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Lux Radio Theatre - "Mister Lucky" (Old Time Radio, 1943) · Lux Radio Theater | Old Time Radio

• 0:00
  Speaker 1: Joe Adams is preparing to open his gambling ship when
• 0:03
  Speaker 1: a wartime charity effort offers an opportunity he cannot ignore.
• 0:08
  Speaker 1: On October 18th, 1943, Lux Radio Theater brought Cary Grant
• 0:13
  Speaker 1: and Lorraine Day back to their film roles in Mr. Lucky,
• 0:17
  Speaker 1: episode 410. Grant is Joe, the gambler whose plans bring
• 0:22
  Speaker 1: him into the orbit of Dorothy Bryant, played by Day,
• 0:25
  Speaker 1: a young woman connected with the relief organization. Adapted from
• 0:30
  Speaker 1: the 1943 RKO picture, the story moves between New York's
• 0:34
  Speaker 1: waterfront and the world of charity society as Joe's double
• 0:38
  Speaker 1: life becomes increasingly complicated. We now take you back to
• 0:43
  Speaker 1: the original broadcast.
• 0:46
  Speaker 2: Radio Theater brings you Cary Grant.
• 0:49
  Speaker 3: And Lorraine Day in Mr.
• 0:51
  Speaker 4: Lucky.
• 0:52
  Speaker 2: Ladies and gentlemen, your producer, Mr. Cecil B. DeMille.
• 1:02
  Speaker 5: Greetings from Hollywood, ladies and gentlemen. The zest and enthusiasm
• 1:06
  Speaker 5: that Cary Grant puts into every performance must convince the
• 1:09
  Speaker 5: most hardened cynic that Cary loves his work. He loved
• 1:14
  Speaker 5: it enough to run away from school at the age
• 1:16
  Speaker 5: of 13 to join a troupe of acrobats. He loved
• 1:20
  Speaker 5: it at 15 when he was a knockabout comedian in Vaudeville.
• 1:23
  Speaker 5: And my guess is that he tried to give just
• 1:25
  Speaker 5: as good a performance then as in these latter days
• 1:29
  Speaker 5: when everybody looks forward... to a new Cary Grant picture
• 1:33
  Speaker 5: as an occasion for celebration. The latest case in point
• 1:37
  Speaker 5: is the RKO hit, Mr.
• 1:39
  Speaker 3: Lucky.
• 1:41
  Speaker 5: And starring with Cary and Mr. Lucky tonight is Lorraine Day,
• 1:45
  Speaker 5: one of the screen's really brilliant young actresses. In fact,
• 1:49
  Speaker 5: after seeing her work in Mr. Lucky, I picked her
• 1:52
  Speaker 5: for the leading feminine role in the story of Dr.
• 1:55
  Speaker 5: Wassil with Gary Cooper. Tonight's play has many surprise twists
• 2:01
  Speaker 5: On the screen, Mr. Lucky made a killing, as he
• 2:04
  Speaker 5: himself would put it. Or, in plainer English, the picture
• 2:08
  Speaker 5: hit the jackpot, drew the moolah at the box office.
• 2:13
  Speaker 5: And that's never a matter of just being lucky. The
• 2:16
  Speaker 5: producer of a play, a picture, or a radio drama
• 2:19
  Speaker 5: like these that Lux Flakes bring you on Monday evenings
• 2:23
  Speaker 5: can't trust a luck. He's got to rely on hard work,
• 2:26
  Speaker 5: careful planning, and casting. And in these days, I'm sure
• 2:30
  Speaker 5: the housewife is very sympathetic with that point of view.
• 2:33
  Speaker 5: Shortage of manpower has caused a shortage of many other things,
• 2:37
  Speaker 5: and so in most homes, things must be made to
• 2:40
  Speaker 5: last longer than ever. The housewife who's had the wisdom
• 2:44
  Speaker 5: to use Lux Flakes is certainly Mrs.
• 2:46
  Speaker 3: Lucky.
• 2:47
  Speaker 5: And now the curtain for Mr. Lucky, and the first act,
• 2:51
  Speaker 5: starring Cary Grant as Joe and Lorraine Day as Dorothy,
• 2:55
  Speaker 5: with Arthur Hole as Swede. The night fog hangs low
• 3:07
  Speaker 5: over New York's waterfront. At the end of a long pier,
• 3:11
  Speaker 5: a girl paces slowly back and forth, stopping at intervals
• 3:15
  Speaker 5: to gaze out toward the sea. From the shadows of
• 3:18
  Speaker 5: a dark building, a watchman peers at her suspiciously. Then
• 3:23
  Speaker 5: with a sudden movement, he begins to walk quickly toward
• 3:25
  Speaker 5: the girl.
• 3:27
  Speaker 2: Hey, you there!
• 3:28
  Speaker 3: Take it easy, brother. I wouldn't bother her if I
• 3:31
  Speaker 3: were you.
• 3:32
  Speaker 6: Oh, wouldn't you?
• 3:33
  Speaker 3: Well, thanks for the advice.
• 3:34
  Speaker 2: But how do I know she ain't gonna jump?
• 3:35
  Speaker 5: She's all right. She's not going to do anything. She's
• 3:38
  Speaker 5: just going to stand there and look out to sea.
• 3:41
  Speaker 4: She ain't got no right out there without a pass.
• 3:43
  Speaker 3: Brother, she could have a pass to the White House
• 3:45
  Speaker 3: if she wanted it. She's a somebody. Speaking of passes,
• 3:49
  Speaker 3: where's yours? Oh, you're new here, aren't you? Take a look. Oh,
• 3:54
  Speaker 3: ship's master, huh? You see? I told you she was
• 3:57
  Speaker 3: all right. She's just standing there.
• 3:59
  Speaker 2: What's she gonna do now?
• 4:00
  Speaker 3: She's watching for a ship to come in. Only it's
• 4:03
  Speaker 3: sitting at the bottom of the Atlantic.
• 4:05
  Speaker 6: What ship is that?
• 4:06
  Speaker 3: Used to be called the Fortuna. Oh, yeah, that gambling ship.
• 4:10
  Speaker 3: She used to be sitting right here at this dock once.
• 4:12
  Speaker 3: That's right. She was owned by a boss gambler called
• 4:15
  Speaker 3: Joe the Greek. You ever hear of him? Oh, sure
• 4:18
  Speaker 3: I did.
• 4:19
  Speaker 2: Did you know him?
• 4:19
  Speaker 3: Yeah, I was master of the Fortuna. Say, tell me,
• 4:23
  Speaker 3: was he really a Greek gambler? Nobody ever knew what
• 4:26
  Speaker 3: he was except tough and too smart for his own good.
• 4:31
  Speaker 2: Crossed you up, huh?
• 4:32
  Speaker 3: No, he crossed himself up. How? That girl there. Right
• 4:37
  Speaker 3: here on this pier was the last time she ever
• 4:39
  Speaker 3: saw him. When was that? Back a ways when we
• 4:41
  Speaker 3: had the Fortuna tied up here. We weren't operating then.
• 4:45
  Speaker 3: We were broke and full of trouble. One day, that
• 4:49
  Speaker 3: was in October 1941... You see, we'd been driven off
• 4:53
  Speaker 3: the West Coast by the law and put in here
• 4:56
  Speaker 3: to raise a bankroll so we could operate in Havana.
• 4:59
  Speaker 3: Joe was kind of up against it. Little Greek sailor
• 5:02
  Speaker 3: we had aboard, a guy named Baskopoulos, was pretty sick.
• 5:07
  Speaker 3: Joe came waltzing up the gangplank with his face full
• 5:10
  Speaker 3: of fine and dandy and his heart full of ice water.
• 5:13
  Speaker 2: Hiya, sweet, how's Baskopoulos?
• 5:17
  Speaker 3: Looks like he's going to join Bonham and Bailey, Joe.
• 5:19
  Speaker 2: Yeah, what'd the doc say?
• 5:21
  Speaker 3: Well, according to the doc, he's already gone. Uh-huh. He
• 5:24
  Speaker 3: said he wouldn't last over an hour, two hours ago.
• 5:27
  Speaker 3: All gone inside. Say, how'd it go uptown today? Well, thanks, sweet.
• 5:31
  Speaker 2: I got the plaster taken off the boat. We can
• 5:33
  Speaker 2: sail at any time. Good.
• 5:34
  Speaker 3: You know, those mugs of yours are getting kind of restless.
• 5:37
  Speaker 2: Oh, yeah? Well, let me know when Baskopolis goes. I'll
• 5:40
  Speaker 2: be in the gambling room.
• 5:41
  Speaker 7: Right.
• 5:46
  Speaker 8: Hey, fellas, here's Joe.
• 5:48
  Speaker 2: Hello, boys. Well, anything happen today, Joe? Landy, boys, I
• 5:51
  Speaker 2: got it.
• 5:52
  Speaker 7: Yeah?
• 5:52
  Speaker 9: You mean the boat's released?
• 5:53
  Speaker 2: Cost me 10 grand, but it was worth it. Look
• 5:55
  Speaker 2: at that. Signed by His Honor, the Superior Court Judge.
• 5:57
  Speaker 2: It took seven lawyers to write it up legal and
• 5:59
  Speaker 2: Joe to do the fixing. Here, Zep, put it in
• 6:02
  Speaker 2: the safe. Boys, we're sailing for Havana since Vescapolis kicks off.
• 6:06
  Speaker 10: Forget it, Joe.
• 6:07
  Speaker 6: This ship ain't going nowhere.
• 6:08
  Speaker 3: Huh?
• 6:09
  Speaker 2: Who says so?
• 6:10
  Speaker 6: Your Uncle Sam.
• 6:12
  Speaker 2: What is this, Zep, a rib?
• 6:13
  Speaker 6: Yeah, take a gander at these little postcards. They arrived
• 6:16
  Speaker 6: this morning.
• 6:17
  Speaker 2: Oh, yeah?
• 6:18
  Speaker 4: Hmm.
• 6:19
  Speaker 2: James Baskopoulos, G. Zepp, Joe Adams. Oh, it's me. Hey,
• 6:24
  Speaker 2: what is this thing?
• 6:25
  Speaker 6: From your draft board, Joe. You've been classified.
• 6:29
  Speaker 11: 1A?
• 6:29
  Speaker 2: They can't do this to me. I'm a civilian.
• 6:34
  Speaker 6: That's what you think. Take a look at mine. I
• 6:36
  Speaker 6: got the same thing. They don't even give you time
• 6:38
  Speaker 6: to cut off a leg.
• 6:39
  Speaker 2: Listen, this isn't my war. I had my war. Crawling
• 6:42
  Speaker 2: out of the gutter the hard way. I won that one.
• 6:44
  Speaker 2: I don't recognize any other war.
• 6:46
  Speaker 6: Ah, it's okay, Joe.
• 6:47
  Speaker 3: Don't worry.
• 6:47
  Speaker 2: I got it all fixed.
• 6:48
  Speaker 9: Yeah?
• 6:49
  Speaker 2: Well, go on, Crunk.
• 6:50
  Speaker 6: Well, we can hop a plane out of here for
• 6:51
  Speaker 6: Mexico City in two hours.
• 6:52
  Speaker 2: What?
• 6:53
  Speaker 7: Yeah.
• 6:53
  Speaker 6: From there, we catch a plane for real.
• 6:55
  Speaker 2: Oh.
• 6:55
  Speaker 4: You can wake South America till this soldier business blows over.
• 6:58
  Speaker 3: Oh, yeah, sure.
• 6:59
  Speaker 2: Take it easy, Crunk. You think I'm going to give
• 7:01
  Speaker 2: up the boat on account of this card? None of
• 7:03
  Speaker 2: you other guys got one, huh?
• 7:04
  Speaker 6: Just you and me and Biscopolis.
• 7:07
  Speaker 3: Oh. Now, where's Biscopolis' car?
• 7:09
  Speaker 2: What'd he get?
• 7:09
  Speaker 3: Hmm. 4F. What's that?
• 7:13
  Speaker 6: Means they don't want him. He's physically unfit. They're lucky
• 7:15
  Speaker 6: he's stiff.
• 7:16
  Speaker 2: Yeah, he's physically unfit, all right.
• 7:18
  Speaker 3: Hmm. He's just about dead. Or is he?
• 7:23
  Speaker 2: Oh.
• 7:23
  Speaker 6: You mean, uh... Yeah, I get it. All right, boys,
• 7:27
  Speaker 6: get lost. Joe and me want to talk.
• 7:29
  Speaker 3: All right, come on. J.
• 7:33
  Speaker 2: Biscopolis, 4S.
• 7:35
  Speaker 6: One of us is out of the army, Joe.
• 7:37
  Speaker 2: Yeah? Who declared you in?
• 7:39
  Speaker 6: Well, we're partners, ain't we? That's a 50-50 proposition in
• 7:42
  Speaker 6: my book.
• 7:43
  Speaker 2: What do you want, half the card?
• 7:44
  Speaker 6: I'll trade you my half the boat for the card, Joe.
• 7:47
  Speaker 2: How good would the boat do me in the army?
• 7:48
  Speaker 2: The one that gets the card gets the boat along
• 7:50
  Speaker 2: with it.
• 7:51
  Speaker 6: Who gets it, Joe?
• 7:52
  Speaker 2: You want a cut for it? No.
• 7:54
  Speaker 6: Poker dice.
• 7:55
  Speaker 2: All right, you got a deal.
• 7:56
  Speaker 6: I'll get the dice.
• 7:57
  Speaker 2: Wait a minute. Can't you wait and make the thing legal?
• 7:59
  Speaker 6: What's wrong with poker dice?
• 8:01
  Speaker 2: Not a thing, only the guy ain't dead yet. I
• 8:03
  Speaker 2: never took anything off a pal in my life. After
• 8:05
  Speaker 2: he joins the circus, well, that's different. Come on in, Crunk.
• 8:18
  Speaker 2: Is the doctor still here?
• 8:19
  Speaker 6: Yeah, it's all over, Joe.
• 8:20
  Speaker 4: Foscopolis just kicked off.
• 8:22
  Speaker 3: Okay.
• 8:24
  Speaker 2: Here's the dice. Take your best shot, Zep. Right.
• 8:27
  Speaker 6: The winner gets the draft card.
• 8:29
  Speaker 2: And the boat. Shoot him.
• 8:31
  Speaker 3: Hey, hey, hey.
• 8:32
  Speaker 2: Come on. Keep your hands above the table, Zep.
• 8:35
  Speaker 6: What do you mean, Joe?
• 8:36
  Speaker 2: Roll him.
• 8:37
  Speaker 3: Oh, sure, Joe.
• 8:39
  Speaker 2: Three kings.
• 8:40
  Speaker 6: Three kings. It's up to you, Joe.
• 8:44
  Speaker 2: Yeah. Nice rolling, Zep. But this ain't amateur night.
• 8:48
  Speaker 6: I don't get you.
• 8:49
  Speaker 2: And Jim, didn't you see an elephant walk across the
• 8:52
  Speaker 2: table with muddy feet?
• 8:54
  Speaker 6: I didn't play the switch on you, Joe.
• 8:56
  Speaker 2: Didn't you? Then blow on them for luck. Go on, blow.
• 9:00
  Speaker 3: Okay, sure.
• 9:01
  Speaker 2: That's right.
• 9:03
  Speaker 6: I wouldn't shove around my own partner.
• 9:05
  Speaker 2: Sure you wouldn't. Three kings to beat, huh?
• 9:08
  Speaker 6: Yeah, that's it.
• 9:10
  Speaker 3: Okay.
• 9:11
  Speaker 6: Holy smoke!
• 9:13
  Speaker 2: Read them, Zep. What do you say?
• 9:15
  Speaker 11: Three aces.
• 9:17
  Speaker 3: Yeah.
• 9:18
  Speaker 2: Well, Zep, take good care of yourself. I'll have a
• 9:20
  Speaker 2: nice big service flag hung up with a single star
• 9:23
  Speaker 2: on it, just for you.
• 9:34
  Speaker 3: Well, that's the way Joe Adams got to be Joe Biscopolis.
• 9:38
  Speaker 3: That afternoon, he went uptown again with Crunk to raise $ 50, 000.
• 9:43
  Speaker 3: We needed that much dough so we could sail.
• 9:45
  Speaker 8: Well, how about it, Joe?
• 9:49
  Speaker 4: Did you raise the wind?
• 9:50
  Speaker 2: Raise the wind? I couldn't even raise a good cough.
• 9:53
  Speaker 2: I don't know what's happened to this town.
• 9:54
  Speaker 4: What about all them soft touches, you know?
• 9:56
  Speaker 2: Ah, the heat's on. They either got caught in a
• 9:58
  Speaker 2: draft or went square and paid their income taxes. Income taxes.
• 10:02
  Speaker 2: Looks like our luck is out. Hey, boss, look. Look
• 10:05
  Speaker 2: at what?
• 10:06
  Speaker 9: That car parked there.
• 10:07
  Speaker 2: What about it?
• 10:07
  Speaker 11: Look at the license.
• 10:09
  Speaker 3: 7L7777. Five sevens, five naturals.
• 10:12
  Speaker 4: Oh, this is going to change your.
• 10:13
  Speaker 6: Luck, boss.
• 10:14
  Speaker 2: Come on, come on, get in. No, you get in.
• 10:15
  Speaker 2: I'll wait here. What?
• 10:17
  Speaker 6: Boss, you know it's no good if.
• 10:18
  Speaker 4: We both don't get in together.
• 10:19
  Speaker 3: What's the matter?
• 10:19
  Speaker 6: You trying to jinx it or something? Come on. Oh, okay.
• 10:23
  Speaker 3: I beg your pardon, sir.
• 10:24
  Speaker 2: That's okay, bud. We just want to sit in the
• 10:26
  Speaker 2: back for a second.
• 10:27
  Speaker 8: But the lady I drive for.
• 10:28
  Speaker 2: It won't hurt anything. Now, sit down, Crunk.
• 10:30
  Speaker 6: Oh, boy. Five natural.
• 10:32
  Speaker 12: Please, sir.
• 10:32
  Speaker 2: The lady... Yeah, yeah. Take it easy. Is that long enough, Crunk? Yeah.
• 10:36
  Speaker 3: Yeah, I guess so.
• 10:36
  Speaker 2: Well, get out. This guy's getting nervous.
• 10:38
  Speaker 9: Howard, we'll go right back to... Oh.
• 10:41
  Speaker 2: Oh.
• 10:42
  Speaker 3: Sorry.
• 10:43
  Speaker 6: Miss Bryant, these gentlemen just opened the door and sat down.
• 10:45
  Speaker 13: I don't know.
• 10:46
  Speaker 9: It's all right, Howard. How do you do?
• 10:48
  Speaker 2: Hmm. How do you do?
• 10:51
  Speaker 9: Can I sell you a ticket to our charity ball?
• 10:53
  Speaker 3: Oh, sure.
• 10:53
  Speaker 9: One or two?
• 10:55
  Speaker 2: Two.
• 10:56
  Speaker 9: Here you are. They're $ 50 a piece.
• 10:58
  Speaker 2: Oh, just a.
• 11:01
  Speaker 2: Cheap affair, isn't it?
• 11:03
  Speaker 9: Not exactly. But we're trying to raise $ 100, 000. Are you now?
• 11:07
  Speaker 2: Well, that's a coincidence.
• 11:08
  Speaker 8: Yeah, what's it for, sister?
• 11:09
  Speaker 9: War Relief Incorporated.
• 11:11
  Speaker 2: Hmm, I'm interested in relief. Where are your headquarters?
• 11:15
  Speaker 9: The address is on the ticket.
• 11:16
  Speaker 3: I see.
• 11:16
  Speaker 2: Now, here, you keep the tickets. I'll look you up.
• 11:19
  Speaker 2: As a matter of fact, I may throw something your way.
• 11:22
  Speaker 9: Thank you.
• 11:30
  Speaker 13: I beg your pardon, but did you say you wanted
• 11:33
  Speaker 13: to contribute $ 70 to our war relief, or was it $ 700?
• 11:37
  Speaker 2: Neither. I said $ 70, 000.
• 11:40
  Speaker 13: Yes, I thought.
• 11:41
  Speaker 9: Well, do sit down.
• 11:43
  Speaker 14: Do, mister.
• 11:44
  Speaker 13: I don't believe I got your name.
• 11:46
  Speaker 3: Joe.
• 11:46
  Speaker 2: How are you? Joe.
• 11:49
  Speaker 9: Oh, oh, Mr. Joseph.
• 11:51
  Speaker 13: Well, you couldn't have come at a more timely moment.
• 11:53
  Speaker 13: You know, we have to send a whole shipload of
• 11:55
  Speaker 13: medical supplies to Europe. I do hope you want to
• 11:58
  Speaker 13: make your donation in cash.
• 12:00
  Speaker 2: I always do business in cash.
• 12:01
  Speaker 9: Oh, that's splendid.
• 12:03
  Speaker 2: You'll have to help me, though. Oh, of course. Well,
• 12:05
  Speaker 2: you see, I'm a boss gambler.
• 12:06
  Speaker 3: That's my business.
• 12:07
  Speaker 13: Oh, we never inquire into one's association.
• 12:09
  Speaker 2: Now, now, this charity affair of yours, that's made to order.
• 12:12
  Speaker 2: All you have to do is give me the gambling concessions.
• 12:15
  Speaker 11: Gambling?
• 12:16
  Speaker 2: Sure, blackjack, chuckaluck, roulette. I'll raise the dough for you
• 12:19
  Speaker 2: in one evening.
• 12:20
  Speaker 9: I don't have a stand.
• 12:21
  Speaker 2: Well, it's simple. You're given a ball, we take rooms
• 12:23
  Speaker 2: next to it. All you have to do is steer
• 12:25
  Speaker 2: the customers in. I supply the dealers, the tables, the layout.
• 12:28
  Speaker 2: All you have to do is sit back, rake in
• 12:30
  Speaker 2: the winnings.
• 12:31
  Speaker 13: But are there always winnings?
• 12:33
  Speaker 9: Suppose you lose.
• 12:34
  Speaker 3: We can't.
• 12:35
  Speaker 2: Now look, I'll show you what I mean. Here's the dice.
• 12:37
  Speaker 2: You roll them, you're the customer.
• 12:39
  Speaker 9: Shall I?
• 12:40
  Speaker 2: Sure, go on, roll them.
• 12:42
  Speaker 3: There you see?
• 12:43
  Speaker 2: Snake eyes. You lose. Now, what's the difference? Seven. I win. See?
• 12:48
  Speaker 3: I'm lucky.
• 12:49
  Speaker 2: I can't lose. Well. I'll do it again. This time
• 12:52
  Speaker 2: I'll make a dump shot.
• 12:53
  Speaker 6: A what?
• 12:54
  Speaker 2: Dump shot. Oh. Hand me the glass.
• 12:56
  Speaker 6: Now, watch.
• 12:59
  Speaker 2: Say seven.
• 13:00
  Speaker 9: How do you do it?
• 13:01
  Speaker 3: Influence.
• 13:04
  Speaker 2: Look, you bring me the right people, I'll get you
• 13:06
  Speaker 2: that $ 100, 000.
• 13:07
  Speaker 9: But it's gambling.
• 13:08
  Speaker 2: Not the way I do it.
• 13:09
  Speaker 9: It so happens that gambling is against the law in
• 13:11
  Speaker 9: this country.
• 13:12
  Speaker 2: Oh, hello, you.
• 13:14
  Speaker 15: Oh, Dorothy, this is Mr. Joseph, my lieutenant, Miss Bryant.
• 13:18
  Speaker 15: I've already had the pleasure. It so happens, Mr. Joseph,
• 13:21
  Speaker 15: that we have a committee of financial advisors. Strange, they've
• 13:25
  Speaker 15: never hit upon your plan, if it's so sound.
• 13:27
  Speaker 2: Well, not everyone can do it, Lieutenant. It's sort of... Dangerous?
• 13:32
  Speaker 9: That's what I mean.
• 13:33
  Speaker 13: Oh, I'm afraid Miss Bryant's right. Perhaps if you send
• 13:37
  Speaker 13: us a letter explaining your plan in detail.
• 13:39
  Speaker 9: Yes, and we'll be glad to take it up at
• 13:40
  Speaker 9: our next meeting.
• 13:41
  Speaker 2: But you're in a hurry for this, though. You can't
• 13:43
  Speaker 2: afford to wait for meetings.
• 13:43
  Speaker 9: Well, we can't afford to sponsor something we might later regret.
• 13:46
  Speaker 2: Hey, now, wait.
• 13:48
  Speaker 16: Dorothy, don't forget your appointment at the bank.
• 13:50
  Speaker 9: Oh, all right. Thanks. Goodbye, Mr.
• 13:53
  Speaker 3: Joseph.
• 13:54
  Speaker 9: I'm sorry, Mr.
• 13:55
  Speaker 3: Joseph.
• 13:56
  Speaker 2: Uh, hey, look. What bank is she going to?
• 13:59
  Speaker 13: Why, it's at 31 East 39th.
• 14:02
  Speaker 3: Oh, thanks, Dutch.
• 14:12
  Speaker 8: Listen, boss, this ain't no bank.
• 14:14
  Speaker 2: This is a blood bank. What's the difference? Where's the girl?
• 14:17
  Speaker 2: But they take away your blood here.
• 14:18
  Speaker 6: You want to lose your blood? Quiet, Crunk.
• 14:20
  Speaker 2: Yes, please.
• 14:21
  Speaker 9: Good afternoon.
• 14:22
  Speaker 12: Hello, Mr.
• 14:22
  Speaker 9: Bryan. This is your third visit, isn't it?
• 14:24
  Speaker 3: Yes.
• 14:24
  Speaker 9: We'll have your silver button waiting for you as soon
• 14:26
  Speaker 9: as you're through. Thank you. Sit right over there, please.
• 14:30
  Speaker 2: Well, hello.
• 14:32
  Speaker 9: Hello.
• 14:33
  Speaker 2: Well, well, this is quite a surprise.
• 14:35
  Speaker 9: Not particularly. It so happens I rather expected it. And
• 14:38
  Speaker 9: if you think your persistence is going to have any
• 14:40
  Speaker 9: effect on me, you're mistaken.
• 14:42
  Speaker 2: Well, now, I can't see how you people can pass
• 14:46
  Speaker 2: up $ 100, 000 for the cause.
• 14:48
  Speaker 9: For whose cause? If you're so interested in serving the cause,
• 14:53
  Speaker 9: why don't you join the army?
• 14:54
  Speaker 2: Oh, well, I'm 4F.
• 14:55
  Speaker 9: You look 1A to me.
• 14:57
  Speaker 2: Oh, you don't look so bad yourself. I know. Well,
• 15:00
  Speaker 2: you see, it's just my arteries are 4F. See? There's
• 15:03
  Speaker 2: the card. See?
• 15:05
  Speaker 9: Biscopolis? J. Biscopolis?
• 15:06
  Speaker 3: That's right, Biscopolis.
• 15:08
  Speaker 9: I thought you said your name was Joseph.
• 15:10
  Speaker 2: Well, if a fellow went around calling himself Biscopolis, think
• 15:13
  Speaker 2: what the other people would call him. Next. Look, why
• 15:19
  Speaker 2: didn't you let me finish when I was trying to
• 15:21
  Speaker 2: tell that lady at the war charities?
• 15:22
  Speaker 9: It so happens that I don't trust your motives.
• 15:24
  Speaker 2: Oh, that's great. Here I am giving my life's blood
• 15:27
  Speaker 2: and you don't trust my motives.
• 15:28
  Speaker 9: The person who gets your life's blood will probably develop
• 15:31
  Speaker 9: a sudden passion for the dump shop.
• 15:33
  Speaker 2: Yeah? And the poor soldier who gets your blood, they
• 15:36
  Speaker 2: can use him for an ice cube.
• 15:37
  Speaker 9: Next, Miss Brian.
• 15:39
  Speaker 7: Ready.
• 15:40
  Speaker 9: Goodbye, Mr. Vescovolos. And the answer is still no.
• 15:52
  Speaker 8: Hey, Force 1A is back.
• 15:54
  Speaker 3: Huh?
• 15:54
  Speaker 8: Zep, he ain't in the army yet.
• 15:55
  Speaker 1: Hiya, Joe.
• 15:57
  Speaker 3: What's doing?
• 15:57
  Speaker 2: Uh-huh. How come you're not in uniform, Zep?
• 16:00
  Speaker 7: Well, I got a couple of weeks before I go
• 16:02
  Speaker 7: to camp. Ain't got any place to flop. Okay if
• 16:05
  Speaker 7: I stay here on the boat?
• 16:06
  Speaker 3: Sure, why not?
• 16:08
  Speaker 6: Thanks. How you coming with the bankroll?
• 16:11
  Speaker 2: I got a crack at the biggest bankroll in New York,
• 16:13
  Speaker 2: if it works.
• 16:14
  Speaker 3: Oh, what's holding it up?
• 16:15
  Speaker 11: An iceberg.
• 16:17
  Speaker 2: But I'll melt it down.
• 16:19
  Speaker 17: Yeah.
• 16:20
  Speaker 6: Okay if I get something to eat?
• 16:22
  Speaker 2: Sure, go down to the galley, see what they got.
• 16:24
  Speaker 6: Thanks, Joe. Thanks a lot. Boss, when you clean out
• 16:28
  Speaker 6: a guy like Zip, you had no way.
• 16:29
  Speaker 11: To keep him around.
• 16:30
  Speaker 2: Hey, is that any way to treat a soldier, Crunk?
• 16:33
  Speaker 6: Yeah, but I'm telling you, Chief, a guy like.
• 16:35
  Speaker 2: Crunk, never give a sucker an even break. And always
• 16:38
  Speaker 2: keep an eye on a pal.
• 16:40
  Speaker 11: Remember that.
• 16:40
  Speaker 2: Hey, where can I get a car? I've got to
• 16:42
  Speaker 2: put on a dog for a few days.
• 16:43
  Speaker 4: Well, I know a fellow in town's got a sedan.
• 16:45
  Speaker 2: Well, get it. Meet me on the dog in half
• 16:46
  Speaker 2: an hour.
• 16:47
  Speaker 4: Okay.
• 16:47
  Speaker 3: Yes?
• 16:56
  Speaker 12: Bryant, there's a.
• 16:56
  Speaker 9: Recruit out here in the office. I don't know what
• 16:58
  Speaker 9: to do about it. Well, hang on to her. We
• 17:00
  Speaker 9: can use anybody. But, Miss Bryant, it's rather a special case. Well,
• 17:04
  Speaker 9: send her in before she changes her mind.
• 17:09
  Speaker 6: Oh, hello.
• 17:10
  Speaker 9: Oh, what do you want here?
• 17:11
  Speaker 2: Oh, well, I'm her.
• 17:14
  Speaker 8: Oh, I see.
• 17:16
  Speaker 2: I've been thinking about what you said yesterday, and I was, uh... Well,
• 17:19
  Speaker 2: I was wondering why you couldn't use me in this setup.
• 17:22
  Speaker 9: You mean you want to enlist in this organization?
• 17:24
  Speaker 2: Yeah, it's time for every man to do his bit.
• 17:26
  Speaker 2: If it wasn't for this weak heart, believe me.
• 17:28
  Speaker 9: Arteries.
• 17:29
  Speaker 2: Oh, yeah, arteries. Why, it's the same thing. How about it?
• 17:32
  Speaker 9: What about this gambling at the ball business?
• 17:34
  Speaker 2: Oh, I forgot it.
• 17:35
  Speaker 3: Too bad.
• 17:36
  Speaker 2: It was a good idea. Yeah, good for the cause, too. Well,
• 17:40
  Speaker 2: let it go.
• 17:41
  Speaker 9: Well, I have no right to refuse any enlistment. However,
• 17:44
  Speaker 9: I think I should warn you. We've had a few
• 17:47
  Speaker 9: men before, but they all ask to be transferred to
• 17:50
  Speaker 9: more active branches. So many women around got.
• 17:53
  Speaker 2: On their nerves Oh, that won't bother me I.
• 17:56
  Speaker 9: Might have known But perhaps you'd better read this first
• 17:59
  Speaker 9: We expect a lot of our.
• 18:00
  Speaker 2: Workers Thank you Do you mind if I sit down, please, ma'am?
• 18:05
  Speaker 9: No, of course not Dorothy, I just thought of a.
• 18:09
  Speaker 16: Oh!
• 18:09
  Speaker 2: Oh, hiya, Toots. Hiya.
• 18:11
  Speaker 9: He's going to enlist, Veronica.
• 18:13
  Speaker 4: Enlist?
• 18:14
  Speaker 9: Really?
• 18:14
  Speaker 2: Yes, ma'am.
• 18:15
  Speaker 9: You're sure you know what you're doing?
• 18:16
  Speaker 2: I'd do anything to help the cause, anything.
• 18:19
  Speaker 4: Oh, I think that's wonderful.
• 18:20
  Speaker 9: Well, perhaps you're right. The discipline will be good for him, too.
• 18:25
  Speaker 2: Of course.
• 18:25
  Speaker 9: Now, you fill in the application, and I'll get you
• 18:27
  Speaker 9: a button.
• 18:28
  Speaker 2: Thank you.
• 18:29
  Speaker 9: Sign on the bottom line, Mr. Baskervollis.
• 18:32
  Speaker 2: No, no.
• 18:33
  Speaker 3: Vescapolis.
• 18:34
  Speaker 2: I didn't think you'd forget me.
• 18:36
  Speaker 9: I don't intend to.
• 18:37
  Speaker 2: You mean sign here?
• 18:38
  Speaker 9: That's right. Here's your button. Now you're one of us, Mr... Vescapolis. Oh, brief?
• 18:46
  Speaker 2: American, naturalized.
• 18:48
  Speaker 9: Oh, yes, yes. Well, Dorothy will take care of.
• 18:51
  Speaker 13: You and come and tell me how you're getting on.
• 18:53
  Speaker 2: Yes, thanks. Well, everything's fixed. I'm in.
• 18:58
  Speaker 9: Stand up. Take your hat off my desk.
• 19:00
  Speaker 3: What?
• 19:01
  Speaker 9: Put out that cigarette. Recruits are not allowed to smoke
• 19:03
  Speaker 9: during office hours. And before you leave, put a fresh
• 19:06
  Speaker 9: bottle of water on that cooler, please.
• 19:08
  Speaker 2: Oh, yeah, sure.
• 19:11
  Speaker 9: How would you like to begin with a propaganda project?
• 19:15
  Speaker 2: Yes, sir, or madam.
• 19:18
  Speaker 9: Now tell me, do you know how to knit?
• 19:21
  Speaker 7: Knit?
• 19:22
  Speaker 9: I ask if you knew how to knit.
• 19:25
  Speaker 8: Knit?
• 19:25
  Speaker 9: In England, men who are incapacitated knit without hesitation.
• 19:29
  Speaker 10: Knit?
• 19:29
  Speaker 9: Knit? Why, the best knitter I ever saw was Wing
• 19:33
  Speaker 9: Commander Barnstable. He picked it up while he was in
• 19:35
  Speaker 9: a plastic hat.
• 19:36
  Speaker 2: I don't knit.
• 19:37
  Speaker 9: That's exactly the attitude we're trying to combat.
• 19:40
  Speaker 2: Now look here, I don't mind.
• 19:41
  Speaker 9: We want a group of obviously masculine men to take
• 19:44
  Speaker 9: up knitting. Do it perfectly casually in public places.
• 19:48
  Speaker 2: You think I'm strong enough?
• 19:51
  Speaker 9: I'm quite serious. Half the women who were knitting for
• 19:54
  Speaker 9: us last year are now learning to drive ambulances and
• 19:57
  Speaker 9: run buses.
• 19:58
  Speaker 3: Yeah, but look.
• 19:59
  Speaker 9: You don't seem to have caught the idea of the
• 20:01
  Speaker 9: organization you've just joined, Mr. Vescopolis. We're people who won't
• 20:05
  Speaker 9: be able to get into the actual fighting. We resent
• 20:08
  Speaker 9: that fact. So we take our resentment out and doing
• 20:11
  Speaker 9: our best to help when and how we can.
• 20:13
  Speaker 2: Oh, well, I'm not backing out. I can't knit because
• 20:16
  Speaker 2: I don't know how. That settles it.
• 20:18
  Speaker 9: Report to Mrs. Van Every. She's our best instructor.
• 20:21
  Speaker 2: Well, now, wait a minute.
• 20:22
  Speaker 9: Or do I tear up this application?
• 20:25
  Speaker 11: Oh, okay.
• 20:27
  Speaker 3: Okay.
• 20:27
  Speaker 6: I knit.
• 20:28
  Speaker 11: Good.
• 20:29
  Speaker 9: You may report to Mrs. Van Every.
• 20:31
  Speaker 2: Thank you, madam. I knit.
• 20:34
  Speaker 9: Go ahead.
• 20:35
  Speaker 2: Well, look, just one more thing.
• 20:37
  Speaker 4: Yes?
• 20:38
  Speaker 2: When do I get to trim a hat?
• 20:41
  Speaker 9: Before Mr.
• 20:50
  Speaker 17: DeMille presents Cary Grant and Lorraine Day in Act Two
• 20:53
  Speaker 17: of Mr. Lucky, it's time for Mail Call. Just a
• 20:56
  Speaker 17: quick look at a few of the letters we've received
• 20:58
  Speaker 17: from men in uniform.
• 20:59
  Speaker 16: You see, a lot of boys who've never washed so
• 21:01
  Speaker 16: much as a pair of socks in their lives are
• 21:04
  Speaker 16: learning to cope with the laundry problem. and writing in
• 21:07
  Speaker 16: to tell us how Lux Flakes have helped them solve it.
• 21:10
  Speaker 16: One boy writes from Georgia that when he was washing
• 21:13
  Speaker 16: his fatigue uniform with Lux, the fellows couldn't figure out
• 21:16
  Speaker 16: how he got so many suds.
• 21:17
  Speaker 11: In the tub.
• 21:18
  Speaker 17: And a sailor, storekeeper second class to be exact, tells
• 21:22
  Speaker 17: us that other Lux fans are pikers compared with him.
• 21:25
  Speaker 17: He uses Lux for his blue uniforms, says it gives
• 21:27
  Speaker 17: him a fine lather, rinses out easily, and leaves the
• 21:30
  Speaker 17: wool soft.
• 21:32
  Speaker 16: Another Navy man, a CB from one of the construction battalions,
• 21:35
  Speaker 16: passes along a smart idea. He luxes his blue uniforms, too,
• 21:40
  Speaker 16: and uses an old toothbrush and lux suds to get
• 21:43
  Speaker 16: the white braid clean.
• 21:44
  Speaker 17: I guess we could say, Sally, the boys are getting
• 21:46
  Speaker 17: uniformly good results.
• 21:48
  Speaker 2: From Lux Flakes.
• 21:48
  Speaker 9: That would be putting it mildly.
• 21:50
  Speaker 17: Well, that's the way to put it when you're talking
• 21:52
  Speaker 17: about lux, isn't it?
• 21:53
  Speaker 2: Seriously, though, lux is mild and gentle.
• 21:56
  Speaker 17: That's why it's such safe care, not only for Army
• 21:59
  Speaker 17: and Navy uniforms, but for civilian washables, too. Sweaters and
• 22:03
  Speaker 17: dresses and blouses. It helps washables last longer because it
• 22:07
  Speaker 17: is so very gentle.
• 22:09
  Speaker 2: It's thrifty to use.
• 22:10
  Speaker 17: A little gives you so many rich, long-lasting suds. So
• 22:14
  Speaker 17: don't waste Lux. Use all you need to get good suds,
• 22:17
  Speaker 17: but no more than you need. Next time you shop,
• 22:20
  Speaker 17: be sure you get Lux Flakes.
• 22:23
  Speaker 2: Now, our producer, Mr. DeMille.
• 22:26
  Speaker 5: Act II of Mr. Lucky, starring Cary Grant as Joe
• 22:29
  Speaker 5: and Lorraine Day as Dorothy.
• 22:39
  Speaker 3: Yeah, this Joe was a funny guy. There he was,
• 22:42
  Speaker 3: working in that war charity place, trying to get next
• 22:45
  Speaker 3: to some easy dough so we could open the gambling ship.
• 22:49
  Speaker 3: Looked like everything was going his way, too. Only there
• 22:52
  Speaker 3: was a couple of things he didn't know. Number one,
• 22:56
  Speaker 3: That Zepp guy was never drafted. When he went for
• 22:59
  Speaker 3: his physical, he got a 4F. Number two, Zepp knew
• 23:03
  Speaker 3: something about the real Joe Biscopolis. He knew he was
• 23:06
  Speaker 3: a three-time loser who had to report to the parole
• 23:09
  Speaker 3: board every month. But what Joe didn't know wasn't hurting him.
• 23:13
  Speaker 3: Not yet, anyway. Well, down at the war charity place
• 23:17
  Speaker 3: one morning, there was a little trouble. The ladies were
• 23:20
  Speaker 3: in some kind of a jam about money. All I
• 23:25
  Speaker 3: know is I want 1,200 bucks.
• 23:26
  Speaker 8: Please don't shout.
• 23:27
  Speaker 2: Oh, excuse me. Excuse me, ladies. Good morning.
• 23:29
  Speaker 8: Oh, good morning, Mr. Pescapolis.
• 23:31
  Speaker 2: Well, what seems to be the trouble?
• 23:33
  Speaker 9: Well.
• 23:33
  Speaker 8: Well, she owes me $ 1, 200. That's a trouble.
• 23:35
  Speaker 13: He's trying to charge us $ 6 apiece for some second-hand blankets.
• 23:38
  Speaker 8: I could have got $ 10.
• 23:40
  Speaker 13: Millions of refugees, shivering in tents, and this creature tries
• 23:43
  Speaker 13: to hold us up. You ought to be ashamed of yourself,
• 23:45
  Speaker 13: raising your price just because blankets are hard to get.
• 23:48
  Speaker 8: That's the old law of supply and demand, lady, and
• 23:50
  Speaker 8: it ain't been repealed yet. $ 6 apiece. Where's my check?
• 23:53
  Speaker 13: I tell you, we haven't it in our account.
• 23:55
  Speaker 8: All right.
• 23:56
  Speaker 11: All right.
• 23:56
  Speaker 8: Then I take back the blankets.
• 23:58
  Speaker 6: Well, now, wait.
• 23:59
  Speaker 2: Now, wait.
• 24:00
  Speaker 7: Look.
• 24:01
  Speaker 2: You look like a pretty good sport, Mr... McDougal.
• 24:04
  Speaker 3: Mr.
• 24:04
  Speaker 2: McDougal, I'll tell you what I'll do. I'll flip you.
• 24:07
  Speaker 2: I'll give you $ 2, 000 or $ 600. If I lose, I'll
• 24:11
  Speaker 2: pay for it out of my own kick. I wouldn't
• 24:13
  Speaker 2: want to have those shivering refugees on my conscience. Now,
• 24:16
  Speaker 2: what do you say, Mr. McDougal?
• 24:17
  Speaker 7: $ 2, 000 or $ 600?
• 24:19
  Speaker 3: Yeah. You're on.
• 24:20
  Speaker 2: Okay. Well, I'll toss the coin and you... Oh, wait
• 24:24
  Speaker 2: a minute. Oh, I am sorry. I couldn't do it
• 24:26
  Speaker 2: with this coin. You see, it's got tails on each side.
• 24:29
  Speaker 2: I got it from a gambler. I wouldn't want to
• 24:31
  Speaker 2: jip you. See, you'd have lost.
• 24:33
  Speaker 8: Oh, well, thanks.
• 24:34
  Speaker 2: Yeah, now, what do you say we do that old
• 24:38
  Speaker 2: behind-the-back routine?
• 24:39
  Speaker 8: Behind-the-back?
• 24:40
  Speaker 2: Yeah, you guess what hand it's in, you know?
• 24:42
  Speaker 3: Oh, yeah, sure.
• 24:42
  Speaker 6: Go on.
• 24:43
  Speaker 2: All right, now, are you all ready?
• 24:46
  Speaker 8: Yeah, I'm ready.
• 24:47
  Speaker 2: All right, which hand?
• 24:48
  Speaker 4: The left.
• 24:48
  Speaker 6: The left.
• 24:49
  Speaker 2: Well, let's see. No, no, it isn't in the left. Well,
• 24:52
  Speaker 2: I'm sorry, Mr. McDougal. We get the blankets for 600, though.
• 24:55
  Speaker 8: Oh, now, wait a minute. You ought to give me
• 24:57
  Speaker 8: another chance to break even. Double or nothing.
• 24:59
  Speaker 2: Oh, no, no. I don't think I could do that, Mr. McDougal.
• 25:02
  Speaker 2: Some of the main guys in here don't like gambling.
• 25:04
  Speaker 8: Double or nothing.
• 25:05
  Speaker 11: Come on.
• 25:07
  Speaker 2: Well, all right.
• 25:08
  Speaker 3: Are you ready?
• 25:09
  Speaker 8: I'm ready.
• 25:10
  Speaker 2: Double or nothing.
• 25:11
  Speaker 3: Here you are.
• 25:11
  Speaker 2: Right hand or left?
• 25:12
  Speaker 8: The left. Open it up.
• 25:13
  Speaker 2: They are empty. You know, that's a funny thing. That
• 25:17
  Speaker 2: wouldn't happen again in a thousand times.
• 25:18
  Speaker 8: Yeah, well, it won't happen again to me.
• 25:20
  Speaker 2: Never mind. You'll sleep well tonight because you did a
• 25:22
  Speaker 2: good deed for a worthy cause. Here's a button. Now
• 25:25
  Speaker 2: you're one of us.
• 25:26
  Speaker 8: I have contributed to War Relief Incorporated.
• 25:30
  Speaker 3: Yeah.
• 25:31
  Speaker 8: I have been taken by War Relief Incorporated.
• 25:44
  Speaker 3: Yeah, Joe beat him fair and square. That coin Joe used, though,
• 25:48
  Speaker 3: had a little pin in it. When he put his
• 25:50
  Speaker 3: hands behind him, he stuck it on the back of
• 25:52
  Speaker 3: his coat, so it was never in either hand. Fair
• 25:55
  Speaker 3: and square, according to Joe. But it saved the charity $ 1, 200.
• 25:59
  Speaker 3: And then there was a time he went down to
• 26:02
  Speaker 3: the docks with Miss Bryant. There was more trouble about
• 26:05
  Speaker 3: loading some trucks.
• 26:08
  Speaker 9: I've been trying to think of some way to thank
• 26:10
  Speaker 9: you for getting us the blankets.
• 26:13
  Speaker 2: Well, the percentage was in our favor. The other guy
• 26:15
  Speaker 2: was doing the guessing.
• 26:16
  Speaker 9: You know, ever since you first came in, I've been
• 26:19
  Speaker 9: trying to figure out why.
• 26:20
  Speaker 2: Oh, now, look. What's a guy supposed to do? Put
• 26:22
  Speaker 2: his heart on a plate before you'll trust him?
• 26:25
  Speaker 9: What do you think you'll get out of helping us?
• 26:27
  Speaker 2: I told you, I'm just trying to do my bit.
• 26:29
  Speaker 9: That doesn't explain anything.
• 26:32
  Speaker 2: Well, I just don't like to talk about it, that's all.
• 26:35
  Speaker 2: But why not look? The name of Baskopoulos goes back
• 26:38
  Speaker 2: a long time.
• 26:39
  Speaker 9: You mean in Greece?
• 26:40
  Speaker 2: Yeah, over there where them Nazis are pushing him around.
• 26:43
  Speaker 2: How do I know what's happened to my brothers and
• 26:45
  Speaker 2: my kid sister? I lie awake nights trying to figure
• 26:49
  Speaker 2: out how to help them. So now you know.
• 26:51
  Speaker 9: Oh, I'm terribly sorry.
• 26:55
  Speaker 2: Oh, that's all right. Don't apologize. Sorry I had to
• 26:58
  Speaker 2: tell you that's all. Now, what about this guy we
• 27:01
  Speaker 2: have to see?
• 27:02
  Speaker 9: Oh... Well, he won't unload our supplies until he gets
• 27:05
  Speaker 9: a check. They're medical supplies, and they're important to save lives.
• 27:09
  Speaker 3: I see.
• 27:10
  Speaker 2: Well, I'll talk to him.
• 27:11
  Speaker 9: Joe, what's that in your hand?
• 27:12
  Speaker 2: This? Oh, a roll of dimes.
• 27:15
  Speaker 9: Why do you carry it?
• 27:16
  Speaker 6: Habit.
• 27:17
  Speaker 2: Fits nice in your hand.
• 27:24
  Speaker 3: Joe talked to the guy all right. When he got done,
• 27:28
  Speaker 3: the guy really listened to reasons. Of course, that pack
• 27:30
  Speaker 3: of dimes in Joe's hand helped a little.
• 27:40
  Speaker 9: Joe, your face is cut. Oh, and your coat's all ripped.
• 27:45
  Speaker 2: Come on, let's get back to the charity.
• 27:47
  Speaker 9: What happened in there?
• 27:48
  Speaker 2: Oh, you misunderstood that guy. Nice fella, family man.
• 27:51
  Speaker 9: What happened to your dimes?
• 27:52
  Speaker 2: Oh, I tipped a guy.
• 27:54
  Speaker 9: Did you have to tip him very hard?
• 27:56
  Speaker 2: What, me? Fight? Go on, I'm a peace-loving citizen.
• 27:59
  Speaker 9: Joe, he might have killed you.
• 28:00
  Speaker 3: Oh, don't be silly.
• 28:01
  Speaker 2: Just a scratch. Say, uh, would you mind if we
• 28:04
  Speaker 2: stopped at the tailor's so I can get him to
• 28:05
  Speaker 2: sew this fiddle?
• 28:06
  Speaker 9: The what?
• 28:07
  Speaker 2: The fiddle and flute. My suit.
• 28:08
  Speaker 9: Oh, what kind of double talk is that?
• 28:11
  Speaker 2: Oh, it's a language. I picked it up in Australia. Like, uh, well,
• 28:14
  Speaker 2: like shoes, ones and twos.
• 28:15
  Speaker 9: Sounds like poetry.
• 28:16
  Speaker 2: Yeah, well, that's the idea. Jingles. Like, uh, you're a girl,
• 28:20
  Speaker 2: twist and twirl.
• 28:21
  Speaker 9: Oh, well, what are you?
• 28:22
  Speaker 2: Me? Oh, I'm a bloke. Heap of coke.
• 28:25
  Speaker 9: Well, this twist and twirl is going to take care
• 28:28
  Speaker 9: of the heap of coke's scratch.
• 28:30
  Speaker 2: Yeah, cabbage patch.
• 28:32
  Speaker 9: We'll stop at my house. It's on the way.
• 28:34
  Speaker 2: Oh. Anybody home?
• 28:37
  Speaker 7: No.
• 28:37
  Speaker 2: Hmm, fine.
• 28:47
  Speaker 9: Have Mr. Vistopoulos' coat fixed, Foster.
• 28:50
  Speaker 3: Yes, Miss Dorothy.
• 28:51
  Speaker 11: Will you take it off, please, sir?
• 28:52
  Speaker 12: Yeah, sure.
• 28:53
  Speaker 9: I'll get some bandages. What were you saying before, Joe?
• 28:56
  Speaker 3: Oh, yeah.
• 28:58
  Speaker 2: So the crunk and me are sitting in this coffee
• 28:59
  Speaker 2: joint when in comes a pot and pan with his
• 29:01
  Speaker 2: cheese and kisses.
• 29:02
  Speaker 9: Pot and pan. That's a man.
• 29:03
  Speaker 3: Yeah.
• 29:04
  Speaker 9: Cheese and kisses. That's a missus.
• 29:06
  Speaker 3: Sure.
• 29:07
  Speaker 11: Well?
• 29:08
  Speaker 2: Well, the crunk said to me, Piper hides it, I suppose,
• 29:11
  Speaker 2: on that guy's storm and strife in the Tommy Horner.
• 29:13
  Speaker 9: Wait a minute.
• 29:14
  Speaker 6: I'm lost.
• 29:15
  Speaker 9: Piper?
• 29:15
  Speaker 3: Piper Hijack.
• 29:16
  Speaker 2: That's just pipe, you know.
• 29:17
  Speaker 9: Take a look.
• 29:18
  Speaker 2: At the eyes, I suppose.
• 29:20
  Speaker 9: Oh, the nose?
• 29:20
  Speaker 2: Yeah, on that guy's storming strife in the Tommy Horner.
• 29:24
  Speaker 9: On his wife?
• 29:24
  Speaker 3: Yeah.
• 29:25
  Speaker 9: In the corner?
• 29:25
  Speaker 7: Right.
• 29:26
  Speaker 9: Well, what happened?
• 29:29
  Speaker 2: The guy come over and punched the crunk in the snoot.
• 29:31
  Speaker 3: Why?
• 29:32
  Speaker 2: Well, the guy came from Australia.
• 29:34
  Speaker 9: Oh.
• 29:34
  Speaker 11: Your coat, sir. Here you are, John.
• 29:37
  Speaker 2: Where can I wash up? Up to your left, sir.
• 29:39
  Speaker 3: All right.
• 29:40
  Speaker 2: Well, don't go away, Miss Bryant.
• 29:42
  Speaker 9: I won't.
• 29:44
  Speaker 11: Miss Dorothy.
• 29:45
  Speaker 9: Yes?
• 29:45
  Speaker 11: Shall I telephone for a bottle and stopper?
• 29:47
  Speaker 9: A what?
• 29:48
  Speaker 11: A copper, in the American vernacular.
• 29:50
  Speaker 9: Why, Foster, don't tell me you've been to Australia.
• 29:53
  Speaker 11: Well, that's where I met my storm and strife. Mrs. Foster. Oh.
• 29:57
  Speaker 11: Please forgive me, Miss Dorothy, but are you aware of
• 30:00
  Speaker 11: the character of this gentleman?
• 30:02
  Speaker 9: Oh, I think so.
• 30:03
  Speaker 3: Why?
• 30:03
  Speaker 11: You know he carries a lady from Bristol?
• 30:05
  Speaker 9: A what?
• 30:06
  Speaker 11: A pistol. In American parlance, a rod.
• 30:10
  Speaker 2: Oh.
• 30:11
  Speaker 9: Well, don't be alarmed. I think it's part of his character.
• 30:14
  Speaker 9: He carries it for balance.
• 30:15
  Speaker 11: Yes, Miss Dorothy.
• 30:17
  Speaker 9: Take the coat along, Foster, and see if Mrs. Barnes
• 30:19
  Speaker 9: will sew it up. What's that, Foster?
• 30:22
  Speaker 11: A coin, Miss. It fell out of the pocket.
• 30:24
  Speaker 9: Let me see that. coin with a pin on the back.
• 30:28
  Speaker 11: That's rather an unusual ornament, isn't it, miss?
• 30:31
  Speaker 9: Oh, it's not an ornament, Foster. It's really very practical.
• 30:44
  Speaker 2: I'm coming with the fiddle.
• 30:45
  Speaker 9: Here you are.
• 30:46
  Speaker 4: Thanks.
• 30:47
  Speaker 9: By the way, Foster was quite alarmed. He thought I
• 30:49
  Speaker 9: should send for a bottle and stopper.
• 30:52
  Speaker 3: Yeah?
• 30:52
  Speaker 2: What for?
• 30:53
  Speaker 9: The lady from Bristol.
• 30:55
  Speaker 2: Oh, that. Well, I wouldn't feel dressed without one.
• 30:59
  Speaker 9: Have you ever killed anyone?
• 31:00
  Speaker 2: No, I'm too good a shot. Look, don't get me wrong.
• 31:04
  Speaker 2: I'm a gambler, not a gangster.
• 31:06
  Speaker 9: Tell me some more.
• 31:07
  Speaker 2: Some more what?
• 31:08
  Speaker 9: Some more jingle talk.
• 31:09
  Speaker 2: Oh, that. Well, now, look. If we were going together, well,
• 31:14
  Speaker 2: you'd be my briny Marlin. My darling, see? Then I'd
• 31:18
  Speaker 2: be the guy who'd give you that simple Simon diamond
• 31:22
  Speaker 2: for your long-and-linger finger.
• 31:24
  Speaker 9: The guy who gave me this simple assignment was my mother.
• 31:27
  Speaker 2: Oh, yeah?
• 31:29
  Speaker 11: More.
• 31:30
  Speaker 2: Well, um, Barnett fares your hair. Dots and dyes, eyes.
• 31:36
  Speaker 2: The I suppose nose. North and south, mouth. That's where
• 31:42
  Speaker 2: you get the honey and bliss, kiss. Joe!
• 31:47
  Speaker 9: That's enough, Joe.
• 31:48
  Speaker 2: Come on, take off your mask. You're with friends.
• 31:50
  Speaker 9: Don't be silly.
• 31:52
  Speaker 2: Come on, Briony Marlin, don't play games.
• 31:54
  Speaker 9: Let me go. I'm not playing games.
• 31:56
  Speaker 2: Don't give me those baby blues.
• 31:58
  Speaker 9: You think I brought you up here because.
• 32:01
  Speaker 6: Because... Well, didn't you?
• 32:03
  Speaker 2: Or have you changed your mind?
• 32:07
  Speaker 9: All right. Suppose we settle it with that game you
• 32:11
  Speaker 9: played with McDougal.
• 32:12
  Speaker 2: What, you mean the coin stuff?
• 32:14
  Speaker 9: Mm-hmm, behind the back.
• 32:16
  Speaker 2: Okay.
• 32:17
  Speaker 3: Here's a coin. Now, you ready?
• 32:19
  Speaker 8: Mm-hmm.
• 32:20
  Speaker 6: All right.
• 32:21
  Speaker 2: Which hand is it in?
• 32:22
  Speaker 9: Neither.
• 32:23
  Speaker 2: Oh, no. Come on, play fair. You've got a guess.
• 32:26
  Speaker 9: Neither. Open them both.
• 32:28
  Speaker 2: Okay.
• 32:29
  Speaker 17: You see?
• 32:30
  Speaker 3: Oh.
• 32:31
  Speaker 2: It's in the left.
• 32:33
  Speaker 9: But.
• 32:33
  Speaker 2: Well, looks like you lost.
• 32:36
  Speaker 9: Well, when you played it with McDougal, you.
• 32:39
  Speaker 2: Yeah, I know. I pinned it on the back of
• 32:41
  Speaker 2: my coat. But that was different. You never give a
• 32:44
  Speaker 2: sucker an even break, but you don't cheat a friend.
• 32:46
  Speaker 2: I believe in that. I live by it. You don't
• 32:48
  Speaker 2: think I'd play phony with you, do you? Well, uh,
• 32:52
  Speaker 2: you lost.
• 32:54
  Speaker 3: Well, I....
• 32:57
  Speaker 9: I didn't know the rules of the game.
• 32:59
  Speaker 2: Oh, you didn't? Well, okay. Where's my tit-for-tat hat?
• 33:03
  Speaker 9: Joe, wait.
• 33:04
  Speaker 8: What, what?
• 33:05
  Speaker 9: Joe, will you run the gambling concession at the ball?
• 33:08
  Speaker 2: Well, well, well. You sure you can trust me?
• 33:12
  Speaker 9: Now I know I can.
• 33:14
  Speaker 2: Okay, you got a deal.
• 33:16
  Speaker 9: Hello, Grandfather. Foster said you wanted to see me.
• 33:25
  Speaker 4: Yes, sit down, Dorothy.
• 33:26
  Speaker 9: Wait till I powder my eyes to pose and comb
• 33:28
  Speaker 9: my barn at fair.
• 33:29
  Speaker 4: Where on earth did you pick up such gibberish?
• 33:32
  Speaker 9: From Foster. It's wonderful slang, Grandfather. You should talk to him.
• 33:36
  Speaker 4: I have been talking to Foster.
• 33:38
  Speaker 3: Oh?
• 33:38
  Speaker 4: What do you mean, Dot, by bringing a gangster into
• 33:40
  Speaker 4: this house?
• 33:41
  Speaker 9: Now, don't tell me you're worrying about me, Grandfather.
• 33:43
  Speaker 4: I'd give you wards against any ape gangsters in the city,
• 33:46
  Speaker 4: but I don't want them coming to my house. What
• 33:48
  Speaker 4: can you see in a fellow like that?
• 33:50
  Speaker 9: Joe's the first man I've ever met I'm afraid of.
• 33:53
  Speaker 9: It's exciting.
• 33:54
  Speaker 4: Joe? See here, Dot, this fellow hasn't been making advances
• 33:57
  Speaker 4: to you, has he?
• 33:58
  Speaker 3: Of course.
• 33:59
  Speaker 9: He kissed me.
• 34:00
  Speaker 6: What?
• 34:00
  Speaker 9: Right on the north and south. I pretended to be angry, but...
• 34:04
  Speaker 9: The truth is, I liked him.
• 34:05
  Speaker 4: Now, see here.
• 34:06
  Speaker 9: Oh, now, grandfather, don't worry.
• 34:08
  Speaker 4: Get rid of him, child. Get rid of him at once.
• 34:11
  Speaker 9: Well, I suppose I should. Yes, I think he'd be
• 34:15
  Speaker 9: too hard to tame. Good night, grandfather.
• 34:18
  Speaker 4: Dot, what's his name?
• 34:19
  Speaker 9: The heap coke? Oh, you'll never believe me. Joe Bascopolis.
• 34:24
  Speaker 3: Joe what?
• 34:24
  Speaker 9: Bascopolis. Now, do you wonder why I call him by
• 34:27
  Speaker 9: his first name? Good night, Franny Marlin.
• 34:32
  Speaker 4: Bascopolis.
• 34:35
  Speaker 3: Joe Biscopolis.
• 34:38
  Speaker 2: Yes?
• 34:38
  Speaker 3: Miss Bryant, there are three men here to see you.
• 34:46
  Speaker 9: What about?
• 34:46
  Speaker 3: Well, I.
• 34:47
  Speaker 4: I think they're detectives, Miss Bryant.
• 34:49
  Speaker 3: Oh.
• 34:50
  Speaker 9: Well, send them in.
• 34:51
  Speaker 3: Miss Bryant?
• 34:55
  Speaker 2: Come in.
• 34:56
  Speaker 3: Where can we find Joe Biscopolis?
• 34:59
  Speaker 9: He isn't here.
• 35:00
  Speaker 2: Where's his desk?
• 35:01
  Speaker 9: Out there.
• 35:02
  Speaker 13: Thanks.
• 35:03
  Speaker 9: Wait. I... I'm so glad you came. My grandfather sent
• 35:08
  Speaker 9: for you, didn't he? I always thought there was something
• 35:11
  Speaker 9: wrong with Mr. Biscopolis.
• 35:12
  Speaker 3: We want to have a little talk with him.
• 35:13
  Speaker 9: Anything serious?
• 35:14
  Speaker 10: When a guy's been convicted three times, carrying a gun
• 35:17
  Speaker 10: is plenty serious.
• 35:19
  Speaker 2: Oh. Oh, excuse me. I didn't know anyone was here.
• 35:22
  Speaker 9: Oh, it's all right.
• 35:24
  Speaker 11: Who's that?
• 35:25
  Speaker 9: Oh, he's the man from the water company. It's about
• 35:28
  Speaker 9: time you showed up, Inspector.
• 35:30
  Speaker 2: Huh?
• 35:31
  Speaker 3: Yeah?
• 35:31
  Speaker 2: Why?
• 35:32
  Speaker 9: I've telephoned the water company several times today. Three bottles
• 35:36
  Speaker 9: and stoppers arrived this morning, with no coolers.
• 35:40
  Speaker 6: Oh.
• 35:41
  Speaker 2: Three, uh... Sure. Three bottles and stoppers, huh?
• 35:46
  Speaker 17: Yes.
• 35:47
  Speaker 9: Is this the best service you can give us? I've
• 35:49
  Speaker 9: just about made up our mind to take our business elsewhere.
• 35:53
  Speaker 3: Where, for instance?
• 35:54
  Speaker 9: I think the Plaza Fountain Place will serve our needs
• 35:56
  Speaker 9: in the future.
• 35:57
  Speaker 2: Okay, lady. Go on up to the Plaza Fountain Place.
• 36:01
  Speaker 9: Will you sit down, gentlemen? I'm afraid you'll have to wait.
• 36:14
  Speaker 1: Joe!
• 36:15
  Speaker 2: Joe! Hello, clever girl. I figured you meant you'd meet
• 36:18
  Speaker 2: me at the fountain.
• 36:19
  Speaker 9: Oh, Joe, I was scared.
• 36:20
  Speaker 2: Say, why should the cops be trying to pick me up?
• 36:22
  Speaker 9: Grandfather, you will carry a lady from Bristol.
• 36:26
  Speaker 2: Oh, they're trying to pick me up for packing a rod, huh?
• 36:28
  Speaker 2: I can get sprung in a couple of hours.
• 36:30
  Speaker 9: Come on, my car's over here. Get in.
• 36:31
  Speaker 2: What for?
• 36:32
  Speaker 9: Now, don't ask questions. Get in.
• 36:34
  Speaker 2: Okay. Say, we're not only out of town, we're out
• 36:46
  Speaker 2: of the state. Is it all right for me to
• 36:48
  Speaker 2: ask questions now, please, teacher?
• 36:51
  Speaker 9: I have to talk to Grandfather.
• 36:52
  Speaker 2: Well, he's back in New York.
• 36:53
  Speaker 9: Oh, I have to talk to him on the phone.
• 36:55
  Speaker 2: We pass thousands of good phones.
• 36:56
  Speaker 9: No, this call must come from the right locality. Grandfather's
• 37:00
  Speaker 9: no fool.
• 37:00
  Speaker 2: Oh, well, how far is the right locality?
• 37:03
  Speaker 8: Pretty far.
• 37:04
  Speaker 9: Relax, Joe. Hold the match up. I've got a key somewhere.
• 37:16
  Speaker 2: Yeah.
• 37:16
  Speaker 3: What is this place?
• 37:17
  Speaker 9: The ancestral home. It's been closed a few months.
• 37:21
  Speaker 2: Where do I turn on the lights?
• 37:22
  Speaker 9: They're not connected.
• 37:24
  Speaker 11: Oh.
• 37:25
  Speaker 2: This the old man's place?
• 37:26
  Speaker 8: No, mine.
• 37:27
  Speaker 9: It comes from the other side of the family. The
• 37:29
  Speaker 9: side that was always getting into trouble. Lend me your matches, Joe.
• 37:34
  Speaker 9: You'll find some candles on the table.
• 37:36
  Speaker 7: Yeah.
• 37:37
  Speaker 2: Hey, uh, say, what's this over here?
• 37:40
  Speaker 9: Just a little sitting room.
• 37:41
  Speaker 2: Little?
• 37:42
  Speaker 3: It's all right.
• 37:44
  Speaker 9: This is where I used to entertain my bowls. After tea,
• 37:48
  Speaker 9: we'd sit by the fire and hold hands. Will you
• 37:51
  Speaker 9: light the fire, Joe?
• 37:53
  Speaker 2: Oh, sure.
• 37:59
  Speaker 9: Hello, operator? Oh, it's all right. This is Miss Bryant. Oh,
• 38:03
  Speaker 9: I'm fine, thank you. I want to talk to my
• 38:06
  Speaker 9: grandfather in New York. Yes, that's the number. Will you ring?
• 38:10
  Speaker 9: Thank you.
• 38:11
  Speaker 2: Why, you know, for a family that was always getting
• 38:13
  Speaker 2: into trouble, they did all right.
• 38:14
  Speaker 9: Well, it was just that they never seemed to behave
• 38:16
  Speaker 9: the way people expected them to. There are the family portraits.
• 38:20
  Speaker 9: Look at them. The crazy darlings. Maybe it will give
• 38:23
  Speaker 9: you some idea of why I don't make sense.
• 38:26
  Speaker 2: What did that one do?
• 38:27
  Speaker 9: Well, he was a great admirer of the ladies.
• 38:30
  Speaker 2: Ah.
• 38:30
  Speaker 9: This one was a hunter and maker of 19th century love.
• 38:33
  Speaker 3: Mm-hmm.
• 38:34
  Speaker 2: Where'd he get his dough?
• 38:35
  Speaker 9: From the first one. The next one wrote poetry, privately
• 38:39
  Speaker 9: printed at his own expense.
• 38:40
  Speaker 11: Yeah?
• 38:40
  Speaker 2: Yeah. Where'd he get his dough?
• 38:42
  Speaker 9: From the second one.
• 38:43
  Speaker 2: Oh. Well, where's the guy that made all the dough
• 38:45
  Speaker 2: in the first place?
• 38:46
  Speaker 9: Over here. My great-great-grandfather. From log cabin to Richard.
• 38:51
  Speaker 2: Ah, that's the guy.
• 38:52
  Speaker 9: Hello?
• 38:53
  Speaker 2: Oh.
• 38:54
  Speaker 9: Well, will you call me when you get a line through?
• 38:57
  Speaker 9: It's important.
• 38:58
  Speaker 2: Hey, uh, what are you going to use for an
• 39:00
  Speaker 2: argument when you get him?
• 39:01
  Speaker 9: Oh, I'm not going to say much. He's going to
• 39:03
  Speaker 9: do most of the talking. He's going to tell me
• 39:06
  Speaker 9: about your three convictions, and I'm going to tell him
• 39:08
  Speaker 9: I don't care.
• 39:09
  Speaker 2: Wait a minute. What three convictions?
• 39:11
  Speaker 9: Oh, don't pretend, Joe. It's all right.
• 39:13
  Speaker 2: Oh, what are you talking about?
• 39:14
  Speaker 9: I know all about it. The policeman told me today.
• 39:17
  Speaker 2: Don't, Juan. I never took a rap in my life.
• 39:19
  Speaker 4: Please, Joe, be honest.
• 39:20
  Speaker 3: All right, all right.
• 39:21
  Speaker 2: I haven't always been on the level, but I kept
• 39:23
  Speaker 2: my ears clean as far as John Law was concerned.
• 39:26
  Speaker 9: Hello, Grandfather. Now, don't get excited. I'm in Maryland.
• 39:32
  Speaker 6: Maryland!
• 39:33
  Speaker 9: That's right. Grandfather, you sent those policemen to the office today,
• 39:38
  Speaker 9: didn't you? Well, listen. You know the laws of Maryland,
• 39:42
  Speaker 9: don't you? Well, unless you give me your word of honor,
• 39:45
  Speaker 9: the police will be called off. I'm going to marry him.
• 39:49
  Speaker 9: Marry him!
• 39:49
  Speaker 11: Marry him!
• 39:51
  Speaker 9: Oh, I can't, can't I? I'll give you ten seconds
• 39:54
  Speaker 9: to make up your mind. What? Give me your word, then.
• 40:00
  Speaker 9: Thank you, darling. Good night. Well, didn't I tell you
• 40:04
  Speaker 9: to leave it up to me?
• 40:07
  Speaker 3: Yeah, you're great.
• 40:08
  Speaker 2: Well, it worked. Why wouldn't it work? You had a
• 40:11
  Speaker 2: swell club to smack him with, me. Joe. You think
• 40:16
  Speaker 2: the worst thing that could happen to you is to
• 40:17
  Speaker 2: marry me. But people like you, folks like me, are animals.
• 40:21
  Speaker 2: We're so bad, and you're so very good. What do
• 40:26
  Speaker 2: you expect, credit for it? How could you be anything
• 40:28
  Speaker 2: else with what you had to start out with? You
• 40:30
  Speaker 2: ought to be horse-whipped if you didn't turn out right.
• 40:33
  Speaker 2: What are you so high and mighty about? What did
• 40:34
  Speaker 2: you ever do?
• 40:35
  Speaker 12: Joe.
• 40:35
  Speaker 2: There's the guy up there. He made all your dough
• 40:38
  Speaker 2: for you. And he was born in a log cabin.
• 40:41
  Speaker 2: You know where I grew up? In a one-room shack
• 40:44
  Speaker 2: with a dirt floor. You talk about this side of
• 40:47
  Speaker 2: your family and that side of your family. As far
• 40:49
  Speaker 2: as I know, we only had one side, and it
• 40:51
  Speaker 2: was awful poor. Lots of times there wasn't what for
• 40:53
  Speaker 2: to eat. That's why I ran away when I was nine.
• 40:56
  Speaker 2: I got tired of being hungry and seeing my old
• 40:57
  Speaker 2: lady go hungry until she died. Oh, please, Joe. Oh,
• 41:02
  Speaker 2: I'm not complaining. It's okay with me. I just got
• 41:05
  Speaker 2: a load in what gives with your kind of people.
• 41:08
  Speaker 9: My kind?
• 41:09
  Speaker 2: I just know that your kind can look through me
• 41:11
  Speaker 2: like I was a pane of dirty glass.
• 41:13
  Speaker 9: Oh, it's not me, Joe. It's people like Grandfather. I
• 41:17
  Speaker 9: thought you knew how I felt.
• 41:19
  Speaker 2: Sure, I know. Anything for the cause. I'm not kidding myself, sister.
• 41:24
  Speaker 2: I know how I stand with you after you cash
• 41:26
  Speaker 2: in on me.
• 41:28
  Speaker 9: You're wrong about me, Joe.
• 41:30
  Speaker 6: You're all wrong.
• 41:33
  Speaker 4: All right, come on.
• 41:35
  Speaker 9: We can quarrel all the way back to New York.
• 41:40
  Speaker 3: Wait a second.
• 41:42
  Speaker 2: Did you mean that about me being wrong?
• 41:43
  Speaker 9: I should have slapped your face.
• 41:46
  Speaker 2: Why didn't you?
• 41:47
  Speaker 9: Because you'd have slapped mine back.
• 41:51
  Speaker 2: I don't know what to make of a dame like you.
• 41:53
  Speaker 9: Neither do I. Yes, I do too. I suppose I've
• 41:59
  Speaker 9: known for weeks that.
• 42:02
  Speaker 9: That I'm in love with you.
• 42:06
  Speaker 7: Hey.
• 42:07
  Speaker 9: Oh, Joe. Joe, look at me. Won't you say something?
• 42:17
  Speaker 9: Don't you like it?
• 42:20
  Speaker 2: Oh, I don't know. I don't know whether I like
• 42:22
  Speaker 2: it or not.
• 42:31
  Speaker 17: We pause now for station identification. This is the Columbia
• 42:36
  Speaker 17: Broadcasting System.
• 42:38
  Speaker 4: Columbia Broadcasting.
• 42:43
  Speaker 2: System In a moment, Mr.
• 42:57
  Speaker 17: DeMille brings back Cary Grant and Lorraine Day in Act
• 43:00
  Speaker 17: Three of Mr.
• 43:01
  Speaker 2: Lucky.
• 43:02
  Speaker 17: But now let's look in at a house around the
• 43:03
  Speaker 17: corner where young Mrs. Adams is washing dishes and laying
• 43:07
  Speaker 17: down the law at the same time.
• 43:10
  Speaker 14: N.E.J., now, do you know what I'm going to do?
• 43:13
  Speaker 14: I'm going to start rationing dishes around this house. You
• 43:16
  Speaker 14: children can have one plate apiece, and if you want
• 43:18
  Speaker 14: any more, you can just wash them yourself. Well, my
• 43:21
  Speaker 14: hands are in such a state right now, I'm ashamed
• 43:23
  Speaker 14: to look at them.
• 43:23
  Speaker 2: Sounds to me like a case for luxe flakes.
• 43:26
  Speaker 3: Say, Mrs.
• 43:27
  Speaker 17: Adams, how would you like your hands to lose that
• 43:30
  Speaker 17: ugly dishpan look and grow soft and smooth again?
• 43:32
  Speaker 14: Why, I'd love it, but who's going to wash the dishes?
• 43:36
  Speaker 3: You are.
• 43:36
  Speaker 17: All you have to do is change from that strong
• 43:39
  Speaker 17: soap you're using to gentle luxe flakes.
• 43:41
  Speaker 14: Well, how do you know just changing deluxe will help
• 43:44
  Speaker 14: my hands?
• 43:45
  Speaker 2: We've proved it by actual tests.
• 43:47
  Speaker 17: Scores of women prove that simply changing from strong soaps
• 43:50
  Speaker 17: to luxe flakes for dishes gets rid of dishpan redness.
• 43:54
  Speaker 9: Well, that certainly sounds worth trying.
• 43:56
  Speaker 2: And that's not all.
• 43:57
  Speaker 17: Those same gentle luxe flakes that are so kind to
• 43:59
  Speaker 17: hands do more work, too. Luxe does up to twice
• 44:02
  Speaker 17: as many dishes as the same weight of other well-known
• 44:05
  Speaker 17: soaps tested. And before you ask me, yes, we've proved that, too.
• 44:09
  Speaker 14: You mean I can actually do more dishes with the
• 44:11
  Speaker 14: same weight of Lux and have my hands look softer
• 44:14
  Speaker 14: and smoother, too?
• 44:15
  Speaker 2: Uh-huh, I do.
• 44:16
  Speaker 14: Well, my goodness, what am I waiting for? I'll run
• 44:19
  Speaker 14: down to the store and get some Lux Flakes right
• 44:21
  Speaker 14: this minute.
• 44:22
  Speaker 3: And, Mrs.
• 44:23
  Speaker 17: Adams, if you don't find Lux Flakes in stock today,
• 44:26
  Speaker 17: it's worth waiting for. Your dealer will have more soon. Remember,
• 44:30
  Speaker 17: Lux does more dishes and saves your hands. Be sure
• 44:34
  Speaker 17: you get Lux Flakes.
• 44:36
  Speaker 2: Now, Mr. DeMille returns to the microphone.
• 44:39
  Speaker 5: There's a secret to tell about one of our stars
• 44:42
  Speaker 5: after the play. But now the curtain rises on the
• 44:45
  Speaker 5: third act of Mr. Lucky, starring Cary Grant and Lorraine Day.
• 44:55
  Speaker 3: Something funny happened to Joe after that. I guess it
• 44:59
  Speaker 3: was falling for that girl the way he did. And
• 45:01
  Speaker 3: then a letter came for Joe Biscopolis, the real one
• 45:04
  Speaker 3: who died. It was in Greek, and Joe took it
• 45:07
  Speaker 3: down to a Greek church and asked the priest to
• 45:09
  Speaker 3: read it to him.
• 45:14
  Speaker 11: You wish to see me, my son?
• 45:16
  Speaker 2: Yes, father.
• 45:16
  Speaker 3: I got a letter.
• 45:17
  Speaker 2: It's written in Greek. I'm kind of in a hurry,
• 45:19
  Speaker 2: but I'll pay you if you read it for me.
• 45:20
  Speaker 18: You can drop your offering in the fur box as
• 45:22
  Speaker 18: you go out. I'm here to help those who need it.
• 45:26
  Speaker 18: The letter is from your mother.
• 45:27
  Speaker 5: Hmm?
• 45:28
  Speaker 3: Oh.
• 45:29
  Speaker 18: It says, Joseph, my beloved son, God grant this letter
• 45:34
  Speaker 18: reaches you Always you have broken my heart by the
• 45:39
  Speaker 18: wicked things you have done. Yet surely, when you hear
• 45:44
  Speaker 18: of the terrible thing that has happened to those who
• 45:46
  Speaker 18: love you, I believe that God will open your eyes
• 45:50
  Speaker 18: and cleanse your heart.
• 45:53
  Speaker 2: Well, that's enough, Father. Thanks. I just wanted to know
• 45:55
  Speaker 2: who it was from.
• 45:56
  Speaker 3: Listen.
• 45:58
  Speaker 18: I write to tell you of my great pride in
• 46:00
  Speaker 18: my other sons, your brothers. It happened two Sundays ago
• 46:05
  Speaker 18: as we were coming from church. There was a roaring
• 46:09
  Speaker 18: in the sky, and suddenly great parachutes began to drift
• 46:14
  Speaker 18: down toward the meadow below the village. There were only
• 46:19
  Speaker 18: five guns in our village, but there were pitchforks and
• 46:24
  Speaker 18: scythes and men of great strength. Your brother Petrus and
• 46:30
  Speaker 18: your brother Eulatio led the other men into the meadow.
• 46:36
  Speaker 18: There were patches of white lilies, but before the hour
• 46:40
  Speaker 18: was done, it was as though the field were covered
• 46:44
  Speaker 18: with red lilies. No one of our men lived, but
• 46:52
  Speaker 18: a hundred Germans died, and great honor lived for an
• 46:56
  Speaker 18: added hour. They possess our village, of course. I earn
• 47:02
  Speaker 18: food by making their beds and washing their dishes at
• 47:05
  Speaker 18: the inn. Yet I am sustained by my God and
• 47:10
  Speaker 18: my great pride, thy.
• 47:13
  Speaker 11: Mother, Maria.
• 47:19
  Speaker 10: Thanks.
• 47:21
  Speaker 2: Thanks, Father.
• 47:22
  Speaker 3: May God comfort you, my son. It was that same
• 47:32
  Speaker 3: day that we opened the gambling concession at the ball.
• 47:35
  Speaker 2: It was a big night and the dough was rolling in.
• 47:40
  Speaker 3: Joe showed up about 11 o'clock.
• 47:43
  Speaker 6: Gee, boss, you sure picked a soft touch.
• 47:46
  Speaker 5: Yeah?
• 47:46
  Speaker 4: I guess we ought to leave something for.
• 47:48
  Speaker 3: Charity, huh?
• 47:48
  Speaker 6: You know, maybe a couple of grand?
• 47:51
  Speaker 7: Even so, I'll grab all of you over 200,000.
• 47:54
  Speaker 2: Hey, what's the matter, boss? Crunk, did you ever sit
• 47:57
  Speaker 2: on a park bench for two hours and look at yourself?
• 48:02
  Speaker 2: Our grab is nothing. But I thought you said we
• 48:05
  Speaker 2: was taking a whole take. Just keeping out enough to
• 48:08
  Speaker 2: pay off the boys. The rest goes to war relief. Yeah,
• 48:10
  Speaker 2: but Joe... You don't mind if I double-cross myself, do you?
• 48:12
  Speaker 6: Yeah, but look, Joe, you.
• 48:13
  Speaker 2: You look. This charity bunch has a boat docking next week.
• 48:18
  Speaker 2: They're loading her up with supplies going over to Greece.
• 48:21
  Speaker 2: They need those things over there. And they're gonna get them.
• 48:25
  Speaker 3: Okay, Joe.
• 48:26
  Speaker 8: Where's Joe?
• 48:26
  Speaker 6: I gotta see him.
• 48:27
  Speaker 3: Hey, there's Zepp.
• 48:28
  Speaker 2: Let him in and close the door. In here, Zepp.
• 48:32
  Speaker 2: What do you want here, Zip?
• 48:33
  Speaker 3: Listen, Joe.
• 48:34
  Speaker 6: There were a couple of parole officers down at the boat.
• 48:36
  Speaker 2: What'd they got on you?
• 48:37
  Speaker 6: Not me. Jay Baskopoulos. It turns out he was a
• 48:40
  Speaker 6: three-time loser under the bombs law.
• 48:42
  Speaker 11: Ah, that was it.
• 48:43
  Speaker 2: Three convictions, huh?
• 48:44
  Speaker 7: Yeah, and that puts you on the spot. One more
• 48:47
  Speaker 7: rub with the law and Baskopoulos goes up for life.
• 48:49
  Speaker 3: You better beat it, Joe.
• 48:51
  Speaker 2: Not tonight.
• 48:52
  Speaker 6: Well, I stalled them off, but suppose they come here.
• 48:55
  Speaker 2: My neck is clean. Take over the cash box, Crunk.
• 48:57
  Speaker 2: I gotta see somebody.
• 49:03
  Speaker 9: Joe, where have you been, Briony Marlin? What happened to you?
• 49:09
  Speaker 2: Oh, I woke up.
• 49:11
  Speaker 9: Oh, something happened to me, too.
• 49:14
  Speaker 2: Yeah, what?
• 49:15
  Speaker 9: I was struck by lightning.
• 49:16
  Speaker 2: Look, you remember this. you were right and I was.
• 49:21
  Speaker 9: Wrong for me you're right always I see.
• 49:25
  Speaker 2: You get everything you want you got enough to fill
• 49:27
  Speaker 2: two ships maybe.
• 49:28
  Speaker 9: Three there's something else I want.
• 49:30
  Speaker 2: Oh no you stay away from guys like me you'll
• 49:33
  Speaker 2: only get hurt I'm clearing out tonight.
• 49:36
  Speaker 9: Clearing out Where, Joe?
• 49:38
  Speaker 2: Oh, what's the difference?
• 49:39
  Speaker 9: Joe, take me with you.
• 49:40
  Speaker 6: Please.
• 49:41
  Speaker 5: Dorothy, this is Captain Costello of the police department.
• 49:44
  Speaker 3: Here's your man, Captain.
• 49:46
  Speaker 9: Grandfather, you broke your word.
• 49:47
  Speaker 2: Nothing of the kind.
• 49:48
  Speaker 3: Captain Costello is here to stop this gambling.
• 49:51
  Speaker 9: Grandfather, you can't.
• 49:52
  Speaker 2: Yes, he can. All right, we'll close up. I'll tell
• 49:54
  Speaker 2: the boys. But, Joe. You're far enough ahead. Send the
• 49:56
  Speaker 2: committee upstairs. We'll count up. All right, we're closing up, Crunk. Hey,
• 50:10
  Speaker 2: where's the Crunk?
• 50:11
  Speaker 6: Close the door, Joe.
• 50:13
  Speaker 3: Where is he?
• 50:14
  Speaker 6: The boys took him inside. We're handling the money now.
• 50:16
  Speaker 3: Yeah.
• 50:18
  Speaker 2: What is this? The law's downstairs. We're closing up.
• 50:21
  Speaker 7: Who did you think you were fooling, Joe? We knew
• 50:23
  Speaker 7: that dame had the ring through your nose. I'm declaring
• 50:25
  Speaker 7: myself back in the old partnership.
• 50:27
  Speaker 6: Any arguments? All that parole board needs to know.
• 50:29
  Speaker 7: Is Vescapolis operated this game, and those one-way doors clank
• 50:33
  Speaker 7: shut for good.
• 50:34
  Speaker 2: I can prove I'm not Vescapolis.
• 50:36
  Speaker 7: Okay, then you're Joe Adams, a draft dodger. That's good
• 50:38
  Speaker 7: for ten years in Leavenworth. Better be a good boy, Joe.
• 50:41
  Speaker 2: Okay, I know when I'm licked.
• 50:43
  Speaker 6: Here come the dames to check up.
• 50:44
  Speaker 2: Let them in.
• 50:44
  Speaker 7: Don't open that door. Sit tight, Joe. I got a
• 50:48
  Speaker 7: rod looking you right in the middle.
• 50:49
  Speaker 3: Take it easy.
• 50:50
  Speaker 2: What about the dough?
• 50:51
  Speaker 6: We're taking it down the back way.
• 50:54
  Speaker 2: All of it, huh?
• 50:55
  Speaker 6: Every nickel. Here it is, Zep. Yeah.
• 50:58
  Speaker 2: Put it down, Zep.
• 50:59
  Speaker 6: Hands off, Joe.
• 51:00
  Speaker 2: Put it down, Zep.
• 51:02
  Speaker 6: Get away or I'll... Now, put it down, Zep. Why, you.
• 51:07
  Speaker 10: Sam, we got to get out of here.
• 51:09
  Speaker 2: Sam!
• 51:10
  Speaker 17: Open up.
• 51:10
  Speaker 8: Open this door.
• 51:11
  Speaker 6: You've got the lights. Open up. Where's the back door?
• 51:13
  Speaker 8: Somebody get a light.
• 51:21
  Speaker 3: Joe got out in the dark. He went down the
• 51:23
  Speaker 3: fire escape with a doe in his arms and a
• 51:25
  Speaker 3: bullet in his chest. I met him at the boat
• 51:27
  Speaker 3: and took the slug out of him. But he was
• 51:30
  Speaker 3: a pretty sick guy. Next morning, he sent me around
• 51:33
  Speaker 3: to the girl's house with a doe wrapped up in
• 51:35
  Speaker 3: some newspaper.
• 51:37
  Speaker 16: Wait a minute.
• 51:38
  Speaker 9: Where is he?
• 51:39
  Speaker 3: Where's who?
• 51:39
  Speaker 9: Where did you get this money?
• 51:41
  Speaker 3: The man I met in the park. He asked me
• 51:42
  Speaker 3: to bring it to you.
• 51:43
  Speaker 9: Oh, you're lying to me. Where is he? Where's Joe?
• 51:46
  Speaker 3: Joe? I don't know any Joe.
• 51:48
  Speaker 9: What did he look like? The man who gave you
• 51:49
  Speaker 9: the money?
• 51:50
  Speaker 3: I don't know. I never saw him before in my life.
• 51:53
  Speaker 2: Oh, wait.
• 51:53
  Speaker 9: Please.
• 51:58
  Speaker 3: She tried to find him for weeks. But I had
• 52:00
  Speaker 3: the guy hiding out. Meanwhile, everything went haywire on the
• 52:04
  Speaker 3: charity deal. That boat they were supposed to load with
• 52:08
  Speaker 3: supplies for Greece was knocked off by subs before it
• 52:11
  Speaker 3: ever reached New York. And then one day at the
• 52:14
  Speaker 3: girl's house, the detective showed up with some news. Well,
• 52:17
  Speaker 3: we solved that case for you, Miss Bryant. He's dead.
• 52:21
  Speaker 9: Who's dead?
• 52:21
  Speaker 3: Miskopoulos. He was a wrong guy, all right. Look at
• 52:24
  Speaker 3: that record. Three years at San Quentin, two at Leavenworth,
• 52:27
  Speaker 3: five at Sing Sing.
• 52:30
  Speaker 9: This picture.
• 52:31
  Speaker 3: What's the matter?
• 52:32
  Speaker 9: This isn't... This.
• 52:34
  Speaker 3: That's not Miskopoulos?
• 52:36
  Speaker 5: No.
• 52:36
  Speaker 3: Oh, that's him, all right. We checked with the captain
• 52:39
  Speaker 3: of the gambling boat he was on.
• 52:40
  Speaker 10: He was missing. The boat was missing, too. And we
• 52:43
  Speaker 10: finally ran it down. Over at Pier 48, they're loading
• 52:46
  Speaker 10: a ship called the Briny Marlin with medical supplies from
• 52:49
  Speaker 10: your office.
• 52:50
  Speaker 11: What?
• 52:52
  Speaker 9: What did you say the name of the ship was?
• 52:54
  Speaker 3: The Briny Marlin. At least that's what they call it now.
• 52:58
  Speaker 9: The Briny Marlin. The Briny Marlin.
• 53:01
  Speaker 2: The Briny Marlin.
• 53:09
  Speaker 3: The boat was just pulling out when she got there.
• 53:12
  Speaker 3: She came running down the dock, calling to him.
• 53:15
  Speaker 9: Joe!
• 53:17
  Speaker 3: He was standing at the rail, kind of smiling.
• 53:21
  Speaker 16: Joe!
• 53:22
  Speaker 9: Joe, take me with you. Please, darling.
• 53:25
  Speaker 2: I love you.
• 53:26
  Speaker 16: Please take me with you.
• 53:28
  Speaker 2: You don't belong with a grifter like me. You just
• 53:30
  Speaker 2: got some mud on your dress, that's all. Give it time.
• 53:33
  Speaker 2: Let it dry.
• 53:34
  Speaker 3: It'll brush off.
• 53:35
  Speaker 9: Oh, no, Joe. Joe, I love you. Please take me
• 53:38
  Speaker 9: with you, Joe.
• 53:40
  Speaker 3: Please, Joe. Please.
• 53:44
  Speaker 2: Goodbye, Briony Marlin.
• 53:50
  Speaker 3: Well, that's it. She never saw him again. That's why
• 53:55
  Speaker 3: she's standing down there now at the end of the dock.
• 53:58
  Speaker 3: She comes here every night. Well, what happened to the Greek?
• 54:01
  Speaker 3: We delivered the stuff. Then he joined the merchant marine,
• 54:05
  Speaker 3: and coming back, the Briony Marlin drew a dead heat
• 54:08
  Speaker 3: with a German torpedo. Hmm. Funny a guy like him
• 54:12
  Speaker 3: winding up that way, huh? You can't kill a fella
• 54:15
  Speaker 3: like Joe. That's him now. Hey, Joe.
• 54:18
  Speaker 2: Hiya, sweet.
• 54:19
  Speaker 3: Where you been? Waiting for you, that's all. Come on, Joe.
• 54:22
  Speaker 3: The dinghy's at the end of the pier. Let's get
• 54:24
  Speaker 3: back to the ship.
• 54:24
  Speaker 2: Oh, change my mind. We're not going back to the ship.
• 54:26
  Speaker 2: It's our last night ashore. We're going uptown.
• 54:28
  Speaker 3: Okay, but you gotta go down and tie up that
• 54:30
  Speaker 3: dinghy anyway. What?
• 54:32
  Speaker 2: Why should I?
• 54:33
  Speaker 3: Because I'm telling you to. It's an order.
• 54:36
  Speaker 11: Okay.
• 54:42
  Speaker 3: She's turning around. I think she sees him. Yeah.
• 54:49
  Speaker 9: Joe.
• 54:49
  Speaker 3: Oh, Joe.
• 54:52
  Speaker 9: Oh, Joe.
• 54:57
  Speaker 2: I've been waiting for you so long.
• 55:00
  Speaker 3: It's okay. That's a real finish. We can go now.
• 55:07
  Speaker 2: Oh, Briony Marlin. Briony Marlin. Our stars will be back
• 55:24
  Speaker 2: in a moment for a curtain call.
• 55:26
  Speaker 17: Meantime, here's a true story about how highly one girl
• 55:30
  Speaker 17: valued her nylon stockings. She actually turned in a fire
• 55:33
  Speaker 17: alarm to save them. She felt herself falling and caught
• 55:36
  Speaker 17: at the nearest support, which turned out to be the
• 55:39
  Speaker 17: handle of a firebox. Well, fortunately, there's a way to
• 55:43
  Speaker 17: save those precious stockings of yours without calling out the
• 55:45
  Speaker 17: fire department.
• 55:46
  Speaker 2: Just lux them after every wearing.
• 55:49
  Speaker 17: Yes, in a whole series of tests, Lux cut down
• 55:52
  Speaker 17: runs over 50%. Rayon, nylon, silk, and cotton stockings all
• 55:57
  Speaker 17: were tested. All gave the same kind of results. Stockings
• 56:00
  Speaker 17: washed with Lux flakes didn't go into runs nearly as
• 56:03
  Speaker 17: quickly as those rubbed with cake soap or washed with
• 56:06
  Speaker 17: a strong soap.
• 56:07
  Speaker 2: Lux cut stocking runs in half.
• 56:10
  Speaker 17: You see, Luxing saves the elastic qualities of your stockings
• 56:13
  Speaker 17: so they can stretch and spring back into place again
• 56:15
  Speaker 17: when you strain them instead of breaking easily into runs.
• 56:19
  Speaker 17: You'll find Lux care for stockings really pays. So if
• 56:23
  Speaker 17: your dealer should be out of Lux plates next time
• 56:25
  Speaker 17: you ask for them, it will pay you to wait.
• 56:28
  Speaker 17: He'll have more soon. Remember, Lux cuts down stocking runs
• 56:32
  Speaker 17: by over 50%, gives you extra wear from every pair.
• 56:37
  Speaker 2: Now, here's Mr. DeMille with our star.
• 56:40
  Speaker 5: Thanks to the good work of Cary Grant and Lorraine Day,
• 56:43
  Speaker 5: we've checked off another hit in the Lux Radio Theater.
• 56:46
  Speaker 3: And now we bring the stars of Mr. Lucky back
• 56:48
  Speaker 3: to the footlights.
• 56:49
  Speaker 2: Thank you, Z.B. Any fellow that plays opposite Lorraine Day
• 56:52
  Speaker 2: is Mr.
• 56:53
  Speaker 3: Lucky.
• 56:53
  Speaker 9: I'll bet he says that to all the girls, Mr.
• 56:56
  Speaker 12: DeMille.
• 56:57
  Speaker 5: Lorraine takes her work very seriously, Gary. Right now, I
• 57:00
  Speaker 5: believe she's studying photography. So she'll know more about light
• 57:05
  Speaker 5: and shadow and angles.
• 57:06
  Speaker 2: She's right. The picture business has a lot of angles.
• 57:09
  Speaker 9: Camera angles.
• 57:10
  Speaker 3: Oh, oh.
• 57:12
  Speaker 9: I think pictures are just like anything else. You've got
• 57:15
  Speaker 9: to study your job. I started when I was a
• 57:17
  Speaker 9: youngster playing games.
• 57:19
  Speaker 3: What?
• 57:19
  Speaker 2: Cowboys and Indians?
• 57:20
  Speaker 9: Playing with cowboys and Indians.
• 57:22
  Speaker 2: Excuse me.
• 57:23
  Speaker 9: We lived on a ranch right next door to the
• 57:25
  Speaker 9: Ute Indians, and I learned to ride and rope by
• 57:27
  Speaker 9: the time I was ten.
• 57:29
  Speaker 5: Personally, I like a leading lady who can ride and rope,
• 57:32
  Speaker 5: but I guess it was never much help for you
• 57:34
  Speaker 5: on the screen, Lorraine.
• 57:35
  Speaker 9: The first three pictures I made were which way they go,
• 57:37
  Speaker 9: they went that-a-way pictures.
• 57:38
  Speaker 2: Ha, ha, ha. Well, you never can tell when your
• 57:42
  Speaker 2: early training will help you. When I was a kid,
• 57:44
  Speaker 2: I collected caterpillars. Now I'm making a picture with Janet
• 57:46
  Speaker 2: Blair and Curly.
• 57:48
  Speaker 3: Curly?
• 57:49
  Speaker 16: Curly?
• 57:50
  Speaker 2: I don't seem to know the name. Curly's a caterpillar.
• 57:53
  Speaker 11: Oh.
• 57:54
  Speaker 2: Oh, indeed.
• 57:55
  Speaker 5: Is Curly a boy or a girl caterpillar?
• 57:59
  Speaker 2: See, B, I don't see how that could matter except
• 58:01
  Speaker 2: to another caterpillar.
• 58:07
  Speaker 9: To cover Mr. DeMille's confusion... Believe.
• 58:09
  Speaker 2: Me, that'll take some covering, too.
• 58:11
  Speaker 9: Well, I'll ask him what play he's producing next week.
• 58:14
  Speaker 3: No, thank you, Lorraine. It's slightly dangerous.
• 58:17
  Speaker 6: Huh?
• 58:17
  Speaker 2: What is?
• 58:18
  Speaker 5: Now, don't start that again, Gary. It's the Metro-Goldwyn-Mayer picture hit,
• 58:23
  Speaker 5: Slightly Dangerous. And our stars will be Lana Turner and
• 58:28
  Speaker 5: Robert Cummings. It's the story of a young girl who
• 58:32
  Speaker 5: discovers a way to change her personality... and find some
• 58:35
  Speaker 5: very gay adventures all at the same time. Slightly dangerous,
• 58:39
  Speaker 5: but much more than slightly entertaining.
• 58:41
  Speaker 3: Well, it sounds great, C.B.
• 58:42
  Speaker 2: Good night.
• 58:43
  Speaker 3: Good night.
• 58:43
  Speaker 9: Good night.
• 58:45
  Speaker 3: Good night.
• 58:45
  Speaker 5: It was cold in that car, I think. Our sponsors,
• 58:57
  Speaker 5: the makers of Lux Flakes, join me in inviting you
• 58:59
  Speaker 5: to be with us again next Monday night when the
• 59:02
  Speaker 5: Lux Radio Theater presents Lana Turner and Robert Cummings in
• 59:07
  Speaker 5: Slightly Dangerous.
• 59:08
  Speaker 3: With Gene Lockhart. This is Cecil B.
• 59:11
  Speaker 5: DeMille saying goodnight to you from Hollywood.
• 59:19
  Speaker 2: Ladies and gentlemen, your waste paper is needed now to
• 59:22
  Speaker 2: help war production.
• 59:23
  Speaker 17: It directly replaces wood pulp in making newsprint and paperboard.
• 59:27
  Speaker 17: So don't throw away or burn your newspapers. Sell them
• 59:30
  Speaker 17: to a junk dealer, give them to a charitable organization,
• 59:33
  Speaker 17: or consult your local newspaper for the date and method
• 59:36
  Speaker 17: of your local salvage collection. Send your waste paper to war.
• 59:41
  Speaker 17: Cary Grant will soon be seen in the Columbia picture,
• 59:43
  Speaker 17: My Client Curly. Lorraine Day appeared tonight through the courtesy
• 59:47
  Speaker 17: of Metro-Goldwyn-Mayer Studios, producers of the Technicolor musical, Thousands Cheer.
• 59:52
  Speaker 17: Heard in tonight's play were Arthur Hole as Swede, Verna
• 59:56
  Speaker 17: Felton as Veronica, Eddie Marr as Crunk, Ed Emerson as Zep,
• 1:00:01
  Speaker 17: and Charles Seal, Fred McKay, Griff Barnett, Arthur Q. Bryan,
• 1:00:06
  Speaker 17: Dorothy Scott, Norman Field, Catherine Craig, Ken Christie, and Boyd Davis.
• 1:00:12
  Speaker 17: Our music was directed by Louis Silvers, and this is
• 1:00:14
  Speaker 17: your announcer, John M. Kennedy, reminding you to tune in
• 1:00:16
  Speaker 17: next Monday night to hear Lana Turner, Robert Cummings, and
• 1:00:19
  Speaker 17: Gene Lockhart.
• 1:00:21
  Speaker 12: In Slightly Dangerous. Make sure you get the vitamins and
• 1:00:26
  Speaker 12: minerals your family needs in spite of food shortages.
• 1:00:30
  Speaker 2: Get VIMS.
• 1:00:31
  Speaker 12: They're scientifically designed to help make meals complete. VIMS give
• 1:00:35
  Speaker 12: you all the vitamins government experts say are essential, balanced
• 1:00:39
  Speaker 12: in the formula doctors endorse. All the minerals commonly lacking, too.
• 1:00:43
  Speaker 12: Yet BIMS costs only a nickel a day in the
• 1:00:46
  Speaker 12: family size at your drug kit. It's B-I for vitamins,
• 1:00:50
  Speaker 12: double M-S for minerals. This is the Columbia Broadcasting System.
• 1:00:58
  Speaker 6: Lux Radio Theater's Mr.
• 1:01:00
  Speaker 2: Lucky.
• 1:01:01
  Speaker 1: Follow Lux Radio Theater for more classic broadcasts.