yeah. Yeah, there's an imprinting that happens when one character
• 27:29
  Speaker 6: is like, and I do sort of in the book
• 27:32
  Speaker 6: indicate that by writing a very small fox.
• 27:41
  Speaker 3: You know, when you square something and it has a
• 27:43
  Speaker 3: tiny tow at the top, that's.
• 27:44
  Speaker 6: What you're cutting out.
• 27:48
  Speaker 5: Most of my books notes.
• 27:50
  Speaker 9: There's about three or four sentences on the page and
• 27:52
  Speaker 9: a break of footnotes at the bottom, just a paragraph published.
• 27:57
  Speaker 2: It is always like, oh, if you have to use
• 27:59
  Speaker 2: the size, you're not being imaginative.
• 28:01
  Speaker 3: And I say, go suck a butthole.
• 28:16
  Speaker 5: Sort of barking like a small dog. Yeah, it's.
• 28:23
  Speaker 6: That's a classic bash art. Yeah, you know in in
• 28:28
  Speaker 6: my novels, it's really important that sensuality is woven and
• 28:32
  Speaker 6: brought to such a hind extent but never executed as
• 28:37
  Speaker 6: soon exactly. My whole novel should sort of get you
• 28:41
  Speaker 6: to a place where you're red in the face, wet
• 28:44
  Speaker 6: in the shorts, tighten the ass, slick in the ears,
• 28:48
  Speaker 6: lug in the hair.
• 28:51
  Speaker 5: Why did the jest big in the in the hole
• 28:56
  Speaker 5: in the hole and big in the hole, tall in.
• 29:01
  Speaker 6: The feelings, and what else. You're right there.
• 29:07
  Speaker 9: It's just sort of sort of strong in the lip,
• 29:10
  Speaker 9: loose in the tooth, dry in the tongue, what the hair,
• 29:19
  Speaker 9: the hair, broad in the shoulders, fining, narrow with the
• 29:23
  Speaker 9: waist up, fine archers, strong in the stalks.
• 29:35
  Speaker 6: Week at the t F s A S.
• 29:37
  Speaker 5: Do you have those in America? At the four to
• 29:39
  Speaker 5: one case.
• 29:41
  Speaker 6: I'm a Canadian writer. Of course, comes through, It does
• 29:44
  Speaker 6: come through.
• 29:45
  Speaker 2: You know.
• 29:45
  Speaker 9: I have my characters sort of talking about the sea
• 29:47
  Speaker 9: and tower and and some of my and in a
• 29:50
  Speaker 9: fantasy world where there are birds in the sky is
• 29:53
  Speaker 9: where I.
• 29:53
  Speaker 5: Started to see in tower, because that's where they all circle.
• 29:59
  Speaker 6: I would love to read.
• 30:01
  Speaker 3: This is such a beautiful crescendo of will they won't they?
• 30:04
  Speaker 3: I'm hot and bothered.
• 30:05
  Speaker 6: Of course, you know, I did already read from the
• 30:07
  Speaker 6: air books. I'll read from the Water book, which yes,
• 30:12
  Speaker 6: I love this and this one was really a hit
• 30:14
  Speaker 6: among the tween demographic. Sorry, let me just call this.
• 30:21
  Speaker 6: Penelope ran in brackets, swam to Paul's sides.
• 30:31
  Speaker 5: He pulled out his marpinis and that's the end of
• 30:35
  Speaker 5: the book.
• 30:37
  Speaker 14: At the end of the book.
• 30:39
  Speaker 5: I said, I say, there's a lot of photos.
• 30:48
  Speaker 3: It's all my reference.
• 30:49
  Speaker 4: Yes, I saw you do a reading Barnes and Noble
• 30:52
  Speaker 4: and you read the end of the book again, and
• 30:54
  Speaker 4: I what a weird way to sell books.
• 30:56
  Speaker 6: I want people to know that what they're what they're
• 30:59
  Speaker 6: reading towards.
• 31:03
  Speaker 9: My publisher said the book had to be four hundred pages,
• 31:06
  Speaker 9: and I agreed.
• 31:08
  Speaker 5: It doesn't mean there has to be writing on every
• 31:10
  Speaker 5: single leve Yeah, like like a cap.
• 31:19
  Speaker 3: Well, that's different. We always say all cops are publishers,
• 31:28
  Speaker 3: publish are bigs.
• 31:32
  Speaker 9: And really confusing people at the sort of anti cop
• 31:38
  Speaker 9: rallies signs.
• 31:39
  Speaker 1: Yes, that was such a lovely passage. Does anyone passage?
• 31:44
  Speaker 3: I was going to ask, if you.
• 31:48
  Speaker 6: Asol and you have an unreleased novel, I forget what
• 31:50
  Speaker 6: it's called. You have an unreleased novel in the sort
• 31:52
  Speaker 6: of dragon fame world.
• 31:53
  Speaker 3: It's called Dragon Fairy due.
• 31:57
  Speaker 6: Straight to the plane, but I hit it.
• 32:00
  Speaker 3: Yes, Well, as you guys know, I'm sure the audience knows.
• 32:04
  Speaker 3: The Friedman has kind of found himself betwixt two courts,
• 32:08
  Speaker 3: the dragon and the Fae, and he's kind of being
• 32:12
  Speaker 3: a double agent for both and he cannot decide because
• 32:14
  Speaker 3: he's fallen deeply in love with the Dragon Queen. F
• 32:18
  Speaker 3: F and the Fay Queen just love the light.
• 32:23
  Speaker 2: Variation of the favorite things about your books is it's
• 32:27
  Speaker 2: almost like if the lion the witch in the wardrobe,
• 32:30
  Speaker 2: but the person who went through the wardrobe is just
• 32:33
  Speaker 2: the biggest douchebag.
• 32:35
  Speaker 4: I wouldn't say, here's a he's a flawed guy, yourudge,
• 32:39
  Speaker 4: your characters.
• 32:42
  Speaker 3: Kind. I guess in America he would be considered a douchebag.
• 32:46
  Speaker 3: He just he keeps asking all the witches waits. Oh,
• 32:51
  Speaker 3: that's what you do in America.
• 32:53
  Speaker 5: I guess it's a mart Wait you said in America
• 32:57
  Speaker 5: you would be a douchebag? Where where where is your
• 33:00
  Speaker 5: world set?
• 33:01
  Speaker 3: It's it's it's.
• 33:04
  Speaker 6: Yes, yes.
• 33:06
  Speaker 3: I'm to read a little passage. The front man waited
• 33:12
  Speaker 3: in the court. This would be the day he finally
• 33:15
  Speaker 3: made his choice. The queen arrived, her beautiful scales, towering body,
• 33:22
  Speaker 3: long long, long neck, ferocious teeth and eyes that screamed
• 33:28
  Speaker 3: help me.
• 33:30
  Speaker 6: I love that an woman, Oh, I love that.
• 33:32
  Speaker 3: Hello, it's good to see you again. Hmmm, Hi Bunny
• 33:39
  Speaker 3: Bonny his pet name from before, from before you know
• 33:46
  Speaker 3: I could burn you in two if I wanted to
• 33:50
  Speaker 3: rip you apart with my big mangled teeth, make you
• 33:53
  Speaker 3: mince meat in front of the whole court.
• 33:56
  Speaker 5: Sort of a snuff element here.
• 33:58
  Speaker 3: I like that. I'd like that very much.
• 34:03
  Speaker 5: Course, witness watching.
• 34:06
  Speaker 3: Quick come to my chambers. We need to talk privately, Okay,
• 34:13
  Speaker 3: I'll go.
• 34:16
  Speaker 6: Lyrical.
• 34:16
  Speaker 3: Chapter three, the queen lay on our bed begging for more.
• 34:24
  Speaker 6: So we skip.
• 34:26
  Speaker 5: Sort of like a nineteen fifties movie. We see them
• 34:29
  Speaker 5: kissing the cigarette.
• 34:31
  Speaker 1: Come back to my chambers, now.
• 34:40
  Speaker 6: Emotic.
• 34:41
  Speaker 3: At the end of it, what happens is I go,
• 34:45
  Speaker 3: you see, this is what happened, and then you get
• 34:48
  Speaker 3: into the emation. Well, that's my question for you. Do
• 34:53
  Speaker 3: you make love like your characters?
• 34:55
  Speaker 6: It's a really great.
• 34:58
  Speaker 3: What what's what do we pulling from? In real life?
• 35:01
  Speaker 3: You are always wondering how sick and twisted our bedroom.
• 35:05
  Speaker 6: Does they are?
• 35:05
  Speaker 1: To reflect the artists.
• 35:08
  Speaker 3: I think you can just go down the line.
• 35:11
  Speaker 9: I would say, for me, the only way that my
• 35:13
  Speaker 9: books are reflected is I have one hand in a
• 35:15
  Speaker 9: glass of water, one hand over.
• 35:16
  Speaker 3: A candle, always connected the elements.
• 35:23
  Speaker 5: Absolutely, that's me to.
• 35:24
  Speaker 3: A t.
• 35:26
  Speaker 1: Spread between the elements.
• 35:34
  Speaker 5: It was just stramming my clip like a mandolin.
• 35:42
  Speaker 9: So no, I'm writing my novels while this is happening
• 35:50
  Speaker 9: through Siri, which is why a lot of my books
• 35:53
  Speaker 9: have the word okay sort of.
• 35:57
  Speaker 1: I my I'll answer with kind of. I would say
• 36:01
  Speaker 1: that I am on six phone lines at the same
• 36:04
  Speaker 1: time having phone sex with six different men sort of
• 36:08
  Speaker 1: six way tell orgy.
• 36:15
  Speaker 2: Wow, six way zoom sex sounds actually awful, you can
• 36:22
  Speaker 2: merely hear.
• 36:23
  Speaker 3: Sorry, sorry, do we have to did you bring it?
• 36:28
  Speaker 1: Did bring a little recording of my last six way
• 36:31
  Speaker 1: sex party? And I believe let me see, I'll press
• 36:35
  Speaker 1: play now.
• 36:38
  Speaker 3: Happy Okay, So I'm sorry, sorry, let me I just
• 36:46
  Speaker 3: love to say something before is excuse me?
• 36:51
  Speaker 1: So thank you all for joining me on birthday for
• 36:54
  Speaker 1: some hold for some sorry.
• 36:59
  Speaker 16: I.
• 37:01
  Speaker 3: I'd like to start my frozen for you. Guys. You guys,
• 37:06
  Speaker 3: wave your dick around, leave your dick around the table.
• 37:12
  Speaker 1: I placed my breasts on the table.
• 37:14
  Speaker 3: Why did you put them on a table? Okay, guys, guys, guys, guys, guys, guys,
• 37:20
  Speaker 3: are we good? So my dick is out?
• 37:23
  Speaker 5: Okay, Okay, my breast I'm putting in my ass on
• 37:26
  Speaker 5: the table.
• 37:27
  Speaker 3: Were we supposed to be at a table. I'm on
• 37:29
  Speaker 3: my couch.
• 37:32
  Speaker 1: I said, to bring your table.
• 37:34
  Speaker 3: How are you putting your tits on the table facing down?
• 37:39
  Speaker 5: She's turned to the side of their stacks, sort of
• 37:41
  Speaker 5: like heads in the door frame.
• 37:46
  Speaker 3: Oh my god, I was on mute the whole time.
• 37:47
  Speaker 3: I'm wet as a dog. Dad my frozen. I have
• 37:52
  Speaker 3: to figure out if I'm frozen. Can you screen sharing?
• 38:00
  Speaker 6: I don't want to see that.
• 38:00
  Speaker 5: Don't change the Google doc now they have little glasses.
• 38:04
  Speaker 17: Can you enable recording? I like to record this, I said,
• 38:13
  Speaker 17: I said no, I said, I don't want this to
• 38:15
  Speaker 17: be recorded. I don't turn it off.
• 38:20
  Speaker 5: Oh god, very very erratic.
• 38:24
  Speaker 3: I'm glad they were recording so we could hear.
• 38:26
  Speaker 1: I'm so glad they adventure record.
• 38:29
  Speaker 4: I don't love the I don't make love like the
• 38:32
  Speaker 4: whole bags with wings because I don't have swords and dilbos.
• 38:36
  Speaker 1: Shall you please read that scene the first time the
• 38:39
  Speaker 1: hoe bags make love. It is like nothing I've ever read.
• 38:43
  Speaker 6: Music to my.
• 38:44
  Speaker 3: Eyes, fire and horror all over the wall. That's how
• 38:59
  Speaker 3: you sex seeds. For Basha Khan, it's sex if it's rhyming.
• 39:07
  Speaker 3: Fire and horrors all over the war Ra goes, the
• 39:13
  Speaker 3: Man goes the Tin Man. Okay, Gussie John two whole
• 39:22
  Speaker 3: bags with wings flying. It's like almost Doctor Susie. One
• 39:30
  Speaker 3: one in search, the other says no, it's shinn.
• 39:36
  Speaker 4: They dance the farry dams as it snows, dildos and
• 39:39
  Speaker 4: mock it's time to clean up.
• 39:42
  Speaker 3: Look at this place. There's common so much suck. I'm
• 39:46
  Speaker 3: gonna stop that.
• 39:52
  Speaker 1: And you went to the dildo blizzard is so.
• 39:58
  Speaker 3: It's the biggest need of the they're trapped into dildos
• 40:01
  Speaker 3: and no, I don't get any wars.
• 40:04
  Speaker 2: That one was so special too, because I loved this
• 40:08
  Speaker 2: was the only thing that shel Silverstein ever illustrated that
• 40:12
  Speaker 2: he didn't do.
• 40:13
  Speaker 3: And so these drawings are just so wonderful and they're
• 40:15
  Speaker 3: very whimsical, and not all the books are they that way.
• 40:19
  Speaker 3: But what about you doing?
• 40:20
  Speaker 12: I love?
• 40:21
  Speaker 3: Can I just say one of the biggest things in
• 40:23
  Speaker 3: your book is the tin Man sounds different from the
• 40:25
  Speaker 3: Man's two different beings.
• 40:28
  Speaker 4: One is from a house of tin and one is
• 40:30
  Speaker 4: from a house of comms.
• 40:38
  Speaker 3: Wow, this episode is really funny so far, wouldn't you.
• 40:41
  Speaker 7: Say, Kylie?
• 40:41
  Speaker 1: I think I'd say so Jeremy and you know, I'd
• 40:44
  Speaker 1: say that there's a lot of stuff coming down the
• 40:46
  Speaker 1: pike that is not necessarily only on this episode.
• 40:50
  Speaker 3: Yes, we're talking about our Patreon. You guys can check
• 40:53
  Speaker 3: us out on Patreon. Yeah, we play these ridiculous characters,
• 40:56
  Speaker 3: but we also are all friends and real life people
• 40:59
  Speaker 3: and we hanging out.
• 41:00
  Speaker 1: We talk about all the episodes. We have an after
• 41:03
  Speaker 1: show for every episode that in the past, like Recent
• 41:07
  Speaker 1: Memory two years, that you can find on there for
• 41:10
  Speaker 1: the low low price of five dollars a month. And
• 41:12
  Speaker 1: we have a bunch of other stuff too. Jeremy danced
• 41:15
  Speaker 1: for twelve weeks straight one time. You can find all
• 41:17
  Speaker 1: of that on the Patreon.
• 41:18
  Speaker 3: That was a blast. We put in way more work
• 41:21
  Speaker 3: than we need to, and that is reasonable for the Patreon.
• 41:24
  Speaker 3: We just love it. We love hanging out and talking
• 41:26
  Speaker 3: to y'all, so come on and check it out. It
• 41:29
  Speaker 3: genuinely does help us. We we can't we can't do
• 41:33
  Speaker 3: this without you. Uh oh, she's gone.
• 41:35
  Speaker 1: Join the patre.
• 41:47
  Speaker 9: Binary These home bags do fall into a gen into
• 41:56
  Speaker 9: a gender binary every time beautiful.
• 41:59
  Speaker 3: Every time I hear this, I go oh man wrote this.
• 42:02
  Speaker 3: Every time I'm like, this is what a man wrote.
• 42:04
  Speaker 6: What do you mean?
• 42:05
  Speaker 3: Okay, well, I want to know. Do you have sex
• 42:07
  Speaker 3: the way your characters? I actually don't. I am celibates
• 42:12
  Speaker 3: when i'm writing.
• 42:13
  Speaker 2: So so my husband understands that I don't they love
• 42:17
  Speaker 2: while I'm writing, because I need those urges, those very strong.
• 42:22
  Speaker 3: Urges, straight into the book. This time I'm playing with.
• 42:26
  Speaker 3: You know, in this world, they're they're they're coming of age.
• 42:29
  Speaker 2: My characters are going on a question and they're they're
• 42:32
  Speaker 2: the youngest of their family, but they're officially men and
• 42:35
  Speaker 2: women or in my world we call them ving and
• 42:38
  Speaker 2: volgaing and and I.
• 42:40
  Speaker 3: Do love that exactly. I don't. Can you read it?
• 42:44
  Speaker 3: Can you read one of your excerpts. I just love
• 42:46
  Speaker 3: your rank, the way that you use metaphor simile and adjectives.
• 42:50
  Speaker 6: Totally scripts, yeah, metaphor simil. I love the way you
• 42:54
  Speaker 6: sort of weave the vings and thongs of it all.
• 42:56
  Speaker 3: Yes, yes, yes.
• 43:00
  Speaker 13: Bagor was scared as a baby puppy, and as he
• 43:05
  Speaker 13: walked through the thick storm that was dirt with his
• 43:10
  Speaker 13: feet firmly grasping the air, scared to fall into the center,
• 43:16
  Speaker 13: away from the air like a little apple from a tree,
• 43:20
  Speaker 13: but upside down. He looked across the room and saw
• 43:26
  Speaker 13: a ving that caught his eye. The thing's name was
• 43:31
  Speaker 13: Abergam Scunter want.
• 43:35
  Speaker 2: Abergam's breasts floated upwards into the earth.
• 43:46
  Speaker 3: Your book is less about romance and more about how
• 43:48
  Speaker 3: amazing it would be to such. Every other sentence is
• 43:53
  Speaker 3: about how people are walking on as not.
• 43:57
  Speaker 1: The sex that excites you. That these urges are tied
• 44:00
  Speaker 1: to the urges are tied to the logic of what
• 44:03
  Speaker 1: happens when you're in different layers of the act.
• 44:06
  Speaker 3: It doesn't really like your horny No, well, you'll get
• 44:08
  Speaker 3: to the part where they lay down? Should I say
• 44:11
  Speaker 3: lay up? I think we're gonna get it?
• 44:16
  Speaker 6: Wait, and I do you know, it's interesting to me
• 44:18
  Speaker 6: that you don't have sex while you write. And it
• 44:21
  Speaker 6: seems that you've been sort of constantly writing for the
• 44:23
  Speaker 6: past twenty years.
• 44:24
  Speaker 13: There's always another book.
• 44:26
  Speaker 6: So how does your husband feel about that?
• 44:29
  Speaker 3: My husband understands now there stands I think. So he's
• 44:32
  Speaker 3: a grumpy guy that you it's grumpy when I met him.
• 44:35
  Speaker 3: He seems to be withering away.
• 44:37
  Speaker 4: If he was grumbling before you, Madam of the transit
• 44:40
  Speaker 4: of property, he's grumpy, exactly exactly.
• 44:43
  Speaker 3: He loves safaris, my husband, he loves he loves going
• 44:49
  Speaker 3: the Safaris.
• 44:49
  Speaker 7: He's part of a local mushroom club for him. He's
• 44:52
  Speaker 7: very active in the Facebook group of the mushroom club.
• 44:54
  Speaker 2: Well, he's got to be in the Pacific Northwest and
• 44:57
  Speaker 2: he's Oh, I found I found Woodiers.
• 44:59
  Speaker 7: Everyone.
• 44:59
  Speaker 3: He's always freaking out about these mushrooms. Partners read your books.
• 45:03
  Speaker 7: Mind too, mind you.
• 45:05
  Speaker 3: It's the closest my partner would read if I had one.
• 45:12
  Speaker 6: Oh, I forgot you recently.
• 45:15
  Speaker 3: I was recently divorced.
• 45:17
  Speaker 1: I'm so sorry to here of your divorced divorce.
• 45:22
  Speaker 9: And would you say that that inspired your most recent book,
• 45:25
  Speaker 9: Fuck you fairies, I fucking hate you.
• 45:28
  Speaker 3: I don't know if it played into it at all.
• 45:30
  Speaker 2: What I loved, and I was following this very closely,
• 45:35
  Speaker 2: is you represented yourself in divorce court and it was
• 45:39
  Speaker 2: the most fanciful.
• 45:44
  Speaker 3: I wanted to win. I saw I don't trust the lawyer.
• 45:48
  Speaker 3: I wanted to win, so of course I would represent myself.
• 45:53
  Speaker 3: I walked in with my suit of armor, threw down
• 45:57
  Speaker 3: a gloves slap of the judge. I believe we have
• 46:01
  Speaker 3: the opening, we have the foot open all rise, h
• 46:06
  Speaker 3: your honor, hold on my skin.
• 46:13
  Speaker 6: I pitched my skin.
• 46:14
  Speaker 3: I pitched my skin, Council, I can't work like this.
• 46:18
  Speaker 3: He he has a blade.
• 46:23
  Speaker 4: All I want is custody of the kids, your honor,
• 46:25
  Speaker 4: and that's that's all I objection.
• 46:28
  Speaker 3: This is.
• 46:29
  Speaker 1: I mean, we can't be having you.
• 46:30
  Speaker 5: As a bailiff.
• 46:31
  Speaker 3: You wan to take this guy out of the shouldn't
• 46:33
  Speaker 3: be talking. I'm sorry, I'm sorry.
• 46:38
  Speaker 5: What did you say?
• 46:40
  Speaker 3: Zip, sir? We need you here, bailff.
• 46:43
  Speaker 6: We need we need you tuesday.
• 46:46
  Speaker 3: Order order order, order, order, order, go ahead, you guys.
• 46:54
  Speaker 3: Com Okay, God, what happens when things fall apart, when
• 47:03
  Speaker 3: a marriage wants filled with love ends your honor?
• 47:07
  Speaker 5: His dick is out.
• 47:08
  Speaker 3: I can't do this. Let me finish, Let me finish,
• 47:11
  Speaker 3: Let me finish here now, okay, I'm back.
• 47:15
  Speaker 5: He's jacking out.
• 47:16
  Speaker 3: You don't want me to think about it. I'm not
• 47:19
  Speaker 3: jacking off.
• 47:20
  Speaker 5: He said, let me finish, and he reached down and.
• 47:24
  Speaker 16: I touched my The skin is pinching right near my penis.
• 47:28
  Speaker 16: I'm trying to fix it. I love that clip off one.
• 47:38
  Speaker 1: Yeah, they turned it around.
• 47:44
  Speaker 5: It's sort of a my cousin situation.
• 47:47
  Speaker 2: Yeah, double sided, high in the divorce court, always siding
• 47:52
  Speaker 2: with the father.
• 47:53
  Speaker 1: Always.
• 47:56
  Speaker 3: You guys, have a part of your book that you're
• 48:01
  Speaker 3: most proud of. Maybe you get most emotional when you
• 48:04
  Speaker 3: read it. You regurgitates, reminds you of something, or captures
• 48:09
  Speaker 3: a feeling that you've been trying to convey for years
• 48:11
  Speaker 3: and years and years. I and you can say no.
• 48:17
  Speaker 1: In my box, I have something that I well, I
• 48:21
  Speaker 1: can just read this passage because it always brings me
• 48:23
  Speaker 1: to tears. It's something that I've I've wanted to express
• 48:26
  Speaker 1: as an artist, but it's about sharing and the importance
• 48:30
  Speaker 1: of sharing that I've never figured out how to articulate.
• 48:34
  Speaker 1: So I'll just read from This is the Middle, Great,
• 48:41
  Speaker 1: good place.
• 48:42
  Speaker 6: Great play, Sister Mousey.
• 48:44
  Speaker 1: Rebecca sits in the corner of the room, so small
• 48:51
  Speaker 1: you'd barely notice her. Pass her by, shuffle past her.
• 48:55
  Speaker 1: Nobody notices her. They keep hitting her. She keeps saying,
• 48:58
  Speaker 1: oh sorry, sorry, all right. Then the door bell rings,
• 49:13
  Speaker 1: I'm awake. The six knights of the bare Chested Table
• 49:20
  Speaker 1: all filin. They had just ordered a pizza. They obtained
• 49:27
  Speaker 1: the pizza and the and they place it upon the table,
• 49:32
  Speaker 1: not noticing Rebecca in the corner, they see six slices
• 49:38
  Speaker 1: for six men, a perfect order. They exclaim, good wealth,
• 49:42
  Speaker 1: wine slice each, good job, good job doctor, Well, thank
• 49:49
  Speaker 1: you marinera. They congratulate each other, and then they hear
• 49:56
  Speaker 1: from the corner of the room.
• 49:59
  Speaker 5: It's mouse.
• 50:00
  Speaker 1: Rebecca and her glasses fall off, her cardigan falls off, her.
• 50:03
  Speaker 3: Shirt falls off. Did everything accidentally fall off?
• 50:14
  Speaker 1: In retrospect, it was a big burst of wind that
• 50:16
  Speaker 1: hit her in respects and she says so sorry, sorry, sorry.
• 50:21
  Speaker 1: She tries to shy away like a little mouse, hiding,
• 50:24
  Speaker 1: always hiding, always trying to be smaller. The men all
• 50:27
  Speaker 1: look at each other, drooling with with hornyness, and they
• 50:32
  Speaker 1: are so wrapped by her they let their tongues hang
• 50:37
  Speaker 1: out of their mouth like dogs, and then they stop
• 50:40
  Speaker 1: each other. Six slices not for six men, but for
• 50:45
  Speaker 1: one woman.
• 50:52
  Speaker 3: She's going to eat that whole pizza.
• 50:55
  Speaker 1: Talk about.
• 51:03
  Speaker 3: Turning it on its head in a feminist wing.
• 51:06
  Speaker 2: These men show up ready to eat a perfect order
• 51:09
  Speaker 2: of Pizzas turns out, now see the Rebecca glassy shirtless
• 51:15
  Speaker 2: off pitts.
• 51:17
  Speaker 14: These better test, these better tested men.
• 51:26
  Speaker 3: I'm going to one eat pizza, girlfriend, and theres are
• 51:31
  Speaker 3: gonna be out like dogs pizza.
• 51:35
  Speaker 1: And it always gives me because.
• 51:37
  Speaker 3: It's so important, so beautiful.
• 51:41
  Speaker 6: Really is so beautiful.
• 51:42
  Speaker 1: You know.
• 51:43
  Speaker 6: I have similar themes in my book because it is
• 51:45
  Speaker 6: about making sure that you're sharing between you know, the
• 51:48
  Speaker 6: different as you were talking about before, the different levels
• 51:51
  Speaker 6: of the cast system and the heart of what the
• 51:54
  Speaker 6: romance is all about.
• 51:56
  Speaker 3: Yes, would you like me to read a passage?
• 51:58
  Speaker 6: He used to. Of course, I'll be sure to read
• 52:01
  Speaker 6: sort of from the middle, by by which I mean
• 52:03
  Speaker 6: the end.
• 52:07
  Speaker 3: Which book is this from?
• 52:08
  Speaker 6: This is from the this is from the volcano. This
• 52:11
  Speaker 6: is the second book in my series, the Fiery Fae.
• 52:16
  Speaker 6: While we're talking about sort of the fairies that live
• 52:18
  Speaker 6: in and around the volcano, and of course, as we
• 52:21
  Speaker 6: all know, because we've all read this book, that the
• 52:24
  Speaker 6: fay who live at the bottom of the volcano are
• 52:26
  Speaker 6: sort of a lower class and the fay who live
• 52:29
  Speaker 6: in the magmare sort of the higher.
• 52:30
  Speaker 3: Yes, the district one through twelve right to a situation
• 52:34
  Speaker 3: where the volcano goes off and the rich people learn
• 52:36
  Speaker 3: a lesson.
• 52:37
  Speaker 9: And the rich people learned to ship well, absolutelyfication. What wow, Yes,
• 52:43
  Speaker 9: the magma flowing down the volcano is absolutely and you're
• 52:46
  Speaker 9: very good with metaphor similes.
• 52:48
  Speaker 5: And what was the other objects which naturally are all
• 52:51
  Speaker 5: groups together always.
• 52:56
  Speaker 3: And odjectives are mine.
• 52:58
  Speaker 5: That's very good.
• 53:03
  Speaker 3: That's my favorite quote from a popular movie.
• 53:10
  Speaker 6: Flame Fay jumped to her feet. Here comes the magma,
• 53:14
  Speaker 6: she said, Here comes the thing we've all been waiting for,
• 53:18
  Speaker 6: for the rich, the magma. Fay at the top of
• 53:20
  Speaker 6: the volcano, to understand how we're living. She bit her
• 53:24
  Speaker 6: flaming fingernails with glee. But there are some who are
• 53:28
  Speaker 6: anxious of this, said ancient mother Magma, who of course
• 53:34
  Speaker 6: had moved down the mountain, had moved down the volcano
• 53:37
  Speaker 6: earlier that year, sort of on a peace mission, sort
• 53:40
  Speaker 6: of of flame Fay looked over at the one that
• 53:53
  Speaker 6: I just mentioned and held her face in her hands.
• 53:58
  Speaker 6: There is no place for the magma people here, there
• 54:02
  Speaker 6: is only you. But she could not accept this, and
• 54:06
  Speaker 6: she flew up towards the top of the volcano. As
• 54:08
  Speaker 6: it was bursting, she leapt into the magma, which as
• 54:12
  Speaker 6: she did, she realized there was nothing to be afraid of,
• 54:17
  Speaker 6: for the magma was not going to hurt them. They
• 54:19
  Speaker 6: were made of flames, and instead it could be used
• 54:22
  Speaker 6: as lubricant. She pulled down her face skirt, revealing her
• 54:27
  Speaker 6: face lips, click, volva, vagina, cervix.
• 54:34
  Speaker 3: Woa, whoa, whoa, Oh.
• 54:42
  Speaker 1: I love how plainly you describe anatomy and no floweriness, no, no,
• 54:49
  Speaker 1: no casing it in these metaphors.
• 54:51
  Speaker 16: It is.
• 54:52
  Speaker 1: This is scientifically when.
• 54:59
  Speaker 3: Horn those over.
• 55:02
  Speaker 5: And because everyone.
• 55:05
  Speaker 6: Listen, this genre is very full. There's many people writing novels,
• 55:10
  Speaker 6: there's many people writing sexual scenes between fantasy characters. I
• 55:14
  Speaker 6: have to find a way to differentiate myself exactly, and
• 55:19
  Speaker 6: to do that that means having an anatomically correct sort
• 55:23
  Speaker 6: of science lesson in the middle of the humans, just
• 55:26
  Speaker 6: to humans.
• 55:27
  Speaker 1: It's so interesting what you're doing, because I would say
• 55:29
  Speaker 1: that that as romanticy writers, we have to come up
• 55:32
  Speaker 1: with maybe a thousand different words for for for dick.
• 55:36
  Speaker 3: And absolutely our favorites.
• 55:39
  Speaker 6: Absolutely yes, I mean I prefer crust.
• 55:42
  Speaker 3: And hoole, crestin hole, crust and hole.
• 55:46
  Speaker 5: Like to the romantic author Kristen.
• 55:53
  Speaker 8: You get coffee every single and don't talk about there's
• 56:00
  Speaker 8: a request.
• 56:04
  Speaker 5: Crest and hall are my face, so that's.
• 56:06
  Speaker 3: Right, throbbing dagger, yes, and a pocket watch of course.
• 56:15
  Speaker 1: Angry serpent and bountiful canoe.
• 56:21
  Speaker 3: Oh I love a canoe. What about what about.
• 56:25
  Speaker 4: Big big, big candlestick falling off the tip of a ship.
• 56:32
  Speaker 3: Into a into a big big bowl of teeth. The
• 56:47
  Speaker 3: ball of teeth is the click grow up?
• 56:49
  Speaker 6: Okay, you know.
• 56:51
  Speaker 5: Most men can't find the bull of teeth.
• 56:55
  Speaker 3: Absolutely to my husband, he can find in the woods,
• 57:04
  Speaker 3: but he can't find the teeth.
• 57:06
  Speaker 14: A mouth, sweethearts, I'm going to say, I like to
• 57:11
  Speaker 14: use on am on a pier, so I like suned
• 57:14
  Speaker 14: and then.
• 57:16
  Speaker 3: Oh that's good because it's sucking in.
• 57:22
  Speaker 6: On scre.
• 57:25
  Speaker 7: My scwamp.
• 57:26
  Speaker 3: Good.
• 57:28
  Speaker 1: What about?
• 57:28
  Speaker 3: What about?
• 57:29
  Speaker 6: What about?
• 57:30
  Speaker 3: Are you just doing it off your dome.
• 57:33
  Speaker 6: Diferent?
• 57:34
  Speaker 1: Okay, can read somebody you know this might help and
• 57:39
  Speaker 1: romantic author out there.
• 57:40
  Speaker 3: Who's yes, yes, absolutely yes.
• 57:43
  Speaker 4: What about a tasty blue not off top of a
• 57:47
  Speaker 4: lesbian tooth, fairy.
• 57:50
  Speaker 1: Cucumber and a bowl of yellow Now I'm stuck on bowl,
• 57:58
  Speaker 1: a rip and a.
• 57:59
  Speaker 3: Tip, a dragon's sword and a phase secret.
• 58:05
  Speaker 6: Sword and very nice, very nice began.
• 58:09
  Speaker 18: El and investibule, a big big igloo and a micro penis,
• 58:22
  Speaker 18: a night.
• 58:23
  Speaker 1: Dear comet and a woman's asteroid belt.
• 58:29
  Speaker 3: You lost the ball good forget the.
• 58:32
  Speaker 6: Bow, A cursed prophecy and enlightened.
• 58:38
  Speaker 3: Spirit, a classic one here, a scimitar and a sheath.
• 58:48
  Speaker 13: Very good, A one eyed desire.
• 58:55
  Speaker 3: And the vagina. Two wet tunnels rub against trouber.
• 59:04
  Speaker 5: Entering this sort of queer.
• 59:09
  Speaker 4: Many the whole bags are queer, Some whole bags with
• 59:13
  Speaker 4: wings are gay, and some whole bags with wings are straight.
• 59:17
  Speaker 3: Depends on the book. Okay, some of them, some of
• 59:24
  Speaker 3: them are straight.
• 59:26
  Speaker 1: Whole bags beating the queer baiting allegations.
• 59:30
  Speaker 3: I should look back. Do you just say, ver are
• 59:33
  Speaker 3: gay this time? And there straight this time?
• 59:36
  Speaker 4: Right above the page number, you'll see get straight page number.
• 59:41
  Speaker 6: So changes depending on the page.
• 59:43
  Speaker 3: Well, can we talk about some of all of our
• 59:46
  Speaker 3: fantastical characters we have all of our books special some
• 59:50
  Speaker 3: of these characters that you're developing, these ideas of what
• 59:54
  Speaker 3: a character can be in these people, these these creatures
• 59:58
  Speaker 3: I would say you're the king of in a way
• 1:00:01
  Speaker 3: that's sweet. Can you just list off some of the
• 1:00:03
  Speaker 3: other characters you have in your very sweet Yes, I
• 1:00:05
  Speaker 3: got the whole thing. Here here we go. Oh, yes,
• 1:00:11
  Speaker 3: you're you're calculous in the middle of the all the
• 1:00:15
  Speaker 3: different types of creatures. You can run into a hooker wolf.
• 1:00:24
  Speaker 1: Here's a man rope, there's a man.
• 1:00:29
  Speaker 3: Okay, what else do I out here?
• 1:00:32
  Speaker 7: You gotta turn to the page.
• 1:00:33
  Speaker 6: That page.
• 1:00:36
  Speaker 3: There it is. Oh ah, the slot hairy rat.
• 1:00:42
  Speaker 6: I love the slut hairy rat.
• 1:00:44
  Speaker 3: I really what a sense of humans? Hey come back?
• 1:00:49
  Speaker 9: Yeah, great conector to the rump stilled skin of the
• 1:00:51
  Speaker 9: whole world, harry rat.
• 1:00:53
  Speaker 3: Oh the gnome with drugs falling down a hole. I
• 1:00:59
  Speaker 3: love that creature because you can only ever run into
• 1:01:01
  Speaker 3: the nome with jokes. It's falling down a hole. I
• 1:01:04
  Speaker 3: love it, and it goes so fast because they're.
• 1:01:08
  Speaker 6: Fine. You can down that.
• 1:01:09
  Speaker 3: That's junk you can sell.
• 1:01:11
  Speaker 1: The center of gravity of the nome is all off
• 1:01:14
  Speaker 1: because he's just alley drunk first down forever.
• 1:01:20
  Speaker 5: He's absolutely fully.
• 1:01:25
  Speaker 12: All right.
• 1:01:26
  Speaker 3: A carrot man with no balls. Carrot man with no balls.
• 1:01:35
  Speaker 3: They can have lots of those in mind. The banker
• 1:01:38
  Speaker 3: shepherd with a poop.
• 1:01:40
  Speaker 5: Yeah, poop is sexual.
• 1:01:41
  Speaker 12: To some from the banker shepherd. Let's not fly by
• 1:01:47
  Speaker 12: baker shepherd. He's in charge of the sheep. He tells
• 1:01:52
  Speaker 12: them how much money they.
• 1:01:57
  Speaker 3: There's a regular, there's the baker and then the cum icicle.
• 1:02:02
  Speaker 3: That's it.
• 1:02:03
  Speaker 6: Yeah, and that is very And I remember the end chapter,
• 1:02:07
  Speaker 6: the last chapter of your book where you introduced the
• 1:02:10
  Speaker 6: cum icicle, which was very harrowing because the character who
• 1:02:13
  Speaker 6: was producing the cub icle's new if he had sex,
• 1:02:16
  Speaker 6: he would kill whoever he was having sex with because
• 1:02:20
  Speaker 6: his cum would come out of icicles and sort of
• 1:02:21
  Speaker 6: pierce the insides, which really created steaks in the.
• 1:02:25
  Speaker 4: Thank you And I'll tell you this, I saw that
• 1:02:27
  Speaker 4: Frozen movie and all off looks.
• 1:02:29
  Speaker 3: A little bit like my cum icycle.
• 1:02:32
  Speaker 1: You think Frozen ripped you off?
• 1:02:34
  Speaker 5: Well, I mean yeah, you have a whole chapter called
• 1:02:37
  Speaker 5: let it ho. I mean only makes sense.
• 1:02:39
  Speaker 3: I will say, is just a general snowman, So you
• 1:02:44
  Speaker 3: might be confused. You might be inspired by a snowman.
• 1:02:47
  Speaker 3: What do you guys think of your fan basis? By
• 1:02:49
  Speaker 3: the way, do you have great fans? So they're very nice?
• 1:02:52
  Speaker 3: Who are the kye stuff to people? You know, you
• 1:02:54
  Speaker 3: write something you don't know who's going to read it.
• 1:02:56
  Speaker 3: Of a sudden you find out who's reading, and it
• 1:02:58
  Speaker 3: might be a bit of a surprise.
• 1:03:00
  Speaker 6: Have nicknames friends?
• 1:03:02
  Speaker 3: Oh yeah, they're called the Friends.
• 1:03:04
  Speaker 1: The Francis Fences, bare backs, and they are a bunch
• 1:03:10
  Speaker 1: of women who look exactly like.
• 1:03:11
  Speaker 6: Me, mineor the kisses. And usually they're women who are
• 1:03:17
  Speaker 6: on their second or third husband who do not want custody.
• 1:03:21
  Speaker 3: Mine are the dragon queens or the fairy queens. They
• 1:03:24
  Speaker 3: really divide themselves into the two sides of my book,
• 1:03:27
  Speaker 3: which and they're really rooting for who's going to win
• 1:03:31
  Speaker 3: out in the end of this tumultuous love story.
• 1:03:33
  Speaker 6: Edward Jacobs situation.
• 1:03:35
  Speaker 1: No, no, no, oh, yes, kind of like that movie Twilight.
• 1:03:39
  Speaker 3: No very good. No, how is it different? No, it's different.
• 1:03:44
  Speaker 3: It's different. No, it's different, Like it's sort of your
• 1:03:47
  Speaker 3: version of that.
• 1:03:48
  Speaker 6: That's sort of a sort of a fairy dragon.
• 1:03:54
  Speaker 7: Right now.
• 1:03:55
  Speaker 3: And she said, it's so nice to see someone continues,
• 1:03:57
  Speaker 3: that's of Twilight. No, it's it's different. Two people can
• 1:04:01
  Speaker 3: be in love with one person will be in love
• 1:04:03
  Speaker 3: with two people.
• 1:04:04
  Speaker 6: It's different.
• 1:04:04
  Speaker 3: It's different. It's different. It's different. I love one author
• 1:04:08
  Speaker 3: gots the friendship. You see the Hams stand on the
• 1:04:11
  Speaker 3: back of their neck like you're ready to mate. That
• 1:04:16
  Speaker 3: was beautiful. Stand for your rock No, I'm not rock hard.
• 1:04:21
  Speaker 3: I'm just wearing my armor underwear.
• 1:04:24
  Speaker 5: Hey yeah, sorry, I'm stumbling into the seat.
• 1:04:26
  Speaker 3: I'm just a bailiff.
• 1:04:26
  Speaker 5: I was walking by and go to get a savings.
• 1:04:28
  Speaker 5: You're gonna take this guy out of here.
• 1:04:29
  Speaker 3: Why did you look at my junker and say out
• 1:04:32
  Speaker 3: of you because he touched it on it? I'm not
• 1:04:34
  Speaker 3: touching on it. I'm pinched again. My skin is pinched.
• 1:04:38
  Speaker 1: I'm sorry, I'm late for a zoom. Actually, hello, No,
• 1:04:44
  Speaker 1: I'm just getting my breasts ready. I'll give you one moment.
• 1:04:47
  Speaker 5: I've gotta I'm just gonna walk my dog really quick,
• 1:04:49
  Speaker 5: but I'll be I'm on, okay.
• 1:04:52
  Speaker 3: All right, Sorry, guys, I can't get this cat filter off.
• 1:04:55
  Speaker 6: It's okay.
• 1:04:56
  Speaker 3: I think it's fine for sex. My tits are out
• 1:04:58
  Speaker 3: ready to tell me.
• 1:05:00
  Speaker 1: I'm preparing the table and the tins are to follow.
• 1:05:02
  Speaker 6: Yeah.
• 1:05:02
  Speaker 3: Hold on, I'm just on a zoom ZOOMA are you
• 1:05:09
  Speaker 3: talking on? Put the dogs away? Yes? I don't like
• 1:05:13
  Speaker 3: the dogs. I don't want to them.
• 1:05:18
  Speaker 1: Is this?
• 1:05:19
  Speaker 3: Are we gonna watch you eat a pizza again?
• 1:05:25
  Speaker 5: You believe you believe she made us favor it again?
• 1:05:30
  Speaker 1: No?
• 1:05:31
  Speaker 7: No, we we.
• 1:05:36
  Speaker 3: I just want to shout out to everybody, thank you
• 1:05:38
  Speaker 3: so much.
• 1:05:40
  Speaker 2: My new book is coming up very soon and I'm
• 1:05:41
  Speaker 2: going to be doing a book tour at Burns and Nobles,
• 1:05:44
  Speaker 2: so please come.
• 1:05:45
  Speaker 3: Out watch them.
• 1:05:45
  Speaker 2: We're called The book is called The Continued Adventures the
• 1:05:50
  Speaker 2: Quest to figure out what water is up to?
• 1:05:53
  Speaker 3: Because I haven't quite cracked it. The earth is the air,
• 1:06:00
  Speaker 3: the air is the earth?
• 1:06:02
  Speaker 1: What is this?
• 1:06:04
  Speaker 6: Water can be fire?
• 1:06:06
  Speaker 3: You look down?
• 1:06:07
  Speaker 2: I mean right now I have water, I have rain
• 1:06:09
  Speaker 2: coming up and getting everyone's underwear, and.
• 1:06:18
  Speaker 3: That I have that down path. So how would the
• 1:06:22
  Speaker 3: water go up? It comes up because they're walking on
• 1:06:26
  Speaker 3: the air. Are they lighter? Does I? Logically? I still cannot,
• 1:06:31
  Speaker 3: even though your whole book is logically explained. What how
• 1:06:35
  Speaker 3: do they have no gravitational pull but only enough to
• 1:06:37
  Speaker 3: walk on?
• 1:06:38
  Speaker 19: This is another land. It's another land like Middle Earth.
• 1:06:42
  Speaker 19: But the water comes up from the rain and the
• 1:06:46
  Speaker 19: river flows sideway and the ocean.
• 1:06:50
  Speaker 3: He's figuring it out. They have to wear a raft
• 1:06:55
  Speaker 3: on their.
• 1:07:00
  Speaker 1: Oh. I can't wait to know when you figure out.
• 1:07:03
  Speaker 3: They drown up? Okay, anyone else.
• 1:07:09
  Speaker 6: I got?
• 1:07:09
  Speaker 3: My new book is about a mermaids, you know, walking.
• 1:07:17
  Speaker 1: To take on a little movement.
• 1:07:19
  Speaker 6: No, it's not.
• 1:07:22
  Speaker 3: Mermaid's walking in a tunnel and one of them.
• 1:07:25
  Speaker 4: She's a wolf, and the wolf has teeth the size
• 1:07:28
  Speaker 4: of a vatch, the size of a match.
• 1:07:33
  Speaker 5: Going to ever heard Vagina's measured.
• 1:07:39
  Speaker 3: It's walk. You're kind of walking words down until you
• 1:07:42
  Speaker 3: inappropriate one.
• 1:07:44
  Speaker 9: Solidified set of falling out of your mouth the way
• 1:07:47
  Speaker 9: and known with jugs.
• 1:07:49
  Speaker 3: But he falls at all. Well, my new.
• 1:07:53
  Speaker 1: Book, The Nights of the Bare Chested Table, this time
• 1:07:59
  Speaker 1: there are six more is coming.
• 1:08:03
  Speaker 6: Then we got to the names.
• 1:08:05
  Speaker 1: We don't have the timeous time. Give us one name.
• 1:08:12
  Speaker 6: I'll say this U.
• 1:08:18
  Speaker 1: A royse con espresso.
• 1:08:22
  Speaker 3: That one sucked, okay, and everyone's mad at me. Coffee just.
• 1:08:31
  Speaker 6: Twelve man.
• 1:08:34
  Speaker 3: The other five names delicious.
• 1:08:38
  Speaker 5: Coffee coming the classic Spanish dish.
• 1:08:42
  Speaker 3: Where Spain and Ita we meet in the middle. Rice coffee, Rebecca.
• 1:08:47
  Speaker 1: MOUSEI has twelve bair chested nights fighting over here. You
• 1:08:52
  Speaker 1: really must read Barnes and Noble twenty twenty six.
• 1:08:56
  Speaker 9: Gorgeous. As we know, my books are sort of following
• 1:08:59
  Speaker 9: the periodic table. Bell mints now and I believe after
• 1:09:01
  Speaker 9: helium is lithiumdrogen.
• 1:09:05
  Speaker 6: I'm going down.
• 1:09:10
  Speaker 3: A world of sounds.
• 1:09:17
  Speaker 9: World of lithum is sort of a bunch of fairies
• 1:09:21
  Speaker 9: and Mermaids undergoing like Britney Spears, I yeah, my Lee
• 1:09:31
  Speaker 9: chaves her head. You knows off her head. I love
• 1:09:34
  Speaker 9: a pressure yeah, bald Fa sort of navigating her. A
• 1:09:39
  Speaker 9: lot of my work centers around divorce, as I've been
• 1:09:41
  Speaker 9: divorced twice, so around her divorce and custody, something that
• 1:09:45
  Speaker 9: you might actually quite likes.
• 1:09:46
  Speaker 3: Out what are you writing, breaking Dawn?
• 1:09:51
  Speaker 6: Get his ass?
• 1:09:53
  Speaker 3: That wasn't good. That wasn't good. I'm writing my new book,
• 1:09:58
  Speaker 3: Dragon Versus, The Final Showdown, the final choice. In this world,
• 1:10:04
  Speaker 3: the dragon have their court, and they have their court,
• 1:10:07
  Speaker 3: and you have to decide where the fring Man is
• 1:10:10
  Speaker 3: gonna end up between two and at the unfortunately, because
• 1:10:19
  Speaker 3: of an internal long standing hatred, the Dragon and the
• 1:10:24
  Speaker 3: Fay averse each other, and there will be a war
• 1:10:27
  Speaker 3: and there will be love and they will be fighting.
• 1:10:30
  Speaker 3: Who wins. Well they'll have to read the book who wins?
• 1:10:36
  Speaker 6: I mean the Fay is sort of Edward Cullen Coden.
• 1:10:39
  Speaker 3: I'm gonna Dragon Jacob tranform, just like just.
• 1:10:46
  Speaker 9: Like Jacob, just like I can see with your hands
• 1:10:51
  Speaker 9: you're sort of writing a note on your phone to
• 1:10:53
  Speaker 9: change the ending of the boat.
• 1:10:56
  Speaker 3: Out of here is in front of a mirror.
• 1:10:59
  Speaker 1: Let me just call it pop back on here. Okay,
• 1:11:01
  Speaker 1: tips are coming.
• 1:11:02
  Speaker 6: On the table, A right.
• 1:11:07
  Speaker 3: Conversation. My husband exploded, Oh hello, I wish it was
• 1:11:13
  Speaker 3: your publisher, Piggy Peggy pop Hey pop.
• 1:11:22
  Speaker 1: The question.
• 1:11:22
  Speaker 3: Now, that's why they call it show biz. Everyone follow
• 1:11:25
  Speaker 3: our favorite guest ever, DJ Where can they follow you at?
• 1:11:30
  Speaker 5: Dj Masner on Instagram and TikTok live from.
• 1:11:35
  Speaker 3: The Beautiful Dynasty, Tyri Bye.
• 1:11:40
  Speaker 1: Next time joined the Patreot, We'll talk about this more. Bye.
• 1:11:44
  Speaker 1: Artists on Artists On Artists on Artists is an improvised
• 1:11:46
  Speaker 1: Hollywood Brown Table podcast creative performed and produced by Kylie Ragman,
• 1:11:51
  Speaker 1: Jeremy Colhayne, Angela Giritana, and Patrick McDonald. Music is my
• 1:11:55
  Speaker 1: Gabriel Ponton. The opinions expressed on this podcast do not
• 1:11:59
  Speaker 1: reflect the opinions of anyone who works on it, not
• 1:12:01
  Speaker 1: even the performers, because this is an improvised podcast and
• 1:12:05
  Speaker 1: we're stupid. Both video versions of AOA OA OA are
• 1:12:08
  Speaker 1: available on YouTube, so please like and subscribe and leave
• 1:12:11
  Speaker 1: us a five star review wherever you get your podcasts.
• 1:12:14
  Speaker 1: That's all for now, good night, Hollywood