Latest / Movie Meltdown / 108.2: There is No Magic

Transcript

108.2: There is No Magic · Movie Meltdown

• 0:00
  Speaker 1: The following feature has been rated R by the Motion
• 0:02
  Speaker 1: Picture Association of America. It is intended for mature audiences
• 0:06
  Speaker 1: and parental discretion is advised.
• 0:18
  Speaker 2: It's showtime, folks! Enjoy the show!
• 0:42
  Speaker 3: Hi, John Amplis, and you're listening to Movie Meltdown, the
• 0:45
  Speaker 3: greatest movie geek show on Earth.
• 1:00
  Speaker 4: It's time for Sofa Theater.
• 1:03
  Speaker 5: My name is Martin. I'm 84 years old. People think
• 1:08
  Speaker 5: I'm crazy when I tell them how old I am.
• 1:12
  Speaker 4: I'd like to be normal. I just have a sickness.
• 1:16
  Speaker 5: The only way I can survive is by drinking blood.
• 1:24
  Speaker 5: It's not easy living the way I do.
• 1:26
  Speaker 4: I have to be careful all the time.
• 1:30
  Speaker 5: I'm pretty good at it.
• 1:31
  Speaker 4: I think as I get older, I get better. I
• 1:35
  Speaker 4: haven't been caught yet.
• 1:39
  Speaker 5: You see, people don't understand what's wrong. They think that
• 1:42
  Speaker 5: I'm a monster. They think I'm a vampire.
• 1:58
  Speaker 2: Martin, another kind of terror.
• 2:02
  Speaker 5: I would like to be like everyone else. I have
• 2:05
  Speaker 5: to do things that I don't necessarily like to do.
• 2:09
  Speaker 4: But I want to stay alive.
• 2:11
  Speaker 5: I do need blood.
• 2:53
  Speaker 4: I just pretend.
• 2:57
  Speaker 6: Dead angels speak to me sometimes Giving me advice that
• 3:06
  Speaker 6: I should hear You are what I'm looking for Because
• 3:14
  Speaker 6: you're close Because you're.
• 3:17
  Speaker 7: Near Welcome to Movie Meltdown Sofa Theater.
• 3:26
  Speaker 8: Once again, I am Brian.
• 3:27
  Speaker 4: I am Greg. This is Jay.
• 3:30
  Speaker 9: I am Lucy.
• 3:31
  Speaker 10: I'm Marlena.
• 3:32
  Speaker 7: This week's Sofa Theater feature is Martin. The year is 1977.
• 3:36
  Speaker 7: Director George A. Romero. The plot, according to IMDb, a
• 3:42
  Speaker 7: young man who believes himself to be a vampire goes
• 3:44
  Speaker 7: to live with his elderly and hostile cousin in a
• 3:47
  Speaker 7: small Pennsylvania town where he tries to redeem his blood-craving urges.
• 3:51
  Speaker 7: And with that, spoiler alert, because, yeah. Actually, it's weird
• 3:55
  Speaker 7: how many people haven't seen this for as old as
• 3:57
  Speaker 7: it is and is connected to, yeah, is connected to
• 4:00
  Speaker 7: a huge director, especially in the horror world. It's like,
• 4:03
  Speaker 7: there's still a lot of people that haven't seen this.
• 4:05
  Speaker 11: I think I was okay with having not ever seen this.
• 4:08
  Speaker 7: We'll get to that in a minute. Before we get
• 4:10
  Speaker 7: to our own thoughts on the movie, it is time for...
• 4:13
  Speaker 7: One from the vaults. Our ongoing series where we delve
• 4:16
  Speaker 7: into the vaults of an actor and hear their thoughts
• 4:18
  Speaker 7: on the movie. This week, we talk to John Amplis,
• 4:21
  Speaker 7: the star of Martin. So let's see what John has
• 4:23
  Speaker 7: to say.
• 4:24
  Speaker 3: In fact, my senior year of college is where George
• 4:27
  Speaker 3: saw me do a play and then cast me as Martin.
• 4:31
  Speaker 7: That's what I was going to ask, how you got involved.
• 4:34
  Speaker 8: So he just saw you.
• 4:35
  Speaker 7: On the stage?
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  Speaker 3: He saw me on the stage, went away, and I
• 4:39
  Speaker 3: think he had an older character in mind initially and
• 4:42
  Speaker 3: rewrote it and called me two months later and offered
• 4:46
  Speaker 3: me the role.
• 4:47
  Speaker 8: What did you think? The first time you read the
• 4:49
  Speaker 8: script for Mark?
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  Speaker 3: I liked it because for me it's not a horror film.
• 4:54
  Speaker 3: It's a psychological thriller. And so I think it's a
• 4:59
  Speaker 3: character study. And as an actor, doing a character study
• 5:05
  Speaker 3: is far more interesting than doing a slasher film or
• 5:11
  Speaker 3: a cartoon. So I really enjoyed the text and I
• 5:17
  Speaker 3: related to it. pretty quickly and easily.
• 5:19
  Speaker 8: That's what I was going to ask.
• 5:21
  Speaker 7: How different is Martin of that age as John at
• 5:24
  Speaker 7: that age, aside.
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  Speaker 8: From all the murders?
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  Speaker 3: Well, I was a little older than what Martin appears
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  Speaker 3: to be. I was 27. Martin probably looked about 17
• 5:34
  Speaker 3: or 18. But I related to the teenage angst, and
• 5:39
  Speaker 3: I also related to the isolation of Martin was obviously
• 5:44
  Speaker 3: orphaned and passed around. And my early days as a kid,
• 5:48
  Speaker 3: you know, I didn't grow up with my parents, so
• 5:52
  Speaker 3: I had a similar experience in terms of living with
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  Speaker 3: people other than my own family members. So those things
• 6:03
  Speaker 3: about Martin I readily related to. Everything else, then the
• 6:09
  Speaker 3: dissimilarities you figure out how to do. And that's where
• 6:13
  Speaker 3: the acting comes into play.
• 6:15
  Speaker 7: What did you do to prepare for the role?
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  Speaker 3: I think I did all the preparation I could in
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  Speaker 3: terms of reading and working out the dramatic action in
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  Speaker 3: my head and on paper.
• 6:28
  Speaker 8: And then once you.
• 6:31
  Speaker 3: Get to the set and you're in front of the camera,
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  Speaker 3: everything has to be moment to moment. So you can't
• 6:38
  Speaker 3: foretell the future. You can't, the past has already been told,
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  Speaker 3: so you have to do what you're supposed to do
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  Speaker 3: right then and there. And that's how it works.
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  Speaker 7: Once you played it, it was, I guess, a very
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  Speaker 7: different movie than a lot of, even horror movies at
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  Speaker 7: that point. Yes.
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  Speaker 8: Did people you know look at you differently?
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  Speaker 3: No, not at all, no. I mean, everybody understands that
• 6:58
  Speaker 3: we're actors and it's a job, and so professionally, you know,
• 7:05
  Speaker 3: everybody seems to get that, you know, actors are just actors,
• 7:08
  Speaker 3: and Both characters in movies and plays are just characters
• 7:12
  Speaker 3: in movies and plays.
• 7:13
  Speaker 8: You're pretty convincing, though. He comes off as a pretty
• 7:16
  Speaker 8: unstable kid.
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  Speaker 3: Well, that is part of the job.
• 7:18
  Speaker 8: That's to your credit.
• 7:19
  Speaker 3: That's part of the job.
• 7:20
  Speaker 8: He's very convincing.
• 7:22
  Speaker 3: That's what actors are supposed to do.
• 7:25
  Speaker 8: As far as the.
• 7:27
  Speaker 7: Somehow, in the middle of it, you come off with
• 7:29
  Speaker 7: a very sinister look. Is it something that you... And
• 7:32
  Speaker 7: I don't know if sometimes it seems like a shot,
• 7:34
  Speaker 7: that it's something that maybe George set up, but sometimes
• 7:36
  Speaker 7: it comes up... It's almost just the look of... on
• 7:39
  Speaker 7: your face but it's almost the shot itself.
• 7:41
  Speaker 3: Well I can't tell you anything about how that may
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  Speaker 3: or may not have happened I know that George I
• 7:49
  Speaker 3: mean George certainly was generous in terms of and a
• 7:54
  Speaker 3: mentor in terms of helping.
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  Speaker 4: Me through through the.
• 8:00
  Speaker 3: Film Mike Gornick who shot the film is a tremendous
• 8:06
  Speaker 3: cinematographer And he and I got along very well. And
• 8:12
  Speaker 3: I think the big key is you have to be
• 8:14
  Speaker 3: aware of the camera, and yet at the same time
• 8:17
  Speaker 3: you have to not be aware of the camera. A
• 8:21
  Speaker 3: little dichotomy there, but the idea is know what you're
• 8:26
  Speaker 3: supposed to do, know where you're supposed to look, hit
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  Speaker 3: your mark, do what you're supposed to do.
• 8:33
  Speaker 7: It works so well with him, though, because he's got,
• 8:35
  Speaker 7: you know, you come off playing it very innocent one minute,
• 8:38
  Speaker 7: and then it'll kind of cut to a shot, and
• 8:40
  Speaker 7: he just looks really evil.
• 8:41
  Speaker 3: Yeah, well, that doesn't have anything to do with me.
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  Speaker 3: It's just maybe, I'll give it to George and Mike.
• 8:50
  Speaker 8: As far as just, was.
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  Speaker 7: There anything specific, like, story-wise that you really remember about
• 8:54
  Speaker 7: the shoot itself?
• 8:57
  Speaker 3: You know, I mean, not really, other than what George
• 9:00
  Speaker 3: has created with every film he ever does. is he
• 9:04
  Speaker 3: creates a family atmosphere. And in Martin, especially, since Martin
• 9:09
  Speaker 3: was probably the lowest budget since Night of the Living
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  Speaker 3: Dead that he had to deal with. And so everybody
• 9:17
  Speaker 3: chipped in. Everybody worked. Everybody picked up cables. Everybody moved cameras.
• 9:24
  Speaker 3: Everybody chipped in. And it was really a big kind
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  Speaker 3: of wonderful family affair.
• 9:30
  Speaker 8: I was kidding before. Do you watch Dexter?
• 9:34
  Speaker 3: I love Dexter. I haven't seen all of the episodes,
• 9:37
  Speaker 3: but I love Dexter, and I think he's terrific.
• 9:43
  Speaker 8: I think he owes a little bit to you.
• 9:45
  Speaker 3: I think Dexter owes a little bit to me, too. Although,
• 9:49
  Speaker 3: what's the guy's name that plays him?
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  Speaker 8: Michael C.
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  Speaker 12: Hall.
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  Speaker 3: Michael C. Hall. He's terrific.
• 9:55
  Speaker 1: He's amazing.
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  Speaker 3: Yeah, he's terrific.
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  Speaker 7: Yeah, the holding the needle in them, and there's shots
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  Speaker 7: every once in a while.
• 10:01
  Speaker 3: You know, although I'm sure he's probably never seen Martin.
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  Speaker 7: I don't know.
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  Speaker 8: Maybe he did. He's got a good reputation. Maybe he did.
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  Speaker 8: He just has better drugs than you, because.
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  Speaker 4: His are meaty.
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  Speaker 8: Oh, absolutely.
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  Speaker 3: Yours took way too long.
• 10:15
  Speaker 8: Yeah, he's got the good stuff.
• 10:16
  Speaker 1: Yeah.
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  Speaker 8: He works in the police station.
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  Speaker 3: I was back in, you know, I'm old school.
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  Speaker 8: They've made a lot better drugs since then.
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  Speaker 7: Absolutely. So yes, thank you once again to John for
• 10:25
  Speaker 7: sharing his memories of Martin. And now on to us.
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  Speaker 7: So I ask you, where do we begin?
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  Speaker 4: Hey, on the thing, IMDB says that he thinks he's
• 10:34
  Speaker 4: a vampire. Don't they point... out in the movie that
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  Speaker 4: he's been around for quite some time.
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  Speaker 9: 80 some odd years.
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  Speaker 13: Yeah.
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  Speaker 7: It depends on where you go from. And that's kind
• 10:45
  Speaker 7: of what I like about this because it leaves it
• 10:47
  Speaker 7: very vague. It's sort of like who you listen to.
• 10:51
  Speaker 7: And then in the end, you're kind of like, there's
• 10:53
  Speaker 7: a couple of stories going there and you don't really
• 10:55
  Speaker 7: a hundred percent know who to believe. But yeah, he
• 10:58
  Speaker 7: says at one point he's 84 years old.
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  Speaker 9: Yeah.
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  Speaker 7: And then by appearances, like even when he's talking to
• 11:04
  Speaker 7: normal people, His cousin says that he's not even 20. So,
• 11:08
  Speaker 7: I mean, he definitely comes off as being this kid. But, yeah,
• 11:12
  Speaker 7: I mean, it.
• 11:12
  Speaker 4: Well, no, I mean, his older cousin, the one who
• 11:15
  Speaker 4: looks like Colonel Sanders?
• 11:16
  Speaker 7: Yeah, yeah.
• 11:16
  Speaker 4: Because I think at some point, doesn't he say that
• 11:18
  Speaker 4: he's been around for a long time?
• 11:19
  Speaker 7: Yeah, when he's looking through the family album, and he's
• 11:21
  Speaker 7: going back through, like, the generations of this curse.
• 11:24
  Speaker 9: He's talking about his age being 20, but he looks,
• 11:26
  Speaker 9: I guess.
• 11:26
  Speaker 14: Yeah.
• 11:27
  Speaker 7: But he also said, and this is weird, it's like
• 11:28
  Speaker 7: it took me a couple times to catch exactly what
• 11:30
  Speaker 7: he was saying. He talked about when his father died...
• 11:33
  Speaker 7: And he said he had his father until he was 36. Now,
• 11:36
  Speaker 7: the first time I was hearing it the other way,
• 11:38
  Speaker 7: like his father was 36 when he died. No, Martin
• 11:41
  Speaker 7: was 36 when his father died. And then just recently,
• 11:44
  Speaker 7: I think, if I'm getting it right, his mother committed
• 11:46
  Speaker 7: suicide recently, and that's why he had to come stay
• 11:49
  Speaker 7: with his cousin. So, the crazy old man. So, yeah.
• 11:53
  Speaker 7: That's kind of one of my favorite things about this,
• 11:55
  Speaker 7: is it never really nails it down... As to what's
• 11:59
  Speaker 7: going on, and you can kind of take away from
• 12:00
  Speaker 7: it what you want.
• 12:01
  Speaker 9: To me, that's one of the most annoying things about
• 12:03
  Speaker 9: this game.
• 12:03
  Speaker 7: That's because you're difficult.
• 12:05
  Speaker 9: I don't know. It's just too out there with itself. Like, ooh.
• 12:09
  Speaker 4: He was kind of a sloppy vampire for something that's
• 12:11
  Speaker 4: been around for a while. The worst damn vampire I've
• 12:13
  Speaker 4: ever seen.
• 12:15
  Speaker 7: I will give you, he left a lot of loose ends.
• 12:17
  Speaker 7: And thank God for him that this was a time
• 12:19
  Speaker 7: when they didn't do any sort of investigations, obviously.
• 12:22
  Speaker 11: Right.
• 12:23
  Speaker 7: There was no DNA samples. There was no... Fingerprints. Fingerprints, yeah.
• 12:27
  Speaker 7: No CSI team. Yeah, you could get away with anything
• 12:30
  Speaker 7: according to this movie.
• 12:31
  Speaker 4: I think they took DNA at that time, but at
• 12:33
  Speaker 4: the time they didn't know how to process it.
• 12:35
  Speaker 14: They could just eliminate it by blood type.
• 12:38
  Speaker 4: Yeah, that's probably what they could do.
• 12:40
  Speaker 7: Because, yeah, they're finally getting around to testing stuff from this,
• 12:43
  Speaker 7: you know, back in the 70s sometimes in these cold
• 12:46
  Speaker 7: case kind of bullshit that they bring up, but... Every
• 12:48
  Speaker 7: once in a while, they actually do find somebody and, like, prove, oh,
• 12:51
  Speaker 7: you've been dead for ten years, but you know what?
• 12:52
  Speaker 7: You were innocent. Sorry we sent you to prison.
• 12:55
  Speaker 5: Oops.
• 12:55
  Speaker 4: And when that guy released from Texas, finally.
• 12:58
  Speaker 7: Yeah, after how many years?
• 13:01
  Speaker 4: 30 years.
• 13:02
  Speaker 7: So, I mean, yeah, they were just at the infancy
• 13:05
  Speaker 7: of figuring out some of that stuff. But obviously, according
• 13:08
  Speaker 7: to this movie, it was not in practice because he
• 13:10
  Speaker 7: was pretty sloppy as a killer.
• 13:13
  Speaker 9: It's the worst method I've ever seen in my entire life.
• 13:16
  Speaker 9: This was the lamest, most.
• 13:18
  Speaker 15: And whoever his drug supplier was to knock chicks out
• 13:21
  Speaker 15: with was an idiot.
• 13:22
  Speaker 7: Well, I said that to John. I was like, well,
• 13:24
  Speaker 7: and it really, I mean, I guess the drugs weren't
• 13:26
  Speaker 7: quite as potent as they are now. Because now, I mean,
• 13:29
  Speaker 7: you can hit somebody and they'll hit the floor. I mean, it's,
• 13:33
  Speaker 7: and again.
• 13:33
  Speaker 4: Experience with this?
• 13:34
  Speaker 7: Maybe. But on top of that. I watch a lot
• 13:37
  Speaker 7: of Dexter. And we can get to that, too. But yeah, that's,
• 13:40
  Speaker 7: I mean, that's one of those that you have to
• 13:42
  Speaker 7: question some of that. But at the same time. It's
• 13:44
  Speaker 7: not like he's trained in this. I don't really know
• 13:47
  Speaker 7: for sure that he knows what he's doing because he
• 13:49
  Speaker 7: says that's a recent addition, too, is that, you know,
• 13:52
  Speaker 7: in just the last, you know, few years of these 84,
• 13:55
  Speaker 7: he's started introducing the needles into the process.
• 13:58
  Speaker 4: The other thing that I was thinking of, too, that
• 14:00
  Speaker 4: hadn't really occurred to me, I was an E.T. technician
• 14:03
  Speaker 4: at one time.
• 14:04
  Speaker 7: E.T.? Yeah. Jolting aliens back to life.
• 14:09
  Speaker 4: But if you didn't hit, if you didn't hit the vein, Yeah,
• 14:13
  Speaker 4: it would take a while. it would take, maybe 15 minutes,
• 14:15
  Speaker 4: maybe 5 minutes, depending on the size of the dog,
• 14:19
  Speaker 4: and then it would finally just kind of flop around
• 14:21
  Speaker 4: on the floor and then pass out.
• 14:24
  Speaker 7: And half the time here, he was hitting the back
• 14:26
  Speaker 7: and the legs, like the fat part of the legs.
• 14:28
  Speaker 4: Yeah, muscle parts.
• 14:29
  Speaker 16: So, you know, that kind of makes a little bit
• 14:31
  Speaker 16: more sense now that I think about it, about hit the,
• 14:33
  Speaker 16: you know, what the hell?
• 14:33
  Speaker 4: Why isn't this acting so fast? You hit a vein
• 14:36
  Speaker 4: and boom, they're out.
• 14:38
  Speaker 9: Right in the neck.
• 14:38
  Speaker 13: Yeah.
• 14:39
  Speaker 14: That's where you gotta go with it.
• 14:41
  Speaker 11: I agree.
• 14:41
  Speaker 16: He usually could be within a matter of seconds, but
• 14:43
  Speaker 16: like when you're Just kind of poking around.
• 14:45
  Speaker 13: Yeah.
• 14:45
  Speaker 4: You know, wrestling with the girl on the floor.
• 14:49
  Speaker 7: Which he did. So that's our intro. I mean, we
• 14:52
  Speaker 7: get the all aboard and we're on the train for
• 14:55
  Speaker 7: the set off there. I mean, it is a really
• 14:58
  Speaker 7: cool way to open it because you have no idea. Especially,
• 15:00
  Speaker 7: I mean, I'm thinking at the time of probably people
• 15:03
  Speaker 7: not knowing that much about movie news and just going
• 15:05
  Speaker 7: in and sitting down and watching this. And you're just
• 15:07
  Speaker 7: thrown into this scene of him attacking this girl.
• 15:10
  Speaker 1: Yeah.
• 15:11
  Speaker 4: You don't really know what he's going to do.
• 15:13
  Speaker 7: No, and you really, I mean, it's like a third
• 15:15
  Speaker 7: of the way in the movie before you really start
• 15:17
  Speaker 7: to piece together not only what he's doing, but what
• 15:20
  Speaker 7: other people think he's doing, what he thinks he's doing. Like,
• 15:22
  Speaker 7: it really takes a while. I mean, there's a good
• 15:24
  Speaker 7: three or four different levels of things going on that, again,
• 15:27
  Speaker 7: I give credit for writing-wise. Like, it's a pretty complicated
• 15:30
  Speaker 7: structure to this, and it's executed pretty well. It's... Again,
• 15:35
  Speaker 7: some people have issues with it.
• 15:36
  Speaker 9: I feel like if this movie.
• 15:37
  Speaker 4: It's not accessible.
• 15:38
  Speaker 14: I feel like if this movie were redone, it would
• 15:41
  Speaker 14: be really amazing. By the right people on the right.
• 15:44
  Speaker 7: Yeah, it could be. It could be, but at the
• 15:45
  Speaker 7: same time, I can also see him doing a really
• 15:47
  Speaker 7: terrible version of it. Oh, yeah. I mean, that's what
• 15:50
  Speaker 7: I worry. I worry about anybody just taking a movie.
• 15:53
  Speaker 5: Yeah.
• 15:53
  Speaker 7: I mean, if you give it to the right people,
• 15:54
  Speaker 7: you can look at True Grit now. I mean, I
• 15:57
  Speaker 7: thought that was a horrible idea when I first heard
• 15:58
  Speaker 7: about it, and then I found out who it was
• 16:00
  Speaker 7: going to, and I was like, oh, well, okay, you
• 16:02
  Speaker 7: know what, that's... competent hands okay let's do that so
• 16:06
  Speaker 7: it's possible to do remakes that kind of you know
• 16:09
  Speaker 7: at least live up to if not improve upon the
• 16:11
  Speaker 7: original idea but I would be afraid somebody would just
• 16:14
  Speaker 7: do something terrible with.
• 16:15
  Speaker 14: This so because I really like the idea of the
• 16:17
  Speaker 14: story a lot yeah you.
• 16:19
  Speaker 16: Don't really know what he is and what he's doing
• 16:23
  Speaker 16: aside from being a sloppy vampire because.
• 16:26
  Speaker 14: I like I mean I like I like vampires I
• 16:28
  Speaker 14: always have sorry I'm not into Twilight and that's kind
• 16:32
  Speaker 14: of like vampire movies are retarded nine times out of
• 16:35
  Speaker 14: ten let the right one in was really good but
• 16:37
  Speaker 14: that's about the only one i can think of off
• 16:39
  Speaker 14: the top of my head that's not like completely stupid
• 16:42
  Speaker 14: but i do like kind.
• 16:43
  Speaker 4: Of the old idea of vampirism where maybe they didn't
• 16:48
  Speaker 4: have fangs these are all just myths and stuff that
• 16:51
  Speaker 4: got tacked onto the story that they're really just crazy
• 16:54
  Speaker 4: people that just like the slash people.
• 16:56
  Speaker 7: And some of that, I mean, you look at going
• 16:58
  Speaker 7: back all the way to, like, Vlad the Impaler, I mean,
• 17:00
  Speaker 7: there's a real story there, and then there's what it
• 17:02
  Speaker 7: became over the years, so, I mean, it's, yeah, it's
• 17:05
  Speaker 7: a lot of, especially since this is rooted so much
• 17:08
  Speaker 7: in that, like, the old country, and you've got Cuda
• 17:10
  Speaker 7: telling you this, you know, you don't understand, you're not from,
• 17:13
  Speaker 7: you know, that part of the world, so when you
• 17:15
  Speaker 7: are from that part of the world, and you've got
• 17:17
  Speaker 7: these generations of people building up this story around you,
• 17:20
  Speaker 7: and Not only everyone in the town thinking that, but, like,
• 17:23
  Speaker 7: your own family telling you, oh, by the way, you've
• 17:26
  Speaker 7: got the curse, you know, and you are, you know, Nosferatu.
• 17:30
  Speaker 7: So it's... It makes the story really different. And, you know,
• 17:34
  Speaker 7: it is something that could happen to people as time
• 17:36
  Speaker 7: goes on. I mean, when everyone around you is convincing
• 17:39
  Speaker 7: you of something, regardless of what he is, I mean,
• 17:42
  Speaker 7: he's going to start to behave accordingly.
• 17:45
  Speaker 4: And that opens it up to, you know, because... none
• 17:48
  Speaker 4: of the conventions of what a vampire is are, does
• 17:52
  Speaker 4: he have other than the blood, the blood.
• 17:55
  Speaker 7: Exactly.
• 17:56
  Speaker 15: And so therefore, could it be the thing where he
• 17:58
  Speaker 15: was raised in a completely fucked up family and just
• 18:02
  Speaker 15: is convinced that he is a vampire? They convinced him
• 18:06
  Speaker 15: and they convinced him that he's, you know, 80 years.
• 18:09
  Speaker 4: Old and who knows?
• 18:10
  Speaker 15: They're all, they're all, I mean, Grant or his cousin
• 18:13
  Speaker 15: or the old, the old man was half insane as well. So, um,
• 18:17
  Speaker 15: And the flashbacks that he has aren't necessarily reliable. So, yeah,
• 18:24
  Speaker 15: he could just be a normal 20-year-old guy that's been
• 18:28
  Speaker 15: through a really fucked up life.
• 18:32
  Speaker 7: I really like the flashbacks, and it's funny, Romero wanted
• 18:35
  Speaker 7: to shoot the entire thing in black and white originally,
• 18:37
  Speaker 7: and as usual, the studio will not, even today, the
• 18:41
  Speaker 7: studios won't get on board for that idea, so that
• 18:43
  Speaker 7: was his way of compromising, was going back and working
• 18:45
  Speaker 7: in the flashbacks in black and white, but I like
• 18:48
  Speaker 7: those scenes and I think that's what I think it
• 18:51
  Speaker 7: does so well. And if you want to go with what, what,
• 18:54
  Speaker 7: if you listen to Romero, he really kind of planned for,
• 18:58
  Speaker 7: I mean, I guess in his mind, it is more
• 19:00
  Speaker 7: that he's just crazy that, you know, he, but I
• 19:03
  Speaker 7: like that it's left to, and it's almost delivered in
• 19:06
  Speaker 7: a way that you're almost buying the vampire thing. And
• 19:08
  Speaker 7: then Martin definitely is buying it. So, I mean, I
• 19:10
  Speaker 7: think you kind of need that to be able to
• 19:12
  Speaker 7: get the perspective of our, our main character, but, If
• 19:15
  Speaker 7: you listen to what Romero says about it, the way
• 19:17
  Speaker 7: that he envisioned it all is he's just kind of
• 19:20
  Speaker 7: crazy and this has all happened. So I think it's
• 19:23
  Speaker 7: really cool that they put these flashbacks in there because
• 19:26
  Speaker 7: from one sense you can look at it and assume
• 19:29
  Speaker 7: that it is these are scenes from the past. This
• 19:31
  Speaker 7: is actually him 50 years ago and this all really
• 19:34
  Speaker 7: happened or this is all in his head. And this
• 19:37
  Speaker 7: is why he's– I mean because it all mimics what's
• 19:39
  Speaker 7: going on in present day. So it's like maybe it's
• 19:42
  Speaker 7: this weird thing where his brain is seeing things and
• 19:45
  Speaker 7: also like deja vu-ing it to the point of, you know,
• 19:48
  Speaker 7: he thinks all this has happened and that's that's why
• 19:51
  Speaker 7: he thinks that he's 84 years old now because he
• 19:53
  Speaker 7: keeps putting all these memories into his head of these
• 19:56
  Speaker 7: 84 years that aren't even real it's all just delusion
• 19:59
  Speaker 7: and He's just sort of built it all up in
• 20:01
  Speaker 7: his head, thanks to everybody else telling him that he's
• 20:04
  Speaker 7: like that.
• 20:04
  Speaker 4: Yeah, you would think after 84 years he would be
• 20:06
  Speaker 4: a little bit cleaner on his execution methods. That's why
• 20:10
  Speaker 4: it doesn't add up. Like not using sticks.
• 20:12
  Speaker 7: Yeah, kind of, but at the same time it's like
• 20:14
  Speaker 7: if you look back at the old footage, back then
• 20:17
  Speaker 7: you didn't have to do anything. Like even if you
• 20:19
  Speaker 7: watched the old Vampire movie, they would just kill people,
• 20:20
  Speaker 7: dump them on the road, walk away with blood all
• 20:23
  Speaker 7: over them.
• 20:23
  Speaker 5: Yeah.
• 20:24
  Speaker 7: Old-time vampires, you know, back in the old country, you know,
• 20:27
  Speaker 7: they kind of ruled the town. It's like, unless you
• 20:30
  Speaker 7: got the whole mob together to hunt them down and
• 20:31
  Speaker 7: kill them, they did whatever they wanted. And, you know,
• 20:34
  Speaker 7: you look at all the old Hammer films, you don't
• 20:35
  Speaker 7: see them worrying about people. Unless it's Van Helsing, they
• 20:39
  Speaker 7: kind of come up, kill people, walk off, be like, whatever,
• 20:41
  Speaker 7: see you tomorrow night.
• 20:43
  Speaker 15: Plus, there were no lights. I mean, you know, when
• 20:44
  Speaker 15: you think about there were no lights, you had to
• 20:46
  Speaker 15: have an expensive torch or you'd have to have, you know.
• 20:50
  Speaker 7: And a lot of them, yeah.
• 20:51
  Speaker 4: You know, candles weren't, you know, so.
• 20:54
  Speaker 4: You could hide pretty easily back then.
• 20:57
  Speaker 7: And it was hard to track you down. You couldn't
• 21:00
  Speaker 7: have people, one person, go and get you. It's like
• 21:02
  Speaker 7: you really did have to have an entire lynch mob
• 21:05
  Speaker 7: following you around to even maybe have a shot at
• 21:07
  Speaker 7: keeping track of you. It was a lot scarier back then. Yeah,
• 21:12
  Speaker 7: and that's the only time they could find them. If
• 21:14
  Speaker 7: they're gone during the day, it's like the only time
• 21:16
  Speaker 7: you find them. There is no electricity, so there's no
• 21:18
  Speaker 7: way to hunt them down and get a hold of them.
• 21:20
  Speaker 4: No light vision, no heat vision, right?
• 21:24
  Speaker 7: I mean, there's a lot of it that, if you
• 21:26
  Speaker 7: want to look at it that way, is sort of plausible.
• 21:29
  Speaker 7: It is something that, you know, could take place in
• 21:32
  Speaker 7: someone who's kind of crazy. They really could start to
• 21:35
  Speaker 7: convince themselves that all this happened.
• 21:37
  Speaker 14: Actually, I mean, that happens a lot.
• 21:39
  Speaker 7: Yeah, I mean, you hear all these stories about people
• 21:42
  Speaker 7: in asylums that think... They have an entire life, or
• 21:46
  Speaker 7: they have lived an entire life.
• 21:47
  Speaker 4: Or that they're JFK.
• 21:48
  Speaker 7: Or, yeah, and they're like, well, yeah, but you've been
• 21:51
  Speaker 7: here for 20 years, so when did all this happen?
• 21:53
  Speaker 7: But they're thoroughly convinced that all this is real. So,
• 21:55
  Speaker 7: I mean, that's all just kind of how the brain.
• 21:58
  Speaker 4: Works, really.
• 21:58
  Speaker 14: How crazy people operate.
• 22:00
  Speaker 7: How crazy people are.
• 22:01
  Speaker 11: It's crazy.
• 22:03
  Speaker 9: I can't believe this is happening. It's a nightmare for
• 22:06
  Speaker 9: you and him.
• 22:07
  Speaker 4: Your father was not from our part of the world.
• 22:10
  Speaker 4: Your mother knew. She believed.
• 22:13
  Speaker 9: Well, if she did, then thank God I was too
• 22:15
  Speaker 9: little to know her.
• 22:16
  Speaker 4: Grandfather, he is just a boy. Look in the books, Christina.
• 22:20
  Speaker 4: We have the books of the family. Did you ever look?
• 22:23
  Speaker 4: Of course, the books.
• 22:24
  Speaker 9: The books will show it. Those damn books, they should
• 22:26
  Speaker 9: be burned. That's where you get your horrible ideas.
• 22:29
  Speaker 4: Ask the boy himself. Ask Martin. He will tell you.
• 22:32
  Speaker 14: He's unbalanced.
• 22:34
  Speaker 9: He's mad. And you and those books have driven him
• 22:37
  Speaker 9: to it.
• 22:37
  Speaker 4: He is Nosferatu. He was born to a lignibulressa. and
• 22:41
  Speaker 4: Rudy Mathias in The Old Country in 1892.
• 22:44
  Speaker 7: I do like, and this is something I noticed just
• 22:48
  Speaker 7: kind of watching this again this week, it's like independent
• 22:52
  Speaker 7: film was something very different back then, and this was
• 22:55
  Speaker 7: almost like the last era of that, because by the
• 22:58
  Speaker 7: time you hit the 80s, you have videotape, and by
• 23:02
  Speaker 7: the time now, you've got digital, so it's a very
• 23:05
  Speaker 7: different thing, and I think at this point, and all
• 23:08
  Speaker 7: of that's probably why you have all these great movies
• 23:10
  Speaker 7: of the 70s, it's like, when people wanted to make
• 23:13
  Speaker 7: a film, there was a lot invested in it, I mean,
• 23:15
  Speaker 7: it was a lot of time, even something that's an
• 23:18
  Speaker 7: independent feature like this was, I mean, it's a hell
• 23:20
  Speaker 7: of a lot of time, a hell of a lot
• 23:21
  Speaker 7: of work, so you really kind of have to put
• 23:23
  Speaker 7: a lot into it, and I think that's the difference,
• 23:25
  Speaker 7: when you look at, you know, 90% of independent film
• 23:28
  Speaker 7: now is just, somebody gets a Lark, they buy a
• 23:31
  Speaker 7: digital camera, they get some of their friends, and they
• 23:33
  Speaker 7: make a movie, and I think it shows where watching
• 23:36
  Speaker 7: this kind of reminded me of, of, you know, that
• 23:38
  Speaker 7: dedication to making an independent film on film on actual
• 23:43
  Speaker 7: celluloid and how much work it was.
• 23:45
  Speaker 14: Yeah.
• 23:46
  Speaker 7: How much work it took just to put that together.
• 23:49
  Speaker 7: So I think that was something again, watching this, you know,
• 23:52
  Speaker 7: them actual shooting at that point. That's another thing that
• 23:56
  Speaker 7: was kind of cool was just the seeing the city
• 23:58
  Speaker 7: at that point. This is 77. So it is kind
• 24:01
  Speaker 7: of this time capsule of this little, town coming like
• 24:05
  Speaker 7: coming coming to a grinding halt in pittsburgh i mean
• 24:08
  Speaker 7: it's like it really is like and they were talking
• 24:11
  Speaker 7: about that if you go back they're talking about how
• 24:14
  Speaker 7: kind of sad it is i mean the shots of
• 24:16
  Speaker 7: him like walking through the town are amazing and it's
• 24:18
  Speaker 7: not because it's beautiful it's not because it's you know
• 24:21
  Speaker 7: a brochure to move to pittsburgh i mean it's it's
• 24:24
  Speaker 7: just like seeing this town falling apart and you're seeing
• 24:27
  Speaker 7: all these empty storefronts and you're seeing you know all
• 24:30
  Speaker 7: these old people shuffling around and it's like it's kind
• 24:33
  Speaker 7: of sad because it is one of those towns that
• 24:35
  Speaker 7: was built around the mill and it's gone. And there's
• 24:38
  Speaker 7: people just sitting around there waiting for the jobs to
• 24:40
  Speaker 7: come back and waiting for something to come along and
• 24:43
  Speaker 7: fix things. And you, you kind of know, especially now
• 24:46
  Speaker 7: that that's not going to happen.
• 24:48
  Speaker 4: Most of the young people move away.
• 24:49
  Speaker 7: Yeah.
• 24:50
  Speaker 4: They have to come back.
• 24:51
  Speaker 7: And that's what, you know, Coot is complaining about is like, fine,
• 24:54
  Speaker 7: get out. We don't need you anyway.
• 24:55
  Speaker 4: But there's a.
• 24:56
  Speaker 15: Lot of universities and, um, computer technology there in Pittsburgh now,
• 25:01
  Speaker 15: but the steel is gone.
• 25:04
  Speaker 4: There were a lot of shots in.
• 25:05
  Speaker 15: The movie of steel, like the bridges that he crossed
• 25:09
  Speaker 15: near the train station and some of the structures that
• 25:13
  Speaker 15: he was around walking around town that.
• 25:15
  Speaker 4: They took extra time showing.
• 25:18
  Speaker 7: Yeah.
• 25:19
  Speaker 4: Cars, the crushing.
• 25:20
  Speaker 7: I like the crushing of the cars. That's what I
• 25:22
  Speaker 7: was going to say.
• 25:22
  Speaker 4: All of that was definitely part of that Rust Belt look.
• 25:26
  Speaker 7: And very, the cars in particular, very symbolic of, like,
• 25:29
  Speaker 7: what's happening there. It's like, this is the big, mighty
• 25:31
  Speaker 7: Pittsburgh steel industry and now it's just crushed and it's, like,
• 25:35
  Speaker 7: left to rot. So it's, yeah, it's kind of, I
• 25:38
  Speaker 7: don't know, I thought that was all kind of cool and, like,
• 25:41
  Speaker 7: a little more poignant than you would expect out of,
• 25:43
  Speaker 7: you know, a weird horror movie.
• 25:44
  Speaker 15: But, A city like Pittsburgh also is indicative of a
• 25:51
  Speaker 15: group of people that, you know, I have some family
• 25:55
  Speaker 15: from near that extreme eastern Ohio, near there, and they're
• 26:01
  Speaker 15: all that eastern European stock of people that very much
• 26:05
  Speaker 15: in the old ways and the, you know, older Catholicism
• 26:10
  Speaker 15: or even some of the Orthodox religions where they have
• 26:13
  Speaker 15: a lot of that.
• 26:16
  Speaker 4: And the old ways of doing things.
• 26:18
  Speaker 15: I know he liked using the Pittsburgh area anyway, but
• 26:23
  Speaker 15: you can definitely tell that feel of this is the
• 26:28
  Speaker 15: way it was and the whole conversation with the young
• 26:30
  Speaker 15: priest about do you believe in the old ways?
• 26:32
  Speaker 4: That's very much tied to.
• 26:40
  Speaker 4: Vampire myths and things like that.
• 26:42
  Speaker 7: Yeah well that was speaking of the shots too that
• 26:45
  Speaker 7: shot of all the church steeples as it's just running
• 26:47
  Speaker 7: through and it's like that's giving you this idea of
• 26:50
  Speaker 7: you know it's not like they're all the same piece
• 26:52
  Speaker 7: of that it's all little yeah different offshoots of it
• 26:55
  Speaker 7: but you see how many are there and just how
• 26:57
  Speaker 7: many kind of rule that little town and how like
• 27:00
  Speaker 7: straight laced they are and how set in the old
• 27:02
  Speaker 7: ways that they are so that's another one that you
• 27:05
  Speaker 7: can really kind of there's a good sense of reality
• 27:09
  Speaker 7: in this weird vampire movie because it is based around
• 27:12
  Speaker 7: kind of religious zealots. You know, it's like people that
• 27:16
  Speaker 7: are so crazy that they will, you know, by the
• 27:19
  Speaker 7: end start killing people because they think they're evil and they,
• 27:22
  Speaker 7: you know, they need to be stopped and their, their
• 27:25
  Speaker 7: evil ways are something that can't be, you know, dealt with.
• 27:28
  Speaker 7: So we just must destroy them and.
• 27:30
  Speaker 15: Drive a stake into a kid in your family.
• 27:33
  Speaker 1: Yeah.
• 27:33
  Speaker 4: Because some lady in town died.
• 27:35
  Speaker 7: Yeah. That's how, You know, and there are a lot
• 27:38
  Speaker 7: of stories, again, about people that are that crazy with
• 27:42
  Speaker 7: the religion, whatever their religion may be. They get so
• 27:45
  Speaker 7: deep into it that, I mean, their way is right.
• 27:49
  Speaker 7: And regardless of anything else, in the end, they're going
• 27:52
  Speaker 7: to do, yeah, they will do what needs to be
• 27:55
  Speaker 7: done to, you know, protect their religion, protect their ways,
• 27:58
  Speaker 7: protect their way of life.
• 28:00
  Speaker 4: It's, I don't know.
• 28:01
  Speaker 7: Again, that's just a weird little angle that kind of
• 28:04
  Speaker 7: comes into it and, I do like the crazy priest
• 28:07
  Speaker 7: just chain-smoking as he sits in there. He seems very
• 28:12
  Speaker 7: laxed in his ways, his genuflecting and throwing food in
• 28:16
  Speaker 7: his mouth. He does not seem really hardcore like the cousin,
• 28:20
  Speaker 7: crazy old man.
• 28:23
  Speaker 9: Oh, what else? Some realistic paint they had in them.
• 28:28
  Speaker 7: Yeah.
• 28:28
  Speaker 4: Blood paint. Blood paint.
• 28:29
  Speaker 7: Yeah.
• 28:30
  Speaker 9: Yeah.
• 28:31
  Speaker 16: It's amazing how blood has kind of evolved in the movies.
• 28:35
  Speaker 16: It looks a little bit more realistic now, but for
• 28:37
  Speaker 16: some reason back in the 70s it just looked like
• 28:39
  Speaker 16: really bad red paint.
• 28:40
  Speaker 7: It wasn't the.
• 28:41
  Speaker 9: Right color for this movie. It was like a salmon
• 28:44
  Speaker 9: color at almost.
• 28:45
  Speaker 15: Do you think that they thought they were going to
• 28:47
  Speaker 15: be filming a black and white and they bought the
• 28:50
  Speaker 15: blood and they think, fuck, now we're stuck with.
• 28:51
  Speaker 4: This orange blood.
• 28:52
  Speaker 7: That would normally make sense. Actually, I mean, again, one
• 28:56
  Speaker 7: of our favorite pals, Mr. Savini, is in this movie
• 28:58
  Speaker 7: and did the makeup on it. And he said it's
• 29:01
  Speaker 7: because at that point that was just the formula. That
• 29:04
  Speaker 7: was stage blood.
• 29:05
  Speaker 18: Yeah.
• 29:06
  Speaker 7: They were like, on stage, you know, this probably reads
• 29:08
  Speaker 7: pretty good. You're sitting, you know, how far back? It's
• 29:11
  Speaker 7: like you really can't see it. Plus, you almost need
• 29:13
  Speaker 7: it to be a little overly done.
• 29:14
  Speaker 19: To really sort of project what you're trying to do.
• 29:17
  Speaker 19: I guess nobody really ever stepped up. It was like
• 29:19
  Speaker 19: the one said formula. Nobody stepped up and said, hey,
• 29:21
  Speaker 19: you know what? I'm going to make my own stage
• 29:23
  Speaker 19: blood and make it a little bit more realistic.
• 29:25
  Speaker 4: Yeah, it was. It was just one of those common things.
• 29:26
  Speaker 7: It was like right there.
• 29:28
  Speaker 4: Here's the recipe for stage blood.
• 29:29
  Speaker 7: At that time, yeah, it was like.
• 29:30
  Speaker 14: That would have looked more realistic.
• 29:34
  Speaker 4: Yeah. Do you think possibly too.
• 29:35
  Speaker 15: Because there were, I mean, censorship laws and things still
• 29:40
  Speaker 15: that perhaps they.
• 29:42
  Speaker 4: It was too real. Yeah, it was too real to
• 29:44
  Speaker 4: show real blood.
• 29:45
  Speaker 7: Yeah, I mean, because even this movie as it stands,
• 29:49
  Speaker 7: they were going to give them an X rating. They
• 29:51
  Speaker 7: had to trim... A few scenes... Well, actually, it was
• 29:54
  Speaker 7: like one little frame out of one of the... I
• 29:58
  Speaker 7: think it's the first kill scene when he slices the
• 30:00
  Speaker 7: girl on the train. I think that's the one they
• 30:02
  Speaker 7: had a big problem with, and they cut one little
• 30:04
  Speaker 7: frame and then trimmed time further out in the movie
• 30:07
  Speaker 7: so that at the end they were like, look, the
• 30:08
  Speaker 7: running time's shorter. And again, how ridiculous they are about
• 30:12
  Speaker 7: those rules because they then went, oh, okay, rated R,
• 30:15
  Speaker 7: and nothing was changed. One frame was changed. That really
• 30:18
  Speaker 7: made that big a difference. I mean, those... rating laws
• 30:21
  Speaker 7: are such bullshit at this point even now I mean
• 30:24
  Speaker 7: we just had another incident of that of them trying
• 30:26
  Speaker 7: to rate something in C-17 for no good reason really
• 30:29
  Speaker 7: so it's what is the one I don't know that
• 30:34
  Speaker 7: Ryan Gosling movie whatever the hell that thing is I
• 30:38
  Speaker 7: don't know it's up for Oscars this year but I
• 30:40
  Speaker 7: mean it was oh it's a good movie who cares
• 30:42
  Speaker 7: well no I mean it was yeah But yeah, they
• 30:45
  Speaker 7: went through that whole thing of them trying to get
• 30:46
  Speaker 7: it in C-17, and they're like, well, the act that
• 30:49
  Speaker 7: you have problems with is in this other movie that
• 30:51
  Speaker 7: just came out this year.
• 30:52
  Speaker 4: Blue Valentine?
• 30:52
  Speaker 7: Yeah, I think it is Blue Valentine.
• 30:54
  Speaker 20: Out of nowhere, dude.
• 30:55
  Speaker 7: See? That's what I'm saying. It was Blue Valentine, and
• 30:57
  Speaker 7: they were going through that same thing of like... NC-17.
• 30:59
  Speaker 14: And Rated R, like, you have to be 17 to
• 31:01
  Speaker 14: see NC-17. In Rated R, you have to be 17
• 31:04
  Speaker 14: to see it.
• 31:04
  Speaker 7: But nobody will carry NC-17. It's still the kiss of death.
• 31:08
  Speaker 7: It might as well still be X, because any of
• 31:10
  Speaker 7: your chains are not going to pick up NC-17.
• 31:12
  Speaker 4: Well, hell, wasn't... Wasn't Showgirls NC-17?
• 31:15
  Speaker 7: I think they cut it back, too.
• 31:16
  Speaker 9: See, I remember.
• 31:18
  Speaker 7: They were promoting it. Maybe they did get it out. No,
• 31:20
  Speaker 7: I think it was NC-17 because I remember going to Showcase.
• 31:23
  Speaker 4: And seeing it. And they had security guards outside of
• 31:26
  Speaker 4: the theater. They were checking your ID as you came in.
• 31:29
  Speaker 7: But that was also when it was still new. So
• 31:31
  Speaker 7: I think that was also novelty at that point. Hey, look,
• 31:33
  Speaker 7: we've got NC-17. Whereas now, everything's just boring and family homogenized.
• 31:38
  Speaker 14: Because it's the same rule for Rated R.
• 31:41
  Speaker 4: Well, Rated R, you can be... accompanied by somebody when
• 31:45
  Speaker 4: they you know could be accompanied by somebody.
• 31:47
  Speaker 7: Who's older even your parent but in c17 you have
• 31:50
  Speaker 7: they're not supposed to let anybody yeah that's r but
• 31:55
  Speaker 7: yeah yeah i think c17 is just nothing yeah so
• 32:00
  Speaker 7: i mean it is one of those that probably yeah
• 32:03
  Speaker 7: no problem So that may have factored in, because, yeah,
• 32:07
  Speaker 7: this one they had problems with the blood scenes, and
• 32:10
  Speaker 7: I'm trying to think if there was something else. But,
• 32:11
  Speaker 7: I mean, to me.
• 32:12
  Speaker 8: Was it the boobies?
• 32:13
  Speaker 7: No, they can get away with it. Was it the
• 32:15
  Speaker 7: ass crack? Yeah. Or lack of ass crack.
• 32:17
  Speaker 9: It was the ass crack on the train, because it's
• 32:19
  Speaker 9: the middle of the train.
• 32:19
  Speaker 4: I think it's just some total graphicness.
• 32:22
  Speaker 15: I mean, you've got what's practically a rape, you know,
• 32:25
  Speaker 15: rape scenes and death and blood and.
• 32:29
  Speaker 21: again it's it's pretty it's a lot about sex it's
• 32:32
  Speaker 21: pretty sensitive material for 1977 so i can see them
• 32:35
  Speaker 21: having a lot of problems with this actually but it's
• 32:38
  Speaker 21: funny looking at it now it's it's a pretty i
• 32:40
  Speaker 21: mean you don't have i don't know i mean topic
• 32:43
  Speaker 21: wise it's.
• 32:43
  Speaker 7: Still a lot of rough material but as far as
• 32:46
  Speaker 7: visually i don't think there's anything that's gonna go freak
• 32:49
  Speaker 7: out most people who are used to watching movies now but.
• 32:53
  Speaker 15: Yeah it's fairly tame compared to movies now yeah I
• 32:56
  Speaker 15: think it's because there aren't any other. I mean, the
• 32:59
  Speaker 15: scenes are just one right after another.
• 33:01
  Speaker 7: Murder, rape, sex.
• 33:01
  Speaker 4: But he doesn't.
• 33:06
  Speaker 9: Actually rape anybody.
• 33:07
  Speaker 8: Well, I don't know.
• 33:08
  Speaker 4: He's sleeping with them.
• 33:09
  Speaker 7: Technically.
• 33:09
  Speaker 14: I think he does it because.
• 33:10
  Speaker 9: He said he never does the sexy stuff with them.
• 33:13
  Speaker 7: When they're awake.
• 33:13
  Speaker 14: When they're awake.
• 33:14
  Speaker 11: Yeah.
• 33:14
  Speaker 4: No, he said he's never done. Because when he slept
• 33:19
  Speaker 4: with them.
• 33:20
  Speaker 15: A chick.
• 33:20
  Speaker 4: He said, this is the first time I've ever.
• 33:22
  Speaker 7: I think he was lying to you. Because I think earlier,
• 33:25
  Speaker 7: I think he actually said, when they're awake. I think
• 33:28
  Speaker 7: maybe it's on the radio he says that. Because he, again,
• 33:32
  Speaker 7: he's usually kind of doing it. Which, again, I was like, well... Yeah,
• 33:36
  Speaker 7: and he's never attacking them in his mind. I mean,
• 33:39
  Speaker 7: they're just asleep. And truthfully, all but one, they're already dead.
• 33:43
  Speaker 7: I mean, the girl on the train, she's bled out
• 33:45
  Speaker 7: by the time he starts doing anything. So really, that's
• 33:47
  Speaker 7: just necrophilia. I'm not sure.
• 33:49
  Speaker 4: That's pretty much NC-17.
• 33:51
  Speaker 7: Yeah, that's like I'm saying, if you look at what's
• 33:53
  Speaker 7: going on, I mean, just drugging and raping girls and
• 33:56
  Speaker 7: having sex with dead bodies, this is a fucked up movie. But, again,
• 34:00
  Speaker 7: it doesn't present it really. I mean, it presents it
• 34:03
  Speaker 7: in a way that's, again, pretty... real world but without
• 34:07
  Speaker 7: being overly gratuitous about it i think it does it
• 34:10
  Speaker 7: is as tastefully as you can do these horrible acts
• 34:12
  Speaker 7: uh i guess again i think romero's still kind of
• 34:15
  Speaker 7: you know artful in the way he shoots a lot
• 34:18
  Speaker 7: of this stuff that it it lightens it up a
• 34:20
  Speaker 7: little bit almost because it looks so good and it's
• 34:22
  Speaker 7: it's still entertaining on a non-creepy level What was in it?
• 34:27
  Speaker 22: Tell me.
• 34:28
  Speaker 4: Damn it, why won't you say something to me?
• 34:31
  Speaker 14: What the hell do you want?
• 34:33
  Speaker 4: Give me my money. Give me my money.
• 34:37
  Speaker 22: It's not in here.
• 34:38
  Speaker 4: You can have what you want. I have a lot
• 34:41
  Speaker 4: of money.
• 34:43
  Speaker 9: This isn't a job you can't do.
• 34:52
  Speaker 4: It's all right.
• 34:54
  Speaker 9: I'm always very careful with the needles. It won't hurt you.
• 34:58
  Speaker 9: It won't hurt you.
• 34:59
  Speaker 4: It's just to help you sleep.
• 35:01
  Speaker 9: It's just to help you sleep. Why don't you just
• 35:04
  Speaker 9: take what you want and go?
• 35:06
  Speaker 17: I won't tell anyone you're here.
• 35:09
  Speaker 9: I'm always very careful with the needles.
• 35:14
  Speaker 17: It's how it puts you to sleep.
• 35:20
  Speaker 20: And it doesn't hurt.
• 35:25
  Speaker 15: I was actually creeped out by the first scene because
• 35:28
  Speaker 15: it's so real he takes so much time in her
• 35:31
  Speaker 15: falling asleep and that's so real that it's not like
• 35:36
  Speaker 15: the oh you know she's dead in a second or
• 35:40
  Speaker 15: she's out in a second there's that she's confronting him
• 35:44
  Speaker 15: what are you doing don't do this to me and
• 35:45
  Speaker 15: it's just it kind of sits with you that moment of.
• 35:49
  Speaker 4: Her realizing what's happening to her that's kind of you know.
• 35:54
  Speaker 7: Off-putting yeah and creepy that he's having to rationalize it
• 35:57
  Speaker 7: you know that he's having to answer back to her
• 35:59
  Speaker 7: and go no you're just gonna go to sleep it's
• 36:01
  Speaker 7: gonna be okay you know i'm not gonna hurt you
• 36:04
  Speaker 7: and and he's almost making it okay in his mind
• 36:07
  Speaker 7: too you know it's it is creepy and it is
• 36:09
  Speaker 7: probably how things go i don't know but it's it's
• 36:12
  Speaker 7: really i don't know it's such weird topic if you
• 36:16
  Speaker 7: want to get into it again i don't know if
• 36:18
  Speaker 7: people look at it that way because the more i
• 36:20
  Speaker 7: was thinking i was like Yeah, all but that one girl,
• 36:23
  Speaker 7: they're all kind of dead when he starts doing that.
• 36:25
  Speaker 7: So that's even weirder if you can go that way.
• 36:31
  Speaker 4: Put your finger in there.
• 36:37
  Speaker 7: Go ahead.
• 36:40
  Speaker 2: I can't.
• 36:41
  Speaker 4: Try it.
• 36:43
  Speaker 9: I can't put my finger in it. Wow, that's really good.
• 36:51
  Speaker 17: See, it has two blades, a real one and a
• 36:53
  Speaker 17: slip blade. You hold the real one and pull the
• 36:56
  Speaker 17: slip blade up. Things only seem to be magic. There
• 37:03
  Speaker 17: is no real magic. There's no real magic ever.
• 37:07
  Speaker 7: Misty, do you want to address the magic? You didn't
• 37:09
  Speaker 7: like that there was magic.
• 37:10
  Speaker 11: I had to deal with magicians at work, constantly doing
• 37:13
  Speaker 11: their card tricks and their coin tricks and their magic
• 37:16
  Speaker 11: hands and I'm going to end up punching somebody in
• 37:19
  Speaker 11: the face. The fact that I just told you this
• 37:21
  Speaker 11: like last week and then you make me watch this movie.
• 37:23
  Speaker 11: You're doing this magic trick with this fucking little.
• 37:26
  Speaker 7: That was already in the works well before you told
• 37:28
  Speaker 7: me that.
• 37:29
  Speaker 9: Made me cuss a lot. I forgot to tell you
• 37:31
  Speaker 9: that my New Year's resolution is that I'm not going
• 37:32
  Speaker 9: to cuss as much.
• 37:34
  Speaker 7: Good luck.
• 37:34
  Speaker 11: I did pretty good until you brought up the magic.
• 37:40
  Speaker 7: Alright, we'll see. More power to you.
• 37:42
  Speaker 9: We'll see how this goes.
• 37:43
  Speaker 7: I'm not making such promises.
• 37:46
  Speaker 9: I told you this a couple days ago.
• 37:47
  Speaker 4: I don't know this because it's always been such a.
• 37:49
  Speaker 9: Yeah, I didn't realize how much you cuss until I
• 37:51
  Speaker 9: decided I'm not going to cuss.
• 37:52
  Speaker 4: Yeah, well.
• 37:54
  Speaker 9: Yeah, there's nothing lamer than a grown man trying to
• 37:57
  Speaker 9: do magic tricks. There's nothing in the world.
• 37:59
  Speaker 4: If you're out there listening, don't do magic tricks.
• 38:02
  Speaker 9: Please stop. Nobody wants to see your card tricks.
• 38:05
  Speaker 13: Nobody wants you pulling coins out of their ears unless
• 38:07
  Speaker 13: you're going to make them a million.
• 38:09
  Speaker 9: I'll be all right with it.
• 38:11
  Speaker 14: They never let you keep that fucking coin, did they?
• 38:13
  Speaker 7: Exactly. Jerks.
• 38:15
  Speaker 14: Hey, you know the only thing worse than people who
• 38:17
  Speaker 14: do magic tricks?
• 38:18
  Speaker 9: There's nothing worse.
• 38:19
  Speaker 14: People who randomly come up to you and tell you jokes.
• 38:22
  Speaker 9: Even that would be better.
• 38:24
  Speaker 4: We did have a few good jokes. I'll take the jokes.
• 38:27
  Speaker 9: But anyway, nothing lamer than magic tricks.
• 38:31
  Speaker 14: Nothing.
• 38:32
  Speaker 7: But see, that's, again, what I kind of like about
• 38:35
  Speaker 7: this is him, like, he's using that as, like, his
• 38:38
  Speaker 7: way in. He has no way to kind of interact
• 38:41
  Speaker 7: with these people he's so like socially awkward that he
• 38:44
  Speaker 7: doesn't even know how to begin so he's using this
• 38:47
  Speaker 7: goofy little magic trick that's supposed to amuse them but
• 38:50
  Speaker 7: then he's also using it as this way to address
• 38:53
  Speaker 7: the bigger issue the giant issue that's weighing on his
• 38:56
  Speaker 7: house is that you know they think he's a fucking
• 38:59
  Speaker 7: vampire you know they think that he especially the old
• 39:03
  Speaker 7: you know the old man thinks that he needs to
• 39:04
  Speaker 7: be destroyed so it's like he's using this as his
• 39:07
  Speaker 7: little way in But even he doesn't buy into it.
• 39:11
  Speaker 7: As soon as he does it, he tells you the trick.
• 39:13
  Speaker 7: And he's like, you know what? There is no magic.
• 39:15
  Speaker 7: It's all bullshit. All of this story, not just magic
• 39:19
  Speaker 7: in general, but all of this story that's built up
• 39:21
  Speaker 7: about vampirism and what goes on in movies and all
• 39:24
  Speaker 7: of this is kind of bullshit. And he's immediately sort
• 39:28
  Speaker 7: of calling that out because... it's what he's been living
• 39:31
  Speaker 7: with his entire life. Everybody has these theories of what
• 39:35
  Speaker 7: a vampire is and he's just like, none of it's real.
• 39:37
  Speaker 7: Just like magic, none of it's real. It's all just
• 39:40
  Speaker 7: bullshit that we've been fed our entire lives. So I
• 39:44
  Speaker 7: kind of like his approach because he's debunking magic you
• 39:47
  Speaker 7: know right off the bat he's he's throwing that out
• 39:49
  Speaker 7: there that it's all just sort of this superstition and
• 39:53
  Speaker 7: and stuff.
• 39:54
  Speaker 9: End up debunking these guys at work until.
• 39:57
  Speaker 4: You know please do and then that.
• 40:02
  Speaker 7: Was the other thing i was wondering as he as
• 40:04
  Speaker 7: he says that in the beginning when he runs in
• 40:07
  Speaker 7: there and he's like he bites the garlic and he
• 40:09
  Speaker 7: puts the cross up against his face and he says
• 40:11
  Speaker 7: there is no real magic And I'm trying to decide,
• 40:14
  Speaker 7: is he talking about the vampire mythos, or is he
• 40:17
  Speaker 7: talking about the religion? Right.
• 40:19
  Speaker 4: He's probably talking about the religion.
• 40:20
  Speaker 7: Because there's a little of both. I mean, you can
• 40:22
  Speaker 7: kind of look at that either way.
• 40:23
  Speaker 4: Your face is not doing anything to me.
• 40:26
  Speaker 7: There's people who will tell you, that's just magic, too.
• 40:29
  Speaker 7: That's all magic. And again, that will probably offend a
• 40:32
  Speaker 7: lot of people if you actually believe who's telling you that.
• 40:35
  Speaker 7: I'm just a little throwing it out there that it's
• 40:38
  Speaker 7: funny that you could kind of take that either way.
• 40:40
  Speaker 4: To old school.
• 40:42
  Speaker 15: Eastern Europeans, the religion and the mythos are one and
• 40:49
  Speaker 15: the same. It's all tied together.
• 40:51
  Speaker 7: And equally as crazy sometimes.
• 40:55
  Speaker 4: They're one and the same.
• 40:57
  Speaker 15: Not that vampirism has anything to do with their Christianity
• 41:03
  Speaker 15: or anything like that, but those stories are older than
• 41:06
  Speaker 15: the Christianity that came to them and was taught to them.
• 41:10
  Speaker 4: So they're one and the same at that point two
• 41:15
  Speaker 4: different beliefs that kind of come together and they kind
• 41:18
  Speaker 4: of mold each other they kind of form into one
• 41:21
  Speaker 4: belief they take a little bit of.
• 41:23
  Speaker 7: This and a little bit of that which again kind
• 41:24
  Speaker 7: of leads you to that zealot stage where I mean
• 41:28
  Speaker 7: you really can lose track of what is a crazy
• 41:31
  Speaker 7: superstition that you were taught as a kid and what
• 41:33
  Speaker 7: is part of your belief system that was taught as
• 41:35
  Speaker 7: a kid it kind of becomes a blurred line when
• 41:38
  Speaker 7: you exist in that world where it's all kind of
• 41:40
  Speaker 7: one big thing and everybody in that area seems to
• 41:43
  Speaker 7: believe the same thing, so it really... Yeah, I mean,
• 41:46
  Speaker 7: you can see where people will grow up and kind
• 41:48
  Speaker 7: of have a weird, messed up sense like Kuda. He's
• 41:52
  Speaker 7: completely convinced that his way is right, that his ways are,
• 41:56
  Speaker 7: you know, the only ways, and, I mean, you can
• 41:59
  Speaker 7: kind of see how that could... Again, it's not like
• 42:02
  Speaker 7: he's evil in his mind. He's doing what's right, you know?
• 42:06
  Speaker 7: He sees the kid as evil, and he's doing what
• 42:08
  Speaker 7: needs to be done, but, I mean, you watch this,
• 42:10
  Speaker 7: and You don't really like him. I mean, as the viewer,
• 42:14
  Speaker 7: you're kind of seeing things more.
• 42:15
  Speaker 4: He's a crazy old man.
• 42:16
  Speaker 7: Yeah, you're seeing things more like, you know, you're the kid,
• 42:19
  Speaker 7: you're the Martin, and you're just like, why is this
• 42:21
  Speaker 7: old man coming down on me? Why is he always
• 42:22
  Speaker 7: hassling me? Shit, I'm just trying to do my own thing. So,
• 42:25
  Speaker 7: I mean, you do sort of approach it as, you know,
• 42:27
  Speaker 7: you're that teenager thrown into this, and he's the old
• 42:30
  Speaker 7: man trying to, you know, keep you from doing what
• 42:32
  Speaker 7: you want to do. So, yeah, I mean, it's weird.
• 42:36
  Speaker 7: You can approach it from either angle. It's not like
• 42:38
  Speaker 7: either side is right. It's like both sides are wrong
• 42:41
  Speaker 7: in what they're doing.
• 42:42
  Speaker 4: Identify with the girl wanting to get the fuck out.
• 42:45
  Speaker 7: Yeah, that you do. I kind of like her. Actually,
• 42:50
  Speaker 7: that is Mrs. Romero. She was the old man's granddaughter, basically. Romero,
• 42:56
  Speaker 7: I think, had just started dating when he was putting
• 42:58
  Speaker 7: this together, and he wrote this role with her in mind.
• 43:01
  Speaker 7: And by the next movie, they were married, and they
• 43:03
  Speaker 7: are still married to this day. So that's pretty awesome.
• 43:07
  Speaker 4: Yeah, the grandpa just completely blocks her. Because, like, with
• 43:13
  Speaker 4: her and her boyfriend, you know, he's just kind of like,
• 43:15
  Speaker 4: you know, you don't want to get married. What do
• 43:17
  Speaker 4: you want.
• 43:18
  Speaker 7: Your granddaughter to do?
• 43:19
  Speaker 22: Tom Savini.
• 43:20
  Speaker 9: Tom Savini.
• 43:20
  Speaker 4: Well, that's not why. That's not why.
• 43:22
  Speaker 7: He was, I don't know.
• 43:23
  Speaker 4: He was unemployed, too.
• 43:24
  Speaker 13: Unemployed, too.
• 43:26
  Speaker 4: He was just mad because Tom Savini was going to
• 43:29
  Speaker 4: get married to his daughter and they were going to
• 43:30
  Speaker 4: move off together. He didn't want his granddaughter taken off.
• 43:33
  Speaker 4: He wanted her to stay right there with him.
• 43:35
  Speaker 7: And cook dinner every night.
• 43:37
  Speaker 9: Basically.
• 43:39
  Speaker 7: She did everything. Even when he's inviting people over to
• 43:41
  Speaker 7: the house, he was like, you will make a good dinner.
• 43:43
  Speaker 7: And I'm like, you're the one that invited this little
• 43:45
  Speaker 7: dinner party over. Why don't you start it?
• 43:47
  Speaker 4: He doesn't walk with her. He's like, I'm just going
• 43:49
  Speaker 4: to leave.
• 43:50
  Speaker 7: And it's not like you're completely ignorant. You work in
• 43:52
  Speaker 7: a place that sells food. I would think by now
• 43:54
  Speaker 7: you'd know how to make some damn food. You come
• 43:56
  Speaker 7: from the old country. Come on, that's all they did
• 43:58
  Speaker 7: was make food. You're just being a bastard and making
• 44:01
  Speaker 7: her do all the work. Oh, man.
• 44:05
  Speaker 4: You know, the part, you know, you're talking about faith.
• 44:09
  Speaker 15: When the church burned down, obviously the people didn't have
• 44:14
  Speaker 15: a lot of money because he was like, well, sell
• 44:16
  Speaker 15: your stuff so we can rebuild the church.
• 44:19
  Speaker 4: And he says that the church burning has really shaken
• 44:25
  Speaker 4: the faith of most of the congregation and that you
• 44:27
  Speaker 4: don't know how to act and you don't know what
• 44:30
  Speaker 4: to believe. And to me, you would.
• 44:33
  Speaker 15: Think that your faith would be a lot stronger than
• 44:36
  Speaker 15: just a building burning. So that shows you that there's,
• 44:40
  Speaker 15: across the board with that congregation, they're pretty weak to
• 44:44
  Speaker 15: begin with.
• 44:46
  Speaker 7: It was about the building and not your faith.
• 44:49
  Speaker 4: Oh, God wouldn't have let this happen to our church.
• 44:52
  Speaker 15: I would think if you're really keeping your religion in
• 44:55
  Speaker 15: your gut, that something as simple as a.
• 44:58
  Speaker 4: Building burning.
• 45:02
  Speaker 7: You need your big fancy building you need the gold
• 45:04
  Speaker 7: cross and you need you know i mean there are
• 45:06
  Speaker 7: people that like those trappings are what make religion to
• 45:09
  Speaker 7: them like if you don't have all that you know
• 45:11
  Speaker 7: that it's just not right and then you know it
• 45:13
  Speaker 7: can't be like well that's kind of not really once
• 45:16
  Speaker 7: again there's the bullshit you know if you have faith
• 45:19
  Speaker 7: it's like you should have faith in what's really being
• 45:22
  Speaker 7: taught they're not in the aesthetics of what's you know
• 45:25
  Speaker 7: in that building who And all that was real. I mean,
• 45:28
  Speaker 7: that church actually did burn down. That's where they were
• 45:31
  Speaker 7: shooting was a church that had just burned down. So it's, yeah,
• 45:34
  Speaker 7: that scene where they're shooting that is a burnt out
• 45:36
  Speaker 7: church that was in that neighborhood. Once again, the lovely
• 45:40
  Speaker 7: town of Braddock, Pennsylvania.
• 45:44
  Speaker 9: I want to talk about these creepy faces that guy
• 45:46
  Speaker 9: was making. The John, as you're going, whatever it is, Martin.
• 45:49
  Speaker 7: Martin.
• 45:50
  Speaker 9: He was making some creepy, creepy faces. Looking at that girl.
• 45:54
  Speaker 7: See, it's not just me, because I said it, as
• 45:56
  Speaker 7: you heard earlier, I said to him, you just came
• 45:59
  Speaker 7: off as, like, evil at times. Like, he would just
• 46:01
  Speaker 7: throw some glances that I was just like, wow, that
• 46:04
  Speaker 7: was just mean. Like, that is just, he does come
• 46:07
  Speaker 7: off as evil. And it's funny, he seems kind of.
• 46:10
  Speaker 9: I said more creeper than evil.
• 46:11
  Speaker 7: Well, that too. I mean, he definitely is very creepy
• 46:14
  Speaker 7: and very weird.
• 46:15
  Speaker 14: Well, he's like a stalker person. Rapist. Vampire. It's as
• 46:19
  Speaker 14: creepy as you get.
• 46:20
  Speaker 7: But again, he doesn't really know that he is. Like
• 46:22
  Speaker 7: a regular person who's a stalker or a rapist, I mean,
• 46:25
  Speaker 7: they kind of know and they're like logically planning all
• 46:27
  Speaker 7: this out where he's still under this delusion that he's
• 46:30
  Speaker 7: doing what he's supposed to do. So he also seems
• 46:33
  Speaker 7: very innocent about it. Like he doesn't realize what he
• 46:37
  Speaker 7: is really. He's so bought into the vampire end of
• 46:39
  Speaker 7: it that he doesn't realize, well, from the other end,
• 46:41
  Speaker 7: you're also just a creepy guy and you're lurking around
• 46:44
  Speaker 7: following people And eventually you're killing and raping and, you know, it's, yeah,
• 46:49
  Speaker 7: it's like there's also this, which ties into him being
• 46:52
  Speaker 7: kind of that, like, 19-year-old kid. It's like you really
• 46:54
  Speaker 7: do buy into that innocent level to him, that he
• 46:58
  Speaker 7: really is just so, there's part of him that really
• 47:01
  Speaker 7: is just this shy kid who is completely socially awkward,
• 47:05
  Speaker 7: doesn't know how to interact with people. And that would
• 47:07
  Speaker 7: exist regardless. Like, that's just kind of who he is.
• 47:10
  Speaker 7: And then you have this vampire mythos thrust upon him
• 47:13
  Speaker 7: his whole life. So that makes everything worse. So it's like,
• 47:16
  Speaker 7: he really is messed up anyway, and then you pile
• 47:19
  Speaker 7: all this other stuff on it. I don't know, to me,
• 47:22
  Speaker 7: I think he came off playing that really good. Like,
• 47:25
  Speaker 7: I really, that's, you know, what Romero says, he's like,
• 47:27
  Speaker 7: I can't imagine anybody else in this role because he
• 47:29
  Speaker 7: does it so well.
• 47:30
  Speaker 4: He does a great job, but I think it's also
• 47:31
  Speaker 4: the thing that can kill a career, too. Because once
• 47:33
  Speaker 4: somebody sees that, they're.
• 47:34
  Speaker 7: Like, well.
• 47:35
  Speaker 4: Unless we want a creepy guy.
• 47:37
  Speaker 7: Not really.
• 47:38
  Speaker 4: He's not going.
• 47:39
  Speaker 11: To be your lead heroic male or anything like that.
• 47:47
  Speaker 4: Cast Crispin Glover in a feel-good movie.
• 47:50
  Speaker 5: Right, right.
• 47:51
  Speaker 4: He gets cast in creepy.
• 47:52
  Speaker 7: Weird roles. Once you're creepy, you're usually creepy forever.
• 47:55
  Speaker 14: That's not true, because, I mean, he was in Back
• 47:57
  Speaker 14: to the Future.
• 47:58
  Speaker 4: But that was before. He was.
• 48:00
  Speaker 7: And he was also the weirdo even in that role.
• 48:02
  Speaker 4: He's still kind of weird.
• 48:04
  Speaker 7: Yeah, he's the weirdo even in that role.
• 48:06
  Speaker 11: Yeah, because he also did a voice in Nine, which
• 48:07
  Speaker 11: we watched, and we saw the credits, and we're like,
• 48:09
  Speaker 11: which one was Crispin Glover?
• 48:10
  Speaker 9: I'm like, he was probably a crazy one.
• 48:11
  Speaker 7: He was a crazy one.
• 48:12
  Speaker 14: Imagine that.
• 48:18
  Speaker 11: I was just glad this movie made it a lot
• 48:20
  Speaker 11: easier for stalkers in Syria because it was about putting
• 48:22
  Speaker 11: brick ladders on the sides of their houses.
• 48:24
  Speaker 4: And open windows.
• 48:25
  Speaker 7: Fancy 70s snazzy house. I'm telling you, that house was awesome.
• 48:29
  Speaker 7: I want to move into that house.
• 48:30
  Speaker 9: You could lost it.
• 48:31
  Speaker 14: But I want to rape this proof at first.
• 48:33
  Speaker 4: Space radios. Space radios. Open garage door. I want one
• 48:37
  Speaker 4: that can just go around and open garage doors.
• 48:38
  Speaker 7: Maybe he messed with it. Maybe he rigged it up
• 48:41
  Speaker 7: because he's a crazy 84 year old genius and he's
• 48:44
  Speaker 7: been He learned stuff from Einstein back in the day.
• 48:47
  Speaker 7: They hung out together. But again, you could overlook the
• 48:53
  Speaker 7: weird little things like your space radio opens your garage doors.
• 48:57
  Speaker 4: I still didn't get why.
• 48:58
  Speaker 15: I thought it was awkward that the husband left the house,
• 49:01
  Speaker 15: through the front door, walked around and opened the door
• 49:04
  Speaker 15: with the clicker that would belong in the car when
• 49:07
  Speaker 15: there's a door entering from the garage. I was like,
• 49:10
  Speaker 15: Because he knew it.
• 49:11
  Speaker 7: Yeah, he... He wasn't real smart anyway.
• 49:13
  Speaker 4: That was awkward. That was awkward. I didn't you.
• 49:16
  Speaker 7: Know he's not real with it because you saw he
• 49:18
  Speaker 7: goes off and leaves his wife and obviously there's something
• 49:20
  Speaker 7: going on there so he's kind of oblivious to everything
• 49:23
  Speaker 7: going on it seems oh man but yeah I think
• 49:27
  Speaker 7: that scene in the house is actually kind of cool
• 49:29
  Speaker 7: it is weird how extended a chase scene it becomes
• 49:33
  Speaker 7: and like this roundabout version of just going around the
• 49:37
  Speaker 7: house and like attacking them in different rooms but It's
• 49:41
  Speaker 7: kind of amazing that they set it up and it's
• 49:42
  Speaker 7: all still sort of real. He found a way to
• 49:47
  Speaker 7: separate them from each other. He found a way to
• 49:49
  Speaker 7: lock the guy away from him every time. He found
• 49:51
  Speaker 7: a way to get a hold of her.
• 49:53
  Speaker 4: It does seem very last minute. You just look at
• 49:57
  Speaker 4: him and go, man, this guy's just all thumbs. He
• 49:59
  Speaker 4: doesn't know what the hell he's doing. He's running around,
• 50:02
  Speaker 4: trying to answer the phone, hang up the phone, trying
• 50:04
  Speaker 4: to get more juice to juice him up with.
• 50:06
  Speaker 15: But they argued about what how to call and call
• 50:11
  Speaker 15: information and then call the cops and then forget the number.
• 50:14
  Speaker 15: And then fuck, if I got stabbed with something, I'd
• 50:17
  Speaker 15: be out the fucking door.
• 50:18
  Speaker 1: Yeah.
• 50:19
  Speaker 4: But she was not wanting, you know, she didn't want
• 50:21
  Speaker 4: her husband to find out.
• 50:22
  Speaker 7: And that became like a safety net for this entire situation.
• 50:25
  Speaker 7: Like every step along the way, it's like, well, she
• 50:27
  Speaker 7: can't really do anything about any of this because she
• 50:30
  Speaker 7: doesn't want to get busted on that. So, I mean,
• 50:32
  Speaker 7: even by the end of it, when there's a dead
• 50:33
  Speaker 7: body involved, it's like, well, I guess he's still safe
• 50:35
  Speaker 7: because more than likely she's not going to ruin her
• 50:37
  Speaker 7: marriage and, get kicked out of her fancy 70s house
• 50:41
  Speaker 7: when uh all she has to do is shut up
• 50:43
  Speaker 7: about it so pretty shady yeah that's again he lucked
• 50:46
  Speaker 7: into that one where he could have gotten in trouble
• 50:49
  Speaker 7: in a more simple situation but i guess if nobody
• 50:51
  Speaker 7: would have been there he just would have stabbed her
• 50:52
  Speaker 7: and killed her anyway so yeah but.
• 50:54
  Speaker 15: His his reaction to when the guy's in there he's
• 50:57
  Speaker 15: you're not supposed to be here yeah he keeps repeating
• 51:00
  Speaker 15: like he can't he can't his brain can't handle the
• 51:03
  Speaker 15: fact that something's thrown a wrench in the plan. That
• 51:07
  Speaker 15: how dare you I came to kill this person. How
• 51:11
  Speaker 15: dare you.
• 51:12
  Speaker 7: Mess up my plan. Which again is why I think
• 51:14
  Speaker 7: he plays it so well because he really plays it
• 51:17
  Speaker 7: as a broody teenager. He's pissy. How dare you mess
• 51:20
  Speaker 7: up my plans. I had plans tonight. It was to
• 51:22
  Speaker 7: kill this woman. She knew to be here. I knew
• 51:25
  Speaker 7: to be here. You're fucking things up. Why are you
• 51:27
  Speaker 7: messing up my plans? All the way through he kind
• 51:30
  Speaker 7: of goes through and he comes off as this teenager
• 51:33
  Speaker 7: but even then like him not knowing how to deal
• 51:35
  Speaker 7: with it it's like he really he is he's just
• 51:38
  Speaker 7: kind of a teenager and he doesn't he stabs a
• 51:40
  Speaker 7: guy with a stick yeah he's like I you know
• 51:42
  Speaker 7: you're not supposed to be here just saying that like
• 51:45
  Speaker 7: a little brat like that's that's kind of how he
• 51:47
  Speaker 7: comes off at that point he plays it like this
• 51:49
  Speaker 7: this little kid who doesn't know how to deal with
• 51:51
  Speaker 7: things so his way of acting out is killing people
• 51:56
  Speaker 7: stabbing them.
• 51:57
  Speaker 11: This guy has skin like butter I gotta figure out
• 51:59
  Speaker 11: how to he didn't like have to apply any force
• 52:01
  Speaker 11: he just like went straight into his.
• 52:03
  Speaker 7: That's Tom Savini's fault.
• 52:05
  Speaker 4: Butternut.
• 52:07
  Speaker 7: He was supposed to make the neck better.
• 52:09
  Speaker 14: Old butternut.
• 52:10
  Speaker 4: Old butternut. Like a hot stick doula. Right in the
• 52:16
  Speaker 4: jibby now.
• 52:19
  Speaker 9: I think you'd have to play at least a little
• 52:21
  Speaker 9: bit of horse.
• 52:22
  Speaker 4: No, not if you're a vampire.
• 52:23
  Speaker 7: He's got super strength.
• 52:25
  Speaker 4: Well, maybe he broke it off into a little pointy end.
• 52:27
  Speaker 7: It was pointy. But still. It was still pretty easy
• 52:30
  Speaker 7: going in.
• 52:30
  Speaker 4: You'd have to push really hard.
• 52:31
  Speaker 7: You'd have to get a little... I'm no doctor.
• 52:35
  Speaker 9: Or stabbing people with stick persons.
• 52:37
  Speaker 11: I don't know the exact amount of force one would
• 52:40
  Speaker 11: have to apply.
• 52:43
  Speaker 7: I did really like the music. I think you brought
• 52:46
  Speaker 7: it up midway through. But I think the theme, like
• 52:48
  Speaker 7: that basic piano theme, is really creepy. And kind of,
• 52:52
  Speaker 7: to me, now watching it reminds me of Halloween. Like
• 52:55
  Speaker 7: the John Carpenter theme. There's notes there that are very similar.
• 52:59
  Speaker 7: And I'm like, this was the year before that. because
• 53:01
  Speaker 7: I'm like, I'm just wondering.
• 53:02
  Speaker 4: I was thinking it was very much more Peanuts.
• 53:04
  Speaker 7: The middle part is.
• 53:06
  Speaker 4: Kind of the theme, like, where Snoopy's... The Red Baron scene.
• 53:09
  Speaker 7: The Red Baron scene.
• 53:10
  Speaker 4: It's got that really kind of creepy... No, not to say...
• 53:13
  Speaker 4: I mean, Peanuts.
• 53:14
  Speaker 7: Well, Peanuts is amazing musically, really.
• 53:16
  Speaker 4: It's amazing musically, but even in the Red Baron scene,
• 53:19
  Speaker 4: when I was a kid, it used to be kind
• 53:20
  Speaker 4: of creepy, because it's him sneaking around.
• 53:22
  Speaker 7: It's the tense music, and that's kind of how they
• 53:25
  Speaker 7: use it here. It's like during the, like, Running around
• 53:27
  Speaker 7: scenes and, you know, during the chase scenes and stuff.
• 53:31
  Speaker 4: When he's picking the lock at the beginning, that's... It just.
• 53:35
  Speaker 15: I guess the only thing I can say is I
• 53:36
  Speaker 15: guess that's freeform and it's just.
• 53:39
  Speaker 4: Yeah, it's creepy.
• 53:41
  Speaker 7: It's creepy. But it is so, like... It's... Donald Rubenstein
• 53:46
  Speaker 7: did it and it's like he's... he's so all over
• 53:49
  Speaker 7: the place and does them all. Well, it's like he
• 53:51
  Speaker 7: does the creepy stuff and then he does the, the,
• 53:54
  Speaker 7: a little more upbeat, like we were saying, the, the,
• 53:56
  Speaker 7: the stuff that's kind of thrown into the chase scenes
• 53:59
  Speaker 7: and stuff. But, but yeah, overall it's like, there's several,
• 54:02
  Speaker 7: especially like when he goes to the city and you
• 54:04
  Speaker 7: get that little funky stuff kicks in as you see
• 54:07
  Speaker 7: him walking around the strip clubs and stuff. So it's like, it's,
• 54:10
  Speaker 7: it's a pretty wide array of music, but like it
• 54:12
  Speaker 7: all comes off really well. And I think fits with
• 54:15
  Speaker 7: this movie pretty good. I actually kind of liked the music.
• 54:18
  Speaker 7: It's so funny that he's so going out of his
• 54:21
  Speaker 7: way just to get blood, and I guess you're assuming
• 54:25
  Speaker 7: that's the only way he can get it, but I'm like, well,
• 54:27
  Speaker 7: you know, you fast forward 20 years, there's goth girls
• 54:30
  Speaker 7: that would just let you cut them and drink their blood.
• 54:33
  Speaker 7: It became a thing later, and you could have found
• 54:35
  Speaker 7: a whole subculture to get into, Martin. You were just
• 54:38
  Speaker 7: born a little too soon, buddy.
• 54:40
  Speaker 9: Yeah, yeah.
• 54:42
  Speaker 7: Yeah, I don't know if they'd be on board with
• 54:43
  Speaker 7: the actual killing, but if you just want to cut
• 54:44
  Speaker 7: them a little bit and drink their blood, there's a
• 54:46
  Speaker 7: whole scene for that, man.
• 54:47
  Speaker 14: They're called Fangbangers.
• 54:49
  Speaker 4: There you go, see?
• 54:50
  Speaker 7: It's a whole group waiting for you.
• 54:54
  Speaker 4: Oh, man.
• 54:54
  Speaker 7: Well, I brought it up with him, but I did
• 54:56
  Speaker 7: want to at least address, because, again, I found this, like,
• 54:59
  Speaker 7: years ago and found an old VHS copy and watched
• 55:02
  Speaker 7: it and was just really taken with it. I really
• 55:04
  Speaker 7: liked this movie in it. caught me off guard because
• 55:07
  Speaker 7: I had no expectations going in I didn't really even
• 55:09
  Speaker 7: know what the plot was so a lot of this
• 55:11
  Speaker 7: sort of caught me off guard but it's funny when
• 55:14
  Speaker 7: I went back and rewatched it you know just in
• 55:17
  Speaker 7: right before we went and talked to John I was
• 55:19
  Speaker 7: like all I saw were these weird parallels with Dexter
• 55:22
  Speaker 7: and maybe it's because I watched too much Dexter but
• 55:25
  Speaker 7: it's funny how many things I'm starting to see but
• 55:27
  Speaker 7: this one I was like it became so many I
• 55:29
  Speaker 7: couldn't I mean I can't imagine them not having seen
• 55:32
  Speaker 7: this at some point Because then I was running through later.
• 55:34
  Speaker 7: It's like, well, obviously the needles. I mean, that's how
• 55:38
  Speaker 7: he's got. Yeah, he's got the whole toolkit that rolls
• 55:40
  Speaker 7: up and keeps in his bag. He's got the needles
• 55:42
  Speaker 7: that that's the way he gets to his victims. He
• 55:44
  Speaker 7: knocks them out so that he can do whatever he
• 55:46
  Speaker 7: needs to do with them. The lock picking, right off
• 55:49
  Speaker 7: the bat, Dexter picks a lock every 15 minutes on
• 55:51
  Speaker 7: that show.
• 55:52
  Speaker 4: He's a social misfit.
• 55:53
  Speaker 7: He's a social misfit. He has no way of dealing
• 55:56
  Speaker 7: with people. He doesn't understand people, really. There's the two
• 56:02
  Speaker 7: scenes when he knows he's going out to get someone.
• 56:04
  Speaker 7: He almost has a kill suit, which is what Dexter
• 56:06
  Speaker 7: is now starting to refer to, that outfit that he
• 56:09
  Speaker 7: wears when he goes out at night and he knows
• 56:10
  Speaker 7: he's going to kill people. He has an outfit specific
• 56:14
  Speaker 7: to wear to go out and kill people in. Oh,
• 56:17
  Speaker 7: what else? He continually refers to himself as like, you know,
• 56:21
  Speaker 7: because Dexter always refers to himself as the monster and
• 56:24
  Speaker 7: not knowing how to deal with like the evil inside
• 56:27
  Speaker 7: you and almost finding a way to work around that
• 56:30
  Speaker 7: and have a life even though you're, you know, you've
• 56:32
  Speaker 7: got this evil inside of you. Dexter does it in
• 56:34
  Speaker 7: a more productive way, but they both sort of have that,
• 56:38
  Speaker 7: especially once he gets on the telephone and he starts
• 56:41
  Speaker 7: doing this almost voiceover and doing the narration that seems
• 56:44
  Speaker 7: very much like the Dexter stuff, that he really does
• 56:47
  Speaker 7: do this voiceover about, you know, dealing with this evil
• 56:50
  Speaker 7: inside of yourself. And learning how to kill because you
• 56:54
  Speaker 7: have to, you know? It's almost processing it that way.
• 56:58
  Speaker 7: I mean, Martin thinks that he has to drink blood
• 57:00
  Speaker 7: and he has to kill people to survive. Dexter is
• 57:03
  Speaker 7: just convinced that he's crazy and he has to kill
• 57:07
  Speaker 7: people so he finds a better way to kill people,
• 57:10
  Speaker 7: you know, a more deserving group of people. But they
• 57:12
  Speaker 7: both are thoroughly convinced. I mean, even recently when it
• 57:15
  Speaker 7: came to, you know, if you could just stop, you
• 57:17
  Speaker 7: could have a normal life, and he couldn't do it.
• 57:19
  Speaker 7: He knew he has to kill people, and they're both
• 57:23
  Speaker 7: sort of convinced of that. And even, I mean, as
• 57:26
  Speaker 7: simple as, like, the title. I mean, it's just their name.
• 57:29
  Speaker 7: So it's like there's so many things in this that
• 57:32
  Speaker 7: I'm just like, okay, you can't tell me, like, the creators,
• 57:36
  Speaker 7: you know, that the guy wasn't sitting at home watching
• 57:38
  Speaker 7: this at some point as a kid because... there's just
• 57:41
  Speaker 7: too many things there that, I mean, granted, there's no
• 57:43
  Speaker 7: vampire subplot in Dexter. There's, I mean, it's a very
• 57:47
  Speaker 7: realistic version where this becomes kind of crazy and has
• 57:49
  Speaker 7: the whole vampire lore, but I don't know. I mean,
• 57:52
  Speaker 7: to me, there was just so many things that crossed
• 57:54
  Speaker 7: over that I was just, that's all I saw, you know,
• 57:57
  Speaker 7: going back and rewatching it this time is how much
• 57:59
  Speaker 7: that tied in and the parallels that it pulls that
• 58:03
  Speaker 7: are sort of like these truths that they're pulling from
• 58:05
  Speaker 7: both stories, even though they're very different stories, they're different characters,
• 58:09
  Speaker 7: but that kind of wrestle with the same problems.
• 58:13
  Speaker 1: Oh.
• 58:13
  Speaker 4: I'd rather watch Dexter than watch this.
• 58:15
  Speaker 7: Yeah, I do love Dexter. But I, I mean, I
• 58:18
  Speaker 7: really like this. Like, this is probably, and it's funny,
• 58:20
  Speaker 7: Romero even says this is his favorite movie that he's done.
• 58:24
  Speaker 7: And I'd, I'd put it up there, I mean, to me, it's,
• 58:26
  Speaker 7: it's right up there with Night of the Living Dead.
• 58:28
  Speaker 7: I mean, it's, I really like this, and I know
• 58:30
  Speaker 7: it's got its issues here and there, as far as,
• 58:33
  Speaker 7: you know, I mean, it's only an $ 80, 000 budget. That's,
• 58:36
  Speaker 7: That's pretty ridiculously cheap. So, I mean, for what they
• 58:39
  Speaker 7: were dealing with and what they had to do, I
• 58:42
  Speaker 7: just really like the character study that they do. I
• 58:45
  Speaker 7: like the tale that ends up coming out of this
• 58:48
  Speaker 7: and the creepy kid that John plays. I think his
• 58:52
  Speaker 7: performance kind of makes it for me.
• 58:54
  Speaker 4: Oh, yeah.
• 58:55
  Speaker 7: Without him, it wouldn't be. Yeah, I don't think it
• 58:58
  Speaker 7: would be near the movie that it is. It would
• 59:00
  Speaker 7: still be an interesting storyline, but, yeah, it wouldn't come
• 59:03
  Speaker 7: near what it is. So in the end, was anyone
• 59:08
  Speaker 7: before we discussed this convinced that he was a vampire
• 59:12
  Speaker 7: did you read it as that way i mean i
• 59:14
  Speaker 7: think the first time through i kind of felt like
• 59:16
  Speaker 7: that i kind of felt like that first time i
• 59:18
  Speaker 7: watched it that he was he at least had some
• 59:21
  Speaker 7: sort of you know watered down otherworldly version of vampirism
• 59:25
  Speaker 7: that he really in some way you know maybe it
• 59:29
  Speaker 7: was just mental but needed to drink blood and took
• 59:31
  Speaker 7: it upon himself to kill so he was like this
• 59:34
  Speaker 7: real world version of a vampire he didn't have fangs
• 59:36
  Speaker 7: he didn't have powers he couldn't turn into a bat
• 59:38
  Speaker 7: you know but it was sort of this real world
• 59:42
  Speaker 7: version of vampirism that you know I don't know that's
• 59:46
  Speaker 7: kind of the way it read that first time and
• 59:47
  Speaker 7: going back I find new things as I rewatch it
• 59:51
  Speaker 7: to me To.
• 59:53
  Speaker 4: Be a vampire or a vampire film, the person has
• 59:57
  Speaker 4: to conform to the conventions of a vampire.
• 1:00:02
  Speaker 7: So Twilight is not a vampire.
• 1:00:03
  Speaker 4: Exactly. Twilight is not a vampire film. I don't know.
• 1:00:06
  Speaker 7: Martin lucks out a lot.
• 1:00:09
  Speaker 4: I could have attacked chicks better than this.
• 1:00:13
  Speaker 7: He's not real efficient.
• 1:00:14
  Speaker 15: Sure, you can need, this might be some disease or
• 1:00:17
  Speaker 15: some craziness that he needs blood, but he doesn't. Nothing
• 1:00:22
  Speaker 15: else matches what a vampire is.
• 1:00:25
  Speaker 4: Nothing.
• 1:00:25
  Speaker 15: So you can't call it, to me, a vampire, other
• 1:00:28
  Speaker 15: than his grandpa calls him Nosferatu.
• 1:00:31
  Speaker 4: He doesn't get piggyback rides. Right. Or sparkle in the sun.
• 1:00:35
  Speaker 7: But again, how much of that... Baseball.
• 1:00:38
  Speaker 4: Vampire baseball.
• 1:00:40
  Speaker 7: How much of that is what we've built it up to?
• 1:00:42
  Speaker 7: And especially in the last, you know, 56 years of
• 1:00:45
  Speaker 7: how much movies have turned all that into. So, I mean,
• 1:00:48
  Speaker 7: if you go back far enough, it's like if you take...
• 1:00:51
  Speaker 7: the Bram Stoker story out if you take out all
• 1:00:53
  Speaker 7: of these like fictionalized version in the end what is
• 1:00:57
  Speaker 7: the vampire mythos there.
• 1:00:58
  Speaker 15: Is no vampire without Bram Stoker yeah I mean there
• 1:01:01
  Speaker 15: was no vampire but you know.
• 1:01:02
  Speaker 7: But I'm sure they all have those tales of like
• 1:01:05
  Speaker 7: people drinking blood and people being sort of undead and
• 1:01:09
  Speaker 7: I mean so there's always some sort of lore that
• 1:01:11
  Speaker 7: kind of ties into that sort of thing so I
• 1:01:13
  Speaker 7: mean to me there is like a level where you
• 1:01:15
  Speaker 7: can look at it as that yeah and then there's
• 1:01:18
  Speaker 7: a whole other way that you can be like this
• 1:01:19
  Speaker 7: kid was just crazy right And I see more of
• 1:01:22
  Speaker 7: that as I rewatch it now, but I think originally
• 1:01:24
  Speaker 7: I kind of enjoyed it as this weird vampire tale,
• 1:01:28
  Speaker 7: and now I go back and watch it as just
• 1:01:30
  Speaker 7: a weird psychological... I kind.
• 1:01:32
  Speaker 16: Of see it as he could have been probably a
• 1:01:35
  Speaker 16: normal kid if it hadn't.
• 1:01:36
  Speaker 4: Have been for.
• 1:01:37
  Speaker 16: these conditions that he grew up in, and the fact
• 1:01:39
  Speaker 16: that they were telling him, you're a vampire, you're cursed.
• 1:01:42
  Speaker 7: Yeah.
• 1:01:43
  Speaker 4: His environment and the people that he's been around that
• 1:01:45
  Speaker 4: made him into this monster.
• 1:01:47
  Speaker 7: Yeah, because otherwise, as you said, he has nothing else. Like,
• 1:01:50
  Speaker 7: there's nothing that he does that comes off that way.
• 1:01:53
  Speaker 7: I mean, he uses needles and razor blades to kill,
• 1:01:56
  Speaker 7: I mean, hell, I can do that. You know, so
• 1:01:58
  Speaker 7: it's like, there is no real separation from him and
• 1:02:01
  Speaker 7: regular people, as it were, other than he's been told
• 1:02:04
  Speaker 7: since day one, and now he believes... that he suffers
• 1:02:08
  Speaker 7: this affliction, this curse, that has ruined his whole family
• 1:02:12
  Speaker 7: line at this point.
• 1:02:13
  Speaker 15: It's a more interesting story for the entire family to
• 1:02:18
  Speaker 15: be fucking crazy.
• 1:02:19
  Speaker 4: Yeah.
• 1:02:19
  Speaker 15: And to think that they're vampires, and to think that,
• 1:02:21
  Speaker 15: you know, that makes the old man killing him at
• 1:02:24
  Speaker 15: the end even more.
• 1:02:26
  Speaker 7: Spoiler alert.
• 1:02:28
  Speaker 17: Well, yeah.
• 1:02:29
  Speaker 7: We already... We've spoiled many things already, so if you
• 1:02:32
  Speaker 7: made it this far, you're in trouble.
• 1:02:34
  Speaker 15: So that makes him... It makes it even more creepy. Yeah,
• 1:02:37
  Speaker 15: it makes it more creepy. If he was a vampire, okay,
• 1:02:39
  Speaker 15: it's just the end of a vampire movie.
• 1:02:41
  Speaker 16: But if he's just a kid, it's like, dude, this
• 1:02:44
  Speaker 16: guy's fucked up. He just killed this kid because he's
• 1:02:47
  Speaker 16: convinced he's a fucking religious zealot.
• 1:02:50
  Speaker 9: Yeah.
• 1:02:50
  Speaker 7: Exactly. Which is probably more likely than that.
• 1:02:52
  Speaker 4: That's the more realistic... I mean, you know, that's the...
• 1:02:55
  Speaker 4: When something becomes more real.
• 1:02:57
  Speaker 15: and you take the supernatural out of it, that's when
• 1:02:59
  Speaker 15: it really becomes creepy.
• 1:03:00
  Speaker 7: And that's what I thought was cool about this. It is, again,
• 1:03:03
  Speaker 7: as weird as the vampire end of it is, it's
• 1:03:05
  Speaker 7: a very real-world version of he is using razor blades
• 1:03:08
  Speaker 7: and needles to take these people out. So it's all
• 1:03:11
  Speaker 7: based in stuff that could happen. If this person was
• 1:03:14
  Speaker 7: crazy enough, they could believe that they need to do this.
• 1:03:17
  Speaker 7: And it's sort of based in the real-world version of
• 1:03:20
  Speaker 7: killing people. And that's what they were saying, that him
• 1:03:24
  Speaker 7: dying at the end, it's almost more tragic... not really
• 1:03:27
  Speaker 7: knowing or if you assume that it's wrong but it
• 1:03:30
  Speaker 7: does that doubt in there kind of makes it more
• 1:03:33
  Speaker 7: creepy when his you know cousin just stakes him through
• 1:03:36
  Speaker 7: the heart i mean it's and it's so.
• 1:03:38
  Speaker 4: For the heart it was more than like yeah.
• 1:03:40
  Speaker 7: Well it's kind of it sort of moves to from
• 1:03:43
  Speaker 7: the other shot but yeah he just sort of shoves
• 1:03:45
  Speaker 7: a stake through his middle but um But it's also
• 1:03:50
  Speaker 7: so abrupt. I mean, it's just like, he's just talking.
• 1:03:53
  Speaker 7: And he's talking about learning to... Like, that line right
• 1:03:56
  Speaker 7: before they cut to that is like him... He's saying
• 1:03:59
  Speaker 7: you get used to it and you learn to deal
• 1:04:01
  Speaker 7: with your life. And it's like almost him, like he'd
• 1:04:03
  Speaker 7: already said, he's letting people live. He's starting to try to,
• 1:04:06
  Speaker 7: you know, deal with it and not have to kill people.
• 1:04:09
  Speaker 7: So it really is almost him growing as a person.
• 1:04:11
  Speaker 7: And maybe it's him not being that stupid kid anymore.
• 1:04:14
  Speaker 7: Maybe he's realizing... this is wrong and I need to
• 1:04:17
  Speaker 7: do this. And maybe like his, the girl leaving town
• 1:04:20
  Speaker 7: sort of had that effect. Like this is the only
• 1:04:21
  Speaker 7: person he's ever really connected with. And the other girl
• 1:04:24
  Speaker 7: he is carrying on with kills herself. So it's like
• 1:04:27
  Speaker 7: maybe all this traumatized him in a good way enough
• 1:04:30
  Speaker 7: to realize what I'm doing is wrong. And he starts
• 1:04:32
  Speaker 7: sort of, you know, dealing with that. And the next
• 1:04:34
  Speaker 7: scene you see, he's getting staked. So it's like, it's
• 1:04:38
  Speaker 7: so out of the blue. It's just like, I don't
• 1:04:41
  Speaker 7: know that one originally too, that, that really caught me
• 1:04:43
  Speaker 7: off guard that first time. And, In an amazing way.
• 1:04:47
  Speaker 7: It's like it is something you don't see coming and
• 1:04:49
  Speaker 7: you're not prepared for at that point. But then again,
• 1:04:52
  Speaker 7: it's sort of truly, you know, if you want to
• 1:04:55
  Speaker 7: look at the artistic end of it, I mean, that's
• 1:04:57
  Speaker 7: the only way you could cap this off. Because what
• 1:04:59
  Speaker 7: did he say to him when he walked in? You know,
• 1:05:01
  Speaker 7: the first thing when he brings him in the house.
• 1:05:02
  Speaker 4: You kill anybody in this town, I will stake you.
• 1:05:05
  Speaker 7: Not even that. Before that, he says, first I will
• 1:05:07
  Speaker 7: save your soul and then I will destroy you. He
• 1:05:10
  Speaker 7: said from day one in the house, I'm going to
• 1:05:12
  Speaker 7: kill you. And in the end, that's what he does.
• 1:05:15
  Speaker 7: So it's like, it is sort of this only way
• 1:05:18
  Speaker 7: to bookend it. It's like, he comes in the house,
• 1:05:19
  Speaker 7: he says, I'm going to kill you. In the end,
• 1:05:21
  Speaker 7: he takes him out. And again, he assumes for his
• 1:05:24
  Speaker 7: own right reasons, he assumes he's, and it's ironic, I
• 1:05:27
  Speaker 7: guess the one person he didn't kill in the movie
• 1:05:29
  Speaker 7: is the reason he gets killed. He gets taken out
• 1:05:32
  Speaker 7: for that woman who killed herself and for once wasn't
• 1:05:35
  Speaker 7: his fault. And he actually was sort of upset about
• 1:05:37
  Speaker 7: her dying, but that's the reason he gets killed. And that's,
• 1:05:41
  Speaker 7: Kind of does make it more tragic and more sad
• 1:05:43
  Speaker 7: is that he wasn't even responsible for the thing that
• 1:05:46
  Speaker 7: then gets him killed. What a shame.
• 1:05:50
  Speaker 1: What?
• 1:05:50
  Speaker 14: What a shame.
• 1:05:51
  Speaker 4: How about those bumbling cops?
• 1:05:54
  Speaker 7: I think it said they were actual cops in Philadelphia.
• 1:05:59
  Speaker 7: That's even more sad.
• 1:06:02
  Speaker 4: You're going to worry about those guys chasing you. No,
• 1:06:04
  Speaker 4: not really.
• 1:06:04
  Speaker 7: That's what I thought.
• 1:06:05
  Speaker 4: I was like, just run. They're not going to catch you.
• 1:06:07
  Speaker 7: You weigh like 98 pounds, dude. You will completely smoke them.
• 1:06:11
  Speaker 17: Yeah.
• 1:06:11
  Speaker 7: You'll be gone.
• 1:06:12
  Speaker 4: They already spent every.
• 1:06:14
  Speaker 7: Eight rounds out of the revolver.
• 1:06:16
  Speaker 4: Out of the revolver, yes.
• 1:06:19
  Speaker 12: Oh, man.
• 1:06:20
  Speaker 7: So, I don't know. I really... took to this movie,
• 1:06:24
  Speaker 7: I think it really is kind of impressive to watch.
• 1:06:26
  Speaker 7: I know not everybody enjoyed it as much, but... I
• 1:06:28
  Speaker 7: thought it dragged on a little bit too long. And
• 1:06:30
  Speaker 7: that's good. I want to hear opposing points, so anything
• 1:06:33
  Speaker 7: you have.
• 1:06:34
  Speaker 14: I really like the story, but like I said, like...
• 1:06:37
  Speaker 14: Jurassic needs to be redone. I really think... I mean,
• 1:06:39
  Speaker 14: they do all kinds of shit. They redo shit that
• 1:06:42
  Speaker 14: doesn't need to be redone, and I feel like this...
• 1:06:44
  Speaker 14: I feel like the scenery and everything about it was dated,
• 1:06:47
  Speaker 14: you know, and I'm someone who likes... Old movies and
• 1:06:52
  Speaker 14: movies set in different times, but I just feel like
• 1:06:53
  Speaker 14: this movie was really dated. It's the 70s and you
• 1:06:57
  Speaker 14: don't like the 70s.
• 1:07:00
  Speaker 11: No, I can't get into movies that are from the 70s.
• 1:07:02
  Speaker 11: It's very few, like 90% of movies from the 70s.
• 1:07:04
  Speaker 11: I'm just like, I just don't feel this.
• 1:07:06
  Speaker 9: I don't care. It seemed to drag on and on forever.
• 1:07:10
  Speaker 9: His creepy face is, I wasn't a big fan of.
• 1:07:13
  Speaker 7: He had no ass.
• 1:07:15
  Speaker 9: Yeah.
• 1:07:16
  Speaker 4: They wore tighty-whities. Yeah, they did.
• 1:07:19
  Speaker 8: Oh, again, it was the 70s.
• 1:07:20
  Speaker 7: They had that one tooth.
• 1:07:20
  Speaker 14: That was, like, wider than the other one. Wider than
• 1:07:23
  Speaker 14: the other, and it, like, stuck out.
• 1:07:24
  Speaker 7: That's fluoride. Didn't you hear that report? We're all getting
• 1:07:27
  Speaker 7: too much fluoride now.
• 1:07:28
  Speaker 9: Well, why wasn't the other tooth matching it then?
• 1:07:30
  Speaker 7: Actually, in the 70s, we probably weren't. That was the
• 1:07:33
  Speaker 7: news report the other day. Now they're over-fluoriding the water.
• 1:07:36
  Speaker 4: Yeah, you know what? The government doesn't need to be
• 1:07:38
  Speaker 4: putting shit in the water.
• 1:07:39
  Speaker 7: Yeah, I don't trust that.
• 1:07:40
  Speaker 11: I didn't like that the guy was too stupid to
• 1:07:41
  Speaker 11: break into his store to... steal clothes, and run, and
• 1:07:44
  Speaker 11: then change clothes.
• 1:07:45
  Speaker 7: I'll give you that one. I mean, even when I
• 1:07:47
  Speaker 7: watched it, I was like, what are you doing? Like,
• 1:07:49
  Speaker 7: this is just a bad plan.
• 1:07:50
  Speaker 9: Let's go to a store, which I would, that store
• 1:07:52
  Speaker 9: looked pretty awesome.
• 1:07:52
  Speaker 4: I kind of want to go shopping there.
• 1:07:54
  Speaker 17: Yeah.
• 1:07:54
  Speaker 9: You know, he breaks in, the alarm's going off, all
• 1:07:56
  Speaker 9: whoop whoop, and he's sitting there stripping down, changing clothes
• 1:08:00
  Speaker 9: in the store.
• 1:08:02
  Speaker 14: I think you just underestimated the Philadelphia police.
• 1:08:05
  Speaker 7: That crack staff.
• 1:08:06
  Speaker 4: Showed up that quickly.
• 1:08:08
  Speaker 9: Pittsburgh police. Yeah.
• 1:08:10
  Speaker 4: There's a donut shop somewhere.
• 1:08:12
  Speaker 7: Right around the corner. But, well, that was my first
• 1:08:16
  Speaker 7: thing was, dude, it's dark. You're wearing black. Nobody's going
• 1:08:20
  Speaker 7: to see blood. Just walk home. All you got to
• 1:08:21
  Speaker 7: worry about is Kuda and just distract him or something.
• 1:08:24
  Speaker 17: But.
• 1:08:24
  Speaker 7: I was like, you really don't need to go to
• 1:08:25
  Speaker 7: this much trouble in a city that's this grimy and
• 1:08:28
  Speaker 7: dark anyway. It's like, there's not like anybody's going to see.
• 1:08:31
  Speaker 7: And if they do, the pimps you're walking by probably
• 1:08:33
  Speaker 7: aren't going to care if you're covered in blood.
• 1:08:34
  Speaker 4: Just turn your shirt inside out and go on.
• 1:08:36
  Speaker 22: Yeah.
• 1:08:36
  Speaker 9: That one pimp had an awesome outfit.
• 1:08:38
  Speaker 7: That was cool. The one that started the gunfight. Yeah,
• 1:08:42
  Speaker 7: he was cool.
• 1:08:43
  Speaker 4: He looked like from I'm Going to Get You Sucked.
• 1:08:45
  Speaker 7: Yeah. Well, that was, again... In some of the other
• 1:08:49
  Speaker 7: Romero movies around that time, his street thugs, I mean,
• 1:08:53
  Speaker 7: you look at the bikers in Dawn of the Dead.
• 1:08:56
  Speaker 7: Those aren't real world. Those guys would get their asses
• 1:08:58
  Speaker 7: kicked by real world bikers. so he always has this
• 1:09:01
  Speaker 7: weird like almost comic book version of like the street
• 1:09:04
  Speaker 7: punks and bikers and thugs and they're never quite real
• 1:09:08
  Speaker 7: world yeah.
• 1:09:09
  Speaker 16: But even at that point i've noticed a lot of
• 1:09:11
  Speaker 16: like older biker movies and even some of the 80s
• 1:09:14
  Speaker 16: movies that kind of dealt with like you know these
• 1:09:16
  Speaker 16: are punks it's like This is what version most people
• 1:09:22
  Speaker 16: are used to seeing because 90% of moviegoers have never
• 1:09:27
  Speaker 16: ran into a real thug on the street.
• 1:09:29
  Speaker 4: They never ran into a real group of punks. They
• 1:09:33
  Speaker 4: weren't all these big steroid, you know, crazy guys with mohawks,
• 1:09:38
  Speaker 4: you know, and stuff like that. A lot of them
• 1:09:39
  Speaker 4: were just skinny kids with attitudes. Maybe that's just.
• 1:09:41
  Speaker 9: How the thugs in Pittsburgh work. Maybe all the real
• 1:09:44
  Speaker 9: thugs already left.
• 1:09:45
  Speaker 7: Well, if you want to see the real thugs, I mean,
• 1:09:48
  Speaker 7: basically all you have to do is go to the
• 1:09:50
  Speaker 7: grocery in Pittsburgh.
• 1:09:51
  Speaker 4: Yeah, really.
• 1:09:52
  Speaker 7: You cannot leave the grocery without being hassled by, like,
• 1:09:55
  Speaker 7: ten guys.
• 1:09:56
  Speaker 9: Hey, mama.
• 1:09:57
  Speaker 14: Hey, pretty mama.
• 1:09:58
  Speaker 7: I do not want to go to the grocery in Pittsburgh.
• 1:10:00
  Speaker 4: I was like, where are these grocery stores? And why
• 1:10:02
  Speaker 4: do you keep going back?
• 1:10:03
  Speaker 7: I know.
• 1:10:04
  Speaker 15: That's why women get their groceries delivered.
• 1:10:07
  Speaker 7: Yeah, that's true. That's why you get meat brought to
• 1:10:10
  Speaker 7: your house. Delivering the meat.
• 1:10:13
  Speaker 14: And then there was that one old bitch who was
• 1:10:15
  Speaker 14: all like, You're lazy.
• 1:10:18
  Speaker 7: You're lazy.
• 1:10:19
  Speaker 9: Why didn't you kill her?
• 1:10:21
  Speaker 4: And he said, I don't even kill them.
• 1:10:23
  Speaker 7: And that was that dividing point. That's right. When he
• 1:10:25
  Speaker 7: started going, I'm letting... And where was she going?
• 1:10:27
  Speaker 14: What was she doing that was so bad?
• 1:10:29
  Speaker 4: I was really confused by that.
• 1:10:30
  Speaker 1: Nothing.
• 1:10:31
  Speaker 14: She's walking in a shady part of town. She's doing
• 1:10:33
  Speaker 14: something that was... She was up to no good somehow, but.
• 1:10:36
  Speaker 7: Well, that whole little montage there is like him running
• 1:10:38
  Speaker 7: into horrible people and people that he probably should be
• 1:10:41
  Speaker 7: okay with killing. That old woman and the biker guys
• 1:10:44
  Speaker 7: that are hassling him on the street and that weird
• 1:10:47
  Speaker 7: neighbor guy. And it's like he's watching all these people
• 1:10:49
  Speaker 7: and like these are the people that... need to be
• 1:10:51
  Speaker 7: taken out, really. I mean, in his world, these are
• 1:10:54
  Speaker 7: the real evil people. These are the people that are
• 1:10:56
  Speaker 7: always giving him shit and should be really easy for
• 1:10:58
  Speaker 7: him to dispose of.
• 1:11:00
  Speaker 9: He usually went out with a pretty girl.
• 1:11:02
  Speaker 11: After having sex with that girl, none of the girls
• 1:11:05
  Speaker 11: were pretty to him anymore.
• 1:11:06
  Speaker 7: Well, it was both. It was like he'd already gotten
• 1:11:08
  Speaker 7: to the point he didn't want to the girls weren't
• 1:11:10
  Speaker 7: pretty enough for him before. And then he's like, well,
• 1:11:12
  Speaker 7: I just need blood. Maybe I can take out these people,
• 1:11:14
  Speaker 7: you know, that deserve it.
• 1:11:15
  Speaker 4: And he's homeless.
• 1:11:16
  Speaker 1: Yeah.
• 1:11:16
  Speaker 7: He'd gotten to his trash.
• 1:11:17
  Speaker 9: Yeah.
• 1:11:18
  Speaker 7: He'd gotten to the point where he didn't really even
• 1:11:19
  Speaker 7: want to take them out anymore. It really did seem
• 1:11:22
  Speaker 7: like that last couple of minutes that he was starting
• 1:11:24
  Speaker 7: to piece together that this really isn't a life and,
• 1:11:26
  Speaker 7: and I don't need to be doing this. And maybe,
• 1:11:28
  Speaker 7: you know, again, maybe following suit that the girl left
• 1:11:31
  Speaker 7: town and it's like, maybe I need to restructure my
• 1:11:34
  Speaker 7: life because this is fucked up. And, you know, I've, I've,
• 1:11:37
  Speaker 7: i don't know it seemed like there was a little
• 1:11:39
  Speaker 7: bit of change or at least a little trying to
• 1:11:42
  Speaker 7: change and then he got staked yeah he was busy
• 1:11:45
  Speaker 7: getting staked from that point so he should.
• 1:11:49
  Speaker 4: Have killed the old man then he'd have been all.
• 1:11:51
  Speaker 7: Right yeah they had a they had a pretty cool
• 1:11:54
  Speaker 7: house and you know the the granddaughter was cool he
• 1:11:57
  Speaker 7: could have hung out with her i don't know she
• 1:12:01
  Speaker 7: did right as long as she didn't make any more
• 1:12:03
  Speaker 7: stuffed cabbage That's just nasty. I don't want to think
• 1:12:06
  Speaker 7: about that.
• 1:12:09
  Speaker 23: Gross.
• 1:12:11
  Speaker 7: But yeah, to me, I don't think it felt that long.
• 1:12:13
  Speaker 7: It's like a 90 minute run time, so it's pretty
• 1:12:16
  Speaker 7: quick as far as I'm concerned, but if you were
• 1:12:18
  Speaker 7: thinking it drags on, you better be glad the initial
• 1:12:20
  Speaker 7: cut didn't happen, because the way he originally made it,
• 1:12:23
  Speaker 7: it's 2 hours and 45 minutes.
• 1:12:24
  Speaker 4: Oh lord. Yeah, that would have been too long.
• 1:12:26
  Speaker 7: And again, I give him credit for smart editing, because
• 1:12:29
  Speaker 7: he cut it back to the bare minimum, and I
• 1:12:32
  Speaker 7: think it runs at a pretty decent pace, and it
• 1:12:35
  Speaker 7: totally catches you off guard. So I think it's probably
• 1:12:39
  Speaker 7: much better off having the cuts in there.
• 1:12:41
  Speaker 15: Yeah, I think some of the, he tends to linger
• 1:12:44
  Speaker 15: on scenes like the walking scenes and transition scenes takes
• 1:12:48
  Speaker 15: just a little.
• 1:12:49
  Speaker 4: Bit slower pace and a little longer, and that's probably
• 1:12:51
  Speaker 4: what makes it feel like it's longer. You're like, okay,
• 1:12:54
  Speaker 4: let's get to the next scene, and you're just kind
• 1:12:56
  Speaker 4: of a little bit longer than it should be. You know,
• 1:12:57
  Speaker 4: I like it visually, but I don't necessarily like it for, okay, let's.
• 1:13:02
  Speaker 7: Go, Probably, but again, almost also keeping in mind this
• 1:13:07
  Speaker 7: is the first handful of movies he's made. I mean,
• 1:13:10
  Speaker 7: he did like industrial films for a while, but I mean,
• 1:13:13
  Speaker 7: Night of the Living Dead was really the first real
• 1:13:14
  Speaker 7: movie they made.
• 1:13:16
  Speaker 4: But you know, everything moves. In Night of the Living Dead,
• 1:13:18
  Speaker 4: there's constantly something going on.
• 1:13:20
  Speaker 7: That's true. There's not a whole lot of.
• 1:13:22
  Speaker 4: But you gotta understand, this is the 70s. This is
• 1:13:24
  Speaker 4: his life in Pittsburgh, and there's nothing going on. And
• 1:13:28
  Speaker 4: things probably drag. He didn't have anything interesting happening, except
• 1:13:31
  Speaker 4: for stabbing guys in.
• 1:13:32
  Speaker 7: The neck sticks well that's that's the thing him sitting
• 1:13:36
  Speaker 7: up in the room it's like he didn't even have
• 1:13:38
  Speaker 7: a phone at that point there's no tv in there
• 1:13:40
  Speaker 7: so he's playing with that little kid's toy and i'm
• 1:13:42
  Speaker 7: like this is his whole day no wonder he's out
• 1:13:44
  Speaker 7: murdering people there's fucking nothing to do every night he
• 1:13:47
  Speaker 7: gets on the once he gets the phone yeah it's
• 1:13:49
  Speaker 7: on the.
• 1:13:49
  Speaker 14: Radio i mean there's no like Well, and the men there....
• 1:14:09
  Speaker 15: They would go to work and they'd work 10-hour days
• 1:14:11
  Speaker 15: and they'd come home and they'd be dead because they'd been.
• 1:14:13
  Speaker 7: They'd eat dinner and go to sleep.
• 1:14:15
  Speaker 4: Watch the game.
• 1:14:15
  Speaker 11: Yeah.
• 1:14:16
  Speaker 4: You watch the game. You go to work. You come home.
• 1:14:18
  Speaker 4: You watch the game. You do that every night.
• 1:14:19
  Speaker 19: Yep.
• 1:14:20
  Speaker 7: Or go out to bars and be a drunk biker
• 1:14:22
  Speaker 7: like his next-door neighbor. These are your options in this town.
• 1:14:25
  Speaker 7: There's not a whole lot of other things to do.
• 1:14:26
  Speaker 4: And then they drink. Yeah, they drink.
• 1:14:28
  Speaker 7: Yeah.
• 1:14:29
  Speaker 15: Because it's got me in just a pain of probably
• 1:14:31
  Speaker 15: working in those, you know, in that environment all the time.
• 1:14:35
  Speaker 4: It's tiring. And there's no way out, you know. The heat?
• 1:14:40
  Speaker 9: Sorry.
• 1:14:41
  Speaker 4: Probably dragging on too long with this.
• 1:14:44
  Speaker 7: I don't know. I ended up really liking it, but
• 1:14:47
  Speaker 7: if anybody else has any final words, go for it.
• 1:14:49
  Speaker 9: I don't like it.
• 1:14:52
  Speaker 1: At all?
• 1:14:52
  Speaker 15: I think it's something that should be seen. It should
• 1:14:58
  Speaker 15: be seen. I wondered why no one had... I barely
• 1:15:01
  Speaker 15: never heard of it. I've never heard of it.
• 1:15:06
  Speaker 16: She said Martin I was like thinking we were watching
• 1:15:08
  Speaker 16: like a Martin Lawrence.
• 1:15:10
  Speaker 7: Film god no please no Black Knights or anything that's what.
• 1:15:14
  Speaker 14: Someone said I think I'm gonna watch this movie called
• 1:15:18
  Speaker 14: Martin Martin Lawrence god no I really do think I
• 1:15:27
  Speaker 14: mean they remake all kinds of stupid shit all the
• 1:15:30
  Speaker 14: time I really think they should remake this movie.
• 1:15:32
  Speaker 7: It would be interesting if given to the right people. Again,
• 1:15:35
  Speaker 7: not Romero at this point, because everything he's done lately,
• 1:15:39
  Speaker 7: I would much prefer it go to someone else at
• 1:15:42
  Speaker 7: this point.
• 1:15:44
  Speaker 4: Christopher Nolan.
• 1:15:45
  Speaker 7: That would be interesting.
• 1:15:47
  Speaker 4: If you've seen Following, that's some creepy stuff.
• 1:15:52
  Speaker 15: Following people around and living there, breaking into their house
• 1:15:57
  Speaker 15: to take.
• 1:15:57
  Speaker 4: Little trinkets and stuff. That's creepy stuff. He can handle
• 1:16:01
  Speaker 4: that guy.
• 1:16:02
  Speaker 7: Or I'm just thinking, look at what he did with
• 1:16:03
  Speaker 7: Dark Knight. It's like you take a very sensationalized superhero
• 1:16:07
  Speaker 7: story and make it gritty and real world again and
• 1:16:10
  Speaker 7: make it like, well, if you had to be a
• 1:16:12
  Speaker 7: superhero in the real world, this is what you would
• 1:16:15
  Speaker 7: have to do. And it's kind of that same if
• 1:16:16
  Speaker 7: you have to be a vampire, if you have to
• 1:16:18
  Speaker 7: kill people in the real world. I think, yeah, somebody
• 1:16:21
  Speaker 7: like that would get a hold of it and do
• 1:16:22
  Speaker 7: something really interesting. So if somebody good would do it,
• 1:16:27
  Speaker 7: I would watch that. But I still think this one
• 1:16:29
  Speaker 7: has a lot to offer, but. That is my take.
• 1:16:33
  Speaker 7: I guess that will round out Martin. We will take
• 1:16:35
  Speaker 7: a break here and be back with the rest of
• 1:16:37
  Speaker 7: the show.
• 1:17:16
  Speaker 22: Jim Rex?
• 1:17:17
  Speaker 7: What's Jim Rex?
• 1:17:19
  Speaker 2: Would you believe a movie audience guide presented as a
• 1:17:22
  Speaker 2: public service by this theater's management to help you select
• 1:17:25
  Speaker 2: your motion picture entertainment? Well, that's what it is.
• 1:17:28
  Speaker 7: And we urge you to learn these rating symbols and
• 1:17:30
  Speaker 7: use them as a guide for you and your family.
• 1:17:33
  Speaker 2: G means suggested for general audiences.
• 1:17:35
  Speaker 1: All ages. M.
• 1:17:37
  Speaker 7: Suggested for mature audiences.
• 1:17:39
  Speaker 2: Parental discretion advised. R.
• 1:17:42
  Speaker 1: Restricted.
• 1:17:42
  Speaker 2: Persons under 16 not admitted unless accompanied by parent or
• 1:17:45
  Speaker 2: adult guardian. X. Persons under 16 will not be admitted.
• 1:17:50
  Speaker 2: This seal in advertising indicates that the film was approved
• 1:17:53
  Speaker 2: under the motion picture code of self-regulation.
• 1:17:58
  Speaker 1: They started something they can't stop.
• 1:18:01
  Speaker 4: The crazy....
• 1:18:05
  Speaker 1: Something that demands, inclines. Something that brutalizes. It's madness unleashed
• 1:18:14
  Speaker 1: by human error.
• 1:18:20
  Speaker 2: The crazy.
• 1:18:25
  Speaker 1: And they tame it before time runs out.
• 1:18:28
  Speaker 24: I'm a key man on the 50 team.
• 1:18:30
  Speaker 7: A key man.
• 1:18:30
  Speaker 8: I'm one of the developers of that goddamn thing.
• 1:18:33
  Speaker 4: Now, if you want me to get that job done,
• 1:18:35
  Speaker 4: you get me the stuff I need, and you get
• 1:18:36
  Speaker 4: the hell out of here before the morning's over.
• 1:18:39
  Speaker 1: A small town becomes a giant stockade. Evans City must
• 1:18:45
  Speaker 1: be contained or leveled. We're all concerned with Evans City, Mr. Hawks.
• 1:18:51
  Speaker 14: If we have to push the button, would you say
• 1:18:52
  Speaker 14: the weapon went off? Get me the president.
• 1:18:56
  Speaker 1: 3,614 people are trapped by an unknown enemy.
• 1:19:12
  Speaker 22: Five are on the run.
• 1:19:14
  Speaker 1: Can they escape the spreading fury of the crazy? Welcome
• 1:19:24
  Speaker 1: to a night of total terror.
• 1:19:30
  Speaker 4: That's Mickey Mouse's penis. They don't look to be afraid.
• 1:19:36
  Speaker 4: They look to be shocked.
• 1:19:37
  Speaker 14: Here's vagina.
• 1:19:40
  Speaker 4: Did you see Miley Cyrus' globulous breasts?
• 1:19:44
  Speaker 22: Night of the Living Podcast.
• 1:19:47
  Speaker 9: I found more syrup on my pants.
• 1:19:49
  Speaker 4: Bizarre adventure in fear. There was, however, a guy using.
• 1:19:55
  Speaker 1: An experience in shock. More shattering than your strangest nightmare.
• 1:19:59
  Speaker 4: Pain and pleasure.
• 1:20:01
  Speaker 22: Night of the Living Podcast.
• 1:20:05
  Speaker 9: Ass to mouth is fantastic.
• 1:20:08
  Speaker 4: Holy shit! That just happened. What's that bad man doing
• 1:20:11
  Speaker 4: to my donkey? A night of total terror. I can't
• 1:20:17
  Speaker 4: maintain this level of ridiculousness.
• 1:20:19
  Speaker 7: They made a song.
• 1:20:19
  Speaker 4: Night of the Living Podcast.
• 1:20:32
  Speaker 22: Of The Living Podcast.
• 1:20:35
  Speaker 9: My mom wants to do this show!
• 1:20:40
  Speaker 7: It's part of your problem, you know.
• 1:20:41
  Speaker 4: You haven't seen enough movies.
• 1:20:43
  Speaker 7: All of life's riddles are answered.
• 1:20:45
  Speaker 1: In the movies.
• 1:20:47
  Speaker 2: And now, on with the show.
• 1:21:15
  Speaker 4: By the way, don't take the time to watch the
• 1:21:20
  Speaker 4: Joaquin Phoenix. It's not the Joaquin Phoenix.
• 1:21:22
  Speaker 7: The bio. The fake bio?
• 1:21:24
  Speaker 11: Yeah.
• 1:21:24
  Speaker 4: That is so... I was like, okay.
• 1:21:27
  Speaker 7: I considered it because I saw it on there.
• 1:21:28
  Speaker 4: So many people said it was... I looked at it
• 1:21:30
  Speaker 4: and said, you know what? Fuck Joaquin Phoenix.
• 1:21:32
  Speaker 9: Right.
• 1:21:33
  Speaker 25: Fuck you and your fucking stupid ass beard.
• 1:21:35
  Speaker 4: I don't give a fuck. I thought maybe it's genius.
• 1:21:38
  Speaker 4: I thought maybe it's genius and I'm going to watch it.
• 1:21:40
  Speaker 4: I got like.
• 1:21:41
  Speaker 15: 40 minutes into it, I was like, this is the
• 1:21:43
  Speaker 15: biggest fucking waste of my time.
• 1:21:44
  Speaker 4: Well, it's not genius. Because nobody fucking cares.
• 1:21:47
  Speaker 7: Well, but they ruined it themselves.
• 1:21:49
  Speaker 1: Right.
• 1:21:49
  Speaker 7: Like, they should have waited, like, years before they told people.
• 1:21:53
  Speaker 7: What happened?
• 1:21:53
  Speaker 14: I'm confused.
• 1:21:54
  Speaker 7: I mean, it was all fake. It was all... That
• 1:21:56
  Speaker 7: whole thing of him with the crazy beard and being
• 1:21:58
  Speaker 7: out of his mind and having a rap career and
• 1:22:01
  Speaker 7: all of that shit for, like, a year of his life.
• 1:22:03
  Speaker 7: He did that. And it was all fake. It was
• 1:22:05
  Speaker 7: all an act that they were doing, shooting this documentary...
• 1:22:09
  Speaker 7: He quit acting. He quit acting to be a rap star.
• 1:22:13
  Speaker 4: By good.
• 1:22:14
  Speaker 7: By good. All of that crazy shit was all fake.
• 1:22:17
  Speaker 7: So that's what I've heard. His version of the fact
• 1:22:21
  Speaker 7: that he did all that and how committed he was
• 1:22:24
  Speaker 7: is kind of impressive. And just how good at being
• 1:22:27
  Speaker 7: that he was. But then they're like, the movie's kind
• 1:22:29
  Speaker 7: of crap.
• 1:22:30
  Speaker 15: It's very poorly done. I thought, okay, this will be
• 1:22:34
  Speaker 15: interesting if they pulled off something good. But it's not
• 1:22:37
  Speaker 15: like Andy Kaufman could do something that you didn't know if.
• 1:22:41
  Speaker 7: He really was doing.
• 1:22:43
  Speaker 4: It was never revealed if he was.
• 1:22:45
  Speaker 7: I bought that he was that crazy.
• 1:22:47
  Speaker 15: And you're like, is he fucking with us or not?
• 1:22:50
  Speaker 15: And then you never knew. And it was still good.
• 1:22:55
  Speaker 15: Whatever he was doing was still good.
• 1:22:56
  Speaker 4: This was just crap. Don't waste your time. I turned
• 1:23:01
  Speaker 4: it off and I don't turn stuff off.
• 1:23:05
  Speaker 7: Alright, we're back and we've got feedback. really yeah from
• 1:23:10
  Speaker 7: from various sources but um randy one of well several
• 1:23:15
  Speaker 7: but the first one was actually on the site which
• 1:23:17
  Speaker 7: i don't even usually check so i i don't even
• 1:23:21
  Speaker 7: recommend that version but um Yeah, I say just send
• 1:23:24
  Speaker 7: us an email or call it in. But this one
• 1:23:26
  Speaker 7: is from LT. He left a post that said, it
• 1:23:29
  Speaker 7: was on the Joe Bob Texas Chainsaw Massacre episode. And
• 1:23:32
  Speaker 7: he said, this was an excellent interview with Joe Bob Briggs.
• 1:23:34
  Speaker 7: It's good to hear new material after all these years
• 1:23:37
  Speaker 7: that isn't a DVD track. He also says you're a
• 1:23:39
  Speaker 7: good interviewer, which I am very thankful for because I
• 1:23:42
  Speaker 7: tried to put a lot into, and his was a
• 1:23:45
  Speaker 7: weird one because his started off sort of interview, you know,
• 1:23:49
  Speaker 7: kind of talking about him, you know, the 20 years
• 1:23:51
  Speaker 7: before this. stuff he used to do on the show
• 1:23:54
  Speaker 7: and stuff that, you know, when I worked in, in
• 1:23:56
  Speaker 7: with him doing the, the movie reviews and stuff. So
• 1:23:59
  Speaker 7: a lot of that was kind of cool. And then
• 1:24:01
  Speaker 7: tying it into just talking about the movie. So it was,
• 1:24:03
  Speaker 7: that one took a little more planning of, of how
• 1:24:06
  Speaker 7: to sort of ease from one thing into the next. So, uh, yeah,
• 1:24:09
  Speaker 7: I was kind of happy with how that episode turned out.
• 1:24:11
  Speaker 7: So it's kind of good to hear somebody else appreciated it.
• 1:24:14
  Speaker 7: So it's getting pretty good response. So if you haven't
• 1:24:17
  Speaker 7: heard it yet, go check out the, uh, Joe Bob
• 1:24:19
  Speaker 7: Briggs episode. And we also heard from Randy. And some
• 1:24:24
  Speaker 7: of these were just on the forum. So if you're
• 1:24:28
  Speaker 7: not on, however, get on over there. But some of
• 1:24:31
  Speaker 7: these were just, I didn't know if you'd seen them.
• 1:24:33
  Speaker 7: So he wanted to, and this was for you two
• 1:24:35
  Speaker 7: definitely because you were there last time out. He was
• 1:24:37
  Speaker 7: commenting on our Christmas show. He says, listening to this,
• 1:24:40
  Speaker 7: driving around on the job, Christmas Eve. First time in
• 1:24:44
  Speaker 7: years I've actually enjoyed something Christmassy. I think of all
• 1:24:48
  Speaker 7: the pre-podcast years where I'd be stuck listening to the
• 1:24:50
  Speaker 7: same goddamn Bruce Springsteen Santa songs. Those were dark times.
• 1:24:55
  Speaker 7: Long live movie meltdown. And then, I didn't know if
• 1:25:01
  Speaker 7: everyone had seen it. I actually put a post on
• 1:25:03
  Speaker 7: there because I'm trying to, I still for like months
• 1:25:06
  Speaker 7: now have been saying we need to update the bio
• 1:25:09
  Speaker 7: section there and we're going to get you in there.
• 1:25:11
  Speaker 7: And I still don't think you're on there either, Marlena.
• 1:25:13
  Speaker 7: So we're going to update it and I was going
• 1:25:15
  Speaker 7: to throw it out there for people to give us
• 1:25:17
  Speaker 7: you know different questions other than the few that i
• 1:25:19
  Speaker 7: came up with that first.
• 1:25:20
  Speaker 14: Time like a form spring or whatever it's called the
• 1:25:23
  Speaker 14: question thing question.
• 1:25:24
  Speaker 7: And answer kind of but a lot of those are
• 1:25:27
  Speaker 7: ridiculous i mean if there were ones i was originally
• 1:25:29
  Speaker 7: tying it more to movies these are more of just
• 1:25:32
  Speaker 7: like specific to people i mean not even like because
• 1:25:36
  Speaker 7: before i did like a set of questions and everybody
• 1:25:38
  Speaker 7: answered the same questions some of these are more specific
• 1:25:41
  Speaker 7: to individuals so i thought maybe i'd just throw them
• 1:25:43
  Speaker 7: out here on the show There's one here I might
• 1:25:45
  Speaker 7: sort of throw in there.
• 1:25:46
  Speaker 4: I don't know.
• 1:25:46
  Speaker 7: But his first question is, where the fuck are you,
• 1:25:49
  Speaker 7: Roger and Joni?
• 1:25:51
  Speaker 1: Yeah.
• 1:25:51
  Speaker 7: To that, I don't know. I hate to tell you. Yeah,
• 1:25:55
  Speaker 7: it's been quite a while since I've heard from them.
• 1:25:58
  Speaker 7: They're still out there. I hope they're doing fine.
• 1:26:01
  Speaker 14: Joni commented on my Facebook once.
• 1:26:02
  Speaker 7: Yes, I mean, they're still on Facebook.
• 1:26:04
  Speaker 9: Still alive.
• 1:26:05
  Speaker 7: We know they're alive.
• 1:26:06
  Speaker 9: I know, right?
• 1:26:08
  Speaker 8: If you guys.
• 1:26:09
  Speaker 22: If you.
• 1:26:10
  Speaker 7: Guys are their friends on Facebook, you can send them
• 1:26:13
  Speaker 7: a message. Harass them.
• 1:26:14
  Speaker 14: Harass them.
• 1:26:14
  Speaker 7: Send them a message. Say that they are missed. Or
• 1:26:16
  Speaker 7: at least that you want to have them come back
• 1:26:18
  Speaker 7: so that you can yell at them.
• 1:26:19
  Speaker 9: Or just get some closure.
• 1:26:20
  Speaker 7: Whichever.
• 1:26:20
  Speaker 8: Yeah, I don't know.
• 1:26:21
  Speaker 4: We need closure.
• 1:26:22
  Speaker 15: Make sure that somebody hasn't hijacked your account. You're not dead.
• 1:26:26
  Speaker 7: You're dead, but they're still every couple of days going,
• 1:26:29
  Speaker 7: feeding the cat. Going to the grocery. That's all you've
• 1:26:33
  Speaker 7: got to do. And people would still think you're alive
• 1:26:34
  Speaker 7: for like months, really. That's the world we live in now.
• 1:26:37
  Speaker 7: You could kill someone. People wouldn't know as long as
• 1:26:40
  Speaker 7: you updated their Facebook status. Send out a tweet every
• 1:26:43
  Speaker 7: once in a while. People would just be like, oh, no,
• 1:26:45
  Speaker 7: they're fine. I saw their post the other day.
• 1:26:46
  Speaker 14: Yeah, exactly.
• 1:26:48
  Speaker 7: All right. So this one is specifically he wants some
• 1:26:53
  Speaker 7: background details on the rise of Greg. And it's supposed
• 1:26:56
  Speaker 7: to be set to the theme of Terminator 2. So
• 1:27:00
  Speaker 7: it's kicking in right now. Go for it.
• 1:27:05
  Speaker 4: Do you want to work on that one? I can
• 1:27:08
  Speaker 4: work on that. The Rise of Greg. I didn't know
• 1:27:10
  Speaker 4: it had risen.
• 1:27:12
  Speaker 7: You're to the heights of being a star of this
• 1:27:16
  Speaker 7: fabulous show.
• 1:27:17
  Speaker 4: Somebody that once listened to the show and now.
• 1:27:19
  Speaker 7: People around the world love this. Last time we heard
• 1:27:22
  Speaker 7: from Australia.
• 1:27:23
  Speaker 14: Dream a little dream.
• 1:27:25
  Speaker 7: There you go.
• 1:27:25
  Speaker 1: You too.
• 1:27:26
  Speaker 4: That's true.
• 1:27:27
  Speaker 14: You too can be on a podcast.
• 1:27:29
  Speaker 7: Yes. Yeah, not everybody can do a podcast.
• 1:27:32
  Speaker 4: I started hitchhiking out in Wichita with dreams one day
• 1:27:36
  Speaker 4: of being on the show.
• 1:27:37
  Speaker 9: Not just this show.
• 1:27:38
  Speaker 4: Right, this show. This show. I moved to the region.
• 1:27:42
  Speaker 7: Just to be on the show. You were in a
• 1:27:45
  Speaker 7: whole different area. You couldn't have been sitting here. So, yeah,
• 1:27:48
  Speaker 7: just thank your lucky star every single day. All right, Misty.
• 1:27:55
  Speaker 7: That's what you thought in the mind. What is Misty
• 1:27:58
  Speaker 7: hoping to hate in the new year?
• 1:27:59
  Speaker 4: Nutrition.
• 1:28:01
  Speaker 7: Magicians Magicians Just magicians.
• 1:28:04
  Speaker 9: Card tricks Coin tricks Exceptionally.
• 1:28:06
  Speaker 7: Alright Especially not exceptionally Especially Especially.
• 1:28:11
  Speaker 9: Even worse Be a ginger magician Oh I like that.
• 1:28:16
  Speaker 7: Right now Alright Ginger magician Magic Magicians Tricks in general
• 1:28:23
  Speaker 7: Yeah keep them away from Misty That's what we're taking.
• 1:28:25
  Speaker 11: From this I'm sure I have many more things, and
• 1:28:26
  Speaker 11: I'm sure I'll continue to hate the things that I
• 1:28:28
  Speaker 11: hated last year.
• 1:28:29
  Speaker 7: Oh, I'm sure. This one I think is going to
• 1:28:33
  Speaker 7: be met with a puzzled look. Possibly... A head tilt?
• 1:28:36
  Speaker 7: Possibly a puppy head tilt of.
• 1:28:39
  Speaker 14: Is it for me?
• 1:28:40
  Speaker 7: Yes. What is Marlena's metachlorian count?
• 1:28:43
  Speaker 14: My medical?
• 1:28:44
  Speaker 7: Metachlorian count.
• 1:28:45
  Speaker 14: Metachlorian count. I have no idea. Is it some Star
• 1:28:49
  Speaker 14: Trek shit?
• 1:28:50
  Speaker 4: It's Star Wars.
• 1:28:51
  Speaker 7: Star Wars, technically.
• 1:28:54
  Speaker 4: And it is some shit because... It is shit.
• 1:28:56
  Speaker 7: Metachlorians They're bullshit.
• 1:28:57
  Speaker 4: It's bullshit.
• 1:28:58
  Speaker 7: Any real Star Wars fan will tell you, fuck Metachlorians. Yeah,
• 1:29:02
  Speaker 7: I know. I was in the theater.
• 1:29:03
  Speaker 4: My friend dragged me along to see that movie. I
• 1:29:05
  Speaker 4: didn't want to see it, but he dragged me. Hey,
• 1:29:07
  Speaker 4: you've got to turn down a free movie.
• 1:29:09
  Speaker 16: We're sitting in the theater, and all these kids are
• 1:29:11
  Speaker 16: in there, and they start talking about the Metachlorians.
• 1:29:13
  Speaker 4: I fell asleep through most of the beginning, but I
• 1:29:16
  Speaker 4: ended up waking up to that point, and loudly in
• 1:29:18
  Speaker 4: the theater, this was Showcase, he said, Metachlorians.
• 1:29:21
  Speaker 20: I was like, the fuck i know i mean they
• 1:29:27
  Speaker 20: could have it was fucking liam neeson as a new
• 1:29:30
  Speaker 20: jedi and you fucking ruin it yeah yeah talking about midichlorians.
• 1:29:34
  Speaker 7: It's bad enough that they.
• 1:29:36
  Speaker 4: Freshen your breath well.
• 1:29:38
  Speaker 7: It's bad enough they then made you know they totally
• 1:29:40
  Speaker 7: took the jedi ways and turned them into hippie bullshit
• 1:29:43
  Speaker 7: i mean by the time they were dead we really
• 1:29:46
  Speaker 7: didn't know a lot of what about you know about
• 1:29:47
  Speaker 7: what was going on with the way that they work
• 1:29:49
  Speaker 7: so when you go back and see them in their
• 1:29:51
  Speaker 7: heyday you're like what a bunch of fucking hippies wearing
• 1:29:55
  Speaker 7: robes and long hair and being peaceful yeah leave the.
• 1:30:00
  Speaker 15: Mystery and stuff don't attach science to myth.
• 1:30:03
  Speaker 7: Well then again it was all very they were still
• 1:30:05
  Speaker 7: very mythological like and then they jammed this weird science
• 1:30:09
  Speaker 7: fact in the middle of it I was like now
• 1:30:10
  Speaker 7: they're a bunch of hippies but now they're fucking scientists
• 1:30:12
  Speaker 7: and they're checking scientist hippies yeah I was like what
• 1:30:15
  Speaker 7: is this bullshit damn you George Lucas you should have
• 1:30:19
  Speaker 7: stopped making movies with Star Wars That's the last decent
• 1:30:23
  Speaker 7: movie you made.
• 1:30:24
  Speaker 1: Oh, God.
• 1:30:28
  Speaker 7: Now, this one, I think we may have found a
• 1:30:30
  Speaker 7: way around it. We may have remedied it already. It's
• 1:30:33
  Speaker 7: for Jay, but if we just show up here at
• 1:30:36
  Speaker 7: his house, he doesn't have to worry about this. He
• 1:30:38
  Speaker 7: was requesting the occasional call-in from Jay. Because he's too
• 1:30:42
  Speaker 7: busy preventing delinquency or posting Misty's bail is the way
• 1:30:45
  Speaker 7: he puts it.
• 1:30:48
  Speaker 4: Preventing delinquency?
• 1:30:49
  Speaker 7: Just being a parent.
• 1:30:51
  Speaker 4: Oh, I thought I was contributing towards delinquency.
• 1:30:53
  Speaker 7: No, you're already a delinquent, but you're trying to keep
• 1:30:56
  Speaker 7: the next generation from being a delinquent.
• 1:30:58
  Speaker 4: I've never had to close my veil. I've never been
• 1:31:00
  Speaker 4: in a veil.
• 1:31:00
  Speaker 7: No, no.
• 1:31:01
  Speaker 4: Misty, thankfully, hasn't been in jail for beating any magicians yet.
• 1:31:05
  Speaker 4: The year has just begun. Don't rent the prestige.
• 1:31:09
  Speaker 14: Jessica also hates magicians with a violent passion.
• 1:31:14
  Speaker 9: She started a club for anti-magicians.
• 1:31:16
  Speaker 7: She's going to be wandering the streets waiting for a
• 1:31:18
  Speaker 7: magician rumble.
• 1:31:19
  Speaker 4: My cousin's a magician. I don't want your cousin. How
• 1:31:22
  Speaker 4: far related.
• 1:31:28
  Speaker 16: He's a bird, so it's on my grandmother's side.
• 1:31:31
  Speaker 4: I thought it.
• 1:31:33
  Speaker 9: Was close enough for me to have a dislike for you.
• 1:31:36
  Speaker 24: No.
• 1:31:36
  Speaker 15: You can't have a dislike.
• 1:31:41
  Speaker 4: He has magic in his blood. The force is strong
• 1:31:46
  Speaker 4: with this one.
• 1:31:46
  Speaker 9: You're going to get punched.
• 1:31:52
  Speaker 4: Somebody told me it was a good way to pick
• 1:31:53
  Speaker 4: up chicks. I did it once. He's like, you know what?
• 1:31:55
  Speaker 4: This is the dumbest thing. I was like, who the
• 1:31:57
  Speaker 4: hell am I going to pick up a damn car?
• 1:31:59
  Speaker 7: That's a lie. Yeah, that is chick repellent.
• 1:32:02
  Speaker 14: I violently hate men who like.
• 1:32:04
  Speaker 4: Slip a roofie under their.
• 1:32:06
  Speaker 7: I don't know if that's magic. It's just day rape.
• 1:32:09
  Speaker 4: You violently what?
• 1:32:10
  Speaker 14: I violently hate magicians. I mean, like... I hate magicians too.
• 1:32:14
  Speaker 4: It's not just me.
• 1:32:16
  Speaker 14: All women hate them.
• 1:32:17
  Speaker 4: One of my friends is a long time ago... Long,
• 1:32:20
  Speaker 4: long time ago.
• 1:32:21
  Speaker 14: He was just trying to be a dick.
• 1:32:23
  Speaker 9: Yeah, in Florida.
• 1:32:25
  Speaker 4: He was like, you want to pick up chicks today?
• 1:32:26
  Speaker 4: This is what you do.
• 1:32:27
  Speaker 25: You need to pick up a thing because you don't smoke.
• 1:32:29
  Speaker 25: I didn't smoke, but I hung out with a lot
• 1:32:31
  Speaker 25: of guys who smoked. And there were always chicks at
• 1:32:33
  Speaker 25: the bar that smoked. And so I couldn't be like, hey,
• 1:32:35
  Speaker 25: you want a cigarette? Or they would come up and say,
• 1:32:38
  Speaker 25: can I have a cigarette? And I'd be like, I
• 1:32:39
  Speaker 25: don't smoke.
• 1:32:40
  Speaker 4: And they're like, oh. And then they'd walk off.
• 1:32:42
  Speaker 25: And you don't have, they would try to look for
• 1:32:44
  Speaker 25: that kind of entrance into a, into a conversation and
• 1:32:47
  Speaker 25: I just kill it by saying, I don't smoke.
• 1:32:49
  Speaker 7: And you're a loser because you do.
• 1:32:51
  Speaker 20: Yeah.
• 1:32:51
  Speaker 4: That's like, fuck off.
• 1:32:52
  Speaker 7: Yeah, pretty much.
• 1:32:53
  Speaker 25: I used to blow a lot of people off and
• 1:32:55
  Speaker 25: I never really realized it. So he was like, what
• 1:32:57
  Speaker 25: you got to do is you got to work at
• 1:32:58
  Speaker 25: a car trip. And I'd be like, no, but you
• 1:32:59
  Speaker 25: can pick this car. And I was like, okay, I guess.
• 1:33:03
  Speaker 25: And I read it and I'm like, I'm a dick
• 1:33:07
  Speaker 25: and I'm a douchebag.
• 1:33:09
  Speaker 14: Oh my God. That reminds me.
• 1:33:12
  Speaker 18: Sorry.
• 1:33:13
  Speaker 4: I got rid of that real quick.
• 1:33:14
  Speaker 7: I think he was just working you.
• 1:33:16
  Speaker 25: Yeah, I was like, okay, am I going to be
• 1:33:18
  Speaker 25: the guy at the bar that does card tricks or.
• 1:33:20
  Speaker 4: Flips a Zippo and doesn't smoke? I was both of
• 1:33:23
  Speaker 4: those at one point. Or a second.
• 1:33:24
  Speaker 7: I think he's working you. Like I said, just a second.
• 1:33:28
  Speaker 7: one side he's over on the other side of the
• 1:33:29
  Speaker 7: bar and as they leave in a huff he's like
• 1:33:32
  Speaker 7: doing that guy lame hey come over here i got
• 1:33:34
  Speaker 7: a cigarette for you he goes up you.
• 1:33:36
  Speaker 15: Want to watch something funny look at this dude.
• 1:33:41
  Speaker 7: Watch this girl shoot him down.
• 1:33:42
  Speaker 14: That's so true so true i just realized something a
• 1:33:46
  Speaker 14: couple weeks ago i went out with my friend to
• 1:33:48
  Speaker 14: dinner and her roommate and her roommate's best friend came
• 1:33:50
  Speaker 14: along and he had been magicians yeah he was um
• 1:33:55
  Speaker 14: But I'd block this out until just now. But I just,
• 1:33:58
  Speaker 14: I usually don't know if a guy's interested in me
• 1:34:00
  Speaker 14: because they're usually not. But this guy was and I
• 1:34:03
  Speaker 14: could tell and he used to have a ponytail. So
• 1:34:06
  Speaker 14: he grosses me out. Just for that fact, because I've
• 1:34:11
  Speaker 14: seen him. He doesn't have it now, but I've seen
• 1:34:13
  Speaker 14: him with the ponytail. So I'm like.
• 1:34:17
  Speaker 7: Residual ponytail damage. I can still see it. I know
• 1:34:20
  Speaker 7: it's there.
• 1:34:21
  Speaker 9: Phantom ponytail.
• 1:34:22
  Speaker 7: Yeah. He has phantom ponytail pains.
• 1:34:24
  Speaker 1: Yes.
• 1:34:25
  Speaker 14: Phantom ponytail. And we were like sitting to dinner and
• 1:34:28
  Speaker 14: he was like, he was trying to be like, oh,
• 1:34:31
  Speaker 14: I'm going to drive real fast in my Jeep. I'm
• 1:34:33
  Speaker 14: so tough. I'm going to turn my music up real loud.
• 1:34:36
  Speaker 14: And then he was like, pick a card. And I
• 1:34:39
  Speaker 14: looked at him and I said, are you fucking kidding me? Oh, wow.
• 1:34:42
  Speaker 7: Pick a card.
• 1:34:46
  Speaker 14: I blocked that out, but I just remembered that.
• 1:34:48
  Speaker 4: Watch me make my penis disappear. It just shrivels up.
• 1:34:52
  Speaker 1: Wow.
• 1:34:52
  Speaker 14: Wow. So there you go.
• 1:34:54
  Speaker 17: Magicians.
• 1:34:54
  Speaker 22: No magic tricks.
• 1:35:04
  Speaker 14: Girls don't find it attractive.
• 1:35:06
  Speaker 7: I like how all of our answers to every question
• 1:35:10
  Speaker 7: have been, fuck magicians. We've had five questions they've all
• 1:35:14
  Speaker 7: ended with, you know magicians, stay away from them.
• 1:35:16
  Speaker 20: We know somewhere out there in podcast land there's a
• 1:35:19
  Speaker 20: magician listening to this, or several magicians.
• 1:35:23
  Speaker 4: I'm going to get pissed off right now.
• 1:35:25
  Speaker 15: There's going to be a red-headed magician that's going to be.
• 1:35:27
  Speaker 22: Like, I'm going to.
• 1:35:29
  Speaker 14: That fucking bitch.
• 1:35:31
  Speaker 7: If we've learned anything from the movie today, there is
• 1:35:34
  Speaker 7: no magic. That's our theme for this entire half of
• 1:35:38
  Speaker 7: the episode. There is no magic.
• 1:35:39
  Speaker 9: Let's keep it that way.
• 1:35:42
  Speaker 7: He does round out the questions, and actually this one
• 1:35:44
  Speaker 7: is sort of already on there, but we'll readdress it,
• 1:35:47
  Speaker 7: I guess, and post the other people's versions on there.
• 1:35:50
  Speaker 7: He did ask for a distinct childhood memory involving a movie,
• 1:35:54
  Speaker 7: which I think we already have one, because I know
• 1:35:55
  Speaker 7: I have mine of seeing Star Wars, and Misty had Beastmaster,
• 1:35:59
  Speaker 7: and I think yours was going to showcase too, Jay.
• 1:36:01
  Speaker 7: So I think we already have a version of that
• 1:36:03
  Speaker 7: on there.
• 1:36:04
  Speaker 4: Well, it depends on which one you're wanting.
• 1:36:06
  Speaker 5: Yeah.
• 1:36:07
  Speaker 4: First movie I remember seeing was Batman.
• 1:36:10
  Speaker 7: This is any anecdote that comes springing to mind will do.
• 1:36:13
  Speaker 4: I was going to say, theology of terror really scared
• 1:36:15
  Speaker 4: the shit out of me when I was a kid.
• 1:36:17
  Speaker 4: I was always afraid that men's fetish dolls were going to.
• 1:36:20
  Speaker 14: Come get me. I remember the first movie I saw
• 1:36:22
  Speaker 14: in theaters was a Batman movie, and I'd never been
• 1:36:25
  Speaker 14: in a theater before, and it was dark, and there
• 1:36:27
  Speaker 14: were lights on the ground, and I was with my
• 1:36:28
  Speaker 14: grandma and my whole family, and I was just confused.
• 1:36:32
  Speaker 14: I'm like, what the fuck is this place? I'm like,
• 1:36:34
  Speaker 14: what the fuck is this place? What's going on?
• 1:36:36
  Speaker 7: Why is this kid staring at the floor the whole time?
• 1:36:39
  Speaker 7: What is wrong with this girl?
• 1:36:41
  Speaker 14: That was a really weird.
• 1:36:42
  Speaker 4: Check out this kid over here.
• 1:36:46
  Speaker 14: And then, I remember when I was little, my mom
• 1:36:48
  Speaker 14: took me to see Die Hard, and that was like...
• 1:36:51
  Speaker 14: pure torture whatever that's awesome i will not watch that
• 1:36:54
  Speaker 14: movie to this day because my mom took me to
• 1:36:57
  Speaker 14: see it when i was young and i was like
• 1:36:59
  Speaker 14: are you fucking kidding me well.
• 1:37:01
  Speaker 7: That's just bad mother right there we know that that's
• 1:37:04
  Speaker 7: another running theme for.
• 1:37:05
  Speaker 14: This yeah but i mean like die hard like a
• 1:37:08
  Speaker 14: small child saying die hard though it was just pure
• 1:37:11
  Speaker 14: torture i think i like crawl around on the floor.
• 1:37:15
  Speaker 7: You're obsessed with the floor in movie theater. Which, by
• 1:37:18
  Speaker 7: the way, is a gross play.
• 1:37:19
  Speaker 17: No!
• 1:37:20
  Speaker 14: But I didn't want to watch Die Hard. It was like...
• 1:37:23
  Speaker 14: The first.
• 1:37:24
  Speaker 9: Movie I saw in the theater was one of the Ernest.
• 1:37:26
  Speaker 9: I'm pretty sure it was Ernest Goes to Camp at
• 1:37:28
  Speaker 9: the Dollar.
• 1:37:29
  Speaker 7: Classic.
• 1:37:29
  Speaker 14: That's pretty cool.
• 1:37:30
  Speaker 9: My grandma took me and my cousin Aaron. I'm pretty
• 1:37:33
  Speaker 9: sure we're covered in mud. What are we going to
• 1:37:37
  Speaker 9: see in Ernest?
• 1:37:38
  Speaker 14: Aaron's the cousin that died?
• 1:37:39
  Speaker 1: Yeah.
• 1:37:40
  Speaker 7: It's like theme you know you go into camp covered
• 1:37:43
  Speaker 7: in dirt oh the bats that's a good.
• 1:37:47
  Speaker 13: The first movie i remember seeing over and over again
• 1:37:48
  Speaker 13: like as i've said would be the beast master god
• 1:37:52
  Speaker 13: i watched that movie so many.
• 1:37:53
  Speaker 7: Damn times i watched that to death on cable in
• 1:37:57
  Speaker 7: the theater again i think that was.
• 1:37:59
  Speaker 9: My story what hbo stood for.
• 1:38:05
  Speaker 7: And that's why I've seen it 10 million times. See,
• 1:38:07
  Speaker 7: that's the thing.
• 1:38:08
  Speaker 11: We didn't even have HBO, so we got, like, the
• 1:38:10
  Speaker 11: regular straight-to-TV version of it.
• 1:38:12
  Speaker 4: Oh, that's worse.
• 1:38:13
  Speaker 15: I had it on VHS from when you get the
• 1:38:14
  Speaker 15: free preview of the, like, Showtime or HBO, and I
• 1:38:18
  Speaker 15: recorded it and watched it.
• 1:38:20
  Speaker 7: That was, yeah, that's my story on there. That's what
• 1:38:23
  Speaker 7: it is. I bought my first blank VHS tape to
• 1:38:25
  Speaker 7: record Beastmaster. That is why I bought it. It's fucking awesome.
• 1:38:29
  Speaker 9: I'm still, in love with Mark Singer.
• 1:38:31
  Speaker 7: Sorry.
• 1:38:32
  Speaker 15: First movie I ever saw, we got a VCR because
• 1:38:35
  Speaker 15: our house had been broken in two.
• 1:38:36
  Speaker 4: So my dad had this money from the TV. It
• 1:38:38
  Speaker 4: was more expensive than, you know. And so he's like, well,
• 1:38:41
  Speaker 4: I got a bit by a VCR too.
• 1:38:43
  Speaker 15: And went to the store and I had, seen at
• 1:38:48
  Speaker 15: the grocery store where the movies were i had seen.
• 1:38:51
  Speaker 10: The box for kroll i thought this was gonna be
• 1:38:55
  Speaker 10: the most awesome movie ever and i was like i
• 1:38:58
  Speaker 10: want that movie i've been wanting that movie since i
• 1:39:00
  Speaker 10: knew about what a vcr was they've had it here
• 1:39:02
  Speaker 10: at kroger i think it was win dixie is what
• 1:39:05
  Speaker 10: it was used to carry a movie and and we
• 1:39:08
  Speaker 10: we bought it and They kept sticking it in and
• 1:39:10
  Speaker 10: playing it, and they couldn't get the hold right. That
• 1:39:12
  Speaker 10: was back then when each channel had to be specifically
• 1:39:15
  Speaker 10: dialed in.
• 1:39:15
  Speaker 7: You had to adjust your tracking with a little knob.
• 1:39:20
  Speaker 15: I kept telling them, I don't want to see the
• 1:39:22
  Speaker 15: movie when I can't see the movie.
• 1:39:23
  Speaker 4: And they're like, don't worry, we'll roll it.
• 1:39:25
  Speaker 15: Back until the very beginning of the tape, and you
• 1:39:28
  Speaker 15: can watch it.
• 1:39:29
  Speaker 4: And I remember thinking... The box is so much cooler
• 1:39:34
  Speaker 4: than the movie.
• 1:39:35
  Speaker 7: See, if ever there was an example of video boxes
• 1:39:38
  Speaker 7: that warped my brain, you were sold on that one,
• 1:39:41
  Speaker 7: surely on the video box. That's awesome.
• 1:39:45
  Speaker 15: I remember going to the theaters plenty as a kid,
• 1:39:48
  Speaker 15: but that was the moment that I couldn't believe that
• 1:39:52
  Speaker 15: you could put something into a VCR and watch a movie.
• 1:39:57
  Speaker 7: The first movie we.
• 1:39:58
  Speaker 4: Had was The Heavenly Kid. My dad got a VCR for.
• 1:40:01
  Speaker 11: That's where a kid got killed in the subway or something.
• 1:40:03
  Speaker 4: I don't remember, but that was the first movie. The
• 1:40:05
  Speaker 4: second movie we watched was Cannonball Hunt.
• 1:40:07
  Speaker 14: Nice.
• 1:40:08
  Speaker 7: I don't even remember what we first started watching on VHS.
• 1:40:10
  Speaker 7: I kind of remember that theater stuff, but yeah, VHS,
• 1:40:14
  Speaker 7: it all just became a big blur. I mean, I
• 1:40:16
  Speaker 7: watched so much stuff.
• 1:40:17
  Speaker 25: We got top salesman of the year.
• 1:40:20
  Speaker 4: And his prize was a VCR, and that was back
• 1:40:23
  Speaker 4: when VCRs were like, you know, you remember, they.
• 1:40:26
  Speaker 7: Were like $ 200, $ 300.
• 1:40:27
  Speaker 4: Like $ 1, 000.
• 1:40:28
  Speaker 7: They were more than that.
• 1:40:30
  Speaker 4: Yeah, well, that's what we did.
• 1:40:31
  Speaker 25: We went to the little supermarket down the street.
• 1:40:35
  Speaker 4: It was a little, like, gas and go. It was
• 1:40:37
  Speaker 4: a mom and pop shop, and they.
• 1:40:38
  Speaker 26: Had that back wall that had all the fucking VCR
• 1:40:43
  Speaker 26: covers that you would go up there and pick one,
• 1:40:45
  Speaker 26: and then you could rent it for, like, one or
• 1:40:47
  Speaker 26: two nights, and then you had to bring it back.
• 1:40:50
  Speaker 11: Yeah.
• 1:40:50
  Speaker 4: They charged you if you didn't rewind it. But yeah,
• 1:40:54
  Speaker 4: just going through, I remember as a kid, I was
• 1:40:56
  Speaker 4: with my dad. It was my mom and my dad
• 1:40:59
  Speaker 4: and me. And he's like, we're going to go pick
• 1:41:00
  Speaker 4: out a movie. And I'm looking at all these movies
• 1:41:02
  Speaker 4: and I'm just like, you know, it's a ninja movie.
• 1:41:05
  Speaker 4: You know, dad's like, no, not that one. And I'm like,
• 1:41:07
  Speaker 4: oh man, what about this army movie?
• 1:41:10
  Speaker 14: No, not that one.
• 1:41:12
  Speaker 4: What about Night of the Living Dead? No, no, not
• 1:41:14
  Speaker 4: that one. Oh God, man, come on, you got to
• 1:41:17
  Speaker 4: pick something cool. I was like, cool we get these
• 1:41:20
  Speaker 4: ninja movies and now we got the heavenly kid and
• 1:41:23
  Speaker 4: I was like man come.
• 1:41:25
  Speaker 9: On that's not the one I was thinking of.
• 1:41:30
  Speaker 11: I remember being my cousin Stevie and Aaron we used
• 1:41:32
  Speaker 11: to go play Jason.
• 1:41:33
  Speaker 18: Out in the woods which involved the tools for the
• 1:41:37
  Speaker 18: fireplace of course until my grandma realized what we were
• 1:41:40
  Speaker 18: doing or what Jason was it's good that she's you
• 1:41:44
  Speaker 18: know on top of her horror movies.
• 1:41:47
  Speaker 9: Yeah, they're the two of us playing. Yeah, especially like
• 1:41:50
  Speaker 9: the tool, I guess it's like the long grabber.
• 1:41:53
  Speaker 7: You kids did not need to be playing with those tools.
• 1:41:57
  Speaker 7: I remember you kids in action. That's trouble. I've seen
• 1:42:00
  Speaker 7: the videos.
• 1:42:00
  Speaker 22: I've seen the videos.
• 1:42:01
  Speaker 7: They're scary.
• 1:42:03
  Speaker 9: Yeah, I remember that. I don't even think I'd seen
• 1:42:05
  Speaker 9: Jason at that point, but I knew enough about it.
• 1:42:07
  Speaker 7: To know that they didn't. It's a game at that point. Yeah,
• 1:42:10
  Speaker 7: I mean, every kid, I think, had that. Come on,
• 1:42:11
  Speaker 7: let's play, and you could just name a movie or
• 1:42:14
  Speaker 7: a character from a movie, and it became a game.
• 1:42:16
  Speaker 7: It's like every... neighborhood you gotta come get me you
• 1:42:20
  Speaker 7: gotta come.
• 1:42:20
  Speaker 9: Kill me kill me with the fireplace.
• 1:42:22
  Speaker 4: Tool I'm gonna kill you you can't get me.
• 1:42:25
  Speaker 15: I remember there was a kid that was several years
• 1:42:27
  Speaker 15: younger four or five years younger than me that lived
• 1:42:29
  Speaker 15: behind me and his family.
• 1:42:32
  Speaker 4: Was kind of messed up anyway that the.
• 1:42:35
  Speaker 15: Uncle's coming over and the dad's coming over and you
• 1:42:38
  Speaker 15: don't really know who's the real dad.
• 1:42:40
  Speaker 12: That kind of family that kind of family and grandma
• 1:42:43
  Speaker 12: it was grandma's house but everybody just kind of came
• 1:42:45
  Speaker 12: and went and the kid was always there And I
• 1:42:48
  Speaker 12: remember him reenacting the scene where Tommy's hacking the guy
• 1:42:51
  Speaker 12: up and.
• 1:42:53
  Speaker 4: They're screaming for him. And he's just yelling, die, die, die.
• 1:42:57
  Speaker 15: And he's several years younger than me. I'm like 12
• 1:43:01
  Speaker 15: and he's like 7. And I'm thinking, even then I'm like,
• 1:43:04
  Speaker 15: this kid is.
• 1:43:07
  Speaker 4: Fucked up. And he is. He's not quite right.
• 1:43:11
  Speaker 9: In the head.
• 1:43:12
  Speaker 7: To prove the point, yep, don't let your kids watch this.
• 1:43:15
  Speaker 7: The kind of stuff that we grew up on.
• 1:43:17
  Speaker 15: He's like an enforcer for like a loan shark or
• 1:43:19
  Speaker 15: something like that now.
• 1:43:21
  Speaker 7: That all seems fine.
• 1:43:22
  Speaker 9: I remember watching Candyman. I guess I came out in what?
• 1:43:26
  Speaker 7: 92 maybe?
• 1:43:27
  Speaker 4: 90 or 92.
• 1:43:28
  Speaker 7: I was singing.
• 1:43:29
  Speaker 4: In the bathroom. Everybody be quiet. Now the water's running.
• 1:43:37
  Speaker 13: But anyways, I remember watching Candyman when it came out
• 1:43:40
  Speaker 13: in 92 and I was probably about 12 and I
• 1:43:41
  Speaker 13: remember just being absolutely petrified to go in the bathroom
• 1:43:44
  Speaker 13: because my grandma had one of these mirrors that ran
• 1:43:46
  Speaker 13: the entire length of the counter so it was like
• 1:43:47
  Speaker 13: longer than like my arm span so I was petrified
• 1:43:50
  Speaker 13: to go in the bathroom but like I see in
• 1:43:51
  Speaker 13: the mirror Candyman's gonna come get me so I made
• 1:43:54
  Speaker 13: her take.
• 1:43:55
  Speaker 9: The mirror out of the bathroom for like a week
• 1:43:57
  Speaker 9: because I was too afraid to go in.
• 1:44:00
  Speaker 7: You know I can't blame you because I still think
• 1:44:02
  Speaker 7: Candyman's a scary movie especially as a kid.
• 1:44:05
  Speaker 11: It is yeah yeah I don't know if we watched
• 1:44:09
  Speaker 11: that one of the times when you know me, Stevie
• 1:44:11
  Speaker 11: and Aaron and one of us would have to sit
• 1:44:12
  Speaker 11: in like the hallway and keep watch to make sure
• 1:44:13
  Speaker 11: she wasn't coming or your mom or my.
• 1:44:16
  Speaker 9: Grandma when we watched Candyman Yeah. We'd do that. We'd
• 1:44:20
  Speaker 9: sit and try to watch the scrambled porn channel.
• 1:44:22
  Speaker 7: Well, we all played that game. What is that?
• 1:44:29
  Speaker 9: Oh.
• 1:44:29
  Speaker 7: We never got that.
• 1:44:30
  Speaker 4: We didn't have cable. We had three channels.
• 1:44:33
  Speaker 9: It was like you couldn't really see it because.
• 1:44:36
  Speaker 4: It was the.
• 1:44:36
  Speaker 7: If you turn it.
• 1:44:37
  Speaker 4: My buddy had satellite. He had the spice channel because
• 1:44:40
  Speaker 4: his dad ordered the spice channel.
• 1:44:42
  Speaker 1: Nice.
• 1:44:43
  Speaker 4: Yeah, we walked in on his dad one time. what
• 1:44:45
  Speaker 4: are you kids.
• 1:44:46
  Speaker 20: Doing home from school so early we're all like just.
• 1:44:51
  Speaker 9: Dance on the couch jerking off stop it that's.
• 1:44:53
  Speaker 20: Not yeah he is I just got out of the
• 1:44:57
  Speaker 20: shower you kids go outside and play.
• 1:45:00
  Speaker 7: And he never lived that down and now that kid
• 1:45:03
  Speaker 7: is fucked up as well he is Martin yup he
• 1:45:08
  Speaker 7: has become that there's nothing worse than.
• 1:45:09
  Speaker 14: Like I've never had that happen but that's a pretty
• 1:45:13
  Speaker 14: traumatic thing I've never caught my parents in the act,
• 1:45:17
  Speaker 14: but I think, like, my ex-boyfriend's mom caught me, and
• 1:45:19
  Speaker 14: that was awkward.
• 1:45:22
  Speaker 7: Yeah, that's sort of in reverse and weird.
• 1:45:24
  Speaker 4: Not just me, but us.
• 1:45:26
  Speaker 15: A friend of mine, he said his parents' room was
• 1:45:28
  Speaker 15: right next to his, and he said he heard his parents.
• 1:45:30
  Speaker 4: All the time.
• 1:45:32
  Speaker 8: That's even creepier.
• 1:45:32
  Speaker 4: I think that's really, and he got, eventually he said,
• 1:45:36
  Speaker 4: I'm going to sleep in the basement because that's just creepy.
• 1:45:39
  Speaker 7: Not even just the act, but the all the time part.
• 1:45:41
  Speaker 8: Right, right.
• 1:45:44
  Speaker 7: Creepy traumatized is what.
• 1:45:48
  Speaker 11: We take we'd have to watch the hallway make sure
• 1:45:53
  Speaker 11: grandma wasn't coming downstairs I'd have to be with some
• 1:45:55
  Speaker 11: buttheads who weren't allowed.
• 1:45:56
  Speaker 7: To watch equally as offensive as porn yeah.
• 1:46:00
  Speaker 13: I was petrified after watching Candyman.
• 1:46:04
  Speaker 7: It's still kind of creepy it's an amazingly impressive movie.
• 1:46:09
  Speaker 9: I tried to rent Fritz the Cat once, and Mom
• 1:46:11
  Speaker 9: wouldn't let me.
• 1:46:12
  Speaker 7: That's what we need to do.
• 1:46:13
  Speaker 9: Fritz the Cat?
• 1:46:14
  Speaker 7: Fritz the Cat. It's very different than I expected.
• 1:46:18
  Speaker 9: Well, I was a kid, and I would have kitty
• 1:46:19
  Speaker 9: cats on the cover, and it was cartoon.
• 1:46:21
  Speaker 7: All right, we're throwing that in the mix then.
• 1:46:23
  Speaker 9: I didn't say I wanted to see it now.
• 1:46:25
  Speaker 7: Too bad.
• 1:46:25
  Speaker 4: I was like, come.
• 1:46:29
  Speaker 10: On.
• 1:46:29
  Speaker 7: So hopefully that has sufficed for your... Are you.
• 1:46:34
  Speaker 9: Sniffing or seeing if you shaved?
• 1:46:36
  Speaker 14: No, I know I shaved. I forgot to put deodorant on.
• 1:46:39
  Speaker 14: I mean, I don't really smell bad, but I could
• 1:46:41
  Speaker 14: smell better.
• 1:46:41
  Speaker 4: She doesn't do it nonchalantly. She just shoves her whole
• 1:46:44
  Speaker 4: face into the room.
• 1:46:45
  Speaker 7: We're all fun, too. Classy with a K.
• 1:46:51
  Speaker 14: Wow.
• 1:46:52
  Speaker 4: It's not like I'm in public.
• 1:46:56
  Speaker 7: Millions of people are listening to you do this right
• 1:46:59
  Speaker 7: now or three a little more accurate but whatever.
• 1:47:03
  Speaker 20: Randy or maybe some other guy in Wisconsin.
• 1:47:10
  Speaker 15: Armpit fetish if anybody knows anybody with armpit fetish tell.
• 1:47:14
  Speaker 14: Them to listen to me there's a lot probably I
• 1:47:17
  Speaker 14: guess if there's a website for women with puffy nipples
• 1:47:20
  Speaker 14: there's gotta be armpit fetishes out.
• 1:47:22
  Speaker 7: There There's way worse stuff than that out there, I hate.
• 1:47:24
  Speaker 22: To tell you.
• 1:47:25
  Speaker 14: Cake fart.
• 1:47:27
  Speaker 7: Yeah, that's one of the top of the list of
• 1:47:30
  Speaker 7: worst things out there.
• 1:47:30
  Speaker 14: Cake fart.
• 1:47:31
  Speaker 7: Are you not familiar with that one? Cake. Cake. Cake fart.
• 1:47:35
  Speaker 9: What?
• 1:47:36
  Speaker 7: Oh, unfortunately, I'm familiar with it. I have yet to
• 1:47:39
  Speaker 7: go there, thankfully, but... I've just heard about it. No,
• 1:47:42
  Speaker 7: I heard about it on another show. One of our
• 1:47:45
  Speaker 7: brethren of, yeah, they did a whole little session where
• 1:47:49
  Speaker 7: they went and watched it while recording and their reaction
• 1:47:52
  Speaker 7: to it. See, I was.
• 1:47:54
  Speaker 14: Telling someone this story about this guy that my best
• 1:47:57
  Speaker 14: friend and I used to work with at Kmart when
• 1:47:59
  Speaker 14: we were teenagers. His name was Scott. And one day
• 1:48:02
  Speaker 14: he went up to us. He's like, hey, girls, step
• 1:48:04
  Speaker 14: on this piece of gum. And we're like, okay. And
• 1:48:07
  Speaker 14: then later he came up to Jessica with a hostess
• 1:48:09
  Speaker 14: cupcake and was like, Jessica. fart on this cupcake. And
• 1:48:12
  Speaker 14: she was like, no, why? He was like, just fart
• 1:48:15
  Speaker 14: on this cupcake. Fart on it. And she's like, no.
• 1:48:18
  Speaker 14: He's like, burp on it. Burp on this cupcake. cupcake
• 1:48:20
  Speaker 14: no well yeah he tried to give her like a
• 1:48:24
  Speaker 14: dollar actually he did she didn't do it no she
• 1:48:28
  Speaker 14: was like that's really weird and he's just like following
• 1:48:30
  Speaker 14: around so he's like come on just fart on this
• 1:48:32
  Speaker 14: cupcake fart on it.
• 1:48:33
  Speaker 18: When Jessica should make a matter of time yeah just
• 1:48:36
  Speaker 18: stand there for a few minutes laughing.
• 1:48:39
  Speaker 9: It's going to come out of some end.
• 1:48:42
  Speaker 18: I'll tell Jessica.
• 1:48:45
  Speaker 7: She knows.
• 1:48:46
  Speaker 14: Everybody knows.
• 1:48:47
  Speaker 7: She jokes about it more than anybody.
• 1:48:49
  Speaker 14: Yeah, like yesterday, she was like, want to smell my hands?
• 1:48:52
  Speaker 14: They smell like onions.
• 1:48:53
  Speaker 7: I'm like, no.
• 1:48:54
  Speaker 14: And she kept asking me that. I'm like, you fucking retard.
• 1:48:57
  Speaker 14: I do not want to smell your goddamn onion fingers.
• 1:48:59
  Speaker 7: Stop. I was trying to make him smell his wash
• 1:49:03
  Speaker 7: right after he's been hanging up and mildewing.
• 1:49:05
  Speaker 4: For a couple days gross I don't.
• 1:49:07
  Speaker 12: Understand why it gets so mildewy it's got soap on
• 1:49:12
  Speaker 12: it and it's hanging up how does it get mildewy.
• 1:49:14
  Speaker 9: And why do you think I want to smell it
• 1:49:16
  Speaker 9: I don't.
• 1:49:16
  Speaker 7: Know I want to share these experiences with you.
• 1:49:22
  Speaker 14: And then right after I was telling people that sorry
• 1:49:24
  Speaker 14: I saw that guy Scott at the flea market like
• 1:49:27
  Speaker 14: a couple of weeks ago And I was like, I
• 1:49:29
  Speaker 14: had to text everybody. I'm like, I just saw that
• 1:49:32
  Speaker 14: guy that came out that wanted us to.
• 1:49:34
  Speaker 9: Was he asking anybody to fart on him?
• 1:49:37
  Speaker 7: That you saw, but in the parking lot later, I'm
• 1:49:39
  Speaker 7: pretty sure.
• 1:49:39
  Speaker 2: Probably.
• 1:49:40
  Speaker 14: He got fired for asking the manager to smash some
• 1:49:45
  Speaker 14: grapes with her feet.
• 1:49:46
  Speaker 7: Yeah, that's even normal.
• 1:49:48
  Speaker 1: Yeah.
• 1:49:50
  Speaker 14: He almost got fired before he ever asked Jessica to
• 1:49:53
  Speaker 14: fart on a cupcake because he asked someone else to
• 1:49:56
  Speaker 14: like he asked someone else to rub a chocolate bar
• 1:49:59
  Speaker 14: between their toes. He's like, rub this Kit Kat between
• 1:50:02
  Speaker 14: your toes.
• 1:50:03
  Speaker 7: What the fuck is wrong with this guy?
• 1:50:05
  Speaker 14: He's fucking weird.
• 1:50:06
  Speaker 4: You gotta offer money.
• 1:50:08
  Speaker 9: You offer big bucks. Don't give me a dollar.
• 1:50:10
  Speaker 4: I don't have to spend it. Right.
• 1:50:13
  Speaker 9: You think I'm cheap?
• 1:50:14
  Speaker 11: Yeah.
• 1:50:19
  Speaker 7: Oh, God.
• 1:50:20
  Speaker 14: True story. True story.
• 1:50:24
  Speaker 13: Wow.
• 1:50:25
  Speaker 4: I'll sell you my sheep cushion for $ 100.
• 1:50:27
  Speaker 14: I mean, really, people, stuff like this happens to me
• 1:50:31
  Speaker 14: all the time.
• 1:50:32
  Speaker 7: That's so funny.
• 1:50:32
  Speaker 9: I have a Louisville Mojo. I have to buy my underpants.
• 1:50:34
  Speaker 7: Ew. How much did you get?
• 1:50:36
  Speaker 14: I remember in Louisville Mojo, I'd get random messages from
• 1:50:39
  Speaker 14: old guys such as, like, a massage. No, not for me,
• 1:50:42
  Speaker 14: you fucking creep.
• 1:50:43
  Speaker 7: I'm pretty sure that's still going on. They've just changed
• 1:50:45
  Speaker 7: websites now.
• 1:50:47
  Speaker 3: Yeah.
• 1:50:48
  Speaker 7: Take your pick.
• 1:50:48
  Speaker 4: The Japanese sell used underpants and vending machines.
• 1:50:51
  Speaker 2: Oh, yeah.
• 1:50:51
  Speaker 7: That's a normal occurrence. Yes.
• 1:50:54
  Speaker 4: Japan, give in to your fetishes. Make money off them.
• 1:50:57
  Speaker 7: Yeah, really. And put it out on the street. Exactly.
• 1:51:02
  Speaker 7: All right. So, how we got to those places.
• 1:51:06
  Speaker 9: It was my fault.
• 1:51:07
  Speaker 7: Don't ask questions. Good luck. Asking questions will lead to this.
• 1:51:11
  Speaker 4: That leads.
• 1:51:13
  Speaker 7: Any other questions, hey, you know, send them on out
• 1:51:15
  Speaker 7: in an email or give us a call.
• 1:51:24
  Speaker 24: Don't be shy. We'd like to hear from you. So
• 1:51:26
  Speaker 24: give us a call at 502-365-5565. Or you can email
• 1:51:31
  Speaker 24: us at geeksatmoviemeltdown.com. And just stop by the website for
• 1:51:35
  Speaker 24: our frequent updates. That's moviemeltdown.com.
• 1:51:40
  Speaker 12: On by, on by.
• 1:51:44
  Speaker 4: On by, on by.
• 1:51:46
  Speaker 20: Write them down on a pair of used panties and
• 1:51:48
  Speaker 20: send them in.
• 1:51:50
  Speaker 4: There you go. Ew.
• 1:51:52
  Speaker 7: And please include the tongs that we're going to need
• 1:51:54
  Speaker 7: to pick them up because, yeah. Never mind, I don't
• 1:51:58
  Speaker 7: trust those coming from you either. We'll get our own.
• 1:52:02
  Speaker 14: Or you could just use paper. That's cool, too.
• 1:52:05
  Speaker 9: I don't know. Now I don't trust.
• 1:52:07
  Speaker 4: My favorite paper vitamin.
• 1:52:08
  Speaker 7: That's sterile. Yeah, voicemail. We prefer voicemails and emails.
• 1:52:13
  Speaker 9: They're going to be naked while they send it.
• 1:52:15
  Speaker 7: Whatever. I can deal with that. They're going to fart
• 1:52:20
  Speaker 7: on your voicemail.
• 1:52:20
  Speaker 9: Oh, Jesus.
• 1:52:22
  Speaker 7: What does that mean? We're supposed to be wearing gloves?
• 1:52:23
  Speaker 14: I mean, actually, I just thought of something a long
• 1:52:26
  Speaker 14: time ago. This isn't really... I mean, this wasn't a podcast,
• 1:52:29
  Speaker 14: but it was like a... show that we'd record. It
• 1:52:33
  Speaker 14: wasn't me, personally. It was my ex-boyfriend's retarded dad and
• 1:52:37
  Speaker 14: his neighbor. His neighbor would get drunk and he thought
• 1:52:39
  Speaker 14: it would be really funny to have a show called
• 1:52:41
  Speaker 14: The Gas Hour. And basically all they did was sit
• 1:52:44
  Speaker 14: around and laugh and fart and try to see who
• 1:52:46
  Speaker 14: could light their fart on fire first.
• 1:52:49
  Speaker 9: Why didn't we think of that?
• 1:52:52
  Speaker 14: The Gas Hour.
• 1:52:52
  Speaker 7: I weep for this country.
• 1:52:55
  Speaker 15: Yeah.
• 1:52:56
  Speaker 7: And for humanity in general, truthfully.
• 1:52:58
  Speaker 9: Alrighty. Alrighty.
• 1:53:01
  Speaker 7: Okay, kids, get out your decoder bins.
• 1:53:03
  Speaker 13: I didn't bring my copy of Git.
• 1:53:09
  Speaker 7: Git.
• 1:53:09
  Speaker 11: Git.
• 1:53:09
  Speaker 4: I don't even know where that started, but I just
• 1:53:13
  Speaker 4: know doing it.
• 1:53:13
  Speaker 1: What?
• 1:53:13
  Speaker 7: It was in the $ 9. 99 packet at our.
• 1:53:14
  Speaker 4: Section at Suncoast, and it was just a VHS.
• 1:53:31
  Speaker 15: There was a dog trainer and the box just had
• 1:53:34
  Speaker 15: G-I-T exclamation point.
• 1:53:36
  Speaker 4: So we'd run around and we'd just go, Get!
• 1:53:38
  Speaker 9: Get!
• 1:53:41
  Speaker 15: And then I did it to Christine's cat at the
• 1:53:44
  Speaker 15: Oscar party.
• 1:53:45
  Speaker 4: And just kept yelling and the cat was just freaking out.
• 1:53:48
  Speaker 7: Oh, shit.
• 1:53:49
  Speaker 4: So, yeah. I love it.
• 1:53:52
  Speaker 15: So Sam, as my parting gift for leaving Suncoast, he bought.
• 1:53:56
  Speaker 4: Me a copy of Get!
• 1:53:57
  Speaker 1: Get!
• 1:54:00
  Speaker 7: Have you watched it?
• 1:54:00
  Speaker 1: Yeah.
• 1:54:01
  Speaker 4: Oh, yeah.
• 1:54:02
  Speaker 15: And he's kind of like the rambling guy, and there's
• 1:54:07
  Speaker 15: a dog that nobody can train. You know, he's getting
• 1:54:10
  Speaker 15: kicked away, and so he comes in and trains the dog,
• 1:54:13
  Speaker 15: and they're both kind of like the rebels, you know,
• 1:54:17
  Speaker 15: of town.
• 1:54:18
  Speaker 7: So it's a bad movie.
• 1:54:20
  Speaker 19: Wow.
• 1:54:21
  Speaker 24: So, yeah, I get it.
• 1:54:23
  Speaker 7: It is time for the Movie Outdown Secret Circle reveal
• 1:54:25
  Speaker 7: of an upcoming feature. And based on what you just said,
• 1:54:28
  Speaker 7: I'm throwing Fritz the Cat out there.
• 1:54:33
  Speaker 9: Oh, man. What are you planning on doing next week?
• 1:54:36
  Speaker 7: Are we back for that? No, we're working other things,
• 1:54:39
  Speaker 7: and that's the thing. That's why I'm not even pinpointing
• 1:54:41
  Speaker 7: them anymore. We've got many other projects in the works,
• 1:54:44
  Speaker 7: one of which I'm also going to throw out there
• 1:54:46
  Speaker 7: right now. We're also working on a new segment, a
• 1:54:49
  Speaker 7: more expanded segment, so that people don't have to come
• 1:54:54
  Speaker 7: to my creepy house. Or Misty doesn't want it. She
• 1:54:57
  Speaker 7: barely let us in her house today. So we can't
• 1:54:59
  Speaker 7: always do this option when we're bringing other people in. Yeah,
• 1:55:03
  Speaker 7: I don't want anybody I don't know in my house.
• 1:55:05
  Speaker 7: That's what I'm saying. So I'm coming up with other options.
• 1:55:07
  Speaker 9: I told him Greg could come, but just if he
• 1:55:09
  Speaker 9: wouldn't play with my toys.
• 1:55:11
  Speaker 7: And he's controlled himself very nicely.
• 1:55:13
  Speaker 4: There's a lot of toys, too.
• 1:55:15
  Speaker 7: I specifically gave him those instructions. He agreed to them. Yeah,
• 1:55:20
  Speaker 7: the real collection is in the other room.
• 1:55:22
  Speaker 14: Yeah.
• 1:55:22
  Speaker 4: Don't show them. Don't show me.
• 1:55:26
  Speaker 7: But, yeah, we've all conducted, you know, somewhat professionally today.
• 1:55:30
  Speaker 7: We didn't break your stuff, so.
• 1:55:32
  Speaker 14: I kind of broke the little ribbon on her charm bracelet.
• 1:55:34
  Speaker 7: Oh, my God.
• 1:55:35
  Speaker 4: That's it. We're not excited.
• 1:55:36
  Speaker 7: You're out.
• 1:55:37
  Speaker 4: It's an anniversary present.
• 1:55:40
  Speaker 7: I know.
• 1:55:40
  Speaker 14: I feel really terrible. I can't replace it because it
• 1:55:45
  Speaker 14: won't be special.
• 1:55:46
  Speaker 7: It's sentimental.
• 1:55:46
  Speaker 9: I know it's the only one I have.
• 1:55:49
  Speaker 4: Try to stay here.
• 1:55:53
  Speaker 13: Wow.
• 1:55:55
  Speaker 7: Okay, so we, yeah, in the new option of stuff
• 1:55:58
  Speaker 7: I've been coming up with, I'm thinking of doing a
• 1:56:01
  Speaker 7: regular episode where we go take over a coffee shop,
• 1:56:06
  Speaker 7: get hopped up on coffee, and just... I don't drink coffee.
• 1:56:09
  Speaker 7: You can have hot chocolate or something, whatever. You have
• 1:56:14
  Speaker 7: to bring your own hot chocolate. So, bring a thermos, please.
• 1:56:18
  Speaker 9: Okay.
• 1:56:19
  Speaker 7: With plaid and a cup built right in. Anyway, so...
• 1:56:22
  Speaker 7: There you go.
• 1:56:25
  Speaker 4: Alright, whatever.
• 1:56:30
  Speaker 7: So anyway, we're gonna do the... You ruined the.
• 1:56:31
  Speaker 9: One with plaid because you put it in the dishwasher.
• 1:56:33
  Speaker 4: Hey, I didn't know the paint was gonna come off
• 1:56:35
  Speaker 4: of it.
• 1:56:35
  Speaker 9: That was my grandpa's.
• 1:56:37
  Speaker 4: How am I supposed to know the paint was gonna
• 1:56:39
  Speaker 4: come off of it?
• 1:56:40
  Speaker 23: He's dead.
• 1:56:41
  Speaker 15: Now you've got a broken charm bracelet and your grandpa's
• 1:56:43
  Speaker 15: thermos is broken.
• 1:56:45
  Speaker 7: That's it. We can't go on anymore.
• 1:56:49
  Speaker 4: So, coffee shop, regular show.
• 1:56:52
  Speaker 7: New and improved version, a sort of offshoot version of
• 1:56:56
  Speaker 7: the show. Probably very similar to what we normally do,
• 1:56:58
  Speaker 7: but with a few extra additions and being hopped up
• 1:57:00
  Speaker 7: on coffee as we break in the new version, which
• 1:57:03
  Speaker 7: will be the caffeinated movie geek. And on that note,
• 1:57:06
  Speaker 7: I have something new and cool to show you. Which
• 1:57:09
  Speaker 7: is just coincidentally coming around at the same time. I've
• 1:57:12
  Speaker 7: actually been working on this plan for about seven or
• 1:57:14
  Speaker 7: eight months now, but it just happened to come in
• 1:57:17
  Speaker 7: at this point as we start this new era of
• 1:57:19
  Speaker 7: the show. Check that out. I've just sat down a
• 1:57:25
  Speaker 7: sweet movie meltdown coffee mug. Handmade, mind you. But they
• 1:57:30
  Speaker 7: are going to be offered on the website, available to
• 1:57:33
  Speaker 7: be ordered.
• 1:57:33
  Speaker 9: Somebody buys anything we have.
• 1:57:36
  Speaker 7: I don't care. I've got one. I've got one. That
• 1:57:39
  Speaker 7: was my main reason for making them, because I want one.
• 1:57:42
  Speaker 14: It's almost as cool as the coffee mug that I
• 1:57:45
  Speaker 14: gave you today.
• 1:57:47
  Speaker 9: And the handle doesn't spin or anything.
• 1:57:49
  Speaker 4: All right, you know what? Don't put it in the dishwasher, Jake.
• 1:57:55
  Speaker 4: I know you got one of them goddamn coffee mugs.
• 1:57:57
  Speaker 4: I'll help you find it. You're trying to make me nuts.
• 1:58:00
  Speaker 14: She just has it hidden under the sink.
• 1:58:02
  Speaker 9: I know!
• 1:58:04
  Speaker 14: I know it's around here. Did you pay any attention
• 1:58:07
  Speaker 14: to the copy mug I presented to you earlier?
• 1:58:09
  Speaker 7: Yes, and it is awesome.
• 1:58:12
  Speaker 9: It's vintage.
• 1:58:15
  Speaker 7: It's a vintage Star Wars copy. It's a vintage Empire era,
• 1:58:19
  Speaker 7: I'm assuming. It's got Yoda and Luke in the Dagobah
• 1:58:22
  Speaker 7: set up on it. So that was my leftover Christmas present.
• 1:58:27
  Speaker 7: So yeah, that was my Christmas present from Rowena, which
• 1:58:29
  Speaker 7: is awesome, but we're not.
• 1:58:30
  Speaker 9: I have your Christmas present in the other room.
• 1:58:32
  Speaker 7: We're not offering that on the website because it's mine
• 1:58:34
  Speaker 7: and you can't have it. What you can have is
• 1:58:35
  Speaker 7: one of these fabulous movie meltdowns.
• 1:58:37
  Speaker 4: Which are cooler.
• 1:58:38
  Speaker 14: It says Adams on the bottom of it.
• 1:58:40
  Speaker 7: Handmade, I'm telling you. These are going to be a
• 1:58:43
  Speaker 7: very limited run. His link will be on there on
• 1:58:46
  Speaker 7: the site, too. I'm definitely promoting his work. He does
• 1:58:49
  Speaker 7: fine ceramic work, so commission him to do whatever you want.
• 1:58:54
  Speaker 7: But we're definitely going to have a run of these,
• 1:58:57
  Speaker 7: and I'm working on a new awesome artwork to go
• 1:59:00
  Speaker 7: along with the caffeinated movie geek segment. So I'm hoping
• 1:59:04
  Speaker 7: we'll have a specific one just of that in the
• 1:59:07
  Speaker 7: near future, somewhere, or distant future. So place your orders now.
• 1:59:12
  Speaker 7: They're awesome.
• 1:59:13
  Speaker 11: I almost bought you something last night, but I didn't
• 1:59:15
  Speaker 11: because it would have involved having money.
• 1:59:16
  Speaker 9: You know those stupid little bean things? The little, um.
• 1:59:21
  Speaker 4: I guess you play games with them.
• 1:59:23
  Speaker 9: Mighty Beans.
• 1:59:23
  Speaker 7: The roly-poly looking... They had a Greedo Bean. I've hung
• 1:59:28
  Speaker 7: out with Greedo. As we've all heard. I'm assuming. Greedo Bean.
• 1:59:35
  Speaker 19: That's pretty funny.
• 1:59:38
  Speaker 7: Maybe we need a Greedo blend of coffee. Made with
• 1:59:41
  Speaker 7: real Greedo Beans. Whatever, I'd drink it. Yeah, but you're weird. Yeah,
• 1:59:48
  Speaker 7: that's true. Alright, anything else you guys want to round
• 1:59:52
  Speaker 7: out this episode? We're back with a vengeance, I tell you.
• 1:59:56
  Speaker 4: That's right.
• 1:59:57
  Speaker 9: I'm not really vengeance right now.
• 1:59:59
  Speaker 4: It's getting late.
• 2:00:00
  Speaker 7: That's what I'm saying. We delivered a hell of an episode,
• 2:00:03
  Speaker 7: I'd say.
• 2:00:04
  Speaker 4: It's super late.
• 2:00:06
  Speaker 9: Watch out, ginger magician.
• 2:00:09
  Speaker 4: Misty's gunning for you in 2011.
• 2:00:10
  Speaker 16: Revenge of the ginger magicians.
• 2:00:15
  Speaker 4: Or vampires.
• 2:00:16
  Speaker 9: Neither of the magicians I work with are gingers. That's
• 2:00:18
  Speaker 9: why I have not killed them thus far.
• 2:00:20
  Speaker 7: Yet. Again, it's early in the year. So with that
• 2:00:24
  Speaker 7: grim warning, we will round things out. As for our
• 2:00:27
  Speaker 7: closing song, I mean, when Soft Cell writes a song
• 2:00:30
  Speaker 7: inspired by your movie, we have to go out on that.
• 2:00:34
  Speaker 14: Soft Cell did?
• 2:00:34
  Speaker 7: Soft Cell, for God's sakes. What was it? Martin.
• 2:00:39
  Speaker 14: Martin. I've never heard it.
• 2:00:41
  Speaker 7: I'm just telling. Soft sell.
• 2:00:43
  Speaker 11: Martin.
• 2:00:43
  Speaker 9: Y'all looked at me like I was retarded. I only
• 2:00:46
  Speaker 9: know one soft sell song.
• 2:00:47
  Speaker 7: Everybody only knows one soft sell song.
• 2:00:48
  Speaker 14: I have a whole soft sell album.
• 2:00:51
  Speaker 7: Can you name any of the other ones, though?
• 2:00:53
  Speaker 1: Uh.
• 2:00:53
  Speaker 4: I don't know.
• 2:00:55
  Speaker 14: There's another one that I used to know, but I
• 2:00:57
  Speaker 14: don't really know it anymore.
• 2:00:58
  Speaker 4: Nobody does.
• 2:00:59
  Speaker 7: It's okay. I mean, even they bank on the fact
• 2:01:01
  Speaker 7: that that one hit has made them rich their entire careers.
• 2:01:05
  Speaker 7: Just when they play it.
• 2:01:06
  Speaker 14: One of them now is like a priests for the
• 2:01:08
  Speaker 14: church of satan or something.
• 2:01:10
  Speaker 7: Well i mean now they play it on commercials like
• 2:01:11
  Speaker 7: once a year i see it turn up on a
• 2:01:13
  Speaker 7: new commercial i'm just like they will ride that song
• 2:01:15
  Speaker 7: for the rest of their life i don't blame i
• 2:01:18
  Speaker 7: don't blame you you know what i'm like i'd be
• 2:01:20
  Speaker 7: i'd be writing that forever so i'd be a one-hit
• 2:01:23
  Speaker 7: wonder hell yeah i'll take it yeah that's right can't
• 2:01:26
  Speaker 7: complain about one hit can't complain if you got one
• 2:01:30
  Speaker 7: hit Otherwise, that about does it. We will return next week.
• 2:01:35
  Speaker 7: Same geek time, same geek feed. Thanks for listening.
• 2:01:38
  Speaker 13: Later, y'all.
• 2:01:39
  Speaker 18: Amen.
• 2:02:09
  Speaker 27: Martin is a boy with problems. Martin has a family history.
• 2:02:15
  Speaker 27: Martin has too many nightmares.
• 2:02:19
  Speaker 7: He lives in a fantasy.
• 2:02:22
  Speaker 27: There's a danger that he'll take too far. It's morbid curiosity.
• 2:02:51
  Speaker 28: He knows he's not to blame The face at the
• 2:02:56
  Speaker 28: window The hand under the bed Martin has hallucinations Dreams
• 2:03:03
  Speaker 28: that he's done He's finding hard to keep control, he.
• 2:03:25
  Speaker 23: Knows it won't be long And a tongue rolls over.
• 2:03:30
  Speaker 4: His dry lips, and a voice.
• 2:03:34
  Speaker 23: Lingers on The face at.
• 2:03:36
  Speaker 28: The window, the hand under the bed Martin has hallucinations.
• 2:03:50
  Speaker 1: Too.
• 2:04:54
  Speaker 23: Keep control, keep control, keep control Finding hard to keep
• 2:05:00
  Speaker 23: control Keep control He's finding hard to keep control Keep
• 2:05:09
  Speaker 23: control Finding hard to keep control Keep control, keep control.
• 2:06:25
  Speaker 4: Nosferatu.
• 2:06:27
  Speaker 24: This show is a production of Movie Meltdown, produced and
• 2:06:29
  Speaker 24: edited by Brian Renfro, featuring contact music performed by Tamara Deering.
• 2:06:33
  Speaker 24: To help support the show, email producer at moviemeltdown.com for
• 2:06:36
  Speaker 24: ways that you can contribute or advertise with us.