Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Philip Marlowe: Mexican Boat Ride (EP1469)
Transcript
- 0:29Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
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- 1:30Great Detectives dot net. Well, now it's time for today's episode of the
- 1:34Adventures of Philip Marlowe. The title is Mexican Boat Ride. The original air
- 1:40date July the thirtieth of nineteen forty nine. Get this and get it straight.
- 1:46Crime is a sucker's road, and knows who travel had wind up in
- 1:48the gut of the prison of the grave. That's time I took a beating
- 1:51and gave one. A man who lived in the dock was afraid. Someone
- 1:55I never got to meet was murdered, and a knife wielding crab was destroyed,
- 1:57all because a girl who hated the water took a boat ride in Old
- 2:00Mexico. From the pen of Raymond Chandler, outstanding author of mystery, comes
- 2:07his most famous character and crimes most deadly enemy. As we present the Adventures
- 2:13of Philip marlow Now with Gerald Moore starred as Philip Marlowe. We bring you
- 2:27tonight's story Mexican boat ride. It was a rare morning, clear and clean,
- 2:55you know the kind that knocks ten years off your age and makes you
- 2:59taste the sun shining your orange juice. It was a day to be spent
- 3:01on an open road to some place new and exciting. What a phone call
- 3:06I'd received. It reduced my open road to Calmlida Avenue and nothing more exciting
- 3:09than Beverly Hills. The house I stopped at was one of those you wented
- 3:14through a tunnel of dank overhanging foliage on a flagstone path grown green with damp
- 3:20moss. A low, thick walled affair with tiny barred windows hidden from the
- 3:24sidewalk. I pressed the bell, and a moment later a sallow housekeeper opened
- 3:29the door with what seemed to be a last hounce of strength. She squinted
- 3:32at my cart and beckoned me inside. I followed her down a dusky card
- 3:38to a heavy closed door, where she signaled me to wait. The air
- 3:42in the house smelled thick and stale. When she came out again, she
- 3:45held the door open for me and motioned me into a room full of darkness.
- 3:49It became nearly complete from the door click shut behind me. All I
- 3:53could see was the vague form of a man in smoke glasses, propped up
- 3:55on a bed across the room. There's a chair beside you, marlow if
- 3:59you care to sit. Oh. Thanks, I'm Carl Lesterbrook, importer.
- 4:03You may have heard of me, No, I don't think so well.
- 4:05No matter, Marlowe, I have a peculiar problem. I want to know
- 4:12why my wife Ona was on a boat day before yesterday off the coast of
- 4:15Mexico. I think you could find out that's all you got to go on.
- 4:18I doubt it now. Oh, there's a little more on. And
- 4:21I planned to take vacation together, but when I was confined with this illness,
- 4:28we decided she should go on alone. Oh and your illness is the
- 4:30reason for the Midsummer black idem. Yes, if I exposed my eyes to
- 4:34light at any time in the next few weeks, the doctors promised me plenty
- 4:39of pain and virtual blindness. Oh, it's temporary, but tegious to mend.
- 4:44That's why I need a capable man with sharp eyes to look into what
- 4:47specifically the paradox of my wife aboard a boat. She has a phobia about
- 4:51them. The mere thought of being on a boat mix our panicky. She
- 4:57drove to Ensinn out of Mexico earlier this week, but believe me, her
- 5:00plans did not include boat rides. Well, tell me, how'd you find
- 5:03out she was on one? She right, No, she hasn't written me
- 5:06at all, but that's not unusual for her. Friend of mine got back
- 5:11yesterday from a fishing trip down there. The day before, his boat passed
- 5:15another with a girl aboard. He got a good look at her. I
- 5:18was so sure that it was owner that he hailed her. The girl turned
- 5:23and ran inside it. It bothered him to the extent that when he got
- 5:29home here he called me to find out if owner was in en Sonata?
- 5:31Is that all? And that's all? He didn't get the name of the
- 5:34boat. Look, you want me to go all the way down there just
- 5:38to find out if the girl he saw was missus? Esterbrook right er.
- 5:41What is your fee, Marlowe? Fifty bucks a day plus expenses. That's
- 5:45the minimum if I take the job. I don't think I will. When
- 5:48business gets so bad I have to do divorce work, I'll quit and write
- 5:51my memoirs. I'm sorry, but that's the way it is. No,
- 5:54no sit down. Marlow Own and I have had our share of difficult It's
- 5:59true. She's quite a few years younger than I and used to be a
- 6:02dancer. But generally speaking we're happy. Specifically what I'm worried about her here
- 6:11there's money in this envelope and a recent photograph at my wife, and there's
- 6:15more of both if the need arises. Er Incidentally, what kind of a
- 6:20day is it outside? Gorgeous? And then you can drive it's only two
- 6:25hundred and fifty miles. Yeah. By the way, how has the importing
- 6:28business been lately? Legitimately speaking, you do have a suspicious mind, don't
- 6:33you, Only when the situation calls for it, and this does. However,
- 6:38I can understand an imagination working over time here in the dark, mister
- 6:41Esterbrook. So I'll take your money and go on down in Sonod and see
- 6:44I anything's wrong. But look, I'm giving you notice beforehand. It turns
- 6:47out to be family laundry and nothing more. I drop it. You're a
- 6:50reputable man. Just see that. I get my money's worth, Marlow,
- 6:55and you can keep the change. I'll expect to hear from you. When
- 7:04my eyes adjusted to the dazzling glare outside, I looked in the envelope and
- 7:09picture of an impish, dark haired woman and five one hundred dollar bills.
- 7:13For the first time I realized what Esterbrook had meant by keep the change,
- 7:16But it didn't help my attitude even a little. By two o'clock I was
- 7:20on the road south, a late luncheon La Joyo with an old friend or
- 7:24routine baggage inspection at the border, and then seventy twisting miles of lonely road
- 7:29brought me to wen Sonata, just as the Mexican sun dropped into the sea.
- 7:33I drove past the piers and canneries at the edge of town, and
- 7:36then along the curving shore to the only hotel elegant enough to meet the demands
- 7:41of the woman I figured on a Esterbrook to be. After I'd got in
- 7:45a room and cleaned up, I went to the desk and asked for it.
- 7:47She was registered and had number seventy four, and at the moment was
- 7:50out on the patio, all of which sounded ridiculously normal, and I thought
- 7:56again of an imagination at work in a dark room back in La I thanked
- 8:00the clerk in crippled Spanish, and turned in time to catch the end of
- 8:03a long cold stare, a pair of frog like eyes, the bulge out
- 8:09of an otherwise handsome head, and a man in a gray Gabardine suit.
- 8:11I didn't think my language even that bad, but when Popeye followed me out
- 8:16onto the patio, I wasn't too sure. There was no mistaking on Esterbrook.
- 8:20She sat alone at the table in the far corner, a tall minted
- 8:24gin drink in front of her. So I put on my best tourist type
- 8:26smile and walked over. Well own Asterbrook. This is a pleasure in showing
- 8:31a visit. But oh, yes, very much. But I don't think
- 8:35I know me. Oh of course you wouldn't remember. My name's Marlow,
- 8:39Philip Marlow. No, no, I'm sorry, mister Malo. You're a
- 8:41dancer, won't you before your marriage? I mean, yes, I was
- 8:43a dancer. But you'll have to excuse me now I'm expecting a friend I
- 8:48had. Well, just one thing, then, missus Esterbrook, would you
- 8:52mind telling me why you were out on a boat day before yesterday? Oh?
- 8:54Boot mm hm why do you ask that? Because you hate boats,
- 8:58you have a phobia, and yet you were seen aboard one just two days
- 9:01ago? How come? Well, I come tell me, I've spilled a
- 9:07drink all over my skirt. Excuse me, I'll have to change at Maneuvu
- 9:13was as subtle as a bulldozer at work. When she spilled her drink,
- 9:18was done desperately in fear sent her running for the exit. I turned to
- 9:22follow her as she left a lighted patio and headed down a dark arcade.
- 9:26But a gray gabanine suit and a pair of popeyes, slid out of the
- 9:28chair and beat me to it. I waited until their footsteps faded, which
- 9:33said they turned a corner. Then I started after them. It was strictly
- 9:37followed the leader. But I didn't realize how many were playing the game until
- 9:39a knife point stung at the skin at the soft part of the back about
- 9:41kidney. High stop, senor, and don't cry out, don't even say
- 9:46ouch. I turned and saw a mottled red face, ugly on a squat,
- 9:50long armed body. The ivory handled knife in his hand could have clipped
- 9:52my spine in one easy thrust. You got a car here, Senor?
- 9:56Come on, I speak English. Good, you got a I gotta car?
- 10:01What's it to you? I am hiaba the crab. It's latched to
- 10:05me. What's your pet buster? Come on? Tell me? Hey?
- 10:09My tennis says for me to keep a sharp eye on things, to be
- 10:13sure something is not wrong. It looks to me like something is wrong with
- 10:16your Who's Martinis? You're gonna play passims in your This one is your car?
- 10:24All right? Yeah? Okay, I take first your run now,
- 10:31please to get in. You're gonna drive, believe it or not. You're
- 10:35making a big mistake crabbing. Besides, what if I don't want to drive?
- 10:39You better want to drive gringo? Or kill you? Right here?
- 10:45Go on dry and she stop here and now we get out. It's nice
- 11:07and quiet here on the beach. No walk over there to that old adobe
- 11:11war We're gonna have a talk there. It's gonna be dull bust. We've
- 11:16got nothing in common. You don't make it hard on me. I don't
- 11:20know why you've got to come and mix everything up again when time is running
- 11:22out. Why did you come? I needed new ratchets. Look you think
- 11:28I'm ugly, you know, beauty crab Let's face it. See and I
- 11:33can act even uglier. Maybe I could go on the radio and make a
- 11:35big hit. No, or maybe I make a big hit on your face.
- 11:41Don't try something, senior, or I kill you with your own gunn
- 11:46the truth. You spoke to the Senora, but they bought Why I forget?
- 11:52Oh? Who are you? Senor? Private detective? Name malo?
- 11:58Private detective? Are you working for Dolf Bentley? I never heard of Dolf
- 12:01Bentley? Who's here? You're lying? Listen? You knows him? They
- 12:05say dof Bentley. Won't make it tonight. He's lucky. See I tell
- 12:09you something else, he better not to make it. My Denis is going
- 12:13to do business with one man only tonight. Now you want to say something,
- 12:20no, then I'll say it. You take what's going to be left
- 12:24to your faces and your bentman out of Vinceni. Don't come back. Don't
- 12:28understand. No, wait a minute, stop the cray come on. Oh
- 12:45it's you. I'll kill you. Take it ease. You're in good hands
- 12:48now, man, I'm a follow American. You know you're pretty lucky,
- 12:52you know? And oh sure yeah at my pal go. I chased them
- 12:56off. You know what, I want to read it and put a knife
- 12:58in you. These fellows are mean with knives. This guy was no slots
- 13:01for the gun, but are they Hey? Where'd you come from anyway?
- 13:07Oh? Down the beach aways. I just finished working on my boat and
- 13:09I was taking a walk and I heard the promotion. Came over to see
- 13:11about it. This guy was beating you up, so I yelled and started
- 13:13for him, but he ran. Oh is that right. I'm glad somebody
- 13:16stopped him. Thanks very much, mister h Lou Romans, my name,
- 13:22pleased to meet your momo. You know me. Uh well, yes,
- 13:26I took the liberty of looking in your wallet to see that the devil had
- 13:30dropped you. It doesn't seem so though. Yeah, I guess I got
- 13:33here just in time. You're a private investigator. I see, Hey,
- 13:37you working on a case. Now, it's debatable, so father case is
- 13:41working on me. I like to find a guy named Dlph Bentley though.
- 13:45Dolph Bentley, Yeah, the guy who beat me up had the idea that
- 13:48I was Oh, I was hired by Dlph Bentley. Jevy heaven no,
- 13:54No. When I come down here every year to face too, I know
- 13:56a lot of folks around here, but I never heard of that one before.
- 14:00Why are you after it? Well, he's he's tied up in some
- 14:03way to the crab, who seems to work with another guy named Martinez,
- 14:07who in turn is going to do some business of some kind tonight with somebody
- 14:11other than Dolf Bentley. I don't know. And it's it's all connected for
- 14:15some screw reason with it. The woman who took a boat ride the day
- 14:18before yesterday, Well what about that? The woman being on a boat to
- 14:22me, Oh, well, she can't stand boat. She's afraid. Oh
- 14:26my head wait, wait here, get you some first aid right away?
- 14:31Only smoked my car, relax it right over there, Come on, let
- 14:35me help you out, all right, I'll ride it. Where are you
- 14:39staying at the hotel? Then? Yeah? Thanks Roman, Yeah, I'm
- 14:43still busy. Easy, I got you. I gotta get back there.
- 14:46I gotta find that girl because she's up to a head doing a very nasty
- 14:50mess. Listen, if I can help in any way, let me know,
- 14:54will you? You knows Americans have to stick together in a place like
- 14:58this, right, that's it. Come on, let's go, Blue Roman,
- 15:07a hail fellow, was indeed well met. He found my gun and
- 15:11drove me back to the hotel. A long hour had gone by. Sinson
- 15:13asked the brook and run from the patio, followed by the popeyed character in
- 15:16the Gabardine suit. I tried a room check with the desk again, and
- 15:20from there spent thirty minutes peering at the corners and balconies and getting nothing but
- 15:22indignant glares for Mexican lovers. So I left the building and started through the
- 15:26grounds. I worked my way from the stables up into a seppluted garden deserted
- 15:31by all but a marble statue of Matezuma, who, when I passed him,
- 15:33grown in the dock. At my feet lay Hi by the crab,
- 15:37his muttled face twisted into a tortured grin of agony, and sticking straight up
- 15:41just above his belt buckle was the white avery handle of his own knife.
- 15:46Crab. Crab, Who was it who got you? I am shorry what
- 15:50I did? Never mind that? Who did this to you? Know?
- 15:56I'll get a doctor nor crab. Yeah, in just a moment, the
- 16:21second act of Philip Marlowe. But first, when you are sixty five,
- 16:26if you have worked in business or industry, call any office of the Social
- 16:30Security Administration for information about your old age and survivor's insurance. The account number
- 16:36that appears on the Social Security card identifies your wage account. The amount of
- 16:41retirement and family insurance that may be payable is set by this account. Now,
- 16:47with our star Gerald Moore, we'll return to the second act of Philip
- 16:52Marlowe and Tonight's story, the Mexican boat Ride. Even as the life trickled
- 17:07out of the ugly little man called Haiber and his face which had been not
- 17:10a titan pain, when slowly limp Andy was Still, I knew that i'd
- 17:14have to get next to Duff Bentley before the importance of ownA Esterbrook a board
- 17:17a fishing boat off Fensnata would make any sense. Also, I knew that
- 17:19there was a good chance that said mister Bentley and the gentleman in greg Abadeen
- 17:23known to me as Popeye's, are one and the same. So I started
- 17:27back to the hotel, but halfway there I stopped at the sight of a
- 17:30figure ahead scampering toddn All alone taxi park near the main entrance. It was
- 17:36onwa Esteborough. I took off after it when she was in the cabin away
- 17:38before I could get close enough to do any good. I tried the next
- 17:41best thing, which was the Sombrero doman nearby, who I figured might have
- 17:45heard the address she'd given the driver. Yeah, but what I didn't figure
- 17:48was that the doorman might not abla much English. The senor Esterbrook, she
- 17:55senor her enters libre and minuci. Yeah, yeah, that's right, I
- 17:59know that Where did her go? Which way in the libre librement nor amigo.
- 18:10I don't want a taxi, no libre, no libre, none whatsoever.
- 18:15Now please come here, Let's let's back it up a little. Huh,
- 18:19Senora Esterbrook in libre right? Okay? Now where did she go?
- 18:25What direction? K direccion this, Senor Q direccion compreno, Senor Estabrook.
- 18:40Go to the pier, the the fishing spier, which one? Which fishing
- 18:44is peer coal pier? The small pier, sen the little one near the
- 18:51big cannery, the fishes cannery. That's all I want to know, Grasses
- 18:56and Senor, What are you seeing that? I'm not sure, but even
- 19:02if I were, I wouldn't be able to explain it to you when it's
- 19:03not just pal thanks a lot. I had been seeing at the silhouette of
- 19:11a man huddled close to the ground and slinking out from a hotel along a
- 19:14high hedge that led back toward the statue and the body of Iba, a
- 19:18man who I knew could be the elusive Popeyes. I followed the walk that
- 19:21was close into the hotel until I was on the line with a hedge.
- 19:23Then I started after him fast. I still had a good two yards to
- 19:26go when he heard me unpivoted, so I swung first Roman. Wait a
- 19:32minute, holy gee, it's me mollow. I'm sorry, Holy smoke,
- 19:34I thought you were someone else. What did you hit me with? I
- 19:41have everything I had. I figured you were Dolph Bentley and such. Roman.
- 19:45I didn't want you to get away with murder, literally murder. Hey,
- 19:48not that girl you mentioned Mardow? Oh, I asked the brook.
- 19:49No, no, the corpse is that item you sigked away from me?
- 19:53Over in those ruins? Somebody got to him with his own knife. Then
- 19:56near the statue. Ah, then I was right. I did see some
- 20:00and move over. Well. Yeah, a couple of minutes ago, Marlow,
- 20:02I was on the balcony outside of my room at face of the garden
- 20:03here you see. And when I saw you run for the main entrance,
- 20:07I had a feeling that you might be in trouble again, so I came
- 20:08on down here. Well then what happened? Well, I was about to
- 20:11call out to you when I heard some noise over there near the statue.
- 20:14It was a man. He was running away fast, heading toward those stables.
- 20:17A man wearing gabardine. Maybe Damn, maybe Gray, maybe Dolph Bentley.
- 20:21Thanks for Roman, You've got a big help. When you get back
- 20:22to the hotel, tell him about the dead man, will you? I
- 20:25got a run. The stable was a robust left field, as pegged a
- 20:30home plate from where we'd been standing, so by the time I got there,
- 20:33I was out of breath and facing nothing more important than thick darkness,
- 20:37a lot of hay, and a couple of horses who couldn't sleep nights talking
- 20:38things over until I moved around a corner, past the stalls and close to
- 20:44the half open door of a shack marked both Cabina Telefono and the equivalent in
- 20:48English that showed a single unshaded light and under that a man standing alone next
- 20:52to a telephone, riding something on the back of an envelope. He was
- 20:56wearing a gray Gaberdeine suit, and when he lifted his popeyes from a paper
- 20:59in front of him, I knew the next move had to be mine thirty
- 21:02eight and go bust and keep your hands close to your sides, just as
- 21:07you say, Senor, I'd be a fool not to obey, Yes,
- 21:11sir, right, a dead fool. So keep that in mind while we
- 21:12chat, won't you? Mister Bentley? Bentley? Uh huh? How did
- 21:18you find out who I am? It was easy? All I had to
- 21:21do was listen to with dying man's last two words. When I asked him,
- 21:22the name is murderer, he said, Dulph Bentley. Any comment,
- 21:26Yes, you know a lot, Senyor. No, it resented, friend,
- 21:30I learned it all the hard way. Don't move, Bentley. I
- 21:32was only changing my position, Senor, which will be prone if you try
- 21:34it again. What do you know about this whole messon an American girl named
- 21:38Onna Estherbrook White figure is no mobster nothing, You're a liar, Bentley,
- 21:44which brings me to the point. One why the pressure on the girl?
- 21:45And two? What's so important about it taking a ride on a fishing boat?
- 21:48Come on, brother, it's getting late for a murderous tart talking straight
- 21:52the first time out? All right, I'll start with the question, Senor,
- 21:56how does all this concern you? You gain a percentage if the smugglers
- 22:00are not interfered with. Perhaps we were talking about the girl, remember,
- 22:03yes, I remember. But you see, Senor, I have little to
- 22:07offer. An that's how little a single observation. In your country, Senor,
- 22:12people who do not mind their own business are called nosey. Here in
- 22:17Mexico we have another term as which means why jackass senor who unliked the cat
- 22:23cannot see in the dark. I can try his best. Bentley, okay,
- 22:27I mean going no gun, but this as noo. When Bentley met
- 22:42the floor and wentout coal, I sagged to one knee stayed that way until
- 22:45the air rushing into my lungs quit sounding like sandpaper over a drumhead, and
- 22:49I got back to my feet and turned on a bracket lamp on the other
- 22:52side of the room. I opened Bentley's jacket, slipped his thirty two automatic
- 22:56out of a shoulder host and emptied the clip, and stopped dead at the
- 23:00shimmer of light dancing on polish silver that I hadn't expected. It was a
- 23:04badge below his shola holster in Pindu his vest, Republic of Mexico, Department
- 23:11of Customs. Captain. I made a dive for the envelope near the telephone.
- 23:17On the fact there was writing in thick pencil, which I finally figured
- 23:21to mean fishing pier near cannery two am inside. Nothing on the front,
- 23:26further proof that I'd never met mister Dolf Metley at tall. But instead it
- 23:29tangled hard like with one Captain Juan Descato's intelligence section Custom Building, Mexico City,
- 23:34Mexico. By trying to revive Captain Descado's the truth rammed into my mind,
- 23:40Owner Esterbrook, it rushed off for the pier near the cannery that Captain
- 23:44Descardos had noted. It's a good place to be at two o'clock in the
- 23:45morning, which was less than twenty minutes away, and a great time for
- 23:48me to get to my car and the pier. It work. You're a
- 24:07bright boy. Thanks. You like the job on the car, Senor.
- 24:11I think it shines well for the eight pestels you own me. Nobody asked
- 24:15you to bother the junior. But I'll see you later. Right now,
- 24:18I gotta run. Huh for eight piesels one dollar, you can ride in
- 24:21your or replace the distributor cap. What come, hear you? But it
- 24:26was very dirty all over inside too, this daring where blackest can be.
- 24:32Looka I ruined my best drag cleaning. It's tough. Now give me that
- 24:36distributed cap. But you'll be the saddest pair of dark eyes between here and
- 24:38the Panama Canals. Oh never mind. Here, you pay me the doll
- 24:45Yeah, yeah, yeah, Just put the cap back where it belongs.
- 24:47Quick will you, I mean a hurry. We'll come on. Let's go,
- 24:48Let's go, let's go. Pressure sixty seconds ticked off before I was
- 24:57out of the parking lot and driving toward the fishing pier near the cannery,
- 25:02where I knew I was finally going to get next to Dolph Bentley, and
- 25:03if I made it in time, prevent another murder. When I screeched to
- 25:07a stop away from the pier, piled out of my car and ran the
- 25:08length of the oil soap planking to where a single boat was making ready to
- 25:12cast off. I saw one of the two persons aboard the small catch was
- 25:17onwa Esterbrook. The other was Lou Roman, haughty American fisherman. When I
- 25:22stepped aboard, our hunch hit me right between the eyes. I pulled my
- 25:26gun and pointed to an inch above his waists. What are you doing here,
- 25:29Marlo? I might ask you the same question, Roman? Or do
- 25:30I call you Bentley from here on Outna? You know now he can't kill
- 25:34me. Now I don't have to be afraid of him anymore. Oh Marlow,
- 25:37Thank goodness you got here in time. Yeah, hooray. The mareams
- 25:41have landed in the form of a private eye it out, Bentley, and
- 25:44don't move. I don't know what do you mean about being afraid? What's
- 25:47your connection with this fisherman here? It was an accident, Marlow, a
- 25:51mix up in our baggage. Lou Roman and I both had him to stop
- 25:53for customs inspection at the border at the same time, and our suitcases were
- 25:57switched. I didn't notice it the time. When I got to the hotel,
- 26:00I discovered the mistake and went to Roman's room to correct it. Instead,
- 26:03you found Bentley here posing his Roman right, he killed him, Malo,
- 26:07he told me he did. That's a dirty lie of Romans. Alright,
- 26:08isn't your car? No, he's not. He's dead. You killed
- 26:11him someplace between here and Tijuana. Milo. He said, I'd get the
- 26:15same treatment if I opened my mouth. And he's the one who forced you
- 26:18to go out on that boat. Yes. So that people wouldn't be suspicious,
- 26:22he made me appear at the hotel in the patio there at the restaurant.
- 26:26Why don't you run? I couldn't. He wasn't around. Another man
- 26:30was a horrible man with large eyes that never left me. Yeah, so
- 26:33why didn't you drop it? Model? No sale Bentley. You see,
- 26:37I know that the horrible man with the large eyes can't be one of your
- 26:38henchmen. His badge says, so what, he's an officer, Madel Yeah,
- 26:44Captain on a give up, Bentley, You had better. There are
- 26:47too many men ready to thank you. Descados ha ha. Where'd you come
- 26:52from? Oh? I've been here quite a while, but your story was
- 26:56so interesting I just couldn't it the roup when marlow took you for Dlph Bentley,
- 27:10Captain discardus. You played long because you didn't know who he was.
- 27:12Is that it? Yes, Senora, and I did not find out until
- 27:15I heard Bentley called Marlowe a private eye. You're not mad at me,
- 27:19Captain her even though I bungled your plan to capture Martinez, and not to
- 27:25mention a little meeting at the stables, A senor, do not say that
- 27:27you bungled the job of catching Martinez. It was more a matter of priority
- 27:33the tacos of course here you are gracious, you see, Senor Marlowe.
- 27:37I am certain that one day I will catch Martinez, but not at the
- 27:41cost of letting him murder a kill again. But Senor marlow there is one
- 27:45thing that passes the murder of the one known as Haiba Martinez henchman. Well,
- 27:51you see, Captain, he knew that a man named Dlph Bentley was
- 27:53mixed up in this because he'd overheard Owner and her keeper then called Lou Roman
- 27:56talking about him. He wanted to know more. Also, he couldn't figure
- 28:00who I was, so he beat you up. Correct. Bentley, of
- 28:03course only saved my life because it was an easy way to find out just
- 28:07how much Haiba did know, after which he got to him enough, not
- 28:11quite simular. There is still one thing. How did you know that Lou
- 28:15Roman was actually Bentley? On a hunch, Captain, and by positive identification
- 28:19from you Owner when we were on the boat. But now it's my turn.
- 28:23I got a question for you, honey, And he had enough vacation.
- 28:26Uh huh. As a matter of fact, Marlowe, I wired my
- 28:30husband just before we came in to eat. I said, the change,
- 28:33didn't your world? Good? Behold tomorrow to stay love always? Well,
- 28:37Captain, will you pass the tacos please? There? They're awfully good.
- 28:41Really. It was late the next afternoon and ownA Esterbrook was already gone when
- 28:56I checked out of the hotel, said goodbye to Doscatos and headed north for
- 29:02the border, where two hours later I stopped for customs inspection of my baggage.
- 29:07It was dark and I was only fifty miles from Los Angeles before I
- 29:10realized exactly what that inspection had meant, because it was then for the first
- 29:14time that I noticed the little cowhide suitcase on the seat next to me,
- 29:18which should have been mine, was tagged differently the name and address of a
- 29:22man who lived in Long Beach, California. I got there, I kept
- 29:26driving. I knew I could ship it to him and ask for mine in
- 29:30exchange when I got home. Oh yes, I'd had just about enough for
- 29:34a while. The Adventures of Philip Marlowe Bringing You Raymond, Chandler's most famous
- 29:52character and crime's most deadly enemy, starred Gerald Moore and are produced and directed
- 29:57by Norman McDonald. Script is by Meldon Neelley, Robert Mitchell, and Gene
- 30:03Lovett. Featured in the cast were Mary Ship, Harry Bartel Nester Piva,
- 30:07Bill Bouchet, Ralph Moody, Bill Shaw, and Jerry Farmer. The special
- 30:11music is written by Richard Iran. Be sure and be with us next week
- 30:19when Philip Marlowe says, it started with death on my doorstep and got worse
- 30:26when I lied to a sympathetic bull, was pistol whiped by a gorilla with
- 30:29dimples, and fought with a kitten on the keys. And it might have
- 30:32gone on that way all night if I hadn't been helped by the King of
- 30:33the Beasts. This is CBS, the Columbia Broadcasting System. Welcome back,
- 31:03well, one of the stronger Philip marlow episodes. I think, actually I'm
- 31:07just a fantastic work by Gerald Moore, and I love the scene with him
- 31:12and the customs agent, though he didn't know he was a customs agent.
- 31:17And this is actually, I think the second customs agent he's got into a
- 31:22fight with, though that one was an American customs agent. There were aspects
- 31:26of the story that did remind me of the doors truly Johnny Dowler story the
- 31:30Alvin Somers matter, though this one definitely had some differences from that story.
- 31:34At any rate, another great episode of Philip marlow in the books. We'll
- 31:38be back tomorrow with Nick Carter, and then join us back here again next
- 31:44Wednesday for another episode of the Adventures of Philip Marlow. In the meantime,
- 31:48sendor comments to Box thirteen at Great Attractives dot nett, follow us on Twitter
- 31:52at Radio Detactives, and become one of our friends on Facebook, Facebook,
- 31:56dot com, slash Radiodattectives from Boise, Otaho. This is your host,
- 32:01Adam Grahamson and Off