Latest / Mooney's Mythic Podcast / Death and Wassail
Transcript
- 0:08SPEAKER_00: Welcome to Moony's Mythic Podcast.
- 0:12SPEAKER_00: Welcome, welcome aboard.
- 0:15SPEAKER_00: Welcome.
- 0:18SPEAKER_00: Ah, feeling quiet today.
- 0:22SPEAKER_00: I'm feeling really quiet.
- 0:25SPEAKER_00: So thank you for coming here in this quiet space to meet me.
- 0:31SPEAKER_00: I'm feeling like
- 0:36This time,
- 0:37this January time is such a sacred time for deep peace,
- 0:45for stillness.
- 0:49SPEAKER_00: It's the moment, moments before the awakening.
- 0:59SPEAKER_00: And last night,
- 1:00thank you for all the people that came and particularly and
- 1:05especially and
- 1:05SPEAKER_00: wondrously thank you to Sophie Pullinger who created a soundscape,
- 1:10SPEAKER_00: a live soundscape for me to wander barefoot with my story,
- 1:20SPEAKER_00: with a story,
- 1:21SPEAKER_00: with the story.
- 1:22SPEAKER_00: It was an old story from Andrew Lang's fairy tale book called The
- 1:31golden apple tree and the nine pea hens and it was a long story
- 1:38not the kind of
- 1:38story I would usually tell but I felt compelled to tell it and
- 1:44it was a big journey
- 1:46and the first half I told the story and in the second half we
- 1:52worked with sound and
- 1:55SPEAKER_00: word to create a kind of
- 1:59ritual landscape for the audience to dream and plan their future,
- 2:08our year into.
- 2:11SPEAKER_00: And I remember at one point,
- 2:15SPEAKER_00: walking everybody into the orchards of their own being,
- 2:20SPEAKER_00: into the apple orchards of their heart,
- 2:23and to imagine these trees bursting with life and laden with
- 2:30golden apples.
- 2:34And I invited everybody to see their own reflection in the
- 2:39fruiting golden apples
- 2:41SPEAKER_00: of the orchards of their hearts.
- 2:45SPEAKER_00: Can we do that now?
- 2:50SPEAKER_00: See ourselves as the most glorious parts of ourselves would see us.
- 3:01And just see if that makes any difference to the way that our
- 3:05body rests on the earth.
- 3:10SPEAKER_00: To the way the breath moves through our body.
- 3:17SPEAKER_00: And today I'm really sitting in the grace of that.
- 3:20I'm feeling something very deep inside me that has opened and
- 3:30is available to all of us.
- 3:35SPEAKER_00: And in that way of deep listening,
- 3:37SPEAKER_00: when you're working with someone,
- 3:39SPEAKER_00: when you're both creating something together and you're
- 3:43SPEAKER_00: Well,
- 3:43SPEAKER_00: being listened to,
- 3:45SPEAKER_00: I say,
- 3:46I felt deeply witnessed and listened to by Sophie and the way
- 3:52that she created the
- 3:53SPEAKER_00: sounds through the story was the best,
- 3:58SPEAKER_00: best company.
- 4:00I know you know this,
- 4:01and if this is your first podcast,
- 4:04go and listen to some of the others.
- 4:07SPEAKER_00: It's all about good company.
- 4:09SPEAKER_00: It's all about accompanying myself,
- 4:12SPEAKER_00: accompanying you in this act of life that we are on,
- 4:21SPEAKER_00: this life that we are living on.
- 4:26And this week I've been thinking mostly about death in this
- 4:30life because I was
- 4:33SPEAKER_00: going to have a guest on today who has created a sacred death centre.
- 4:43SPEAKER_00: And so I've been thinking about what that means for death to be sacred.
- 4:48SPEAKER_00: I've been thinking about how...
- 4:52unspoken about death is where we see I have seen so many images
- 5:00of violence on the
- 5:02screen in my life and so much death but it's it's not really
- 5:09it's like we don't
- 5:10know how to manage it I don't move in circles where death is
- 5:15very easily managed or
- 5:17SPEAKER_00: spoken about and it's part of life
- 5:22It's part of life and it's part of our cyclical selves and our
- 5:26cyclical being selves.
- 5:28And that's what I think is taken away from us when we're not
- 5:34really experiencing
- 5:37SPEAKER_00: life in the heart of the human experience,
- 5:40SPEAKER_00: when we're not experiencing death in the heart of human experience.
- 5:45SPEAKER_00: It takes away so much.
- 5:47SPEAKER_00: It takes away the preciousness of every moment.
- 5:50SPEAKER_00: This could be it, guys.
- 5:53SPEAKER_00: This could be the last moment.
- 5:54SPEAKER_00: You know, what if the last moment was now, the last 10 minutes?
- 6:02SPEAKER_00: How would we spend it in this last 10 minutes of our life?
- 6:08SPEAKER_00: I'm really glad to be here with you.
- 6:11SPEAKER_00: I'm really glad to be thinking about this.
- 6:16SPEAKER_00: And I'm also thinking about
- 6:20What I'm giving death to in my life so that I can stir and the
- 6:28blossom of me when
- 6:29SPEAKER_00: the springtime comes can be as light and fragrant as absolutely possible.
- 6:38And I'm feeling my shoulders and I'm just thinking,
- 6:40well,
- 6:41what can I put down,
- 6:43like mulch?
- 6:44What of myself can I put down so that I can mulch myself for a
- 6:50really good,
- 6:51SPEAKER_00: light springtime and a wonderful harvest?
- 6:56And I'm thinking about that a lot because I'm storytelling at a
- 6:59wassail on Sunday,
- 7:01SPEAKER_00: which I'll tell you more about.
- 7:03later on but this would be the segment of the podcast where I
- 7:09would be talking
- 7:10about death and about sacred death so first of all I thought oh
- 7:16I'll see if I can
- 7:17get another guest on yes I'll I reached for my phone and I was
- 7:21like about to kind
- 7:22of ping out a load of messages can anyone come on the pod and
- 7:26then I just thought
- 7:27SPEAKER_00: hmm
- 7:30SPEAKER_00: It's just so nice to be here with you.
- 7:33SPEAKER_00: It's so tantalising to be here and have you all to myself.
- 7:37So here we are with not much to say and not much to do,
- 7:43just enjoying each other's company.
- 7:46SPEAKER_00: And so I've got this book here called Japanese Death Poems,
- 7:52SPEAKER_00: written by Zen monks and haiku poets on the verge of death.
- 7:57SPEAKER_00: And I've read a couple of these before on the pod.
- 8:00SPEAKER_00: I find them a really amazing source of inspiration.
- 8:03SPEAKER_00: And I was thinking this week about near-death experiences.
- 8:07When you watch someone who talks about having experienced a
- 8:13near-death experience,
- 8:14SPEAKER_00: I just feel like there's so much light in their face.
- 8:17SPEAKER_00: They've got so, they're so switched on to life.
- 8:23SPEAKER_00: And that's what I'm going for this year is that much joy in life.
- 8:33SPEAKER_00: So I'm going to read a couple of these to you.
- 8:37SPEAKER_00: All four pillars of enlightenment crumble at once.
- 8:40SPEAKER_00: See, see, moonlight wreathing coral branches.
- 8:44SPEAKER_00: What does it mean?
- 8:46SPEAKER_00: Now all grows as dark as the palace of hell in the grasp of Satan.
- 8:53SPEAKER_00: hell.
- 8:58And I'm feeling back over my year and the moments of hell in my
- 9:04year for myself,
- 9:08SPEAKER_00: for my own heart,
- 9:11SPEAKER_00: for the earth,
- 9:14SPEAKER_00: for the people,
- 9:15SPEAKER_00: for all the people,
- 9:17SPEAKER_00: all the devastation.
- 9:19SPEAKER_00: Just feeling that
- 9:23SPEAKER_00: thundering, rippling through my body.
- 9:26And I'm breathing,
- 9:31breathing it out,
- 9:32just letting it go,
- 9:33just letting all that go.
- 9:46This is a poem by Teshitsu,
- 9:49who died on the seventh day of the seventh month in 1673,
- 9:53aged 64.
- 9:55SPEAKER_00: New Year.
- 9:57SPEAKER_00: What binds it to my life is rice gruel.
- 10:02SPEAKER_00: I'm remembering, I'm remembering when I read that, that, um,
- 10:07that parts of the Great Wall of China apparently were stuck
- 10:11together with rice,
- 10:14SPEAKER_00: with sticky rice,
- 10:15SPEAKER_00: and it created such a strong cement that it's hard for us to,
- 10:21SPEAKER_00: with all of our technology and machinery,
- 10:24SPEAKER_00: to actually knock it down.
- 10:27And I'm thinking about last week I parked under a tree all night,
- 10:32and when I came back,
- 10:34geez.
- 10:36It must have been a squirrel had practically shat cement all
- 10:40over my car.
- 10:41I mean,
- 10:41I don't know what I'd been eating,
- 10:42but it was really,
- 10:44really hard to get it off.
- 10:48And that's what I feel like I want to do right now is to
- 10:53defecate all the hard and
- 10:55lumpy stuff so that I've got this rich soil for my life for
- 11:00creativity and rest and play.
- 11:02SPEAKER_00: That's what that's what I want to be doing.
- 11:06SPEAKER_00: So, yeah, just like a good death, a good death to it all.
- 11:13SPEAKER_00: And thank you,
- 11:13SPEAKER_00: David Lynch,
- 11:15for dying today because it's made me think about you and your
- 11:21death and your life
- 11:23SPEAKER_00: and all that you brought forth in your life.
- 11:26SPEAKER_00: And I've got some words that you wrote, that you spoke.
- 11:33SPEAKER_00: Here we are.
- 11:37Life should be blissful and blissful doesn't mean just a small happiness.
- 11:42SPEAKER_00: It's huge.
- 11:44SPEAKER_00: It is profound.
- 11:46SPEAKER_00: The whole world is wild at heart and weird on top.
- 11:52Intuition is the key to everything in painting,
- 11:55filmmaking,
- 11:56business,
- 11:57everything.
- 11:59SPEAKER_00: I think you could have an intellectual ability.
- 12:02SPEAKER_00: But if you can sharpen your intuition,
- 12:04SPEAKER_00: which they say is emotion and intellect joining together,
- 12:08SPEAKER_00: then a knowingness occurs.
- 12:13SPEAKER_00: What is intuition, I wonder, for you?
- 12:18SPEAKER_00: It's for me a deep listening.
- 12:24And I often use that which I call intuition when I'm working
- 12:29with stories.
- 12:33SPEAKER_00: It's like I'm learning a story and I learn it.
- 12:38SPEAKER_00: If it's an old story, I learn it by rote.
- 12:41SPEAKER_00: I learn it in the most boring way possible,
- 12:46SPEAKER_00: point to point to point to point to point in the story.
- 12:50And then there's a point where other images begin to unfold in
- 12:57my mind and
- 12:58SPEAKER_00: And if I'm, oh, there's my phone.
- 13:02SPEAKER_00: I couldn't find it earlier to turn it off.
- 13:04SPEAKER_00: It seems like it's buried deep in the sofa.
- 13:07SPEAKER_00: If I allow those images to appear,
- 13:19SPEAKER_00: then the story, then I'm listening to the story.
- 13:23It's like that's the beating heart of the story and it's those
- 13:29images that I follow
- 13:32SPEAKER_00: and tell when I'm telling the story.
- 13:37I don't know if that makes sense to you and I'd love to hear
- 13:41how you do it,
- 13:42how you
- 13:43SPEAKER_00: what your creative practice, your creative process is about.
- 13:47And I've been thinking about that a little bit because I think
- 13:52what Sophie and I
- 13:53SPEAKER_00: did last night when we shared this story journey,
- 13:58SPEAKER_00: that we created art.
- 14:01We created art with our skill because we've both been doing
- 14:09what we've been doing
- 14:09SPEAKER_00: for a long time.
- 14:12and our intuition we talked about the story but we hadn't
- 14:17rehearsed it and we've
- 14:19known each other 25 years and we've been in some very deep
- 14:26ritualistic places
- 14:29together we've witnessed each other in in deep places so we
- 14:33know each other's inner
- 14:34SPEAKER_00: landscape and because we
- 14:39were comfortable and felt safe within that inner landscape of
- 14:43each other.
- 14:43We were able to listen and trust and create and listen and
- 14:49trust and create.
- 14:54SPEAKER_00: And for me, that's art.
- 14:59SPEAKER_00: And because it created a kind of splendor on the inside of me,
- 15:05SPEAKER_00: And because I could see,
- 15:07SPEAKER_00: oh,
- 15:07SPEAKER_00: I wish I'd seen them,
- 15:10SPEAKER_00: the faces of the listeners,
- 15:14SPEAKER_00: the faces of the audience.
- 15:19SPEAKER_00: Yeah,
- 15:20that's what got me thinking about people who'd had new
- 15:23near-death experiences and
- 15:24the light in their faces because there was such softness and
- 15:29such light in these
- 15:30SPEAKER_00: people's faces.
- 15:32SPEAKER_00: I'll remember it always.
- 15:37And usually I'm counting the money and working out the
- 15:42financial aspect and when
- 15:44SPEAKER_00: the next one is and when all different kinds of things,
- 15:47SPEAKER_00: but it just,
- 15:48SPEAKER_00: it was so complete.
- 15:50SPEAKER_00: It was such a complete experience.
- 15:53SPEAKER_00: None of that seemed to really matter.
- 15:56SPEAKER_00: Yeah.
- 15:56SPEAKER_00: Interesting for me because it's art.
- 16:02SPEAKER_00: And so I've been thinking a bit about creativity and, um,
- 16:07SPEAKER_00: And where it comes from.
- 16:09SPEAKER_00: And this woman, I don't know if you know her.
- 16:10SPEAKER_00: Have I written her name down?
- 16:12SPEAKER_00: Martha Beck.
- 16:12SPEAKER_00: Do you know her?
- 16:13SPEAKER_00: She's supposed to be Oprah Winfrey's sort of creative coach.
- 16:20SPEAKER_00: And she talks about having crippling anxiety.
- 16:24And she says that instead of trying to control her anxiety,
- 16:29she started to befriend it.
- 16:32She says I started treating myself like a frightened animal and
- 16:36doing for myself
- 16:38SPEAKER_00: what we all instinctively know will calm a frightened animal.
- 16:43SPEAKER_00: Imagine,
- 16:44SPEAKER_00: she says,
- 16:44you found a freezing dirty puppy on your doorstep and you
- 16:48decided you wanted to
- 16:49SPEAKER_00: help it.
- 16:50SPEAKER_00: What would you do?
- 16:52SPEAKER_00: And she says you'd get down on its level.
- 16:54SPEAKER_00: You'd speak to it kindly and softly.
- 16:57SPEAKER_00: Don't try to explain to it what it needs to do next.
- 16:59SPEAKER_00: It's an animal.
- 17:00SPEAKER_00: Allow it to be afraid while regarding it with compassion.
- 17:06SPEAKER_00: And she says that when she does this to herself,
- 17:08SPEAKER_00: she has a dramatic shifting feeling in her body,
- 17:11SPEAKER_00: her brain,
- 17:11SPEAKER_00: her whole psychology.
- 17:14SPEAKER_00: And then she says she got into creativity and things got really weird.
- 17:20SPEAKER_00: And that's what he says.
- 17:21SPEAKER_00: What does he say, David Lynch?
- 17:23SPEAKER_00: He says, this whole world is wild at heart and weird on top.
- 17:29SPEAKER_00: What parts of our lives are wild at heart and weird on top?
- 17:33SPEAKER_00: I mean, he really celebrated the weird, didn't he, David Lynch?
- 17:36SPEAKER_00: Thank you.
- 17:37SPEAKER_00: And I guess if we're all totally unique, then...
- 17:44SPEAKER_00: then that's the weird.
- 17:45SPEAKER_00: So what's your weird?
- 17:48SPEAKER_00: What's your weird and how are you going to allow it to have a space?
- 17:53How are you going to speak to it kindly and get down onto its
- 17:59level and look after it this year?
- 18:03And these are the things that I think about when I'm creating
- 18:06stories is,
- 18:12yeah,
- 18:13what they're,
- 18:14SPEAKER_00: what their medicine is, what their gift is.
- 18:19SPEAKER_00: I feel like,
- 18:20SPEAKER_00: you know,
- 18:20she's telling a story here with her story of anxiety and
- 18:26frightened animal and,
- 18:27SPEAKER_00: you know,
- 18:28SPEAKER_00: she's telling a story and there is that,
- 18:30SPEAKER_00: there's a story,
- 18:31I think I've told it on the pod about the crescent moon bear
- 18:38where a woman's
- 18:40SPEAKER_00: husband comes home from war
- 18:43SPEAKER_00: And he's aggressive and angry and he won't go near her.
- 18:46SPEAKER_00: And she goes on this great big journey to see this wise sage.
- 18:52SPEAKER_00: And she says, help me, you know, I need help, I need help.
- 18:56SPEAKER_00: And the woman says, oh yeah, you need the hair of the crescent moon bear.
- 19:01SPEAKER_00: It's a bear that's got a shape of a crescent moon on its throat.
- 19:05And so the woman,
- 19:06she spends ages leaving food out for the crescent moon bear.
- 19:12SPEAKER_00: And befriending it long, long, long time.
- 19:15SPEAKER_00: She's so dedicated.
- 19:16SPEAKER_00: She so loves her husband.
- 19:17SPEAKER_00: And eventually she gets her hair.
- 19:21And then when she brings it back to the wise sage,
- 19:23the wise sage throws it on the fire.
- 19:26SPEAKER_00: And she's like, well, I spent ages looking for that.
- 19:29SPEAKER_00: And the woman says, well, that was your training.
- 19:32SPEAKER_00: You now need to go and treat your husband like that.
- 19:36SPEAKER_00: And in these stories, it's like we're all one.
- 19:39SPEAKER_00: It's all different aspects of our psyche.
- 19:41So it's like,
- 19:43it speaks to the angry,
- 19:48traumatized,
- 19:49hurt parts of our psyche.
- 19:54SPEAKER_00: And there will always be something
- 19:56SPEAKER_00: And if we're saying in this moment,
- 19:58SPEAKER_00: oh,
- 19:58SPEAKER_00: yeah,
- 19:58SPEAKER_00: you know,
- 19:59SPEAKER_00: I don't have any traumatised parts or I don't have any crushed places,
- 20:03SPEAKER_00: then that's not true.
- 20:05SPEAKER_00: So that's an indication that there's somewhere we're not looking.
- 20:10And I just really feel like this slow and silent time of the
- 20:16year before we really
- 20:18SPEAKER_00: wake up into the rest of the year,
- 20:23SPEAKER_00: into the spring,
- 20:26That we've got this opportunity to go deep down into the
- 20:34cellars of ourselves.
- 20:36SPEAKER_00: As these stories do.
- 20:38SPEAKER_00: In this story that I told last night,
- 20:41there was a moment where the prince went down into the cellar
- 20:47that he was told not
- 20:48SPEAKER_00: to go into.
- 20:50SPEAKER_00: And there was a barrel in the cellar.
- 20:55SPEAKER_00: And there was a voice coming out of the barrel saying,
- 20:57SPEAKER_00: please give me a drink,
- 21:00SPEAKER_00: give me a drink,
- 21:00SPEAKER_00: please.
- 21:01SPEAKER_00: I'm parched.
- 21:03SPEAKER_00: And so he gives water to this place.
- 21:06SPEAKER_00: And three times he gives water to this place.
- 21:08And each time he gives water to this place,
- 21:10the rings of the barrel burst.
- 21:13SPEAKER_00: And then finally,
- 21:14SPEAKER_00: this great dragon comes out,
- 21:16swoops the princess off and has to go on another big journey to
- 21:21reclaim his
- 21:22SPEAKER_00: feminine life.
- 21:26SPEAKER_00: And I know that that's how it can feel sometimes,
- 21:30that we don't want to poke the bear deep down in the cellar
- 21:34because it could ruin
- 21:36SPEAKER_00: whatever's going on.
- 21:40SPEAKER_00: We don't want it to upset our lives.
- 21:45But that's what Clarissa Pinkola-Estee says in the story with a
- 21:50similar moment
- 21:53SPEAKER_00: where in Bluebeard she's told not to open the door.
- 21:57SPEAKER_00: She's been given a key and she's told not to open the door.
- 22:00But she does open the door and she sees all the women that have
- 22:04been murdered
- 22:05SPEAKER_00: brutally or shoved in this room.
- 22:08And the key that she has in her hand that she's used to open it
- 22:13bleeds and it won't
- 22:14SPEAKER_00: stop bleeding.
- 22:16SPEAKER_00: It's like you can't unsee it.
- 22:18SPEAKER_00: And there's this blissful,
- 22:19SPEAKER_00: unaware place where we are just cruising along,
- 22:23SPEAKER_00: but actually the duck legs underneath are just going,
- 22:26SPEAKER_00: going,
- 22:26SPEAKER_00: going,
- 22:27SPEAKER_00: going,
- 22:27SPEAKER_00: going,
- 22:27SPEAKER_00: trying,
- 22:28SPEAKER_00: trying not to get our hair wet,
- 22:29SPEAKER_00: trying not to get our hair wet.
- 22:31SPEAKER_00: And then when we do see it, we can't unsee it until we've
- 22:36SPEAKER_00: really cleared that place and that could be a big work.
- 22:45And so let's use this time in the way I believe our ancestors
- 22:53have always used this
- 22:54SPEAKER_00: time to go down into the cellar of ourselves and see
- 23:06what is starved and squashed in the barrel and when we release
- 23:13it it may burst out
- 23:15like a great dragon but what a beautiful thing i can never uh
- 23:21stop myself thinking
- 23:22when i tell that story as the as the dragon bursts out of the
- 23:26barrel and like flies
- 23:28SPEAKER_00: away what a wonderful sight that must have been what a glorious sight
- 23:40these are my uh these are my musings so far today I wasn't
- 23:46intending to go through
- 23:47those uh stories and I may tell that story it's the um the
- 23:52golden apple tree and
- 23:53the nine pms I may tell that story in a few weeks with Sophie
- 23:57um on the pod but
- 23:59SPEAKER_00: she's not sure that her
- 24:03The resonance that comes through when we're playing together
- 24:08will translate in the podcast.
- 24:15SPEAKER_00: I think that we might be all right.
- 24:18SPEAKER_00: I think that we've created here a space sacred enough, safe enough.
- 24:25SPEAKER_00: But you can tell us.
- 24:27We'll ask the audience that were there to listen to the pod and
- 24:31see what they think.
- 24:36SPEAKER_00: Let's read a couple more of these.
- 24:37SPEAKER_00: They're so beautiful.
- 24:42SPEAKER_00: Oh, Toho died on the 18th day of the first month, 1730, at the age of 74.
- 24:48SPEAKER_00: Food is steaming on the stove.
- 24:54SPEAKER_00: Ah, misery.
- 24:57SPEAKER_00: That moment.
- 24:59SPEAKER_00: Oh, but there's...
- 25:04SPEAKER_00: I remember a friend who was dying.
- 25:09SPEAKER_00: I was sitting with him and I said to him, I wonder how I'll die.
- 25:14SPEAKER_00: And he said, mid sentence.
- 25:17SPEAKER_00: And I want that to be the way for
- 25:22SPEAKER_00: all of us,
- 25:23SPEAKER_00: that there's always something warm cooking on the stove,
- 25:26SPEAKER_00: that there's always something warm in the fire,
- 25:29that there's always something bubbling in our lives until the
- 25:35moment we die.
- 25:36SPEAKER_00: May that be the way.
- 25:42SPEAKER_00: When autumn winds blow, not one leaf remains the way it was.
- 25:48SPEAKER_00: So if we go back to the autumn and feel the wind blowing through us then,
- 25:53SPEAKER_00: the wind blew through us then,
- 25:55SPEAKER_00: and this is the last settling time for ourselves,
- 26:01this is the last settling time for those leaves to really
- 26:08deepen and drop.
- 26:14SPEAKER_00: Mmm,
- 26:15SPEAKER_00: yeah,
- 26:16SPEAKER_00: because on Sunday,
- 26:17SPEAKER_00: I don't know,
- 26:18SPEAKER_00: maybe you're going to different wassails everywhere,
- 26:20SPEAKER_00: but if you're around in Somerset and you want to come to the Shoe Museum,
- 26:26SPEAKER_00: we'll be wassailing.
- 26:27SPEAKER_00: I'll be telling stories in the orchard on Sunday at two o'clock.
- 26:32SPEAKER_00: Oh, what's a wassail, you people?
- 26:35uh from that aren't from Somerset oh I was just sitting on my
- 26:39foot then and it was
- 26:39going dead you people from that aren't from Somerset might be
- 26:43curious to know that
- 26:45um that we have this tradition of wassailing it's kind of
- 26:48different everywhere but
- 26:49in Somerset well let's go back to the beginning traditionally
- 26:58the 1st of December
- 26:59SPEAKER_00: to the 24th of December was a time of fasting and
- 27:06SPEAKER_00: And then 24th of December,
- 27:09everyone would dig out their preserves and their pickles and
- 27:14their fruitcakes and
- 27:15everyone would gather together and bring what they'd been
- 27:19saving from the year.
- 27:22And then this time,
- 27:25again,
- 27:25this January time,
- 27:26there wouldn't be much about food-wise.
- 27:33SPEAKER_00: And we would gather in
- 27:36SPEAKER_00: apple orchards, fruit orchards,
- 27:40SPEAKER_00: to create a hullabaloo,
- 27:43SPEAKER_00: to wake up the trees,
- 27:45SPEAKER_00: to kind of,
- 27:46there's these stories about dipping bread in cider and hanging
- 27:50in the trees and
- 27:52banging pots and pans and whacking the trees with sticks as a
- 27:56way of waking them up
- 27:57SPEAKER_00: and shaking them up and making sure that we have a good harvest.
- 28:01SPEAKER_00: It's important, you know, it's really important.
- 28:04SPEAKER_00: It was our lives and our sweetness.
- 28:09SPEAKER_00: I was thinking this morning,
- 28:10SPEAKER_00: it's not how I like to be woken up,
- 28:12SPEAKER_00: particularly to be kind of whacked with a stick and shouted at.
- 28:17So when I wasail on Sunday,
- 28:19we're going to be,
- 28:20we're going to be gently whispering to the trees.
- 28:25SPEAKER_00: We're going to be singing them
- 28:27SPEAKER_00: sweet songs.
- 28:28SPEAKER_00: We're going to be sharing our secrets with them.
- 28:33SPEAKER_00: We're going to be inviting them into aliveness.
- 28:38We're going to be describing the blue sky and the joy of living
- 28:46and reminding the
- 28:47SPEAKER_00: trees to wake up in that way.
- 28:49And also I'm going to tell some great stories about apples and
- 28:52apple trees.
- 28:54SPEAKER_00: So if you're around then, that'd be great.
- 28:56SPEAKER_00: Mmm.
- 29:02next week on this podlington i've got a band coming on uh is it
- 29:07my first band i had
- 29:08the winter rain on that was two of them but this is witchy
- 29:10finger and there are um
- 29:13four of them so that should be exciting and also um yeah
- 29:17thinking in that way about
- 29:20SPEAKER_00: uh about witches one kind of one last week of um uh dwelling into the um
- 29:31SPEAKER_00: the darkness of ourselves,
- 29:34SPEAKER_00: and I don't mean that in a way that witches are dark,
- 29:38but I do know for myself that sometimes I'm gripped with fear
- 29:45when I create,
- 29:46SPEAKER_00: and when I speak my feminine seeing,
- 29:53SPEAKER_00: and that I call my witch wound,
- 29:56SPEAKER_00: I feel like I might get burnt at the stake for it.
- 30:00So I wanted to invite Witchy Finger on to come and play and to
- 30:04just acknowledge
- 30:07SPEAKER_00: places in us that feel afraid.
- 30:11Because I think keeping those places company means that they
- 30:16can stop maybe ruining
- 30:20SPEAKER_00: things when we want to.
- 30:21SPEAKER_00: We want to get juicy and creative.
- 30:24SPEAKER_00: I felt it last night.
- 30:26SPEAKER_00: I stood on the stage and I felt nervous.
- 30:29SPEAKER_00: And I said, oh, I'm feeling nervous.
- 30:32SPEAKER_00: Wow.
- 30:33SPEAKER_00: Amazing that you can do something for 25 years and still feel nervous.
- 30:37And I just allowed myself to be seen in it and kind of let it
- 30:42like a sort of
- 30:43SPEAKER_00: electric shock,
- 30:45SPEAKER_00: like a little tingle,
- 30:46SPEAKER_00: just move around my body like a little tingle.
- 30:49SPEAKER_00: And then I began to...
- 30:52SPEAKER_00: And this woman,
- 30:53SPEAKER_00: that's why I was looking at her work,
- 30:54SPEAKER_00: because Martha Beck,
- 30:55SPEAKER_00: who I talked about earlier,
- 30:57SPEAKER_00: she talks about getting creative.
- 30:59SPEAKER_00: Where is it?
- 31:02SPEAKER_00: She says she swapped an anxiety spiral for a creative spiral,
- 31:06SPEAKER_00: losing herself in drawing and painting.
- 31:09And she talks about anxiety going when she when she fills those
- 31:15times with creativity,
- 31:16SPEAKER_00: then her anxiety dissipates.
- 31:18And I can totally understand that in terms of journaling and
- 31:26creative drawing and
- 31:28SPEAKER_00: that kind of thing.
- 31:28SPEAKER_00: But when you're actually presenting your art,
- 31:33SPEAKER_00: when you're being seen in those places,
- 31:36SPEAKER_00: I think anxiety can always be there.
- 31:39SPEAKER_00: and that's okay, and we can hold it by the hand.
- 31:46So I am holding my anxiety deliciously by the hand so that I
- 31:57can carry on creating
- 32:02what my heart's desire wants to for this year,
- 32:09what my soul wants to map through the year.
- 32:14SPEAKER_00: And I really hope that you are doing that too.
- 32:18SPEAKER_00: And come, come, come to the Chalice Well at the end of February.
- 32:25SPEAKER_00: Come to the Chalice Well Gardens.
- 32:26SPEAKER_00: Come to the sacred heart of Glastonbury.
- 32:29SPEAKER_00: We're going to be there for three nights in the retreat house.
- 32:33SPEAKER_00: And we're going to be working in the most precious and magical ways.
- 32:39SPEAKER_00: to celebrate ourselves, our creativity and our wonder and our glory.
- 32:46SPEAKER_00: We're going to be creating ritual in the gardens at night.
- 32:50SPEAKER_00: They're so sacred.
- 32:51SPEAKER_00: There are these two yew trees in the gardens.
- 32:55SPEAKER_00: As the water flows down the garden,
- 32:58there are these two yew trees and I feel every time it's
- 33:02another portal and another
- 33:04SPEAKER_00: portal and another portal,
- 33:05we can really just enter and enter and enter ever deeper and
- 33:09deepening spaces there.
- 33:13SPEAKER_00: And we're going to be working with myth,
- 33:15SPEAKER_00: working with story,
- 33:16SPEAKER_00: working with archetype,
- 33:18SPEAKER_00: really getting to know ourselves and building resilience,
- 33:23SPEAKER_00: really beautiful,
- 33:24flourishing resilience within us to be exactly the beings that
- 33:30we want to be.
- 33:34SPEAKER_00: Thanks for being here.
- 33:35SPEAKER_00: I've actually really enjoyed this pod.
- 33:37I was a bit nervous when I knew that I was going to be doing it
- 33:42by myself today and
- 33:43SPEAKER_00: I prepped for a guest.
- 33:45SPEAKER_00: I've really enjoyed being here with you.
- 33:47SPEAKER_00: And if you think,
- 33:50SPEAKER_00: oh,
- 33:50SPEAKER_00: you know,
- 33:51SPEAKER_00: Sarah sounds like she needs a coffee,
- 33:53SPEAKER_00: not coffee,
- 33:54SPEAKER_00: though,
- 33:54SPEAKER_00: because Sarah stopped drinking coffee,
- 33:56SPEAKER_00: which personally I think is a great help towards alleviating anxiety.
- 34:03then you can put some money on my Patreon page,
- 34:10and that is Mooney's Mythic Podcast on Patreon.
- 34:14But for now,
- 34:15blessings and peace,
- 34:17lots of love,
- 34:18and talk to you next week.