Latest / Narcisist Psychology / The Book in the River: How an Agent Stole Her Memory
Transcript
- 0:03Speaker 1: On the eleventh of March two thousand nineteen, a fisherman
- 0:07Speaker 1: named Kevin Wallace pulled a waterproof bag from the Sutter
- 0:11Speaker 1: branch outside Molein, Illinois. Inside the bag, sealed tight with
- 0:15Speaker 1: a rubber band, was a published book. The book had
- 0:19Speaker 1: a name on the cover, it was not the name
- 0:22Speaker 1: of the person who wrote it. That single fact, a
- 0:25Speaker 1: book in a river the wrong author's name printed on
- 0:29Speaker 1: the front would eventually unravel three years of calculated deception.
- 0:33Speaker 1: It would expose a man who had built a career
- 0:36Speaker 1: on making writers feel chosen, and it would force a
- 0:39Speaker 1: fifty four year old retired school teacher to reckon with
- 0:43Speaker 1: something more disorienting than theft, the possibility that someone had
- 0:47Speaker 1: spent years making her doubt her own mind. This is
- 0:51Speaker 1: the story of Megan Wright and the memoir she spent
- 0:54Speaker 1: a lifetime writing, and the agent who took it word
- 0:57Speaker 1: by word. To understand what was stolen from Megan Wright,
- 1:01Speaker 1: you have to understand what it cost her to write it.
- 1:04Speaker 1: Megan had spent twenty six years teaching English at a
- 1:07Speaker 1: public school in Peoria, Illinois. She was the kind of
- 1:11Speaker 1: teacher students remembered by name decades later. The one who
- 1:15Speaker 1: marked up their essays in red and then handed them
- 1:18Speaker 1: back with a note in the margin that said, you
- 1:21Speaker 1: have something real here. Keep going. She believed in the
- 1:25Speaker 1: sentence as a unit of meaning. She believed that precise
- 1:29Speaker 1: language was a form of respect. In two thousand nine,
- 1:33Speaker 1: her marriage ended. She moved into a house on Canfield Road,
- 1:37Speaker 1: a semi rural stretch on the edge of Peoria, and
- 1:40Speaker 1: she built a quiet life there. Two cats, Hazel and Porter,
- 1:45Speaker 1: a kitchen light that came on every morning at five
- 1:48Speaker 1: twenty and went dark by six ten without variation. A
- 1:52Speaker 1: sister Diane in Rockford. She drove to visit on week
- 1:56Speaker 1: ends when her back allowed. The back was the other thing.
- 2:01Speaker 1: A degenerative disccondition forced her out of teaching at fifty one.
- 2:05Speaker 1: The career that had organized her life, the lesson plans,
- 2:09Speaker 1: the classroom, the students, was simply over. What remained was
- 2:14Speaker 1: the book. She had been writing it for years, a
- 2:17Speaker 1: memoir roughly ninety thousand words about the parts of her
- 2:21Speaker 1: life she had never found language four in the classroom.
- 2:24Speaker 1: The marriage, the grief, the discipline of solitude, the strange
- 2:28Speaker 1: relief of pain that at least you understand, she called
- 2:32Speaker 1: it a borrowed life. By the spring of twenty sixteen,
- 2:36Speaker 1: it was done. She sent thirty two query letters to
- 2:41Speaker 1: literary agents form letters careful but hopeful. Most came back
- 2:46Speaker 1: as rejections. A few came back as silence. Agent Number
- 2:50Speaker 1: fourteen was a man named Neil Simpson, based in Chicago's
- 2:54Speaker 1: West Loop, who ran a boutique agency called Simpson Literary.
- 2:58Speaker 1: He responded in four days. That was unusual. He asked
- 3:02Speaker 1: to see the full manuscript immediately. That felt, Megan later said,
- 3:06Speaker 1: like being seen. Simpson was forty seven at the time,
- 3:11Speaker 1: two divorces, no prior criminal record. By all visible measures,
- 3:16Speaker 1: he was a legitimate industry professional with a small but
- 3:20Speaker 1: credible client list. People who worked with him at writing
- 3:23Speaker 1: conferences described a particular quality he had. According to one
- 3:27Speaker 1: conference organizer, Simpson made you feel like the most interesting
- 3:31Speaker 1: person in the room exactly while he needed something from you.
- 3:36Speaker 1: In August of twenty sixteen, he drove to Peoria and
- 3:40Speaker 1: took Megan to dinner. That same night, he offered her representation.
- 3:44Speaker 1: She signed a standard agency contract before the evening was over.
- 3:48Speaker 1: What Megan did not know. What she could not have known,
- 3:52Speaker 1: was that by the time Simpson arrived at that dinner.
- 3:55Speaker 1: He had already been studying her manuscript for weeks, and
- 3:59Speaker 1: he had already begun to understand what it was worth.
- 4:02Speaker 1: Over the following year, Simpson would submit a borrowed Life
- 4:07Speaker 1: to eight publishing houses. He submitted it under his own
- 4:10Speaker 1: name as co author, without Meghan's knowledge and without her consent.
- 4:15Speaker 1: According to court records, he altered the title slightly. The
- 4:20Speaker 1: rejection letters he forwarded to Megan were real, but according
- 4:23Speaker 1: to investigators, they responded to a different submission than the
- 4:27Speaker 1: one he described to her. Meghan received the letters, she
- 4:31Speaker 1: read them. She trusted her agent to tell her what
- 4:34Speaker 1: they meant, and slowly she began to wonder whether her
- 4:38Speaker 1: book was as good as she had believed. That erosion
- 4:42Speaker 1: Quiet Patient Invisible was not an accident. It was the method.
- 4:49Speaker 1: But before any of it could unravel, a retired school
- 4:52Speaker 1: teacher would have to reckon with something stranger than betrayal.
- 4:56Speaker 1: The handwriting inside a water sealing bag on a book
- 4:59Speaker 1: she did not remember inscribing that read in her own hand,
- 5:04Speaker 1: this is mine. Every word of the inscription was written
- 5:09Speaker 1: in Meghan's hand. A forensic handwriting analyst confirmed it matched
- 5:14Speaker 1: her known writing samples without qualification, but Megan had no
- 5:18Speaker 1: memory of writing it. She told her therapist Amy Osborne
- 5:23Speaker 1: that she believed she had written it when something in
- 5:26Speaker 1: me already knew what that something new and when would
- 5:31Speaker 1: take investigators months to reconstruct, start with what was visible
- 5:36Speaker 1: on the surface. A borrowed life memoir appeared in bookstores
- 5:40Speaker 1: in November of twenty eighteen. The author listed on the
- 5:44Speaker 1: cover was Neil Simpson. The book received modest but favorable notices.
- 5:50Speaker 1: A trade publication described it as quietly devastating. Whitmore and
- 5:55Speaker 1: Lark Press had paid an advance of eleven thousand dollars.
- 5:59Speaker 1: Simpson elected it. Megan received nothing because, as far as
- 6:03Speaker 1: the published record showed, the book was not hers. But
- 6:07Speaker 1: here is the thing. Ninety one percent of the published
- 6:10Speaker 1: text matched Meghan's original manuscript at the sentence level. According
- 6:15Speaker 1: to a state forensic literary analyst. That figure came from
- 6:19Speaker 1: a systematic comparison of the published book against the manuscript
- 6:23Speaker 1: Megan had saved on a personal hard drive and in
- 6:26Speaker 1: a physical archif ire in her home office. Names had
- 6:30Speaker 1: been changed, one geographic location had been altered, a single
- 6:35Speaker 1: chapter had been reordered. That was the entirety of the revision.
- 6:39Speaker 1: The analyst's conclusion was unambiguous. The published text derived directly
- 6:45Speaker 1: and exclusively from Megan's manuscript and could not have been
- 6:49Speaker 1: produced independently. Someone had read every word she wrote, then
- 6:54Speaker 1: published every word as their own. The contract was the instrument.
- 6:59Speaker 1: In March of twenty eighteen, Simpson had presented Megan with
- 7:03Speaker 1: what he described as a revised standard agency agreement. The
- 7:08Speaker 1: call lasted forty minutes. Buried inside the language was a
- 7:12Speaker 1: clause assigning Simpson's co ownership of the intellectual property in
- 7:16Speaker 1: the event of joint publication. Megan signed. She had no
- 7:20Speaker 1: reason to believe the document was anything other than what
- 7:23Speaker 1: he told her it was. That contract was later described
- 7:27Speaker 1: by prosecutors as the legal architecture of the fraud. Everything
- 7:31Speaker 1: else was scaffolded. The scaffolding included the visits to Canfield Road.
- 7:37Speaker 1: Simpson came to Meghan's home four times each under the
- 7:40Speaker 1: pretense of working sessions. During one of those visits, he
- 7:44Speaker 1: helped repair a latch on the mud room door. The
- 7:47Speaker 1: door used a simple lever lock, the frame around it
- 7:51Speaker 1: had deteriorated. Investigators determined that the mechanism could be manipulated
- 7:55Speaker 1: from outside using a thin implement passed through the gap
- 7:59Speaker 1: in the deterior rated frame. There were no signs of
- 8:02Speaker 1: forced entry. There never were. On October fourteenth, twenty eighteen,
- 8:08Speaker 1: Bob Terrell was outside near his property, two lots north
- 8:13Speaker 1: on Canfield Road. Terrell was a retired machinist. He had
- 8:17Speaker 1: a habit, developed over decades of shift work, of noting
- 8:20Speaker 1: unusual things. A car he did not recognize was sitting
- 8:24Speaker 1: in Megan's gravel drive. He wrote down the plate number,
- 8:28Speaker 1: not because anything alarmed him, just because that was what
- 8:32Speaker 1: he did. Megan was not home. She was in Rockford
- 8:35Speaker 1: visiting her sister Dian. There was no meeting scheduled. The
- 8:40Speaker 1: plate number Terrell recorded matched a rental car registered to
- 8:44Speaker 1: an agency in Chicago. The rental had been charged to
- 8:47Speaker 1: Neil Simpson's credit card, and Simpson's cell phone, according to
- 8:51Speaker 1: tower records, had pinged a cell site on Interstate seventy
- 8:56Speaker 1: four that placed him within four miles of the Sutter Branch.
- 9:00Speaker 1: That same afternoon, he was in Meghan's house. He was
- 9:03Speaker 1: near the river, both on the same day. According to
- 9:07Speaker 1: Simpson's later confession and the written statement of Marcus coble.
- 9:10Speaker 1: Simpson entered Meghan's home that afternoon and located the physical
- 9:15Speaker 1: manuscript in her filing cabinet. He removed it, took it
- 9:19Speaker 1: somewhere the confession did not specify where, then returned it
- 9:23Speaker 1: slightly re ordered to a different drawer. What he wanted
- 9:27Speaker 1: was not the paper itself. He wanted to know whether
- 9:30Speaker 1: Megan had documentation organized enough to prove priority. He wanted
- 9:34Speaker 1: to understand what she could produce if challenged. The re
- 9:38Speaker 1: ordered pages were a small thing. Meghan noticed them. She
- 9:41Speaker 1: mentioned it to Osborne as one of several incidents that
- 9:44Speaker 1: had made her distrust her own memory. She thought she
- 9:48Speaker 1: had misfiled something. She spent an afternoon trying to reconstruct
- 9:52Speaker 1: her own filing logic. She could not that was the
- 9:56Speaker 1: method in practice. The book arrived in the mail on
- 10:00Speaker 1: a Tuesday in December of twenty eighteen. Megan had not
- 10:04Speaker 1: ordered it. There was no return address. The package contained
- 10:09Speaker 1: a single copy of a borrowed life memoir by Neil Simpson.
- 10:14Speaker 1: She opened the cover. She read the dedication for the
- 10:18Speaker 1: women who wrote the hard parts and were never asked.
- 10:21Speaker 1: That line did not appear in any draft of Megan's manuscript.
- 10:26Speaker 1: She had never written it, but she told Osborne later
- 10:29Speaker 1: that it sounded like her own voice, like something she
- 10:32Speaker 1: might have written on a different day, in a different mood,
- 10:36Speaker 1: for a book she had imagined but never quite reached.
- 10:39Speaker 1: She read further, then she stopped. The prose was hers,
- 10:44Speaker 1: The rhythm was hers. The specific memory of her father's
- 10:47Speaker 1: reading chair, a detail she had spent two weeks getting right,
- 10:51Speaker 1: was there, slightly rephrased, attributed to a narrator named Neil.
- 10:56Speaker 1: She called Simpson. He told her the book incorporated elements
- 11:00Speaker 1: of their collaborative development. He told her the contract she
- 11:05Speaker 1: had signed in March covered exactly this kind of joint
- 11:08Speaker 1: creative work. He told her this was a misunderstanding. She
- 11:12Speaker 1: believed him for six days. Then she called Whitmore and
- 11:16Speaker 1: lark directly. The editor who answered did not know who
- 11:20Speaker 1: Megan write was. That was the moment the ground shifted.
- 11:24Speaker 1: Not the book, not the dedication, the voice of a
- 11:28Speaker 1: stranger at a publishing house saying a name, her name,
- 11:32Speaker 1: with no recognition at all. She contacted Osborne that same afternoon.
- 11:36Speaker 1: She had not slept. Osborne would later note in case
- 11:40Speaker 1: records that when Megan arrived, she described something she struggled
- 11:44Speaker 1: to articulate precisely the feeling that she had been watching
- 11:47Speaker 1: her own life from a distance for months without understanding why,
- 11:51Speaker 1: and that the distance now had a name. The State
- 11:54Speaker 1: Police received the referral from moleen Field office in mid
- 11:57Speaker 1: March of two thousand nineteen. The book recovered from the
- 12:01Speaker 1: Sutter Branch had been logged as evidence three days after
- 12:05Speaker 1: Kevin Wallace called it in. When investigators matched the author
- 12:08Speaker 1: named to an active complaint from a woman in Peoria,
- 12:12Speaker 1: the case changed shape entirely. Two separate lines, a fishing
- 12:17Speaker 1: rod in a frozen tributary and a therapist's intake notes
- 12:20Speaker 1: from eighteen months earlier had just converged. Investigators subpoenaed email
- 12:26Speaker 1: records from three publishing houses. What they found confirmed the
- 12:30Speaker 1: submission pattern Simpson had submitted under his name as co author.
- 12:34Speaker 1: The rejection letters he forwarded to Megan were authentic, but
- 12:38Speaker 1: they replied to a different version of the manuscript than
- 12:41Speaker 1: he described to her. The submissions he made and the
- 12:44Speaker 1: story he told her ran in parallel, never touching. Then
- 12:48Speaker 1: came Barbara Fitch picture of filing cabinet in Springfield, Illinois.
- 12:53Speaker 1: Barbara Fitch, sixty one years old, a retired nurse had
- 12:57Speaker 1: written a memoir about caring for her disabled husband across
- 13:01Speaker 1: eleven years of illness. She had signed with Simpson in
- 13:05Speaker 1: twenty thirteen. He told her in twenty fourteen that the
- 13:09Speaker 1: manuscript was unsaleable. She believed him, She moved on. The
- 13:14Speaker 1: manuscript stayed in the cabinet. In two thousand fifteen, an
- 13:19Speaker 1: e book appeared under a pseudonym. Investigators examining the text
- 13:24Speaker 1: against Fitch's manuscript found what they described as significant structural
- 13:29Speaker 1: and thematic similarity. The same emotional architecture, the same sequencing
- 13:34Speaker 1: of grief. Not identical. Fitch's book had been altered far
- 13:38Speaker 1: more aggressively than Meggin's, but the pattern was the same.
- 13:42Speaker 1: A woman writes a memoir from the hardest material of
- 13:45Speaker 1: her life, Simpson takes it, tells her it cannot sell,
- 13:49Speaker 1: then sells it under a different name. That version of events,
- 13:52Speaker 1: two victims, same method spanning years, pointed towards something systematic.
- 13:58Speaker 1: If the pattern held in, investigators reasoned there might be
- 14:02Speaker 1: more names, more filing cabinets, more manuscripts told they were unsaleable,
- 14:08Speaker 1: But the investigation did not expand to additional victims. The
- 14:12Speaker 1: record as it stands confirms too. Megan Wright and Barbara
- 14:17Speaker 1: Fitch now picture a jail cell in Cook County. Marcus
- 14:22Speaker 1: Koebl was awaiting sentencing on an unrelated charge. He had
- 14:26Speaker 1: spoken to Simpson through the ordinary proximity of detention, and Simpson,
- 14:31Speaker 1: according to Koebl's written statement delivered to a correctional officer
- 14:35Speaker 1: on May twenty ninth of twenty nineteen, had described the
- 14:39Speaker 1: fraud with what Koebel called a kind of mocking pride.
- 14:43Speaker 1: He described how he accessed Meghan's home. He described what
- 14:47Speaker 1: he had taken and what he had returned. He described
- 14:51Speaker 1: the contract clause as elegant. Koebel had no relationship with
- 14:55Speaker 1: investigators before that statement. He had no documented motive to
- 14:59Speaker 1: fa fabricated. The statement went to the field office, and
- 15:03Speaker 1: on June third of twenty nineteen, investigators sat down with
- 15:07Speaker 1: Simpson and put it in front of him. He confessed
- 15:10Speaker 1: the following day. The recording ran complete. The strongest theory
- 15:15Speaker 1: and the one, the physical evidence, the cell data, the
- 15:19Speaker 1: forensic literary analysis, and the confession. All support is not complicated.
- 15:25Speaker 1: Simpson identified writers who were isolated, working alone without industry contacts,
- 15:30Speaker 1: whose manuscripts had genuine commercial potential. He used the legitimacy
- 15:35Speaker 1: of a standard agency relationship to gain access, trust, and
- 15:39Speaker 1: eventually legal cover. The contract clause was not an afterthought,
- 15:44Speaker 1: It was prepared. The forty minute phone call in March
- 15:47Speaker 1: of twenty eighteen was not a conversation. It was a
- 15:51Speaker 1: delivery mechanism. What remains open is narrower but stranger. The
- 15:56Speaker 1: book in the river sealed in a ziploc bag with
- 15:59Speaker 1: a rubber band, preserved, not destroyed. Simpson never explained why
- 16:04Speaker 1: he sealed it and dropped it rather than burning it
- 16:07Speaker 1: or shredding it, Not to Cobal, not in his confession.
- 16:11Speaker 1: The how of the river has never been definitively established.
- 16:15Speaker 1: One reading is practical disposal without destruction, leaves no ash,
- 16:21Speaker 1: no fragment, no forensic trace at a fixed location. A
- 16:25Speaker 1: river moves. Whatever Simpson believed about rivers and evidence, the
- 16:29Speaker 1: book survived anyway, found by a retired machinist's neighbor's habit
- 16:34Speaker 1: kept intact by a rubber band and a plastic bag
- 16:39Speaker 1: recovered three miles downstream in March ice. But there is
- 16:44Speaker 1: another reading, and it does not resolve cleanly. The inscription
- 16:48Speaker 1: this is mine every word is in Meghan's hand. The
- 16:52Speaker 1: analyst confirmed it. Meghan does not remember writing it. If
- 16:56Speaker 1: Simpson took the manuscript from her filing cabinet on October fourteenth,
- 17:00Speaker 1: if he handled her papers and returned them re ordered,
- 17:04Speaker 1: he had access to documents in her handwriting, he could
- 17:07Speaker 1: have carried something out that already bore her inscription. He
- 17:11Speaker 1: could have placed the book in the river himself, already
- 17:14Speaker 1: marked as insurance against a future he was calculating. Or
- 17:18Speaker 1: Megan wrote that line on a night she cannot account for,
- 17:21Speaker 1: sealed it herself and placed it somewhere Simpson later found,
- 17:26Speaker 1: and Simpson, recognizing what it meant, put it where he
- 17:29Speaker 1: thought no one would. The record does not say which
- 17:33Speaker 1: The book spent months in the Sutter Branch. It arrived
- 17:36Speaker 1: in a court room in February of twenty twenty one
- 17:39Speaker 1: as exhibit evidence, and when a borrowed Life was reissued
- 17:44Speaker 1: by Whitmore and Lark in the fall of twenty twenty
- 17:47Speaker 1: under Megan Write's name, the dedication page was left blank.
- 17:52Speaker 1: She chose not to replace the line that had sounded
- 17:55Speaker 1: like her voice because it was not hers to reclaim.
- 17:59Speaker 1: On the fourth of June twenty nineteen, Neil Simpson sat
- 18:03Speaker 1: across from investigators and spoke into a recording device. The
- 18:06Speaker 1: confession was complete, every mechanism he had used, the buried
- 18:11Speaker 1: contract clause, the re ordered manuscript, the name on the cover.
- 18:16Speaker 1: He confirmed in his own voice. He was convicted in
- 18:19Speaker 1: February of twenty twenty one on all charges, both the
- 18:23Speaker 1: Right case and the Fish case. The court sentenced him
- 18:27Speaker 1: to six years in federal custody. Barbara Fitch had been
- 18:30Speaker 1: waiting for that verdict longer than Megan. She had signed
- 18:34Speaker 1: with Simpson in twenty thirteen. Her manuscript, the one she
- 18:39Speaker 1: wrote about caring for a disabled spouse, the one Simpson
- 18:43Speaker 1: told her was unsellable, had appeared in structural form as
- 18:46Speaker 1: a self published e book under a pseudonym in two
- 18:50Speaker 1: thousand fifteen. She sat in the same court room she
- 18:54Speaker 1: heard the same sentence read aloud. There is a detail
- 18:58Speaker 1: from the pre trial record that is worth holding. When
- 19:01Speaker 1: investigators confronted Simpson on the third of June with Marcus
- 19:04Speaker 1: Coebl's written declaration, Simpson did not immediately collapse. He asked
- 19:10Speaker 1: how Cobyl could possibly know those specifics, The investigators told him,
- 19:14Speaker 1: because you described it with and Here is Coebol's exact phrasing,
- 19:19Speaker 1: mocking pride. Simpson had told the story like it was clever.
- 19:24Speaker 1: He had told it to the wrong person. The recovered
- 19:27Speaker 1: copy of A Borrowed Life remained in evident storage throughout
- 19:31Speaker 1: the entire trial. The ziplock bag, the rubber band, the
- 19:36Speaker 1: inscription in Meghan's handwriting that she does not remember writing,
- 19:40Speaker 1: All of it cataloged, preserved, presented to a jury. The
- 19:45Speaker 1: book that was supposed to disappear became the artifact that
- 19:49Speaker 1: could not be ignored. In the fall of twenty twenty,
- 19:52Speaker 1: Whitmore and Lark reissued the memoir under Megan Wright's name.
- 19:57Speaker 1: The text was hers, the authorship was hers, the cover
- 20:01Speaker 1: bore her name for the first time, and the dedication page,
- 20:05Speaker 1: the one that had read for the women who wrote
- 20:07Speaker 1: the hard parts and were never asked, was left blank.
- 20:11Speaker 1: Megan chose not to replace it, not because she had
- 20:14Speaker 1: nothing to say, because that space was the only part
- 20:17Speaker 1: of the book that no one had touched yet. There
- 20:21Speaker 1: is something that resists easy resolution in this case, and
- 20:24Speaker 1: it is not the legal outcome. The conviction is clear
- 20:28Speaker 1: the sentences on record. What resists is a smaller question
- 20:33Speaker 1: and it may be the more honest one. For nearly
- 20:36Speaker 1: two years, Megan Wright doubted her own memory. She sat
- 20:40Speaker 1: in sessions with Amy Osborne and described a creeping sense
- 20:44Speaker 1: that she could not trust her own perception of events.
- 20:47Speaker 1: She had written a book, she knew she had written it,
- 20:51Speaker 1: and the world was offering her a published version that
- 20:54Speaker 1: said someone else had The dissonance between those two realities,
- 20:58Speaker 1: one internal, one external, both claiming to be true is
- 21:03Speaker 1: what manipulation of this kind is designed to produce. It
- 21:07Speaker 1: does not need a locked room, It does not need
- 21:11Speaker 1: physical force. It only needs someone willing to occupy the
- 21:14Speaker 1: gap between what a person knows and what they can prove.
- 21:18Speaker 1: Meghan spent twenty six years teaching other people how language works,
- 21:22Speaker 1: how a sentence carries meaning, how a voice on a
- 21:25Speaker 1: page is a signature no one else can forge. And
- 21:29Speaker 1: then someone took that signature and put their name beneath it.
- 21:33Speaker 1: She got the name back. That is not nothing. The
- 21:37Speaker 1: question that the record cannot answer why Simpson sealed that
- 21:40Speaker 1: book and placed it in a river rather than simply
- 21:43Speaker 1: destroying it, will stay open. He never explained it, not
- 21:47Speaker 1: to Cobal, not in his confession. Whatever he believed about
- 21:51Speaker 1: water and distance, and evidence the Sutter branch did not cooperate.
- 21:56Speaker 1: Kevin Wallace pulled the book from the ice on the
- 21:59Speaker 1: eleventh of March, three days before he thought to call
- 22:02Speaker 1: any one about it, because something about a sealed bag
- 22:05Speaker 1: with a rubber band did not belong in that river.
- 22:09Speaker 1: He was right. It did not belong there. It belonged
- 22:12Speaker 1: to Megan Wright. The dedication page is still blank. That
- 22:16Speaker 1: silence is hers. This show is made by Oboe Media.