Latest / The Breakfast Club / The Pastor's just the Mail Man not the Mail (Lee Daniel and Jordan Cooper Interview) and More

Transcript

The Pastor's just the Mail Man not the Mail (Lee Daniel and Jordan Cooper Interview) and More · The Breakfast Club

• 0:00
  Speaker 1: League in the morning. You the morning. I'm talking right,
• 0:05
  Speaker 1: You're about to experience a morning showing like any over
• 0:11
  Speaker 1: what you guys are doing right now? That's the hump culture.
• 0:13
  Speaker 1: Breakfast club is my morning that I need it and
• 0:16
  Speaker 1: I love it, something like you're really not popping until
• 0:20
  Speaker 1: you do the breakfast club and waiting come to y'all
• 0:23
  Speaker 1: show man. I know you gotta be a big time celebrity.
• 0:25
  Speaker 1: Be up and here you gotta be. You gotta be
• 0:26
  Speaker 1: big time. Angela and Charlotte. Ain't the guy the breakfast
• 0:30
  Speaker 1: club bitching? Good morning USA? Hello, Hey, damn Hey, good
• 0:47
  Speaker 1: morning Angela. Ye, guess what day it is? Guess what
• 0:51
  Speaker 1: day it is? That's right, is Wednesday, hump day, Good
• 0:55
  Speaker 1: morning everybody? Good money? What a night? What a night?
• 0:58
  Speaker 1: What a night? Tell me about hit now? Ye and
• 1:00
  Speaker 1: I were supposed to go to the game, the Philadelphia
• 1:03
  Speaker 1: Verse to Brooklyn Nets game out in Philadelphia. Supposed to
• 1:06
  Speaker 1: I went, You went and did go to the game.
• 1:08
  Speaker 1: How was the game? You were much luck? It was
• 1:10
  Speaker 1: a good drive. It was a good drive. How much
• 1:13
  Speaker 1: the Nets lose by last night? I don't know. I
• 1:15
  Speaker 1: left during the fourth quarter. I was like, let me
• 1:18
  Speaker 1: get out of here. People were leaving after two that
• 1:21
  Speaker 1: lost my twenty two people were leaving after the first quarter.
• 1:24
  Speaker 1: It was it was nat That's how bad it was.
• 1:26
  Speaker 1: It was definitely Nata. It was a tough game last night.
• 1:29
  Speaker 1: But shout out to Michael Rubin who had us very
• 1:32
  Speaker 1: well accommodated. Because you didn't go out the last minute.
• 1:34
  Speaker 1: We had two empty seats next to us. Sorry. You
• 1:36
  Speaker 1: know what I had to do. I had to DJ
• 1:37
  Speaker 1: the Dungeon Family Tour. So the Dungeon Family Tour was
• 1:40
  Speaker 1: in New York City. Said. They reached out and asked
• 1:42
  Speaker 1: me to DJ the Legends, the Dungeon Family, the Dungeon Family,
• 1:47
  Speaker 1: big Boy from Outcast. Okay, it was. It was. It
• 1:49
  Speaker 1: was a dope show. Dope dope, dope, dope show. It's
• 1:52
  Speaker 1: one of the greatest rap collectives in the history of life.
• 1:55
  Speaker 1: Had about a thousand people out there, believe it was
• 1:56
  Speaker 1: sold out. Peter was there too. Peter was there as well.
• 2:00
  Speaker 1: Who the hell is Peter? Uh? The fur people? Peter said, Peter,
• 2:04
  Speaker 1: I think you said Peter. It sounded like you said Peter, Peter, Peter, Peter,
• 2:08
  Speaker 1: don't your family member name Peter. Now they were out,
• 2:10
  Speaker 1: They were out there. I guess, uh boycotting Big Boy
• 2:14
  Speaker 1: because of him wearing a fur during the Super Bowl.
• 2:16
  Speaker 1: Peter nobody cares Peter, So they were out there. It's
• 2:18
  Speaker 1: about thirty forty of them out there. Peter knock it off.
• 2:21
  Speaker 1: But I guess I'm gonna be honest with you know,
• 2:22
  Speaker 1: Big Boy did have a fur on last night in
• 2:24
  Speaker 1: New York City. He deserved to get paid throw on
• 2:25
  Speaker 1: him because it was seventy degree. No, he didn't, he
• 2:27
  Speaker 1: didn't have fur. He actually had boy. But they killed
• 2:31
  Speaker 1: a great show they had. You know, you don't forget
• 2:33
  Speaker 1: how many records they have. I don't. They performed for
• 2:35
  Speaker 1: about two hours straight. And and the thing with Peter
• 2:38
  Speaker 1: is they were at the front door. I guess looking
• 2:40
  Speaker 1: for a Big Boy, but I guess they don't know
• 2:41
  Speaker 1: that the venue has a backdoor and all artists going
• 2:43
  Speaker 1: the backdoor, so they didn't even see him. Goody Mob
• 2:46
  Speaker 1: is uh Goody Mob. Soulful is a classic hip hop album. Yeah,
• 2:49
  Speaker 1: so hit me kids, listen to your uncle Shaul Okay,
• 2:51
  Speaker 1: classic hip hop album. It was dope to see them.
• 2:54
  Speaker 1: Gentlemen performed, So I DJ that last thing. The didn't
• 2:55
  Speaker 1: hit my ass home so it was pretty cool. Good good,
• 2:57
  Speaker 1: good show. Well. Shout out to Brooklyn. That's who had
• 2:59
  Speaker 1: a great season regardless. Nice young team that's gonna do
• 3:03
  Speaker 1: well next season. Okay, it'd be good. They'd be decent
• 3:08
  Speaker 1: next year. Yeah, you need some more pieces, that's all.
• 3:10
  Speaker 1: Really just got more talent. Come on, man, Jimmy Butler,
• 3:13
  Speaker 1: Joel and be Ben Simmons. Is tough to beat them
• 3:16
  Speaker 1: four games out of seven. Yeah, I've really got a
• 3:18
  Speaker 1: great team. Congratulations to fairly. Shout to Michae Rubenson again,
• 3:21
  Speaker 1: thank you for who is my Michael Rubinson? I don't know.
• 3:23
  Speaker 1: I don't know who is people that you saluting this morning.
• 3:27
  Speaker 1: We don't We don't know Michael Rubens. And what's up
• 3:30
  Speaker 1: about you? We got to get to know them. You
• 3:31
  Speaker 1: just gotta get to know my friends. But I would
• 3:34
  Speaker 1: say graciously when you know we had a bet going
• 3:36
  Speaker 1: and how much did you bet them? It wasn't money?
• 3:39
  Speaker 1: Whoa what did you bet him? Well? I do have
• 3:42
  Speaker 1: on a jersey today? Oh you have a Oh yeah,
• 3:44
  Speaker 1: I gotta take this picture. No, yes, no, I gotta
• 3:47
  Speaker 1: take this picture. Come on, I'm gonna let you do
• 3:48
  Speaker 1: your head first. I could have told you not to
• 3:51
  Speaker 1: take that bet a little before, a little consultation would
• 3:58
  Speaker 1: have let you know, that's not that wasn't a good
• 4:00
  Speaker 1: that would support his brand fanatics, So fanatics mix all
• 4:04
  Speaker 1: those jerseys, all right, So he gave you that. Of
• 4:07
  Speaker 1: course you're the buddy. He should have to buy it. No, No,
• 4:10
  Speaker 1: I didn't buy it. All right, Well, Lee Daniels will
• 4:12
  Speaker 1: be joining us this morning. That's Lee Daniels and his
• 4:14
  Speaker 1: new protege, Jordan Cooper. Jordan E. Cooper. Jordan E. Cooper
• 4:19
  Speaker 1: is a director writer. They have a playout called Ain't
• 4:22
  Speaker 1: No Mo that's playing at the Public Theater here in
• 4:24
  Speaker 1: New York right now. But Lee Daniels is always entertaining.
• 4:28
  Speaker 1: That's another loss I took trying to go to that play.
• 4:30
  Speaker 1: It just has to be. Has been a good week
• 4:32
  Speaker 1: for you. You gotta reset, You just gotta reset. All right,
• 4:34
  Speaker 1: all right, let's get the show cracking front page is
• 4:36
  Speaker 1: what we're talking about. Let's talk about somebody who is
• 4:38
  Speaker 1: going to be announcing that they are entering the twenty
• 4:41
  Speaker 1: twenty race. Another Democrat. I felt like he already announced it.
• 4:44
  Speaker 1: We all assumed this is going to happen. But he
• 4:45
  Speaker 1: will be announcing tomorrow. All right, we'll get into that
• 4:48
  Speaker 1: next keeping lock. Just to Breakfast Club. Good morning morning,
• 4:50
  Speaker 1: everybody is DJ Envy Angela Yee, Charlomagne the guy. We
• 4:54
  Speaker 1: are to Breakfast Club. Let's getting some front page news
• 4:58
  Speaker 1: last night. In some NBA scores, to six is beat
• 5:00
  Speaker 1: the Nets one twenty two to one hundred, The Raptors
• 5:03
  Speaker 1: beat the Magic one fifteen ninety six, Nuggets beat the Spurs,
• 5:06
  Speaker 1: want to weight ninety in a Trailblazes beat the thunder
• 5:09
  Speaker 1: one eighteen one fifty. Yeah, Damian Lillard is an animal.
• 5:13
  Speaker 1: He's a problem. A video game in the class. Yeah,
• 5:15
  Speaker 1: he is a problem. That what else we got you? Well?
• 5:18
  Speaker 1: Former Vice President Joe Biden is going to announce tomorrow
• 5:21
  Speaker 1: that he's entering the twenty twenty race. I feel like
• 5:24
  Speaker 1: we all knew that was about to happen. I don't
• 5:25
  Speaker 1: know why they have to announce when they're going to
• 5:27
  Speaker 1: announce it. But he has a video that's set to
• 5:29
  Speaker 1: come out tomorrow. And he also has acknowledged his role
• 5:33
  Speaker 1: in the eighties drug legislation that disproportionately hurt minorities by
• 5:36
  Speaker 1: creating longer mandatory minimum sentencing for came. Yes, that's what
• 5:41
  Speaker 1: he says and legislation and the ninety four crime bill,
• 5:44
  Speaker 1: like Joe Biden is interest interesting, but the same hell
• 5:46
  Speaker 1: y'all gave Hillary Clinton for being married to Bill Clinton,
• 5:49
  Speaker 1: who pushed through the ninety four crime bill. The same
• 5:51
  Speaker 1: hell y'all give Kamala Harris for being a prosecutor. Y'all
• 5:53
  Speaker 1: better give Joe Biden the same hell because he actually
• 5:56
  Speaker 1: wrote the ninety four crime bill and he also was
• 5:59
  Speaker 1: anti busting legislation back in the seventies. Absolutely well, y'all
• 6:02
  Speaker 1: better give him that same energy. Y'all be so mad
• 6:06
  Speaker 1: at Kamalais because she used to be a prosecutor and like, oh,
• 6:08
  Speaker 1: she locked up so many black and brown people. Joe
• 6:10
  Speaker 1: Biden wrote the ninety four crime bill, and he's already
• 6:13
  Speaker 1: leading in the polls even before he's announced the running.
• 6:15
  Speaker 1: He's crazy, all right now. The Obama effect though, But
• 6:19
  Speaker 1: if you actually, you know, pay attention to the things
• 6:21
  Speaker 1: that Joe Biden did prior to being with Barack Obama,
• 6:24
  Speaker 1: you'd be giving him the same side, that side that
• 6:26
  Speaker 1: y'all give everybody else. Speaking of Obama, they're gonna be
• 6:28
  Speaker 1: renaming a road in LA It's gonna be officially renamed
• 6:31
  Speaker 1: Obama Boulevard. Rodale Road is the road that's gonna be
• 6:36
  Speaker 1: Dale Drive. Rodale Drive is gonna be no Dale Road?
• 6:39
  Speaker 1: Where the hell is Roddale Road? Um, I couldn't exactly
• 6:43
  Speaker 1: tell you. I've street. They're naming it Obama Boulevard, So
• 6:47
  Speaker 1: I thought you driven happening on May fourth. Now, let's
• 6:50
  Speaker 1: talk about Robert Kraft for a second. And for all
• 6:53
  Speaker 1: of you who wanted to see that spy masseuse video.
• 6:55
  Speaker 1: Nobody who wanted to see, and I don't want nobody
• 6:57
  Speaker 1: wants to see that. It's not gonna be coming out
• 6:59
  Speaker 1: right now. They do have a protective order that keeps
• 7:02
  Speaker 1: that video on lockdown for now. According to court documents,
• 7:07
  Speaker 1: the judge agreed with robber Craft's attorneys that if they
• 7:09
  Speaker 1: released that right now, it would jeopardize his right to
• 7:12
  Speaker 1: a fair trial. So for now that video will not
• 7:15
  Speaker 1: show the light of day. What is the point of
• 7:17
  Speaker 1: releasing that video? They're trying to get lights and retweets
• 7:21
  Speaker 1: that was that man? Why for what reason nobody don't
• 7:23
  Speaker 1: see that little old rich Penis Well, they did arrest
• 7:27
  Speaker 1: shen Mingby. She was in the massage room with Robert Craft,
• 7:30
  Speaker 1: that day, and they said there was two women in
• 7:33
  Speaker 1: there and they were both caught on surveillance and they
• 7:36
  Speaker 1: showed both of them using their hands on his penis.
• 7:40
  Speaker 1: So that's the surveillance for them using both women had
• 7:44
  Speaker 1: their hands. I don't know if it was at the
• 7:45
  Speaker 1: same time. It could have been impressive. One could have
• 7:47
  Speaker 1: been on a testicle. And I don't want to say,
• 7:50
  Speaker 1: but yeah, that was a really old white man got
• 7:53
  Speaker 1: two people got their hands on them at the same time.
• 7:55
  Speaker 1: Could have been one on his test was one on
• 7:57
  Speaker 1: this see you know what, forget it. People only need
• 7:59
  Speaker 1: to I'm in a pint fingers, couple fingers, like smoking
• 8:03
  Speaker 1: a cigarette. Did that again? All right, little one? All right, well,
• 8:09
  Speaker 1: last front page. Get it off your chest. Eight on
• 8:12
  Speaker 1: drink five eight five one on five one. If you
• 8:14
  Speaker 1: need to vent, hit us up right now. Maybe had
• 8:16
  Speaker 1: a bad night or bad morning, bad night? Yeah, it
• 8:20
  Speaker 1: was fun. I'm always that drive um, like less than
• 8:23
  Speaker 1: two hours an hour forty five? Did you drive back,
• 8:26
  Speaker 1: sad um? I just blasted some music so I could
• 8:29
  Speaker 1: stay away because I was tired, okay, And now I
• 8:32
  Speaker 1: wasn't really sad. I was. I haven't found I listened
• 8:34
  Speaker 1: to some dance hall. Okay, all right, well, get it
• 8:36
  Speaker 1: off your chests. Hit us up right now. Eight hundred
• 8:38
  Speaker 1: five eight five one five one. It's the breakfast club.
• 8:40
  Speaker 1: Good morning, the breakfast club. Wake up, wake up, wake ya.
• 8:48
  Speaker 1: This is your time to get it off your chest,
• 8:51
  Speaker 1: your man or blast. We want to hear from you
• 8:53
  Speaker 1: on a breakfast block. So vesta, good morning, good morning.
• 8:58
  Speaker 1: What's up, bro? Get it off? A yes man more
• 9:01
  Speaker 1: a man? Morning? Charlotte Maine. What's up, servester? How are you, sir? Good?
• 9:06
  Speaker 1: You know I actually called for envy this morning. Okay,
• 9:09
  Speaker 1: what's up? Do your favorite? I want to do your favorite? Okay,
• 9:12
  Speaker 1: you remember that that story you told when you were
• 9:15
  Speaker 1: at stop by Top West and you had a chance
• 9:17
  Speaker 1: to sign Bryston Tiller. Now it wasn't soft by Side.
• 9:20
  Speaker 1: It was revoked to It was Revolte Music Conference TV.
• 9:23
  Speaker 1: But you had a chance, but then you passed on. Correct.
• 9:26
  Speaker 1: I got somebody to make up for that. Okay, No, boy,
• 9:30
  Speaker 1: let's hear it. He might don't. Just don't just trade
• 9:33
  Speaker 1: him yet. So that actually not me. It's my friend.
• 9:36
  Speaker 1: He's an artist. His name is a fable so that
• 9:38
  Speaker 1: key h a being. Oh he's a singer. You can
• 9:43
  Speaker 1: find them on Spotify, Apple Music, down Cloud. And I
• 9:48
  Speaker 1: want to end this thing a little bit for you.
• 9:50
  Speaker 1: That cool with you? The bed? Okay? Let me na noa, noa, noa. Okay,
• 9:57
  Speaker 1: hold on, that was the worst. Na. Hello, I sound
• 10:03
  Speaker 1: like the radio bro. I know you're not trying to
• 10:04
  Speaker 1: play no song over the phone on the radio to us.
• 10:08
  Speaker 1: That's how you really want to present this guy? Can
• 10:11
  Speaker 1: I send it to y'all? Let me send it to y'all.
• 10:13
  Speaker 1: Let me send it to y'all. Oh my god, you
• 10:17
  Speaker 1: should have shouted out his Instagram. I didn't ask for Patrick.
• 10:22
  Speaker 1: Good morning, good morning, what's up? Patrick? Get it off
• 10:25
  Speaker 1: her chests, broad as. I got two things I want
• 10:29
  Speaker 1: to get off set. I'm a little mad this morning.
• 10:32
  Speaker 1: Uh well, I've been trying to call in and get
• 10:34
  Speaker 1: some relationship advice from me, and this my first time
• 10:37
  Speaker 1: that would being able to get through. But man, I
• 10:40
  Speaker 1: took some advice for y'all and try to get some
• 10:43
  Speaker 1: couple's counseling for me and my girlfriend, and she just
• 10:46
  Speaker 1: blew up on me pretty much, lest me hanging. I
• 10:49
  Speaker 1: was at work yesterday, I got home, she left for
• 10:51
  Speaker 1: my study. Who just left walking and did you chase that?
• 10:56
  Speaker 1: Did you follow when she was walking? I was at wood, man,
• 10:59
  Speaker 1: like I don't go. I'll work two times, Bro. I
• 11:01
  Speaker 1: get up at two thirty every morning and I don't
• 11:04
  Speaker 1: get back home until sometimes, say thirty at night. You
• 11:07
  Speaker 1: know I provide everything for my family. I take care
• 11:09
  Speaker 1: of everything. I just can't see why I can't come
• 11:12
  Speaker 1: up to a little piece in harmony. Bro, you know what.
• 11:14
  Speaker 1: Hold on, hold on, We're gonna put your hole and
• 11:16
  Speaker 1: um he help you out, all right, don't hang up? Hello?
• 11:19
  Speaker 1: Who's this angel? Hey angel? Get it off your chests.
• 11:23
  Speaker 1: Good morning, breakfast club by squats Heay. I love you guys.
• 11:25
  Speaker 1: Listen to you guys every morning, and I want to
• 11:28
  Speaker 1: drop a ball from my beautiful white queen at home
• 11:31
  Speaker 1: and Angela. Yet every morning I can't get hey fam
• 11:35
  Speaker 1: out of my head. I'm sorry, Fam. He said, you're
• 11:38
  Speaker 1: beautiful white queen, My beautiful white queen, Jessica. Yes, you
• 11:42
  Speaker 1: gotta say Nubian white queen. I'm sorry, my nubian white
• 11:50
  Speaker 1: All right, we got you, d ever think you you
• 11:52
  Speaker 1: play all my requests every morning. You're welcome to Jay
• 11:56
  Speaker 1: in the world. Thank you, man, I'm glad. He thinks
• 11:58
  Speaker 1: that get it off your chests? Eight? Don't you? Five? Eight? Five?
• 12:01
  Speaker 1: I'm gonna tell you something. I keep watching this. Damian
• 12:03
  Speaker 1: Lillard shot man, this was nasty preconceie the exact moment
• 12:07
  Speaker 1: Russia Westbrook's soul just left his mind. Goodness, all right,
• 12:11
  Speaker 1: get it off your chest call us now. It was
• 12:12
  Speaker 1: the breakfast Club. Good morning, the breakfast Club. This is
• 12:20
  Speaker 1: your time to get it off your chests, whether you're
• 12:22
  Speaker 1: man or blest. So you better have the same industry.
• 12:25
  Speaker 1: We want to hear from you on the breakfast Club. Lorenzo, Yo,
• 12:29
  Speaker 1: it's going on, man, Good morning, Good morning? What's Lorenzo?
• 12:31
  Speaker 1: Get it off your chests? Hey, listen to my brother
• 12:35
  Speaker 1: is Anti? Hi, good morning, good morning. Are you so?
• 12:43
  Speaker 1: I don't know what's uncle Charlotte. I'm right here, my brother.
• 12:46
  Speaker 1: What's happening? He's checking in with everyone listening. Yeah, of course,
• 12:50
  Speaker 1: good morning, man, God bless everybody. Man. Man, Hey, listen, Uh,
• 12:56
  Speaker 1: I'm only funenty seven years old, Charlotte. But listen, why
• 12:59
  Speaker 1: is it that this damn generation or not? Not everybody
• 13:03
  Speaker 1: but the MA guard you, my brother? Why they gotta
• 13:05
  Speaker 1: ruin it for everybody? Yo? This this damn movie is
• 13:08
  Speaker 1: about to come out. For the Avengeance movie is about
• 13:09
  Speaker 1: to come out. Now, why everybody got to push uh
• 13:12
  Speaker 1: post stuff videos about shut up, shut up, shut up,
• 13:16
  Speaker 1: shut up. I have seen nothing. I don't be on Twitter.
• 13:20
  Speaker 1: I don't be on Twitter. I have seen nothing. I'm
• 13:22
  Speaker 1: going to see Avengers tomorrow night. Let's not talk about it. Okay,
• 13:26
  Speaker 1: end game. We're in the end game now, baby. Of course,
• 13:29
  Speaker 1: you guys are geeks. Don't tell me nothing. Hey, hey,
• 13:33
  Speaker 1: I'll goad you. Relax now, man, because yo, I know
• 13:36
  Speaker 1: how you are Game of Thrones, so so come on, man,
• 13:39
  Speaker 1: don't talk about his Game of Thrones. You cannot compare
• 13:41
  Speaker 1: Game of Thrones to the Avengers. That's right, because Avengeance
• 13:43
  Speaker 1: end game is way bigger. Now listen, let's talk about
• 13:47
  Speaker 1: this for one second. We don't want to spoil nothing.
• 13:50
  Speaker 1: I don't want to tell y'all how Howard the junk
• 13:53
  Speaker 1: hero saves the day for the Avengers. I don't want
• 13:55
  Speaker 1: to goodbye say, but Howard the Duck saves the day
• 13:58
  Speaker 1: for the Avengers is what I'm hearing. Goodbye. Man. You know,
• 14:00
  Speaker 1: somebody got mad at me and said that I ruined
• 14:02
  Speaker 1: the Avengers because I talked about it on the air.
• 14:04
  Speaker 1: I didn't even talk about anything. You don't even know
• 14:06
  Speaker 1: nothing about. I don't even never seen it in my life.
• 14:08
  Speaker 1: I was like, when did I talk about the Avengers knowledge?
• 14:11
  Speaker 1: Never they are? What's up? Man? I wanted I'm mad
• 14:14
  Speaker 1: as Charlotte man Man, But when he came to Dallas, Man,
• 14:18
  Speaker 1: I gave him a dope matter twist shirt. It's a
• 14:21
  Speaker 1: brand me and my homeboy started and man, he took it,
• 14:23
  Speaker 1: but he treated it like me because what's it called
• 14:27
  Speaker 1: a dope stuff matters? Yeah, but sugar, honey, I iced
• 14:30
  Speaker 1: tea in the middle like I was at the book
• 14:32
  Speaker 1: thing I gave you the I think I did wear
• 14:34
  Speaker 1: that shirt, bro, Bro, I'm not sure I thought I did.
• 14:36
  Speaker 1: Thank you, thank you. If you did, I appreciate that.
• 14:39
  Speaker 1: I think I don't quote me on that. Man, I
• 14:43
  Speaker 1: worried too well, Hey, if you rocked it around the house,
• 14:45
  Speaker 1: I still appreciate it. Man, you ain't treat it like
• 14:47
  Speaker 1: the me now. I had it on with no drawers.
• 14:49
  Speaker 1: I was like winning the pool. That's like a little
• 14:51
  Speaker 1: too much information, brother, Jessica ip hanging up on guys,
• 14:54
  Speaker 1: and I'm about to tell them I ain't got the drawing.
• 14:56
  Speaker 1: Good morning, Good morning the nurse again. How are you right, Jica.
• 15:01
  Speaker 1: We just finding out Charlomagne doesn't have any drugs on today,
• 15:03
  Speaker 1: but that's not true around the house with that guy's
• 15:06
  Speaker 1: shirt on. I think that you should allow him to
• 15:10
  Speaker 1: be free. You know there's enough in the world restricting us.
• 15:13
  Speaker 1: That's right, Charlomagne, go renegade. That's right, Thank you very much.
• 15:17
  Speaker 1: You want to walk up, Sorry, Jessica. Well, first and foremost,
• 15:23
  Speaker 1: I want to say I love you guys. I listened
• 15:25
  Speaker 1: to you. Um, but I gotta put this donkey ass.
• 15:29
  Speaker 1: Senator Oh, I don't know if I could say that
• 15:30
  Speaker 1: on a radio Walsh. Um, I don't think I've ever
• 15:33
  Speaker 1: probably been more upset at someone so ignorant in my
• 15:38
  Speaker 1: entire life, especially about nurses playing cards. What happened nurses
• 15:44
  Speaker 1: playing cards? Take it down? Yeah, I heard some of
• 15:46
  Speaker 1: the stories. I didn't pay attention that much what happened
• 15:48
  Speaker 1: with the nurses playing cards? And he was mad at him? Basically, Uh,
• 15:52
  Speaker 1: Senator Walsh is try excuse me, trying to propose this
• 15:55
  Speaker 1: bill that nurses would have to work mandatory eight hour
• 16:00
  Speaker 1: shifts because in her state, nurses were fighting for mandatory breaks.
• 16:06
  Speaker 1: We work sometimes twelve plus hours and we don't get
• 16:10
  Speaker 1: a real break, like hey, I'm taking my lunch break.
• 16:13
  Speaker 1: That doesn't happen, you know what I'm saying, Especially in
• 16:16
  Speaker 1: New York where the healthcare situation and nursing is so critical.
• 16:20
  Speaker 1: Some nurses has six to seven almost eight patients. So
• 16:24
  Speaker 1: to even insinuate that, you know, we're playing cards, was
• 16:29
  Speaker 1: just so disgusting. It was just you know, she's just
• 16:32
  Speaker 1: like such a and she's just so you might as
• 16:35
  Speaker 1: well just curse. Say I like the way you editing yourself,
• 16:38
  Speaker 1: but say feel it'll feel better to just say it.
• 16:41
  Speaker 1: Say I can't say it, but she can't. She can't.
• 16:45
  Speaker 1: She might be to hell you can do it. But
• 16:47
  Speaker 1: you know the point of the matter is there's a
• 16:50
  Speaker 1: lot of things going on in our country, and one
• 16:53
  Speaker 1: major important thing that we have to be aware of
• 16:55
  Speaker 1: is healthcare. Absolutely, you're the front line were who are
• 16:58
  Speaker 1: caring for your mother or your husband, your loved one.
• 17:01
  Speaker 1: There are times that I don't even see my kids.
• 17:03
  Speaker 1: I don't even have energy from my own husband because
• 17:06
  Speaker 1: I give one hundred percent to my patience. Well, thank you, Jessica.
• 17:09
  Speaker 1: We appreciate what you do. Thank you so much, and
• 17:12
  Speaker 1: give Senator Walsh Donkey of the day. He Hall. That's
• 17:18
  Speaker 1: a good one. Get it off your chest. Eight hundred
• 17:20
  Speaker 1: five A five one O five one. If you need
• 17:22
  Speaker 1: to vent, you can hit this up. Now you've got
• 17:24
  Speaker 1: rumors on the way. Yeah, let's set it off this
• 17:26
  Speaker 1: morning with Wendy Williams. Find out what Chris Brown has
• 17:28
  Speaker 1: to say, as well as Van Jones. All right, we'll
• 17:31
  Speaker 1: get into all that when we come back. Keeping lock
• 17:33
  Speaker 1: this the Breakfast Club. Good morning, the Breakfast Club. Toldy
• 17:38
  Speaker 1: everybody is DJ MVY, Angela Yee, Charlomagne the guy we
• 17:42
  Speaker 1: are to breakfast, Good morning, have you Wednesday. Let's get
• 17:45
  Speaker 1: to these rumors. Let's talk a new house slipping show.
• 17:48
  Speaker 1: This is the Rumor Report with Angela Ye Breakfast Club.
• 17:57
  Speaker 1: So Scott Disick has a new luxury home modeling show
• 18:00
  Speaker 1: that's gonna be on E produced by Ryan Seacrest. It's
• 18:03
  Speaker 1: called Flip It Light Dissic and so basically he'll be
• 18:06
  Speaker 1: flipping really high end real estate. He does real estate.
• 18:10
  Speaker 1: I didn't even know he did he does that either,
• 18:12
  Speaker 1: but I guess now he does. He said he flipped
• 18:14
  Speaker 1: his first house five years ago and now he looked
• 18:17
  Speaker 1: at this as his primary passion. He's going to convert
• 18:20
  Speaker 1: multimillion dollars LA properties and celebrity friends, guest rooms, and
• 18:24
  Speaker 1: his own kids playhouse. In the eight episodes they have
• 18:27
  Speaker 1: so far. That means he's never leaving his house. I mean,
• 18:29
  Speaker 1: it's all his family. I bet you're every celebrity on it,
• 18:32
  Speaker 1: Kardashi and r Genner, I'm sure. And Ryan Seacrest got
• 18:35
  Speaker 1: to be the godfather of everybody in that house and child.
• 18:37
  Speaker 1: He definitely is. And he's also saying he wants to
• 18:40
  Speaker 1: do his own line of furniture as well, kind of
• 18:43
  Speaker 1: like a modern day Martha's. Oh that'd be dope couches
• 18:46
  Speaker 1: by Dissick. Sit on the dissick all right now, I'll
• 18:52
  Speaker 1: shout out to Arizza. He's gonna be working on a
• 18:55
  Speaker 1: new thriller film and he's actually doing all the music
• 18:59
  Speaker 1: for it as well, Asteen songs in total, and he's
• 19:01
  Speaker 1: doing all of that and he's starring in the movie
• 19:03
  Speaker 1: as well, so should be pretty exciting. And part of
• 19:06
  Speaker 1: that was because of I don't know if you guys
• 19:08
  Speaker 1: know the group Grave Diggers that I just want to
• 19:11
  Speaker 1: make sure and because of the horrorcore rap and him
• 19:15
  Speaker 1: being having a love for thrillers like that, and the
• 19:18
  Speaker 1: movie is called Thriller and Horror Movies. I guess they
• 19:21
  Speaker 1: felt like he would be a great addition to something
• 19:23
  Speaker 1: like this. That genre never took off the way I
• 19:25
  Speaker 1: thought it would. What's that corrorcore man? Yeah? I like
• 19:28
  Speaker 1: the Grave Diggers albums. I like the first first one
• 19:30
  Speaker 1: was Hate Was Hot? Yeah, all right, And eminem it
• 19:34
  Speaker 1: is the twenty year anniversary of the Slim Shady LP.
• 19:38
  Speaker 1: So to celebrate that, they're going to have all kinds
• 19:40
  Speaker 1: of exclusive merchandise and that's going to be dropping on Friday.
• 19:44
  Speaker 1: Just so you guys know some Shady is twenty years old.
• 19:46
  Speaker 1: Just got to accept, you, old bro's got to accept
• 19:48
  Speaker 1: that time waits for No, goddamn man turn twenty five
• 19:52
  Speaker 1: over the weekend. Is he doing the show? Doing the show? No?
• 19:56
  Speaker 1: I don't know. I just know he has some merch
• 19:58
  Speaker 1: coming out on Friday. You know how, I know the
• 20:00
  Speaker 1: merch god up here that works with us. Dan he
• 20:02
  Speaker 1: already put in No, he already put in his order.
• 20:04
  Speaker 1: He did the order Jesus Christ. All right, I know
• 20:07
  Speaker 1: he's got everything, my God. And then Wendy Williams. Let's
• 20:12
  Speaker 1: talk about that now. They are talking about police report
• 20:15
  Speaker 1: from back in January where there was a call made
• 20:18
  Speaker 1: that Kevin Hunter was poisoning Wendy Williams. The cops did
• 20:21
  Speaker 1: show up and when they got to the house, they
• 20:23
  Speaker 1: found her in bed with her blanket covering her from
• 20:26
  Speaker 1: neck to toe. Who poisoned Williams? That's what cops got
• 20:30
  Speaker 1: a call with that accusation. Brod Brown doing too much
• 20:35
  Speaker 1: at Jesus Christ, do well, they said with The officers
• 20:41
  Speaker 1: asked her if there was any truth to that anonymous
• 20:43
  Speaker 1: tipp and she responded, I'm very popular. What what? What
• 20:48
  Speaker 1: will you get the story from you? Anonymous? Now, if
• 20:59
  Speaker 1: you that's the Wendy Williams show, you'll see that Kevin
• 21:01
  Speaker 1: Hunter's name is also taken out of all of the credits,
• 21:04
  Speaker 1: so this is something that has been a while in
• 21:06
  Speaker 1: the making. He's also looking for a new manager and
• 21:08
  Speaker 1: executive producer for her show, and don't say executive produced
• 21:11
  Speaker 1: by Doody Brown. No more, guys, and used to say
• 21:14
  Speaker 1: executive produced by Dudy Brown. And don't say that, no move, no, no,
• 21:17
  Speaker 1: it's just not all right. Now, let's talk about Van
• 21:20
  Speaker 1: and Jones because he was on the Wendy Williams Show
• 21:22
  Speaker 1: yesterday and she asked questions as she usually does, about
• 21:25
  Speaker 1: his life, his divorce. Let's talk about your X wife.
• 21:29
  Speaker 1: You're soon to be X wife. So you know this
• 21:32
  Speaker 1: show is a breakthrough for the Jones family because Van
• 21:36
  Speaker 1: and his wife they are getting a divorce. Divorce is
• 21:38
  Speaker 1: not final launched. You still wear you're ring. You got
• 21:40
  Speaker 1: something on your hand too, So I ain't talking about no,
• 21:45
  Speaker 1: I'm just saying it. I'm just saying, excuse me. This
• 21:50
  Speaker 1: start of the couch is for the asking him the question. Nope,
• 21:53
  Speaker 1: that's not how it works. Wendy has to expect that. Okay,
• 21:56
  Speaker 1: when you got dirt on your hands, you can't bring
• 21:58
  Speaker 1: up nobody else's yes that it would have been great
• 22:01
  Speaker 1: time for him to be like, so what's going on
• 22:02
  Speaker 1: with you? Yeah, y'all unles, y'all can discuss it together.
• 22:05
  Speaker 1: That's the only way that's work, all right now. Chris
• 22:08
  Speaker 1: Brown in the meantime posted, Okay, Wendy, I don't show
• 22:11
  Speaker 1: up late, though I do have a show to f out.
• 22:13
  Speaker 1: Appreciate the pub when you broke in you live in
• 22:15
  Speaker 1: the shade. Just know I saw the compliment in between
• 22:18
  Speaker 1: the demons. What did Chris. That's because of something she
• 22:22
  Speaker 1: said on the show about Chris Brown and Nicki Minas
• 22:24
  Speaker 1: going on tour together. Remember they announced that they have
• 22:26
  Speaker 1: a tour coming, and here's what she had to say.
• 22:29
  Speaker 1: I don't know whether i'd go see Chris, like I said,
• 22:31
  Speaker 1: or Nikki, but two of them together I'm in Personally speaking,
• 22:34
  Speaker 1: I think that they shouldn't have an opener because I
• 22:37
  Speaker 1: like both of them equally. But what they should do
• 22:39
  Speaker 1: is open up together with their new song, Wobble Up,
• 22:42
  Speaker 1: and then maybe Chris disappears off the side of the stage,
• 22:45
  Speaker 1: and then Nikki takes over and they break right into
• 22:47
  Speaker 1: a Nicky song. And then for the next city, they
• 22:50
  Speaker 1: open up with Wobble Up, and then Nicky disappears and
• 22:52
  Speaker 1: let's Chris continue on. That's why everything's ef They can
• 22:57
  Speaker 1: do it this way because they're both notorious show up late.
• 23:00
  Speaker 1: So whoever shows up first opened I've never heard of
• 23:02
  Speaker 1: Chris Brown having a revitation for being late. Chris isn't
• 23:06
  Speaker 1: Lauren Hill. I don't readycall any report to Chris being
• 23:08
  Speaker 1: tardy for the party, and what does Wobble Up? That's
• 23:10
  Speaker 1: in the single I haven't heard it? Yeah, this song
• 23:12
  Speaker 1: is with them together, Yeah, kicking off the tour. All right, well,
• 23:15
  Speaker 1: I mean la yee, and that is your rumor report.
• 23:18
  Speaker 1: All right, thank you, miss ye. Now we got front
• 23:20
  Speaker 1: page news. What we're talking about, Um, we are going
• 23:22
  Speaker 1: to be talking about Robert Kraft. If you wanted to
• 23:24
  Speaker 1: see those video tapes, well you might have to wait
• 23:27
  Speaker 1: a little longer. Nobody wants to see that preistoric penis.
• 23:30
  Speaker 1: Why are they doing that that that's gotta be illegal. No,
• 23:34
  Speaker 1: it's not. They were really gonna put him out for
• 23:35
  Speaker 1: what I mean? I want to know what purpose that
• 23:37
  Speaker 1: serves to put that to have no clue to embarrass
• 23:40
  Speaker 1: that man, that's what exactly. All right, Well, front page
• 23:43
  Speaker 1: News is next to don't Move. It's the breakfast Club.
• 23:44
  Speaker 1: Good morning tomorrow, Avengers in game. I can't freaking wait.
• 23:51
  Speaker 1: I'm not even really here today. I'm just doing it
• 23:52
  Speaker 1: there as a blur. Tomorrow, baby, I'll be watching in game.
• 23:55
  Speaker 1: What does that Avengers you talk about? Don't worry about it?
• 23:58
  Speaker 1: All right, Well, let's give you know, let's get some
• 24:00
  Speaker 1: front page news. Now. Six is beat the Nets Last
• 24:03
  Speaker 1: night one twenty two one hundred. The season is over
• 24:05
  Speaker 1: for the Brooklyn Nets. Yeah. Michael Rubin just sent a
• 24:08
  Speaker 1: message and said thanks for coming because I was at
• 24:10
  Speaker 1: the game. He said, I need picks and video evidence
• 24:12
  Speaker 1: of our bet being satisfied. Well, she has the jersey
• 24:15
  Speaker 1: or she just hasn't displayed it yet, Michael Ruben, Yeah,
• 24:18
  Speaker 1: I do have it on. I haven't posted in it yet,
• 24:20
  Speaker 1: but that wasn't part of the deal to what to
• 24:22
  Speaker 1: wear it. No, you gotta post it. You gotta take
• 24:25
  Speaker 1: that jacket off. Wearing the jacket over your jersey doesn't help.
• 24:27
  Speaker 1: You could have consulted the room and I would have
• 24:29
  Speaker 1: told you not to. Didn't happened. No, anything can not happen.
• 24:33
  Speaker 1: Even when we were down forty, I still felt like
• 24:35
  Speaker 1: we could come back. Getting to knock it off now.
• 24:37
  Speaker 1: The Raptors beat the Magic one fifteen ninety six to
• 24:39
  Speaker 1: Nuggets beat the Spurs one on eight ninety in a
• 24:41
  Speaker 1: Trailblazes beat the Thunder one eighteen one of the bomb
• 24:45
  Speaker 1: for Damian Lillard. My goodness, gosh, that's the type of
• 24:50
  Speaker 1: action I like to see in the playoffs. Baby, the
• 24:53
  Speaker 1: energy I'm on this morning, okay. And I love the
• 24:55
  Speaker 1: fact when a game winning shot happens like that, or
• 24:58
  Speaker 1: a great moment happens like that, and then a eventually
• 25:00
  Speaker 1: it becomes a meme because he got the ill you
• 25:03
  Speaker 1: can't touch me at all face. I put it up
• 25:06
  Speaker 1: on Instagram this morning. Look at this, Look at this,
• 25:10
  Speaker 1: Look at this, Look at he was looking. I don't know.
• 25:12
  Speaker 1: He's talked to himself. He's individence. Everybody else talking. Look
• 25:16
  Speaker 1: at me, King, all right, I can look at you.
• 25:18
  Speaker 1: Look at me King. That's queen Queen. Oh my gosh.
• 25:24
  Speaker 1: All right, now, let's talk about the Jeopardy Champs. He's
• 25:26
  Speaker 1: been talking about winning. James Howsehower, he has surpassed one
• 25:29
  Speaker 1: million dollars in the shortest time ever. That means that
• 25:33
  Speaker 1: he got over one million dollars after fourteen games, so
• 25:36
  Speaker 1: he's been going hard. This is a third record that
• 25:39
  Speaker 1: he broke since he started competing on Jeopardy. Last Wednesday,
• 25:42
  Speaker 1: he won the episode with the total of one hundred
• 25:44
  Speaker 1: and thirty one thousand dollars, which topped the one day
• 25:46
  Speaker 1: record that he had said earlier in his run of
• 25:48
  Speaker 1: one hundred and ten thousand dollars. So congratulations to him.
• 25:52
  Speaker 1: He's going pretty hard. He actually had the one day
• 25:55
  Speaker 1: record when he broke that, that was at seventy seven thousand,
• 25:58
  Speaker 1: so it was almost double that, all right, And Robert Craft,
• 26:01
  Speaker 1: if you were looking forward to seeing that video of
• 26:03
  Speaker 1: him in the spot with two women using their hands
• 26:05
  Speaker 1: on looking forward to that, you're not going to be
• 26:08
  Speaker 1: a little man. After they said too, you are a
• 26:10
  Speaker 1: little I think it's disrespectful to put him out there
• 26:13
  Speaker 1: like that, Like that's what I mean. I understand you
• 26:15
  Speaker 1: present charges against but that's a violation of people's rights. Well,
• 26:18
  Speaker 1: he's got them blocking that video from coming out, so
• 26:21
  Speaker 1: that's what's going on with him. So I don't know
• 26:23
  Speaker 1: if it's ever going to come out, but as for
• 26:25
  Speaker 1: now it won't. What is the purpose though, Like, there's
• 26:27
  Speaker 1: no reason for that video to be put other than
• 26:30
  Speaker 1: the publicly embarrassed that he's embarrassing it. What is the reason.
• 26:34
  Speaker 1: If it's evidence, then it should be in the court
• 26:35
  Speaker 1: of law and used as evidence in the court of law.
• 26:37
  Speaker 1: I don't need to be leaked on it. I think
• 26:38
  Speaker 1: they feel like some people have already been trying to
• 26:40
  Speaker 1: sell it to the blogs and everything. So I don't know.
• 26:45
  Speaker 1: Clearly somebody has it out for him and Joe Biden
• 26:48
  Speaker 1: is going to announce that he's entering the twenty twenty
• 26:49
  Speaker 1: race for president tomorrow morning. There's a video that they're
• 26:52
  Speaker 1: gonna put out with his announcement. It's a pretty crowded
• 26:55
  Speaker 1: field already, but he is actually leading in the polls
• 26:57
  Speaker 1: even before he's announced officially that he's right. That's the
• 27:00
  Speaker 1: Obama effect. And it's crazy to me that, you know,
• 27:04
  Speaker 1: people love Joe Biden so much. I mean, he is interesting,
• 27:07
  Speaker 1: but the same hell y'all gave Hillary Clinton for being
• 27:10
  Speaker 1: married to Bill Clinton, who pushed through the ninety four
• 27:12
  Speaker 1: crime bill. The same hell y'all give Kamala Harris for
• 27:15
  Speaker 1: being a prosecutor. Y'all better give Joe Biden the same
• 27:17
  Speaker 1: hell because he actually wrote the nineteen ninety four crime bill.
• 27:20
  Speaker 1: All right, and United Airlines employee allegedly called a woman
• 27:25
  Speaker 1: a shining a monkey. The actresses Casey Huge. She was
• 27:28
  Speaker 1: returning home to Houston after she had a speaking engagement
• 27:31
  Speaker 1: on women's empowerment at a university in Michigan. When she
• 27:34
  Speaker 1: was waiting for her luggage to arrive, she asked for
• 27:36
  Speaker 1: a refund code while waiting for her luggage, and that's
• 27:39
  Speaker 1: when the women got very upset with her from United
• 27:42
  Speaker 1: Airlines and called her a monkey and then a shining monkey.
• 27:45
  Speaker 1: Why a shining here? What's a shining money? Have no
• 27:48
  Speaker 1: idea what that means, but they said that, yeah, she's black.
• 27:51
  Speaker 1: They said. She also told her stop looking at her
• 27:53
  Speaker 1: with her monkey face. Other passengers did witness the exchange.
• 27:57
  Speaker 1: They tried to intervene, but it was unsuccessful, very disrespect
• 28:00
  Speaker 1: putting to report. Your name is Carmela Divino. That's the
• 28:03
  Speaker 1: woman who allegedly was calling her a monkey and a
• 28:06
  Speaker 1: shining monkey. The lady didn't throw no slander back. She
• 28:09
  Speaker 1: didn't have no you know, no no quick witty equips
• 28:12
  Speaker 1: for that. Carmela said she was humiliated. She was crying.
• 28:15
  Speaker 1: She said, I was the only black woman in the
• 28:17
  Speaker 1: air humiliated. You probably hurt right now. You need to
• 28:19
  Speaker 1: get a lawyer. I don't know if you could go
• 28:21
  Speaker 1: to work up. Yeah. I don't think you could go
• 28:25
  Speaker 1: to work today. Man, you don't even know if you
• 28:27
  Speaker 1: could fly ever again because of what this lady has said.
• 28:29
  Speaker 1: She's distraught and she's de strong, neck hurt, scrunt, her
• 28:32
  Speaker 1: back hurt, everything hurt. I feel her pain. I saw
• 28:38
  Speaker 1: her soon as she got called a shining monkey. She
• 28:39
  Speaker 1: fell to the floor. You could just tell her that
• 28:41
  Speaker 1: that shining monkey hit her right in her back, right
• 28:43
  Speaker 1: in the back from the rear. She didn't even see
• 28:45
  Speaker 1: it was. She didn't know what was coming but her.
• 28:46
  Speaker 1: And by the way, Casely Hughes is also the vice
• 28:49
  Speaker 1: president of the Big Sister Little Sister mentoring program. So
• 28:53
  Speaker 1: I know that a young lady who was walking around
• 28:55
  Speaker 1: with that neck brace on and that that hurt arm
• 28:57
  Speaker 1: and all that emotional distress as well to get paid. Absolutely,
• 29:01
  Speaker 1: they need to pay her for calling her a shining
• 29:03
  Speaker 1: goddamn monkey. You're not hurtful, that is, it's very hurtful.
• 29:05
  Speaker 1: I'm hurt. I don't I can work, I can't get
• 29:07
  Speaker 1: out of bed. I'm depressed. I think I gotta leave
• 29:10
  Speaker 1: their United Airlines. And by the way, the attorneys also
• 29:13
  Speaker 1: did reference Eric Murdoch, a former NBA point guard who
• 29:16
  Speaker 1: sued United for ten million dollars in December. They kicked
• 29:19
  Speaker 1: him out of an exit row and then allowed a
• 29:21
  Speaker 1: white passenger to take his seat. I'm hurt too, My um,
• 29:25
  Speaker 1: my elbow hurt after hearing her being called a shining mark.
• 29:27
  Speaker 1: You want to do a class action? Lost let's do it.
• 29:29
  Speaker 1: My knee hurts too, all right, well that is your
• 29:31
  Speaker 1: front page news now when we come back, speaking knees.
• 29:34
  Speaker 1: But now the writer and direct Empire will be joining us,
• 29:41
  Speaker 1: the original Big Daddy. Yes, and he's bringing his protege,
• 29:44
  Speaker 1: Jordan E. Cooper. That's right. Jordan Cooper is a very
• 29:47
  Speaker 1: sharp young man. I saw his play that he currently
• 29:50
  Speaker 1: has all called Ain't No More. I saw it a
• 29:51
  Speaker 1: couple of months ago when he was first working on it.
• 29:54
  Speaker 1: But um, he's really dope. All right, we'll get into
• 29:56
  Speaker 1: that when we come back. Don't move. It's to Breakfast Club.
• 29:58
  Speaker 1: Good morning, Breakfast Club Morning. Everybody is DJ Envy angela Ye,
• 30:06
  Speaker 1: Charlemagne the guy. We are the Breakfast Club. We got
• 30:08
  Speaker 1: some special guests in the building, Yes, sir, we have
• 30:11
  Speaker 1: Lee Daniels and Jordan E. Cooper. Welcome guys, Thank you,
• 30:15
  Speaker 1: thank you. Lee is here like Jordan is like your
• 30:17
  Speaker 1: new your mules, so to speak. Right, Okay, Yeah, I
• 30:23
  Speaker 1: was looking for a writer after Empire for my third show,
• 30:29
  Speaker 1: after Star and it's a comedy. Miss passing on your show.
• 30:33
  Speaker 1: I love Miss Pattins pat phenomenal. And we were going
• 30:35
  Speaker 1: through the usual suspects to find a storyteller, a writer
• 30:42
  Speaker 1: to tell this half hour comedy. She's like a black Roseanne.
• 30:46
  Speaker 1: Y'all seen her on this show, right and less funny
• 30:50
  Speaker 1: and less races. I couldn't find the right writer, so
• 30:53
  Speaker 1: I went into the streets. How did you find Jordan?
• 30:56
  Speaker 1: He was homeless in the streets. Clearly a change. I went.
• 31:03
  Speaker 1: I went to see a play. I went to see
• 31:06
  Speaker 1: a play. His agent showed me, told me to see
• 31:08
  Speaker 1: a play that he had written at the public Um
• 31:12
  Speaker 1: and they were doing a workshop about a year ago.
• 31:15
  Speaker 1: A workshop, yeah, about a year ago, and it was
• 31:17
  Speaker 1: at No Mo. And it changed my life. It changed
• 31:20
  Speaker 1: completely changed my life. And I understood for the first
• 31:24
  Speaker 1: time why it was that I was a black man. Yes,
• 31:28
  Speaker 1: I understood why I was not only a black man,
• 31:31
  Speaker 1: but a gay black man in America and what that
• 31:33
  Speaker 1: meant to me. And I found out that he was
• 31:36
  Speaker 1: twenty two at the time, and I was said, he's
• 31:39
  Speaker 1: the next I've never seen anything. I've never seen anything
• 31:42
  Speaker 1: like that since I was seventeen and saw I stunk
• 31:46
  Speaker 1: in the back of the theater and saw dream Girls.
• 31:49
  Speaker 1: It's my solo. So um I met him and uh
• 31:55
  Speaker 1: and the rest of sort of history with Jordany Cooper. Sir,
• 31:57
  Speaker 1: who are you? Yeah? So Jordany Cooper is uh a
• 32:02
  Speaker 1: man who says whoever and whatever he wants to say.
• 32:06
  Speaker 1: Um I I always teld people I started out in
• 32:09
  Speaker 1: my mama's living room. That was my first theater, my
• 32:12
  Speaker 1: father's daddy's living room. I started writing when I was
• 32:14
  Speaker 1: like six years old. I wasn't really exposed to theater
• 32:18
  Speaker 1: as like people know it to be. Um. So all
• 32:21
  Speaker 1: we had was those bootleg DVDs of like those Tyler
• 32:24
  Speaker 1: Perry plays or like those sort of things that would
• 32:27
  Speaker 1: be sold in the hair salon. And what was my
• 32:33
  Speaker 1: favorite one? That's a good question. But dis Tramrian the
• 32:36
  Speaker 1: play The Flag. That's how yo you were? He's like,
• 32:38
  Speaker 1: I grew up watching that and I'm like, no, it
• 32:42
  Speaker 1: was like it was like nineteen ninety nine something like that. No. No,
• 32:49
  Speaker 1: So I saw that, and I like, I had been
• 32:52
  Speaker 1: doing like these plays in my living room, but I
• 32:54
  Speaker 1: didn't know that it was a thing. The only outlet
• 32:57
  Speaker 1: we really had was church because my parents were sports people.
• 33:00
  Speaker 1: So my mom asked my pastor and my church if
• 33:03
  Speaker 1: I could put on my plays after church on Sundays
• 33:05
  Speaker 1: and so I started doing that, and the audiences got
• 33:08
  Speaker 1: bigger and bigger than the plays got raunchier and raunch
• 33:11
  Speaker 1: plays about a yeah I'm talking about there was R.
• 33:15
  Speaker 1: Kelly's Bumping Ground was playing in the Sanctuary. It was
• 33:20
  Speaker 1: a lot. But but but I got I got done
• 33:26
  Speaker 1: with the church because I couldn't necessarily tell the stories
• 33:29
  Speaker 1: that I wanted to tell anymore. So I started like
• 33:33
  Speaker 1: raising money so I could like rent out theaters downtown.
• 33:36
  Speaker 1: I started doing that. I started working at Julie Theater
• 33:39
  Speaker 1: in downtown Fort Worth, became their artists in residence, and
• 33:43
  Speaker 1: I wrote this play based off of Kendrick Lamar song
• 33:45
  Speaker 1: called black Boyfly, which ended up the money from that play.
• 33:49
  Speaker 1: It was like a pay with you can thing with
• 33:51
  Speaker 1: a community, and the money from that play got me
• 33:52
  Speaker 1: through my first year at college in New York. H
• 33:55
  Speaker 1: So that happened, and then I kept writing, kept writing,
• 33:59
  Speaker 1: and then um and the summer twenty sixteen, that's when
• 34:02
  Speaker 1: Philando cost Stilled and Ultim Sterling got murdered within a
• 34:04
  Speaker 1: week of each other, and then the Dallas incident happened.
• 34:07
  Speaker 1: And I always talk about how I found myself almost
• 34:09
  Speaker 1: slip into a depression in a lot of ways. Um,
• 34:12
  Speaker 1: And I'm the kind of person who likes to laugh.
• 34:14
  Speaker 1: I'm the guy at funerals like why is this bitch
• 34:17
  Speaker 1: wearing lebron she's going six feet under? Or why does
• 34:20
  Speaker 1: her wig look like two squirrels in each other on
• 34:22
  Speaker 1: the top of her head? Um, Like, I have to
• 34:26
  Speaker 1: kind of morph my brain to laugh through that pain.
• 34:29
  Speaker 1: And so basically I came up with this concept of
• 34:31
  Speaker 1: Ain't no Moo, which is like, what if all black
• 34:34
  Speaker 1: folks in America, when we originally came over here as
• 34:37
  Speaker 1: cargo unwillingly, what if we just willingly decided to pack
• 34:41
  Speaker 1: up and move to Africa? Yeah, which has been a
• 34:44
  Speaker 1: real conversation lately. The game just posted on his social
• 34:48
  Speaker 1: media and the game just said, if we all moved
• 34:51
  Speaker 1: to Africa, we would cripple the economy in America. He
• 34:53
  Speaker 1: just posted that a couple of days we were but
• 34:56
  Speaker 1: he poses a very good question about if we left,
• 35:00
  Speaker 1: which is which is basically like the exposed in the play. Yeah.
• 35:05
  Speaker 1: So it's like it's like two sides of the coin, right,
• 35:07
  Speaker 1: Because it's like for me, it's like, yeah, let's let's
• 35:09
  Speaker 1: let's get out. But also like my answers is blood
• 35:13
  Speaker 1: is buried in the soil. Their bones are buried under
• 35:16
  Speaker 1: that dirt. So and they fought to call this place
• 35:19
  Speaker 1: home for me to be able to call this place home,
• 35:21
  Speaker 1: So for me to leave their blood and leave that
• 35:23
  Speaker 1: their bones on this soil, what does that mean? Does
• 35:27
  Speaker 1: that mean all their all their blood was spilt for
• 35:29
  Speaker 1: no reason? Um? And so I want to post the
• 35:31
  Speaker 1: question of, like what is America if it wasn't for
• 35:33
  Speaker 1: black folks? Or what is Like we are American a
• 35:36
  Speaker 1: lot of ways, So like what if all this all
• 35:38
  Speaker 1: this culture there we created. There's a character in the
• 35:40
  Speaker 1: play called Miss Bag, and she's a physical bag, but
• 35:43
  Speaker 1: like all the blackness lives inside of her. Everything that
• 35:46
  Speaker 1: black black folks have ever created, everything from the Wobble
• 35:49
  Speaker 1: to fried Chicken to like anything you could think of,
• 35:52
  Speaker 1: is inside of that bag. And so I don't want
• 35:55
  Speaker 1: to give the play away, but but she she's a
• 35:57
  Speaker 1: character of her own. And so I want to post
• 35:59
  Speaker 1: the question of like what would happen because when Trump
• 36:02
  Speaker 1: got elected, like a lot of us were like like
• 36:04
  Speaker 1: we can out of here, Like I can't laugh, I
• 36:06
  Speaker 1: can't do this. It felt like it was about to
• 36:07
  Speaker 1: be the end of it. Right, it really did. But
• 36:09
  Speaker 1: then also on the other side of that, I felt
• 36:11
  Speaker 1: like I always called it the Great American Hangover because
• 36:14
  Speaker 1: I'd never seen white women so mad. Then when Donald
• 36:16
  Speaker 1: Trump got elected, they did not have no But I'm
• 36:20
  Speaker 1: talking about the liberal white women, the liberal white women
• 36:22
  Speaker 1: who did not have their way right, and white folks.
• 36:25
  Speaker 1: I don't think white folks were used to being told no,
• 36:28
  Speaker 1: and so I think they felt with black women and
• 36:32
  Speaker 1: black folks have been filling for the past four hundred
• 36:34
  Speaker 1: years that day and so there was a moment of
• 36:37
  Speaker 1: pain for me of like damn, like how are we
• 36:39
  Speaker 1: gonna get over this? And then there was wait, We've
• 36:42
  Speaker 1: always gotten over right. And so rather than me saying, okay,
• 36:46
  Speaker 1: let's get the gaunt, let's leave, I had to ask
• 36:48
  Speaker 1: myself the question, No, why not fight for what was
• 36:51
  Speaker 1: built here, for what we built, this country that we built,
• 36:54
  Speaker 1: why not fight for it and take it back. Why
• 36:56
  Speaker 1: do you think comedy is so important in the consumption
• 36:58
  Speaker 1: of serious topics like this? I think I think it's like,
• 37:01
  Speaker 1: it's like we have to laugh to get over the
• 37:05
  Speaker 1: bridge of pain. Right. When I did the Butler, I
• 37:07
  Speaker 1: found that the slaves that in this stistical, statistical, statistical. Yeah,
• 37:20
  Speaker 1: that the slaves that survived, the slaves that survived the
• 37:24
  Speaker 1: voyage were those that laughed. That that's what kept us alive.
• 37:29
  Speaker 1: So we laughed through our pain, and I think, which
• 37:32
  Speaker 1: is really deep, We got more with Lee Daniels and
• 37:34
  Speaker 1: his protege Jordan E. Cooper when we come back, don't
• 37:37
  Speaker 1: move as the breakfast club. Good morning, Envy Angela Yee,
• 37:41
  Speaker 1: Charlemagne the guy. We are the breakfast club. We have
• 37:43
  Speaker 1: the writer and director of Empire here, Lee Daniels and
• 37:48
  Speaker 1: also his protegee Jordan E. Cooper, Just for what you
• 37:51
  Speaker 1: were talking about comedy, right to kind of get through
• 37:53
  Speaker 1: the pain. We think about Dave Chappelle and what do
• 37:55
  Speaker 1: he had to say about the Chappelle Show. Now, it
• 37:57
  Speaker 1: doesn't matter who's laughing at the joking how they might
• 38:00
  Speaker 1: interpret it, because sometimes you look at people laughing and
• 38:02
  Speaker 1: you're like, are they laughing for the right reasons? Right? Right, right,
• 38:06
  Speaker 1: right right? That's an awesome question because it's like, especially
• 38:09
  Speaker 1: in like the form of theater and like New York theater. Right,
• 38:11
  Speaker 1: it's like when we put on these plays, like the
• 38:13
  Speaker 1: majority of people who know about these plays or who
• 38:15
  Speaker 1: can afford these tickets, which we're trying to change, is like, oh,
• 38:19
  Speaker 1: the white people, right, And so what happens is I
• 38:22
  Speaker 1: kind of was aware of the medium that I was
• 38:24
  Speaker 1: going into with this play, and I purposely tried to
• 38:27
  Speaker 1: rip up the floorboards in a lot of ways. So
• 38:29
  Speaker 1: for instance, when you first come into the show, you
• 38:32
  Speaker 1: hear back that ass up and like usually songs like
• 38:37
  Speaker 1: lift every voice and singers not the Negro national answer, Okay,
• 38:40
  Speaker 1: back that ass up is, but it's it's it's I
• 38:43
  Speaker 1: wanted to create this environment where when you walked in,
• 38:46
  Speaker 1: you knew this space was for you. You knew this
• 38:48
  Speaker 1: play was for you, and like people who don't know
• 38:51
  Speaker 1: that song are like, oh, which is a problem for
• 38:55
  Speaker 1: for theater because theater is meant for white people that
• 38:58
  Speaker 1: are fifty years old, and this is the this is
• 39:00
  Speaker 1: this to them. They took it. They took it. They
• 39:02
  Speaker 1: did take it. And I think that what is brilliant
• 39:05
  Speaker 1: about the play is is that it will do. I
• 39:07
  Speaker 1: think it'll do. And I'm so happy that the public
• 39:10
  Speaker 1: allowed Sonia Freeman and I to come on as producers
• 39:13
  Speaker 1: now because I think that this play will do for
• 39:17
  Speaker 1: Broadway in theater. What empire, different television. They're young, kids
• 39:21
  Speaker 1: will come to it like it's a Beyonce concert. It's
• 39:24
  Speaker 1: that brilliant. So um yeah, and why doesn't get the
• 39:28
  Speaker 1: credit for ushering in this new black renaissance? Know what
• 39:31
  Speaker 1: is that about? I think this. I think we're passe.
• 39:34
  Speaker 1: I think that we don't. I think that we didn't
• 39:36
  Speaker 1: know what we were doing at the time. And as
• 39:38
  Speaker 1: I think that we don't, we didn't know what we
• 39:40
  Speaker 1: were doing at the time. It literally changed the way
• 39:46
  Speaker 1: we were all perceived. And uh no, we don't get
• 39:50
  Speaker 1: the credit. Joe, and you started writing No More Is Therapy,
• 39:53
  Speaker 1: and you said you didn't know exactly what you were writing.
• 39:56
  Speaker 1: So what was the turning point I made? You realized
• 39:58
  Speaker 1: it was an actual play that you could yeah with
• 40:00
  Speaker 1: the public. Once I realized that I was crying and
• 40:03
  Speaker 1: laughing with the same tier, um, I think that's when
• 40:07
  Speaker 1: I decided, okay, this is okay. Like when people walk in,
• 40:10
  Speaker 1: like the whole scene is about reclaiming, reclaiming the space.
• 40:13
  Speaker 1: So you you're asking black folks to say the president
• 40:16
  Speaker 1: is right, I don't care for white persons. I mean,
• 40:18
  Speaker 1: this is a very dist turn to your neighbor and
• 40:20
  Speaker 1: say the president is not turn not turns. At first
• 40:24
  Speaker 1: you said, turned to your neighbor and say your president.
• 40:26
  Speaker 1: All the white people and they're like what the it
• 40:29
  Speaker 1: was like you know, white people like hell yeah. And
• 40:33
  Speaker 1: then and then the black people are like into it,
• 40:35
  Speaker 1: and you say, not only the president is, but he is.
• 40:38
  Speaker 1: But so this really it's it's it's you start off
• 40:41
  Speaker 1: like that and it takes you. It's seduced, it brings
• 40:44
  Speaker 1: you in. And I think that it's rare to find
• 40:48
  Speaker 1: audacity and that's what I look for and work. You
• 40:51
  Speaker 1: can like might walk out a lot of a lot
• 40:52
  Speaker 1: of white people and some black people are like some
• 40:56
  Speaker 1: people like some black people who aren't used to like
• 40:58
  Speaker 1: like like as soon as they hear they're like, oh no,
• 41:02
  Speaker 1: we're not doing this today. But that's how people felt
• 41:04
  Speaker 1: when won like we next day we did not didn't
• 41:08
  Speaker 1: gonna work. It really was. It really was, And I
• 41:15
  Speaker 1: think I think a lot of us missed that. I
• 41:16
  Speaker 1: think a lot of us forget that. But also like,
• 41:19
  Speaker 1: like I go back to Larry Wilmore, right when Larry
• 41:21
  Speaker 1: Wilmore did the final Correspondence dinner and he was like
• 41:24
  Speaker 1: baracky did it and like a lot of people were
• 41:27
  Speaker 1: like up in arms about that, and I had to
• 41:29
  Speaker 1: I had to check myself because I was like, no,
• 41:30
  Speaker 1: why he said that in front of autumn white folks.
• 41:32
  Speaker 1: I was like, well why not? I was like why not?
• 41:34
  Speaker 1: And so That's what I wanted to do with the play.
• 41:36
  Speaker 1: I was like, I was like, I wanted people to
• 41:38
  Speaker 1: know that this this is your space, Like don't let
• 41:40
  Speaker 1: anybody shush you. You don't let anybody turn to you
• 41:43
  Speaker 1: and be like, oh, you can't say that, you can't
• 41:44
  Speaker 1: do this, Like this is your space. Like whenever we
• 41:47
  Speaker 1: had UH swaged her friend come on UH during the
• 41:50
  Speaker 1: show and like there was no wrong, Yes, another any girl, spiritual, Yes,
• 41:54
  Speaker 1: Praise the Lord. And in the back there was there
• 41:57
  Speaker 1: was just a whole row of like black folks just man,
• 41:59
  Speaker 1: I got that. And you just saw these two or
• 42:02
  Speaker 1: the white people for them just get up and walk out.
• 42:05
  Speaker 1: And I was like, right before the play, they couldn't
• 42:07
  Speaker 1: take it. They couldn't take that energy, they couldn't take
• 42:09
  Speaker 1: that swag, they couldn't take that blackness, they couldn't take
• 42:12
  Speaker 1: that that power, because it is the power, and you
• 42:14
  Speaker 1: have to be ready to let go of your own guilt.
• 42:17
  Speaker 1: You have to be ready to let go of your
• 42:19
  Speaker 1: own of your own idea of what theater is in
• 42:22
  Speaker 1: order to enjoy that kind of experience. And back in
• 42:25
  Speaker 1: the day, I started a lot of revolts too, like,
• 42:28
  Speaker 1: you know, black people would get together. They and the
• 42:31
  Speaker 1: next thing, you know, they thought killing white people. Right literally,
• 42:33
  Speaker 1: you got out of it. I mean, he redefines what
• 42:38
  Speaker 1: he for me. This redefines theater for me. I think that,
• 42:41
  Speaker 1: you know, going into this, my sister had never seen
• 42:43
  Speaker 1: a play, nor was she interested in seeing in place.
• 42:45
  Speaker 1: She's fifty years old. She never wasn't interested to seeing
• 42:48
  Speaker 1: a play until this, until this, and she's like, now
• 42:51
  Speaker 1: open to theater. So I think, man, it's important for
• 42:54
  Speaker 1: black people to understand that there is theater for us.
• 42:56
  Speaker 1: It's amazing. Now I haven't seen the newest rendition of
• 42:59
  Speaker 1: ain't known, but they said that are you dressing in drag?
• 43:02
  Speaker 1: Yes see you saw you did not see him as Peaches.
• 43:08
  Speaker 1: You saw it in its earliest form in La. Yeah,
• 43:11
  Speaker 1: we had script. They were literally reading saw it for
• 43:14
  Speaker 1: anybody saw it. And uh, and now I decided that
• 43:18
  Speaker 1: he wrote it, since he wrote it, he should play Peaches.
• 43:21
  Speaker 1: He was like, oh no, man, I should. I should
• 43:23
  Speaker 1: give it to a gay actor that is like that
• 43:26
  Speaker 1: is in need of work, because you can't find drag
• 43:29
  Speaker 1: queens that are in need of work. You got, you know,
• 43:31
  Speaker 1: I should? I said, no, you wrote this, this is
• 43:34
  Speaker 1: you put on them Hills, put that wig on and
• 43:37
  Speaker 1: play Peaches, so it's real. Sh I did, and I didn't.
• 43:40
  Speaker 1: I didn't. I didn't want to do that. Uh. But
• 43:43
  Speaker 1: once I, once I like actually took hold of the language,
• 43:47
  Speaker 1: it was like putting on a glove um, which I tried.
• 43:50
  Speaker 1: I always said that I never wanted to be in
• 43:52
  Speaker 1: my own stuff, But but once I did, h Peaches,
• 43:55
  Speaker 1: it just it just felt it just felt so right
• 43:58
  Speaker 1: that when the black people saw walking up, that's what
• 44:02
  Speaker 1: That's what. That's also what we talk about in the plane, right.
• 44:05
  Speaker 1: Because I wanted to take I wanted my question because
• 44:07
  Speaker 1: Peaches is, she's this flight attendant who's in charge of
• 44:10
  Speaker 1: this gay agent, who's in charge of getting all black
• 44:13
  Speaker 1: folks onto this plane. She's the only one in charge
• 44:15
  Speaker 1: of getting black folks onto this plane. So I wanted
• 44:17
  Speaker 1: to ask the question. I want to put up blackness
• 44:20
  Speaker 1: in history with queerness and blackness because a lot of
• 44:23
  Speaker 1: times whenever we think of gay, we think of white,
• 44:25
  Speaker 1: and a lot of times whenever we think of black,
• 44:27
  Speaker 1: we think of black, right when actually those two things
• 44:29
  Speaker 1: can intersect and coexist for millions of people. So what
• 44:33
  Speaker 1: does it mean if this drag queen is helping all
• 44:36
  Speaker 1: these black folks onto this plane? And she even talks
• 44:39
  Speaker 1: about in in a monologue she talks about like, um,
• 44:42
  Speaker 1: sometimes this will never accept any of them that don't
• 44:44
  Speaker 1: fit intoday tiny idea of what it can be. Right,
• 44:47
  Speaker 1: she talks about how how she got beat up the
• 44:50
  Speaker 1: night before about group of who she's also helping check
• 44:53
  Speaker 1: onto this plane. Right, So like like, what does what
• 44:56
  Speaker 1: does that mean? And so I wanted to I wanted this,
• 44:59
  Speaker 1: this queer black person to be in charge of blackness
• 45:02
  Speaker 1: for a day because it's so often we're forgotten in
• 45:05
  Speaker 1: black history, We're not mentioned in black history. But with Air,
• 45:08
  Speaker 1: everybody's there. So their plans to make this into a
• 45:10
  Speaker 1: feature film, I'm hoping possibly, yeah, we're gonna take it
• 45:14
  Speaker 1: to uh possibly take it to London. But he's gonna
• 45:17
  Speaker 1: be writing missus Pat, so, which I'm so excited at. Y'all.
• 45:20
  Speaker 1: Miss Pat is like Pat, let's don't talk about you's
• 45:24
  Speaker 1: gonna be a lot of dudes. I did, I say
• 45:26
  Speaker 1: black men to masculate themselves by dressing his women all
• 45:28
  Speaker 1: the time for a little bit of fame and laughter.
• 45:30
  Speaker 1: What do you What do you got to say to them?
• 45:32
  Speaker 1: I think to that, I say, that's ignoring blackness. You
• 45:38
  Speaker 1: can't say you love black folks and say like that.
• 45:41
  Speaker 1: You can't say you love black folks and hey, gay people,
• 45:43
  Speaker 1: because then you're you're you're excluding um, you're excluding blackness.
• 45:48
  Speaker 1: You're like doing the same thing that they're doing to us.
• 45:51
  Speaker 1: All Right, we have more with Lee Daniels and Jordan E.
• 45:53
  Speaker 1: Cooper when we come back. Don't move. It's to Breakfast
• 45:55
  Speaker 1: Club morning. Everybody is DJ Envy Angela yee shawl. I
• 46:00
  Speaker 1: mean the guy we are the breakfast Club. We have
• 46:02
  Speaker 1: the right and director of Precious and Empire with us
• 46:05
  Speaker 1: Lee Daniels also as protege Jordan E. Cooper. Ye think
• 46:08
  Speaker 1: politically correct now? No? And if it is, who cares?
• 46:14
  Speaker 1: I think that I think that you have to. I
• 46:16
  Speaker 1: think that there's get mad about like people that I
• 46:20
  Speaker 1: can't believe that's my next show, because that's my very
• 46:23
  Speaker 1: next show before Miss Pat We're doing it in a
• 46:25
  Speaker 1: sort of a comedic way, so like a living color.
• 46:28
  Speaker 1: Could you see a living color on here now, right now,
• 46:30
  Speaker 1: with this time, sadly, sadly, no, I would do it,
• 46:34
  Speaker 1: but I would do that. I mean, I think that, sadly,
• 46:36
  Speaker 1: but I think that they're allowing us the space to
• 46:38
  Speaker 1: do my show. Um. It's hard to do sketches now though,
• 46:43
  Speaker 1: especially when real life is way better. Like who could
• 46:46
  Speaker 1: script to Jesse Smolette situation? I mean, can write something
• 46:50
  Speaker 1: like that, it's not me, not me, not I. What
• 46:58
  Speaker 1: were your initial thoughts when you first heard about the
• 47:00
  Speaker 1: Jesse smile situation you saw it? I went to instag
• 47:04
  Speaker 1: my initial thoughts, I went straight to Instagram, and it
• 47:06
  Speaker 1: was it was probably the most devastating, because you know, look,
• 47:13
  Speaker 1: you know there's only two judges. Is God and that
• 47:16
  Speaker 1: that man with the gabble, with the gabble, those are
• 47:19
  Speaker 1: the two judges. I cannot judge. I could only have compassion.
• 47:23
  Speaker 1: And my thoughts are inconsequential. I mean, I just because
• 47:27
  Speaker 1: you run empire, so it was rumors that you were
• 47:29
  Speaker 1: going to get rid of him and things of that nature.
• 47:32
  Speaker 1: We're in talks to figure out what we're gonna do.
• 47:34
  Speaker 1: With the show. It's it is very painful to talk
• 47:38
  Speaker 1: about even now, and I think that I think that
• 47:40
  Speaker 1: we're still living it and we're trying to figure it out.
• 47:42
  Speaker 1: And uh and regardless, you know what, I'm standing by
• 47:46
  Speaker 1: him because, um, regardless of the outcome, because I can't
• 47:50
  Speaker 1: discard someone that it's like discarding my son. He made
• 47:54
  Speaker 1: a mistake that's still happened. Saying that Jesse is not
• 47:59
  Speaker 1: lying about the incident and that there's things that we
• 48:01
  Speaker 1: don't know and that Jesse is telling the truth. Jordan,
• 48:04
  Speaker 1: do you believe my name is Benny everything? Jordan got
• 48:15
  Speaker 1: all these hot deep pets on everything. You know, what
• 48:20
  Speaker 1: have you smokeing to Jesse? Though, Yeah, I speak to him. Okay,
• 48:23
  Speaker 1: I took it. I had to take a break, you know.
• 48:25
  Speaker 1: It was it was consuming everything. I saw you and
• 48:28
  Speaker 1: Dame squashed your beef. We did that. We squashed that beef. Okay,
• 48:38
  Speaker 1: you'll be working with each other, well, you'll be working
• 48:39
  Speaker 1: with each other some future stuff. Or think. Yeah, I
• 48:42
  Speaker 1: think so he's a good man. And I think that, uh,
• 48:45
  Speaker 1: I was out of pocket and I think that takes
• 48:47
  Speaker 1: a real man. Namit that absolutely no, because sometimes you
• 48:50
  Speaker 1: really get caught up in into the white voice that's
• 48:54
  Speaker 1: in your head that are surrounding you saying no, you
• 48:57
  Speaker 1: signed a document, Lee Daniels, you do not owe him
• 49:00
  Speaker 1: any money. That was your white voice too. That was yes,
• 49:03
  Speaker 1: because that's what my lawyers, my lawyers and my agents
• 49:06
  Speaker 1: were telling me, that you don't own any money. But
• 49:08
  Speaker 1: you know one thing, if I didn't pay them Master's
• 49:10
  Speaker 1: ball back, I wouldn't have been able to make you
• 49:14
  Speaker 1: know what I mean. So that's just you'll talk, you
• 49:17
  Speaker 1: know what I mean. So it was a wake up
• 49:18
  Speaker 1: call and I'm sadly it took the public humiliation. I
• 49:22
  Speaker 1: believe in karma and I believe that I deserved it
• 49:24
  Speaker 1: and um and I wish him the best because he
• 49:27
  Speaker 1: really believed me when nobody did in Hollywood. Was not
• 49:30
  Speaker 1: with me, and that's what he always said. He always did.
• 49:32
  Speaker 1: He believed in you. And I'm glad that y'all worked
• 49:34
  Speaker 1: it out. Yeah, I love him that the other people
• 49:36
  Speaker 1: you feel like that about that, you may want to
• 49:38
  Speaker 1: make things right with No, I'm just asking the next
• 49:43
  Speaker 1: question alone. You know, I'm just going with you. That's
• 49:52
  Speaker 1: a that's a uh, you know, that situation is what
• 49:55
  Speaker 1: it's going to be. I think we have to choose
• 49:57
  Speaker 1: to disagree. And I think that I have I really again,
• 50:00
  Speaker 1: I have nothing but compassion for her. And she got
• 50:02
  Speaker 1: a job with UM. She got a job. Yeah, she
• 50:06
  Speaker 1: got a job with A She got a commercial with UM.
• 50:11
  Speaker 1: So like, you know, now she's like, you know, she's
• 50:13
  Speaker 1: I guess. I mean, and I'm friends with all of them,
• 50:15
  Speaker 1: so I mean, you know, he's friends with all us.
• 50:17
  Speaker 1: So I mean I'm excited for Yeah, it's good, it's
• 50:20
  Speaker 1: really good. Yeah, she's really good in it. So what's
• 50:23
  Speaker 1: the future empire? Lye? Future empire YOE is going to
• 50:27
  Speaker 1: be bombastic. That's all I can say. I think that
• 50:29
  Speaker 1: what this has done, I think that the empire came
• 50:32
  Speaker 1: at like lightning, Like it came as like a lightning.
• 50:36
  Speaker 1: So they are depending on me to come up with
• 50:38
  Speaker 1: Something're finally saying, okay, Lee, what you're gonna do? And
• 50:41
  Speaker 1: I said, I'm everybody up, and I say, this time
• 50:44
  Speaker 1: for me to do something that's completely unexpected, just gonna say, Okay,
• 50:48
  Speaker 1: Daniels is back at the Helm, do you kill him off?
• 50:50
  Speaker 1: I told you that's a secret. Ye know, people thought
• 50:54
  Speaker 1: you wrote the whole whole story, thought I know that's
• 50:57
  Speaker 1: really painful. You know, why would I write something that,
• 50:59
  Speaker 1: you know that happened to me. These things happen. I
• 51:01
  Speaker 1: can't get hung but with a new certain thing. But
• 51:03
  Speaker 1: you know that I think it's painful. I think that
• 51:06
  Speaker 1: this is real. Like I was abused, I was chased
• 51:09
  Speaker 1: home every day, bullied. And Jordan's next play is about suicide.
• 51:13
  Speaker 1: You know what I mean? Because we both thought he
• 51:15
  Speaker 1: is writing his play about suicide, and and he hung
• 51:19
  Speaker 1: up the phones that we were talking about the situation
• 51:22
  Speaker 1: about this little kid, and he was saying, you know,
• 51:24
  Speaker 1: that's what my next play is about. I hung up
• 51:26
  Speaker 1: the phone. I was like, why would this kid, this
• 51:28
  Speaker 1: brilliant kid, ever think of suicide? And then it took
• 51:32
  Speaker 1: me to realize that that I had actually thought of
• 51:34
  Speaker 1: suicide at eight, and I had blocked all of it out.
• 51:38
  Speaker 1: That's what we are doing to our young men, especially
• 51:41
  Speaker 1: like when you're Because I had those thoughts and I
• 51:44
  Speaker 1: was like twelve, thirteen years old, and so it just
• 51:47
  Speaker 1: seemed a lot easier to not be a burden to
• 51:50
  Speaker 1: anybody except especially myself, and like especially being black and queer.
• 51:55
  Speaker 1: It's like, oh, this is not what God wants. Oh,
• 51:57
  Speaker 1: this is not what your family wants. You're not welcomed
• 52:01
  Speaker 1: on this earth. You're not welcomed here. I was talking
• 52:04
  Speaker 1: to him, and I was talking to somebody else the
• 52:06
  Speaker 1: other day, and I was like, man, I wake up
• 52:07
  Speaker 1: in the morning sometimes so grateful that I didn't listen
• 52:10
  Speaker 1: to those voices, because it was like, if if you did,
• 52:14
  Speaker 1: you wouldn't get to see your family evolved, when you
• 52:17
  Speaker 1: get to see the world evolved. You wouldn't get to
• 52:19
  Speaker 1: write the stories that are put inside of you. You
• 52:22
  Speaker 1: wouldn't get to be sitting here on the breakfast club now.
• 52:24
  Speaker 1: You wouldn't. You wouldn't You wouldn't be able to see
• 52:28
  Speaker 1: what life actually has for you, which is so much
• 52:31
  Speaker 1: more than that dark moment that you're feeling. People people
• 52:33
  Speaker 1: don't realize that. I especially in the black community, I don't.
• 52:36
  Speaker 1: I don't think we realize that what you say, that
• 52:39
  Speaker 1: joke that you say, you could have your little cousin
• 52:41
  Speaker 1: sitting on the in the corner over there and he
• 52:43
  Speaker 1: could be hearing you, he could be laughing along. But
• 52:45
  Speaker 1: you don't know what that plan that's planting inside of
• 52:47
  Speaker 1: his head. And we don't we life folks, Which is
• 52:49
  Speaker 1: why I'm so grateful for you in your books because
• 52:51
  Speaker 1: it's like, you actually talk about mental health in the
• 52:53
  Speaker 1: black community, break it down, and we don't. That's not
• 52:56
  Speaker 1: something that we talk about because it's like by the church,
• 52:59
  Speaker 1: you pray you get it over with. Because because I
• 53:01
  Speaker 1: think a lot of us still have a slave mentality,
• 53:03
  Speaker 1: I really do. I think a lot of us still
• 53:05
  Speaker 1: think that we are meant to get married, we are
• 53:07
  Speaker 1: meant to go to church and work. That's it. Yeah,
• 53:10
  Speaker 1: we're an interesting people, especially when it comes to like homosexuality,
• 53:13
  Speaker 1: because it's like we'll tell people they're going to hell
• 53:15
  Speaker 1: for that, but we won't tell people they're going to
• 53:16
  Speaker 1: help for killing another black person. You wanta tell them
• 53:19
  Speaker 1: they're going to help for selling drugs, robbing people, textually
• 53:24
  Speaker 1: assaultant women. You don't go to help for none of that.
• 53:25
  Speaker 1: Would you going to help being homosexual? Right? The pass
• 53:28
  Speaker 1: is just the mailman, not the mail you know. Amen, Well,
• 53:31
  Speaker 1: thank you for that's just the man. But thank you
• 53:37
  Speaker 1: guys for joining us. Ain't no mo ain't no more
• 53:40
  Speaker 1: out right now, it's at the Public Theater. Check it out.
• 53:45
  Speaker 1: The Public Theater is four twenty five La Fayette Street. Uh,
• 53:48
  Speaker 1: it's downtown or Astra Place in New York City. Yeah,
• 53:51
  Speaker 1: we're trying to see how we can bring it to
• 53:53
  Speaker 1: a wider audience as well, because I think it's something
• 53:56
  Speaker 1: that a lot of people were really and we need it.
• 53:58
  Speaker 1: It's something that we need. May Fifth enjoying me back
• 54:02
  Speaker 1: in a couple of years to tell us how he
• 54:03
  Speaker 1: didn't make no money with Leaves Jordan in Cooper's the
• 54:12
  Speaker 1: Breakfast Club. It's about side report Angela Ye, the Breakfast Club.
• 54:25
  Speaker 1: All right. Well, Cardie b is not having it right now,
• 54:28
  Speaker 1: and she posted herself talking about these blogs, and in particular,
• 54:33
  Speaker 1: she talked about Shade Room and she even discussed the
• 54:36
  Speaker 1: owner of Shade Room, Angie, I've been popping off at
• 54:39
  Speaker 1: this water buffalo Bill bitch Canji, the owner of the
• 54:43
  Speaker 1: share Room. Because she knows that she's not allowed to
• 54:44
  Speaker 1: post me, so what does she do. She posts mash
• 54:47
  Speaker 1: of people that she knows that I'm associated with. For example,
• 54:50
  Speaker 1: QC Right, this is the owner of one of the
• 54:53
  Speaker 1: most successful black owned label right now, but nah, she
• 54:57
  Speaker 1: rather post him when he's dealing with Drama, Baby Mama,
• 55:01
  Speaker 1: Drama Karasha, You're Miami. Everybody thought that there was not
• 55:05
  Speaker 1: gonna be successful after Jake got locked up. But no,
• 55:08
  Speaker 1: y'all rather not post that, y'all rather post something that's
• 55:11
  Speaker 1: gonna set her up together. Dragon the commings all right.
• 55:15
  Speaker 1: In addition, I guess in response to that, the share
• 55:18
  Speaker 1: Room did post some screenshots some of their positive coverage
• 55:21
  Speaker 1: of cardib and people around her as well, and she
• 55:24
  Speaker 1: still wasn't buying yet. She had this to say about
• 55:27
  Speaker 1: blogs in general actually fueling beefs ys stop playing they
• 55:31
  Speaker 1: yall for the people when y'all fuel drama in between
• 55:34
  Speaker 1: these artists, like, for example, that Quartack and Ti beef
• 55:37
  Speaker 1: that to the bench. Stop but people kept fueling the
• 55:40
  Speaker 1: fueling them. It's like Yo, at the end of the day,
• 55:42
  Speaker 1: they are street. Y'all want these artists to change, or
• 55:46
  Speaker 1: y'all really don't want them to change, so y'all want
• 55:48
  Speaker 1: them to stay the same because if benefits Sha or
• 55:51
  Speaker 1: because y'all capitalize all these drama. I understand what a
• 55:55
  Speaker 1: body is saying, but that same logic can be applied
• 55:58
  Speaker 1: to her and Angie because the beef between and Cardi
• 56:00
  Speaker 1: and Shade Room is going on too long. Can we
• 56:02
  Speaker 1: get those two on the phone to have a conversation
• 56:04
  Speaker 1: to smoove out their problems, to smoove out their issue. Now,
• 56:06
  Speaker 1: I didn't really know there was a beef between them. Now,
• 56:09
  Speaker 1: well I've seen I think I've seen Cardi get at
• 56:11
  Speaker 1: them before. Maybe it was ball Alert one of them,
• 56:13
  Speaker 1: and maybe it was both. I don't remember. I didn't
• 56:15
  Speaker 1: obviously have a problem. And I also think blaming the
• 56:18
  Speaker 1: blogs is a bit off only because social media is
• 56:22
  Speaker 1: going to fuel that. Regardless of if the blogs posted
• 56:24
  Speaker 1: or not. If if Tia said something to Code that, yes,
• 56:27
  Speaker 1: if Ta said something to Kodak Black and then Kodak
• 56:29
  Speaker 1: Black said something back to Ti. Social media in general
• 56:32
  Speaker 1: is gonna hype it up. Oh I know is I
• 56:33
  Speaker 1: do rumor report every day, and if you say it,
• 56:36
  Speaker 1: it's fair game for rumor report. And if I don't
• 56:38
  Speaker 1: report on things, people like why didn't you talk about this?
• 56:40
  Speaker 1: Why didn't you talk about that? It doesn't mean you're
• 56:43
  Speaker 1: trying to fuel it. I'm just letting you know what's
• 56:45
  Speaker 1: happening that's already posted and Shade Room and ball Alert
• 56:48
  Speaker 1: and Hollywood Unlocked in any of these other sites. All
• 56:50
  Speaker 1: they're doing is reacting to what's already going on in
• 56:53
  Speaker 1: the culture. They're reacting me, what's already going on on?
• 56:55
  Speaker 1: See if you're gonna if you're gonna post the negative stuff,
• 56:57
  Speaker 1: post a positive as well. That's all I think she said.
• 57:00
  Speaker 1: They probably don't do it as much much as much
• 57:02
  Speaker 1: as they should, probably don't get it any clicks. Maybe
• 57:04
  Speaker 1: we know it definitely all right now. Cartneyby also had
• 57:08
  Speaker 1: this to say about the blogs being the comments, like, oh,
• 57:12
  Speaker 1: why are they're making documentaries about r Kelly? Why are
• 57:15
  Speaker 1: they're making documentaries about Michael Jackson? Because y'all make people
• 57:19
  Speaker 1: feel like it's okay to do so, why wouldn't a
• 57:21
  Speaker 1: white Occasian person try to capitalize of the drama they
• 57:25
  Speaker 1: have been in and the black entertainment business when black
• 57:28
  Speaker 1: blogs capitalize of their own drama and problems. Y'all barely
• 57:32
  Speaker 1: postpositive ship about us, So why would a white blog
• 57:36
  Speaker 1: post positive about us that the negative does cell? That
• 57:39
  Speaker 1: is a fact. Drama cells and all these people claim
• 57:41
  Speaker 1: to be vegan, but nothing, nothing cells out like beef,
• 57:44
  Speaker 1: and that's a fact. Well, I feel bad reporting this
• 57:46
  Speaker 1: YG song now, but YG has released a new track.
• 57:49
  Speaker 1: It's called Stop Snitching. It's about Takashi six nine. Now
• 57:53
  Speaker 1: it's hard for me to even play a snippet of
• 57:55
  Speaker 1: this because it's very not safe for work, and that
• 57:59
  Speaker 1: means our job, because we can't play all these curses
• 58:01
  Speaker 1: and slurs. But here's what it sounds like. Smell a
• 58:05
  Speaker 1: bit weight gets played on this slight and fleet. It's
• 58:10
  Speaker 1: just a little sam real chicken kind. I'm getting real. Wait,
• 58:15
  Speaker 1: you got filled in your heart, so you proper bread.
• 58:18
  Speaker 1: I can't say how the break up. Don't know you
• 58:22
  Speaker 1: he'll girl, you know you. I don't know how she's
• 58:24
  Speaker 1: set your balls. You got called best for you and
• 58:27
  Speaker 1: you'll kick You'll got called and everybody went down because
• 58:29
  Speaker 1: you snitch. I can't even play the hook for you.
• 58:32
  Speaker 1: It's a lot of snitches out here. It's a lot
• 58:34
  Speaker 1: of federal informance out here. That song is not scrictly
• 58:36
  Speaker 1: about Takashi. I don't think that song is about the
• 58:38
  Speaker 1: Kashi at all. Well, you know he has issues with Takashi. No,
• 58:41
  Speaker 1: I think it has a lot of to do. It
• 58:43
  Speaker 1: n't had their problems and Tashi was sting. It's called snitch.
• 58:46
  Speaker 1: Takashi is just another snitch in a long line of
• 58:48
  Speaker 1: snitches like I got. This song is not just regulated
• 58:51
  Speaker 1: to Takashi, and I want to tell you something, boy,
• 58:54
  Speaker 1: that video for that song, it's phenomenal. Dropping the clues
• 58:56
  Speaker 1: bomp for YGI. I've already I saw the video. The
• 58:59
  Speaker 1: hook is very cashy that I can't say any of it.
• 59:01
  Speaker 1: The video is phenomenal. And if you're from Charleston, South Carolina,
• 59:04
  Speaker 1: and you know the story didn't mark VC, then you
• 59:06
  Speaker 1: know that you know we call uh snitches and informants
• 59:10
  Speaker 1: the descendants of the slaves that rather it or didn't
• 59:12
  Speaker 1: mark VC. You're gonna like this video? All right? Well,
• 59:15
  Speaker 1: the new album is called for Real, for Real and
• 59:17
  Speaker 1: that's out May third. F YI. All right, I'm Anzela
• 59:20
  Speaker 1: yee and that is your rumor report. All right, thank you,
• 59:23
  Speaker 1: miss ye. Now when we come back, Charlemagne got donkey
• 59:27
  Speaker 1: giving it. Don'ken you broubbah Lee Daniels. No, I'm gonna
• 59:30
  Speaker 1: give it to Roman, Roman said drum Lee. Daniels asked
• 59:36
  Speaker 1: about your dramas, All yeah, yeah, yeah, what do you say?
• 59:39
  Speaker 1: He just asked Abouttom. That's who he was. That's all drama.
• 59:42
  Speaker 1: Want me to pass the information alone. You don't drum
• 59:45
  Speaker 1: with that. You miss your blessing. That alert new muse.
• 59:52
  Speaker 1: You got some bread drug. Wow. I know you just
• 59:55
  Speaker 1: said money didn't matter. He didn't. He didn't say no,
• 59:57
  Speaker 1: he didn't say no. Yes, all right, keep it locks
• 1:00:05
  Speaker 1: of breakfast, Clukan boarding it. Don't be a dusty because
• 1:00:08
  Speaker 1: right now you want some real It's time for Donkey
• 1:00:13
  Speaker 1: of the day. So if we ever feel I need
• 1:00:14
  Speaker 1: to be a donkey man with the hero, did she
• 1:00:18
  Speaker 1: get I had become donkey of the day the pretas
• 1:00:23
  Speaker 1: club bitch. Yes, donkey today for Wednesday, April twenty fourth
• 1:00:29
  Speaker 1: goes to Roman Polanski. Now, if you don't know who
• 1:00:32
  Speaker 1: Roman Polanski is, he's a film director, producer, writer, and actor,
• 1:00:36
  Speaker 1: and since nineteen seventy eight, the year I was born,
• 1:00:38
  Speaker 1: he has been a fugitive from the US criminal justice
• 1:00:40
  Speaker 1: system because he fled the country while awaiting sentencing in
• 1:00:44
  Speaker 1: a sexual abuse case. He played guilty to statutory rape.
• 1:00:48
  Speaker 1: I repeat, he pled guilty to statutory rape. In nineteen
• 1:00:51
  Speaker 1: seventy seven, Roman Polanski was arrested and charged with drugging
• 1:00:55
  Speaker 1: and raping a thirteen year old girl. He played guilty
• 1:00:58
  Speaker 1: to the lesser offense of unlawful set from a minor.
• 1:01:00
  Speaker 1: He spent forty two days undergoing psychiatric evaluation in prison
• 1:01:04
  Speaker 1: as he was preparing for sentencing and he was expecting
• 1:01:07
  Speaker 1: to be put on probation, but he fled to Paris
• 1:01:10
  Speaker 1: after learning that to judge planning to indeed put him
• 1:01:13
  Speaker 1: in prison. Now, Roman's career didn't miss a beat. He
• 1:01:16
  Speaker 1: went to Europe and continued to make films. In fact,
• 1:01:18
  Speaker 1: he won Francis Caesar Award for Best Picture and Best Director,
• 1:01:22
  Speaker 1: received three Oscar Nams for a film called Test and
• 1:01:25
  Speaker 1: he produced and directed The Pianist, and that film won
• 1:01:29
  Speaker 1: three Academy Awards, including Best Director for Roman Polanski. And
• 1:01:32
  Speaker 1: in two thousand and ten, he was awarded Best Director
• 1:01:34
  Speaker 1: for a film called ghost Writer. Think about that. Roman
• 1:01:37
  Speaker 1: Polanski played guilty to sleeping with a thirteen year old
• 1:01:39
  Speaker 1: girl when he was like forty five. All right, he
• 1:01:41
  Speaker 1: fled the country. He's a fugitive here in America. Yet
• 1:01:44
  Speaker 1: he's still won an Oscar for Best Director in two
• 1:01:46
  Speaker 1: thousand and two. Okay, multiple choice question. Did Roman Polanski
• 1:01:50
  Speaker 1: get this break because he's a white B male C
• 1:01:55
  Speaker 1: rich R D all of the above? What do you
• 1:01:57
  Speaker 1: think he envy? What do you think the let off
• 1:02:02
  Speaker 1: to see? Okay, hard to say white privilege isn't real.
• 1:02:09
  Speaker 1: When Albert Wilson, a young black college student, was sentenced
• 1:02:11
  Speaker 1: over twelve years in prison for rape, but didn't even
• 1:02:14
  Speaker 1: have sex with the victim. Have you heard this story?
• 1:02:16
  Speaker 1: True story? Do your google's. Albert Wilson was twenty at
• 1:02:19
  Speaker 1: the time and the young girl was seventeen. They both
• 1:02:22
  Speaker 1: were in this bar under the legal drinking age. They
• 1:02:24
  Speaker 1: ended up going back to his place. The young girl
• 1:02:26
  Speaker 1: said she was raped. Albert said all they did was kiss.
• 1:02:28
  Speaker 1: No seminal fluid or DNA was found, but his saliva
• 1:02:31
  Speaker 1: was found on her chest because that's where he said
• 1:02:33
  Speaker 1: he kissed her. And Albert Wilson got twelve years in prison,
• 1:02:37
  Speaker 1: a lifetime of probation, and a mandatory sex offended title. Meanwhile,
• 1:02:41
  Speaker 1: Roman Polanski, forty five years old, admits the sleeping with
• 1:02:44
  Speaker 1: a thirteen year old girl, flees the country before his sentencing,
• 1:02:47
  Speaker 1: which is a whole other crime, and he gets an oscar. Hey,
• 1:02:50
  Speaker 1: young black world in America, life is not fair. Get
• 1:02:53
  Speaker 1: used to it. Well. One thing I have realized is
• 1:02:56
  Speaker 1: where privilege exists, entitlement is shore to follow. And when
• 1:02:59
  Speaker 1: you give some one an inch of privilege, they will
• 1:03:01
  Speaker 1: take a yard of entitlement. Okay, Roman Polanski is indeed
• 1:03:05
  Speaker 1: an entitled individual because instead of keeping his fugitive ass low,
• 1:03:09
  Speaker 1: he is currently attempting to sue the Oscar Academy. What
• 1:03:13
  Speaker 1: is Roman Polanski suing the Oscar Academy for Let's go
• 1:03:16
  Speaker 1: to Entertainment? To Night CBS Los Angeles for the report Police.
• 1:03:19
  Speaker 1: The disgrace director is suing to get back in the
• 1:03:22
  Speaker 1: Academy of Motion Picture Arts and Sciences. A case is
• 1:03:24
  Speaker 1: pending in La Superior Court for Roman Polanski. He fled
• 1:03:28
  Speaker 1: the US in nineteen seventy eight after he was charged
• 1:03:31
  Speaker 1: with statutory rape. He continued to work and even won
• 1:03:34
  Speaker 1: an Oscar in two thousand and three for the Pianist.
• 1:03:38
  Speaker 1: The eighty five year old was expelled from the Academy
• 1:03:40
  Speaker 1: last year. Polanski's court papers say he was removed without
• 1:03:44
  Speaker 1: notice and his request for reconsideration was denied. The academy
• 1:03:49
  Speaker 1: says the procedures taken to expel Polanski were quote fair
• 1:03:53
  Speaker 1: and reasonable the audacity of cau cassidy. Here's a thing.
• 1:03:57
  Speaker 1: You can be mad at Roman Polanski, but can you
• 1:03:59
  Speaker 1: really be add at Roman from Lansky? Seriously, if you
• 1:04:02
  Speaker 1: admitted the statutory rape in nineteen seventy eight, played guilty
• 1:04:05
  Speaker 1: the statutory rape, then fled the country. But since you're guilty, plea,
• 1:04:08
  Speaker 1: you are nominated, nominated for an Oscar three times even
• 1:04:10
  Speaker 1: one one, and the Oscar still kept you on his
• 1:04:13
  Speaker 1: membership board. And then all of a sudden, almost forty
• 1:04:17
  Speaker 1: years later, since I caught this charge, you want to
• 1:04:19
  Speaker 1: expel me from the board because I am not in
• 1:04:21
  Speaker 1: accordance with the organization standards of conduct Oscar Academy that
• 1:04:25
  Speaker 1: the standards of conduct change. Because Roman Ben had these charges,
• 1:04:29
  Speaker 1: y'all never stopped celebrating them. Y'all never stopped rewarding him.
• 1:04:32
  Speaker 1: So why would he not sue y'all when y'all expel him.
• 1:04:36
  Speaker 1: There are no new grounds on which to oust him.
• 1:04:38
  Speaker 1: Y'all had every reason to oust him before and kept
• 1:04:41
  Speaker 1: him on. So of course at this stage in the game,
• 1:04:43
  Speaker 1: he would think he's done nothing wrong. This is why
• 1:04:47
  Speaker 1: rewarding bad behavior is not okay. You don't give a
• 1:04:50
  Speaker 1: puppy a treat because he tore up the couch and
• 1:04:53
  Speaker 1: defecated all over the house. If the puppy thinks he's
• 1:04:55
  Speaker 1: going to get a treat for doing something wrong, then
• 1:04:58
  Speaker 1: he will never learn to do anything right, and he
• 1:05:00
  Speaker 1: will continue the behavior that was getting him the treat.
• 1:05:03
  Speaker 1: The Oscars have been enablers all these years. They have
• 1:05:06
  Speaker 1: aided and abetted and fed Roman Polanski's dysfunction. So now
• 1:05:11
  Speaker 1: Roman wants to know why he's not allowed to eat.
• 1:05:14
  Speaker 1: You know, now that I think about it, let's make
• 1:05:17
  Speaker 1: this a double donkey. Please please give Roman Polanski and
• 1:05:20
  Speaker 1: the Oscars Academy the biggest heh. They're both stupid in
• 1:05:26
  Speaker 1: this situation, because Roman Polanski needs to know. All right,
• 1:05:30
  Speaker 1: you've been getting away with murder for a long time, okay,
• 1:05:33
  Speaker 1: and the Oscars have been able and enabling this for
• 1:05:35
  Speaker 1: a long time. Now all of a sudden you want
• 1:05:37
  Speaker 1: to have a change your hearts. He can't even come here, right,
• 1:05:41
  Speaker 1: So no, no, you've you've been rewarding this criminal for
• 1:05:45
  Speaker 1: all of these years. Now you want to take him
• 1:05:47
  Speaker 1: off the board. Huh? Come on now? All right, well,
• 1:05:51
  Speaker 1: thank you for that donkey. Today Up next, ask ye
• 1:05:54
  Speaker 1: eight on drink five eight five one oh five one
• 1:05:56
  Speaker 1: if you need relationship advice or any type of advice
• 1:06:00
  Speaker 1: eight hundred five eight five one o five one, ask
• 1:06:02
  Speaker 1: ye is. Next is the Breakfast Club. Good morning, the
• 1:06:05
  Speaker 1: Breakfast Club, Winding everybody in DJ Envy Angela Yee Charlemagne
• 1:06:12
  Speaker 1: the guy we are the breakfast club. Now. Earlier during
• 1:06:15
  Speaker 1: Get It Off Your Chest, this uh young man called.
• 1:06:18
  Speaker 1: His name is Patrick. He was mad at his girlfriend
• 1:06:21
  Speaker 1: and he's on the line. He needed some help. Yea
• 1:06:23
  Speaker 1: Patrick there, now explain to ye what's going on? You
• 1:06:27
  Speaker 1: know what's happy? Hey man, man, I've been I've been
• 1:06:31
  Speaker 1: happening this issue with where her. I think she goes
• 1:06:33
  Speaker 1: through like a little depression thing. We got to one
• 1:06:36
  Speaker 1: your son, he's can really one here and two but um,
• 1:06:40
  Speaker 1: you know, I'll be here y'all talk about mental health awareness.
• 1:06:43
  Speaker 1: I'm a black man, I believe, and our black brothers
• 1:06:46
  Speaker 1: and sistants fully so we've been having a problem. So
• 1:06:49
  Speaker 1: about my last option was to offer some counselor like
• 1:06:52
  Speaker 1: to go to some couple's counseling. That turned into like
• 1:06:55
  Speaker 1: the hugest argument I can ever expect, and that led
• 1:06:59
  Speaker 1: me to come home to an empty house last night.
• 1:07:02
  Speaker 1: Not to mention, I wanted two jobs. I get up
• 1:07:04
  Speaker 1: every morning at two thirty, leave my house at three,
• 1:07:08
  Speaker 1: come back at salmon thirty, taking my daughter to school,
• 1:07:10
  Speaker 1: go to another job, and don't get back until ay.
• 1:07:12
  Speaker 1: That night. Now, I have two kids outside of our
• 1:07:14
  Speaker 1: relationship that she was helping take care of, and it
• 1:07:17
  Speaker 1: just it just kind of just put me on the
• 1:07:19
  Speaker 1: spin because now unless she kind of win my hands
• 1:07:22
  Speaker 1: in the air, you know, she just packed up and
• 1:07:24
  Speaker 1: left while I was at work. So when you guys
• 1:07:26
  Speaker 1: have a one year old, he's ten months, he'll be
• 1:07:28
  Speaker 1: one in June, you think she might have postpartum depression.
• 1:07:31
  Speaker 1: That's what everybody keeps telling me. And that's why I
• 1:07:33
  Speaker 1: keep trying to offer some type of chounceling or you know,
• 1:07:36
  Speaker 1: and she literally just started screaming, I don't need no counseling,
• 1:07:40
  Speaker 1: and you know, X, Y and Z. But it's like
• 1:07:42
  Speaker 1: eventually it's gonna come to the point to where it's
• 1:07:44
  Speaker 1: gonna it's gonna break off our relationship. That's pretty much
• 1:07:47
  Speaker 1: where it sat. Now. You know, she was arguably text
• 1:07:49
  Speaker 1: messages and I'm just telling her like, you know, you know,
• 1:07:52
  Speaker 1: I wan't telling to change, you know, I don't. I don't.
• 1:07:53
  Speaker 1: I'm already acting the way you're acting. You know, we
• 1:07:56
  Speaker 1: need to get some help. And all she keeps saying was,
• 1:07:59
  Speaker 1: you know, like it leads, but she lived with me,
• 1:08:01
  Speaker 1: so you know, I was going to phone trying to
• 1:08:02
  Speaker 1: talk to her. I literally cannot get one word out
• 1:08:05
  Speaker 1: to this place. Is there anybody else close to her
• 1:08:08
  Speaker 1: besides you that can speak to her, like a family member,
• 1:08:10
  Speaker 1: somebody related to I've tried her mom's Like her mom
• 1:08:14
  Speaker 1: really can't get to her. She got a towards sister.
• 1:08:16
  Speaker 1: I tried. I actually inbox hers swooping on Facebook yesterday
• 1:08:20
  Speaker 1: to ask it. I talked to her to let her
• 1:08:21
  Speaker 1: know what was going though, but I never got a response.
• 1:08:24
  Speaker 1: But some are the only people that she got around
• 1:08:27
  Speaker 1: her right now. But yeah, sometimes it's turned all the
• 1:08:29
  Speaker 1: way around, you know. No, it does sound like it
• 1:08:32
  Speaker 1: might be some type of postpartum depression because she's never
• 1:08:34
  Speaker 1: acted like this before, right, No, I mean it was
• 1:08:36
  Speaker 1: a little bit before the child, but like not to
• 1:08:39
  Speaker 1: this extent, Like like she doesn't work right now. She
• 1:08:42
  Speaker 1: keep saying she wants to work with I understand, but
• 1:08:44
  Speaker 1: I provide everything. There's no need for her even to
• 1:08:48
  Speaker 1: have to work. I'm trying to get her to understand
• 1:08:50
  Speaker 1: and joy this time with this new child. We ask
• 1:08:53
  Speaker 1: and look for a job that's gonna work for the
• 1:08:55
  Speaker 1: family before you just go back to work. A lot
• 1:08:57
  Speaker 1: of people don't get that opportunity to sit there and
• 1:08:59
  Speaker 1: enjoy that first time was a child or the first
• 1:09:02
  Speaker 1: year you know. I know I didn't because I was
• 1:09:04
  Speaker 1: outsupportive our children, right, So it sounds like she definitely
• 1:09:08
  Speaker 1: has to get some help, but she's not receptive to
• 1:09:10
  Speaker 1: that coming from you. From that suggestion coming from you. Also,
• 1:09:14
  Speaker 1: it sounds like every time you guys have a discussion
• 1:09:16
  Speaker 1: at least to an argument, which I'm not saying is
• 1:09:18
  Speaker 1: your fault at all, but that's what it leads to
• 1:09:21
  Speaker 1: because she's defensive about it and she probably hasn't identified
• 1:09:24
  Speaker 1: and for some women sometimes it's embarrassing to have these
• 1:09:27
  Speaker 1: feelings that you can't explain, right, So I think a
• 1:09:31
  Speaker 1: let's get get her some research. You don't have to
• 1:09:33
  Speaker 1: sit down and talk to her about it, but why
• 1:09:35
  Speaker 1: don't you just compile some of that. I think it
• 1:09:37
  Speaker 1: also is important for you to have someone else, sometimes
• 1:09:39
  Speaker 1: as high as somebody that's close to us, to talk
• 1:09:41
  Speaker 1: to us about things that they're having issues with, because
• 1:09:44
  Speaker 1: you hurt the people closest to you when you're going
• 1:09:47
  Speaker 1: through something, and that might be hard for her too
• 1:09:49
  Speaker 1: to hear that coming from you. So I might have
• 1:09:51
  Speaker 1: to come from somebody else, And I do want to
• 1:09:53
  Speaker 1: say in arguments, it is difficult when somebody's telling you
• 1:09:57
  Speaker 1: what you need to do instead of explaining how it
• 1:10:00
  Speaker 1: affects them. So sometimes you're telling someone, well, you're doing this,
• 1:10:03
  Speaker 1: you're doing that, You're gonna make this happen, instead of
• 1:10:06
  Speaker 1: saying that's exactly what's going on. But when I try
• 1:10:09
  Speaker 1: to express why I'm feeling this way or why I
• 1:10:13
  Speaker 1: think we really help, it's like you don't want to
• 1:10:15
  Speaker 1: hear that. Yeah, And it is important when we have
• 1:10:18
  Speaker 1: these discussions how we phrase things and how we say it,
• 1:10:21
  Speaker 1: But it also seems like right now she's not really
• 1:10:23
  Speaker 1: trying to hear it anyway, you know, because I find
• 1:10:26
  Speaker 1: that when I argue, I try not to accuse the
• 1:10:28
  Speaker 1: other person of doing things. I talk about how I feel.
• 1:10:31
  Speaker 1: I feel like this, let's figure out how we can
• 1:10:33
  Speaker 1: work on this together to come up with the resolution,
• 1:10:35
  Speaker 1: because I don't know, you know, if I'm the person
• 1:10:39
  Speaker 1: that can get you the help you need, but I
• 1:10:40
  Speaker 1: want to make sure that you get it, and I
• 1:10:42
  Speaker 1: want to make sure that I can support you, and
• 1:10:44
  Speaker 1: so sometimes it's best to try to approach it that
• 1:10:46
  Speaker 1: way without screaming or yelling, and you said she's screaming
• 1:10:49
  Speaker 1: or yelling at you. You're not doing it to her,
• 1:10:51
  Speaker 1: You're just listening. But it's also the approach, and hopefully
• 1:10:54
  Speaker 1: her sister will reach back out to you. But I
• 1:10:56
  Speaker 1: will recommend that you try to find a person that
• 1:10:59
  Speaker 1: can help her. Ask a professional how you should go
• 1:11:02
  Speaker 1: about it. In other words, do the research. See if
• 1:11:05
  Speaker 1: you can get some recommendations for a therapist or somebody
• 1:11:08
  Speaker 1: she can talk to. That might not be enough. She
• 1:11:10
  Speaker 1: might need to be on some type of medication right
• 1:11:12
  Speaker 1: now because she's feeling that hopeless. But maybe get in
• 1:11:16
  Speaker 1: touch with that professional and see what they have to say.
• 1:11:18
  Speaker 1: So hold on the line and let me see if
• 1:11:20
  Speaker 1: we can get somebody for you. All good luck, bro,
• 1:11:24
  Speaker 1: Let's get his information. Hold on and let's see if
• 1:11:26
  Speaker 1: we can refer somebody to him. All right, Ask ye
• 1:11:29
  Speaker 1: eight hundred five A five one oh five one. If
• 1:11:31
  Speaker 1: you need relationship advice or any type of advice, call
• 1:11:34
  Speaker 1: ye right now. It's the breakfast Club. Good morning morning
• 1:11:37
  Speaker 1: everybody in dj envy Angela, Yee, Charlomagne, the guy we
• 1:11:41
  Speaker 1: are the breakfast club in the middle of Ask ye, hello,
• 1:11:44
  Speaker 1: who's this? Yes, Sary Brown ain't Shary Brown. I don't
• 1:11:50
  Speaker 1: troll him. I've been trying to get in touch a
• 1:11:53
  Speaker 1: job for like months and months and months. Hu seven
• 1:11:56
  Speaker 1: five seven, eight h four. Okay, seen yourself to right.
• 1:12:02
  Speaker 1: Let's tell your question. Okay, okay, Um, I'm very smart
• 1:12:06
  Speaker 1: by the way, Um, y'all inspirate me a lot. I was.
• 1:12:08
  Speaker 1: I listened to the radio because I slepted with PTSD
• 1:12:11
  Speaker 1: and I love music and music comes me down. I
• 1:12:14
  Speaker 1: can do a lot of things with music and cook
• 1:12:15
  Speaker 1: with music. I can dance to music, I can draw
• 1:12:19
  Speaker 1: the music, I can read the music. I just love music. So, um,
• 1:12:23
  Speaker 1: I had a question because I love God right, and
• 1:12:26
  Speaker 1: I've been safe since I was three years old, and
• 1:12:29
  Speaker 1: every every relationship I've ever been in, all the guys
• 1:12:33
  Speaker 1: say that I'm crazy. Everybody in my whole city say
• 1:12:37
  Speaker 1: I'm crazy. In Hampton, Virginia, I've been in seventy five
• 1:12:41
  Speaker 1: seven since I was nine years old. My mom came
• 1:12:43
  Speaker 1: here getting away from abusive our relationship that my father
• 1:12:47
  Speaker 1: was doing. Her and my father couldn't get along, so
• 1:12:50
  Speaker 1: she left my father when I was nine months old,
• 1:12:52
  Speaker 1: and I stuffed with not having a father, so I
• 1:12:55
  Speaker 1: failed to like having relationship with guys looking for father figures,
• 1:12:59
  Speaker 1: and I was going, well older guys. I never go
• 1:13:01
  Speaker 1: with younger guys. So now without now that I'm forty three,
• 1:13:04
  Speaker 1: I started attracting younger guys cougar stuff, cougar stuff, so
• 1:13:10
  Speaker 1: um um, I went sullivant for four and a half years.
• 1:13:13
  Speaker 1: And because I'm trying to fig out, watch up getting
• 1:13:15
  Speaker 1: these relationships that was abusive. And I mean they keep
• 1:13:19
  Speaker 1: putting me down. And then they'll start off saying like
• 1:13:22
  Speaker 1: they loved me, like right away, like a month, two months,
• 1:13:24
  Speaker 1: they loved me, and then they um, they say, I'm
• 1:13:28
  Speaker 1: creative and stuff I do. Mamma, what's your question? Question?
• 1:13:31
  Speaker 1: Like twenty six I have, like twenty I have like
• 1:13:34
  Speaker 1: twenty sixty three. I counted them. I did a stuff
• 1:13:37
  Speaker 1: and nowmous now that I draw, I do hair, I
• 1:13:41
  Speaker 1: sing I rap I did I meant for U? Mama?
• 1:13:46
  Speaker 1: What's your what's your question? What's your question? Um? I
• 1:13:50
  Speaker 1: don't like everything, but they keep telling me I'm not nobody.
• 1:13:53
  Speaker 1: I'm a certified chef. Mama, what's your question? The question
• 1:13:57
  Speaker 1: is the question is personal good woman? When they see
• 1:14:01
  Speaker 1: as a woman, and the question is I'm trying to
• 1:14:04
  Speaker 1: figure out why are you single? Do keep dating these
• 1:14:07
  Speaker 1: guys and say they don't believe in God? Because I'm
• 1:14:09
  Speaker 1: believe in God and every time I see something about God,
• 1:14:11
  Speaker 1: they don't like it, and I don't understand why they
• 1:14:13
  Speaker 1: don't like it. I think we should go back to
• 1:14:14
  Speaker 1: the part where she said people think she's crazy. That's
• 1:14:17
  Speaker 1: a good place to start. Okay, sh Shary, Honey, people
• 1:14:25
  Speaker 1: ask you a shar Sharry just has some things to
• 1:14:28
  Speaker 1: get off her chest this morning. Hey man, I got
• 1:14:31
  Speaker 1: the things I'm about thinking that I'm crazy crazy and
• 1:14:36
  Speaker 1: everybody keeps Mory, you're not shared sy, Sarry? Do you
• 1:14:44
  Speaker 1: want advice? Shary? Do you want advice? I'm trying to
• 1:14:51
  Speaker 1: figure out. I'm trying to get on the ready. I'm
• 1:14:53
  Speaker 1: like y'all so I can get it the talking because
• 1:14:54
  Speaker 1: I love of salt, really know, I can't tell. I
• 1:14:57
  Speaker 1: can't tell it all up. Hold on. Okay, So, Sharry,
• 1:15:00
  Speaker 1: you keep dating guys who don't believe in God? Don't
• 1:15:02
  Speaker 1: ask that questions? Yell. They say they believe in them,
• 1:15:06
  Speaker 1: but they got all these game signs on them. Okay,
• 1:15:09
  Speaker 1: so they do believe in God. They a heart on them,
• 1:15:12
  Speaker 1: blood and Christ Sharry, remember Sharry. So it's not that
• 1:15:17
  Speaker 1: they don't believe in God, as they don't praise and
• 1:15:19
  Speaker 1: worship the way that you do. Oh well, I'm in, say,
• 1:15:22
  Speaker 1: since I was three years old, and I've been in
• 1:15:23
  Speaker 1: the choir. My mom made me go to church every
• 1:15:25
  Speaker 1: fund that even those she said she stayed out all
• 1:15:28
  Speaker 1: night and slept with people, husbands and and then mistress
• 1:15:31
  Speaker 1: and all that. I've never had a husband. I've been
• 1:15:34
  Speaker 1: the best woman that I've ever known, and the best mother.
• 1:15:37
  Speaker 1: My mom just took my friend from me, and I'm like,
• 1:15:40
  Speaker 1: like really like fed the fuck up. I'm in the
• 1:15:43
  Speaker 1: best father. I can never picked up. I've been mother
• 1:15:46
  Speaker 1: to other people's kids that don't even mothers that kids.
• 1:15:49
  Speaker 1: All right, sharp, You know the Bible says, Jerry. The
• 1:15:54
  Speaker 1: Bible says get in touch a drug and like ever shry.
• 1:15:57
  Speaker 1: You know the Bible says a great deal about being quiet, right, yes, yeah,
• 1:16:02
  Speaker 1: holding your tongue, shutting the hell up. Sometimes I leave
• 1:16:05
  Speaker 1: it alone, shit, be still and listen, got you you
• 1:16:08
  Speaker 1: know what I'm answering. You can hear God? How you
• 1:16:09
  Speaker 1: hearing God? And you talk so goddamn much, Sherry. I
• 1:16:12
  Speaker 1: don't know I do. How you start her? Why you
• 1:16:15
  Speaker 1: start her talking? Jerry? Everybody, just give me a woman, Sherry.
• 1:16:22
  Speaker 1: I got est, I got all you hold on, but
• 1:16:29
  Speaker 1: we just ran out of time. Thank you very much, Sherry. Cherry.
• 1:16:32
  Speaker 1: Did you even ask a question me? I don't know, Sarry,
• 1:16:35
  Speaker 1: Thank you very much. Harry. Let me jumping in the water.
• 1:16:37
  Speaker 1: Send me a ticket. I take it the water, jumping
• 1:16:40
  Speaker 1: in a jumping in the water. I need to go
• 1:16:42
  Speaker 1: to something in the water so I can get a break.
• 1:16:44
  Speaker 1: Somebody send me a ticket please. Oh you want to
• 1:16:46
  Speaker 1: go on a vacation now? Yeah? Our host this I
• 1:16:49
  Speaker 1: just want to be there. I just want to get
• 1:16:50
  Speaker 1: away from all this. What the hell is ro We'll
• 1:16:52
  Speaker 1: get your ticket to Virginia Beach. Thank you, Thank you.
• 1:16:56
  Speaker 1: Beach just five minutes away from you, I know, right
• 1:16:58
  Speaker 1: from me. I used to living awful with Sherry. If
• 1:17:03
  Speaker 1: you want to reach me, the emailers helped me ye
• 1:17:05
  Speaker 1: at gmail dot com help me yet, Gmail, you have
• 1:17:08
  Speaker 1: enough face in your inbox for this email. Sherry's about
• 1:17:11
  Speaker 1: to send you. Well the shows ever, Thank y'all for
• 1:17:13
  Speaker 1: listening to the best. That call went on goodness, well,
• 1:17:16
  Speaker 1: we got rumors on the shairs should have just started off. Hey,
• 1:17:18
  Speaker 1: fam would have been it. We got rumors on the way. Yes,
• 1:17:23
  Speaker 1: let's talk about a new musical that's supposed to be coming.
• 1:17:25
  Speaker 1: I want to see if y'all would go and see this.
• 1:17:27
  Speaker 1: It's premiering in Houston. If that gives you a hint, goodness, great,
• 1:17:31
  Speaker 1: you can fly, Sherry. I'm not fly, Sherry, I said, Sherry.
• 1:17:34
  Speaker 1: We'll take it the Virginia Beach, a timides away. I
• 1:17:36
  Speaker 1: know I used to live in Norfing. She will keep going.
• 1:17:38
  Speaker 1: Oh my goodness, rumors on the way. It's the breakfast
• 1:17:40
  Speaker 1: slogan morning the Breakfast Club had tation right. Shout out
• 1:17:50
  Speaker 1: to Sherry who called for ask ye, she's still talking, Yes,
• 1:17:53
  Speaker 1: she still talking. She doesn't know she's on hold. She's
• 1:17:55
  Speaker 1: still talking. And one of our listeners who also called
• 1:17:58
  Speaker 1: in about his wife or girlfriend looks like she's dealing
• 1:18:02
  Speaker 1: with postpartum depression. Shout out to Latham time and she's
• 1:18:05
  Speaker 1: been on the show before, Globe Man Box for Globe.
• 1:18:08
  Speaker 1: Maybe Yes, she's I'm actually going to reach out because
• 1:18:10
  Speaker 1: she said they have resources as well to be able
• 1:18:13
  Speaker 1: to help. And it does sound like postpartum depression. Lathan
• 1:18:16
  Speaker 1: Thomas that's good advice. You can look for her on
• 1:18:18
  Speaker 1: Mama globe dot com. Layton Thomas know what she's doing,
• 1:18:20
  Speaker 1: globemabing doing. You know what she's doing. My wife's our
• 1:18:22
  Speaker 1: second child. She had a c section. She didn't want
• 1:18:24
  Speaker 1: to have a c section for the third child. And
• 1:18:26
  Speaker 1: you know the doctor to tell you, oh, you got
• 1:18:27
  Speaker 1: to have another c section? Nah Man. She got with
• 1:18:30
  Speaker 1: Lathan Latin made it happen because she pushed out. So
• 1:18:33
  Speaker 1: we do want to make sure when people call for
• 1:18:35
  Speaker 1: ask ye that we can at least lead you into
• 1:18:37
  Speaker 1: the right direction of what it is that you need
• 1:18:39
  Speaker 1: to do. Try to help as much. And if we
• 1:18:41
  Speaker 1: can't help, we got a team of people who can't. Yes,
• 1:18:43
  Speaker 1: and Lathan is one of them. Flu to Globemathan again.
• 1:18:45
  Speaker 1: I appreciate it. All right, Well, let's get to the rumors.
• 1:18:48
  Speaker 1: Let's talk Luke Walton. She's filling the team. This is
• 1:18:55
  Speaker 1: the rumor report with Angela Yee on the Breakfast Club.
• 1:19:00
  Speaker 1: So Luke Watton, you know him as a Sacramento King's
• 1:19:02
  Speaker 1: head coach. He just got fired from the Lakers. Yes,
• 1:19:05
  Speaker 1: he Jess left the Lakers and he used to be
• 1:19:07
  Speaker 1: an assistant with the Golden State Warriors. Well now they're sports.
• 1:19:11
  Speaker 1: Reporter Kelly Tennant is suing him, saying that he sexually
• 1:19:14
  Speaker 1: assaulted her back when he was an assistant. Now here's
• 1:19:18
  Speaker 1: what she has to say about how she even ended
• 1:19:20
  Speaker 1: up a lot. And as I walked into the hotel
• 1:19:23
  Speaker 1: with him, I anticipated us walking into the lobby where
• 1:19:26
  Speaker 1: we would hang out and catch up. And he started
• 1:19:29
  Speaker 1: to walk towards the elevators and I asked him why
• 1:19:32
  Speaker 1: we were growing up to his room, and he said
• 1:19:35
  Speaker 1: because the players on his team were in the lobby
• 1:19:38
  Speaker 1: and he could not be around them. I was hesitant,
• 1:19:41
  Speaker 1: and he said, don't worry about it. It's me, And
• 1:19:44
  Speaker 1: as someone that I trusted for a long time, I
• 1:19:47
  Speaker 1: realized I shouldn't overthink it and follow his sleep. She
• 1:19:51
  Speaker 1: said she had met him before that through the volleyball
• 1:19:54
  Speaker 1: community and that's how she knew him, so she felt
• 1:19:57
  Speaker 1: comfortable enough. Now here's what she said happened when she
• 1:20:00
  Speaker 1: got up to his room. Out of nowhere, he got
• 1:20:03
  Speaker 1: on top of me and pinned me down to the
• 1:20:05
  Speaker 1: bed and held my arms down with all his grades
• 1:20:09
  Speaker 1: while he kissed my neck and my face and my chest.
• 1:20:12
  Speaker 1: And as I kept asking him to please stop and
• 1:20:15
  Speaker 1: to get off. He laughed at me. I could feel
• 1:20:18
  Speaker 1: him rubbing his rreption on me, and he continued to
• 1:20:21
  Speaker 1: laugh at all of my please to get off and
• 1:20:25
  Speaker 1: to stop. I thought he was going to rape me.
• 1:20:28
  Speaker 1: She did manage to escape. She's not doing a criminals room.
• 1:20:31
  Speaker 1: Well I'm not sure yet, but she is suing him now,
• 1:20:33
  Speaker 1: so I don't know what's going to happen. She's lawyered up.
• 1:20:36
  Speaker 1: He's lawyered up now as well. When did this happen
• 1:20:38
  Speaker 1: back in twenty fourteen, so allegedly. So now on his
• 1:20:42
  Speaker 1: side of things, he's saying that the accuser is an opportunist,
• 1:20:46
  Speaker 1: not a victim, and her claim is not credible. His
• 1:20:48
  Speaker 1: attorneys are saying we intend to prove this in a
• 1:20:50
  Speaker 1: courtroom and that these are baseless allegations. So those are
• 1:20:54
  Speaker 1: both sides right now. All right, now, let's talk about
• 1:20:58
  Speaker 1: Jesse Smalette and the brothers that allegedly attacked him. Now,
• 1:21:03
  Speaker 1: these brothers are now coming forward Ola and able osandyro
• 1:21:08
  Speaker 1: and they are saying that they are the victims and
• 1:21:11
  Speaker 1: basically they were working for Jesse Smalett with this attack.
• 1:21:15
  Speaker 1: Interestingly enough, they're suing his lawyers for defamation. But they're
• 1:21:18
  Speaker 1: not suing Jesse, which is interesting and nobody asked why
• 1:21:22
  Speaker 1: that was happening. But they're suing for defamation. They're saying
• 1:21:24
  Speaker 1: that his attorneys allied to the media and tried to
• 1:21:27
  Speaker 1: make it appear like Ola and Able were the culprits
• 1:21:29
  Speaker 1: in a real homophobic and a racist attack. They're saying
• 1:21:32
  Speaker 1: the whole thing was set up. Now one of the lawyers,
• 1:21:35
  Speaker 1: they are saying, falsely accused one of the brothers of
• 1:21:38
  Speaker 1: engaging in fornication with mister Smalett. In addition, they're saying
• 1:21:42
  Speaker 1: that they were falsely accused of wearing white face during
• 1:21:45
  Speaker 1: the attack and also that they were involved in an
• 1:21:48
  Speaker 1: illegal Nigerian steroid trafficking ring. So they're saying it's all defamation.
• 1:21:52
  Speaker 1: From example, when you tell one lie, you have to
• 1:21:54
  Speaker 1: keep telling a million lies to cover up their first lie.
• 1:21:56
  Speaker 1: In the bad part for the lawyers, I mean, all
• 1:21:58
  Speaker 1: they're doing is going off the infamation that Jesse Smuller
• 1:22:01
  Speaker 1: gave them. Now, according to this lawsuit, the brothers are
• 1:22:03
  Speaker 1: saying that they didn't think Jesse would go to the cops.
• 1:22:05
  Speaker 1: They thought he was just staging the attack, just for
• 1:22:08
  Speaker 1: social media, and because of that, they are now suffering
• 1:22:11
  Speaker 1: extreme emotional distress, humiliation, anxiety, damages to the reputation. They're
• 1:22:15
  Speaker 1: having a hard time finding any work at all, both
• 1:22:17
  Speaker 1: as actors and as personal trainers. So that's both sides
• 1:22:22
  Speaker 1: of that. Now, I don't think it's going to work.
• 1:22:23
  Speaker 1: And if it was trying to sue a lay though,
• 1:22:25
  Speaker 1: because if you're trying to because the lawyer can just
• 1:22:27
  Speaker 1: drag this out forever. It's not like the lawyer gotta
• 1:22:30
  Speaker 1: pay anybody to representative. Is lawyer gonna drag this without
• 1:22:33
  Speaker 1: all right? And Diddy and his daughters are on the
• 1:22:35
  Speaker 1: cover of Essence magazine in that beautiful picture. Delilah, Jesse
• 1:22:39
  Speaker 1: and Chance are his daughters. He has the twins with
• 1:22:41
  Speaker 1: kim Porter. They are twelve years old, and his daughter
• 1:22:43
  Speaker 1: Chance Combs, who is also twelve years old with stylish
• 1:22:46
  Speaker 1: Sarah Chapman. Now he's in Essence magazine and he's talking
• 1:22:50
  Speaker 1: about having to jump into mommy mode once kim Porter
• 1:22:52
  Speaker 1: passed away. They also have a son together, Christian Combs,
• 1:22:55
  Speaker 1: and they have a very blended family, which they always
• 1:22:58
  Speaker 1: did talk about and they were very embracing of that.
• 1:23:02
  Speaker 1: He told Dreamhampton in the interview, she was unforgettable. That
• 1:23:06
  Speaker 1: day turned my world upside down. Three days before she passed,
• 1:23:09
  Speaker 1: she wasn't feeling well. She had the flu, and she
• 1:23:11
  Speaker 1: sent the kids over to my house so they wouldn't
• 1:23:13
  Speaker 1: get sick. One night, I was checking on her and
• 1:23:15
  Speaker 1: she was like, Puffy, take care of my babies. She
• 1:23:18
  Speaker 1: actually said that to me before she died. So that's
• 1:23:21
  Speaker 1: an entire article that you could read in the May
• 1:23:23
  Speaker 1: issue of Essence magazine, and that's going to be available
• 1:23:26
  Speaker 1: on Friday if you want to check out that entire article.
• 1:23:28
  Speaker 1: And it is you know, Mother's Day month. So that's
• 1:23:32
  Speaker 1: a perfect story. All right, I'm angela yea, And that
• 1:23:36
  Speaker 1: is your rumor report. No, hey fam, right unless you
• 1:23:39
  Speaker 1: want it? No, hey fam? No okay, all right, well
• 1:23:43
  Speaker 1: again Revolt is out this week. They'll be back I
• 1:23:45
  Speaker 1: think next week, right, they be back next day. We
• 1:23:48
  Speaker 1: don't know unless you need some money. You know what
• 1:23:49
  Speaker 1: I'm saying that that that covers you that they didn't
• 1:23:51
  Speaker 1: had an Essence was fire. Look like the clothes cost
• 1:23:54
  Speaker 1: a lot of money. He's saying. The budgets big, you know.
• 1:23:57
  Speaker 1: I all I want. All I will say is whenever
• 1:23:59
  Speaker 1: Revote is off, did he does something really major? Okay? Okay,
• 1:24:03
  Speaker 1: this essence covers just yet another example of that. Could
• 1:24:06
  Speaker 1: that money go somewhere? They got to Revote music conference
• 1:24:09
  Speaker 1: coming up. I think they have two d everyone in
• 1:24:11
  Speaker 1: the Atlanta and one in La Right, that's why they
• 1:24:14
  Speaker 1: take in July, so they might got to get that money.
• 1:24:17
  Speaker 1: Now this makes sense? Okay, all right, all right, well
• 1:24:20
  Speaker 1: the People's Choice mixes up next, get your re question,
• 1:24:22
  Speaker 1: and then after that the don't keet to day, so
• 1:24:24
  Speaker 1: don't move. It's to Breakfast Club. Good morning. I want
• 1:24:26
  Speaker 1: to get everybody. It's DJ mvy angela Ye, Charlomagne, the guy.
• 1:24:29
  Speaker 1: We all the breakfast clubs. Shout to the Dungeon Family
• 1:24:32
  Speaker 1: again our DJ. Then New York City stop. Shout to
• 1:24:36
  Speaker 1: uh Goodie Mob. Shout the Big Boy. They killed it.
• 1:24:39
  Speaker 1: You know, you forget how many hits they had. They
• 1:24:41
  Speaker 1: were on stage for over two hours yesterday. Well I
• 1:24:43
  Speaker 1: don't forget how many hits they had because I grew
• 1:24:45
  Speaker 1: up off Dungeon Family. I still listen to the Dungeon
• 1:24:47
  Speaker 1: Family religiously. Soul Food is one of the greatest hip
• 1:24:50
  Speaker 1: hop albums ever recorded, and that is a factual statement, right, Okay,
• 1:24:55
  Speaker 1: what's Coolbrey's there? Yes, they did watch for the hook
• 1:24:58
  Speaker 1: and all that. Oh wow, okay, well I was at
• 1:25:01
  Speaker 1: there too. I was at the seventy six ers Nets
• 1:25:05
  Speaker 1: game in Philly. Yeah I was. I was invited, but
• 1:25:07
  Speaker 1: I had to do the Dungeon family. Shout to Michael
• 1:25:09
  Speaker 1: Ruben for inviting us. Yeah, your seats were next to
• 1:25:10
  Speaker 1: me empty. Oh sorry, Michael ran big game though. I
• 1:25:14
  Speaker 1: hope though, I hope we can still go to the
• 1:25:15
  Speaker 1: game next week. Oh, I mean Brooklyn's out of it,
• 1:25:18
  Speaker 1: so I don't even have a reason. But I do
• 1:25:20
  Speaker 1: want to thank Michael Ruben for that. That was dope,
• 1:25:21
  Speaker 1: and shout out to our Brooklyn Nets. We had a
• 1:25:23
  Speaker 1: great season this season. I feel really confident about the
• 1:25:26
  Speaker 1: next season. After you feel confident about just then would
• 1:25:30
  Speaker 1: do well again? Okay, always be improving, you know. So
• 1:25:33
  Speaker 1: shout out to everybody from the Brooklyn Nets organization as well.
• 1:25:36
  Speaker 1: I saw Brett was out there at the game. I've
• 1:25:38
  Speaker 1: seen who else? Did I to my guy in Mike Zies,
• 1:25:43
  Speaker 1: No spank was there though, okay. Group of the Philadelphia
• 1:25:48
  Speaker 1: seventy six a fan, well, I guess when the Hawks
• 1:25:51
  Speaker 1: aren't in the playoffs. Yeah, I was like, really, I wouldn't.
• 1:25:53
  Speaker 1: He said he was Michael Rubens, Well, MIKEA. Rubbins tries
• 1:25:56
  Speaker 1: to get everyone to say that I have I do
• 1:25:58
  Speaker 1: have on my seventy six ers jersey. You take a picture.
• 1:26:02
  Speaker 1: He didn't say I had to take take a picture.
• 1:26:04
  Speaker 1: He didn't. We never specified that he just had to
• 1:26:05
  Speaker 1: wear it all day. Can't wear jack. And he didn't
• 1:26:07
  Speaker 1: know that Revolt was off this week. I'm gonna take
• 1:26:09
  Speaker 1: a picture for And also we gotta thank Lee Daniels
• 1:26:12
  Speaker 1: for joining us. You want to thank Lee Drum, salute
• 1:26:14
  Speaker 1: my man. Lee Daniels saluted Jordani Cooper for coming through.
• 1:26:17
  Speaker 1: They have a playout call, Ain't no Mode, Ain't no mo.
• 1:26:20
  Speaker 1: And you know what's so crazy, dramas all bought up.
• 1:26:23
  Speaker 1: He sitched by envy. He's got a beard, he looks
• 1:26:26
  Speaker 1: like Dan Ruth him and Lee Daniels asked me about him.
• 1:26:29
  Speaker 1: You know what I'm saying, And you know, dramas acting
• 1:26:31
  Speaker 1: funny all of a sudden, you don't want me to
• 1:26:32
  Speaker 1: pass the plug. You might end up on stars Drum.
• 1:26:35
  Speaker 1: You don't want that plug, alright, alright, so okay, all right, Lee,
• 1:26:40
  Speaker 1: I'm gonna pass you drums and for what I'm saying,
• 1:26:44
  Speaker 1: clear your message has been received, Lee, drum, you got
• 1:26:47
  Speaker 1: the message. Something wrong with drum. Just leave that door,
• 1:26:53
  Speaker 1: leave that door open. Oh mission, blessing drum meaning that's
• 1:26:58
  Speaker 1: Jesse smelects. All right, the next Jordan Cooper, Okay, the
• 1:27:03
  Speaker 1: next yea, yeah, yeah, yes, all right, Well we come back,
• 1:27:12
  Speaker 1: come back positive notice to Breakfast Club. Come morning morning.
• 1:27:16
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We
• 1:27:20
  Speaker 1: are the Breakfast Club. All I want for Christmas is
• 1:27:23
  Speaker 1: for my Instagram spam that just never ever ever come back. Bro,
• 1:27:27
  Speaker 1: Like I can tell you what to do now. It
• 1:27:29
  Speaker 1: don't work, man, I'm telling you that's all I get.
• 1:27:34
  Speaker 1: Are we going to ignore the fact that I have
• 1:27:35
  Speaker 1: got a huge booty and ask don't look at my story.
• 1:27:38
  Speaker 1: If you're forced to see, then you will be masturbated. Block,
• 1:27:40
  Speaker 1: don't make it my story. If you don't want to masturbate,
• 1:27:42
  Speaker 1: block masturbate, You'll never see that again. I wish you
• 1:27:45
  Speaker 1: would have interrupted that, because we need that whole quote.
• 1:27:47
  Speaker 1: I'm sorry everybody gets these Instagram spam. This is disgusting
• 1:27:51
  Speaker 1: and the way it's so sexual that you call an
• 1:27:53
  Speaker 1: Instagram sperm instead of spam. There's a bunch of sperm
• 1:27:56
  Speaker 1: on your timeline you want, have you? Nope, he did.
• 1:28:01
  Speaker 1: I'm sure if you block the certain words, I'll never
• 1:28:03
  Speaker 1: come up and don't come up with mine. But anyway,
• 1:28:05
  Speaker 1: give us leave us on the positive. I block uh
• 1:28:08
  Speaker 1: certain words from these comments. I'll never get yours. You
• 1:28:11
  Speaker 1: know what I mean? Envy? No, I don't. H Okay,
• 1:28:15
  Speaker 1: you guys have each other's numbers. It's not as fun.
• 1:28:18
  Speaker 1: It's that's fun. It's not as fun when they When
• 1:28:20
  Speaker 1: he texted me for real, it gets too real. Then
• 1:28:24
  Speaker 1: the positive note he simply this embrace uncertainty. Some of
• 1:28:28
  Speaker 1: the most beautiful chapters in our lives won't have titles
• 1:28:31
  Speaker 1: until much later. Breakfast pub you'll finish it, y'all dumb