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Twelfth Night - William Shakespeare · Classic Treasures - Must-Read Fiction Books

• 0:00
  Speaker 1: Twelfth Night or What You Will by William Shakespeare.
• 0:05
  Speaker 2: Dramatis Persone Orsino, Duke of Ollyria performed by Joshua Christensen.
• 0:13
  Speaker 3: Sebastian played by Rachel Olson.
• 0:18
  Speaker 4: Antonio a sea captain friend to Sebastian, performed by Alan Drake.
• 0:24
  Speaker 5: The Sea Captain performed by Carish Allenberg.
• 0:28
  Speaker 6: Valentine gentleman attending on the Duke read by Zachary brewstergeiss.
• 0:35
  Speaker 7: Urio a gentleman attending on the Duke performed by Heather Barnett.
• 0:40
  Speaker 4: Sir Toby Belch Uncle to Olivia performed by Alan Drake.
• 0:47
  Speaker 8: Sir Andrew Eochek performed by and Dementa.
• 0:52
  Speaker 9: Malvolio Steward to Olivia performed by John.
• 0:58
  Speaker 10: Gonzalz Fabian servant of Olivia performed by James Rye.
• 1:05
  Speaker 11: Feastie the Clown performed by Larissa Dyeworski.
• 1:09
  Speaker 7: Olivia a rich countess performed by Kristin Hughes.
• 1:14
  Speaker 12: Vila performed by Karen Savage.
• 1:18
  Speaker 13: Mariah Olivia's waiting woman performed by Rosalind Wills.
• 1:23
  Speaker 11: Servant performed by Larissa Daworski.
• 1:26
  Speaker 14: First Officer performed by Christy Nowak.
• 1:30
  Speaker 13: Second Officer read by Roslind Wills.
• 1:33
  Speaker 15: A priest performed by J. C.
• 1:36
  Speaker 1: Lundberg narrator, performed by Gazina. Scene a city in Illyria
• 1:44
  Speaker 1: and the sea coast near it. Act one, Scene one,
• 1:50
  Speaker 1: an apartment in the Duke's palace. Enter Duke Curio and
• 1:55
  Speaker 1: other lords, musicians attending.
• 2:00
  Speaker 2: If music be the food of love, play on, give
• 2:03
  Speaker 2: me excess of it, that surfeiting the appetite may sicken
• 2:06
  Speaker 2: and so die that strain again it had a dying fall.
• 2:12
  Speaker 2: Oh it came o'er my ear, like the sweet sound
• 2:15
  Speaker 2: that breathes upon a bank of violets, stealing and giving
• 2:18
  Speaker 2: odor enough. No more, tis not so sweet now as
• 2:23
  Speaker 2: it was before? Oh, spirit of love, how quick and
• 2:27
  Speaker 2: fresh art thou, that, notwithstanding thy capacity, receiveth as the
• 2:31
  Speaker 2: sea not enters there of what validity and pitch so air,
• 2:35
  Speaker 2: but falls into abatement and low price. Even in a
• 2:38
  Speaker 2: minute so full of shapes is fancy that it alone
• 2:41
  Speaker 2: is high fantastical.
• 2:43
  Speaker 7: Will you go hunt, my lord?
• 2:45
  Speaker 2: What Curio the heart? Why so I do the noblest
• 2:50
  Speaker 2: that I have? Oh? When mine eyes did see Olivia
• 2:54
  Speaker 2: first methought she purged the air of pestilence. That instant
• 2:59
  Speaker 2: was I turned into heart, and my desires like fell
• 3:02
  Speaker 2: and cruel hounds eer since pursue me, Enter Valentine, How
• 3:08
  Speaker 2: now what news from her?
• 3:11
  Speaker 6: So please, my lord, I might not be admitted, but
• 3:15
  Speaker 6: from her handmaid to do return this answer the element
• 3:19
  Speaker 6: itself till seven years heat shall not behold her face
• 3:23
  Speaker 6: at ample view, But like a cloisteress, she will veil
• 3:26
  Speaker 6: at walk in water once a day, her chamber round
• 3:29
  Speaker 6: with eye offending brine. All this to season a brother's
• 3:33
  Speaker 6: dead love, which she would keep fresh and lasting in
• 3:36
  Speaker 6: her sad remembrance.
• 3:38
  Speaker 2: Oh, she that hath a heart of that fine frame
• 3:41
  Speaker 2: to pay this debt of love but to a brother?
• 3:44
  Speaker 2: How will she love when the rich golden shaft have
• 3:47
  Speaker 2: killed the flock of all affections else that live in her?
• 3:50
  Speaker 2: When liver, brain, and heart, these sovereign thrones are all
• 3:53
  Speaker 2: supplied and filled her sweet perfections with one self king
• 3:58
  Speaker 2: away before me to sweet heads of flowers, love thoughts
• 4:02
  Speaker 2: lie rich when canopied with bowers. End of scene one.
• 4:15
  Speaker 1: Scene two, the sea coast, Enter Viola, a captain and sailors.
• 4:24
  Speaker 12: What country, friends, is this?
• 4:26
  Speaker 5: This is Elyria, lady?
• 4:29
  Speaker 12: And what should I do in elyria, My brother, he
• 4:32
  Speaker 12: is an elysium. Perchance he is not drowned. What think you, sailors?
• 4:38
  Speaker 5: It is perchance that you yourself were saved.
• 4:42
  Speaker 12: Oh my poor brother, So perchance may he.
• 4:45
  Speaker 5: Be true, madam? And to comfort you with chance, assure yourself.
• 4:51
  Speaker 5: After our ship did split, when you and those poor
• 4:55
  Speaker 5: number saved with you hung on our driving boat. I
• 4:58
  Speaker 5: saw your brother, most provident in peril, bind himself courage
• 5:03
  Speaker 5: and hope, both teaching him the practice to a strong
• 5:06
  Speaker 5: mast that lived upon the sea, where like Arion on
• 5:10
  Speaker 5: the dolphin's back, I saw him hold acquaintance with the
• 5:13
  Speaker 5: waves so long as I could see.
• 5:17
  Speaker 12: For saying, so bear's gold mine own escape unfoldeth to
• 5:20
  Speaker 12: my hope? What do thy speech serves for authority? The
• 5:23
  Speaker 12: like of him?
• 5:25
  Speaker 5: Knowst thou this country? I, madam, well, for I was
• 5:29
  Speaker 5: bred and born not three hours travel from this very place.
• 5:33
  Speaker 12: Who governs here?
• 5:35
  Speaker 5: A noble duke in nature as in name?
• 5:39
  Speaker 12: What is his name?
• 5:41
  Speaker 5: Orsino?
• 5:42
  Speaker 12: Orsino? I have heard my father name him. He was
• 5:46
  Speaker 12: a bachelor then.
• 5:48
  Speaker 5: And so is now, or was so very late. For
• 5:52
  Speaker 5: but a month ago I went from hence, and then
• 5:55
  Speaker 5: twas fresh in Murmur as you know what great ones do,
• 5:59
  Speaker 5: the less will prattle of that he did seek the
• 6:02
  Speaker 5: love of fair Olivia.
• 6:04
  Speaker 12: What's she?
• 6:07
  Speaker 5: A virtuous maid, the daughter of a count that died
• 6:10
  Speaker 5: some twelve months since then, leaving her in the protection
• 6:13
  Speaker 5: of his son, her brother, who shortly also died, for
• 6:18
  Speaker 5: whose dear love, they say she hath abjured the company
• 6:21
  Speaker 5: and sight of men.
• 6:23
  Speaker 12: Oh that I served that lady, and might not be
• 6:25
  Speaker 12: delivered to the worlds I had made mine own occasion mellow?
• 6:28
  Speaker 12: What my estate is.
• 6:29
  Speaker 5: That were hard to compass? Because she will admit no
• 6:32
  Speaker 5: kind of suit, No, not the Duke's.
• 6:36
  Speaker 12: There is a fair behavior in thee, Captain, And though
• 6:39
  Speaker 12: that nature with a beauteous world doth off close and pollution,
• 6:42
  Speaker 12: yet of thee, I will believe thou hast a mind
• 6:44
  Speaker 12: that suits with this thy fair and outward character. I prithe,
• 6:48
  Speaker 12: and I'll pay thee bounteously conceal me what I am,
• 6:50
  Speaker 12: and be my aid for such disguise as haply shall
• 6:53
  Speaker 12: become the form of my intent. I'll serve this duke.
• 6:56
  Speaker 12: Thou shalt present me as a eunuch to him? It
• 6:59
  Speaker 12: may be worth thy pains, for I can sing and
• 7:01
  Speaker 12: speak to him in many sorts of music that will
• 7:03
  Speaker 12: allow me very worth his service. What else may happen
• 7:06
  Speaker 12: to time? I will commit only shape thou silence to
• 7:09
  Speaker 12: my wit.
• 7:11
  Speaker 5: Be you his eunuch and your mutile' be when my
• 7:15
  Speaker 5: tongue blabs, then let mine eyes not see.
• 7:19
  Speaker 12: I thank thee leave me on excent end of scene two.
• 7:30
  Speaker 1: Scene three, Olivia's house. Enter, Sir Toby Belt and Maria.
• 7:39
  Speaker 4: What a plague means my niece to take the death
• 7:44
  Speaker 4: of her brother? Thus, I am sure cares an enemy
• 7:47
  Speaker 4: to life by my truth.
• 7:50
  Speaker 13: Sir Toby, you must come in earlier night. Your cousin,
• 7:53
  Speaker 13: my lady takes great exception to your ill hours.
• 7:56
  Speaker 4: Why let her accept before accepted?
• 8:02
  Speaker 13: I but you must confine yourself within the modest limits
• 8:05
  Speaker 13: of order.
• 8:07
  Speaker 4: Confine I confine myself no finer than I am. These
• 8:12
  Speaker 4: clothes are good enough to drink in, and so be
• 8:15
  Speaker 4: these boots too, and they be not let them hang
• 8:19
  Speaker 4: themselves on their own straps.
• 8:21
  Speaker 13: That coughing and drinking will undo you. I heard my
• 8:25
  Speaker 13: lady talk of it yesterday, and of a foolish night
• 8:28
  Speaker 13: that you brought in one night here to be her.
• 8:30
  Speaker 4: Woar who sir Andrew egg you cheek, I he he's
• 8:37
  Speaker 4: as tall a man as Anny's in Oliria.
• 8:41
  Speaker 13: What's that to the purpose?
• 8:43
  Speaker 4: Why he has three thousand ducats a year?
• 8:47
  Speaker 13: I but he'll have but a year in all these ducats.
• 8:50
  Speaker 13: He's a very fool and a prodigal.
• 8:53
  Speaker 4: Five that you say so. He plays ah the viol
• 8:57
  Speaker 4: de gambos, and speaks three or four, which is word
• 9:01
  Speaker 4: for word, without a book, and hath all the good
• 9:06
  Speaker 4: gifts of nature.
• 9:07
  Speaker 13: He hath, indeed all most natural. For besides that he's
• 9:11
  Speaker 13: a fool, he's a great quarreler, And but that he
• 9:14
  Speaker 13: hath the gift of a coward to allay the gust
• 9:16
  Speaker 13: he hath in quarreling, to spot among the prudent, he
• 9:19
  Speaker 13: would quickly have the gift of a grave.
• 9:22
  Speaker 4: By his hand. They are scoundrels and subtractors that say
• 9:26
  Speaker 4: so of him? Who are they?
• 9:29
  Speaker 13: They? That add moreover, he's drunk nightly in your company.
• 9:34
  Speaker 4: With drinking healths to my niece. I'll drink to her
• 9:38
  Speaker 4: as long as there's a passage in my throat, and
• 9:41
  Speaker 4: drink in Olyria. He's a coward and a choestrol that
• 9:45
  Speaker 4: would not drink to my niece till his brains turn,
• 9:49
  Speaker 4: or the toll like a parish top. What wench castillano
• 9:55
  Speaker 4: volgo for here comes Sir Andrew egg you face and.
• 10:02
  Speaker 1: To Sir Andrew agi chik.
• 10:05
  Speaker 8: To Toby Belch, how now, Sir Toby Belch, Sweet Sir Andrew,
• 10:13
  Speaker 8: bless you her.
• 10:14
  Speaker 13: Shoe, and you too, sir.
• 10:17
  Speaker 4: A cost, Sir Andrew, A cost?
• 10:20
  Speaker 8: What's that?
• 10:22
  Speaker 4: My niece's chambermaid.
• 10:24
  Speaker 8: Could mistress a coast? I desire better acquaintance.
• 10:29
  Speaker 13: My name is Mary, Sir?
• 10:31
  Speaker 8: Could mistress marry a cost?
• 10:33
  Speaker 4: Your mistake, knight A cost is frontier bought her, woo
• 10:39
  Speaker 4: her or.
• 10:40
  Speaker 8: Sail her by my truth? I would not undertake her
• 10:45
  Speaker 8: in this company? Is that the meaning of a cost?
• 10:49
  Speaker 13: Very well, gentlemen, and thou.
• 10:51
  Speaker 4: Let part so, Sir Andrew, with thou mightest never draw
• 10:55
  Speaker 4: a sword again?
• 10:58
  Speaker 8: And you bought so mistress? Why would I might never
• 11:01
  Speaker 8: draw sword again? He lady? Do you think you have
• 11:05
  Speaker 8: fools in hand?
• 11:07
  Speaker 13: Sir? I have not you by the.
• 11:08
  Speaker 8: Hand, Mary, but you shall have. And here's my hand.
• 11:13
  Speaker 13: Now, sir, thought is free. I pray you bring your
• 11:17
  Speaker 13: hand to the buttery bar and let it drink.
• 11:20
  Speaker 8: Therefore, sweetheart, what's your metaphor?
• 11:24
  Speaker 13: It's dry? Sir?
• 11:25
  Speaker 8: Why I think so? I have not such an ass,
• 11:28
  Speaker 8: but I can keep my hand dry. But what's your jest?
• 11:33
  Speaker 13: A dry jest? Sir? Are you full of them? I, sir,
• 11:40
  Speaker 13: I have them at my fingers? Ends, Mary, Now I
• 11:43
  Speaker 13: let go your hand. I am barren.
• 11:45
  Speaker 4: Exit, Oh night, Thou lackest a cup of canary? When
• 11:50
  Speaker 4: did I see these?
• 11:51
  Speaker 7: So?
• 11:52
  Speaker 4: Put down?
• 11:53
  Speaker 8: Never in your life, I think, unless you see canary,
• 11:57
  Speaker 8: put me down. Methink. Sometimes I have no more wit
• 12:00
  Speaker 8: than a Christian or an ordinary man has. But I
• 12:03
  Speaker 8: am a great eater of beef, and I believe that
• 12:06
  Speaker 8: does harm to my wit? And no question, and I
• 12:10
  Speaker 8: thought that I had forswear it. I'll ride home tomorrow.
• 12:14
  Speaker 4: So Toby, poor quar, my dear knight?
• 12:18
  Speaker 8: What is poor qua do or not do? Why would
• 12:22
  Speaker 8: I had bestowed that time in the tongues that I
• 12:24
  Speaker 8: have in fencing, dancing and bear baiting?
• 12:28
  Speaker 13: Oh?
• 12:29
  Speaker 8: But had I followed the arts?
• 12:31
  Speaker 4: Then hast thou an excellent head of hair?
• 12:35
  Speaker 8: Why would that have mended my hair? Past?
• 12:39
  Speaker 4: Question? For thou seest that will not curl by nature?
• 12:45
  Speaker 8: But it becomes me well enough doth not excellent. It
• 12:50
  Speaker 8: hangs like flax on a distaff. Faithout home tomorrow, Sir Toby,
• 12:56
  Speaker 8: your niece will not be seen. Or if she be
• 12:58
  Speaker 8: its four to one, she'll not me the count himself
• 13:01
  Speaker 8: here hard by woos her.
• 13:04
  Speaker 4: She'll none on the count. She'll not match above her degree,
• 13:08
  Speaker 4: neither in estate years, nor wit I have heard her
• 13:13
  Speaker 4: swear it. There's life in it, man.
• 13:17
  Speaker 8: I'll stay a month longer. I have a fellow with
• 13:20
  Speaker 8: the strangest minded the world. I delight in masks and revels,
• 13:24
  Speaker 8: sometimes altogether.
• 13:27
  Speaker 4: Art thou good at these kickshaws as.
• 13:29
  Speaker 8: Night has any man in Deliria, whatsoever he be, under
• 13:34
  Speaker 8: the degree of my betters. And yet I will not
• 13:37
  Speaker 8: compare with an old man?
• 13:39
  Speaker 4: What is thy excellence? In a galliad? Night, Faith, I
• 13:44
  Speaker 4: can cut a caper, and I can cut the mutton to.
• 13:48
  Speaker 8: It, And I think I have the back trick simply
• 13:50
  Speaker 8: as strong as any man in deliria.
• 13:54
  Speaker 4: Wherefore are these things hid? Wherefore I have these gifts
• 13:58
  Speaker 4: a curtain? Before? Are they like to take dust like
• 14:02
  Speaker 4: Mistress Maul's pictures? Why dost thou not go to the
• 14:07
  Speaker 4: church in a galliard and come home in a Toronto.
• 14:11
  Speaker 4: My very walk should be a jig. What dost thou mean?
• 14:16
  Speaker 4: Is it a world to hide virtues in? I did
• 14:19
  Speaker 4: think by the excellent constitution of thy leg it was
• 14:23
  Speaker 4: formed under the star of a galliard.
• 14:27
  Speaker 13: Hi.
• 14:27
  Speaker 8: It is strong, it does in different well in flame
• 14:30
  Speaker 8: colored stock. Shall we set about some rebels?
• 14:35
  Speaker 4: What shall we do else? We are not born under
• 14:38
  Speaker 4: Taurus taurus. That side's nott, No, sir, it is legs
• 14:45
  Speaker 4: and thighs. Let me see the caper ha higher ha
• 14:51
  Speaker 4: ha excellent, excellent.
• 14:58
  Speaker 1: End of scene three, Scene four, the Duke's palace, Enter,
• 15:07
  Speaker 1: Valentine and viola in man's attire.
• 15:12
  Speaker 6: If the Duke continue these favors toward you, Cesario, you
• 15:15
  Speaker 6: are like to be much advanced. He hath known you
• 15:18
  Speaker 6: but three days, and already you are no stranger.
• 15:21
  Speaker 12: You either fear his humor or my negligence that you
• 15:23
  Speaker 12: call in question the continuance of his love? Is he
• 15:26
  Speaker 12: in constant, sir, in his favours?
• 15:28
  Speaker 2: No believe me, I thank you.
• 15:31
  Speaker 12: Here comes the Count.
• 15:34
  Speaker 1: Enter, Duke, Curio and attendants.
• 15:38
  Speaker 2: Who saw Cesario.
• 15:39
  Speaker 12: Ho on your attendance, my lord, Here stand you a while.
• 15:43
  Speaker 2: Aloof Cesario thou knowest no less but all I haven't
• 15:48
  Speaker 2: clasped to thee the book even of my secret soul.
• 15:52
  Speaker 2: Therefore get you address thy gait, undo her be not
• 15:56
  Speaker 2: a night access stand at her doors and tell them
• 15:59
  Speaker 2: there thy fixed foot shall grow till thou have audience.
• 16:02
  Speaker 12: Shure, my noble lord. If she be so abandoned to
• 16:05
  Speaker 12: her sorrow, as it is spoke, she never will admit me.
• 16:08
  Speaker 2: Be clamorous and leap all civil bounds rather than make
• 16:11
  Speaker 2: unprofited return.
• 16:13
  Speaker 12: Say I do speak with her, my lord?
• 16:14
  Speaker 5: What then?
• 16:16
  Speaker 2: Oh, then, unfold the passion of my love. Surprise her
• 16:19
  Speaker 2: with this course of my dear faith. It shall become
• 16:22
  Speaker 2: thee well to act my woes. She will attend it
• 16:25
  Speaker 2: better in thy youth than in a nuncios of more
• 16:28
  Speaker 2: grave aspect.
• 16:29
  Speaker 12: I think not so, my lord, dear.
• 16:31
  Speaker 2: Lad believe it, for they shall yet belie thy happy
• 16:34
  Speaker 2: years that say thou art a man, Diana's lip is
• 16:38
  Speaker 2: not more smooth and rubious. Thy small pipe is as
• 16:41
  Speaker 2: the maiden's organ, trill and sound, and all the symbolt
• 16:45
  Speaker 2: of a woman's part. I know thy constellation is right
• 16:48
  Speaker 2: apt for this affair. Some four or five attend him
• 16:52
  Speaker 2: all of you will, for I myself am best when
• 16:55
  Speaker 2: leased in company, prosper well in this and thou shalt
• 17:00
  Speaker 2: live as freely as thy lord to call his fortunes thine.
• 17:04
  Speaker 12: I'll do my best to woo your lady assigned. And
• 17:08
  Speaker 12: yet what a bawful strife where I woo myself would
• 17:11
  Speaker 12: be his wife?
• 17:12
  Speaker 1: Excent end of scene four, Scene five, Olivia's house. And
• 17:24
  Speaker 1: to Maria and clown.
• 17:28
  Speaker 13: Nay, either tell me where there hast been, or I
• 17:31
  Speaker 13: will not open my lips so wide as a bristle
• 17:33
  Speaker 13: may enter in way of thy excuse. My lady will
• 17:36
  Speaker 13: hang thee for thy absence.
• 17:38
  Speaker 11: Let her hang me. He that is well hanged in
• 17:41
  Speaker 11: this world needs to fear no colors.
• 17:44
  Speaker 13: Make that good?
• 17:45
  Speaker 11: He shall see none to fear a good lent.
• 17:48
  Speaker 13: In answer, I can tell thee where that saying was
• 17:51
  Speaker 13: born of. I fear no colors.
• 17:53
  Speaker 11: Where good Mistress Mary in the wars. And that may
• 17:57
  Speaker 11: you be bold to say in your foolery, Well, God
• 18:00
  Speaker 11: give them wisdom that have it, and those that are fools,
• 18:03
  Speaker 11: let them use their talents.
• 18:06
  Speaker 13: Yet you will be hanged for being so long absent,
• 18:09
  Speaker 13: or to be turned away? Is that not as good?
• 18:11
  Speaker 13: As a hanging to.
• 18:12
  Speaker 11: You many a good hanging prevents a bad marriage, and
• 18:16
  Speaker 11: foot turning away. Let summer bear it out. You are resolute,
• 18:19
  Speaker 11: then not so neither, But I am resolved on two points.
• 18:25
  Speaker 13: That if one break, the other will hold. And if
• 18:27
  Speaker 13: both break, your gascons fall.
• 18:29
  Speaker 11: Apt in good faith very apt, well go thy way,
• 18:32
  Speaker 11: So Toby would leave drinking. Thou wert as witty a
• 18:35
  Speaker 11: piece of eaves flesh as any in Illyria.
• 18:37
  Speaker 13: Piece you rogue. No more of that here comes my lady.
• 18:41
  Speaker 13: Make your excuse wisely, you were best exit.
• 18:46
  Speaker 11: We tend to be. Thy will put me into good fooling.
• 18:50
  Speaker 11: Those wits that think they have THEE do very oft
• 18:53
  Speaker 11: proof fools, And I that am sure I lack THEE
• 18:56
  Speaker 11: may pass for a wise man. For what says Quinnapile,
• 19:00
  Speaker 11: Better a witty fool than a foolish wit.
• 19:04
  Speaker 1: Enter lady Olivia with malvolio.
• 19:08
  Speaker 16: God bless the lady.
• 19:10
  Speaker 7: Take the fool away, do you not hear?
• 19:13
  Speaker 11: Fellows? Take away the lady go.
• 19:16
  Speaker 7: To your drifool. I'll know more of you besides you
• 19:20
  Speaker 7: grow dishonest.
• 19:22
  Speaker 11: Two faults, Madonna, that drink and good counsel will amend
• 19:26
  Speaker 11: for give the dry fool drink, then, is not the
• 19:29
  Speaker 11: fool dry bid The dishonest man mend himself. If he mend,
• 19:33
  Speaker 11: he is no longer dishonest. If he cannot let the
• 19:36
  Speaker 11: bocher mend him. Anything that's mended is but patched. Virtue
• 19:41
  Speaker 11: that transgresses is but patched with sin, and sin that
• 19:44
  Speaker 11: amends is but patched with virtue. If that this simple
• 19:48
  Speaker 11: syllogism will serve, so if it will not, what remedy
• 19:53
  Speaker 11: as there is no true cuckold but calamities. So beauty's
• 19:57
  Speaker 11: a flower the lady. They'd take away the fool. Therefore,
• 20:01
  Speaker 11: I say again, take her away.
• 20:05
  Speaker 7: Sir, I bade them take away.
• 20:06
  Speaker 11: You, miss prison in the highest degree, Lady cuculus nonfacet monarchum.
• 20:13
  Speaker 11: That's as much to say as I wear not motley
• 20:16
  Speaker 11: in my brain. Good Madonna, give me leave to prove
• 20:20
  Speaker 11: you a fool?
• 20:22
  Speaker 7: Can you do it dexterously?
• 20:24
  Speaker 11: Good Madonna, make your proof. I must catechize you for it. Madonna,
• 20:30
  Speaker 11: my good mouse of virtue, answer me.
• 20:33
  Speaker 7: Well, sir, for want of other idleness, I'll abide your proof.
• 20:39
  Speaker 11: Good Madonna, Why mounst thou good fool?
• 20:43
  Speaker 7: For my brother's death?
• 20:45
  Speaker 11: I think his soul is in hell, Madonna.
• 20:47
  Speaker 7: I know his soul is in heaven.
• 20:49
  Speaker 9: Fool, for more.
• 20:50
  Speaker 11: Fool, Madonna, to mourn for your brother's soul being in heaven.
• 20:54
  Speaker 11: Take away the fool.
• 20:55
  Speaker 7: Gentlemen, what thinks you of this fool? Melvoleo, doth he
• 21:00
  Speaker 7: not ment?
• 21:01
  Speaker 9: Yes? And shall do till the pangs of death shake him.
• 21:07
  Speaker 9: Infirmity that decays the wise, doth ever make the better fool?
• 21:12
  Speaker 11: God send you, sir, a speedy infirmity for the better
• 21:16
  Speaker 11: increasing your folly. Sir, Toby will be sworn that I
• 21:19
  Speaker 11: am no fox, but he will not pass his word
• 21:21
  Speaker 11: for tuppence that you are no fool.
• 21:24
  Speaker 7: I'll say you to that Melvolo, I.
• 21:27
  Speaker 9: Marvel your ladyship takes delight in such a barren rascal
• 21:32
  Speaker 9: as I am put down the other day with an
• 21:33
  Speaker 9: ordinary fool that has no more brain than a stone.
• 21:37
  Speaker 9: Look you now, he's out of his God already. Unless
• 21:40
  Speaker 9: you laugh and minister occasion to him, he's gagged. I protest.
• 21:46
  Speaker 9: I take these wise men that crow so at these
• 21:49
  Speaker 9: set kind of fools, no better than the fools' anies.
• 21:54
  Speaker 7: Oh you are sick of self love, Malvolio and taste
• 21:57
  Speaker 7: with a distempered appetite. To beous, guiltless, and a free
• 22:01
  Speaker 7: disposition is to take those things for bird bolts that
• 22:04
  Speaker 7: you deem cannon bullets. There is no slander in an
• 22:08
  Speaker 7: a loud fool, though he do nothing but rail, Nor
• 22:12
  Speaker 7: no railing in a known discreet man, though he do
• 22:15
  Speaker 7: nothing but reprove.
• 22:17
  Speaker 11: Now mercury and do thee with leasy, for thou speak'st
• 22:20
  Speaker 11: well of fools.
• 22:22
  Speaker 1: Re Enter Maria, Madam.
• 22:25
  Speaker 13: There is at the gate a young gentleman much desires
• 22:28
  Speaker 13: to speak with you.
• 22:29
  Speaker 7: From the Count Torcino. Is it?
• 22:31
  Speaker 13: I know not? Madam? Tis a very young man and
• 22:34
  Speaker 13: well attended.
• 22:35
  Speaker 7: Who of my people hold him in delay?
• 22:38
  Speaker 13: Sir Toby, Madam, your kinsman.
• 22:40
  Speaker 7: Fetch him off. I pray you he speaks nothing but madman,
• 22:43
  Speaker 7: Fire on him. Exit, Maria, Go you, malvolio. If it
• 22:47
  Speaker 7: be a suit from the Count, I am sick or
• 22:49
  Speaker 7: not at home. What you will to dismiss it?
• 22:52
  Speaker 1: Exit Malvolio.
• 22:54
  Speaker 7: Now you see, sir, how your fooling grows old and
• 22:56
  Speaker 7: people dislike it.
• 22:57
  Speaker 11: Thou hast spoke for us, Madonna, as if thy eldest
• 23:00
  Speaker 11: son should be a fool whose skulld jove cram with brains.
• 23:04
  Speaker 1: For here he comes, Enter, Sir Toby.
• 23:08
  Speaker 11: One of thy kin has a most weak pia.
• 23:10
  Speaker 7: Martyr by mine honor, half drunk? What is he at
• 23:16
  Speaker 7: the gate? Cousin?
• 23:17
  Speaker 4: A gentleman, a gentleman? What gentleman tis a gentleman? Here
• 23:23
  Speaker 4: a plague? Or these pickled herrings? How now, sat.
• 23:27
  Speaker 7: Good, Sir Toby, cousin, cousin, how have you come so
• 23:31
  Speaker 7: early by this.
• 23:32
  Speaker 4: Lethargy letterie, I defy lacherie. There's one at.
• 23:37
  Speaker 7: The gate, I marry what is he?
• 23:40
  Speaker 4: Let him be the devil? And he will I care
• 23:44
  Speaker 4: not give me faith? Say I, well, it's all one.
• 23:50
  Speaker 1: Exit.
• 23:52
  Speaker 7: What's a drunken man like fool?
• 23:54
  Speaker 11: Like a drowned man? A fool and a madman? One
• 23:57
  Speaker 11: draft above heat makes him a fool, the second mads him,
• 24:00
  Speaker 11: and the third drowns him.
• 24:03
  Speaker 7: Go thou and seek the crowner, and let him sit
• 24:06
  Speaker 7: to my cous for he's in the third degree of drink.
• 24:09
  Speaker 7: He's drowned. Go look after him.
• 24:12
  Speaker 11: He is but mad yet Madonna and the fool shall
• 24:15
  Speaker 11: look to the madman.
• 24:17
  Speaker 1: Exit re enter malvoliu.
• 24:21
  Speaker 9: Madam Yon young fellow swears he will speak with you.
• 24:26
  Speaker 9: I told him you were sick. He takes on him
• 24:28
  Speaker 9: to understand so much, and therefore comes to speak with you.
• 24:31
  Speaker 9: I told him you're asleep. He seems to have a
• 24:34
  Speaker 9: foreknowledge of that too, and therefore comes to speak with you.
• 24:38
  Speaker 9: What is to be said to him, lady, he's fortified
• 24:41
  Speaker 9: against any denial.
• 24:43
  Speaker 7: Tell him he shall not speak with me.
• 24:46
  Speaker 9: He has been told so. And he says, he'll stand
• 24:48
  Speaker 9: at your door like a sheriff's post, and be the
• 24:51
  Speaker 9: supporter to a bench. But he'll speak with you.
• 24:54
  Speaker 7: What kind of man is he?
• 24:57
  Speaker 9: Way of mankind?
• 24:59
  Speaker 7: What manner of man?
• 25:01
  Speaker 9: A very ill manner? He'll speak with you?
• 25:04
  Speaker 10: Will you or no?
• 25:06
  Speaker 7: Of what personage? In years?
• 25:08
  Speaker 9: Is he not yet old enough for a man, nor
• 25:11
  Speaker 9: young enough for a boy as a squash is before?
• 25:15
  Speaker 9: 'tis a pease card or a coddling? When tis almost
• 25:18
  Speaker 9: an apple? Tis with him in standing water between boy
• 25:22
  Speaker 9: and man. He is very well favored, and he speaks
• 25:25
  Speaker 9: very shrewishly. One would think his mother's milk was scarce
• 25:29
  Speaker 9: out of him.
• 25:30
  Speaker 7: Let him approach.
• 25:32
  Speaker 9: Call in, my gentlewoman, gentlewoman, my lady calls exit.
• 25:38
  Speaker 7: Re enter, Maria, give me my veil, come throw it
• 25:42
  Speaker 7: all my face. We'll once more hear Ossino's embassy enter
• 25:47
  Speaker 7: Violeu and attendants.
• 25:50
  Speaker 12: The honorable Lady of the house, which is she?
• 25:53
  Speaker 7: Speak to me? I shall answer for her your will.
• 25:57
  Speaker 12: Most radiant, exquisite and unmatchable beauty, I pray you tell
• 26:01
  Speaker 12: me if this be the Lady of the house, but
• 26:03
  Speaker 12: I never saw her, I would be loath to cast
• 26:05
  Speaker 12: away my speech, for besides that it is excellently well pent,
• 26:09
  Speaker 12: I have taken great pains to con it. Good beauties,
• 26:12
  Speaker 12: let me sustain no scorn. I am very comfortable even
• 26:15
  Speaker 12: to the least sinister usage.
• 26:18
  Speaker 7: Whence came you, sir.
• 26:20
  Speaker 12: I can say little more than I have studied, and
• 26:22
  Speaker 12: that questions out of my part. Good gentle one, give
• 26:25
  Speaker 12: me modest assurance if you be the Lady of the house,
• 26:27
  Speaker 12: that I may proceed in my speech.
• 26:29
  Speaker 7: Are you a comedian?
• 26:31
  Speaker 12: No, my profound heart, And yet by the very fangs
• 26:34
  Speaker 12: of malice, I swear I am not that I play.
• 26:37
  Speaker 12: Are you the lady of the house?
• 26:39
  Speaker 7: If I do not usurp myself, I am.
• 26:42
  Speaker 12: Most certain If you are she, you do userp yourself,
• 26:45
  Speaker 12: for what is yours to bestow is not yours to preserve,
• 26:48
  Speaker 12: but this is from my commission. I willong with my
• 26:50
  Speaker 12: speech and your praise, and then show you the heart
• 26:52
  Speaker 12: of my message.
• 26:54
  Speaker 7: Come to what is important in it. I forgive you
• 26:56
  Speaker 7: the praise.
• 26:57
  Speaker 12: Alas I took great pains to study it, and tis poetical.
• 27:01
  Speaker 7: It is the more like to be feigned. I pray
• 27:03
  Speaker 7: you keep it in. I heard you a saucy at
• 27:07
  Speaker 7: my gates, and allowed your approach, rather to wonder at
• 27:10
  Speaker 7: you than to hear you. If you be not mad,
• 27:12
  Speaker 7: be gone. If you have reason, be brief. Tis not
• 27:16
  Speaker 7: that time of moon with me to make one in so,
• 27:18
  Speaker 7: skipping a dialog.
• 27:19
  Speaker 13: Will you hoist sail? Sir? Here lies your way.
• 27:24
  Speaker 12: No good swabber. I am to holler here a little longer,
• 27:27
  Speaker 12: some mollification for your giant sweet lady, tell me your mind.
• 27:31
  Speaker 12: I am a messenger.
• 27:32
  Speaker 7: Sure you have some hideous matter to deliver? When the
• 27:35
  Speaker 7: courtesy of it is so fearful, speak your office.
• 27:39
  Speaker 12: It alone concerns your ear. I bring no overture of war,
• 27:44
  Speaker 12: no taxation of homage. I hold the olive in my hand.
• 27:48
  Speaker 12: My words are as full of peace as matter.
• 27:51
  Speaker 7: Yet you began rudely What are you?
• 27:54
  Speaker 12: What would you the rudeness that hath appeared in me?
• 27:57
  Speaker 12: Have I learned from my entertainment what I am and
• 28:00
  Speaker 12: what I would are? As secret as maidenhead to your ears,
• 28:04
  Speaker 12: divinity to any other's profanation.
• 28:08
  Speaker 7: Give us the place alone. We will hear this divinity.
• 28:12
  Speaker 1: Excent Maria and attendants. Now, sir, what is.
• 28:16
  Speaker 12: Your text, most sweet lady?
• 28:20
  Speaker 7: A comfortable doctrine, and much may be said of it?
• 28:24
  Speaker 7: Where lies your.
• 28:25
  Speaker 12: Text in Orsino's bosom?
• 28:27
  Speaker 7: In his bosom? In what chapter of his bosom?
• 28:32
  Speaker 12: To answer by the method in the first of his heart?
• 28:35
  Speaker 7: Oh, I have read it. It is heresy. Have you
• 28:38
  Speaker 7: no more to say?
• 28:39
  Speaker 12: Good madam? Let me see your face?
• 28:42
  Speaker 7: Have you any commission from your Lord to negotiate with
• 28:44
  Speaker 7: my face? You are now out of your text, But
• 28:48
  Speaker 7: we will draw the curtain and show you the picture.
• 28:52
  Speaker 7: Look you, sir, such a one I was this present?
• 28:57
  Speaker 7: Is it not well done?
• 28:59
  Speaker 1: Unveiling?
• 29:01
  Speaker 12: Excellently done? If God did all.
• 29:04
  Speaker 7: Tis ingrained, sir, twill endure wind and weather.
• 29:09
  Speaker 12: Tis beauty, truly blent, Whose red and white Nature's own
• 29:12
  Speaker 12: sweetened cunning hand laid on?
• 29:15
  Speaker 1: Lady?
• 29:15
  Speaker 12: You are the cruelest she alive, if you will lead
• 29:18
  Speaker 12: these graces to the grave and leave the world no copy.
• 29:21
  Speaker 7: Oh sir, I will not be so hard hearted. I
• 29:25
  Speaker 7: will give out divers schedules of my beauty. It shall
• 29:28
  Speaker 7: be invantried, and every particle utensil labeled to my will
• 29:32
  Speaker 7: as item two lips, indifferent red, item two gray eyes
• 29:39
  Speaker 7: with lids to them, Item one neck, one chin, and
• 29:43
  Speaker 7: so forth. Will you sent hither to praise me?
• 29:48
  Speaker 12: I see what you are. You are too proud. But
• 29:51
  Speaker 12: if you were the devil, you are fair. My lord
• 29:54
  Speaker 12: and Master loves you. Oh, such love could be but recompensed,
• 29:58
  Speaker 12: though you were crowned the nomparaile of beauty.
• 30:01
  Speaker 7: How does he love me.
• 30:02
  Speaker 12: With adorations, fertile tears, with groans that thunder love, with
• 30:07
  Speaker 12: sighs of fire?
• 30:09
  Speaker 7: Your Lord does know my mind. I cannot love him.
• 30:13
  Speaker 7: Yet I suppose him virtuous, know him noble of great estate,
• 30:17
  Speaker 7: of fresh and stainless youth, in voices, well divulged, free,
• 30:22
  Speaker 7: learned and valiant, and didn't dimension and the shape of nature,
• 30:26
  Speaker 7: a gracious person. But yet I cannot love him. He
• 30:30
  Speaker 7: might have took his answer long ago.
• 30:33
  Speaker 12: If I did love you in my master's flame with
• 30:35
  Speaker 12: such a suffering, such a deadly life. In your denial,
• 30:39
  Speaker 12: I would find no sense. I would not understand it.
• 30:42
  Speaker 12: Why what would you make me a willow cabin at
• 30:45
  Speaker 12: your gate and call upon my soul within the house,
• 30:48
  Speaker 12: Write loyal cantons of contemned love, and sing them loud
• 30:52
  Speaker 12: even in the dead of night. Hallo your name to
• 30:54
  Speaker 12: the reverberate hills, and make the babbling gossip of the
• 30:57
  Speaker 12: air cry out Olivia. Oh, you should not rest between
• 31:01
  Speaker 12: the elements of air and earth, but you should pity me.
• 31:04
  Speaker 7: You might do much. What is your parentage.
• 31:08
  Speaker 12: Above my fortunes? Yet my state as well? I am
• 31:11
  Speaker 12: a gentleman.
• 31:13
  Speaker 7: Get you to your lord. I cannot love him. Let
• 31:16
  Speaker 7: him send no more, unless perchance you come to me
• 31:20
  Speaker 7: again to tell me how he takes it. Fare you well,
• 31:25
  Speaker 7: I thank you for your pains. Spend this for me.
• 31:30
  Speaker 12: I am no feed post. Lady. Keep your purse. My master,
• 31:34
  Speaker 12: not myself, lacks recompense. Love. Make his heart a flint
• 31:38
  Speaker 12: that you shall love, and let your fervor, like my master's,
• 31:41
  Speaker 12: be placed in contempt. Farewell, fair cruelty exit.
• 31:47
  Speaker 7: What is your parentage above my fortunes? Yet my state
• 31:52
  Speaker 7: is well, I am a gentleman. I'll be sworn thou art,
• 31:56
  Speaker 7: thy tongue, thy face, thy limbs, actions and spear spirit
• 32:00
  Speaker 7: to give THEE fivefold blazon. Not too fast soft soft,
• 32:06
  Speaker 7: unless the master were the man. How now, even so
• 32:10
  Speaker 7: quickly one may catch the plague. Methinks I feel this
• 32:14
  Speaker 7: youth's perfections with an invisible and subtle stealth to creep
• 32:18
  Speaker 7: in at mine eyes. Well, let it be.
• 32:23
  Speaker 1: What ho malvolio re enter Malvolio here, madam, at your service.
• 32:30
  Speaker 7: Run after that same peevish messenger, the county's man. He
• 32:34
  Speaker 7: left this ring behind him, would I or not tell him?
• 32:37
  Speaker 7: I'll none of it. Desire him not to flatter with
• 32:40
  Speaker 7: his lord, nor hold him up with hopes. I am
• 32:43
  Speaker 7: not for him. If that the youth will come this
• 32:46
  Speaker 7: way tomorrow, I'll give him reasons for it. Hie thee malvolio, Madam.
• 32:52
  Speaker 1: I will exit.
• 32:55
  Speaker 7: I do I know not what, and fear to find
• 32:58
  Speaker 7: mine eye too great a latterer for my mind. Fate,
• 33:02
  Speaker 7: show thy force ourselves. We do not owe what is decreed,
• 33:08
  Speaker 7: must be and be this so.
• 33:12
  Speaker 1: Exit. End of scene five, end of Act one, Act two,
• 33:22
  Speaker 1: Scene one, the sea coast. Enter Antonio and Sebastian.
• 33:29
  Speaker 4: Will you stay no longer? Nor will you not that I.
• 33:32
  Speaker 2: Go with you by our patients.
• 33:34
  Speaker 17: No, my stars shine darkly over me. The malignancy of
• 33:38
  Speaker 17: my fate might perhaps distemper yours. Therefore I shall grave
• 33:42
  Speaker 17: with you your leave, that I may bear my evils alone.
• 33:45
  Speaker 17: It were a bad recompense for your love to lay any.
• 33:48
  Speaker 16: Of them on you.
• 33:50
  Speaker 4: Let me know of you whether you are bound.
• 33:53
  Speaker 16: No sooth, sir.
• 33:55
  Speaker 17: My determinate voyage is mere extravagancy. But I perceive in
• 33:59
  Speaker 17: you so excellent touch of modesty that you will not
• 34:01
  Speaker 17: extort from me what I am willing to keep in
• 34:04
  Speaker 17: Therefore it charges me in manners the rather to express myself.
• 34:08
  Speaker 17: You must know of me, then, Antonio, my name is Sebastian,
• 34:11
  Speaker 17: which I called Rodrigo. My father was that Sebastian of Mezselaine,
• 34:16
  Speaker 17: whom I know you have heard of. He left behind
• 34:18
  Speaker 17: him myself and sister, both born in an hour. If
• 34:22
  Speaker 17: the heavens had been pleased, would we had so ended?
• 34:25
  Speaker 17: But you, sir, altered that. For some hour before you
• 34:28
  Speaker 17: took me from the breach of the sea, was.
• 34:30
  Speaker 4: My sister drown Alas the day a.
• 34:35
  Speaker 17: Lady, sir, though it was said she much resembled me,
• 34:39
  Speaker 17: was yet of many accounted beautiful. Though I could not,
• 34:42
  Speaker 17: with such a steamable wonder over far believe that. Yet
• 34:45
  Speaker 17: thus far I will boldly publish her.
• 34:48
  Speaker 13: She bore a.
• 34:48
  Speaker 17: Mind that envy could not but call fair. She is
• 34:52
  Speaker 17: drowned already, sir, with salt water. Oh, I seemed to
• 34:55
  Speaker 17: drown her remembrance again with more.
• 34:57
  Speaker 4: Pardon me, sir, your bad entertainment, Oh.
• 35:01
  Speaker 17: Good Antonia, forgive me your trouble.
• 35:04
  Speaker 4: If you will not murder me for my love, let
• 35:07
  Speaker 4: me be your servant.
• 35:09
  Speaker 17: If you will not undo what you have done, that
• 35:11
  Speaker 17: is kill him whom you have recovered desire, it not
• 35:15
  Speaker 17: fare you well at once. My bosom is full of kindness,
• 35:18
  Speaker 17: and I am yet so near the manners of my mother,
• 35:20
  Speaker 17: that upon the least occasion, more of mine eyes will
• 35:23
  Speaker 17: tell tales of me. I am bound to Count Orsino's court.
• 35:26
  Speaker 4: Farewell, exit the gentleness of all the gods, Go with THEE.
• 35:33
  Speaker 4: I have many enemies in Orsino's court, else would I
• 35:37
  Speaker 4: very shortly see THEE there? But come what may I
• 35:41
  Speaker 4: adore thee? So that danger shall seem sport. And I
• 35:47
  Speaker 4: will go.
• 35:50
  Speaker 1: Exit. End of scene one, Scene two a street enter
• 36:03
  Speaker 1: viola malvolio following, Were you.
• 36:06
  Speaker 9: Not even now with a Countess Olivia?
• 36:10
  Speaker 12: Even now, sir? On a moderate pace? I have since arrived.
• 36:13
  Speaker 12: But hither.
• 36:15
  Speaker 9: She returns this ring to you. Sir, you might have
• 36:19
  Speaker 9: saved me my pains to have taken it away yourself.
• 36:24
  Speaker 9: She adds moreover that you should put your lord into
• 36:28
  Speaker 9: a desperate assurance. She will none of him, And one
• 36:33
  Speaker 9: thing more, that you'd never be so hardy to come
• 36:36
  Speaker 9: again in his affairs, unless it be to report your
• 36:40
  Speaker 9: lord's taking of this. Receive it.
• 36:43
  Speaker 12: So she took the ring of me. Ah, none of it.
• 36:47
  Speaker 9: Come, sir. You peevishly threw it to her, and her
• 36:52
  Speaker 9: will is it should be so returned if it be
• 36:57
  Speaker 9: worth stooping for there it lies in your I. If not,
• 37:02
  Speaker 9: be it his that finds it?
• 37:06
  Speaker 1: Exit?
• 37:07
  Speaker 12: I no ring with her? What means this lady? Fortune? Forbid?
• 37:14
  Speaker 12: My outside have not charmed her. She made good view
• 37:18
  Speaker 12: of me, indeed so much that methought her eyes had
• 37:21
  Speaker 12: lost her tongue, for she did speak in stance distractedly.
• 37:26
  Speaker 12: She loves me, sure, The cunning of her passion invites
• 37:29
  Speaker 12: me in this churlish messenger. None of my lord's ring,
• 37:32
  Speaker 12: why he sent her none? I am the man. If
• 37:36
  Speaker 12: it be so, as tis poor lady, she would better
• 37:40
  Speaker 12: love a dream disguise. I see thou art a wickedness,
• 37:43
  Speaker 12: wherein the pregnant enemy does much? How easy is it
• 37:47
  Speaker 12: for the proper force in women's wax and hearts to
• 37:49
  Speaker 12: set their forms? Alas, our frailty is the cause, not we?
• 37:53
  Speaker 12: For such as we are made of, such we be?
• 37:56
  Speaker 12: How will this fadge? My master loves her dearly, and I,
• 38:00
  Speaker 12: poor monster, fond as much on him, and she mistaken
• 38:03
  Speaker 12: seems to dote on me. What will become of this?
• 38:07
  Speaker 12: As I am man, my state is desperate for my
• 38:09
  Speaker 12: master's love, as I am woman. Now Alas the day,
• 38:13
  Speaker 12: what thriftless sigh shall poor Olivia breathe?
• 38:17
  Speaker 1: No time?
• 38:18
  Speaker 12: Thou must untangle this, not I it is too hard
• 38:21
  Speaker 12: and not for meat HUNTI exit.
• 38:25
  Speaker 1: End of scene two, Scene three, Olivia's house enter, Sir
• 38:34
  Speaker 1: Toby and Sir Andrew approach.
• 38:38
  Speaker 4: Sir Andrew, not to be a bed after midnight is
• 38:42
  Speaker 4: to be up betimes and de lucolo sugeri. Thou knowest
• 38:48
  Speaker 4: nay by my truth?
• 38:49
  Speaker 8: I know not. But I know to be up late
• 38:52
  Speaker 8: is to be up late.
• 38:53
  Speaker 4: A false conclusion. I hate it as an unfilled can
• 38:58
  Speaker 4: to be up after midnight, and to go to bed
• 39:01
  Speaker 4: then is early, So that to go to bed after
• 39:05
  Speaker 4: midnight is to go to bed betimes. Does not our
• 39:09
  Speaker 4: life consist of the four elements.
• 39:12
  Speaker 8: Faith, so they say? But I think it rather consists
• 39:15
  Speaker 8: of eating and drinking.
• 39:18
  Speaker 4: Now art a scholar, Let us therefore eat and drink Marion,
• 39:22
  Speaker 4: I say, a stout of wine.
• 39:26
  Speaker 1: And a clown.
• 39:28
  Speaker 8: Here comes the foolly faith.
• 39:31
  Speaker 11: How now, my hearts, did you never see the picture
• 39:33
  Speaker 11: of we three?
• 39:35
  Speaker 4: Welcome ass? Now let's have a catch.
• 39:39
  Speaker 8: By my troth. The fool has an excellent breast. I
• 39:42
  Speaker 8: had rather forty shillings. I had such a leg, and
• 39:45
  Speaker 8: so sweet a breath to sing as the fool has
• 39:48
  Speaker 8: in sooth. I was in very gracious fooling last night
• 39:52
  Speaker 8: when thou spocus of pigrigrometers of the vapians passing the
• 39:56
  Speaker 8: equinoxial of cubas, twas very goodly faith. I sent sixpence
• 40:00
  Speaker 8: for thy leman hatst.
• 40:03
  Speaker 11: I did im petticost thy gratility for Malvolio's nose is
• 40:07
  Speaker 11: no whipstock. My lady has a white hand, and the
• 40:10
  Speaker 11: mermidons are no bottle ale houses.
• 40:13
  Speaker 8: Excellent, Why this is the best fooling when all is done?
• 40:17
  Speaker 8: Now a song?
• 40:19
  Speaker 4: Come on, there's a sixpence for you. Let's have a song.
• 40:24
  Speaker 8: There's a testral of me too, if one I gived?
• 40:27
  Speaker 11: You have a love song or a song of good life?
• 40:31
  Speaker 4: A love song, a love song?
• 40:36
  Speaker 8: Ay, I care not for good life?
• 40:40
  Speaker 16: Oh mistress mine, where are you roaming? Oh? Stay and
• 40:47
  Speaker 16: hear your true loves coming? That can sing both.
• 40:53
  Speaker 12: High and low.
• 40:55
  Speaker 16: Trip no father, pretty sweeting johneysan in love us meeting
• 41:04
  Speaker 16: every wise man's son doth know.
• 41:10
  Speaker 8: Excellent? Goody faith, good.
• 41:12
  Speaker 16: Good wais love tis not hereafter present? Mirth hath present laughter?
• 41:21
  Speaker 16: What's too calm? Is still unsure? In delay, there lies
• 41:26
  Speaker 16: no plenty. Then come kiss me, sweet and twenty youths.
• 41:32
  Speaker 16: The stuff will not endure.
• 41:36
  Speaker 8: A melifluous voice, as I am true knight, A contagious breath,
• 41:42
  Speaker 8: very sweet and contagious.
• 41:43
  Speaker 4: He faith to hear by the noise, it is a
• 41:46
  Speaker 4: dulcet and contagion. But shall we make the welcome dance instead?
• 41:51
  Speaker 4: Shall we rouse the night owl in the catch that
• 41:53
  Speaker 4: will draw these souls out of one weaver. Shall we
• 41:57
  Speaker 4: do that?
• 41:58
  Speaker 8: And you love me? Let's do I'm dog at a catch.
• 42:01
  Speaker 11: By a lady, sir, and some dogs will catch well.
• 42:05
  Speaker 8: Most certain, Let our catch me.
• 42:07
  Speaker 11: Thou nave, hold thy peace, thou nave knight. Shall I
• 42:12
  Speaker 11: be constrained into the call thee nave night?
• 42:15
  Speaker 8: It is not the first time I have constrained one
• 42:18
  Speaker 8: to call me knave begin full it begins, Hold thy peace.
• 42:24
  Speaker 11: I shall never begin. If I hold my peace.
• 42:27
  Speaker 8: Good faith, come begin.
• 42:30
  Speaker 4: Hold thy peace, Hold thy peace, Peace.
• 42:36
  Speaker 8: Hold peace, Thou nave name, hold.
• 42:51
  Speaker 4: Thou name.
• 42:54
  Speaker 18: Name, hold an old sunder.
• 43:07
  Speaker 1: And Maria low name, cadwarling.
• 43:12
  Speaker 13: Do you keep here? If my lady have not called
• 43:15
  Speaker 13: up her steward Marvolio and bid him turn you out
• 43:17
  Speaker 13: of doors? Never trust me.
• 43:19
  Speaker 4: My lady's a katayan. We are politicians Malvolio's Pegoramsey and
• 43:25
  Speaker 4: three merry men. We are am I not consanguous? Am
• 43:31
  Speaker 4: I not of her blood? Tilly villy, lady, They're welcome
• 43:37
  Speaker 4: man in battylon, Lady lady.
• 43:40
  Speaker 11: Be shrew me the nuts in admirable fooling.
• 43:43
  Speaker 8: A he does well enough if he be disposed, and
• 43:47
  Speaker 8: so do I too. He does it with a better grace,
• 43:50
  Speaker 8: but I do it more natural.
• 43:52
  Speaker 4: Oh, the twelfth day of December.
• 43:55
  Speaker 9: For the love of God, peace, and to Malia my masters.
• 44:02
  Speaker 9: Are you mad?
• 44:03
  Speaker 1: Or what are you?
• 44:05
  Speaker 9: Have you no wit, manners nor honesty but to gabble
• 44:09
  Speaker 9: like tinkers? At this time of night? Do you make
• 44:12
  Speaker 9: an ale house of my lady's house? That ye squeak
• 44:16
  Speaker 9: out your cozier's catches without any mitigation or remorse of voice?
• 44:22
  Speaker 9: Is there no respect of place, persons nor time in you?
• 44:27
  Speaker 4: We did keep time, sir, in our catches.
• 44:31
  Speaker 9: Snack up, Sir Toby. I must be round with you.
• 44:38
  Speaker 9: My lady bade me tell you that though she harbors
• 44:42
  Speaker 9: you as her kinsman, she's nothing alied to your disorders.
• 44:49
  Speaker 9: If you can separate yourself and your misdemeanors, you are
• 44:53
  Speaker 9: welcome to the house. If not, and it would please
• 44:57
  Speaker 9: you to take leave of her, she is very willing
• 45:02
  Speaker 9: to bid you a farewell.
• 45:05
  Speaker 4: Farewell, dear heart, since I must needs be gone.
• 45:09
  Speaker 13: Nay good, Sir Toby.
• 45:11
  Speaker 11: His eyes do show his days are almost done.
• 45:14
  Speaker 4: It's even so, But I will never die.
• 45:18
  Speaker 11: Sir Toby.
• 45:19
  Speaker 9: There you lie this is much credit to you.
• 45:22
  Speaker 4: Shall I bid him go?
• 45:24
  Speaker 13: What?
• 45:25
  Speaker 4: And if you do, shall I bid him go? And spare? Not?
• 45:29
  Speaker 16: Oh?
• 45:30
  Speaker 11: No, no, no no, You dare.
• 45:32
  Speaker 4: Not out of tune, Sir. You lie art any more
• 45:37
  Speaker 4: than a steward. Dost thou think? Because thou art virtuous,
• 45:42
  Speaker 4: there shall be no more cakes and ale.
• 45:45
  Speaker 11: Yes by Saint Anne, and ginger shall be hot into
• 45:48
  Speaker 11: mouth too.
• 45:49
  Speaker 4: Thou art in a right Go, sir, rub your chains
• 45:53
  Speaker 4: with crumbs a stout of wine. Mariah, mistress Marry.
• 45:59
  Speaker 9: If you frised my lady's favor at anything more than contempt,
• 46:04
  Speaker 9: you would not give means for this uncivil rule. She
• 46:10
  Speaker 9: shall know of it by this hand.
• 46:13
  Speaker 13: Exit, Go shake your ears.
• 46:16
  Speaker 8: Twitter as good as deed as to drink when amans
• 46:19
  Speaker 8: are hungry, to challenge him in the field, and then
• 46:22
  Speaker 8: to break promise with him and make a fool of him.
• 46:26
  Speaker 4: Do it night. I'll write the a challenge, or I'll
• 46:29
  Speaker 4: deliver thy indignation to him by word of mouth.
• 46:34
  Speaker 13: Sweet, so too we be patient for tonight. Since the
• 46:37
  Speaker 13: youth of the counts was today with my lady, she
• 46:39
  Speaker 13: is much out of quiet. For Monsieur Malvoglio, let me
• 46:44
  Speaker 13: along with him if I do not gull him into
• 46:47
  Speaker 13: a nay word and make him a common recreation. Do
• 46:49
  Speaker 13: not think I have wit enough to lie straight in
• 46:51
  Speaker 13: my bed? I know I can do it.
• 46:54
  Speaker 4: Possess us, possess us, tell us something.
• 46:58
  Speaker 13: Of him Mary's Sometimes he is a kind of puritan.
• 47:02
  Speaker 8: Ooh, if I thought that I'd beat him like a dog?
• 47:06
  Speaker 4: What for being a puritan? Die exquisite reason, dear knight.
• 47:11
  Speaker 8: I have no acquacy reason for it, But I have
• 47:15
  Speaker 8: reason good in her?
• 47:16
  Speaker 13: The devil a puritan that he is, or anything constantly
• 47:19
  Speaker 13: but a time pleaser, an affectioned ass that constate without book,
• 47:24
  Speaker 13: and utters it by great swarths, the best persuaded of himself,
• 47:28
  Speaker 13: so crammed as he thinks with excellencies, that it is
• 47:31
  Speaker 13: his grounds of faith, that all who look on him
• 47:35
  Speaker 13: love him. And on that vice in him will my
• 47:38
  Speaker 13: revenge find notable cause to work.
• 47:41
  Speaker 4: What wilt thou do?
• 47:42
  Speaker 13: I will drop in his way some obscure epistles of love,
• 47:47
  Speaker 13: wherein by the color of his beard, the shape of
• 47:50
  Speaker 13: his leg, the manner of his gait, the expressure of
• 47:53
  Speaker 13: his eye, forehead and complexion, he shall find himself most
• 47:57
  Speaker 13: feelingly personated. I can write very like my lady, your
• 48:02
  Speaker 13: niece on a forgotten matter. We can hardly make distinction
• 48:05
  Speaker 13: of our hands excellent.
• 48:08
  Speaker 8: I smell a device I have to in my nose too.
• 48:12
  Speaker 4: He shall think by the letters thou wilt drop that
• 48:16
  Speaker 4: they come from my niece, and that she's in love
• 48:20
  Speaker 4: with him.
• 48:21
  Speaker 13: My purpose is indeed a horse of that color.
• 48:25
  Speaker 8: And your horse now would make him an.
• 48:27
  Speaker 13: Ass ass I doubt not who twill be admirable sport royal.
• 48:33
  Speaker 13: I warrant you. I know my physic will work with him.
• 48:37
  Speaker 13: I will plant you too, and let the fool make
• 48:39
  Speaker 13: a third where he shall find the letter, observe his
• 48:43
  Speaker 13: construction of it. For this night, to bed and dream
• 48:46
  Speaker 13: on the event.
• 48:48
  Speaker 4: Farewell, exit, good night. Pentathelia before me, she's a good
• 48:54
  Speaker 4: winch She's a beagle, true bread, and one that adores me.
• 49:00
  Speaker 8: What of that I was adored once to Let's.
• 49:04
  Speaker 4: Go to bed night. Thou hast need send for more money?
• 49:09
  Speaker 8: If I cannot recover your niece, I have a far
• 49:12
  Speaker 8: way out.
• 49:13
  Speaker 4: Send for money night. If thou hast her not in
• 49:17
  Speaker 4: the end, call me cut.
• 49:20
  Speaker 8: If I do not never trust me, take it, I
• 49:23
  Speaker 8: will come.
• 49:26
  Speaker 4: Come, I'll go burn some sack. Tis too late to
• 49:29
  Speaker 4: go to bed. Now come night, Come night.
• 49:32
  Speaker 1: Excent end of scene three, Scene four, The Duke's palace
• 49:43
  Speaker 1: and the duke viola curio and others.
• 49:47
  Speaker 2: Give me some music, nugget, borrow friends, no good cesario.
• 49:52
  Speaker 2: But that piece of song, that old and antique song
• 49:55
  Speaker 2: we heard last night. Methought, it did relieve my passion
• 49:58
  Speaker 2: much more than light airs and recollected terms of these
• 50:02
  Speaker 2: most brisk and giddy pace at times. Come but one verse.
• 50:06
  Speaker 9: He is not here, So please your lordship that should
• 50:08
  Speaker 9: sing it?
• 50:09
  Speaker 2: Who was it?
• 50:10
  Speaker 16: Bestie?
• 50:11
  Speaker 7: The gestion, my lord, a fool that the lady Olivia's
• 50:14
  Speaker 7: father took much delight in. He is about the house.
• 50:17
  Speaker 2: Seek him out and play the tune the.
• 50:19
  Speaker 1: While exit curio music plays.
• 50:23
  Speaker 2: Come hitherboy. If ever thou shalt love in the sweet
• 50:27
  Speaker 2: pangs of it, remember me, for such as I am.
• 50:30
  Speaker 2: All true lovers are unstayed and skittish in all motions
• 50:34
  Speaker 2: else save in the constant image of the creature that
• 50:37
  Speaker 2: is beloved. How doest thou like this tune?
• 50:40
  Speaker 12: It gives a very echo to the seat where love
• 50:42
  Speaker 12: is throned.
• 50:44
  Speaker 2: Now us speak masterly my life upon it. Young. Though
• 50:48
  Speaker 2: thou art thine eye hath stayed upon some favor that
• 50:50
  Speaker 2: it loves, hath it enough?
• 50:52
  Speaker 12: Boyer a little by your favor?
• 50:55
  Speaker 2: What kind of woman is it?
• 50:58
  Speaker 12: Of your complexion?
• 50:59
  Speaker 2: She is not worth thee Then what years are faith about?
• 51:03
  Speaker 12: Your years? My lord?
• 51:05
  Speaker 2: Too old by heaven? Let still the woman take an
• 51:08
  Speaker 2: elder than herself, so wears she to him, so sways
• 51:11
  Speaker 2: she leveled in her husband's heart. For boy, however we
• 51:15
  Speaker 2: do praise ourselves. Our fancies are more giddy and unfirm,
• 51:19
  Speaker 2: more longing, wavering, sooner lost and worn than women's are.
• 51:22
  Speaker 2: I think it well, my Lord, then that thy love
• 51:25
  Speaker 2: be younger than thyself, or they affection cannot hold the bent.
• 51:29
  Speaker 2: For women are as roses, whose fair flower being once
• 51:33
  Speaker 2: displayed a fall that very hour.
• 51:35
  Speaker 12: And so they are alas that they are so to
• 51:38
  Speaker 12: die even when they, too perfection grow.
• 51:42
  Speaker 1: Re enter curio and clown.
• 51:44
  Speaker 2: Oh fellow, come the song we had last night market Cesario.
• 51:49
  Speaker 2: It is old and plain. The spinsters and the knitters
• 51:52
  Speaker 2: in the sun, and the free maids that weave that
• 51:54
  Speaker 2: thread with bones do use to chant it. It is
• 51:56
  Speaker 2: silly sooth and dallies with the innocence of love like
• 52:00
  Speaker 2: the old age. Are you ready, sir, I prithee sing.
• 52:06
  Speaker 16: Music, Come away, Come away death, And in sad cypris,
• 52:12
  Speaker 16: let me be laid, fly away, fly away breath. I
• 52:18
  Speaker 16: am slain by a fair crow, hellmaid, my shroud of
• 52:24
  Speaker 16: white stuck all with you. Oh, prepare it my part
• 52:32
  Speaker 16: of death. No one so true deed share it. Not
• 52:40
  Speaker 16: a flower, not a flower, sweet on my black coffin.
• 52:45
  Speaker 16: Let there be strown, not a friend, not a friend.
• 52:49
  Speaker 16: Greet my poor corpse. Where my bones shall be thrown.
• 52:55
  Speaker 16: Are thousand thousand sighs to save lay me? Oh, where
• 53:03
  Speaker 16: sad true lover, never find my grave to.
• 53:09
  Speaker 11: Weep there.
• 53:13
  Speaker 2: There's for thy pains, no.
• 53:14
  Speaker 11: Pain, sir. I take pleasure in singing.
• 53:17
  Speaker 13: Sir.
• 53:18
  Speaker 2: I'll pay thy pleasure then.
• 53:20
  Speaker 11: Truly, sir, And pleasure will be paid, one time or another.
• 53:24
  Speaker 2: Give me now, leave to leave thee.
• 53:27
  Speaker 11: Now, the melancholy god protect thee, and the tailor make
• 53:30
  Speaker 11: thy doublet of changeable taffeta. For thy mind is a
• 53:34
  Speaker 11: very opal. I would have men of such constancy put
• 53:37
  Speaker 11: to see that their business might be everything, and their
• 53:40
  Speaker 11: intent everywhere. For that's it that always makes a good voyage.
• 53:44
  Speaker 11: Of nothing, farewell.
• 53:47
  Speaker 2: Exit, Let all the rest give place.
• 53:50
  Speaker 1: Curio and attendance.
• 53:52
  Speaker 2: Retire once more, Cesario, get thee to yon same sovereign cruelty.
• 53:58
  Speaker 2: Tell her my love more noble than the world prize
• 54:01
  Speaker 2: is not quantity of dirty lands, the parts that fortune
• 54:04
  Speaker 2: hath bestowed upon her. Tell her I hold as gitaly
• 54:07
  Speaker 2: as fortune. But tis that miracle and queen of gems
• 54:11
  Speaker 2: that nature pranks her in attracts my soul.
• 54:15
  Speaker 12: But if she cannot love you, sir, I.
• 54:17
  Speaker 2: Cannot so be answered sooth.
• 54:19
  Speaker 12: But you must say that some lady, as perhaps there is,
• 54:23
  Speaker 12: have for your love as great a pang of heart
• 54:25
  Speaker 12: as you have for Olivia. You cannot love her, You
• 54:28
  Speaker 12: tell her so? Must she not then be answered?
• 54:31
  Speaker 2: There is no woman's sides can bide the beating of
• 54:34
  Speaker 2: so strong a passion as love doth give my heart,
• 54:37
  Speaker 2: no woman's heart so big to hold so much. They
• 54:40
  Speaker 2: lack retention alas their love may be called appetite, no
• 54:45
  Speaker 2: motion of the liver, but the palate that suffers surfeit
• 54:48
  Speaker 2: coiment and revolt. But mine is all as hungry as
• 54:52
  Speaker 2: the sea, and can digest as much. Make no compare
• 54:55
  Speaker 2: between the love a woman can bear me, and that
• 54:58
  Speaker 2: I owe Olivia.
• 54:59
  Speaker 12: Aye.
• 54:59
  Speaker 2: But I I know what dost thou know too well?
• 55:03
  Speaker 12: What love women to men may owe in faith, they
• 55:07
  Speaker 12: are as true of heart as we. My father had
• 55:10
  Speaker 12: a daughter loved a man, as it might be. Perhaps
• 55:13
  Speaker 12: were I woman, I should your lordship.
• 55:15
  Speaker 2: And what's her history?
• 55:16
  Speaker 12: A blank? My lord? She never told her love, but
• 55:20
  Speaker 12: let concealment, like a worm in the bud, feed on
• 55:23
  Speaker 12: her damask cheek. She pined in thought, and with a
• 55:26
  Speaker 12: green and yellow melancholy, she sat like patience on a monument,
• 55:31
  Speaker 12: smiling at grief. Was not this love? Indeed, we men
• 55:36
  Speaker 12: may say more, swear more, but indeed our shows are
• 55:40
  Speaker 12: more than will. For still we prove much in our vows,
• 55:44
  Speaker 12: but little in our love.
• 55:46
  Speaker 2: But die, thy sister, of her love?
• 55:47
  Speaker 12: My boy, I am all the daughters of my father's house,
• 55:52
  Speaker 12: and all the brothers too, And yet I know not, Sir,
• 55:58
  Speaker 12: shall I to this lady.
• 56:00
  Speaker 2: Aye, that's the theme. To her, in haste, give her
• 56:04
  Speaker 2: this jewel. Say my love can give no place, bide,
• 56:07
  Speaker 2: no denay.
• 56:10
  Speaker 1: Exciant.
• 56:14
  Speaker 2: End of scene four.
• 56:17
  Speaker 1: Scene five, Olivia's garden. And to Sir Toby, Sir Andrew
• 56:24
  Speaker 1: and Fabian.
• 56:25
  Speaker 4: Come thy ways, signor Fabian, Nay.
• 56:29
  Speaker 10: I'll come. If I lose a scruple of this sport,
• 56:32
  Speaker 10: let me be boiled to death with melancholy.
• 56:35
  Speaker 4: Wouldst Thou not be glad to have the niggardly rascally
• 56:39
  Speaker 4: sheep eider come by some notable shame?
• 56:42
  Speaker 10: I would exalt man. You know he brought me out
• 56:45
  Speaker 10: of favor with my lady about a bear baiting.
• 56:47
  Speaker 4: Here to anger him. We'll have the bear again, and
• 56:52
  Speaker 4: we will fool him black and blue? Shall we not,
• 56:56
  Speaker 4: Sir Andrew?
• 56:57
  Speaker 8: And we do not? It is pity of her life.
• 57:00
  Speaker 4: And to Maria, here comes the little villain. How now
• 57:06
  Speaker 4: my metal of India.
• 57:08
  Speaker 13: Get you all three into the box tree. Ma Volo's
• 57:11
  Speaker 13: coming down this walk. He has been yonder in the sun,
• 57:14
  Speaker 13: practicing behavior to his own shadow this half hour. Observe
• 57:18
  Speaker 13: him for the love of mockery, for I know this
• 57:20
  Speaker 13: letter will make a contemplative idiot of him close in
• 57:24
  Speaker 13: the name of jesting, Why thou.
• 57:26
  Speaker 1: There throwst down a letter?
• 57:28
  Speaker 13: For here comes the trout that must be caught with tickling.
• 57:32
  Speaker 9: Exit, enter malviliel it is but fortune, all is fortune.
• 57:42
  Speaker 9: Mariah once told me she did affect me, and I
• 57:46
  Speaker 9: have heard her come thus near, that should she fancy
• 57:51
  Speaker 9: it should be one of my complexion. Besides, she uses
• 57:57
  Speaker 9: me with a more exalted respect than anyone else that
• 58:01
  Speaker 9: follows her. What should I think ont.
• 58:05
  Speaker 4: Here's an overall weaning rogue.
• 58:08
  Speaker 10: Oh peace, contemplation makes a rare turkey cock of him.
• 58:13
  Speaker 10: He jets under his advanced plumes, slight.
• 58:17
  Speaker 8: I could soap beat the rogue.
• 58:19
  Speaker 4: Peace, I say to.
• 58:22
  Speaker 9: Be count now volo a rogue, pistol him, pistol him,
• 58:32
  Speaker 9: piece peace. There is example fort the lady of the Strak,
• 58:38
  Speaker 9: he married a yeoman of the wardrobe.
• 58:41
  Speaker 8: Fine on him, jizsepel oh peace.
• 58:45
  Speaker 10: Now he's deeply in look at who imagination blows him.
• 58:50
  Speaker 9: Having been three months married to her, sitting in my state, Oh.
• 58:56
  Speaker 4: For a stone boat to hit him in the eye.
• 58:59
  Speaker 9: Calling my officers about me in my branched velvet gown,
• 59:05
  Speaker 9: having come from a day bed where I have left Olivia.
• 59:10
  Speaker 4: Sleeping fire and brimstone, oh, piece piece.
• 59:16
  Speaker 9: And then to have the humor of state, and after
• 59:20
  Speaker 9: a demure travel of regard, telling them I know my
• 59:26
  Speaker 9: place as I would, they should do theirs to ask
• 59:31
  Speaker 9: for my kinsman.
• 59:34
  Speaker 4: Toby boats and shackles, Oh, piece piece peace.
• 59:39
  Speaker 9: Now, Now seven of my people with an obedient start
• 59:44
  Speaker 9: make out for him. I frown the while, and perchance
• 59:50
  Speaker 9: wind up my watch, or play with my some rich jewel.
• 59:58
  Speaker 9: Toby approaches curtsies there to me.
• 1:00:03
  Speaker 4: Shall this fellow live, though our silence be drawn from
• 1:00:06
  Speaker 4: us with cars?
• 1:00:08
  Speaker 10: Yet peace?
• 1:00:11
  Speaker 9: I extend my hand to him, thus quenching my familiar
• 1:00:16
  Speaker 9: smile with an astir regard of control.
• 1:00:21
  Speaker 4: And does not Toby take thee a blow of the lips, then.
• 1:00:24
  Speaker 9: Saying, cousin, Toby, my fortunes having cast me on your niece,
• 1:00:35
  Speaker 9: give me this prerogative of speech. What what you must
• 1:00:41
  Speaker 9: amend your drunkenness outscab.
• 1:00:45
  Speaker 10: Nay patience, or we break the sinews of our plot.
• 1:00:49
  Speaker 9: Besides, you waste the treasure of your time with a
• 1:00:54
  Speaker 9: foolish night that me I woantn't you one, Sir Andrew.
• 1:01:01
  Speaker 8: I knew to die from many do call me fool? Oh?
• 1:01:06
  Speaker 9: What employment have we here?
• 1:01:08
  Speaker 1: Taking up the letter?
• 1:01:09
  Speaker 10: Now is the woodcock near the gin?
• 1:01:12
  Speaker 4: Oh, peace and the spirit of Humor's intimate reading aloud
• 1:01:18
  Speaker 4: to him?
• 1:01:19
  Speaker 9: By my life, this is my lady's hand. These be
• 1:01:22
  Speaker 9: her very sees her ewes and her teas, and thus
• 1:01:27
  Speaker 9: makes she her great peace. It is in contempt of
• 1:01:30
  Speaker 9: question her hand.
• 1:01:32
  Speaker 8: Her sees her use and her teas.
• 1:01:36
  Speaker 9: Why that reads to the unknown beloved, this and my
• 1:01:42
  Speaker 9: good wishes her very phrases by your leave wax soft
• 1:01:53
  Speaker 9: and the impressure her lucrese with which she uses to seal,
• 1:01:58
  Speaker 9: tis my lady. To whom should this be?
• 1:02:01
  Speaker 10: This wins him liver and awe read.
• 1:02:06
  Speaker 9: Jove knows I love, but who lips do not move?
• 1:02:15
  Speaker 9: No man must know. Man must know what follows the
• 1:02:22
  Speaker 9: numbers altered.
• 1:02:24
  Speaker 2: No man must know.
• 1:02:27
  Speaker 9: If this should be.
• 1:02:28
  Speaker 4: Themeavolo marry hang thee Brock.
• 1:02:32
  Speaker 9: Reads, I may command where I adore, but silence like
• 1:02:37
  Speaker 9: a lucreasie knife with bloodless stroke. My heart doth gore.
• 1:02:44
  Speaker 9: M o a, I doth sway my life of.
• 1:02:50
  Speaker 4: Austrian riddle excellent wench say I m.
• 1:02:54
  Speaker 9: O a I doth sway my life. Nay, but first
• 1:02:58
  Speaker 9: let me see.
• 1:02:59
  Speaker 1: Let me see them.
• 1:03:00
  Speaker 10: What dish of poison has she dressed him?
• 1:03:03
  Speaker 4: And with what wing? The staniel cheeks at it.
• 1:03:07
  Speaker 9: I may command where I adore? Why she may command me?
• 1:03:15
  Speaker 9: I surfer. She is my lady, this is even and
• 1:03:17
  Speaker 9: twenty formal capacity. There's no obstruction in this in the end.
• 1:03:23
  Speaker 9: What should that alphabetical position portend? If I could make
• 1:03:28
  Speaker 9: that resemble something in me softly, m O.
• 1:03:35
  Speaker 10: A I ah.
• 1:03:38
  Speaker 4: Ah, make up that he is now at a cold scent.
• 1:03:42
  Speaker 10: Sautu will cry apanst For all this, though, would be
• 1:03:46
  Speaker 10: as rank as a fox.
• 1:03:48
  Speaker 9: M malvolio. M Why that begins my name?
• 1:03:56
  Speaker 10: Did I not say he would work it out? The
• 1:04:00
  Speaker 10: cur is excellent at faults M M.
• 1:04:06
  Speaker 9: There is no consonancy in the sequel that suffers under probation.
• 1:04:10
  Speaker 9: A should follow, but oh does.
• 1:04:13
  Speaker 10: And oh shall end?
• 1:04:15
  Speaker 4: I hope aye, or I'll cudgel him and make him cry.
• 1:04:19
  Speaker 8: Oh.
• 1:04:19
  Speaker 9: And then I comes behind ay.
• 1:04:23
  Speaker 10: And you had any eye behind you, you might see
• 1:04:26
  Speaker 10: more distraction at your heels than fortunes before you.
• 1:04:30
  Speaker 1: M O a I.
• 1:04:34
  Speaker 9: The simulation is not as the former. And yet to
• 1:04:38
  Speaker 9: crush this a little, it would bow to me. For
• 1:04:42
  Speaker 9: every one of these letters are in my name. Soft
• 1:04:45
  Speaker 9: here follows purse. Read if this fall into thy hand,
• 1:04:51
  Speaker 9: revolve in my stars. I am above thee, but be
• 1:04:58
  Speaker 9: not afraid of g greatness. Some are born great, some
• 1:05:05
  Speaker 9: achieve greatness, and some have greatness thrust upon them. Thy
• 1:05:12
  Speaker 9: fates open their hands. Let thy blood and spirit embrace them.
• 1:05:19
  Speaker 9: And to renure thyself to what thou art like to
• 1:05:22
  Speaker 9: be cast thy humble, slow and appear fresh, be opposite
• 1:05:29
  Speaker 9: with a kinsman, surly with servants. Let thy tongue tang
• 1:05:34
  Speaker 9: arguments of state. Put thyself into the trick of singularity.
• 1:05:40
  Speaker 9: She thus advises thee that sighs for thee. Remember who
• 1:05:45
  Speaker 9: commended thy yellow stockings, and wish to see thee ever
• 1:05:48
  Speaker 9: cross guarded. I say, remember, go to thou art made,
• 1:05:55
  Speaker 9: if thou desirest to be so. If not, let me
• 1:05:59
  Speaker 9: see thee, your stewart, still the fellow of servants and
• 1:06:02
  Speaker 9: not worthy to touch fortune's fingers. Farewell. She that would
• 1:06:05
  Speaker 9: alter services with thee, the fortunate, unhappy daylight and champagne
• 1:06:13
  Speaker 9: discovers not more. This is open. I will be proud.
• 1:06:21
  Speaker 9: I will read politic authors, I will baffle Sir Toby,
• 1:06:26
  Speaker 9: I will wash off gross acquaintance. I will be point
• 1:06:29
  Speaker 9: device the very man. I do not now fool myself
• 1:06:34
  Speaker 9: to let imagination. Jamie, for every reason, excites to this
• 1:06:38
  Speaker 9: that my lady loves me. She did commend my yellow
• 1:06:42
  Speaker 9: stockings of light, and she did praise my leg being crossguarded.
• 1:06:47
  Speaker 9: And in this she manifests herself to my love, and
• 1:06:51
  Speaker 9: with a kind of injunction, drives me to these habits
• 1:06:54
  Speaker 9: of her liking. I thank my stars. I am happy
• 1:07:00
  Speaker 9: be strange stout and yellow stockings and cross gartered, even
• 1:07:05
  Speaker 9: with the swiftness of putting on Jove, and my stars
• 1:07:08
  Speaker 9: be praised. Here's yet A PostScript reads, Thou canst not choose,
• 1:07:15
  Speaker 9: but know who I am. If thou entertain'st my love,
• 1:07:20
  Speaker 9: let it appear in thy smiling, thy smiles become THEE. Well.
• 1:07:28
  Speaker 9: Therefore in my presence, still smile, dear, my sweet I prithee,
• 1:07:37
  Speaker 9: oh Jove, I thank THEE. I will smile. I will
• 1:07:44
  Speaker 9: do everything that thou wilt have me exit.
• 1:07:51
  Speaker 10: I will not give my part of this sport for
• 1:07:54
  Speaker 10: a pension of thousands to be paid from the Sophie.
• 1:07:58
  Speaker 4: I could marry the wench with this device, so could
• 1:08:02
  Speaker 4: I too, and ask no other dowry with her. But
• 1:08:06
  Speaker 4: such another jest, nor I neither.
• 1:08:10
  Speaker 10: Here comes my noble gull catcher.
• 1:08:13
  Speaker 1: Re enter Maria.
• 1:08:15
  Speaker 4: Wilt thou set thy foot on my neck or myne
• 1:08:19
  Speaker 4: neither shall I play my freedom at trade trip and
• 1:08:23
  Speaker 4: become the bond slave.
• 1:08:26
  Speaker 8: Be faith or I either?
• 1:08:28
  Speaker 4: Why thou hast put him in such a dream that
• 1:08:32
  Speaker 4: when the image of it leaves him, he must run mad.
• 1:08:37
  Speaker 13: Nay, but say true doesn't work on him.
• 1:08:40
  Speaker 4: Like Aquavido with a midwife.
• 1:08:42
  Speaker 13: If you will then see the fruits of the sport,
• 1:08:44
  Speaker 13: mark his first approach before my lady. He will come
• 1:08:48
  Speaker 13: to her in yellow stockings and tis the color she abhors,
• 1:08:52
  Speaker 13: and cross guarded, a fashion she detests, and he will
• 1:08:57
  Speaker 13: smile upon her, which will now be so unsuitable to
• 1:09:01
  Speaker 13: her disposition, being addicted to a melancholy as she is,
• 1:09:05
  Speaker 13: that it cannot but turn him into a notable contempt.
• 1:09:08
  Speaker 13: If you will see it, follow me.
• 1:09:10
  Speaker 4: To the gates of Tartar thou most excellent devil of wit.
• 1:09:17
  Speaker 1: I'll make one too excellent.
• 1:09:21
  Speaker 10: End of scene five, end of.
• 1:09:23
  Speaker 1: Act two, Act three, Scene one, Olivia's garden, Enter, viola
• 1:09:33
  Speaker 1: and clown was a table.
• 1:09:35
  Speaker 12: Save thee friend and thy music. Dost thou live by
• 1:09:38
  Speaker 12: thy tabor?
• 1:09:39
  Speaker 11: No, sir, I live by the church.
• 1:09:42
  Speaker 12: Art thou a churchman?
• 1:09:44
  Speaker 11: No such matters, sir, I do live by the church.
• 1:09:46
  Speaker 11: For I do live at my house, and my house
• 1:09:48
  Speaker 11: doth stand by the church.
• 1:09:51
  Speaker 12: So thou mayst say the king lies by a beggar,
• 1:09:53
  Speaker 12: if a beggard well near him, or the church stands
• 1:09:56
  Speaker 12: by thy table, if thy tabor stands by the church.
• 1:09:59
  Speaker 11: You have said, sir, to see this age are sentences
• 1:10:03
  Speaker 11: but a cheerful glove to a good wit. How quickly
• 1:10:06
  Speaker 11: the wrong side may be turned outward?
• 1:10:08
  Speaker 12: Nay, that's certain. They that dally nicely with words may
• 1:10:12
  Speaker 12: quickly make them wanton.
• 1:10:14
  Speaker 11: I would therefore my sister had had no name, sir,
• 1:10:18
  Speaker 11: Why man, why sir? Her name's a word, and to
• 1:10:22
  Speaker 11: DELI with that word might make my sister wanton. But
• 1:10:25
  Speaker 11: indeed words are the very rascals, since bonds disgraced them.
• 1:10:29
  Speaker 12: Thy reason man troth, Sir.
• 1:10:32
  Speaker 11: I can yield you none without words, And words are
• 1:10:35
  Speaker 11: grown so false. I am loath to prove reason with them.
• 1:10:39
  Speaker 12: I warrant thou art a merry fellow and carest for nothing.
• 1:10:43
  Speaker 11: Not so, sir, I do care for something, But in
• 1:10:45
  Speaker 11: my conscience, sir, I would not care for you. If
• 1:10:49
  Speaker 11: that be to care for nothing, sir, I would it
• 1:10:52
  Speaker 11: would make you invisible.
• 1:10:54
  Speaker 12: Art, not thou the Lady Olivia's fool.
• 1:10:57
  Speaker 11: No, indeed, Sir, the Lady Olivia has no folly. She
• 1:11:00
  Speaker 11: will keep no fool, Sir, till she be married. And
• 1:11:04
  Speaker 11: fools are as like husbands as pilchards are to herrings,
• 1:11:07
  Speaker 11: the husbands the bigger. I am, indeed not her fool,
• 1:11:11
  Speaker 11: but her corruptor of words.
• 1:11:14
  Speaker 12: I saw thee late at Count Orsino's.
• 1:11:17
  Speaker 11: Foolery, Sir, does walk about the orb like the sun.
• 1:11:21
  Speaker 11: It shines everywhere. I would be sorry, sir, but the
• 1:11:24
  Speaker 11: fool should be as oft with your master as with
• 1:11:27
  Speaker 11: my mistress. I think I saw your wisdom there.
• 1:11:30
  Speaker 12: Nay Han thou pass upon me. Are no more with
• 1:11:33
  Speaker 12: thee hold that's expenses for thee.
• 1:11:36
  Speaker 11: Now, Jove in his next commodity of hair, send thee
• 1:11:40
  Speaker 11: a beard.
• 1:11:41
  Speaker 12: By my troth. I'll tell THEE I am almost sick
• 1:11:43
  Speaker 12: for one aside, though I would not have it grow
• 1:11:46
  Speaker 12: on my chin is thy lady within.
• 1:11:49
  Speaker 11: Would not a pair of these have bred.
• 1:11:52
  Speaker 12: Sir, Yes, being kept together and put to.
• 1:11:55
  Speaker 11: Use, I would play Lord Pandarus of Frigia, Sir, to
• 1:11:59
  Speaker 11: bring a Cristiane this troyless.
• 1:12:02
  Speaker 12: I understand you, sir, tis well begged.
• 1:12:05
  Speaker 11: The matter I hope is not great, sir, begging but
• 1:12:08
  Speaker 11: a beggar. Chresida was a beggar. My lady is within, Sir,
• 1:12:13
  Speaker 11: I will construe to them. Whence you come, who you
• 1:12:16
  Speaker 11: are and what you would are? Out of my welcome?
• 1:12:19
  Speaker 11: I might say element, but the word is overworn.
• 1:12:22
  Speaker 1: Exit.
• 1:12:24
  Speaker 12: This fellow is wise enough to play the fool, and
• 1:12:26
  Speaker 12: to do that well. Craves are kind of wit. He
• 1:12:29
  Speaker 12: must observe their mood, on whom he jests, the quality
• 1:12:32
  Speaker 12: of persons, and the time, And like the haggard, check
• 1:12:35
  Speaker 12: at every feather that comes before his eye. This is
• 1:12:38
  Speaker 12: a practice as full of labor as a wise man's art.
• 1:12:41
  Speaker 12: For folly that he wisely shows is fit. But wise
• 1:12:44
  Speaker 12: men folly fallen quite taint their wit.
• 1:12:49
  Speaker 1: Enter, Sir Toby, and Sir Andrew.
• 1:12:51
  Speaker 4: Save you gentlemen, and you, sir, do you a vocat
• 1:12:56
  Speaker 4: monsieur iv?
• 1:13:00
  Speaker 8: I hope, sir you are, and I am yours.
• 1:13:04
  Speaker 4: Will you encounter the house my niece as desiers You
• 1:13:08
  Speaker 4: should enter if your trade be to her.
• 1:13:11
  Speaker 12: I am bound to your niece, Sir, I mean she
• 1:13:13
  Speaker 12: is the list of my voyage.
• 1:13:15
  Speaker 4: Taste your legs, sir, put them to motion.
• 1:13:19
  Speaker 12: My legs. Do better understand me, sir, than I understand
• 1:13:21
  Speaker 12: what you mean by bidding me taste my legs.
• 1:13:24
  Speaker 4: I mean to go, Sir, to enter.
• 1:13:27
  Speaker 12: I will answer you with gate and entrance. But we are.
• 1:13:30
  Speaker 1: Prevented enter, Olivia and Maria.
• 1:13:34
  Speaker 12: Most excellent accomplished lady. The heavens rain odors on you
• 1:13:38
  Speaker 12: that you sir.
• 1:13:39
  Speaker 8: Rare courtier rain odors.
• 1:13:42
  Speaker 12: Well, my matter hath no voice, lady, but to your
• 1:13:46
  Speaker 12: own most pregnant and vouchsafed dear, who.
• 1:13:49
  Speaker 8: Does pregnant and vouchsafed. I'll get all three already.
• 1:13:56
  Speaker 7: Let the garden door be shut and leave me to my.
• 1:13:58
  Speaker 1: Hearing excent Sir Toby, Sir Andrew and Maria.
• 1:14:04
  Speaker 7: Give me your hand, Sir.
• 1:14:06
  Speaker 12: My duty, madam and most humble service.
• 1:14:09
  Speaker 7: What is your name?
• 1:14:11
  Speaker 12: Cesareo? Is your servant's name, fair princess.
• 1:14:14
  Speaker 7: My servant, Sir, twas never merry world, since lowly feigning
• 1:14:19
  Speaker 7: was called compliment. Your servant to the count Osino youth.
• 1:14:25
  Speaker 12: And he is yours and his must needs be yours.
• 1:14:28
  Speaker 12: Your servants servant is your servant, Madam.
• 1:14:30
  Speaker 7: For him, I think not on him, for his thoughts
• 1:14:34
  Speaker 7: would there were blanks rather than filled with me.
• 1:14:37
  Speaker 12: Madam, I come to wet your gentle thoughts on his behalf.
• 1:14:40
  Speaker 7: Oh, by your leave, I pray you. I bade you
• 1:14:43
  Speaker 7: never speak again of him? But would you undertake another suit?
• 1:14:47
  Speaker 7: I had rather hear you to solicit that than music
• 1:14:49
  Speaker 7: from the spheres. Dear lady, give me leave. Beseech you,
• 1:14:54
  Speaker 7: I did send after the last enchantment you did here
• 1:14:58
  Speaker 7: a ring in chase of you. So did I abuse
• 1:15:01
  Speaker 7: myself my servant? And I fear me you under your
• 1:15:06
  Speaker 7: hard construction? Must I sit to force that on you?
• 1:15:10
  Speaker 7: In a shameful cunning which you knew none of yours?
• 1:15:13
  Speaker 7: What might you think? Have you not set mine honor
• 1:15:17
  Speaker 7: at the stake and bated it with all the unmuzzled
• 1:15:20
  Speaker 7: thoughts that tyrannous heart can think to one of your
• 1:15:24
  Speaker 7: receiving enough is shown a cypress, not a bosom, hides
• 1:15:28
  Speaker 7: my heart. So let me hear you speak.
• 1:15:32
  Speaker 12: I pity you.
• 1:15:33
  Speaker 7: That's a degree to love.
• 1:15:35
  Speaker 12: No, not a grise, for tis a vulgar proof that
• 1:15:39
  Speaker 12: very oft we pity enemies.
• 1:15:41
  Speaker 7: Why then, methinks tis time to smile again, O world?
• 1:15:45
  Speaker 7: How apt the poor are to be proud? If one
• 1:15:48
  Speaker 7: should be a prey. How much the better to fall
• 1:15:51
  Speaker 7: before the lion than the wolf. The clock upbraids me
• 1:15:57
  Speaker 7: with the waste of time. Be not afraid, good youth,
• 1:16:01
  Speaker 7: I will not have you. And yet, when wit and
• 1:16:06
  Speaker 7: youth is come to harvest, your wife is like to
• 1:16:09
  Speaker 7: reap a proper man. There lies your way.
• 1:16:13
  Speaker 12: Do west, then westward, ho grace and good disposition, attend
• 1:16:18
  Speaker 12: your ladyship. You'll nothing, Madam, to my lord by.
• 1:16:21
  Speaker 7: Me, stay at prithee. Tell me what thou think'st of me?
• 1:16:26
  Speaker 12: That you do think you are not what you are?
• 1:16:29
  Speaker 7: If I think so, I think the same of you, then.
• 1:16:32
  Speaker 12: You think right? I am not what I am.
• 1:16:35
  Speaker 7: I would you were as I would have you be.
• 1:16:37
  Speaker 12: Would it be better, madam, than I am? I wish
• 1:16:40
  Speaker 12: it might. For now I am your fool.
• 1:16:43
  Speaker 7: Oh, what a deal of scorn looks beautiful in the
• 1:16:46
  Speaker 7: contempt and anger of his lip. A murderous guilt shows
• 1:16:50
  Speaker 7: not itself more soon than love that would seem hid.
• 1:16:54
  Speaker 7: Love's night is noon Caesareo, by the roses of the spring,
• 1:17:01
  Speaker 7: by maidenhood, honor, truth and everything. I love thee, so
• 1:17:07
  Speaker 7: that maugre all thy pride, nor wit nor reason can
• 1:17:11
  Speaker 7: my passion hide. Do not extort thy reason from this clause,
• 1:17:16
  Speaker 7: for that I woo Thou therefore hast no cause, but
• 1:17:20
  Speaker 7: rather reason. Thus with reason fetter. Love. Sought is good,
• 1:17:25
  Speaker 7: but given unsought is better.
• 1:17:28
  Speaker 12: By innocence, I swear and by my youth, I have
• 1:17:31
  Speaker 12: one heart, one bosom, and one truth, and that no
• 1:17:35
  Speaker 12: woman has, nor ever none shall mistress be of it
• 1:17:38
  Speaker 12: save I alone. And so adieu, good madam. Never more
• 1:17:42
  Speaker 12: will I my master's tears to you deplore.
• 1:17:44
  Speaker 7: Yet come again, for thou perhaps mayst move that heart
• 1:17:48
  Speaker 7: which now abhors to like his love.
• 1:17:53
  Speaker 1: Excient end of scene one, Scene two, Olivia's house. Enter,
• 1:18:02
  Speaker 1: Sir Toby, Sir Andrew, and Fabian.
• 1:18:06
  Speaker 8: No faith.
• 1:18:07
  Speaker 4: I'll not stay at jot longer thy reason. Dear Venom,
• 1:18:11
  Speaker 4: give thy reason.
• 1:18:14
  Speaker 10: You must needs yield your reason, Sir.
• 1:18:16
  Speaker 8: Andrew, Mary, I saw your niece do more favors to
• 1:18:20
  Speaker 8: the Count's serving man than ever she bestowed upon me.
• 1:18:24
  Speaker 8: I saw to the orchard.
• 1:18:26
  Speaker 4: Did she see thee the while?
• 1:18:27
  Speaker 8: Old boy? Tell me that as clean as I see
• 1:18:31
  Speaker 8: you now, this was a.
• 1:18:32
  Speaker 10: Great argument of love in her toward.
• 1:18:34
  Speaker 8: You, slight. Will you make a mess of me?
• 1:18:38
  Speaker 10: I will prove it legitimate, sir, upon the oaths of
• 1:18:41
  Speaker 10: judgment and reason.
• 1:18:43
  Speaker 4: And they have been grand journeymen since before Noah and
• 1:18:47
  Speaker 4: the sailor.
• 1:18:48
  Speaker 10: She did show favor to the youth in your sight,
• 1:18:51
  Speaker 10: only to exasperate you to awake your dormouse valor, to
• 1:18:55
  Speaker 10: put fire in your heart and brimstone in your liver.
• 1:18:59
  Speaker 10: You should then have a costator, and with some excellent jests,
• 1:19:03
  Speaker 10: fire anew from the mint. You should have banged the
• 1:19:06
  Speaker 10: youth into dumbness. This was looked for at your hand,
• 1:19:09
  Speaker 10: and this was bolt the double guilt of this opportunity.
• 1:19:13
  Speaker 10: You let time wash off, and you are now sailed
• 1:19:16
  Speaker 10: into the north of my lady's opinion, where you will
• 1:19:18
  Speaker 10: hang like an icicle on the Dutchman's beard, unless you
• 1:19:22
  Speaker 10: do redeem it by some laudable attempt at either valor
• 1:19:25
  Speaker 10: or policy.
• 1:19:26
  Speaker 8: And anyway it must be with valor. For policy, I hate.
• 1:19:30
  Speaker 8: I could just leave be a brownis to s a politician.
• 1:19:34
  Speaker 4: Why then build me thy fortunes upon the basis of valor.
• 1:19:40
  Speaker 4: Challenge me with the country's youth, to fight with him,
• 1:19:43
  Speaker 4: hurt him in eleven places. My niece shall take note
• 1:19:47
  Speaker 4: of it and assure thyself. There is no love broker
• 1:19:51
  Speaker 4: in the world can more prevail in man's commendation with
• 1:19:55
  Speaker 4: women than report a valor.
• 1:19:59
  Speaker 10: There is no way but this, Sir Andrew Elith.
• 1:20:03
  Speaker 8: If you bear me a challenge to him, go write
• 1:20:07
  Speaker 8: it in a martial hand. Be cursed and brief it is,
• 1:20:12
  Speaker 8: no matter how witty, So it be eloquent and full
• 1:20:16
  Speaker 8: of invention.
• 1:20:17
  Speaker 4: Taunt him with the license of ink. If thou thou
• 1:20:22
  Speaker 4: hast him some thrice, it shall not be amiss. And
• 1:20:26
  Speaker 4: as many lies as will lie in thy sheet of paper,
• 1:20:31
  Speaker 4: although the sheet were big enough for the bed of
• 1:20:34
  Speaker 4: where in England set them down?
• 1:20:38
  Speaker 2: Go about it.
• 1:20:40
  Speaker 4: Let there be gall enough in thy ink, though thou
• 1:20:44
  Speaker 4: write with a goose pen, No matter about it. Where
• 1:20:48
  Speaker 4: should I find you, We'll call thee at the cubiculo.
• 1:20:52
  Speaker 1: Go exit, Sir Andrew.
• 1:20:55
  Speaker 4: This is a dear mannikin of you, Sir Toby, I
• 1:20:57
  Speaker 4: have been dear to him lad some two strong or so.
• 1:21:01
  Speaker 10: We shall have a rare letter of him, but you'll
• 1:21:04
  Speaker 10: not deliver it.
• 1:21:06
  Speaker 4: Never trust me, then, and by all means, stir on
• 1:21:09
  Speaker 4: the youth to an answer. I think oxen and wain
• 1:21:13
  Speaker 4: ropes cannot hail them together. For Andrew, if he were opened,
• 1:21:18
  Speaker 4: and you find so much blood in his liver as
• 1:21:21
  Speaker 4: will clog the foot of a flea, I'll eat the
• 1:21:24
  Speaker 4: rest of the anatomy.
• 1:21:26
  Speaker 10: And his opposite, the youth bears in his visage no
• 1:21:29
  Speaker 10: great presage of cruelty.
• 1:21:31
  Speaker 4: Look where the youngest wren of the nine comes, And
• 1:21:35
  Speaker 4: to Maria.
• 1:21:37
  Speaker 13: If you desire the spleen, and will laugh yourself into stitches,
• 1:21:41
  Speaker 13: follow me yond gull. Malvolio is turned heathen, a very renegado.
• 1:21:46
  Speaker 13: For there is no Christian that means to be saved
• 1:21:49
  Speaker 13: by believing rightly? Can ever believe such impossible passages of grossness.
• 1:21:54
  Speaker 13: He's in yellow.
• 1:21:55
  Speaker 4: Stockings and cross, guarded.
• 1:21:57
  Speaker 13: Most villainously, like a pedant. If the school of the
• 1:22:00
  Speaker 13: Church I have dogged him like his murderer. He does
• 1:22:04
  Speaker 13: obey every point of the letter that I dropped to
• 1:22:07
  Speaker 13: betray him. He does smile his face into more lines
• 1:22:10
  Speaker 13: than is in the new map with the augmentation of
• 1:22:12
  Speaker 13: the indies. You've not seen such a thing as tis.
• 1:22:16
  Speaker 13: I can hardly forbear hurling things at him. I know
• 1:22:19
  Speaker 13: my lady will strike him. If she do, he'll smile
• 1:22:21
  Speaker 13: and take it for a great favor.
• 1:22:23
  Speaker 4: Come, bring us, Bring us where he is excient.
• 1:22:32
  Speaker 1: End of scene two, Scene three a street, enter Sebastian
• 1:22:41
  Speaker 1: and Antonia.
• 1:22:43
  Speaker 2: I would not, by my will, have troubled to you.
• 1:22:45
  Speaker 17: But since you make your pleasure of your pains, I
• 1:22:47
  Speaker 17: will no further chide you.
• 1:22:49
  Speaker 4: I could not stay behind you. My desire, more sharp
• 1:22:52
  Speaker 4: than filed steel, did spur me forth, and not all
• 1:22:57
  Speaker 4: love to see you, though so much as might have
• 1:23:00
  Speaker 4: drawn one to a longer voyage, But jealousy what might
• 1:23:04
  Speaker 4: be for your travel? Being skillless in these parts which
• 1:23:08
  Speaker 4: to a stranger, unguided and unbefriended, often prove rough and unhospitable.
• 1:23:14
  Speaker 4: My willing love the rather by these arguments of fear
• 1:23:18
  Speaker 4: set forth in your.
• 1:23:19
  Speaker 17: Pursuit, my kind Antonio, I can no other answer make
• 1:23:24
  Speaker 17: but thanks and thanks, and ever oft good returns are
• 1:23:28
  Speaker 17: shuffled off with such uncurrent pay. But were my worth,
• 1:23:32
  Speaker 17: as is my conscience, firm, you should find better dealing.
• 1:23:36
  Speaker 6: What's to do?
• 1:23:37
  Speaker 17: Shall we go see the relics of this town tomorrow?
• 1:23:40
  Speaker 8: Sir?
• 1:23:40
  Speaker 4: Best? First go see your lodging.
• 1:23:44
  Speaker 17: I am not weary, and it is long tonight. I
• 1:23:47
  Speaker 17: pray you let us satisfy our eyes with the memorials
• 1:23:49
  Speaker 17: of the things of fame that do renown this city.
• 1:23:53
  Speaker 4: Would you pardon me? I do not without danger walk
• 1:23:56
  Speaker 4: these streets. Once in a sea fight against the count
• 1:24:00
  Speaker 4: his galleys, I did some service of such. Note indeed,
• 1:24:04
  Speaker 4: that were I tain here, it would scarce be answered.
• 1:24:10
  Speaker 17: They like you still a great number of his people.
• 1:24:12
  Speaker 4: The offense is not of such a bloody nature. Albeit
• 1:24:16
  Speaker 4: the quality of the time and quarrel might well have
• 1:24:19
  Speaker 4: given us bloody argument. It might have since been answered
• 1:24:24
  Speaker 4: in repaying what we took from them, which, for traffic's
• 1:24:28
  Speaker 4: sake most of our city did only myself stood out,
• 1:24:32
  Speaker 4: for which if I be lapsed in this place, I
• 1:24:37
  Speaker 4: shall pay.
• 1:24:38
  Speaker 17: Dear Ah, do not then walk too open.
• 1:24:41
  Speaker 4: It doth not fit me whole, sir. Here's my purse
• 1:24:46
  Speaker 4: in the south suburbs at the elephant is the best
• 1:24:49
  Speaker 4: to lodge. I will bespeak your diet whilst you beguile
• 1:24:53
  Speaker 4: the time, and feed your knowledge with viewing of the town.
• 1:24:57
  Speaker 4: There shall you have me?
• 1:25:00
  Speaker 2: Why are your purse haply?
• 1:25:02
  Speaker 4: Or I shall light upon some toy you have desire
• 1:25:06
  Speaker 4: to purchase, And your store, I think is not for
• 1:25:10
  Speaker 4: idle markets, Sir.
• 1:25:12
  Speaker 17: I'll be your purse bear and leave you for an
• 1:25:14
  Speaker 17: hour two the elephants, I do remember, excillant.
• 1:25:23
  Speaker 1: End of scene three, Scene four, Olivia's garden, and to
• 1:25:31
  Speaker 1: Olivia and Maria.
• 1:25:33
  Speaker 7: I have sent after him. He says, he'll come. How
• 1:25:36
  Speaker 7: shall I feast him? What bestow of him? For youth
• 1:25:39
  Speaker 7: is bought more oft than begged borrowed. I speak too loud.
• 1:25:44
  Speaker 7: Where is Malvolio? He is sad and civil and suits
• 1:25:48
  Speaker 7: well for a servant with my fortunes. Where is Malvolio?
• 1:25:53
  Speaker 13: He is coming, Madam, but in very strange manner. He
• 1:25:57
  Speaker 13: is sure possessed, Madam.
• 1:25:59
  Speaker 7: Why what's the matter does he rave?
• 1:26:02
  Speaker 13: No? Madam? He does nothing but smile. And your ladyship
• 1:26:06
  Speaker 13: were better have some guard about you. If he come,
• 1:26:08
  Speaker 13: for sure, the man's tainted and his wits.
• 1:26:11
  Speaker 7: Go call him hither exit Maria. I am as mad
• 1:26:15
  Speaker 7: as he. If sad and merry madness equal, be.
• 1:26:19
  Speaker 1: Re enter Maria with melviolio?
• 1:26:22
  Speaker 7: How now, melviolio?
• 1:26:24
  Speaker 9: Sweet lady, Ho.
• 1:26:26
  Speaker 7: Ho smilest thou I sent for thee upon a sad occasion.
• 1:26:32
  Speaker 9: Sad Lady, I could be sad. This does make some
• 1:26:38
  Speaker 9: obstruction in the blood. This cross gartering all? But what
• 1:26:44
  Speaker 9: of that? If it please the eye of one? It
• 1:26:48
  Speaker 9: is with me as the very true sonnet is, Please
• 1:26:53
  Speaker 9: one and please all.
• 1:26:55
  Speaker 7: Why how dost thou man, what is the matter with thee?
• 1:27:00
  Speaker 9: Not black in my mind, though yellow in my legs?
• 1:27:05
  Speaker 9: It did come to his hands and commands shall be executed.
• 1:27:12
  Speaker 9: I think we do know the sweet Roman hand.
• 1:27:17
  Speaker 7: Wilt thou go to bed Malvoleo, to.
• 1:27:19
  Speaker 9: Bed, I sweetheart, and I'll come to THEE.
• 1:27:26
  Speaker 7: God comfort thee. Why dost thou smile so and kiss
• 1:27:29
  Speaker 7: thy hand so oft?
• 1:27:31
  Speaker 9: How do you, Malvolio at your request? Yes, Nightingales, answer Dawes.
• 1:27:40
  Speaker 13: Why appear you with this ridiculous boldness before my lady?
• 1:27:44
  Speaker 9: Be not afraid of greatness? Twas well?
• 1:27:48
  Speaker 7: Writ what means thou by that, Malvoleo?
• 1:27:52
  Speaker 9: Some are born great hah, Some achieve greatness, what sayest thou?
• 1:28:01
  Speaker 9: And some have greatness thrust upon them?
• 1:28:05
  Speaker 7: Heaven restore thee.
• 1:28:07
  Speaker 9: Remember who commended thy yellow stockings, Thy yellow stockings, And
• 1:28:14
  Speaker 9: wish to see thee cross guarded, cross guarded, Go too,
• 1:28:21
  Speaker 9: Thou art made, if thou desirest to be so?
• 1:28:25
  Speaker 7: Am I made?
• 1:28:27
  Speaker 9: If not, let me see thee a servant.
• 1:28:31
  Speaker 7: Still, Why this is very midsummer Madness and her servant.
• 1:28:38
  Speaker 11: Madam, the young gentleman of the count Lsinos is returned.
• 1:28:42
  Speaker 11: I could hardly entreat him back. He attends to your
• 1:28:44
  Speaker 11: ladyship's pleasure.
• 1:28:46
  Speaker 7: I'll come to him. Exit, servant, Good Mariah, Let this
• 1:28:50
  Speaker 7: fellow be looked to. Where's my cousin, Toby. Let some
• 1:28:54
  Speaker 7: of my people have a special care of him. I
• 1:28:56
  Speaker 7: would not have him miscarry for the half of my dowry.
• 1:29:00
  Speaker 1: Excant Olivia and Maria.
• 1:29:04
  Speaker 9: Oh do you come near me now? Oh? No worse
• 1:29:09
  Speaker 9: man than Sir Toby to look to me. This concurs
• 1:29:14
  Speaker 9: directly with a letter she sends him on purpose that
• 1:29:18
  Speaker 9: I may appear stubborn to him, for she incites me
• 1:29:23
  Speaker 9: to that in the letter. Cast thy humble slow, she says,
• 1:29:28
  Speaker 9: be opposite with kinsmen, surly with servants. Let thy tongue
• 1:29:32
  Speaker 9: tang with arguments of state. Put thyself into the trick
• 1:29:36
  Speaker 9: of singularity, and consequently sets down the matter. How as
• 1:29:41
  Speaker 9: a sad face a reverend carriage a slow tongue in
• 1:29:45
  Speaker 9: the habit of some sir of note, and so forth,
• 1:29:49
  Speaker 9: I have limed her. But it is Jove's doing, And
• 1:29:52
  Speaker 9: Jove make me thankful, and when she went away. Now,
• 1:29:57
  Speaker 9: let this fellow be looked to fellow, Not Malfolio, nor
• 1:30:04
  Speaker 9: after my degree, but fellow. Why everything adheres together? There's
• 1:30:11
  Speaker 9: no drama of a scruple, no scruple of a scruple,
• 1:30:14
  Speaker 9: no obstacle, no incredulous or unsafe circumstance. What can be said,
• 1:30:21
  Speaker 9: Nothing that can be can come between me and the
• 1:30:25
  Speaker 9: full prospect of my hopes. Well, Jove, not I is
• 1:30:30
  Speaker 9: the doer of this, and he is to be thanked.
• 1:30:34
  Speaker 1: Re enter Maria with Sir Toby and Fabian.
• 1:30:38
  Speaker 4: Which way is he in the name of sanctity? If
• 1:30:41
  Speaker 4: all the devils of hell be drawn in little the
• 1:30:44
  Speaker 4: legion himself possessed him? Yet I'll speak to him here?
• 1:30:49
  Speaker 10: He is here? He is? How ist with you, sir?
• 1:30:54
  Speaker 10: How is ist with you? Man?
• 1:30:56
  Speaker 9: Go off? I discard you, Let me enjoy my private
• 1:31:02
  Speaker 9: go off?
• 1:31:03
  Speaker 13: Lo How hollow the fiend speaks within him? Did I
• 1:31:06
  Speaker 13: not tell you, Sir Toby? My lady prays you to
• 1:31:09
  Speaker 13: have a care of him. Ah?
• 1:31:11
  Speaker 4: Does she so go to go to peace?
• 1:31:14
  Speaker 11: Peace?
• 1:31:15
  Speaker 4: We must deal gently with him? Let me alone? How
• 1:31:22
  Speaker 4: do you malvolio. How is it with you? What man
• 1:31:28
  Speaker 4: defy the devil? Consider he's an enemy to mankind?
• 1:31:33
  Speaker 9: Do you know what you say?
• 1:31:37
  Speaker 13: Lie you and you speak ill of the devil? How
• 1:31:39
  Speaker 13: he takes it at heart? Pray God, he be not bewitched.
• 1:31:42
  Speaker 13: My lady would not lose him for more than I'll say.
• 1:31:44
  Speaker 9: Ow now, mistress.
• 1:31:46
  Speaker 4: Oh lord, prettee, hold thy peace. This is not the way.
• 1:31:52
  Speaker 4: Do you not see you?
• 1:31:53
  Speaker 8: Move him?
• 1:31:54
  Speaker 4: Let me alone with him?
• 1:31:57
  Speaker 10: No way but gentleness, gently, gently? The fiend is rough
• 1:32:03
  Speaker 10: and will not be roughly used.
• 1:32:05
  Speaker 4: Why how now, my ballcock, how dost thou chuck? Sir
• 1:32:11
  Speaker 4: ah bity come with me? What man? Tis not for
• 1:32:15
  Speaker 4: gravity to play at cherry pitt with satan? Hang him,
• 1:32:20
  Speaker 4: foul Collier.
• 1:32:21
  Speaker 13: Get him to say his prayers, good Sir Toby.
• 1:32:23
  Speaker 9: Get him to pray by prayers, Minx, no.
• 1:32:27
  Speaker 13: I warrant you he will not hear of godliness.
• 1:32:29
  Speaker 9: Go hang yourselves. All you are idle, shallow things. I
• 1:32:35
  Speaker 9: am not of your element. You shall know more hereafter exit.
• 1:32:42
  Speaker 10: Is it possible if this were played upon a stage?
• 1:32:46
  Speaker 8: Now?
• 1:32:47
  Speaker 10: I would condemn it as an improbable fiction.
• 1:32:50
  Speaker 4: His very genius hath taken the infection of the device.
• 1:32:53
  Speaker 13: Man nay pursue him. Now, let the device take air
• 1:32:57
  Speaker 13: and taint.
• 1:32:59
  Speaker 10: We shall make him mad.
• 1:33:00
  Speaker 13: Indeed the house will be the quieter.
• 1:33:04
  Speaker 4: Come we'll have him in the dark room and bound.
• 1:33:08
  Speaker 4: My niece is already in the belief that he's mad.
• 1:33:13
  Speaker 4: We may carry it thus for our pleasures and his
• 1:33:17
  Speaker 4: penance till our very pastime. Tired out of breath, prompt
• 1:33:23
  Speaker 4: us as to have mercy with him, at which time
• 1:33:27
  Speaker 4: he will bring the device to the bar and crown
• 1:33:31
  Speaker 4: thee for a finder of the madmen.
• 1:33:34
  Speaker 10: But see, but see enter, sir Andrew, more matter for
• 1:33:39
  Speaker 10: a may morning.
• 1:33:41
  Speaker 8: Here's the challenge. Read it. I warrant this spinnegar and
• 1:33:45
  Speaker 8: pepperint is so saucy hi ist I warrant him do.
• 1:33:51
  Speaker 4: But read give me reads, youth, whatsoever thou art. Thou
• 1:33:59
  Speaker 4: art but a a scurvy fellow, good and valiant? Reads,
• 1:34:07
  Speaker 4: wonder not nor admire not in thy mind why I
• 1:34:12
  Speaker 4: do call THEE so, for I will show THEE no
• 1:34:16
  Speaker 4: reason for it.
• 1:34:17
  Speaker 10: A good note that keeps you from the blow of
• 1:34:20
  Speaker 10: the law.
• 1:34:22
  Speaker 4: Reads Thou comest to THEE, Lady Olivia, And in my
• 1:34:27
  Speaker 4: sight she uses THEE kindly. But thou livest in thy throat.
• 1:34:34
  Speaker 4: That is not the matter. I challenge THEE four.
• 1:34:38
  Speaker 10: Very brief and to exceeding good sense, less reads.
• 1:34:45
  Speaker 4: I will waylay thee going home where if it be
• 1:34:49
  Speaker 4: thy chance to kill me good reads, thou killest me
• 1:34:55
  Speaker 4: like a rogue and a villain.
• 1:34:57
  Speaker 10: Still you keep both win these the law.
• 1:35:01
  Speaker 4: Good reads, fare thee well, and God have mercy upon
• 1:35:07
  Speaker 4: one of our souls. He may have mercy upon mine,
• 1:35:10
  Speaker 4: But my hope is better. And so look to thyself,
• 1:35:17
  Speaker 4: thy friend, as thou usest him, and thy sworn enemy,
• 1:35:23
  Speaker 4: Andrew eggy cheek. If this letter move him, not his
• 1:35:28
  Speaker 4: legs cannot, I'll give it him.
• 1:35:30
  Speaker 13: You may have very fit occasion for it. He is
• 1:35:33
  Speaker 13: now in some commerce with my lady, and will buy
• 1:35:35
  Speaker 13: and buy, depart, Go.
• 1:35:37
  Speaker 4: Sir, Andrew, scout me for him at the corner of
• 1:35:40
  Speaker 4: the orchard like a bumbelly. So soon as ever thou
• 1:35:44
  Speaker 4: seest him draw, and as thou drawest, swear horrible. For
• 1:35:49
  Speaker 4: it comes to pass off that a terrible oath with
• 1:35:52
  Speaker 4: a swaggering accent, sharply twanged off, gives manhood more approbation
• 1:35:58
  Speaker 4: than ever good proof itself would have earned him.
• 1:36:01
  Speaker 8: Away, Nay, let me alone for swearing.
• 1:36:06
  Speaker 4: Exit now, will not I deliver this letter, for the
• 1:36:10
  Speaker 4: behavior of the young gentleman gives him out to be
• 1:36:13
  Speaker 4: of good capacity, and breeding his employment between his lord
• 1:36:18
  Speaker 4: and my niece confirms no less. Therefore, this letter, being
• 1:36:22
  Speaker 4: so excellently ignorant, will breed no terror in the youth.
• 1:36:27
  Speaker 4: He will find it comes from a clogpole. But Sir,
• 1:36:32
  Speaker 4: I will deliver his challenge by word of mouth, set
• 1:36:36
  Speaker 4: upon egerchek a notable report of valor and drive. The gentleman,
• 1:36:41
  Speaker 4: as I know his youth, will aptly receive it into
• 1:36:44
  Speaker 4: a most hideous opinion of his rage, skill, fury, and impetuosity.
• 1:36:51
  Speaker 4: This will so frighten them both that they will kill
• 1:36:55
  Speaker 4: one another by the look like Cockatrice's re enter.
• 1:36:59
  Speaker 2: Olivia Viola, Here he comes with your niece.
• 1:37:03
  Speaker 10: Give him way until he take leave, and presently after him.
• 1:37:08
  Speaker 4: I will mediate the while upon some horrid message for
• 1:37:11
  Speaker 4: a challenge.
• 1:37:13
  Speaker 1: Excellent, Sir Toby, Fabian and Maria, I have.
• 1:37:16
  Speaker 7: Said too much unto a heart of stone, and laid
• 1:37:20
  Speaker 7: mine honor too uncharry out. There's something in me that
• 1:37:24
  Speaker 7: reproves my fault. But such a headstrong potent fault. It
• 1:37:28
  Speaker 7: is that it but marks reproof with the.
• 1:37:31
  Speaker 12: Same behavior that your passion bears, goes on my master's grief.
• 1:37:36
  Speaker 7: Here wear this jewel for me? Tis my picture? Refuse it?
• 1:37:41
  Speaker 7: Not it? Hath no tongue to vex you? And I
• 1:37:45
  Speaker 7: beseech you come again tomorrow. What shall you ask of
• 1:37:48
  Speaker 7: me that I'll deny? That honor saved? May upon asking give.
• 1:37:53
  Speaker 12: Nothing but this your true love for my master?
• 1:37:57
  Speaker 7: How with mine honor? May I give him that which
• 1:37:59
  Speaker 7: I have given to you? I will acquit you well,
• 1:38:03
  Speaker 7: Come again tomorrow. Fare thee well. A fiend like THEE
• 1:38:08
  Speaker 7: might bear my soul to Hell.
• 1:38:11
  Speaker 1: Exit re enter, Sir Toby and Fabian.
• 1:38:15
  Speaker 4: Gentlemen, God save thee and you, sir, that defense. Thou
• 1:38:20
  Speaker 4: hast betake thee to it? Of what nature the wrongs
• 1:38:25
  Speaker 4: are that thou hast done him? I know not, But
• 1:38:28
  Speaker 4: thy interceptor full of despite bloody as the hunter attends
• 1:38:34
  Speaker 4: thee at the orchard end, dismount thy tucke beyere in.
• 1:38:39
  Speaker 4: Thy preparation for thy assailant is quick, skillful, and deadly.
• 1:38:44
  Speaker 12: You mistake, sir. I am sure no man have any
• 1:38:46
  Speaker 12: quarrel to me. My remembrance is very free and clear
• 1:38:49
  Speaker 12: from any image of offence downe to any man.
• 1:38:52
  Speaker 4: You'll find it otherwise, I assure you. Therefore, if you
• 1:38:56
  Speaker 4: hold your life in any price, betake you to your
• 1:39:00
  Speaker 4: God for your opposite. Hath in him what youth, strength,
• 1:39:05
  Speaker 4: skill and wrath can furnish man withal?
• 1:39:08
  Speaker 12: I pray you, sir, what is he?
• 1:39:11
  Speaker 4: He is a knight dubbed with an unhatched rapier and
• 1:39:15
  Speaker 4: on carpet consideration. But he is a devil in private brawl,
• 1:39:21
  Speaker 4: souls and bodies. Hath he divorced three? And his insentiment
• 1:39:26
  Speaker 4: at the moment is so implacable that satisfaction can be
• 1:39:31
  Speaker 4: none but pangs of death and sepulcher hobnob is his word?
• 1:39:36
  Speaker 4: Give it or take it?
• 1:39:38
  Speaker 12: I will return again into the house and desire some
• 1:39:40
  Speaker 12: conduct of the lady. I am no fighter. I have
• 1:39:44
  Speaker 12: heard of some kind of men that put quarrels purposely
• 1:39:46
  Speaker 12: on others to taste their valor. But like this is
• 1:39:49
  Speaker 12: a man of a quirk, Sir.
• 1:39:51
  Speaker 4: No, his indignation derives itself out of a very competent injury. Therefore,
• 1:39:57
  Speaker 4: get you on and give him his disease back. You
• 1:40:01
  Speaker 4: shall not be to the house unless you undertake that
• 1:40:04
  Speaker 4: with me, which with as much safety as you might
• 1:40:07
  Speaker 4: answer him. Therefore on or strip your sword stark naked
• 1:40:13
  Speaker 4: for a metal you must, that's certain, or for swear
• 1:40:18
  Speaker 4: to wear iron about you.
• 1:40:20
  Speaker 12: This is as uncivil as strange. I beseech you do
• 1:40:23
  Speaker 12: me this courteous office as to know of the night
• 1:40:25
  Speaker 12: what my offense to him is. It is something of
• 1:40:27
  Speaker 12: my negligence, nothing of my purpose.
• 1:40:29
  Speaker 4: I will do so, Senor Fabian. Stay you by this,
• 1:40:33
  Speaker 4: gentleman till my return exit.
• 1:40:36
  Speaker 12: Pray you, sir, do you know of this matter?
• 1:40:39
  Speaker 10: I know the night is incensed against you, even to
• 1:40:42
  Speaker 10: a mortal arbitrament, but nothing other circumstance.
• 1:40:45
  Speaker 12: More, I beseech you what manner of man is he?
• 1:40:48
  Speaker 10: Nothing of that wonderful promise to read him by his
• 1:40:51
  Speaker 10: form as you are like to find him. In the
• 1:40:53
  Speaker 10: proof of his valor. He is, indeed, sir, the most skillful,
• 1:40:57
  Speaker 10: bloody and fatal opposite that you could possibly have found
• 1:41:00
  Speaker 10: in any part of Oliria. Will you walk towards him?
• 1:41:03
  Speaker 10: I will make your peace with him if I can.
• 1:41:05
  Speaker 12: I shall be much bound to you for it. I
• 1:41:08
  Speaker 12: am one that had rather go with sir Priest than
• 1:41:09
  Speaker 12: sir Knight, I care not who knows so much of
• 1:41:12
  Speaker 12: my metal?
• 1:41:13
  Speaker 1: Excient re enter Sir Toby with Sir Andrew.
• 1:41:19
  Speaker 4: Why, man, he's a very devil. I have not seen
• 1:41:22
  Speaker 4: such a firago. I had passed with him rapier, scabbard
• 1:41:26
  Speaker 4: and all. And he gives me the stuck in with
• 1:41:29
  Speaker 4: such a mortal notion that it is inevitable. And and
• 1:41:33
  Speaker 4: on the answer he pays you as surely as your
• 1:41:36
  Speaker 4: feet hit the ground they step on. They say that
• 1:41:40
  Speaker 4: he has been fencer to the sofie fox shant.
• 1:41:43
  Speaker 8: I'll not meddle with.
• 1:41:45
  Speaker 4: Him, aye, but he will not now be pacified. Fabian
• 1:41:50
  Speaker 4: can scarce hold him yonder play gaunt?
• 1:41:54
  Speaker 8: And I thought he'd been valiant and so cunning infance.
• 1:41:58
  Speaker 8: I'd have seen hint that there. I'd have challenged him.
• 1:42:02
  Speaker 8: Let him let the matter stip, and I'll give him
• 1:42:04
  Speaker 8: my horse, great cap in it.
• 1:42:07
  Speaker 4: I'll make the motion stand here a good show of it.
• 1:42:12
  Speaker 4: This shall end without the perdition of souls aside, Marry,
• 1:42:17
  Speaker 4: I'll ride your horse as well as I can ride you.
• 1:42:22
  Speaker 1: Re enter Fabian and viola to Fabian.
• 1:42:26
  Speaker 4: I have his horse to take up the quarrel. I
• 1:42:29
  Speaker 4: have persuaded him. The youth's a devil.
• 1:42:33
  Speaker 10: He is as horribly conceited of him and pants, and
• 1:42:36
  Speaker 10: looks pale as if a bear were at his heels.
• 1:42:40
  Speaker 4: Tavola, there's no remedy, sir. He will fight with you
• 1:42:44
  Speaker 4: for an oath's sake. Marry He hath better bethought him
• 1:42:48
  Speaker 4: of his quarrel, and he finds that now scarce to
• 1:42:52
  Speaker 4: be worth talking of. Therefore draw for the supportance of
• 1:42:56
  Speaker 4: his vow. He protests, he will not hurt you.
• 1:43:00
  Speaker 12: You aside, pray God defend me. Our little thing would
• 1:43:05
  Speaker 12: make me tell them how much I lack of a man.
• 1:43:07
  Speaker 4: Give ground. If you see him furious, Come, sir, Andrew.
• 1:43:11
  Speaker 4: There's no remedy. This gentleman will, for his honor's sake,
• 1:43:16
  Speaker 4: have one bout with you. He cannot, by the dwell
• 1:43:19
  Speaker 4: or avoid it, but he has promised me as he
• 1:43:23
  Speaker 4: is a gentleman and a soldier, he will not hurt you.
• 1:43:27
  Speaker 4: Come on to it.
• 1:43:29
  Speaker 8: Pray God he keeps his oath.
• 1:43:32
  Speaker 12: I do assure you 'tis against my will.
• 1:43:35
  Speaker 1: They drool. Enter Antonio, put up your sword.
• 1:43:39
  Speaker 4: If this young gentleman have done offense.
• 1:43:42
  Speaker 19: I take the fault on me if you offend him,
• 1:43:46
  Speaker 19: I for him, defy you, you, sir, Why what are
• 1:43:51
  Speaker 19: you one, sir, that for his love dares yet do
• 1:43:56
  Speaker 19: more than you have heard him brag to you?
• 1:43:59
  Speaker 4: He will nay if you be an undertaker. I am
• 1:44:03
  Speaker 4: for you.
• 1:44:04
  Speaker 10: They draw enter officers, Oh good, sir, to behold, here
• 1:44:09
  Speaker 10: come the officers.
• 1:44:11
  Speaker 4: I'll be with you, Anon.
• 1:44:13
  Speaker 12: Prissa, put your sword up if you.
• 1:44:15
  Speaker 8: Please, Mary will I sir? And for that I promised you,
• 1:44:19
  Speaker 8: I'll be as good as my word. He will bear
• 1:44:21
  Speaker 8: you easily and reigns well.
• 1:44:25
  Speaker 7: This is the man.
• 1:44:26
  Speaker 13: Do thy office, Antonio, I arrest thee at the suit
• 1:44:30
  Speaker 13: of Count Rosino.
• 1:44:31
  Speaker 4: You do mistake me.
• 1:44:33
  Speaker 2: Sir, No, sir, no jot.
• 1:44:35
  Speaker 14: I know your favor well, though now you have no
• 1:44:38
  Speaker 14: sea cap on your head. Take him away.
• 1:44:40
  Speaker 7: He knows I know him well.
• 1:44:42
  Speaker 2: I must obey to viola.
• 1:44:45
  Speaker 4: This comes with seeking you, but there's no remedy. I
• 1:44:49
  Speaker 4: shall answer it. What will you do now? My necessity
• 1:44:54
  Speaker 4: makes me to ask you for my purse. It grieves
• 1:44:58
  Speaker 4: me much more for what I cannot do for you?
• 1:45:01
  Speaker 1: Then?
• 1:45:02
  Speaker 4: What befalls myself? You stand amazed, but be of comfort.
• 1:45:08
  Speaker 11: Come sir away I must.
• 1:45:11
  Speaker 4: Entreat of you some of that money.
• 1:45:13
  Speaker 12: What money, sir, for the fair kindness you have showed
• 1:45:17
  Speaker 12: me here, and part, being prompted by your present trouble,
• 1:45:20
  Speaker 12: out of my lean and low ability, I'll lend you something.
• 1:45:22
  Speaker 12: My having is not much. I'll make division of my
• 1:45:25
  Speaker 12: present with you. Hold there's half my coffer.
• 1:45:28
  Speaker 4: Will you deny me?
• 1:45:29
  Speaker 16: Now?
• 1:45:30
  Speaker 4: It's possible that my deserts to you can lack persuasion.
• 1:45:36
  Speaker 4: Do not tempt my misery, lest that it make me
• 1:45:40
  Speaker 4: so unsound a man as to upbraid you with those
• 1:45:45
  Speaker 4: kindnesses that I have done for you.
• 1:45:47
  Speaker 12: I know of none, nor know I you by voice
• 1:45:50
  Speaker 12: or any feature. I hate ingratitude more in a man
• 1:45:54
  Speaker 12: than lying, vainous, babbling, drunkenness, or any taint of vice
• 1:45:57
  Speaker 12: whose strong corruption inhabits our frail blood.
• 1:46:00
  Speaker 4: Oh heavens themselves.
• 1:46:02
  Speaker 13: Come, sir, I pray you go.
• 1:46:05
  Speaker 4: Let me speak a little. This youth that you see here.
• 1:46:10
  Speaker 4: I snatched one half out of the jaws of death,
• 1:46:14
  Speaker 4: relieved him with such sanctity of love, and to his image,
• 1:46:18
  Speaker 4: which methought did promise most venerable worth? Did I devotion?
• 1:46:24
  Speaker 12: What's that to us? The time goes by?
• 1:46:26
  Speaker 2: Away, But oh.
• 1:46:29
  Speaker 4: How vile an idle proves this God, thou hast Sebastian
• 1:46:34
  Speaker 4: done good? Feature's shame. In nature there's no blemish, but
• 1:46:38
  Speaker 4: the mind none can be called deformed. But the unkind
• 1:46:44
  Speaker 4: virtue is beauty. But the beauteous evil are empty trunks,
• 1:46:49
  Speaker 4: ever flourish'd by the devil.
• 1:46:52
  Speaker 12: The man grows mad away with him, Come, come.
• 1:46:55
  Speaker 1: Sir, lead me on exit with officers.
• 1:47:00
  Speaker 12: Thinks his words to do from such passion fly that
• 1:47:02
  Speaker 12: he believes himself. So do not I prove true imagination, Oh,
• 1:47:08
  Speaker 12: prove true that I, dear brother, be now taken for you.
• 1:47:12
  Speaker 4: Come hither night, Come hither Fabian will whisper o'er it
• 1:47:16
  Speaker 4: a couplet or two of most sage saws.
• 1:47:19
  Speaker 12: He named Sebastian by my brother, no yet living in
• 1:47:23
  Speaker 12: my glass, even such and so in favor was my brother,
• 1:47:27
  Speaker 12: And he went still in this fashion color ornament for him.
• 1:47:30
  Speaker 12: I imitate, Oh, if it proved, tempests are kind and
• 1:47:34
  Speaker 12: salt waves fresh in love.
• 1:47:36
  Speaker 4: Exit A very dishonest poetry boy, and more a coward
• 1:47:41
  Speaker 4: than a hare. His dishonesty appears in leaving his friend
• 1:47:45
  Speaker 4: here in necessity and denying him and for his cowardship.
• 1:47:50
  Speaker 10: Ask Fabian a coward, a most devout coward, religious in.
• 1:47:56
  Speaker 8: It slick, I love to him again and beat him, do.
• 1:48:01
  Speaker 4: Cut him soundly, but never dry thy sword, and I
• 1:48:05
  Speaker 4: do not exit. Come.
• 1:48:09
  Speaker 10: Let's see the event.
• 1:48:12
  Speaker 4: I dare lay any money, t will be nothing yet.
• 1:48:17
  Speaker 20: Excent end of scene four, end of act three, Act
• 1:48:23
  Speaker 20: four seen one before Olivia's house And to Sebastian and clown.
• 1:48:31
  Speaker 11: Will you make me believe that I am not sent
• 1:48:34
  Speaker 11: for you?
• 1:48:34
  Speaker 12: Go to go too?
• 1:48:36
  Speaker 3: Thou art a foolish fellow.
• 1:48:37
  Speaker 13: Let me be clear of.
• 1:48:38
  Speaker 11: The well held out in faith. No, I do not
• 1:48:41
  Speaker 11: know you, nor I am not sent to you by
• 1:48:44
  Speaker 11: my lady to bid you come speak with her. Nor
• 1:48:46
  Speaker 11: your name is not Master Cesario, nor this is not
• 1:48:49
  Speaker 11: my nose, neither nothing that is so is so.
• 1:48:53
  Speaker 17: I pray the event that folly somewhere else Thou know
• 1:48:55
  Speaker 17: it's not.
• 1:48:56
  Speaker 11: Me vent my folly. Has he heard that word of
• 1:48:59
  Speaker 11: some great man and now applies to a fool vent
• 1:49:03
  Speaker 11: my folly. I am afraid this great lubb of the
• 1:49:06
  Speaker 11: world will prove a cockney. I pray thee now ungird
• 1:49:09
  Speaker 11: thy strangeness and tell me what I shall venture to
• 1:49:11
  Speaker 11: my lady. Shall I vent to her that thou art coming?
• 1:49:15
  Speaker 17: I pray they pulish Greek depart from me. There's money poorly.
• 1:49:18
  Speaker 17: If you tie longer, I shall give worse payment.
• 1:49:21
  Speaker 11: By my truth, thou hast an open hand. These wise
• 1:49:24
  Speaker 11: men that give fools money get themselves a good report
• 1:49:27
  Speaker 11: after fourteen years.
• 1:49:28
  Speaker 1: Purchase enter, sir Andrew, Sir Toby and Fabian.
• 1:49:33
  Speaker 8: No, sir, have I vent you again?
• 1:49:36
  Speaker 17: There's for you what there's for thee and there and
• 1:49:40
  Speaker 17: there are all.
• 1:49:41
  Speaker 4: The people, mad old sir, or I'll throw your dagger
• 1:49:45
  Speaker 4: or the house.
• 1:49:46
  Speaker 11: This will I tell my lady straight. I would not
• 1:49:49
  Speaker 11: be in some of your coats for toppens exit.
• 1:49:53
  Speaker 8: Come on, sir, hold nay, let him alone. I'll go
• 1:49:58
  Speaker 8: another way to work with him. I'll have an action
• 1:50:01
  Speaker 8: of battery against him, if there be any law Inliria.
• 1:50:05
  Speaker 8: Though I struck him first, it is no matter for.
• 1:50:08
  Speaker 17: That red goat I hand.
• 1:50:11
  Speaker 4: Come, sir, I will not let you go. Come, my
• 1:50:15
  Speaker 4: young soldier. Put up your iron. You are well fleshed.
• 1:50:19
  Speaker 17: Come on, I will be free from thee. What wouldst
• 1:50:22
  Speaker 17: thou now if thou darstut me further?
• 1:50:25
  Speaker 13: Draw thy sword.
• 1:50:26
  Speaker 4: What what nay? Then I must have an ounce or
• 1:50:30
  Speaker 4: two of this malpert blood from you.
• 1:50:34
  Speaker 7: Enter Olivia, hold Toby on by life, I charge thee hold, Madam,
• 1:50:41
  Speaker 7: will it ever be thus ungracious wretch fit for the
• 1:50:45
  Speaker 7: mountains in the barbarous caves where manners new were preached
• 1:50:49
  Speaker 7: out of my sight? Be not offended, dear Cesario, roots.
• 1:50:55
  Speaker 1: Be begone, excent, Sir Toby, Sir Andrew and Fabian.
• 1:51:00
  Speaker 7: I prithee, gentle friend, Let thy fair wisdom, not thy
• 1:51:04
  Speaker 7: passion sway in this uncivil and unjust extent against thy peace.
• 1:51:09
  Speaker 7: Go with me to my house and hear thou there
• 1:51:12
  Speaker 7: how many fruitless pranks this ruffian have botched up, and
• 1:51:17
  Speaker 7: that thou thereby mayst smile at this Thou shalt not choose,
• 1:51:21
  Speaker 7: But go do not deny beshrew his soul for me
• 1:51:26
  Speaker 7: he started one, poor heart of mine in thee.
• 1:51:29
  Speaker 3: What relish is this? How runs the s dream?
• 1:51:33
  Speaker 1: Or I am mad?
• 1:51:35
  Speaker 16: Or else?
• 1:51:35
  Speaker 3: This is a dream. Let fancy still my sense in
• 1:51:39
  Speaker 3: leaves deep. If it be thus to dream still, let
• 1:51:43
  Speaker 3: me sleep?
• 1:51:44
  Speaker 7: Nay, come, I prithee, would thou'dst be ruled by me?
• 1:51:49
  Speaker 3: Madame?
• 1:51:50
  Speaker 7: I will oh say so, and so be excent.
• 1:51:56
  Speaker 1: End have seen one seem two Olivia's house. And to
• 1:52:04
  Speaker 1: Maria and clown.
• 1:52:06
  Speaker 13: Nay, I prithee, put on this gown and this beard.
• 1:52:09
  Speaker 13: Make him believe thou art, Sir Topas the curate, do
• 1:52:12
  Speaker 13: it quickly. I'll call Sir Toby the wilsd exit.
• 1:52:16
  Speaker 11: Well, I'll put it on, and I will dissemble myself
• 1:52:19
  Speaker 11: into and I would I were the first that ever
• 1:52:22
  Speaker 11: dissembled in such a gown. I'm not tall enough to
• 1:52:25
  Speaker 11: become the function well, nor lean enough to be thought
• 1:52:28
  Speaker 11: a good student. But to be said an honest man
• 1:52:31
  Speaker 11: and a good housekeeper goes as fairly as to say
• 1:52:33
  Speaker 11: a careful man and a great scholar. The competitors enter.
• 1:52:39
  Speaker 4: And to Sir Toby and Maria jove bless the master parson.
• 1:52:45
  Speaker 11: Bonus dies, Sir Toby, for as the old hermit of
• 1:52:49
  Speaker 11: Prague that never saw pen and ink, very wittily said
• 1:52:52
  Speaker 11: to the niece of King Gorbaduc, that that is is
• 1:52:58
  Speaker 11: so I being master parsoner my master parson, for what
• 1:53:01
  Speaker 11: is that? But that end is?
• 1:53:03
  Speaker 4: But is to him, Sir Topaz, what.
• 1:53:09
  Speaker 11: Ho I say? Peace in this prison?
• 1:53:11
  Speaker 4: The nave counterfeits well a good knave within hoogaller.
• 1:53:17
  Speaker 11: Sir Topas the curate who comes to visit Melvolio, the lunatic.
• 1:53:23
  Speaker 9: Sir Topas, Sir Thopas good, Sir Toopis, go to my lady.
• 1:53:29
  Speaker 11: Out, hyperbolical fiend. How vexest thou this man talkest thou
• 1:53:34
  Speaker 11: nothing but of ladies.
• 1:53:36
  Speaker 4: Well said master Parson.
• 1:53:39
  Speaker 9: Sir Topis, never was man thus wronged. Good, Sir Topis,
• 1:53:43
  Speaker 9: do not think I am mad. They have laid me
• 1:53:46
  Speaker 9: here in hideous darkness.
• 1:53:49
  Speaker 11: Fie thou, dishonest satan. I call thee by the most
• 1:53:52
  Speaker 11: modest terms, for I am one of those gentle ones
• 1:53:55
  Speaker 11: that will use the devil himself with courtesy. Sayest thou
• 1:53:58
  Speaker 11: that pauses.
• 1:54:00
  Speaker 9: Dark as hell, Sir Toopis.
• 1:54:04
  Speaker 11: Why it hath bay windows transparent as barricados, and the
• 1:54:09
  Speaker 11: clearistries towards the south north are Lostros's ebony, And yet
• 1:54:13
  Speaker 11: complainest thou of obstruction.
• 1:54:16
  Speaker 9: I am not mad, Sir Toopis. I say to you,
• 1:54:18
  Speaker 9: this house is.
• 1:54:20
  Speaker 11: Dark, madman, thou earest, I say there is no darkness
• 1:54:25
  Speaker 11: but ignorance, in which thou art more puzzled than the
• 1:54:27
  Speaker 11: Egyptians in their fog.
• 1:54:30
  Speaker 9: I say this house is as dark as ignorance, though
• 1:54:33
  Speaker 9: ignorance were as dark as hell, And I say there
• 1:54:37
  Speaker 9: was never man thus abuse. I am no more mad
• 1:54:40
  Speaker 9: than you are. Make the trial of it in any
• 1:54:43
  Speaker 9: constant question.
• 1:54:44
  Speaker 11: What is the opinion of Pothegor's concerning world fowl?
• 1:54:48
  Speaker 9: That the soul of our Grandam might happily inhabit a bird.
• 1:54:52
  Speaker 11: Who thinks thou of his opinion?
• 1:54:55
  Speaker 9: I think nobly of the soul, and in no way
• 1:54:57
  Speaker 9: approve his opinion.
• 1:55:00
  Speaker 11: Fairthe well remind thous still in darkness, thou shalt hold
• 1:55:04
  Speaker 11: the opinion of Pythegoro's air. I will allow of thy wits,
• 1:55:07
  Speaker 11: and fear to kill a woodcock, lest thou dispossess thy
• 1:55:11
  Speaker 11: soul of the Grandam.
• 1:55:13
  Speaker 1: Fairthee well sotopis cirtopis.
• 1:55:18
  Speaker 4: My most exquisite, Sir.
• 1:55:19
  Speaker 11: Toopaz nay, I am for all waters.
• 1:55:25
  Speaker 13: Thou mightst have done this without thy beard and gown.
• 1:55:27
  Speaker 13: He sees thee Not to.
• 1:55:29
  Speaker 4: Him in thine own voice, and bring me word how
• 1:55:32
  Speaker 4: thou findest him. I would that we were well rid
• 1:55:36
  Speaker 4: of this knaghvery, if he may be so conveniently delivered,
• 1:55:40
  Speaker 4: I would he were, For I am now so far
• 1:55:44
  Speaker 4: in offense with my niece that I cannot pursue with
• 1:55:47
  Speaker 4: any safety this sport to the upshot, Come by and
• 1:55:50
  Speaker 4: by to my chamber.
• 1:55:52
  Speaker 1: Excan Sir Toby and Maria singing.
• 1:55:57
  Speaker 11: Hey, Robin, jolly Robin. Tell me how thy lady does fool?
• 1:56:04
  Speaker 11: My lady is unkind purty fool Alas, why is she
• 1:56:10
  Speaker 11: so fool?
• 1:56:12
  Speaker 16: I say she loves another who calls.
• 1:56:16
  Speaker 9: Oh good fool? As ever thou wilt deserve well at
• 1:56:23
  Speaker 9: my hand, Help me to a candle, a pen, ink
• 1:56:25
  Speaker 9: and paper. As I am a gentleman, I will live
• 1:56:29
  Speaker 9: to be thankful to thee fort master.
• 1:56:31
  Speaker 11: Melvolio, I good fool, Alas, sir, how fell you besides
• 1:56:38
  Speaker 11: your five wits?
• 1:56:40
  Speaker 1: Fool?
• 1:56:40
  Speaker 9: There was never man so notoriously abused. I am as
• 1:56:44
  Speaker 9: well in my wits fool as.
• 1:56:45
  Speaker 11: Thou art, but as well then you are mad. Indeed,
• 1:56:49
  Speaker 11: if you be no better in your wits than a.
• 1:56:51
  Speaker 9: Fool, they have here propertied me. Keep me in darkness,
• 1:56:56
  Speaker 9: Send ministers to me asses, and do all they can
• 1:57:00
  Speaker 9: face me out of my wits.
• 1:57:02
  Speaker 11: Advise you what you say? The minister is here, Melvolia, melfolia,
• 1:57:06
  Speaker 11: thy wits. The heavens restore, endeavor thyself to sleep and
• 1:57:10
  Speaker 11: leave thy vain bibble babble. Sir Topas, maintain no words
• 1:57:16
  Speaker 11: with him. Good fellow, who I sir? Not I sir?
• 1:57:20
  Speaker 11: God be with you. Good Sir Topas, marry a men
• 1:57:24
  Speaker 11: I will, Sir, I will.
• 1:57:25
  Speaker 9: Fool full fool, I say.
• 1:57:29
  Speaker 11: Alas, sir, be patient? What say you, Sir? I am
• 1:57:33
  Speaker 11: shent for speaking to you, good fool.
• 1:57:36
  Speaker 9: Help me to some light and paper. I tell THEE
• 1:57:38
  Speaker 9: I am as well in my wits as any man
• 1:57:41
  Speaker 9: in Oliria.
• 1:57:42
  Speaker 11: Well a day that you were, Sir, by this.
• 1:57:45
  Speaker 9: Hand, I am good fool. Some ink, paper and light,
• 1:57:49
  Speaker 9: and convey what I will set down to my lady.
• 1:57:53
  Speaker 9: It shall advantage THEE more than ever the bearing of
• 1:57:56
  Speaker 9: letter did.
• 1:57:57
  Speaker 11: I will help you tut but tell me true, Are
• 1:58:00
  Speaker 11: you not mad indeed? Or do you but counterfeit?
• 1:58:04
  Speaker 9: Believe me? I am not.
• 1:58:06
  Speaker 11: I tell THEE true, Nay, I'll never believe a madman
• 1:58:10
  Speaker 11: til I sees brains. I will fetch you light and
• 1:58:13
  Speaker 11: paper and ink.
• 1:58:14
  Speaker 9: For I'll requite it in the highest degree. I prithee
• 1:58:18
  Speaker 9: begone singing.
• 1:58:20
  Speaker 16: I am gone, sir, and anon, Sir, I'll be with
• 1:58:25
  Speaker 16: you again in a trice like to the old vice,
• 1:58:30
  Speaker 16: your need to sustain, who with dagger of liath, in
• 1:58:35
  Speaker 16: his rage and his wrath, cries a heart to the
• 1:58:39
  Speaker 16: devil like a mad lad. Pare thy nails, Dad, a
• 1:58:44
  Speaker 16: dear good man devil.
• 1:58:47
  Speaker 1: Exit end of scene two, Scene three, Olivia's garden, Enter Sebastian.
• 1:59:00
  Speaker 17: This is the heir, that is the glorious sun. This
• 1:59:04
  Speaker 17: pearl she gave me, I do feel it and see it.
• 1:59:08
  Speaker 17: And though tis wonder that unwrapts me thus, yet it
• 1:59:11
  Speaker 17: is not madness. Where is Antonio?
• 1:59:15
  Speaker 13: Then?
• 1:59:15
  Speaker 17: I could not find him at the elephant, Yet there
• 1:59:18
  Speaker 17: he was, and there I found his credit, that he
• 1:59:20
  Speaker 17: did range the town to seek me out. His counsel
• 1:59:23
  Speaker 17: now might do me golden service. For though my soul
• 1:59:26
  Speaker 17: disputes well with my sense, that this may be some error,
• 1:59:30
  Speaker 17: but no madness. Yet doth this accident and flood of
• 1:59:34
  Speaker 17: fortunes who exceed all instants or discourse, that I am
• 1:59:38
  Speaker 17: ready to distrust mine eyes and wrangle with my reason
• 1:59:41
  Speaker 17: that persuades me to any other trust, but that I
• 1:59:44
  Speaker 17: am mad? Or else the lady is mad. Yet if
• 1:59:47
  Speaker 17: it were so, she could not sway her house command
• 1:59:50
  Speaker 17: her followers take and give back affairs in their dispatch
• 1:59:53
  Speaker 17: with such a smooth, discreet and stable bearing as I
• 1:59:56
  Speaker 17: perceive she does. There is something in it that is deceas.
• 2:00:01
  Speaker 17: But here the lady comes.
• 2:00:02
  Speaker 7: And to Olivia and Priest, blame not this haste of mine.
• 2:00:07
  Speaker 7: If you mean well, now go with me and this
• 2:00:09
  Speaker 7: holy man into the chantry by there before him, and
• 2:00:13
  Speaker 7: underneath that consecrated roof plight me the full assurance of
• 2:00:18
  Speaker 7: your faith that my most jealous and too doubtful soul
• 2:00:22
  Speaker 7: may live at peace. He shall conceal it whilst you
• 2:00:26
  Speaker 7: are willing. It shall come to note what time we
• 2:00:28
  Speaker 7: will our celebration. Keep according to my birth? What do
• 2:00:32
  Speaker 7: you say?
• 2:00:34
  Speaker 17: Or follow this good man and go with you, and
• 2:00:36
  Speaker 17: having sworn truth ever will be.
• 2:00:39
  Speaker 7: True, then lead the way, good Father, and heaven so
• 2:00:43
  Speaker 7: shine that they may fairly note this act of mine.
• 2:00:48
  Speaker 1: Excient. End of scene three, end of Act four, Act five,
• 2:00:59
  Speaker 1: seen one before Olivia's house and Clown and Fabian.
• 2:01:05
  Speaker 10: Now as thou lost me, let me see this letter.
• 2:01:09
  Speaker 11: Good master, Fabian, grant me another request. Anything do not
• 2:01:14
  Speaker 11: desire to see this letter.
• 2:01:17
  Speaker 10: This is to give a dog, and in recompense desire
• 2:01:21
  Speaker 10: my dog again.
• 2:01:22
  Speaker 1: And a duke viola curio, and Lord's.
• 2:01:26
  Speaker 2: Belong you to the lady Olivia.
• 2:01:27
  Speaker 11: Friends, Oh, sir, we are some of her trappings.
• 2:01:31
  Speaker 2: I know thee well, how dost thou, my good fellow?
• 2:01:34
  Speaker 13: Truly?
• 2:01:35
  Speaker 11: So the better for my foes and the worse for
• 2:01:37
  Speaker 11: my friends, And.
• 2:01:39
  Speaker 2: Just the contrary, the better for thy friends.
• 2:01:42
  Speaker 1: No, so the worse.
• 2:01:44
  Speaker 2: How can that be?
• 2:01:46
  Speaker 11: Marry, sir? They praise me and make an ass of me.
• 2:01:49
  Speaker 11: Now my foes tell me plainly that I am an
• 2:01:51
  Speaker 11: ass So that by my foes, Sir, I profit in
• 2:01:54
  Speaker 11: the knowledge of myself, and by my friends I am abused,
• 2:01:57
  Speaker 11: So that conclusions to be as if your four negatives
• 2:02:02
  Speaker 11: make you two affirmatives, why then the worse for my
• 2:02:05
  Speaker 11: friends and the better for my foes.
• 2:02:07
  Speaker 2: Why this is excellent by my.
• 2:02:10
  Speaker 11: Troth, sir. No, though it pleased you to be one
• 2:02:12
  Speaker 11: of my friends.
• 2:02:14
  Speaker 2: That shall not be the worse for me. There's gold,
• 2:02:18
  Speaker 2: but that it.
• 2:02:18
  Speaker 11: Would be double dealing, Sir. I would you could make
• 2:02:22
  Speaker 11: it another?
• 2:02:23
  Speaker 2: Oh you give me ill counsel.
• 2:02:25
  Speaker 11: Put your grace in your pocket, sir, for this once,
• 2:02:28
  Speaker 11: and let your flesh and blood obey it.
• 2:02:31
  Speaker 2: Well, I will be so much a center to be
• 2:02:33
  Speaker 2: a double dealer.
• 2:02:34
  Speaker 11: There's another primo secundo tertio is a good play, and
• 2:02:39
  Speaker 11: the old saying is the third pays for all the triplex. Sir,
• 2:02:44
  Speaker 11: it's a good tripping measure war the bells of Saint Bennett. Sir,
• 2:02:48
  Speaker 11: it may put in your mind one, two, three.
• 2:02:55
  Speaker 2: You can fool no more money out of me at
• 2:02:57
  Speaker 2: this throw. If you will let your lady know I
• 2:02:59
  Speaker 2: am here to speak with her and bring her along
• 2:03:02
  Speaker 2: with you, it may awake my bounty.
• 2:03:04
  Speaker 11: Further marry, sir, lullabar to your bounty till I come again.
• 2:03:08
  Speaker 11: I go, sir, But I would not have you think
• 2:03:11
  Speaker 11: that my desire of having is the sin of covetousness.
• 2:03:15
  Speaker 11: But as you say, let your bounty take a nap,
• 2:03:18
  Speaker 11: I will awake it a noone exit.
• 2:03:21
  Speaker 12: Here comes the man, sir, that did rescue me.
• 2:03:23
  Speaker 1: Enter Antonio and officers.
• 2:03:26
  Speaker 2: That face of his, I do remember well. Yet when
• 2:03:29
  Speaker 2: I saw it last, it was besmeared as black as
• 2:03:32
  Speaker 2: vulcan in the smoke of war. A bubbling vessel was
• 2:03:35
  Speaker 2: he captain enough for shallow draft and bulk unprizeable with
• 2:03:39
  Speaker 2: which such scathful grapple did he make with the most
• 2:03:42
  Speaker 2: noble bottom of our fleet, that very envy and the
• 2:03:45
  Speaker 2: tongue of loss cried fame and honor on him? What's
• 2:03:49
  Speaker 2: the matter, Orsino?
• 2:03:51
  Speaker 14: This is that Antonio that took the phoenix and her
• 2:03:53
  Speaker 14: front from Candy, And this is he that did the
• 2:03:56
  Speaker 14: tiger board when your young nephew Titus lost his leg.
• 2:04:00
  Speaker 14: Here in the streets, desperate of shame and state, in private, brable,
• 2:04:04
  Speaker 14: did we apprehend him?
• 2:04:06
  Speaker 12: He did me kindness, Sir, drew on my side, but
• 2:04:09
  Speaker 12: in conclusion put strange speech upon me. I know not
• 2:04:12
  Speaker 12: what twas but.
• 2:04:12
  Speaker 2: Distraction, notable pirate, Thou saltwater thief? What foolish boldness brought
• 2:04:19
  Speaker 2: thee to their mercies? Whom thou, in terms so bloody
• 2:04:22
  Speaker 2: and so dear, hast made thine enemies.
• 2:04:25
  Speaker 4: Orsino, Noble Sir, be pleased that I shake off these
• 2:04:30
  Speaker 4: names you'll give me. Antonio never yet was thief or pirate,
• 2:04:35
  Speaker 4: though I confess on base and ground enough or Senior's enemy.
• 2:04:41
  Speaker 4: A witchcraft drew me hither that most ungrateful boy there
• 2:04:46
  Speaker 4: by your side from the rude seas, enraged and foamy mouth,
• 2:04:50
  Speaker 4: did I redeem a wreck past hope. He was his life.
• 2:04:56
  Speaker 4: I gave him, and did there to add my love
• 2:05:00
  Speaker 4: without retention or restraint. All this in dedication for his sake.
• 2:05:06
  Speaker 4: Did I expose myself pure for his love into the
• 2:05:10
  Speaker 4: danger of this adverse town, true to defend him when
• 2:05:15
  Speaker 4: he was beset, where being apprehended his false cunning, not
• 2:05:21
  Speaker 4: meaning to partake with me in danger, taught him to
• 2:05:24
  Speaker 4: face me out of his acquaintance, and grew a twenty
• 2:05:27
  Speaker 4: years removed thing. While one would wink, denied me mine
• 2:05:34
  Speaker 4: own purse, which I have recommended to his use not
• 2:05:39
  Speaker 4: a half hour before?
• 2:05:41
  Speaker 12: How can this be?
• 2:05:42
  Speaker 2: When came he to this town?
• 2:05:44
  Speaker 4: But to day, my lord, and for three months before
• 2:05:48
  Speaker 4: no interim, not a minute's vacancy, both day and night
• 2:05:53
  Speaker 4: did we keep company.
• 2:05:56
  Speaker 1: And to Olivia and attendance.
• 2:05:58
  Speaker 2: Here comes the countess. Now heaven walks on earth. But
• 2:06:02
  Speaker 2: for thee fellow, a fellow thy words a madness. Three
• 2:06:05
  Speaker 2: months this youth hath tended upon me. But more of
• 2:06:08
  Speaker 2: that anon take him aside?
• 2:06:11
  Speaker 7: What would my lord, but that he may not have
• 2:06:13
  Speaker 7: wherein Olivia may seem serviceable? Cesareo you do not keep
• 2:06:19
  Speaker 7: promise with me?
• 2:06:21
  Speaker 2: Madam gracious Olivia.
• 2:06:23
  Speaker 7: What do you say, cesareo good?
• 2:06:25
  Speaker 9: My lord?
• 2:06:25
  Speaker 12: My lord? Would speak my duty hushes me if it.
• 2:06:29
  Speaker 7: Be aught to the old tune, my Lord, it is
• 2:06:31
  Speaker 7: as fat and fulsome to mine ear as howling after music,
• 2:06:36
  Speaker 7: Still so cruel, still so constant, Lord, What.
• 2:06:41
  Speaker 2: To perverseness, you uncivil lady, to whose ingrate and honauspicious
• 2:06:47
  Speaker 2: altars my soul, the faithfulest offerings hath breathed out that
• 2:06:51
  Speaker 2: air devotion tendered? What shall I do.
• 2:06:54
  Speaker 7: Even what it please, my Lord, that shall become him?
• 2:06:57
  Speaker 2: Why should I not had I the heart to do it?
• 2:07:00
  Speaker 2: To the Egyptian thief at point of death, kill what
• 2:07:02
  Speaker 2: I love? The savage jealousy that sometimes savors nobly. But
• 2:07:06
  Speaker 2: hear me this, since you to non regardance, cast my faith,
• 2:07:11
  Speaker 2: and that I partly know the instrument that screws me
• 2:07:13
  Speaker 2: from my true place in your favor, Live you, the
• 2:07:16
  Speaker 2: marble breasted tyrant. Still but this, yourminion, whom I know
• 2:07:20
  Speaker 2: you love, and whom by Heaven I swear I tender
• 2:07:24
  Speaker 2: dearly him? Will I tear out of that cruel eye,
• 2:07:27
  Speaker 2: whereas it's crowned in his master's spite? Come boy with
• 2:07:31
  Speaker 2: me my thoughts are ripe in mischief. I'll sacrifice the
• 2:07:35
  Speaker 2: lamb that I do love to spite a raven's heart within.
• 2:07:38
  Speaker 12: A dove, And I most jocund apt and willingly to
• 2:07:42
  Speaker 12: do you rest A thousand deaths would die?
• 2:07:45
  Speaker 7: Where goes Caesario after him?
• 2:07:47
  Speaker 12: I love more than I love these eyes, more than
• 2:07:49
  Speaker 12: my life, more by all mores than ere I shall
• 2:07:52
  Speaker 12: love wife. If I do fain, you witnesses above, punish
• 2:07:56
  Speaker 12: my life for tainting of my love?
• 2:07:58
  Speaker 7: I mean detested? How am I beguiled?
• 2:08:02
  Speaker 12: Who does beguile you? Who does you wrong?
• 2:08:04
  Speaker 7: Hast thou forgot thyself?
• 2:08:06
  Speaker 16: Is it so long?
• 2:08:08
  Speaker 7: Call forth the Holy Father?
• 2:08:09
  Speaker 2: Come away whither my lord?
• 2:08:12
  Speaker 7: Cesareo, husband, stay husband? I a husband?
• 2:08:18
  Speaker 2: Can he that deny her husband? Sarah?
• 2:08:22
  Speaker 12: No, my lord not.
• 2:08:24
  Speaker 7: I alas it is the baseness of thy fear that
• 2:08:28
  Speaker 7: makes THEE strangle thy propriety. Fear not Cesareo, take thy
• 2:08:32
  Speaker 7: fortunes up, be that thou know'st thou art, and then
• 2:08:37
  Speaker 7: thou art as great as that thou fearest and her priest. Oh, welcome,
• 2:08:43
  Speaker 7: father Father. I charge thee by thy reverence. Here too unfold,
• 2:08:48
  Speaker 7: though lately we intended to keep in darkness, What occasion
• 2:08:51
  Speaker 7: now reveals before tis ripe what thou dost know hath
• 2:08:55
  Speaker 7: newly passed between this youth and me.
• 2:08:58
  Speaker 15: A contract of eternal bond of love, confirmed by mutual
• 2:09:02
  Speaker 15: joinder of your hands, attested by the holy clothes of lips,
• 2:09:07
  Speaker 15: strengthened by the interchangement of your rings, and all the
• 2:09:11
  Speaker 15: ceremony of this compact sealed in my function by my testimony.
• 2:09:16
  Speaker 15: Since when my watch hath told me toward my grace,
• 2:09:19
  Speaker 15: I have traveled but two hours.
• 2:09:21
  Speaker 2: Oh, thou dissembling cub, What wilt thou be when time
• 2:09:25
  Speaker 2: hath soda grizzle on thy case? Or will not else
• 2:09:28
  Speaker 2: thy craft so quickly grow that thine own trip shall
• 2:09:31
  Speaker 2: be thine Overthrow farewell and take her but direct thy
• 2:09:35
  Speaker 2: feet where thou and I henceforth may never meet.
• 2:09:40
  Speaker 7: My Lord, I do protest, Oh, do not swear, hold
• 2:09:44
  Speaker 7: little faith, though thou hast too much fear, Enter, Sir Andrew, for.
• 2:09:50
  Speaker 8: The enough of God. A surgeon send d presently to so.
• 2:09:53
  Speaker 7: Toby, what's the matter?
• 2:09:55
  Speaker 8: Has broken my head across and has given so Toby
• 2:09:58
  Speaker 8: a bloody cock's gone too. For the love of God
• 2:10:01
  Speaker 8: your help, I had rather than forty pounds of brill
• 2:10:04
  Speaker 8: at home?
• 2:10:05
  Speaker 7: Who has done this?
• 2:10:06
  Speaker 8: Sir Andrew, the Count's gentleman once says Ario. We took
• 2:10:10
  Speaker 8: him for a coward, but he's the very devil.
• 2:10:12
  Speaker 2: In Cardenet, My gentleman, sasareo.
• 2:10:15
  Speaker 8: God life lings here he is? You broke my head
• 2:10:19
  Speaker 8: for nothing? And that that I did, I was set
• 2:10:21
  Speaker 8: on to do it by Sir Toby.
• 2:10:24
  Speaker 12: Why do you speak to me? I never hurt you.
• 2:10:27
  Speaker 12: You drew your sword upon me without cause. But I
• 2:10:29
  Speaker 12: bespeak you fair and hurt you.
• 2:10:30
  Speaker 8: Not if a bloody cogscomb be hurt, you have hurt me.
• 2:10:35
  Speaker 8: I think you set nothing by a bloody cogscomb.
• 2:10:39
  Speaker 1: Enter, Sir Toby and clown.
• 2:10:41
  Speaker 8: Here comes Sir Toby, halting. You shall hear more. But
• 2:10:45
  Speaker 8: if he had not been in drink, he would have
• 2:10:48
  Speaker 8: tickled your other gates than he did.
• 2:10:50
  Speaker 13: Ha.
• 2:10:50
  Speaker 2: Now, gentlemen, how is it with you?
• 2:10:53
  Speaker 4: That's all one has hurt me, and there's the end
• 2:10:57
  Speaker 4: of it. Sut. Did we see Dick's surgeon's sot ah?
• 2:11:01
  Speaker 11: He's drunk, Sir Toby, and now are gone. His eyes
• 2:11:05
  Speaker 11: were set at eight in the morning, and he's.
• 2:11:07
  Speaker 4: A rogue and a passive measures, pavern I hate the drunken.
• 2:11:12
  Speaker 7: Rogue away with him, who hath made this havoc with them.
• 2:11:17
  Speaker 8: I'll help you, Sir Toby, because we'll be dressed together.
• 2:11:20
  Speaker 4: Will you help an ass head and a cockscomb and
• 2:11:24
  Speaker 4: a knave, a thin faced knave, a gull.
• 2:11:29
  Speaker 7: Get him to bed and let his hurt be looked.
• 2:11:31
  Speaker 1: To excellant clown Fabian, Sir Toby, and Sir Andrew Enter Sebastian.
• 2:11:40
  Speaker 17: I'm sorry, madam, I have hurt your kinsman, but had
• 2:11:43
  Speaker 17: it been the brother of my blood, I must have
• 2:11:45
  Speaker 17: done no less with wit and safety. You throw a
• 2:11:48
  Speaker 17: strange regard upon me, and by that I do perceive
• 2:11:51
  Speaker 17: that it hath offended you. Pardon me, sweet one, even
• 2:11:55
  Speaker 17: for the vows we made each other, but so late ago.
• 2:11:58
  Speaker 2: One face, one voice, one habit, and two persons, a
• 2:12:03
  Speaker 2: natural perspective, that is and is not?
• 2:12:07
  Speaker 17: Antonio? Oh my dear Antonio, How have the hours racked
• 2:12:11
  Speaker 17: and tortured me?
• 2:12:12
  Speaker 4: Since I have lost thee Sebastian?
• 2:12:14
  Speaker 3: Are you bearest that that?
• 2:12:16
  Speaker 16: Antonio?
• 2:12:17
  Speaker 4: How have you made division of yourself? An apple cleft
• 2:12:22
  Speaker 4: in two is not more twin than these two creatures,
• 2:12:27
  Speaker 4: which is Sebastian, most wonderful?
• 2:12:31
  Speaker 17: Do I stand there? I know had a brother, nor
• 2:12:35
  Speaker 17: can there be that deity in my nature? Here and everywhere?
• 2:12:39
  Speaker 17: I had a sister whom the blind waves and surgiers
• 2:12:42
  Speaker 17: have devoured of charity? What can are you to me?
• 2:12:45
  Speaker 17: What countrymen?
• 2:12:46
  Speaker 1: What name?
• 2:12:47
  Speaker 17: What parentage of misceline?
• 2:12:50
  Speaker 12: Sebastian was my father? Such a Sebastian was my brother too,
• 2:12:55
  Speaker 12: So when he suited to his watry tomb. If spirits
• 2:12:59
  Speaker 12: can assume both form and suit, you come to fright.
• 2:13:02
  Speaker 17: Us A spirit I am, indeed, but am in that
• 2:13:06
  Speaker 17: dimension grossly clad. But from the roomb I did participate,
• 2:13:10
  Speaker 17: or you a woman? As the rest goes, even, I
• 2:13:12
  Speaker 17: would let my tears fall upon your cheek and say
• 2:13:15
  Speaker 17: price welcome. Drowned Viola. My father had a mole upon
• 2:13:19
  Speaker 17: his brow, and so had mine.
• 2:13:21
  Speaker 12: And died that day when Viola from her birth had
• 2:13:24
  Speaker 12: number thirteen years.
• 2:13:26
  Speaker 17: Oh, that record is lively in my soul. He finished,
• 2:13:29
  Speaker 17: indeed his mortal act that day that made my sister
• 2:13:32
  Speaker 17: thirteen years.
• 2:13:33
  Speaker 12: If nothing led to make us happy both, but this
• 2:13:36
  Speaker 12: my masculine usurp attire, do not embrace me till each
• 2:13:39
  Speaker 12: circumstance of place, time, fortune. Do go here and jump
• 2:13:43
  Speaker 12: that I am Viola, which to confirm, I'll bring you
• 2:13:48
  Speaker 12: to a captain of this town, where lie my maiden weeds,
• 2:13:51
  Speaker 12: by whose gentle help I was preserved to serve this
• 2:13:53
  Speaker 12: noble count. All the occurrence of my fortune sins have
• 2:13:57
  Speaker 12: been between this lady and this lord.
• 2:14:00
  Speaker 17: To Olivia, so it comes, lady, you have been mistook.
• 2:14:04
  Speaker 17: But nature to her bias, drew in that you would
• 2:14:07
  Speaker 17: have been contracted to a maid. Nor are you therein
• 2:14:10
  Speaker 17: by my life deceived. You are betruthed to a maid.
• 2:14:14
  Speaker 2: And man be not amazed. Write noble as his blood.
• 2:14:18
  Speaker 2: If this be so, as if the glass seems true,
• 2:14:21
  Speaker 2: I shall have share in this most happy wreck. To Viola, boy,
• 2:14:25
  Speaker 2: thou hast said to me a thousand times, thou never
• 2:14:28
  Speaker 2: shouldst love woman like to me, And.
• 2:14:30
  Speaker 12: All those sayings while I overswear, and all those swearings
• 2:14:33
  Speaker 12: keep as true in soul as doth that awed continent
• 2:14:36
  Speaker 12: to the fire that severs day from night.
• 2:14:39
  Speaker 2: Give me thy hand, and let me see thee and
• 2:14:41
  Speaker 2: thy woman's weeds.
• 2:14:43
  Speaker 12: The captain that did bring me first on shore, hath
• 2:14:45
  Speaker 12: my maid's garments. She upon some action is now endurance
• 2:14:49
  Speaker 12: at Malvolio's suit. A gentleman and follower of my ladies,
• 2:14:53
  Speaker 12: he shall enlarge him.
• 2:14:54
  Speaker 7: Fetch Malvolio hither. And yet alas now I remember me,
• 2:15:00
  Speaker 7: they say, poor gentleman, he's much distract.
• 2:15:03
  Speaker 1: Re enter clown with a letter, and Fabian.
• 2:15:06
  Speaker 7: A most extracting frenzy of mine own from my remembrance,
• 2:15:10
  Speaker 7: clearly banished his. How does he Sarah.
• 2:15:14
  Speaker 11: Truly, Madam? He holds belzebe at the stay of zend
• 2:15:17
  Speaker 11: as well as man in his case may do has
• 2:15:21
  Speaker 11: here writ a letter to you? I should have give
• 2:15:24
  Speaker 11: it to you to day morning. But as a madman's
• 2:15:26
  Speaker 11: epistles are no gospels, so it skills not much when they.
• 2:15:29
  Speaker 7: Are delivered, open it and read it.
• 2:15:33
  Speaker 11: Look then to be well edified when full delivers the
• 2:15:36
  Speaker 11: madman reads by the lord, Madam, How now art thou
• 2:15:40
  Speaker 11: mad No, Madam, I do but read, madness, and your
• 2:15:44
  Speaker 11: ladyship will have it as it ought to be. You
• 2:15:46
  Speaker 11: must allow.
• 2:15:47
  Speaker 7: Vox prithee read in thy write wits.
• 2:15:50
  Speaker 11: So I do, Madonna. But to read his right wits
• 2:15:53
  Speaker 11: is to read. Thus therefore propend my princess and give
• 2:15:57
  Speaker 11: ear to Fabian.
• 2:16:00
  Speaker 7: Read it to you, Sarah reads.
• 2:16:03
  Speaker 10: By the Lord. Madam, you wrong me, and the world
• 2:16:06
  Speaker 10: shall know it. Though you have put me into darkness
• 2:16:09
  Speaker 10: and given your drunken cousin rule over me, yet have
• 2:16:12
  Speaker 10: I the benefit of my senses as well as your ladyship.
• 2:16:16
  Speaker 10: I have your own letter that induced me to the
• 2:16:18
  Speaker 10: semblance I put on with the which I doubt not.
• 2:16:21
  Speaker 10: But to do myself much right or you much shame.
• 2:16:25
  Speaker 10: Think of me as you please, I leave my duty
• 2:16:28
  Speaker 10: a little un thought of, and speak out of my injury.
• 2:16:32
  Speaker 10: The madly used mulvalio.
• 2:16:34
  Speaker 2: Did he write this? I, madam, this savors not much
• 2:16:37
  Speaker 2: of distraction.
• 2:16:39
  Speaker 7: See him delivered, Fabian, Bring him hither, exit Fabian, my lord,
• 2:16:44
  Speaker 7: So please you these things further thought on, to think
• 2:16:47
  Speaker 7: me as well as sister as a wife. One day
• 2:16:51
  Speaker 7: shall crown the alliance on it. So please you, here
• 2:16:54
  Speaker 7: at my house, and at my proper.
• 2:16:56
  Speaker 2: Cost, Madam, I almost apt to embrace your offer to viola.
• 2:17:01
  Speaker 2: Your master quits you, and for your service done him
• 2:17:05
  Speaker 2: so much against the metal of your sex, so far
• 2:17:08
  Speaker 2: beneath your soft and tender breeding. And since you call
• 2:17:11
  Speaker 2: me master for so long here is my hand. You
• 2:17:15
  Speaker 2: shall from this time be your master's mistress, a.
• 2:17:20
  Speaker 1: Sister you are, she re enter fabian with Malvolio?
• 2:17:26
  Speaker 2: Is this the madman? I, my lord the same?
• 2:17:30
  Speaker 9: How now Melvolio, madam, you have done me wrong, notorious wrong?
• 2:17:39
  Speaker 7: Have I Malvolio?
• 2:17:41
  Speaker 9: No, lady, you have pray you peruse that letter. You
• 2:17:47
  Speaker 9: must now deny it is your hand write from it.
• 2:17:50
  Speaker 9: If you can in hand or phrase or say it
• 2:17:53
  Speaker 9: is not your seal, not your invention, you can say
• 2:17:56
  Speaker 9: none of this well granted, then and tell me, in
• 2:18:00
  Speaker 9: the modesty of honor, why you have given me such
• 2:18:04
  Speaker 9: clear lights of favor, bade me come smiling and cross
• 2:18:09
  Speaker 9: guarded to you, to put on yellow stockings, and to
• 2:18:12
  Speaker 9: frown upon Sir Toby and the lighter people, and acting
• 2:18:16
  Speaker 9: this in an obedient hope. Why have you suffered me
• 2:18:20
  Speaker 9: to be imprisoned, kept in a dark house, visited by
• 2:18:24
  Speaker 9: the priest, and made the most notorious gek and gull
• 2:18:28
  Speaker 9: that eir invention played upon.
• 2:18:30
  Speaker 7: Tell me why, alas Melvoglio, this is not my writing,
• 2:18:34
  Speaker 7: though I confess much like the character. But out of
• 2:18:38
  Speaker 7: question TI Mariah's hand, and now I do bethink me
• 2:18:43
  Speaker 7: it was she first told me thou wast mad then
• 2:18:46
  Speaker 7: Cameston smiling, and in such forms which here were presupposed
• 2:18:51
  Speaker 7: upon THEE in the letter, Privy be content this practice
• 2:18:56
  Speaker 7: hath most shrewdly passed upon THEE. But when we know
• 2:18:59
  Speaker 7: the grounds and authors of it, thou shalt be both
• 2:19:02
  Speaker 7: the plaintive and the judge of thine own cause.
• 2:19:05
  Speaker 10: Good Madam, hear me speak, and let no quarrel nor
• 2:19:09
  Speaker 10: no brawl to come taint the condition of this present hour,
• 2:19:12
  Speaker 10: which I have wondered at, and hope it shall not.
• 2:19:15
  Speaker 10: Most freely I confess myself and Toby set this device
• 2:19:19
  Speaker 10: against Molvalio here upon some stubborn and uncourteous parts we
• 2:19:23
  Speaker 10: had conceived against him. Mariah written the letter at Sir
• 2:19:26
  Speaker 10: Toby's great importance in recompense whereof he hath married her.
• 2:19:30
  Speaker 10: How are the sportful malice? It was followed, may rather
• 2:19:33
  Speaker 10: pluck on laughter than revenge, if that the injuries be
• 2:19:37
  Speaker 10: justly weighed. They have on both sides.
• 2:19:39
  Speaker 7: Past alas poor fool. How have they baffled THEE?
• 2:19:44
  Speaker 11: Why some are born great, some achieve greatness, and some
• 2:19:48
  Speaker 11: have greatness thrown upon them. I was one sir in
• 2:19:52
  Speaker 11: this interlude, one sir topas sir, But that's all one
• 2:19:58
  Speaker 11: by the Lord fool. I am not mad, But do
• 2:20:01
  Speaker 11: you remember, madam, why laugh you at such a barren rascal?
• 2:20:05
  Speaker 11: And you smile not? He's gagged, and thus the whirligig
• 2:20:10
  Speaker 11: of time brings in his revenges.
• 2:20:13
  Speaker 9: I'll be revenged on the whole back of you.
• 2:20:21
  Speaker 7: Exit he hath been most notoriously abused.
• 2:20:26
  Speaker 2: Pursue him and entreat him to a peace. He had
• 2:20:29
  Speaker 2: not told us of the captain. Yet, when that is known,
• 2:20:32
  Speaker 2: and golden time convinced, a solemn combination shall be made
• 2:20:37
  Speaker 2: of our dear souls. Meantime, sweet sister, we will not
• 2:20:40
  Speaker 2: part from Hence Cesario come, for so you shall be
• 2:20:46
  Speaker 2: while you are a man. But when in other habits
• 2:20:49
  Speaker 2: you are seen Orsino's mistress and his fancies.
• 2:20:53
  Speaker 1: Queen excellent, all but the clown sings.
• 2:20:59
  Speaker 16: When that I was and a little tiny boy, with
• 2:21:02
  Speaker 16: hay hoth, wind and the rain, a foolish thing was
• 2:21:06
  Speaker 16: but a toy for the rain it raineth every day.
• 2:21:13
  Speaker 16: But when I came to man's estate with hay ho,
• 2:21:16
  Speaker 16: the wind and the rain gat knaves and thieves men
• 2:21:20
  Speaker 16: shut their gate for the rain. It raineth every day
• 2:21:26
  Speaker 16: But when I came alas to wife with hay hoth
• 2:21:31
  Speaker 16: wind and the rain by swaggering, could I never thrive?
• 2:21:36
  Speaker 16: For the rain it rainerth every day. But when I
• 2:21:42
  Speaker 16: came unto my beds with hey ho the wind and
• 2:21:45
  Speaker 16: the rain with tosspots, still had drunken heads. For the
• 2:21:50
  Speaker 16: rain it raineth every day. A great while ago the
• 2:21:56
  Speaker 16: world begun with hay hollo, wind and the rain. But
• 2:22:01
  Speaker 16: that's all one. Our play is done, and will strive
• 2:22:05
  Speaker 16: to please you every day.
• 2:22:11
  Speaker 1: Exit the end.
• 2:22:16
  Speaker 2: End of scene one in the back five, end
• 2:22:20
  Speaker 1: Of Twelfth Night by William Shakespeare.