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118. The 1960's Special! · Notable Nostalgia

• 0:04
  Speaker 1: And what if I lost both my hands tomorrow.
• 0:07
  Speaker 2: You could be a seat model star. I was sixteen
• 0:11
  Speaker 2: at the time or fifteen and uh, and then hook
• 0:14
  Speaker 2: it up with a witch and that was that. Cats
• 0:19
  Speaker 2: can smile apparently, whoa weird, But it doesn't always mean
• 0:24
  Speaker 2: that they're happy.
• 0:25
  Speaker 1: Lucy receives a call from what I can only assume
• 0:28
  Speaker 1: is the future winner of every acting award ever.
• 0:31
  Speaker 3: Yeah, Jimmy Moon.
• 0:33
  Speaker 1: Is a star.
• 0:34
  Speaker 2: Her looks looks weren't part of the issue.
• 0:37
  Speaker 1: He's like, I had to sell my last talk out
• 0:39
  Speaker 1: for Janas.
• 0:41
  Speaker 2: Maybe this is not appropriate either, but let's see.
• 0:48
  Speaker 1: Far out man radical peace sixties. Yeah, what's up, nostalgia nerds?
• 0:56
  Speaker 1: Welcome to another episode of notable Nostalgia. It's me Andy
• 1:01
  Speaker 1: and I have the one the only built four Tough Jeff,
• 1:07
  Speaker 1: and this episode, this whole summer, we're doing something kind
• 1:10
  Speaker 1: of crazy. The June is gonna be sixties months, so
• 1:13
  Speaker 1: we're gonna talk some of our favorite stuff from the sixties.
• 1:16
  Speaker 1: July next month is gonna be the seventies, and then
• 1:18
  Speaker 1: of course after that comes August it's gonna be eighties month.
• 1:21
  Speaker 2: So should we get in our time machine?
• 1:23
  Speaker 1: Yeah, let's do it really quick.
• 1:28
  Speaker 2: Sure, Oh my god, well we're here.
• 1:33
  Speaker 1: Wow, can't it looks so different?
• 1:35
  Speaker 2: Yeah? Oh Vietnam.
• 1:37
  Speaker 1: Yes, it was Vietnam in the sixties. It was ed
• 1:41
  Speaker 1: in the seventies. I was sorry.
• 1:42
  Speaker 2: In the sixties, I always feel more. Nope, I'm not
• 1:45
  Speaker 2: gonna say it. I'm not gonna say it.
• 1:46
  Speaker 1: I'm not gonna say I'm.
• 1:47
  Speaker 2: Gonna my new van is I'm gonna be more politically correct. Heck, yeah,
• 1:51
  Speaker 2: that's my new jam.
• 1:51
  Speaker 1: Yeah and it. There's nothing more politically correct than the sixties. Yea.
• 1:55
  Speaker 2: What I was gonna say was like, whenever I see veterans,
• 1:57
  Speaker 2: I'm always like, thank you for your service. But whenever
• 1:59
  Speaker 2: like their hats say like Vietnam, I'm like, oh, like
• 2:02
  Speaker 2: I still say it, but I'm like, oh, you should
• 2:05
  Speaker 2: have been there.
• 2:05
  Speaker 1: Yeah. I think a lot of you's feel that way too.
• 2:08
  Speaker 1: They're like, what the fuck were we doing there? Why
• 2:09
  Speaker 1: are we just killing all these people for no reason? Yeah,
• 2:11
  Speaker 1: well it's the Red Scare. That's why they thought that
• 2:15
  Speaker 1: if Vietnam went down, then all the other ones would
• 2:18
  Speaker 1: go down. Then I'll be communists and they would fuck
• 2:20
  Speaker 1: everything up.
• 2:20
  Speaker 2: So communism is bad or good or like I don't.
• 2:23
  Speaker 1: Know if anything really good or bad. I guess it's
• 2:25
  Speaker 1: there's nothing inherently good or bad. I guess it depends
• 2:27
  Speaker 1: on you know, cool all right, But today what we're
• 2:31
  Speaker 1: gonna do is we're gonna talk about our favorite movie
• 2:34
  Speaker 1: from the sixties. Yeah, our favorite album from the sixties,
• 2:37
  Speaker 1: and our favorite song from the sixties. This was a
• 2:40
  Speaker 1: lot harder for me than I thought. It was good. Yeah, Like,
• 2:42
  Speaker 1: it took me a lot of research to finally just
• 2:45
  Speaker 1: get my Oh I knew my movie instantly. In the
• 2:46
  Speaker 1: movie was totally easy. But yeah, album and music or
• 2:49
  Speaker 1: a song was difficult.
• 2:51
  Speaker 2: Yeah, I agree. I I've listened to so much classic
• 2:55
  Speaker 2: rock and that kind of thing when I was a
• 2:56
  Speaker 2: kid because all my parents listened to and I didn't
• 2:59
  Speaker 2: realize that seventies was more my jam. But then once
• 3:02
  Speaker 2: I started digging, I was like, oh, okay, that this
• 3:03
  Speaker 2: makes sense, Yeah exactly.
• 3:05
  Speaker 1: Yeah, yeah, So should we just kind of start and
• 3:07
  Speaker 1: just say, ok so we'll start with my album? And
• 3:10
  Speaker 1: I just wanted to start with and you know what's crazy,
• 3:13
  Speaker 1: I almost chose, of course, some Rolling Stones or the Beatles,
• 3:16
  Speaker 1: and I like those artists better than this artist. But
• 3:19
  Speaker 1: I think I listened to this album more than any
• 3:22
  Speaker 1: other album.
• 3:32
  Speaker 3: Please oh say a son and Son.
• 4:01
  Speaker 2: My bed, I leave you, leave you.
• 4:07
  Speaker 3: But are you do history with me? Bed with my
• 4:11
  Speaker 3: heart said, y'all know what did to make these stay way?
• 4:20
  Speaker 3: First day.
• 4:32
  Speaker 1: I've been ding.
• 4:36
  Speaker 3: O sun.
• 4:40
  Speaker 4: Smiles?
• 4:40
  Speaker 1: Can all turned?
• 4:44
  Speaker 4: She was gonna wash the lad.
• 4:48
  Speaker 3: Heck?
• 4:48
  Speaker 1: Yeah, so that is the Supremes. Where Did Our Love Go?
• 4:51
  Speaker 1: The album came out in nineteen sixty four. It was
• 4:53
  Speaker 1: actually their second album. The first album didn't get any
• 4:56
  Speaker 1: number one hits, but this one gave him the very
• 4:58
  Speaker 1: first number one hit, and not only that, it gave
• 5:00
  Speaker 1: them two others, So they had three number one hits
• 5:03
  Speaker 1: off this album, which is huge. It came off the
• 5:06
  Speaker 1: Motown record company that the song Where Did Our Love Go?
• 5:11
  Speaker 1: The very first number one hit that was actually written
• 5:14
  Speaker 1: for somebody else called the Marvelettes. I believe it is,
• 5:17
  Speaker 1: but they turn it down idiots. I didn't ever heard
• 5:21
  Speaker 1: of that man until I just read that that fact.
• 5:24
  Speaker 1: But so the Yeah, I think when you hear those songs,
• 5:29
  Speaker 1: I think everybody at least knows of those songs. Yeah,
• 5:32
  Speaker 1: maybe not by who it is, but everybody's heard of
• 5:34
  Speaker 1: in movies, TV, commercials. It's almost everywhere, you know.
• 5:37
  Speaker 2: It definitely transplants you back in Like you said, this
• 5:40
  Speaker 2: came out in sixty four, yeah, because I immediately I
• 5:43
  Speaker 2: think of like the I'm so bad with music terminology,
• 5:47
  Speaker 2: but I picture it almost like fifty I feel like
• 5:50
  Speaker 2: fifties kind of vibe, like poodle skirt, kind of sockhop
• 5:55
  Speaker 2: like dances exactly.
• 5:56
  Speaker 1: But I do think there was similar type music kind
• 5:59
  Speaker 1: of in the late fifty so I think it's kind
• 6:01
  Speaker 1: of all right around there, especially since this came out
• 6:03
  Speaker 1: in sixty four.
• 6:04
  Speaker 5: Yeah.
• 6:05
  Speaker 1: But the Where Did Our Love Go? Was their first
• 6:07
  Speaker 1: number one hit, baby Love, which is my favorite song
• 6:10
  Speaker 1: on this whole album. I fucking love that song. That
• 6:13
  Speaker 1: actually got dominated for a Grammy, which is crazy, and
• 6:16
  Speaker 1: it reached number one in the UK, which blew my mind.
• 6:19
  Speaker 1: But I was like, oh, I can see it. I mean,
• 6:20
  Speaker 1: music kind of transcends, you know, even But it's just
• 6:23
  Speaker 1: weird to think that in sixty four because it was
• 6:25
  Speaker 1: a lot harder to travel back then. It's like now
• 6:29
  Speaker 1: we could just email the song to somebody in the UK.
• 6:31
  Speaker 1: Then somebody had to like fly it over, yeah, from Detroit,
• 6:34
  Speaker 1: and they flew the record over and like, hey, you know,
• 6:36
  Speaker 1: it's just weird. And then their third song, come See
• 6:39
  Speaker 1: About Me, was another chart topper, which is pretty cool.
• 6:42
  Speaker 1: But yeah, this whole album only had six songs on there.
• 6:45
  Speaker 1: Pretty small, pretty yeah sample size there. But this is
• 6:49
  Speaker 1: Diana Ross. It's before she became Diana Ross. She was
• 6:52
  Speaker 1: in the Supremes. She was the leading girl of the group.
• 6:56
  Speaker 1: And I do think this album kind of helped cement
• 6:58
  Speaker 1: the Motown sound because it was some of the very
• 7:01
  Speaker 1: first number one hits. I think it might have been
• 7:03
  Speaker 1: Motown's first number one hit too. I'm not hundercent sure
• 7:05
  Speaker 1: on that one. But then I think that made it
• 7:07
  Speaker 1: a legit album or like a record company to where
• 7:12
  Speaker 1: when they were trying to give it to see you know,
• 7:14
  Speaker 1: radio stations, especially with the whole you know, it's like
• 7:17
  Speaker 1: a black record company. So I've been a lot of
• 7:20
  Speaker 1: radio stations like nah. But you know, once there's money
• 7:23
  Speaker 1: involved there, yeah that's fine. So once I got all
• 7:25
  Speaker 1: these number one hits, then I think they were able
• 7:28
  Speaker 1: to kind of put more music out and you know,
• 7:29
  Speaker 1: the whole record company and then kind of broad in
• 7:31
  Speaker 1: the whole thing. So I think not only is it
• 7:33
  Speaker 1: just a great album, I think it played a big
• 7:36
  Speaker 1: role in like you know, civil rights and everything too.
• 7:39
  Speaker 2: Yeah, I would be curious. I've always thought about this,
• 7:41
  Speaker 2: but never like did more research. Did any of the
• 7:45
  Speaker 2: other members of the Supremes have lead vocals?
• 7:49
  Speaker 1: I don't think so, and long as I'm based on it,
• 7:51
  Speaker 1: because the other people are Mary Wilson and Florence Ballard
• 7:54
  Speaker 1: and I've never heard those two. Yeah, so I know
• 7:58
  Speaker 1: that the Supremes were kind of like rotate. I think
• 8:00
  Speaker 1: they had multiple people throughout the years of them, but
• 8:04
  Speaker 1: I've only ever heard of Diana Ros.
• 8:05
  Speaker 2: Dana Ross is always the lead.
• 8:07
  Speaker 1: Yeah, until the and then I think she left. When
• 8:09
  Speaker 1: she left, then they got another. But I think at
• 8:11
  Speaker 1: that time they were just mainly doing like covers and
• 8:13
  Speaker 1: just you know, going on tour and stuff.
• 8:14
  Speaker 2: So yes, I always wonder like, why why would they
• 8:17
  Speaker 2: be the Supremes and not marketed as Diana Ross?
• 8:22
  Speaker 1: Yeah, yeah, yeah, I think. And then I think they
• 8:25
  Speaker 1: started kind of marketing her as as it is, like
• 8:27
  Speaker 1: Diana Ross and the Supremes, and that probably created some
• 8:30
  Speaker 1: turmo because they started all together at the same time,
• 8:32
  Speaker 1: kind of like the whole Jackson five thing, because originally
• 8:35
  Speaker 1: with Jackson five, and then it was Michael Jackson and
• 8:37
  Speaker 1: the Jackson's and that's.
• 8:38
  Speaker 5: Not you know.
• 8:38
  Speaker 2: So Diana Ross was pretty messy when I was a kid,
• 8:42
  Speaker 2: Like I remember, my introduction to her was just her.
• 8:47
  Speaker 2: She's very whimsical, sure, and very out there. So she
• 8:50
  Speaker 2: was She's a star, definitely.
• 8:52
  Speaker 1: I hate The Whiz You Do. It's one of the
• 8:56
  Speaker 1: scariest fucking movies I ever seen in my life. I
• 8:58
  Speaker 1: tried to rewatch it recently and I can't. But it's
• 9:00
  Speaker 1: cool because you see a little older Diana Ross, but
• 9:03
  Speaker 1: every you can, she just has a star power about her. Yeah,
• 9:06
  Speaker 1: so that's why she's the number one, you know, person
• 9:09
  Speaker 1: out of that group. I feel like, so, yeah, that's
• 9:11
  Speaker 1: my uh, check it out. It's really good. The album
• 9:15
  Speaker 1: is Where Did Our Love Go? By The Supremes.
• 9:17
  Speaker 2: Yeah, they definitely were an instrumental part of like pop
• 9:21
  Speaker 2: culture history, that transition period because the sixties, if I'm
• 9:25
  Speaker 2: not mistaken, is like the beginning of television, right.
• 9:28
  Speaker 1: Yeah, basically I mean pretty much like yeah, I would
• 9:31
  Speaker 1: say just yeah, they did have shows in like the
• 9:33
  Speaker 1: fifties and everything like that, but I think the sixties
• 9:36
  Speaker 1: is when it got real and like late sixties early seventies,
• 9:39
  Speaker 1: when a second color and then more people were able
• 9:40
  Speaker 1: to actually have four TVs. So yeah, I would say sixties.
• 9:43
  Speaker 2: Oh cool, all right. My number one album is self
• 9:47
  Speaker 2: titled Mama's and the Papas.
• 10:09
  Speaker 5: Word, So low, so soft and tender, old win.
• 10:14
  Speaker 3: A girl's hard anymore.
• 10:18
  Speaker 5: If you love her, then you must.
• 10:21
  Speaker 3: Send her somewhere when she's never busy before.
• 10:37
  Speaker 2: I can't wait to.
• 10:39
  Speaker 5: Say, but I can't wait to maybe you cry. I
• 10:45
  Speaker 5: can't wait, I can't wait to let you down.
• 10:58
  Speaker 1: So I'm not proud to admit, but I think those
• 11:01
  Speaker 1: are the first songs I've ever heard of them.
• 11:04
  Speaker 2: You've never heard a dream A little dream of me?
• 11:07
  Speaker 1: Oh okay, yeah, and I've heard of them.
• 11:09
  Speaker 2: The other big, big one was a California Dream.
• 11:11
  Speaker 1: Then oh okay, I know that too, Okay, yeah, no,
• 11:14
  Speaker 1: I right now. I do know because the only thing
• 11:17
  Speaker 1: in my head I knew about this band prior was
• 11:19
  Speaker 1: from that what's that Movieuh, Mike Myer's Austin Powers and
• 11:24
  Speaker 1: he goes, Mama cass Ham Sandwich or whatever, and I
• 11:26
  Speaker 1: was like, oh, crazy, had no idea, but yeah, go ahead,
• 11:29
  Speaker 1: I don't know anything really about this. And then she died.
• 11:31
  Speaker 3: I don't know.
• 11:31
  Speaker 2: I think it's like a Hollywood urban legend, like the
• 11:34
  Speaker 2: Richard Gear with the Gerbil in his butt, that she
• 11:36
  Speaker 2: died eating a ham sandwich.
• 11:38
  Speaker 1: That's what I But I'm based on only half of
• 11:40
  Speaker 1: Like Powers. I don't know how uh factually accurate that movie.
• 11:45
  Speaker 2: Is, but they were so I loved Mama's and the
• 11:48
  Speaker 2: Papas because they not again the words I use aren't
• 11:51
  Speaker 2: always the best, but like almost like a haunting not
• 11:54
  Speaker 2: in a scary way, but like a haunting vocal. They're harmonizing.
• 11:57
  Speaker 2: So it was a was a quartet for I think, yeah,
• 12:01
  Speaker 2: so for people two guys, two gals. Mama cast was
• 12:03
  Speaker 2: definitely like the Star, definitely like a different look for
• 12:07
  Speaker 2: the time that she was a curveer lady, but just
• 12:10
  Speaker 2: had such vocals and.
• 12:13
  Speaker 1: That last song that was played on there because I
• 12:15
  Speaker 1: didn't know what songs to pull for. Yeah, but I
• 12:17
  Speaker 1: like them all, but the last song, I feel like
• 12:19
  Speaker 1: I'm really gonna dig, Like the lyrics are pretty hell
• 12:21
  Speaker 1: like damn for like, don't I know it came out
• 12:23
  Speaker 1: in the sixties, I don't know what you're in the sixties,
• 12:25
  Speaker 1: but like he's saying I'm going to mess up. Like
• 12:28
  Speaker 1: that's pretty sick. I was like, all right, I can
• 12:29
  Speaker 1: fuck with this.
• 12:30
  Speaker 2: This one was released The self title one was released
• 12:32
  Speaker 2: in nineteen sixty eight. They're you know, folk rock is
• 12:37
  Speaker 2: what they're called, which matually makes sense because folk is
• 12:39
  Speaker 2: more of that encompassing storytelling and each one is very
• 12:43
  Speaker 2: poetic and like a full story. Definitely, Dream Little Dream,
• 12:48
  Speaker 2: also from this album, was definitely one of my favorites.
• 12:51
  Speaker 2: In a previous episode where I talked about making porn
• 12:55
  Speaker 2: with my video productions camcorder, that was the song I
• 12:59
  Speaker 2: used for were the music radio Dream of Little and
• 13:05
  Speaker 2: it's just such a beautiful song.
• 13:06
  Speaker 1: I love it so much.
• 13:07
  Speaker 2: And then I just like, just when I was a
• 13:09
  Speaker 2: little kid, when I would be like performing songs, one
• 13:11
  Speaker 2: of the ones in the rotation was Mama's and the Papas,
• 13:15
  Speaker 2: and then it's my Stirles came. It was all that
• 13:17
  Speaker 2: eclipsed my my performances as a kid, like swinging on
• 13:21
  Speaker 2: my swing set.
• 13:22
  Speaker 1: Oh sure, yeah.
• 13:24
  Speaker 2: I also love because I'm a scandal person. The Charles,
• 13:29
  Speaker 2: because Charles Manson was very much involved with a lot
• 13:32
  Speaker 2: of the rock people of the time, Beach Boys, Mama's
• 13:36
  Speaker 2: and the papas were in there a little bit. There
• 13:39
  Speaker 2: is some controversy which I noticed just a few minutes ago.
• 13:43
  Speaker 2: All three of my category so best my favorite album,
• 13:46
  Speaker 2: favorite song, and favorite movie all have really problematic people involved.
• 13:51
  Speaker 2: So one of the guys I forget last names, Phillips,
• 13:55
  Speaker 2: his daughter and him had an affair.
• 13:57
  Speaker 1: Oh what this and the mamas and the papas.
• 13:59
  Speaker 2: Yeah, so that's really bad. His daughter was or is
• 14:04
  Speaker 2: Michelle Phillips, who was or McKenzie Phillips, who was in
• 14:07
  Speaker 2: So Weird from Disney Channel. She was the mom, like
• 14:10
  Speaker 2: the rock star mom, and then she was in the
• 14:12
  Speaker 2: original One Day at a Time with Valerie Burtonelly.
• 14:15
  Speaker 1: Was it biological? Yeah? What the fuck?
• 14:18
  Speaker 2: Yeah, so fucked up. They were a lot of drugs
• 14:21
  Speaker 2: these people. That doesn't condone. But I've done a lot
• 14:23
  Speaker 2: of drugs, and I've.
• 14:24
  Speaker 1: Never had sex with a like a relative, yeah, or.
• 14:28
  Speaker 2: With Mackenzie Phillips. But if I was, if I was
• 14:32
  Speaker 2: having to do drugs, it would be with McKenzie Phllips.
• 14:34
  Speaker 2: Knows where the drugs are probably, but yeah. One of
• 14:36
  Speaker 2: my favorite people in the world is Valerie Burtnelly, who
• 14:39
  Speaker 2: played her sister on One Day at a Time, which
• 14:40
  Speaker 2: was that was that show that was really cutesy. It's
• 14:43
  Speaker 2: about a single mom with two daughters that are like adolescents.
• 14:46
  Speaker 2: And then there was that really very inappropriate like lack
• 14:50
  Speaker 2: of boundaries, uh like Landlord like super like what's it
• 14:55
  Speaker 2: called the maintenance person?
• 14:57
  Speaker 1: Yeah, kind of like character ye, this company or whatever.
• 15:01
  Speaker 2: And then oh, and then the the other Phillips.
• 15:07
  Speaker 3: Kid.
• 15:07
  Speaker 2: So okay, So Mackenzie Phillips has like half siblings and
• 15:12
  Speaker 2: two of them are in Wilson Phillips.
• 15:15
  Speaker 4: You know.
• 15:16
  Speaker 1: So it's funny you said that because for some reason
• 15:18
  Speaker 1: my head I thought maybe Carrie Wilson or something was
• 15:20
  Speaker 1: in this band, like and she's a drummer, but maybe not.
• 15:22
  Speaker 1: Maybe I'm thinking of something else. But from the sixties
• 15:25
  Speaker 1: there's some like really good drummer and she was blonde
• 15:30
  Speaker 1: in the sixties that was like an amazing drum I
• 15:32
  Speaker 1: can't think of her name right now. But so do
• 15:34
  Speaker 1: you think so you you've been a fan of this
• 15:37
  Speaker 1: album and this band your entire life. Yeah, so even
• 15:39
  Speaker 1: before you found all that stuff about him.
• 15:41
  Speaker 2: Oh I didn't. Yeah, that's that's a downgrade. But no,
• 15:44
  Speaker 2: I was a little kid listening to that nice.
• 15:46
  Speaker 5: Ye.
• 15:46
  Speaker 2: Yeah, and my mom always had Mamas in the Papas
• 15:48
  Speaker 2: planed and that kind of thing. But but yeah, no,
• 15:50
  Speaker 2: you know Wilson Phillips the Room. Yeah, okay, yeah, so
• 15:53
  Speaker 2: Carney Wilson, she's my kind of pop culture icon because
• 15:56
  Speaker 2: of like the public weight loss and the Yeah, and
• 15:59
  Speaker 2: then that video for hold On that she's on a
• 16:02
  Speaker 2: beach but she's wearing a trench coat. Fucking fabulous. Yeah,
• 16:05
  Speaker 2: I know, I love this. I love this album, love
• 16:07
  Speaker 2: Mamas and the Papas, and that's one that I'm I
• 16:11
  Speaker 2: think that I can separate the two, like the artists
• 16:14
  Speaker 2: from the art Yeah, especially.
• 16:16
  Speaker 1: With the sixties is so long. If you think that's
• 16:18
  Speaker 1: sixty years ago, that's fucking nuts.
• 16:20
  Speaker 5: Yeah.
• 16:20
  Speaker 2: Whenever you love an artist or a song or music
• 16:24
  Speaker 2: or whatever, be really weary about watching like a documentary.
• 16:28
  Speaker 1: About yeah, you can just assume that something.
• 16:31
  Speaker 5: Yeah.
• 16:32
  Speaker 2: And then a lot of their songwriters this is not anything,
• 16:35
  Speaker 2: but was a guy named Gus Kahan and Gus is
• 16:39
  Speaker 2: my dog at Gus Gus Underscore the Dog. But anyways,
• 16:42
  Speaker 2: check out Mamas and the Papas. They're amazing.
• 16:44
  Speaker 5: Heck.
• 16:45
  Speaker 1: Yeah, and then you know, since I did the album first,
• 16:48
  Speaker 1: do you want to go with your song first time?
• 16:50
  Speaker 2: Yeah?
• 16:50
  Speaker 1: All right, so here we go and boop.
• 17:09
  Speaker 4: Where it began, I can't begin to know it, but
• 17:17
  Speaker 4: then I know it's grew and strong.
• 17:24
  Speaker 3: Was in the spring and spring became a summer. Who
• 17:32
  Speaker 3: would have believed it? Come along and touching hand, reaching out,
• 17:50
  Speaker 3: touching me, touching it.
• 18:04
  Speaker 1: So that's the first time I've ever heard more of
• 18:25
  Speaker 1: that song other than just the sweet. Yeah, I've never
• 18:28
  Speaker 1: heard the beginning of that song before until I got
• 18:30
  Speaker 1: that sound clip. I like his voice light, it's kind
• 18:33
  Speaker 1: of raspy, but then when he starts singing loud, it's
• 18:36
  Speaker 1: like smooth, and I was like, that's pretty cool.
• 18:38
  Speaker 2: And he's like the best of both worlds when like
• 18:40
  Speaker 2: Middle America like him like the Hillbillies or whatever. But
• 18:44
  Speaker 2: then also he's like very glittery, like he's very like
• 18:47
  Speaker 2: a showman, like who's that Vegas guy? That's no, well yeah,
• 18:51
  Speaker 2: but we Newton like kind of that vibe where like
• 18:54
  Speaker 2: everybody loves them sure, no matter if you know. And
• 18:58
  Speaker 2: so yeah, this this song came out in nineteen sixty nine. Yees,
• 19:04
  Speaker 2: I think there was like another like kind of not
• 19:07
  Speaker 2: scandalous rumor, but because it's not a sexual song, but
• 19:09
  Speaker 2: like the inspiration was apparently about him seeing a picture
• 19:14
  Speaker 2: of Caroline Kennedy, like John F. Kennedy's daughter when she
• 19:19
  Speaker 2: was young, and like because it's like kind of uplifting song.
• 19:22
  Speaker 2: Oh okay, so this is like a go to it
• 19:25
  Speaker 2: went in doubt karaoke song. Oh yeah, because the whole crowd.
• 19:30
  Speaker 2: Oh this Bohemian rhapsody. Those are two like you got
• 19:33
  Speaker 2: this sure? And then I did some sidebar things with
• 19:37
  Speaker 2: him that his wife is thirty years younger than him.
• 19:40
  Speaker 2: Oh wow, But I did the math and he was
• 19:44
  Speaker 2: like in his seventies and she was in her forties,
• 19:47
  Speaker 2: so that's not as bad, but still thirty years. And
• 19:51
  Speaker 2: then poor guy has Parkinson's too.
• 19:53
  Speaker 1: Yeah, I mean, if he's putting on music in sixty
• 19:55
  Speaker 1: nine and he's still alive and it's pretty he's like
• 19:57
  Speaker 1: an eighty five ish but like forty three. Or he's
• 20:01
  Speaker 1: got good plastic surgery.
• 20:02
  Speaker 2: So I've seen pictures of him not too long ago,
• 20:04
  Speaker 2: and he like his plastic because men when they get
• 20:07
  Speaker 2: plastic surgery, it looks really shocked up, like Mignolty or
• 20:11
  Speaker 2: like the.
• 20:11
  Speaker 1: Least singer of Google dolls, but he was really good
• 20:15
  Speaker 1: looking originally, like why would.
• 20:16
  Speaker 5: He do that?
• 20:16
  Speaker 2: But yeah, yeah that this guy's keeping it tight. His
• 20:19
  Speaker 2: net worth is a reportedly three hundred million. So like
• 20:24
  Speaker 2: the artists back then, they owned if they wrote the music,
• 20:26
  Speaker 2: especially they owned most of it. Like there wasn't like
• 20:29
  Speaker 2: the complete corporate greed back like there is today. This
• 20:34
  Speaker 2: song really took off because of playing at like football games,
• 20:38
  Speaker 2: baseball games, that kind of thing. It's just a good
• 20:40
  Speaker 2: crowd pleaser, unifying kind of song.
• 20:44
  Speaker 1: Well, the first time I remem heard this from that movie,
• 20:46
  Speaker 1: uh Silverman. I think there's a movie in like the
• 20:49
  Speaker 1: late nineties, like Saving Silverman or something where they sing it,
• 20:52
  Speaker 1: and I never heard that song prior to that, and
• 20:54
  Speaker 1: I was like, oh shit crazy. Yeah. I always like
• 20:56
  Speaker 1: to say fist my ass because it's because my picture
• 21:01
  Speaker 1: is someone named Caroline, I think, like some old sweet lady.
• 21:04
  Speaker 2: Oh yeah, like hey hate Caroline.
• 21:06
  Speaker 3: This my ass.
• 21:08
  Speaker 2: And now it's the former president's daughter that like eleven
• 21:11
  Speaker 2: that year.
• 21:13
  Speaker 3: I got it.
• 21:14
  Speaker 1: But her dad was like you know that.
• 21:16
  Speaker 2: He had ciphilisa because he was sucking everything and his
• 21:20
  Speaker 2: and her mom was like a lizard because she well
• 21:24
  Speaker 2: she was like her eyes were on opposite sides of
• 21:27
  Speaker 2: her head. If you look at pictures of Jackie Kennedy,
• 21:30
  Speaker 2: she was yeah, and then she then she got fucking
• 21:34
  Speaker 2: rich and that's where all of because she married Onassis.
• 21:37
  Speaker 2: And then she left all of her money to Caroline
• 21:39
  Speaker 2: because the other one died in a plane crash.
• 21:41
  Speaker 1: Oh yeah.
• 21:42
  Speaker 2: And then Caroline's son is a fucking hot mess. You
• 21:45
  Speaker 2: need to follow him on on Instagram. His name is
• 21:47
  Speaker 2: Jack something or another. He's a fucking mess.
• 21:50
  Speaker 1: I want how much he's worth.
• 21:52
  Speaker 2: Probably he's gonna get a lot. He's gonna get a lot.
• 21:54
  Speaker 2: He's the only living grandson of John F. Kennedy, So okay.
• 21:58
  Speaker 2: And then uh, this guy, Neil Diamond, he comes out
• 22:02
  Speaker 2: you know when the pandemic Remember the pandemic? Remember that?
• 22:07
  Speaker 5: You know what I mean?
• 22:07
  Speaker 1: Like that was bad?
• 22:08
  Speaker 4: Right?
• 22:08
  Speaker 3: Yeah?
• 22:09
  Speaker 2: Well I was just thinking about that, like that was
• 22:10
  Speaker 2: so a weird time, right, well, yeah, I was.
• 22:12
  Speaker 1: Just thinking about that too, because I think I'm gonna
• 22:14
  Speaker 1: do a stand up tomorrow and one of the jokes
• 22:16
  Speaker 1: are a long time ago. I was like, wasn't the
• 22:17
  Speaker 1: whole COVID thing really weird? But my favorite part was
• 22:20
  Speaker 1: near the end of it when every company they were like,
• 22:25
  Speaker 1: COVID is really tough on families. That's why four is
• 22:27
  Speaker 1: gonna give you a three months no payment under one.
• 22:31
  Speaker 1: Every company was like that, COVID is pretty tough. That's
• 22:34
  Speaker 1: why Popeye is introducing a new chicken.
• 22:36
  Speaker 6: Yeah.
• 22:37
  Speaker 1: Everything every company does that.
• 22:39
  Speaker 2: You know, that would be so perfect?
• 22:41
  Speaker 5: Yeah?
• 22:41
  Speaker 3: I love that.
• 22:42
  Speaker 2: And then he came out really big when when the
• 22:46
  Speaker 2: Boston bombing happened, because I think he might be from Boston.
• 22:49
  Speaker 2: Oh sure, and then the Boston Mommy that was fucked up,
• 22:53
  Speaker 2: Like that's why I'm now gonna run running, like.
• 22:56
  Speaker 1: At least in Boston Marathon.
• 22:58
  Speaker 2: Yeah for sure, because that's and that's why I don't
• 22:59
  Speaker 2: allow pressure cooker or any kind of pressure cookers in
• 23:02
  Speaker 2: our home.
• 23:03
  Speaker 1: Is that what they used?
• 23:04
  Speaker 2: Yeah, these pressure cookers and put nails in that like
• 23:06
  Speaker 2: that hot guy and his brother that she did it.
• 23:08
  Speaker 2: He was hot though he was he was nineteen, but
• 23:11
  Speaker 2: neither here nor there. But should I I think we
• 23:15
  Speaker 2: just start writing people in prison?
• 23:17
  Speaker 1: I did. I wrote the tire king.
• 23:19
  Speaker 2: You never wrote me, I would you write?
• 23:22
  Speaker 1: I just can't. It was like years ago. It's basically
• 23:24
  Speaker 1: just going like, hey, could you send me a letter
• 23:26
  Speaker 1: back with the signatures, just something like that. I was like,
• 23:28
  Speaker 1: I think you got uh, I don't. I think he
• 23:30
  Speaker 1: deserves to be there, but I was like, I don't
• 23:32
  Speaker 1: think you should be in there and stuff like that.
• 23:33
  Speaker 1: Just check it as good side to get a signature.
• 23:34
  Speaker 2: Okay, let's brainstorm in the future a list of like
• 23:37
  Speaker 2: notable blink uh people that are in prison and write them.
• 23:42
  Speaker 1: Yeah we should really, there's one of my threat So
• 23:44
  Speaker 1: I should be really careful though, because we're writing like
• 23:47
  Speaker 1: the Boston Bombers. The governors canna be like, what the
• 23:50
  Speaker 1: fuck are you guys doing?
• 23:51
  Speaker 2: All right, right, No, I'm against the Boston momb It
• 23:54
  Speaker 2: doesn't matter how attractive you are. Like, the only person
• 23:56
  Speaker 2: that I think i'd be fine with if that was
• 23:59
  Speaker 2: Jonathan Bailey from Wicked.
• 24:00
  Speaker 1: Oh, but that's it.
• 24:01
  Speaker 2: But he wouldn't do that because he's a sensitive guy. Anyways,
• 24:06
  Speaker 2: great song and also I appreciate this song too for
• 24:09
  Speaker 2: someone who's not the best singer in the world. It's
• 24:11
  Speaker 2: a good song to do karaoke to. It is like
• 24:14
  Speaker 2: like it is circling back to that. It's it's a
• 24:15
  Speaker 2: crop leazer, So yeah, Sweet Caroline Neil Diamond blame Blaine.
• 24:19
  Speaker 1: Yeah, I said, Neil di'mond like native too or something
• 24:21
  Speaker 1: like that. Am I just making that up?
• 24:23
  Speaker 3: Guys?
• 24:23
  Speaker 1: In my head, I felt like he is a Native,
• 24:25
  Speaker 1: But I could be completely wrong.
• 24:27
  Speaker 2: He is really attractive, so he might be like that.
• 24:31
  Speaker 2: Thank you. Let me see if he is or not.
• 24:34
  Speaker 1: God, he's old, and I feel like he always wore vests.
• 24:37
  Speaker 1: Oh he's maybe that's why. Oh see, I always thought
• 24:39
  Speaker 1: he was native because he wore like, I think, leather
• 24:41
  Speaker 1: vests all the time.
• 24:42
  Speaker 2: Who he was friends with Barbara Streisand.
• 24:46
  Speaker 1: Do you think they're beefing right now?
• 24:47
  Speaker 2: I don't think.
• 24:49
  Speaker 3: I don't think.
• 24:49
  Speaker 2: Anyone could be friends with Barbara Streisand she's a mess,
• 24:52
  Speaker 2: Like she has a mall in her house and each
• 24:56
  Speaker 2: store quote unquote has like a different theme, so like
• 24:58
  Speaker 2: Victorian dolls, clocks, and she buys stuff she buys. It's
• 25:02
  Speaker 2: like an anti a huge antique shop. But she has
• 25:05
  Speaker 2: like it's like a city, like a mall, like a mall.
• 25:07
  Speaker 2: She's a fucking weird now whatever.
• 25:11
  Speaker 1: Well, mine I think is one of the best singers
• 25:13
  Speaker 1: of all time. Uh, he's the King of Kroon And
• 25:17
  Speaker 1: here we go.
• 25:19
  Speaker 6: Call a belchellonavery less treat treat but the bell Fastijo
• 25:28
  Speaker 6: Sorova down each avenue of the street Dostrada.
• 25:43
  Speaker 3: You can see him this sit there and.
• 25:46
  Speaker 6: Tuba two.
• 25:49
  Speaker 1: On any.
• 25:53
  Speaker 3: Do they take him first?
• 25:55
  Speaker 1: Press?
• 25:55
  Speaker 6: So yeah, I guess so on each lover's arm up, girl,
• 26:00
  Speaker 6: I wish I new.
• 26:03
  Speaker 1: On any opinion Aroma.
• 26:07
  Speaker 6: Oh there's grinning and mandolinen in sunny.
• 26:14
  Speaker 1: The beginning has just begun when the sun goes down.
• 26:20
  Speaker 1: So please meet me.
• 26:22
  Speaker 3: In the Plaza New York Cosm.
• 26:25
  Speaker 1: I'm only one and that is one of you.
• 26:30
  Speaker 3: On any evening in Roma. Don't know what the country's
• 26:36
  Speaker 3: come to, but in wrong role.
• 26:40
  Speaker 1: Hell yeah. And I love Dean Martin. I love the
• 26:43
  Speaker 1: rat Pack, I love all of the crooners. I just
• 26:46
  Speaker 1: think they're so fucking cool. The whole Vegas thing, the
• 26:49
  Speaker 1: Mafia connections. I just think that era when it comes
• 26:53
  Speaker 1: to like celebrities, I think they're like the coolest celebrities
• 26:55
  Speaker 1: probably of all time. But that was Dean Martin. It's
• 26:59
  Speaker 1: from the album Dino Italian Love Songs, came out nineteen
• 27:03
  Speaker 1: sixty two Capitol Records. This song is a lush, romantic
• 27:08
  Speaker 1: tribute to Dean Martin's Italian heritage, and I think the
• 27:11
  Speaker 1: song's really it makes me want to go to Rome,
• 27:13
  Speaker 1: Like that song makes me want to walk around at Rome,
• 27:16
  Speaker 1: like at night time. It just seems so fucking cool.
• 27:19
  Speaker 1: And his both his parents are actually from Italy, so
• 27:22
  Speaker 1: you know, when he was able to speak that language
• 27:25
  Speaker 1: and stuff, which is pretty cool. But h yeah, this
• 27:28
  Speaker 1: had a bunch of different songs on there. They had Volare,
• 27:31
  Speaker 1: which is another one of mine. Is between that one
• 27:33
  Speaker 1: and this song that I chose, but I chose the
• 27:36
  Speaker 1: Roman one just because it's summertime right now, just kind
• 27:38
  Speaker 1: of has more of the summary type vibe a lot
• 27:41
  Speaker 1: of songs. What got me into Dean Martin was when
• 27:45
  Speaker 1: I was in sixth grade, my dad got the Dean
• 27:47
  Speaker 1: Martin roasts and I thought they were so fucking funny,
• 27:50
  Speaker 1: And that's what got me into Dean Martin, Like he
• 27:53
  Speaker 1: was always so cool and like he always had a
• 27:55
  Speaker 1: drink with him and they're just smoking. It was just
• 27:57
  Speaker 1: all the homies hanging out fucking with each other, you know,
• 27:59
  Speaker 1: like making jokes and everything. And even though some of
• 28:01
  Speaker 1: the jokes definitely were a little bit harsher to the
• 28:05
  Speaker 1: people of color, it didn't feel like for me at least,
• 28:10
  Speaker 1: it didn't feel like they were any less of the
• 28:14
  Speaker 1: people on stage with them, and even Frank Sinatra. When
• 28:16
  Speaker 1: they were gonna do a show in Vegas, Sammy's like, oh,
• 28:19
  Speaker 1: they won't let me in the front. And He's like what,
• 28:21
  Speaker 1: because they're gonna let you in the fucking front. So
• 28:23
  Speaker 1: then he tells the owner, He's like, look, we're not playing,
• 28:25
  Speaker 1: like none of us will ever be back. You get
• 28:27
  Speaker 1: Samy a table and he's like, okay, sorry, Frank, you
• 28:29
  Speaker 1: know what I mean, yeah, exactly. Of course it didn't
• 28:32
  Speaker 1: make racist jokes and everything, but I never felt like
• 28:35
  Speaker 1: it was them punching down. It was just like, really
• 28:37
  Speaker 1: good friend. And then he would do, you know, Italian
• 28:41
  Speaker 1: jokes back and mafia jokes back and stuff.
• 28:43
  Speaker 2: So he should have like beat your wife jokes, like
• 28:47
  Speaker 2: beat his wife a lot.
• 28:48
  Speaker 1: Probably, Yeah, I can see that for sure. One of
• 28:51
  Speaker 1: my favorite ones ever is the roast of Muhammad Ali.
• 28:55
  Speaker 1: Dean Marien is just ripping into Muhammad Ali and then
• 28:59
  Speaker 1: Muhammad stands up like he's gonna punch Dean. He's like, whoa, whoa,
• 29:02
  Speaker 1: you better watch out. I'll call Franky because you know
• 29:05
  Speaker 1: he had ties with them off that would.
• 29:06
  Speaker 2: Be hard to roast Muhammad Ali.
• 29:09
  Speaker 1: Yeah right, He's like gone, like yeah, But I think
• 29:14
  Speaker 1: this is one of the most charming of his songs.
• 29:16
  Speaker 1: I don't out of me personally. I think he has
• 29:19
  Speaker 1: the best voice out of the whole rat Pack. Everybody's great,
• 29:21
  Speaker 1: but I think his deep voice and oh, I just
• 29:24
  Speaker 1: love it. And then him and the Dean or the
• 29:26
  Speaker 1: Jerry Lewis movies were great. I have Dean Martin on
• 29:29
  Speaker 1: my wall, like I just think Dino's the man. So
• 29:32
  Speaker 1: when I again, I almost picked some Beatles songs, some
• 29:36
  Speaker 1: Stone songs, but I probably listened to Dean Martin more
• 29:39
  Speaker 1: than either one of those two, so I had to
• 29:41
  Speaker 1: go with Dino.
• 29:42
  Speaker 2: You ever, did they do a lot of movies?
• 29:45
  Speaker 1: Well, the only one I yeah, I saw the Dean
• 29:47
  Speaker 1: Martin Jerry Lewis movies a bunch. The only rat Pack
• 29:50
  Speaker 1: one I saw was Ocean's Eleven, which is pretty good.
• 29:53
  Speaker 1: It's to I think the one with Brad Pitt's better,
• 29:56
  Speaker 1: but it's still really good for that time, and it's
• 29:58
  Speaker 1: cool to see them. H Dean Martin some really cool
• 30:01
  Speaker 1: Western movies too, which are They're pretty good, and he
• 30:03
  Speaker 1: actually had some Western seedies out but with his like
• 30:05
  Speaker 1: cool voice, it's pretty good actually, like Houston's a dope song.
• 30:08
  Speaker 2: So it was so Jerry Lewis. Was he a part
• 30:11
  Speaker 2: of the rat pack or no?
• 30:12
  Speaker 1: They kind of stopped being friends probably like in the
• 30:16
  Speaker 1: late fifties. Okay, Jerry Lewis is getting really kind of
• 30:22
  Speaker 1: so like Dean Martin didn't give a like he So
• 30:25
  Speaker 1: this is why I think their thing was. I think
• 30:26
  Speaker 1: Dean Martin used Jerry Lewis more but not. He just
• 30:29
  Speaker 1: wasn't really good friends with Jerry Lewis. And I think
• 30:32
  Speaker 1: Jerry Lewis never really had friends growing up. That's why
• 30:34
  Speaker 1: he was so siny, you know, trying to get attention
• 30:37
  Speaker 1: all the time. So I think that dynamic and Dean
• 30:39
  Speaker 1: was always like, look, if I don't have Jerry Lewis,
• 30:41
  Speaker 1: the kids aren't gonna go to the movies, and then
• 30:43
  Speaker 1: I'm not gonna make you know, ten or fifty million
• 30:45
  Speaker 1: dollars a year. I don't think he had a pearl
• 30:47
  Speaker 1: with Jerry Lewis. I think he thought of it more
• 30:49
  Speaker 1: of just like a business thing. So then I think
• 30:52
  Speaker 1: that started irritating Jerry Lewis, and I think Dean Martin
• 30:55
  Speaker 1: getting more publicity started pissing him off too, So that's
• 30:59
  Speaker 1: kind of why I think that kind of had a
• 31:00
  Speaker 1: falling out.
• 31:01
  Speaker 2: But so the main thing I know about Jerry Luz
• 31:03
  Speaker 2: I think we might have talked about this before. So
• 31:05
  Speaker 2: he went on to do the telethons. Yeah, yeah, and
• 31:08
  Speaker 2: mu yeah, he was like apparently several decades ago he
• 31:14
  Speaker 2: was like doing the telethons and was like, this child's
• 31:17
  Speaker 2: going to die and he would say it like right
• 31:19
  Speaker 2: in front.
• 31:19
  Speaker 1: Of the kid. Oh my gosh, So you do that.
• 31:23
  Speaker 2: You can use kids as props all you want, but
• 31:25
  Speaker 2: like just stand in front of a kid and be
• 31:27
  Speaker 2: like this chid right here is.
• 31:28
  Speaker 1: When I'm dying. Yeah, the one here.
• 31:30
  Speaker 3: That's what it was like.
• 31:31
  Speaker 2: So then, uh so then back the day Joan Rivers,
• 31:34
  Speaker 2: who was like my icon, she was like, I don't
• 31:36
  Speaker 2: want to be a part of this anymore. So then
• 31:38
  Speaker 2: Jerry Lewis when he was like a grumpy old man
• 31:40
  Speaker 2: because he's probably dead right now, I'm hoping.
• 31:42
  Speaker 1: Yeah, he died not too long ago, yeah, like twenty fifteen,
• 31:44
  Speaker 1: or he did.
• 31:45
  Speaker 2: An interview with this reporter like entertainment report, Maria Minudo's
• 31:51
  Speaker 2: who my Mom hates her, My mom hates her. I
• 31:54
  Speaker 2: don't know, but he like rambled on about saying like
• 32:00
  Speaker 2: pretty much threatening Joan Rivers, like I'm gonna put a
• 32:02
  Speaker 2: hit on you, and if and if you take this
• 32:05
  Speaker 2: letter or this recording to the police, they'll arrest me.
• 32:08
  Speaker 2: But I'll be happy to know that I've taken care
• 32:10
  Speaker 2: of you.
• 32:11
  Speaker 1: God damn.
• 32:12
  Speaker 2: Yeah, I'm like, what the fuck just because you didn't
• 32:13
  Speaker 2: want to do a telebum because you were exploiting kids
• 32:16
  Speaker 2: like whatever. So anyway, says a.
• 32:17
  Speaker 1: Grub A little guys crazy with j Lewis too is
• 32:19
  Speaker 1: he started making this movie and basically what it was
• 32:23
  Speaker 1: is it took place during the Holocaust in like Auschwitz
• 32:26
  Speaker 1: or something. Yeah, and he was a clown and to
• 32:30
  Speaker 1: get kids to go into the gas chambers not scared,
• 32:35
  Speaker 1: he would like be a clown and have him follow
• 32:37
  Speaker 1: him in there. It seems like you could see how
• 32:41
  Speaker 1: this movie could be very important, but I guess it
• 32:46
  Speaker 1: was a mess from the beginning. The jokes weren't hitting,
• 32:50
  Speaker 1: so like nobody saw it for like sixty years because
• 32:53
  Speaker 1: he's like, nobody's gonna see this, and they didn't finish
• 32:55
  Speaker 1: making the movie because it was just a mess. But
• 32:57
  Speaker 1: I guess it had a single screening of it in
• 32:59
  Speaker 1: the nineties, which one of the guys, Harry Sheer from
• 33:03
  Speaker 1: The Simpsons, saw it. But long story short is, you
• 33:07
  Speaker 1: can find a lot of the clips of it now
• 33:08
  Speaker 1: because seventy five years past or whatever, so the copyrights out.
• 33:11
  Speaker 1: Oh so then like there's a shit ton of and
• 33:12
  Speaker 1: it's really weird. Yeah, it's it's very very odd him
• 33:17
  Speaker 1: trying to be a serious actor but it didn't.
• 33:19
  Speaker 2: That's bizarre. But that made me think of something just
• 33:21
  Speaker 2: kind of random. But it's gonna be interesting for the
• 33:23
  Speaker 2: rest of our lives. Every few years, we're gonna get
• 33:27
  Speaker 2: copyrights that are or trademarks that are expired, so we're
• 33:30
  Speaker 2: gonna continue to get like the you know, the Winnie
• 33:32
  Speaker 2: the Pooh horror movie, the Mickey one. Eventually we'll have
• 33:35
  Speaker 2: like anything like Simpsons at some point, you know, uh,
• 33:39
  Speaker 2: Mailrose plays like, well, everything will eventually run out as
• 33:43
  Speaker 2: long so people recycle, take care of our planet. Because
• 33:47
  Speaker 2: I want to see what's that new, Like a Lizzie
• 33:49
  Speaker 2: Maguire horror movie. There we go, you know what I mean?
• 33:51
  Speaker 1: Did you see that Mickey horror movie?
• 33:53
  Speaker 2: No, I haven't seen the trailer.
• 33:55
  Speaker 1: Okay, so when you watch it, this is gonna make
• 33:57
  Speaker 1: a lot more sense. So originally it was supposed to
• 34:00
  Speaker 1: be the cat from Alice in Wonderland, the Cheshire Cat. So,
• 34:06
  Speaker 1: but then like halfway through the movie, then that's when
• 34:08
  Speaker 1: the Mickey Mouse think, so they go, let's use Mickey Mouse.
• 34:11
  Speaker 1: But it doesn't make any fucking sense. But when you
• 34:13
  Speaker 1: think of it, like, oh is the cheshire Cat. Oh now,
• 34:16
  Speaker 1: this movie makes a lot of sense. So when you
• 34:18
  Speaker 1: watch it, just think of it like the cheshire check
• 34:20
  Speaker 1: it aultuma, it's worth it. It's pretty funny.
• 34:22
  Speaker 2: I love that. So yeah, it's something that we can
• 34:23
  Speaker 2: look forward to pop culture nets that stuff's gonna start expiring.
• 34:27
  Speaker 2: But yeah, great choice.
• 34:30
  Speaker 1: Yeah. And the other thing I wanted to say.
• 34:33
  Speaker 7: Is podcasts a podcasts in a podcast it's a cool.
• 34:45
  Speaker 1: The number one selling album of the nineteen sixties was
• 34:48
  Speaker 1: Sergeant Pepper's Only Hearts Club Band by the Beatles. This
• 34:51
  Speaker 1: landmark album, released in nineteen sixty seven, sold thirty two
• 34:55
  Speaker 1: million copies. The Beatles had three of the top ten
• 34:58
  Speaker 1: albums in the nineteen sixties. When Andy was six years old,
• 35:01
  Speaker 1: On my Christmas list, I asked for a Beatles documentary's
• 35:08
  Speaker 1: a cool fact, a podcast and a podcast and what's
• 35:12
  Speaker 1: a cool fact? Hell yeah we have anyone? Those got
• 35:31
  Speaker 1: me pumped up. I was gonna do some circle pit man.
• 35:33
  Speaker 1: I never.
• 35:35
  Speaker 2: I don't want to just credit your song choice but
• 35:37
  Speaker 2: at all so doesn't take it. But every time I
• 35:39
  Speaker 2: hear that kind of music, I just want breadsticks from
• 35:41
  Speaker 2: all of Gordon's.
• 35:42
  Speaker 1: I just wrote, no, not the the.
• 35:46
  Speaker 3: That's like that.
• 35:47
  Speaker 2: Jennifer Cool is like that. I want to hop on
• 35:48
  Speaker 2: a world that I want all of Gordon.
• 35:50
  Speaker 1: World because I wrote and recorded the Andy Fast thing,
• 35:53
  Speaker 1: and I'm like, are you saying I have a like
• 35:55
  Speaker 1: opportunity to try to sell that to all of Yeah,
• 35:57
  Speaker 1: you can totally do that.
• 35:59
  Speaker 2: But I never got on board with the beat or
• 36:01
  Speaker 2: gave them a chance because everybody was like, Beatles is
• 36:03
  Speaker 2: the best man ever. But then when I finally started listening,
• 36:06
  Speaker 2: I think I listened to them because there's that movie
• 36:08
  Speaker 2: like twenty years ago Across the Universe. Yeah, I was like, oh,
• 36:12
  Speaker 2: these songs are bumping, let me hear the original.
• 36:14
  Speaker 1: I love the Beatles, and I think Ozzy Osborne said
• 36:17
  Speaker 1: it best. He goes before Beatles. My life. Everything kind
• 36:20
  Speaker 1: of seemed like black and white. And then when I
• 36:22
  Speaker 1: heard the Beatles, that's when I first saw color, and
• 36:24
  Speaker 1: I was like, oh God damn, because there's nothing like
• 36:26
  Speaker 1: the Beatles before that.
• 36:27
  Speaker 2: Really, you know, so can maybe he says something is
• 36:28
  Speaker 2: so poetic because I know him like that kind of thing. Yeah, yeah,
• 36:37
  Speaker 2: all right, let's do let's flip to cinema.
• 36:40
  Speaker 1: Yeah, and so with the cinema. I knew this one instantly.
• 36:44
  Speaker 1: It's one of my favorite movies growing up. My mom
• 36:46
  Speaker 1: showed this to me when I was like young. It's
• 36:48
  Speaker 1: one of my earliest memories is watching this movie. I
• 36:51
  Speaker 1: used to try to dress like them too. And I
• 36:54
  Speaker 1: actually remember a story that my dad told me when
• 36:56
  Speaker 1: I was really little. I come home and I'm like
• 36:58
  Speaker 1: crying and I'm bawling, and he's like, what's going on?
• 37:01
  Speaker 1: And my sister name is Kelly, and I go, Kelly
• 37:04
  Speaker 1: called me a jet. My Dad's like what I was like,
• 37:09
  Speaker 1: she called me jet because I wanted to be a
• 37:12
  Speaker 1: shark so fucking bad. But if you don't know what
• 37:15
  Speaker 1: movie this is by now, it's West Side Story came
• 37:17
  Speaker 1: out in nineteen sixty one. It's based off the nineteen
• 37:20
  Speaker 1: fifty seven Broadway musical of the same name, and basically
• 37:24
  Speaker 1: it was like a modern retelling of Shakespeare's Romeo and Juliet,
• 37:28
  Speaker 1: great music. I thought the acting was great. I thought
• 37:30
  Speaker 1: the fights were. When I was a kid, I was like, oh, shoot,
• 37:32
  Speaker 1: this is kind of it wasn't scary, but it's kind
• 37:34
  Speaker 1: of like, you know, like Edgy, I guess at the time,
• 37:36
  Speaker 1: you know when you're a little kid. But I had
• 37:38
  Speaker 1: Natalie Wood as Maria, Richard Beemer or Buymer as Tony
• 37:43
  Speaker 1: had George Chucks. I don't know to say the last
• 37:46
  Speaker 1: name as Bernardo Russ Hamblin is Riff, and I always
• 37:49
  Speaker 1: thought Riff looked a lot like James T.
• 37:53
  Speaker 5: Kirk.
• 37:54
  Speaker 1: What the fuck is his name?
• 37:56
  Speaker 3: Uh?
• 37:56
  Speaker 1: Shatner. I thought he looked a lot like Shatner now
• 38:00
  Speaker 1: and a lot of people. I didn't know this until recently,
• 38:02
  Speaker 1: and this has been one of my favorite movies since
• 38:03
  Speaker 1: I was a little kid. But Natalie Wood isn't singing.
• 38:07
  Speaker 1: She was dubbed by Marnie Nixon fucking crazy. I had
• 38:12
  Speaker 1: no clue.
• 38:12
  Speaker 2: That's kind of that make you sad.
• 38:15
  Speaker 1: Not so sad, but I just I feel sad for
• 38:19
  Speaker 1: that Marnie lady because It's one of my favorite movies.
• 38:21
  Speaker 1: And if I just found that out, I feel like
• 38:23
  Speaker 1: a lot of people don't know that sound was like, oh,
• 38:24
  Speaker 1: that kind of sucks. But it's really crazy because like
• 38:27
  Speaker 1: a few years before this, she was in a movie
• 38:29
  Speaker 1: with she was in Rebel Without a Cause, and then
• 38:32
  Speaker 1: you know, five years later starts recording this movie.
• 38:34
  Speaker 2: Was she the one that we decided died?
• 38:36
  Speaker 1: We didn't decide, but was she did die?
• 38:41
  Speaker 2: But did she die from? Like drowning? That the one?
• 38:44
  Speaker 1: No, that's her was drowning a murder some sketchy Christopher
• 38:48
  Speaker 1: Walking was on the boat.
• 38:50
  Speaker 2: Oh you didn't mention the cast Rita Marella.
• 38:53
  Speaker 1: Oh she's in that too, Yeah, yeah.
• 38:57
  Speaker 5: And she was.
• 38:58
  Speaker 2: And to connect it, this is a blur of fucking this.
• 39:00
  Speaker 2: She was in the reboot of One Day at a Time,
• 39:04
  Speaker 2: which I just mentioned earlier with McKenzie Phillips. She was
• 39:07
  Speaker 2: in the original One Day at a Time.
• 39:09
  Speaker 1: Going on, it's like we've planned those Yeah, we did it,
• 39:12
  Speaker 1: we did it. It's like we did. But this movie
• 39:15
  Speaker 1: won ten Academy Awards, including Best Picture, Best Director, Best
• 39:18
  Speaker 1: Supporting Actor, and Best Supporting Actress. That's a lot and
• 39:22
  Speaker 1: I think it held that record for like fifty or
• 39:24
  Speaker 1: sixty years until Lord of the Rings, I think, but
• 39:27
  Speaker 1: I don't know.
• 39:27
  Speaker 2: I'm sure I don't like Lord of the Rings.
• 39:29
  Speaker 1: I've watched each one three times and I have no
• 39:32
  Speaker 1: fucking clue what's going on. I don't know who anybody is.
• 39:35
  Speaker 1: I know there's a ring because it doesn't make sense
• 39:39
  Speaker 1: to me, just I don't have a whole army. Go.
• 39:42
  Speaker 2: Yeah, and it's so crazy, like Vigo Mortenson that the
• 39:44
  Speaker 2: lead guy, not Elijah would but Vigo Mortenson. He looks
• 39:47
  Speaker 2: like hammer dog shit.
• 39:48
  Speaker 5: Now.
• 39:48
  Speaker 2: But then watching Lord of the Rings, if you're gay,
• 39:52
  Speaker 2: watch it after you've looked up Orlando Bloom's penis. Oh okay,
• 39:56
  Speaker 2: and then it's more fun to watch it.
• 39:58
  Speaker 1: So yeah, And I think you see Vigo Morton because
• 40:01
  Speaker 1: he was a penis, because he was in that movie
• 40:03
  Speaker 1: Eastern Promises And there's a naked fight scene. Oh so
• 40:06
  Speaker 1: you can see that. You just see all like all
• 40:07
  Speaker 1: the flopping around.
• 40:08
  Speaker 2: Yes, if you need, if you need a list of
• 40:10
  Speaker 2: movies where there's like male genitalia. Yeah, so let us know,
• 40:14
  Speaker 2: we should do a list of best male Genitalia.
• 40:17
  Speaker 1: And a movie like who does It?
• 40:19
  Speaker 2: Not?
• 40:19
  Speaker 1: You know what I mean like who actually not just
• 40:21
  Speaker 1: based on like just their dick alone, but like how
• 40:25
  Speaker 1: usaged in the movie. Yeah, we allow if they used prosthetics,
• 40:32
  Speaker 1: I would say no because.
• 40:33
  Speaker 2: Boogie Knights would be out there. But Kevin Bacon six movies,
• 40:37
  Speaker 2: that's too many. Like he's like, what's the movie that
• 40:40
  Speaker 2: he's like, He's like and foot loose. They were like
• 40:43
  Speaker 2: he was like, hey, guy, a director, I have an idea.
• 40:45
  Speaker 2: Like he's just always trying to do it.
• 40:48
  Speaker 1: Yeah, I feel like at six he has to be
• 40:49
  Speaker 1: the one like there. I guess, yeah, just whipping out.
• 40:52
  Speaker 1: I guess really cool.
• 40:53
  Speaker 2: Yeah, Like they were like he was up for we
• 40:56
  Speaker 2: bought a Zoo like that family movie, and I kicked
• 41:00
  Speaker 2: off because kept peenis.
• 41:01
  Speaker 1: Out right like think about this. Yeah. So the cool
• 41:04
  Speaker 1: thing about West Side Story is it tackles I think
• 41:08
  Speaker 1: race in America, but not just for like the sixties.
• 41:11
  Speaker 1: All the shit is still kind of going on still,
• 41:14
  Speaker 1: you know, like the song America is a great, great
• 41:18
  Speaker 1: song about how it is to be, you know, a
• 41:20
  Speaker 1: person of color in America, and just I didn't realize
• 41:22
  Speaker 1: that when I was a kid. I just liked the songs.
• 41:24
  Speaker 1: And you get older, you're like, oh shit, this is
• 41:25
  Speaker 1: all like really meaningful shit. But basically it's these two
• 41:29
  Speaker 1: rival street gangs, the Jets, which is White America and
• 41:32
  Speaker 1: then the Sharks, which is like these Puerto Rican immigrants,
• 41:35
  Speaker 1: and some of the best songs on there tonight America somewhere, Maria,
• 41:39
  Speaker 1: I feel pretty Officer Krupkey, They're all great. The remake
• 41:43
  Speaker 1: I thought was I was like, I'm not going to
• 41:45
  Speaker 1: watch it, but I was like, I have to watch it,
• 41:46
  Speaker 1: and I really liked it. Actually, I really liked the
• 41:49
  Speaker 1: remake too. But I think it's one of the greatest musicals,
• 41:52
  Speaker 1: like of all time. It got put in the Library
• 41:54
  Speaker 1: of Congress in nineteen ninety seven. It's just an overall
• 41:57
  Speaker 1: great movie. And then I said this in the past,
• 41:59
  Speaker 1: but I used to go to a lot of hard
• 42:00
  Speaker 1: core shows and metal shows and I was in a
• 42:01
  Speaker 1: hardcore crew called FFB. And then like recently, I was like,
• 42:05
  Speaker 1: oh shit, all I was doing was just west Side
• 42:07
  Speaker 1: story shit, Like would go to shows, would dance, a
• 42:09
  Speaker 1: fight would break out, somebody'd get stabbed sometimes, you know
• 42:12
  Speaker 1: what I mean. It's like it's exactly what West Side's
• 42:14
  Speaker 1: story was, just in like the you know, twenty tens
• 42:16
  Speaker 1: or whatever.
• 42:16
  Speaker 2: So when did it get added to the Library of
• 42:19
  Speaker 2: Congress ninety seven? Man, you look up a fact really quick? Oh? Okay,
• 42:28
  Speaker 2: was before uh? Because I was just thinking like something brandom? Anyways,
• 42:32
  Speaker 2: was this your Is this your favorite music of all time?
• 42:35
  Speaker 5: Yes?
• 42:36
  Speaker 1: If I would have seen this in Hamilton at the
• 42:38
  Speaker 1: same time, I think Hamilton would take it. But I
• 42:40
  Speaker 1: have so much nostalgia with this. This is probably forever
• 42:43
  Speaker 1: gonna be my number one nice. Yeah, but Leonard Bernstein
• 42:47
  Speaker 1: does the score, and I love Leonard Bernstein, so that's yeah.
• 42:50
  Speaker 1: I just love this movie and my whole And another
• 42:52
  Speaker 1: quick funny story, my buddy he told me his wife
• 42:55
  Speaker 1: loved this movie. So every time i'd go over there
• 42:57
  Speaker 1: and hang out, I would make some kind of West
• 42:59
  Speaker 1: Side Story reference and then she'd kind of kind of giggle,
• 43:03
  Speaker 1: and then I don't know, after like a couple of
• 43:05
  Speaker 1: years of knowing her, I was talking to my buddy.
• 43:07
  Speaker 1: I'm like, she doesn't you know? And then she overheard
• 43:09
  Speaker 1: me and she goes, oh, I've never seen that movie.
• 43:12
  Speaker 1: And I'm like, oh, so you have no fucking clue
• 43:14
  Speaker 1: all these hilarious jokes I make you. She's like, no,
• 43:16
  Speaker 1: I've never seen that. I'm like, god damn it.
• 43:17
  Speaker 2: So yeah, there was a night a few months ago
• 43:20
  Speaker 2: that we were drinking and then you were showing clips
• 43:22
  Speaker 2: on YouTube and you were showing a song from West
• 43:25
  Speaker 2: Side Story. And then finally I left and I got
• 43:29
  Speaker 2: in my car and no joke with the first song
• 43:31
  Speaker 2: that played, it wasn't from West Side Story, but it
• 43:34
  Speaker 2: was I Forget the Artist, but it was featuring Santana,
• 43:36
  Speaker 2: like Carlos Santana. Oh and it was West Side Story.
• 43:39
  Speaker 2: Oh sure, yeah, And I was like, that's so weird that,
• 43:41
  Speaker 2: like we were we were just watching it, get into
• 43:43
  Speaker 2: my car and it plays unless like my phone was
• 43:45
  Speaker 2: like listening. Probably probably, so I need to watch it.
• 43:48
  Speaker 1: Maybe have you never seen it.
• 43:49
  Speaker 2: I've never seen it.
• 43:51
  Speaker 1: So it's a lot shorter than Hamilton too.
• 43:53
  Speaker 2: Yeah, okay, I'm not sure. I'll get all my talking
• 43:56
  Speaker 2: done before and maybe have an intermission.
• 43:58
  Speaker 1: Yeah. So it's a full it's a full movie too,
• 44:01
  Speaker 1: so it's like different scenes and stuff. So I have
• 44:03
  Speaker 1: to watch it.
• 44:04
  Speaker 2: It's especially if it's like A that's such a I
• 44:06
  Speaker 2: know the name. It's like very culturally significant to our history,
• 44:10
  Speaker 2: So I mean I need to watch it. Yeah, it's wonderful,
• 44:13
  Speaker 2: all right, So my choice for my favorite movie of
• 44:15
  Speaker 2: the sixties. As soon as I thought, I was like,
• 44:18
  Speaker 2: this is it. It's Rosemary's Baby.
• 44:21
  Speaker 1: Never seen it. It looks scary a shit though.
• 44:24
  Speaker 2: Okay, so it is scary. There are some pretty scary parts,
• 44:27
  Speaker 2: a couple of them, but it's not a jump scared
• 44:29
  Speaker 2: kind of movie. It's very in my opinion, I'm not
• 44:31
  Speaker 2: sure if this is what they were going for. It's
• 44:33
  Speaker 2: very camp. So camp is like intentionally whimsical or bizarre
• 44:41
  Speaker 2: or like theater of the bizarre or obscure, like that
• 44:44
  Speaker 2: kind of thing. So it is a movie about a
• 44:47
  Speaker 2: young couple, uh young married couple that moves to the city.
• 44:52
  Speaker 2: The husband is an aspiring actor and then they are
• 44:56
  Speaker 2: trying to have their thinking about starting a family. They
• 44:59
  Speaker 2: move into an apartment complex, like one of those towers,
• 45:02
  Speaker 2: like a apartment building, and there's a couple of whimsical
• 45:05
  Speaker 2: neighbors like this elderly couple, and one of them, the
• 45:08
  Speaker 2: definitely the show stealer of this movie is an actress
• 45:11
  Speaker 2: named Ruth Gordon. She plays the elderly neighbor and she's
• 45:15
  Speaker 2: so brilliant and the acting and this it's funny, it's dark.
• 45:20
  Speaker 2: And so this old couple without spoiling too much because
• 45:24
  Speaker 2: this movie came out in ninety sixty eight, so they're
• 45:27
  Speaker 2: the couple is up to no good and they're part
• 45:30
  Speaker 2: of a cult to impregnate a young woman with the
• 45:35
  Speaker 2: spawn of Satan. Okay, that's why I was like, yeah, okay, yeah.
• 45:39
  Speaker 2: So and the kind of deal that they make is
• 45:41
  Speaker 2: we can use Rosemary and we'll give the husband opportunity
• 45:46
  Speaker 2: in acting and like you know, as a trade off,
• 45:49
  Speaker 2: and it's super dark, it's it is Roman Polanski.
• 45:54
  Speaker 1: Oh sure, yeah.
• 45:55
  Speaker 2: So and again that goes back to like all of
• 45:57
  Speaker 2: my choices have been problematic. Charles manson The Incess. Oh yeah,
• 46:04
  Speaker 2: I don't know what Neil Diamonds was because yeah, his
• 46:06
  Speaker 2: marriage was fine, thirty years but he was older, So
• 46:09
  Speaker 2: I guess that Neil Diamond's fine. Yeah, but yeah, amazing movie,
• 46:14
  Speaker 2: very scary at cinematography. And then also this is only
• 46:16
  Speaker 2: for a select few people. But when Rosemary during the
• 46:20
  Speaker 2: during the movie gets her hair cut, she gets that
• 46:23
  Speaker 2: really tight pixie cut, like very short hair, and that
• 46:27
  Speaker 2: was so revolutionary at the time or like just it
• 46:30
  Speaker 2: was a social change with both women for sure doing
• 46:33
  Speaker 2: that short hair, and that paid the way for like
• 46:35
  Speaker 2: you know, Twiggy from the sixties and seventies, and then
• 46:38
  Speaker 2: you see it now with like actress you know, Halle Berry.
• 46:42
  Speaker 2: And then even though I don't really care for Anne Hathaway,
• 46:45
  Speaker 2: she did it. So I think it's beautiful when women
• 46:48
  Speaker 2: have that short hair. And then Mia Faraoh, I wouldn't
• 46:51
  Speaker 2: consider her what I would. I love horror movies, but
• 46:54
  Speaker 2: there's like that trobe of like The Last the Final Girl,
• 46:57
  Speaker 2: So like Jamie Lee Curtis and Have Campbell, they all
• 47:00
  Speaker 2: did that. Mia Pharaoh she was I don't think she
• 47:03
  Speaker 2: was in really a series, but besides, like she's been
• 47:05
  Speaker 2: in multiple the omens, like the reboot of it. But
• 47:08
  Speaker 2: she was definitely like a horror horror queen of the time.
• 47:12
  Speaker 2: She was in a lot of like horror movies.
• 47:14
  Speaker 1: That name is so familiar, that's crazy. Lea Farah.
• 47:17
  Speaker 2: Yeah, she was beautiful. And then she was married to
• 47:20
  Speaker 2: Woody Allen.
• 47:21
  Speaker 1: That's where I know her from, and she was in
• 47:23
  Speaker 1: some Woody Allen movies though, yeah, and then yeah, okay.
• 47:26
  Speaker 2: And then he started boinking or grooming and then boinking.
• 47:30
  Speaker 2: Technically it was her adopted child, but he was, you know,
• 47:33
  Speaker 2: the father figure of the front anyways, but that's that's
• 47:36
  Speaker 2: neither here nor there. And then one of her kids
• 47:38
  Speaker 2: is Rowan Pharaoh, which is you know, he's you know,
• 47:43
  Speaker 2: a huge advocate for.
• 47:47
  Speaker 1: Rights. Well, you know it's crazy is for some reason
• 47:50
  Speaker 1: it said did Mia Pharaoh attend Frank's not just funeral? Yes,
• 47:53
  Speaker 1: back to Dean Martin.
• 47:56
  Speaker 2: Because the whole, the whole rumor and again this maybe
• 47:58
  Speaker 2: this is almost like a political like a pop culture rumors.
• 48:02
  Speaker 2: There's a lot of rumors that Roman Pharaoh is Frank
• 48:05
  Speaker 2: Sinatra's son.
• 48:07
  Speaker 1: Yeah, because they look a lot.
• 48:08
  Speaker 2: More like than Woody Allen. He doesn't look like Woody
• 48:12
  Speaker 2: Allen like he has he has dashing, like piercing blue eyes,
• 48:16
  Speaker 2: the blonde hair. Rowan Farah looks like he's that's one. Yeah,
• 48:23
  Speaker 2: Woody Allen old dweeb. And I heard giving a handshake
• 48:28
  Speaker 2: to Woody Allen is like you dip your hand in
• 48:31
  Speaker 2: a thing of glass like a ice water and then
• 48:34
  Speaker 2: shake it because he's so wet, like his hands are
• 48:36
  Speaker 2: really wet.
• 48:37
  Speaker 1: Yeah, I don't take that.
• 48:39
  Speaker 2: Yeah, yeah, And he showing being a picture of Woody
• 48:42
  Speaker 2: Allen versus uh, Frank Sinatra and no Rowan Pharaoh's clearly.
• 48:47
  Speaker 1: Oh for sure. Yeah, I can't believe he's still alive
• 48:49
  Speaker 1: eighty nine.
• 48:50
  Speaker 2: He needs to cut it, like tap out like some
• 48:52
  Speaker 2: of those early A great And he did stand up.
• 48:57
  Speaker 2: He was a stand up Canadian back in the day.
• 49:00
  Speaker 1: He did that whole kind of like Bob Newhart, kind
• 49:02
  Speaker 1: of like the awkward, you know, stand ups. I think
• 49:05
  Speaker 1: it's funny.
• 49:05
  Speaker 2: But he's somebody that, maybe it's because I don't have
• 49:07
  Speaker 2: the nostalgia for Woody Allen, but he's somebody that when
• 49:09
  Speaker 2: I look at him, I'm just like, oh, you're a
• 49:11
  Speaker 2: fucking perverse.
• 49:12
  Speaker 1: Yeah.
• 49:13
  Speaker 2: So and if you are, if you, oh god, there's
• 49:16
  Speaker 2: so like all all mine, like father daughter relationships, what
• 49:19
  Speaker 2: that's about. But if you're in love with your daughter
• 49:22
  Speaker 2: or whatever, go see a shrink or like or get
• 49:25
  Speaker 2: like a lobotomy or something, or like a castration, like
• 49:28
  Speaker 2: don't do it. But sunny whatever, she's in it for
• 49:31
  Speaker 2: the money, probably I don't know. Or she was groomed
• 49:34
  Speaker 2: and she's a victim. I don't know.
• 49:35
  Speaker 1: Ye, well, she's probably old too.
• 49:38
  Speaker 2: I mean, well she was like a child when like
• 49:40
  Speaker 2: she was being groomed by him.
• 49:42
  Speaker 1: But I feel like ever since I was a little kid,
• 49:44
  Speaker 1: I've heard about those two and like even remember uh
• 49:48
  Speaker 1: the show Animaniacs. They made jokes about that on the
• 49:51
  Speaker 1: Oh well that's.
• 49:52
  Speaker 2: Dark and yeah, sure right, yeah, how old is sunny?
• 49:56
  Speaker 3: Uh?
• 49:57
  Speaker 1: So they got together in ninety seven, she's fifty four.
• 50:00
  Speaker 2: Were that's crazy. That is crazy, so Animadacs. So if
• 50:04
  Speaker 2: we take away like twenty five years, yeah.
• 50:06
  Speaker 1: Maybe it was animated.
• 50:07
  Speaker 3: I heard that.
• 50:08
  Speaker 1: I've remember seeing something about that. Though maybe it's somethings.
• 50:10
  Speaker 2: I don't know, but I just don't understand how you
• 50:12
  Speaker 2: could be like uh, and I'm not an actress. I
• 50:16
  Speaker 2: don't know what it's like to be whatever. But Scarlet
• 50:19
  Speaker 2: Chrehansen's a big fan of his, and she also this
• 50:22
  Speaker 2: is that's why Scarlet Johnson's on my list. And I
• 50:24
  Speaker 2: think I talked about this before she had the audacity
• 50:26
  Speaker 2: when the Harvey Weinstein thing came out for her to say, well,
• 50:29
  Speaker 2: that never happened to me. Well, just because a rapist
• 50:32
  Speaker 2: isn't rape and he's not a rapist like Jesus fuck.
• 50:34
  Speaker 1: So Animas came at ninety three, so it could have
• 50:36
  Speaker 1: could have been for some reason that said it came
• 50:38
  Speaker 1: out later, but no, yeah, I can.
• 50:39
  Speaker 2: Almost imagine them. I can almost see the illustrations animateac
• 50:42
  Speaker 2: illustration of what he out.
• 50:43
  Speaker 1: Went same yeah and then yeah look that up.
• 50:47
  Speaker 2: Yeah and then I also her, uh, I don't know
• 50:49
  Speaker 2: who it was, something like random nobody found a laundry
• 50:53
  Speaker 2: like what's called drag cleaner's tag from sun Ye and
• 50:56
  Speaker 2: he kept it like she's like laundry claim tag. He
• 51:02
  Speaker 2: found it on the road and like grabbed it, and oh,
• 51:04
  Speaker 2: but that's a weird thing to grab. But I would
• 51:06
  Speaker 2: totally would would if you saw songs like.
• 51:12
  Speaker 4: One.
• 51:13
  Speaker 1: Can't be the only one. I don't know, but anyways,
• 51:18
  Speaker 1: anybody named that.
• 51:19
  Speaker 2: If I saw celebrity at a at a restaurant, I
• 51:21
  Speaker 2: would definitely approach them, like I did with a guy
• 51:24
  Speaker 2: from Stranger Things. But I did in a very professional
• 51:27
  Speaker 2: way because I'm like an adult man and he's like
• 51:28
  Speaker 2: a young twenty something year old. But if I saw
• 51:31
  Speaker 2: like a famous person, if I saw like Brad Pitt
• 51:32
  Speaker 2: at a movie at a dinner, I would wait for
• 51:35
  Speaker 2: him to leave it. I would immediately go over and
• 51:36
  Speaker 2: take his potato, take his potatoes and take his like glass,
• 51:39
  Speaker 2: like lick it and stuff like it's Brad fucking pit.
• 51:42
  Speaker 5: Yeah.
• 51:42
  Speaker 2: I wouldn't do that with Sughe necessarily anyway, So I
• 51:49
  Speaker 2: would be tempted, but I would probably like, who would
• 51:52
  Speaker 2: you rather lick their plate?
• 51:53
  Speaker 1: Brad Pitt or s YEAHNT?
• 51:56
  Speaker 2: Yeah exactly, all right, listener. So my number one album
• 52:01
  Speaker 2: was Mama's the Papa self titled. Number one song was
• 52:05
  Speaker 2: Sweet Caroline by Neil Diamond. And favorite movie Rosemary's Baby.
• 52:11
  Speaker 2: And I really think it's a scary movie, but it's
• 52:13
  Speaker 2: not jump scared, so I don't think you're gonna be scared.
• 52:15
  Speaker 1: I do want to see it because I mean that's
• 52:17
  Speaker 1: one of those movies that everybody's heard about, and like,
• 52:19
  Speaker 1: I listened to a lot of movie podcasts and it's
• 52:21
  Speaker 1: always on people's lists and shit, so it must be
• 52:23
  Speaker 1: a really good one.
• 52:23
  Speaker 2: And I think you know who I would be about,
• 52:25
  Speaker 2: a friend of the podcast, Kathy, because it has a
• 52:29
  Speaker 2: lot of different colored filters. I just thought about this,
• 52:31
  Speaker 2: Oh sure throughout the movie to signify different emotions.
• 52:35
  Speaker 1: Yeah, so I bet she.
• 52:36
  Speaker 2: I'm sure she's seen it. Babies, What were yours? Again?
• 52:38
  Speaker 1: So my top album was Where Did Our Love Go?
• 52:40
  Speaker 1: By The Supremes. My number one song of the nineteen
• 52:44
  Speaker 1: sixties is Dean Martin an evening in Roma or on
• 52:48
  Speaker 1: Roma actually, and then my number one movie was Westside's Story.
• 52:55
  Speaker 2: All right, listener until next time.
• 52:57
  Speaker 1: I am Jeff, I'm Andy Farrow, and.
• 53:01
  Speaker 2: Go ahead and leave us a five star review, find
• 53:03
  Speaker 2: us on social media, and then and we will see
• 53:06
  Speaker 2: you next Tuesday.
• 53:07
  Speaker 3: Toby maguire, that's.
• 53:12
  Speaker 1: A wrapper for this episode of Notablestalt. Hope you enjoyed
• 53:15
  Speaker 1: our trip down memory line just as much as we.
• 53:18
  Speaker 1: If you love reminiscing with us, don't forget to subscribe
• 53:21
  Speaker 1: preview and'll be sure to tune in next time for
• 53:23
  Speaker 1: more nostalgia fun. Notable Nostalgia was created by Ali J.
• 53:27
  Speaker 2: Warren and introduced by Your Lips and edited by Andrew Looks.
• 53:31
  Speaker 1: You can find us at Facebook dot com, slash Notable Nostalgia,
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  Speaker 1: Instagram dot com, slash notble Nostalgia, and shoot us an
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  Speaker 1: email at Notable Nostalgia ninety at gmail dot com. Catch
• 53:42
  Speaker 1: you on the flip side, nostalgia Nerds.