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Betterfellas: The Goodfellas Sequel (w/ Peter Banifaz) · Artists on Artists on Artists on Artists

• 0:00
  Speaker 1: Welcome back to artists on artists on artists on artists.
• 0:02
  Speaker 2: Boy, do we have a panel for you today.
• 0:04
  Speaker 3: The Streams Screenwriting Expert panel of new voices in Hollywood.
• 0:08
  Speaker 4: Costumes are character.
• 0:10
  Speaker 5: Buck Mary Kill wide shot, two shot, close up. This
• 0:14
  Speaker 5: is on artists on artists on artists.
• 0:16
  Speaker 1: Do you know why they call it show business?
• 0:18
  Speaker 3: I always wondered that. Welcome back to artists on artists
• 0:27
  Speaker 3: on artists on artists, and guys, this one's gonna be good.
• 0:33
  Speaker 6: One of the greatest films of the nineteen nineties was Goodfellas.
• 0:36
  Speaker 6: Many say it was a perfect film that never needs
• 0:40
  Speaker 6: a sequel, but the people that made Goodfellas Too Better
• 0:43
  Speaker 6: Fellas disagree.
• 0:46
  Speaker 2: Sometimes we don't get what we want, but we do
• 0:50
  Speaker 2: get what we need, and some would argue that Better
• 0:55
  Speaker 2: Fellas is a human need.
• 0:58
  Speaker 7: Let's listen in.
• 1:03
  Speaker 6: I am scar and the screenwriter of Goodfellas Too Better Fellows.
• 1:13
  Speaker 4: My name is Francisco Florentina, and I am a actor
• 1:17
  Speaker 4: in the new Good Fellows to Better Fellas.
• 1:22
  Speaker 5: I doing.
• 1:22
  Speaker 8: My name is too bid Johnny, and I am an
• 1:26
  Speaker 8: actor and Goodfellas Too Better Fellas.
• 1:29
  Speaker 3: I play for us. Hello, I'm Dietrich O'Malley, and I
• 1:34
  Speaker 3: am an actor in the film Goodfellas to Better Fellas.
• 1:40
  Speaker 9: Hello, I am a famous French actress, Malayan Cutia, and
• 1:46
  Speaker 9: I played zimmer bos Poly.
• 1:49
  Speaker 3: Wow, it's so lovely to see all of us here
• 1:51
  Speaker 3: for this press tour. I am. I guess I'll be
• 1:57
  Speaker 3: the first to speak here and say, Wow, what a film?
• 2:01
  Speaker 5: Am I right?
• 2:03
  Speaker 6: Yeah, you're right, it's quite a film. I wanted to
• 2:06
  Speaker 6: go around to and and you know, we have such
• 2:08
  Speaker 6: an international cast. I think everyone's curious where everyone's from.
• 2:13
  Speaker 3: Oh well, lovely. I I am from Ireland, Cork region.
• 2:19
  Speaker 9: Uh, I am from It's sort of a southeastern, very
• 2:26
  Speaker 9: rural part of France.
• 2:29
  Speaker 1: I believe it's called Pally.
• 2:35
  Speaker 5: Rural Paris.
• 2:37
  Speaker 1: Yes, it's a.
• 2:37
  Speaker 9: It's a not a not like the city. It's a
• 2:41
  Speaker 9: rural Paris.
• 2:42
  Speaker 5: What's it called Pally?
• 2:47
  Speaker 10: So?
• 2:48
  Speaker 5: Yes?
• 2:48
  Speaker 9: Sure a you a I is?
• 2:57
  Speaker 1: Yes, so it's you, it's you and it Yes, it's Pali.
• 3:01
  Speaker 9: I'm loads of people have not heard a population twelve people,
• 3:06
  Speaker 9: very small.
• 3:07
  Speaker 4: So I am Francisco, Florentina of Italy. I am from
• 3:15
  Speaker 4: the Napolis region. My father is from actually Mendocino County.
• 3:27
  Speaker 5: What part of.
• 3:29
  Speaker 11: It.
• 3:29
  Speaker 4: It's no Mendocino County here in northern California. I believe
• 3:34
  Speaker 4: it's just I never met my father. Oh okay, we
• 3:38
  Speaker 4: have that in common. Yes, so that is where That's
• 3:41
  Speaker 4: where I'm from. I speak Italian. This is my as men,
• 3:45
  Speaker 4: you know, this is my was my first English language film,
• 3:49
  Speaker 4: and I was very excited to do this, very excited to.
• 3:52
  Speaker 8: Do Yeah, I'm from New York, New York. Nice, yeah,
• 4:00
  Speaker 8: not much.
• 4:00
  Speaker 3: Do it lovely? Absolutely lovely.
• 4:02
  Speaker 6: And this is a fun trick that I got to
• 4:05
  Speaker 6: watch from video village. All you guys have such different
• 4:08
  Speaker 6: voices as characters. I was wondering if you could endow
• 4:11
  Speaker 6: your character as we know. Good Fella us to takes
• 4:13
  Speaker 6: place in Boston, and I would love for you guys
• 4:17
  Speaker 6: sit throw on your Boston accidents for everyone to hear,
• 4:21
  Speaker 6: if they're I listening right now.
• 4:24
  Speaker 9: It took a long time to get sort of the
• 4:27
  Speaker 9: Boston Italian accent down, but it went a little something
• 4:33
  Speaker 9: like for me, I worked with my vocal culture a
• 4:35
  Speaker 9: lot because I am in uh, we did not I'm
• 4:39
  Speaker 9: sure you know, gender bend this role at all. I
• 4:43
  Speaker 9: am in heavy prosthetics. I am you know, I am
• 4:45
  Speaker 9: I am male, and so it was very graff. It
• 4:48
  Speaker 9: was from from the gut, something sort of like, hey,
• 4:53
  Speaker 9: for everybody doing ben Way back and it. I had
• 5:00
  Speaker 9: to repeat that over and over and over again before
• 5:03
  Speaker 9: the beginning of every.
• 5:04
  Speaker 3: Oh, that was your in, that was your into the character,
• 5:07
  Speaker 3: that was.
• 5:08
  Speaker 1: My into the character. It was how's everybody doing Fenway back?
• 5:13
  Speaker 5: And go?
• 5:14
  Speaker 1: You know, then you start the scene, start the scene.
• 5:17
  Speaker 3: That's lovely.
• 5:18
  Speaker 5: Yeah.
• 5:18
  Speaker 3: Well I had a similar process because you know, luckily,
• 5:24
  Speaker 3: you know, the film has a couple of Irish people,
• 5:26
  Speaker 3: but unluckily for me, I was not cast as one
• 5:29
  Speaker 3: of them. I was cast as a as a Bostonian,
• 5:34
  Speaker 3: as a Bostonian, So my into the to the accent
• 5:41
  Speaker 3: was a little bit.
• 5:41
  Speaker 5: More like paynuts, get your pay nuts.
• 5:46
  Speaker 3: And you know, when I first started.
• 5:48
  Speaker 9: I should say this film takes place solely in Fenway.
• 5:51
  Speaker 8: Park, Like, yeah, Ona in the Fenway Park.
• 5:56
  Speaker 5: Yeah, I mean I can wear I can talk about that.
• 5:58
  Speaker 6: It's about you, you know, I imagine I was watching a
• 6:02
  Speaker 6: Red Sox scheme and I thought, what if there's a
• 6:04
  Speaker 6: bunch of mob guys under this field? And I got
• 6:09
  Speaker 6: it and next you know, I wrote one hundred and
• 6:12
  Speaker 6: fifty pages in a day.
• 6:13
  Speaker 5: We cut that down to seventy five and we shot
• 6:15
  Speaker 5: the next month.
• 6:17
  Speaker 4: Well.
• 6:17
  Speaker 3: I loved the film, really, and I don't want to
• 6:20
  Speaker 3: take away from the accents, but I loved how you know,
• 6:24
  Speaker 3: they were really trying to be moral characters.
• 6:27
  Speaker 5: Yeah, in a way.
• 6:28
  Speaker 4: That's a beautiful That's beautiful man, it's a beautiful man.
• 6:32
  Speaker 4: I want to tell I want to tell Frederick Felini, FREDI, I.
• 6:37
  Speaker 8: Love the way you introduced yourself all the time for
• 6:40
  Speaker 8: a week. Well, I never get tired of it because
• 6:42
  Speaker 8: it sounds like fucking music.
• 6:44
  Speaker 4: It's just something I used to do growing up in
• 6:46
  Speaker 4: military school. And my father put me in military school
• 6:51
  Speaker 4: and I was there until I graduated.
• 6:55
  Speaker 5: He did a lot for someone who.
• 6:58
  Speaker 4: Yeah, yes, when my father did a lot. No, he
• 7:01
  Speaker 4: just put me in school and I didn't see him
• 7:03
  Speaker 4: for a good twelve thirteen years. Okay, but that's another
• 7:07
  Speaker 4: story for another day. So the accent for me, as
• 7:10
  Speaker 4: you know, it is my first English speaking movie. I was,
• 7:14
  Speaker 4: you know, I was like, what the fuck was that?
• 7:17
  Speaker 4: Oh No, that scared the ship out of the ship
• 7:21
  Speaker 4: out of me, Like, oh my god. It imagine when
• 7:28
  Speaker 4: you sleep in military school at four in the morning.
• 7:32
  Speaker 4: You hear gunshots, gunshots every morning. That's how they wake
• 7:36
  Speaker 4: you up. That's how they wake you up. Wow, let
• 7:39
  Speaker 4: me get let me just finished up this bit about
• 7:42
  Speaker 4: the as uh. So you know, they was get into
• 7:45
  Speaker 4: the accent. You know, it's Italian. Irish is like, okay, hey, Jimmy,
• 7:51
  Speaker 4: let me tell you something. I'm going by. That's stylium.
• 7:57
  Speaker 4: That stydium. I'll go by the style of Fangway Park,
• 8:03
  Speaker 4: Uh looking for gouchees and that's uh, you know, And
• 8:08
  Speaker 4: that's that's sort of how I got to get into that.
• 8:12
  Speaker 4: It took a lot long time and my my cast mates.
• 8:15
  Speaker 9: I was blown away at how quickly you picked up
• 8:19
  Speaker 9: the American dialogue and the regional accent of this.
• 8:23
  Speaker 1: Our director Anna Kendrick was so.
• 8:26
  Speaker 9: Intent on this was it did such a good job
• 8:31
  Speaker 9: at really capturing the the authentic name because we are
• 8:34
  Speaker 9: telling real stories, telling stories. But I would love to
• 8:38
  Speaker 9: hear everyone's accent.
• 8:39
  Speaker 1: I'm so sorry.
• 8:42
  Speaker 5: God. Yeah.
• 8:43
  Speaker 8: So Fuzz was the uh security guy that runs with
• 8:48
  Speaker 8: the group you'll see in the movie. Uh Fuzz sounds
• 8:53
  Speaker 8: a little like this.
• 8:58
  Speaker 4: By big it up, backup.
• 9:03
  Speaker 8: Ey because Fuzz got his his Anna and I built
• 9:08
  Speaker 8: a beautiful backstory for Fuzz that Fuzz got smushed by
• 9:12
  Speaker 8: a popcorn machine at age five, So his nose and
• 9:16
  Speaker 8: his mouth are really close together.
• 9:18
  Speaker 3: It's a bit like a pug. What he took like
• 9:21
  Speaker 3: a pug? What a pug? Oh?
• 9:23
  Speaker 7: A pug?
• 9:24
  Speaker 5: Oh?
• 9:24
  Speaker 7: I love that that he said a punk?
• 9:26
  Speaker 6: Good?
• 9:26
  Speaker 11: Oh?
• 9:27
  Speaker 3: Never no never, no good good good.
• 9:29
  Speaker 5: You know that was lovely.
• 9:35
  Speaker 7: I mean, they're such good characters that you built.
• 9:37
  Speaker 6: Hey, please, it was an honor to make this movie.
• 9:40
  Speaker 6: It was really talk about.
• 9:42
  Speaker 3: Donna Hendrick and you know what she brought. And also
• 9:44
  Speaker 3: you know the plot. Yeah, let's get into it.
• 9:46
  Speaker 5: Let's get into the meat and potatoes. Well, we're all here, right,
• 9:50
  Speaker 5: let's really dive right in good Fellow's Two Better Fellas.
• 9:55
  Speaker 6: Obviously you know about we called this a bottle of
• 10:00
  Speaker 6: episode of a movie.
• 10:01
  Speaker 5: You know, we decided.
• 10:03
  Speaker 3: Which most movies are Most movies are just bottle episodes
• 10:06
  Speaker 3: for twos. WHOA.
• 10:09
  Speaker 7: I never thought about the fact that a movie is
• 10:11
  Speaker 7: an episode.
• 10:11
  Speaker 5: Kind of yeah, yeah, whoa.
• 10:13
  Speaker 6: I'm mostly am a TV writer. I wrote a lot
• 10:16
  Speaker 6: of reports about different curse words that were being used
• 10:21
  Speaker 6: on talk shows.
• 10:22
  Speaker 5: I worked in censorship, so you did.
• 10:28
  Speaker 1: They did say standards and practices.
• 10:31
  Speaker 5: Yes, standards are practices.
• 10:32
  Speaker 6: But I call myself a writer because I wrote papers
• 10:34
  Speaker 6: and reports about Oh there were you know, uh James
• 10:37
  Speaker 6: Corden used four D words, three S words, stuff like that.
• 10:41
  Speaker 5: I mean that stuff was.
• 10:42
  Speaker 9: May I ask you do you ever say these words
• 10:44
  Speaker 9: out loud? Because as a filmmaker you must be so
• 10:47
  Speaker 9: open with your language.
• 10:49
  Speaker 1: Do you ever do you swear?
• 10:51
  Speaker 2: No?
• 10:51
  Speaker 6: I'm a proud member of the No Cussing Club. It
• 10:55
  Speaker 6: is a really cool club founded by this kid McKay
• 10:57
  Speaker 6: hatch in two thousand and eight about It's No Cussing
• 11:02
  Speaker 6: About m McKay hatch is a guy that started this
• 11:06
  Speaker 6: thing called the No Cussing Club.
• 11:07
  Speaker 5: And there's a phrase call do you want to hang
• 11:09
  Speaker 5: with us? Don't cuss?
• 11:10
  Speaker 6: He wrote a book about all sorts of alternatives you
• 11:12
  Speaker 6: could use instead of curse words, like you can say, oh, pickle,
• 11:16
  Speaker 6: you can say stuff like that.
• 11:17
  Speaker 5: This is a real book. Look up No Cussingclub dot com.
• 11:21
  Speaker 3: You know, this is actually really interesting because I guess
• 11:24
  Speaker 3: I didn't put it together. Why there was not a
• 11:27
  Speaker 3: single cuss word in the whole movie.
• 11:29
  Speaker 5: No, No, No.
• 11:30
  Speaker 6: That was my biggest complaint about the First Good Fellas
• 11:33
  Speaker 6: too much cussing.
• 11:35
  Speaker 8: I have to disagree with you on that. I love
• 11:38
  Speaker 8: the cussing. And it was hard for me to work
• 11:39
  Speaker 8: on this set.
• 11:40
  Speaker 7: Because flices like this to get out.
• 11:45
  Speaker 8: And it was hard not to throw in an occasional
• 11:48
  Speaker 8: f bomb in there. But you you were strict on set.
• 11:50
  Speaker 8: You you hold the tight chip.
• 11:52
  Speaker 10: Well.
• 11:52
  Speaker 6: I went to Catholic school, so you know it brought
• 11:53
  Speaker 6: the paddle to set, just like the.
• 11:58
  Speaker 4: Growing up school. There's the connection because there's a lot
• 12:02
  Speaker 4: of discipline. But I was also, you know it first
• 12:04
  Speaker 4: Europeans a bunch. I'm from Italy, so Thepeens wescussed a
• 12:09
  Speaker 4: lot in our daily walking and talkings. So it was
• 12:12
  Speaker 4: hard for me to not do that. So you know,
• 12:14
  Speaker 4: I come like, let me tell you sump, Okay, I'm
• 12:17
  Speaker 4: gonna fucking put my foot up your yes, and then
• 12:22
  Speaker 4: after that we're going to the gods. What's the fucking peanuts?
• 12:28
  Speaker 3: Oh major plot point there. I wouldn't give that one away.
• 12:32
  Speaker 3: Can stop talking about just take you.
• 12:35
  Speaker 8: Let me just say you are an incredible actor. What
• 12:38
  Speaker 8: you just did out of nowhere. You just did your
• 12:40
  Speaker 8: pivotal line as a character and you just fucking blew
• 12:43
  Speaker 8: me away.
• 12:44
  Speaker 4: Thank you so much, I see you know it's I wanted. Yeah,
• 12:51
  Speaker 4: thank you so much.
• 12:54
  Speaker 5: Yeah, we did get a lot.
• 12:55
  Speaker 6: I remember you used to come up and used to
• 12:58
  Speaker 6: act for discipline on set, used to say, can.
• 13:00
  Speaker 5: I you know you still have a glunt in your eye?
• 13:02
  Speaker 2: You know.
• 13:02
  Speaker 5: I was over in Video Village, and god, I love
• 13:06
  Speaker 5: Video Village by the way.
• 13:07
  Speaker 9: I love the talking about Video Village every cap, buddy,
• 13:11
  Speaker 9: You're always talking my.
• 13:12
  Speaker 1: Ear video village.
• 13:14
  Speaker 5: You gotta hear what's going on over there? I mean
• 13:16
  Speaker 5: the producers, what goes on.
• 13:18
  Speaker 6: I mean, we had all sorts of different funny snacks
• 13:21
  Speaker 6: and cups, you know, like someone will go.
• 13:23
  Speaker 4: To cups, funny cups.
• 13:26
  Speaker 5: I mean sometimes it's one the other, you know, it's sometimes.
• 13:30
  Speaker 4: It's described it, but it's kiss No, it's French.
• 13:35
  Speaker 1: Hey, hey, hey, what because.
• 13:40
  Speaker 9: You have got be right into fifty percent of the
• 13:43
  Speaker 9: French language.
• 13:44
  Speaker 5: What no way that.
• 13:46
  Speaker 4: Is but tillions of yours.
• 13:51
  Speaker 9: I am a very wealthy woman. I am you know,
• 13:54
  Speaker 9: very famous, very accomplished. But this is not about me.
• 13:57
  Speaker 9: This is about good fellows to better fellows. Yeah, and
• 14:00
  Speaker 9: I would love to hear you know, is summing up babies,
• 14:03
  Speaker 9: a plot and the genesis of Really, we've been blabbing
• 14:08
  Speaker 9: on about this.
• 14:09
  Speaker 1: What is this movie?
• 14:11
  Speaker 6: Right?
• 14:11
  Speaker 5: Let me let me just get right into it here.
• 14:13
  Speaker 6: So Goodfellows one is about Harry Hill, who couldn't be
• 14:17
  Speaker 6: a fully made man, but he did as much as
• 14:19
  Speaker 6: he could in the mob otherwise cast some trouble, had,
• 14:22
  Speaker 6: some foes dealt with him accordingly. So when we were
• 14:26
  Speaker 6: making Goodfellas too, you know, we were trying to say
• 14:30
  Speaker 6: what could we take that would we could use, that
• 14:34
  Speaker 6: would be you know, different, And so I started I.
• 14:37
  Speaker 5: Named this is This is a story of a guy
• 14:41
  Speaker 5: named Marvin Mountain. And Marvin Mountain is a.
• 14:45
  Speaker 12: Gangster and he works in the peanut trade, as we've
• 14:51
  Speaker 12: talked about a little bit already, and he works down
• 14:56
  Speaker 12: under Fenway Park where they store all the peanuts.
• 14:59
  Speaker 6: And there's kind of a peanut extortion ring that of
• 15:01
  Speaker 6: course we've figured out. And the whole thing takes place
• 15:05
  Speaker 6: over one hour. Then we shot it in two shots.
• 15:09
  Speaker 6: You know, we love the tracking shot of Goodfellas, and
• 15:12
  Speaker 6: we said, let's do that one up.
• 15:14
  Speaker 3: You know that was Anna's call, wasn't it?
• 15:17
  Speaker 5: That was Anna? I'd love to talk about how we
• 15:19
  Speaker 5: got Anna.
• 15:20
  Speaker 6: So we approached Martin. Martin was so excited, so excited
• 15:25
  Speaker 6: to do this. He loved the script, he did he
• 15:28
  Speaker 6: was way into this, and then all of a sudden,
• 15:32
  Speaker 6: no interest, Silent wouldn't answer my calls.
• 15:36
  Speaker 3: What do you think happened?
• 15:37
  Speaker 6: I think that he read the script. If I'm gonna
• 15:40
  Speaker 6: be honest with you, I think he read this.
• 15:42
  Speaker 9: Do you think he was very into this, into the script.
• 15:47
  Speaker 1: He loves the script, He read the script.
• 15:50
  Speaker 5: Yeah, And I think he read the email. And and
• 15:52
  Speaker 5: I'm kind of a harsh guy. You guys know me.
• 15:53
  Speaker 5: I talked about this.
• 15:54
  Speaker 7: One and stuff, cluss words, you strict.
• 15:57
  Speaker 6: And in the email I called him little fucking eyebrow boy,
• 16:02
  Speaker 6: and he cussed.
• 16:04
  Speaker 5: Oh I cussed.
• 16:07
  Speaker 9: Do you have to repent now that you have cussed?
• 16:09
  Speaker 9: I mean, how many years has it been since you
• 16:11
  Speaker 9: have cused?
• 16:12
  Speaker 5: Oh my god, I can't believe I just cussed. I
• 16:15
  Speaker 5: mean even in.
• 16:16
  Speaker 4: The email, as if you do it, as if you
• 16:20
  Speaker 4: do it every second of the day.
• 16:21
  Speaker 1: Really it very well, because.
• 16:28
  Speaker 6: Look, if McKay hears about this, I am going to
• 16:31
  Speaker 6: lose my membership.
• 16:32
  Speaker 7: How does his membership work?
• 16:35
  Speaker 6: We pay fifty five thousand dollars every two years two years.
• 16:39
  Speaker 3: Yeah, is it kind of like a situation where whoever
• 16:43
  Speaker 3: is the last person who didn't cuss wins the pot.
• 16:46
  Speaker 6: Yeah, it's kind of like a final destination because the
• 16:49
  Speaker 6: truth of it is that we all know that cussing
• 16:51
  Speaker 6: comes for us. You can't stop it, you can't control it.
• 16:54
  Speaker 6: And it's it's it is like going sober. It is like,
• 16:57
  Speaker 6: you know, I have to go back and I have
• 16:59
  Speaker 6: to grovel to make can I have to ask him
• 17:00
  Speaker 6: to be back.
• 17:01
  Speaker 5: In and he's in I school this one. He's stressed
• 17:04
  Speaker 5: the movie.
• 17:05
  Speaker 3: So anyway, these basically it's two shots.
• 17:10
  Speaker 5: So it's two shots.
• 17:11
  Speaker 6: Is about the extortion ring of the Peanut Gang under
• 17:16
  Speaker 6: of course the Finnway Park, and I'm not talking about
• 17:19
  Speaker 6: the Peanuts game.
• 17:20
  Speaker 9: Oh no, no, no, no no, that is copyright in it
• 17:23
  Speaker 9: is another another ip. But I love the tracking shot
• 17:27
  Speaker 9: where you know, paying amach to that iconic shot in
• 17:31
  Speaker 9: Goodfellas one where you are meeting every single person in
• 17:35
  Speaker 9: the restaurant. You meet every single person at Fenway Park
• 17:38
  Speaker 9: watching the.
• 17:39
  Speaker 1: Red Sox game. You met every single person in the stands,
• 17:42
  Speaker 1: every single vendor, every single baseball player was they're playing,
• 17:46
  Speaker 1: and every single person goes to the camera says, oh, hey,
• 17:49
  Speaker 1: how's it going, how's it going? How's it going? And
• 17:52
  Speaker 1: I thought it was just a beautiful addition and a
• 17:55
  Speaker 1: beautiful homage to the film. And it only took twenty
• 17:58
  Speaker 1: two minutes. What doould you say?
• 17:59
  Speaker 11: Yeah, yeah, we were running, we were running, we were running,
• 18:04
  Speaker 11: and uh, of course Mambo Italiano playing under the entire tracks.
• 18:10
  Speaker 6: Very respectful, Frederico, you played I think, uh, seventy five
• 18:14
  Speaker 6: different characters.
• 18:15
  Speaker 4: I yeah, in.
• 18:17
  Speaker 5: That shot, you were running back and back and forthy.
• 18:20
  Speaker 4: I've never done anything like that. It was, it was.
• 18:23
  Speaker 4: It kind of took me by surprise because it wasn't
• 18:26
  Speaker 4: in the script that I originally signed up for. I
• 18:30
  Speaker 4: came on to set and everyone was like, hey, you know,
• 18:32
  Speaker 4: your radios are ready for what? And then they were like, no,
• 18:36
  Speaker 4: you know you're doing the scene today. You're going to
• 18:38
  Speaker 4: do about seventy three different changes. But you know what,
• 18:44
  Speaker 4: growing up in military school for thirteen years, not seeing
• 18:47
  Speaker 4: my father, it it made it toughened me up and
• 18:51
  Speaker 4: gave me the sort of the mental will to be
• 18:53
  Speaker 4: able to complete whatever task. And you know, bon A
• 18:59
  Speaker 4: cheta bur.
• 19:02
  Speaker 8: Almost like march in between you addresses and each of
• 19:06
  Speaker 8: your stands where you'd have to run through for the shot,
• 19:08
  Speaker 8: and you would march.
• 19:09
  Speaker 4: I would march. You know, my Serapis told me when
• 19:11
  Speaker 4: you have extreme trauma. Uh uh. And my father actually,
• 19:25
  Speaker 4: as a matter of fact, was the inventor of the cello,
• 19:29
  Speaker 4: not the cello, but the bona cello, which is an
• 19:31
  Speaker 4: Italian cello.
• 19:35
  Speaker 1: So it's like a good cello. Is that what you think.
• 19:38
  Speaker 4: It's it's it's just a really good quality cello. But
• 19:42
  Speaker 4: it has sounds, you know when you play.
• 19:45
  Speaker 1: Placement. That is not your catchphrase. It is an ad,
• 19:49
  Speaker 1: Yes it is.
• 19:50
  Speaker 4: It is an ad. It is my catchphrase that later
• 19:55
  Speaker 4: became an ad. Uh. And if you're watching, hey bonell.
• 20:00
  Speaker 4: But here's the thing. I kept saying bonata and you
• 20:04
  Speaker 4: al said and I started saying it, but I thought
• 20:09
  Speaker 4: you were giving me, you know, march to my brand.
• 20:12
  Speaker 4: So then I started saying, oh, thanks to giving me
• 20:15
  Speaker 4: a much, and I brought it up and then you
• 20:16
  Speaker 4: were like, hey, why are you saying that?
• 20:18
  Speaker 3: But I'm sorry, we must have been mishearing you this entire.
• 20:25
  Speaker 4: No, that's said. I got nothing else to say about
• 20:28
  Speaker 4: regarding the topic at hands, So let's.
• 20:32
  Speaker 3: Get back to the movie. I would like to take
• 20:36
  Speaker 3: a second to talk about you know, we've got such different,
• 20:39
  Speaker 3: award winning phenomenal actors. I feel like I was having
• 20:44
  Speaker 3: my own experience, but working with a cast like this
• 20:48
  Speaker 3: was a gift. And I want to talk about the
• 20:51
  Speaker 3: big finale scene when all of our characters finally meet
• 20:55
  Speaker 3: up at this big homage to Goodfellas to good Fellas.
• 21:00
  Speaker 3: The scene is the baseball game is going on, and
• 21:05
  Speaker 3: we all meet up right under the baseball game.
• 21:08
  Speaker 7: On set, it was a magical day.
• 21:13
  Speaker 3: Yeah, I mean, this is why you do it.
• 21:14
  Speaker 5: You know, this is why, this.
• 21:16
  Speaker 7: Is why you fucking do it.
• 21:17
  Speaker 8: Excuse me, but I mean it's It was the energy
• 21:21
  Speaker 8: of all of us on set and you are just
• 21:24
  Speaker 8: changing costume and being there for us as many roles
• 21:29
  Speaker 8: was incredible.
• 21:31
  Speaker 4: I think for me it would have made it a
• 21:33
  Speaker 4: little bit easier if I had known about the seventy
• 21:38
  Speaker 4: three different changes that we were going to do it
• 21:40
  Speaker 4: one day.
• 21:41
  Speaker 1: Because they did not tell you.
• 21:43
  Speaker 4: It was not disclosed. And that's okay because sometimes, hey,
• 21:46
  Speaker 4: I'm from Rupa, you know, European from Italy. We you know,
• 21:50
  Speaker 4: sometimes there's the people Fernagle here, fernangle there, and you
• 21:54
  Speaker 4: know suddenly something pops up. You come in. They're like, oh,
• 21:56
  Speaker 4: you're gonna work with is Lion today. It's like, Lion,
• 21:59
  Speaker 4: you must be you must be lying because I'm not gonna.
• 22:03
  Speaker 9: There is that sense of humor. You would have us
• 22:05
  Speaker 9: double Dova. I would be double Dova in my trailer.
• 22:09
  Speaker 9: I would be double Dova.
• 22:12
  Speaker 6: Let's talk about everyone's favorite scenes. I love talking about
• 22:14
  Speaker 6: the acting. I mean, I mean favoriteing you were in,
• 22:17
  Speaker 6: favorite seen you loved other people in.
• 22:19
  Speaker 3: Well, my favorite scene was the one I was talking
• 22:21
  Speaker 3: about probably where we all met that one day to
• 22:24
  Speaker 3: shoot kind of the finale scene, And basically what happens
• 22:27
  Speaker 3: in the scene is the big mob boss is finally confronted,
• 22:34
  Speaker 3: kind of taking that. We understand that the main peanut
• 22:38
  Speaker 3: Man my character, has been working with the Feds to
• 22:40
  Speaker 3: bust this big mob group, and the Feds come in,
• 22:44
  Speaker 3: played lovely by Francisco, and the security guard is also
• 22:49
  Speaker 3: an informant for the mob, so he's double playing, almost
• 22:53
  Speaker 3: in a homage to Departed but different movie. And I
• 22:57
  Speaker 3: just loved that moment because really showed it felt like
• 23:02
  Speaker 3: I was on crazy pillows all of us dipping in
• 23:05
  Speaker 3: and out of our accents. Chaos, absolute chaos, running around
• 23:09
  Speaker 3: and we shot legitimately under Fenway Park, which was absolutely amazing.
• 23:15
  Speaker 3: And it's kind of what you live for as an actor,
• 23:17
  Speaker 3: of these high intense, octane moments, seeing professionals be professionals.
• 23:22
  Speaker 5: You know, you know? Yeah?
• 23:24
  Speaker 3: Did you guys like that moment scene? I loved it.
• 23:27
  Speaker 3: I thought we acted really well.
• 23:30
  Speaker 10: I thought it was fine. I don't think it was
• 23:34
  Speaker 10: my favorite moment in the film, if I'm being quite
• 23:39
  Speaker 10: honest with you, and I'm a little pissed off right now,
• 23:42
  Speaker 10: because I think the best moment in this whole thing
• 23:47
  Speaker 10: is when.
• 23:47
  Speaker 1: The security guard has a hilarious pratfall with his wife
• 23:51
  Speaker 1: who comes to visit him at work, and he says, ma,
• 23:54
  Speaker 1: I'm at work. That's the winner. That's the best part
• 23:58
  Speaker 1: of the whole film.
• 24:00
  Speaker 3: We all have an opinion.
• 24:00
  Speaker 7: I don't think we need to be so pissed about it.
• 24:02
  Speaker 1: No, this is fucking bullshit. This is fucking bullshit. I
• 24:08
  Speaker 1: am uncle, this is bullshit. Your prat for comic moment
• 24:12
  Speaker 1: was the best food you know what. I am done?
• 24:14
  Speaker 1: I am, I am done. I am getting so angry.
• 24:16
  Speaker 1: I am so angry. Let's let's just.
• 24:18
  Speaker 4: Let's just move on, Marian, Maria.
• 24:25
  Speaker 1: Too many pronunciations.
• 24:27
  Speaker 9: It's so dizzying, it is making my head hurt.
• 24:35
  Speaker 4: You. My father would always sing to me when I
• 24:39
  Speaker 4: got angry when I was a kidd me. No, no,
• 24:47
  Speaker 4: he I met him. I met him the first day
• 24:52
  Speaker 4: I was born. And then he would send me voice
• 24:55
  Speaker 4: notes every day every week when I was in the
• 24:59
  Speaker 4: Middletary School, and the always like about did about ceremony mono?
• 25:05
  Speaker 1: So he did send your voice notes. So you are
• 25:07
  Speaker 1: what seventeen?
• 25:10
  Speaker 4: No, well, if I can, I'm actually not. I'm actually
• 25:16
  Speaker 4: forty four. Here's the thing. He would sing into a jar,
• 25:22
  Speaker 4: seal it, seal it, and come and drop it up,
• 25:25
  Speaker 4: and for a single split second you can hear it,
• 25:29
  Speaker 4: but you can never hear it.
• 25:30
  Speaker 5: So we used to do that, No, Marion, that's what
• 25:32
  Speaker 5: we used to do.
• 25:33
  Speaker 1: There is nothing like the nineties. Let me tell you,
• 25:36
  Speaker 1: nothing like that.
• 25:37
  Speaker 6: Kind of That's how we used to communicate. I sang
• 25:41
  Speaker 6: a kiss on my pillow into a jar. I sent
• 25:45
  Speaker 6: it to Nebraska because people.
• 25:48
  Speaker 5: Who received it, no, the no one received it. It
• 25:52
  Speaker 5: broke and shippy.
• 25:54
  Speaker 4: But maybe they heard it when it brought one undred
• 25:57
  Speaker 4: because you know, now there's people who are selling their farts,
• 25:59
  Speaker 4: bottle in their farts and selling them. If you can
• 26:02
  Speaker 4: bottle a fart, you can bottle a sound.
• 26:04
  Speaker 5: And passion out of nowhere. Your favorite? Was it the Prapfall?
• 26:16
  Speaker 7: Oh no, I have to I have to say, it's
• 26:19
  Speaker 7: Marianne Loves.
• 26:20
  Speaker 9: You're fucking crazy. That's not the best part of the movie.
• 26:24
  Speaker 9: I cannot even believe that.
• 26:26
  Speaker 1: We are oh.
• 26:33
  Speaker 4: So mad, so.
• 26:36
  Speaker 9: Sorry, clearly, clearly, I am bringing my work home with
• 26:42
  Speaker 9: me to my other work.
• 26:43
  Speaker 12: I am.
• 26:43
  Speaker 1: I am very angry.
• 26:44
  Speaker 9: Because of I am on another movie that is it's
• 26:47
  Speaker 9: just so infuriating to shoot.
• 26:49
  Speaker 1: I am on the sequel to We Bought a Zoo.
• 26:54
  Speaker 1: We bought two zoos. No, they bought too zoos. And
• 26:58
  Speaker 1: it is as a complete.
• 27:00
  Speaker 5: I heard that takes place under Dodger Stadium.
• 27:02
  Speaker 1: It is a complete disaster.
• 27:04
  Speaker 9: And I am done shooting movies that take place on
• 27:08
  Speaker 9: the baseball stadiums, because you know what.
• 27:11
  Speaker 1: You could build that, You could build that in like
• 27:14
  Speaker 1: a sound stage. You do not need that.
• 27:17
  Speaker 7: It is it is so.
• 27:19
  Speaker 9: Infuriating, and sometimes I wish I could just produce my
• 27:23
  Speaker 9: own movie.
• 27:23
  Speaker 1: But how could I pretty?
• 27:27
  Speaker 4: You're very famous, highly connected to everybody in you have
• 27:35
  Speaker 4: every resource available to you, wouldn't asker?
• 27:39
  Speaker 1: I could not. Possibly, I could not. I would be
• 27:41
  Speaker 1: way too shy.
• 27:42
  Speaker 5: I would be about producing a movie.
• 27:44
  Speaker 1: Oh, I'd be too emballassed.
• 27:46
  Speaker 9: It would be so embarrassing for me to, you know,
• 27:48
  Speaker 9: to put yourself out there and go, oh, this is
• 27:50
  Speaker 9: a script I wrote, and I put my heart into
• 27:52
  Speaker 9: it and I directed it, and I'm not it's embarrassing.
• 27:55
  Speaker 9: I will.
• 27:56
  Speaker 1: I wouldn't know.
• 27:56
  Speaker 5: But I got a question for you, Marion.
• 28:01
  Speaker 6: Where in your list of all the movies you've ever done,
• 28:05
  Speaker 6: ranking favorite movies to these favite movies, good Fellows to
• 28:07
  Speaker 6: Better Fellas, where does that lay?
• 28:10
  Speaker 9: I believe I would put it at number ten, ten
• 28:17
  Speaker 9: being the highest. This is my favorite movie I've ever done.
• 28:22
  Speaker 4: What I expect that, But I'm happy to hear that
• 28:26
  Speaker 4: sometimes I am harsh.
• 28:29
  Speaker 9: I am harsher stones these things that I love the most.
• 28:31
  Speaker 9: And isn't that true about family? I do see all
• 28:33
  Speaker 9: of you as family, and you know, family is tough.
• 28:37
  Speaker 3: You're right to me as like I'm a family member.
• 28:39
  Speaker 3: It's very strange, very odd to getting those letters from
• 28:42
  Speaker 3: you saying, oh, my son, my son, even though you
• 28:45
  Speaker 3: are the mob boss, we were not father son.
• 28:48
  Speaker 1: Well, you know it is it is acting.
• 28:50
  Speaker 9: It is I am putting myself in the role of
• 28:54
  Speaker 9: you know, your boss, and in my mind, you know,
• 28:58
  Speaker 9: I am a woman playing a man. And so how
• 29:01
  Speaker 9: do I translate boss? How do I translated the role
• 29:03
  Speaker 9: of papa? I have to become mama, you know, So
• 29:07
  Speaker 9: I am your mother. I am your mother.
• 29:09
  Speaker 1: That's where I would write you Google Gaga.
• 29:11
  Speaker 5: It's a lot of Google Gaga.
• 29:13
  Speaker 4: There's a letter that wouldn't the baby said, that's the mother.
• 29:16
  Speaker 4: That's what I was singing. But I was like, who
• 29:18
  Speaker 4: am I? I have never won the Oscar? So I
• 29:20
  Speaker 4: am not posing?
• 29:21
  Speaker 9: Yes, so I was being the mama doing an impression
• 29:24
  Speaker 9: of the baby.
• 29:25
  Speaker 4: Of course.
• 29:25
  Speaker 9: So when I would write in his voice, I would say,
• 29:27
  Speaker 9: Google gagay a big baby, and that with me as
• 29:31
  Speaker 9: the mother doing an impression of your Did you mothers
• 29:34
  Speaker 9: never do impressions of you?
• 29:37
  Speaker 6: No?
• 29:37
  Speaker 4: They did, As you explained. I realized I sounded the
• 29:39
  Speaker 4: condescending and I didn't mean to at all. Uh no, no, no,
• 29:43
  Speaker 4: no no.
• 29:44
  Speaker 1: If it's taken, no, okay.
• 29:46
  Speaker 5: Vergo you won the Chalian oscar right, what is it called?
• 29:50
  Speaker 4: It's called and.
• 29:53
  Speaker 8: Oh the Freichi, Yes, and I love Rhedaichi.
• 29:58
  Speaker 4: It's a it's and you know it's it's. It was
• 30:02
  Speaker 4: the honor that I won, the latest one. It was
• 30:06
  Speaker 4: for the film, of course, entitled Itile. But which is Chile?
• 30:14
  Speaker 4: It just means it's like it says in Chile with Chile.
• 30:19
  Speaker 4: And it's about, of course a young immigrant Italian immigrant
• 30:23
  Speaker 4: boy living in Chile with the chile family and sort
• 30:27
  Speaker 4: of the trial and relations of being adopted by a
• 30:30
  Speaker 4: Chilean family.
• 30:32
  Speaker 3: You know, I've got a question about which I didn't understand.
• 30:37
  Speaker 3: Why were was a Chilean family adopting a boy from Italy?
• 30:43
  Speaker 3: What happened there?
• 30:44
  Speaker 4: So, you know, many people that don't know that in
• 30:46
  Speaker 4: the nineteen eighties there was a lot of Italians that
• 30:51
  Speaker 4: went to Chile looking for spices, looking for spices, spices.
• 31:01
  Speaker 3: A little late.
• 31:05
  Speaker 4: They were the latest. They were the ancestors of I
• 31:09
  Speaker 4: know who many people across over do not like anymore.
• 31:12
  Speaker 4: It's cultive Columbus. They're there and they went out looking
• 31:15
  Speaker 4: for more spices.
• 31:18
  Speaker 3: Uh So, just to get this straight, Portuguese sailor Christopher
• 31:23
  Speaker 3: Columbus Portugal.
• 31:24
  Speaker 4: Christopher Classes was Italian.
• 31:27
  Speaker 3: He might have been, he sailed for Portuguese, but he
• 31:29
  Speaker 3: was Italian.
• 31:30
  Speaker 6: There's an easy Connor Italian or Irish jerkhoo.
• 31:36
  Speaker 3: I don't believe in anything but.
• 31:37
  Speaker 4: Ireland, you know, listen, I don't. I don't look down
• 31:45
  Speaker 4: on anybody's country or anything like that.
• 31:47
  Speaker 3: It's so funny because I do.
• 31:49
  Speaker 4: But no, but I was gonna say, you irishmen, let
• 31:52
  Speaker 4: me tell you, you drink so much great grease.
• 31:57
  Speaker 3: We're drinking a lot of reasons, drink a lot of Greece,
• 32:01
  Speaker 3: and that's what we do.
• 32:02
  Speaker 6: I heard that stereotype growing up, grease drinkers, Irish grease drinkers.
• 32:07
  Speaker 5: And I never I never, had never ever.
• 32:11
  Speaker 6: Had seen it before. And I remember walking up to
• 32:15
  Speaker 6: crafty and or catering. I'll got up to our set
• 32:19
  Speaker 6: lunches seeing a vat of grease and saying, hey, you
• 32:22
  Speaker 6: didn't throw out the Greeks with the fried chicken, and
• 32:23
  Speaker 6: said no, this is for Connor.
• 32:25
  Speaker 3: Yeah, that's why I actually didn't love Video Village, because
• 32:29
  Speaker 3: you had to hold your snacks but no grease, and
• 32:31
  Speaker 3: for me that felt wrong.
• 32:33
  Speaker 6: We had a sign up to that said no, Greece.
• 32:35
  Speaker 6: We had a lot of chokes over there in video
• 32:37
  Speaker 6: village because we knew. I wish you guys could have
• 32:40
  Speaker 6: seen it.
• 32:41
  Speaker 7: I mean it was built for a year, we really lived.
• 32:45
  Speaker 4: There, and I missed. I believe I missed out on
• 32:49
  Speaker 4: some of the times when the cast and crew and
• 32:51
  Speaker 4: you all were sort of at the video area and stuff.
• 32:54
  Speaker 4: I was, of course in the hills, administrating tattoos on
• 32:59
  Speaker 4: myself in between takes as as I do to sort
• 33:04
  Speaker 4: of stay into the character. Remind me i'm doing. I
• 33:07
  Speaker 4: just write the name of the character into my body.
• 33:10
  Speaker 1: And no one was helping you, it seems. Did you
• 33:13
  Speaker 1: not have a costume or anyone on.
• 33:16
  Speaker 4: This No, it's something that I like to do alone
• 33:20
  Speaker 4: and it helps me to get into the character. Get dressed,
• 33:25
  Speaker 4: get dressed. It helps me get dressed.
• 33:27
  Speaker 5: I tell you, I'll tell you who. It didn't help.
• 33:29
  Speaker 6: It did not help the script supervisor who was checking
• 33:32
  Speaker 6: continuity because to have new tattooes popping up, you know,
• 33:36
  Speaker 6: in this scene that was supposed to be taking place
• 33:38
  Speaker 6: over an hour that.
• 33:39
  Speaker 7: Well, then Jenna was over work.
• 33:42
  Speaker 5: Jany tu bit you and Jenna have a thing. For
• 33:46
  Speaker 5: nine months, I was.
• 33:49
  Speaker 1: Calling her Jenna two bits, because we knew you all
• 33:54
  Speaker 1: walk off.
• 33:54
  Speaker 8: You guys, go out of here, go out, go.
• 34:00
  Speaker 7: Out of here.
• 34:01
  Speaker 8: Oh god, I mean, Jenna was overworked in every way possible.
• 34:05
  Speaker 5: Let me tell you that, are you guys seeing each other?
• 34:08
  Speaker 3: What are you still seeing each other?
• 34:10
  Speaker 12: No?
• 34:10
  Speaker 4: I am surprised because, as my character would say from
• 34:13
  Speaker 4: the film, man, you guys were fucking and sucking right
• 34:17
  Speaker 4: by the godden Oh fuck, Hold.
• 34:19
  Speaker 5: On a minute, those went the lines I wrote.
• 34:21
  Speaker 6: Do the lines I wrote, Man, you guys were smooching
• 34:25
  Speaker 6: and coaching at the at the fucking got.
• 34:28
  Speaker 11: No, No, it's the second part.
• 34:32
  Speaker 4: Hey, you guys were smooching and smooching some mo at
• 34:35
  Speaker 4: the god.
• 34:37
  Speaker 7: Hey, God, for the viewers at home, that happened on set.
• 34:40
  Speaker 8: Every day we'd have to go back and extract all
• 34:44
  Speaker 8: the fucking curse words.
• 34:45
  Speaker 9: Excuse me, and I would always have us do one
• 34:48
  Speaker 9: take exactly as the script, and then she would sort
• 34:52
  Speaker 9: of send Scott to the room and say, okay, now
• 34:54
  Speaker 9: say it normal, Now say it how it would be said,
• 34:57
  Speaker 9: and then we would do one of those just for fun.
• 35:00
  Speaker 5: That's funny.
• 35:02
  Speaker 1: Well, maybe you guys were laughing too loud at video village.
• 35:05
  Speaker 1: You didn't see it.
• 35:06
  Speaker 4: She's a good Oh that.
• 35:07
  Speaker 5: Was That's why I got so many cakes over there.
• 35:11
  Speaker 6: I always remember we were being in the middle of
• 35:12
  Speaker 6: the shooting, shooting a scene and they say, there's another
• 35:15
  Speaker 6: cake in video village.
• 35:16
  Speaker 5: I I gotta go see what this one is.
• 35:19
  Speaker 3: Oh my god, did they not have cameras on on
• 35:22
  Speaker 3: on what they are shooting on video village like monitors?
• 35:26
  Speaker 5: Or of course of course we had the video. I
• 35:28
  Speaker 5: mean that's what video you.
• 35:29
  Speaker 1: Watched them Winnsday.
• 35:30
  Speaker 4: Is a cake keeps the room exactly.
• 35:34
  Speaker 5: I mean there's a lot.
• 35:35
  Speaker 6: I mean amongst a lot of amazing stimulating things.
• 35:39
  Speaker 5: There were, of course the monitors.
• 35:41
  Speaker 9: But I heard there were big disco lights and sort
• 35:44
  Speaker 9: of search puzzles and different things that keep sometimes toddlers
• 35:49
  Speaker 9: occupied y search puzzles.
• 35:51
  Speaker 5: There was those things.
• 35:52
  Speaker 6: Have you ever seen those awesome contraptions where there's different
• 35:56
  Speaker 6: shaped blocks and then there's a big square and the
• 36:01
  Speaker 6: square has holes in the square that are shaped like
• 36:05
  Speaker 6: the blocks, and you have to figure out witch blocks
• 36:10
  Speaker 6: go into which squares.
• 36:13
  Speaker 5: And I'm seeing squares a general term.
• 36:15
  Speaker 6: There's circles, there's hearts, there's stars, oh sort and that
• 36:18
  Speaker 6: would take me weeks.
• 36:21
  Speaker 1: Now you think something so fun awesome?
• 36:24
  Speaker 8: Do you think video Village was so popular because you
• 36:27
  Speaker 8: guys would roll on the take for so long and
• 36:30
  Speaker 8: you guys wouldn't have to call cut anything, like we'd
• 36:32
  Speaker 8: be doing these long scenes really because there's one shot.
• 36:36
  Speaker 5: Was that happening for you guys? Yeah, you guys were
• 36:38
  Speaker 5: Did you feel like there was two shots?
• 36:40
  Speaker 3: There's two shots a movie. I think the first shot
• 36:43
  Speaker 3: was an hour and fifteen minutes.
• 36:44
  Speaker 4: Yeah, Lee, I mean there was this became inside joke
• 36:48
  Speaker 4: where we say, you know, I'd sort of leave set
• 36:51
  Speaker 4: and go to my house for a bit and then
• 36:56
  Speaker 4: come back to the to the security guard, but not
• 36:59
  Speaker 4: we high five, and then I'd say, well, what's going on?
• 37:01
  Speaker 4: Is all? You know? They still haven't cut.
• 37:05
  Speaker 7: And an hour and a half long shot.
• 37:07
  Speaker 4: Right, I mean it was, but you know, so it
• 37:10
  Speaker 4: was again, I just never if I had just been
• 37:14
  Speaker 4: told that we were gonna do seventy changes in one day.
• 37:18
  Speaker 4: It's just because I tore my a cl twice. One
• 37:23
  Speaker 4: time it fell off.
• 37:24
  Speaker 8: Oh god, and I saw that and I barked all
• 37:26
  Speaker 8: over the fucking place.
• 37:27
  Speaker 4: Over the place, including me. But do you know what
• 37:30
  Speaker 4: at that time.
• 37:31
  Speaker 7: I boxed in your mouth, I was like this, my
• 37:35
  Speaker 7: I was.
• 37:36
  Speaker 4: Like one of the chances of my aco popping out,
• 37:40
  Speaker 4: and then this her throw going directly into my mouth,
• 37:44
  Speaker 4: not a not a drop spilled anywhere else my mouth.
• 37:48
  Speaker 8: We stopped for a second, we were waiting for someone
• 37:50
  Speaker 8: to come out, and we went, oh God, video Hillas and.
• 37:53
  Speaker 4: We've already went next to each other, like at least
• 37:55
  Speaker 4: twenty feet away from each other, all of you.
• 37:57
  Speaker 7: I had projected out vomit, and I think it was
• 37:59
  Speaker 7: right when you went.
• 38:00
  Speaker 6: I went.
• 38:02
  Speaker 4: But you know, in the end of the day, again,
• 38:07
  Speaker 4: when I was in in military school that my father
• 38:12
  Speaker 4: left me where the place he would send the notes
• 38:14
  Speaker 4: that would go hello every night, I learned that you
• 38:21
  Speaker 4: pick up the pieces. You you, you pull your socks up,
• 38:24
  Speaker 4: and you keep on going.
• 38:25
  Speaker 10: No.
• 38:26
  Speaker 9: Now, I would love to know how you made the
• 38:29
  Speaker 9: jump from military school to I would assume you did
• 38:34
  Speaker 9: many films in Italy. No, yes, yes, how did you
• 38:36
  Speaker 9: get out of the military into acting?
• 38:39
  Speaker 4: Thank you for the question. First of all, bonnet chada,
• 38:42
  Speaker 4: bonnet shara to everybody here with you, yes and of
• 38:47
  Speaker 4: course with you, bonnechera be with you, bonachierta be with us.
• 38:53
  Speaker 4: But so what happened was you know, in Italy is
• 38:56
  Speaker 4: not like here in the estates, you know, where anybody
• 38:58
  Speaker 4: can start acting. In Italy, you cannot start acting until
• 39:03
  Speaker 4: you are atly sixteen. You don't have any child actors. Yes,
• 39:06
  Speaker 4: we only have adults playing children in the movie.
• 39:09
  Speaker 1: That sounds like paradise, you know.
• 39:12
  Speaker 6: I was wondering that because there's that incredible, incredible or
• 39:15
  Speaker 6: viertual Benini film Wife Is Beautiful, which is about a
• 39:18
  Speaker 6: child in a concentration camp, and I watched it again
• 39:22
  Speaker 6: recently made the HD version.
• 39:24
  Speaker 5: Kid is a Full Beard. Yes, that's a forty fifth
• 39:27
  Speaker 5: year old man.
• 39:27
  Speaker 4: Yes, absolutely, that is one of our most famous child
• 39:31
  Speaker 4: adult actors. I believe mister Baraccini his first name is
• 39:39
  Speaker 4: his first name is Michael Angelo Baraccini, and I believe
• 39:42
  Speaker 4: he's about eighty four years old when he did that film. Wow,
• 39:45
  Speaker 4: he's also the oldest man in the world. It's about
• 39:50
  Speaker 4: twenty five in the world. It's about twenty five.
• 39:54
  Speaker 5: He's still alive, past.
• 39:57
  Speaker 4: Past his death hour, as they say in Italy.
• 40:00
  Speaker 5: Anyway, So is that a year?
• 40:05
  Speaker 3: Do you have a year that you go to and
• 40:07
  Speaker 3: then once you end that year, he start going past it.
• 40:11
  Speaker 4: Exactly. In Italy we have a year where like where
• 40:13
  Speaker 4: there's a year at some point where everybody agrees that
• 40:17
  Speaker 4: this person should be dead.
• 40:19
  Speaker 5: Wow.
• 40:20
  Speaker 4: So then when you go past so like I've heard.
• 40:22
  Speaker 1: This, there is a counsel.
• 40:24
  Speaker 4: Everybody votes yes, doctors, doctors, lawyers, philosophers, children of the kids,
• 40:34
  Speaker 4: children of the corn, the cast.
• 40:36
  Speaker 5: That must mean something different in Italy because in America
• 40:39
  Speaker 5: that's kind of a horror film.
• 40:40
  Speaker 4: Yes, no, no, In Italy it is literally a group
• 40:42
  Speaker 4: of children who raise corn in the mountains of Cloni
• 40:46
  Speaker 4: and uh, basically they they created such a huge industry
• 40:51
  Speaker 4: for themselves that they actually have a very dominant presence
• 40:56
  Speaker 4: in a lot of different aspects of Italian culture. A
• 40:59
  Speaker 4: lot of Italians, by doesn't get very very offended. But
• 41:04
  Speaker 4: that's the only I've known, you know, That's what I do.
• 41:07
  Speaker 1: Haven't Italian?
• 41:08
  Speaker 9: The brother in law he used to say this phrase,
• 41:11
  Speaker 9: the money follows the corn is essentially the political stronghold
• 41:17
  Speaker 9: the bitterly.
• 41:19
  Speaker 6: Hey, how did you guys like working with all those
• 41:22
  Speaker 6: original good Fellows actors that came back?
• 41:25
  Speaker 8: Oh my god, I think we had to elating Lorraine Brocco.
• 41:32
  Speaker 1: Incredible incredible.
• 41:34
  Speaker 3: The picture, the baseball picture.
• 41:38
  Speaker 7: We never saw the stadium, but she came.
• 41:40
  Speaker 5: Down covered in sweat after killing the game, crushing.
• 41:44
  Speaker 3: The game, and then Rayleota playing the quite quite offensive
• 41:50
  Speaker 3: version of a woman.
• 41:52
  Speaker 4: Yeah, I thought that was very you know, yes, that
• 41:58
  Speaker 4: was the part I did not like. But why didn't
• 42:01
  Speaker 4: you like it too? Because it was just very clear
• 42:07
  Speaker 4: that it was rarelyoda and he was he had he did.
• 42:11
  Speaker 1: Not shave, which I saw too much.
• 42:15
  Speaker 4: How much it's just and it just felt, it felt
• 42:17
  Speaker 4: not saying.
• 42:18
  Speaker 3: Like all this girl stuff, you know, like I'm a
• 42:20
  Speaker 3: little girl, I'm a girl, and I just I didn't
• 42:23
  Speaker 3: really get the choices behind it.
• 42:24
  Speaker 9: I don't believe that was in the script at all.
• 42:27
  Speaker 9: I think I think that was his way in you know.
• 42:32
  Speaker 5: Your mother?
• 42:33
  Speaker 4: Okay, my god?
• 42:34
  Speaker 8: So is that why they did they did? The beard
• 42:38
  Speaker 8: was in the script.
• 42:41
  Speaker 5: I had, there was I honestly, that was something I missed.
• 42:43
  Speaker 6: It was it was in video village and I missed.
• 42:48
  Speaker 8: The beard you wore that you guys tight shirts back there.
• 42:57
  Speaker 5: I think it was.
• 43:00
  Speaker 7: No exhilarating the way tied eye while you.
• 43:02
  Speaker 6: Know, premise wise, what if you came in a different
• 43:08
  Speaker 6: type shirt that you left it.
• 43:10
  Speaker 5: It was really thrilling.
• 43:13
  Speaker 3: I think the most interesting thing for me about having
• 43:16
  Speaker 3: cameos in a film that was just two shots was
• 43:19
  Speaker 3: they were sitting around for a long time. We needed
• 43:22
  Speaker 3: them every single moment, every shot, you know, because we're
• 43:25
  Speaker 3: shooting two shots an hour and a half movie. The
• 43:28
  Speaker 3: first shot is about an hour and fifteen. All the
• 43:31
  Speaker 3: cameos are happening there, so you need the actors every day,
• 43:34
  Speaker 3: you know.
• 43:35
  Speaker 5: It's not a cameo with Union.
• 43:36
  Speaker 6: Wise, they were budgeted for leads even though they had
• 43:39
  Speaker 6: they think they were leads. No, no, no, no, no,
• 43:42
  Speaker 6: they knew they knew they weren't, but they were getting
• 43:46
  Speaker 6: paid otherwise. They said, look, you can pay me for
• 43:48
  Speaker 6: it was really fun to watch Lorraine and Ray back
• 43:52
  Speaker 6: on set again.
• 43:53
  Speaker 5: For the first time.
• 43:54
  Speaker 7: And did you work with them or no?
• 43:56
  Speaker 5: I just we had no back in the day.
• 43:59
  Speaker 1: Did you work on the first one?
• 44:01
  Speaker 11: Oh?
• 44:01
  Speaker 5: Yeah, I was on the first one. You doing on
• 44:03
  Speaker 5: the first one?
• 44:04
  Speaker 8: Because it does say from the from the creators, right,
• 44:07
  Speaker 8: there's some ad I saw that from the people, the people.
• 44:10
  Speaker 3: From a person, from a person who brought you.
• 44:14
  Speaker 8: I think it is from a person who was there
• 44:15
  Speaker 8: during Goodfellows in the room when Goodfellows was made.
• 44:19
  Speaker 6: Brings you yeah, well, yeah, yeah, it was a person
• 44:22
  Speaker 6: who's in the room when Goodfellows was made. I worked
• 44:24
  Speaker 6: at the place that made the VHS tapes of Goodfellas. Okay,
• 44:29
  Speaker 6: I worked in the room where Goodfellas was made on
• 44:31
  Speaker 6: the VHS.
• 44:32
  Speaker 9: Okay, technicality, but I see, I see, I see wow.
• 44:39
  Speaker 3: I would like to now bring up just a little
• 44:41
  Speaker 3: thing that we probably have to cover because this is
• 44:43
  Speaker 3: a press junket. You know, the original creator of Goodfellas
• 44:47
  Speaker 3: has come out after saying you know what he said
• 44:50
  Speaker 3: to your email, Martin, Martin really Rent went on record
• 44:55
  Speaker 3: just ripping this film apart and saying he had not
• 44:58
  Speaker 3: wanted nothing to do with it, hold no precedent on
• 45:01
  Speaker 3: the original, it has nothing to do with the original.
• 45:04
  Speaker 3: He didn't understand why, and I felt like it would
• 45:07
  Speaker 3: be an appropriate thing for us to bring it up,
• 45:10
  Speaker 3: you know, talk it out cloud.
• 45:14
  Speaker 5: So yeah, yeah, what do you want to say about it?
• 45:19
  Speaker 3: Well, I would just like to say that Martin, I
• 45:23
  Speaker 3: love you, I feel you, but you missed this one
• 45:28
  Speaker 3: because this film brought people together.
• 45:32
  Speaker 10: It did.
• 45:33
  Speaker 12: It did.
• 45:35
  Speaker 8: My mother was on a dying deathbed and I looked
• 45:37
  Speaker 8: at her in the eye because I was in acting
• 45:38
  Speaker 8: school at the time.
• 45:39
  Speaker 7: I was a Juilliard and I looked at.
• 45:41
  Speaker 8: Her and I said, Mommy, I'm gonna I'm gonna fulfill
• 45:44
  Speaker 8: your dream because she was an actor, and she said,
• 45:46
  Speaker 8: I want you to do a movie with morn score
• 45:48
  Speaker 8: Sasy with Marty, and I said, mom I'm gonna do
• 45:51
  Speaker 8: your dream.
• 45:52
  Speaker 7: And that's why I said yes to this movie.
• 45:53
  Speaker 8: My my reps came to me, brought me the script,
• 45:56
  Speaker 8: and obviously I thought he was attached, and I think
• 45:59
  Speaker 8: that was the time he was vocally attached.
• 46:01
  Speaker 1: I also very much thirty weeks attached.
• 46:04
  Speaker 4: I must say when I signed on to the project,
• 46:06
  Speaker 4: I was doing it because I wanted to work with Marty,
• 46:10
  Speaker 4: of course, because I had to be like then, my
• 46:13
  Speaker 4: agent's like, actually, it's going to be An A Kendrick.
• 46:15
  Speaker 8: I was like, what, Like that's you probably was so
• 46:20
  Speaker 8: stunned and you didn't hear that you.
• 46:23
  Speaker 7: Had to play seventy three Garricks.
• 46:25
  Speaker 8: You were probably so in shocked that it's actually Anna
• 46:28
  Speaker 8: Kendrick instead of Marti.
• 46:31
  Speaker 4: But because I got so shocked, I fell off the boat.
• 46:36
  Speaker 1: I was, and then I had wi fi on the boat.
• 46:40
  Speaker 4: I did I did have. It was on a yacht.
• 46:42
  Speaker 12: Yeah.
• 46:44
  Speaker 4: Wait, you know it's we had full top of the
• 46:49
  Speaker 4: line spectrum Time Warner Cable top.
• 46:52
  Speaker 5: Of the line spectrum.
• 46:53
  Speaker 1: That's really good.
• 46:56
  Speaker 4: The number one Wi Fi I believe spectrum, the number one, Yes,
• 47:00
  Speaker 4: thirty two miles off the shore. Of course, you know
• 47:08
  Speaker 4: about a set up.
• 47:10
  Speaker 9: I do want to bring up goodbyes that cello. I
• 47:12
  Speaker 9: gotta something said. There's a little bug in my brain
• 47:16
  Speaker 9: telling me you gotta get a cello.
• 47:21
  Speaker 6: I gotta say. Anna Kendrick, I would say, is a
• 47:23
  Speaker 6: better director than Martin Scortes. I'm gonna go on record
• 47:26
  Speaker 6: for saying that.
• 47:27
  Speaker 7: Lord, Oh my mother just foughted in her grave.
• 47:34
  Speaker 1: She foughts which she is displeased.
• 47:36
  Speaker 7: Oh my mother voughts when she's pissed. Oh my God,
• 47:39
  Speaker 7: tell me why you think that.
• 47:41
  Speaker 6: I just thought that she was really, really, really fun.
• 47:46
  Speaker 6: And she taught me the cup song dance. And I
• 47:50
  Speaker 6: went home and I taught my stepdaughter. And I can't
• 47:52
  Speaker 6: imagine Martin Cortes teaching me the cup song dance.
• 47:56
  Speaker 9: No, there are certain things that some people are better
• 47:59
  Speaker 9: add some things that other people are better at. I
• 48:02
  Speaker 9: thought Anna Kendrick was I thought she was amazing at this.
• 48:05
  Speaker 9: I thought that she really brought what isn't very clearly authentic,
• 48:12
  Speaker 9: authentic Italian gangster movie to Fenway Park, which is the
• 48:18
  Speaker 9: natural next step because what happens to Henry Hill after
• 48:22
  Speaker 9: he goes into witness protection is the story must continue. Logically,
• 48:28
  Speaker 9: all roads lead to Boston.
• 48:32
  Speaker 1: That's what I've always said. That's what I've always heard
• 48:34
  Speaker 1: as a little girl in France.
• 48:36
  Speaker 9: All roads lead to Boston, something I said every day
• 48:41
  Speaker 9: when I woke up and finally gorgeous.
• 48:43
  Speaker 5: As gorgeous everyone down said that.
• 48:47
  Speaker 9: Everyone in the town said someday that was like a Moscow,
• 48:50
  Speaker 9: you know, someday we will all get to Boston.
• 48:54
  Speaker 8: That's all similar, Juliard, we said similar things. We would
• 48:57
  Speaker 8: drain and there we would learn things, and then they'd say,
• 49:01
  Speaker 8: you could take this with you if you work in Boston.
• 49:04
  Speaker 1: Yes, yes, it's that.
• 49:05
  Speaker 9: So it's the big time. That was the dream, and
• 49:08
  Speaker 9: I'm so glad that we are finally here.
• 49:11
  Speaker 4: Yeah. Again, I was at first very surprised when it
• 49:14
  Speaker 4: was okay, But she helped me get to a place
• 49:20
  Speaker 4: with the character, because again this was my first American film.
• 49:24
  Speaker 4: First the English speaking about about jail. No no no
• 49:29
  Speaker 4: no no no no no no no nobean no. It
• 49:38
  Speaker 4: was the famous sealo song from Pirates of the Caribbean. Uh,
• 49:42
  Speaker 4: Pirates go Home? What was I saying? What was I saying?
• 49:47
  Speaker 1: This was your first American English speech.
• 49:50
  Speaker 4: She really helped me get there in the scene. Of course,
• 49:53
  Speaker 4: not to give it too much away, but when I
• 49:55
  Speaker 4: was in the scene, that part at the end when
• 49:57
  Speaker 4: I get when my character breaks down onto the floor
• 50:00
  Speaker 4: or uh and I start screaming into the heavens. And
• 50:04
  Speaker 4: then at the part I was like, Okay, cat, come on,
• 50:10
  Speaker 4: I'm sorry.
• 50:13
  Speaker 1: Okay, if you can do a lead in, if you need.
• 50:19
  Speaker 4: Um, I can't do it. I can't do hold.
• 50:22
  Speaker 7: Mm hmmm, no, you said pirate and.
• 50:31
  Speaker 1: Take Okay, shoo shoe Pirates get out of here.
• 50:34
  Speaker 4: Okay, I guess, I guess the snake is out of
• 50:37
  Speaker 4: the bag. But I have actually just been chosen by
• 50:41
  Speaker 4: Warner Brothers to be to headline the new Pirates of
• 50:44
  Speaker 4: the Caribbean.
• 50:46
  Speaker 7: Headliner, headlining the Pirate.
• 50:50
  Speaker 4: I'm headlining. I'm going to be doing my stand up
• 50:53
  Speaker 4: act before before the film.
• 50:57
  Speaker 5: Amazing.
• 50:58
  Speaker 9: It's like Nicole Kidman a mc AD but if you're
• 51:02
  Speaker 9: doing stand up.
• 51:03
  Speaker 4: You're a tight seven on the headline.
• 51:08
  Speaker 7: Sounds like you're the opening act.
• 51:10
  Speaker 4: Rates Well, no, no, I'm the headliner in terms of
• 51:15
  Speaker 4: I'm the headlining comic of the evening.
• 51:19
  Speaker 9: But everybody stand ups are showing up Pirates.
• 51:24
  Speaker 7: But you're the main comic.
• 51:25
  Speaker 4: Yes, I get I do the tight seven seven and
• 51:27
  Speaker 4: a half. Everyone else is doing about a tight about
• 51:31
  Speaker 4: two and a half, So set up punchlines.
• 51:35
  Speaker 1: That's my time, next.
• 51:36
  Speaker 4: Guy, Yes, until I come, and then I hit them
• 51:38
  Speaker 4: with the very tight.
• 51:39
  Speaker 7: Seven and then you all hear Pirates right, and I.
• 51:43
  Speaker 4: Go, oh, here wants to see Pirates? And then the
• 51:49
  Speaker 4: movie the movie at all. No, this is all filmed.
• 51:52
  Speaker 4: This is all film. The audience will watch a film
• 51:57
  Speaker 4: of me doing a tight seven in front of the audience.
• 52:00
  Speaker 8: So we'll sit down, watch the trailers, watch the studios.
• 52:04
  Speaker 8: It will go down, the lights will go down, and
• 52:06
  Speaker 8: you'll come out or the others and then you.
• 52:08
  Speaker 4: No, I'll never come out because it's just a video.
• 52:12
  Speaker 9: A tight sevens slider Or are they on the video too?
• 52:16
  Speaker 3: Is it?
• 52:16
  Speaker 1: Who are the other your openers? Are your opening comics?
• 52:19
  Speaker 1: Are they live? Or are they on?
• 52:21
  Speaker 3: The question is did you film a whole comedy set?
• 52:25
  Speaker 4: Okay, let me tell you so the other people, every
• 52:29
  Speaker 4: anybody doing less than seven tight seven is live and me,
• 52:34
  Speaker 4: I'm out take the like if you want. I was like,
• 52:36
  Speaker 4: can I do more than Can I do a seven
• 52:38
  Speaker 4: tight seven? If you want to do that, it's got
• 52:41
  Speaker 4: to be filmed. It has to be pre filmed, not
• 52:43
  Speaker 4: in a pre film. It has to be pre pre
• 52:45
  Speaker 4: filmed under just the worst con.
• 52:50
  Speaker 1: So no audience, no of it.
• 52:54
  Speaker 4: Nothing. The microphone I'm allowed to use. It sounds like
• 52:57
  Speaker 4: it has popcorn inside of it. I can't use real lighting.
• 53:03
  Speaker 3: Are you doing it more than once? It sounds like
• 53:06
  Speaker 3: you're recording it more than once? Or is it just
• 53:08
  Speaker 3: one recording of it?
• 53:10
  Speaker 4: I do? I do one before every every show, had
• 53:15
  Speaker 4: to keep it fresh ins.
• 53:17
  Speaker 5: And you're a stand up comedian?
• 53:23
  Speaker 1: Question a stand up comedian?
• 53:27
  Speaker 4: No, I've never done stand up before. So this was
• 53:30
  Speaker 4: a situation that again it was kind of like I'm
• 53:33
  Speaker 4: starting to think maybe I don't properly read the fine
• 53:35
  Speaker 4: print because I went there thinking I'm playing a stand
• 53:39
  Speaker 4: up comedian in the new.
• 53:41
  Speaker 7: Movie, the New Headlining Pirates.
• 53:44
  Speaker 4: Well, No, I thought I was in the movie and
• 53:46
  Speaker 4: I found out. No no, no, I'm headlining as a comedian. No no, no,
• 53:51
  Speaker 4: I'm going to pre tape a headlining stand up show
• 53:56
  Speaker 4: before a film.
• 53:58
  Speaker 7: I don't think you people working for you. I don't
• 54:01
  Speaker 7: know what kind of reps you got, but they're not
• 54:03
  Speaker 7: reading the role.
• 54:04
  Speaker 9: It seems like such a confusing strategy to me. I
• 54:07
  Speaker 9: am not in some representation yet, but I don't tell
• 54:09
  Speaker 9: you to see how this benefits you, I don't see
• 54:12
  Speaker 9: how this benefits pilots of it.
• 54:14
  Speaker 6: I gotta say Disney never should have sold this to
• 54:16
  Speaker 6: Warner Brothers. Never sort of showld the disorder by others,
• 54:20
  Speaker 6: because that's what happens. They get their grubby hands on
• 54:22
  Speaker 6: it wherever has tried to get us. And that's why
• 54:24
  Speaker 6: we remained completely independent, because they were gonna try to.
• 54:27
  Speaker 6: They were like, we should make it more relevant to
• 54:30
  Speaker 6: you know, let's take it outside of Fenway. Let's like
• 54:33
  Speaker 6: span some time period, let's talk about some relevant themes.
• 54:36
  Speaker 6: This just sounds like a low budget version of the town,
• 54:39
  Speaker 6: which is you know.
• 54:40
  Speaker 5: And and that was like, well, we're not gonna go
• 54:42
  Speaker 5: with you.
• 54:43
  Speaker 6: We're not gonna go with you, like and that's why
• 54:44
  Speaker 6: we went So we didn't go with anybody.
• 54:46
  Speaker 5: No, I paid out of pocket.
• 54:48
  Speaker 1: Yeah, wealthy man.
• 54:51
  Speaker 6: Yeah, I was in this really crazy lawsuit. I gotta
• 54:55
  Speaker 6: I gotta hit by. Uh got hit by an airplane.
• 55:01
  Speaker 1: I don't think i've ever heard you test this story?
• 55:04
  Speaker 7: Is that how we made better fellas? Because you were
• 55:06
  Speaker 7: hit by airplay?
• 55:08
  Speaker 5: Yeah? I got hit by a Boeing? I was.
• 55:11
  Speaker 7: Is that seven seven seven?
• 55:13
  Speaker 6: It was the seventh It was seven three seven x
• 55:16
  Speaker 6: x E. Yeah, and uh I got hit by the wheel.
• 55:20
  Speaker 1: So where will you? When's this happened? Were you supposed
• 55:23
  Speaker 1: to be?
• 55:24
  Speaker 6: I was at Burbank, Burbank Airport and as you know,
• 55:27
  Speaker 6: you famously the wrong place. No, no, no, no, you
• 55:31
  Speaker 6: bored you walk on the on the tarmac.
• 55:35
  Speaker 7: It landed near you, and it hit you.
• 55:37
  Speaker 5: It landed. They weren't looking, and it landed and they
• 55:43
  Speaker 5: sorry they weren't looking. I don't want to get into it.
• 55:47
  Speaker 6: I was I look, I signed a big I signed
• 55:50
  Speaker 6: a big thing with with pan am about why I
• 55:54
  Speaker 6: sure am this?
• 55:57
  Speaker 1: And so they to cover? Was a friend Boeing?
• 56:02
  Speaker 4: How long ago?
• 56:02
  Speaker 6: No Boeing was the manufacturer of the plane, but the
• 56:05
  Speaker 6: flight the person.
• 56:07
  Speaker 4: I didn't know one thing that pandemic, and of course
• 56:09
  Speaker 4: went out of business like fifteen years ago.
• 56:12
  Speaker 5: Why do you think that.
• 56:13
  Speaker 4: Why do you think that it was because of the
• 56:14
  Speaker 4: loss of I think a lot of.
• 56:16
  Speaker 6: Things, but I mean, yeah, I mean, you know, forty
• 56:19
  Speaker 6: million dollars in a timer across the back of my
• 56:22
  Speaker 6: whole body.
• 56:22
  Speaker 5: Later, Yeah, we.
• 56:24
  Speaker 6: Got a sequel to the best movie ever made, making
• 56:27
  Speaker 6: this to the best movie ever made.
• 56:30
  Speaker 7: Oh, I really hope people come and see this.
• 56:34
  Speaker 8: If you're out there and you're listening to this, I'll say,
• 56:37
  Speaker 8: this movie.
• 56:38
  Speaker 7: Bring your why bring your cousins?
• 56:41
  Speaker 3: Such a good movie for.
• 56:45
  Speaker 5: And come early. We got a Tight seven by Lisa
• 56:47
  Speaker 5: Lampanelli movie Lisa lamb It's Lisa.
• 56:54
  Speaker 6: And then uh yeah, Emo Phillips does the Type three
• 57:00
  Speaker 6: and then Bobcat Goldway, hell so does the tittoo.
• 57:02
  Speaker 7: And it was our closer for this movie.
• 57:04
  Speaker 5: Our closer is Demitry Martin.
• 57:08
  Speaker 1: I love him. I love him.
• 57:11
  Speaker 9: I think he is so funny. I think he's so
• 57:14
  Speaker 9: Everything he does is so clean. You know, it's so crisp.
• 57:17
  Speaker 1: Oh man. I am such a Dmitry Martin head.
• 57:21
  Speaker 3: You know, personally, I think he's all right. You know,
• 57:23
  Speaker 3: he's not great, but.
• 57:25
  Speaker 9: And that's fucking bush It, that's his fucking Bushitmit is
• 57:30
  Speaker 9: the greatest mind of all time.
• 57:33
  Speaker 1: I am here, Mary, I have to go home. I
• 57:38
  Speaker 1: have to make a different movie.
• 57:40
  Speaker 4: I think it's important and it's important for people to
• 57:43
  Speaker 4: see because the original was important to Cinnamon and this
• 57:47
  Speaker 4: is even just as important. But I just want to say, bonchella, bonchella,
• 57:53
  Speaker 4: bonachella dot com, nineteen ninety five, Yes, nine for us.
• 57:59
  Speaker 1: Cello.
• 58:03
  Speaker 4: I guess it's not all. It's more about like a fiddle,
• 58:06
  Speaker 4: but it's called cello. Please check us out. It's incredible,
• 58:10
  Speaker 4: Thank you very much. I'm actually the cat is out
• 58:13
  Speaker 4: of the snake. What I'm recently going to be doing
• 58:17
  Speaker 4: after the film I waded. The shooting is about a
• 58:20
  Speaker 4: story about a musician, and I'm getting ready for that.
• 58:24
  Speaker 7: What's what is any musician?
• 58:27
  Speaker 4: It's about what if Vincent van Gold was not a
• 58:30
  Speaker 4: painter but was a musician. And it was set in
• 58:33
  Speaker 4: nineteen seventy six in Boston.
• 58:38
  Speaker 6: Well, should we all say, let's say the day.
• 58:42
  Speaker 7: Let's say our movie and when it comes out, you know, okay?
• 58:44
  Speaker 6: Yeah, one good fellows to better fellow. This has been
• 58:52
  Speaker 6: artists and artists and artists and artists answering the question. Now,
• 58:54
  Speaker 6: that's where they call it. We'll see you next week
• 58:57
  Speaker 1: There, Mambo mom Boy, Tarliona