Latest / 70 80 / SETTANTAxOTTANTA: 1979. Due diversi Michael Jackson con Don’t stop ’til you get enough e Weekend. Ma la guerra è scoppiata nel 1978

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SETTANTAxOTTANTA: 1979. Due diversi Michael Jackson con Don’t stop ’til you get enough e Weekend. Ma la guerra è scoppiata nel 1978 · 70 80

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  on. Benvenuti a 70x80, la rubrica di 7080 .it
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  dedicata all 'approfondimento dei temi trattati
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  negli articoli del portale. Siamo con il direttore
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  Massimo Lualdi che introduce l 'argomento odierno.
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  Di cosa parliamo oggi? Di musica. La cosa più
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  interessante è che l 'incontro in classifica
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  nel 1979 di Mick Jackson, all 'anagrafe Michael
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  George Jackson, nato in Inghilterra nel 1947,
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  con la famosa Weekend, un classico disco 70 con
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  il più celebre omonimo Michael Jackson. also
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  known as Don't Stop Till You Get Enough, was
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  preceded by the publication by the first, Mick,
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  of Blame It on the Boogie, a song written and
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  sung by him, but which became in the same year
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  a success of the Jacksons, with the voice of
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  the second, Michael. And from that night I kissed
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  all of goodbye To immediately bring to light
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  what is of Caesar, it must be said that Mick
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  had first recorded his version of Blame It on
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  the Boogie, but Jackson's management had purchased
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  the song at the Medium, the Cannes music industry
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  fair, where it was offered to them by the English
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  artist's publisher, unaware of the same. To complicate
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  the matter, there was a delay in the typography
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  that was producing Mick's single, so that in
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  the UK the two versions were published a few
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  weeks later from each other. Oh baby, I'm so
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  shy La stampa dell 'epoca apprezzò la somiglianza
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  dei nomi e la coincidenza delle uscite, definendo
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  la situazione la battaglia del boogie, mentre
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  i due dischi si contendevano le posizioni in
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  classifica. Nel dettaglio, le stazioni radio
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  si unirono alla battaglia. BBC Radio 1 trasmise
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  solo la versione dei Jacksons, mentre Capital
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  Radio si concentrò sul singolo di Mick. La stampa
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  musicale era altrettanto divisa. Melody Maker
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  non recensiva la versione di Mick Jackson, ma
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  non mancava occasione per elogiare i Jacksons,
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  fino a definire, erroneamente, il loro single.
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  as a self -produced song, while New Musical Express
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  greeted Mick as the winner of the battle, declaring
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  his version of Gran Lunga superior. It is true,
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  however, that Mick Jackson's original reached
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  only the 15th place, while the Jacksons reached
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  the 8th place in the singles ranking of the United
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  Kingdom. But the war of Michael Jackson did not
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  end with the battle of 1978. The following year,
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  the publication of Mick of the single We Can
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  happened in the same week as that of the second
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  single of the Jacksons, Destiny. The songs entered
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  the ranking the same day, reaching respectively
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  the 38th and 39th place in the ranking of the
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  singles of the United Kingdom, and both Michael
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  appeared in the same edition of Top of the Pops.
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  What a feeling. Feel like singing. Tired of working.
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  The fact is that Weeknd passed eight weeks in
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  the ranking, thus equating the permanence of
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  his previous single and also avoiding the label
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  of One It Wonder. Subsequently Mick worked with
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  many artists such as David Knoefler, Eric Barden,
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  Lisa Stanfield and Barry Manilow. In 2010 the
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  director Patrick Nation made a documentary about
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  Mick Jackson for the channel 4, entitled The
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  Ever Michael Jackson Battle of the Boogie. The
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  documentary was co -written and presented by
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  Mick's son, Sam Peter Jackson, and brought to
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  the Republic. of the 1978 album by Mick Jackson,
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  Weekend, which contained the original version
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  of Blame It on the Boogie for the first time
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  in 30 years by Demo Music. At the UPS Store,
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