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The Mystery of the Yellow Room Chapter 6 - In the Heart of the Oak Grove · The Gaston Leroux Library

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  Speaker 1: Chapter six of the Mystery of the Yellow Room. This
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  Speaker 1: is a LibriVox recording. All LibriVox recordings are in the
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  Speaker 1: public domain. For more free audiobooks auto volunteer, please visit
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  Speaker 1: librivoux dot Org. Recording by J. C. Guan. The Mystery
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  Speaker 1: of the Yellow Room by Gaston Leroux, Chapter six. In
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  Speaker 1: the Heart of the Oak Grove, We reached the chateau,
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  Speaker 1: and as we approached it saw four gendarmes pacing in
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  Speaker 1: front of a little door in the ground floor of
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  Speaker 1: the Donjon. We soon learned that in this ground floor,
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  Speaker 1: which had formerly served as a prison, Monsieur and Madame Bernier,
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  Speaker 1: the concierges, were confined. Monsieur Robert Darzac led us into
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  Speaker 1: the modern part of the chateau by a large door
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  Speaker 1: protected by a projecting awning. A marquise, as it is
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  Speaker 1: called Tabby, who had resigned the horse and the cab
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  Speaker 1: to the care of the servant, never took his eyes
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  Speaker 1: off Monsieur Darzac. I followed his look and perceived that
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  Speaker 1: it was directed solely towards the gloved hands of the
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  Speaker 1: suborn professor. When we were in a tiny sitting room
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  Speaker 1: fitted with old furniture, Monsieur Darzac turned toward Debby and said, sharply,
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  Speaker 1: what do you want. The reporter answered, in an equally
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  Speaker 1: sharp tone, to shake you by the hand. Darzac shrank back.
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  Speaker 1: What does that mean? Evidently he understood what I also understood,
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  Speaker 1: that my friend suspected him of the abominable attempt on
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  Speaker 1: the life of Mademoiselle's Stangerson. The impression of the blood
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  Speaker 1: stained hand on the walls of the yellow room was
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  Speaker 1: in his mind. I looked at the man closely. His
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  Speaker 1: haughty face, with its expression ordinarily so straet forward was
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  Speaker 1: at this moment strangely troubled. He held out his right hand, and,
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  Speaker 1: referring to me, said, as you are a friend of
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  Speaker 1: missus Saint Clair, who has rendered me invaluable services in
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  Speaker 1: a just cause. Monsieur, I see no reason for refusing
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  Speaker 1: you my hand. Rouletabille did not take the extended hand,
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  Speaker 1: Lying with the utmost audacity, he said, Monsieur, I have
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  Speaker 1: lived several years in Russia, where I have acquired the
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  Speaker 1: habit of never taking any but an ungloved hand. I
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  Speaker 1: thought that the suborn professor would express his anger openly,
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  Speaker 1: but on the contrary, by a visibly violent effort. He
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  Speaker 1: calmed himself, took off his gloves and showed his hands.
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  Speaker 1: They were unmarked by any cicatrix. Are you satisfied, No,
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  Speaker 1: replied Rouletabille. My dear friend, he said, turning to me,
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  Speaker 1: I am obliged to ask you to leave us alone
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  Speaker 1: for a moment. I bowed and retired. Stupefied by what
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  Speaker 1: I had seen and heard, I could not understand why
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  Speaker 1: Monsieur Robert Darzac had not already shown the door to
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  Speaker 1: my impertinent, insulting and stupid friend. I was angry myself
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  Speaker 1: with Rouletabille at that moment for his suspicions which had
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  Speaker 1: led to this scene of the gloves. For some twenty minutes,
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  Speaker 1: I walked about in front of the chateau, trying vainly
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  Speaker 1: to link together the different events of the day. What
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  Speaker 1: was in Rouletabille's mind. Was it possible that he thought
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  Speaker 1: Monsieur Robert Darzac to be the murderer? How could it
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  Speaker 1: be thought that this man who was to have married
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  Speaker 1: Mademoiselle Stangerson in the course of a few days, had
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  Speaker 1: introduced himself into the Yellow room to assassinate his fiancee.
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  Speaker 1: I could find no explanation as to how the murderer
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  Speaker 1: had been able to leave the Yellow Room. And so
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  Speaker 1: long as that mystery, which appeared to me so inexplicable,
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  Speaker 1: remained unexplained, I thought it was the duty of all
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  Speaker 1: of us to refrain from suspecting anybody. But then that
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  Speaker 1: seemingly senseless phrase the presbytery has lost nothing of its charm,
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  Speaker 1: nor the garden its brightness, still rang in my ears.
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  Speaker 1: What did it mean? I was eager to rejoin Rouletabille
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  Speaker 1: and question him. At that moment, the young man came
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  Speaker 1: out of the chateau in the company of Monsieur Robert
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  Speaker 1: Darzac and extraordinary to relate. I saw at a glance
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  Speaker 1: that they were the best of friends. We are going
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  Speaker 1: to the Yellow Room. Come with us, Rouletabille said to me.
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  Speaker 1: You know, my dear boy, I am going to keep
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  Speaker 1: you with me all day while breakfast together somewhere about here.
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  Speaker 1: You'll breakfast with me here, gentlemen, No thanks, replied the
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  Speaker 1: young man. We shall breakfast at the Donjon Inn. You'll
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  Speaker 1: fare very badly there. You'll not find anything, do you
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  Speaker 1: think so well? I hope to find something there, replied Rouletabille,
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  Speaker 1: after breakfast, we'll set to work again. I'll write my article,
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  Speaker 1: and if you'll be so good as to take it
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  Speaker 1: to the office for me, won't you come back with
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  Speaker 1: me to Paris. No, I shall remain here. I turned
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  Speaker 1: towards Rouletabille. He spoke quite seriously, and Monsieur Robert Darzac
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  Speaker 1: did not appear to be in the least degree surprised.
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  Speaker 1: We were passing by the Donjean and heard wailing voices.
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  Speaker 1: Rouletabille asked, why have these people been arrested? It is
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  Speaker 1: a little my fault, said Monsieur Darzac. I happened to
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  Speaker 1: remark to the examining magistrate yesterday that it was inexplicable
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  Speaker 1: that the concierges had had time to hear the revolver shots,
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  Speaker 1: to dress themselves, and to cover so great a destince
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  Speaker 1: as that which lies between their lodge and the pavilion
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  Speaker 1: in the space of two minutes. For not more than
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  Speaker 1: that interval of time had elapsed after the firing of
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  Speaker 1: the shots when they were met by Daddy Jacques. That
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  Speaker 1: was suspicious, evidently acquiesced Rouletabille. And were they dressed, That
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  Speaker 1: is what is so incredible. They were dressed completely not
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  Speaker 1: one part of their accustomed wanting. The woman wore sabbats,
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  Speaker 1: but the man had unlaced boots. Now they assert that
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  Speaker 1: they went to bed at half past nine. On arriving
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  Speaker 1: this morning, the examining magistrate brought with him from Paris
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  Speaker 1: a revolver of the same caliber as that found in
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  Speaker 1: the room, for he couldn't use the one held for evidence,
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  Speaker 1: and made his register fire two shots in the yellow
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  Speaker 1: room while the doors and windows were closed. We were
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  Speaker 1: with him in the lodge of the concierges, and yet
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  Speaker 1: we heard nothing, not a sound. The concierges have lied
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  Speaker 1: of that. There can be no doubt. They must have
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  Speaker 1: been already waiting, not far from the pavilion, waiting for something.
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  Speaker 1: Certainly they are not to be accused of being the
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  Speaker 1: authors of the crime, but their complicity is not improbable.
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  Speaker 1: That was why Monsieur de Marquees had them arrested at once.
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  Speaker 1: If they had been accomplices, said Rouletabille, they would not
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  Speaker 1: have been there at all. When people throw themselves into
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  Speaker 1: the arms of justice with the proofs of complicity on them,
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  Speaker 1: you can be sure they are not accomplices. I don't
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  Speaker 1: believe there are any accomplices in this affair, then why
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  Speaker 1: were they abroad at midnight? Why don't they say? They
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  Speaker 1: have certainly some reason for their silence. What that reason
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  Speaker 1: is has to be found out, For even if they
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  Speaker 1: are not accomplices, it may be of importance. Everything that
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  Speaker 1: took place on such a night is important. We had
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  Speaker 1: crossed an old bridge thrown over the douve, and were
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  Speaker 1: entering the part of the park called the Oak Grove.
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  Speaker 1: The oaks here were centuries old. Autumn had already shriveled,
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  Speaker 1: their tawny leaves, and their high branches, black and contorted,
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  Speaker 1: looked like horrid heads of hair, mingled with quaint reptiles,
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  Speaker 1: such as the ancient sculptors might have made of the
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  Speaker 1: head of Medusa. This place, which Mademoiselle found cheerful, and
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  Speaker 1: in which she lived in the summer season, appeared to
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  Speaker 1: us as sad and funereal. Now the soil was black
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  Speaker 1: and muddy from the recent rains and the rotting of
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  Speaker 1: the fallen leaves. The trunks of the trees were black,
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  Speaker 1: and the sky above us was now as if in mourning,
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  Speaker 1: charged with great heavy clouds. And it was in this
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  Speaker 1: somber and desolate retreat that we saw the white walls
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  Speaker 1: of the pavilion as we approached, a queer looking building
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  Speaker 1: without a window visible. On the side by which we
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  Speaker 1: neared it, a little door alone marked the entrance to it.
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  Speaker 1: It might have passed for a tomb, a vast mausoleum
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  Speaker 1: in the midst of a thick forest. As we came nearer,
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  Speaker 1: we were able to make out its disposition. The building
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  Speaker 1: obtained all the light it needed from the south, that
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  Speaker 1: is to say, from the open country. The little door
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  Speaker 1: closed on the park. Monsieur and Mademoiselle Dangerson must have
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  Speaker 1: found it an ideal seclusion for their work and their dreams.
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  Speaker 1: The pavilion had a ground floor which was reached by
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  Speaker 1: a few steps, and above it was an attic with
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  Speaker 1: which we need not concern ourselves. Rouletabille had drawn a
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  Speaker 1: plan of the building, showing the yellow room with its
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  Speaker 1: one window and its one door opening into the laboratory.
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  Speaker 1: The laboratory with its two large barred windows and its doors,
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  Speaker 1: one serving for the vestibule, the other for the yellow room.
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  Speaker 1: The vestibule with its unbarred window and door opening into
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  Speaker 1: the park. The laboratory, the stairs leading to the attic
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  Speaker 1: and the large and only chimney in the pavilion serving
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  Speaker 1: for the experiments of the laboratory. I assured myself that
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  Speaker 1: there was not a line in this plan that was
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  Speaker 1: wanting to help to the solution of the problem then
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  Speaker 1: set before the police. Thus, my readers will know as
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  Speaker 1: much as Rouletabill knew when he entered the pavilion for
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  Speaker 1: the first time. With him, they may now ask how
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  Speaker 1: did the murderer escape from the yellow room. Before mounting
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  Speaker 1: the three steps leading up to the door of the pavilion,
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  Speaker 1: Rouletabill stopped and asked Monsieur Darzac point blank, what was
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  Speaker 1: the motive for the crime? Speaking for myself, Monsieur, there
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  Speaker 1: can be no doubt on the matter, said Mademoiselle Stangerson's
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  Speaker 1: fiancee greatly distressed. The nails of the fingers, the deep
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  Speaker 1: scratches on the chests and throat of Mademoiselle Stangerson showed
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  Speaker 1: that the wretch who attacked her attempted to commit a
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  Speaker 1: frightful crime. The medical expert who examined these traces yesterday
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  Speaker 1: affirmed that they were made by the same hand as
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  Speaker 1: that which left its imprint on the wall. An enormous hand, Monsieur,
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  Speaker 1: much too large to go into my glove, he added,
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  Speaker 1: with an indefinable smile. Could not blood stained hand I
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  Speaker 1: interrupted have been the hand of Mademoiselle Stangerson, who, in
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  Speaker 1: the moment of falling, had pressed it against the wall,
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  Speaker 1: and in slipping enlarged the impression. There was not a
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  Speaker 1: drop of blood on either of her hands when she
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  Speaker 1: was lifted up, replied Monsieur Darzac. We are now sure,
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  Speaker 1: said I, that it was Mademoiselle Stangerson who was armed
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  Speaker 1: with Daddy Jaques's revolver. Since she wounded the hand of
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  Speaker 1: the murderer. She was in fear then of somebody or something.
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  Speaker 1: Probably do you suspect anybody, no, replied Monsieur Darzac, looking
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  Speaker 1: at Rouletabille. Rouletabille then said to me, you must know,
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  Speaker 1: my friend, that the inquiry is a little more advanced
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  Speaker 1: than Monsieur de Marquy has chosen to tell us. He
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  Speaker 1: not only knows that Mademoiselle Stangerson defended herself with the revolver,
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  Speaker 1: but he knows what the weapon was that was used
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  Speaker 1: to attack her. Monsieur Darzac tells me it was a
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  Speaker 1: mutton bone. Why is Monsieur de Marquis surrounding this mutton
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  Speaker 1: bone with so much mystery, no doubt, for the purpose
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  Speaker 1: of facilitating the inquiries of the agents of the surte.
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  Speaker 1: He imagines, perhaps that the owner of this instrument of crime,
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  Speaker 1: the most terrible invented, is going to be found amongst
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  Speaker 1: those who are well known in the slums of Paris
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  Speaker 1: who use it. But who can ever say what passes
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  Speaker 1: through the brain of in examining magistrate Rouletabille added, with
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  Speaker 1: contemptuous irony, Has he mutton bone been found in the
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  Speaker 1: yellow room? I asked him, Yes, Monsieur, said Robert Darzac
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  Speaker 1: at the foot of the bed. But I beg of
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  Speaker 1: you not to say anything about it. I made a
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  Speaker 1: gesture of assent. It was an enormous mutton bone, the
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  Speaker 1: top of which, or rather the joint, was still red
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  Speaker 1: with the blood of the frightful wounds. It was an
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  Speaker 1: old bone which may, according to appearances, have served in
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  Speaker 1: other crimes. That's what Monsieur de Marquer thinks. He has
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  Speaker 1: had it sent to the municipal laboratory at Paris to
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  Speaker 1: be analyzed. In fact, he thinks he has detected on it,
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  Speaker 1: not only the blood of the last victim, but other
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  Speaker 1: stains of dried blood evidences of previous crimes. A mutton
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  Speaker 1: bone in the hand of a skilled assassin is a
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  Speaker 1: frightful weapon, said Rouletabille, A more certain weapon than a
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  Speaker 1: heavy hammer. The scoundrel has proved it to be so,
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  Speaker 1: said Monsieur Roberdarzac. Sadly, the joint of the bone found
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  Speaker 1: exactly fits the wound inflicted. My belief is that the
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  Speaker 1: wound would have been mortal if the murderer's blow had
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  Speaker 1: not been arrested in the act by Mademoiselle Stangerson's revolver.
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  Speaker 1: Wounded in the hand, he dropped the mutton bone and fled. Unfortunately,
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  Speaker 1: the blow had been already given, and Mademoiselle was stunned
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  Speaker 1: after having been nearly strangled. If she had succeeded in
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  Speaker 1: wounding the man with the first trot of the revolver,
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  Speaker 1: she would doubtless have escaped the blow with the bone.
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  Speaker 1: But she had certainly implored her revolver too late. The
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  Speaker 1: first shot deviated and lodged in the ceiling. It was
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  Speaker 1: the second only that took effect. Having said this, Monsieur
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  Speaker 1: Darzac knocked at the door of the pavilion, I must
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  Speaker 1: confess to feeling a strong impatience to reach the spot
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  Speaker 1: where the crime had been committed. It was some time
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  Speaker 1: before the door was opened by a man whom I
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  Speaker 1: at once recognized as the Dejacques. He appeared to be
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  Speaker 1: well over sixty years of age. He had a long
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  Speaker 1: white beard and white hair, on which he wore a
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  Speaker 1: flat basque cap. He was dressed to any complete suit
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  Speaker 1: of chestnut colored velveteen worn at the side. Sabots were
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  Speaker 1: on his feet. He had rather a waspish looking face,
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  Speaker 1: the expression of which lightened. However, as soon as he
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  Speaker 1: saw Monsieur Darzac. Friends said our guide, nobody in the pavilion,
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  Speaker 1: Dad de Jacques, I ought not to allow anybody to enter,
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  Speaker 1: Monsieur Robert, But of course the order does not apply
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  Speaker 1: to you. These gentlemen of justice have seen everything there
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  Speaker 1: is to be seen, and made enough drawings and drawn
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  Speaker 1: up enough reports. Excuse me, Da de Jacques, one question
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  Speaker 1: before anything else, said Rouletabille, What is it, young man?
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  Speaker 1: If I can answer it? Did your mistress wear her
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  Speaker 1: hair and bands that evening? You know what I mean?
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  Speaker 1: Over her forehead? No, young man, my mistress never wore
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  Speaker 1: her hair the way you suggest, neither on that day
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  Speaker 1: nor on any other. She had her hair drawn up
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  Speaker 1: as usual, so that her beautiful forehead could be seen
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  Speaker 1: pure as that of an unborn child. Rouletabyll grunted and
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  Speaker 1: set to work examining the door. Finding that it fastened
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  Speaker 1: itself automatically, he satisfied himself that it could never remain open,
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  Speaker 1: and neither the key to open it. Then we entered
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  Speaker 1: the vestibule, a small welded room paved with square red tiles. Ah,
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  Speaker 1: this is the window by which the mergery escaped, said Rouletabill.
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  Speaker 1: So they keep on saying, Monsieur, So they keep on saying.
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  Speaker 1: But if he had gone off that way, we should
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  Speaker 1: have been sure to have seen him. We are not blind,
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  Speaker 1: neither Monsieur Stangerson, nor May nor the concierges who are
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  Speaker 1: in the prison. Why have they not put me in
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  Speaker 1: prison too, on account of my revolver. Rouletabille had already
• 18:06
  Speaker 1: opened the window and was examining the shutters. Were these
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  Speaker 1: closed at the time of the crime and fastened with
• 18:14
  Speaker 1: the iron catch inside? Said Daddy Jacques. And I am
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  Speaker 1: quite sure that the murderer did not get out that way.
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  Speaker 1: Are there any blood stains? Yes, on the stones outside,
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  Speaker 1: but blood of what, ah said Rouletabille. They are footmarks
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  Speaker 1: visible on the path. The ground was very moist. I
• 18:37
  Speaker 1: will look into that presently. Nonsense, interrupted Daddy Jacques. The
• 18:43
  Speaker 1: mader did not go that way. Which way did he go? Then?
• 18:48
  Speaker 1: How do I know? Rouletabill looked at everything, smelled everything.
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  Speaker 1: He went down on his knees and rapidly examined every
• 18:59
  Speaker 1: one of the paving tiles. Dad Dejacques went on, Ah,
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  Speaker 1: you can't find anything, monsieur. Nothing has been found, and
• 19:09
  Speaker 1: now it is all dirty. Too many persons have tramped
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  Speaker 1: over it. They wouldn't let me wash it. But on
• 19:17
  Speaker 1: the day of the crime I had washed the floor thoroughly,
• 19:21
  Speaker 1: and if the murderer had crossed it with his hob
• 19:24
  Speaker 1: nailed boots, I should not have failed to see where
• 19:27
  Speaker 1: he had been. He has left marks enough. In Mademoiselle's chamber,
• 19:33
  Speaker 1: Rouletabille rose, When was the last time you washed these tiles?
• 19:37
  Speaker 1: He asked, and he fixed on the Dejacques a most
• 19:41
  Speaker 1: searching look. Why, as I told you, on the day
• 19:45
  Speaker 1: of the crime, towards half past five, while Mademoiselle and
• 19:50
  Speaker 1: her father were taking a little walk before dinner here
• 19:54
  Speaker 1: in this room. They had dined in the laboratory. The
• 19:58
  Speaker 1: next day the examining magistrate came and saw all the
• 20:02
  Speaker 1: marks there were on the floor as plainly as if
• 20:05
  Speaker 1: they had been made with ink on White's paper. While
• 20:09
  Speaker 1: neither in the laboratory nor in the vestibule, which were
• 20:13
  Speaker 1: both as clean as a new pin, were there any
• 20:16
  Speaker 1: traces of a man's footmarks, since they have been found
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  Speaker 1: near this window outside. He must have made his way
• 20:23
  Speaker 1: through the ceiling of the yellow room into the attic,
• 20:26
  Speaker 1: then cut his way through the roof and dropped to
• 20:29
  Speaker 1: the ground outside the vestibule window. But there's no hole,
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  Speaker 1: neither in the ceiling of the yellow room nor in
• 20:37
  Speaker 1: the room of mayattic. That is absolutely certain. So you see,
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  Speaker 1: we know nothing nothing, and nothing will ever be known.
• 20:47
  Speaker 1: It's a mystery of the devil's own making. Rouledabille went
• 20:51
  Speaker 1: down upon his knees again, almost in front of a
• 20:55
  Speaker 1: small laboratory at the back of the vestibule. In that
• 20:59
  Speaker 1: position he remained for about a minute. Well, I asked
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  Speaker 1: him when he got up, Oh, nothing very important. A
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  Speaker 1: drop of blood, he replied, turning towards Daddijacques. As he spoke,
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  Speaker 1: while you were washing the laboratory and this vestibule was
• 21:19
  Speaker 1: the vestibule window open? He asked, No, Monsieur, it was closed.
• 21:25
  Speaker 1: But after I had done washing the floor, I lit
• 21:27
  Speaker 1: some charcoal for Monsieur in the laboratory furnace, and as
• 21:31
  Speaker 1: I lit it with old newspapers, it smoked, And so
• 21:34
  Speaker 1: I opened both the windows in the laboratory and this
• 21:37
  Speaker 1: one to make a current of air. Then I shut
• 21:41
  Speaker 1: those in the laboratory and left this one open when
• 21:44
  Speaker 1: I went out. When I returned to the pavilion, this
• 21:48
  Speaker 1: window had been closed, and Monsieur and Mademoiselle were already
• 21:52
  Speaker 1: at work in the laboratory. Monsieur or Mademoiselle Stangerson had
• 21:58
  Speaker 1: no doubt shut it, No doubt you did not ask them.
• 22:04
  Speaker 1: After a close scrutiny of the little laboratory and of
• 22:07
  Speaker 1: the staircase leading up through the attic, Rotabille, to whom
• 22:12
  Speaker 1: we seemed no longer to exist, entered the laboratory. I
• 22:16
  Speaker 1: followed him. It was I confessed, in a state of
• 22:20
  Speaker 1: great excitement. Robert Arzac lost none of my friend's movements.
• 22:26
  Speaker 1: As for me, my eyes were drawn at once to
• 22:29
  Speaker 1: the door of the yellow room. It was closed, and,
• 22:33
  Speaker 1: as I immediately saw, partially shattered and out of commission.
• 22:39
  Speaker 1: My friend, who went about his work methodically, silently studied
• 22:43
  Speaker 1: the room in which we were. It was large and
• 22:47
  Speaker 1: well lighted. Two big windows almost bays, were protected by
• 22:52
  Speaker 1: strong iron bars, and looked out upon a wide extent
• 22:57
  Speaker 1: of country through and open in the forest. They commanded
• 23:02
  Speaker 1: a wonderful view through the lengths of the valley and
• 23:05
  Speaker 1: across the plain to the large town, which could be
• 23:09
  Speaker 1: clearly seen in fair weather. To day, however, a mist
• 23:14
  Speaker 1: hung over the ground and blood in that room. The
• 23:18
  Speaker 1: whole of the side of the laboratory was taken up
• 23:21
  Speaker 1: with a large chimney, crucibles, ovens, and such implements as
• 23:27
  Speaker 1: are needed for chemical experiments, tables loaded with files, papers, reports,
• 23:35
  Speaker 1: and electrical machine and apparatus, as Monsieur Darzac informed me,
• 23:41
  Speaker 1: employed by Professor Stangerson to demonstrate the dissociation of matter
• 23:46
  Speaker 1: under the action of solar light and other scientific implements.
• 23:51
  Speaker 1: Along the walls were cabinets, plain or glass fronted, through
• 23:56
  Speaker 1: which were visible microscopes, special photographic apparat and a large
• 24:01
  Speaker 1: quantity of crystals. Rouletabille, who was sperriting in the chimney,
• 24:06
  Speaker 1: put his fingers into one of the cusables. Suddenly he
• 24:11
  Speaker 1: drew himself up and held up a piece of half
• 24:14
  Speaker 1: consumed paper in his hand. He stepped up to where
• 24:18
  Speaker 1: we were talking by one of the windows. Keep that
• 24:21
  Speaker 1: for us, Missie Darzac, he said. I bent over the
• 24:26
  Speaker 1: piece of scorched paper, which Monsieur Darzac took from the
• 24:29
  Speaker 1: hand of Rouletabille, and read distinctly the only words that
• 24:33
  Speaker 1: remained legible. Presbytery lost nothing charm nor the gar its brightness.
• 24:44
  Speaker 1: Twice since the morning, these same meaningless words had struck me,
• 24:49
  Speaker 1: and for the second time I saw that they produced
• 24:52
  Speaker 1: on the suburn professor the same paralyzing effect. Monsie Darzac's
• 24:57
  Speaker 1: first anxiety showed itself when and he turned his eyes
• 25:01
  Speaker 1: in the direction of da Dejacques, but occupied as he
• 25:05
  Speaker 1: was at another window, he had seen nothing. Then, trembling,
• 25:11
  Speaker 1: opening his pocket book, he put the piece of paper
• 25:15
  Speaker 1: into it, sighing, my God. During this time, Rouletabille had
• 25:22
  Speaker 1: mounted into the opening of the ferry grate, that is
• 25:25
  Speaker 1: to say, he had got upon the bricks of a
• 25:28
  Speaker 1: furnace and was attentively examining the chimney, which grew narrower
• 25:33
  Speaker 1: towards the top, the outlet from it being closed with
• 25:37
  Speaker 1: sheets of iron fastened into the brickwork, through which passed
• 25:42
  Speaker 1: three small chimneys. Impossible to get out that way, he said,
• 25:48
  Speaker 1: jumping back into the laboratory. Besides, even if he had
• 25:52
  Speaker 1: tried to do it, he would have brought all that
• 25:55
  Speaker 1: iron work down to the ground. No, no, it is
• 25:59
  Speaker 1: not on that side. We have to search. Rouletabill next
• 26:03
  Speaker 1: examined the furniture and opened the doors of the cabinet.
• 26:08
  Speaker 1: Then he came to the windows, through which he declared
• 26:12
  Speaker 1: no one could possibly have passed. At the second window,
• 26:16
  Speaker 1: he found Dad Dejacques in contemplation. Well, Dad Dejacques, he said,
• 26:22
  Speaker 1: what are you looking at? That policeman who is always
• 26:26
  Speaker 1: going round and round the lake? Another of those fellows
• 26:30
  Speaker 1: who think they can see better than anybody else. You
• 26:34
  Speaker 1: don't know Frederic Larson, Dad Jacques, or you wouldn't speak
• 26:38
  Speaker 1: of him in that way, said Rouletabill, in a melancholy tone.
• 26:42
  Speaker 1: If there is any one who will find the murderer,
• 26:45
  Speaker 1: it will be he, and Rouletabill heaved a deep sigh.
• 26:50
  Speaker 1: Before they find him, they will have to learn how
• 26:54
  Speaker 1: they lost him, said Daddi Jacques stolidly. At lunch we
• 27:00
  Speaker 1: reached the door of the Yellow room itself. There is
• 27:04
  Speaker 1: the door behind which some terrible scene took place, said Rouletabille,
• 27:09
  Speaker 1: with a solemnity, which under any other circumstance would have
• 27:14
  Speaker 1: been comical. End of Chapter six