Latest / Movie Meltdown / Attack of David Bowie!

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Attack of David Bowie! · Movie Meltdown

• 0:00
  Speaker 1: Guess who?
• 0:02
  Speaker 2: It's 10 o'clock.
• 0:02
  Speaker 3: Do you care where your parents are?
• 0:04
  Speaker 1: The following feature has been rated R by the Motion
• 0:06
  Speaker 1: Picture Association of America. It is intended for mature audiences
• 0:10
  Speaker 1: and parental discretion is advised.
• 0:20
  Speaker 4: This is not a drill.
• 0:23
  Speaker 5: Repeat, this is not a drill.
• 0:25
  Speaker 6: At this time, we are.
• 0:27
  Speaker 3: Requesting the immediate and orderly evacuation of the vicinity.
• 0:36
  Speaker 1: The Coast Guard and the Navy have been alerted and
• 0:38
  Speaker 1: are standing by on the eastern seaboard.
• 0:41
  Speaker 7: And it continues to burn out of control.
• 0:43
  Speaker 2: It has been regular.
• 0:44
  Speaker 8: Every five to ten minutes, there has been another convoy
• 0:47
  Speaker 8: of units, fire companies, paramedics.
• 0:50
  Speaker 4: A citywide emergency has been declared.
• 0:52
  Speaker 9: Police officers are still on tactical full alert.
• 0:56
  Speaker 10: 2,000 National Guardsmen are standing by.
• 0:58
  Speaker 4: Air defense warning read.
• 1:01
  Speaker 8: It's time for Movie Meltdown's Attack of the Killers soundtrack.
• 1:08
  Speaker 11: The live transmission has begun, and we're into the final
• 1:12
  Speaker 11: hour of hell.
• 1:33
  Speaker 8: What's up and welcome to Movie Meltdown's Attack of the
• 1:35
  Speaker 8: Killers soundtrack. I'm Brian.
• 1:37
  Speaker 12: I'm Lucy.
• 1:38
  Speaker 4: I'm Michael.
• 1:38
  Speaker 13: And I'm Phillip.
• 1:39
  Speaker 8: And we are back once again live via digital recording
• 1:42
  Speaker 8: from the Higgins Memorial Coliseum. Listen to the crowd.
• 1:49
  Speaker 14: Calm down.
• 1:50
  Speaker 8: Which is here to DJ some songs for you.
• 1:52
  Speaker 4: They thought this was a We Love Magnum PI podcast.
• 1:56
  Speaker 4: That's a callback that nobody wanted.
• 2:00
  Speaker 12: Unless we air this show first, and then it's a
• 2:01
  Speaker 12: call forward that no one will understand.
• 2:04
  Speaker 8: That really didn't happen until recently in the world of technology.
• 2:08
  Speaker 4: Yep.
• 2:09
  Speaker 8: The magic of call forwarding. I guess the phone company
• 2:14
  Speaker 8: came up with that first.
• 2:15
  Speaker 12: I know, now that's a throwback term.
• 2:17
  Speaker 8: Now it's retro. There's going to be circles here.
• 2:21
  Speaker 15: All right.
• 2:21
  Speaker 8: So as you may have noticed when you push play,
• 2:25
  Speaker 8: this is a very specific themed episode. And it mostly
• 2:29
  Speaker 8: started when, well, I guess probably for all of you,
• 2:33
  Speaker 8: we noticed the passing of this person. But for us
• 2:37
  Speaker 8: in particular, like as well, the night of, I'm already
• 2:40
  Speaker 8: making a list of like, and.
• 2:41
  Speaker 7: I have that.
• 2:42
  Speaker 8: Like, I'm just looking at my like stack OCDs and
• 2:46
  Speaker 8: all the soundtracks and stuff.
• 2:47
  Speaker 4: And I'm like, huh?
• 2:49
  Speaker 8: As people are scrolling by on Facebook with their, like,
• 2:52
  Speaker 8: tons and tons of, oh, my God, I can't believe
• 2:54
  Speaker 8: he died. Oh, my God, this is a cool picture
• 2:55
  Speaker 8: of him. Like, I'm just like, that one soundtrack.
• 2:59
  Speaker 4: Was really cool.
• 3:00
  Speaker 8: Wait, no, I have that one, too. Wait, no, I
• 3:02
  Speaker 8: have that one. Like, I just start thinking of all
• 3:04
  Speaker 8: the specific soundtrack stuff that I had that had a
• 3:09
  Speaker 8: very interesting or kind of monumental, for a few of them,
• 3:13
  Speaker 8: Bowie songs on it. So I was like, all right,
• 3:16
  Speaker 8: that would be a cool thing. So I'm already like
• 3:18
  Speaker 8: making a list of like, that'd be a cool one
• 3:20
  Speaker 8: to throw in the mix. Oh yeah, here's one I
• 3:22
  Speaker 8: haven't heard that much of. Let's work that in. And
• 3:24
  Speaker 8: Michael messaged me and is like, so if you're doing
• 3:27
  Speaker 8: anything with Bowie, I'm totally in on it. I'm like,
• 3:30
  Speaker 8: that's weird because I'm making a list right now. So
• 3:33
  Speaker 8: this is the steps that are putting this together. The
• 3:37
  Speaker 8: dominoes have fallen. We're here right now. So I'm assuming
• 3:43
  Speaker 8: you guys have heard of this Bowie character.
• 3:45
  Speaker 4: Yeah, this is the Linguini incident episode, right?
• 3:51
  Speaker 1: Sure.
• 3:52
  Speaker 4: No, okay.
• 3:54
  Speaker 8: So, if we don't have anything beforehand, I'll just kick
• 3:59
  Speaker 8: it off.
• 4:00
  Speaker 12: Kick it off.
• 4:01
  Speaker 8: Because I thought that the way going in, again, trying
• 4:04
  Speaker 8: to figure out what one to start with, I'm like,
• 4:07
  Speaker 8: let's start one that also starts a movie and is
• 4:10
  Speaker 8: a very... That was one of the first ones that
• 4:13
  Speaker 8: I thought of sitting on my shelf over there. I
• 4:15
  Speaker 8: was like, I'm deranged is kind of badass. So yeah,
• 4:18
  Speaker 8: Lost Highway, 1997, kicks off the movie, David Bowie.
• 5:07
  Speaker 7: Funny how secrets travel.
• 5:12
  Speaker 2: I start to believe.
• 5:15
  Speaker 7: If I wasn't me.
• 5:16
  Speaker 16: In the sky the man shaves his hands built high.
• 5:23
  Speaker 2: Cruel as me loved.
• 5:29
  Speaker 17: Cruel as me laid.
• 5:34
  Speaker 7: A plan to leap beyond, beyond, beyond.
• 5:39
  Speaker 16: Lonely dawn No return I'm deranged.
• 5:49
  Speaker 7: Deranged, deranged, deranged I'm T-Ray, da, da, da.
• 6:05
  Speaker 2: So cruise.
• 6:08
  Speaker 18: With me, cruise with me on. And the rail sets in.
• 6:20
  Speaker 18: It's the Angel Man. I'm T-Ray. Cruise with, cruise with,
• 6:29
  Speaker 18: cruise with me.
• 6:57
  Speaker 7: Dick Laurent is dead.
• 6:59
  Speaker 8: I love that one. I think it's so, with most
• 7:02
  Speaker 8: of his, he kind of gets the mood and comes
• 7:06
  Speaker 8: up with a song that's sort of perfect. And that's
• 7:08
  Speaker 8: saying something when it's a weird-ass David Lynch movie.
• 7:11
  Speaker 12: Do we want to talk more David Lynch, David Bowie crossover?
• 7:13
  Speaker 4: Yeah, let's do that.
• 7:15
  Speaker 8: Feel free to.
• 7:15
  Speaker 12: Well, I just like that he was in Twin Peaks
• 7:17
  Speaker 12: Fire Walk with me.
• 7:18
  Speaker 4: I think that is the best part of just about
• 7:20
  Speaker 4: any movie ever made, period. That five minute scene with
• 7:23
  Speaker 4: him in it.
• 7:24
  Speaker 13: Yes, but then I was, that was the most confusing
• 7:27
  Speaker 13: thing out of all the Twin Peaks mythos. It's because
• 7:32
  Speaker 13: he's there and then he disappears and it's like, when's.
• 7:34
  Speaker 4: David Bowie going to come back?
• 7:36
  Speaker 13: He tricked you.
• 7:37
  Speaker 8: It's also true.
• 7:38
  Speaker 18: Damn it.
• 7:39
  Speaker 8: Crazy David Bowie. Sneaking up like that. Maybe he can
• 7:42
  Speaker 8: really do that now.
• 7:43
  Speaker 19: That'd be awesome.
• 7:46
  Speaker 4: I really think like the David Lynch, David Bowie collaboration
• 7:51
  Speaker 4: was one of the more natural. It's weird saying this
• 7:54
  Speaker 4: because at the time, I mean, David Lynch has always
• 7:56
  Speaker 4: been a weird dude, but David Bowie gets it has
• 8:00
  Speaker 4: a reputation for always being a weird dude. But really,
• 8:02
  Speaker 4: if you listen to his music in the 70s. It's
• 8:06
  Speaker 4: not really that weird.
• 8:08
  Speaker 8: No, it's of the times.
• 8:10
  Speaker 4: Yeah, what you're really hearing is cocaine. You're not really hearing, like, music.
• 8:14
  Speaker 4: He never did drugs. But, like, that's the most perfect
• 8:20
  Speaker 4: movie person David Bowie could have ever collaborated with, especially
• 8:25
  Speaker 4: in that time, I think, because that music was so
• 8:29
  Speaker 4: David Lynchian, and the David Lynchian movies were so David Bowie-y.
• 8:33
  Speaker 4: Like in 1992 to 1998 or whatever. Yeah. It was perfect.
• 8:38
  Speaker 8: It was a good collaboration.
• 8:40
  Speaker 12: That makes sense.
• 8:41
  Speaker 8: Do we want to go with, again, this one, I'm
• 8:44
  Speaker 8: throwing a few out to you. I just made a
• 8:45
  Speaker 8: list of like all the awesome ones I could think
• 8:47
  Speaker 8: of and a few that I hadn't heard before. I
• 8:49
  Speaker 8: was trying to go with some of the lesser known ones, but.
• 8:52
  Speaker 8: I think you had one that you wanted, Lucy.
• 8:55
  Speaker 12: Well, I don't know if it was in a soundtrack. Again,
• 8:57
  Speaker 12: I forget the format of the show.
• 8:59
  Speaker 8: Have you been here before?
• 9:01
  Speaker 4: Four years?
• 9:03
  Speaker 12: Only once for the soundtrack show. And I showed up
• 9:05
  Speaker 12: to that one being utterly lost as well.
• 9:07
  Speaker 8: At least twice. I can think of two times.
• 9:10
  Speaker 12: So I wanted to hear kooks. And speaking of, you know,
• 9:13
  Speaker 12: you want to project weirdness onto David Bowie when sometimes
• 9:15
  Speaker 12: there's no weirdness to David Bowie.
• 9:18
  Speaker 4: Yeah.
• 9:19
  Speaker 12: I always, this makes me feel terribly about myself, but
• 9:23
  Speaker 12: I always thought that this song, I only realized within
• 9:26
  Speaker 12: the last few years that he wrote this for his son,
• 9:29
  Speaker 12: Duncan Jones, filmmaker, fantastic filmmaker, then Zoe Bowie. But I
• 9:37
  Speaker 12: always thought that this song was like, two old perverts
• 9:40
  Speaker 12: singing to like a young girl trying to bring her
• 9:43
  Speaker 12: into a weird threesome.
• 9:44
  Speaker 8: Well, I mean, that wouldn't be out of his spectrum either.
• 9:48
  Speaker 8: I know what I thought.
• 9:49
  Speaker 12: But I feel guilty that I projected that on him.
• 9:52
  Speaker 12: And like, because the lyrics very much lay out that
• 9:55
  Speaker 12: it's about a child.
• 9:57
  Speaker 4: Yeah.
• 9:57
  Speaker 12: But I thought it was like, you know, when he's
• 9:59
  Speaker 12: talking about buying a cruise ship. like i'm imagining like
• 10:01
  Speaker 12: an ilia kazan baby doll kind of scenario like i
• 10:04
  Speaker 12: went super fucking pervert on it and really it's a
• 10:08
  Speaker 12: very sweet song that a almost to be father wrote
• 10:12
  Speaker 12: his unborn child um and i'm a bad person well
• 10:16
  Speaker 12: we knew.
• 10:16
  Speaker 4: That well yeah.
• 10:24
  Speaker 6: If you stay, you won't be sorry.
• 10:28
  Speaker 16: Cause we believe.
• 10:30
  Speaker 7: In you.
• 10:32
  Speaker 20: Soon you'll grow So take a chance With a couple
• 10:37
  Speaker 20: of kooks Hung up on romancing Will you stay in
• 10:43
  Speaker 20: our lover's story If you stay, you won't be sorry
• 10:48
  Speaker 20: Cause we believe in.
• 10:50
  Speaker 7: You Soon you'll.
• 10:54
  Speaker 20: Grow, so take a chance with a couple of kooks.
• 11:00
  Speaker 7: And have fun romancing.
• 11:08
  Speaker 20: We bought a lot of things to keep you warm
• 11:11
  Speaker 20: and dry, and a funny old crib.
• 11:14
  Speaker 4: On which the paint won't dry.
• 11:17
  Speaker 7: I bought you a pair.
• 11:18
  Speaker 21: Of shoes, a trumpet you can blow, and a book
• 11:22
  Speaker 21: of rules.
• 11:23
  Speaker 19: What to say to people when they pick on you,
• 11:27
  Speaker 19: cause if you stay with us, you're gonna be pretty
• 11:29
  Speaker 19: cookie too.
• 11:31
  Speaker 7: Will you stay in our lover's story? If you stay,
• 11:36
  Speaker 7: you won't be sorry.
• 11:38
  Speaker 17: Cause we believe in you.
• 11:42
  Speaker 22: Soon you'll grow, so.
• 11:44
  Speaker 8: Take a chance with a.
• 11:46
  Speaker 7: Couple of kooks on a fun romancing.
• 11:59
  Speaker 3: And if you ever have.
• 12:00
  Speaker 23: To go to school, remember how they messed up.
• 12:04
  Speaker 7: This old fool.
• 12:06
  Speaker 20: Don't pick fights with the bullies or the cats, cause
• 12:09
  Speaker 20: I'm not much cop at punching other people's dads. And
• 12:14
  Speaker 20: if the homework brings you down, then we'll throw it
• 12:17
  Speaker 20: on the fire and take the car downs out.
• 12:21
  Speaker 7: Will you stay in my lover's story? If you stay,
• 12:26
  Speaker 7: you won't be sorry, cause we believe in you.
• 12:31
  Speaker 3: Soon you'll grow, so take a chance.
• 12:35
  Speaker 7: With a couple of kooks. I'm up and romancing. Well,
• 12:41
  Speaker 7: you stay and I love the story. If you stay,
• 12:45
  Speaker 7: you won't be sorry. Because we believe in you. Soon
• 12:50
  Speaker 7: you'll grow.
• 12:51
  Speaker 20: So take a chance with a couple of groups.
• 12:59
  Speaker 4: Before I knew what it was actually about, I thought
• 13:02
  Speaker 4: it was about The Great Gatsby for some reason. Because
• 13:06
  Speaker 4: I don't know if it was like when I heard
• 13:07
  Speaker 4: the song or something, but for some reason, I don't
• 13:10
  Speaker 4: give a shit about The Great Gatsby, but I remember
• 13:12
  Speaker 4: it because it was one of the books I forced
• 13:14
  Speaker 4: myself to read when I was in school. Because I
• 13:16
  Speaker 4: was like, no, goddammit, you're going to read this book
• 13:19
  Speaker 4: because I didn't read any books that I was supposed
• 13:20
  Speaker 4: to read in school. I like that. That one I read.
• 13:23
  Speaker 4: And so there's a part where he's talking about, you know,
• 13:25
  Speaker 4: we'll get in the car and we'll go downtown, blah, blah, blah.
• 13:27
  Speaker 4: And it reminded me of the part in The Great
• 13:29
  Speaker 4: Gatsby where they're like, they're all fucking drunk and they
• 13:31
  Speaker 4: get in the car and they go from the West
• 13:33
  Speaker 4: Egg to Manhattan or something and maybe they hit somebody.
• 13:35
  Speaker 2: I don't know.
• 13:36
  Speaker 8: Probably right now on YouTube, someone has taken that song
• 13:39
  Speaker 8: and put clips of The Great Gatsby on there so
• 13:42
  Speaker 8: this dream could come true.
• 13:45
  Speaker 12: So this is a real Rorschach test of a song.
• 13:47
  Speaker 8: I'm a pervert.
• 13:48
  Speaker 12: You're a.
• 13:49
  Speaker 4: No, I'm totally a pervert.
• 13:50
  Speaker 8: A pervert who loves the Great Gatsby.
• 13:51
  Speaker 4: That's not what I took from that song.
• 13:54
  Speaker 8: Yeah.
• 13:55
  Speaker 12: But it's actually an incredibly sweet song, especially the lyrics
• 13:58
  Speaker 12: where he's talking about how he's going to buy him
• 14:00
  Speaker 12: a book, the things to say when people are mean
• 14:03
  Speaker 12: to you, because if you're growing up with us, you're
• 14:05
  Speaker 12: going to be pretty kooky too. It's just the sweetest,
• 14:08
  Speaker 12: sweetest song.
• 14:09
  Speaker 4: Yeah, it really is. What movie was that in?
• 14:14
  Speaker 8: From 2011's Hannah, figure that out.
• 14:19
  Speaker 24: Hannah.
• 14:21
  Speaker 8: Which is an awesome movie, but mostly for her performance.
• 14:23
  Speaker 8: She's badass.
• 14:24
  Speaker 4: Who is Hannah?
• 14:25
  Speaker 7: Brooklyn.
• 14:27
  Speaker 4: What?
• 14:27
  Speaker 8: I don't know how to say her name. That was
• 14:29
  Speaker 8: my favorite joke lately. Spike Lee must be really pissed
• 14:33
  Speaker 8: off that they made a movie called Brooklyn with nothing
• 14:35
  Speaker 8: but a bunch of white people in it. Wait, I
• 14:37
  Speaker 8: heard that.
• 14:37
  Speaker 2: Who said that?
• 14:38
  Speaker 8: I'm trying to remember now. It was funny, though. I
• 14:40
  Speaker 8: was like, that's a good line. What is her name?
• 14:44
  Speaker 8: Swarshi Swarshi Saoirse Ronan it took me I set out
• 14:49
  Speaker 8: to specifically find out the right way to say it
• 14:51
  Speaker 8: it's Saoirse Ronan Saoirse Saoirse Ronan it took me a
• 14:54
  Speaker 8: long time to get it right that's a good name
• 14:56
  Speaker 8: I can't pronounce names for shit but that one I
• 14:58
  Speaker 8: worked on that one for fuck's sake okay because she
• 15:01
  Speaker 8: is a very.
• 15:01
  Speaker 12: Good actress she is she's fantastic.
• 15:04
  Speaker 4: The album that Kooks came from, which is the one
• 15:07
  Speaker 4: that everybody loves, Hunky Dory, I think that, I also
• 15:11
  Speaker 4: like it, but I think it's probably my least favorite song. Well,
• 15:14
  Speaker 4: it's one of my, like, three least favorite songs on
• 15:17
  Speaker 4: that album, because it's just kind of like, it feels
• 15:19
  Speaker 4: like a throwaway in an album that takes itself really seriously. Like,
• 15:24
  Speaker 4: that album takes itself so fucking seriously, and that song's
• 15:27
  Speaker 4: just kind of like the.
• 15:29
  Speaker 8: And we got one more track to throw.
• 15:30
  Speaker 4: Kooky song on the album that takes itself really seriously, so.
• 15:34
  Speaker 8: Crazy 70s artist what do you all right i was
• 15:39
  Speaker 8: trying to mix it up and go with some older
• 15:42
  Speaker 8: stuff some newer stuff and some stuff that maybe people
• 15:45
  Speaker 8: again i was trying to steer away from the huge
• 15:48
  Speaker 8: hits of which he has many we can work some
• 15:50
  Speaker 8: in if you'd like but uh the ones i was
• 15:52
  Speaker 8: trying to come up with were more stuff that was
• 15:54
  Speaker 8: either exclusive to soundtracks or was a weird thing that
• 15:58
  Speaker 8: he did specifically for that soundtrack So this was for
• 16:02
  Speaker 8: our 1997's The Ice Storm. This is I Can't Read.
• 16:40
  Speaker 16: I can't read and I can't write down.
• 16:44
  Speaker 7: I don't know a book from Countdown.
• 16:51
  Speaker 16: I don't know which shadow gets me As someone's face
• 17:23
  Speaker 16: Can I see the family smile?
• 17:28
  Speaker 7: Can I reach tomorrow?
• 17:44
  Speaker 16: Can I walk a missing mile?
• 17:49
  Speaker 7: Can I feel, can I please? I can't pretend anymore,
• 18:41
  Speaker 7: boy I just sit.
• 18:52
  Speaker 25: Back and ignore I just can't seem.
• 19:09
  Speaker 7: To get it right. Get it right. I can't reach it.
• 19:18
  Speaker 7: I can't reach it.
• 19:28
  Speaker 4: Is it the Tin Machine version of I Can't Read?
• 19:31
  Speaker 4: Or did he re-record that? Because that was on the
• 19:33
  Speaker 4: album Tin Machine from 1989. Yeah. Some fucking business rock.
• 19:37
  Speaker 4: They're all wearing suits.
• 19:39
  Speaker 8: Because it was one of those I was like, I
• 19:40
  Speaker 8: really liked Tin Machine at the time and I totally
• 19:43
  Speaker 8: got out of the loop and wasn't really remembering it
• 19:45
  Speaker 8: until again, looking at this and was like, oh, fuck
• 19:48
  Speaker 8: Tin Machine. I forgot midway into his career, he decided, hey,
• 19:52
  Speaker 8: I want a band. I know I'm already an established
• 19:55
  Speaker 8: solo artist. Fuck it, I want a band. So he
• 19:57
  Speaker 8: just got some guys, made a band.
• 19:59
  Speaker 4: What a shame that was.
• 19:59
  Speaker 8: Because he can do that. He's David Bowie.
• 20:02
  Speaker 4: What a shame. That's the only Tin Machine song I like.
• 20:05
  Speaker 4: That's why I was wondering if it's that version or
• 20:07
  Speaker 4: if he remade it, because... The song Cat People Putting
• 20:11
  Speaker 4: Out Fires was a song that nobody gave a flying
• 20:15
  Speaker 4: fuck about from the Let's Dance album. And it just
• 20:17
  Speaker 4: happened to come back as a really good version of
• 20:20
  Speaker 4: that song in that Quentin Tarantino movie that we talked
• 20:22
  Speaker 4: about earlier that I forgot the name of.
• 20:24
  Speaker 12: And by earlier, you mean weeks ago or weeks in
• 20:26
  Speaker 12: the future?
• 20:28
  Speaker 4: Weeks ago, weeks in the future. We talked... At some
• 20:31
  Speaker 4: point there is a conversation in the ether about a
• 20:34
  Speaker 4: Quentin Tarantino movie.
• 20:35
  Speaker 8: I mean, we could even return to that song.
• 20:37
  Speaker 4: The war movie.
• 20:38
  Speaker 8: At some point if we wanted to. But yeah, I
• 20:40
  Speaker 8: don't know. That one was just super dark and kind
• 20:43
  Speaker 8: of cool. What do you see when you're in the
• 20:45
  Speaker 8: dark and the demons come? Okay, so again, going through
• 20:49
  Speaker 8: trying to find stuff that I hadn't heard a ton of,
• 20:51
  Speaker 8: which again, I didn't listen to a lot of those
• 20:54
  Speaker 8: super beloved 70s albums. I knew all the hits from them.
• 20:57
  Speaker 8: But going back, I was like, all right, let's find
• 21:00
  Speaker 8: out about Soul Love. So this is from, again, I
• 21:04
  Speaker 8: love the choices where they show up. 2006's Lady in
• 21:08
  Speaker 8: the Water. This is Soul Love.
• 21:10
  Speaker 14: Oh, wow.
• 21:12
  Speaker 4: Why did that need to be a thing?
• 21:19
  Speaker 20: Stone love She kneels before the grave of rain Sun.
• 21:28
  Speaker 3: Who gave his life to save.
• 21:30
  Speaker 20: Us A slogan that hovers between the headstone and her eyes.
• 21:39
  Speaker 22: For they penetrate her grieving You are a boy and
• 21:48
  Speaker 22: girl that talk in new words That only they can.
• 21:54
  Speaker 7: Share in you.
• 21:57
  Speaker 20: A love so strong it tears their hearts to pieces.
• 22:04
  Speaker 20: Through the bleeding hours of mourning.
• 22:08
  Speaker 3: Love is careless, then it's choosing, streaming over across a nightmare.
• 22:15
  Speaker 7: Love descends on those defenseless, idiot.
• 22:18
  Speaker 14: Love who's.
• 22:21
  Speaker 7: A spark of fusion.
• 22:23
  Speaker 3: Inspirations have I not?
• 22:28
  Speaker 7: Just a touch of flaming love.
• 22:30
  Speaker 3: All I have is my love of love, and love
• 22:33
  Speaker 3: is not loving.
• 22:59
  Speaker 20: So love the priest that tithes the word untold of
• 23:06
  Speaker 20: love and how my God on high is all love.
• 23:14
  Speaker 20: The reaching of my loneliness evolves by the.
• 23:20
  Speaker 23: Blindness that surrounds him.
• 23:24
  Speaker 3: Love is careless, and it's choosing, sweeping over, awesome baby.
• 23:30
  Speaker 3: Love descends on those defenseless, idiot.
• 23:34
  Speaker 7: Love, which forms a fusion.
• 23:37
  Speaker 3: Inspirations have I none, it's the touch that made me come.
• 23:44
  Speaker 7: All I have is my love of love, and love
• 23:47
  Speaker 7: is not loving. Love is not loving.
• 24:36
  Speaker 13: I have not seen Lady in the Water.
• 24:38
  Speaker 4: That just seems like a strange combination to me.
• 24:41
  Speaker 8: Because people love Lady in the Water.
• 24:43
  Speaker 12: I actually do love Lady in the Water. I mean,
• 24:45
  Speaker 12: I don't love it for the reasons that M. Night
• 24:47
  Speaker 12: Shyamalan would want me to love it. But I love
• 24:49
  Speaker 12: it for all the other reasons.
• 24:51
  Speaker 8: He loves him.
• 24:52
  Speaker 22: Yes.
• 24:53
  Speaker 12: Although I heard a theory recently that I kind of
• 24:55
  Speaker 12: like having seen The Visit. Is that what it's called?
• 24:59
  Speaker 12: What's the most recent one?
• 25:01
  Speaker 8: The Visit or The Visitor. Creepy Grandparents?
• 25:03
  Speaker 26: Yes.
• 25:04
  Speaker 12: It is so clearly like a comedy that my friend
• 25:08
  Speaker 12: has a theory that he's been making comedies all along,
• 25:11
  Speaker 12: but they're so dry that nobody super knows because the
• 25:15
  Speaker 12: lady in the water is wildly hilarious. Just the audacity
• 25:19
  Speaker 12: of him casting himself as like a genius writer who
• 25:23
  Speaker 12: critics don't understand the brilliance and importance of, and then
• 25:28
  Speaker 12: to like, the critic character winds up being killed horrifically
• 25:32
  Speaker 12: in a very, very elongated sequence.
• 25:36
  Speaker 8: Take that, critic.
• 25:37
  Speaker 12: It's truly amazing.
• 25:40
  Speaker 4: I thought the movie with the farm and the aliens
• 25:43
  Speaker 4: was really funny, and I don't think it was supposed
• 25:45
  Speaker 4: to be funny.
• 25:46
  Speaker 12: I think it maybe was. I don't know. I like
• 25:49
  Speaker 12: that one.
• 25:50
  Speaker 4: This is a good theory.
• 25:51
  Speaker 19: Yeah.
• 25:52
  Speaker 12: Anyway, just throwing that out there.
• 25:55
  Speaker 4: All right.
• 25:55
  Speaker 8: Moving on. This one I did.
• 25:59
  Speaker 8: My personal take on it is I have the soundtrack.
• 26:02
  Speaker 8: I'm not too proud to pretend like I don't have
• 26:04
  Speaker 8: the Pretty Woman soundtrack. And it was one of those,
• 26:08
  Speaker 8: this is one of the more well-known songs, but it
• 26:11
  Speaker 8: was one I was like, I like that he will
• 26:13
  Speaker 8: take his own stuff and rework it for whatever purpose
• 26:16
  Speaker 8: he feels or they pay him to do. So this
• 26:19
  Speaker 8: is from the Pretty Woman soundtrack, Fame 90, that he
• 26:23
  Speaker 8: redid in, guess which year?
• 26:25
  Speaker 12: 1890.
• 26:27
  Speaker 8: He is possibly a vampire, as we will find out.
• 26:30
  Speaker 12: That's what Tony Scott told me.
• 27:09
  Speaker 21: Fade Fade Fade Fade What you like is in the low.
• 27:51
  Speaker 2: Bang!
• 27:51
  Speaker 7: Bang!
• 27:53
  Speaker 21: What you get is no tomorrow.
• 27:56
  Speaker 2: Bang!
• 27:57
  Speaker 7: Bang!
• 27:59
  Speaker 17: What you need you have to borrow.
• 28:01
  Speaker 2: Bang!
• 28:02
  Speaker 7: Bang!
• 28:04
  Speaker 14: Bang!
• 28:04
  Speaker 7: Bang! Bang! Bang! Bang!
• 28:08
  Speaker 2: Bang!
• 29:06
  Speaker 7: We'll be right back. So what's the difference between Fame
• 29:49
  Speaker 7: 90 and Fame 90? Fame 90 has.
• 30:05
  Speaker 4: Drum machine in it is it is it basically the
• 30:07
  Speaker 4: same no john.
• 30:08
  Speaker 13: Lennon just pretty no john lennon john lennon's not in
• 30:11
  Speaker 13: favor with all of his other stuff.
• 30:13
  Speaker 8: It is funny that like he it's not even massively
• 30:16
  Speaker 8: he will vary it to whatever degree he wants but
• 30:19
  Speaker 8: like they're not worlds different sometimes it's there's a few
• 30:23
  Speaker 8: that get but again i think a lot of those
• 30:25
  Speaker 8: weird remixed ones he hands off to somebody else but
• 30:27
  Speaker 8: the ones that he just kind of like slaps a
• 30:30
  Speaker 8: name on is like is mostly my song i changed
• 30:32
  Speaker 8: a few things i don't know if that's.
• 30:34
  Speaker 12: How it works i mean that's such a cynical way
• 30:36
  Speaker 12: of looking at what david bowie does because i feel
• 30:37
  Speaker 12: like he was always somebody where like he just would
• 30:39
  Speaker 12: get an idea and be like i need to go
• 30:41
  Speaker 12: with that and like maybe there's this thing about the
• 30:43
  Speaker 12: song that had bugged him for the last 10 years
• 30:44
  Speaker 12: i can say like john lennon.
• 30:46
  Speaker 4: Wouldn't that be cool.
• 30:49
  Speaker 12: I mean, he kept Iggy Pop alive during the 80s
• 30:54
  Speaker 12: by like recovering stuff that they'd worked on together and
• 30:58
  Speaker 12: putting it out there so that Iggy Pop could have
• 31:01
  Speaker 12: a songwriting credit and get money to, you know, finance
• 31:05
  Speaker 12: his songwriting. Heroin addiction slash recovery slash addiction slash recovery.
• 31:11
  Speaker 8: On that note, I was going to do nothing but
• 31:15
  Speaker 8: Bowie sung songs, but do you want to throw in
• 31:18
  Speaker 8: the one that he wrote that is on one of
• 31:20
  Speaker 8: his movie soundtracks that he doesn't do a vocal on,
• 31:23
  Speaker 8: but Iggy does?
• 31:25
  Speaker 4: Which one is it?
• 31:26
  Speaker 8: That would be From the Hunger. Fun time.
• 31:29
  Speaker 12: Oh, no fun time.
• 31:31
  Speaker 8: You say yes or no?
• 31:34
  Speaker 12: I say yes. I say an enthusiastic yes.
• 31:36
  Speaker 8: It is written by Bowie and Iggy Pop. Whether or
• 31:38
  Speaker 8: not he actually did or just wanted to keep them alive,
• 31:40
  Speaker 8: I don't know. No, they really did.
• 31:42
  Speaker 12: I mean, they wrote so much together when they were
• 31:44
  Speaker 12: in Berlin. I mean, like an amazing amount.
• 31:46
  Speaker 26: Yeah.
• 31:47
  Speaker 8: But yeah, I thought, you know, he's written so many songs,
• 31:50
  Speaker 8: but I was like, I still kind of wanted to
• 31:51
  Speaker 8: keep it mostly to Bowie. But I was like, if
• 31:53
  Speaker 8: there's one person that's kind of his other half in
• 31:56
  Speaker 8: that era, Iggy Pop is it. And one of the
• 31:58
  Speaker 8: few that can kind of do his lyrics justice in
• 32:01
  Speaker 8: his own weird Iggy way.
• 32:05
  Speaker 26: Hey, I feel lucky tonight.
• 32:19
  Speaker 7: I'm gonna get stoned and run around.
• 32:33
  Speaker 26: Last night I was down in the lab Talking to Dracula.
• 32:40
  Speaker 27: And his crew I don't need no heavy trips I.
• 32:52
  Speaker 26: Just do what I want to.
• 32:54
  Speaker 28: Do We want some, we.
• 33:28
  Speaker 7: Want some.
• 34:46
  Speaker 4: You're not going to play Dancing in the Street?
• 34:48
  Speaker 8: Do you really want to play Dancing in the Street?
• 34:50
  Speaker 4: You're not going to play anything from Lou Reed's Transformer?
• 34:53
  Speaker 8: Do you really want to play.
• 34:55
  Speaker 4: No, God, no.
• 34:56
  Speaker 3: I don't want to.
• 34:56
  Speaker 4: Ever hear another Lou Reed song for the rest of
• 34:58
  Speaker 4: my life.
• 34:58
  Speaker 2: Thank you.
• 34:59
  Speaker 12: Here's the thing about Dancing in the Street, though. What
• 35:01
  Speaker 12: I love about Dancing in the Street is that.
• 35:03
  Speaker 4: Everything?
• 35:04
  Speaker 12: David Bowie.
• 35:05
  Speaker 8: It's amazing?
• 35:06
  Speaker 12: Wait, are we serious right now?
• 35:08
  Speaker 4: I'm totally serious.
• 35:09
  Speaker 7: Really?
• 35:10
  Speaker 8: Oh, never mind. I think it's very.
• 35:13
  Speaker 13: Very quintessential 80s.
• 35:15
  Speaker 4: Yes. You know, and I think that's one of the
• 35:17
  Speaker 4: charms about it.
• 35:19
  Speaker 13: And I do think it's ridiculous because you've got these
• 35:22
  Speaker 13: two rock legends together and this is the song of
• 35:25
  Speaker 13: all things. They couldn't take 20 minutes to write a
• 35:28
  Speaker 13: song together, so they just covered this classic.
• 35:31
  Speaker 4: At that point, the world had 10 years before already
• 35:33
  Speaker 4: seen multiple pictures of the two of them like sucking
• 35:36
  Speaker 4: face at the fucking Studio 54.
• 35:37
  Speaker 24: Also true.
• 35:39
  Speaker 4: So that was their response to that. They were like,
• 35:41
  Speaker 4: we're going to put on some green Reeboks and some
• 35:43
  Speaker 4: fucking neon shoulder pads and we're going to do this
• 35:47
  Speaker 4: It's terrible.
• 35:48
  Speaker 8: Prancy, I think, comes in.
• 35:50
  Speaker 12: I think it's the most wildly embarrassing video of all time.
• 35:53
  Speaker 4: Oh, it is.
• 35:54
  Speaker 12: So incredibly uncool. But what amazes me about it is
• 35:56
  Speaker 12: that he had accumulated so much goodwill in his lifetime
• 36:00
  Speaker 12: and so much respect for being awesome that I personally
• 36:05
  Speaker 12: forget about it. Or I blame it on Jagger.
• 36:08
  Speaker 7: I never.
• 36:09
  Speaker 12: I never forced him to take personal accountability.
• 36:12
  Speaker 13: I don't think either of those guys were embarrassed by
• 36:14
  Speaker 13: that at all.
• 36:15
  Speaker 4: I don't think so.
• 36:15
  Speaker 8: For some reason. I really don't. I don't think they
• 36:17
  Speaker 8: were up to the end.
• 36:19
  Speaker 4: That video would have come out way differently if they
• 36:21
  Speaker 4: were embarrassed.
• 36:22
  Speaker 7: Yeah.
• 36:22
  Speaker 8: I don't think they cared. And that is mine. I
• 36:25
  Speaker 8: just feel like everybody's heard that one so much at
• 36:28
  Speaker 8: this point. I don't even have a problem with it.
• 36:29
  Speaker 8: I'm like, the video is ridiculous, but the song is
• 36:32
  Speaker 8: just the two of them doing their thing at that era.
• 36:36
  Speaker 8: That's kind of where both of them were at that point.
• 36:38
  Speaker 8: So I'm like, It's fine. But who hasn't heard that
• 36:42
  Speaker 8: a million times?
• 36:43
  Speaker 12: Yeah, don't play it, please.
• 36:47
  Speaker 8: For his memory. So we can go back again, if
• 36:50
  Speaker 8: you'd like. How about Here Comes the Night? Again, the
• 36:55
  Speaker 8: places they turn up. From 2009's Suck, which I'm pretty
• 36:59
  Speaker 8: sure someone on the original recipe show talked a lot
• 37:03
  Speaker 8: of smack about. Yeah, this is Here Comes the Night.
• 37:13
  Speaker 7: Here it comes Here I come tonight Yeah, here I
• 37:25
  Speaker 7: come tonight Oh, yeah I can.
• 37:33
  Speaker 23: See right out my window Walking.
• 37:35
  Speaker 7: Down the street My girl with.
• 37:37
  Speaker 23: Another guy.
• 37:42
  Speaker 7: His arms around her like.
• 37:44
  Speaker 3: It used to be with me Oh, it makes me
• 37:46
  Speaker 3: want to die Yeah, here it comes Here comes the.
• 37:49
  Speaker 7: Night Yeah, here comes the night Yeah, here comes the.
• 38:02
  Speaker 6: Night There they go, funny how they look so good together.
• 38:15
  Speaker 23: Wonder what is wrong with me. Why can't I accept
• 38:23
  Speaker 23: the fact she's chosen him and simply let them be?
• 39:10
  Speaker 7: All she is with.
• 39:11
  Speaker 29: Him is turning down the lights, but now he's holding
• 39:14
  Speaker 29: her the way I used to do.
• 39:21
  Speaker 6: I can see her closing her eyes and telling them
• 39:23
  Speaker 6: lies exactly like she.
• 39:25
  Speaker 7: Told me to.
• 39:27
  Speaker 14: Oh, here it comes.
• 39:34
  Speaker 7: Here comes the night.
• 40:12
  Speaker 4: Oh, this fucking song. This is a cover from pinups.
• 40:16
  Speaker 4: That's why I don't recognize it. Because pinups fucking sucks.
• 40:21
  Speaker 13: I want to argue that with you based on the
• 40:23
  Speaker 13: cover artwork of pinups, but.
• 40:25
  Speaker 8: That's all I've got.
• 40:28
  Speaker 4: Pin-ups was the I don't want to be Ziggy Stardust anymore,
• 40:31
  Speaker 4: now I want to be this weird Motown guy album.
• 40:35
  Speaker 4: It was the transition, the album that bridged the gap
• 40:38
  Speaker 4: between those two periods. Essentially, Not Counting Diamond Dogs, which
• 40:41
  Speaker 4: was truly the last Ziggy Stardust album for not Ziggy
• 40:46
  Speaker 4: Stardust album of that era.
• 40:49
  Speaker 8: In a man of many eras, I mean.
• 40:51
  Speaker 4: It was a throwaway album that I'm pretty sure it
• 40:55
  Speaker 4: was recorded in like a weekend. They were like, these
• 40:58
  Speaker 4: are all songs that my whole touring band knows. These
• 41:02
  Speaker 4: are all songs that we can agree are songs that
• 41:04
  Speaker 4: we could play together and come off fairly well. Let's just,
• 41:08
  Speaker 4: maybe Capitol Records or whoever it was at the time
• 41:10
  Speaker 4: was like, hey, we need, you haven't put out three
• 41:13
  Speaker 4: albums in 1974 like you should have. You owe us
• 41:15
  Speaker 4: another album. You need a third album in this year
• 41:19
  Speaker 4: before we can give you this bonus to forward to
• 41:22
  Speaker 4: this next thing or whatever. So they were like, fine,
• 41:24
  Speaker 4: and they dropped that album, and there are some good
• 41:27
  Speaker 4: songs on it, but those versions of those songs are
• 41:30
  Speaker 4: not the good ones. I mean, if it didn't sound
• 41:35
  Speaker 4: like it was just such a throwaway, like nobody in
• 41:38
  Speaker 4: the band and David Bowie himself, none of them gave
• 41:41
  Speaker 4: two shits about recording that. If it didn't just come
• 41:44
  Speaker 4: across so clearly like that, and I know people who
• 41:47
  Speaker 4: like David Bowie that will probably disagree with that. Send
• 41:50
  Speaker 4: all your hate letters to Brian. Don't send them to me.
• 41:54
  Speaker 8: Forward them all to him.
• 41:55
  Speaker 4: He will forward them to me, and I will delete them.
• 41:59
  Speaker 4: It's just not a real album is my thing about it.
• 42:06
  Speaker 8: And even more fitting that it ends up on Suck.
• 42:09
  Speaker 4: They do. In the album pinups, he records my favorite
• 42:14
  Speaker 4: all-time Pink Floyd song. And ruins it. And I'm like,
• 42:18
  Speaker 4: David Bowie, you're my favorite artist covering a song by
• 42:21
  Speaker 4: a band that I don't care that much about, but
• 42:23
  Speaker 4: it's my favorite song. And you fucked it up. Why
• 42:26
  Speaker 4: did you do that? See Emily play?
• 42:28
  Speaker 14: Okay.
• 42:29
  Speaker 4: That may have actually not been on the actual album.
• 42:32
  Speaker 4: It's on the album.
• 42:33
  Speaker 8: I've run into it, yeah, in this too. And I
• 42:35
  Speaker 8: was trying to remember if I'd heard his version of it.
• 42:39
  Speaker 4: But yeah, his version of it is not very good.
• 42:42
  Speaker 4: It's not good and it's very disappointing. Well, what's weird
• 42:44
  Speaker 4: too is it's one of his.
• 42:45
  Speaker 13: his slickest sounding albums.
• 42:47
  Speaker 4: Like it's really overproduced. And yes, it really is.
• 42:50
  Speaker 13: I mean, yeah, I agree with you. I think they,
• 42:53
  Speaker 13: they checked into the studio, they unloaded the equipment, they.
• 42:56
  Speaker 4: Record it and then they left. Yeah.
• 42:57
  Speaker 13: And nobody bothered to like actually listen to it.
• 43:01
  Speaker 3: I think.
• 43:03
  Speaker 16: Yeah.
• 43:03
  Speaker 4: He does like a one, one. I don't know if
• 43:06
  Speaker 4: this made it, I don't think this is on the album,
• 43:08
  Speaker 4: but he did a port of Amsterdam, the, the Jacques
• 43:11
  Speaker 4: Brel song in those sessions.
• 43:13
  Speaker 2: Yeah.
• 43:13
  Speaker 4: And it made it to one of the versions of
• 43:16
  Speaker 4: the album that had all the bonus tracks at the
• 43:18
  Speaker 4: end of it or whatever. And that song's awesome, but
• 43:20
  Speaker 4: it's not on the album. And I'm like, why didn't
• 43:22
  Speaker 4: you put the only good song you recorded in that
• 43:24
  Speaker 4: session on this album? And it's probably because, well, it's
• 43:26
  Speaker 4: not Bruce Springsteen. It's not Pink Floyd. It's not T-Rex
• 43:31
  Speaker 4: and the other fucking bands we have fast covered. Nobody
• 43:36
  Speaker 4: in America wants to listen to a Jacques Brel song. So, bleh,
• 43:39
  Speaker 4: you know. We're American, who? Yeah, exactly. I told you
• 43:44
  Speaker 4: I had shit to say about David Bowie. I'm locked
• 43:46
  Speaker 4: and loaded. That's why I brought you here. Let's talk
• 43:49
  Speaker 4: about Young Americans.
• 43:50
  Speaker 12: That's why I brought you to your apartment.
• 43:53
  Speaker 8: You weren't even here. I made you come back here.
• 43:57
  Speaker 4: I was at Qdoba.
• 43:59
  Speaker 8: That's not my fault.
• 44:01
  Speaker 4: I know. I know. That's my fault.
• 44:05
  Speaker 8: So, again, going back, he had those periods where, like,
• 44:09
  Speaker 8: film became everything. It's funny that he's known so much
• 44:11
  Speaker 8: for an 80s movie, but, like, he did, like, a
• 44:13
  Speaker 8: big run in the 70s, and then, like, he had
• 44:15
  Speaker 8: this monster movie span in, like, the 90s that was just, like,
• 44:19
  Speaker 8: he was on a ton of soundtracks, he was in
• 44:21
  Speaker 8: a ton of movies, even when they weren't huge parts.
• 44:25
  Speaker 8: This one crosses over into both.
• 44:28
  Speaker 8: There is a version of A Small Plot of Land
• 44:30
  Speaker 8: that is a specific Basquiat version put out in 1996
• 44:35
  Speaker 8: for the soundtrack. And if you're familiar with the movie,
• 44:37
  Speaker 8: he's also in it and plays pretty well Andy Warhol.
• 44:42
  Speaker 8: I've seen several actors try to pull off Warhol. He's
• 44:45
  Speaker 8: equally as weird as the rest of them.
• 44:49
  Speaker 7: Horses. Horses.
• 44:57
  Speaker 18: Spill upon that poor soul He.
• 45:05
  Speaker 7: Never knew so what hit him And it hit him
• 45:14
  Speaker 7: so Poor dumb soul He pushed out the pig man
• 45:26
  Speaker 7: The boat is left, the pool is dead. Poor dunce
• 45:38
  Speaker 7: is less than within us. The brain is torn, but
• 45:46
  Speaker 7: the will to live is dead. And bread is dead.
• 45:53
  Speaker 3: Travel so far these days.
• 46:01
  Speaker 7: The talk of your life.
• 46:04
  Speaker 3: Standing so near To.
• 46:09
  Speaker 7: Win us tonight Or.
• 46:15
  Speaker 30: Don't Swings through the tunnels and.
• 46:25
  Speaker 4: Claws his way.
• 46:29
  Speaker 7: Is small life so manic?
• 46:32
  Speaker 3: Are these really the days?
• 46:38
  Speaker 7: Pardon us. Pardon us. Dance Poor soul Poor soul Poor soul.
• 47:20
  Speaker 9: The dude that did Andy Warhol and the Doors, was
• 47:30
  Speaker 9: that Crispin Glover?
• 47:32
  Speaker 4: He's one of them.
• 47:32
  Speaker 8: Of course that would have been Crispin Glover.
• 47:35
  Speaker 4: He nailed it, but that's why.
• 47:37
  Speaker 8: It's gotta be. We want to stop for some Crispin stories.
• 47:43
  Speaker 4: Yeah, let's hear some Crispin stories. You're going to play
• 47:46
  Speaker 4: something from one of his albums? No. He has albums?
• 47:50
  Speaker 8: How am I not aware of this?
• 47:53
  Speaker 12: Clowny clown clown.
• 47:55
  Speaker 4: Crispin Glover makes amazing music like he makes amazing everything else.
• 47:59
  Speaker 8: He's very special, that Crispin.
• 48:01
  Speaker 4: Yes.
• 48:13
  Speaker 17: You keep saying you got something for me. There's something
• 48:20
  Speaker 17: you call love, but confess.
• 48:25
  Speaker 4: You've been a mess and where you.
• 48:27
  Speaker 3: Should have been a mess.
• 48:32
  Speaker 8: Hi, this is Crispin Glover, and you're listening to Movie Meltdown.
• 48:36
  Speaker 21: These boots make you watch it.
• 48:40
  Speaker 7: And that's just what I don't do.
• 48:43
  Speaker 31: One of these days these boots are going.
• 48:49
  Speaker 3: To walk all over you.
• 48:54
  Speaker 7: Yeah.
• 48:57
  Speaker 4: Like those Berlin albums, they... B-sides for Heroes and Low
• 49:01
  Speaker 4: were all instrumental, and they all had weird titles like,
• 49:05
  Speaker 4: That Thing Over There in the Yard, This is a
• 49:08
  Speaker 4: Mossy Garden. I mean, they were all just like.
• 49:11
  Speaker 8: Those are great lyrics. What are you talking about?
• 49:13
  Speaker 4: No, those weren't lyrics. Those were titles of instrumental songs. No,
• 49:15
  Speaker 4: I wanted him to say those things. I mean, he
• 49:17
  Speaker 4: probably did.
• 49:20
  Speaker 14: Gee, ignorant art, Bruno.
• 49:22
  Speaker 4: Yeah, you know, like, stupid, like, ridiculous, crummy art.
• 49:27
  Speaker 1: Oh, that sounds good.
• 49:29
  Speaker 2: That's new.
• 49:30
  Speaker 4: Ten bucks.
• 49:32
  Speaker 7: Oh, gee, didn't work very much on these.
• 49:35
  Speaker 2: I can give you, like, five.
• 49:36
  Speaker 7: Come on, Bruno, you're rich.
• 49:40
  Speaker 29: You should talk to Bruno you don't even work on
• 49:42
  Speaker 29: your stuff no it's.
• 49:44
  Speaker 3: Not how much you work on something that matters it's
• 49:48
  Speaker 3: how much you get for them I can get ten.
• 49:51
  Speaker 8: He does take like his own thing and he's like
• 49:54
  Speaker 8: okay what can I do with it like I mean
• 49:57
  Speaker 8: from an artistic standpoint it is interesting like watching somebody
• 50:02
  Speaker 8: cause you will see like a painter will take some
• 50:04
  Speaker 8: previous work of art and then just paint over it
• 50:06
  Speaker 8: and mess with things and redo it and It's its
• 50:09
  Speaker 8: own new thing, and he's as much artist as the
• 50:12
  Speaker 8: rest of them. So I don't know. I kind of
• 50:14
  Speaker 8: like that he bothers to do that stuff. Again, how
• 50:17
  Speaker 8: invested in it, I don't know. Sometimes I'm not sure
• 50:20
  Speaker 8: if the original one, as we've said, maybe he was
• 50:23
  Speaker 8: just doing whatever the hell he wants to do because
• 50:25
  Speaker 8: he's David Bowie.
• 50:26
  Speaker 4: You're not going to play anything from the Buddha of Suburbia,
• 50:28
  Speaker 4: are you? Okay, good. You don't even have to answer.
• 50:33
  Speaker 2: All right.
• 50:34
  Speaker 8: How about Lady Grinning Soul?
• 50:37
  Speaker 4: Lady Grinning Soul has bananas piano. I love it. Every
• 50:41
  Speaker 4: note you can play on a piano is played in
• 50:43
  Speaker 4: that song over and over and over again.
• 50:46
  Speaker 8: But do you remember it from 2010's The Runaways?
• 50:48
  Speaker 23: Wow.
• 50:48
  Speaker 8: David Bowie. The Runaways.
• 51:06
  Speaker 19: She'll Skin sweet with musky oil, a lady.
• 51:45
  Speaker 3: From another grinning soul.
• 51:50
  Speaker 7: Hello, she wears silver and America. She will drive a beetle.
• 52:03
  Speaker 3: Car and beat you down at Koganasta. And when the
• 52:13
  Speaker 3: glooms are strewn Don't be afraid of the gloom Touch.
• 52:21
  Speaker 7: The fullness of my breast Feel the love above the
• 52:25
  Speaker 7: rest She'll come, she'll go She'll lay belief on you
• 52:49
  Speaker 7: But she won't stake her life on you And when
• 53:17
  Speaker 7: the clothes are screwed, don't be afraid of the food.
• 53:23
  Speaker 7: Touch the.
• 53:25
  Speaker 3: Food and the grass and feel the love of heaven.
• 54:03
  Speaker 7: Thank you. He's more machine now than man.
• 54:32
  Speaker 8: So you love Tin Machine is what you're saying.
• 54:34
  Speaker 4: Yeah. Tin Machine. Tin Machine 2, best David Bowie album ever.
• 54:39
  Speaker 8: One of my, again, like of all the weird crossovers,
• 54:42
  Speaker 8: I was like, wait, is he on a Hellraiser soundtrack?
• 54:48
  Speaker 8: Hellraiser 3, Hell on Earth.
• 54:50
  Speaker 2: Wow.
• 54:51
  Speaker 8: Starring our good friend Doug Bradley. Features Baby Universal by
• 54:57
  Speaker 8: Tin Machine.
• 54:58
  Speaker 7: Oh, right.
• 54:59
  Speaker 4: Finally, the Tin Machine Hellraiser crossover we all wanted.
• 55:03
  Speaker 8: We've all been waiting for.
• 55:26
  Speaker 7: I bet he has no sense of destination. Now he's
• 55:33
  Speaker 7: running for the lover's feet.
• 55:38
  Speaker 3: When the child goes bad, it's no cause for celebration.
• 55:44
  Speaker 7: Like Doody Doody, don't talk back to me. Hello humans,
• 56:03
  Speaker 7: can you feel me thinking? I assume you're seeing everything
• 56:10
  Speaker 7: I'm thinking.
• 56:14
  Speaker 3: Hello humans, nothing starts tomorrow.
• 56:18
  Speaker 7: I'm the baby now. Doesn't matter I've seen everything anyway.
• 57:07
  Speaker 10: Hello, humans, nothing starts tomorrow. universe baby universe.
• 58:18
  Speaker 7: Hi, this is Doug Bradley, pinhead from the Hellraiser Films.
• 58:21
  Speaker 32: You're listening to Movie Meltdown, and you better keep listening
• 58:24
  Speaker 32: to Movie Meltdown or I will tear your soul apart.
• 58:34
  Speaker 8: Did you want to work in... Again, you mentioned it, Philip.
• 58:37
  Speaker 8: I didn't know which direction we want to go. I
• 58:40
  Speaker 8: figure we have to at least, in some way, pay
• 58:43
  Speaker 8: tribute to Labyrinth. Where do we go with that one?
• 58:48
  Speaker 4: Chilly Down?
• 58:49
  Speaker 8: Do you want Chilly Down? I, you know, I love
• 58:52
  Speaker 8: the song. Again, puppets are singing it, but, you know.
• 58:54
  Speaker 13: Which, you know, is always thumbs up in my book.
• 58:59
  Speaker 4: But I think it's a great song.
• 59:00
  Speaker 13: I mean, I think it's got that nice, you know,
• 59:01
  Speaker 13: late 60s London feel to it. And, you know, even
• 59:05
  Speaker 13: though he doesn't actually sing it in the song.
• 59:07
  Speaker 4: It's definitely one of his favorites.
• 59:10
  Speaker 13: His, you can tell it's one of his songs.
• 59:12
  Speaker 8: Because it's weird. Yeah, it's a little, you know. It's
• 59:14
  Speaker 8: an odd, it's an odd song. It's more weird when
• 59:17
  Speaker 8: you pair it with what's going on on screen.
• 59:18
  Speaker 4: Right.
• 59:19
  Speaker 8: It's very strange.
• 59:20
  Speaker 4: It straight up does not fit with every other piece
• 59:23
  Speaker 4: of music on that soundtrack. Not at all.
• 59:25
  Speaker 2: Not at all.
• 59:26
  Speaker 4: Just completely doesn't.
• 59:29
  Speaker 8: And yet, there it is.
• 59:32
  Speaker 4: Yep. The 80s were a weird time, man.
• 1:00:02
  Speaker 3: When the sun goes down And the bands are back
• 1:00:06
  Speaker 3: to town The brothers come round I get out.
• 1:00:10
  Speaker 7: Of my dirty bed.
• 1:00:12
  Speaker 22: I shake my pretty little head Tap my pretty little.
• 1:00:17
  Speaker 8: Feet And dance in the.
• 1:00:20
  Speaker 7: Sunlight Dancing like a yo-yo.
• 1:00:27
  Speaker 21: I ain't got no problem, ain't got no suitcase, ain't
• 1:00:33
  Speaker 21: got no clothes.
• 1:00:34
  Speaker 7: To worry about, ain't got no.
• 1:00:36
  Speaker 3: Real estate or jewelry above my head. I just go
• 1:00:41
  Speaker 3: in my.
• 1:00:41
  Speaker 7: Head, the cheeriest bunch in the land. They know too.
• 1:00:49
  Speaker 3: Much, so show them chili-chili.
• 1:00:58
  Speaker 7: They burn, they turn, they glow-glow. Chili-chili. Chili-chili. Chili-chili. Good
• 1:01:11
  Speaker 7: times back. Good, yeah.
• 1:01:13
  Speaker 3: And you think it's wild, jitter, jitter, jitter.
• 1:01:28
  Speaker 7: Wild and crazy, really lazy.
• 1:01:30
  Speaker 3: Ah, rollin', funk destroyin' Ball playin', hips swayin' Trouble makin',
• 1:01:34
  Speaker 3: booty shakin' Trippin', passin', jumpin.
• 1:01:36
  Speaker 21: bouncin' Growlin', stallin', creepin', pouncin.
• 1:01:38
  Speaker 8: Shoutin', screamin', double peelin.
• 1:01:40
  Speaker 3: Rockin', rollin', and a-readin' With a natural sense of feel
• 1:01:43
  Speaker 3: Can you think I grew with feelin'? So when things
• 1:01:47
  Speaker 3: get too tough And your chin is draggin' on the
• 1:01:50
  Speaker 3: ground And even down looks.
• 1:01:54
  Speaker 7: Up Bad luck We can show you a good time.
• 1:02:00
  Speaker 7: Show you a good time. And we don't charge nothing.
• 1:02:05
  Speaker 4: Just such a nasty stuff.
• 1:02:06
  Speaker 7: We good in the middle, yeah.
• 1:02:08
  Speaker 4: Get that down, I'm.
• 1:02:09
  Speaker 2: Talking fire, guys.
• 1:02:10
  Speaker 7: Chill it down with the fire, guys. Think small.
• 1:02:13
  Speaker 3: Think small with the fire, guys. We can have it
• 1:02:16
  Speaker 3: with the fire, guys. Hey, listen up.
• 1:02:19
  Speaker 7: When you think it's warm, chill it down, chill it
• 1:02:23
  Speaker 7: down with the fire, guys. Good times, bad food When
• 1:02:34
  Speaker 7: you think that's wild Chill it down, chill it down
• 1:02:37
  Speaker 7: with the fire Think small with the.
• 1:02:42
  Speaker 8: Fire Hadn't he backed off the drugs by then? I
• 1:03:13
  Speaker 8: don't really know.
• 1:03:14
  Speaker 2: I don't know either.
• 1:03:14
  Speaker 8: What was he had?
• 1:03:15
  Speaker 4: Or did he ever really?
• 1:03:16
  Speaker 7: No, no, no.
• 1:03:17
  Speaker 8: They were kicked.
• 1:03:18
  Speaker 1: Yeah.
• 1:03:18
  Speaker 8: That's what I thought. I thought by then most of
• 1:03:20
  Speaker 8: the really bad 70s guys had turned it around or
• 1:03:23
  Speaker 8: died one or the other.
• 1:03:23
  Speaker 12: Yeah, that's why dancing in the street doesn't make sense historically.
• 1:03:27
  Speaker 12: There should be a lot of cocaine that made that
• 1:03:29
  Speaker 12: video and yet there's not.
• 1:03:31
  Speaker 8: Are you sure? Even on the Jagger side.
• 1:03:35
  Speaker 4: See, that was recorded in a pink cloud period where
• 1:03:39
  Speaker 4: I can't speak for Mick Jagger, but I'm pretty sure
• 1:03:41
  Speaker 4: David Bowie was like, fucking life is great. I don't
• 1:03:44
  Speaker 4: care who sees me dance anymore. I don't care anymore.
• 1:03:46
  Speaker 4: I'm just going to dance.
• 1:03:49
  Speaker 13: Jagger is the more spastic of the two in that
• 1:03:52
  Speaker 13: video and normally.
• 1:03:53
  Speaker 4: In life.
• 1:03:55
  Speaker 32: So, I don't know.
• 1:03:55
  Speaker 4: It could go either way.
• 1:03:56
  Speaker 2: I think.
• 1:03:57
  Speaker 8: I mean, I assumed there were drugs involved. That's what
• 1:03:59
  Speaker 8: I was blaming Freejack on.
• 1:04:00
  Speaker 4: I just figured... Well, somebody.
• 1:04:02
  Speaker 13: I figured the dancing in the street video, I thought
• 1:04:05
  Speaker 13: that was part of the budget, was, you know.
• 1:04:07
  Speaker 8: Cocaine. Yeah, six pounds of cocaine each. Isn't that how
• 1:04:10
  Speaker 8: Hollywood works in general? Like, you always budget in the
• 1:04:13
  Speaker 8: cocaine budget.
• 1:04:14
  Speaker 2: I mean... Oh, Lord.
• 1:04:17
  Speaker 8: All right. So, now it's time for Vinyl Fetish.
• 1:04:22
  Speaker 11: Oh!
• 1:04:25
  Speaker 8: It's time for Vinyl Fetish. This one, actually, I bought recently.
• 1:04:37
  Speaker 8: It was surprisingly, for me, it was last year at
• 1:04:40
  Speaker 8: Vinyl Fest. And I, again, don't normally buy tons of records,
• 1:04:44
  Speaker 8: but I specifically got to this one. I already had
• 1:04:46
  Speaker 8: this soundtrack in the CD format, like most of mine,
• 1:04:50
  Speaker 8: because I'm so into the lusters of the cd sound
• 1:04:55
  Speaker 8: anyway uh i got i got there and they had
• 1:04:59
  Speaker 8: this giant 12 inch version of uh cool world oh
• 1:05:03
  Speaker 8: wow and this was that was not what i was
• 1:05:05
  Speaker 8: expecting this is a a 12 inch remix version of
• 1:05:09
  Speaker 8: like several versions of real cool world specifically just the
• 1:05:14
  Speaker 8: david bowie song And I'm like, okay, I need that.
• 1:05:17
  Speaker 8: Is it a picture disc?
• 1:05:19
  Speaker 21: No.
• 1:05:20
  Speaker 2: Oh, man.
• 1:05:20
  Speaker 4: That's a shame.
• 1:05:21
  Speaker 8: I can't afford those pricey pictures. This was just all
• 1:05:24
  Speaker 8: I could get was this version. So I specifically bought
• 1:05:28
  Speaker 8: it for one of these episodes for another vinyl entry.
• 1:05:33
  Speaker 8: And at the time, it was not in a remembrance
• 1:05:36
  Speaker 8: of David Bowie. It was just because it was a
• 1:05:38
  Speaker 8: badass song. So once we started doing it, I was like, well,
• 1:05:42
  Speaker 8: if I'm going to work it in, here's the time. Yeah.
• 1:05:45
  Speaker 8: This is our special final entry into the David Bowie
• 1:05:49
  Speaker 8: rundown here. This one is the 12-inch club mix of
• 1:05:55
  Speaker 8: Real Cool World.
• 1:06:14
  Speaker 2: Thank you.
• 1:06:59
  Speaker 16: So far this love is delightful.
• 1:07:02
  Speaker 11: The face of seduction was you But I listen.
• 1:07:12
  Speaker 2: For each and.
• 1:07:15
  Speaker 3: Every footstep In this real cruel world.
• 1:07:24
  Speaker 18: Questionings ain't like a fantastic hero's.
• 1:07:32
  Speaker 11: I've lost little children in fabled lands.
• 1:07:36
  Speaker 33: So I listen for each and every friendship.
• 1:07:45
  Speaker 7: In this real cool world.
• 1:07:51
  Speaker 2: Do, do, do, do, do, do, do.
• 1:07:54
  Speaker 15: Now there is you.
• 1:07:56
  Speaker 7: Do, do, do, do, do, do, do.
• 1:08:00
  Speaker 2: In my real cool world. Is you Am I real cool?
• 1:08:47
  Speaker 7: Story I'd like.
• 1:08:51
  Speaker 11: But somehow believing in nothing.
• 1:08:54
  Speaker 16: You whisper sweet nothing but grief.
• 1:09:00
  Speaker 7: I listen, because I'm in.
• 1:09:04
  Speaker 2: Darkness.
• 1:09:20
  Speaker 15: Now there is you In my real cool world Now
• 1:09:37
  Speaker 15: there is you In my real cool world You.
• 1:09:47
  Speaker 4: Came from nowhere.
• 1:09:49
  Speaker 3: You came from.
• 1:10:31
  Speaker 15: Now there is you in my real cool world. Now
• 1:10:47
  Speaker 15: there is you.
• 1:10:51
  Speaker 2: In my real cool world.
• 1:11:16
  Speaker 8: See, that's another one that, like, leads off the movie. And, like,
• 1:11:19
  Speaker 8: once again, you're like, well, this has got to be awesome, right?
• 1:11:22
  Speaker 8: It just started with David Bowie. So, like, you might
• 1:11:25
  Speaker 8: not feel that way when you get to the end
• 1:11:26
  Speaker 8: of Cool World, but whatever. It's still an awesome song.
• 1:11:29
  Speaker 12: Has anybody ever gotten to.
• 1:11:30
  Speaker 7: The end of Cool World?
• 1:11:31
  Speaker 4: Oh, I got to the end a couple of times.
• 1:11:34
  Speaker 8: Not recently.
• 1:11:35
  Speaker 13: I watched it the one time and was like, you
• 1:11:37
  Speaker 13: know what, this is probably good enough.
• 1:11:38
  Speaker 4: I have a Cool World press packet somewhere that's got, like,
• 1:11:42
  Speaker 4: you know, movie stills, the glossy fucking 8x10s, and, like,
• 1:11:47
  Speaker 4: a sheet that says, you know, production sheet shit and
• 1:11:50
  Speaker 4: all that stuff.
• 1:11:50
  Speaker 8: I might steal that when you're not looking.
• 1:11:52
  Speaker 4: I might give it to you because it's not worth anything.
• 1:11:54
  Speaker 4: I tried to sell it on eBay and they weren't
• 1:11:56
  Speaker 4: even going for like $ 5. Oh, wow.
• 1:11:58
  Speaker 8: I am the one that has the giant Hollywood clock
• 1:12:00
  Speaker 8: that now the clock is broken and it just hangs
• 1:12:03
  Speaker 8: weird and it just looks like a plastic sign that
• 1:12:05
  Speaker 8: says Hollywood.
• 1:12:06
  Speaker 4: You know, I had the Cool World. I don't know why.
• 1:12:09
  Speaker 4: I don't have any idea. I don't know. I have
• 1:12:12
  Speaker 4: no answers for you. But I had the Cool World
• 1:12:14
  Speaker 4: movie poster hanging on the inside of my door.
• 1:12:16
  Speaker 23: Nice.
• 1:12:18
  Speaker 4: Before the movie came out. And then I saw the
• 1:12:20
  Speaker 4: movie finally, like this poster had been on my door
• 1:12:23
  Speaker 4: for a long time. And I saw the movie finally
• 1:12:25
  Speaker 4: and I was like, this is not very good. It's
• 1:12:29
  Speaker 4: a headache. That movie's a headache.
• 1:12:32
  Speaker 8: The art is aggressive. Which is saying a lot about that.
• 1:12:36
  Speaker 4: Right.
• 1:12:37
  Speaker 8: But you probably, because at that time you were like,
• 1:12:40
  Speaker 8: I don't know who that guy is, but he is
• 1:12:43
  Speaker 8: a handsome dude.
• 1:12:43
  Speaker 4: Yeah.
• 1:12:44
  Speaker 8: I wish I was that animated chick hanging off of him.
• 1:12:46
  Speaker 2: Right.
• 1:12:47
  Speaker 12: I always knew who Gabriel Byrne was.
• 1:12:49
  Speaker 8: He is not featured on the post.
• 1:12:50
  Speaker 2: I mean, the guy from that.
• 1:12:51
  Speaker 4: Who's the pretty boy on the post? The guy where
• 1:12:53
  Speaker 4: he plays that priest in the movie where the girl
• 1:12:55
  Speaker 4: gets the wounds of Christ?
• 1:12:58
  Speaker 8: That Gabriel Byrne? That was my takeaway from that movie, though,
• 1:13:02
  Speaker 8: is I watched it and went, yeah, that guy's gonna
• 1:13:04
  Speaker 8: be a movie star. Like, not Gabriel Byrne. I knew
• 1:13:06
  Speaker 8: who he was.
• 1:13:07
  Speaker 12: I'd already seen him in an episode of Growing Pains.
• 1:13:09
  Speaker 8: Well, and he was on... I mean, he'd been in
• 1:13:11
  Speaker 8: a ton of stuff if you go back then. He'd
• 1:13:14
  Speaker 8: been working. But to me, that was one of the
• 1:13:16
  Speaker 8: first times he had a good amount of screen time
• 1:13:18
  Speaker 8: It wasn't just the five minutes in Thelma and Louise.
• 1:13:20
  Speaker 8: And I was just like, yeah, he's got screen presence.
• 1:13:23
  Speaker 8: There's no fighting it. That dude's going to be huge.
• 1:13:26
  Speaker 8: And a year and a half later, he was in
• 1:13:30
  Speaker 8: every movie, superstar. People had t-shirts with his pretty, pretty
• 1:13:33
  Speaker 8: hair on it.
• 1:13:34
  Speaker 12: I like that we're avoiding naming said person.
• 1:13:37
  Speaker 4: Pretty, pretty hair. Who else?
• 1:13:38
  Speaker 8: Have you seen Legends of the Fall?
• 1:13:41
  Speaker 12: I always thought he looked like a lady.
• 1:13:42
  Speaker 8: I know.
• 1:13:43
  Speaker 4: The gorgeous, lustry hair.
• 1:13:45
  Speaker 8: Have you not seen it?
• 1:13:47
  Speaker 4: It is gorgeous. He was the wrong person to cast.
• 1:13:50
  Speaker 4: As someone who read the book Seven Years in Tibet
• 1:13:52
  Speaker 4: and has this tattoo from that book.
• 1:13:54
  Speaker 7: Oh, wow.
• 1:13:55
  Speaker 8: You're slightly committed.
• 1:13:57
  Speaker 4: No, I'm not.
• 1:13:58
  Speaker 8: You need to be committed.
• 1:13:59
  Speaker 4: I read the book and it was real dry and
• 1:14:00
  Speaker 4: I finished it because, again, this was one of those
• 1:14:02
  Speaker 4: great Gatsby situations where I was like, I'm 400 pages
• 1:14:05
  Speaker 4: into this. I read it because somebody got it for
• 1:14:08
  Speaker 4: me for Christmas and I felt obligated to finish it.
• 1:14:11
  Speaker 4: So I finished it, but my tattoo was embossed on
• 1:14:14
  Speaker 4: the cover, and I thought, that's a cool building. It's
• 1:14:17
  Speaker 4: the Dalai Lama Summer Palace. There's no spiritual attachment to it,
• 1:14:20
  Speaker 4: but I've had to tell this story so many times. Like,
• 1:14:22
  Speaker 4: what does your tattoo mean? I'm like, it means I
• 1:14:24
  Speaker 4: read a book, and the book looked cool.
• 1:14:26
  Speaker 8: It's my summer home. I'd go there. For vacations.
• 1:14:31
  Speaker 4: The person whose name I forgot that we've never even
• 1:14:34
  Speaker 4: said anyway was the main role in Seven Years in Tibet.
• 1:14:37
  Speaker 4: And as one of the only people that probably read
• 1:14:39
  Speaker 4: the book and saw the movie, I was like, this
• 1:14:42
  Speaker 4: dude is not the right dude for this movie at all.
• 1:14:46
  Speaker 8: But specifically at that time, he was dude of the moment.
• 1:14:49
  Speaker 15: I know.
• 1:14:49
  Speaker 8: He was getting lined up, lead role and everything coming out.
• 1:14:54
  Speaker 4: I know why it was done, but he was just
• 1:14:56
  Speaker 4: not the right.
• 1:14:57
  Speaker 8: The weird ways of Hollywood.
• 1:14:59
  Speaker 4: The Quentin Tarantino guy that we all probably love that
• 1:15:05
  Speaker 4: was in the movie with the David Bowie.
• 1:15:09
  Speaker 23: Song.
• 1:15:09
  Speaker 4: The blonde guy.
• 1:15:10
  Speaker 8: We're looping around on those things.
• 1:15:12
  Speaker 4: Christoph Waltz.
• 1:15:14
  Speaker 7: Okay.
• 1:15:15
  Speaker 4: If they did Seven Years in Tibet, he's the only
• 1:15:17
  Speaker 4: guy they should think of for that role.
• 1:15:19
  Speaker 8: He's pretty good in everything.
• 1:15:20
  Speaker 4: Because the description of the guy who wrote the book
• 1:15:23
  Speaker 4: is the main character and the way he describes himself
• 1:15:26
  Speaker 4: and the way he looks, you know, in the book
• 1:15:29
  Speaker 4: sounds exactly like what that dude looks like. So he's
• 1:15:32
  Speaker 4: absolutely the person that should play that role.
• 1:15:34
  Speaker 8: I think we're talking reboot.
• 1:15:35
  Speaker 4: I think we, I, they should do it. We need
• 1:15:38
  Speaker 4: to make this happen. The story is actually really good.
• 1:15:41
  Speaker 4: It was just, it's long and the book is dry
• 1:15:44
  Speaker 4: and the movie's not good, but no David Bowie songs
• 1:15:49
  Speaker 4: in seven years in Tibet, but David Bowie did a
• 1:15:51
  Speaker 4: song called seven years in Tibet on his album earthling.
• 1:15:53
  Speaker 4: That's not, Has nothing to do with the movie or
• 1:15:56
  Speaker 4: the book. Fun fact.
• 1:15:59
  Speaker 8: It was fun.
• 1:16:02
  Speaker 7: Also cool world.
• 1:16:05
  Speaker 13: I walked into the theater to watch Cool World convinced
• 1:16:08
  Speaker 13: I was going to see cartoon boobies.
• 1:16:10
  Speaker 4: Yeah.
• 1:16:11
  Speaker 12: Nope.
• 1:16:11
  Speaker 4: And was so disappointed.
• 1:16:12
  Speaker 8: You came in late in the career of Baskin.
• 1:16:14
  Speaker 4: If you go back, you can see stuff. I've seen
• 1:16:17
  Speaker 4: Fritz the Cat.
• 1:16:18
  Speaker 8: Which, again, is not what it's... Again, they kind of
• 1:16:21
  Speaker 8: sell you on these things.
• 1:16:22
  Speaker 2: Right.
• 1:16:23
  Speaker 8: Because that's not the movie you expect either. I went
• 1:16:25
  Speaker 8: in expecting it to be a lot of that. And
• 1:16:28
  Speaker 8: then it gets super serious by the end of it. Like, oh, okay,
• 1:16:32
  Speaker 8: I didn't really see this coming.
• 1:16:33
  Speaker 14: Right.
• 1:16:34
  Speaker 8: Okay, I'm on board with you, Fritz. Let's do this.
• 1:16:36
  Speaker 3: Yay.
• 1:16:37
  Speaker 4: Cool World fails on absolutely every level, though.
• 1:16:41
  Speaker 8: Except the soundtrack. The entire soundtrack is awesome.
• 1:16:46
  Speaker 4: Okay.
• 1:16:48
  Speaker 8: And it's weird stuff that had not surfaced into mainstream yet,
• 1:16:51
  Speaker 8: so it's a ton of weird techno shit that was
• 1:16:55
  Speaker 8: only in a weird club at the time.
• 1:16:56
  Speaker 4: Is My Life with a Thrill Kill Cult on that?
• 1:16:58
  Speaker 4: It's twice.
• 1:16:58
  Speaker 8: I was about to say it.
• 1:17:00
  Speaker 2: Twice.
• 1:17:00
  Speaker 4: That was a guess. I've never even heard this out.
• 1:17:02
  Speaker 2: Twice.
• 1:17:03
  Speaker 4: Along with Moby twice.
• 1:17:05
  Speaker 24: Really?
• 1:17:06
  Speaker 8: No, I'd never heard of Moby. I didn't know his
• 1:17:07
  Speaker 8: career went back that far. Yeah, that's how far back
• 1:17:09
  Speaker 8: it went. He was an unknown guy named Moby in
• 1:17:13
  Speaker 8: some basement somewhere playing with his computer. And that's how,
• 1:17:16
  Speaker 8: I mean, that's, again, you've got to give up.
• 1:17:17
  Speaker 4: You're like, I've got all this hair. What could possibly
• 1:17:19
  Speaker 4: go wrong?
• 1:17:20
  Speaker 8: My hair's golden on every avenue.
• 1:17:23
  Speaker 2: Oh, shit.
• 1:17:25
  Speaker 8: So, yeah, I was like, you just kind of have
• 1:17:29
  Speaker 8: to give whoever put that together. I'm like, they were
• 1:17:32
  Speaker 8: kind of forward thinking because like the only name at
• 1:17:35
  Speaker 8: the time was David Bowie.
• 1:17:37
  Speaker 21: Really?
• 1:17:37
  Speaker 8: There's a couple of I think. I mean, there's a few,
• 1:17:39
  Speaker 8: but it's a bunch of up and coming bands at
• 1:17:42
  Speaker 8: the time. And like some of them turned out to
• 1:17:45
  Speaker 8: be people.
• 1:17:46
  Speaker 2: Moby.
• 1:17:48
  Speaker 8: But again, that style of music was not at all
• 1:17:51
  Speaker 8: what it is. Later it became to be. Now it's
• 1:17:54
  Speaker 8: fallen off and nobody cares again. But it was way
• 1:17:56
  Speaker 8: ahead of the curve on that style of music. So
• 1:17:59
  Speaker 8: that's the one good thing I took away from Cool World.
• 1:18:02
  Speaker 4: Was the toys soundtrack the natural evolution of the Cool
• 1:18:05
  Speaker 4: World soundtrack?
• 1:18:06
  Speaker 8: I think so.
• 1:18:06
  Speaker 4: Because for some reason those two movies are linked in
• 1:18:09
  Speaker 4: my brain and I don't know why they're linked.
• 1:18:11
  Speaker 8: Your brain is, you might be having an aneurysm.
• 1:18:14
  Speaker 4: I think it's because they're both movies that when I was,
• 1:18:17
  Speaker 4: you know, I was a teenager at the time and
• 1:18:19
  Speaker 4: I was like, these are the kind of weird movies
• 1:18:21
  Speaker 4: that are totally made for me. And I went to
• 1:18:24
  Speaker 4: both of them and was just completely disappointed.
• 1:18:26
  Speaker 8: That was my thing. I assumed you were going in going,
• 1:18:28
  Speaker 8: this is going to be awesome.
• 1:18:29
  Speaker 4: What am I watching?
• 1:18:31
  Speaker 13: Yeah, I was sure Toys was going to be amazing.
• 1:18:34
  Speaker 26: Yeah.
• 1:18:34
  Speaker 8: It's another threatened episode.
• 1:18:36
  Speaker 13: I don't even think I made it to the end
• 1:18:37
  Speaker 13: of that movie.
• 1:18:38
  Speaker 8: You have to pencil that one in, too. It's another
• 1:18:39
  Speaker 8: threatened episode.
• 1:18:40
  Speaker 4: See, this is why, you know, you asked me, like,
• 1:18:42
  Speaker 4: why haven't you watched a movie in a year? And
• 1:18:44
  Speaker 4: I'm telling you all the things that led up to
• 1:18:45
  Speaker 4: the fact that I quit watching movies. I'm like, I
• 1:18:48
  Speaker 4: went to this theater and I, you know... we paid $ 7.
• 1:18:50
  Speaker 4: I was like, this is going to be awesome. And
• 1:18:52
  Speaker 4: I walked out like my life is over.
• 1:18:54
  Speaker 8: So no, I'm hearing toys was so awesome. I don't
• 1:18:57
  Speaker 8: need to watch any other movies because it's the top
• 1:18:59
  Speaker 8: of the, everything else is just going to be just
• 1:19:02
  Speaker 8: a pale comparison to toys.
• 1:19:04
  Speaker 13: I do want the little car that's in toys though.
• 1:19:07
  Speaker 8: There are a lot of cool toys.
• 1:19:08
  Speaker 2: Oh yeah.
• 1:19:09
  Speaker 8: Yeah.
• 1:19:11
  Speaker 4: I think the world's probably come back around on toys
• 1:19:13
  Speaker 4: at this point. It's been long enough. I'm never going
• 1:19:16
  Speaker 4: to watch it again to see if my opinion changed.
• 1:19:18
  Speaker 8: I mean, once you're dead, you can do no wrong.
• 1:19:21
  Speaker 8: So everybody's going to look at it and go, this
• 1:19:22
  Speaker 8: performance is genius.
• 1:19:24
  Speaker 4: LL Cool J's amazing. Who's that other dude? That was
• 1:19:26
  Speaker 4: the takeaway for me.
• 1:19:27
  Speaker 8: I was like, look at LL Cool J. He can act.
• 1:19:30
  Speaker 4: He's going to be an actor. Could he act?
• 1:19:32
  Speaker 8: Now and NCIS later, look. He is cashing a paycheck
• 1:19:37
  Speaker 8: every week.
• 1:19:37
  Speaker 4: I don't remember him doing a good job acting in
• 1:19:40
  Speaker 4: that movie. I remember him doing a bunch of weird
• 1:19:42
  Speaker 4: mouth stuff. Like he would say a sentence and then
• 1:19:44
  Speaker 4: roll his mouth around. He's a little good. Like the
• 1:19:47
  Speaker 4: way that people have to be eating while they talk
• 1:19:50
  Speaker 4: in movies. And then they do that weird mouth thing.
• 1:19:53
  Speaker 8: Leave Marlon Brando out of this.
• 1:19:55
  Speaker 4: No, I'm talking about the dude that was in Deadwood
• 1:19:58
  Speaker 4: that was also in Coal Miner's Daughter. He was trying
• 1:20:02
  Speaker 4: to get Doolittle Lynn to fucking bootleg the moonshine. He
• 1:20:06
  Speaker 4: was like, dude, I can give you it. And he
• 1:20:08
  Speaker 4: was eating a mouthful of food. And then he'd stop
• 1:20:10
  Speaker 4: with his mouth halfway open full of food.
• 1:20:14
  Speaker 12: Wait, is that the guy from Newhart?
• 1:20:16
  Speaker 4: Yes.
• 1:20:16
  Speaker 33: Yeah.
• 1:20:17
  Speaker 4: I don't remember.
• 1:20:18
  Speaker 8: Daryl or another Daryl? Which Daryl was he?
• 1:20:21
  Speaker 12: There's two Daryls and one Larry, right?
• 1:20:23
  Speaker 8: I think he was Larry. Larry actually had a career.
• 1:20:25
  Speaker 8: He turned up in a bunch of stuff. I've seen
• 1:20:27
  Speaker 8: him many times over the years.
• 1:20:28
  Speaker 4: I actually think that he's amazing, but like... That's an
• 1:20:30
  Speaker 4: observation that always bugged me about that stuff.
• 1:20:33
  Speaker 8: One of those Daryls was in the miniseries, The Blue
• 1:20:36
  Speaker 8: and the Gray.
• 1:20:38
  Speaker 12: I don't know what that is.
• 1:20:39
  Speaker 4: That sounds like Civil War talk to me.
• 1:20:41
  Speaker 12: But I don't know what that is.
• 1:20:43
  Speaker 8: You need to screw yourself on miniseries.
• 1:20:46
  Speaker 12: I opened myself up to that. I only know North
• 1:20:49
  Speaker 12: and South with Patrick Swayze.
• 1:20:50
  Speaker 8: See, it was kind of that same time, only North
• 1:20:52
  Speaker 8: and South was way more soap opera-y, so everybody liked
• 1:20:54
  Speaker 8: that one. This one was kind of dry.
• 1:20:57
  Speaker 12: This one was about war.
• 1:20:58
  Speaker 32: Yes.
• 1:20:59
  Speaker 4: Stupid war.
• 1:21:00
  Speaker 8: Nobody wants to watch that. David Bowie?
• 1:21:05
  Speaker 34: This episode is brought to you by Crosley Turntables. Starting
• 1:21:08
  Speaker 34: back in 1920, the Crosley company produced the first low-priced
• 1:21:11
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  Speaker 34: working to provide innovative and affordable electronics. And that tradition
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• 1:21:37
  Speaker 34: so head over there now and pick out which turntable
• 1:21:39
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• 1:21:41
  Speaker 31: Oh, this one.
• 1:21:42
  Speaker 2: This is my son's favorite. Do you know this one?
• 1:21:44
  Speaker 4: Oh, I do indeed. It's a lovely thing. I would
• 1:21:47
  Speaker 4: like to take a second to talk about the wonderful
• 1:21:50
  Speaker 4: Here is my drum. The David Bowie Christmas song?
• 1:21:55
  Speaker 8: Let's just let you do it and not play that one.
• 1:21:57
  Speaker 4: Bing Crosby.
• 1:21:59
  Speaker 8: It was a holiday classic and a crossover, once again,
• 1:22:02
  Speaker 8: we were all hoping for.
• 1:22:04
  Speaker 4: Yeah. That was basically the David Lee Roth and Lauryn
• 1:22:09
  Speaker 4: Hill of the 80s.
• 1:22:09
  Speaker 8: It most definitely was.
• 1:22:11
  Speaker 4: More so than David Bowie and Mick Jagger or David
• 1:22:13
  Speaker 4: Bowie and Queen. Let's be real.
• 1:22:17
  Speaker 8: Of weird places that songs have turned up, how about
• 1:22:22
  Speaker 8: Dead Man Walking? Which is on 1997's The Saint. Yes,
• 1:22:28
  Speaker 8: the Val Kilmer Saint soundtrack.
• 1:22:31
  Speaker 4: And not the soundtrack for Dead Man Walking.
• 1:22:33
  Speaker 8: Not the soundtrack for Dead Man Walking.
• 1:22:34
  Speaker 4: But Dead Man Walking also comes from the same album
• 1:22:37
  Speaker 4: with the song Seven Years in Tibet, which was not
• 1:22:39
  Speaker 4: on the Seven Years in Tibet soundtrack. This is getting deep. Earthling.
• 1:22:43
  Speaker 21: Yep.
• 1:22:44
  Speaker 5: He swallows his hair Tears his eyes from the screen.
• 1:23:09
  Speaker 7: As his past puts him back In a blinding.
• 1:23:13
  Speaker 29: City Now I'm wiser than dreams Let me fly, fly,
• 1:23:45
  Speaker 29: fly While I'm touching tomorrow And I.
• 1:23:51
  Speaker 7: Know who's there When.
• 1:23:52
  Speaker 3: Silhouettes fall And I'm gone.
• 1:24:00
  Speaker 7: Like I'm dancing on.
• 1:24:02
  Speaker 32: Angels under the lamplight Shaking the.
• 1:24:33
  Speaker 24: Sex and the bones and the boys that we want.
• 1:24:39
  Speaker 3: An alien nation in therapy sliding naked with you.
• 1:24:45
  Speaker 29: Like a bad temperature on the rain-slipped.
• 1:24:49
  Speaker 3: Streets And I'm gone, gone, gone Now I'm old with
• 1:24:56
  Speaker 3: the movies Now I'm wiser than dreams And I'm gone Through.
• 1:25:58
  Speaker 7: The crack of the bat Like a dead man I'm
• 1:27:12
  Speaker 7: dancing on angels.
• 1:29:20
  Speaker 4: Which also included the hit song I'm Afraid of Americans,
• 1:29:23
  Speaker 4: but Trent Reznor was nowhere to be seen on that version,
• 1:29:27
  Speaker 4: even though that is the official canonical version of that song.
• 1:29:30
  Speaker 8: I have heard both of those. It's a very different take.
• 1:29:35
  Speaker 8: Speaking of that, Let's go to Heart's Filthy Lesson. Which
• 1:29:41
  Speaker 8: I feel like is, if you ever feel the influence
• 1:29:44
  Speaker 8: of another artist creeping into someone's career, that technically is
• 1:29:49
  Speaker 8: written by David Bowie. But good God, does it not
• 1:29:52
  Speaker 8: sound like Trent Reznor was in the room with him
• 1:29:54
  Speaker 8: at the time?
• 1:29:55
  Speaker 4: It does not sound like that. I know, I have
• 1:29:58
  Speaker 4: read the... year that brian you know the the a
• 1:30:03
  Speaker 4: year in my life by brian you know or whatever
• 1:30:05
  Speaker 4: it's where he chronicled the whole year of 1995 or
• 1:30:07
  Speaker 4: whatever and that was the year that he recorded uh
• 1:30:11
  Speaker 4: outside the david bowie album and the year that he
• 1:30:14
  Speaker 4: recorded uh the youtube album with lemon on it with
• 1:30:17
  Speaker 4: the video with all the girls like all the feet
• 1:30:20
  Speaker 4: on the face yeah i think it was pop i
• 1:30:22
  Speaker 4: think it was pop or zuropa maybe.
• 1:30:24
  Speaker 8: One of the two those two were kind of the
• 1:30:25
  Speaker 8: same thing yeah That was that era of them.
• 1:30:29
  Speaker 4: But the reason that album with the Heart's Filthy Lessons
• 1:30:32
  Speaker 4: sounds like Nine Inch Nails is actually because David Bowie
• 1:30:35
  Speaker 4: was listening to Scott Walker's new album. Scott Walker's new
• 1:30:39
  Speaker 4: album was set to drop while they were recording that album.
• 1:30:43
  Speaker 4: And he was like, okay. He told Brian, you know,
• 1:30:45
  Speaker 4: now listen. If what we're doing sounds anything like the
• 1:30:48
  Speaker 4: Scott Walker album, we're going to have to scrap this
• 1:30:51
  Speaker 4: entire project. Because for some reason... If you've heard the
• 1:30:55
  Speaker 4: album Tilt, which was the Scott Walker album that that
• 1:30:58
  Speaker 4: was compared to, it sounds a lot more like outside
• 1:31:04
  Speaker 4: than it does Nine Inch Nails. Because as far as
• 1:31:06
  Speaker 4: I know, Scott Walker doesn't know who Nine Inch Nails is.
• 1:31:11
  Speaker 4: But it's closer to Scott Walker than Nine Inch Nails,
• 1:31:13
  Speaker 4: which in a vacuum, if all three of those albums
• 1:31:17
  Speaker 4: were the only three albums that existed, they would all
• 1:31:19
  Speaker 4: sound alike, but.
• 1:31:22
  Speaker 4: I guess the album I'm comparing it to is Downward Spiral.
• 1:31:26
  Speaker 4: That would have been the most recent Nine Inch Nails
• 1:31:28
  Speaker 4: album at the time.
• 1:31:29
  Speaker 8: And almost since then. It's not like they put out tons.
• 1:31:33
  Speaker 4: Yeah, but it's actually more a response to the Scott
• 1:31:38
  Speaker 4: Walker album, the way that album finally turned out, than
• 1:31:40
  Speaker 4: it is to Nine Inch Nails. Because as far as
• 1:31:42
  Speaker 4: I know, the Nine Inch Nails stuff happened after that
• 1:31:44
  Speaker 4: album was released. Because David Bowie contacted Trent Reznor and said, hey,
• 1:31:48
  Speaker 4: I just made this weird album, and I think maybe
• 1:31:51
  Speaker 4: you sound like me now. Stop stealing my thing. So
• 1:31:55
  Speaker 4: we should tour together, right? And that's how the Nine
• 1:31:58
  Speaker 4: Inch Nails collaboration came together.
• 1:32:00
  Speaker 12: Now we're talking about Republican Governor Scott Walker from Wisconsin, right?
• 1:32:04
  Speaker 4: Yes, that is correct. No, Scott Walker from, he is
• 1:32:10
  Speaker 4: Scott Walker. The dude that puts piles of meat on
• 1:32:14
  Speaker 4: lumber and then cuts it in half with a saw
• 1:32:17
  Speaker 4: and records that as a song. That's Scott Walker.
• 1:32:19
  Speaker 8: Speaking of weirdo artists. Yes. That's the kind we're talking about.
• 1:32:24
  Speaker 4: He was a pop sensation in the 60s, and he
• 1:32:27
  Speaker 4: was in the Walker Brothers, and they did all these
• 1:32:30
  Speaker 4: wonderful 60s pop songs. And then at some point, there
• 1:32:33
  Speaker 4: was like, Scott Walker had a stroke or something, or
• 1:32:37
  Speaker 4: the Fight Club in him came out, and he became
• 1:32:40
  Speaker 4: this weird creature that was not this pop idol at all,
• 1:32:44
  Speaker 4: and started making weird creature music that sounds like David
• 1:32:47
  Speaker 4: Lynch movies as music.
• 1:32:50
  Speaker 8: I can't believe I don't know who this person is.
• 1:32:52
  Speaker 4: There's a documentary about him called 30th Century Man that
• 1:32:55
  Speaker 4: was on Netflix for a million years. I don't know
• 1:32:57
  Speaker 4: if it still is. But in that, he's making not
• 1:33:01
  Speaker 4: his new album that just came out a couple years ago,
• 1:33:03
  Speaker 4: but the album... He put out a whole bunch of
• 1:33:06
  Speaker 4: albums in the 60s and the 70s, and then he
• 1:33:08
  Speaker 4: put out one album in the 80s in, like, 84,
• 1:33:11
  Speaker 4: and then he put out one album in the 90s,
• 1:33:13
  Speaker 4: one album in the 2000s, and then he just put
• 1:33:15
  Speaker 4: out an album in, like, 2014.
• 1:33:16
  Speaker 8: He's got a plan.
• 1:33:17
  Speaker 4: But all of these albums are, like, serious fucking weird shit, right? Like,
• 1:33:23
  Speaker 4: actual pieces, like, it's hard to make out exactly what's happening.
• 1:33:27
  Speaker 4: But he's very distinctly, like, you're like, oh, this guy
• 1:33:31
  Speaker 4: can sing his fucking ass off. And you can tell
• 1:33:34
  Speaker 4: that he used to be like this pop sensation because
• 1:33:36
  Speaker 4: he's got this wonderful voice. But there are like people
• 1:33:38
  Speaker 4: being murdered in the background. And you can hear like
• 1:33:40
  Speaker 4: pig eyeballs like hitting the floor. Because that's what's actually
• 1:33:44
  Speaker 4: happening in the song. And it's so fucking weird and amazing.
• 1:33:48
  Speaker 4: But the one Scott Walker album that came out in
• 1:33:51
  Speaker 4: the 90s was the one that David Bowie was like,
• 1:33:53
  Speaker 4: I hope we don't sound like Scott Walker because now
• 1:33:56
  Speaker 4: we're just going to have to throw all these songs
• 1:33:57
  Speaker 4: away and do something completely different because I don't... Fuck that.
• 1:34:01
  Speaker 13: But based on that description, does anybody say, I really
• 1:34:04
  Speaker 13: want to sound like Scott Walker?
• 1:34:05
  Speaker 33: I mean.
• 1:34:06
  Speaker 4: I want to hear it.
• 1:34:07
  Speaker 8: I think after that, probably a lot of weird kids did.
• 1:34:10
  Speaker 2: Yeah.
• 1:34:11
  Speaker 21: But.
• 1:34:12
  Speaker 4: Scott Walker and David Bowie went way back. They had
• 1:34:14
  Speaker 4: a mutual respect because in, like, 67, they both made...
• 1:34:17
  Speaker 4: That was when David Bowie made his first real album.
• 1:34:20
  Speaker 4: And Scott Walker was in the period where he was,
• 1:34:22
  Speaker 4: you know, 67. He still had the pompadour, but the
• 1:34:25
  Speaker 4: sides were kind of long and he had sideburns. So, like,
• 1:34:28
  Speaker 4: you know, they were kind of making the same music
• 1:34:30
  Speaker 4: and they had this mutual respect. And then David Bowie
• 1:34:32
  Speaker 4: stole Scott Walker's girlfriend. And then they were friends, but
• 1:34:36
  Speaker 4: then they were frenemies. And then they hated each other,
• 1:34:38
  Speaker 4: but then they kind of liked each other again.
• 1:34:39
  Speaker 8: This is the 70s.
• 1:34:40
  Speaker 4: Yeah, and then... Scott Walker turned into this weird creature
• 1:34:45
  Speaker 4: that was not at all a human being anymore, and
• 1:34:48
  Speaker 4: it was amazing.
• 1:34:48
  Speaker 13: That's what happens when David Bowie steals your girlfriend.
• 1:34:51
  Speaker 4: Yeah. And David Bowie did, long story short, David Bowie
• 1:34:54
  Speaker 4: did Dancing in the Street, and Scott Walker had Billy
• 1:34:58
  Speaker 4: Ocean do backup vocals on his album that if you
• 1:35:01
  Speaker 4: think of Billy Ocean, and then you think of the
• 1:35:03
  Speaker 4: thing I just described with the pig eyeballs hitting the floor,
• 1:35:06
  Speaker 4: it's a real weird combination. That's all.
• 1:35:09
  Speaker 13: This sounds amazing.
• 1:35:11
  Speaker 4: Yes.
• 1:35:11
  Speaker 8: Speaking of slicing through meat and body parts hitting the floor,
• 1:35:16
  Speaker 8: the soundtrack this is featured on is Seven, which was
• 1:35:20
  Speaker 8: another reason I wanted to feature that because, again, regardless
• 1:35:24
  Speaker 8: of the time period of the Trent Reznor effect, if
• 1:35:30
  Speaker 8: anything fits that sound of Bowie's, it's that era of
• 1:35:34
  Speaker 8: David Fincher. It's a very, again, trying to imagine those
• 1:35:39
  Speaker 8: two not having anything to do with each other is
• 1:35:42
  Speaker 8: kind of weird because yeah listening to the song again
• 1:35:44
  Speaker 8: today i'm like yeah this is just the soundtrack to
• 1:35:47
  Speaker 8: seven like it's just it's weird and grimy and dirty
• 1:35:51
  Speaker 8: and yeah they need to go together.
• 1:36:12
  Speaker 20: There's always a diamond friendly Sitting in the live hotel.
• 1:36:23
  Speaker 6: The heart's filthy lesson.
• 1:36:28
  Speaker 4: With her hundred.
• 1:36:29
  Speaker 7: Miles to have If there was always something between us
• 1:36:42
  Speaker 7: If there was always something between.
• 1:36:44
  Speaker 24: Us Other than our clothes.
• 1:36:50
  Speaker 14: Something in our sky.
• 1:36:53
  Speaker 24: Something in our sky Something in our blood Something in
• 1:36:59
  Speaker 24: our sky Tidy.
• 1:37:07
  Speaker 1: Tidy Let's beware.
• 1:37:10
  Speaker 7: Of horrendous threats. It's the heart-built lesson. Heart-built lesson. Heart-built lesson.
• 1:37:58
  Speaker 7: Falls upon deaf ears.
• 1:38:01
  Speaker 2: Falls upon deaf ears.
• 1:38:16
  Speaker 3: Alba, Alba, if there was always some kind of future.
• 1:38:25
  Speaker 7: Alba, Alba, if there was always some kind of future.
• 1:38:20
  Speaker 7: Something in our.
• 1:38:27
  Speaker 14: Skies Something.
• 1:38:32
  Speaker 7: In our skies Something in.
• 1:38:38
  Speaker 33: Our blood Something in our skies I'm already in my grave.
• 1:39:10
  Speaker 14: I'm already.
• 1:39:12
  Speaker 33: I'm already.
• 1:39:40
  Speaker 7: I think I've lost my way This guy is methodical, exacting,
• 1:40:30
  Speaker 7: and worst of all, patient.
• 1:40:32
  Speaker 4: There's a song called Seven on the later David Bowie
• 1:40:34
  Speaker 4: album that has nothing to do with the movie.
• 1:40:37
  Speaker 8: Also, seven years in Tibet. It's all coming back around.
• 1:40:41
  Speaker 4: The movie Seven features is the breakout role for future
• 1:40:44
  Speaker 4: Richard Nixon, Kevin Spacey.
• 1:40:46
  Speaker 8: But what about Brad Pitt?
• 1:40:49
  Speaker 2: Who?
• 1:40:49
  Speaker 8: He'd lost the lovely hair by then.
• 1:40:52
  Speaker 4: I don't know who that is.
• 1:40:53
  Speaker 8: What about that dreamy guy in the poster you had?
• 1:40:56
  Speaker 4: Morgan Freeman?
• 1:40:58
  Speaker 8: Yes, said his granddaughter.
• 1:41:00
  Speaker 2: Gabriel.
• 1:41:01
  Speaker 8: Anyway.
• 1:41:03
  Speaker 4: Dude from that movie with the chick with the Christ wounds?
• 1:41:07
  Speaker 8: Exactly. There's our quote for the episode.
• 1:41:13
  Speaker 14: Oh.
• 1:41:15
  Speaker 8: So, again, someone who likes to redo their stuff for
• 1:41:19
  Speaker 8: weird movie soundtracks for a movie that is known for
• 1:41:23
  Speaker 8: its lead character, His love of popular music. Anyway, this
• 1:41:28
  Speaker 8: would be something in the air. The American Psycho remix.
• 1:41:32
  Speaker 4: Great, great song.
• 1:41:35
  Speaker 2: Personal favorite.
• 1:42:06
  Speaker 3: I guess we lived it up, something in the air.
• 1:42:30
  Speaker 7: You smile too fast and can't think of a thing
• 1:42:34
  Speaker 7: to say. Live with the best times.
• 1:42:42
  Speaker 17: Live with the worst.
• 1:42:46
  Speaker 7: Dance with you too long.
• 1:42:54
  Speaker 14: Nothing left.
• 1:42:59
  Speaker 11: Let's take what we can.
• 1:43:02
  Speaker 3: I know you're on your way.
• 1:43:11
  Speaker 7: We've raced for.
• 1:43:13
  Speaker 8: The last time.
• 1:43:17
  Speaker 3: Place of no return and there's something in.
• 1:43:22
  Speaker 7: The air something in my heart I've danced with you
• 1:43:32
  Speaker 7: too long yeah something in And what could you do?
• 1:43:48
  Speaker 7: I'll lose you.
• 1:43:49
  Speaker 2: We can.
• 1:43:51
  Speaker 7: Avoid the clash The big.
• 1:43:53
  Speaker 3: Mistake Now we're gonna pay and pay.
• 1:44:21
  Speaker 7: The sentence of our lives.
• 1:44:23
  Speaker 21: Can't believe I'm asking.
• 1:44:27
  Speaker 7: You to go.
• 1:44:31
  Speaker 3: We used what we could to get the things we want.
• 1:44:37
  Speaker 3: But we lost each other in the war.
• 1:44:46
  Speaker 7: Guess you know I never wanted anyone more than you.
• 1:44:52
  Speaker 7: Lived all our best times.
• 1:44:58
  Speaker 3: Left with the worst.
• 1:44:59
  Speaker 7: I've danced with you too long. Say what you will.
• 1:45:11
  Speaker 7: There's something in there.
• 1:45:17
  Speaker 3: Rage for the last time.
• 1:45:21
  Speaker 7: But I know you'll hold your head up high.
• 1:45:26
  Speaker 3: There's nothing you have to say.
• 1:45:31
  Speaker 7: There's nothing in your eyes But there's something in the air.
• 1:45:43
  Speaker 3: Something in my eye I've danced with you too long
• 1:45:50
  Speaker 3: There's something I have to say.
• 1:46:38
  Speaker 7: Dance with me.
• 1:47:21
  Speaker 4: Have you guys all seen the clip from Extras? From
• 1:47:25
  Speaker 4: the David Bowie episode of Extras where he on the
• 1:47:29
  Speaker 4: spot improvs a song about how fat... Yeah, actually, that.
• 1:47:34
  Speaker 8: Was one of the things people posted after he died,
• 1:47:36
  Speaker 8: which is a fun thing. Like, hey, watch him make
• 1:47:38
  Speaker 8: fun of this guy.
• 1:47:39
  Speaker 4: It was amazing. He just made that up on the spot,
• 1:47:41
  Speaker 4: and it was brilliant.
• 1:47:42
  Speaker 8: I mean, he is David Bowie.
• 1:47:43
  Speaker 2: Yeah.
• 1:47:44
  Speaker 8: I'm assuming you could just give him a piano and
• 1:47:46
  Speaker 8: be like, here, make a song. Oh, wait, that's how
• 1:47:49
  Speaker 8: he does it.
• 1:47:50
  Speaker 4: I only recently learned that David Bowie, like they approached
• 1:47:56
  Speaker 4: David Bowie for that Flight of the Conchords episode. And
• 1:47:59
  Speaker 4: he was like, you know, maybe I would do it,
• 1:48:02
  Speaker 4: but I just did this comedy thing. And it was
• 1:48:03
  Speaker 4: the extras thing, I think. He was like, I just
• 1:48:05
  Speaker 4: did this comedy thing and I don't want to do
• 1:48:07
  Speaker 4: two comedy things like in the same time period. So
• 1:48:10
  Speaker 4: I'm just going to pass on this one. So they
• 1:48:11
  Speaker 4: did it without him.
• 1:48:12
  Speaker 22: Yeah.
• 1:48:13
  Speaker 4: I thought, all right.
• 1:48:14
  Speaker 8: I mean, it does, like, you have to watch that
• 1:48:17
  Speaker 8: or you do kind of become a joke. If all
• 1:48:19
  Speaker 8: you're known for. is making fun of your own persona,
• 1:48:22
  Speaker 8: eventually nobody takes you seriously anymore.
• 1:48:25
  Speaker 4: Yeah.
• 1:48:25
  Speaker 8: So I guess, you know, you have to make those calls.
• 1:48:28
  Speaker 4: Yeah.
• 1:48:28
  Speaker 8: When you're a super rock star.
• 1:48:30
  Speaker 4: Yeah. But it would, whatever he would have done with
• 1:48:33
  Speaker 4: Flight of the Conchords would have been better than all
• 1:48:35
  Speaker 4: of the albums he put out between 1999 and, this
• 1:48:39
  Speaker 4: year two days before he died because those were.
• 1:48:42
  Speaker 13: Not good albums i really like lazarus.
• 1:48:46
  Speaker 4: No lazarus is great black star is amazing yeah everything
• 1:48:49
  Speaker 4: everything pre.
• 1:48:50
  Speaker 13: That i like the album before uh black star um
• 1:48:54
  Speaker 13: i didn't really i didn't think it was as great
• 1:48:56
  Speaker 13: as everyone made it out to be but i thought
• 1:48:58
  Speaker 13: it was.
• 1:48:58
  Speaker 4: Enjoyable yeah i don't yeah yeah yeah yeah that's that's
• 1:49:04
  Speaker 4: pretty you hit it.
• 1:49:05
  Speaker 8: Exactly Oh, I don't know. Did you have any normal
• 1:49:12
  Speaker 8: recognizable songs that you wanted to work in specifically because
• 1:49:16
  Speaker 8: of a movie tie in?
• 1:49:18
  Speaker 2: Hmm.
• 1:49:21
  Speaker 8: I mean, my, my, if we're working in like recognizable,
• 1:49:25
  Speaker 8: well-known songs, it's funny that my go-to, like one of
• 1:49:29
  Speaker 8: the first ones I think of is because I, for
• 1:49:31
  Speaker 8: some reason had not heard it till the movie. And, like,
• 1:49:35
  Speaker 8: of all the, like, I knew a ton of David Bowie, especially, like,
• 1:49:39
  Speaker 8: the stuff of that era. But, like, I'm sitting there
• 1:49:43
  Speaker 8: watching A Knight's Tale going, this song's really cool. Wait,
• 1:49:48
  Speaker 8: have I not heard this before?
• 1:49:50
  Speaker 4: What song?
• 1:49:50
  Speaker 8: Golden Years kicks in in the middle of the dance
• 1:49:53
  Speaker 8: scene of A Knight's Tale. And, like, after that, I
• 1:49:56
  Speaker 8: hear it everywhere. And I'm like, did I really not
• 1:49:59
  Speaker 8: ever hear Golden Years until 1997? That seems weird.
• 1:50:02
  Speaker 4: Was that before or after the Marilyn Manson cover? Before,
• 1:50:07
  Speaker 4: I believe.
• 1:50:07
  Speaker 28: Yeah.
• 1:50:08
  Speaker 2: Okay.
• 1:50:08
  Speaker 13: Because, again, I don't remember hearing it before that movie.
• 1:50:13
  Speaker 8: That was just a weird thing that I was just like,
• 1:50:16
  Speaker 8: that's Bowie. Like, I'm knowing the person.
• 1:50:19
  Speaker 4: I mean, it's unmistakable. Yeah.
• 1:50:21
  Speaker 8: That it's Bowie. And it's super well known after the fact.
• 1:50:24
  Speaker 8: I'm like, yeah, everybody knows that one. Everybody heard that one.
• 1:50:26
  Speaker 8: How I made it that far or blocked it out
• 1:50:28
  Speaker 8: with some sort of horrible story I don't know about.
• 1:50:30
  Speaker 34: But, yeah.
• 1:50:32
  Speaker 8: A Knight's Tale. Golden Years. It's very weird.
• 1:50:36
  Speaker 4: See, I thought what you were going to say was
• 1:50:40
  Speaker 4: young Americans in the fucking Molly Ringwald movie. I can't
• 1:50:44
  Speaker 4: remember the name of. It was Molly Ringwald. It was
• 1:50:47
  Speaker 4: a Johnny Hughes movie, I think. It opens the movie.
• 1:50:51
  Speaker 2: Like 16 Kins? Maybe.
• 1:50:53
  Speaker 8: Or Pretty in Pink.
• 1:50:55
  Speaker 4: Which one has Matt Dillon in it? There's a movie
• 1:51:01
  Speaker 4: with Molly Ringwald and maybe Matt Dillon. And at the end,
• 1:51:04
  Speaker 4: Matt Dillon's driving his Camaro and he goes to this
• 1:51:07
  Speaker 4: wedding and Molly Ringwald's there. Maybe it's not Molly Ringwald.
• 1:51:11
  Speaker 13: You're thinking of Sixteen Candles, but that wasn't Matt Dillon.
• 1:51:13
  Speaker 8: Yeah, that's true.
• 1:51:15
  Speaker 4: He looks like Matt Dillon of that era. He's Flamingo
• 1:51:18
  Speaker 4: Kid Matt Dillon.
• 1:51:19
  Speaker 8: I don't know who that was. He's the guy who
• 1:51:21
  Speaker 8: makes furniture.
• 1:51:22
  Speaker 32: Yeah.
• 1:51:23
  Speaker 12: Well, he stopped making furniture to be in Mermaids, and
• 1:51:25
  Speaker 12: then he went back to making furniture again.
• 1:51:27
  Speaker 8: Wait, is he the dude in Mermaids?
• 1:51:28
  Speaker 12: Yeah, he's the dude in Mermaids. That was like his comeback.
• 1:51:30
  Speaker 12: He was like, oh, I'm bored with being a sex symbol.
• 1:51:32
  Speaker 12: I'm going to go make furniture. And then he was like, oh,
• 1:51:34
  Speaker 12: I don't know. Maybe I'll try the acting thing again. No,
• 1:51:36
  Speaker 12: I'm bored with it again.
• 1:51:38
  Speaker 13: So much like my own life.
• 1:51:40
  Speaker 4: Doesn't that movie start with Young Americans? I thought it did.
• 1:51:43
  Speaker 4: I know it opens one of that tier of movies.
• 1:51:48
  Speaker 4: It's the song that plays in the beginning, and when
• 1:51:50
  Speaker 4: I saw it, I was like, they're doing a song
• 1:51:52
  Speaker 4: where David Bowie probably would have re-recorded Young Americans, but
• 1:51:57
  Speaker 4: instead it's the 70s version, which by that point.
• 1:52:00
  Speaker 12: Yes, I can confirm. John Hughes' film, Sixteen Candles, Wikipedia
• 1:52:03
  Speaker 12: backs you up.
• 1:52:04
  Speaker 2: All right.
• 1:52:05
  Speaker 4: Because... You know, at that point, you know, the 80s
• 1:52:08
  Speaker 4: was nostalgic for the 50s and wanted nothing to do
• 1:52:11
  Speaker 4: with the 70s.
• 1:52:12
  Speaker 2: Yeah.
• 1:52:13
  Speaker 4: So I'm like, why is this mid-70s, like, kind of
• 1:52:15
  Speaker 4: funky David Bowie song playing when he probably would have
• 1:52:18
  Speaker 4: done an 80s version of this that might have been terrible,
• 1:52:20
  Speaker 4: but he wouldn't have done it.
• 1:52:21
  Speaker 8: Yeah, at the time, I'm sure he would have, yeah.
• 1:52:23
  Speaker 4: Yeah.
• 1:52:23
  Speaker 23: Um.
• 1:52:25
  Speaker 12: I'm going to go ahead and just read the entire
• 1:52:27
  Speaker 12: In Other Media listing in Wikipedia for young Americans.
• 1:52:32
  Speaker 2: All right.
• 1:52:32
  Speaker 12: Because it will help you contextualize your concerns over its
• 1:52:36
  Speaker 12: use in Sixteen Candles. The song has accompanied the end
• 1:52:40
  Speaker 12: credits of Dogville and Manderley, the first two films of
• 1:52:42
  Speaker 12: the Lars von Trier USA Land of Opportunities trilogy. It
• 1:52:47
  Speaker 12: was also used briefly in the Nicolas Cage film Lord
• 1:52:49
  Speaker 12: of War. It was also played at the beginning of
• 1:52:52
  Speaker 12: the film Down to You, starring Freddie Prinze Jr. and
• 1:52:54
  Speaker 12: Julia Stiles. It was used in the trailer to the
• 1:52:57
  Speaker 12: Ben Stiller-directed film Reality Bites to show how Generation X
• 1:53:00
  Speaker 12: has been affected by earlier American history, and it was
• 1:53:02
  Speaker 12: used in the 2012 thriller Jack Reacher, starring Tom Cruise.
• 1:53:06
  Speaker 12: So basically, they will throw this song in any movie.
• 1:53:09
  Speaker 12: Doesn't fucking matter.
• 1:53:10
  Speaker 2: Okay.
• 1:53:10
  Speaker 4: All right.
• 1:53:11
  Speaker 12: That's your answer.
• 1:53:11
  Speaker 21: All right.
• 1:53:14
  Speaker 7: Wow.
• 1:53:14
  Speaker 4: I just see the musical director of any film. Oh,
• 1:53:17
  Speaker 4: we're one song short.
• 1:53:19
  Speaker 13: What do we get, young Americans?
• 1:53:20
  Speaker 14: Okay.
• 1:53:20
  Speaker 4: All right.
• 1:53:21
  Speaker 8: What can we.
• 1:53:22
  Speaker 4: It's kind of like, what's the... Is it because that
• 1:53:25
  Speaker 4: was the song David Bowie was like, I'll tell you what,
• 1:53:27
  Speaker 4: you guys can have this one.
• 1:53:29
  Speaker 12: This is a freebie, Bowie.
• 1:53:30
  Speaker 4: You don't even have to pay me, you can totally
• 1:53:32
  Speaker 4: just have this one.
• 1:53:32
  Speaker 8: Maybe like in the Bowie catalog, like he's got one
• 1:53:34
  Speaker 8: on special. He's like, you know what, this week, young Americans,
• 1:53:37
  Speaker 8: half price. Go ahead, take it.
• 1:53:40
  Speaker 12: Was that the movie meltdown premiere of Down to You?
• 1:53:44
  Speaker 12: Has anybody ever mentioned Down to You before?
• 1:53:47
  Speaker 8: I mean, it wouldn't be out of the question. You've
• 1:53:50
  Speaker 8: heard our show.
• 1:53:50
  Speaker 12: But fair enough.
• 1:53:52
  Speaker 8: I don't think that, I mean, you know, you know
• 1:53:54
  Speaker 8: what big Freddie Prinze Jr.
• 1:53:56
  Speaker 2: Fans we are.
• 1:53:58
  Speaker 8: We'll probably do a whole episode on it. Any that
• 1:54:08
  Speaker 8: you've forgotten.
• 1:54:09
  Speaker 12: Any that you've... I mean, my feeling is that you
• 1:54:11
  Speaker 12: could just name any David Bowie song, right? And there's
• 1:54:14
  Speaker 12: the soundtrack tie-in.
• 1:54:15
  Speaker 28: Or any movie.
• 1:54:15
  Speaker 8: That's kind of how this works. I hate to tell you.
• 1:54:18
  Speaker 4: Everybody always makes.
• 1:54:19
  Speaker 8: It so like, but it has to be in a sound...
• 1:54:21
  Speaker 8: I'm like, everything's in a fucking soundtrack. It's like ever
• 1:54:23
  Speaker 8: once in a while, I will hit something like, I
• 1:54:25
  Speaker 8: cannot believe that's not in a soundtrack. Usually, especially somebody
• 1:54:29
  Speaker 8: huge like Bowie, like, again, look at the movies I've pulled.
• 1:54:32
  Speaker 8: Everything's in a fucking soundtrack.
• 1:54:34
  Speaker 4: My problem is I don't know what soundtracks are out there.
• 1:54:38
  Speaker 4: You know what I mean? The David Bowie part of
• 1:54:41
  Speaker 4: this is the part that I'm good at. The soundtrack
• 1:54:43
  Speaker 4: part is not the part that I know much about.
• 1:54:46
  Speaker 8: Information superhighway where we can find these things with.
• 1:54:49
  Speaker 17: The click of a button.
• 1:54:51
  Speaker 4: Yeah, I don't know. I feel like Lucy's on it.
• 1:54:53
  Speaker 8: Too bad.
• 1:54:53
  Speaker 13: It's a term I haven't heard in 20 years.
• 1:54:58
  Speaker 8: I know. I was trying to pull the most dumb
• 1:55:00
  Speaker 8: version I could.
• 1:55:01
  Speaker 4: If you want to play their... I don't know. Okay,
• 1:55:06
  Speaker 4: I will say the movie Ziggy Stardust and the Spiders
• 1:55:09
  Speaker 4: from Mars is just a concert, right?
• 1:55:13
  Speaker 8: But that got theatrically released, right? That counts.
• 1:55:17
  Speaker 4: I heard the soundtrack before I saw the movie, and
• 1:55:19
  Speaker 4: I actually don't really. The movie's cool because it captures
• 1:55:25
  Speaker 4: the quintessential period that when you think of David Bowie,
• 1:55:28
  Speaker 4: you think of this period, or a lot of people do.
• 1:55:32
  Speaker 4: but I heard the soundtrack before I saw the movie
• 1:55:34
  Speaker 4: and the soundtrack is amazing. I mean, it's, it's a
• 1:55:37
  Speaker 4: good set there. They're really fucked up and you can
• 1:55:40
  Speaker 4: tell because the drummer's like, like missing his drum rolls and,
• 1:55:45
  Speaker 4: and the guitar player's like fucking up the solos, but,
• 1:55:48
  Speaker 4: but it sounds really good.
• 1:55:50
  Speaker 2: Yeah.
• 1:55:51
  Speaker 4: And I saw the movie, uh, after I, after I
• 1:55:54
  Speaker 4: heard it and I was just like, eh, it's more
• 1:55:57
  Speaker 4: boring than just listening to it. But, uh, that, that,
• 1:56:01
  Speaker 4: version of the song watch that man on that movie
• 1:56:05
  Speaker 4: and on that soundtrack is the best version of that
• 1:56:08
  Speaker 4: song period.
• 1:56:27
  Speaker 3: Shake it to a party that lasted all night Everybody
• 1:56:31
  Speaker 3: drank a lot of something nice Wasn't no old-fashioned man,
• 1:56:36
  Speaker 3: a married man Lookin' up to me, my college friend Said.
• 1:56:41
  Speaker 7: Said Ladies know the.
• 1:56:44
  Speaker 29: Band, but the music was sad No one took their
• 1:56:47
  Speaker 29: eyes off the.
• 1:56:48
  Speaker 23: Ringer She swore like a sick, like.
• 1:56:52
  Speaker 21: A whore, but fell asleep better and better.
• 1:56:57
  Speaker 33: So, so.
• 1:56:58
  Speaker 7: Yeah, I began.
• 1:57:00
  Speaker 20: To freeze when the barren alabaster man stopped his knees.
• 1:57:05
  Speaker 3: Yeah, so we watched the game, dropping.
• 1:57:10
  Speaker 7: All the mirrors in shame. What's that man? Honey, watch
• 1:57:30
  Speaker 7: that now.
• 1:57:34
  Speaker 3: Walks like a jerk when he's only taking care of
• 1:57:37
  Speaker 3: the room.
• 1:57:39
  Speaker 7: No, he must be me too. So shake it, hug it,
• 1:58:04
  Speaker 7: look so dry. The fun is for joking, and also smoking.
• 1:58:09
  Speaker 7: Everybody's battling for a reason why.
• 1:58:12
  Speaker 3: Girl, on the phone, would you leave me alone? Throw
• 1:58:18
  Speaker 3: back the song, I'll tell people.
• 1:58:22
  Speaker 7: Lemon in the back with a top of life. And
• 1:58:25
  Speaker 7: the fellas on the street shop need a hand. Yeah,
• 1:58:32
  Speaker 7: I was thinking I could live because I couldn't understand
• 1:58:36
  Speaker 7: the conversation. Yeah, so I ran to the street looking
• 1:58:42
  Speaker 7: for information.
• 1:58:43
  Speaker 11: What's that man?
• 1:58:44
  Speaker 3: I want to watch that man. Talks like a jerk,
• 1:58:53
  Speaker 3: but he can hit.
• 1:58:55
  Speaker 7: You with a fucking spoon. What's that man?
• 1:59:07
  Speaker 3: What's that man?
• 1:59:18
  Speaker 7: What's that man?
• 1:59:21
  Speaker 3: What's that man?
• 1:59:44
  Speaker 14: What's that man?
• 1:59:51
  Speaker 7: What's that man?
• 1:59:53
  Speaker 3: What's that man? What's that man?
• 2:00:12
  Speaker 7: What's that man?
• 2:00:20
  Speaker 4: The version that actually made it to the album, which
• 2:00:23
  Speaker 4: came out after the movie, I think, is fucking terrible.
• 2:00:27
  Speaker 4: I don't understand because this was a conversation I was
• 2:00:31
  Speaker 4: actually having with somebody really recently. The song Watch That
• 2:00:34
  Speaker 4: Man on the album Aladdin Sane sounds like David Bowie
• 2:00:37
  Speaker 4: has fallen down in a well and they've covered it
• 2:00:40
  Speaker 4: up and decided to record his vocals that way because...
• 2:00:44
  Speaker 4: And all the music's like.
• 2:00:47
  Speaker 4: But he's way off in the background. Crazy artist. And
• 2:00:50
  Speaker 4: it's the only song on that album that's mixed that way.
• 2:00:54
  Speaker 4: And it's so baffling that that was... Because, you know,
• 2:00:57
  Speaker 4: that album, unlike Pin Up, sounds like they actually did
• 2:01:00
  Speaker 4: some takes of some songs, right? Maybe not a lot,
• 2:01:03
  Speaker 4: but some of the best piano work in rock music, period,
• 2:01:07
  Speaker 4: is on that album. Like, on the song Lady Grinning Soul, specifically,
• 2:01:12
  Speaker 4: and also on the song Aladdin Sane. Like, that piano
• 2:01:14
  Speaker 4: is just nuts. Like, in the best way possible. But
• 2:01:17
  Speaker 4: that song, the version of that song that they use,
• 2:01:20
  Speaker 4: I don't know why they fucking... Like, on the original album,
• 2:01:25
  Speaker 4: it sounds terrible. On the remasters, they didn't remaster it
• 2:01:28
  Speaker 4: so his vocals are audible. It's just like... It's such
• 2:01:33
  Speaker 4: a good song, but it's such a huge oversight. Like,
• 2:01:36
  Speaker 4: why would you do that? And it's not that the... Like,
• 2:01:41
  Speaker 4: the Ziggy Stardust and the Spiders from Mars soundtrack version
• 2:01:45
  Speaker 4: is really good. But, I mean, there's probably a better
• 2:01:48
  Speaker 4: version of that out there. It's just, like, those are
• 2:01:51
  Speaker 4: the two official releases that I can compare to each other. Like,
• 2:01:55
  Speaker 4: the two that I consider the main versions of that song. And, like,
• 2:01:59
  Speaker 4: the actual version of the song is awful. And I don't...
• 2:02:03
  Speaker 4: I mean, the band's all right. But why are you
• 2:02:06
  Speaker 4: taking the person who is, like, who we came to
• 2:02:09
  Speaker 4: see the show for... And throwing them down a well
• 2:02:11
  Speaker 4: and covering the well. Because he's an artist. I don't
• 2:02:14
  Speaker 4: think he made that decision.
• 2:02:16
  Speaker 8: Or he's on a lot of drugs.
• 2:02:18
  Speaker 4: I think he did make that decision. Drugs, milk, and peppers.
• 2:02:22
  Speaker 2: All right.
• 2:02:24
  Speaker 4: Yeah, but it's so weird how that happens. That phenomenon
• 2:02:30
  Speaker 4: in music where... And again, I.
• 2:02:33
  Speaker 8: Feel like the producer had a lot more reign back
• 2:02:35
  Speaker 8: then because they did their own thing. Artists were different
• 2:02:39
  Speaker 8: than the guy behind the knobs. And half the time,
• 2:02:43
  Speaker 8: they didn't have any say in it. They're like, you
• 2:02:44
  Speaker 8: go record, I'll do what I need to do, and
• 2:02:46
  Speaker 8: I'll put the album out. That was probably at that
• 2:02:49
  Speaker 8: point when the artists were like, no, I think I
• 2:02:51
  Speaker 8: want to do my own stuff, so... It's maybe coming
• 2:02:54
  Speaker 8: off of that, but you do see a lot of
• 2:02:55
  Speaker 8: weird choices made in that 70s era in general. But
• 2:03:00
  Speaker 8: even for weird mixing and editing, I feel like, yeah,
• 2:03:04
  Speaker 8: that's probably before it becomes the even more weird thing
• 2:03:07
  Speaker 8: the 80s turned into.
• 2:03:09
  Speaker 4: Yeah. Let's talk about the 80s.
• 2:03:13
  Speaker 12: Speaking of the 80s, do you have the theme to
• 2:03:15
  Speaker 12: cat people on your list?
• 2:03:17
  Speaker 8: As mentioned earlier, I feel like that's how we need
• 2:03:21
  Speaker 8: to go out.
• 2:03:21
  Speaker 4: Putting out fires?
• 2:03:23
  Speaker 12: Yep.
• 2:03:24
  Speaker 8: And technically, if you go back several years, we've played
• 2:03:27
  Speaker 8: it on the show before, but I found a loophole.
• 2:03:30
  Speaker 8: We were playing it because of the cool and glorious
• 2:03:33
  Speaker 8: bastards tie in, not the original cat people tie in.
• 2:03:37
  Speaker 8: So I think we can play it because of cat
• 2:03:39
  Speaker 8: people and we're in the clear.
• 2:03:42
  Speaker 4: Would that be the original version of the song cat
• 2:03:44
  Speaker 4: people and not the reworked version? I'm guessing so. I
• 2:03:49
  Speaker 4: don't get the sense that David Bowie ever wanted to
• 2:03:51
  Speaker 4: revisit that.
• 2:03:51
  Speaker 8: Well, I mean, that's because he doesn't ever leave his
• 2:03:55
  Speaker 8: stuff alone. Like, it'll be two years later and he's like, eh,
• 2:03:58
  Speaker 8: I'm gonna do a live version and it's gonna be
• 2:03:59
  Speaker 8: totally different. How about that? Like, he just constantly comes
• 2:04:02
  Speaker 8: back to his stuff and either remixes it or reworks
• 2:04:06
  Speaker 8: it or covers it again and like, You never really
• 2:04:08
  Speaker 8: know with David Bowie.
• 2:04:10
  Speaker 4: In another segment of, in this episode of more collaborations
• 2:04:15
  Speaker 4: that we all were dying for, on the original Cat People,
• 2:04:19
  Speaker 4: on the album Let's Dance, the main guitar player was
• 2:04:22
  Speaker 4: Stevie Ray Vaughan. Interesting.
• 2:04:25
  Speaker 8: I've heard of that character.
• 2:04:28
  Speaker 4: As a guitar player and a David Bowie fan, I
• 2:04:30
  Speaker 4: don't understand this collaboration combination. I really don't understand.
• 2:04:34
  Speaker 8: Stevie Ray is an impressive guitar player. Not what you
• 2:04:37
  Speaker 8: think of when you think of Bowie. Not the same
• 2:04:40
  Speaker 8: type of thing at all.
• 2:04:42
  Speaker 4: Like all those little moody guitar parts in China Girl
• 2:04:46
  Speaker 4: where you're like, she said. Fucking Stevie Ray Vaughan.
• 2:04:51
  Speaker 17: Why?
• 2:04:51
  Speaker 4: You could have gotten anybody to do that.
• 2:04:54
  Speaker 8: And that's why you get Stevie.
• 2:04:57
  Speaker 4: The 80s were so weird.
• 2:04:59
  Speaker 8: I can't argue that. It brought us cat people.
• 2:05:04
  Speaker 1: All right.
• 2:05:06
  Speaker 8: Anything else to send people off with?
• 2:05:08
  Speaker 13: Can't forget Space Oddity, which was featured in Mr. Deeds with,
• 2:05:13
  Speaker 13: of course, Adam Sandler.
• 2:05:14
  Speaker 4: That hot banger.
• 2:05:15
  Speaker 3: Yeah.
• 2:05:16
  Speaker 4: I'm glad Mr. Deeds made an appearance in this episode.
• 2:05:19
  Speaker 8: Once again, the weird ways they cross over. That's why
• 2:05:23
  Speaker 8: I like this show. That's why I created this weird
• 2:05:26
  Speaker 8: offshoot show. So we can go, how did that end
• 2:05:29
  Speaker 8: up there? And then play it. All right, that is it.
• 2:05:34
  Speaker 8: I did want to say thank you to all you
• 2:05:36
  Speaker 8: out there for coming along on this weird trip through
• 2:05:39
  Speaker 8: Bowie's movie-related career. And I guess our way of saying,
• 2:05:45
  Speaker 8: rest in peace, Davy Jones. Oh, wait, you had to
• 2:05:49
  Speaker 8: change it.
• 2:05:49
  Speaker 4: Oh, was this the head episode by the monkeys the
• 2:05:52
  Speaker 4: whole time?
• 2:05:53
  Speaker 2: Yeah, didn't you.
• 2:05:53
  Speaker 8: Have we been talking about.
• 2:05:55
  Speaker 14: Oh, shit.
• 2:05:56
  Speaker 4: I didn't even get to talk about the part where
• 2:05:57
  Speaker 4: Frank Zappa rides up on the horse and goes, psst,
• 2:05:59
  Speaker 4: and then rides away.
• 2:06:02
  Speaker 8: Otherwise, I say we get out of here before we
• 2:06:05
  Speaker 8: get to our head episode, which we really need to do,
• 2:06:07
  Speaker 8: by the way.
• 2:06:08
  Speaker 4: Yeah.
• 2:06:09
  Speaker 8: So with that, I will remind you, Get a Life
• 2:06:11
  Speaker 8: will provide the soundtrack. Let's rock out with some cappy.
• 2:06:15
  Speaker 1: Save these eyes so grim I can stare for a
• 2:06:26
  Speaker 1: thousand years Colder than the moon It's been so long
• 2:06:45
  Speaker 1: And I've been putting out a fire.
• 2:06:52
  Speaker 31: With gasoline She's these eyes so red.
• 2:07:05
  Speaker 11: Red like Joan of Merlin grind Those who feel me
• 2:07:11
  Speaker 11: near Pull the blinds and change their minds.
• 2:07:19
  Speaker 7: It's been so long.
• 2:07:25
  Speaker 4: Still this fall is the night.
• 2:07:29
  Speaker 11: A blank echo.
• 2:07:30
  Speaker 7: A heartbeat.
• 2:07:33
  Speaker 4: Just be still with me.
• 2:07:36
  Speaker 11: You wouldn't believe what I've been through.
• 2:07:40
  Speaker 7: You've been so long.
• 2:07:44
  Speaker 11: Well, it's.
• 2:07:48
  Speaker 7: Been so long.
• 2:07:49
  Speaker 11: And I've been putting.
• 2:07:55
  Speaker 7: Out the fire with gasoline. Putting out the fire with gasoline.
• 2:07:52
  Speaker 7: See these tears so blue.
• 2:08:17
  Speaker 1: An ageless heart that can never mend His tears can
• 2:08:23
  Speaker 1: never dry A judgment night can never bend.
• 2:08:29
  Speaker 11: See these eyes so green I can stare for a
• 2:08:35
  Speaker 11: thousand years Just be still with.
• 2:08:38
  Speaker 7: Me You wouldn't believe what I've been through You've been.
• 2:08:43
  Speaker 11: So wrong Well, it's been so long.
• 2:08:51
  Speaker 3: I've been putting out the fire with gasoline. Putting out
• 2:08:57
  Speaker 3: the fire with gasoline.
• 2:09:00
  Speaker 7: It's been so long. It's been so long. Well, it's
• 2:09:10
  Speaker 7: been so long.
• 2:09:41
  Speaker 7: .
• 2:09:51
  Speaker 12: Howard McNair played him.
• 2:09:53
  Speaker 2: Okay.
• 2:09:54
  Speaker 8: Ah, thank God. We figured none of this out.
• 2:09:59
  Speaker 4: What we figured out is there's yet another old guy
• 2:10:02
  Speaker 4: on the Andy Griffith show.
• 2:10:03
  Speaker 8: We've answered this question and yet figured out nothing in
• 2:10:06
  Speaker 8: the grand scheme of things.
• 2:10:08
  Speaker 4: How many other, if we take a different avenue, how
• 2:10:10
  Speaker 4: many steps would it take to link David Bowie to
• 2:10:12
  Speaker 4: Andy Griffith?
• 2:10:14
  Speaker 12: One, and that's Harry Dean Stanton.
• 2:10:15
  Speaker 4: Son of a bitch.
• 2:10:17
  Speaker 2: Good job.
• 2:10:18
  Speaker 12: It's what I'm here for. Literally what I'm here for.
• 2:10:20
  Speaker 8: How many licks to the candy center of a Tootsie Roll?
• 2:10:26
  Speaker 4: Can you map that out for me? Because you know
• 2:10:28
  Speaker 4: this better than I do.
• 2:10:29
  Speaker 7: Yeah.
• 2:10:30
  Speaker 8: What do you... What is.
• 2:10:31
  Speaker 4: Where's... Was he really?
• 2:10:35
  Speaker 12: Yeah, and he was in Twin Peaks Firewalk with me
• 2:10:37
  Speaker 12: with David Bowie.
• 2:10:38
  Speaker 4: I didn't know he was on the Andy Griffith show.
• 2:10:40
  Speaker 13: Yeah, the game's less fun when there's only one step.
• 2:10:42
  Speaker 12: When it's only Harry Dean Stanton, always.
• 2:10:44
  Speaker 4: Can you make that a long path and take Harry
• 2:10:47
  Speaker 4: Dean Stanton out of it?
• 2:10:49
  Speaker 12: Yeah, actually, I can. Hang on, give me a second.
• 2:10:53
  Speaker 8: Wait, who are we connecting now?
• 2:10:55
  Speaker 4: David Bowie to Andy Griffith.
• 2:10:57
  Speaker 7: All right.
• 2:10:57
  Speaker 4: Taking Harry Dean Stanton out and not using Sterling Holloway
• 2:11:01
  Speaker 4: or whatever his name is.
• 2:11:02
  Speaker 12: I feel like there should be actually a lot of
• 2:11:04
  Speaker 12: ways to do this.
• 2:11:05
  Speaker 4: Yeah, there probably should.
• 2:11:06
  Speaker 8: I didn't watch enough Matlock, I don't know.
• 2:11:10
  Speaker 12: Did you watch enough Happy Days, though?
• 2:11:14
  Speaker 7: I feel like it.
• 2:11:15
  Speaker 4: Oh, you know, the obvious.
• 2:11:17
  Speaker 8: I mean, I really feel like I watched good enough.
• 2:11:21
  Speaker 11: Oh, I got it.
• 2:11:22
  Speaker 7: I got it.
• 2:11:22
  Speaker 21: We're right.
• 2:11:23
  Speaker 12: That's what I'm saying.
• 2:11:24
  Speaker 8: Okay, yeah.
• 2:11:25
  Speaker 12: Andy Griffith and Jack Nicholson. Jack Nicholson was on an
• 2:11:28
  Speaker 12: episode of Andy Griffith. Then Jack Nicholson and Dennis Hopper, obviously.
• 2:11:33
  Speaker 12: And then you can take Dennis Hopper, David Lynch, David Lynch,
• 2:11:36
  Speaker 12: David Bowie.
• 2:11:37
  Speaker 4: And I'm sure David Bowie probably fell out of a
• 2:11:40
  Speaker 4: trunk onto the set of Easy Rider at some point.
• 2:11:44
  Speaker 4: Because it was just that kind of thing going on.
• 2:11:47
  Speaker 4: All right, so what are we doing? What are we
• 2:11:49
  Speaker 4: talking about? This is the David Lee Roth, Lauryn Hill podcast, right?
• 2:11:55
  Speaker 8: We're starting back up again.
• 2:11:56
  Speaker 4: Talking about The X Factor, the best Lauryn Hill song.
• 2:11:59
  Speaker 8: Your favorite show, The X Factor? I think.
• 2:12:07
  Speaker 7: So. All right. He's gone!
• 2:12:10
  Speaker 4: He's gone! Albert, call the front desk! I've got the
• 2:12:13
  Speaker 4: front desk now. He was never here.
• 2:12:15
  Speaker 34: This episode is a production of Movie Meltdown, produced and
• 2:12:18
  Speaker 34: edited by the Oddity Studios.
• 2:12:20
  Speaker 4: For more on how to sponsor or support the show,
• 2:12:22
  Speaker 4: email producer at moviemeltdown.com.
• 2:12:25
  Speaker 7: Aloha! Aloha!
• 2:12:29
  Speaker 17: Talk hard!