Latest / Fake Doctors, Real Friends with Zach and Donald / 116: My Heavy Meddle With John C. McGinley

Transcript

116: My Heavy Meddle With John C. McGinley · Fake Doctors, Real Friends with Zach and Donald

• 0:00
  Speaker 1: We should start right off because I have some ideas.
• 0:04
  Speaker 2: Go ahead, Johnny, Go ahead, Johnny.
• 0:06
  Speaker 1: Because you guys have to grind this. And I'm so
• 0:09
  Speaker 1: excited that some things occurred to me while I was
• 0:12
  Speaker 1: watching this thing.
• 0:13
  Speaker 2: Go ahead, Lot. I love it when you come on,
• 0:15
  Speaker 2: you know why, because you come prepared. You're like, you're
• 0:18
  Speaker 2: as prepared as Donald and I You're like, you're wound up.
• 0:21
  Speaker 1: Well, I am a big look going back in and
• 0:23
  Speaker 1: watching this, first of all, it's hard not to feel
• 0:28
  Speaker 1: really proud of it. Yeah, and this one I thought
• 0:32
  Speaker 1: deserved some backdrop because the one last Week one fifteen
• 0:35
  Speaker 1: is a spectacular episode. Zach. You're particularly great in that
• 0:38
  Speaker 1: episode with Sarah and then the monologues with the shrink,
• 0:42
  Speaker 1: let the whole ensemble just shine. And I busted my
• 0:46
  Speaker 1: ass on those monologues because the writing was astonished.
• 0:50
  Speaker 2: And you notice there's no cuts. I mean, we were
• 0:52
  Speaker 2: clearly all told that they would be wonders. Yeah, they were,
• 0:57
  Speaker 2: especially since Donald knew it, So we were clearly all
• 1:00
  Speaker 2: that there would be no cuts.
• 1:02
  Speaker 1: But what I thought was really interesting and maybe interesting
• 1:05
  Speaker 1: for people listening is a little bit of context. And
• 1:09
  Speaker 1: what I mean is because in this episode, it became
• 1:13
  Speaker 1: clear to me just how gelled the ensemble is. Whether
• 1:16
  Speaker 1: it's Kenny and Judy, you and me, Zachi Donald and Sarah,
• 1:21
  Speaker 1: the thing is just water tight. And the reason is
• 1:26
  Speaker 1: because I think now, as we discussed already, nine to
• 1:28
  Speaker 1: eleven had already occurred. We're round about the middle of
• 1:31
  Speaker 1: December here, and so what happened in New York, which
• 1:36
  Speaker 1: I'll circle this back, was the New York Yankees lost
• 1:40
  Speaker 1: the World Series in seven games to the Arizona Diamondbacks.
• 1:43
  Speaker 1: And the only reason that's relevant is because they lost.
• 1:47
  Speaker 1: There was no tick or tape parade in New York City,
• 1:51
  Speaker 1: so we were invited to the Thanksgiving Parade in New
• 1:55
  Speaker 1: York City, and it was the first taste of real
• 1:59
  Speaker 1: rock star for all of us because we worked till
• 2:01
  Speaker 1: Wednesday night, till about nine to twenty five, and this
• 2:05
  Speaker 1: was a week or two before this episode, and then
• 2:07
  Speaker 1: we were whisked off to Lax where we occupied the
• 2:12
  Speaker 1: entire front of first class.
• 2:15
  Speaker 3: There was only one other person. There was only one other,
• 2:17
  Speaker 3: that's right, and it was a boy band. It was
• 2:20
  Speaker 3: like uh oh Town or something like that. We shared
• 2:23
  Speaker 3: first class. It was the cast of Scrubs and o Town.
• 2:26
  Speaker 1: I remember, it might as well have been in private plane,
• 2:29
  Speaker 1: it wasn't. But it was first class. It wasn't coach.
• 2:31
  Speaker 1: It was first It wasn't business class. It was first class.
• 2:34
  Speaker 1: And we were going to New York to participate in
• 2:36
  Speaker 1: the Thanksgiving Day parade. Now, remember there had been no
• 2:40
  Speaker 1: mass gatherings allowed in New York since that Tuesday morning
• 2:45
  Speaker 1: in September. This just wasn't allowed. The Yankees were supposed
• 2:48
  Speaker 1: to be there, but they weren't. So we fly overnight,
• 2:51
  Speaker 1: and you guys can chime in, but we fly overnight,
• 2:54
  Speaker 1: we go, we're deposited at some chapel on the Upper
• 2:57
  Speaker 1: West Side somewhere.
• 2:58
  Speaker 3: We didn't even go to the hotel. We just they
• 3:00
  Speaker 3: dropped us off at the freaking parade.
• 3:03
  Speaker 2: We were like lying on the on the ground in
• 3:05
  Speaker 2: the chapel to come.
• 3:06
  Speaker 1: Absolutely, and we got sideways on the plane, yeah, as
• 3:14
  Speaker 1: you do. And and then we got up and Zachie,
• 3:19
  Speaker 1: I think you brought your nephew onto the float. And
• 3:23
  Speaker 1: it was a quasi racist kind of Pocahontas float.
• 3:28
  Speaker 2: And they've gotten they've gotten rid of some of those
• 3:31
  Speaker 2: since then, I think, Yeah.
• 3:32
  Speaker 1: But absolutely, here's the scrubs cast and a quasi racist
• 3:36
  Speaker 1: of Pocahonna's float on the upper west side in the
• 3:39
  Speaker 1: staging area. And who pulls up behind us but the
• 3:42
  Speaker 1: Wiggles in the big red car. Now, I had gone
• 3:46
  Speaker 1: to Wiggles concerts with my son every time they're in
• 3:50
  Speaker 1: Los Angeles for the last couple of years. I was eating, sleeping,
• 3:53
  Speaker 1: and drinking the Wiggles. So I got off the float
• 3:56
  Speaker 1: and I went back to the big Red car and
• 3:58
  Speaker 1: introduced myself to Murray and Jeff and I introduced myself
• 4:00
  Speaker 1: to everybody, and I became friends with the Wiggles, and
• 4:04
  Speaker 1: I am to this day.
• 4:06
  Speaker 4: You hang out with the Wiggles still not really.
• 4:08
  Speaker 1: But I did a video for them and they became
• 4:12
  Speaker 1: my friends. They're great educated.
• 4:13
  Speaker 2: My memory started interrupt one second, Johnny. My memory is
• 4:16
  Speaker 2: that my nephew was a very outspoken kid and not
• 4:21
  Speaker 2: shy at all. And I don't know how old he was,
• 4:23
  Speaker 2: but he was little.
• 4:24
  Speaker 4: And we had to be like nine, dude, no younger.
• 4:26
  Speaker 1: Or younger younger heid.
• 4:28
  Speaker 2: And so Al Roker we're off the flow at one
• 4:30
  Speaker 2: point and Al Roker's interviewing us, and he goes and
• 4:33
  Speaker 2: I'm here with the cast of scrubs and I've got
• 4:35
  Speaker 2: Johnny ce McGinley and Donald FaZe's going around introducing the
• 4:37
  Speaker 2: whole cast and my nephew and this is live television.
• 4:41
  Speaker 2: And my nephew goes, what about me? And Al Roker?
• 4:47
  Speaker 2: It's awkward, and Al Roker ignores him and starts so
• 4:50
  Speaker 2: tell us about the show. Interrupts him again, what about me?
• 4:57
  Speaker 2: And finally Al feels bad enough that he's like, oh,
• 5:00
  Speaker 2: I'm sorry, young man, you're right, and what's your name?
• 5:02
  Speaker 2: And then he introduces himself. But I was like, it
• 5:04
  Speaker 2: was my first.
• 5:05
  Speaker 4: And he throwing gang signs too, Like, wasn't He.
• 5:09
  Speaker 2: Didn't, he didn't, he didn't know any like real gang signs,
• 5:11
  Speaker 2: but he had seen on TV how how how rappers
• 5:14
  Speaker 2: and whomever throw gang signs. So we're on the float
• 5:17
  Speaker 2: and he's like throwing these like almost gang signs.
• 5:21
  Speaker 1: When I when I spoke to Al Roker after after
• 5:25
  Speaker 1: he cut, I said, how, how is this for a turnout?
• 5:28
  Speaker 1: And he said this will be the largest turnout in
• 5:31
  Speaker 1: the history of the Macy's Thanksgiving Day parade. And I said, well,
• 5:33
  Speaker 1: give me an estimate, and he said, there'll be about
• 5:35
  Speaker 1: three and a half million people here, and so every
• 5:37
  Speaker 1: time we went through an intersection, and I'll wrap this
• 5:40
  Speaker 1: story up in a minute, but every time we went
• 5:41
  Speaker 1: down an intersection, you could see it was one hundred
• 5:45
  Speaker 1: to two hundred people deep at every intersection. I've never
• 5:48
  Speaker 1: seen that many people. I never will in my life.
• 5:51
  Speaker 4: Yeah, it was that was.
• 5:53
  Speaker 3: I remember being like, wow, there are so many people here,
• 5:56
  Speaker 3: and we were on the float and every You're right,
• 5:59
  Speaker 3: every time we passed an intersection it looked like it
• 6:02
  Speaker 3: went so deep into the intersection. I remember thinking, how
• 6:06
  Speaker 3: are all of these people? It was like sardines too,
• 6:09
  Speaker 3: Like they were packed together.
• 6:11
  Speaker 1: Because nobody had been allowed nobody had been allowed to
• 6:14
  Speaker 1: gather since that Tuesday.
• 6:16
  Speaker 2: And another thing I remember is that my nephew was
• 6:18
  Speaker 2: on the float and he I thought, Oh, this will
• 6:20
  Speaker 2: be fun for him. He was He was bored in
• 6:22
  Speaker 2: thirty seconds, right, And I was like, oh fuck, I
• 6:24
  Speaker 2: got to take care of this kid for a whole parade.
• 6:26
  Speaker 4: Yeah, we had to. It's all the way from Uptown,
• 6:29
  Speaker 4: all the way to Mason. Yeah.
• 6:30
  Speaker 2: And he's throwing his gang signs for a while and
• 6:32
  Speaker 2: then he got bored of that and then there was
• 6:34
  Speaker 2: like an upstairs in the float. I don't know if
• 6:35
  Speaker 2: it was like it was like in Pocahontas's head or something.
• 6:38
  Speaker 1: Well, no, it was a multi tiered ship that was
• 6:41
  Speaker 1: a boat.
• 6:42
  Speaker 2: Yeah, but even like the in the non outside area,
• 6:45
  Speaker 2: there was some spot he found and then he went
• 6:47
  Speaker 2: up there and he found bubble wrap and I was like, okay,
• 6:49
  Speaker 2: fucking bubble wrap will entertain him for a little while.
• 6:52
  Speaker 2: Then he got over the buck. He was stomping on
• 6:54
  Speaker 2: the bubble wrap, and I was like, this is I'm
• 6:56
  Speaker 2: never having kids. This is like the worst.
• 7:00
  Speaker 1: What about my My only point bringing this up, and
• 7:04
  Speaker 1: I'll circle it back, was that. And also remember a
• 7:07
  Speaker 1: couple of weeks earlier, actually about a month earlier, we
• 7:10
  Speaker 1: had been picked up for the back nine, and we
• 7:13
  Speaker 1: ran around the hospital where our HUDs cut off, and
• 7:16
  Speaker 1: so that meant you had paychecks until May the first
• 7:20
  Speaker 1: week of rid yourself, because in TV you only get
• 7:23
  Speaker 1: paid for episodes produced, and so.
• 7:26
  Speaker 2: They just so you know it, just let's explain to
• 7:27
  Speaker 2: people who don't know the show was picked up for
• 7:30
  Speaker 2: the first thirteen episodes, and they kind of see how
• 7:33
  Speaker 2: you do in the ratings, and then if you do
• 7:36
  Speaker 2: well enough in the ratings, you get the rest of
• 7:37
  Speaker 2: the order, which which is in business talk is called
• 7:41
  Speaker 2: the back nine, meaning you get nine more episodes.
• 7:45
  Speaker 1: And we had been given that news about a month earlier,
• 7:47
  Speaker 1: and we ran around the hospital like we'd won the
• 7:49
  Speaker 1: Stanley Coppers. I remember, vivid.
• 7:51
  Speaker 4: Yeah, yeah.
• 7:53
  Speaker 1: And my only point in this is that between getting
• 7:55
  Speaker 1: picked up and now about fifteen or sixteen episodes into it,
• 7:58
  Speaker 1: and I can see it in this episode as we'll discuss,
• 8:02
  Speaker 1: but the ensemble is water tight, whether it meant going
• 8:06
  Speaker 1: on a trip together or getting picked up, people are
• 8:08
  Speaker 1: starting to vibe off each other. And it's as clear
• 8:11
  Speaker 1: as day when I was watching it. It's just what
• 8:14
  Speaker 1: Donald and Sarah are doing. As you guys know, I
• 8:17
  Speaker 1: think the camera is an X ray machine and it
• 8:19
  Speaker 1: sees through all the bullshit and what they're doing together,
• 8:23
  Speaker 1: there's zero bullshit. And what Zach is doing at the
• 8:26
  Speaker 1: end with Sarah in that in that on that cot,
• 8:30
  Speaker 1: there's no bullshit. It's it's just tight and right. And
• 8:34
  Speaker 1: I just got a chill. It just it really got me.
• 8:37
  Speaker 2: You gave me a chill too, because I gotta tell you,
• 8:39
  Speaker 2: I didn't remember in that scene with Sarah what happened.
• 8:42
  Speaker 2: I didn't know if it was going to turn romantic.
• 8:44
  Speaker 2: I didn't know if I cried, I couldn't remember. And
• 8:47
  Speaker 2: I was actually moved by the two of us because
• 8:50
  Speaker 2: nothing happens like I agree, like I agree, like like
• 8:54
  Speaker 2: you like would happen in real life. You know, in
• 8:56
  Speaker 2: the movies, we'd kiss. In the movies, I'd break down
• 8:59
  Speaker 2: and cry, But in real life two friends might just
• 9:01
  Speaker 2: sit there in silence for a minute. And I just
• 9:03
  Speaker 2: thought that was beautifully done.
• 9:05
  Speaker 1: I think it's the real privilege of friendship when nothing
• 9:08
  Speaker 1: does happen, so that I don't have to demonstrate to
• 9:12
  Speaker 1: you anything and you don't have to demonstrate ending to me.
• 9:15
  Speaker 1: And real friendship is when stuff is allowed. And it's
• 9:18
  Speaker 1: a tricky verb to settle, and you guys let it
• 9:21
  Speaker 1: settle in front of the lens. And as we'll discuss
• 9:24
  Speaker 1: Will McKenzie, he just let the scene play and the
• 9:27
  Speaker 1: two actors it's really lovely. And on a primetime comedy,
• 9:31
  Speaker 1: it's spectacular. It's spectacular.
• 9:35
  Speaker 4: Should we start the show?
• 9:36
  Speaker 1: Yeah?
• 9:36
  Speaker 2: But which is that the show? But I think Johnny,
• 9:38
  Speaker 2: because of that beautiful prologue, should should have the honor
• 9:41
  Speaker 2: of counting a Sindo. The song Johnny Fleet.
• 9:45
  Speaker 5: Stories about show we made about a bunch of dogs.
• 9:53
  Speaker 4: He said, he's the stories.
• 10:03
  Speaker 2: Scrub So I've been using this Scrubs Wiki Johnny that that.
• 10:13
  Speaker 1: Get is scrubs. I've heard you reference it. By the way,
• 10:15
  Speaker 1: you guys are killing this podcast a lot of Scrubs Wiki.
• 10:19
  Speaker 2: Scrubs wiki is uh. If you just put in scrubs
• 10:22
  Speaker 2: wiki into into the Google machine, it brings you up.
• 10:26
  Speaker 2: This this thing that I guess multiple fans are. One
• 10:30
  Speaker 2: fan has curated. It's on a website called fandom dot com.
• 10:33
  Speaker 2: I guess it's a place where where fans can collect
• 10:36
  Speaker 2: trivia and share stories, and you know it's a fan site.
• 10:39
  Speaker 2: But someone, and I'm thinking it might be one person,
• 10:42
  Speaker 2: has put a lot of work into this because every
• 10:45
  Speaker 2: episode it has the synopsis, it has recurring themes, it
• 10:47
  Speaker 2: has guest stars, it has the famous quotes, and it
• 10:50
  Speaker 2: has trivia form each episode and today and I often
• 10:53
  Speaker 2: reference it, and today I went to look at the
• 10:55
  Speaker 2: trivia and the first line of trivia it says, hi
• 10:58
  Speaker 2: Zac exclamation point, glad you're enjoying Scrubs Wiki. Have me
• 11:03
  Speaker 2: on the podcast question mark, have Joel search for my email.
• 11:08
  Speaker 4: Wow.
• 11:09
  Speaker 2: So I've been discovered by the curator of Scrubs Wiki
• 11:12
  Speaker 2: as a as an avid fan. But I will have
• 11:15
  Speaker 2: Joel seek you out and I and I have to
• 11:18
  Speaker 2: tell you've done a fantastic job because it's very useful.
• 11:20
  Speaker 2: I can find out all sorts of of trivia. Like
• 11:23
  Speaker 2: Kelso mentions Baxter for the very first time in this.
• 11:26
  Speaker 1: Episode, there's a lot of trivia in here.
• 11:28
  Speaker 2: There's a lot of interesting stuff. So I think, Yeah,
• 11:31
  Speaker 2: Joel says she's going to track him down, and this
• 11:33
  Speaker 2: fellah knows a lot about Scrubs, so I think it
• 11:36
  Speaker 2: might be fun to have him on. We can, we
• 11:38
  Speaker 2: can try and stump him.
• 11:39
  Speaker 1: Well, let me get to you at at at early on,
• 11:42
  Speaker 1: at at a minute or two in you and Sarah
• 11:44
  Speaker 1: in the batting cage, you.
• 11:45
  Speaker 2: Zach, Yeah, why am I? Why is Jad at the
• 11:48
  Speaker 2: at the batting kids?
• 11:48
  Speaker 1: You know? Well, it's as Donald as Donald knows. No
• 11:51
  Speaker 1: one says you don't even play sports. There's no no
• 11:54
  Speaker 1: one's ever said that in the history of the English language,
• 11:58
  Speaker 1: which is great writing, and you deliver like you really
• 12:00
  Speaker 1: know sports. But I mean you and Sarah in there.
• 12:03
  Speaker 1: You redeem yourself from early on when you get bricks
• 12:06
  Speaker 1: dropped on your head and you anticipated it. You don't
• 12:09
  Speaker 1: anticipate the beanball in this, and neither does Sarah.
• 12:13
  Speaker 2: Yeah, well I gotta tell you I commit it. Yeah
• 12:16
  Speaker 2: we did. I did not flinch. I was not gonna
• 12:18
  Speaker 2: let that happen again, Johnny, from that, from that happen again.
• 12:21
  Speaker 2: And and it's hard to you know, to anticipate, uh,
• 12:25
  Speaker 2: to not anticipate a softball being thrown at your head.
• 12:29
  Speaker 1: Well, you both did it, and as a result, it's
• 12:32
  Speaker 1: it's Charlie Chaplin funny.
• 12:33
  Speaker 2: But why is why is j D at the bating gage?
• 12:35
  Speaker 2: He's not even with Turk like maybe one thing, one thing.
• 12:38
  Speaker 2: He's a good turk like Turk made me come I'm
• 12:39
  Speaker 2: alone at the batting gages.
• 12:41
  Speaker 1: Yeah.
• 12:41
  Speaker 3: Neither one of you played sports, neither one of you
• 12:43
  Speaker 3: playing baseball, neither one of you in real life too,
• 12:49
  Speaker 3: I know. But why I think Sarah, Like in high school, Sarah.
• 12:53
  Speaker 4: Was like on the shot put team.
• 12:55
  Speaker 2: Yeah, who's on the shot put? I've never heard Sarah
• 12:59
  Speaker 2: talk about single sport, have you?
• 13:01
  Speaker 1: Oh?
• 13:01
  Speaker 2: Ski, she's a good snowboarder, snowboard yeah, yeah, yeah, she's Canadian.
• 13:06
  Speaker 2: I think that's a rule up there. You got to
• 13:07
  Speaker 2: be able to ski or snowboard, but she Yeah, I
• 13:11
  Speaker 2: just didn't understand that bit of writing. Mike Schwartz, we
• 13:13
  Speaker 2: should say he was the writer of this episode, along
• 13:16
  Speaker 2: with as Johnny mentioned, Will McKenzie, who is a concredible
• 13:19
  Speaker 2: director and directed Everybody's a lot of people's favorite episode,
• 13:23
  Speaker 2: the musical episode.
• 13:24
  Speaker 1: Will McKenzie is famous on set for the way he
• 13:28
  Speaker 1: says acid yeah.
• 13:30
  Speaker 2: And and cut yeah do it?
• 13:33
  Speaker 4: Did you remember? Do you remember? Johnny?
• 13:35
  Speaker 2: How does But he also does this so coming into
• 13:39
  Speaker 2: the room, Yeah, he sums up the scene. He's like, okay,
• 13:44
  Speaker 2: and here comes Donald and he's mad about what Carla
• 13:46
  Speaker 2: just did and action.
• 13:50
  Speaker 1: This is and cup.
• 13:52
  Speaker 2: I think he's he's directed a zillion sitcoms too. I
• 13:55
  Speaker 2: mean he was, he was, you know, he's a legendary
• 13:58
  Speaker 2: TV director. He I think he's retired, I imagine now,
• 14:01
  Speaker 2: but he is just a legend.
• 14:03
  Speaker 3: And a pretty good tennis player apparently really and yeah,
• 14:07
  Speaker 3: that's what I heard.
• 14:08
  Speaker 2: That's what you heard.
• 14:09
  Speaker 4: I heard. Will can make it so you're running around
• 14:12
  Speaker 4: while he's standing in one place.
• 14:14
  Speaker 2: There were a lot of directors that when you showed
• 14:16
  Speaker 2: up on set on Monday morning, you saw who it
• 14:18
  Speaker 2: was and you just had a big old smile on
• 14:21
  Speaker 2: your face. And Will McKenzie was always one of those
• 14:24
  Speaker 2: guys for all of us. We just would like he
• 14:26
  Speaker 2: was like, you know, he just just felt like a
• 14:28
  Speaker 2: grandfather figure because he was an older guy, but he
• 14:33
  Speaker 2: had so much experience and he had a big old
• 14:35
  Speaker 2: smile on his face and I just I love that guy.
• 14:38
  Speaker 1: Also in this in this episode, some of the I
• 14:41
  Speaker 1: don't know how to say this, some of the peripheral characters,
• 14:43
  Speaker 1: whether it's Sammy, which I'll get to in a minute,
• 14:46
  Speaker 1: or Neil is a janitor get to really shine. Yeah,
• 14:52
  Speaker 1: and and the janitor and it I guess I think
• 14:55
  Speaker 1: one O three when he says girl problems and then
• 14:59
  Speaker 1: you say, and then Cox says, I'd say they're a
• 15:02
  Speaker 1: bea cup and the button is at least they're real
• 15:06
  Speaker 1: laugh out loud. I'm stealing. I'm stealing Zachy's laugh out loud.
• 15:09
  Speaker 2: I did. I laughed out loud at that man. And uh,
• 15:12
  Speaker 2: you know, because it's funny because you know, we keep
• 15:15
  Speaker 2: fucking with Bill Johnny because he's he's hanging on by
• 15:18
  Speaker 2: his fingernails to this old lore that the janitor barely
• 15:22
  Speaker 2: talked to anybody in season one, and and he was
• 15:25
  Speaker 2: just still deciding by the time he started season two
• 15:28
  Speaker 2: if he was going to make the Janitor solely a
• 15:30
  Speaker 2: figment of Jad's imagination hanging on.
• 15:32
  Speaker 3: He is, And and every episode the Janitor's talking to
• 15:38
  Speaker 3: a different cast.
• 15:39
  Speaker 2: And Donald and I, Donald and I joke that we're
• 15:41
  Speaker 2: like detective as being like, well, how would Bill possibly
• 15:44
  Speaker 2: rationalize this one? And uh, you know again, Bill would say, well,
• 15:49
  Speaker 2: he's not interacting with Johnny. See, he just he just
• 15:51
  Speaker 2: if he's a if he's a figure of Jad's imagination,
• 15:53
  Speaker 2: he hears what Cox says and just builds on it,
• 15:55
  Speaker 2: you know.
• 15:57
  Speaker 1: But but also, and I'm going to keep circling back
• 15:59
  Speaker 1: with this, you could see And in this case, it's
• 16:02
  Speaker 1: just a simple, clean scene Donald and Zach at two nine,
• 16:06
  Speaker 1: when you take the phone call from your mom and
• 16:08
  Speaker 1: you find out about mister Peters, you too are just
• 16:11
  Speaker 1: it's in carpentry, it's called tongue and groove. You guys
• 16:15
  Speaker 1: are just effortless, and it sets up the whole scene.
• 16:18
  Speaker 1: There's a ton of n expository stuff in it, and
• 16:23
  Speaker 1: it's just effortless. And it's only because of what you
• 16:29
  Speaker 1: guys had become in those I guess seventeen or eighteen
• 16:32
  Speaker 1: weeks by then.
• 16:34
  Speaker 3: Yeah, I remember, well, I don't. I don't remember any
• 16:36
  Speaker 3: of this episode except for the handshake. And I had
• 16:39
  Speaker 3: no idea even and when we did the handshake, I
• 16:42
  Speaker 3: had no clue what Sarah and I like. I thought
• 16:44
  Speaker 3: it was something that Sarah and I made up on
• 16:46
  Speaker 3: set and it turned into something in the scene. But
• 16:51
  Speaker 3: I think we made it up for the scene and
• 16:53
  Speaker 3: it turned into something that we did on set.
• 16:55
  Speaker 2: Yeah, we saw this handshake. Johnny and I had to
• 16:59
  Speaker 2: endure this handshake get longer and longer. I think by
• 17:01
  Speaker 2: the end of it. I think by the end of
• 17:03
  Speaker 2: nine years, it took them an hour and a half
• 17:04
  Speaker 2: to do the handshake.
• 17:05
  Speaker 4: And that was just to say hello to each other.
• 17:07
  Speaker 1: Yeah. During during the Vietnam War, I found out it
• 17:10
  Speaker 1: was called a dap A dap you would adapt somebody.
• 17:15
  Speaker 2: But wait, now, Donald, you don't remember if you guys
• 17:18
  Speaker 2: were just walking around and made this up and then
• 17:20
  Speaker 2: put it in the show, or.
• 17:21
  Speaker 3: I think it came from the handshake in the show.
• 17:25
  Speaker 3: I think our handshake, we made it up for the show,
• 17:29
  Speaker 3: and then it turned into something that we did all
• 17:31
  Speaker 3: the time when we saw each other.
• 17:32
  Speaker 1: But that that, once again is what I'm talking about.
• 17:35
  Speaker 1: It's effortless. Yeah, it doesn't. Did you just complete with
• 17:40
  Speaker 1: totally long and and then you guys throw it away
• 17:42
  Speaker 1: and go right into the scene and that that's later on.
• 17:45
  Speaker 1: But I was so struck by so many of these vignettes.
• 17:50
  Speaker 1: Ye completely tongue and groove.
• 17:53
  Speaker 2: Yeah, I agree, man, and and and and Donald. Did
• 17:57
  Speaker 2: you make that up or did Sarah contribute? Like it's
• 17:59
  Speaker 2: pretty great some of it.
• 18:01
  Speaker 3: I made up a lot of it. I know I
• 18:03
  Speaker 3: made up because it's uh, it.
• 18:05
  Speaker 2: Has it has rhythm to it. That's why.
• 18:06
  Speaker 4: Well there's that, and then there's also.
• 18:09
  Speaker 1: There's even Sarah could do all that stuff, Yes, you could.
• 18:12
  Speaker 4: There was.
• 18:13
  Speaker 3: It was also a like what is it that remember
• 18:16
  Speaker 3: how we were talking about the color purple and miss
• 18:19
  Speaker 3: when Celia and her sister are broken up and they're
• 18:22
  Speaker 3: doing they.
• 18:23
  Speaker 2: Miss patty cake Cake.
• 18:25
  Speaker 3: Yeah, so it also has a little bit of that
• 18:28
  Speaker 3: in it where it's like where we slap each other's hand.
• 18:32
  Speaker 3: I don't know, man, all I know is yeah, no,
• 18:35
  Speaker 3: that thing was made up for this episode and it turned.
• 18:38
  Speaker 2: Into I like, I like what Johnny said too, that
• 18:40
  Speaker 2: you kind of go into this ale everything and then
• 18:42
  Speaker 2: you just kind of go into the scene like nothing happened.
• 18:44
  Speaker 2: It's just dull. You just did a high five.
• 18:46
  Speaker 1: I thought that, But it's the same way. It's the
• 18:48
  Speaker 1: same way. I feel like, I'm maybe it sounds like
• 18:52
  Speaker 1: I'm blown too much. Smoke up your guys, asses, but
• 18:54
  Speaker 1: I'll take it.
• 18:54
  Speaker 2: We'll take it.
• 18:55
  Speaker 1: I'm like Donald, I don't remember any of this stuff.
• 18:57
  Speaker 1: So then when we go back and watch it, I'm
• 19:00
  Speaker 1: I'm sincerely struck by different things. And in this episode,
• 19:04
  Speaker 1: unlike the last one we watched together, I wasn't struck
• 19:08
  Speaker 1: by as many things other than the circumstances that were
• 19:10
  Speaker 1: occurring outside of scrubs. In this I was really struck
• 19:14
  Speaker 1: by what was happening in front of the lens and
• 19:16
  Speaker 1: what the writers did. And then in three minutes there's
• 19:19
  Speaker 1: this great walking talk between Zachi and Cox, and the
• 19:22
  Speaker 1: writers let Cox be this fierce, fierce patient advocate, and
• 19:29
  Speaker 1: it grounds them in a way that it's just genius
• 19:32
  Speaker 1: because it gives them license to then go do what
• 19:34
  Speaker 1: he's about to go do, which is destroy a lab.
• 19:38
  Speaker 2: Now, this is the first time we really see Cox
• 19:41
  Speaker 2: have this raw motion, Johnny, I think that you know,
• 19:44
  Speaker 2: we had seen him be upset. There's the episode where's
• 19:48
  Speaker 2: where he's just saying, Jad, you need to have a life.
• 19:50
  Speaker 2: I have no fucking life. But this is, you know,
• 19:53
  Speaker 2: the first time we see how much pain this man
• 19:56
  Speaker 2: has and how dedicated he is to his profession. So
• 20:00
  Speaker 2: I just talked a bit about that. And of course
• 20:02
  Speaker 2: destroying this lab paper in the Backgrock with Charles pappard
• 20:09
  Speaker 2: Our steadycam operators back is the one of the lab texts.
• 20:12
  Speaker 2: But I mean, do you remember that day trashing that lab?
• 20:15
  Speaker 2: That must have been cathartic.
• 20:16
  Speaker 1: I do, and I had. I had been lucky enough
• 20:20
  Speaker 1: in nineteen ninety four, and lucky is in italics to
• 20:24
  Speaker 1: have been with Michael Caine, your actor in your lovely
• 20:28
  Speaker 1: movie up in Valdis, Alaska and with Steven Sigal directing
• 20:35
  Speaker 1: an epic movie for Warner Brothers called on Deadly Ground.
• 20:37
  Speaker 1: Stephen was there and I got to destroy a house,
• 20:43
  Speaker 1: and halfway through it I find a petrified walrus penis,
• 20:47
  Speaker 1: which is called an usk, and so I slow down.
• 20:52
  Speaker 2: You're gonna not. You can't rush, You can't The listeners
• 20:55
  Speaker 2: that the listeners have questions, how did you find a
• 21:00
  Speaker 2: Don't worry, we're gonna get back to destroying the lab. Everybody,
• 21:03
  Speaker 2: How did you How did you know that it was
• 21:05
  Speaker 2: a petrified walrus penis?
• 21:06
  Speaker 1: I asked, there's this long fallus and I asked the
• 21:09
  Speaker 1: production designer, I said, what's this and he goes, well,
• 21:12
  Speaker 1: it's a petrified walr's penis. And he said, God old mighty,
• 21:16
  Speaker 1: just call action and get on my eyeline.
• 21:19
  Speaker 6: If you don't think that's coming in the frame, you're
• 21:22
  Speaker 6: out of your mind.
• 21:23
  Speaker 2: Look out, everybody.
• 21:26
  Speaker 1: And so I I what my takeaway from destroying house,
• 21:31
  Speaker 1: just destroying it was go slow. If you destroy a
• 21:36
  Speaker 1: house or a lab too fast, the camera doesn't get it.
• 21:39
  Speaker 1: It's just like as Donald definitely knows, either taking or
• 21:42
  Speaker 1: throwing a punch in front of the lens. If you
• 21:44
  Speaker 1: go too fast, the camera doesn't see it. Yeah, And
• 21:47
  Speaker 1: it's the same same with destroying a room. You've got
• 21:50
  Speaker 1: to go slow. And it's funny Billy who or will
• 21:55
  Speaker 1: ramped it up to high speed for the throw through
• 21:58
  Speaker 1: the window, because otherwise that stuff happens too fast and
• 22:02
  Speaker 1: you don't get it. Yeah. And I'm sure Zach as
• 22:04
  Speaker 1: a filmmaker you know, unless you cover a fight or
• 22:08
  Speaker 1: destroying something pretty meticulously, the lens misses it. And so
• 22:14
  Speaker 1: my only thought in destroying that lab was take your time. Yeah.
• 22:18
  Speaker 3: Well, when I watched that, I was like, how much
• 22:20
  Speaker 3: trouble would doctor Cox be and if he were to
• 22:23
  Speaker 3: do that? And how much money did he just throw
• 22:26
  Speaker 3: out the window by doing all of that?
• 22:29
  Speaker 1: I know, I was thinking the same thing.
• 22:31
  Speaker 2: I thought the same thing too. I thought like, did
• 22:33
  Speaker 2: they have some system or no one's gonna tell kelso,
• 22:35
  Speaker 2: because I mean, Carla implies that he freaks out at
• 22:39
  Speaker 2: least once a year, right, And I was like, does
• 22:41
  Speaker 2: everyone sort of protect him because you know, in the
• 22:45
  Speaker 2: real world of a hospital, he'd be in a phenomenal
• 22:48
  Speaker 2: amount of trouble for this.
• 22:50
  Speaker 3: Yeah, I couldn't. That was the first thing I thought.
• 22:54
  Speaker 3: And then I thought when Carla said he does this
• 22:57
  Speaker 3: once a year, I was like, holy shit, Cox is
• 23:01
  Speaker 3: you know, it's clear that he's in pain, but he's
• 23:03
  Speaker 3: in like a lot of pain. And to build it
• 23:06
  Speaker 3: up to be able to just damage thousands of dollars
• 23:09
  Speaker 3: of equipment, you know what I mean? You have to
• 23:11
  Speaker 3: really you have to really be on that level of
• 23:14
  Speaker 3: fuck it I'm I don't care anymore.
• 23:16
  Speaker 4: I just I just he clearly doesn't care anymore.
• 23:19
  Speaker 2: But they also really need Cox, you know Cox.
• 23:21
  Speaker 4: Everybody needs Cox. You're absolutely right. Well look what you
• 23:25
  Speaker 4: just said, Donald, that was that came out a little different.
• 23:28
  Speaker 1: You're gonna pull over there, Donald, You're going fifty.
• 23:31
  Speaker 2: I'm gonna I'm gonna that's gonna be my new ringtone,
• 23:34
  Speaker 2: Donald yelling everybody needs Cox.
• 23:41
  Speaker 3: In the hospital, in the hospital, at the hospital that
• 23:45
  Speaker 3: I met the character.
• 23:47
  Speaker 1: And then and then at four thirty nine, we get
• 23:50
  Speaker 1: to see the janitor do medical jargon. Yeah, yeah, and
• 23:54
  Speaker 1: he kills it.
• 23:56
  Speaker 2: Yeah. I remember you know that Neil audition for your part,
• 23:58
  Speaker 2: you know that trivia Johnny.
• 24:00
  Speaker 1: Of course, but I mean, he's such a spectacular actor,
• 24:03
  Speaker 1: but I've never seen him do. You Gotta remember, all
• 24:06
  Speaker 1: medical jargon is Latin based, so when you really get
• 24:10
  Speaker 1: into it, you're just talking Latin. And so for the
• 24:13
  Speaker 1: janitor just to peel out some Latin question.
• 24:16
  Speaker 2: By the way, I wondered, when I wondered if I
• 24:18
  Speaker 2: think that might be the only time the janitors ever
• 24:20
  Speaker 2: in our apartment.
• 24:21
  Speaker 3: I was gonna ask that we should ask Bill if
• 24:24
  Speaker 3: he remembers putting the janitor in the apartment at any point.
• 24:28
  Speaker 2: Okay, Donald has pulled the lever for an ask Bill. Joell, Bill,
• 24:33
  Speaker 2: you're not gonna remember. I bet the guy on WICKI
• 24:36
  Speaker 2: Scrubs knows better than you, But we're gonna ask you.
• 24:39
  Speaker 2: By the way, you know we should do We should also, Joelle,
• 24:41
  Speaker 2: that's what we should do with that guy. We should
• 24:43
  Speaker 2: haven't asked Bill Button, but we should haven't also asked
• 24:46
  Speaker 2: the Scrubs wicky because he knows he's the keeper of
• 24:50
  Speaker 2: the trivia more than Bill. Bill's gonna be like, I
• 24:51
  Speaker 2: don't know, five, six, seven, eight, and uh Bill, Bill
• 24:56
  Speaker 2: has found is what you're talking about? Willis Johnny. He
• 25:00
  Speaker 2: he's found his catchphrase. So now he just says five
• 25:02
  Speaker 2: and the fans think it's hilarious. He just starts hilarious,
• 25:05
  Speaker 2: he starts the theme song, and Donald and I have
• 25:07
  Speaker 2: to stop the damn thing. So anyway, Joelle, when we
• 25:12
  Speaker 2: talk to that guy, when we find him, let's ask
• 25:14
  Speaker 2: him if we can ask him a Scrubs trivia. But
• 25:16
  Speaker 2: for now, since we only have Bill, Bill, do you
• 25:19
  Speaker 2: think this is the only time that the janitor is
• 25:21
  Speaker 2: ever in our apartment? Even though it's a fantasy.
• 25:24
  Speaker 1: Neil.
• 25:25
  Speaker 7: I'm going by memory here, guys, But Neil Flynn was
• 25:28
  Speaker 7: in Turk and JD's apartment when there's a fantasy about
• 25:33
  Speaker 7: him being a doctor, and I believe he returns to
• 25:37
  Speaker 7: try and fix their air conditioning or pipes or something
• 25:43
  Speaker 7: in a later season. But I think he was only
• 25:45
  Speaker 7: there twice except once I think he was implied that
• 25:52
  Speaker 7: he was there a third time, that he and doctor
• 25:54
  Speaker 7: Cox moved JD's bed somewhere and they did it together.
• 25:58
  Speaker 2: Thank you, Bill.
• 26:00
  Speaker 1: And once again at five point forty nine when when
• 26:04
  Speaker 1: Kenny and when Kelso and and and Jude are together,
• 26:09
  Speaker 1: they're butter. They're total butter. Oh gosh, yeah, they're butter.
• 26:14
  Speaker 2: Now how about Judy, they're they they're great. How about Judy?
• 26:16
  Speaker 2: So for first Judy, I noticed, because this is funny
• 26:19
  Speaker 2: tracking the when we shot this in two thousand and one,
• 26:23
  Speaker 2: that Judy says I got to get a tape deck,
• 26:25
  Speaker 2: which I thought was funny. And then and then when
• 26:28
  Speaker 2: she brings in and it's actually a CD player, it's
• 26:31
  Speaker 2: just funny.
• 26:31
  Speaker 3: Even now you realize that you're you're definitely pretty good show, dude.
• 26:35
  Speaker 4: That's very good, because I did not pick up on that.
• 26:38
  Speaker 2: Well, I caught her. I caught her saying tape deck,
• 26:40
  Speaker 2: and then my brain went, there's no way it was cassettes.
• 26:43
  Speaker 2: I remember it was at least CDs and uh and
• 26:46
  Speaker 2: then and I guess that was just still I'm imagining.
• 26:49
  Speaker 2: In two thousand and one, we were still using the
• 26:51
  Speaker 2: expression tape deck, like I'll get a tape deck and.
• 26:54
  Speaker 1: I have a I have a question for you. On
• 26:56
  Speaker 1: the heels of that, when Kenny says, like Motley Crue
• 27:00
  Speaker 1: and Winger, my son's a bit of a headbanger, first
• 27:03
  Speaker 1: of all, that crushed me. And second is that the
• 27:05
  Speaker 1: first time, first of many when he refers to his son,
• 27:09
  Speaker 1: who turns out is just a cavalcade of eccentricity.
• 27:15
  Speaker 2: A cavalcade of eccentricities is a great title for a screenplay,
• 27:19
  Speaker 2: but that is funny. The Scrubs wiki said, it's the
• 27:24
  Speaker 2: first time he mentions Baxter. I don't know if it's
• 27:26
  Speaker 2: the first time his son comes up, but this might
• 27:28
  Speaker 2: be the first time his son comes up in terms
• 27:30
  Speaker 2: of being a cavalcade of eccentricity.
• 27:35
  Speaker 6: His son, it turns out it's the single most tortured
• 27:38
  Speaker 6: person on the.
• 27:39
  Speaker 2: Planet I know and we never got to meet him,
• 27:41
  Speaker 2: and we never met his wife. I think it was Eenil.
• 27:43
  Speaker 1: But it's so much better. It's so much better.
• 27:45
  Speaker 2: No, it was all Remember remember on Cheers when you
• 27:48
  Speaker 2: never saw Cliff's family. No, I think it was Norm's
• 27:53
  Speaker 2: wife Vera, we never saw. Well gave me the thumbs up?
• 27:56
  Speaker 2: Am I right? Joelle?
• 27:57
  Speaker 1: Wow?
• 27:57
  Speaker 4: Well, well played Zach.
• 28:00
  Speaker 2: That bartender would always ali up him, see I bet
• 28:03
  Speaker 2: sports reference and and then he'd he'd have a one
• 28:06
  Speaker 2: liner and and and dunk it if he I.
• 28:08
  Speaker 3: Blew the I bleuw the one line because I didn't
• 28:10
  Speaker 3: remember it. Veratt does make an appearance on Cheers, though,
• 28:12
  Speaker 3: I guess.
• 28:13
  Speaker 2: Really and then well won Well, Joelle, did you go
• 28:15
  Speaker 2: on the Cheers wiki and find out that Vera does
• 28:18
  Speaker 2: make an appearance on the Thanksgiving Day episode?
• 28:20
  Speaker 1: As you guys, As you guys have done so wonderfully.
• 28:24
  Speaker 1: I do want to look at Sammy for a second.
• 28:28
  Speaker 1: Who uh is astonishing episode?
• 28:32
  Speaker 2: This really is?
• 28:32
  Speaker 1: Probably is?
• 28:33
  Speaker 2: This probably is I hate to say it, but probably
• 28:37
  Speaker 2: his first real I mean, other than one liners. This
• 28:40
  Speaker 2: is the first episode where Sammy really shined.
• 28:43
  Speaker 1: And even even when he and he and and Jude
• 28:46
  Speaker 1: together are are completely money.
• 28:49
  Speaker 2: Did you guys get goosebumps when they sang together?
• 28:52
  Speaker 1: Yes, yeah, absolutely. But the first time we see Sammy,
• 28:56
  Speaker 1: he does this thing with his hand where he puts
• 28:59
  Speaker 1: it way in the back of his donald. My triceps
• 29:03
  Speaker 1: are too big to even do this.
• 29:06
  Speaker 2: Get your fucking arms, arms to you, to you listeners
• 29:10
  Speaker 2: out there. I want you to know this guy is
• 29:12
  Speaker 2: still fucking ripped. He's got bigger biceps than than anyone
• 29:17
  Speaker 2: I I know. I think.
• 29:19
  Speaker 4: Are you still doing a lot of paddlesurfing?
• 29:21
  Speaker 1: Yeah?
• 29:21
  Speaker 2: Every day, every day you paddle surf. Yeah, john Johnny, Johnny,
• 29:27
  Speaker 2: you are Let.
• 29:28
  Speaker 3: Me say something, you got, mister Miyagi body where it's
• 29:31
  Speaker 3: like you're doing you know active, you know, everything is
• 29:35
  Speaker 3: for a purpose. I wrot, I row a board in
• 29:41
  Speaker 3: the ocean. I'm using my hands to build.
• 29:44
  Speaker 2: I thought you were saying. I thought you were saying
• 29:46
  Speaker 2: he had the body of Pat Marita, and I was like, no,
• 29:48
  Speaker 2: he does not.
• 29:50
  Speaker 4: But when Sammy wax on wax off.
• 29:53
  Speaker 1: The first time we see Sammy, he's got that hand
• 29:55
  Speaker 1: over his head and then the button on the scene
• 29:58
  Speaker 1: with Judy is he was careful. I've been hurt before.
• 30:02
  Speaker 2: Yeah, oh my God, he dropped me, drop me. He
• 30:05
  Speaker 2: loves Judy, he loves Carla, he loves.
• 30:07
  Speaker 4: Car She hugs him and he's like, don't let go.
• 30:10
  Speaker 6: And for those and well that's later on and for
• 30:13
  Speaker 6: those who don't know asides, when you keeping a side real,
• 30:17
  Speaker 6: it's almost impossible because if you don't do it right,
• 30:21
  Speaker 6: you come off as a crazy person because you're talking
• 30:24
  Speaker 6: to yourself.
• 30:24
  Speaker 1: And Sammy does it with careful I've been hurt before.
• 30:28
  Speaker 1: And then when he and Judy get back together later on,
• 30:31
  Speaker 1: he is two that are genius.
• 30:33
  Speaker 6: He says, she knows, she knows your name, he says
• 30:37
  Speaker 6: to himself, and then he says, don't let go.
• 30:43
  Speaker 1: It dropped me and I can't.
• 30:45
  Speaker 4: Tell you how.
• 30:47
  Speaker 3: Yeah, he has one more when he's like, I love
• 30:49
  Speaker 3: you and she turns around like what.
• 30:51
  Speaker 2: And he goes right back to the song. Yeah, but
• 30:54
  Speaker 2: that song you got, I mean, we're jumping all over
• 30:56
  Speaker 2: the place, but that song moment was so beautiful, and
• 30:59
  Speaker 2: I forget. I apologize to the universe that I forgot.
• 31:03
  Speaker 2: How pretty Judy's voice.
• 31:04
  Speaker 1: Is me too, Yeah, and she slays and.
• 31:08
  Speaker 2: It's beautiful and their harmonies, I mean, Sammy, we knew
• 31:11
  Speaker 2: because sam was an amazing singer, and it was an
• 31:13
  Speaker 2: a cappella group, but the two of them together, their
• 31:15
  Speaker 2: harmonies were I got goosebumps over my body.
• 31:18
  Speaker 1: Yeah, now let me ask you something, uh Zachi. Yes,
• 31:22
  Speaker 1: And I could see you, I could see you ringing
• 31:24
  Speaker 1: this one out as hard as you could. Was this
• 31:27
  Speaker 1: Billy or you on Beaker's beakers?
• 31:30
  Speaker 2: It's probably me.
• 31:32
  Speaker 1: You were ringing everything out of that.
• 31:35
  Speaker 2: I know there's certain is there certains, there's just funny beakers.
• 31:40
  Speaker 2: I I think I think it was probably not in
• 31:43
  Speaker 2: the script because that wouldn't probably been funny on the page.
• 31:46
  Speaker 2: But I was probably just riffing like words that sounded funny.
• 31:51
  Speaker 2: And we should say it's the first appearance of Franklin
• 31:53
  Speaker 2: played by Masioka.
• 31:54
  Speaker 3: Yeah, about to say Massi oh. Before he went on
• 31:57
  Speaker 3: to be a time traveling star of Heroes.
• 32:01
  Speaker 2: Right, he was the star of the show Heroes. Yeah,
• 32:04
  Speaker 2: and I think this was his first juicy gig. He
• 32:08
  Speaker 2: recurred as Franklin.
• 32:10
  Speaker 4: For a while.
• 32:10
  Speaker 1: He's very he's very good.
• 32:12
  Speaker 2: Yeah, he was funny, hugging is hugging his favorite microscope
• 32:15
  Speaker 2: so that you didn't destroy it.
• 32:18
  Speaker 1: And then and then at eight minutes, we go to
• 32:20
  Speaker 1: what I referenced earlier is Sarah and Donald, and it's
• 32:24
  Speaker 1: it's what I started this whole thing off with with. However,
• 32:26
  Speaker 1: this ensemble jeld, whether it was just time or traveling
• 32:31
  Speaker 1: together and getting into it. You guys are effortless, all.
• 32:35
  Speaker 2: Right, But let's go a little bit back. Johnny, you're
• 32:37
  Speaker 2: going too fast. First of all, oh, dear Lord, please
• 32:40
  Speaker 2: tell me that's not a onesie.
• 32:44
  Speaker 1: Oh god.
• 32:45
  Speaker 2: And now doctor Cox says, first of all, I'm wearing
• 32:48
  Speaker 2: a onesie, which I love a onesie. I don't wear
• 32:51
  Speaker 2: a onesie it to bed, but man, when I have
• 32:52
  Speaker 2: a onesie on do I love a onesie? And I
• 32:55
  Speaker 2: guess JD really loved one because he wears it to
• 32:59
  Speaker 2: the bar. And then and then Cox pulls over the
• 33:02
  Speaker 2: two ladies to flirt.
• 33:03
  Speaker 4: Okay, before you go past what I had.
• 33:05
  Speaker 1: But that's that's at eleven twenty eight. I'm gonna I'm
• 33:08
  Speaker 1: gonna eight.
• 33:08
  Speaker 2: I know, I'm, I'm I'm the ones He occurs at
• 33:11
  Speaker 2: seven oh six. Oh okay, now, but go ahead, Donald.
• 33:16
  Speaker 4: Uh Minty? First of all, what were y'all drinking in
• 33:19
  Speaker 4: your shots? If that was Minty?
• 33:21
  Speaker 2: No, the the the toothbrush was minty.
• 33:24
  Speaker 4: Oh, still from the after you dipped it into.
• 33:27
  Speaker 2: I don't know, it doesn't track. I guess you're right,
• 33:28
  Speaker 2: because the toothpaste would have been off of it.
• 33:30
  Speaker 3: But that's it was hilary because and then right after that,
• 33:33
  Speaker 3: yuck yack, yuck.
• 33:35
  Speaker 2: Yeah, yeah, you know what I was thinking of. Do
• 33:37
  Speaker 2: you remember do you remember I don't know if you
• 33:39
  Speaker 2: remember this, Donald, but don Johnny, you definitely remember Easy
• 33:41
  Speaker 2: Rider when uh, whenever Nicholson would do a shot, he
• 33:46
  Speaker 2: would he would just say a random word because the
• 33:49
  Speaker 2: shot was so bad and an easy Rider. He'd do
• 33:51
  Speaker 2: the shot and he goes, but he would say like
• 33:54
  Speaker 2: a random word that would like help him recover from
• 33:57
  Speaker 2: how bad the shot was. And that's that's what I
• 33:59
  Speaker 2: was thinking of when I when I when I did it,
• 34:01
  Speaker 2: I was like, yuck, trying so hard to be manly
• 34:06
  Speaker 2: in front of Cox, but I'm in a onesie with
• 34:09
  Speaker 2: a toothbrush.
• 34:11
  Speaker 1: It was funny when you go yucky and then the
• 34:12
  Speaker 1: writers give Cox, uh, oh great, I'm drinking with a
• 34:15
  Speaker 1: mouseket deer.
• 34:18
  Speaker 3: Like I said, I didn't remember this episode at all,
• 34:20
  Speaker 3: so I never knew that you guys had a wingman
• 34:23
  Speaker 3: uh situation going on the two of you.
• 34:26
  Speaker 4: What happened?
• 34:27
  Speaker 3: I know that one girl blows it because she's talking
• 34:29
  Speaker 3: about her ex boyfriend. What happened to the girl you
• 34:33
  Speaker 3: were talking to?
• 34:34
  Speaker 2: Well, I don't think Cox has gives a flying fuck about.
• 34:38
  Speaker 2: He's just like here, if this if she? Cox is
• 34:40
  Speaker 2: like here, you want you want a reason to stay here?
• 34:42
  Speaker 2: Talk to these girls. I'm gonna, I'm gonna, I'm gonna go.
• 34:45
  Speaker 2: And then JD is like, okay, now you're talking, and
• 34:48
  Speaker 2: he tries to hit on that one woman, but she's
• 34:50
  Speaker 2: just you know, rambling and rambling and rambling.
• 34:52
  Speaker 1: The hangman's noose is.
• 34:55
  Speaker 2: Yeah, it's kind of it's kind of stolen from airplane.
• 34:57
  Speaker 1: Though it doesn't matter. No, he remembers airplane. It's absolutely hilarious.
• 35:03
  Speaker 1: I remember, I know, but we're dinosaurs.
• 35:07
  Speaker 2: No, but I think there's a scene in a moment
• 35:09
  Speaker 2: an airplane when someone's doing a long speech about their
• 35:12
  Speaker 2: past and you you cut back and the passenger next
• 35:15
  Speaker 2: to him has hung himself and he's swinging anyway.
• 35:20
  Speaker 1: I think it's really interesting. After the two girls leave
• 35:23
  Speaker 1: and j D and Cox are alone, I don't remember
• 35:26
  Speaker 1: Cox being that broken.
• 35:28
  Speaker 3: Yeah, that's what I was going to say he's so broken, dude,
• 35:31
  Speaker 3: he's so broken.
• 35:32
  Speaker 2: Well, it's like once a year, he you know, Carla says,
• 35:35
  Speaker 2: like once a year, he pretty much has a breakdown.
• 35:38
  Speaker 1: And I went back and I went back. As I
• 35:40
  Speaker 1: told you guys, I keep composition books and it's kind
• 35:43
  Speaker 1: of how I learned my lines. And in the margins,
• 35:46
  Speaker 1: I wrote notes to myself, and in that I the
• 35:49
  Speaker 1: first thing gig. I'll digress for a second. The first
• 35:52
  Speaker 1: gig I got to get at n YU was to
• 35:54
  Speaker 1: understudy John Tatro in Danny and the Deep Blue c
• 35:57
  Speaker 1: and over ats Circle Rep, which was maybe I lived
• 36:01
  Speaker 1: on Sullivan Street and Circle was on Bleaker, so it
• 36:04
  Speaker 1: was maybe a half a block from my house, and
• 36:06
  Speaker 1: I understudy John, and I was the assistant stage manager,
• 36:09
  Speaker 1: so I helped call the lights and I made up
• 36:11
  Speaker 1: the actors. But I had keys to the theater. And
• 36:13
  Speaker 1: because it's just a two hander, two hander means just
• 36:15
  Speaker 1: two actors on stage. It was June Stein and John,
• 36:19
  Speaker 1: and John went to do desperately seeking Susan. After about
• 36:22
  Speaker 1: eight months, he WoT he wouldn't It's eight shows a
• 36:24
  Speaker 1: week off Broadway and he wouldn't go down. It's a
• 36:27
  Speaker 1: very violent play, and so I had the keys to
• 36:29
  Speaker 1: the theater. So every day I would walk and do
• 36:33
  Speaker 1: circles on the stage because I had the keys, and
• 36:35
  Speaker 1: I would do both actors' parts out loud a couple
• 36:38
  Speaker 1: of times a day. And this was all fear based, and.
• 36:41
  Speaker 2: You were afraid to say, Johnny, you were afraid that
• 36:43
  Speaker 2: you might have to go on and you didn't want it.
• 36:45
  Speaker 1: Yeah, I was scared to death. And John finally went
• 36:50
  Speaker 1: to go do Desperately Seeking Susan and which every actor
• 36:54
  Speaker 1: in New York wanted to be in, and so I
• 36:55
  Speaker 1: got to take over for him for about a week.
• 36:58
  Speaker 1: And there's a line that Danny has at the end
• 37:01
  Speaker 1: of the play where he says everything hurts. And I
• 37:05
  Speaker 1: worked backwards in that play from everything hurts and and
• 37:09
  Speaker 1: what that must mean for someone to actually say that
• 37:11
  Speaker 1: that everything hurts. And I gave it to Cox in
• 37:14
  Speaker 1: this that when we see him, there's that long profile
• 37:18
  Speaker 1: shot of Cox that Will stays on and everything hurts, Yeah,
• 37:23
  Speaker 1: and it resonates and it's nothing said, it's underneath and
• 37:27
  Speaker 1: Zaki's so lovely in the scene, but I just think
• 37:30
  Speaker 1: the guy's broken.
• 37:31
  Speaker 2: Yeah, And he's so incredibly committed to this job, which
• 37:37
  Speaker 2: is endlessly frustrating for him, not only what would be
• 37:41
  Speaker 2: normal dealing with so much death and pain, but that
• 37:44
  Speaker 2: this hospital, this this hospital that it seems is barely
• 37:49
  Speaker 2: surviving with with with its finances. And he opens the
• 37:54
  Speaker 2: episode walking around, and I noticed that Will made sure
• 37:57
  Speaker 2: that the ceiling panels were all fucked up. I don't
• 37:59
  Speaker 2: know if you noticed that, but when you when you're
• 38:00
  Speaker 2: looking around, being like, everything is here is fucking broken.
• 38:03
  Speaker 2: I'm so sick of it. And in that in that
• 38:04
  Speaker 2: very walk and talk moment, you're seeing like the ceilings
• 38:07
  Speaker 2: all fucked up, and and he's just just so frustrated,
• 38:12
  Speaker 2: I imagine with trying to save lives with no with
• 38:15
  Speaker 2: no support, with no gear like so many by the way,
• 38:18
  Speaker 2: like so many doctors and nurses and people must be
• 38:21
  Speaker 2: feeling now with the lack of of ppe they had
• 38:25
  Speaker 2: with with COVID.
• 38:27
  Speaker 1: I think it's really interested at what you were just
• 38:29
  Speaker 1: referencing that the writers don't even have Cocks reference it
• 38:33
  Speaker 1: as the hospital or or the name of the hospital.
• 38:36
  Speaker 1: He he just calls it that place. He can't even
• 38:39
  Speaker 1: he doesn't even want it in his mouth, and he says,
• 38:41
  Speaker 1: I can't I can't go back to that place.
• 38:44
  Speaker 2: Yeah, and then Jad at least feels like wow, he
• 38:48
  Speaker 2: I don't know what to do. He broke down what
• 38:50
  Speaker 2: are we going to do? And Carl was like, oh no,
• 38:51
  Speaker 2: he just does that once a year. He'll be fine today.
• 38:53
  Speaker 2: And I'm like, there's no way he's going to be fine.
• 38:56
  Speaker 2: And you come in like, hey.
• 38:58
  Speaker 3: What, it's going to be a good.
• 39:03
  Speaker 1: Still. I stole that from a brother, my brother's friendship.
• 39:06
  Speaker 1: Humph you who lives in Atlanta. Now. He used to
• 39:08
  Speaker 1: always go around and go it's a great day. I
• 39:13
  Speaker 1: put that one right in my back pocket.
• 39:15
  Speaker 2: You were so funny. All right, Wait, yes, we're gonna
• 39:18
  Speaker 2: take a break. We always forget because we're having so
• 39:20
  Speaker 2: much fun. We'll be right back and see. Donald, You're
• 39:34
  Speaker 2: giving the people what they want, which is the mm hmmm.
• 39:36
  Speaker 4: They asked for it, so I might as well give
• 39:39
  Speaker 4: it to him.
• 39:39
  Speaker 1: Man.
• 39:39
  Speaker 2: A lot of chatter, a lot of chatter on we
• 39:41
  Speaker 2: gotta just digress for a moment, so much chatter on
• 39:44
  Speaker 2: it on Instagram about about the washcloth conversation.
• 39:47
  Speaker 4: Well, that was a conversation. That was real deal.
• 39:49
  Speaker 2: Holy Field man, Johnny, did you do you use a washcloth?
• 39:52
  Speaker 2: In the shower.
• 39:53
  Speaker 3: We need to know if my wife wanted to make
• 39:55
  Speaker 3: sure that before we get into Johnny using the washcloth,
• 39:57
  Speaker 3: she wanted you guys all to know that you are
• 40:01
  Speaker 3: supposed to get rid of the washcloth after he shouts
• 40:05
  Speaker 3: it that one time, right period.
• 40:07
  Speaker 4: But you don't, I do what you don't?
• 40:12
  Speaker 2: You don't. Your wife was like, you better fucking tell
• 40:14
  Speaker 2: them we changed the wash cloth. There are too many
• 40:17
  Speaker 2: fucking people listening to this podcast. Donald, you better tell
• 40:20
  Speaker 2: them we change the wash cloth.
• 40:22
  Speaker 3: I'm telling you right, I'm telling you right now. He
• 40:24
  Speaker 3: changed the wash cloths. Baby, I told everybody.
• 40:28
  Speaker 2: See, I told everybody, Baby.
• 40:29
  Speaker 4: Takeing care of It's not like she listens to the
• 40:31
  Speaker 4: show anyway.
• 40:32
  Speaker 2: If you want, we can have Dan go back and
• 40:34
  Speaker 2: re edit that that sentence into the original wash cloth
• 40:37
  Speaker 2: to be.
• 40:39
  Speaker 1: Jesus was funny.
• 40:40
  Speaker 2: Well, I just want you to know that. You know,
• 40:42
  Speaker 2: in one in that episode, we were talking about both
• 40:45
  Speaker 2: what kind of merch we should have and the washcloth
• 40:47
  Speaker 2: to be And so now my whole Instagram feed was like,
• 40:49
  Speaker 2: how about merch that says team washcloth on a wash cloth?
• 40:57
  Speaker 3: I love it so some, he said, And now look, man,
• 41:02
  Speaker 3: if not look man, you know me, this is how
• 41:05
  Speaker 3: I am. But listen, I accumulate a lot of spit
• 41:10
  Speaker 3: in my mouth when I talk, so sometimes I might
• 41:14
  Speaker 3: when I'm talking. Listen, asshole, that's how I talk. All right,
• 41:20
  Speaker 3: accept it. I just did it again, And if you
• 41:23
  Speaker 3: got a problem with it, you can kiss my.
• 41:25
  Speaker 2: Ass all right?
• 41:28
  Speaker 1: Maybe just of course for avid listards begs the question
• 41:32
  Speaker 1: which instructor? Did Donald? Have no yes, because he just
• 41:36
  Speaker 1: went into aggressive guy.
• 41:37
  Speaker 2: You're right, Johnny, good call. You know.
• 41:40
  Speaker 3: I need to protect how I sound on this thing.
• 41:42
  Speaker 3: Everybody had a problem with me saying you know what
• 41:44
  Speaker 3: I mean. And now somebody's talking about the way I
• 41:46
  Speaker 3: slurp when I'm done the sentences, slur.
• 41:51
  Speaker 2: By the way, slurp by the way. You know they
• 41:53
  Speaker 2: have those fancy spit guards for the mic. We could
• 41:56
  Speaker 2: get you, right, Dan, we can. You know, there's like
• 41:58
  Speaker 2: a little circle that goes in front of the mic,
• 41:59
  Speaker 2: so you have to be spitting on the house.
• 42:01
  Speaker 4: I don't need to do any of it, all.
• 42:02
  Speaker 2: Right, Well, why don't you reach behind you and dab
• 42:04
  Speaker 2: your mouth with some sweatpants?
• 42:08
  Speaker 4: Fuck you?
• 42:11
  Speaker 2: Fuck you? Well anyway, it's just fun to see that
• 42:20
  Speaker 2: so many people are engaging, and we love to hear
• 42:22
  Speaker 2: from you, especially when it's debating things. We're debating here
• 42:26
  Speaker 2: because I love seeing people weigh in and be like,
• 42:28
  Speaker 2: I'm team washcloth and I'm from the South.
• 42:30
  Speaker 3: I was about to say, right right, Well, a lot
• 42:32
  Speaker 3: of white people that got on the on the thing
• 42:35
  Speaker 3: were like, yo, I do use a washcloth, but I
• 42:38
  Speaker 3: am from the South.
• 42:39
  Speaker 2: So and then some women won't be like Zach, you
• 42:42
  Speaker 2: can put a loofa between your cheeks, you just have
• 42:44
  Speaker 2: to make sure you wash it. They're washable, and I'm not.
• 42:47
  Speaker 2: I'm still not gonna put a scratchyof loof of between
• 42:50
  Speaker 2: my cheeks.
• 42:50
  Speaker 4: Johnny, are you team washcloth or team no washcloth?
• 42:54
  Speaker 1: It's funny. I use washcloths at hotels but not at home.
• 42:59
  Speaker 1: But at home both I just surf, I just I
• 43:01
  Speaker 1: just there's a shower I put in outside the building,
• 43:04
  Speaker 1: and I just shower out there. And so no, there's
• 43:06
  Speaker 1: no wash cloths up theah.
• 43:08
  Speaker 4: But in hotels you use the washcloths. You know what
• 43:11
  Speaker 4: he do?
• 43:11
  Speaker 2: You know why he does because he doesn't have to
• 43:13
  Speaker 2: worry about cleaning that fucking poo poo stain up.
• 43:18
  Speaker 4: That that also is a problem. For me, Zach, I'm
• 43:20
  Speaker 4: a problem with your poostain story.
• 43:22
  Speaker 2: Now why why dude, you're rehashing some shit right now? No,
• 43:25
  Speaker 2: pun intendent, do you have itchy all day?
• 43:28
  Speaker 4: Hold on, do you have itchy butt all the time?
• 43:31
  Speaker 2: No, you still don't understand what I'm saying.
• 43:32
  Speaker 4: There's no way, dude, I do understand what you're saying.
• 43:35
  Speaker 2: I don't have poo. If I were to swipe the
• 43:38
  Speaker 2: washcloth down the outside of my balloon knot, there'd be
• 43:41
  Speaker 2: no poo on it. But if I were to dig
• 43:44
  Speaker 2: a quarter inch, there'd be some remnants.
• 43:47
  Speaker 4: Why are you digging in your ass?
• 43:49
  Speaker 2: Because that's what I feel. The purpose of the wash
• 43:52
  Speaker 2: cloth is. I have a washcloth as my interface between
• 43:55
  Speaker 2: me and my rectum, and I can dig a little.
• 43:58
  Speaker 2: I can be aggressive, check my pro snate while I'm
• 44:01
  Speaker 2: in there.
• 44:01
  Speaker 1: Do you guys not have the magic toilet seat that
• 44:03
  Speaker 1: does the spray?
• 44:05
  Speaker 4: I wish I had.
• 44:06
  Speaker 2: I'm gonna get you one of those. It's a seat.
• 44:08
  Speaker 2: It's a seat. You put a seat.
• 44:10
  Speaker 1: It's not even a day. It's the most genius thing
• 44:12
  Speaker 1: on the planet. Yeah, we got him. We got them
• 44:14
  Speaker 1: at the Design Center. It's some invited event that yeah.
• 44:17
  Speaker 2: Yeah, it just blasts a little. It's like a it's
• 44:19
  Speaker 2: like a water pick for your anus.
• 44:21
  Speaker 1: It's the single greatest gift on the planet.
• 44:23
  Speaker 2: It's lovely. Donald. I'm gonna get you one for Honkah
• 44:25
  Speaker 2: can't wait.
• 44:26
  Speaker 1: Well, what you have to get him with with is
• 44:29
  Speaker 1: you also get a contractor to extend a water outlet
• 44:32
  Speaker 1: and electricity to.
• 44:33
  Speaker 2: Oh that's not coming with my honica. Well maybe that'll
• 44:34
  Speaker 2: be the second night. The first night will be the
• 44:36
  Speaker 2: water pick for your anus. Second night contractor.
• 44:45
  Speaker 1: Could we could we get back to Laverne?
• 44:48
  Speaker 2: Welcome back, Welcome back, Johnny, Johnny, Johnny. This is what happens.
• 44:54
  Speaker 2: I know, by the way, when you're into you guys,
• 44:56
  Speaker 2: when you're here, we can I love that Johnny's already
• 44:59
  Speaker 2: here being like, can we get to the episode? Which
• 45:01
  Speaker 2: is what I'm the one. I'm the one who's always
• 45:02
  Speaker 2: saying that.
• 45:03
  Speaker 3: We tried to digress several times, and Donnie's like, but
• 45:06
  Speaker 3: you know when yeah, six, So.
• 45:09
  Speaker 8: I wanted to do all right, let's I thought in
• 45:12
  Speaker 8: twelve fifty two, I thought Billy Billy likes to take
• 45:16
  Speaker 8: a swipe at Zachi every once in a while.
• 45:18
  Speaker 1: He always has run and he Laverne says, you think
• 45:22
  Speaker 1: so with those ears, and it's just and it's just.
• 45:26
  Speaker 2: Zackie goes up totally uncalled for, so fucked up. I
• 45:29
  Speaker 2: must have done something that week that he wanted to
• 45:31
  Speaker 2: take me down a notche for. I never really had
• 45:34
  Speaker 2: my ears this before. I mean, obviously, I have a
• 45:37
  Speaker 2: large nose, and I'm used, you know, anytime a caricature
• 45:41
  Speaker 2: artist would draw me, it would be like ninety five
• 45:43
  Speaker 2: percent nose, So I'm used to that. But I I
• 45:47
  Speaker 2: never really had my ears disc before before Nurse Roberts
• 45:50
  Speaker 2: went after them.
• 45:51
  Speaker 1: Yeah, she and she took She took no small amount
• 45:54
  Speaker 1: of pleasure in doing it too. No.
• 45:56
  Speaker 2: Red Dawn fifteen forty. I've never seen Red Dawn. I
• 45:58
  Speaker 2: don't know anything about her.
• 45:59
  Speaker 3: You fucking kidding me right now. You've never seen Red Dawn? No,
• 46:02
  Speaker 3: you did you audition John Lewis.
• 46:05
  Speaker 4: No, I didn't.
• 46:06
  Speaker 1: I wouldn't up to that speed yet.
• 46:08
  Speaker 3: Well there's a part in that. Well you're probably you're
• 46:10
  Speaker 3: probably way too young.
• 46:11
  Speaker 2: I have no idea what wolverines means. Please tell us.
• 46:14
  Speaker 3: Okay, So, uh, the Russians in Red Dawn, Yeah, attack America.
• 46:20
  Speaker 2: Yeah, Colorado, The trivia. Our trivia friend says there's a
• 46:23
  Speaker 2: mistake in the episode. One of you guys says, Michigan,
• 46:26
  Speaker 2: but it's actually Colorado.
• 46:27
  Speaker 3: Yeah, because the Michigan because the Michigan Michigan or the Wolverines.
• 46:31
  Speaker 3: The college team Michigan are the Wolverines. But it actually
• 46:34
  Speaker 3: takes place in Colorado. You're right, and they attack and kids,
• 46:38
  Speaker 3: students are the rebellion. They wind up being like all
• 46:42
  Speaker 3: the adults are gathered and put into concentration camps. And
• 46:46
  Speaker 3: Harry Dean Stanton, Yeah, see Thomas Howell, Charlie Sheen, does
• 46:52
  Speaker 3: it hold up? I mean they tried to. They tried
• 46:55
  Speaker 3: to remake it and stuff like that. The action is amazing.
• 46:58
  Speaker 3: Who's the the older brother?
• 47:00
  Speaker 4: Oh my gosh, Ghost Well, Patrick Patrick Crazy, Patrick swayze
• 47:05
  Speaker 4: Just so many people are in it.
• 47:06
  Speaker 1: Uh.
• 47:07
  Speaker 3: This is the first movie that Jennifer Gray and Patrick
• 47:09
  Speaker 3: swayzey did together. This is before Dirty Dancing.
• 47:12
  Speaker 1: And Lea Thompson.
• 47:13
  Speaker 4: Leah Thompson's in it. Also a lot of people went on.
• 47:17
  Speaker 1: To do.
• 47:19
  Speaker 6: It.
• 47:19
  Speaker 2: Makes me think of another before you explain that more taps.
• 47:22
  Speaker 2: We were talking about taps the other Do you guys remember.
• 47:24
  Speaker 1: That a lot of George Valley Forge Military Academy.
• 47:30
  Speaker 2: Yeah, and a lot of amazing actors. It was their
• 47:32
  Speaker 2: first big thing, Sawn Sean and Tom Cruise.
• 47:37
  Speaker 4: Yeah.
• 47:37
  Speaker 2: But anyway, go back to the plot of Loverne.
• 47:39
  Speaker 3: So the kids, the kids, and the and the school
• 47:43
  Speaker 3: that the kids they're all like on the football team
• 47:45
  Speaker 3: and stuff like that. And the football team of the
• 47:47
  Speaker 3: school is called the Wolverines. And so when they're when
• 47:51
  Speaker 3: they're in the fight with the Russians, their victory cry
• 47:56
  Speaker 3: is Wolverines. Their battle cry is Wolverines. Like you know,
• 48:00
  Speaker 3: g I Joe was Yo Joe.
• 48:02
  Speaker 4: Theirs was Wolverines.
• 48:05
  Speaker 2: Okay, got it. And in the world of Scrubs, Elliott
• 48:08
  Speaker 2: knows this movie. I don't believe it, but I believe
• 48:11
  Speaker 2: I believe. I believe Turk knows that.
• 48:13
  Speaker 4: I don't believe that Turk would know it, so therefore
• 48:15
  Speaker 4: j D would know it, right.
• 48:16
  Speaker 2: But Elliott walks in like, oh, I forget the homework assignment,
• 48:19
  Speaker 2: Let's watch Red Dawn.
• 48:20
  Speaker 4: I'm like, come on, buddy, I'd love it.
• 48:22
  Speaker 1: Yeah, but it's also great again. You guys both throw
• 48:25
  Speaker 1: the gesture away and it's great when Zachie comes in
• 48:28
  Speaker 1: and goes you know Wolverines, and he just throws it
• 48:30
  Speaker 1: away and Sarah does too, and it's great.
• 48:32
  Speaker 2: You know, when I was first watching this episode, before
• 48:34
  Speaker 2: I got through it, I was like, what a dick
• 48:36
  Speaker 2: Turk is for inviting my newly ex girlfriend over to
• 48:40
  Speaker 2: do a homework as Simon at the fucking living room table.
• 48:45
  Speaker 4: Be done.
• 48:46
  Speaker 1: Yeah, But then he comes yeah, there's a great thing.
• 48:50
  Speaker 1: Later on at ten forty five that Donald does this
• 48:54
  Speaker 1: great thing where Sarah goes, you and I can still
• 48:57
  Speaker 1: hang out and Donald goes, no, he's my best friend.
• 49:00
  Speaker 1: Either you fix it or and then there's an ellipsis.
• 49:03
  Speaker 1: And for all of us who have had divorced friends
• 49:07
  Speaker 1: or friends who have broken up, it's the way Donald
• 49:11
  Speaker 1: lays it out. You can't have both. It's just it's
• 49:14
  Speaker 1: never you got to be friends with either or the wife.
• 49:18
  Speaker 1: You can't have both. It doesn't work.
• 49:20
  Speaker 2: People always choose a side, don't they.
• 49:23
  Speaker 3: You have to, Yeah, yeah, there's no in between. You
• 49:26
  Speaker 3: can't stay in between. You can't be like, she's my
• 49:28
  Speaker 3: friend and you're my friend.
• 49:30
  Speaker 2: Right right, I got it now now now when so
• 49:34
  Speaker 2: we what we learned is that Turk did it in
• 49:36
  Speaker 2: order to try and get them to be friends again, right, Well.
• 49:42
  Speaker 1: I think his intentions are really good, but it's so raw.
• 49:45
  Speaker 2: I mean, it's still so new, this breakup. You know,
• 49:47
  Speaker 2: It's like, yeah, but.
• 49:48
  Speaker 3: You guys are running to each running into each other.
• 49:51
  Speaker 3: Elliott and j D are running into each other every
• 49:54
  Speaker 3: day at work, and there's all of this animosity towards
• 49:58
  Speaker 3: each other.
• 49:59
  Speaker 1: It's how the show will.
• 50:00
  Speaker 2: I felt sad about it, you know, I have to say,
• 50:03
  Speaker 2: I guess I'm these old feelings of being so invested
• 50:06
  Speaker 2: in these characters came up, and of course, I'm sure
• 50:10
  Speaker 2: you know memories of times in my own life of
• 50:13
  Speaker 2: this stage of a relationship, and I don't know, I
• 50:16
  Speaker 2: was so invested that I genuinely was feeling sad for
• 50:20
  Speaker 2: these two characters and how they clearly love each other
• 50:23
  Speaker 2: so much, and as we learned in the series, they
• 50:25
  Speaker 2: ultimately choose each other. But but oh, that awkwardness of
• 50:29
  Speaker 2: of you know, of trying to be friends and having
• 50:33
  Speaker 2: mutual friends and working together. I mean, what a nightmare.
• 50:36
  Speaker 1: Yeah, but what you just said pays off in the
• 50:38
  Speaker 1: final before you guys go up on the roof and
• 50:40
  Speaker 1: throw watermelons. When you guys are on that cot, you're Zachi.
• 50:45
  Speaker 1: Your truth is that it made you genuinely sad and
• 50:51
  Speaker 1: it resonates. It absolutely jumps into the lens and it resonates,
• 50:55
  Speaker 1: and it's so lovely.
• 50:57
  Speaker 2: I think I had not so much.
• 50:58
  Speaker 1: There's nothing demand constrative, there's nothing showy. It's just this
• 51:03
  Speaker 1: guy sad and sad sucks. Sometimes.
• 51:05
  Speaker 2: I think that was easy to play because it was real,
• 51:08
  Speaker 2: and I think I had so much love for Sarah
• 51:10
  Speaker 2: and I just you know, I could just play in
• 51:14
  Speaker 2: my in my heart that we weren't going to be
• 51:17
  Speaker 2: friends anymore, and it was just easy to tap into,
• 51:19
  Speaker 2: you know.
• 51:19
  Speaker 1: Right, it showed it was very good.
• 51:24
  Speaker 3: I really you know, when in the beginning of the
• 51:26
  Speaker 3: episode when he said when j D says, my teacher died,
• 51:31
  Speaker 3: I was like, oh, this is this is going to
• 51:33
  Speaker 3: be the problem of the episode. And then when you know, Johnny,
• 51:36
  Speaker 3: when Cox goes into this rent, I was like, no,
• 51:38
  Speaker 3: this is the problem of the episode. Then how you
• 51:41
  Speaker 3: bring it full circle? It's always brought back to one
• 51:43
  Speaker 3: right and with our show. So at the end of
• 51:46
  Speaker 3: it all, you remind him, didn't you tell me about
• 51:49
  Speaker 3: your teacher that you know just passed away? How are
• 51:52
  Speaker 3: you going to deal with that, because I know you're
• 51:55
  Speaker 3: trying to hide it. What did you do when? What
• 51:57
  Speaker 3: did you do when you found out your teacher died?
• 52:00
  Speaker 3: That's right, you made a joke. That shit stings inside
• 52:03
  Speaker 3: and if you hold on to it, and if you
• 52:04
  Speaker 3: don't have an outlet, you wind up doing what I did.
• 52:07
  Speaker 4: You know what I mean.
• 52:08
  Speaker 3: And there's not a bunch of people at this hospital
• 52:10
  Speaker 3: that are going to protect you the way they protect me.
• 52:12
  Speaker 3: That's that's the honest of goodness truth. Yeah, we'll get
• 52:15
  Speaker 3: this shit out. You know, I was well said.
• 52:17
  Speaker 2: I believe that too. I mean, I feel like I
• 52:19
  Speaker 2: do that in life. I try and dissipate the emotion
• 52:23
  Speaker 2: by making a joke and then you're all, you know,
• 52:26
  Speaker 2: which is fine, it's a coping mechanism. But then you're
• 52:29
  Speaker 2: you're letting that shit fester and build up. And then
• 52:32
  Speaker 2: Johnny and Cox is saying, like, look what happens if
• 52:35
  Speaker 2: you let it build for three hundred and sixty four days?
• 52:37
  Speaker 2: You fucking destroy Franklin's lab.
• 52:40
  Speaker 1: And I wrote, I wrote, I wrote in my notebook
• 52:43
  Speaker 1: because I'd had about a twenty year, ongoing, twenty year
• 52:48
  Speaker 1: art crush on a Welsh poet named Dylan Thomas, and
• 52:52
  Speaker 1: I didn't have the spine to go down to the
• 52:54
  Speaker 1: writer's room and ask Billy if I could put this in.
• 52:57
  Speaker 1: But I did put it in the margins the poem
• 53:00
  Speaker 1: that do not go gently into that good night rage,
• 53:02
  Speaker 1: rage against the dying of the light. And that informs
• 53:05
  Speaker 1: everything I'm telling Zachi in that scene, that you don't
• 53:09
  Speaker 1: go gently into the good night rage, rage, rage against
• 53:13
  Speaker 1: the dying of the light. Oah, I get a chill.
• 53:15
  Speaker 1: And I wanted to say it to Zachie so bad,
• 53:17
  Speaker 1: but it was a little too esoteric. And but it's
• 53:20
  Speaker 1: underneath it.
• 53:21
  Speaker 2: It needs it, John, because it was underneath your whole performance.
• 53:24
  Speaker 1: It floats it. Yeah. And if you can get Dylan
• 53:27
  Speaker 1: Thomas to float something underneath what you're doing again, you're
• 53:31
  Speaker 1: not lying, You're telling your truth. Yeah.
• 53:33
  Speaker 2: I really like that you do that, John, the putting,
• 53:37
  Speaker 2: putting thoughts and inspiration in the margins and letting that
• 53:42
  Speaker 2: sort of exist underneath the scene. I think that's really
• 53:46
  Speaker 2: a smart technique.
• 53:48
  Speaker 1: It's completely selfish and self serving. It helps me. I
• 53:51
  Speaker 1: always find that if you can, since we're lying in
• 53:54
  Speaker 1: front of the lens, everything most of it's a lie.
• 53:57
  Speaker 1: In other words. I'm not doctor Cox, I'm not the guy.
• 54:00
  Speaker 1: I'm not Sergeant O Neil in platoon. I'm not I'm
• 54:03
  Speaker 1: not I'm some guy. I'm just the Irish jack yis.
• 54:06
  Speaker 1: And if you can, yeah, if you can reduce, if
• 54:10
  Speaker 1: you can reduce the frequency of the lie, whether it's
• 54:14
  Speaker 1: Oliver putting this through two weeks of boot camp or
• 54:17
  Speaker 1: or putting Dylan Thomas underneath underneath a particular beat that
• 54:22
  Speaker 1: reduces the lie. And if you can reduce the lie
• 54:25
  Speaker 1: to a certain frequency, then the lens doesn't suffer it
• 54:30
  Speaker 1: as a lie quite as much.
• 54:31
  Speaker 2: And I think, and I think genuinely this might be
• 54:33
  Speaker 2: a non sequitor, but for me, genuinely listen. You know
• 54:38
  Speaker 2: a lot of times actors will ask me for and
• 54:41
  Speaker 2: I'm sure this you guys get this as well. Young
• 54:44
  Speaker 2: actors ask you for advice or or and you try
• 54:46
  Speaker 2: and think of like something's accinct you can say, because
• 54:48
  Speaker 2: it's none of it's that easy. But when I do
• 54:51
  Speaker 2: try and say, the most basic thing that I've learned
• 54:54
  Speaker 2: is genuinely listening. If I'm if the camera's on me
• 55:00
  Speaker 2: and Johnny C playing Cox is saying all these things
• 55:03
  Speaker 2: to me, and I can genuinely listen. I'm not looking
• 55:05
  Speaker 2: in my periphery at the camera. I'm not looking at
• 55:08
  Speaker 2: the gel on the light that's about to fall. I'm
• 55:11
  Speaker 2: not distracted by something. I'm genuinely listening. Then I can't
• 55:14
  Speaker 2: help but react naturally as a human being would. And
• 55:18
  Speaker 2: that's not easy to do it. You can only I
• 55:21
  Speaker 2: find I could only do it in spurts, which hopefully
• 55:24
  Speaker 2: those spurts can be edited together into something good. But
• 55:28
  Speaker 2: that's the that's sort of my version of what you're saying,
• 55:31
  Speaker 2: is being as present as you can and genuinely listening.
• 55:35
  Speaker 1: Because you're telling the truth.
• 55:37
  Speaker 2: Yeah, and then we react. I remember when I was
• 55:39
  Speaker 2: I did this movie, The Last Kiss, and I was
• 55:41
  Speaker 2: I had a scene with Tom Wilkinson, a wonderful actor,
• 55:43
  Speaker 2: and it was one of those moments where this really
• 55:45
  Speaker 2: worked for me. He was the cameras were kind of
• 55:47
  Speaker 2: far back. I love that when when on the occasion
• 55:50
  Speaker 2: when they can be sort of a little bit far
• 55:51
  Speaker 2: away on longer lenses, and he's too and he was
• 55:54
  Speaker 2: just on the porch and he's giving me a speech
• 55:58
  Speaker 2: about his daughter, and I just remember being so present.
• 56:02
  Speaker 2: I didn't see the cameras. I just saw this man
• 56:05
  Speaker 2: talking to me and giving me advice about how to
• 56:07
  Speaker 2: deal with my troubled relationship, and I just felt I
• 56:11
  Speaker 2: was so in the moment that in Spurts, I was
• 56:14
  Speaker 2: able to just forget that it wasn't real, you know
• 56:17
  Speaker 2: what I mean?
• 56:18
  Speaker 4: No, I totally know what you mean.
• 56:19
  Speaker 3: When I did Gee's Tripping, I got stone with my
• 56:22
  Speaker 3: boy Dion right before a scene.
• 56:29
  Speaker 2: When I was in Homies Pomoni.
• 56:33
  Speaker 3: Oh, and there was we were at a dance at
• 56:38
  Speaker 3: a house party, and I was supposed to be dancing
• 56:40
  Speaker 3: with this girl at the house party, and I was
• 56:42
  Speaker 3: so stone that I forgot we were filming a damn movie.
• 56:45
  Speaker 3: You think this is bullshit, But I remembered my direction was.
• 56:49
  Speaker 2: I thought you were by the way, I just want
• 56:50
  Speaker 2: to stop for a second. I thought you were kidding
• 56:52
  Speaker 2: and it was hilarious, but you're serious. You got so
• 56:54
  Speaker 2: high you forgot you were doing a movie.
• 56:55
  Speaker 4: I forgot that we were making This is how.
• 56:59
  Speaker 2: I gotta see this movie.
• 57:00
  Speaker 3: Yeah, so we're in a scene and we're you know,
• 57:04
  Speaker 3: it's a house party, and we're dancing, and I'm dancing
• 57:07
  Speaker 3: with this girl, and I remembered my direction. My direction
• 57:10
  Speaker 3: is tell her to come with you and you guys exit.
• 57:14
  Speaker 3: So we're dancing and everything, and now I'm really fucking
• 57:17
  Speaker 3: in it. I'm looking around at the boys and shit,
• 57:22
  Speaker 3: oh you know what I mean. I'm waving to my
• 57:24
  Speaker 3: boy you know what I mean in the movie and
• 57:26
  Speaker 3: everything like that, and I remember Joe, oh, I'm supposed
• 57:29
  Speaker 3: to tell us something. So I whispered in the ear like, yo,
• 57:32
  Speaker 3: let's go to the other room. And she goes, okay,
• 57:35
  Speaker 3: let's go. And so we're exiting, and as I'm walking out,
• 57:38
  Speaker 3: I'm like, oh shit, I just pulled down. I'm just
• 57:43
  Speaker 3: what I did, you know what I mean? And I'm
• 57:45
  Speaker 3: looking at my boys like, yeah, look how I did it.
• 57:49
  Speaker 3: And then they said cut and I was like, oh no,
• 57:53
  Speaker 3: I didn't. I didn't, but you know, I didn't go
• 57:55
  Speaker 3: like we were making a movie. But it was like cut.
• 57:57
  Speaker 3: And we walked away and my boy was like.
• 57:59
  Speaker 4: Yo, it really like you was taken out of the
• 58:01
  Speaker 4: other room.
• 58:03
  Speaker 2: Oh my god, that's so funny.
• 58:07
  Speaker 1: Man.
• 58:07
  Speaker 2: So that would get me.
• 58:09
  Speaker 1: I would get hives if I ever found myself in
• 58:11
  Speaker 1: that situation. I would I might worry too much.
• 58:15
  Speaker 2: How often how often were you stoned while acting on
• 58:19
  Speaker 2: Scrubs a percentage of the time.
• 58:23
  Speaker 4: It's not It's not as high.
• 58:25
  Speaker 2: I go to add it to the Scrubs Wiki.
• 58:26
  Speaker 3: It's not as high as everybody, you know, as I
• 58:29
  Speaker 3: made it out to be. But there were times where
• 58:32
  Speaker 3: I came to work and I was like, fuck, I
• 58:36
  Speaker 3: did it in the morning. By the end of the day,
• 58:38
  Speaker 3: I'll be fine, dude.
• 58:40
  Speaker 4: I was probably I had a problem.
• 58:42
  Speaker 2: You know'll be funny if on the Scrubs Wiki with
• 58:44
  Speaker 2: each episode it has a little section where it says
• 58:47
  Speaker 2: how high Donald was during the filming of this episode.
• 58:50
  Speaker 2: You know, it has like a it has like a
• 58:52
  Speaker 2: red for very, there's like a there's like a there's
• 58:54
  Speaker 2: like a color system, like how dangerous the water is
• 58:56
  Speaker 2: at the beach.
• 58:57
  Speaker 4: Those those days are over, though, Those days over. But
• 59:00
  Speaker 4: I do remember.
• 59:01
  Speaker 3: I remember thinking, you know, there's so many actors that
• 59:04
  Speaker 3: are baked when they're working. And I'm sure there are
• 59:06
  Speaker 3: there are, you know what I mean. But it really
• 59:09
  Speaker 3: wasn't for me.
• 59:10
  Speaker 1: Let me tell you something. I'm gonna get us back
• 59:12
  Speaker 1: on track here at six Johnny Johnny.
• 59:15
  Speaker 2: If Johnny was always on the show, we'd be much
• 59:18
  Speaker 2: more on track.
• 59:19
  Speaker 1: Let me tell you, let me tell you something. The
• 59:21
  Speaker 1: todd shows up in eight oh six hilarious, and he
• 59:24
  Speaker 1: comes up from behind the couch and it's kind of creepy.
• 59:27
  Speaker 4: Yeah, it's a little crazy. The things he says to
• 59:31
  Speaker 4: her are.
• 59:31
  Speaker 1: Cey, it's a little creepy, I know.
• 59:34
  Speaker 2: But I laughed out loud when he said.
• 59:43
  Speaker 1: So, is it safe to assume Donald that at a
• 59:45
  Speaker 1: fifty six, when you do a very graceful jump up
• 59:48
  Speaker 1: onto the nurses station, that you are not, in fact
• 59:51
  Speaker 1: wearing silk boxers.
• 59:52
  Speaker 4: I am definitely not wearing silkboxers.
• 59:55
  Speaker 1: Do you wear do you wear anything out of your scrubs?
• 59:57
  Speaker 3: I did at the time because I was look, man,
• 1:00:01
  Speaker 3: I got a leaky o ring and so loose gasket.
• 1:00:06
  Speaker 3: Sometimes when you go to the bathroom and come back
• 1:00:08
  Speaker 3: and you got a little pea spot, it's embarrassing.
• 1:00:10
  Speaker 2: So I don't think that you could. I mean, I
• 1:00:13
  Speaker 2: don't think that it would be appropriate for you to
• 1:00:15
  Speaker 2: not have your your what your situation contained.
• 1:00:20
  Speaker 3: I'm sure there were people that put on their scrubs
• 1:00:24
  Speaker 3: at as Johnny's hand goes up, you.
• 1:00:28
  Speaker 2: Free ball in your scrubs?
• 1:00:30
  Speaker 1: Do One time in the Philippines, we were we were
• 1:00:34
  Speaker 1: shooting a flick. And during boot camp I had to
• 1:00:36
  Speaker 1: go through a river is called a blue, and so
• 1:00:40
  Speaker 1: we had to go through a blue and hold our
• 1:00:41
  Speaker 1: weapons above our heads and then we got out the
• 1:00:44
  Speaker 1: other side. I took my fatigues off and I had
• 1:00:47
  Speaker 1: about nine leeches right near my power source.
• 1:00:51
  Speaker 8: And so I decided and then die wee that are
• 1:00:57
  Speaker 8: our commandant told us that they like warm, wet places
• 1:01:01
  Speaker 8: like under your arms and down in your crotch.
• 1:01:03
  Speaker 1: And I haven't worn underwear since nineteen eighty six.
• 1:01:06
  Speaker 4: Wow, And that's all it took. And that is all.
• 1:01:10
  Speaker 1: You can't say, you can't preface it with that's all.
• 1:01:13
  Speaker 1: That's what it took. Seven leeches, seven leeches near my
• 1:01:18
  Speaker 1: near my power so horse, I'm not no chance, Lance,
• 1:01:24
  Speaker 1: And how do.
• 1:01:24
  Speaker 2: You pull them off? You just can't do you just
• 1:01:26
  Speaker 2: can you just pull a leach off? I've never had
• 1:01:27
  Speaker 2: a leech stock.
• 1:01:28
  Speaker 1: Dale Dale came and he used like a cigarette butt
• 1:01:31
  Speaker 1: and like he'd burn him and pull him at the
• 1:01:33
  Speaker 1: same time. And it was very humiliating to take my
• 1:01:37
  Speaker 1: you know, to have all twenty four guys looking at,
• 1:01:39
  Speaker 1: you know, the Irish donkey with seven leeches. Wow, I'm
• 1:01:44
  Speaker 1: not getting any leeches near my I guess.
• 1:01:46
  Speaker 2: Jeans would be fine, but scrubs wouldn't work.
• 1:01:48
  Speaker 4: No gross even ge oh man, I couldn't do it
• 1:01:51
  Speaker 4: with my jeans. Too much chafing.
• 1:01:53
  Speaker 2: All right, should we get back to the episode.
• 1:01:55
  Speaker 1: Guys, are you boxers or tidy? What do you? Guys?
• 1:01:58
  Speaker 4: I'm straight up boxers, dude. Whities can't happen.
• 1:02:01
  Speaker 2: No, no, I don't do teddy whities. But they're not
• 1:02:03
  Speaker 2: boxers like traditional boxers, minors sort of like clingy, tight
• 1:02:07
  Speaker 2: soft boxers. Okay, their their stance. If if I highly
• 1:02:14
  Speaker 2: recommend this brand s T A n C. They're not
• 1:02:17
  Speaker 2: a paid sponsor, but I'm.
• 1:02:18
  Speaker 4: Giving the stance like the socks.
• 1:02:20
  Speaker 2: Yes, they make really fun socks. But they also make
• 1:02:22
  Speaker 2: this like butter It's called like butter Undies.
• 1:02:25
  Speaker 4: Butter Undies by stance.
• 1:02:27
  Speaker 2: Yeah, there you go. There's a shout out for butter Undies.
• 1:02:30
  Speaker 2: Send Donald an XXXL every stance, folks.
• 1:02:33
  Speaker 4: I don't need an X. My waist isn't that big, dude?
• 1:02:36
  Speaker 1: Oh?
• 1:02:37
  Speaker 2: Quadru blecks.
• 1:02:38
  Speaker 4: Wow.
• 1:02:40
  Speaker 1: We got to get back to Kenny and Judy because
• 1:02:42
  Speaker 1: we haven't given them their due. Because the song, the
• 1:02:45
  Speaker 1: song He Turns Off is in fact the song that
• 1:02:48
  Speaker 1: then Sammy and Judy sing together.
• 1:02:51
  Speaker 2: Acapella beautifully, so pretty, so pretty.
• 1:02:55
  Speaker 4: That's so tough to do. Also, I guess it.
• 1:02:58
  Speaker 2: Was, you know, they must to practice a lot.
• 1:03:00
  Speaker 3: They had to have practiced that because that's so like
• 1:03:03
  Speaker 3: even the way lock the cadence and everything was on fire,
• 1:03:09
  Speaker 3: you know what I mean. That had to They had.
• 1:03:11
  Speaker 2: To remind everyone who's listening what the song was. It
• 1:03:14
  Speaker 2: was talk Dirty to Me, Oh, talk Dirty to Me? Yeah,
• 1:03:17
  Speaker 2: by poison.
• 1:03:19
  Speaker 1: But they're not again, gosh, I'm beating a dead horse here,
• 1:03:24
  Speaker 1: But the two of them are. They're not showing off,
• 1:03:28
  Speaker 1: they're not putting it up on a bill They're not
• 1:03:30
  Speaker 1: putting it up on a billboard. They're so great, they're
• 1:03:32
  Speaker 1: so graceful, and they're not doing can you believe this shit?
• 1:03:36
  Speaker 1: Because Sammy never does that and Judy is the master
• 1:03:39
  Speaker 1: of just navigating her way through a scene, and the
• 1:03:42
  Speaker 1: two of them together are so money and that thing
• 1:03:45
  Speaker 1: is just so lovely. And then the same says I
• 1:03:48
  Speaker 1: love you.
• 1:03:49
  Speaker 2: I dropped.
• 1:03:51
  Speaker 4: Yeah, so good.
• 1:03:54
  Speaker 2: It really made me miss him me too. I had
• 1:03:57
  Speaker 2: just one of those moments of going fucking hell on
• 1:04:00
  Speaker 2: too soon. This guy is so funny and so talented,
• 1:04:03
  Speaker 2: and I just wish more people got to know how
• 1:04:08
  Speaker 2: talented he was. I mean, he was a successful, working actor,
• 1:04:11
  Speaker 2: but I I you know, I watch him in this
• 1:04:14
  Speaker 2: and I go, I just I wish everyone in the
• 1:04:15
  Speaker 2: world knew how genius this guy.
• 1:04:17
  Speaker 3: His abilities. Man, he's just had so many great abilities,
• 1:04:20
  Speaker 3: you know what I mean? He could make you did
• 1:04:21
  Speaker 3: you know problem?
• 1:04:23
  Speaker 1: Did you guys at the end of the show actually
• 1:04:26
  Speaker 1: get to throw things off the roof?
• 1:04:28
  Speaker 2: Yeah?
• 1:04:29
  Speaker 4: I don't remember I did any of that.
• 1:04:31
  Speaker 1: Because I remember that being a kind of a nightmare with.
• 1:04:34
  Speaker 3: It also dates the show with Letterman talking about let
• 1:04:37
  Speaker 3: you want to throw stuff off the roof?
• 1:04:39
  Speaker 4: Like Letterman. Yeah, it's like Letterman hasn't been on for
• 1:04:41
  Speaker 4: what ten years now?
• 1:04:43
  Speaker 2: Well, for those of you who are too young to
• 1:04:46
  Speaker 2: or didn't ever watch Letterman, he would often throw large
• 1:04:49
  Speaker 2: objects off the roof of the Ed Sullivan Theater.
• 1:04:53
  Speaker 4: And was this before he moved to CBS.
• 1:04:56
  Speaker 2: No, I think it was a bit he did for
• 1:04:58
  Speaker 2: the whole his whole thing. I don't remember. Yeah, I
• 1:05:00
  Speaker 2: don't remember, but but I think we did. I have
• 1:05:03
  Speaker 2: a weird memory of feeling like it was kind of
• 1:05:05
  Speaker 2: dangerous It's probably something they wouldn't let us do today,
• 1:05:08
  Speaker 2: with all the with with the doubt, with the increase
• 1:05:10
  Speaker 2: in set safety. Because the wall of that roof wasn't
• 1:05:14
  Speaker 2: incredibly high and we were hurling watermelons over the side.
• 1:05:21
  Speaker 2: I don't know that would be approved by by HR
• 1:05:24
  Speaker 2: this at this day and age.
• 1:05:25
  Speaker 3: By the way, my Bill cosby that that made me
• 1:05:28
  Speaker 3: laugh out loud, and I.
• 1:05:29
  Speaker 4: Think it made me laugh. I think it made me
• 1:05:31
  Speaker 4: laugh because of how bad my bill.
• 1:05:33
  Speaker 2: Yeah, it was like it was turned up to eleven.
• 1:05:36
  Speaker 1: It was, it was turned up to eleven.
• 1:05:40
  Speaker 4: I think.
• 1:05:40
  Speaker 2: Yeah, it was almost like you were doing an impression
• 1:05:46
  Speaker 2: of of Eddie Murphy, of Eddie Murphy doing his impression.
• 1:05:50
  Speaker 2: Now why pudding. I didn't even that was such a
• 1:05:52
  Speaker 2: non sequitor, like we put pudding in medical gloves.
• 1:05:56
  Speaker 4: And then toss them off the roof.
• 1:05:57
  Speaker 2: Yeah, and then you went into a I wonder if
• 1:06:00
  Speaker 2: that was in the script. Do you think I was
• 1:06:02
  Speaker 2: in the script or you just riff that.
• 1:06:04
  Speaker 3: No, that was definitely in the script. We were putting
• 1:06:06
  Speaker 3: off the roof. They definitely put it in the show.
• 1:06:11
  Speaker 2: I would like to talk to you about it.
• 1:06:13
  Speaker 4: Would like to talk to you.
• 1:06:16
  Speaker 2: About some of the things you've been doing in your shop.
• 1:06:19
  Speaker 3: About some of the things that you do and your
• 1:06:22
  Speaker 3: shop now.
• 1:06:25
  Speaker 1: And then and then and then Neil at the end saying, oh.
• 1:06:30
  Speaker 2: Yeah, like the clocalypse now right, I think, uh, that
• 1:06:33
  Speaker 2: was the I learned from Scrubs wiki that was the
• 1:06:36
  Speaker 2: first time Neil's ever been alone in a scene.
• 1:06:42
  Speaker 1: Really, Oh my goodness, Yeah, that's right.
• 1:06:45
  Speaker 4: That's wicked. They really have.
• 1:06:46
  Speaker 1: But he gets Billy. Billy puts him alone more and
• 1:06:49
  Speaker 1: more as the when him building that squirrel thing in
• 1:06:53
  Speaker 1: his garage, and I think that I think gets more
• 1:06:56
  Speaker 1: and more alone.
• 1:06:57
  Speaker 2: Yeah, And I think that this was a shift to Neil,
• 1:07:01
  Speaker 2: like I think he entered the world of a regular
• 1:07:04
  Speaker 2: cast member around here.
• 1:07:06
  Speaker 3: And there is an episode where Neil's not going to
• 1:07:08
  Speaker 3: be on this show in the first season, and that's
• 1:07:11
  Speaker 3: how they got around him not being a regular. If
• 1:07:14
  Speaker 3: I really, if I recall correctly, let's ask a Bill.
• 1:07:17
  Speaker 3: We can ask Bill right now.
• 1:07:18
  Speaker 2: That's a good ask Bill, Go ahead, Donald, ask Bill
• 1:07:21
  Speaker 2: Bill coma.
• 1:07:23
  Speaker 3: If my memory serves me correctly, isn't there an episode
• 1:07:26
  Speaker 3: where there's no janitor?
• 1:07:28
  Speaker 2: And if so, was that related to tiptoeing around his contract?
• 1:07:33
  Speaker 2: Because he would have had to have been a regular
• 1:07:35
  Speaker 2: of some sort. Do not say five six seven eight?
• 1:07:39
  Speaker 4: Bill Well shut it down.
• 1:07:41
  Speaker 7: Neil Flynn did not have to test for the part
• 1:07:43
  Speaker 7: of the janitor, so he was not listed as a regular.
• 1:07:48
  Speaker 7: You know, I just cast him as a guest star
• 1:07:49
  Speaker 7: in the pilot with the intention of putting him in
• 1:07:51
  Speaker 7: every episode, And then we did put him in every
• 1:07:53
  Speaker 7: episode as a recur guy, and at the very end
• 1:07:57
  Speaker 7: made him. You know, I was able to convince that
• 1:08:00
  Speaker 7: Networks they liked him a lot, that we needed to
• 1:08:01
  Speaker 7: pay to make him a regular the second year. Originally
• 1:08:05
  Speaker 7: they only wanted him in a maximum of four episodes,
• 1:08:10
  Speaker 7: but I was like four, you gotta have him in, like.
• 1:08:12
  Speaker 2: Five six seven eight. Stop it, Dan off this fucking guy.
• 1:08:18
  Speaker 4: Let's take a break.
• 1:08:19
  Speaker 2: We'll be right back after.
• 1:08:20
  Speaker 9: These fine words. High high, Hi, We're back in. Hello,
• 1:08:32
  Speaker 9: back quick, after a quick pe break, We're back.
• 1:08:36
  Speaker 2: Joel introduced us.
• 1:08:38
  Speaker 4: It's Jeremy.
• 1:08:39
  Speaker 10: Lee nailed it.
• 1:08:42
  Speaker 2: There's our Jeremy. You got the Oprah introduction. It's a
• 1:08:45
  Speaker 2: it's a sacred right that only Jeremy.
• 1:08:48
  Speaker 4: Are you in an office?
• 1:08:50
  Speaker 10: I'm in my home office right now.
• 1:08:52
  Speaker 4: Yeah, Well, Jeremy it's like office baby.
• 1:08:56
  Speaker 2: Okay, Oprah, can you chill for two seconds?
• 1:08:58
  Speaker 4: Jeremy will do that.
• 1:09:01
  Speaker 2: My God, do you get a car? You get a car?
• 1:09:03
  Speaker 2: You get a car. Jeremy tell us you have a
• 1:09:06
  Speaker 2: special special day to be on the podcast because the legendary,
• 1:09:10
  Speaker 2: the living legend, Johnny c McGinley has joined us. So,
• 1:09:13
  Speaker 2: who do you have a question for three of the
• 1:09:16
  Speaker 2: cast members of the TV show Scrubs.
• 1:09:18
  Speaker 11: I do have a question with if I don't mind,
• 1:09:21
  Speaker 11: just a quick background, I work with children with autism,
• 1:09:24
  Speaker 11: and so we actually did research at my wonderful company
• 1:09:29
  Speaker 11: and nonprofit Autism Partnership Foundation to research if we could
• 1:09:34
  Speaker 11: change a kid with autism to like social things, not
• 1:09:37
  Speaker 11: just toys or food. And so we actually stole from
• 1:09:40
  Speaker 11: an episode that you guys did and got children to
• 1:09:44
  Speaker 11: actually enjoy the social aspect of that instead of their
• 1:09:47
  Speaker 11: favorite toy. So I guess my first question is Wow. Yeah,
• 1:09:50
  Speaker 11: and it's published in a journal so you can look
• 1:09:52
  Speaker 11: at it.
• 1:09:53
  Speaker 1: Hungry chicken at all.
• 1:09:54
  Speaker 2: That's incredible. Good for you.
• 1:09:56
  Speaker 11: I guess the first question is who came up with
• 1:09:58
  Speaker 11: the hungry chicken? Because we use it all the time.
• 1:10:01
  Speaker 4: Wow, I don't know.
• 1:10:02
  Speaker 3: I think that's Bill Lawrence that came up with one
• 1:10:04
  Speaker 3: of the writers, right am I?
• 1:10:06
  Speaker 1: Right? Guys, Oh god, if you if you throw this
• 1:10:08
  Speaker 1: to Billy, he's going to do a five.
• 1:10:10
  Speaker 2: Now, you know, we got to limit him. We got
• 1:10:12
  Speaker 2: to limit him. He doesn't get too many. That is
• 1:10:15
  Speaker 2: a good question. I have no idea. I think it
• 1:10:18
  Speaker 2: must have been one of the writers. I don't know.
• 1:10:21
  Speaker 4: Yeah, we gotta throw it to Bill.
• 1:10:22
  Speaker 2: So wait, just explain a little bit more. The children
• 1:10:26
  Speaker 2: who have autism, you say they would they would rather
• 1:10:29
  Speaker 2: interact with a toy, and you use this to give
• 1:10:31
  Speaker 2: them a way to interact without having a toy involved.
• 1:10:34
  Speaker 11: We both think like children thought to them only like
• 1:10:36
  Speaker 11: toys or only want food, and they only use that
• 1:10:38
  Speaker 11: to motivate them.
• 1:10:39
  Speaker 10: But we know we can motivate them.
• 1:10:41
  Speaker 11: Socially too, because they need to be social and it's
• 1:10:43
  Speaker 11: a social disorder. So we would take the hungry chicken
• 1:10:47
  Speaker 11: and we would have do it with a friend of
• 1:10:49
  Speaker 11: theirs and then see if after we did it with
• 1:10:52
  Speaker 11: them they would pick that or.
• 1:10:54
  Speaker 10: Favorite or their favorite toy.
• 1:10:56
  Speaker 11: And so we were able to show like by really
• 1:10:59
  Speaker 11: selling it and really and a lot of hungry chicken
• 1:11:01
  Speaker 11: that they would pick a social motivator instead of like
• 1:11:05
  Speaker 11: food or M and MS, which is.
• 1:11:09
  Speaker 2: That's amazing. Well, now, I really wish I could take
• 1:11:11
  Speaker 2: credit for inventing that, because that's a very inspiring story. Wow,
• 1:11:16
  Speaker 2: do you have another question for us?
• 1:11:17
  Speaker 10: Yeah, I guess I do.
• 1:11:19
  Speaker 1: So.
• 1:11:20
  Speaker 11: You've talked a little bit about the music on the show,
• 1:11:23
  Speaker 11: and I just think the music on the show is great.
• 1:11:25
  Speaker 11: And Zach just to say, I think the Garden State
• 1:11:29
  Speaker 11: soundtrack is one of the best soundtracks ever.
• 1:11:31
  Speaker 2: Thank you.
• 1:11:31
  Speaker 4: It's a mixtape. Hold on, it's a mix tape.
• 1:11:34
  Speaker 2: It's a mixtape. I want a Grammy for moment.
• 1:11:36
  Speaker 4: Yeah, but you yeah, you want to mix tape Grammy.
• 1:11:39
  Speaker 2: You want to mix Well, I didn't even know they
• 1:11:41
  Speaker 2: had a mixtape Grammy, but it turns out they do.
• 1:11:44
  Speaker 2: And you won that ship I did, I did. You've
• 1:11:47
  Speaker 2: held it.
• 1:11:48
  Speaker 6: I have.
• 1:11:51
  Speaker 2: I got, I got the I got the I got
• 1:11:55
  Speaker 2: the fucking first award in my egot. I didn't think
• 1:11:59
  Speaker 2: it was going to be my first. I thought it
• 1:12:01
  Speaker 2: might be my last.
• 1:12:04
  Speaker 4: Right.
• 1:12:04
  Speaker 3: If you get when you get the E got, you
• 1:12:07
  Speaker 3: already got the Grammy, right.
• 1:12:09
  Speaker 2: I thought I was gonna have to do like a
• 1:12:10
  Speaker 2: book on.
• 1:12:10
  Speaker 3: Tape, Jeremy, do you know what at is? I?
• 1:12:17
  Speaker 10: Of course I mean Grammy Oscar Tony.
• 1:12:19
  Speaker 2: Yes, sir y yes, but thank you, thank you, Jeremy.
• 1:12:23
  Speaker 2: I I donald ruined my my praise from you, and
• 1:12:26
  Speaker 2: I want to thank you.
• 1:12:27
  Speaker 1: Uh.
• 1:12:27
  Speaker 2: It was it was shocking to everyone involved that that
• 1:12:31
  Speaker 2: soundtrack was so successful, but I really appreciate it.
• 1:12:33
  Speaker 4: It really is a good soundtrack.
• 1:12:35
  Speaker 1: Though.
• 1:12:36
  Speaker 11: Do you guys just like already have a song in
• 1:12:37
  Speaker 11: mind you know when that episode comes, or do you
• 1:12:41
  Speaker 11: listen to a song and you know, oh, that'll be
• 1:12:43
  Speaker 11: a great song to add to a soundtrack one day.
• 1:12:46
  Speaker 2: I think what happens is there There were some writers
• 1:12:49
  Speaker 2: that were involved. There was of course Christa Miller who
• 1:12:54
  Speaker 2: plays Jordan and is Bill's wife, and she's very very
• 1:12:57
  Speaker 2: into it and very good at it, and Bill and
• 1:12:59
  Speaker 2: then the ended, and then I think what happens is
• 1:13:01
  Speaker 2: you sort of this is the way I do it
• 1:13:02
  Speaker 2: for my films as well. You sort of build a
• 1:13:04
  Speaker 2: big ass playlist of potential songs. You feel like, oh,
• 1:13:08
  Speaker 2: these would be great for a montage, or oh, this
• 1:13:10
  Speaker 2: is a really moving song for somewhere you don't really know,
• 1:13:14
  Speaker 2: and then when you get in the edit, you start
• 1:13:16
  Speaker 2: to go, let's try that song, and then you see
• 1:13:18
  Speaker 2: and I always jokingly have a goosebump detector. You can
• 1:13:23
  Speaker 2: listen to twenty five songs and they're like, Okay, that's okay,
• 1:13:27
  Speaker 2: and then all of a sudden you watch it and
• 1:13:28
  Speaker 2: you just get goosebumps up and down your arm and
• 1:13:30
  Speaker 2: you go, Okay, well, that's obviously a contender. And that's
• 1:13:35
  Speaker 2: a lot of trial and error, a lot of trial
• 1:13:37
  Speaker 2: and error. And these days it's even harder because so
• 1:13:40
  Speaker 2: many people are doing it that when I made my
• 1:13:42
  Speaker 2: film Wish I was here, we would try it and
• 1:13:46
  Speaker 2: we'd fall in love with the song, and then we'd
• 1:13:47
  Speaker 2: look up online. I was like, oh no, it's been
• 1:13:49
  Speaker 2: used in Gray's Anatomy, It's been used on this It's
• 1:13:51
  Speaker 2: been used in this movie. So it's even harder now
• 1:13:54
  Speaker 2: because you got to find music that hasn't been done
• 1:13:56
  Speaker 2: to death in being used with film. Wow.
• 1:14:01
  Speaker 1: I think a really a really good example that is
• 1:14:04
  Speaker 1: Joshi is your friend Joshi and the different music he
• 1:14:08
  Speaker 1: brought to the show Zechi was just astonishing.
• 1:14:12
  Speaker 2: Yeah, Joshua Raydon was a a is an artist that
• 1:14:15
  Speaker 2: we love a lot. And Johnny I don't even know
• 1:14:18
  Speaker 2: if you know this trivia that his song Winter, which
• 1:14:21
  Speaker 2: is in that famous episode where we where we lose
• 1:14:24
  Speaker 2: Brendan Fraser, was the first song you'd ever written.
• 1:14:28
  Speaker 4: Yeah, wow, thank you. He wasn't the one hit wonder dude.
• 1:14:32
  Speaker 2: Well this many years yeah, this many years later.
• 1:14:34
  Speaker 10: I loved his cover on Alex inc That first episode.
• 1:14:38
  Speaker 2: Just oh of Bob Dylan, Thank you. You're you're the
• 1:14:40
  Speaker 2: so you're the guy that was watching Alex Sink. Thank
• 1:14:43
  Speaker 2: you so much.
• 1:14:44
  Speaker 11: My wife and I who's really sad she couldn't be here,
• 1:14:46
  Speaker 11: but she's actually a second year resident, so she's off
• 1:14:48
  Speaker 11: at the hospital.
• 1:14:49
  Speaker 2: Oh wow, yeah, well, thank you, and thank you for
• 1:14:53
  Speaker 2: being such a fan of of all things Scrubs and
• 1:14:57
  Speaker 2: Alex Sink and Garden State.
• 1:14:59
  Speaker 10: I really shit that and all you guys guys are amazing.
• 1:15:03
  Speaker 4: Man, you don't even know my name. That was Jeremy.
• 1:15:08
  Speaker 1: No.
• 1:15:08
  Speaker 11: We were just watching Can't Hardly Wait. My wife is
• 1:15:11
  Speaker 11: not from America. We were watching Can't Hardly Wait, and
• 1:15:15
  Speaker 11: I forgot you were in it.
• 1:15:17
  Speaker 4: Oh my gosh, that's the best way to That's great,
• 1:15:19
  Speaker 4: that's great. It was right, it was going right. And
• 1:15:22
  Speaker 4: then he's.
• 1:15:23
  Speaker 2: Like He's like. I turned to my wife and I
• 1:15:25
  Speaker 2: was like, did you remember that Tay Diggs is in
• 1:15:27
  Speaker 2: this movie?
• 1:15:33
  Speaker 4: All right, Jeremy give it up.
• 1:15:35
  Speaker 3: Thundrous applause Dan for Jeremy.
• 1:15:39
  Speaker 2: Jeremy, stay safe and keep doing the beautiful work you're
• 1:15:42
  Speaker 2: doing with with autistic children. And thank you so much
• 1:15:44
  Speaker 2: for the kind words.
• 1:15:45
  Speaker 10: Oh, thank you so much for having me. Hey, we
• 1:15:47
  Speaker 10: appreciate it.
• 1:15:48
  Speaker 2: Thanks, buddy. Well, guys, I think we did it. We've
• 1:15:51
  Speaker 2: gone it. We've gone a long. The people seem to
• 1:15:54
  Speaker 2: love it. Whenever I say I've gotten a lot of
• 1:15:55
  Speaker 2: chatter on my Insta saying stop, saying you've gone too long.
• 1:15:58
  Speaker 2: We don't want you, guys to stop, but we want to.
• 1:16:01
  Speaker 2: You know, I had a great acting teacher. He used
• 1:16:03
  Speaker 2: to say, give him ten minutes less than they want.
• 1:16:06
  Speaker 4: Was this great acting teacher that you have ever on Scrubs?
• 1:16:09
  Speaker 2: Yes? By the way, did you know that?
• 1:16:11
  Speaker 4: Dude?
• 1:16:12
  Speaker 2: Come on, man, I thought you may have forgotten with
• 1:16:14
  Speaker 2: your stoner break.
• 1:16:15
  Speaker 1: Who did who did? Who was your acting teacher?
• 1:16:17
  Speaker 4: And who did I had?
• 1:16:19
  Speaker 3: I had the privilege to work with Zach's acting teacher
• 1:16:22
  Speaker 3: though David Downs.
• 1:16:24
  Speaker 4: David Downs I work.
• 1:16:26
  Speaker 1: And who did David play.
• 1:16:27
  Speaker 3: He played the one whose kid was in a coma
• 1:16:31
  Speaker 3: or broke his Uh, I don't, I don't remember.
• 1:16:35
  Speaker 2: I directed the episode. Was this wasn't the epic Heather
• 1:16:38
  Speaker 2: Graham one?
• 1:16:39
  Speaker 1: Was it?
• 1:16:40
  Speaker 4: No, it wasn't.
• 1:16:40
  Speaker 3: It was like he broke his son, either broke his
• 1:16:43
  Speaker 3: back or I I forget what it was. But you know,
• 1:16:47
  Speaker 3: he asked me to be honest with him, right, and
• 1:16:50
  Speaker 3: he was like his one line. I remember the part
• 1:16:53
  Speaker 3: of the interaction we had. He said to me, do
• 1:16:55
  Speaker 3: you shave your head because it's cool or because you're bold?
• 1:16:58
  Speaker 2: And I go, yeah, it was a really good episode.
• 1:17:04
  Speaker 2: We'll have to figure out what it was. But yeah,
• 1:17:06
  Speaker 2: David Downs was my acting teacher at Northwestern and also
• 1:17:11
  Speaker 2: a beautiful actor, and so I had him do a
• 1:17:14
  Speaker 2: guest star on Scrubs.
• 1:17:16
  Speaker 1: Yes. I always feel like one of the great gifts
• 1:17:18
  Speaker 1: of being mister Bulger, sorry, either a hit show or
• 1:17:22
  Speaker 1: producing a movie is throwing talented friends, not just random friends,
• 1:17:28
  Speaker 1: talented friends, putting them on your piece. And I did
• 1:17:31
  Speaker 1: it with a half a dozen actors on Scrubs, And
• 1:17:33
  Speaker 1: then if people are right, I do it all the
• 1:17:36
  Speaker 1: time with the movies i'm producing too.
• 1:17:38
  Speaker 4: Yeah, you have some very talented friends.
• 1:17:40
  Speaker 2: Yeah, you've done quite a posse of Sorry, I just
• 1:17:43
  Speaker 2: don't interrupt. Oh, I know what it was why it
• 1:17:45
  Speaker 2: was special. It was the Wizard of Oz episode. Joel
• 1:17:48
  Speaker 2: is telling us in the chat. It was mister.
• 1:17:50
  Speaker 4: Bulger and his son was brain dead and its brain.
• 1:17:53
  Speaker 2: In It was the it was at season five, episode seven.
• 1:17:56
  Speaker 2: If you're listening and are curious, it was. Yeah, it
• 1:17:59
  Speaker 2: was I that that epic Wizard of Oz episode.
• 1:18:02
  Speaker 1: But Johnny, mister Bulger would be an homage to Ray
• 1:18:07
  Speaker 1: Bulger that Wizard of Us, Yes, sir.
• 1:18:08
  Speaker 2: It would be.
• 1:18:09
  Speaker 3: Now, Johnny, Johnny, you have a lot of You have
• 1:18:11
  Speaker 3: a lot of friends that like are almost like mentors
• 1:18:16
  Speaker 3: to me, like Eric Lassal, Michael Beach. These are people
• 1:18:20
  Speaker 3: that you've known, Yeah, since you like out of college
• 1:18:26
  Speaker 3: or you went to college with a lot of these guys.
• 1:18:27
  Speaker 1: Eric and I, Eric and I went to college together, right,
• 1:18:30
  Speaker 1: and uh, that's he's my guy, Johnny.
• 1:18:34
  Speaker 3: And the guys are like, these guys are like, you know, uh,
• 1:18:38
  Speaker 3: mentors to me, Like you know, when I was a
• 1:18:41
  Speaker 3: young actor, Michael Beach was one of the people when
• 1:18:44
  Speaker 3: I was doing Waiting and Exhale that was like, well,
• 1:18:45
  Speaker 3: this is what you need to do if you want
• 1:18:47
  Speaker 3: to be successful. Stop smoking that damn cigarette that you're
• 1:18:49
  Speaker 3: holding on too. Like I was smoking cigarettes, like I
• 1:18:52
  Speaker 3: want to be a movie star, smoking a cigarette a
• 1:18:54
  Speaker 3: table read.
• 1:18:54
  Speaker 4: He was like, Oh, you want to be a movie star.
• 1:18:56
  Speaker 4: Put the fucking cigarette down, dude, Mike.
• 1:18:58
  Speaker 1: Mike, Mike is no lie, Mike is no.
• 1:19:01
  Speaker 4: Straight up, straight up Johnny.
• 1:19:03
  Speaker 2: I remember I was taking the other day. You were
• 1:19:05
  Speaker 2: on a movie, a big movie, the one that took
• 1:19:09
  Speaker 2: place at the motel with Cusack and all.
• 1:19:11
  Speaker 1: The Identity Jim Jim Engle director.
• 1:19:14
  Speaker 2: Identity, and it's a really good movie. I recommend to you.
• 1:19:17
  Speaker 2: I I liked it a lot, but I was I
• 1:19:20
  Speaker 2: remember you said you want to come visit the set
• 1:19:22
  Speaker 2: because the set was really cool. Even though it looks
• 1:19:24
  Speaker 2: like it's all outside, it was all in a giant
• 1:19:26
  Speaker 2: soundstage and it was all pissing rain the whole time.
• 1:19:30
  Speaker 2: And uh, and you said you got to You said
• 1:19:32
  Speaker 2: you got to come see this set. It's really cool.
• 1:19:34
  Speaker 2: And I was like, I can't believe I'm allowed to.
• 1:19:36
  Speaker 2: And uh. And I came to visit you one day
• 1:19:39
  Speaker 2: on set, and it was just so cool and I
• 1:19:41
  Speaker 2: just I thought of that because I know a bunch
• 1:19:44
  Speaker 2: of your buddies.
• 1:19:45
  Speaker 1: Uh.
• 1:19:46
  Speaker 2: You know, it feels like you and your posse often
• 1:19:48
  Speaker 2: cast each other in each other's films.
• 1:19:50
  Speaker 1: I think it's I think if your posse is talented,
• 1:19:53
  Speaker 1: I mean, there's there's some outliers. But then then yeah,
• 1:19:58
  Speaker 1: good audience, it's gonna it's gonna make life easier.
• 1:20:00
  Speaker 2: I like that too. I like to use the same
• 1:20:02
  Speaker 2: people over and over again.
• 1:20:04
  Speaker 1: But you didn't use Donald in Garden State.
• 1:20:06
  Speaker 2: Oh Jesus, here you go.
• 1:20:08
  Speaker 4: Thank you, John, Oh God, thank you John, Thank you
• 1:20:11
  Speaker 4: very very much. Like Oliver Stone used John c McGinley.
• 1:20:14
  Speaker 2: Yeah, so many times, so many times.
• 1:20:17
  Speaker 4: Made you would think that Zach Braff would take a hit,
• 1:20:19
  Speaker 4: you know what I mean?
• 1:20:20
  Speaker 2: Like, you know, I want you to be the I
• 1:20:23
  Speaker 2: want you to be the Johnny c McGinley to my
• 1:20:25
  Speaker 2: Oliver Stone.
• 1:20:27
  Speaker 4: You say that now, but I don't think. I don't think.
• 1:20:33
  Speaker 2: How many movies did you do with him? John?
• 1:20:37
  Speaker 1: Six?
• 1:20:38
  Speaker 2: Wow, that's incredible, incredible, And there's some and they're six
• 1:20:42
  Speaker 2: of the best. What about talk radio. I was thinking
• 1:20:45
  Speaker 2: about you and talk radio the other day. I always
• 1:20:47
  Speaker 2: thinking about you in seven for those of you don't remember.
• 1:20:50
  Speaker 2: Johnny's in one of my favorite movies, seven Shot.
• 1:20:54
  Speaker 4: Take the shot, and then.
• 1:20:56
  Speaker 2: Johnny you go, I don't know if you improve did
• 1:20:58
  Speaker 2: you improve this? When you go somebody, oh, somebody I did.
• 1:21:02
  Speaker 2: That was incredible. He's in the chopper right when right
• 1:21:05
  Speaker 2: when the shit goes down with there wasn't the box
• 1:21:08
  Speaker 2: was in the box.
• 1:21:10
  Speaker 1: And then David, David gave us as much rope as
• 1:21:13
  Speaker 1: we wanted to hang ourselves with. He he lets the
• 1:21:16
  Speaker 1: actors run and then he'll chop it together and post,
• 1:21:18
  Speaker 1: but he lets you run.
• 1:21:20
  Speaker 3: There were two scenes, so you're in the chopper, but
• 1:21:21
  Speaker 3: you're also in when they bum rushed the room too, right.
• 1:21:24
  Speaker 1: Yeah, with the emaciated guy.
• 1:21:27
  Speaker 2: Yeah, but I'll never forget. I remember getting goosebumps when
• 1:21:31
  Speaker 2: you know this before I even knew you, Johnny, and
• 1:21:33
  Speaker 2: you were and you go, oh my god, somebody call somebody,
• 1:21:37
  Speaker 2: and I was like, that's such a good.
• 1:21:38
  Speaker 1: Look with the emaciated guy. David found out there was
• 1:21:42
  Speaker 1: asbestos in that building and he wasn't down with it.
• 1:21:45
  Speaker 1: So we shut down for a while and found another building.
• 1:21:48
  Speaker 1: And that was a hole to do. That was a
• 1:21:52
  Speaker 1: complete clusterfuck. When he found out there was asbestos in
• 1:21:56
  Speaker 1: that building.
• 1:21:56
  Speaker 2: You know you have but you know you have budget
• 1:21:58
  Speaker 2: when they're like, there's asbestus in the building, which shutting down.
• 1:22:04
  Speaker 2: I've never been on a movie that had that power.
• 1:22:05
  Speaker 2: But again, I'm no Fincher man. I love Fincher and
• 1:22:08
  Speaker 2: Man I love that movie. That's one of my favorites.
• 1:22:11
  Speaker 1: Yeah, everybody shines in that movie.
• 1:22:13
  Speaker 2: What's in the Box. On that note, we love you
• 1:22:17
  Speaker 2: all for listening. Keep chatting us on install. You make
• 1:22:21
  Speaker 2: us laugh. And if you have a question, scrubsiheart at
• 1:22:25
  Speaker 2: gmail dot com. Joel will decide if your question is
• 1:22:28
  Speaker 2: worthy for air, Right Joel, Joel yields all the power.
• 1:22:32
  Speaker 2: Don't yell at me and Donald. We don't do anything, Joel.
• 1:22:34
  Speaker 4: A lot of people like the fact that we talk
• 1:22:36
  Speaker 4: Star Wars too. I'm just gonna put it out there.
• 1:22:38
  Speaker 2: Yeah, I saw that too.
• 1:22:41
  Speaker 6: MS.
• 1:22:44
  Speaker 2: There was a lot of that happen. There was a
• 1:22:47
  Speaker 2: lot of talk about I saw much to my dismay,
• 1:22:50
  Speaker 2: I saw someone going. I really thought Donald and Joel's
• 1:22:53
  Speaker 2: inside about Quigan Joe, whatever it.
• 1:22:55
  Speaker 4: Is, was really interesting. I'm six seven or that show.
• 1:23:01
  Speaker 5: We made about a bunch of talks and nurses in
• 1:23:05
  Speaker 5: the janitor Hullo, I said, here's the stories that all
• 1:23:10
  Speaker 5: should know.
• 1:23:12
  Speaker 2: So gadder round you. Here, gather around you.
• 1:23:16
  Speaker 4: Here are spect We Showiz and
• 1:23:21
  Speaker 1: M