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Episode 6 - Led Zeppelin I · Dazed and confused: Led Zeppelin Bio.

• 0:00
  Welcome to today' s episode. Led Zeppeling is settled. Lead Zeppelin is
• 0:08
  already touring the United States, but winter nostalgia causes them to return to England,
• 0:16
  and that' s good. It wouldn' t be oksia that Led
• 0:22
  Zeppelin' s debut album is like a synthesis of all those weeks that went
• 0:28
  on before. The album was recorded at the end of the sixty- eight
• 0:34
  in fifteen hours and was made almost like a live performance. They were so
• 0:40
  well, so well grouped that they were able to get it out quickly in
• 0:46
  January of the following year. In addition, the experience of Jimmy Page Young
• 0:49
  Paul Jones in the studio made things too much easier. They recorded the pieces
• 0:54
  almost exactly as they played them. In concert only baban ganallee View was altered
• 0:59
  has s s ons where they remember their essay before getting into it. The
• 1:03
  studio was a two- week tour of Scandinavia that they still did as The
• 1:10
  New Jarverts led Zeppeling. You have a lot of jarberts. Jimmy Page did
• 1:17
  not manage to completely remove that influence, which is noticed above all in the
• 1:21
  lighter cut songs, like ikan quid Baby by Willy Dikson You Shut Me and,
• 1:30
  however, in the own compositions such as Good Times, Bat Times,
• 1:34
  daysond Confust that gives the name to this podcast, Communication break Down, it
• 1:40
  was already beginning to glimpse this new form, different above all by the strength
• 1:48
  of John Bonham in the drums and especially by the extraordinary vocal parts of Robert
• 1:53
  Plant. That' s how the daisten Confust is the name of this podcast
• 2:01
  and in case you don' t, if you haven' t heard the
• 2:06
  song, I' ll give you a hint of how it sounds more or
• 2:07
  less like that. Well, that' s the song of Daystal Tom Fust
• 2:55
  Those are the tones Remember that I must play. It' s something different
• 3:00
  and with mistakes so you don' t get rid of copyride A. Sometimes
• 3:05
  it acts very easy, very simple, again it is allowed, but in
• 3:07
  order not to risk it you only Day an idea and you already listen to
• 3:10
  it. You' re looking for her on the album right now. Well,
• 3:15
  they have the ease of if you have a podcast system like this,
• 3:19
  that you' re listening to the podcast. Today' s chapter also includes
• 3:22
  music many times and you can listen to the songs I' m talking about.
• 3:28
  Once the episode is over or while you listen to it in some other
• 3:31
  player puts the music, because, from the time I tell you the story
• 3:38
  completely, I' m going to start telling you the story of each of
• 3:43
  their songs as well. But well, everything at once and right now.
• 3:45
  We are that when it was recorded let Zeppelin had much, much of the
• 3:55
  influence of the Jarburts, those songs already own. It was already something different,
• 4:00
  something different and, above all, because as I mentioned a little while
• 4:04
  ago in this same podcast, it was John Vongham and the voice of Robert
• 4:10
  Pland, which made it different from what could have sounded like the Jarverts.
• 4:15
  This album was produced by Jimmy Page and Glen Jones, as an engineer who
• 4:21
  recorded Hunos Beatles Get Back or larit Be after and good that it was very
• 4:30
  novel, very novel his way of recording this vinyl It had a surprising freshness
• 4:36
  and a force that was untoning with psychederic music of that time, especially that
• 4:42
  which came from the west coast of the United States and that since the sixty
• 4:46
  - five was dominant in the world of rock, along with the pop style
• 4:49
  of the so- called English wave that Zepplin bet on rawness and directness,
• 4:56
  but without giving up the subtlety and sweetness of de de des des des des
• 5:00
  des desde aces ato. Recording that first album was a very interesting experience,
• 5:02
  as it allowed them to mix the different styles and influences that each of them
• 5:08
  brought. Remember John Paul Jones was like getting to the same meeting point from
• 5:13
  different directions. Robert loved blues and dubop. Jimmy was bringing the school of
• 5:19
  folk and skifo from the old rock and roll and the true Arabic music.
• 5:26
  John Bonham was, though hard to believe, a man of songs. He
• 5:32
  could sit in front of the drums and start singing songs from the Beatles,
• 5:38
  the Shillits, the Dephonics or James Brownt. As for his personal baggage,
• 5:46
  John Paul Jones' baggage, especially he was more of jazz, soul and
• 5:55
  a bit of blues. Although Led Zeppelin' s album is considered to be
• 6:05
  somewhat off- series, it was not very well, seen by the reviews
• 6:11
  in the early reviews as being incredibly skeptical. Rolling Stone magazine itself, which
• 6:15
  in sixty- nine was something like the rock bible, treated it awfully.
• 6:20
  It is not without curiosity that today the page of this publication has disappeared.
• 6:28
  The most critical series that at the time were made to Led Zepplint' s
• 6:31
  albums and have been updated with hypocritically salamerical complacent texts. Rorringstone in the'
• 6:39
  60s and said the most recent of the British bands, offers very little that
• 6:44
  distinguishes him from his magist, the Jeff be Group. The excesses of the
• 6:48
  Jeff Beck Group' s Truth album are very notably used their indlgence and narrowings,
• 6:56
  as they appear as totally evident in Led Zeppelin' s album. This
• 7:00
  derogatory remark appeared just in the days when the group was about to leave the
• 7:05
  angels to move to play in San Francisco. However, the text did not
• 7:11
  make any kind of media in the followers, who multiplied everywhere by a spontaneous
• 7:16
  publicity of Boki in mouth more than by some strategy planned technique market. In
• 7:24
  fact, Peter grand If he had a plan, but it was precisely the
• 7:28
  other way around and for many of his colleagues he was absolutely suicidal. The
• 7:31
  idea was that led Zepplin would not be released any single singles for the radio,
• 7:38
  that the album would be considered as a whole, as a long duration
• 7:43
  or the EP that was worth for itself and not for some loose songs,
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  not to enter into the modulated amplitude to compete with the hit, for the
• 7:50
  tremules, the fifth dimension or Gary Packet and the Union Gap that gave letzepelint
• 7:56
  a sum and great respectability even among some critics and reporters. But St Francis
• 8:03
  would be the test of fire and this policy of not simple if it is
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  something that remained very firm. And it' s weird. It' s
• 8:18
  weird. Few are the simple ones that led Zeppelin released, many of them,
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  many of those occasions more forced by the label than just, because the
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  product of led Zeppling was something they knew was worth consuming completely. I'
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  m and ortiz I hope you' re liking the story of led Zepplin.
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  I' ll see you here on the next broadcast See you later.