Latest / 70 80 / SETTANTAxOTTANTA - 1966. A Carosello ci sono i papallesi, abitanti tondi e senza arti del pianeta Papalla

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SETTANTAxOTTANTA - 1966. A Carosello ci sono i papallesi, abitanti tondi e senza arti del pianeta Papalla · 70 80

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  70 per 80, the 7080 .it section that deepens
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  the topics discussed on the portal. I am with
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  journalist Enzo Mauri, who introduces the current
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  topic. Good morning, today I talk to you about
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  strange spherical beings. At 100 ,000 light years
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  from Earth, there is a planet populated by strange
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  round beings with eyes but without legs and arms.
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  Their technology is ahead of 2 ,000 years compared
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  to ours and they love to pass it from morning
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  to evening. Welcome to the planet... Attention,
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  attention! Our astro microphone has landed on
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  the planet Papala, 100 ,000 light years away
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  from Earth. The extraordinary service in astrovision
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  is offered by Filco Italiana. The spherical beings
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  appeared for the first time at Carosello in 1966
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  to advertise the Filco appliances. The US company
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  on the Italian economic boom had in fact inaugurated
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  in 1958 a establishment with 2 ,000 employees
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  located in Brembata and above in the province
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  of Bergamo. The idea of ​​the Papal Planet and
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  its unique inhabitants came to mind as the owner
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  of the famous advertising agency he is also indebted
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  to the paternity of Carmen Sita and Caballero,
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  the characters in the form of conne and Gesso,
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  invented for the Lavazza campaign. As Armando
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  Testa later stated, the inhabitants of the planet
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  Papalla had to represent with their roundness,
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  a legacy still evident at the time of the deprivation
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  of the Second World War, a rich and opulent life
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  ideal for the carousel spot. The physical and
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  spherical conformity of the characters was then
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  ideal for cartel and graphic needs. It also transmitted
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  a sense of sympathy and cordiality. As for the
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  ad in the carousel Filco Papalla, the technique
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  of step one or stop motion was adopted. a series
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  of photographs of the characters moving, then
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  edited in sequence. The concept of the 25 photographs
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  per second used to give the idea of the movement
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  was now part of animation cinema, in the case
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  of Stop Motion the set was real, just like the
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  characters. In every carousel, an astro -microphone
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  landed on the planet Papal with the intent to
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  interview its inhabitants and discover their
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  avant -garde technology, such as the machinery
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  that made women find the soul of a twin. Although,
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  before 2000 years, the Papal mentions could not
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  do anything against that terrestrial when talking
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  about the Filco brand. Thank you Denzo Mauri
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  for the modern theme. See you in the next episode
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