Latest / Michelle Explains Anime, Poorly / 86 [Eighty-Six] Ep. 4- Real Name

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86 [Eighty-Six] Ep. 4- Real Name · Michelle Explains Anime, Poorly

0:00
Speaker 1: Hey, it's your person, Michelle. I guess then I came
0:04
Speaker 1: back because that's what I do, because I don't like
0:08
Speaker 1: disappointing people, but also because we're going to talk about
0:12
Speaker 1: eighty six, episode four today, and since I have nothing
0:15
Speaker 1: else really to say, I don't think we should just
0:17
Speaker 1: probably do that. It looks like it's nice out though,
0:20
Speaker 1: so that's good. Yay. Anyway, as you know from last
0:25
Speaker 1: week from the next episode, title card at the end
0:27
Speaker 1: episode three, Episode four is called real name yay, which
0:32
Speaker 1: makes sense because where we ended episode three, THEO had
0:36
Speaker 1: just accused Lena of a bunch of things and reminded
0:41
Speaker 1: her that she doesn't know any of their names because
0:43
Speaker 1: she never asked, so yay. So we actually get to
0:47
Speaker 1: pick back up like right there, but on the other
0:49
Speaker 1: side of the conversation, and unfortunately I have to say
0:52
Speaker 1: all the Theo's things again, and then I gotta say
0:55
Speaker 1: them later in the episode two. But I think I
0:56
Speaker 1: have an idea how to make that cool. So I
0:59
Speaker 1: hope that I interpret this as good as I did
1:01
Speaker 1: last week. If I did well. If not, I hope
1:04
Speaker 1: I do a better job this time. So let's do it.
1:08
Speaker 1: So we see that it is June fifteenth, twenty one
1:10
Speaker 1: forty eight, which is the same day as we left
1:12
Speaker 1: off in the last episode. So you may remember from
1:16
Speaker 1: the beginning of episode three we saw someone's button pop
1:19
Speaker 1: off their jacket, so it's definitely Theo's. Anyway, we see
1:23
Speaker 1: the button drop to the floor and it's between his feet,
1:27
Speaker 1: just kind of vibrating along with the Juggernaut, and we
1:32
Speaker 1: are just focused on the button as he speaks, and
1:34
Speaker 1: he says, don't try to deny it. You throw us
1:37
Speaker 1: out here on the battlefield and treat us like weapons
1:39
Speaker 1: while you watch in your nice safe place inside the walls,
1:42
Speaker 1: and it doesn't bother you at all. If that's not
1:44
Speaker 1: treating us like pigs, what is with the what is?
1:47
Speaker 1: He stumps and his button jumps, and now we see
1:51
Speaker 1: a shot of the top of his jacket where the
1:53
Speaker 1: button used to be, and he continues, you think that
1:55
Speaker 1: if you just act nice and talk to us every day,
1:57
Speaker 1: that counts as treating us as human, don't you. He
2:01
Speaker 1: narrows his eyes in disgust. You never even asked our
2:04
Speaker 1: real names. He is breathing hard, and at this point
2:08
Speaker 1: we hear right and say THEO. Theo's like right in
2:12
Speaker 1: you don't need to defend this white pig and right
2:14
Speaker 1: and cuts him off THEO. THEO looks shocked and he
2:19
Speaker 1: closes his eyes and sighs and says, got it right
2:25
Speaker 1: in size handler one killed the synchronization. Lena's like, um
2:30
Speaker 1: right and cuts her off. The battle's over. You don't
2:32
Speaker 1: need to monitor us. We cut back to THEO and
2:35
Speaker 1: his head is down and he just looks fucking destroyed,
2:38
Speaker 1: and right and says laughing, Fox went too far, but
2:41
Speaker 1: none of us are in the mood for a friendly
2:42
Speaker 1: chat with you. We see everyone briefly in their cockpits
2:46
Speaker 1: and they all look either pissed or like distressed by
2:50
Speaker 1: what just happened. We cut to Shin, who has his
2:52
Speaker 1: eyes closed, and Lena says, I'm sorry, and she cuts
2:56
Speaker 1: the line. Shin opens his eyes and looks at his screen,
3:00
Speaker 1: and this is where we see the fire in the
3:02
Speaker 1: forest and the flashing signal loss from the last episode,
3:06
Speaker 1: and we hear Kaye say I don't want to die.
3:10
Speaker 1: We flash to her juggernaut being thrown and then exploding,
3:14
Speaker 1: and then we cut back to THEO, who still has
3:16
Speaker 1: his head down and he puts his hands on his
3:18
Speaker 1: head and he says, I'm sorry, Kaye. He makes a
3:23
Speaker 1: fist and he's gripping his hair like really tightly. I
3:26
Speaker 1: did the same thing as the White pigs. He takes
3:29
Speaker 1: a shaky breath and I tainted your death, geez. And
3:35
Speaker 1: then we go to the opening theme. Yay. So I
3:38
Speaker 1: want to just pause there real quick and say that
3:42
Speaker 1: I understand that. I guess I could see the timing
3:45
Speaker 1: not being great, but I don't really think this tainted
3:48
Speaker 1: Kaye's death. I mean it was done in response to
3:51
Speaker 1: Kaye's death, but whatever. I'm not THEO, so who knows.
3:56
Speaker 1: And in the opening theme, it's important that I mentioned that.
4:00
Speaker 1: I remember I was telling you that there is a
4:01
Speaker 1: field of red spider lilies and there are some dead
4:04
Speaker 1: people in it. I mean we saw Kujo and then
4:06
Speaker 1: two people we don't know now Kanye is also there,
4:09
Speaker 1: So I guess we're gonna keep adding to it, yay,
4:12
Speaker 1: I guess. So coming back from the opening, Shin is
4:16
Speaker 1: sitting on that bench outside and he's reading and the
4:19
Speaker 1: cat is on his lap and is like kind of
4:21
Speaker 1: pawing at his jacket because the cat wants attention. And
4:24
Speaker 1: we see that it is June sixteenth, twenty one forty eight,
4:27
Speaker 1: So that's the next day. In front of him in
4:31
Speaker 1: kind of like this field or like blacktopped area, a
4:35
Speaker 1: bunch of the kids are playing basketball. We see how
4:38
Speaker 1: to Toe dribbling and he says THEO, and he throws
4:41
Speaker 1: the ball to him. THEO is not paying attention and
4:44
Speaker 1: he just kind of misses the ball and some other
4:46
Speaker 1: kid like runs over and grabs it before he can,
4:49
Speaker 1: and Theo's like sorry, he looks down, he's he's not okay.
4:54
Speaker 1: At this point, Shin is now holding the book over
4:56
Speaker 1: his head because the cat will not leave it alone.
4:59
Speaker 1: The cat's like trying to reach up and get it.
5:01
Speaker 1: We got to what I assume is a later shot
5:03
Speaker 1: now a Fido walking around outside, and then we see
5:06
Speaker 1: everyone seated in that common area in the barracks. THEO
5:10
Speaker 1: is sitting at a desk and he is drawing the
5:13
Speaker 1: cat who is on the disk in front of him.
5:15
Speaker 1: And then the cat gets up and starts to leave,
5:17
Speaker 1: and Theo's like, Whitey, stay put. The cat jumps down
5:21
Speaker 1: and starts playing with like a toy on the floor,
5:24
Speaker 1: and Theo's like, Whitey, he looks really pissed off. Hot
5:28
Speaker 1: Toe and Daya come over and they're looking over Theo's
5:31
Speaker 1: shoulder at his drawing, and Diya's like, that looks like
5:36
Speaker 1: a fox, not a cat, and it's kind of scary.
5:39
Speaker 1: We see his drawing now and it's this really cool fox,
5:41
Speaker 1: Like the head is more detailed. He's just kind of
5:43
Speaker 1: working on the body a little bit and it looks
5:45
Speaker 1: like he's been drawing in charcoal. And yeah, it's a
5:47
Speaker 1: really intense looking fox. Hat too, says, and it's not laughing.
5:52
Speaker 1: You're supposed to be laughing fox. Theo's like, shut up. Corina,
5:57
Speaker 1: I guess is holding the cat's toy now, and the
5:58
Speaker 1: cat is leaping and trying I get it, and she says,
6:01
Speaker 1: are you upset about what you said to that woman?
6:04
Speaker 1: THEO scowls and he's like, no, I'm not. Andre's like,
6:07
Speaker 1: well it bothers me and some girl I think she's
6:12
Speaker 1: got brown hair says yeah, ANDU Corina and the brown
6:16
Speaker 1: haired girl stand and ONU, says THEO. THEO looks over
6:22
Speaker 1: to see the three girls approaching him menacingly and smirking
6:26
Speaker 1: AND's like, don't move, and then they like jump him
6:29
Speaker 1: and knock over the chair and they're like gotcha, gotcha, gotcha,
6:32
Speaker 1: and they're like just dog piled on him basically, and
6:35
Speaker 1: his arm is like outstretched from underneath them, shaking, And
6:40
Speaker 1: then we cut to Au who is now holding Theo's
6:42
Speaker 1: jacket and the detached button and she's like, it bugged
6:46
Speaker 1: me the way it came off. THEO is once again
6:49
Speaker 1: sitting at the desk. He's facing away from them on
6:52
Speaker 1: the couch and he's pouting. The brown haired girl's like
6:55
Speaker 1: also the way he just always has the one button done.
6:59
Speaker 1: Theo's like, who cares. Karina says, it's just like you,
7:04
Speaker 1: but THEO cuts her off forget it. Dia Raydon and
7:07
Speaker 1: Hatu Toe are watching and smiling because apparently his slight
7:12
Speaker 1: anger and annoyedness are funny, and Dya says, what we
7:17
Speaker 1: saw yesterday wasn't like you at all. On Juw's like
7:20
Speaker 1: the way you said it wasn't good. THEO is scowling,
7:23
Speaker 1: but we see that his lip is kind of shaking. Ahh.
7:27
Speaker 1: Andrew continues, but it reminded me of the Fox commander,
7:30
Speaker 1: but we don't know who that is. Daya pats THEO
7:34
Speaker 1: on the head and THEO like pushes him away and
7:36
Speaker 1: is like just give it up, guys. Anju says, well,
7:41
Speaker 1: we're all jealous because you got to meet someone like that.
7:45
Speaker 1: Theo's like, what's this about. We see Anju threading the
7:48
Speaker 1: button and she says, someone will always be important to you.
7:52
Speaker 1: They were never like that for me. We cut to
7:55
Speaker 1: someone walking close up with a top button now connected,
7:58
Speaker 1: so I assume it is THEO, and the sun is setting,
8:01
Speaker 1: and Fido is looking around a doorway like the doorway
8:04
Speaker 1: of the hanger, and we hear Aldrich say, listen, Shin,
8:08
Speaker 1: you better not break it next time. Stay put till
8:11
Speaker 1: we get our next part shipment. THEO at this point
8:13
Speaker 1: walks up to Fido and we hear Shin say if
8:16
Speaker 1: I can. Aldrich lets out a big frustrated sigh, and
8:22
Speaker 1: we see him start to walk into frame towards THEO.
8:24
Speaker 1: He's like, hey, THEO. Fido shrinks away like he's scared
8:28
Speaker 1: of him. He doesn't like go away, but he like
8:30
Speaker 1: just kind of backs up a little bit. I guess
8:32
Speaker 1: maybe he didn't like the way that he was yelling
8:35
Speaker 1: at Shinner or something. Anyway, Aldrich says, don't do anything
8:39
Speaker 1: stupid like him. You guys are all such kids. I guess.
8:42
Speaker 1: He leaves at this point, and THEO walks over to
8:45
Speaker 1: Shin in the hangar and he says he looked like
8:48
Speaker 1: he was about to pop up blood vessel as always.
8:51
Speaker 1: Shin says, I'd like to keep him from getting mad
8:54
Speaker 1: once in a while, and Theo's like, that's probably impossible.
8:58
Speaker 1: Fido comes over and he drops a piece of metal
9:01
Speaker 1: into Shin's hand, and THEO sees this and he just
9:05
Speaker 1: looks so devastated. Shin's like, thanks, and he starts to
9:09
Speaker 1: walk away. THEO says, what would the commander have said
9:14
Speaker 1: to that handler? Shin stops and turns back the Fox commander.
9:19
Speaker 1: THEO says, yeah, would he have gotten mad? Well, it
9:23
Speaker 1: doesn't matter. He kind of like half laughs that white
9:27
Speaker 1: pig who thinks she's a sane he'll probably never get
9:29
Speaker 1: on the power raid again. He starts to walk off
9:32
Speaker 1: in the opposite direction. Shin's like, your commander wouldn't have
9:35
Speaker 1: said that. THEO stops, but he doesn't turn around. Shin continues,
9:39
Speaker 1: that's what you think, isn't it. THEO doesn't say anything,
9:43
Speaker 1: but he grips that top button really tightly. It's night now,
9:48
Speaker 1: and Shin sits down at his desk in the moonlight,
9:52
Speaker 1: and he looks down at the metal scrap in his hand,
9:56
Speaker 1: and in Japanese it says kirsch blute. His power raid
9:59
Speaker 1: makes a sound and he says, did you need something?
10:02
Speaker 1: Handler one WHOA. She's already back in touch. And then
10:06
Speaker 1: we see the title card of the episode, episode four,
10:09
Speaker 1: Real Name. Back from what I can only assume was
10:12
Speaker 1: a break. We cut to a lily, just one in
10:16
Speaker 1: Lena's face that's on the windowsill and it's light out.
10:20
Speaker 1: We see that as June sixteenth, twenty one forty eight,
10:23
Speaker 1: so I guess it's earlier in the day now because
10:25
Speaker 1: we were just doing the night of the sixteenth, so
10:28
Speaker 1: this is before those events happened. Lena is standing at
10:32
Speaker 1: the window and she doesn't look happy because she's had
10:35
Speaker 1: a really rough day before, and she salutes. Then we
10:40
Speaker 1: hear Annette say it just shows that in the end,
10:43
Speaker 1: you're a citizen of the republic. She is bringing coffee
10:45
Speaker 1: munks to a table that has like flawn on it,
10:49
Speaker 1: like two dishes of flawn, and she continues, we have
10:53
Speaker 1: to accept that we live in our own world. Fuck.
10:56
Speaker 1: She sits down. Lena is also sitting at the table
10:59
Speaker 1: and she says, that's not okay. I could never forgive
11:03
Speaker 1: myself if I did that. Annette puts her hand on
11:06
Speaker 1: her chin and leans forward. So what would be okay
11:09
Speaker 1: then going to the eighty sixth district and fighting alongside them.
11:14
Speaker 1: You can't do that, Lena looks hurt. Annette continues, what
11:18
Speaker 1: you need to do now is spoil yourself. I made
11:21
Speaker 1: too much pudding. Lena looks up because she's been looking
11:24
Speaker 1: down and says Annette, I'm sorry, but I'm not in
11:27
Speaker 1: the mood. And that's like, that's not healthy. She takes
11:30
Speaker 1: a bite. The world is a wonderful place where you
11:33
Speaker 1: can sneak a putting snack in the middle of the day.
11:36
Speaker 1: Lena's like, it's not wonderful, not at all. Anette continues,
11:42
Speaker 1: why is it such a big deal that you didn't
11:44
Speaker 1: get their names? You don't need to know them. You're
11:47
Speaker 1: never gonna meet them. She takes another bite of the
11:49
Speaker 1: fly or pudding. Lena says, Henrietta Penrose, and that's like
11:54
Speaker 1: what Lena says, that's your name. Annette is a weird
11:59
Speaker 1: nick for Henrietta. Maybe it's her middle name. I don't know. Anyway,
12:04
Speaker 1: Lena continues, I know your name. We're friends, and Nette says,
12:09
Speaker 1: so what Lena's like, a name is who you are
12:13
Speaker 1: and I didn't even think of that. I wasn't treating
12:16
Speaker 1: them as human. She's really good at taking criticism. Awesome.
12:22
Speaker 1: Annette says, you're overthinking this. You and the eighty six
12:26
Speaker 1: aren't even friends. Lena says, but we're all human and
12:29
Speaker 1: that's like, if you really thought that, you would ask
12:32
Speaker 1: their names right away. Lena looks so hurt by this assertion.
12:37
Speaker 1: I don't even know if that's true, but it might be,
12:40
Speaker 1: and Anette continues, this is a great time to stop
12:43
Speaker 1: trying to get any closer to them. Lena says, why
12:46
Speaker 1: are you so set against them? And Nett's like, because
12:50
Speaker 1: there's nothing I can do. Fuck. Lena gasps, me too, Lena,
12:55
Speaker 1: me too. Annette continues, there's putting here and not there.
12:59
Speaker 1: She stands, we're different from them in every way. She
13:02
Speaker 1: walks over the window, and now we're seeing the scene
13:06
Speaker 1: from outside of the window. She continues, so anyway we
13:09
Speaker 1: get involved just leads to us having regrets. Lena's like, but,
13:13
Speaker 1: but Annette cuts her off. Lena, the war's already started.
13:17
Speaker 1: She leans against the window. Cell there's no going back
13:20
Speaker 1: to how things were. She clasps her hands together. Just
13:23
Speaker 1: quit being a handler and come to the lab. Lena stands.
13:27
Speaker 1: I said, I can't quit being a handler. She starts
13:32
Speaker 1: to walk out. Annette's like, you should listen when your
13:35
Speaker 1: best friend gives you advice, lad Alina me Lise. Lena
13:39
Speaker 1: doesn't even say anything. She just leaves and closes the
13:41
Speaker 1: door behind her. That was a rough conversation for her,
13:44
Speaker 1: so I understand. We see her walking down the hall
13:47
Speaker 1: looking pretty forlorn, staring at the ground, and golden light
13:51
Speaker 1: is streaming in through the window, so maybe it's sunset now,
13:55
Speaker 1: and we hear someone like in her thoughts say, let's
13:58
Speaker 1: go to the battlefield. She stops and looks out of
14:02
Speaker 1: this enormous window at this sunset, and the voice continues
14:07
Speaker 1: and see everything that's happening. We fade into a helicopter
14:11
Speaker 1: flying over the city and little like child Lena and
14:15
Speaker 1: her dad, who has long hair apparently, are sitting inside
14:19
Speaker 1: and Lena says, war right. Father her dad, whose I
14:23
Speaker 1: think name is Vlcov or something, says yeah, that's right,
14:27
Speaker 1: and we're doing something even worse. Lena says something worse.
14:32
Speaker 1: Her dad's like, yeah, we have to bring this to
14:35
Speaker 1: an end quickly. Lena looks down and they are flying
14:39
Speaker 1: over what I can only assume are the camps in
14:42
Speaker 1: the eighty sixth District, and her dad to the pilot says,
14:47
Speaker 1: can you take us a little past the front line base.
14:50
Speaker 1: The pilot says yes, sir colonel, and we fade out
14:54
Speaker 1: and so the screen is just dark, and then we
14:56
Speaker 1: see a red laser kind of light light shoot across
14:59
Speaker 1: the screen and we see multiple red things, light things,
15:03
Speaker 1: which I guess is probably something shooting at them, pass
15:05
Speaker 1: in front of the helicopter window, and her dad starts
15:08
Speaker 1: to hold her close, and then we cut to maybe
15:11
Speaker 1: what looks like a crashed helicopter. It's kind of hard
15:13
Speaker 1: because everything's really disjointed, and a legion thing is there,
15:17
Speaker 1: and then we cut back to now and Lena gasps.
15:19
Speaker 1: She turns away from the window and takes a shaky breath.
15:23
Speaker 1: We see someone approaching, but like we don't get a
15:25
Speaker 1: good shot of them, and they say what's wrong. Lena
15:28
Speaker 1: looks up and it's her uncle, Carl Stall. Lena says, uncle.
15:33
Speaker 1: We cut to a picture of her her dad and
15:37
Speaker 1: her uncle on the bookshelf I guess in his office,
15:40
Speaker 1: and we hear Lena say, I still can't forget it.
15:43
Speaker 1: Lena is standing in front of Carl Stall's desk and
15:45
Speaker 1: he's sitting at it, and she continues. The last place
15:49
Speaker 1: my father took me the battlefield in District eighty six,
15:53
Speaker 1: Carl Stall says. Lena continues, I'm sad about what happened
15:57
Speaker 1: to him, but I'm glad I could see see it.
16:00
Speaker 1: Carlstall's like clad. We cut to the street outside where
16:05
Speaker 1: there's just a bunch of cars casually driving down it.
16:08
Speaker 1: Everything looks fine, and Lena says, yes, because I saw
16:12
Speaker 1: the eighty sixth district with my own eyes, I was
16:14
Speaker 1: able to learn the truth about my country. We cut
16:17
Speaker 1: to the statue of that woman with the sword, and
16:19
Speaker 1: Lena continues, I was able to hold onto the ideals
16:22
Speaker 1: that the Republic had thrown away. So Carlstall sighs. Lena
16:27
Speaker 1: kind of like gasps, and Carlstall says, Volkav was a
16:31
Speaker 1: kind man who wanted to make the Republic a better place.
16:34
Speaker 1: I'm sure he was a good father, and that's why
16:35
Speaker 1: he wanted to teach you the truth about everything as
16:38
Speaker 1: a friend. I think it's a terrible shame that an
16:40
Speaker 1: enemy attack took him from us, a man with such
16:43
Speaker 1: strong sense of justice. But there's something he didn't realize,
16:48
Speaker 1: Lena says, what Carlstall's like, Just like the rest of
16:52
Speaker 1: the Republic, he wasn't doing any more than watching Fuck. Yeah,
16:56
Speaker 1: it's true, I think. I mean, I don't know her dad,
16:59
Speaker 1: but yeah, Lena gasps. Carl Stall continues, in the end,
17:05
Speaker 1: no matter how much you talk about equality, it's not
17:07
Speaker 1: you who's fighting. He felt that subconsciously. Only the eighty
17:11
Speaker 1: six die on the battlefield, he stands. That's why he
17:15
Speaker 1: was able to take you there. Oh, he looks out
17:18
Speaker 1: the window. Continues. The fact that he did something so
17:22
Speaker 1: reckless for the sake of his ideals proves his ignorance
17:26
Speaker 1: and stupidity. It's true, Lena, I don't want you to
17:32
Speaker 1: be like him. Lena looks down. Carl Stall continues, that's enough.
17:37
Speaker 1: You're doing a good job. Lena looks up and gasps.
17:40
Speaker 1: She seems like she gasps a lot. Carl Stall says,
17:44
Speaker 1: it's also my responsibility for giving you a tough unit
17:47
Speaker 1: to deal with. I wanted you to feel for yourself
17:49
Speaker 1: the reality of this nation. But you don't need to
17:53
Speaker 1: do it if it's too much for you. Oh huh,
17:55
Speaker 1: I guess Lena's like, no, I'll continue to act as
17:59
Speaker 1: Spearhead's handler. Carl Staal turns back towards her, gives her
18:03
Speaker 1: a really stern look and says, what does the Republic's
18:07
Speaker 1: flag stand for? Lena looks confused, but she says, freedom, equality, brotherhood, justice,
18:13
Speaker 1: and nobility. She puts her hand on her chests. What
18:16
Speaker 1: are you, Carl Stall cuts her off. Are you upholding that?
18:20
Speaker 1: Lena gasps again. Carl Stall says, look at the real world.
18:25
Speaker 1: Those beautiful things are nowhere to be found in the Republic.
18:29
Speaker 1: You're too focused on seeking ideals from others and yourself.
18:33
Speaker 1: We see the statue again and he continues ideals are
18:37
Speaker 1: precisely that, because they're unattainable. The camera is moving down
18:40
Speaker 1: the statue right now, and then we see the fountain
18:44
Speaker 1: below that is just filled with trash like fear bottles,
18:48
Speaker 1: paper scraps, cigarette butts, which is so fucking cool to
18:52
Speaker 1: have this here. Carl Stall continues, Seeking them when you
18:55
Speaker 1: know they're impossible is foolish and cowardly. Don't you think,
18:59
Speaker 1: what what? So that was the end of the scene,
19:02
Speaker 1: So I'll just cut in here to say, so you
19:05
Speaker 1: shouldn't seek to better yourself because you can't ever reach
19:10
Speaker 1: your ideals, Like maybe you can't get to a perfect
19:13
Speaker 1: vision of the Republic, but you'd think that you'd want
19:18
Speaker 1: to at least try. It seems like such a cop
19:21
Speaker 1: out to say, well, it'll never be perfect, so I'm
19:23
Speaker 1: not gonna try. And that's I guess what carl Stal
19:26
Speaker 1: is saying. I also thought it's really interesting that he
19:30
Speaker 1: seems to know that this is all shit and he's
19:34
Speaker 1: just going along with it. Like I don't know how
19:36
Speaker 1: high up he is in the government, but it's just
19:39
Speaker 1: fine because we can't change anything about it. I don't know.
19:45
Speaker 1: But also his thing about her dad being kind of
19:48
Speaker 1: stupid and not understanding how dangerous things were because eighty
19:52
Speaker 1: six are the only ones who die on the battlefield
19:54
Speaker 1: was really fucking cool and hopefully makes Lena understand things
19:59
Speaker 1: just a little better because she is just as idealistic
20:02
Speaker 1: as her dad, and so far she's been about as
20:05
Speaker 1: helpful as her dad has been, you know, in changing
20:07
Speaker 1: any of this stuff, which is not at all totally ineffective,
20:10
Speaker 1: so I thought it was cool. I like that scene. Anyway.
20:14
Speaker 1: Moving ahead, Lena is outside and she's standing at what
20:17
Speaker 1: probably is a crosswalk. It's the same place I think
20:20
Speaker 1: we saw her in episode one, and there's a lot
20:22
Speaker 1: of people around, but we have like a really up
20:23
Speaker 1: close shot in the back of her head and we
20:25
Speaker 1: hear I guess that woman on the screen, you know,
20:29
Speaker 1: up there somewhere and saying, here's today's update on the
20:32
Speaker 1: wharf from San Magnolia's military HQ. Lena is just staring
20:36
Speaker 1: at the ground and she starts to hear Theo's words
20:40
Speaker 1: over again in her head. You've never called us eighty six,
20:43
Speaker 1: but all that means is you've left it on said
20:45
Speaker 1: and I'm gonna try something here and hopefully it'll work.
20:48
Speaker 1: As she is thinking about Theo's words, the voice of
20:53
Speaker 1: the woman on the screen is continuing and it says
20:57
Speaker 1: combat geah again, Wally Responsible resulted in four zero fatalities
21:03
Speaker 1: on our the day when our relations fun keeping remnants
21:09
Speaker 1: of the Wicked Empire talk to us every day that
21:11
Speaker 1: count to the Republic of Said Magnolia and to the
21:14
Speaker 1: five Colored flast are real names. All of this shit
21:18
Speaker 1: is a little bit too much for Lena, and she
21:19
Speaker 1: just runs. She just bolts off, and we hear Kaye say,
21:23
Speaker 1: you're not cut out for this job. You should let
21:25
Speaker 1: someone else take your place. So as she's running, we're
21:28
Speaker 1: cutting back and forth between that and some of like
21:31
Speaker 1: the screens in her control area from the last battle,
21:34
Speaker 1: like right before Kaye died, and she is thinking of
21:37
Speaker 1: herself saying not that way, kirs flute, and Kaye saying
21:42
Speaker 1: I don't want to die at that. Lena grabs her Pareraide,
21:47
Speaker 1: still running, and she says Poweraide activate Synchronization Target Undertaker.
21:52
Speaker 1: We pan up to the moon briefly as a cloud
21:54
Speaker 1: is passing over it. Next we see it's kind of dark. Now.
21:59
Speaker 1: Lena drops her bag and she continues to walk. Who's
22:02
Speaker 1: walking on some stone thing. We see that she is
22:04
Speaker 1: at this kind of enormous monument looking place with like
22:08
Speaker 1: two big kind of stone paths and like an obelisk
22:12
Speaker 1: at the end and this kind of streams running between them,
22:17
Speaker 1: and then the screen tells us that it is the
22:19
Speaker 1: War Casualty Cemetery. That's very nice. Shin says, did you
22:25
Speaker 1: need something? Handler one. Lena has her head down and
22:29
Speaker 1: she's just kind of walking on this path and she says, undertaker,
22:34
Speaker 1: can we talk for a moment. Shin's like, go ahead.
22:38
Speaker 1: Lena says, I'm sorry about yesterday, about everything before it.
22:42
Speaker 1: I'm really sorry. She stops and kind of stands up straight.
22:48
Speaker 1: I'm Lena. My name is Ladelina Malise. I know I
22:53
Speaker 1: should have asked sooner. But she holds her journal to
22:56
Speaker 1: her chest, which I didn't realize she had, but she does,
22:59
Speaker 1: which do you please tell me your names? Shin's like,
23:04
Speaker 1: if you're bothered by what, laughing Fox said, there's no
23:07
Speaker 1: need to be. Lena kind of gasps. Shin continues, what
23:11
Speaker 1: he said isn't what we all think. You didn't create
23:14
Speaker 1: the situation and you can't fix it on your own.
23:17
Speaker 1: We know that you don't need to blame yourself for
23:19
Speaker 1: not doing the impossible. Shin is like really fucking kind
23:24
Speaker 1: and also like really pragmatic, and I like him. Lana's
23:28
Speaker 1: hand drops kind of slack, and she says, but it
23:32
Speaker 1: was rude not to ask your names. Shin's like, there
23:36
Speaker 1: was no need to ask. Why do you think it's
23:39
Speaker 1: required to use call signs on the Power Raid? Even
23:42
Speaker 1: though the Legion can't intercept it. And why are the
23:45
Speaker 1: processor's personnel files locked? Lena says, so handlers won't have
23:50
Speaker 1: to think of the processors as human, right, Shin says, yeah,
23:55
Speaker 1: most processors die within a year. They probably just assumed
23:59
Speaker 1: that all that death would be too much for handler
24:00
Speaker 1: to bear. Lena says, but that's cowardly, I, she pauses,
24:08
Speaker 1: and I was too. Honestly, I was gonna run away,
24:12
Speaker 1: but I don't want to stay a coward forever. Fuck. Yeah,
24:16
Speaker 1: so please tell me your names, your real names. There's
24:22
Speaker 1: a really long pause on the line, and then Shin
24:25
Speaker 1: size and says Kuersplute. The girl who died yesterday was
24:30
Speaker 1: Kaye Tania. Lena opens her notebook to the page where
24:34
Speaker 1: that little cheepy face she drew the day before is,
24:37
Speaker 1: and Shin continues, Werewolf is our second in command. Right
24:41
Speaker 1: in Shuga laughing, Fox's theoto Rika. Lena is furiously taking notes.
24:46
Speaker 1: Shin continues, Snowwitch is on du Emma, Gunslinger, Corina, Kukamila,
24:51
Speaker 1: black Dog is dia Irma, and it kind of fades out.
24:54
Speaker 1: He's going through all of the names, but for some reason,
24:56
Speaker 1: we don't get any other names because I guess they're
24:58
Speaker 1: just not important, but we do see her taking all
25:00
Speaker 1: of the notes, and then Chin says, that's all of them.
25:05
Speaker 1: Lena's like, thank you, please call me Lena. Shin says,
25:09
Speaker 1: you already told me your name. What's your rank? Lana's
25:12
Speaker 1: like major, I was just promoted, though. Shin says, I'll
25:17
Speaker 1: call you major Milise from now on. Is that okay?
25:21
Speaker 1: Lena's like yeah, there's kind of some rustling sounds in
25:24
Speaker 1: the line on Shin's end, or something being opened and closed.
25:28
Speaker 1: It's hard to tell what it is, but it just
25:30
Speaker 1: kind of happened and caught Lena's attention, and she says,
25:34
Speaker 1: what are you doing? Shin's like leaving Kaye's name behind.
25:39
Speaker 1: Lena's like what. Shin says, eighty six? Don't get grapes. Fuck.
25:44
Speaker 1: Lena kind of gasps, and she starts looking around at
25:47
Speaker 1: the names on these like big memorial stone things, like
25:51
Speaker 1: it's all one big long stone and there's like lots
25:53
Speaker 1: of names on it. It looks like a memorial but
25:56
Speaker 1: maybe there's like ashes or something in these. I don't know,
25:59
Speaker 1: And I guess she's not really finding any eighty six names,
26:02
Speaker 1: but I don't know, but we do see her dad's name,
26:04
Speaker 1: which is interesting. Shin continues, So, in my first unit,
26:09
Speaker 1: we all made a promise when someone died, we'd carve
26:12
Speaker 1: their name into a fragment of their juggernaut, and the
26:15
Speaker 1: survivors would carry it, so the last one of us
26:17
Speaker 1: to survive would take the others to their final destination.
26:22
Speaker 1: I was the last. I've always been the last, so
26:26
Speaker 1: that's my job in this unit too. Fuck Shin. Lena says,
26:32
Speaker 1: you've been doing that for five years. How many people
26:35
Speaker 1: have died? She actually looks like she might not want
26:39
Speaker 1: to know the answer. Shinn says five hundred and sixty one,
26:43
Speaker 1: including Kaye. Na says, and all of them. Shin's like,
26:48
Speaker 1: I remember them because I have to take them with me,
26:51
Speaker 1: all the ones that died fighting alongside me until I
26:53
Speaker 1: reached my final destination. At this point, the wind picks up.
26:57
Speaker 1: Lena is clutching her notebook to her chest. Yes, and
27:00
Speaker 1: she says, and that's why you're undertaker. Sen's like, that's
27:05
Speaker 1: part of it. Lena says, I never faced the people
27:08
Speaker 1: I let die. I just felt so bad about it.
27:12
Speaker 1: I'm sorry, truly. If it's possible, I'd like to apologize
27:19
Speaker 1: to everyone. Sen's like, should I connect you? And Lena's like,
27:24
Speaker 1: what hunt no right now? Sen says one moment, Lena
27:28
Speaker 1: is panicking because she didn't mean right now, and she's like, no,
27:31
Speaker 1: I'm fine what and her powerade just goes dark because
27:34
Speaker 1: I guess he disconnected because he wants to talk to
27:36
Speaker 1: them first. She gulps and tries to put on a
27:39
Speaker 1: brave face, and then we cut to her sitting on
27:43
Speaker 1: this memorial thing with her knees to her chest in
27:47
Speaker 1: the dark, and after a moment, she reaches for her
27:50
Speaker 1: parade determined, and then we go to the ending theme,
27:53
Speaker 1: which is just a frame of Lena reaching for her parade.
27:59
Speaker 1: It's kind of like reddish pinkish, with her eyes like blue,
28:03
Speaker 1: and it's a different ending than we usually have. It's
28:06
Speaker 1: like a weird insert song called Hands Up to the
28:08
Speaker 1: Sky by here A Yuki Sowano and also Loco, which
28:12
Speaker 1: I really really like a lot and worked really well
28:14
Speaker 1: here because it's kind of an uplifting song, I guess,
28:18
Speaker 1: as uplifting as a song in eighty six can be. Yeah,
28:22
Speaker 1: so I like it. I thought it was perfect for
28:24
Speaker 1: this episode. As she is getting ready to apologize to
28:28
Speaker 1: this group of individuals who she has been unintentionally hurting.
28:33
Speaker 1: We go to the common area of the barracks and
28:36
Speaker 1: we're like looking at a disco ball that's on the ceiling,
28:39
Speaker 1: and we hear Lena say all personnel. Everyone is in
28:43
Speaker 1: the room and they are listening intently, and Lena says,
28:47
Speaker 1: I'm sorry about yesterday and for the way I've treated
28:49
Speaker 1: you until now. My name is vlad Delena Malise, and
28:53
Speaker 1: I'm a handler. I wasn't treating you as humans and
28:55
Speaker 1: I didn't even realize it. Of course you'd reject me.
28:59
Speaker 1: We see THEO pick it up a dart, she continues,
29:04
Speaker 1: but if you would still answer me, then please tell
29:06
Speaker 1: me your names. THEO is about to throw a dart
29:09
Speaker 1: at the dart board and he says, sheen already told
29:12
Speaker 1: you them right, what a pain. He kind of jumps
29:15
Speaker 1: at what he said. I you know, this is just
29:18
Speaker 1: kind of spur of the moment. He did not mean
29:20
Speaker 1: to say that out loud, and Lena says he did,
29:24
Speaker 1: but you didn't tell me yourselves. Oh uh. Everyone looks
29:28
Speaker 1: pretty pleased by this, except for maybe THEO and Karina.
29:31
Speaker 1: It just looks pissed off. That lane exists. THEO sighs,
29:35
Speaker 1: and he looks over at Chin and he's like, why
29:38
Speaker 1: couldn't you keep your mouth shut? Sin's like, you regretted
29:41
Speaker 1: it right, Maybe not what you said, but how you
29:44
Speaker 1: said it. THEO kind of exhales and throws a dart,
29:47
Speaker 1: and he says, the mark on my juggernaut is a
29:50
Speaker 1: laughing fox. He takes another dart, but I got it
29:53
Speaker 1: from someone else, Lina says, from who Ooh, we get
29:57
Speaker 1: to find out Theo's like the combat Amanda for the
30:00
Speaker 1: first unit that I was attached to, a commander so
30:03
Speaker 1: cheerful and chipper it was almost stupid. He throws a dart.
30:06
Speaker 1: A former soldier, stupidly strong, an Alba like you. Whoa.
30:11
Speaker 1: He is continuing to throw darts. A weirdo who said
30:14
Speaker 1: it wasn't right to make the eighty six fight alone
30:16
Speaker 1: and came back to the battlefield. He sighs. I hated him,
30:19
Speaker 1: but he never left. He goes to reach for another dart,
30:23
Speaker 1: but there aren't any left. He stayed and died. They
30:26
Speaker 1: died being in the rear guard defending other processors. I'm
30:30
Speaker 1: not asking you to do the same thing, but as
30:32
Speaker 1: long as you live inside the walls. You're not our
30:34
Speaker 1: equal and we won't accept you as one of us.
30:37
Speaker 1: That's all. Lena's like, that's the good person Kaye was
30:41
Speaker 1: talking about. Huh. THEO says it's not just them. She
30:45
Speaker 1: was referring to anyone who fought as hard as they
30:47
Speaker 1: could against this crappy world that was made by the
30:50
Speaker 1: same alba as them. Okay, I'm done talking. Oh and
30:54
Speaker 1: I'm Theoto Rica, call me THEO Arica or cute little
30:58
Speaker 1: shit pig, whatever you want. Fucking love THEO. Lena says,
31:02
Speaker 1: I'm sorry for the way I acted. THEO crosses his
31:05
Speaker 1: arms and is like enough, get over it already. On
31:08
Speaker 1: Ju and Haudito chuckle right and says I'm executive officer,
31:13
Speaker 1: second in command right in Chuka. Lena's like, right, write
31:16
Speaker 1: and continues, First, let me apologize. Your nightly calls made
31:21
Speaker 1: us think that you were just some wanna be sane
31:23
Speaker 1: and hypocrite pig, not realizing how much of a pig
31:25
Speaker 1: she was, and we laughed about how stupid you were.
31:28
Speaker 1: I apologize for that. I'm sorry. He narrows his eyes.
31:32
Speaker 1: Now that I've said that, as THEO said, we don't
31:35
Speaker 1: think of you as an equal or a comrade. You're
31:37
Speaker 1: an idiot who's stomping on our faces while lecturing us
31:39
Speaker 1: with platitudes, and that won't change no matter what happens.
31:44
Speaker 1: If that's okay with you, we'll keep talking to you
31:46
Speaker 1: to kill time. But personally I don't recommend it. You're
31:49
Speaker 1: not cut out to be a handler. You should quit. Fuck.
31:52
Speaker 1: Such a mixed message there. Lena kind of chuckles and
31:55
Speaker 1: she's like, if it'll help you pass the time, I'll
31:57
Speaker 1: keep calling ride and laughs. So you're a moron too,
32:01
Speaker 1: huh oh, right, and send that map. You were too
32:04
Speaker 1: busy crying yesterday to send it, right geez. Lina's like,
32:08
Speaker 1: I'll send it right away. Diya picks up and says,
32:11
Speaker 1: by Major, Malise, this has been dia Irma, how too, says,
32:15
Speaker 1: how dou to? Nice to meet you. A's like aju
32:18
Speaker 1: emma Major. She looks over at Karna, who has been
32:20
Speaker 1: sulking the whole time, and like taps her on the back,
32:23
Speaker 1: and Karana says, correna cucamila. Then we cut to the
32:27
Speaker 1: exterior and we hear someone say I'm Leuca, and someone
32:29
Speaker 1: else say I'm cheese, and someone else say I'm Keno again.
32:33
Speaker 1: They're obviously not very important because we don't even get
32:35
Speaker 1: to see who they are. Lena says, thank you everyone,
32:39
Speaker 1: and the scene fades out. We see the moon in
32:42
Speaker 1: some clouds and we hear crickets in the background, and
32:45
Speaker 1: Shin is walking down the hall in the dark and
32:49
Speaker 1: his power raid makes a sound. Lena says, uh, sorry, Undertaker.
32:54
Speaker 1: Sin's like yeah, Lena continues, I haven't heard your name,
32:59
Speaker 1: did you know? I want to give it. Shin's like no,
33:02
Speaker 1: I've just forgotten. I'm sorry, Shine Nosen. Lena's like Nosen.
33:07
Speaker 1: Shin says, is something wrong? Lena's like, do you know
33:12
Speaker 1: someone named Schrey nos H? Shin dead stops so fast
33:16
Speaker 1: that the camera passes him by and keeps going down
33:19
Speaker 1: the hall. For a second. I think this is so
33:21
Speaker 1: fucking cool. And also just to look on his face,
33:24
Speaker 1: it's the first time we've seen him make any recognizable
33:26
Speaker 1: expression and it is horror. But just for a second.
33:30
Speaker 1: Lena says, his personnel name was Doulahan and his mark
33:34
Speaker 1: was a headless night. We get a close up on
33:36
Speaker 1: Shin's eye, and we start to get like flashes of
33:38
Speaker 1: this red haired guy, but we cannot see the dude's eyes,
33:41
Speaker 1: like they're just scribbled out in black. It's really interesting.
33:44
Speaker 1: And so it's just a bunch of different flashes of him,
33:47
Speaker 1: and I think Shin is a kid in one of
33:49
Speaker 1: the images with him, and he's like smiling and shit,
33:51
Speaker 1: and the crickets are growing louder as he's seeing these flashes,
33:55
Speaker 1: and most of them look happy. But then the last
33:57
Speaker 1: one is someone being pushed to the ground with hand
34:00
Speaker 1: around their neck, and we cut back to Shin just
34:03
Speaker 1: his mouth and he smiles and says he's my brother,
34:08
Speaker 1: and then we get the title card for the next episode.
34:10
Speaker 1: I'm with you. Yeay, that's it. So closing thoughts, that's
34:15
Speaker 1: interesting what happened at the end, So something is going
34:19
Speaker 1: on between Shin and his brother that looked kind of scary.
34:22
Speaker 1: I guess either Shin was being choked or his brother
34:25
Speaker 1: was being choked by Chin. I'm not sure, but there's
34:27
Speaker 1: a problem there. And again, that's like the first time
34:30
Speaker 1: we've seen Shin have any sort of discernible expression on
34:33
Speaker 1: his face, So this is important. I'm sure hopefully we'll
34:38
Speaker 1: figure out what's going on soon because now I'm really interested.
34:41
Speaker 1: Aside from that, I think the main thing that I
34:44
Speaker 1: really enjoy about this episode is how open Lena is
34:50
Speaker 1: to accepting her faults and trying to do better, which
34:53
Speaker 1: is something that I'm sure we could all learn from it.
34:56
Speaker 1: It's something that like people really don't like doing, We
34:59
Speaker 1: don't like admitting that we're wrong. Without these kind of
35:02
Speaker 1: moments in this episode, in last episode, Lena would have
35:05
Speaker 1: been this very flat, very kind of du gridery character.
35:10
Speaker 1: And also the story wouldn't have been as good because
35:13
Speaker 1: I think I said at the last episode two, like
35:16
Speaker 1: if everyone had just accepted her, it would have been weird. She,
35:20
Speaker 1: like her father, it seems, is an idealist in a
35:23
Speaker 1: country that is killing their own citizens. Well I mean
35:28
Speaker 1: they were citizens or not anymore, but yeah, and she
35:33
Speaker 1: has been believing that she's gonna make a difference, but
35:37
Speaker 1: she's not doing anything that's really important. Having chats with
35:41
Speaker 1: these kids is not enough to save them, right, So
35:45
Speaker 1: it's important that she realizes that. And I don't know
35:48
Speaker 1: just the idea of THEO yelling at her and her
35:51
Speaker 1: takeaway being like I fucked up. I just think it's great,
35:55
Speaker 1: but it's interesting to see how everyone else has a
35:57
Speaker 1: different opinion her uncle is just so resigned to how
36:02
Speaker 1: terrible things are he's willing to continue to perpetuate it,
36:05
Speaker 1: which is fucked up. And then Annette just doesn't fucking
36:09
Speaker 1: care at all and is like, we're from different worlds,
36:12
Speaker 1: and it's like, no, actually you aren't. You're from the
36:17
Speaker 1: same country, and you guys fucking basically genocided them like
36:24
Speaker 1: you weren't from different worlds. The differences are forced. So yeah,
36:31
Speaker 1: Annette's character kind of bothers me a little bit because
36:35
Speaker 1: I don't, like, I would hope that I wouldn't be
36:37
Speaker 1: friends with someone who was this okay with just the
36:41
Speaker 1: murder of people in our own country, like lots and
36:43
Speaker 1: lots of murders, like systematic deaths of millions. So yeah,
36:49
Speaker 1: I mean yeah, and it's a little uncomfortable, which I'm
36:53
Speaker 1: sure it's supposed to be. But Annett's also resigned to
36:56
Speaker 1: there's nothing we can do. But I feel like Lena's
37:00
Speaker 1: uncle is more sad about it than Annette is. But
37:03
Speaker 1: either way, it's just complacency, right, They're both doing the
37:06
Speaker 1: same thing. They're not helping anyone. Just because you know
37:09
Speaker 1: something's wrong doesn't mean you're fixing it. So yeah, So
37:14
Speaker 1: I'm just really proud of Lena for owning what she's done,
37:19
Speaker 1: which is just not treated them totally as human. She's
37:23
Speaker 1: still doing better than a lot of the other people around, obviously,
37:26
Speaker 1: but not really enough. So yeah, her just being like, no,
37:30
Speaker 1: I want to learn your guys' names and I still
37:32
Speaker 1: want to talk to you, and even them being like,
37:34
Speaker 1: but we don't think of you as a comrade, and
37:36
Speaker 1: she's like, that's cool because I'm not. I suck. I
37:40
Speaker 1: don't know. It's nice. And I also really think Shin
37:44
Speaker 1: is interesting. I mean, not just the whole thing with
37:47
Speaker 1: his brother apparently, but the way that he has been
37:50
Speaker 1: talking to everyone is like really just like so kind
37:53
Speaker 1: of kind to Lena and to his comrades too. I
37:58
Speaker 1: like that he's willing to quickly accept an apology and
38:02
Speaker 1: then he doesn't blame her for all the stuff, because honestly,
38:05
Speaker 1: he is right. What's happening in their country is not
38:07
Speaker 1: her faults. She's just one person. She didn't start this.
38:11
Speaker 1: But he does have every right to be mad at her,
38:13
Speaker 1: and it seems like he's not, which is a little
38:16
Speaker 1: confusing because this character is supposed to be super bad
38:20
Speaker 1: and like destroy handlers and I don't really seem like
38:24
Speaker 1: that's his deal. And then even though he talked to THEO,
38:28
Speaker 1: like when THEO asked if his commander would do the
38:31
Speaker 1: same thing, she did not give him an answer. He said,
38:35
Speaker 1: you think that he wouldn't write because that was the
38:37
Speaker 1: point that THEO felt bad. And I get that he
38:41
Speaker 1: felt bad, because it sucks when you yell at someone
38:45
Speaker 1: and then you make them really really sad. But I
38:48
Speaker 1: still think that it was an okay thing for him
38:50
Speaker 1: to do. And I'm glad that the other members of
38:54
Speaker 1: Spearhead aren't angry at him for saying those things. More
38:57
Speaker 1: just they thought that his like blow up was not
39:00
Speaker 1: the best way to handle that. And I think Ryden
39:03
Speaker 1: is pretty cool too, So basically I just like a
39:06
Speaker 1: lot of these characters. Oh and then also, I guess
39:09
Speaker 1: the last thing I want to say is fucking portion.
39:15
Speaker 1: So Shin is just carrying around five hundred and sixty
39:19
Speaker 1: one pieces of metal that were from his former comrades
39:22
Speaker 1: like Juggernauts, that's a lot of death. And since he's
39:26
Speaker 1: like always the last one, yeah, I can kind of
39:29
Speaker 1: understand why he's so detached from the rest of Spearhead.
39:32
Speaker 1: I mean, he's around a lot, but he's very quiet,
39:35
Speaker 1: very reserved, very much just reading. I guess after that
39:41
Speaker 1: many deaths and always being the only one who's left
39:44
Speaker 1: at the end, maybe having you know, genuine relationships with
39:49
Speaker 1: these people and laughing with them and playing games with them,
39:53
Speaker 1: maybe that just hurts too much to keep doing, you know.
39:56
Speaker 1: And I like that that is at least one of
39:59
Speaker 1: the reasons that he called the Reaper. But there's another one.
40:04
Speaker 1: That one's gonna be fun, and I bet you don't
40:06
Speaker 1: know what it is if you haven't watched this before.
40:08
Speaker 1: So yeah, I think that's pretty much all I have.
40:12
Speaker 1: But yeah, I'm really liking this watch through of this show.
40:16
Speaker 1: I mean, I already really liked this show, which is
40:19
Speaker 1: why I'm doing it. Yeah, I'm excited to see what
40:23
Speaker 1: you think of the next few episodes and how this goes,
40:26
Speaker 1: because we are gonna make a turn eventually and things
40:30
Speaker 1: are gonna get a little bit weirder. But yeah, I
40:33
Speaker 1: don't know. I hope you like this or whatever. But
40:36
Speaker 1: that's gonna be it for today, and I hope that
40:39
Speaker 1: you go and you have a really good whatever, and
40:43
Speaker 1: hopefully I'll be around in the future, like next week
40:46
Speaker 1: and we'll do the next episode, which is I'm with you,
40:49
Speaker 1: I guess, which sounds finally and safe, so that's good.
40:54
Speaker 1: But yeah, I'll see you sooner or whatever later. Webs