Latest / Frightmares / Ep. 160 - The Strangers (2008)

Transcript

Ep. 160 - The Strangers (2008) · Frightmares

• 0:43
  Speaker 1: So yeah, next year, I'm gonna add sound effects to
• 0:45
  Speaker 1: the uh soundboard, so we're gonna do We're gonna do
• 0:49
  Speaker 1: that one for no shut not no that right there
• 0:54
  Speaker 1: for fright mayre certified slap, right, and then uh, when
• 0:58
  Speaker 1: we don't excuse me, and when we don't like a
• 1:01
  Speaker 1: movie or it's not a frightmar certified slap, we'll have
• 1:07
  Speaker 1: well you're doing it. And then and then we obviously
• 1:13
  Speaker 1: have to have this because we go fair fair affair
• 1:15
  Speaker 1: all the time, so natural if it would load fucking
• 1:20
  Speaker 1: do it, bitch, And now you're gonna take me back?
• 1:23
  Speaker 1: Here we go. Yeah, we obviously need to put this
• 1:24
  Speaker 1: in there. Oh my balls, come on. And then I
• 1:33
  Speaker 1: don't know why I have this, But what's this play?
• 1:38
  Speaker 2: What is it?
• 1:41
  Speaker 1: I don't know why I had that one? Why is it?
• 1:43
  Speaker 1: Why is a woman sobbing on there?
• 1:45
  Speaker 2: I don't know.
• 1:46
  Speaker 1: Oh no, no, no, it was supposed to be a
• 1:48
  Speaker 1: woman uh screaming like ah, but that's not that's that's different.
• 1:53
  Speaker 2: Yeah, let's get to the stuff.
• 1:56
  Speaker 1: Oh, there we go. So that's what's gonna happen next year,
• 2:03
  Speaker 1: and among other things. But I would like to actually
• 2:05
  Speaker 1: have fun sound effects rather than they're really cheesy ones,
• 2:08
  Speaker 1: you know.
• 2:11
  Speaker 2: More.
• 2:12
  Speaker 1: Let's see if I can guess it this time. Oh,
• 2:17
  Speaker 1: I don't need you right now.
• 2:19
  Speaker 2: No, I thought it was the yellow one.
• 2:20
  Speaker 1: There we go, it's green. What are we doing? What's
• 2:25
  Speaker 1: going on? Who are we doing? I mean, what are
• 2:29
  Speaker 1: we doing? Well? Sexual? Uh, this is episode one, one
• 2:32
  Speaker 1: hundred and sixty. I'm your host, Austin Proctor, and that
• 2:36
  Speaker 1: is your secondary host, secondary second in command, my commander
• 2:42
  Speaker 1: in chief or something, my vice president.
• 2:46
  Speaker 2: There we go, Gabrielle equal you said so.
• 2:50
  Speaker 1: Well, you know, if I die, then you take over
• 2:52
  Speaker 1: the podcast. That's just how it works.
• 2:53
  Speaker 2: Yeah.
• 2:55
  Speaker 1: Ohh the podcast is just gonna stop one day and
• 2:58
  Speaker 1: everyone's gonna be like, fucker didn't he It's what's exactly,
• 3:01
  Speaker 1: That's exactly what's gonna happen.
• 3:03
  Speaker 2: Morbid.
• 3:04
  Speaker 1: I don't know. So we're talking about the Strangers today,
• 3:07
  Speaker 1: the original Strangers from two thousand and eight, which apparently
• 3:10
  Speaker 1: I've seen. And it's perfect timing too, because I've been
• 3:13
  Speaker 1: seeing stuff online dread Central or someone posted it about
• 3:17
  Speaker 1: how this series or whatever is kind of being rebooted
• 3:19
  Speaker 1: and they plan to do a trilogy, which I mean,
• 3:23
  Speaker 1: you can really make infinite amount of home invasion movies.
• 3:26
  Speaker 2: They were there.
• 3:28
  Speaker 1: I mean, yeah, because they have Prey at Night, which
• 3:31
  Speaker 1: came out and I think it came out in twenty eighteen.
• 3:33
  Speaker 1: It is about ten years later, yeah, twenty seventeen, twenty eighteen,
• 3:36
  Speaker 1: So I mean, I mean, I'm down for more of
• 3:38
  Speaker 1: these movies. I remember we watched the second one one
• 3:42
  Speaker 1: like one time when it first came out, and I
• 3:43
  Speaker 1: gave I remember giving into three, so I remember liking it,
• 3:47
  Speaker 1: but I remember not liking it nearly as much as
• 3:48
  Speaker 1: this one because I think the first one is fucking
• 3:51
  Speaker 1: a very well done movie, realized heavily on creep factor,
• 3:55
  Speaker 1: and just like very it's just kind of intense, Like
• 3:57
  Speaker 1: the situation that they're in is just very intense and
• 3:59
  Speaker 1: can be overwhelming if you really put yourself in the
• 4:02
  Speaker 1: shoes of these people. So yeah, like, I'm down for
• 4:05
  Speaker 1: more of these movies, but you know, they just have
• 4:07
  Speaker 1: to be done right, and you know, I don't want
• 4:09
  Speaker 1: them to just be like standard Hollywood bullshit that's just
• 4:13
  Speaker 1: kind of thrown out there for no reason. I need
• 4:15
  Speaker 1: to go get some DVDs. So you've talked about that
• 4:17
  Speaker 1: for two seconds.
• 4:18
  Speaker 2: What am I supposed to talk about like when I
• 4:20
  Speaker 2: saw the original one or something. I didn't even know
• 4:23
  Speaker 2: about that. How would I talk about that? I'm so sorry, guys,
• 4:25
  Speaker 2: I don't know anything about that. I'm going to change
• 4:28
  Speaker 2: subjects abruptly. I don't know anything about it to comment.
• 4:33
  Speaker 2: You didn't tell me about that till just now.
• 4:35
  Speaker 1: You don't have any thoughts and feelings on a possible
• 4:37
  Speaker 1: trilogy coming out about The Strangers?
• 4:40
  Speaker 2: Goody, Really, where's.
• 4:44
  Speaker 1: Your thoughts and feelings that I normally get out of here?
• 4:46
  Speaker 2: You have them right now. You just told me I
• 4:48
  Speaker 2: have had no time to think about it. Well, that's
• 4:51
  Speaker 2: what you get.
• 4:52
  Speaker 1: That's unfortunate not telling me. I figured you heard about that.
• 4:55
  Speaker 2: You had to physically have those in here to know
• 4:57
  Speaker 2: what they were.
• 4:58
  Speaker 1: No, I just like to look at them when I
• 4:59
  Speaker 1: talk about them.
• 5:01
  Speaker 2: That it's like a weird personal thing.
• 5:04
  Speaker 1: Strangers reboot trilogy confirmed. Madeline Pitis to star good can't wait?
• 5:11
  Speaker 1: All right? Well whatever sold your love?
• 5:12
  Speaker 2: Madeline?
• 5:13
  Speaker 1: Sure? Sure, sure, So that's what we're talking about today,
• 5:16
  Speaker 1: where you know, but before that, of course, we've got
• 5:18
  Speaker 1: other shit to talk about. It's funny too, because every
• 5:20
  Speaker 1: week I'm worried. I'm like, oh God, are we gonna
• 5:22
  Speaker 1: be able to fill an hour in fifteen minutes even
• 5:24
  Speaker 1: though we used to fill fucking two hours somehow, I
• 5:26
  Speaker 1: don't know how, but we did, probably because we were
• 5:28
  Speaker 1: viewing seventeen movies. And then it comes time and I'm like,
• 5:31
  Speaker 1: why do how do we always have so much shit
• 5:33
  Speaker 1: to talk about? It's been seven days since we did
• 5:35
  Speaker 1: the podcast. Sometimes there's like sometimes there's like three days
• 5:38
  Speaker 1: in between podcasts, and it's like so much shit to
• 5:40
  Speaker 1: talk about. Talk about some screen Factory releases that came out.
• 5:44
  Speaker 1: We're gonna talk about a movie you saw, uh yeh yesterday. Yes,
• 5:48
  Speaker 1: this does not seem like yesterday. It seems like two
• 5:50
  Speaker 1: days ago at this point. To talk about a movie
• 5:53
  Speaker 1: you saw yesterday with your friends and a movie I
• 5:56
  Speaker 1: saw yesterday with random strangers, Yeah, with your what they're
• 6:00
  Speaker 1: your friends, so your friends too, with our mutual friends.
• 6:04
  Speaker 1: Thank you. And then we're gonna talk about a movie
• 6:07
  Speaker 1: that we both saw together that was a horror movie
• 6:10
  Speaker 1: in Dolby and yeah, so first things first, let me
• 6:13
  Speaker 1: just say I completely fucked out my thirty one days
• 6:15
  Speaker 1: of Horror and put in the wrong Dracula. I put
• 6:19
  Speaker 1: in the one from nineteen fifty four. The one I
• 6:21
  Speaker 1: was supposed to watch is nineteen seventy nine. So that
• 6:23
  Speaker 1: completely fucked up everything, and I eventually, I inevitably, I
• 6:26
  Speaker 1: just took it out. I just took that movie out.
• 6:28
  Speaker 1: I was like, fuck you, you fuck things up. I replaced
• 6:30
  Speaker 1: it with another movie. So now my days are all off.
• 6:33
  Speaker 1: So everything I said on that Advent Terror is now
• 6:35
  Speaker 1: shifted down a day, and I've added something. I don't
• 6:38
  Speaker 1: remember what I added, but I added a different movie
• 6:41
  Speaker 1: because there's just there's too many fucking movies that are Dracula. Yeah,
• 6:45
  Speaker 1: I thought it was from fifty four, and I'm just
• 6:47
  Speaker 1: a dumb dumb who can't do things properly.
• 6:49
  Speaker 2: So then I got to watch a movie I did
• 6:53
  Speaker 2: not like.
• 6:53
  Speaker 1: Oh yeah, we could talk about that too. That's a
• 6:56
  Speaker 1: good one. You liked it.
• 6:58
  Speaker 2: I did not.
• 6:58
  Speaker 1: I know, I'm kidding. I added him Squirm from nineteen
• 7:01
  Speaker 1: seventy six. So the one that we watched, Me and
• 7:05
  Speaker 1: you together is because, like you know, my first week
• 7:07
  Speaker 1: of thirty one days of horror is like all Hammer
• 7:09
  Speaker 1: horror films. And the one we watched together was called
• 7:11
  Speaker 1: Curse of the Werewolf. And I'll let you explain what
• 7:13
  Speaker 1: you didn't like about it because I was in and
• 7:15
  Speaker 1: out of sleeping during it.
• 7:16
  Speaker 2: Yeah, he fell asleep, which are so good because it
• 7:18
  Speaker 2: was for him to watch and somehow I'm watching this
• 7:20
  Speaker 2: going why am I watching this?
• 7:22
  Speaker 1: This just fucking just tanks. That day, I was like,
• 7:23
  Speaker 1: I need to sleep, Oh my god.
• 7:26
  Speaker 2: Yeah. Well, I mostly had a problem with the fact
• 7:28
  Speaker 2: that they introduced a female character who gets sexually harassed
• 7:33
  Speaker 2: by her employer thrown into his jail cells for not
• 7:38
  Speaker 2: talking to her talking to him. She's mute, yeah, because
• 7:42
  Speaker 2: you wouldn't want her to be able to scream or
• 7:44
  Speaker 2: communicate the things that have happened to her. Because she
• 7:48
  Speaker 2: then gets raped by homeless guy who was supposed to
• 7:52
  Speaker 2: be a werewolf, but apparently that was too much. They
• 7:55
  Speaker 2: just made him homeless and then added in this curse
• 7:58
  Speaker 2: that if you of birth on Christmas Day, then you'll
• 8:01
  Speaker 2: give birth to a were wolf, and that's how they
• 8:03
  Speaker 2: figured that out. But they basically made her mute so
• 8:06
  Speaker 2: she couldn't scream when she got raped, because as soon
• 8:08
  Speaker 2: as that happened.
• 8:09
  Speaker 1: I'm like, she did not they made her mute?
• 8:12
  Speaker 2: Yeah, like they like they whoever wrote the story made.
• 8:15
  Speaker 1: Her Carecter I was like, she was mute or they
• 8:18
  Speaker 1: didn't make her mute in the movie. Once they did
• 8:20
  Speaker 1: for the movie, and then they.
• 8:22
  Speaker 2: Made her mute so that way she couldn't scream, she
• 8:25
  Speaker 2: couldn't protest, she couldn't you know, report her own crime
• 8:30
  Speaker 2: that happened to her, and literally she just dies. But
• 8:33
  Speaker 2: they still put her on the cover anyway, because her
• 8:35
  Speaker 2: boobs were big and that would sell things. You're like, yikes, I.
• 8:40
  Speaker 1: Didn't think sex souled back in the nineteen whatevers.
• 8:44
  Speaker 2: It really really did, though, But yeah, it was just
• 8:47
  Speaker 2: like women, you know, you know, it was much more
• 8:49
  Speaker 2: modest clothing back then, and showing any sort of skin
• 8:51
  Speaker 2: is like, you know, it was a whoa, I don't.
• 8:53
  Speaker 1: I mean, I guess that wasn't the thing really in
• 8:55
  Speaker 1: the sixties though.
• 8:56
  Speaker 2: Yeah, it was grossly offensive to women.
• 8:59
  Speaker 1: Yeah. Yeah, So that's their review on that one. Not
• 9:02
  Speaker 1: too great.
• 9:03
  Speaker 2: I think I gave like a tour and then it
• 9:04
  Speaker 2: was really boring after that.
• 9:07
  Speaker 1: Well, it's sad because the subsequent Hammer films that I
• 9:11
  Speaker 1: watched were fucking awesome, and I need to show you
• 9:14
  Speaker 1: a couple of them, because I watched a movie called
• 9:17
  Speaker 1: Night Creatures or Captain Clegg and that was awesome. Peter
• 9:20
  Speaker 1: Cushing's fucking a boss in that movie. Then I watched
• 9:24
  Speaker 1: Kiss of the Vampire, which you would really like obviously vampires,
• 9:28
  Speaker 1: but really the only thing I gave it half a
• 9:30
  Speaker 1: star less because the ending was kind of weird. Maybe
• 9:33
  Speaker 1: you can fucking you're.
• 9:34
  Speaker 2: Smart, you know, maybe yay, good for me.
• 9:37
  Speaker 1: Maybe you can help me identify what the fuck was
• 9:40
  Speaker 1: going on in that. But then Paranoiac was fucking amazing
• 9:44
  Speaker 1: four stars. That's the one you would absolutely love as well.
• 9:46
  Speaker 1: And then I watched Evil of Frankenstein, which was a
• 9:48
  Speaker 1: three star. Was pretty good. Yeah, it was interesting because
• 9:51
  Speaker 1: like they brought Frankenstein back and they hire a hypnotist
• 9:56
  Speaker 1: to you know, hypnotize them into like listening or something
• 9:59
  Speaker 1: like that. But then the hypnotist wants to like use
• 10:01
  Speaker 1: him for his own good and makes him go do
• 10:03
  Speaker 1: like things like stealing the shit. It was a pretty
• 10:05
  Speaker 1: cool premise, just didn't wasn't like executed. It wasn't executed
• 10:09
  Speaker 1: like as like well in my opinion, like I don't know,
• 10:12
  Speaker 1: I wish it was a little bit different, but it's
• 10:14
  Speaker 1: still fun. So I need to show you some of
• 10:15
  Speaker 1: those because those were amazing. It sucks that I kind
• 10:18
  Speaker 1: of ruined Hammer films right off the back because you're like, well,
• 10:21
  Speaker 1: this is just rape and like seems a bit extreme,
• 10:24
  Speaker 1: and I one hundred percent agree with you. But the
• 10:27
  Speaker 1: other ones were not that not rapy. I mean they
• 10:29
  Speaker 1: were like stereotypical and you know, hysterical women, you know,
• 10:33
  Speaker 1: getting slapped. I think that happened in a couple of them,
• 10:35
  Speaker 1: because that's just what happened. I guess in that time period.
• 10:38
  Speaker 1: Very weird. It we'll get to hysterical women in this
• 10:42
  Speaker 1: Actually she wasn't even hysterical. It was Scott's I.
• 10:44
  Speaker 2: Mean there was like one moment where you're like, ma'am,
• 10:46
  Speaker 2: this isn't the time.
• 10:46
  Speaker 1: But other than that, Scott Speedwan was really over dramaticizing
• 10:50
  Speaker 1: how she was feeling. I feel like her feelings were
• 10:52
  Speaker 1: very completely warranted in this movie. So yeah, that's what
• 10:57
  Speaker 1: what you know? What we've been watching this week? Okay,
• 10:59
  Speaker 1: get over to you. You can talk about what you
• 11:01
  Speaker 1: watched and give you give us your thoughts and feelings,
• 11:04
  Speaker 1: and then I'll talk about mine and then we'll talk
• 11:05
  Speaker 1: about both of ours.
• 11:08
  Speaker 2: Okay, so my movie that I just watched you but
• 11:10
  Speaker 2: did I watch. Oh yeah, now, as you know, hocus
• 11:15
  Speaker 2: Pocus Too came out. That's streaming on Disney Plus. And
• 11:20
  Speaker 2: we had a little watch party where everyone made them
• 11:22
  Speaker 2: snack because it was a good time. Um that was
• 11:25
  Speaker 2: lacking at mine what the lack of themed food?
• 11:28
  Speaker 1: Yeah? Well I was also in the theater.
• 11:30
  Speaker 2: Yeah, the theme was popcorn.
• 11:33
  Speaker 1: I did not get any popcorn last night. Actually, I
• 11:35
  Speaker 1: got a fucking large, stupid pepsi because they didn't fucking
• 11:38
  Speaker 1: have coke products.
• 11:39
  Speaker 2: Get off that train, and you've been talking about it
• 11:41
  Speaker 2: for twenty.
• 11:42
  Speaker 1: Four might turn to talk. I'm talking about it.
• 11:45
  Speaker 2: Okay, So hocus Pocus Too, Yeah, I think a straw
• 11:51
  Speaker 2: hat Goofy Best described it as corny, like there were
• 11:55
  Speaker 2: parts that were very funny and then other parts that
• 11:59
  Speaker 2: were just like they were trying so hard to be
• 12:03
  Speaker 2: cool or trying so hard to showcase the witches that
• 12:08
  Speaker 2: they really kind of lost sight of, like the original
• 12:11
  Speaker 2: vibe of the original film, Like it just they could
• 12:13
  Speaker 2: have been two completely different franchises for how much they
• 12:17
  Speaker 2: felt like they blended. And they're the musical numbers felt
• 12:22
  Speaker 2: really forced and uncomfortable. Like the comedy was good. Uh,
• 12:26
  Speaker 2: the main characters you didn't really connect with that much
• 12:28
  Speaker 2: because they were too focused on the Sanderson sisters. I
• 12:34
  Speaker 2: will say we did have a good chuckle because at
• 12:36
  Speaker 2: one point, uh, they had the witches looking through windows
• 12:41
  Speaker 2: for somebody, and one of the windows they look through
• 12:45
  Speaker 2: is a window with two gay men watching hocus Pocus
• 12:51
  Speaker 2: like the original. But we were just like, I think
• 12:55
  Speaker 2: it was will or Brandon go went hey, look, gay
• 12:58
  Speaker 2: people are like, that's your represent I don't want your
• 13:00
  Speaker 2: shit out of you. After this, you got two gay
• 13:02
  Speaker 2: people sitting on the couch. They didn't have dialogue, but
• 13:05
  Speaker 2: they were cuddling, so you know they're gay.
• 13:08
  Speaker 1: It was just it was just two guys.
• 13:10
  Speaker 2: Yeah.
• 13:10
  Speaker 1: Maybe they were just really good.
• 13:11
  Speaker 2: Friends and they were best friends.
• 13:13
  Speaker 1: You don't often cuddle with your girlfriends at.
• 13:16
  Speaker 2: All, not really, no, but do you.
• 13:22
  Speaker 1: No, but with your girlfriends and.
• 13:25
  Speaker 2: Definitely not no, I meant your guy friends.
• 13:28
  Speaker 1: Uh, I'll take I'll take next subject for two hundred Alex.
• 13:32
  Speaker 2: There you go. But it was just so funny. You're
• 13:34
  Speaker 2: like Disney's way of like throwing you breadcrumbs for gay
• 13:39
  Speaker 2: representation is so bizarre, Like, well, you saw them on
• 13:42
  Speaker 2: the screen, what more do you want? You want them
• 13:44
  Speaker 2: to speak afterwards, like what is that?
• 13:47
  Speaker 1: I mean, honestly, I was kind of shocked that they
• 13:49
  Speaker 1: even made soul. I was like, wow, this is great
• 13:51
  Speaker 1: representation because they usually it's just a bunch of white
• 13:54
  Speaker 1: people in most Pixar movies. They've really been branching out
• 13:57
  Speaker 1: like Malwana and in Canto. I'm like, this is good. This.
• 14:00
  Speaker 1: We should have more representation of cultures, not just hey,
• 14:04
  Speaker 1: look there's a like, you know, a Mexican person or
• 14:06
  Speaker 1: something like that. Like great, Like why don't we make
• 14:08
  Speaker 1: it about their culture and you know, or if.
• 14:10
  Speaker 2: You're not gonna make it about their culture, make them
• 14:13
  Speaker 2: like add people in who were who were regular everyday
• 14:16
  Speaker 2: people stop like at using them as a novelty.
• 14:19
  Speaker 1: Yeah. So I like that they've been kind of showcasing
• 14:21
  Speaker 1: more like cultures.
• 14:22
  Speaker 2: It's now they can just do that with the Gaze.
• 14:26
  Speaker 2: That would be great because seriously, it's like, oh, well,
• 14:29
  Speaker 2: that character's gay, you know, because he danced with a
• 14:32
  Speaker 2: man at one point, they had no conversation. You just
• 14:35
  Speaker 2: have to assume because it was two men touching they
• 14:36
  Speaker 2: were gay.
• 14:37
  Speaker 1: Well, you also have to remember when people lost their
• 14:40
  Speaker 1: absolute shit at Finding Dory when there was that scene
• 14:43
  Speaker 1: with a lesbian couple.
• 14:44
  Speaker 2: In it, and fucking.
• 14:46
  Speaker 1: Dory is voiced by a fucking les like she Ellen
• 14:50
  Speaker 1: DeGeneres is an actual gay woman and you don't care.
• 14:55
  Speaker 1: Don't care that she's voicing Dory. But two women on
• 14:58
  Speaker 1: screen in a fucking animated movie there, and you lose
• 15:00
  Speaker 1: your mind. Get the fuck over yourself.
• 15:03
  Speaker 2: Oh my god, I mean to be fair right now.
• 15:06
  Speaker 2: There's also some lady in Texas who I'm not even kidding.
• 15:10
  Speaker 2: Apparently one of my relatives posted this on Facebook to
• 15:13
  Speaker 2: let you know that hocus Pocus they say spells in
• 15:18
  Speaker 2: that that could.
• 15:20
  Speaker 1: Let open the gates of heel.
• 15:21
  Speaker 2: Yeah, and my aposter Okay, so they're going to open
• 15:27
  Speaker 2: the gates of heel, Yeah, into your home.
• 15:30
  Speaker 1: You'll do what?
• 15:31
  Speaker 2: So this woman not only says this, but then one
• 15:34
  Speaker 2: of my relatives shares this and is like, you have
• 15:36
  Speaker 2: to be wary of these kinds of films, Like it's
• 15:40
  Speaker 2: a children's movie where they go to Walgreens and get
• 15:44
  Speaker 2: upset over like Caramel Apple's real. It is.
• 15:48
  Speaker 1: Remind me not to have that person ever watchror like
• 15:51
  Speaker 1: Terrifier or something. God, if hogus Pocus can open the
• 15:56
  Speaker 1: gates of heel and By the way, heel is an
• 15:58
  Speaker 1: h e apostrophe L, not h e L, like like
• 16:00
  Speaker 1: the heel on your foot. If hogus Pocus can open
• 16:03
  Speaker 1: the gates of hell, then terrifier must be just devil incarnate.
• 16:07
  Speaker 2: I mean, these are the same people who are worried
• 16:09
  Speaker 2: about which is prey or spelling candy before giving it out, Like, relax,
• 16:17
  Speaker 2: take a breath, have a glass of wine or something.
• 16:20
  Speaker 1: You clearly need to calm down, Brenda.
• 16:22
  Speaker 2: Take a breath. Nobody gives a shit about your kids.
• 16:25
  Speaker 2: Nobody's trying to turn them to the devil or anything.
• 16:28
  Speaker 1: And also, no one's fucking handing out candy with with
• 16:31
  Speaker 1: drugs in them. Is that is so fucking expensive. You
• 16:35
  Speaker 1: know how much edibles cost. Edibles are very pricey. They're
• 16:39
  Speaker 1: not something that's like, oh, let me go get ten
• 16:40
  Speaker 1: edibles for five bucks or something or like you.
• 16:42
  Speaker 2: Know, edibles, we're talking one hundred in some dollars.
• 16:46
  Speaker 1: Yeah, if you if you want to go, get like
• 16:48
  Speaker 1: a twenty count from like when we went to Portland,
• 16:50
  Speaker 1: we got edibles there, Like twenty count was like like
• 16:53
  Speaker 1: thirty or forty dollars. No one's fucking handing that shit
• 16:55
  Speaker 1: out for free. And then not seeing the kid that's
• 16:57
  Speaker 1: fucking high. Like what, Also, no.
• 17:00
  Speaker 2: One's giving drugs to your kids enough people not not
• 17:04
  Speaker 2: everybody's outdoor to.
• 17:05
  Speaker 1: Do their own drugs because it's they're they're pricey. So
• 17:09
  Speaker 1: like good Christ, I love parents, Or check your cad
• 17:12
  Speaker 1: I mean check your candy for like maybe razor blades
• 17:14
  Speaker 1: or something. I don't know. People are twisted, but say.
• 17:17
  Speaker 2: Someone somewhere couldn't be putting something in the drugs. I
• 17:20
  Speaker 2: promise you it's it's not the potheads and witches don't
• 17:24
  Speaker 2: care about your kids, can't The.
• 17:26
  Speaker 1: Potheads would go to do that and then just fucking
• 17:28
  Speaker 1: get stoned and then forget what they were doing and
• 17:30
  Speaker 1: then just go back to their raids. The candy like
• 17:34
  Speaker 1: this is the candy for the trigger treaters. This is
• 17:36
  Speaker 1: this like edibles for us, and they would just munch
• 17:38
  Speaker 1: on the all the edibles and get high.
• 17:39
  Speaker 2: Ship they get the munchies, eat the candy. You're really
• 17:43
  Speaker 2: making a bold assumption that someone who's that high would
• 17:46
  Speaker 2: not just eat said candy.
• 17:49
  Speaker 1: Yeah, so it's just anyway.
• 17:53
  Speaker 2: Pocus talking about hocus Pocus too. I mean, like I'm
• 17:58
  Speaker 2: glad I watched it, but it really just didn't capture
• 18:01
  Speaker 2: the magic of the original, and they it really like
• 18:06
  Speaker 2: Doug Jones, however, was great.
• 18:07
  Speaker 1: Doug Jones who dog. Yeah, Doug Jones is always isn't
• 18:11
  Speaker 1: is one of the people on my National Treasure List.
• 18:14
  Speaker 2: Yeah, And he got an expanded role in that, so
• 18:17
  Speaker 2: that was super fun. It was actually really funny to
• 18:19
  Speaker 2: see how they brought his character back and what that
• 18:22
  Speaker 2: all was. They just overutilized some things that didn't really
• 18:25
  Speaker 2: make sense when you consider the last film.
• 18:29
  Speaker 1: Yeah, I mean I only seen I've only seen the
• 18:31
  Speaker 1: first one like one time, and you know, it's just
• 18:33
  Speaker 1: one of those movies that has such I think we
• 18:35
  Speaker 1: said this before probably so sorry if I sound like
• 18:36
  Speaker 1: a broken record, but it's just one of those movies
• 18:38
  Speaker 1: like Nightmare Before Christmas, where the following of those movies,
• 18:41
  Speaker 1: people that are into those movies it is like their
• 18:44
  Speaker 1: personality and there's something wrong with that, Like, I don't
• 18:46
  Speaker 1: care if that's your thing, fucking whatever. And I know
• 18:48
  Speaker 1: I can never match people's excitement for certain types of
• 18:51
  Speaker 1: movies because they're just super into them, and I'm like,
• 18:53
  Speaker 1: I can't get into it because of how like not
• 18:56
  Speaker 1: toxic the fandom is, but how like over there, like
• 18:58
  Speaker 1: how crazy obsessed with these movies? Like it's it is
• 19:01
  Speaker 1: literally some people's personalities and you're like, these are great movies,
• 19:03
  Speaker 1: but like I just don't. I just can't get into
• 19:05
  Speaker 1: them that much. I don't know. Yeah, I don't know.
• 19:08
  Speaker 1: There's just some movies that just aren't for me. Those
• 19:10
  Speaker 1: two are two of the movies I'm just.
• 19:12
  Speaker 2: Like see, Like for me, I think, I I love
• 19:14
  Speaker 2: watching hocus Pocus, but I'm not like hocus Pocus fan.
• 19:17
  Speaker 2: You know, I've got one button up pocus Pocus shirt
• 19:20
  Speaker 2: and that's it. That's the extent of my stuff for that. Like,
• 19:22
  Speaker 2: it's a movie I enjoy watching. It's fun. I like
• 19:25
  Speaker 2: jokes about it, but I'm not like I need everything
• 19:28
  Speaker 2: hocus Pocus. But we all know that a n i'mare
• 19:32
  Speaker 2: poor Christmas. It takes a certain personality and those people
• 19:35
  Speaker 2: are upsetting. Yeah, it makes it hard to watch that
• 19:38
  Speaker 2: movie because all you can think about is how weird
• 19:40
  Speaker 2: the fanom can get.
• 19:41
  Speaker 1: There we go, Yeah, the fandom is just kind of
• 19:43
  Speaker 1: weird with it.
• 19:44
  Speaker 2: Uh, Like there's nothing better that's ever been created.
• 19:47
  Speaker 1: Like exactly, yeah, it really is. This is the best
• 19:50
  Speaker 1: thing that's ever been made. Like, Okay, I mean it
• 19:52
  Speaker 1: might it might be in your world, but in my
• 19:54
  Speaker 1: world it is just like it is a great movie.
• 19:56
  Speaker 1: I respect like what it is. It's just not something
• 19:59
  Speaker 1: that I really particularly I'm interested in.
• 20:01
  Speaker 2: Yeah, I think the.
• 20:02
  Speaker 1: Exercise, I love, it's great respect for it, but just
• 20:05
  Speaker 1: not really into it.
• 20:06
  Speaker 2: Yeah. I think for me, hocus Pocus two is gonna
• 20:09
  Speaker 2: be one of those movies that like, I'm really not
• 20:11
  Speaker 2: gonna put on again. Like like if we had a kid,
• 20:13
  Speaker 2: for instance, and I needed some Halloween movies to put on,
• 20:17
  Speaker 2: I'd probably put like that would probably be one, but
• 20:19
  Speaker 2: I'm not gonna I'm not gonna personally be like I
• 20:22
  Speaker 2: gotta watch hocus Pocus too.
• 20:23
  Speaker 1: Yeah, other than like you know, Slasher, So we need
• 20:26
  Speaker 1: something kid friendly, then oh yeah.
• 20:27
  Speaker 2: Them, like they would be one of those Oh I
• 20:29
  Speaker 2: need a kid friendly film, let's put that on.
• 20:32
  Speaker 1: I got I've got to make dinner, and Homie wants
• 20:34
  Speaker 1: to watch a movie. Here you go, little Bud.
• 20:36
  Speaker 2: Yeah, turn that shit on, because frankly, it's less scary
• 20:39
  Speaker 2: than hocus Pocus one, because I mean there's some mildly
• 20:42
  Speaker 2: like mild terror in hocus Pocus that was not an
• 20:46
  Speaker 2: issue hocus Pocus too. You felt genuinely unthreatened by the witches.
• 20:50
  Speaker 1: If you rated them, I mean did you? I mean
• 20:52
  Speaker 1: I know you rate it. Did you rate the second
• 20:53
  Speaker 1: one at least? Or what would you.
• 20:57
  Speaker 2: Like? Two and a half? Three?
• 20:58
  Speaker 1: Oh?
• 20:58
  Speaker 2: Wow, It's just it wasn't like vibing. There were parts
• 21:01
  Speaker 2: we were laughing at, but mostly we were laughing about
• 21:03
  Speaker 2: how weird. It was like there was a massive plug
• 21:06
  Speaker 2: for Walgreens in it and rumbas well.
• 21:08
  Speaker 1: And I've told you this too, or we were talking
• 21:10
  Speaker 1: about it earlier when I was like, if these movies
• 21:13
  Speaker 1: that have been made, you know, twenty thirty years ago,
• 21:16
  Speaker 1: that you know there's a huge cult following two or whatever,
• 21:19
  Speaker 1: like Dumb and Dumber. This is the perfect example. Dumb
• 21:22
  Speaker 1: and Dumber was made in like nineteen ninety four, nineteen
• 21:23
  Speaker 1: ninety five and the heyday of Jim Carrey when he
• 21:25
  Speaker 1: was doing fucking everything, and they did well. They did too,
• 21:28
  Speaker 1: Dumb or whatever like Dumb and Dumber two, I think,
• 21:31
  Speaker 1: which was the ones that didn't have them in there.
• 21:33
  Speaker 1: So stupid fucking choice there first of all, And it
• 21:36
  Speaker 1: was not that great. There was some funny lines in it,
• 21:38
  Speaker 1: but that was about it, but then they did you know,
• 21:40
  Speaker 1: dumb uh, dumb and dumb. Oh no, no, sorry, no, no, it
• 21:43
  Speaker 1: was dumb and dumb er er. That was the one
• 21:45
  Speaker 1: that didn't have Jim Carrey in it. And then they
• 21:47
  Speaker 1: did Dumb and Dumber two t O and it's like, okay,
• 21:50
  Speaker 1: it was it was funny. It's it's still felt like
• 21:52
  Speaker 1: the original, but like they were just oh, you know,
• 21:55
  Speaker 1: they had to kind of up themselves from the first one,
• 21:57
  Speaker 1: and they were already chaotic in that one, so they're
• 21:59
  Speaker 1: kind of over acting and a lot of the jokes
• 22:02
  Speaker 1: didn't land, and you know, they're not the same exact
• 22:04
  Speaker 1: character they were when they originally did the movie, like
• 22:07
  Speaker 1: you know, so it's just like, I feel like that's
• 22:08
  Speaker 1: how this went for you. With hocus Pocus. It's just
• 22:10
  Speaker 1: like it's just like there's so much time in between,
• 22:13
  Speaker 1: and they have these expectations a little up too, and
• 22:15
  Speaker 1: then it's like kind of hard to you know, make
• 22:17
  Speaker 1: like something that good again, I guess, is what I'm
• 22:19
  Speaker 1: trying to say.
• 22:20
  Speaker 2: Well, yeah, and I think something that hocus Pocus Too
• 22:23
  Speaker 2: also suffered from the fact that if you think about
• 22:26
  Speaker 2: how many people knew that the Witches came back thirty
• 22:29
  Speaker 2: years ago, it was three people, a cat, and a
• 22:32
  Speaker 2: zombie because everybody else was spelled so they wouldn't really
• 22:36
  Speaker 2: remember that. So this film spent a lot of time
• 22:40
  Speaker 2: vaguely recalling the previous film without really acknowledging it, Like
• 22:46
  Speaker 2: one character acknowledges that he saw the events of the film,
• 22:51
  Speaker 2: but like the Witches barely acknowledged that that happened. And
• 22:55
  Speaker 2: because nobody else really remembers it, there's no upping of
• 22:58
  Speaker 2: the stakes or anything, if any thing. The stakes feel
• 23:00
  Speaker 2: lower because their motivations have changed entirely, so it's more
• 23:04
  Speaker 2: like we've got to stop them, not like, holy crap,
• 23:07
  Speaker 2: I hope they don't need us.
• 23:08
  Speaker 1: And then they get super meta and they have hocus
• 23:10
  Speaker 1: Pocus one playing in the movie.
• 23:12
  Speaker 2: The same people dressed as characters from Hocus posts.
• 23:15
  Speaker 1: It's like, why are we getting? What is this scream?
• 23:17
  Speaker 2: And people dressed as the Sanderson sisters in the film
• 23:21
  Speaker 2: in a Sanderson's Sister look like contest, which is weird
• 23:24
  Speaker 2: because that implies that somebody saw them to know what
• 23:26
  Speaker 2: their outfits looked like.
• 23:28
  Speaker 1: Yeah, so yeah, yeah, yeah, yeah.
• 23:31
  Speaker 2: It was It was too they were trying too hard
• 23:33
  Speaker 2: to try to like remind you how fun hocus Pocus is.
• 23:37
  Speaker 1: Hey, Like, remember this movie that's a direct sequel to
• 23:40
  Speaker 1: the original. Do you remember every part about that?
• 23:43
  Speaker 2: Everything you liked?
• 23:44
  Speaker 1: We're gonna remind you. Yeah, okay, what would you give
• 23:46
  Speaker 1: the original?
• 23:47
  Speaker 2: Then? Oh? The original? I give like a three and
• 23:49
  Speaker 2: a half or something like. It has that whimsical magic
• 23:51
  Speaker 2: that makes it fun. They're just a little bit of
• 23:53
  Speaker 2: like there's a little bit of terror to it because
• 23:57
  Speaker 2: you know, the kids are in actual danger, they know
• 24:00
  Speaker 2: the town's in danger, like and and you don't know
• 24:03
  Speaker 2: how they're gonna achieve their goals. They actually have to
• 24:06
  Speaker 2: think in craft plans and it like it. It felt
• 24:09
  Speaker 2: it has more of a childlike energy to it. And
• 24:12
  Speaker 2: it feels like this one a story, not like a
• 24:16
  Speaker 2: cash grap.
• 24:17
  Speaker 1: Did this one just feel like it was made for
• 24:18
  Speaker 1: adults that watched it when they were younger? Yeah, okay, yep,
• 24:22
  Speaker 1: I got just.
• 24:23
  Speaker 2: It didn't have that whimsical nature like it literally started
• 24:25
  Speaker 2: with a pop song, whereas hocus Pocus two started or
• 24:30
  Speaker 2: hocus Pokes Too started with a pop song, where the
• 24:32
  Speaker 2: originals started more with like, you know, spooky music and
• 24:37
  Speaker 2: stuff like they weren't worried about capturing the whimsie. They
• 24:40
  Speaker 2: were just really wanting you to know that it was
• 24:42
  Speaker 2: a hocus Pocus movie.
• 24:43
  Speaker 1: Well, you can put this in comparison, which is this
• 24:46
  Speaker 1: is a really skewed like letterbox thing. You've got, uh
• 24:50
  Speaker 1: what is that threes and fours almost at the same
• 24:53
  Speaker 1: height and then fives are almost at the same height
• 24:55
  Speaker 1: as the two three and a half. It's very weird.
• 24:58
  Speaker 1: So it's got a three to five on letter your
• 25:00
  Speaker 1: original and then the sequel it had a three to
• 25:03
  Speaker 1: four the other day. Now it's not down all the
• 25:05
  Speaker 1: way to with three one, so that should speak for
• 25:08
  Speaker 1: itself right there. But I mean, the director has done
• 25:12
  Speaker 1: some good stuff. You know, twenty seven dresses step up
• 25:14
  Speaker 1: the proposal, so she's done some you know, she does
• 25:16
  Speaker 1: some good stuff.
• 25:17
  Speaker 2: Yeah, I like twenty seven dresses in the proposal.
• 25:19
  Speaker 1: Yeah, proposal was hilarious. Ryan Reynolds and uh Windows, CenTra
• 25:23
  Speaker 1: Bullock Wall Yeah, yeah, yeah, Okay, anything else on that
• 25:29
  Speaker 1: one now, okay, so that's ogus fogus too streaming on
• 25:33
  Speaker 1: Disney Plus, I did not see something that was streaming,
• 25:36
  Speaker 1: although plenty of stuff has come out. Let me just
• 25:38
  Speaker 1: plug those real quick. Dead Stream is a found footage
• 25:41
  Speaker 1: movie that just released on Netflix or WHOA Hello, Shutter Sorry,
• 25:46
  Speaker 1: which I believe it's either a Shutter original or a
• 25:48
  Speaker 1: Shutter exclusive, one of those two, I think, And that
• 25:51
  Speaker 1: looks like a lot of fun eighty seven minutes that
• 25:54
  Speaker 1: came out the sixth, I believe. So you've got dead Stream,
• 25:58
  Speaker 1: You've got hell Razor, which dropped to day Dave. Yeah,
• 26:01
  Speaker 1: David Bruckner's Hell Raiser, which has a three three. By
• 26:05
  Speaker 1: the way, that's fantastic because the original has a three five,
• 26:08
  Speaker 1: So that means this obviously, I mean, I know I'm
• 26:11
  Speaker 1: gonna like this one more. So that's really good to
• 26:13
  Speaker 1: see Hell Raiser almost having the same amount as the
• 26:16
  Speaker 1: original because that you know, people fucking adore that movie,
• 26:20
  Speaker 1: so for it to almost be up there with it,
• 26:22
  Speaker 1: that says really good things because that means the people
• 26:25
  Speaker 1: that like the old one like this one. And I
• 26:27
  Speaker 1: really didn't like the old one. This has been said.
• 26:28
  Speaker 1: This has been said multiple times, So I am stoked
• 26:31
  Speaker 1: to see this. So we're gonna try to watch that
• 26:32
  Speaker 1: this weekend. But what I watched was a movie that
• 26:34
  Speaker 1: came to theaters in a limited release, and it was
• 26:36
  Speaker 1: terrified too. I saw it with a shout out to
• 26:40
  Speaker 1: Rick Stazinski and Don He is one of my buddies
• 26:45
  Speaker 1: that has he runs thirteen Next Studios. He makes custom
• 26:49
  Speaker 1: Jason masks. He's been on the podcast before. We had
• 26:51
  Speaker 1: a whole chat with thirteen Next Studios. A lot of
• 26:53
  Speaker 1: a lot of fun. He's a great guy. But he's
• 26:55
  Speaker 1: actually has a small little role in that movie. He
• 26:58
  Speaker 1: plays selfie guy where he comes out of the crowd
• 27:00
  Speaker 1: in this club and says, yo, girl, let me get
• 27:01
  Speaker 1: a selfie and takes a selfie and then you think
• 27:03
  Speaker 1: he says like fuck yat girl or something like that.
• 27:05
  Speaker 1: So he's in there for about like, you know, like
• 27:06
  Speaker 1: ten or fifteen seconds. But him and a whole bunch
• 27:09
  Speaker 1: of people of you know, a whole bunch of his friends,
• 27:11
  Speaker 1: I mean, hant Steam was their shout out to Johnny Bronto.
• 27:14
  Speaker 1: You know, a whole bunch of my spooky friends were
• 27:16
  Speaker 1: there and it was a lot of fun. Okay. So,
• 27:21
  Speaker 1: like I'm obviously gonna be like critical here, and it's
• 27:24
  Speaker 1: not that okay, let me just say this for the
• 27:25
  Speaker 1: like starting out, It's not that I did not like
• 27:27
  Speaker 1: this movie. I absolutely loved the movie like it was fantastic.
• 27:32
  Speaker 1: It is just about on par with the original for me,
• 27:34
  Speaker 1: except for the fact that two and a half hours
• 27:37
  Speaker 1: is just too fucking long for a slasher movie. It's just,
• 27:41
  Speaker 1: at least in my opinion, two and a half hours
• 27:43
  Speaker 1: we're talking that is that is longer than Hereditary at
• 27:46
  Speaker 1: two o two it is just as long as Midsomar.
• 27:49
  Speaker 1: And then you know the director's cut of Midsomar's three hours.
• 27:51
  Speaker 1: Two and a half hours for a movie that is
• 27:53
  Speaker 1: literally about a killer clown, is it's just too long.
• 27:55
  Speaker 1: I mean, okay, it is essentially the same you know,
• 27:59
  Speaker 1: about a killer clown, but.
• 28:00
  Speaker 2: There's a big ass book.
• 28:01
  Speaker 1: But yeah, number one, it is a huge book. Number two,
• 28:06
  Speaker 1: there's a lot of source material. And number three it's
• 28:09
  Speaker 1: you know, Stephen King. So it's just and that's not
• 28:12
  Speaker 1: that's not a slasher movie, you know, it is much
• 28:15
  Speaker 1: more psychological and creepy and relies on very like thrilling
• 28:20
  Speaker 1: tense moments and shit. But when you already have an
• 28:23
  Speaker 1: established character like Art the clown, who you know is
• 28:26
  Speaker 1: just out for blood and gory fucking kills, we don't
• 28:29
  Speaker 1: really need to spend a lot of time on plot
• 28:32
  Speaker 1: and dialogue, which there was a very hefty amount of both.
• 28:35
  Speaker 1: Like they really got into these characters and flesh them out,
• 28:38
  Speaker 1: which is great, and it's not like I didn't mind
• 28:40
  Speaker 1: the character arcs, but it's just like for me, that's
• 28:43
  Speaker 1: not necessary. Slashers need to be no more than an
• 28:45
  Speaker 1: hour and forty five minutes, ideally ninety minutes or less.
• 28:48
  Speaker 1: Like eighty six minutes was the original run time for Terrifier.
• 28:51
  Speaker 1: Fucking perfect. There's like two minutes of intro and then
• 28:54
  Speaker 1: they just get into it. You know. He finds the
• 28:56
  Speaker 1: girls in the street and chases the girls down all
• 28:58
  Speaker 1: night and killing them, and then one of the you
• 29:01
  Speaker 1: know survivors is one of the you know, you don't
• 29:03
  Speaker 1: see her being the final girl, but she's the final girl.
• 29:05
  Speaker 1: And it's perfect. You're in and out. It's very gory.
• 29:09
  Speaker 1: I love the kind of like not guerrilla style filmmaking,
• 29:12
  Speaker 1: but it's just like it's very gritty, you know what
• 29:13
  Speaker 1: I mean, Like it just look it looks like an
• 29:15
  Speaker 1: Ani film and not a bad thing, like I love it,
• 29:17
  Speaker 1: but this one, at two and a half hours, it's
• 29:20
  Speaker 1: just too long. And not that I was even bored
• 29:22
  Speaker 1: with anything or that that I felt that it dragged.
• 29:24
  Speaker 1: It's just like it's two and a half hours. It's
• 29:27
  Speaker 1: just too long for me. And like I said, when
• 29:30
  Speaker 1: you're focusing more on plot and character development and a slasher,
• 29:33
  Speaker 1: that's kind of when I just like, I don't know.
• 29:35
  Speaker 1: We're all here to see art rip people in half.
• 29:38
  Speaker 1: That's what we want. And David Howard Thornton did an
• 29:40
  Speaker 1: amazing job, you know, as following up his role from
• 29:43
  Speaker 1: the first one. The kills were utter insanity, Like I
• 29:47
  Speaker 1: cannot wait for you to see this, I don't think.
• 29:49
  Speaker 1: To me, I don't really think there's there's one that
• 29:52
  Speaker 1: almost I think almost matches the saw in half. But
• 29:54
  Speaker 1: I don't think anything is ever gonna top being literally
• 29:56
  Speaker 1: solid in half from your lady parts to your you
• 29:59
  Speaker 1: know face. That's one of the most horrific things I've
• 30:02
  Speaker 1: ever seen. And even you were like, I think this
• 30:04
  Speaker 1: is the I think this is gonna be a one
• 30:05
  Speaker 1: time watch for me.
• 30:06
  Speaker 2: Well, yeah, because when I saw it, I had seen
• 30:08
  Speaker 2: that clip before, so I already knew what it was,
• 30:11
  Speaker 2: but I didn't know what it was. And Heather and
• 30:14
  Speaker 2: Will were watching that movie. I walked in and said, Hey,
• 30:18
  Speaker 2: isn't it isn't this that movie? And they're like and
• 30:22
  Speaker 2: and they're like, what movie? And then that starts happening.
• 30:24
  Speaker 2: I was like, yep, there it is. This is that
• 30:27
  Speaker 2: movie and that's the only time I've watched that, so.
• 30:30
  Speaker 1: Well then I think you watched it with me. But yeah,
• 30:33
  Speaker 1: there's one there's one kill. I'm not gonna give it
• 30:35
  Speaker 1: away obviously, but it is like I was impressed with
• 30:39
  Speaker 1: how fucking real this shit looks. I mean, they had
• 30:42
  Speaker 1: to think they're a GoFundMe or Kickstarter or whatever. God.
• 30:45
  Speaker 1: They wanted like I think a fifty or one hundred
• 30:47
  Speaker 1: thousand dollars. They ended up getting like two hundred and
• 30:49
  Speaker 1: fifty thousand dollars, so they you know, they wanted to
• 30:52
  Speaker 1: use that money, and you know, they made a long movie.
• 30:55
  Speaker 1: It was exactly the way Damien wanted it to be.
• 30:58
  Speaker 1: Damien Leoni, the director, you know, there was nothing cut out.
• 31:01
  Speaker 1: He's like, this is the film I set out to do,
• 31:04
  Speaker 1: and this is this is what I want to put out.
• 31:06
  Speaker 1: And I'm kind of surprised that somehow it went to theaters.
• 31:09
  Speaker 1: Like no, it's not rated, it's unrated. It's fucking gorious shit. So,
• 31:14
  Speaker 1: like I said, at The End of the Day is
• 31:16
  Speaker 1: a solid movie. Obviously, I'm gonna watch it again because
• 31:19
  Speaker 1: I have some questions about certain things that I need Again,
• 31:22
  Speaker 1: I need your fucking genius help with because I'm wondering
• 31:26
  Speaker 1: the motivation for art because he seems to attack this family. Oops. Wow,
• 31:30
  Speaker 1: he seems to attack this family, but like the mother
• 31:33
  Speaker 1: and daughter are the mother and son are at home
• 31:35
  Speaker 1: and the daughter is out at a party. Yet he
• 31:36
  Speaker 1: somehow manages to get to both of them, you know
• 31:40
  Speaker 1: what I mean. It's like, what about that? Why were
• 31:42
  Speaker 1: you specifically after this family? Was it just kind of
• 31:44
  Speaker 1: random luck? Like, I don't understand the motivation because the
• 31:46
  Speaker 1: motivation the first one very straightforward. He just sees the
• 31:49
  Speaker 1: girl in the streets and decides to chase them down
• 31:51
  Speaker 1: and kill them, you know, simple motivation. This I didn't
• 31:54
  Speaker 1: really get it. But the continuity from the ending of
• 31:57
  Speaker 1: the first one and the beginning of this one is like,
• 32:00
  Speaker 1: oh my god, I was so you like you know
• 32:02
  Speaker 1: when you watch movies and like in a series and
• 32:05
  Speaker 1: they just pick right up. Yeah, that's exactly what this
• 32:08
  Speaker 1: one did. And it was so satisfying to see the
• 32:10
  Speaker 1: continuity with the eye at the end because his eyes
• 32:13
  Speaker 1: all fucked up at the end of the first one
• 32:15
  Speaker 1: that was there, and then he's attacking the guy at
• 32:18
  Speaker 1: the end of them. It's just it was so perfectly fluid.
• 32:20
  Speaker 1: So at the end of the day, I did enjoy
• 32:22
  Speaker 1: it and I did like it. I want to rewatch
• 32:23
  Speaker 1: it with you because I have seen of your thoughts
• 32:25
  Speaker 1: and feelings. But I just wish it was shorter, like
• 32:29
  Speaker 1: at least forty five minutes shorter. It's yeah, it's just
• 32:31
  Speaker 1: too long. And like I said, it's not me saying
• 32:33
  Speaker 1: the movie is bad and anyway, it's just I don't know,
• 32:35
  Speaker 1: it's just a bit. It's just a bit too long
• 32:37
  Speaker 1: for me. But I don't know if they're gonna do
• 32:39
  Speaker 1: any more showtimes of that. I think no.
• 32:41
  Speaker 2: What I read online was that they're doing kind of
• 32:43
  Speaker 2: a film, because I looked it up to see if
• 32:45
  Speaker 2: it would be streaming anywhere. Supposedly the director wanted to
• 32:50
  Speaker 2: do something like a on the road tour. We're so
• 32:54
  Speaker 2: they're gonna do theater stops and then after that is
• 32:57
  Speaker 2: when it should be strong.
• 32:58
  Speaker 1: Oh okay, yeah, yeah. But I saw a thing that
• 33:01
  Speaker 1: someone posted today. I think I think it was dread
• 33:03
  Speaker 1: Central or bloody discussing that in one night of all,
• 33:06
  Speaker 1: you know, because the it started opening small and then
• 33:08
  Speaker 1: it just got such a following that people like were
• 33:10
  Speaker 1: requesting it and it just started They went to like
• 33:12
  Speaker 1: eight hundred theaters nationwide and made four hundred thousand dollars
• 33:16
  Speaker 1: and one night. That's for an indie fucking movie that
• 33:19
  Speaker 1: only costs about two fifty. They pretty much doubled their
• 33:22
  Speaker 1: money on that. So like, that is very impressive that
• 33:25
  Speaker 1: and I love the support of the horror community because
• 33:28
  Speaker 1: like everyone that went to see that went to see that.
• 33:31
  Speaker 1: They weren't just like, oh, let me see what's happened.
• 33:33
  Speaker 1: I mean, I guarantee very few people were like, oh,
• 33:34
  Speaker 1: I wonder what's at the movies? Ooh what's this? Let's
• 33:36
  Speaker 1: go see that. It was probably it was most of
• 33:38
  Speaker 1: them were like our whole entire theater was dedicated, Like
• 33:40
  Speaker 1: everyone was wearing an art shirt almost like I say,
• 33:43
  Speaker 1: fifty percent of the people had a terrified shirt on
• 33:45
  Speaker 1: or something. It was awesome. So yeah, hopefully they'll do more.
• 33:48
  Speaker 1: If they do more, then you know it'll come to streaming.
• 33:50
  Speaker 1: But definitely a solid film. I'm gonna obviously recommend it.
• 33:53
  Speaker 1: It's it's a lot of fun. Just be prepared going
• 33:56
  Speaker 1: into that. It is. It is a lot very gory.
• 34:00
  Speaker 1: Guess we should talk about this one really quickly. I mean,
• 34:02
  Speaker 1: it's not really much to talk about it.
• 34:03
  Speaker 2: It's it's kind of a brisk film.
• 34:05
  Speaker 1: So yeah, it's kind of a brisk film. But we
• 34:07
  Speaker 1: saw Smile last weekend.
• 34:11
  Speaker 2: I don't know, Oh, I thought you meant the main movie.
• 34:13
  Speaker 2: I sorry, I didn't realize Smith Smile.
• 34:14
  Speaker 1: No, uh yeah, Smile. We saw Smile in theaters over
• 34:17
  Speaker 1: the weekend, I believe, And it's just absolutely floored all
• 34:21
  Speaker 1: three of us, me, you and Spencer walked out of
• 34:23
  Speaker 1: that movie just like that's gonna stick with me. And
• 34:26
  Speaker 1: also that was one of, like one of the best
• 34:28
  Speaker 1: horror movies this year. Yeah, I am so surprised.
• 34:30
  Speaker 2: It was unexpected. That's what I'd seen a lot of
• 34:32
  Speaker 2: people say it was. It was unexpected. You kind of thought,
• 34:35
  Speaker 2: based on the trailer you were gonna get Jen a
• 34:37
  Speaker 2: horror movie, which is fine.
• 34:38
  Speaker 1: Yeah, I really thought that, like, and just.
• 34:40
  Speaker 2: The way they approached it and the mord started to
• 34:45
  Speaker 2: evolve into something different was really unexpected. And honest to god,
• 34:51
  Speaker 2: you could not have pulled that ending out of like
• 34:54
  Speaker 2: you just could not have seen that ending coming. And
• 34:58
  Speaker 2: I'm not like saying you don't know how it's gonna end,
• 35:01
  Speaker 2: but I'm saying, like the what they did at the
• 35:05
  Speaker 2: ending was so out of left field for that type
• 35:08
  Speaker 2: of movie that we were all like, what the hell.
• 35:11
  Speaker 1: Oh yeah, because they give you a huge like they
• 35:13
  Speaker 1: give you a fake out essentially. Yeah, I won't say
• 35:16
  Speaker 1: anything more about it, but yeah, they do really give
• 35:18
  Speaker 1: you a good fake out and uh yeah, complete complete
• 35:22
  Speaker 1: tonal shift because you're like, oh, this is gonna be
• 35:25
  Speaker 1: this is thumbs up, this is kind of what I
• 35:26
  Speaker 1: leaned over to you and said, this is exactly what's
• 35:28
  Speaker 1: gonna happen. And then it did. I'm like, oh cool.
• 35:30
  Speaker 1: But then you're just like, oh, I was not ready.
• 35:33
  Speaker 2: For that go down.
• 35:35
  Speaker 1: It's not prepared for any of that.
• 35:38
  Speaker 2: And I will say just a warning deals heavily with suicide,
• 35:43
  Speaker 2: ye and self harm and trauma, so like, if that's
• 35:47
  Speaker 2: triggering for you, like this film deals very heavy, heavily
• 35:51
  Speaker 2: with that and in no way is it positive, So
• 35:54
  Speaker 2: just be really prepared for that, because like I could
• 35:58
  Speaker 2: see this being really rough on someone who had no
• 36:00
  Speaker 2: idea that that's what was going on.
• 36:01
  Speaker 1: Someone actually asked one of the horror groups. They were like,
• 36:04
  Speaker 1: I've been seeing that this deals with kind of trauma
• 36:06
  Speaker 1: and stuff like that, and people who were you know,
• 36:08
  Speaker 1: like depressed, maybe shouldn't watch it. And I comment that
• 36:10
  Speaker 1: I was like one percent. I was like, if you
• 36:12
  Speaker 1: are not good mentally right now, or you kind of
• 36:14
  Speaker 1: have you know, like moods or whatever, like if you're
• 36:17
  Speaker 1: dealing with any sort of like trauma and shit, it's
• 36:19
  Speaker 1: like please. I was like, yes, please, please do not
• 36:21
  Speaker 1: go see this because like you really need to be
• 36:23
  Speaker 1: in the like a good headspace going into this.
• 36:25
  Speaker 2: Yeah. It deals heavily and trauma and depression and very
• 36:29
  Speaker 2: strong feelings of hopelessness. So it's not like a.
• 36:34
  Speaker 1: It's not a light movie. It's a fucking heavy movie.
• 36:36
  Speaker 2: You can watch horror movies when you're in a certain
• 36:39
  Speaker 2: head space, but like they don't relate to you. This
• 36:42
  Speaker 2: is one that if you were not doing well mentally
• 36:45
  Speaker 2: this or just not a great head space, this would
• 36:47
  Speaker 2: not be helpful.
• 36:48
  Speaker 1: Yeah, And it's actually it was interesting too because they
• 36:52
  Speaker 1: so they had such a good message for trauma going
• 36:55
  Speaker 1: and like the way the ending was happening. I was like,
• 36:58
  Speaker 1: this is such a good lie, like fucking undertone of
• 37:01
  Speaker 1: like trauma and dealing with it. And then they kind
• 37:03
  Speaker 1: of undo that a little bit, which I knocked it for. Yeah,
• 37:08
  Speaker 1: because I was like this, I was like, this is
• 37:10
  Speaker 1: literally a perfect movie. I had no issues with it
• 37:13
  Speaker 1: until you know, they kind of undid the you know,
• 37:17
  Speaker 1: trauma stuff, and I was like, if you just didn't,
• 37:20
  Speaker 1: if you just ended the movie at this point, it
• 37:22
  Speaker 1: would have been a perfect, flawless movie. And I'm kind
• 37:24
  Speaker 1: of mad, but I'm also I'm I'm glad.
• 37:28
  Speaker 2: Easy.
• 37:29
  Speaker 1: Yeah, it would have been too easy. And that was
• 37:30
  Speaker 1: a ballsy ending, Like that was a ballsy as shit
• 37:33
  Speaker 1: and it so please go see that. We saw it
• 37:35
  Speaker 1: in Dolby. Highly recommended if it's in Dolby in your area.
• 37:38
  Speaker 1: That was very intense because there's it is very jump scary,
• 37:42
  Speaker 1: which is fine if it's done right. This is an
• 37:44
  Speaker 1: example of a movie that did jump scares perfectly. So
• 37:46
  Speaker 1: fucking spooky, So go see that. Definitely go see that.
• 37:49
  Speaker 1: Let's get onto this movie though, because we're like, like
• 37:52
  Speaker 1: I said, somehow we're filling up so much time.
• 37:54
  Speaker 2: Yes, but fortunately The Strangers doesn't have a bunch of things.
• 37:57
  Speaker 2: There's a lot of standing and staring around.
• 37:59
  Speaker 1: No, you're right, yeah, which so there's not gonna be
• 38:01
  Speaker 1: a lot to talk about anyways. But yeah, what else
• 38:04
  Speaker 1: is coming out next week? That's Halloween Ends. We'll talk
• 38:06
  Speaker 1: about that later.
• 38:07
  Speaker 2: Oh yeah, we're gonna watch We're gonna start checking out
• 38:09
  Speaker 2: Chucky and Plannagan.
• 38:11
  Speaker 1: Show Midnight Club.
• 38:12
  Speaker 2: Yes, yeah, yeah, so we're gonna start checking out those
• 38:15
  Speaker 2: this weekend.
• 38:15
  Speaker 1: Chucky season two just came out on the fifth, and
• 38:18
  Speaker 1: I've got season one behind me. Actually, I want to
• 38:20
  Speaker 1: just grab that while I'm here.
• 38:21
  Speaker 2: Yeah, because we're like, you know what, since season takes that,
• 38:24
  Speaker 2: we should really watch it before we start seeing spoilers,
• 38:26
  Speaker 2: just like we have to watch she Hilt tonight before
• 38:29
  Speaker 2: we get any more spoilers because it came out yesterday
• 38:32
  Speaker 2: and people cannot stop themselves.
• 38:34
  Speaker 1: No they can't. I know that. I don't know if
• 38:37
  Speaker 1: you want to join me on this, but I'm gonna watch.
• 38:39
  Speaker 1: You know, I'm gonna watch Halloween Hills before ends, because
• 38:42
  Speaker 1: one I already watched the first. I watched Halloween twenty eighteen. Two.
• 38:45
  Speaker 1: I really want to give this one another chance and
• 38:47
  Speaker 1: see if it does anything better for me. I'm really
• 38:50
  Speaker 1: resistant to doing this. I'm surprised I even fucking bought it,
• 38:54
  Speaker 1: so I want to do that before. So if you
• 38:55
  Speaker 1: want to join me, fine, and I'm gonna all report
• 38:57
  Speaker 1: back on that.
• 38:58
  Speaker 2: Uh what my phone buzzed in my back pocket.
• 39:01
  Speaker 1: And then real quick, speaking of Halloween, I did just
• 39:04
  Speaker 1: get this in the mail today from Screen Factory. It
• 39:06
  Speaker 1: is the Halloween four K collection nineteen ninety five to
• 39:09
  Speaker 1: two thousand and two, which includes Curse of Halloween, h
• 39:11
  Speaker 1: two Oer, and Halloween Resurrection in hard cases, just like
• 39:15
  Speaker 1: Halloween one through five that came out last year. It
• 39:17
  Speaker 1: really sucks that you had to buy this in a
• 39:19
  Speaker 1: set because I probably wouldn't have bought six or eight
• 39:22
  Speaker 1: because those are literally my two least favorite Halloweens. And
• 39:25
  Speaker 1: this one also comes in a fucking box too, when
• 39:27
  Speaker 1: the first five didn't come in a box. So now
• 39:29
  Speaker 1: I have to not use this because it's gonna look
• 39:31
  Speaker 1: stupid on the shelf. So fucking just gonna sell this,
• 39:34
  Speaker 1: I guess, but excited to check these out in the
• 39:36
  Speaker 1: four K. Just really wish they did atmost. But whatever,
• 39:38
  Speaker 1: Halloween ens is next week, so I'm getting excited for that.
• 39:41
  Speaker 1: Hopefully it is just all I'm asking for is just
• 39:44
  Speaker 1: better than our kills. That's it. Even if it's a
• 39:47
  Speaker 1: fucking half star better, I don't care. Just give me
• 39:50
  Speaker 1: a good ending Halloween movie, you know, yeap. Jamie Lee
• 39:54
  Speaker 1: also said she was down to do more, and I'm like,
• 39:56
  Speaker 1: you said this was your last one.
• 39:58
  Speaker 2: You have to stop saying these things.
• 40:00
  Speaker 1: It probably keeps showing up with dump trucks full of
• 40:01
  Speaker 1: cash at our house and like, so one more, maybe
• 40:04
  Speaker 1: four more? So yeah, anyways, let's get onto this movie.
• 40:07
  Speaker 1: It is The Strangers, as the title of this episode
• 40:09
  Speaker 1: is called, from two thousand and eight. I can't believe
• 40:12
  Speaker 1: this movie is fourteen years old at this point, already
• 40:15
  Speaker 1: released on May thirtieth of that year in the USA,
• 40:18
  Speaker 1: rated R for mild sex and nudity, severe violence, and gore,
• 40:21
  Speaker 1: which I don't really think it's that severe, moderate profanity,
• 40:24
  Speaker 1: mild alcohol, drugs and smoking, and severe and intense scenes.
• 40:28
  Speaker 1: This has a run time, which is a lie. It
• 40:31
  Speaker 1: says one hour twenty six minutes. Now the theatrical cut,
• 40:34
  Speaker 1: I believe that checked in it was like one twenty
• 40:36
  Speaker 1: five and change, so that's accurate. But the back of
• 40:39
  Speaker 1: the screen factory blu ray that I have says ninety
• 40:43
  Speaker 1: one minutes for the Unrated cup but when I put
• 40:45
  Speaker 1: it the disc in, it was like one twenty seven
• 40:47
  Speaker 1: to nine, and I'm like, howfec's four extra minutes you're
• 40:50
  Speaker 1: cutting off? So I got excited because I was like, ooh,
• 40:51
  Speaker 1: six extra minutes of movie, but apparently it was only two.
• 40:55
  Speaker 1: I don't know which one I've seen before. I assumed theatrical,
• 40:58
  Speaker 1: but I couldn't tell.
• 40:58
  Speaker 2: You've seen them both because I had I had the
• 41:00
  Speaker 2: unrated DVD.
• 41:01
  Speaker 1: I can tell you that I know the extra scene
• 41:03
  Speaker 1: that was in there, so I'm assuming I've only seen
• 41:05
  Speaker 1: the regular one. But I liked that they I liked
• 41:07
  Speaker 1: a little added scene that they have in there. Listed
• 41:09
  Speaker 1: as a horror mystery thriller directed by Brian Bertino, he
• 41:13
  Speaker 1: only has four directing credits. He also did The Monster,
• 41:16
  Speaker 1: a twenty four movie, and The Darken The Wicked, which
• 41:19
  Speaker 1: is a movie that came out last year, I believe,
• 41:21
  Speaker 1: or the year before, which is one of my favorites
• 41:24
  Speaker 1: of the year. I believe that was like a four
• 41:25
  Speaker 1: four and a half from me, also written by Brian
• 41:28
  Speaker 1: Bertina six writing credits. Same movies. He directed The Monster
• 41:31
  Speaker 1: dark in the Wicked, and then he also wrote Strangers
• 41:34
  Speaker 1: Prey at Night, which is the sequel to this movie,
• 41:36
  Speaker 1: composed by Tom and Andy all one word, very weird
• 41:40
  Speaker 1: and lowercase. It's like yasimba, like all lowercase, no no capitals,
• 41:44
  Speaker 1: it's weird. Seventy nine. Composer. Credits also did in p two,
• 41:48
  Speaker 1: which is a movie we've done on the podcast and
• 41:50
  Speaker 1: really love. Resident Evil Afterlife forty seven meters down and
• 41:53
  Speaker 1: Haunt so he's well, they are he or them or whatever.
• 41:56
  Speaker 1: They are well versed in the horror community. Cinematography by
• 42:01
  Speaker 1: Peter Sova forty two cinematographer. Credits also did Sergeant Bilko
• 42:05
  Speaker 1: Bilker Yeah, and Push from two thousand and nine, so
• 42:08
  Speaker 1: wildly different movies and especially throwing this one into the mix.
• 42:11
  Speaker 1: Those are three different genres. You have Pushed, which is
• 42:14
  Speaker 1: like a sci fi fantasy, right, and then you have
• 42:16
  Speaker 1: Sergeant Bilko, which is a straight comedy, and then you
• 42:18
  Speaker 1: have this which is a horror movie.
• 42:19
  Speaker 2: And I think cinematography genius. I think Sergeant Bilco.
• 42:23
  Speaker 1: Sargint Bilcho is great. You showed me that one recently.
• 42:26
  Speaker 2: Such a weird movie. It's so funny.
• 42:28
  Speaker 1: Threw in the editor on this only because I recognize
• 42:32
  Speaker 1: the name, and which is very I really only know
• 42:35
  Speaker 1: one editor like, and it's Kevin Gruder because he's a god.
• 42:38
  Speaker 1: He's got twenty editing credits. Also did Saw one through
• 42:41
  Speaker 1: five in Jigsaw, he directed Saw six and seven, and
• 42:44
  Speaker 1: he's actually credited right now to be directing Saw ten,
• 42:47
  Speaker 1: so they're keeping it in the family, which makes me
• 42:49
  Speaker 1: very happy because Kevin Gruder is fucking awesome. I love
• 42:51
  Speaker 1: his editing style. He's just a very very well done
• 42:55
  Speaker 1: I can I can almost immediately tell when a movie
• 42:57
  Speaker 1: is edited by Kevin Gruder, just because he has a
• 42:59
  Speaker 1: very no noticeable style. Starring Scott Speedman as Jeans Hoyt
• 43:04
  Speaker 1: forty five acting credits. Was also in Underworld as Michael
• 43:07
  Speaker 1: and the Monster directed by Brian as well as Roy
• 43:11
  Speaker 1: We've Got Lived Tyler as Kristin McKay thirty nine acting credits,
• 43:15
  Speaker 1: which when I read that, I was very surprised. I
• 43:17
  Speaker 1: was like, wow, only thirty nine. I thought she'd been
• 43:19
  Speaker 1: in Yeah, of course she does. And she's probably made
• 43:22
  Speaker 1: fucking bookoo bucks from Lord of the Rings, so I mean, like,
• 43:24
  Speaker 1: probably could have retired after that.
• 43:27
  Speaker 2: Probably not women have a serious paid disparity.
• 43:29
  Speaker 1: But you know, well, okay, so she was you know,
• 43:32
  Speaker 1: she's Lord of the Rings is Arwin, and the Incredible
• 43:35
  Speaker 1: Hulk is Betty Ross. We've got Glenn Howardton as Mike,
• 43:38
  Speaker 1: who is most notably Dennis Reynolds and it's always sunny
• 43:40
  Speaker 1: in Philadelphia and he's in about four seconds of this movie.
• 43:44
  Speaker 1: We've got Jim Award's doll face. The only thing I
• 43:46
  Speaker 1: could find that she was in was Great Gatsby is
• 43:48
  Speaker 1: Languid Girl. And then Kip Weeks is the man in
• 43:51
  Speaker 1: the Mask. Nothing notable he was in, and then Laura
• 43:53
  Speaker 1: Margolaz's Pin Up Girl. Again really nothing notable that she
• 43:55
  Speaker 1: was in. Either. Budget of nine million dollars worldwide box
• 43:59
  Speaker 1: office gross eighty two point four million, which is what
• 44:01
  Speaker 1: you would call a hit. This movie was filmed in
• 44:04
  Speaker 1: Timminsville and Florence, South Carolina. You can watch it currently
• 44:07
  Speaker 1: on Amazon Prime for a three ninety nine rental or
• 44:09
  Speaker 1: a four ninety nine purchase. So when I ever see that,
• 44:12
  Speaker 1: if I'm going to rent a movie and that's the
• 44:13
  Speaker 1: difference in buying it, I'm gonna buy it. I have
• 44:16
  Speaker 1: it on Blu Ray though, and you can also get
• 44:17
  Speaker 1: the Blue Ray off Amazon for ten dollars. Movies that
• 44:20
  Speaker 1: came out around the same time. We've got Iron Man,
• 44:23
  Speaker 1: Speed Racer, Chronicles of Narnia, Prince Caspian, Indiana, Jones and
• 44:27
  Speaker 1: the Kingdom of the Crystal Skull, Kung Fu Panda, The Happening,
• 44:31
  Speaker 1: The Incredible Hulk, and Wally. Just a smattering of wildly
• 44:35
  Speaker 1: bad and good movies. I mean like Prince Prince Castivan, eh,
• 44:39
  Speaker 1: Crystal Skull and Kung Fu Panda. Fuck yeah, Happening No, no, No,
• 44:42
  Speaker 1: Incredible Hulk eh. Like it's such a like it's it's
• 44:45
  Speaker 1: so skewed, it's very weird. But yeah, a lot of good,
• 44:49
  Speaker 1: good titles in there as well. Specific horror moments. What
• 44:52
  Speaker 1: did you have?
• 44:54
  Speaker 2: Oh boy, I mean there are so many.
• 44:57
  Speaker 1: Well, yeah, but if you could pick like one or two,
• 44:59
  Speaker 1: I've got I think.
• 45:00
  Speaker 2: It's the same one that you were gonna pick with
• 45:02
  Speaker 2: the I think it's honestly the smoke detector. After she
• 45:08
  Speaker 2: knocks it down and she's kind of been wandering around
• 45:10
  Speaker 2: and someone's banging on the door, and then it's like
• 45:12
  Speaker 2: on the chair that she had used to get it down,
• 45:14
  Speaker 2: but it was on the floor before. Because that's what
• 45:17
  Speaker 2: you don't. That's when she realizes that someone's been in
• 45:19
  Speaker 2: the house.
• 45:20
  Speaker 1: Well yeah, and you don't see anybody do it, So
• 45:22
  Speaker 1: you're experiencing it with her, which is always a fun
• 45:24
  Speaker 1: tactic to do in filming when you when the audience
• 45:27
  Speaker 1: doesn't know everything, but then they do. Then then they
• 45:29
  Speaker 1: have moments like mine, which is the guy standing behind
• 45:32
  Speaker 1: her when the first time you see the man in
• 45:33
  Speaker 1: the mask in the house behind liv Tyler, she has
• 45:35
  Speaker 1: no idea that he's there, and it's just very fucking
• 45:38
  Speaker 1: spooky because you don't see anybody break in. And I
• 45:41
  Speaker 1: think that's why I like this movie so much. A
• 45:42
  Speaker 1: lot of people I've read reviews on find it kind
• 45:45
  Speaker 1: of boring and the fact that it's just people standing
• 45:47
  Speaker 1: around in masks, But like, if you actually put yourself
• 45:49
  Speaker 1: in that scenario of a home invasion where you're being
• 45:52
  Speaker 1: toyed with and not just killed, that's fucking horrifying. Someone
• 45:55
  Speaker 1: just literally messing with you and scaring the ever loving
• 45:58
  Speaker 1: shit out of you in an isolated how in the
• 46:00
  Speaker 1: middle of nowhere, that is horrifying. So for me, it
• 46:02
  Speaker 1: really works on the tension and that scene when he
• 46:05
  Speaker 1: just walks in, it's just like it's just my whole boty,
• 46:07
  Speaker 1: like just I'm like puckered up, like that's all I
• 46:09
  Speaker 1: can do. And then the other one I really enjoyed
• 46:12
  Speaker 1: was when the uh I think it was Pin Up
• 46:14
  Speaker 1: Girl or no, when Dolphace, when Glenn comes you know,
• 46:17
  Speaker 1: Glen Howardson comes into the house, and then she just
• 46:19
  Speaker 1: emerges from the pitch black like forest line. It's just like, oh,
• 46:23
  Speaker 1: they're always watching you in this movie. Favorite kill probably
• 46:27
  Speaker 1: the same one as me. There's only like three Yeah,
• 46:32
  Speaker 1: that would be shotgun to the face. So fucking upsetting
• 46:36
  Speaker 1: every time. Every time I think I know when it's
• 46:38
  Speaker 1: gonna happen, it always happens before.
• 46:39
  Speaker 2: So stressed. As soon as I know it's coming, Yeah.
• 46:42
  Speaker 1: It happens like it happens just either right before right after.
• 46:46
  Speaker 1: I'm like, it's gonna happen. Yeah, it's very stressful. I'm
• 46:49
  Speaker 1: not a fan of it. Favorite character Do you have
• 46:53
  Speaker 1: a favorite character?
• 46:55
  Speaker 2: No, really, not like anyone. I'm super like, uh, you know,
• 47:02
  Speaker 2: committed to then that one.
• 47:03
  Speaker 1: I'm just gonna pick Glenn because it's Dennis.
• 47:06
  Speaker 2: He's apparely in it. But yeah, it's my favorite character.
• 47:09
  Speaker 1: It's Dennis. It's like Hey, it's that guy. Ever been
• 47:11
  Speaker 1: sending filling because just like you said, it's literally just
• 47:13
  Speaker 1: like they just threw Dennis Reynolds in here. You know.
• 47:16
  Speaker 2: It's just we're so used to seeing him, Like I'm
• 47:18
  Speaker 2: wondering what his ulterior motive is God, just like, even
• 47:22
  Speaker 2: though that's not not his character.
• 47:24
  Speaker 1: My tools, tools, what are those? Dennis?
• 47:28
  Speaker 2: He did bring a tool, it just didn't help him.
• 47:30
  Speaker 1: It did not help him, least favorite character. It's probably
• 47:33
  Speaker 1: the same for us, Scott Speedman. Yeah, fucking just yeah. No,
• 47:38
  Speaker 1: he's like he's like victim shaming or what am I
• 47:41
  Speaker 1: trying to say is what is he doinglighting? That's what
• 47:44
  Speaker 1: it is.
• 47:44
  Speaker 2: Yeah, the whole the whole time, she's literally like they're
• 47:47
  Speaker 2: calling him and being like I need help, and he's like,
• 47:51
  Speaker 2: I don't see anybody. Great people move around like just
• 47:55
  Speaker 2: because they're not standing directly in front of you, Like
• 47:58
  Speaker 2: he no matter what that poor woman says, like what
• 48:01
  Speaker 2: she's experienced, He's like, well, I didn't experience it, so
• 48:04
  Speaker 2: it must not be real.
• 48:05
  Speaker 1: I didn't see it. It could not be true because
• 48:07
  Speaker 1: you are not a man like Jesus. Really it is.
• 48:11
  Speaker 2: It's like telling her to calm down. The only time
• 48:13
  Speaker 2: she really gets super hysterical is once, and then she
• 48:17
  Speaker 2: is the appropriate amount of scared the rest of the film.
• 48:20
  Speaker 1: Yeah, it's not like she's just being actually like just
• 48:22
  Speaker 1: crazy and hysterical. She's like, people are here, and it's like,
• 48:26
  Speaker 1: what are we doing? I'm terrified, I'm horrified. Yeah. Yeah,
• 48:30
  Speaker 1: So Lea's favorite character definitely Scott Speedben Gaslighting, son of
• 48:32
  Speaker 1: a bitch, let's see here, didn't have a favorite line,
• 48:37
  Speaker 1: but I did replace that with a favorite just moment
• 48:40
  Speaker 1: that wasn't specifically horror, and that's when he just heats
• 48:42
  Speaker 1: the chair at the door. Fucking hilarious. Don't know what
• 48:45
  Speaker 1: the plan was there, not sure his intentions, but he
• 48:48
  Speaker 1: did sure fucking throw the ever loving shit out of
• 48:50
  Speaker 1: that chair right at the door, the small hole in it,
• 48:54
  Speaker 1: with a small hole in it. Yeah, I told you.
• 48:55
  Speaker 1: I was like, maybe he was hoping for a leg
• 48:56
  Speaker 1: to pop through and just bash the guy in the nose.
• 48:58
  Speaker 1: I don't fucking know, uh IMDBs summary is a young
• 49:02
  Speaker 1: couple staying in an isolated vacation home are terrorized by
• 49:04
  Speaker 1: three unknown assailants. Short sweetened to the point, so let's
• 49:08
  Speaker 1: get into this review here, and then uh, I've gotten notes,
• 49:11
  Speaker 1: so I'll just I'll raise my hand when I have
• 49:13
  Speaker 1: something to interject with, so I don't cut you off, okay,
• 49:16
  Speaker 1: and then I'm gonna say where are your shoes? About
• 49:18
  Speaker 1: seven times?
• 49:19
  Speaker 2: Okay? Uh so what noise are you making?
• 49:23
  Speaker 1: Oh? Sorry is crack man knuckles?
• 49:25
  Speaker 2: Sorry now I have to crack my knuckles.
• 49:28
  Speaker 1: What I'm sorry?
• 49:29
  Speaker 2: You fuck now, I'm thinking about it. I have to
• 49:32
  Speaker 2: do it.
• 49:32
  Speaker 1: It's like yawning. It's contagious. Must must crack fingers.
• 49:36
  Speaker 2: Okay, So we start out with it kind of starts
• 49:39
  Speaker 2: with a nine one one call and a narration about
• 49:42
  Speaker 2: how much what was it at one point four million
• 49:47
  Speaker 2: violent crimes happened?
• 49:49
  Speaker 1: Yeah? Oh okay, that well I remember. I sorry, I
• 49:51
  Speaker 1: forgot what it just says, Uh, what you're spot sees
• 49:53
  Speaker 1: iss pired by true events. According to the FBI, there
• 49:55
  Speaker 1: are an estimated one point four million crimes in America
• 49:58
  Speaker 1: each year. And what's the fact that you looked up?
• 50:01
  Speaker 2: Oh? I was trying to look that up because I
• 50:02
  Speaker 2: was like, that number seems wild. And then like in
• 50:05
  Speaker 2: twenty twenty one, it was like seven hundred thousand weeks.
• 50:08
  Speaker 2: So did crime just go down or what happened?
• 50:11
  Speaker 1: What's going on here? This is I feel like this
• 50:14
  Speaker 1: is inaccurate.
• 50:15
  Speaker 2: Because I feel like crime has to have gone up
• 50:16
  Speaker 2: at this point properly. But yeah, So it starts with
• 50:21
  Speaker 2: that in a nine to one one call and screaming and.
• 50:26
  Speaker 1: What no, no, So I'm not even I'm just I'm sorry,
• 50:29
  Speaker 1: I'm looking at something on my phone.
• 50:30
  Speaker 2: So then it cuts to Scott Speedman live Tyler in
• 50:34
  Speaker 2: a car and she's crying and they're at this house
• 50:41
  Speaker 2: and it's very awkward like that. He seems very upset,
• 50:44
  Speaker 2: she's crying, and you're not really sure what's going on,
• 50:48
  Speaker 2: but like they're dressed up like they've been at a
• 50:50
  Speaker 2: really nice party or something. And then they go inside
• 50:55
  Speaker 2: the house where there are rose petals everywhere and candles
• 50:59
  Speaker 2: and champagne. She's kind of getting the feeling that something
• 51:02
  Speaker 2: was supposed to be happening that's not happening, and so
• 51:08
  Speaker 2: she excuses herself to go take a bath and then
• 51:14
  Speaker 2: weirdly enough, put the same dress back on.
• 51:15
  Speaker 1: But whatever, Sometimes your clothes aren't dirty, man, but you
• 51:19
  Speaker 1: just feel gross, so you gotta take a shower.
• 51:21
  Speaker 2: I think she said that she liked to she wanted
• 51:23
  Speaker 2: to wear it longer because it made her feel pretty.
• 51:25
  Speaker 1: I thought she was talking about the ring, because that's
• 51:28
  Speaker 1: why I said, that's a weird thing to make you
• 51:30
  Speaker 1: feel pretty. But was it the dress?
• 51:31
  Speaker 2: I don't know, Yeah, because she didn't put the ring
• 51:33
  Speaker 2: until late. So yeah, she takes a bath and it
• 51:39
  Speaker 2: kind of flashes over to where we see that he
• 51:42
  Speaker 2: had proposed to her earlier in the evening and she
• 51:45
  Speaker 2: said no because she wasn't ready.
• 51:48
  Speaker 1: Perfect time for a bump bump bum. That's sad.
• 51:52
  Speaker 2: So yeah, he's clearly very upset. He's calling his friend Glenn.
• 52:00
  Speaker 1: But his name Glenn, Uh close enough, it is his
• 52:04
  Speaker 1: real life name is Glenn. His name is Mike.
• 52:06
  Speaker 2: Yeah, well I haven't called any of them by their
• 52:08
  Speaker 2: name at this point.
• 52:08
  Speaker 1: Fine, we're gonna go with speed We're gonna go with
• 52:10
  Speaker 1: tug Speedman, Live to Live and then.
• 52:13
  Speaker 2: Uh Glenn Scott Speedman.
• 52:15
  Speaker 1: No Tugger Tugger nuts.
• 52:17
  Speaker 2: Wow Like anyway, so uh, he calls his buddy Glenn
• 52:22
  Speaker 2: and uh, Glenn leaves him a voicemail like, hey, can
• 52:25
  Speaker 2: you come pick me up here? Like because they're a
• 52:28
  Speaker 2: house that's just kind of in the middle of nowhere.
• 52:30
  Speaker 2: They're like Hey, can you just come pick me up
• 52:31
  Speaker 2: in the morning when you get up. Things didn't go
• 52:34
  Speaker 2: as planned or whatever, and I just want to get
• 52:38
  Speaker 2: out of here. So she he helps himself to an
• 52:42
  Speaker 2: entire tub of Bluebelt ice cream.
• 52:44
  Speaker 1: Oh my god, that was so funny, just the whole
• 52:47
  Speaker 1: tahole gallon or whatever they used to measure of the
• 52:50
  Speaker 1: court and just like fucking drowning my sorrows one scoop
• 52:54
  Speaker 1: at a time.
• 52:55
  Speaker 2: Yeah, So he does that. She comes out, sits down,
• 52:58
  Speaker 2: and they kind of talk, and she's trying to explain herself,
• 53:02
  Speaker 2: like because she obviously cares. She just wasn't ready, which
• 53:07
  Speaker 2: we talked about how I feel like you should have
• 53:10
  Speaker 2: kind of put out feelers to see if someone's ready
• 53:12
  Speaker 2: before you propose, not just assume they're ready, because if
• 53:14
  Speaker 2: someone's been through something traumatic or something, which of course
• 53:17
  Speaker 2: we don't know in this film, they might not be
• 53:19
  Speaker 2: ready well.
• 53:20
  Speaker 1: And also, but like you know, if you're asking, and
• 53:23
  Speaker 1: see it from my side, if you're asking, then you
• 53:25
  Speaker 1: obviously are getting the vibes, you know what I mean.
• 53:28
  Speaker 1: I mean, in most situations, I would have seem I'm
• 53:30
  Speaker 1: sure sometimes people do it as like a last ditch effort.
• 53:32
  Speaker 1: But in most cases, if you're if you're proposing, then
• 53:35
  Speaker 1: you are getting the feeling that they are into it.
• 53:37
  Speaker 1: But yes, you should. I agree, you should, you know,
• 53:39
  Speaker 1: kind of try to test it out, but.
• 53:41
  Speaker 2: Put it, put it out there, just kind of float
• 53:44
  Speaker 2: out some feelers on that one, just to see how
• 53:46
  Speaker 2: it goes.
• 53:46
  Speaker 1: You're not wrong, but you know. Yeah.
• 53:49
  Speaker 2: So yeah, So she's clearly sad and he is upset,
• 53:54
  Speaker 2: so he puts a record on and she comes over
• 53:58
  Speaker 2: to comfort at him, and then comforting turns into let's
• 54:04
  Speaker 2: do it now, and uh you do Yeah, so, uh,
• 54:10
  Speaker 2: they're gonna do it, And as they're about to, someone
• 54:15
  Speaker 2: bangs on the door, so they go and answer it
• 54:17
  Speaker 2: because it's odd. It's the middle of the night, like
• 54:19
  Speaker 2: it's four a m.
• 54:20
  Speaker 1: Yeah, like cop knock too, like fucking goose goog Like wow, okay.
• 54:24
  Speaker 2: Yeah, uh so which school though is because it's so late.
• 54:27
  Speaker 2: This really only takes place in the matter of a
• 54:29
  Speaker 2: few hours. But so yeah, some someone's at the door
• 54:35
  Speaker 2: and the porch lights are out suspicious, so he Scott
• 54:40
  Speaker 2: tries to turn him on. It doesn't work. Uh. The
• 54:42
  Speaker 2: girl asks if Tamra is there, and they're like no,
• 54:48
  Speaker 2: we don't know who that is, and uh.
• 54:51
  Speaker 1: At four in the morning at my doorstep.
• 54:54
  Speaker 2: Yeah, So she leaves and they're like, that was odd.
• 54:56
  Speaker 2: He builds a fire for live Tyler and he's like,
• 55:01
  Speaker 2: I got to run out. I'll be back. I don't
• 55:03
  Speaker 2: even remember why the hell he ran out.
• 55:05
  Speaker 1: And that's when, you know, I looked at you and said,
• 55:08
  Speaker 1: bold move leaving your well, I said, wife, but you know,
• 55:12
  Speaker 1: didn't know you didn't say uh. And then that's when
• 55:14
  Speaker 1: I laughed and said that's probably why he left her
• 55:16
  Speaker 1: because she said no. But yeah, I was like, bold
• 55:18
  Speaker 1: move to leave her there alone when you just had
• 55:20
  Speaker 1: a weird encounter with someone at the door that you
• 55:22
  Speaker 1: both should have just that is the moment when you go, hey,
• 55:26
  Speaker 1: the car is working, we're leaving.
• 55:28
  Speaker 2: Honestly, it should have been a red flag because not
• 55:31
  Speaker 2: someone showing up at your house at random in the
• 55:33
  Speaker 2: middle of nowhere, because like, shit happens, Yeah, but showing
• 55:36
  Speaker 2: up and then you the only way you can get
• 55:38
  Speaker 2: the porch lights back on is screwing the bull back in.
• 55:41
  Speaker 1: And then the fact that she says, Okay, see you later.
• 55:43
  Speaker 1: I mean, I know that's an expression that people say,
• 55:46
  Speaker 1: but no.
• 55:47
  Speaker 2: You know what this all adds up to.
• 55:49
  Speaker 1: Wrong In this situation, you should say Okay, thanks bye,
• 55:51
  Speaker 1: not see you later. That implies Okay, I don't really know,
• 55:56
  Speaker 1: I don't want to see you later, stranger.
• 55:58
  Speaker 2: Yeah, So he's like, I'm gonna run out, I'll be back.
• 56:02
  Speaker 2: She kind of sets a sets up a song for
• 56:06
  Speaker 2: herself on the record player, and she, uh live, decides
• 56:10
  Speaker 2: to try on the ring and should I just call.
• 56:14
  Speaker 1: Them mother names? It doesn't, It doesn't doesn't say liven Tugger,
• 56:19
  Speaker 1: nuts's whatever.
• 56:20
  Speaker 2: Yeah, So she tries on the ring and it's kind
• 56:23
  Speaker 2: of meandering around the house and then like people start
• 56:27
  Speaker 2: banging on the door. It's real weird. Uh, they won't
• 56:30
  Speaker 2: stop banging on the.
• 56:31
  Speaker 1: Door, stop knocking. It's very rude.
• 56:33
  Speaker 2: Yeah, Like it's it's aggressive. So she's kind of uncomfortable
• 56:36
  Speaker 2: about it. She goes to get her phone to plug
• 56:39
  Speaker 2: it in, but it's dead, so she's getting freaked out.
• 56:42
  Speaker 2: She plugs it in and she goes and changes into
• 56:45
  Speaker 2: different clothes because running around in address would be silly. However,
• 56:52
  Speaker 2: running around barefoot not silly.
• 56:55
  Speaker 1: Wear your shoes literally.
• 56:57
  Speaker 2: At one point, this man says, put on your shoes.
• 57:00
  Speaker 2: She never does. That you're in danger and you're just
• 57:03
  Speaker 2: gonna not put shoes on.
• 57:04
  Speaker 1: You've got liv Tyler not putting on shoes and the strangers.
• 57:07
  Speaker 1: You've got the one chick from Jurassic World in fucking
• 57:10
  Speaker 1: high heels running sprinting through the like the forest. What
• 57:14
  Speaker 1: is with women in shoes and movies?
• 57:16
  Speaker 2: I don't it's because of the women are sexier in heels,
• 57:23
  Speaker 2: so they just put them in heels, no matter how
• 57:25
  Speaker 2: impracticate it.
• 57:26
  Speaker 1: Well, and it's I think I think I don't even
• 57:28
  Speaker 1: think I think there was a character choice on behalf
• 57:29
  Speaker 1: of the chick playing. I think she said she wanted
• 57:31
  Speaker 1: to do I don't think she was made to do that.
• 57:32
  Speaker 1: I think she just did it, which is like fucking
• 57:34
  Speaker 1: impressive to be able to sprint at full full run.
• 57:38
  Speaker 2: I think they were gonna have her kick off the
• 57:39
  Speaker 2: shoes and she was like, Nawn, yeah, yeah, yeah you can.
• 57:42
  Speaker 2: I've run in heels.
• 57:44
  Speaker 1: I've seen you do it in the movie. It's and
• 57:45
  Speaker 1: it's always impressive. Probably my favorite part about that.
• 57:48
  Speaker 2: Movie the fact me running in heels.
• 57:50
  Speaker 1: No, the fact that she could do that.
• 57:51
  Speaker 2: Bryce Bryce, Bryce Dallas Howard almost a dice browis' that's
• 57:55
  Speaker 2: not it. Uh, so, yeah, she's starting to get freaked out.
• 58:02
  Speaker 2: She uh live uses it, goes off and uses the
• 58:08
  Speaker 2: house phone, I believe.
• 58:09
  Speaker 1: Well, she tries to use the cell phone, but it's dead,
• 58:11
  Speaker 1: so she plugs it in and then then picks up that.
• 58:14
  Speaker 2: Oh yeah, I think she like goes to do something else,
• 58:17
  Speaker 2: like goes to get a drink or something, but then
• 58:19
  Speaker 2: the uh the buyer. Sorry, there's a couple of things
• 58:22
  Speaker 2: that happened really close to each other, so the order
• 58:25
  Speaker 2: is a little blurry.
• 58:26
  Speaker 1: Nothing happens, but I can't remember the order.
• 58:28
  Speaker 2: A lot of stuff happens, uh real quickly.
• 58:30
  Speaker 1: Yeah.
• 58:31
  Speaker 2: So yeah, she notices that there's smoke coming in because
• 58:35
  Speaker 2: the smoke detector starts going off, and she, uh, there's
• 58:41
  Speaker 2: smoke coming in through the top of the chimney, like
• 58:43
  Speaker 2: it shouldn't be coming in, Like someone closed it, like
• 58:46
  Speaker 2: close the top of the chimney if you don't know.
• 58:48
  Speaker 2: Inside a chimney, there's a little thing that opens and
• 58:50
  Speaker 2: closes to let air out. So that's been closed. So
• 58:54
  Speaker 2: she goes over there to open it and tries to
• 58:57
  Speaker 2: get the smoke detector. She not She pulls a chair
• 58:59
  Speaker 2: over to it, knocks it off. The ceiling and she
• 59:04
  Speaker 2: was like, that's super weird, and then people won't stop
• 59:07
  Speaker 2: banging on stuff again.
• 59:09
  Speaker 1: Really uh.
• 59:12
  Speaker 2: She calls Scott's character and is like, I need you
• 59:17
  Speaker 2: to come back. Like there, I think there are people
• 59:19
  Speaker 2: are outside. There's some weird shit happening. She gets herself
• 59:23
  Speaker 2: a knife. She goes to get a glass of water,
• 59:28
  Speaker 2: which is where we see that the people are clearly
• 59:31
  Speaker 2: already in the house and you know, they don't really
• 59:35
  Speaker 2: like she doesn't notice they're there, but they're definitely already
• 59:39
  Speaker 2: in there, and they're freaking around and she show like
• 59:43
  Speaker 2: they're still banging, so she gets Yeah, she gets the knife,
• 59:46
  Speaker 2: and then she goes to the front door where they're
• 59:48
  Speaker 2: banging on the door, and that's when she notices the
• 59:51
  Speaker 2: smoke detector sitting on the chair that she had where
• 59:55
  Speaker 2: when it used to be on the floor. So she
• 59:58
  Speaker 2: like hauls ass into the back bedroom is hiding and
• 1:00:05
  Speaker 2: with a knife, like freaking out trying to turn off
• 1:00:08
  Speaker 2: the light in the room, cuts her hand open doing that.
• 1:00:11
  Speaker 2: I'm still not entirely sure how she did that. That
• 1:00:14
  Speaker 2: was the craziest light turning off I've ever seen. And
• 1:00:19
  Speaker 2: that is when Scott Captain unhelpful shows up, and uh, honestly,
• 1:00:25
  Speaker 2: I think minus the gun, she would have fared better.
• 1:00:28
  Speaker 1: Herself, probably because but there was a funny thing that
• 1:00:32
  Speaker 1: I thought in my head, like when they were all
• 1:00:34
  Speaker 1: banging at the door and it was like she was
• 1:00:36
  Speaker 1: going through it by herself. All I kept thinking was
• 1:00:39
  Speaker 1: just her blurting out, my boyfriend will be here any second,
• 1:00:42
  Speaker 1: and he's gonna be pissed when he finds out he's
• 1:00:44
  Speaker 1: big and he plays football, and he'll kick the shit
• 1:00:46
  Speaker 1: out of you. I just kept thinking of Drew Barrymore
• 1:00:49
  Speaker 1: from Scream. I'm just like, why can't she just say
• 1:00:51
  Speaker 1: this right now? Yeah? But then when when Scott's speeding
• 1:00:55
  Speaker 1: comes in, that's actually a really good fake out because
• 1:00:57
  Speaker 1: you're obviously thinking it's gonna be the killer, but then
• 1:00:59
  Speaker 1: he walks. It's just it's just such a simple, uh
• 1:01:03
  Speaker 1: thing to do, But it was just it's just very effective.
• 1:01:05
  Speaker 2: Yeah. What's crazy, though, is she's clearly terrified. She's got
• 1:01:08
  Speaker 2: a knife in her hand. She sliced her other hand open.
• 1:01:11
  Speaker 1: Yeah you think, do you think I'm making this ship
• 1:01:13
  Speaker 1: up just for shits and gigs? Bro?
• 1:01:15
  Speaker 2: And uh so she's like saying, there are people out here.
• 1:01:19
  Speaker 2: I like I saw them through the curtains, like, and
• 1:01:22
  Speaker 2: I think they're inside, that they've been in the house,
• 1:01:24
  Speaker 2: because like I've seen like stuff moved around, like there's
• 1:01:29
  Speaker 2: someone here. And he's like, I didn't see anybody. Well, damn,
• 1:01:33
  Speaker 2: I guess because you didn't see them, they must not
• 1:01:35
  Speaker 2: be real. Yeah, And he's pretty much just downplaying everything
• 1:01:39
  Speaker 2: she's saying, like there, I don't see anybody in the house.
• 1:01:42
  Speaker 2: Like they go to look through the house together, don't
• 1:01:44
  Speaker 2: see anything. So he's like, there's no one in here, yeah.
• 1:01:47
  Speaker 1: Because he literally is like we checked the house. There's
• 1:01:49
  Speaker 1: no one here. Like they couldn't possibly have been in
• 1:01:51
  Speaker 1: and out through a fucking.
• 1:01:53
  Speaker 2: Door, Like have you not heard of doors? Sir?
• 1:01:56
  Speaker 1: Do you not know what that? Doors exist and you
• 1:01:57
  Speaker 1: can exit and enter else it's this way, No way,
• 1:02:00
  Speaker 1: they've been in and out already. They're not here now, Yeah,
• 1:02:03
  Speaker 1: they're not here.
• 1:02:04
  Speaker 2: So it's kind of crap. He kind of just blows
• 1:02:06
  Speaker 2: her off because she even goes to get her phone
• 1:02:09
  Speaker 2: when she's getting terrorized and someone's cut the power cord.
• 1:02:11
  Speaker 2: But when she plugged that in like off on its own, exposed.
• 1:02:16
  Speaker 2: I was like, dude, if this was happening to me
• 1:02:18
  Speaker 2: and my phone was dying. First off, that almost never happens.
• 1:02:21
  Speaker 1: Yeah.
• 1:02:21
  Speaker 2: Second of all, I would be charging that in a
• 1:02:25
  Speaker 2: room with a door that I could secure myself inside
• 1:02:28
  Speaker 2: of and not leave my phone as far away from
• 1:02:31
  Speaker 2: me and as exposed as possible.
• 1:02:33
  Speaker 1: You get a thrown in the fire of meeny do that.
• 1:02:34
  Speaker 1: And I think it's hilarious that they did that with
• 1:02:36
  Speaker 1: her phone, because it's not They could have easily just
• 1:02:38
  Speaker 1: taken that and she could have been like, where was it.
• 1:02:40
  Speaker 1: They're like, no, no, no, we want you to see that
• 1:02:41
  Speaker 1: it's broken. We're gonna put it in the fire so
• 1:02:43
  Speaker 1: we can you know, you can see it smoldering.
• 1:02:45
  Speaker 2: Like. That's also she left it charging next to the fire,
• 1:02:47
  Speaker 2: so that would have been the most convenient thing to do,
• 1:02:49
  Speaker 2: is just pop it into the fire.
• 1:02:50
  Speaker 1: It was just funny that they didn't just take it,
• 1:02:52
  Speaker 1: and they were like, we want you to see that
• 1:02:53
  Speaker 1: we burnt your phone. Yeah, it is not gonna work anymore.
• 1:02:58
  Speaker 2: But yeah, they like. He's like, okay, well, my phone's
• 1:03:02
  Speaker 2: in the car, so I'll go get it. And she's
• 1:03:04
  Speaker 2: like seriously, they're outside, like you can't leave. You're like, well,
• 1:03:07
  Speaker 2: apparently they're also inside, So I'm not sure why either
• 1:03:10
  Speaker 2: one of those options is better?
• 1:03:11
  Speaker 1: Am I fucking speaking Spanish over here? Woul do you
• 1:03:14
  Speaker 1: not understand? Scott speedman? God damn it.
• 1:03:16
  Speaker 2: So he goes out where he sees that his car's
• 1:03:20
  Speaker 2: tires have been slashed the like window knows I've all
• 1:03:25
  Speaker 2: been smashed and completely. He's just like, I still don't
• 1:03:28
  Speaker 2: see anybody, so like, yep, that just happened magically to
• 1:03:31
  Speaker 2: your car while you were gone. He goes to look
• 1:03:34
  Speaker 2: for his phone, can't find his phone. One of the
• 1:03:36
  Speaker 2: people casually brushes his neck.
• 1:03:38
  Speaker 1: It's super weird, and then just and then is like,
• 1:03:42
  Speaker 1: what's that fairly fast guy? Uh? Michael, what felf? Now?
• 1:03:46
  Speaker 1: That's a swimmer hustain Bolt, that fucking chicken. The mask
• 1:03:49
  Speaker 1: is just like ustain Bolt's boom gone because she turns
• 1:03:52
  Speaker 1: around and she's fucking nowhere to be seen, and then
• 1:03:55
  Speaker 1: ends up like one hundred yards down the road. I'm like,
• 1:03:58
  Speaker 1: how fast are you running away? Because he spins around
• 1:04:01
  Speaker 1: immediately and you're like, where did you run to?
• 1:04:03
  Speaker 2: Yeah?
• 1:04:04
  Speaker 1: Quick as fuck?
• 1:04:05
  Speaker 2: So what's I think? It's fucked up? Though? Is like
• 1:04:07
  Speaker 2: she's obviously an appropriate amount of terrified. As we've said,
• 1:04:11
  Speaker 2: she is scared. She is like, don't do anything stupid.
• 1:04:14
  Speaker 2: He's like, no, I'm a man, I will be doing
• 1:04:17
  Speaker 2: everything I have an impulse to do.
• 1:04:19
  Speaker 1: My masculinity is so fragile and uh.
• 1:04:22
  Speaker 2: So he does this and he literally does not believe
• 1:04:27
  Speaker 2: her that anyone has been in this house until he
• 1:04:30
  Speaker 2: sees his own phone with the battery gone, sitting on
• 1:04:33
  Speaker 2: the piano. Then he believes they've been in the house. Finally,
• 1:04:40
  Speaker 2: then he decides to get the gun. Uh. He finds
• 1:04:43
  Speaker 2: his parents' gun. He's like going to look for bullets
• 1:04:46
  Speaker 2: with her, and he's like, you need to put shoes on,
• 1:04:48
  Speaker 2: and she's.
• 1:04:49
  Speaker 1: Like, nah, fuck that, where are your shoes? Lift Tyler,
• 1:04:53
  Speaker 1: where are they?
• 1:04:55
  Speaker 2: So he he's like looking around for uh the bullets
• 1:05:01
  Speaker 2: and everything for this shotgun, and she's like saying, He's
• 1:05:06
  Speaker 2: like I don't really know how to put this together
• 1:05:07
  Speaker 2: and I've never shot this. She goes, you said you
• 1:05:10
  Speaker 2: used to go hunting with your dad and he's like, yeah, no,
• 1:05:13
  Speaker 2: I just said that, and you're like, you know you went.
• 1:05:16
  Speaker 2: At first You're like I feel kind of bad for Scott.
• 1:05:18
  Speaker 2: He's so hurt, and you're like, well, first off, you
• 1:05:20
  Speaker 2: don't believe a damn thing she says, And second off,
• 1:05:22
  Speaker 2: apparently you're just making up weird lies. Hunting is not
• 1:05:26
  Speaker 2: something you need to feel compelled to lie.
• 1:05:28
  Speaker 1: Yeah, and his masculinity is extremely fragile. It's paper.
• 1:05:31
  Speaker 2: Then yeah, it's like, now I kind of feel bad
• 1:05:33
  Speaker 2: for her because you're mad at her, but apparently you're
• 1:05:36
  Speaker 2: full of shit.
• 1:05:37
  Speaker 1: Yeah, I wrote down, you know, Scott's Tugger lied about
• 1:05:40
  Speaker 1: using a gun, but can literally justify gaslighting Livedyler the
• 1:05:44
  Speaker 1: entire time and telling her she's hysterical. Class at guy
• 1:05:48
  Speaker 1: right there, solid ten out of ten guy would recommend
• 1:05:51
  Speaker 1: to friends. So, uh, Jesus, your head out of your ass,
• 1:05:54
  Speaker 1: Tugger nuts.
• 1:05:56
  Speaker 2: Yeah, they have a point where the guy, the one
• 1:06:01
  Speaker 2: guy in the mask, starts like hatchet or like axing
• 1:06:04
  Speaker 2: through the door. They push a piano in that and
• 1:06:06
  Speaker 2: that's the only time Live screams like a crazy person,
• 1:06:09
  Speaker 2: like ma'am.
• 1:06:10
  Speaker 1: I think I would too, that's a natural reaction.
• 1:06:12
  Speaker 2: Yeah, and then they fire a gun at him, which
• 1:06:15
  Speaker 2: weirdly enough makes them take a step back.
• 1:06:19
  Speaker 1: WHOA, I didn't know this was that serious. Didn't see
• 1:06:21
  Speaker 1: the gun in the house. Let me just back out.
• 1:06:23
  Speaker 2: Yeah. So Live and Scott decide they are going to
• 1:06:26
  Speaker 2: uh hold themselves up in a place like getting somewhere
• 1:06:30
  Speaker 2: that they can secure themselves with no extra doors or
• 1:06:33
  Speaker 2: windows and then just have a door in front of
• 1:06:36
  Speaker 2: them so that way, you know, they they have protection.
• 1:06:40
  Speaker 2: They they have the gun, they have all that, they
• 1:06:42
  Speaker 2: have a shit ton of ammunition. Great spot to be in.
• 1:06:45
  Speaker 2: Very smart move. Unfortunately, this is when Glenn decides to
• 1:06:50
  Speaker 2: be a good friend and show up at the in
• 1:06:53
  Speaker 2: the middle of the fucking night. Yeah. And what was
• 1:06:57
  Speaker 2: beautiful though, is when they feel is Glenn. You think
• 1:07:01
  Speaker 2: the guy with the only guy and the three killers,
• 1:07:05
  Speaker 2: he is casually sneaking up on Glenn because the second
• 1:07:09
  Speaker 2: Glenn gets there, someone smashes out his windshield and he's like,
• 1:07:12
  Speaker 2: what the fuck? So he gets his I think it's
• 1:07:16
  Speaker 2: like a tire iron or something like that. Yes, yeah,
• 1:07:21
  Speaker 2: objects or like a crowbar or something like that.
• 1:07:23
  Speaker 1: Objects to bludgeon somebody with.
• 1:07:25
  Speaker 2: Yeah, which again smart move. Uh. So he goes into
• 1:07:32
  Speaker 2: the house to go looking for them. He's kind of
• 1:07:34
  Speaker 2: sees everything's going on, like the place is a wreck.
• 1:07:37
  Speaker 2: He's like, what the hell's happening here? So you see
• 1:07:40
  Speaker 2: the guy in the mask sneaking up behind him with
• 1:07:43
  Speaker 2: an axe.
• 1:07:44
  Speaker 1: And you're like, oh shit, yeah, he's up his game
• 1:07:46
  Speaker 1: from a butcher knife to a fucking huge axe.
• 1:07:49
  Speaker 2: Yeah. And unfortunately, by this time you've forgotten that Live
• 1:07:54
  Speaker 2: and Scott are hanging out in front of our behind
• 1:07:57
  Speaker 2: some stuff with a gun pointed at the doorway oreo,
• 1:08:01
  Speaker 2: which is when they bloke Glenn's face right off his body. Yeah,
• 1:08:05
  Speaker 2: which was really unfortunate for Glenn, but an amazing kill
• 1:08:09
  Speaker 2: because they give you just enough time to kind of
• 1:08:11
  Speaker 2: forget that that.
• 1:08:12
  Speaker 1: Yeah, they really do, per do not long, not long,
• 1:08:15
  Speaker 1: but just but just enough time because then you get yeah,
• 1:08:18
  Speaker 1: because you get focused on Glenn and you're like, Okay,
• 1:08:20
  Speaker 1: what's gonna happen with him? And then and then they
• 1:08:22
  Speaker 1: set it out for him to be killed by man
• 1:08:23
  Speaker 1: man in mask and that doesn't happen.
• 1:08:25
  Speaker 2: Yeah, at that point they are Scott breaks all sense
• 1:08:29
  Speaker 2: of logic. They decide to leave their safe point because
• 1:08:32
  Speaker 2: they're sad they killed their friend. Uh. And then he
• 1:08:35
  Speaker 2: decides he's gonna run out to the shed by himself
• 1:08:40
  Speaker 2: to get the CBE radio and leave Live again by herself.
• 1:08:44
  Speaker 1: Again.
• 1:08:46
  Speaker 2: You already know they've been in the house, why would
• 1:08:48
  Speaker 2: you separate? Uh? Live as the good sense After a while, though,
• 1:08:53
  Speaker 2: to realize that she should really just not be sitting
• 1:08:55
  Speaker 2: out in the open by herself, runs to find Scott,
• 1:08:59
  Speaker 2: who has completely disappeared off the face of the earth.
• 1:09:03
  Speaker 2: And that's where we're gonna leave it.
• 1:09:05
  Speaker 1: Yeah, I find it really just ballsy of him to
• 1:09:09
  Speaker 1: leave her.
• 1:09:10
  Speaker 2: Twice, Just like, stop handling shit by yourself.
• 1:09:14
  Speaker 1: Take her with you. I mean, good god, it's you.
• 1:09:16
  Speaker 1: It's better for you to be in a pair than
• 1:09:17
  Speaker 1: for you to be alone against three fucking people in masks.
• 1:09:21
  Speaker 2: Again, you also have a gun, they have. They could
• 1:09:27
  Speaker 2: have exited the home when they could see the entrance
• 1:09:30
  Speaker 2: was clear and just start walking because if any of
• 1:09:33
  Speaker 2: them approach you, you shoot them with the gun.
• 1:09:37
  Speaker 1: I know. It's funny because like it's like it sounds
• 1:09:39
  Speaker 1: like we're complaining about this movie, but it's really just
• 1:09:41
  Speaker 1: fun It's it's not that we don't like this movie.
• 1:09:43
  Speaker 1: I mean, I love this movie, you know I do. Yeah,
• 1:09:45
  Speaker 1: we love it. But it is just, you know, you
• 1:09:47
  Speaker 1: gotta you gotta make fun of horror movies like this
• 1:09:49
  Speaker 1: when they they have so many opportunities to just get
• 1:09:51
  Speaker 1: the fun. And it's really it's kind of interesting that
• 1:09:54
  Speaker 1: the people still wanted to try and break in after
• 1:09:56
  Speaker 1: they know that there's a shotgun involved. That is like
• 1:09:59
  Speaker 1: the definition balls, Like you almost got blasted away by
• 1:10:03
  Speaker 1: a twelve gage or whatever that is, and you're like, nah,
• 1:10:05
  Speaker 1: we can, we can still get them. Damn, that's a
• 1:10:08
  Speaker 1: pretty that's I'm just saying. I would have that would
• 1:10:10
  Speaker 1: have been Mike. If I was them, I'd be like,
• 1:10:11
  Speaker 1: you know what, this is too much for me. But yeah,
• 1:10:15
  Speaker 1: there's just so many times when they could have left
• 1:10:17
  Speaker 1: or you know, could could have made better decisions, and
• 1:10:20
  Speaker 1: it's just funny that they didn't. Uh doesn't make me
• 1:10:22
  Speaker 1: like the movie any less, it's just it's just fun
• 1:10:24
  Speaker 1: to point those things out. But yeah, like, don't don't,
• 1:10:27
  Speaker 1: don't leave your girl alone. I know she said no
• 1:10:29
  Speaker 1: to you, but damn, man, you don't gotta be that.
• 1:10:31
  Speaker 1: You know I'm gonna be that harsh about it. Sheesh
• 1:10:34
  Speaker 1: sheesh man. Anything else you have to say about it?
• 1:10:37
  Speaker 2: Nope, nope, nope, sure, yep.
• 1:10:40
  Speaker 1: Okay, let's get down to you. There's no mid or
• 1:10:43
  Speaker 1: post credit scene. I know this because I fast forward
• 1:10:46
  Speaker 1: through the ten fucking minutes of credits that there apparently
• 1:10:49
  Speaker 1: are it Like the movie ended, and I paused, I'm like,
• 1:10:51
  Speaker 1: one seventeen out of one twenty seven? Why is there
• 1:10:54
  Speaker 1: there's four people in this movie? Why is there so
• 1:10:56
  Speaker 1: much credits? Uh? So, that was really weird that there's
• 1:10:58
  Speaker 1: so much. So there's none of that in there. Taglines
• 1:11:01
  Speaker 1: We've got locked the door, pretend you're safe. Not that great.
• 1:11:04
  Speaker 1: We tell ourselves there's nothing to fear, but sometimes we're wrong.
• 1:11:06
  Speaker 1: Also not great. The best one because you were home,
• 1:11:09
  Speaker 1: because that's what they say. Trivia. We've got actually a
• 1:11:12
  Speaker 1: lot of fun trivia on this. The film was shot
• 1:11:14
  Speaker 1: entirely with handheld cameras or steady cams. Every shot has
• 1:11:17
  Speaker 1: some sort of camera movement, and it did get a
• 1:11:19
  Speaker 1: little kind of I've read this before. I watched the
• 1:11:21
  Speaker 1: movie like I typically do when I make these write
• 1:11:24
  Speaker 1: up sheets. So I did notice that it does. You
• 1:11:26
  Speaker 1: can kind of notice it throw out and you're like, okay,
• 1:11:27
  Speaker 1: it does get kind of a little overdone, but again,
• 1:11:30
  Speaker 1: doesn't take anying away from me. But I did notice
• 1:11:32
  Speaker 1: a lot. According to the director Brian Bertino, this film
• 1:11:35
  Speaker 1: was partially based on an incident he experienced as a child.
• 1:11:37
  Speaker 1: One evening, a stranger came to his door, asked for
• 1:11:39
  Speaker 1: someone who was not there, and left. Later Bertino found
• 1:11:42
  Speaker 1: out that the other homes in this neighborhood had had
• 1:11:44
  Speaker 1: been broken into that night, so inspired, inspired by literal
• 1:11:47
  Speaker 1: life events that happened not to him, but you know,
• 1:11:50
  Speaker 1: someone else. During filming, in order to get an actual
• 1:11:52
  Speaker 1: reaction from liv tyler A, director Brian Bertino would tell
• 1:11:55
  Speaker 1: her where to expect a loud bang from, but what
• 1:11:57
  Speaker 1: had the loud noise come from a completely different direction.
• 1:11:59
  Speaker 1: Very smart filmmaking. Film was shot in chronological order, which
• 1:12:02
  Speaker 1: makes sense because it is literally at one location the
• 1:12:05
  Speaker 1: entire or you know, two locations the entire movie. Many
• 1:12:10
  Speaker 1: theaters across the United States were sent faulty reels of
• 1:12:12
  Speaker 1: the movie containing sound problems, which made for a few
• 1:12:15
  Speaker 1: minutes to several scenes of the movie filled with nothing
• 1:12:18
  Speaker 1: but static. Most audience did not realize this as the
• 1:12:21
  Speaker 1: sound is the problem, since the dark, overtone and loud
• 1:12:23
  Speaker 1: background music in some scenes made the statics seem like
• 1:12:25
  Speaker 1: part of the movie. Filmmakers tried to design the house
• 1:12:28
  Speaker 1: as one that quote your brother could have lived in,
• 1:12:31
  Speaker 1: that you could have grown up in end quote in
• 1:12:33
  Speaker 1: order to make the audience feel more attached to the film.
• 1:12:35
  Speaker 1: I agree with that the house did look very inviting,
• 1:12:38
  Speaker 1: despite you know, there being a lot of killers in there.
• 1:12:41
  Speaker 1: The movie was not shot in an actual house. The
• 1:12:43
  Speaker 1: interior was built on a sound stage typical Hollywood shit.
• 1:12:47
  Speaker 1: See the blonde doll face that first makes an appearance
• 1:12:49
  Speaker 1: asking if Tamara is home. Jim Award, who plays his character,
• 1:12:53
  Speaker 1: also film parts of The Caribbean Stranger tides as Tamara,
• 1:12:56
  Speaker 1: which is kind of funny. Lives Tyler, which I did
• 1:12:59
  Speaker 1: not realize this. I don't know why. It's just something
• 1:13:02
  Speaker 1: I never put together. Liv Tyler's father is Aerosmith frontman
• 1:13:06
  Speaker 1: Steven Tyler. Literally had no idea until I saw a
• 1:13:09
  Speaker 1: picture of them side by side after I read this,
• 1:13:11
  Speaker 1: and I was like, they have the same like mouth
• 1:13:13
  Speaker 1: and jaw. Weird. Before making a big with Aerosmith, a
• 1:13:16
  Speaker 1: teenage Steen, a teenage Steven Tyler was in another band
• 1:13:20
  Speaker 1: which was originally called The Strangers. Funny enough fun facts
• 1:13:23
  Speaker 1: right here, and last but not least, the scene where
• 1:13:25
  Speaker 1: the man in the mask hacks away at the door
• 1:13:27
  Speaker 1: as of reference to The Shining nineteen eighty where Jack
• 1:13:29
  Speaker 1: hacks about them door to get twndy, so nice call
• 1:13:31
  Speaker 1: out to the shining. One of my greatest movies ever
• 1:13:33
  Speaker 1: made Goof's. After Christen injrew her angles, she limps in
• 1:13:36
  Speaker 1: the house, then walks perfectly fine, and then immediately after
• 1:13:39
  Speaker 1: limps again, James wraps his neck tie around Christen's injured hand,
• 1:13:43
  Speaker 1: and the next scene he's wearing a tie, and the
• 1:13:44
  Speaker 1: scene after that he's not wearing a tie at all.
• 1:13:46
  Speaker 1: And then the ice cream on the table at which
• 1:13:48
  Speaker 1: I did notice is hilarious changes from vanilla to strawberry throughout.
• 1:13:50
  Speaker 1: The movie rated six point one out of ten on
• 1:13:52
  Speaker 1: IMDb and three point zero out of five on Letterbox.
• 1:13:54
  Speaker 1: I feel like that is a very low rating on Letterbox.
• 1:13:58
  Speaker 1: I don't know, I think three. I mean, it's solid rating,
• 1:14:00
  Speaker 1: but I honestly expected it to have like at least
• 1:14:02
  Speaker 1: a three, three, three four. But that's it seems weird
• 1:14:05
  Speaker 1: that it's low. But I think I read a lot
• 1:14:07
  Speaker 1: of reviews and I think the consensus are The consensus
• 1:14:09
  Speaker 1: I got is that people just kind of found it
• 1:14:11
  Speaker 1: boring because people just standing around in mask is then't
• 1:14:13
  Speaker 1: not that scary. But I understand that relies more on tension
• 1:14:17
  Speaker 1: and yeah, and like atmosphere than actual scarce. But there's
• 1:14:20
  Speaker 1: also a few good jump scares in this too, especially
• 1:14:23
  Speaker 1: with the fucking shotgun that is a very like whoa,
• 1:14:26
  Speaker 1: that is not as a gnarly scene. Did you rate this?
• 1:14:29
  Speaker 1: If you would rate it, what would you give it? Like,
• 1:14:33
  Speaker 1: I'm stuck somewhere between the three five and a four.
• 1:14:34
  Speaker 1: I haven't I haven't rated it yet, but I'm I'm
• 1:14:36
  Speaker 1: I'm leaning towards a four. Uh, but I think I
• 1:14:39
  Speaker 1: feel like I have to knock it just because of
• 1:14:41
  Speaker 1: how much he's just getting I mean maybe that's part
• 1:14:43
  Speaker 1: of the character though, So it's like, you know, I
• 1:14:44
  Speaker 1: don't know. So it's like, I don't know. I don't
• 1:14:47
  Speaker 1: know if the gaslighting is like a period of the time,
• 1:14:49
  Speaker 1: you know, or a product of the time, or if
• 1:14:52
  Speaker 1: it was like written into the story for him to
• 1:14:54
  Speaker 1: just completely dismiss her feelings, you know. I'm not sure.
• 1:14:56
  Speaker 2: No, I think it was written in to make it
• 1:14:58
  Speaker 2: so he makes stupid decisions. But yeah, so supposed to
• 1:15:01
  Speaker 2: be character.
• 1:15:02
  Speaker 1: Yeah that's true. So so yeah, that's where I'm stuck.
• 1:15:06
  Speaker 1: Definitely need to rewatch the sequel because I remember not
• 1:15:09
  Speaker 1: liking it that much. I definitely like this one more
• 1:15:11
  Speaker 1: so we're gonna try to watch that soon. But we
• 1:15:13
  Speaker 1: gotta go at Schahak now. So yeah, yes, indeed, check
• 1:15:18
  Speaker 1: us out on Facebook, a fright Mayares and Instagram and
• 1:15:21
  Speaker 1: slash your app, Frightmares podcast, Twitter, Frightmar's Underscore pod, Stay
• 1:15:26
  Speaker 1: Spooky a outlook dot com is our email. I am
• 1:15:29
  Speaker 1: doctor Procter on letterbox.
• 1:15:31
  Speaker 2: You are Watson lm P ninety Watson l MP ninety.
• 1:15:36
  Speaker 1: So yeah, this was first episode of slash Tober. Forgot
• 1:15:40
  Speaker 1: to say at the beginning, me and Spencer will be
• 1:15:42
  Speaker 1: back doing a nineties slasher movie, which I'm very excited
• 1:15:46
  Speaker 1: to rewatch in four K because I just got that
• 1:15:49
  Speaker 1: uh that scan from shout Factory. So that's your hint
• 1:15:53
  Speaker 1: for next week. It is a recent shout Factory slasher
• 1:15:55
  Speaker 1: that's been released on four K. Super duper excited for that.
• 1:15:59
  Speaker 1: And then of course we still have two more episodes
• 1:16:01
  Speaker 1: of slash Chober and then we're like almost getting to
• 1:16:04
  Speaker 1: the end of year four man. Yeah, it is crazy,
• 1:16:06
  Speaker 1: a lot of fun stuff planned for next year. Can't
• 1:16:08
  Speaker 1: wait until next week. I stay tuned and Stay Spooky