Latest / Movie Meltdown / Voices in your Head (Promo)
Transcript
- 0:10Speaker 1: So, yesterday as I was roaming around looking for a
- 0:14Speaker 1: movie that will be on an upcoming episode, I found
- 0:17Speaker 1: some other ones and I'm like, alright, what do we
- 0:19Speaker 1: want to talk about? So, our next movie threat could
- 0:24Speaker 1: very well be Scar 3D.
- 0:29Speaker 2: Like from The Lion King?
- 0:31Speaker 1: I wish, because that's the only part I like about
- 0:33Speaker 1: The Lion King. I know everyone else loves The Lion King,
- 0:36Speaker 1: and I'm blown in this, but I, number one, just
- 0:39Speaker 1: didn't really care about the movie in general. Number two,
- 0:42Speaker 1: I worked at a place that played the theme song
- 0:45Speaker 1: on a loop, so I kind of still hold a
- 0:49Speaker 1: grudge against Elton John. It's not his fault, but they just,
- 0:54Speaker 1: every 20 minutes I heard Can You Feel the Love
- 0:58Speaker 1: Tonight again, so it's not his fault. I like some
- 1:02Speaker 1: old stuff from him, but I want to strangle him
- 1:04Speaker 1: for Lion King songs. And then on top of that, yeah,
- 1:07Speaker 1: I just wasn't thrilled with it until I started playing
- 1:10Speaker 1: it in the store. And I was like, oh, man,
- 1:11Speaker 1: this Nazi scene is pretty badass. Not that I'm in
- 1:15Speaker 1: support of that, but I'm like, the fact that they
- 1:17Speaker 1: went there, I'm like, oh, no, it is. I mean,
- 1:19Speaker 1: they're goose stepping. It's Hyena's goose stepping. I was like,
- 1:23Speaker 1: he's up on a dais, like giving them a speech.
- 1:27Speaker 1: I was like, this is pretty fucking hardcore for a
- 1:29Speaker 1: Disney movie, so. And just in general, he's like a
- 1:34Speaker 1: mean bastard. And I'm like, I gotta like this guy.
- 1:36Speaker 3: Allegedly, Disney's not unfamiliar with them.
- 1:40Speaker 1: True. That's also going back to the olden days. And
- 1:45Speaker 1: when we thaw him out, we can ask him about that.
- 1:47Speaker 4: But for now, he would love it right now.
- 1:51Speaker 1: Probably would. Also, give him bonus points. It's Probably the
- 1:57Speaker 1: only Disney movie that has a reversal of fortune inside joke. Again,
- 2:04Speaker 1: how deep cut is that? Because you guys may not
- 2:06Speaker 1: know what I'm talking about. I have no clue. But
- 2:08Speaker 1: the movie, a movie or two before The Lion King
- 2:12Speaker 1: came out that Jeremy Irons is in where he's like
- 2:16Speaker 1: tried to murder his wife and is on trial. And
- 2:20Speaker 1: the line in it, and again, his delivery is amazing.
- 2:23Speaker 1: They're talking about how... peculiar a man he is when
- 2:27Speaker 1: he's on the stand and he's like his response in
- 2:31Speaker 1: Jeremy Irons true fashion you have no idea and Scar
- 2:36Speaker 1: says that to little what's his face Simba when he's
- 2:40Speaker 1: like you're weird Uncle Scar and he's like you have
- 2:43Speaker 1: no idea and I was like alright that's pretty badass
- 2:46Speaker 1: so again Scar the only things I took that I
- 2:49Speaker 1: like from that anyway but.
- 2:50Speaker 4: This Scar not the movie.
- 2:52Speaker 3: I am about to read Well, Cheech, you can't, you know,
- 2:56Speaker 3: overlook Cheech's performance.
- 2:58Speaker 1: I mean, Cheech is always fun, you know. Okay, in
- 3:02Speaker 1: the small town of Ovid, Colorado, Joan awakens in the
- 3:07Speaker 1: basement of a morgue of Ernie Bishop, a local undertaker
- 3:10Speaker 1: who secretly tortures, mutilates, and kills teenage girls. Before becoming
- 3:16Speaker 1: Bishop's latest victim, Joan manages to kill him and.
- 3:19Speaker 4: Escape with her life.
- 3:20Speaker 1: 16 years later, still bearing the scars of her torment,
- 3:25Speaker 1: Joan returns to her hometown in time to see her
- 3:28Speaker 1: niece be crowned prom queen. Soon after Joan's arrival, murders
- 3:32Speaker 1: by an alleged copycat killer begin targeting Olympia and her girlfriends,
- 3:37Speaker 1: which is her niece. And the police investigate... That's way
- 3:41Speaker 1: too much information.
- 3:42Speaker 4: I know, this is a lot.
- 3:44Speaker 1: And the police investigation unfolds. All clues lead back to
- 3:47Speaker 1: the mentally fragile Joan who must clear her name, rescue Olympia,
- 3:51Speaker 1: and confront the gruesome and barbaric killer before it is
- 3:54Speaker 1: too late. Spoilers for the back.
- 3:57Speaker 4: Of the box. Yeah, that's like the entire plot. Okay.
- 4:00Speaker 1: So we don't need to watch that. But the most
- 4:03Speaker 1: important part is this DVD came with two pairs of
- 4:07Speaker 1: 3D glasses, which I'm sure we're missing from this used copy. Sup?
- 4:12Speaker 1: I have a box of 3D glasses. But I don't know, again,
- 4:15Speaker 1: I guess you have to know which ones. Are they
- 4:17Speaker 1: like cool, timey ones where it's.
- 4:18Speaker 4: Like blue and red?
- 4:19Speaker 3: The ones I have are the cool, timey ones.
- 4:20Speaker 1: As it should be. But I feel like all the
- 4:22Speaker 1: ones they made in that second wave, like starting late
- 4:25Speaker 1: 90s into the mid-2000s, were all like the gray, brown-looking,
- 4:29Speaker 1: boring-ass ones.
- 4:31Speaker 3: Well, I'm looking at a website that sells Scar 3D.
- 4:39Speaker 1: On Blu-ray.
- 4:42Speaker 3: But it's in German.
- 4:44Speaker 1: That's reassuring.
- 4:45Speaker 3: And it doesn't, I can't, I'm not seeing any pictures.
- 4:49Speaker 1: Speaking of Nazis.
- 4:52Speaker 3: But, I mean, I'm in just based on the cover
- 4:56Speaker 3: artwork alone. I mean, this tells you that this is
- 5:00Speaker 3: a movie.
- 5:00Speaker 4: Of high caliber.
- 5:01Speaker 1: See if that's the one I was looking at. That's
- 5:04Speaker 1: not even the one I was looking at.
- 5:05Speaker 4: That guy looks goofy. As a goofy murderer.
- 5:08Speaker 1: That's why you want to see this movie. You love
- 5:10Speaker 1: goofy movies. For those of you at home, the... He
- 5:14Speaker 1: just has a screaming face with scars. Yeah, I found
- 5:16Speaker 1: a bunch of those.
- 5:18Speaker 5: This has a man standing over a lady who's bloody,
- 5:24Speaker 5: and it looks like she's on one of those more
- 5:28Speaker 5: drawer thingies.
- 5:30Speaker 1: Sleighty drawers? Yeah.
- 5:31Speaker 2: Cool.
- 5:31Speaker 3: But he's dressed in black. Well, I'll save that for
- 5:36Speaker 3: the last. The look on his face says he does
- 5:41Speaker 3: not get enough fiber in his diet.
- 5:44Speaker 1: That's a problem, by the way.
- 5:46Speaker 3: He's got a gloved hand that looks like it's holding
- 5:49Speaker 3: something also bloody that I can't really tell what it says.
- 5:52Speaker 3: But the thingy de resistance here is that he is
- 5:56Speaker 3: wearing a black beret.
- 5:59Speaker 1: Hmm. Sure this isn't French?
- 6:01Speaker 3: I mean, we can only hope.
- 6:04Speaker 1: He also had a baguette, you would know for sure.
- 6:07Speaker 1: Because if I'm murdering people, I'm going to soak up
- 6:09Speaker 1: the blood with the baguette. They're very absorbent. There's a
- 6:13Speaker 1: lot of bread there.
- 6:16Speaker 3: Includes two pairs of 3D glasses. Some wounds never heal.
- 6:22Speaker 1: I believe that was on the same one. That was
- 6:24Speaker 1: on the box I saw.
- 6:26Speaker 3: On this website, we can get... Okay, this is interesting.
- 6:29Speaker 5: On this website, we can get it on DVD for $ 9.
- 6:31Speaker 3: 99, but we can also get it on Blu-ray for $ 4. 47,
- 6:37Speaker 3: which somehow seems backwards to me.
- 6:40Speaker 1: Some people don't have that fancy technology. I just pointed
- 6:44Speaker 1: that out, and people want to complain, or at least argue,
- 6:47Speaker 1: because anything on the internet, people want to argue. even
- 6:50Speaker 1: when it's the dumbest or most obvious statement, like no
- 6:53Speaker 1: matter what you say, somebody's going to come back in
- 6:56Speaker 1: the comments with a, but like they're just every time.
- 6:59Speaker 1: So I pointed this out. So now's a good enough
- 7:01Speaker 1: time to bring it up. I'm assuming if you have
- 7:05Speaker 1: internet and follow any movie related stuff, eventually the criterion
- 7:08Speaker 1: closet stuff has popped up on your feed in a
- 7:12Speaker 1: criterion closet where they welcome in famous actors and directors.
- 7:16Speaker 1: There are tons of criterion movies to, and they give
- 7:20Speaker 1: them a bag and they load up and take like
- 7:22Speaker 1: five or 10 home with them. There are DVDs in there.
- 7:26Speaker 1: And I just noticed, I mean, it's always been there,
- 7:27Speaker 1: but I just stopped and went, wait. So anyone you've
- 7:31Speaker 1: invited in here is rich and famous enough to be
- 7:35Speaker 1: invited in, but doesn't have a Blu-ray player. It's like,
- 7:39Speaker 1: that to me is weird. Because yes, I'm assuming there
- 7:42Speaker 1: are many old things that are out of print on
- 7:44Speaker 1: Blu-ray and you could only get on DVD. But I
- 7:47Speaker 1: feel like the whole point of it is, promoting things
- 7:49Speaker 1: that are currently available so i think everything in the
- 7:51Speaker 1: traveling closet is just like here's new stuff that we're
- 7:54Speaker 1: putting out right now as a commercial to go buy
- 7:57Speaker 1: this stuff that's on the shelf behind them so i
- 7:59Speaker 1: don't think it's out of print stuff so who is
- 8:02Speaker 1: this world famous director that doesn't own a blu-ray player
- 8:06Speaker 1: probably more than you'd think thank god i've got my
- 8:09Speaker 1: janky old dvd player that i can watch this masterpiece
- 8:13Speaker 1: on dvd.
- 8:14Speaker 3: There was an article, I mean, it's been probably 10
- 8:17Speaker 3: years or more now, but the technology existed. And the
- 8:21Speaker 3: whole thing was about how rich people are out of touch,
- 8:25Speaker 3: sometimes with the latest technology, even though you'd think they'd
- 8:30Speaker 3: be the first ones to adapt it. Their evidence of
- 8:34Speaker 3: that was an interview with Eminem, who was proudly showing
- 8:40Speaker 3: off his giant room of porn DVDs.
- 8:45Speaker 1: Sure.
- 8:46Speaker 3: And the interviewer pointed out, you know you can just
- 8:48Speaker 3: watch all this online now. Huh?
- 8:52Speaker 1: Yeah, exactly. I mean, or what? So they had to explain.
- 8:56Speaker 3: To him how to access online pornography.
- 9:00Speaker 1: Wow. That is out of the loop. Because that's been
- 9:03Speaker 1: around for a while. They were like, day one, here's
- 9:06Speaker 1: the internet. Day two, look at all this porn.
- 9:09Speaker 3: Like I say, this was an older article, but even
- 9:13Speaker 3: at that time.
- 9:14Speaker 1: Yeah. That's weird.
- 9:17Speaker 2: Yeah.
- 9:17Speaker 1: But I would think, again, people, specifically there's a lot
- 9:21Speaker 1: of directors. I feel like directors are kind of hardcore
- 9:23Speaker 1: about the specifics of theirs. They would want. You'd think that.
- 9:28Speaker 3: Would be in their contract somewhere that the studio would
- 9:30Speaker 3: give them a DVD or.
- 9:31Speaker 1: A Blu-ray player. I want a Blu-ray player and a
- 9:33Speaker 1: bunch of Blu-rays from your studio since I signed this
- 9:36Speaker 1: dumb contract with you. So you would think. I don't know.
- 9:40Speaker 1: I just thought that was funny when I stopped and
- 9:42Speaker 1: thought about it. I was like, that almost makes no sense.
- 9:45Speaker 1: And regardless, people wanted to be in the comments going, no, cuz.
- 9:49Speaker 1: And I'm like, whatever. I'm just making a stupid comment.
- 9:52Speaker 1: You don't really have to go to the mat for it.
- 9:53Speaker 1: I don't give a rat's ass. I just thought it
- 9:56Speaker 1: was funny. Ah, the internet. Oh, yeah.
- 10:01Speaker 3: Good times, good times.
- 10:03Speaker 1: That's the place you can hear us say ridiculous things
- 10:05Speaker 1: like this.
- 10:07Speaker 3: There's one thing that always bugs me, and it's that
- 10:10Speaker 3: they've clearly been in there for several weeks, maybe a month,
- 10:13Speaker 3: maybe even more, and all of a sudden they find
- 10:16Speaker 3: some weird spot that That's in a part of the
- 10:19Speaker 3: house that they've clearly been working on and there's bugs
- 10:22Speaker 3: crawling out of it. And how that goes unnoticed, I
- 10:26Speaker 3: have no idea. I would think that would be day
- 10:29Speaker 3: one stuff.
- 10:29Speaker 4: Yeah.
- 10:30Speaker 1: Every other day you just walk past the orifice that's
- 10:33Speaker 1: oozing flies. But today you're like, ah, damn, I guess
- 10:36Speaker 1: I got to address that.
- 10:38Speaker 2: One of them it becomes clear is an actor who
- 10:41Speaker 2: has been planted because she like runs off into the
- 10:43Speaker 2: woods and then there's this whole like fake storyline about
- 10:46Speaker 2: where everybody else is supposed to like be concerned that
- 10:49Speaker 2: she left but it seems like they all kind of
- 10:51Speaker 2: know she's an actor That actually.
- 10:54Speaker 3: Kind of makes sense so far.
- 10:55Speaker 1: Layers upon layers.
- 10:57Speaker 2: Yes, and so then one of the other contestants finds
- 10:59Speaker 2: her body later, but it's like, well, she also has
- 11:02Speaker 2: to be an actor because if you actually thought that
- 11:04Speaker 2: you found a dead body, you'd be freaking out.
- 11:06Speaker 1: You'd be a little upset, I would hope.
- 11:07Speaker 4: You'd be like, we need to call the cops.
- 11:09Speaker 3: I would need new pants at the least.
- 11:13Speaker 1: Like, I think I'm impressed with how much they've stuck
- 11:17Speaker 1: to the ghetto-ness of this movie. Like, it's still not
- 11:21Speaker 1: a fancy movie. Like, it can't be. And that's, I think,
- 11:24Speaker 1: a lot of complaints I heard was just like, well,
- 11:27Speaker 1: it's not as bare bones mess that the original one was,
- 11:30Speaker 1: which was its own charm. Yeah. Versus it's not a
- 11:33Speaker 1: multi-million dollar flashy movie, so why am I watching this?
- 11:36Speaker 1: So I'm like, I don't know. I kind of like
- 11:38Speaker 1: where it lands in the middle.
- 11:41Speaker 3: I will say the first couple minutes, I think I
- 11:43Speaker 3: actually said, oh, it's scary stuff's happening in the house
- 11:46Speaker 3: and the kid's drawing pictures of it.
- 11:48Speaker 1: I've never seen that before. That's the part I was like,
- 11:50Speaker 1: here's the list I started making of movies. The kid
- 11:53Speaker 1: draws scary pictures with their crayons.
- 11:55Speaker 3: Which, by the way, if your kid draws pictures at all,
- 11:58Speaker 3: call a priest.
- 12:00Speaker 1: Just go ahead and call a priest.
- 12:01Speaker 4: Especially those pictures.
- 12:03Speaker 1: No, even if you have those... Put them on the refrigerator.
- 12:06Speaker 1: I want to see the cool crayon murder pictures on
- 12:08Speaker 1: the refrigerator.
- 12:09Speaker 3: Cause I would be there to jump way ahead. There was,
- 12:12Speaker 3: I know it was supposed to be a serious moment,
- 12:14Speaker 3: but there was one picture in particular that he had drawn.
- 12:17Speaker 1: And I remember thinking, there are several times in this
- 12:22Speaker 1: movie that I stopped and went, I'm, I don't believe
- 12:25Speaker 1: we're going here. Like, there are moments that I'm just like,
- 12:28Speaker 1: what the hell is going on in this movie right now?
- 12:31Speaker 1: And I love it a little more for that.
- 12:33Speaker 3: Sometimes I like it. I love it when a filmmaker says,
- 12:38Speaker 3: I have this box of ideas and I'm just going
- 12:41Speaker 3: to shove them all together and we'll see what happens.
- 12:46Speaker 2: Or let's not put them in the room that's half
- 12:48Speaker 2: cordoned off with the translucent plastic sheeting where you can
- 12:52Speaker 2: see scary silhouettes.
- 12:55Speaker 1: There's half of my issue with them as flippers. What
- 12:58Speaker 1: is that? Again, to go ahead and jump to further
- 13:02Speaker 1: into the movie, but I'm like, every time I'm like,
- 13:04Speaker 1: what is that accomplishing in your flip right now?
- 13:07Speaker 2: I'm like, is that dangerous for your child that is
- 13:10Speaker 2: sleeping in there?
- 13:11Speaker 1: That's where we keep the asbestos over there. So you
- 13:14Speaker 1: sleep a few feet away from it.
- 13:15Speaker 4: We gotta peel off all the lead paint.
- 13:17Speaker 3: Here's where it gets weirder. They showed several rooms of
- 13:20Speaker 3: the house that appeared to be fully furnished Yeah. With
- 13:24Speaker 3: their stuff. And I, and when they first showed the
- 13:27Speaker 3: kid's room, I'm thinking, man, he's got like posters up
- 13:30Speaker 3: and this is a lift. And I, and I was like, okay,
- 13:32Speaker 3: I get it. They're trying to make the kid feel comfortable.
- 13:34Speaker 3: But then at a certain point you see that, no,
- 13:37Speaker 3: he's got a plastic sheet hanging.
- 13:38Speaker 1: It's like, Okay. I understand the real world answer is
- 13:43Speaker 1: that's where the creepiness is.
- 13:45Speaker 5: Yes.
- 13:45Speaker 1: That's where the silhouettes are. So it looks cool. I
- 13:48Speaker 1: understand from Angel's point of view as the director. But
- 13:52Speaker 1: from a practical character, I'm like, what are you doing? Like,
- 13:56Speaker 1: if you're painting, you cover up stuff. Or if you're, again,
- 14:01Speaker 1: if you're walling that off, but like there's posters on
- 14:05Speaker 1: the other side. There's furniture on the other side. Like,
- 14:07Speaker 1: it's still something you're going into. So why do you
- 14:10Speaker 1: need a curtain in the middle of the room that's
- 14:12Speaker 1: a plastic sheet of... I don't understand what's going on here.
- 14:17Speaker 3: But I sat down to watch it, not realizing it
- 14:19Speaker 3: was part of the goddamn Conjuring universe.
- 14:23Speaker 1: I'd forgotten that somehow. You cannot escape.
- 14:25Speaker 3: Well, because the day after I watched it was when
- 14:28Speaker 3: they announced that the new... Conjuring movie is set to
- 14:32Speaker 3: be released later this year. And I don't know what
- 14:35Speaker 3: I've gotten myself into.
- 14:38Speaker 1: Unless it's going to be like battle of the network stars.
- 14:40Speaker 1: Don't show me your physical, maybe double bear, occasionally American
- 14:43Speaker 1: gladiators reruns, you know, but the good stuff, but like
- 14:46Speaker 1: any modern version of it, I'm just like physical challenges.
- 14:49Speaker 3: You know how sad I get when you bring up
- 14:52Speaker 3: battle of the network stars.
- 14:55Speaker 1: Yeah.
- 14:55Speaker 3: This movie is not cat friendly.
- 14:58Speaker 1: Um, You ever give a cat ear medicine? Not easy.
- 15:03Speaker 4: Don't do it.
- 15:04Speaker 3: I can't imagine putting a little noose on him and
- 15:06Speaker 3: hanging him from a tree would be any easier. I
- 15:08Speaker 3: feel so bad for saying that out loud.
- 15:13Speaker 4: I was just going to say she knew because she
- 15:15Speaker 4: was a witch. She's a witch ghost.
- 15:18Speaker 1: Again, we're massively blurring the lines here. Like, what are
- 15:22Speaker 1: all these things? Sometimes it's just weird, spooky ghosts that
- 15:24Speaker 1: you can't see. Now it's a vision of your dead wife.
- 15:27Speaker 1: Maybe he brought that with him because he already had
- 15:30Speaker 1: that ghost in his head version that manifested itself. Or
- 15:34Speaker 1: is it all in his head and he's freaking crazy?
- 15:36Speaker 1: I don't know. Like, you're 15 minutes in and we
- 15:41Speaker 1: are full-on world domination. If you died wearing shoes, you're
- 15:47Speaker 1: stuck with those shoes for the rest of your damn life.
- 15:49Speaker 1: So you better hope you die in really cool shoes
- 15:52Speaker 1: or comfortable shoes because... If you die in something stupid,
- 15:56Speaker 1: you're stuck wearing something stupid the rest of your eternity.
- 15:59Speaker 1: So keep that in mind when you're about to die.
- 16:02Speaker 3: Which makes me wonder if there is a tap dancing
- 16:04Speaker 3: ghost out there somewhere.
- 16:07Speaker 1: I want to know a lot of details about the
- 16:09Speaker 1: other side that may or may not match up with
- 16:12Speaker 1: the TV show I'm watching. So I need to know
- 16:14Speaker 1: what are the specifics of how this works.
- 16:16Speaker 4: I have a Ouija board.
- 16:19Speaker 1: That's my go-to. It's like, okay, I'm going to ask
- 16:21Speaker 1: some questions, and the only way I've got is Ouija.
- 16:24Speaker 3: Things never end well when someone says that.
- 16:27Speaker 4: And it's a used one, too. It's a vintage one.
- 16:29Speaker 1: Oh, then we're fine. We've already had all the murders
- 16:32Speaker 1: that one had in it. You only have so many
- 16:34Speaker 1: dead people involved with each Ouija.
- 16:36Speaker 3: You get like four or five. You shake it a
- 16:38Speaker 3: couple times.
- 16:39Speaker 1: You get a couple more. Like an Etch-A-Sketch. You just
- 16:40Speaker 1: shake it and start over. Well, as I say, you shake.
- 16:43Speaker 3: It to get the rest of it out, kind of
- 16:44Speaker 3: like toner ink.
- 16:45Speaker 4: Oh, God.
- 16:46Speaker 1: I can't afford a Ouija board then. Never mind.
- 16:50Speaker 2: There was one scene where he's just sitting there depressed
- 16:52Speaker 2: watching home movies. And I was like, turn the TV
- 16:56Speaker 2: off and get to work.
- 16:58Speaker 1: You could make it a theme. Come stay on the
- 17:01Speaker 1: haunted hotel.
- 17:03Speaker 4: I did say, okay, medieval torture museum. Yeah. Where's their
- 17:07Speaker 4: shitty little dummies?
- 17:08Speaker 3: Listen, there are several different types of people that I'm
- 17:12Speaker 3: not going to get into today. but they would be interested.
- 17:16Speaker 4: In a dungeon. Yeah.
- 17:18Speaker 3: And you can take that in any direction you want.
- 17:22Speaker 1: I feel like everybody here would be.
- 17:24Speaker 4: For a different way.
- 17:26Speaker 3: I feel like the three of us would be for
- 17:27Speaker 3: the more quote-unquote innocent reasons.
- 17:29Speaker 4: Yes.
- 17:30Speaker 3: Or possibly macabre reasons.
- 17:32Speaker 1: Yes, definitely that. But also just for cool aesthetics. Yeah.
- 17:37Speaker 1: Do I think that it's dumb? Yes, it is dumb.
- 17:41Speaker 1: Did I give a shit? No.
- 17:42Speaker 3: Well, that's another thing I love when a movie admits
- 17:46Speaker 3: that it's dumb.
- 17:46Speaker 1: I mean, it just... And it looked like it was like.
- 17:49Speaker 3: We know, we know.
- 17:50Speaker 1: I mean, it just full on embraces the stupid things
- 17:54Speaker 1: along the way. And then again, like I said, takes
- 17:57Speaker 1: it up a couple of notches. Every few minutes, every
- 18:00Speaker 1: 15 minutes or so, there's another, oh my God, we're
- 18:03Speaker 1: not good.
- 18:04Speaker 4: Okay, there we are. So, yeah, yeah.
- 18:07Speaker 1: It's entertaining. I would have been eating the popcorn right
- 18:11Speaker 1: out of my industrial drum. It is a popcorn movie
- 18:14Speaker 1: that I thoroughly enjoy. So go to MovieMeltdown.com, join the
- 18:19Speaker 1: Meltdown Horror Club, and give us a better title than
- 18:22Speaker 1: Scar 3D with or without the glasses. Because we'd probably
- 18:26Speaker 1: get it without the glasses, and then we'd be like,
- 18:28Speaker 1: why is this all blurry? I can't see this weird
- 18:30Speaker 1: German person with a beret on. So just give us
- 18:35Speaker 1: a better option.
- 18:37Speaker 3: I may order the 447 one.
- 18:41Speaker 1: It totally is going to come without the glasses. You'll
- 18:44Speaker 1: be using the old timey ones and you'll be like,
- 18:46Speaker 1: this doesn't work. Everything's just blue and red. Kind of
- 18:49Speaker 1: purple when I cross my eyes.
- 18:53Speaker 3: That is something I would do.
- 18:54Speaker 1: Yeah. Purple's cool. Everything should be in purple vision.