Latest / Artists on Artists on Artists on Artists / Ghost Hunters
Transcript
- 0:04Speaker 1: Welcome back to Artists on Artists on Artists on Artists.
- 0:07Speaker 1: This week on the show, we gathered the cast of
- 0:11Speaker 1: a very well-known in hotel rooms ghost show by Ghostle.
- 0:16Speaker 2: Ghosts have been a phenomenon since the beginning of man.
- 0:20Speaker 2: We have always wondered what happens after death. Well, these
- 0:25Speaker 2: four ghost hunters explore it and try to find answers
- 0:28Speaker 2: in by Ghostle.
- 0:30Speaker 3: Whether or not you're a skeptic, ghost hunting is a
- 0:33Speaker 3: verified job that makes people lots of money. From going
- 0:37Speaker 3: to old abandoned buildings to talking to spirits through basically radios,
- 0:43Speaker 3: ghost hunters have found a way to connect not only
- 0:47Speaker 3: with the supernatural, but also with audiences at home.
- 0:51Speaker 4: So turn on that spirit box, press record, get that
- 0:55Speaker 4: night vision camera on, and let's Hunt ghosts.
- 1:02Speaker 5: Let's listen in. We should check the space first.
- 1:09Speaker 4: We should check the space.
- 1:10Speaker 5: Absolutely.
- 1:11Speaker 4: And we should communicate with the.
- 1:12Speaker 5: Spirits as well. Oh, hold on a minute. Hold on
- 1:14Speaker 5: a minute. This is off. This isn't working. That is crazy.
- 1:17Speaker 5: I'm getting a little reading. Was it working before? It
- 1:20Speaker 5: was working before. And when I entered, it's no longer working. Oh, shit.
- 1:24Speaker 4: Guys, hard drive's going crazy.
- 1:26Speaker 5: What's going on? What's it saying?
- 1:28Speaker 4: Hard drive is going crazy. The readings are off the charts.
- 1:33Speaker 4: It's messaging all the thermal imagery devices in the county,
- 1:37Speaker 4: and they're all spiking.
- 1:38Speaker 6: Thermal images in the county? Okay, it's on now. So
- 1:41Speaker 6: does that mean it's coming?
- 1:42Speaker 5: Hold on. Let me sense it. Let me get some sensors.
- 1:45Speaker 5: Hold on a minute. Oh, my gosh. When I pressed
- 1:50Speaker 5: this button, it turned red.
- 1:54Speaker 7: Wait, wait.
- 1:56Speaker 4: Play that back.
- 2:01Speaker 2: That could have been something. Because that didn't happen when
- 2:04Speaker 2: we first listened to it.
- 2:05Speaker 5: That's crazy.
- 2:06Speaker 6: Yeah, I'm going.
- 2:07Speaker 2: To give 0.25 on my PFPF reading. I don't know
- 2:10Speaker 2: what that could mean. It could either mean that there's
- 2:13Speaker 2: some sort of presence here or that it is over
- 2:16Speaker 2: 80 degrees in this room. I'll try to dial it
- 2:18Speaker 2: in a little bit.
- 2:19Speaker 5: Come back to me. Great.
- 2:20Speaker 1: Now, I know this podcast wanted us to talk process,
- 2:23Speaker 1: but I just also want to hunt a little.
- 2:25Speaker 5: Yeah, of course.
- 2:26Speaker 4: We do have to hunt a little. This is, of course,
- 2:28Speaker 4: one of the more haunted locations in the two locations
- 2:32Speaker 4: that we hunt in. We are, of course, the team
- 2:36Speaker 4: behind the show by Ghostall. We hunt ghosts in LA
- 2:41Speaker 4: and New York exclusively.
- 2:42Speaker 2: Yeah.
- 2:43Speaker 3: Because of some experiences in our past, we all have
- 2:47Speaker 3: a connection to the thin veil that connects us and
- 2:50Speaker 3: the outside world. We have had experiences that.
- 2:53Speaker 7: Let us know.
- 2:55Speaker 6: The mic will get you.
- 2:56Speaker 5: You don't have to go super loud. Am I being
- 2:58Speaker 5: too loud?
- 2:58Speaker 6: We're not in the tunnels anymore or something, so you
- 3:00Speaker 6: can just kind of talk normally. It's like a podcast.
- 3:02Speaker 3: What I like to do is speak for not only
- 3:05Speaker 3: the people in the room, but for any ghosts that
- 3:07Speaker 3: are beyond the veil. Because as many people know, the
- 3:09Speaker 3: veil can muffle audio. So I wanted to make sure
- 3:12Speaker 3: ghosts can hear me too.
- 3:14Speaker 7: That's a good point.
- 3:15Speaker 2: Let's jump into it and tell each other's names to
- 3:17Speaker 2: the camera and what was their situation that led us
- 3:21Speaker 2: to be able to have a connection with the other side.
- 3:23Speaker 5: That's right. Let's tell each other's names. His is Tuttle.
- 3:26Speaker 2: Hi, I'm Tuttle. I was kicked by a horse and
- 3:29Speaker 2: now I believe I can talk to ghosts. When I
- 3:35Speaker 2: was seven years old, I was bucked off a pony.
- 3:37Speaker 2: It nailed me right in the temple. Doctors thought I
- 3:40Speaker 2: would die. I woke up immediately, and I believe now
- 3:43Speaker 2: I can talk to the other side.
- 3:44Speaker 3: I still cannot believe the precision of that pony to
- 3:47Speaker 3: hit you in the temple.
- 3:48Speaker 5: It bucked me off, and bam, right in the temple.
- 3:51Speaker 2: It bucked you off. Like it was trying to kill me.
- 3:53Speaker 2: Trying to kill me.
- 3:54Speaker 4: What did you see in the hospital room that day?
- 3:56Speaker 5: Well, I saw some doctors. I saw some nurses. I
- 3:59Speaker 5: saw my mom, my dad, my sister, and my brother.
- 4:02Speaker 5: And also, I heard a voice.
- 4:03Speaker 7: What?
- 4:04Speaker 5: What did the voice say? The voice said, you ain't
- 4:06Speaker 5: going yet. You ain't going yet.
- 4:09Speaker 2: And I felt some sort of feeling across my face
- 4:13Speaker 2: like I had been slapped as hard as a man
- 4:16Speaker 2: could be slapped.
- 4:17Speaker 5: It was like this, pa, pa, pa, pa. And I went, mama, mama.
- 4:21Speaker 2: And she said, Turtle, you're alive. And I said, mama,
- 4:25Speaker 2: I'm more than alive. I can talk to things now. Wow.
- 4:28Speaker 2: Ever since then, I've been helping people figure out what
- 4:31Speaker 2: the hell is going on with their homes, what the
- 4:33Speaker 2: hell is going on with their theaters, what the hell
- 4:36Speaker 2: going on with their hotels, what the hell going on
- 4:39Speaker 2: with a lot of different things like stables, what the
- 4:42Speaker 2: hell going on with anything that could be haunted, like
- 4:45Speaker 2: a boat, or like a children's school, or you know,
- 4:52Speaker 2: like a big gymnasium, or even like a farm stand.
- 4:58Speaker 5: Hold on, Tuttle. What are some more? Oh, oh, like
- 5:03Speaker 5: Hold on. Keep going.
- 5:05Speaker 2: Helping people with their places where they fix cars at night.
- 5:10Speaker 2: Helping people with gas stations. Helping people like old roller rinks.
- 5:15Speaker 4: Tunnel, I'm going to stop you right there. I need
- 5:18Speaker 4: to hear more.
- 5:18Speaker 2: I'm just helping people where they sell pianos.
- 5:24Speaker 5: I'm helping.
- 5:25Speaker 2: I'm helping people, you know, where they're building the pianos,
- 5:28Speaker 2: big kind of big spaces that feel empty and remodeled.
- 5:33Speaker 6: Tuttle, we all have to say our names.
- 5:35Speaker 7: Keep going.
- 5:37Speaker 2: You know, any old sock wards, torn down places with
- 5:41Speaker 2: Native American burials.
- 5:43Speaker 5: I'm helping them figure out.
- 5:45Speaker 7: Tuttle, enough.
- 5:47Speaker 4: Five more.
- 5:48Speaker 2: You know, I'm helping them where they're building watches and
- 5:51Speaker 2: clocks and stuff. I'm helping them find a ghost if
- 5:54Speaker 2: you got them in suitcases every once in a while.
- 5:58Speaker 5: Or old planes.
- 5:59Speaker 2: I'm helping them in big terminals, see if anything bad
- 6:02Speaker 2: happened in terminals. And I'm helping them in fields, big
- 6:05Speaker 2: fields where war has happened.
- 6:07Speaker 5: Tuttle, stop! One more! And, of course, I'm helping them
- 6:11Speaker 5: where it helps the most, their inner hearts. Thank you, Tuttle. Hey,
- 6:15Speaker 5: you guys, welcome. Thank you, Tuttle.
- 6:16Speaker 2: And thanks for letting me join the team, even though
- 6:18Speaker 2: I'm not from the Coast region.
- 6:20Speaker 5: Thank you, Tuttle, so much.
- 6:21Speaker 3: We're glad you're here, and we're excited for the journeys
- 6:24Speaker 3: that we've been on and will continue to be on.
- 6:27Speaker 5: Yeah, we had some crazy journeys. Isn't that right, Stefano?
- 6:32Speaker 6: A hundred percent is right.
- 6:34Speaker 1: I am so grateful to be with this cast, with
- 6:36Speaker 1: this team, with this group of hunters and warriors.
- 6:40Speaker 5: Sorry. Wait, what was that?
- 6:42Speaker 4: Wait, what was that?
- 6:43Speaker 5: Something.
- 6:43Speaker 4: Is something moving through you?
- 6:45Speaker 3: Six months ago, Stefano received a ghost from a girlfriend.
- 6:48Speaker 2: What?
- 6:49Speaker 7: I had sex with a witch.
- 6:53Speaker 5: We told him not to.
- 6:54Speaker 2: We told him not to. That girl sells stuff on
- 6:57Speaker 2: Etsy nobody should be buying. But that set of teeth.
- 7:03Speaker 2: I had to see if there was something going on.
- 7:05Speaker 2: Stefano's a teeth guy. I know you hear like boobs,
- 7:10Speaker 2: butt guy. No, Stefano is a teeth guy.
- 7:12Speaker 3: Because of an experience in his childhood, Stefano has a
- 7:15Speaker 3: sexual attraction to teeth.
- 7:21Speaker 4: Stefano and I walked by a dentist one time, and
- 7:24Speaker 4: Stefano could not keep it together.
- 7:26Speaker 1: I just want to say I'm so grateful that all
- 7:31Speaker 1: my best friends know me so deeply. Especially, I grew
- 7:33Speaker 1: up next to Casey. We grew up next to each
- 7:35Speaker 1: other in a house. In similar neighbors' houses. But I
- 7:39Speaker 1: want to say, I was a skeptic. Casey was a
- 7:42Speaker 1: kid that was always looking. And I was a skeptic
- 7:46Speaker 1: until I had sex with a witch.
- 7:48Speaker 5: So it was just recently? No, it was your first date.
- 7:51Speaker 1: And then my eyes were opened, and ever since then,
- 7:54Speaker 1: how could I deny the otherworldly?
- 7:57Speaker 4: And you have been so different ever since you had
- 8:00Speaker 4: sex with the witch.
- 8:01Speaker 5: It is very different.
- 8:02Speaker 3: You used to believe that braces were like panties for teeth,
- 8:06Speaker 3: but now you believe they're like jeans.
- 8:10Speaker 6: It's just kind of helping them, and it's making them
- 8:13Speaker 6: look better.
- 8:14Speaker 4: But it doesn't do anything for you.
- 8:16Speaker 6: And that's right.
- 8:18Speaker 1: My belief in ghosts is perfectly connected to my attraction
- 8:24Speaker 1: to teeth.
- 8:24Speaker 5: Are you sure you want to do that?
- 8:31Speaker 1: Ever since that witch fucked me sideways and opened my
- 8:36Speaker 1: eyes to the other world, I can no longer trust
- 8:40Speaker 1: any noise in a dark room or look at teeth
- 8:43Speaker 1: the same way.
- 8:45Speaker 5: Did you hear that? Did you guys hear that? Yeah.
- 8:47Speaker 6: I genuinely heard that.
- 8:48Speaker 4: The reader's going crazy.
- 8:49Speaker 5: I got 0294. Hold on. Listen.
- 8:55Speaker 7: Wait.
- 8:56Speaker 5: Enhance.
- 8:57Speaker 4: Slow that down.
- 8:58Speaker 5: Let us look at that.
- 8:59Speaker 7: Wait.
- 8:59Speaker 5: Stop.
- 9:00Speaker 4: Play it again.
- 9:00Speaker 7: Play that back.
- 9:01Speaker 4: Slow down.
- 9:03Speaker 7: I'm your mother. Whoa.
- 9:06Speaker 4: Whoa.
- 9:06Speaker 5: Somebody's mother is here. That might be mine.
- 9:10Speaker 7: Go, Casey.
- 9:10Speaker 4: Go.
- 9:10Speaker 5: My name is Casey. I am the host of Go
- 9:13Speaker 5: Buy Ghostle.
- 9:15Speaker 2: And.
- 9:15Speaker 3: When I was six years old, I was living next
- 9:17Speaker 3: door to Casey, or I was Stefano.
- 9:20Speaker 5: Stefano.
- 9:20Speaker 3: And I say live next door to Casey because I
- 9:23Speaker 3: had a mirror that moved a little bit slower than myself.
- 9:27Speaker 3: It was a trick mirror, and I believed it was
- 9:30Speaker 3: a ghost. I don't know how it worked, but the
- 9:33Speaker 3: mirror was just a little bit slower. So I would turn,
- 9:36Speaker 3: and then I look back, and then it would turn.
- 9:38Speaker 5: That does sound like a ghost. It might have been
- 9:40Speaker 5: a real ghost.
- 9:42Speaker 3: It was fucking weird, and I haven't seen anybody else
- 9:44Speaker 3: have that type of mirror.
- 9:46Speaker 5: My mom said she got it at a yard sale,
- 9:48Speaker 5: and it was a trick.
- 9:49Speaker 3: But I do believe it might have been a ghost.
- 9:52Speaker 3: Because of that, I began to see spooky things, like
- 9:56Speaker 3: the monsters on TV.
- 9:58Speaker 5: I loved scary shows.
- 10:00Speaker 4: Because of the mirror, you started watching TV. Yes.
- 10:04Speaker 3: Because I had a supernatural experience, I became attracted to
- 10:07Speaker 3: horror television shows and even horror comedies.
- 10:11Speaker 5: And I began to watch them all the time. And
- 10:13Speaker 5: it changed my view on reality.
- 10:15Speaker 3: Instead of sitting in a room wondering if I was safe,
- 10:18Speaker 3: I would sit in a room and hope I was
- 10:19Speaker 3: in danger because fear was exciting.
- 10:22Speaker 1: I will say, out of everyone on the team, Casey,
- 10:25Speaker 1: you are a fan of ghost media.
- 10:28Speaker 2: I am.
- 10:28Speaker 6: So that's also because, like, sure, we want to find ghosts.
- 10:32Speaker 5: Don't.
- 10:32Speaker 2: We also want to make a good episode of television. Yeah,
- 10:34Speaker 2: don't get Casey Starr on CBS's Ghosts.
- 10:38Speaker 7: Oh, his favorite show.
- 10:39Speaker 5: I am obsessed with CBS's Ghosts. The really fresh take.
- 10:45Speaker 3: On living in a house with ghosts, and they're from
- 10:48Speaker 3: all different eras, which makes you know they did their research,
- 10:52Speaker 3: because ghosts are from different eras.
- 10:56Speaker 5: I am obsessed with ghosts.
- 10:57Speaker 3: And one day, I hope to turn Bi-Ghostel into a
- 11:01Speaker 3: coffee shop in the valley somewhere that's spooky too.
- 11:04Speaker 4: You hope to turn our ghost hunting show into a
- 11:07Speaker 4: coffee shop?
- 11:07Speaker 3: I hope to open Bi-Ghostel the coffee shop where I
- 11:10Speaker 3: have scary coffee names and there's pictures of ghosts on
- 11:13Speaker 3: the walls.
- 11:14Speaker 5: It's haunted but a coffee shop.
- 11:16Speaker 4: What are some of the scary coffee names you've come
- 11:18Speaker 4: up with?
- 11:19Speaker 5: Freddy Voorhees Latte.
- 11:21Speaker 2: Okay.
- 11:22Speaker 3: Okay.
- 11:23Speaker 7: You have to stop.
- 11:23Speaker 5: Do three more.
- 11:26Speaker 3: Okay, Freddy, oh, Jason Voorhees latte, sorry. Freddy Krueger macchiato.
- 11:33Speaker 3: Babadook tea.
- 11:35Speaker 6: So just none of these are puns.
- 11:38Speaker 4: He's heard plays on words.
- 11:39Speaker 5: No, they're scary things and coffees. Together forever, on my menu.
- 11:44Speaker 2: Amazing, absolutely amazing. I mean, what a big team we built,
- 11:47Speaker 2: but we wouldn't be complete without, of course.
- 11:50Speaker 4: My name is Veronica. And ever since I was a
- 11:53Speaker 4: little girl, all of the women in my family have this.
- 11:57Speaker 4: We see ghosts and can bro down with them. Whenever,
- 12:03Speaker 4: just in this moment, whenever we are just in this moment,
- 12:07Speaker 4: I am seeing multiple figures step forward.
- 12:10Speaker 5: Whenever we are just in this moment.
- 12:12Speaker 4: Whenever we are just in this moment, I am seeing
- 12:15Speaker 4: multiple figures step forward.
- 12:16Speaker 3: We should mention Veronica lost the use of language for
- 12:19Speaker 3: a little bit and has gotten it back. And we're
- 12:21Speaker 3: so happy. A ghost got into her mouth and she
- 12:24Speaker 3: couldn't speak for a year.
- 12:26Speaker 1: And I wanted to look at her mouth every day
- 12:27Speaker 1: to make sure things were okay.
- 12:29Speaker 5: I don't think that's why you were looking.
- 12:30Speaker 4: I also don't think that's why you were looking. But
- 12:33Speaker 4: I appreciate the concern nonetheless. That year was one of
- 12:36Speaker 4: the darkest of my life. In that time, the ghosts
- 12:39Speaker 4: did not permit me to speak. They took away my
- 12:42Speaker 4: voice so that I could listen to theirs. And in
- 12:45Speaker 4: that time, my connection to the other world grew stronger
- 12:48Speaker 4: and stronger and stronger. And now I can bro down
- 12:51Speaker 4: with literally any ghost who steps forward. Just now, there
- 12:55Speaker 4: is a football player I'm getting with the letter M
- 12:57Speaker 4: stepping forward. M, does that M mean anything to you? Normally,
- 13:01Speaker 4: there are more people.
- 13:03Speaker 5: So you got a football player with the letter M
- 13:05Speaker 5: on the back or in the front?
- 13:06Speaker 2: Where?
- 13:07Speaker 4: I'm getting the letter.
- 13:08Speaker 6: Is he saying M?
- 13:09Speaker 4: The letter M.
- 13:09Speaker 5: His name is M?
- 13:10Speaker 7: The name is.
- 13:11Speaker 4: I'm getting the letter M. So the letter M could
- 13:13Speaker 4: be connected to his name. It could be connected to
- 13:16Speaker 4: his shirt. It could be connected to his catchphrase. It
- 13:18Speaker 4: could be connected to his profession.
- 13:20Speaker 2: Maybe it's something to do with Michigan. And if it's that,
- 13:22Speaker 2: we can't touch that. That's not on the coast.
- 13:23Speaker 5: That is not in our purview. We do L.A. and
- 13:26Speaker 5: New York.
- 13:27Speaker 7: This is not a coastal ghost. Back away. I am now.
- 13:30Speaker 4: going to have to ask you respectfully bro bro respectfully
- 13:34Speaker 4: you're gonna have to go love you though dude love.
- 13:36Speaker 2: You there's something about veronica's kind of ability with ghosts
- 13:41Speaker 2: they really respect her in a bro way i've never
- 13:44Speaker 2: seen somebody bro down with ghosts harder than a.
- 13:45Speaker 1: Lot of us will do different things when interacting with
- 13:49Speaker 1: ghosts but the way you kind of always take a
- 13:51Speaker 1: knee And just like sit down with the ghost. I've
- 13:54Speaker 1: never seen a ghost hunter on TV sit down and hang.
- 13:56Speaker 4: Because the saddest thing about the male loneliness epidemic is
- 14:00Speaker 4: that it's been happening for years and years and years
- 14:02Speaker 4: and years and years. And so many of these men
- 14:04Speaker 4: died before they were able to put a name to that.
- 14:09Speaker 4: All these Civil War generals, all these ancient Roman soldiers died.
- 14:13Speaker 4: All these ancient guys who were cowboys, they never got to, hey, say,
- 14:21Speaker 4: you know what? Hey, in this moment, I am feeling
- 14:23Speaker 4: male lonely. They never got to say that.
- 14:26Speaker 7: If Paul Revere could.
- 14:28Speaker 5: It was so important when you taught me the phrase
- 14:30Speaker 5: male lonely. It's an adjective.
- 14:34Speaker 2: I am feeling male lonely. M, male lonely.
- 14:39Speaker 5: Do you think that football player was male lonely?
- 14:40Speaker 6: Maybe it's must see teeth.
- 14:44Speaker 5: Maybe it's must-see TV.
- 14:46Speaker 7: Do you want me to call him back?
- 14:48Speaker 2: Yeah, I think call him back. Let's see what we
- 14:50Speaker 2: can get. I'll see if I can hear anything that
- 14:51Speaker 2: he records. And I will sense him on my light monitor. Whoa,
- 14:54Speaker 2: this is going crazy.
- 14:55Speaker 7: Hey, dog.
- 14:56Speaker 4: Hey, boss man. Hey, boss man. Step back into the space, bro.
- 14:59Speaker 4: We just want to talk to you for a second.
- 15:01Speaker 4: Can I dap you up, brother? Can I dap you up?
- 15:04Speaker 4: Can I dap you up, brother?
- 15:05Speaker 2: Whoa.
- 15:07Speaker 5: Wait a second. I just heard something back.
- 15:08Speaker 7: What'd you hear?
- 15:09Speaker 5: Let's replay it. See what he said. You're going to say,
- 15:11Speaker 5: can I dap you up?
- 15:12Speaker 4: Can I dap you up, brother?
- 15:13Speaker 5: I'm good. No, thanks. I'm good. Thank you.
- 15:17Speaker 7: Why are you here? Hey!
- 15:20Speaker 5: Wait, let's play that again. Oh my goodness, I'm shaking.
- 15:24Speaker 5: Say what you just said. Why are you here?
- 15:27Speaker 7: I was just a little lost. I was just a
- 15:30Speaker 7: little lost looking for.
- 15:31Speaker 5: I was just looking for something. What can we do
- 15:35Speaker 5: for you? I'm just wondering where.
- 15:39Speaker 6: Do you guys know where.
- 15:42Speaker 2: I'm trying to Do the Macarena somewhere?
- 15:45Speaker 5: I love dancing. M. Macarena. M.
- 15:49Speaker 7: Macarena.
- 15:50Speaker 4: Of course. It all makes sense.
- 15:52Speaker 2: Wait.
- 15:53Speaker 4: Play the Macarena and then maybe we'll get him to
- 15:56Speaker 4: appear in the corporeal form.
- 15:58Speaker 7: Hey! Oh, man, I love that.
- 16:10Speaker 5: Song.
- 16:11Speaker 7: Thank you.
- 16:12Speaker 3: Whoa, look at that flashing light.
- 16:14Speaker 7: Holy shit, I have goosebumps. That was insane.
- 16:16Speaker 5: Holy shit, I have chills.
- 16:18Speaker 7: Oh, my God. Were my pants cuffed before? No.
- 16:21Speaker 2: No.
- 16:22Speaker 7: Were my pants cuffed before?
- 16:25Speaker 2: No. No.
- 16:27Speaker 7: We have to.
- 16:37Speaker 2: Say that even though we can't prove it was a ghost,
- 16:39Speaker 2: things make it unabashedly clear that that could have easily
- 16:43Speaker 2: been a ghost.
- 16:44Speaker 5: We must talk.
- 16:44Speaker 3: About our favorite ghost encounters and maybe even play clips.
- 16:48Speaker 5: Yeah, that's a great idea. That's a great idea. We
- 16:50Speaker 5: can play clips from some of our favorite.
- 16:52Speaker 7: Whoa! Don't fuck with me!
- 16:55Speaker 5: That actually was scary. That was actually terrifying. That was
- 16:58Speaker 5: really scary.
- 16:59Speaker 7: I'll tell you this.
- 17:00Speaker 6: Our show is one of the top shows for ghosts.
- 17:05Speaker 4: That is so true. That is absolutely true, Stefano. And
- 17:09Speaker 4: if you look up at the metrics for how many
- 17:13Speaker 4: people are watching ghost shows, with ours, it's at the
- 17:16Speaker 4: top always.
- 17:17Speaker 5: Yes.
- 17:18Speaker 1: I don't know why the views aren't there, but the
- 17:20Speaker 1: ghosts are. It's hard because we have so many ghost encounters.
- 17:28Speaker 3: We have a lot and nobody is watching us. We
- 17:31Speaker 3: want to be clear, it's happening for real. And it's crazy.
- 17:34Speaker 3: And they come to us and they ask us for things.
- 17:36Speaker 3: And we do things for them.
- 17:37Speaker 5: It's crazy.
- 17:37Speaker 7: Let's play some of our favorite moments.
- 17:39Speaker 2: I'll establish something about a lot of these ghost shows,
- 17:42Speaker 2: similar to ours, is it's very hard to prove.
- 17:45Speaker 5: That we've actually had any real ghost encounter. Of course.
- 17:49Speaker 2: We see a lot of thermal scans where something heats
- 17:52Speaker 2: up and we go, now that's got to be something
- 17:54Speaker 2: that wasn't there before. We hear a lot of noises,
- 17:57Speaker 2: a lot of sounds, but there's no way to actually
- 18:00Speaker 2: prove you've seen a ghost and we just hate skeptics.
- 18:03Speaker 4: And the thing is, you know, there's something that I
- 18:06Speaker 4: like to call the ghost camera fallacy. You know, people
- 18:09Speaker 4: assume that because you're filming these encounters, you're faking them.
- 18:13Speaker 4: It's Hollywood magic. And that's not true.
- 18:15Speaker 5: It's a fallacy, dude. That's the fallacy.
- 18:18Speaker 4: That's the fallacy.
- 18:19Speaker 5: The fallacy part is, that's not true. And it's a lie.
- 18:22Speaker 6: Suck my fallacy.
- 18:24Speaker 5: Yeah. Suck my fallacy. Suck my fallacy, for real.
- 18:27Speaker 6: Suck my fallacy. These ghosts are real.
- 18:29Speaker 5: All them haters can suck my fucking fallacy.
- 18:32Speaker 4: You can suck my fallacy right now.
- 18:33Speaker 3: You must go to cafepress.com and find our Buy Ghosts
- 18:36Speaker 3: So merch that says suck my fallacy on the front.
- 18:39Speaker 2: Yeah.
- 18:40Speaker 7: We have.
- 18:40Speaker 1: Some of the most authentic encounters that I've ever seen
- 18:45Speaker 1: on a ghost show.
- 18:46Speaker 6: I think we should play some of our best clips.
- 18:49Speaker 4: My favorite moment was when we went to the old,
- 18:55Speaker 4: when we went to St. Patrick's Cathedral in the middle
- 18:58Speaker 4: of New York City.
- 18:59Speaker 5: This was terrifying. The ghost.
- 19:02Speaker 7: The coast. East coast.
- 19:04Speaker 5: We are here at St. Patrick's Cathedral.
- 19:06Speaker 3: We are walking down the aisle of the main cathedral
- 19:10Speaker 3: looking for different souls that might have found their way
- 19:14Speaker 3: into the church.
- 19:16Speaker 5: I am looking around. They're turning the lights off on us.
- 19:19Speaker 7: Whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa.
- 19:22Speaker 5: Holy shit. Holy shit. What do you guys feel?
- 19:25Speaker 7: What do you see?
- 19:25Speaker 5: Okay, okay, okay.
- 19:26Speaker 4: Guys, I hit a cold spot. It's cold.
- 19:29Speaker 5: Okay, I'm running over there. I'm running to you. I'm
- 19:30Speaker 5: running to you. I'm running to you.
- 19:31Speaker 7: Oh, my gosh. Oh, my God.
- 19:33Speaker 5: Oh, my gosh. Okay, so this cold spot. Okay, okay, okay.
- 19:36Speaker 7: Wait, guys, guys, guys, guys.
- 19:37Speaker 6: Sorry to be behind here. Where are you feeling it cold?
- 19:39Speaker 5: I don't feel it. Come over here closer to us.
- 19:41Speaker 5: Come over here.
- 19:42Speaker 4: Come over here close.
- 19:43Speaker 5: Put your hand in the center.
- 19:44Speaker 4: Do you feel that cold spot?
- 19:46Speaker 5: Come closer to my face. Come closer to my face.
- 19:49Speaker 7: Oh, I feel cold.
- 19:51Speaker 5: Yeah, it's cold right here.
- 19:53Speaker 7: Meanwhile.
- 19:54Speaker 2: Hey, guys, I'm Tuttle. So I'm kind of alone in
- 19:57Speaker 2: one of these chapels. They're all in the main cathedral.
- 20:01Speaker 2: They put me off the side of the chapel. They say, hey, Tuttle,
- 20:03Speaker 2: you do your own thing.
- 20:04Speaker 5: You got it. We got it. So I'm just here to,
- 20:09Speaker 5: you know. Tuttle?
- 20:12Speaker 4: Hello?
- 20:15Speaker 2: Sorry.
- 20:16Speaker 5: I'm by myself, so I don't really have anybody to
- 20:17Speaker 5: say you guys see that, but.
- 20:19Speaker 3: Meanwhile, in the main cathedral, there once was a man
- 20:22Speaker 3: that died because he missed his wife so much. So
- 20:25Speaker 3: I put on a dress, and I'm pretending to be
- 20:28Speaker 3: a wife. And now as a wife, I'm going to
- 20:31Speaker 3: see if he's gonna try to flirt with me.
- 20:33Speaker 7: Casey, be careful. You look just like a wife. I know.
- 20:38Speaker 5: Oh, goodness.
- 20:38Speaker 3: I wish I had a man to make something for,
- 20:41Speaker 3: whether it be a home craft or even a.
- 20:44Speaker 5: Clang.
- 20:45Speaker 2: Oh.
- 20:46Speaker 7: Oh, my gosh, the cross.
- 20:48Speaker 5: The cross fell over. That cross that was crooked when
- 20:50Speaker 5: we walked in, it fell over.
- 20:52Speaker 7: It fell over?
- 20:53Speaker 4: Meanwhile, hey, I'm Veronica. I'm here in the confessional booth
- 20:58Speaker 4: dressed as a priest, and I'm going to see if
- 21:00Speaker 4: I can get any spirits to come in and confess
- 21:03Speaker 4: their sins to me.
- 21:03Speaker 5: Is this confession?
- 21:06Speaker 4: Whoa, that came in super clear. Yes, it is a confession.
- 21:10Speaker 5: I only have 20 minutes. I'm going back to my bank. Bro, listen.
- 21:15Speaker 7: I am.
- 21:17Speaker 4: In need of communicating with you. Please tell me why
- 21:20Speaker 4: you're still here in this realm.
- 21:23Speaker 5: I just stopped by to confess during work.
- 21:26Speaker 4: I was blown away by how casual this ghost was
- 21:29Speaker 4: speaking to me. I could not believe the casual tenor
- 21:34Speaker 4: and how clear the message was.
- 21:36Speaker 5: Spirit, tell me now.
- 21:38Speaker 4: Do you have any unfinished business here? Anything you wish
- 21:41Speaker 4: to confess before you pass on to the next realm?
- 21:44Speaker 5: I masturbated at work just now.
- 21:46Speaker 4: I could not believe this ghost was giving me such
- 21:48Speaker 4: a clear confession.
- 21:50Speaker 2: Meanwhile.
- 21:52Speaker 5: Um, so, yeah, um... Um, hey, ghost.
- 21:55Speaker 6: It's me. The guy whose wife died.
- 22:03Speaker 5: Wait, sorry.
- 22:03Speaker 2: Are you guys hearing this? Are you guys hearing this?
- 22:05Speaker 2: I heard two distinct noises. I heard, it's me, the
- 22:08Speaker 2: guy whose wife died.
- 22:09Speaker 4: And.
- 22:11Speaker 5: Some sort of bird. Meanwhile, oh, time to take off
- 22:15Speaker 5: my stockings. I should take off.
- 22:18Speaker 6: That episode, I don't think, really shows that we saw
- 22:21Speaker 6: a ghost.
- 22:21Speaker 7: Because we did look into it.
- 22:23Speaker 5: I don't know.
- 22:23Speaker 1: That was a real person who went to the confessional.
- 22:26Speaker 7: But it looked like a ghost.
- 22:27Speaker 2: That was just some finance guy who mastered many a word.
- 22:29Speaker 2: And then also got off on confessing it to a priest.
- 22:32Speaker 2: So maybe that's not a good episode to show.
- 22:34Speaker 4: It was tough that we couldn't show the actual footage
- 22:36Speaker 4: of the man because he was getting off to that.
- 22:39Speaker 3: But it was a very good episode to show because
- 22:41Speaker 3: it shows that when Tuttle gets scared, he kind of
- 22:44Speaker 3: begins to sound like Cartman, which I thought was very interesting.
- 22:48Speaker 7: And I think that's when we learned.
- 22:50Speaker 6: Like, separating is kind of hard.
- 22:52Speaker 5: I got that Cartman fear. I got that Cartman fear.
- 22:55Speaker 4: But, you know, we're taking after the precedent that other
- 22:58Speaker 4: ghost shows have sent where they send one scared guy
- 23:02Speaker 4: alone into a room and.
- 23:04Speaker 2: We lock him up. Always send me, poor old Tuttle alone.
- 23:08Speaker 5: Are you scared right now? I'm a little scared. That
- 23:11Speaker 5: lightning earlier really scared me.
- 23:13Speaker 6: Really freaked you.
- 23:13Speaker 4: Oh, no.
- 23:14Speaker 7: You just sounded like Corbin again.
- 23:15Speaker 5: Tuttle, it's okay.
- 23:16Speaker 7: Tuttle, it's okay.
- 23:17Speaker 5: It's how I always sound, I think.
- 23:18Speaker 7: Tuttle, Tuttle, Tuttle, you're scared.
- 23:20Speaker 2: Tuttle, Tuttle, Tuttle.
- 23:21Speaker 7: I'm a little scared. Tuttle, you're scared.
- 23:22Speaker 5: No, I think it's always how I sound.
- 23:23Speaker 7: Like, when I'm scared, I get goosebumps. When you're scared,
- 23:25Speaker 7: you sound like this.
- 23:26Speaker 5: I think it's always how I sound. You don't sound
- 23:28Speaker 5: like this. This is always how it sounds.
- 23:31Speaker 2: Anyway.
- 23:31Speaker 7: No, Tuttle must be scared.
- 23:33Speaker 5: Shitless right now. I like that episode for two reasons. One,
- 23:36Speaker 5: I definitely heard a ghost. That's kind of undeniable.
- 23:39Speaker 2: You guys keep on saying, Tuttle ain't here, nothing.
- 23:42Speaker 5: But then I loved when you started taking off your stockings.
- 23:46Speaker 6: That's my favorite part about Casey. He's always going to
- 23:49Speaker 6: go the extra mile.
- 23:50Speaker 5: There is no doubt that the ghost in there knew
- 23:53Speaker 5: I was a wife. It was amazing.
- 23:55Speaker 2: Casey does this thing that we push and pull a lot.
- 23:58Speaker 2: sometimes I feel like what's Casey's doing. Some people online
- 24:03Speaker 2: say this and I disagree wholeheartedly that sometimes Casey is
- 24:06Speaker 2: being so big and loud that ghosts would be terrified
- 24:09Speaker 2: and scared and don't even want to go near him.
- 24:11Speaker 5: But I disagree.
- 24:12Speaker 2: I think you're doing a great job bringing them closer.
- 24:14Speaker 2: I mean, Have you ever had a full ghost encounter? Like,
- 24:17Speaker 2: has anything talked to you?
- 24:18Speaker 5: I certainly have.
- 24:19Speaker 3: And I want to say, anybody who's worried I'm being
- 24:21Speaker 3: too loud for a ghost, I want to remind you
- 24:24Speaker 3: that you leave your ears in the corporal realm. I
- 24:27Speaker 3: remind you that your ears do not go with you,
- 24:29Speaker 3: which are the mechanisms that bring voice to your brain.
- 24:33Speaker 3: They have neither brain nor ear nor voice. So I
- 24:37Speaker 3: use my vibrations to shock their vibratious, innervacious souls. And
- 24:44Speaker 3: I have seen a ghost.
- 24:45Speaker 5: Well, of course, we'll play on.
- 24:47Speaker 3: Okay, well, recently, I was recently in one of our episodes,
- 24:51Speaker 3: one of my favorite new episodes.
- 24:53Speaker 6: Season 42.
- 24:54Speaker 5: Season 42. We do four seasons a year.
- 24:57Speaker 4: We do four seasons a year. We are prolific.
- 25:01Speaker 3: This was, we were, of course, in the San Vicente
- 25:04Speaker 3: bungalows in Santa Monica.
- 25:05Speaker 4: Scary.
- 25:06Speaker 5: Very scary.
- 25:07Speaker 7: A scary ghost.
- 25:07Speaker 5: A very scary ghost.
- 25:08Speaker 4: Built on the grounds of an old Hollywood bathhouse.
- 25:11Speaker 7: True story.
- 25:12Speaker 2: Yes.
- 25:13Speaker 5: So there were a lot of ghosts that were sweaty, wet,
- 25:16Speaker 5: and looking for a break. Let's play the clip.
- 25:20Speaker 3: Hi, I am here in the San Vicente bungalows in
- 25:23Speaker 3: a spa outfit. I am shirtless and wearing a towel.
- 25:26Speaker 3: I'm pretending to be sitting in a sauna, seeing if
- 25:29Speaker 3: other ghosts will come in and try to talk to me.
- 25:34Speaker 5: Oh, it's so hot in here. Better take off my stockings.
- 25:41Speaker 7: Oh, my gosh. Oh, my gosh.
- 25:43Speaker 5: I'm getting chills.
- 25:44Speaker 7: Oh, my gosh.
- 25:44Speaker 5: My hair is standing on end. My penis is standing
- 25:46Speaker 5: on end. Oh, my gosh. Oh, my gosh. My hair
- 25:51Speaker 5: is standing on end. My penis is standing on end. Oh,
- 25:52Speaker 5: my gosh.
- 25:53Speaker 2: So just pause right now. We got to be honest.
- 25:56Speaker 2: That was a complete mistake. We had a microphone attached
- 25:59Speaker 2: to Casey's belly.
- 26:00Speaker 5: He was hungry.
- 26:02Speaker 2: So what he was confusing for noises from a ghost
- 26:05Speaker 2: was actually his own belly.
- 26:07Speaker 1: And that's when we realized Casey's got some wires turned
- 26:10Speaker 1: that when he's hungry, he's horny.
- 26:11Speaker 6: When he's horny, he's hungry. And there's just a lot of.
- 26:14Speaker 3: I will admit, in hindsight, I heard my own grumbling
- 26:17Speaker 3: stomach and got aroused.
- 26:23Speaker 5: Let's keep all play to click. Oh, my gosh, oh,
- 26:27Speaker 5: my gosh, oh, my gosh.
- 26:28Speaker 7: Who are you, spirit?
- 26:29Speaker 5: Oh, actually, I should act like I'm in a spa. Oh,
- 26:32Speaker 5: pretty crazy day there, huh? Occupied.
- 26:38Speaker 2: Busy.
- 26:39Speaker 5: Occupied. Occupied.
- 26:41Speaker 6: I have a Postmates order for Casey.
- 26:43Speaker 5: Leave that there. What is it?
- 26:45Speaker 7: It's the sweet green you ordered.
- 26:46Speaker 5: Oh, yeah, leave that down there. It's mostly bread, right?
- 26:50Speaker 6: What did you say?
- 26:53Speaker 5: I said it's mostly bread. It's lettuce with six sides
- 26:56Speaker 5: of bread.
- 26:57Speaker 6: What did you say?
- 26:59Speaker 7: Pause.
- 27:00Speaker 2: Now, as much as you think that's a ghost, it
- 27:02Speaker 2: was actually two different people delivering the sweet greens. Like,
- 27:04Speaker 2: you know, when a couple pulls up. You're like, now
- 27:08Speaker 2: what is going on?
- 27:09Speaker 4: And there's simply no way they're both making money off this.
- 27:12Speaker 7: Nothing spookier.
- 27:13Speaker 6: And you're like, who asked if the other could come?
- 27:17Speaker 7: And you guys are so codependent.
- 27:19Speaker 2: There's a story here. that I'm trying to figure out,
- 27:23Speaker 2: and I'm too scared to ask.
- 27:24Speaker 3: There are many unexplainable things in this world, but nothing
- 27:27Speaker 3: is spookier than when a gig worker brings his wife.
- 27:31Speaker 1: Or when the wife brings somebody, and you don't know
- 27:34Speaker 1: who that is.
- 27:35Speaker 6: And you're like, was this the only time they could hang?
- 27:39Speaker 5: Let's jump back into it. Okay. Thank you both. I
- 27:44Speaker 5: hope this is your last delivery. Sure.
- 27:46Speaker 6: We have one more, babe.
- 27:49Speaker 5: Meanwhile.
- 27:50Speaker 2: Okay, hi, it's me, Tuttle, and they, well, I'm here
- 27:55Speaker 2: at the San Vicente Bungalow. I'm in the steam room
- 27:57Speaker 2: where they are, the back rooms of the steam room.
- 28:00Speaker 2: They say if you come here late at night, you
- 28:03Speaker 2: can hear somebody talking to somebody else like an old
- 28:06Speaker 2: mob deal.
- 28:07Speaker 5: And I'm just wondering if.
- 28:09Speaker 7: Tuttle.
- 28:11Speaker 5: Hello?
- 28:12Speaker 7: Tuttle, we've been watching you.
- 28:14Speaker 4: How many monies are you willing to spend, Tuttle?
- 28:19Speaker 5: What's going on? How many monies are you willing to spend?
- 28:22Speaker 4: God damn it. How many monies are you willing to spend, Tuttle?
- 28:27Speaker 7: Money.
- 28:28Speaker 5: I'm so scared.
- 28:28Speaker 4: How many monies is your life.
- 28:30Speaker 7: Worth, Tuttle?
- 28:31Speaker 5: What's your names? God damn it.
- 28:33Speaker 7: Oh, God damn it.
- 28:34Speaker 4: Kenny.
- 28:35Speaker 5: Oh, God damn it. Kenny. God damn it. What are
- 28:38Speaker 5: your names?
- 28:38Speaker 7: What are your names? Kenny.
- 28:40Speaker 5: Tuttle, we know our names. We knew you before you
- 28:44Speaker 5: joined the human realm. Come back, Tuttle. What are you
- 28:49Speaker 5: talking about?
- 28:49Speaker 4: Come back, Tuttle.
- 28:51Speaker 6: Come back, Tuttle.
- 28:53Speaker 4: Go into the light. Remember us from the hospital room?
- 28:57Speaker 7: Oh, God damn it. Oh, my God.
- 28:59Speaker 5: I'm so scared. I remember you guys.
- 29:01Speaker 7: You guys were hanging out with me.
- 29:03Speaker 6: We know the pony tunnel.
- 29:05Speaker 3: Meanwhile, I am putting on fake sweat to make it
- 29:08Speaker 3: look like I've been sitting in a sauna for a
- 29:09Speaker 3: long time.
- 29:13Speaker 6: Hey, so sorry.
- 29:14Speaker 5: Occupado.
- 29:15Speaker 6: We need a four-digit code. Before we leave for the Postmates.
- 29:18Speaker 5: Oh, you're the couple again? Yeah. Did you send it?
- 29:21Speaker 6: No, you have to give us the code.
- 29:23Speaker 5: Where? Did it come as a text or an email?
- 29:25Speaker 6: It should be a text on your phone.
- 29:28Speaker 5: I don't have it as a text.
- 29:30Speaker 4: Hey, guys, babes, my car's parked in a loading zone,
- 29:33Speaker 4: so are you guys going to be back soon?
- 29:36Speaker 7: Hey, baby.
- 29:37Speaker 1: In that moment, Casey was back behind. I was behind
- 29:42Speaker 1: Casey Stefano. And that's when I went, I hear a
- 29:44Speaker 1: hot woman. That must be a ghost.
- 29:46Speaker 5: Yeah. And then he knocked me out of the way.
- 29:50Speaker 2: Now, just for a pause for a second, we did
- 29:52Speaker 2: realize that was a third person in the first person's car.
- 29:56Speaker 2: It led to a bigger mystery than before. I have never,
- 29:59Speaker 2: ever seen a gig worker bring two other people. And
- 30:01Speaker 2: she was older than them.
- 30:13Speaker 4: We eventually deduced. What we deduced from that interaction was
- 30:19Speaker 4: that they were a thruple. But she was older, which
- 30:23Speaker 4: is a dynamic we find to be very interesting.
- 30:27Speaker 5: I've never seen a thruple where the third is an
- 30:30Speaker 5: older person.
- 30:33Speaker 4: Normally, people in thruples play with their own age.
- 30:36Speaker 1: And she mentions parking behind them, which means Is she
- 30:39Speaker 1: just following them around in a separate car for this
- 30:42Speaker 1: Postmates drop-off?
- 30:45Speaker 5: It was definitely a mystery for all of us.
- 30:46Speaker 3: And where was she going if they were going together?
- 30:48Speaker 3: Why did she need to move? Why did she need
- 30:51Speaker 3: the car to move?
- 30:52Speaker 4: Our leading theory is that the people who were driving
- 30:54Speaker 4: the Postmates car had a lot of stuff in the backseat,
- 30:57Speaker 4: so they did not have enough room for their third
- 30:59Speaker 4: to ride along. But she still wanted to participate. And
- 31:02Speaker 4: that's when we asked if we could ghost hunt the
- 31:04Speaker 4: backseat of their car. Yes.
- 31:06Speaker 5: And that was episode 42. Yeah.
- 31:07Speaker 2: It was great. I mean, that was such a good
- 31:09Speaker 2: example of you seeing a ghost for sure.
- 31:11Speaker 5: I think so. And yours, I mean, we don't know
- 31:12Speaker 5: about yours. Well, it was just, I found it interesting. Like,
- 31:15Speaker 5: you guys are always saying, I don't know about yours.
- 31:17Speaker 2: Mine felt very clearly three people that I had seen
- 31:20Speaker 2: before in the hospital. But I felt like we just
- 31:22Speaker 2: got distracted on the whole gig worker situation.
- 31:24Speaker 7: That was going on.
- 31:25Speaker 3: It could be the orb light thing. You know, orbs
- 31:27Speaker 3: are easily disproved. And EMF readers, I mean, they're very
- 31:31Speaker 3: easy to disprove.
- 31:32Speaker 5: Absolutely.
- 31:32Speaker 6: And Tunnel, we got to follow the story.
- 31:33Speaker 5: Yeah, absolutely.
- 31:34Speaker 7: And obviously that throuple.
- 31:35Speaker 5: Had a story.
- 31:36Speaker 2: Three clear voices saying we saw you in the hospital
- 31:38Speaker 2: room and we know the pony referencing something I've told
- 31:41Speaker 2: very few people.
- 31:43Speaker 4: What's tough, Tuttle, is that a lot of times we
- 31:45Speaker 4: are not in the room with you due to choices
- 31:47Speaker 4: we made organizationally. So we can't be there to verify
- 31:51Speaker 4: your claims.
- 31:52Speaker 5: Yeah, absolutely. I totally get that. I totally get that.
- 31:54Speaker 4: So a lot of the experiences you have are between
- 31:56Speaker 4: you and the spirit world.
- 31:57Speaker 2: Absolutely. And it's always been like that and always will
- 31:59Speaker 2: be like that no matter how hard I try, this world.
- 32:02Speaker 5: to tell people what my real abilities are.
- 32:05Speaker 7: He's scared again.
- 32:06Speaker 5: He's getting scared.
- 32:06Speaker 3: Veronica, you had an undeniable spiritual experience at Ellis Island.
- 32:11Speaker 4: I had an undeniable spiritual experience at Ellis Island. There
- 32:15Speaker 4: I was at Ellis Island. I was dressed up As
- 32:19Speaker 4: a employee of Ellis Island, the museum, so that no
- 32:24Speaker 4: one would suspect who I was. No one would know
- 32:27Speaker 4: that I was actually a ghost communicator in disguise.
- 32:30Speaker 5: And you went through full employment.
- 32:33Speaker 4: I onboarded for several months. What an incredible. I developed
- 32:37Speaker 4: relationships with my coworkers so that I could leverage them
- 32:40Speaker 4: to trade shifts later. I got in deep on the
- 32:44Speaker 4: scheduling system. I completed seven sexual harassment seminars because I
- 32:49Speaker 4: failed the first six times. Oh, so Ellis Island just
- 32:53Speaker 4: has one and you failed it that many times?
- 32:55Speaker 5: Was it one question that kept stumping you or several?
- 32:59Speaker 4: There was one question that I learned was an automatic fail,
- 33:03Speaker 4: if you get it wrong. Which is, is there ever
- 33:06Speaker 4: a situation where you have to touch your fellow co-workers behind?
- 33:12Speaker 4: And I said yes, because I am coming from the
- 33:15Speaker 4: ghost hunting world, where sometimes we have to get physical.
- 33:19Speaker 1: When there's a ghost on someone's ass, it's so tough
- 33:22Speaker 1: to navigate.
- 33:23Speaker 7: Because you have to touch.
- 33:24Speaker 5: It's impossible to not touch.
- 33:25Speaker 4: It's impossible to not touch. You have to have your back.
- 33:28Speaker 4: I have had all of your backs at a certain point.
- 33:30Speaker 5: You have. More than just my back.
- 33:33Speaker 4: And there is always a situation in ghost hunting where
- 33:36Speaker 4: this comes up. So it was a tough thing for
- 33:38Speaker 4: me to acclimate to government-owned facilities where this is not
- 33:43Speaker 4: the case.
- 33:43Speaker 6: When I thought there was a ghost in between both
- 33:46Speaker 6: of my balls.
- 33:48Speaker 7: You had.
- 33:48Speaker 5: You're so helpful in that situation.
- 33:49Speaker 7: You were so helpful.
- 33:51Speaker 4: I had to get down there, up in between your balls,
- 33:53Speaker 4: and tell the ghost, bro, this is not where you
- 33:56Speaker 4: want to be.
- 33:56Speaker 5: Do you remember what happened after that? Do you remember
- 33:59Speaker 5: what happened after that? It's hazy.
- 34:02Speaker 6: Roll the tape.
- 34:05Speaker 1: Oh my god, I don't know if I can do
- 34:06Speaker 1: this anymore with the radio in between my balls.
- 34:09Speaker 2: Stefano believes he has a ghost between his balls.
- 34:13Speaker 5: Veronica, quick!
- 34:15Speaker 4: Listen, Stefano, you can't move, okay? I am going to
- 34:18Speaker 4: attempt to talk to the bro between your scrotum.
- 34:22Speaker 5: Hello?
- 34:23Speaker 4: Hey, hey man, what's up? First of all, what the
- 34:26Speaker 4: hell is up, man? No, not much, boss man, not much.
- 34:28Speaker 2: Veronica believes by helping them grow out and help with
- 34:31Speaker 2: their male loneliness, she can get the ghost out of
- 34:35Speaker 2: Stefano's balls.
- 34:36Speaker 4: I like to dap up a ghost before I communicate
- 34:38Speaker 4: with them because it opens the portal to communication. Hey, brother,
- 34:42Speaker 4: what's up? No, good to see you. Hey, boss man,
- 34:44Speaker 4: what's up?
- 34:44Speaker 7: Keep it good?
- 34:45Speaker 4: Yeah, Mets have a crazy season this season.
- 34:47Speaker 5: Yeah, that's nuts.
- 34:48Speaker 4: Boss man, what's up, boss man? Hey, listen, bro. I
- 34:51Speaker 4: know you're real male lonely, and you've got to get
- 34:53Speaker 4: in between a scrotum to hang out.
- 34:55Speaker 2: Veronica believes she must get as close as she can
- 34:58Speaker 2: to the ghost in order for it to get out
- 34:59Speaker 2: of the way.
- 34:59Speaker 5: Veronica, please, is it working?
- 35:01Speaker 6: I can't do this anymore.
- 35:03Speaker 4: I'm really getting there with this guy.
- 35:05Speaker 5: Hey, we have to open up this to borrow in
- 35:07Speaker 5: like 20 minutes. Not yet.
- 35:10Speaker 4: We need a minute.
- 35:12Speaker 7: Please, I'm begging you.
- 35:14Speaker 4: Listen, bro, I don't know if you can hear me,
- 35:16Speaker 4: but I want you to know you don't have to
- 35:18Speaker 4: hide in a scrotum to make sure that you to
- 35:22Speaker 4: feel seen. You know, you can tell me if something's up.
- 35:25Speaker 4: You want to grab a quick bite in the seance room?
- 35:28Speaker 4: We set up a seance over there if you want
- 35:29Speaker 4: to come hang with me.
- 35:30Speaker 6: Veronica, I can't hear the ghost.
- 35:32Speaker 5: Is he responding to you? I think so.
- 35:36Speaker 4: I'm pretty sure.
- 35:37Speaker 2: I don't want to interrupt, but I was in the
- 35:39Speaker 2: bathroom just ago, and I heard a voice saying 12, 13,
- 35:43Speaker 2: 43 over and over again to me like it was
- 35:45Speaker 2: the day I was going to die or something bad
- 35:47Speaker 2: was going to happen.
- 35:47Speaker 1: Total, respectfully, I have a weird spot in between my
- 35:51Speaker 1: balls that Veronica's looking at.
- 35:52Speaker 7: God damn it.
- 35:53Speaker 5: God damn it. Okay, I'll be back. I am dressed
- 35:55Speaker 5: as an Italian pizza man. Wow, what a great clip.
- 35:58Speaker 5: What a great clip.
- 35:59Speaker 2: You know, I thought we'd see the place of Ellis Island,
- 36:01Speaker 2: but I'm glad we went to a safari instead.
- 36:02Speaker 5: Well, that was a different episode.
- 36:04Speaker 7: That was a different episode.
- 36:04Speaker 5: We haven't even gotten to what happened at Ellis Island.
- 36:07Speaker 7: We have to get to Ellis Island.
- 36:08Speaker 5: Let's go to Ellis Island.
- 36:09Speaker 7: Let's go to Ellis Island.
- 36:09Speaker 5: We must hear about your spiritual experience at Ellis Island.
- 36:11Speaker 7: Yeah, what happened?
- 36:12Speaker 2: This is my.
- 36:13Speaker 4: Well, as you know, Ellis Island was an immigrant story.
- 36:17Speaker 4: Ellis Island is a place.
- 36:18Speaker 5: Ellis.
- 36:19Speaker 1: Island was an immigrant story.
- 36:21Speaker 2: It was.
- 36:22Speaker 5: The island itself, it's like New York's a character.
- 36:24Speaker 7: Ellis Island was an immigrant story. Not only.
- 36:27Speaker 3: Not only is it a place where immigrants went through,
- 36:29Speaker 3: in itself is an immigrant story.
- 36:32Speaker 4: The story of Ellis Island is one of an immigrant story.
- 36:35Speaker 5: Of course. So many souls.
- 36:38Speaker 4: Passed through Ellis Island, not just on their way for citizenship,
- 36:43Speaker 4: but also on their way to the great beyond. Because
- 36:45Speaker 4: some people had heart attacks in line.
- 36:48Speaker 5: That's correct. That is correct. That has to be correct.
- 36:51Speaker 5: We can't deny that.
- 36:53Speaker 4: That just has to be correct statistically. So what I
- 36:56Speaker 4: did was I dressed up as an Ellis Island employee,
- 37:00Speaker 4: and I was actually legally an Ellis Island employee. We've
- 37:03Speaker 4: gotten that far. So I stood in line.
- 37:06Speaker 7: I waited.
- 37:07Speaker 4: I got the closing shift. I made sure to trade
- 37:09Speaker 4: three ways with Brian to not arise suspicion. I obtained
- 37:13Speaker 4: the closing shift and brought you guys in.
- 37:16Speaker 5: Then.
- 37:17Speaker 4: I started to communicate with the bros who were in line.
- 37:20Speaker 4: A lot of these people were Polish immigrants from the
- 37:23Speaker 4: year 1880.
- 37:23Speaker 2: 1880.
- 37:23Speaker 1: I think it all makes sense.
- 37:29Speaker 5: No, it's right.
- 37:30Speaker 7: I think it all makes sense.
- 37:32Speaker 5: It's about 15 years early, but it's close.
- 37:34Speaker 4: I mean, carry the one.
- 37:35Speaker 6: I think it's fine.
- 37:35Speaker 5: It's close. It's really close. I'm proud of you for
- 37:38Speaker 5: getting so close.
- 37:39Speaker 4: The vibe I was getting was pretty close to then.
- 37:41Speaker 5: Okay. Okay, let's jump in. Here's the clip.
- 37:44Speaker 4: Ooh.
- 37:45Speaker 5: Veronica is dressed up as an employee of Ellis Island
- 37:48Speaker 5: in order to look into it. We'll see if she
- 37:50Speaker 5: can connect to a ghost. She's aiming for Polish immigrants.
- 37:52Speaker 5: We'll see how close she can get.
- 37:58Speaker 6: Hey, bro.
- 38:02Speaker 4: I am currently hearing the dialogue of two Polish immigrants.
- 38:06Speaker 4: It is here coming forward clear as day. They are
- 38:08Speaker 4: stepping forward into our realm. I am going to attempt
- 38:11Speaker 4: to dap them up.
- 38:13Speaker 2: Veronica believes that that nonsense kind of language is Polish.
- 38:17Speaker 5: We'll see what happens.
- 38:18Speaker 4: Hey, bros, what's up?
- 38:19Speaker 7: What's up? Hey, what's up, boss man?
- 38:21Speaker 4: You coming into the country?
- 38:22Speaker 5: What's up?
- 38:25Speaker 4: I could not communicate with them. It sent chills down
- 38:29Speaker 4: my spine.
- 38:30Speaker 5: Veronica would later learn that these were two tourists taking
- 38:33Speaker 5: a late museum tour. They didn't understand when it closed.
- 38:38Speaker 4: I am not understanding a word they're saying. However, I'm
- 38:42Speaker 4: picking up on one word, which sounds like pierogi. So
- 38:45Speaker 4: I'm going to attempt to use that to my advantage. Hey,
- 38:49Speaker 4: boss man, I know a great pierogi spot in New
- 38:51Speaker 4: York City.
- 38:52Speaker 6: Pierogi.
- 38:53Speaker 4: Greenpoint in Brooklyn.
- 38:54Speaker 5: You ever been to Greenpoint? Hey, that's awesome.
- 39:00Speaker 4: You know, you want to... What if we took a picture?
- 39:04Speaker 4: We could maybe follow each other on Instagram, and then
- 39:06Speaker 4: I can, you know, and then we can.
- 39:09Speaker 2: No, no.
- 39:10Speaker 7: I was floundering.
- 39:12Speaker 4: I was getting nowhere with these spirits. I knew they
- 39:14Speaker 4: were there, but I couldn't make heads or tails of them.
- 39:17Speaker 5: Upon further watch of this, there was clearly a Polish
- 39:20Speaker 5: ghost right behind Veronica, but she never paid attention to
- 39:22Speaker 5: because she was very distracted by the tourists.
- 39:24Speaker 7: Yeah, bro. That's me. exactly. You want to be my friend.
- 39:33Speaker 4: You want to be my friend. Hey, selfie. Oh my God.
- 39:39Speaker 4: I now have irrefutable photographic evidence of two ghosts.
- 39:43Speaker 2: Veronica would later learn that she took the camera the
- 39:45Speaker 2: wrong way, thus missing the ghost of the selfie, but
- 39:47Speaker 2: taking a photo of the two tourists. Hey, guys, I
- 39:51Speaker 2: hate to interrupt, but there was a situation over there
- 39:54Speaker 2: in the back rooms where it felt like some sort
- 39:56Speaker 2: of Irish man was grabbing my throat.
- 39:58Speaker 5: Cut to that. We're coming for you. God damn it.
- 40:02Speaker 5: You might remember us from the hospital.
- 40:04Speaker 6: Do you remember us?
- 40:06Speaker 4: Riding your pony to the other side.
- 40:09Speaker 5: Can you guys hear this?
- 40:11Speaker 3: Can you guys hear this on the camera?
- 40:15Speaker 5: I got your ankles.
- 40:16Speaker 2: 12, 13, 43.
- 40:16Speaker 5: 12, 13, 43.
- 40:16Speaker 2: 12, 13, 43.
- 40:16Speaker 7: Shut up.
- 40:17Speaker 5: Shut up. I want to hear that.
- 40:20Speaker 7: Shut up.
- 40:20Speaker 5: Oh, shut up, you assholes. Shut up. God damn.
- 40:27Speaker 2: It.
- 40:27Speaker 5: Hey, what kind of message are you trying? What happens
- 40:29Speaker 5: on 12-13-43? What happens on 12-13-43?
- 40:31Speaker 3: Meanwhile, I'm in the harbor, dressed as the Statue of Liberty.
- 40:38Speaker 5: Wow, what a great episode that was. Casey.
- 40:41Speaker 7: That was when I was gone.
- 40:42Speaker 5: Yeah, you were gone.
- 40:48Speaker 2: Well, you were on your own. I think I was
- 40:50Speaker 2: gone for that one. You said, Ellis Island spooked me
- 40:53Speaker 2: out too much. I'll be up the coast seeing what
- 40:54Speaker 2: I can find. And boy, did you find something.
- 40:57Speaker 4: You were in Cape Cod in that moment.
- 40:59Speaker 5: Can we show the Cape Cod experience?
- 41:01Speaker 3: I do believe we have footage of you enjoying yourself
- 41:03Speaker 3: in Cape Cod.
- 41:06Speaker 2: There was a very supernatural moment, though.
- 41:08Speaker 7: Listen, the Reddit said.
- 41:09Speaker 5: Buried in there. But most of it was you just
- 41:11Speaker 5: enjoyed yourself in Cape Cod.
- 41:12Speaker 6: The Reddit said that that Hooters was haunted. I wanted
- 41:16Speaker 6: to see.
- 41:17Speaker 5: Let's cut to it. Hi, honey.
- 41:18Speaker 7: How you doing?
- 41:19Speaker 6: Yeah, I'm doing great. Can I get the sampler platter, please?
- 41:21Speaker 5: Yeah, of course. So that comes with three flavors of wings.
- 41:24Speaker 5: Do you want to pick your flavors? Or we can
- 41:26Speaker 5: pick for you.
- 41:27Speaker 2: Um.
- 41:28Speaker 6: Which flavor do ghosts like more?
- 41:31Speaker 5: I guess I wouldn't know that. The most popular is buffalo.
- 41:34Speaker 6: You got a nice smile there.
- 41:36Speaker 5: Thank you so much. Honey, is that it? So buffalo,
- 41:41Speaker 5: lemon pepper, we got mango habanero, we got our barbecue,
- 41:44Speaker 5: we got Asian flavor spice.
- 41:47Speaker 2: Stop.
- 41:47Speaker 6: Keep listing them.
- 41:49Speaker 5: Okay. I think I'm about it. We don't have a
- 41:53Speaker 5: lot of options here.
- 41:54Speaker 2: Stop.
- 41:54Speaker 5: People usually just get.
- 41:55Speaker 6: Keep going.
- 41:57Speaker 5: Okay, so I'm just going to get you down for
- 41:58Speaker 5: a sampler, and we'll just pick in the back.
- 41:59Speaker 7: Okay.
- 42:01Speaker 5: All right.
- 42:03Speaker 1: In that moment, she walked away, but I saw, looked
- 42:10Speaker 1: like a hologram of a tail.
- 42:20Speaker 6: Oh, fuck. I'm not with the crew. I don't have
- 42:22Speaker 6: my stuff. All I have is my walkie. Ghost, are
- 42:27Speaker 6: you there?
- 42:28Speaker 7: Are you there? What are you here for?
- 42:36Speaker 5: What do you need?
- 42:41Speaker 4: Sampler platter.
- 42:44Speaker 5: Perfect. I just ordered one. Honey, can you cover him?
- 42:47Speaker 5: Because I don't like him. He's giving me a code.
- 42:49Speaker 5: He's a code orange.
- 42:49Speaker 4: He's giving you the egg.
- 42:50Speaker 5: He's a code orange.
- 42:51Speaker 4: He's a code. Oh, well, honey, do you want to?
- 42:55Speaker 4: Do you want to? I'm a little slammed right now.
- 42:56Speaker 4: Do you want to take it but put a button
- 42:58Speaker 4: up your buttons?
- 42:59Speaker 5: Yeah, I'm going to put on a cardigan.
- 43:02Speaker 4: Yeah. I'm sorry, I'm just playing.
- 43:06Speaker 5: It's so cold in this. It's like they know what
- 43:10Speaker 5: we're dressed in. Why is it so cold in here?
- 43:12Speaker 4: It is so cold in this Hooters. Honestly, I feel
- 43:15Speaker 4: like everybody is conspiring against us.
- 43:17Speaker 5: I put on a cardigan because that was too cold
- 43:19Speaker 5: in this Hooters. We found that these Hooters, restaurant waiters,
- 43:23Speaker 5: very interesting. We decided to follow them and start a show.
- 43:28Speaker 3: Jeremy, you're looking like really sad right now.
- 43:30Speaker 5: Thank you so much. I tried better help and it
- 43:33Speaker 5: didn't work. Check out our Patreon. Instead of getting therapy. So, yeah,
- 43:43Speaker 5: you came back from Cape Cod.
- 43:44Speaker 7: And I guess I was gone for that one, too.
- 43:46Speaker 5: You came back from Cape Cod with a spinoff, which
- 43:47Speaker 5: was really cool.
- 43:48Speaker 7: Yeah, and it was mostly about those girls, but I
- 43:50Speaker 7: was happy to be there.
- 43:53Speaker 5: Well, I will say the hologram of the tale. What
- 43:55Speaker 5: do you think that was?
- 43:56Speaker 7: I don't know. I was dying to know.
- 43:57Speaker 5: And we just cut you off. You'd just gotten some
- 43:59Speaker 5: sort of contact over your walkie-talkie. Yeah, but then we
- 44:01Speaker 5: followed those girls. It was just so cold in that Hooters, though.
- 44:05Speaker 7: And honestly, I'm really... It is tough.
- 44:08Speaker 4: Our cameras, we have a... I think there's a glitch
- 44:10Speaker 4: with our cameras where we keep following service workers.
- 44:13Speaker 7: Like, I think that... I think we gotta get that fixed. Well,
- 44:16Speaker 7: I think there's a lot of ghosts. I think it's
- 44:19Speaker 7: a camera problem.
- 44:20Speaker 5: They just got such interesting stories. They're very interesting. I
- 44:23Speaker 5: find them interesting.
- 44:24Speaker 1: We didn't realize that we had the first footage of, like,
- 44:27Speaker 1: how Hooters women are treated.
- 44:29Speaker 5: Nobody had ever known.
- 44:30Speaker 6: Nobody?
- 44:31Speaker 2: Nobody?
- 44:32Speaker 4: Had ever documented how Hooters women were really treated.
- 44:36Speaker 1: We're really excited about, we're in.
- 44:38Speaker 4: The final stages of cutting this footage down and we're
- 44:41Speaker 4: going to submit it to Sundance.
- 44:43Speaker 5: We believe it is going to be more shocking than
- 44:44Speaker 5: the AI doc.
- 44:48Speaker 1: I just think people always make so many assumptions, but
- 44:50Speaker 1: they don't know what it's really like in there, and
- 44:52Speaker 1: it's cold.
- 44:53Speaker 2: But let's jump to one of my favorite clips. I mean,
- 44:55Speaker 2: this is so exciting because three of you really had
- 44:58Speaker 2: a big part in this.
- 44:59Speaker 5: This was in the old ballet hall in Venice Beach.
- 45:06Speaker 5: There's a big ballet hall. It's a hall. It's a
- 45:09Speaker 5: big hall where they used to do.
- 45:10Speaker 2: Ballet shows, really old, old, old ballet shows in the
- 45:14Speaker 2: early 1850s, 1860s. right when Los Angeles kind of was
- 45:19Speaker 2: being settled in, in a way. And it was so
- 45:22Speaker 2: interesting to see how you guys handled this situation. I mean,
- 45:24Speaker 2: it spooked me the hell, the hell up.
- 45:28Speaker 3: This was one of the spookiest encounters we have ever,
- 45:32Speaker 3: ever experienced on Bi Ghost Talk.
- 45:34Speaker 1: What I think is the spookiest is a ghost is spooky,
- 45:37Speaker 1: but a ghost in a tutu is chilling.
- 45:40Speaker 2: And this is one of these moments where I know
- 45:43Speaker 2: we have to deny. You hear that? Yes.
- 45:45Speaker 5: Wait a second. Do you hear that? What's that? Oh
- 45:50Speaker 5: my god. Oh my god. It's just like the ballet hall.
- 45:53Speaker 4: It's just like the ballet. Do you think one of
- 45:56Speaker 4: us has an attachment?
- 46:00Speaker 5: Are we summoning?
- 46:02Speaker 4: Because if we brought a spirit back with us from
- 46:04Speaker 4: the ballet hall and they have formed an attachment to.
- 46:07Speaker 7: Us, there is no hope.
- 46:09Speaker 4: And I can tell right now, I'm getting very agitated.
- 46:13Speaker 4: I'm feeling very agitated. I'm feeling right now in this
- 46:17Speaker 4: moment like I could eat all of you.
- 46:21Speaker 5: Oh my god, this might be her attachment. She could
- 46:23Speaker 5: eat all of us.
- 46:24Speaker 7: I could eat all of you.
- 46:26Speaker 5: My hair's standing on end, my penis is standing on end.
- 46:28Speaker 5: This is crazy.
- 46:28Speaker 7: Holy shit, Casey's hungry.
- 46:31Speaker 5: Here we go. Oh my gosh, oh my gosh, oh
- 46:32Speaker 5: my gosh, oh my gosh. Let's try to talk to
- 46:33Speaker 5: the ghost. Hello, are you there? Spirit, spirit, do you
- 46:38Speaker 5: hear us?
- 46:39Speaker 4: Plie!
- 46:40Speaker 7: Plie! Plie!
- 46:43Speaker 2: And you sure that's not just you making that noise?
- 46:46Speaker 2: You sure you promise it's not you doing a prank
- 46:48Speaker 2: on us, Veronica?
- 46:48Speaker 7: Veronica, are you sure?
- 46:49Speaker 5: Are you doing a prank on us, Veronica?
- 46:50Speaker 7: Veronica!
- 46:51Speaker 4: Has a female.
- 46:51Speaker 5: I promise.
- 46:52Speaker 4: I promise.
- 46:54Speaker 3: Has a female ballerina jealous of you being friends with
- 46:56Speaker 3: all the guys gotten into your body?
- 46:58Speaker 6: Veronica, that's gotta be it.
- 47:01Speaker 7: This is so fucked up.
- 47:02Speaker 5: Speak through you guys.
- 47:03Speaker 4: It's the one ghost I can't talk to. I can't
- 47:05Speaker 4: bro down with a woman.
- 47:07Speaker 7: There's no way.
- 47:08Speaker 4: Well.
- 47:08Speaker 5: Let her speak through you. Excuse me. Plié.
- 47:15Speaker 7: Plié. Raparté. An old woman.
- 47:17Speaker 4: Raparté.
- 47:18Speaker 2: Plié.
- 47:18Speaker 5: She's the headmistress.
- 47:20Speaker 6: The headmaster.
- 47:22Speaker 2: What we know so far is that she could be
- 47:24Speaker 2: a ballerina and she is either Veronica is hungry or
- 47:27Speaker 2: she is hungry.
- 47:28Speaker 5: Because she did say she could eat all of us.
- 47:31Speaker 5: Don't forget that part. Mrs.
- 47:33Speaker 6: We want to know why have you taken our friend's body?
- 47:38Speaker 4: I have taken the body.
- 47:39Speaker 5: Oh, my God, a voice change.
- 47:41Speaker 4: Because I'm very hungry.
- 47:45Speaker 5: She's hungry.
- 47:46Speaker 4: They don't feed us in the ballet hall. And I'm
- 47:51Speaker 4: only hungry for one thing. It was a food I
- 47:55Speaker 4: was introduced to 15 years ago in a hospital room.
- 48:01Speaker 5: What?
- 48:01Speaker 1: 15 years?
- 48:03Speaker 5: That's right. I'm 22.
- 48:05Speaker 7: 15 years ago. Wait, wait.
- 48:07Speaker 5: What food did you.
- 48:08Speaker 6: Get in the hospital room?
- 48:10Speaker 4: I'm hungry for a soul I met in the hospital room.
- 48:14Speaker 2: Oh, okay.
- 48:16Speaker 7: I'm hungry.
- 48:18Speaker 5: What was the food, Tunnel? What did you eat? You guys,
- 48:21Speaker 5: she doesn't want the food I ate. She wants my salt.
- 48:23Speaker 5: Are you not listening to her?
- 48:24Speaker 2: Casey, Casey.
- 48:25Speaker 5: Are you not listening to her?
- 48:26Speaker 7: Casey, I'm hard as a rock.
- 48:27Speaker 5: Look at her teeth.
- 48:28Speaker 4: I'm going to eat a salt.
- 48:29Speaker 7: Those aren't Veronica's teeth.
- 48:31Speaker 5: I'm going to eat a salt.
- 48:32Speaker 7: I want to fuck those teeth. No, those are Veronica's teeth.
- 48:36Speaker 5: Guys, please help me.
- 48:36Speaker 7: Please help me.
- 48:37Speaker 5: Guys, please help me. Please, please.
- 48:39Speaker 4: And I'm even hungrier when they sound like Cartman.
- 48:43Speaker 5: Okay. I don't sound like Cartman. I'm helping.
- 48:45Speaker 3: I'm putting on a ballerina outfit.
- 48:47Speaker 5: This doesn't help. This doesn't help.
- 48:48Speaker 2: This doesn't help.
- 48:50Speaker 7: I can help.
- 48:51Speaker 5: I am now just a beautiful.
- 48:53Speaker 4: Your tricks will never. Hold on.
- 48:56Speaker 5: Five, six, seven, eight. Step, step, step, and step, and step.
- 49:00Speaker 7: Abigail?
- 49:01Speaker 4: Abigail, is that you?
- 49:03Speaker 3: Yes, and I'm going to go all the way to
- 49:05Speaker 3: the New York Ballet and leave Venice behind.
- 49:07Speaker 7: Abigail, no.
- 49:09Speaker 5: Yes.
- 49:09Speaker 4: It was supposed to be the two of us together.
- 49:11Speaker 5: Well, then come with me. Come with me out of
- 49:13Speaker 5: this hall.
- 49:16Speaker 2: Knock, knock.
- 49:16Speaker 1: Sorry, me and my kids are here. I have an
- 49:19Speaker 1: order for Buffalo Wild Wings.
- 49:21Speaker 5: You have an order for Buffalo Wings? I brought my kids.
- 49:22Speaker 5: I just picked them up from school. Lady, have you
- 49:25Speaker 5: had Buffalo Wild Wings?
- 49:28Speaker 4: I've never had Buffalo Wild Wings.
- 49:32Speaker 7: Perhaps I'll give it a try. I'm going to kiss her.
- 49:37Speaker 7: I'm going to kiss her.
- 49:39Speaker 5: I'm going to kiss her. Kiss her.
- 49:40Speaker 7: Kiss her. Kiss her.
- 49:47Speaker 5: Thank you, guys.
- 49:48Speaker 7: Wow.
- 49:49Speaker 2: It turns out your tutu and you committing sexual harassment
- 49:53Speaker 2: on a coworker saved my life.
- 49:57Speaker 5: Wow i will always.
- 49:58Speaker 3: Be indebted to you because the truth is so you
- 50:00Speaker 3: stop speaking for a second how are you.
- 50:02Speaker 2: Please one second no problem no problem.
- 50:08Speaker 3: So just i understand that was scary for you yeah
- 50:10Speaker 3: that was so that was.
- 50:12Speaker 2: Scary i think she's fine i think she's fine.
- 50:17Speaker 5: Are you throwing.
- 50:20Speaker 2: Up because of the ghost or because of the kiss
- 50:22Speaker 2: from Stefano?
- 50:24Speaker 7: Oh my god. Oh my god. I don't want to
- 50:27Speaker 7: do the show anymore.
- 50:43Speaker 5: What? You can't quit.
- 50:44Speaker 7: I don't want to do the show anymore. If that
- 50:46Speaker 7: can fucking happen, I'm never fucking doing that again. Veronica's different.
- 50:51Speaker 5: Veronica, is this because I kissed you?
- 50:54Speaker 7: Is this because I kissed you? No, no, no, no, no.
- 50:58Speaker 5: Find your voice. Find it again.
- 51:00Speaker 2: No.
- 51:02Speaker 5: You're back.
- 51:02Speaker 4: I'm sorry for what I said. I would never quit
- 51:05Speaker 4: this show. But you have to understand, being full-on possessed
- 51:09Speaker 4: is something I don't wish on any of you, And
- 51:12Speaker 4: I don't wish it to ever happen to any of us.
- 51:14Speaker 5: Thank you, Veronica. And I've got something to tell you guys.
- 51:18Speaker 5: Thank you.
- 51:19Speaker 2: The three of you worked together to free me from
- 51:22Speaker 2: this prison I'm in.
- 51:24Speaker 5: That's right. Tuttle was dead 15 years ago.
- 51:30Speaker 2: What? What?
- 51:34Speaker 6: This has been artists on artists on artists answering the
- 51:36Speaker 6: question now.
- 51:37Speaker 7: That's why I call it showbiz.
- 51:39Speaker 5: Live from the beautiful Dynasty Typewriter.
- 51:43Speaker 3: Go to the after shows on our Patreon and go
- 51:46Speaker 3: see us talk about this and so many other things,
- 51:49Speaker 3: including a cool musical that we did recently.
- 51:51Speaker 5: It's wild stuff over there.
- 51:53Speaker 6: Where's Jeremy been this whole time?
- 51:55Speaker 5: Jeremy. Jeremy's been dead for 20 years.
- 51:58Speaker 4: Jeremy's never been here.
- 52:00Speaker 7: Bye.
- 52:02Speaker 2: Bye.
- 52:02Speaker 3: Artist on Artist on Artist on Artist is an improvised
- 52:05Speaker 3: Hollywood roundtable podcast created and hosted by Kylie Brakeman, Jeremy Culhane,
- 52:10Speaker 3: Angela Girotana, and Patrick McDonald. It is a production of
- 52:13Speaker 3: Will Ferrell's Big Money Players and iHeart Media Podcasts. Executive
- 52:17Speaker 3: produced by Matt Apodaca and produced by Alexandra Dennis and
- 52:20Speaker 3: Laser Vision Productions. Music by Gabriel Ponton and edited by
- 52:24Speaker 3: Connor McCabe. Thumbnail art by Josh Flory and logo design
- 52:28Speaker 3: by Lucy Tomkowitz. Special thanks to Samuel Curtis and the
- 52:32Speaker 3: beautiful Dynasty Typewriter Theater.
- 52:34Speaker 5: The opinions expressed on this podcast.
- 52:36Speaker 3: Do not reflect the opinions of anyone who works on it,
- 52:38Speaker 3: not even the performers, because this is an improvised podcast
- 52:41Speaker 3: and we don't know what the heck we're talking about.
- 52:44Speaker 5: Full video versions.
- 52:45Speaker 3: Of AOAOAOA are available on YouTube, so please like and
- 52:48Speaker 3: subscribe and leave us five-star reviews wherever you get your podcasts.
- 52:53Speaker 5: That's all for now. Good night, Hollywood!