Latest / The Bald Brothers Podcast / 96: Top Black Comedies | #TheBaldBrothersPodcast

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96: Top Black Comedies | #TheBaldBrothersPodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: Oh, man, window, look out the window. No more we
• 0:02
  Speaker 1: need I don't look out the window, but I need
• 0:04
  Speaker 1: that window.
• 0:04
  Speaker 2: Actually, it kind of freaks me out every time we
• 0:06
  Speaker 2: take off what we're doing. When I look outside and
• 0:11
  Speaker 2: you see how big that plane is, especially if it's
• 0:15
  Speaker 2: the bigger the plane, the more the thought is, you're
• 0:18
  Speaker 2: just like when you walk down, you're like, man, this
• 0:21
  Speaker 2: thing should not be able to remember when I worked
• 0:23
  Speaker 2: at Boeing, we went to the big factory and everywhere
• 0:27
  Speaker 2: they work make like the seven seventy seven is and
• 0:29
  Speaker 2: the seven eight seven or seven four to seven. Man,
• 0:31
  Speaker 2: the engine is like three times you and it's just like, how.
• 0:36
  Speaker 1: We It's so heavy and I get it like I
• 0:40
  Speaker 1: get it lift and velocity.
• 0:43
  Speaker 2: Trust me, it's it's a flying cigard to and the
• 0:48
  Speaker 2: things are the alloy is thin. It's gotta be like
• 0:53
  Speaker 2: to be like, it's freaky. Man.
• 0:56
  Speaker 1: Every every flight that I'm on, I look out that
• 0:58
  Speaker 1: window see us lift off.
• 1:00
  Speaker 2: I just be like, man, I go away from it.
• 1:03
  Speaker 1: At any moment, I.
• 1:05
  Speaker 2: Go away from it because you're just like and the
• 1:07
  Speaker 2: thing is how quick the stuff gets small.
• 1:10
  Speaker 1: Oh my god.
• 1:11
  Speaker 2: It's like when cities just look like square, like you
• 1:14
  Speaker 2: can see rids. We're just looking at grids and in
• 1:18
  Speaker 2: the car it started looking like you're playing the sims
• 1:20
  Speaker 2: and then you just can't see anything. Then you wake
• 1:23
  Speaker 2: up in your brother clouds.
• 1:24
  Speaker 1: You're like, I'm just like I think about it every flight,
• 1:26
  Speaker 1: every time, every time. It's never been a flight helicopter.
• 1:34
  Speaker 2: I would buy it. It's small, it's got the one
• 1:37
  Speaker 2: thing it's l like. I get it, and it it
• 1:40
  Speaker 2: goes up straight like you can see, oh generating, it's
• 1:43
  Speaker 2: pushing down helicopter when I flew in. That doesn't bother me.
• 1:47
  Speaker 2: But plane, you.
• 1:54
  Speaker 1: Haven't been in a helicopter.
• 1:56
  Speaker 2: We were in Hawaii. Did the Jurassic Park? Uh the fly?
• 2:00
  Speaker 1: Yeah, it's crazy? Is it scary? No?
• 2:03
  Speaker 2: Just like, man, this is beautiful. But but Lissa said Aftercobe,
• 2:05
  Speaker 2: She's like, we're never doing.
• 2:07
  Speaker 1: Oh Kobe doors. Oh you did the one with the
• 2:12
  Speaker 1: Vietnam it's the good Morning ray cam. Was your arm
• 2:17
  Speaker 1: hanging out?
• 2:18
  Speaker 2: Were you strapped in.
• 2:23
  Speaker 1: What cow? Yeah?
• 2:25
  Speaker 2: You people, Wow, there's no reason you should be in
• 2:31
  Speaker 2: the helicopter, no doors, with nothing.
• 2:32
  Speaker 1: You should be locked into the hardest seal me in
• 2:37
  Speaker 1: nah Cam, I can't be in there. Roll like that Lord,
• 2:41
  Speaker 1: that's that's the Vietnam extraction.
• 2:44
  Speaker 2: That's not that's the one song of you, my fa
• 2:50
  Speaker 2: favorite part of the movie. That way, they always get
• 2:56
  Speaker 2: to the ladding. All right, Tucky, drop your gear here, man,
• 2:59
  Speaker 2: this is Tirs Man. He's gonna show you up. Grab
• 3:02
  Speaker 2: some child over there. Man, we're gonna head off. It's
• 3:04
  Speaker 2: always always chaos on the land when they get to
• 3:08
  Speaker 2: the cab. Yeah, man, grab you some ChIL mate. Best
• 3:10
  Speaker 2: Lieutenant Day, make sure to keep dry.
• 3:12
  Speaker 1: Smoot day and be like man, y'all don't even have
• 3:15
  Speaker 1: no warm up to the Vietnam none of it.
• 3:18
  Speaker 2: They straight to.
• 3:19
  Speaker 1: The balls to the wall in man. I love the
• 3:23
  Speaker 1: smell of napalm in the morning. Yeah, we out here
• 3:39
  Speaker 1: is the thick of it. Baby, We're in the thick
• 3:42
  Speaker 1: of it now, baby.
• 3:43
  Speaker 2: Oh my god. All right, welcome to the bar Brothers
• 3:46
  Speaker 2: Podcast with Kep on stage and Baker there we go.
• 3:50
  Speaker 2: We're doing this podcast because we're friends and we wanted
• 3:52
  Speaker 2: to do a podcast together. Because you're at work, likely
• 3:56
  Speaker 2: and you don't want to all right, turn that letter.
• 4:00
  Speaker 2: It ain't gonna fire you quit your job. Quit your job.
• 4:03
  Speaker 2: As long as you.
• 4:03
  Speaker 1: Don't quit our patreons the money. You get the money,
• 4:07
  Speaker 1: how you get it. But this podcast is just the
• 4:08
  Speaker 1: reason for us to talk about movies. We disguised it
• 4:10
  Speaker 1: with other topics. Today there's no disguise. Top ten Black
• 4:16
  Speaker 1: comedies of all time.
• 4:18
  Speaker 2: This is tough, all right. We gotta narrow and we
• 4:22
  Speaker 2: might have to argue on this one tone. We might
• 4:24
  Speaker 2: have to argue. We got to get the strongest list
• 4:26
  Speaker 2: present to other cultures because we're not doing the personal.
• 4:30
  Speaker 2: Now we're going together, okay, but we gotta If you
• 4:33
  Speaker 2: feel like keV, this is weak, put this on. You
• 4:36
  Speaker 2: gotta present to the other cultures. Oh got, okay, go
• 4:38
  Speaker 2: go the white people, they're gonna present their top ten.
• 4:41
  Speaker 2: We are the delegation for the Blacks, for the blacks
• 4:44
  Speaker 2: of the top ten comedies. We're stacking up against the
• 4:46
  Speaker 2: Latino comedies, agent comedies. Let's get all right, who went first?
• 4:52
  Speaker 1: Last time? I did you kick it first? Kick it off?
• 4:56
  Speaker 2: I'm gonna go. I already know what you're doing. You
• 4:58
  Speaker 2: know what I'm going with. I'm still one of coming
• 5:00
  Speaker 2: to it.
• 5:00
  Speaker 1: I knew it, I knew I knew you. I knew
• 5:04
  Speaker 1: It's okay to know known. Marshawn is gonna run the patress.
• 5:10
  Speaker 1: Who cares to you know? You still gotta tackle them?
• 5:12
  Speaker 1: You still run it four times? Man, this is you
• 5:17
  Speaker 1: know Michael Jordan's getting the shot. They still passed it.
• 5:21
  Speaker 2: Who cares?
• 5:21
  Speaker 1: Coming to America? Is that move?
• 5:24
  Speaker 2: That movie?
• 5:26
  Speaker 1: Comedy, perfect comedy.
• 5:27
  Speaker 2: The only problem I have with this movie, and it's
• 5:29
  Speaker 2: not the comedy. The last fifteen to twenty you fade
• 5:34
  Speaker 2: out by the last thing I remember laughing at and
• 5:38
  Speaker 2: enjoying is the train. If you're really a prince out
• 5:41
  Speaker 2: Aria after that started over.
• 5:47
  Speaker 1: I have a lot of comedies fail in the last
• 5:50
  Speaker 1: most comedies phase resolution.
• 5:54
  Speaker 2: They they don't have them. We up to the funny
• 5:57
  Speaker 2: games too there right, wrapping it up.
• 6:02
  Speaker 1: They'd be like, it's hard, it's hard, it's hard.
• 6:05
  Speaker 2: Wrap jud Avatad does a hard turn. He always goes
• 6:08
  Speaker 2: for the heart strings for another forty five minutes, which works,
• 6:11
  Speaker 2: sometimes doesn't work, or what I think happens, there's just
• 6:16
  Speaker 2: not enough time, like people want to wrap it up quickly,
• 6:20
  Speaker 2: or there wasn't enough story told to make a worthy
• 6:22
  Speaker 2: wrap up in the third act, you know what I'm saying. So,
• 6:27
  Speaker 2: but all that being said.
• 6:29
  Speaker 1: I'm trying to think of what happens in the last
• 6:31
  Speaker 1: fifteen minutes.
• 6:32
  Speaker 2: So that's when he's when Amani is like, he's basically
• 6:36
  Speaker 2: chasing her. He's trying to get back with her because
• 6:40
  Speaker 2: on the on the train ride, he's trying to get
• 6:41
  Speaker 2: to her house and she's like, no, I don't want
• 6:43
  Speaker 2: to I don't want to be with you. It's like that,
• 6:45
  Speaker 2: and then they get married and they got the wedding scene.
• 6:48
  Speaker 1: When did they have the issue at the mcdowald house.
• 6:51
  Speaker 1: Is that in the last fifteen.
• 6:52
  Speaker 2: Minutes that I believe is probably the last twenty five
• 6:56
  Speaker 2: I think that's before that. That's the blow up when
• 6:59
  Speaker 2: she finds out who he really is.
• 7:01
  Speaker 1: Okay, yeah, because his parents show up.
• 7:03
  Speaker 2: Yeah, okay, But I'm trying to think of when that.
• 7:06
  Speaker 1: Moment you feel like it ran out. I gotta look
• 7:10
  Speaker 1: at it. I gotta look at coming.
• 7:11
  Speaker 2: To the more. The thing is no joke. After that
• 7:14
  Speaker 2: training scene, I haven't watched the rest of the movie
• 7:19
  Speaker 2: because I just was after a couple of times, I
• 7:20
  Speaker 2: was like, man, I don't really like nothing else that happens,
• 7:23
  Speaker 2: and I really like everything that happens up until that
• 7:26
  Speaker 2: point of course, So but anyway, still I'm not hard
• 7:29
  Speaker 2: when I'm coming to America. I feel like it's a
• 7:32
  Speaker 2: flawless addition to black cinema. It's got a great story
• 7:39
  Speaker 2: for me, like simple story.
• 7:41
  Speaker 1: Story is simple. The characters are super likable. It's mad
• 7:45
  Speaker 1: likable characters. The quotables, the quotables are all the chain.
• 7:50
  Speaker 1: Just it's just it's perfect.
• 7:52
  Speaker 2: That might be my gun to my head. You have
• 7:54
  Speaker 2: to quote the most of any movie in the world,
• 7:57
  Speaker 2: probably like that the Barbershop Seek with Ye Randy.
• 8:02
  Speaker 1: Every time we bring up by it right out loud,
• 8:07
  Speaker 1: so funny. The movie I'm picking is probably can go
• 8:10
  Speaker 1: toe to toe on quotables.
• 8:12
  Speaker 2: Really yeah, really.
• 8:15
  Speaker 1: My first pick total is Friday. Down there. The whole
• 8:21
  Speaker 1: movie is quotable. Friday has to be on.
• 8:24
  Speaker 2: Friday nails the resolution it does.
• 8:26
  Speaker 1: The resolution is firing.
• 8:28
  Speaker 2: Friday nails it because you know you got the money stuff.
• 8:34
  Speaker 1: Yeah.
• 8:34
  Speaker 2: But Craig and Dee Bowl has been building.
• 8:37
  Speaker 1: That's a great ending too. I remember when I first
• 8:40
  Speaker 1: saw Friday, I was at a movie theater in Amarillo,
• 8:42
  Speaker 1: Texas because it wasn't playing in close. I was in close,
• 8:45
  Speaker 1: New Mexico at the times. We went to Amarillo, and
• 8:48
  Speaker 1: when that scene came up, he pulled the gun and
• 8:51
  Speaker 1: he shot it.
• 8:52
  Speaker 2: Yeah.
• 8:53
  Speaker 1: I was like, oh, this movie just took a turn dark.
• 9:00
  Speaker 1: We just got Hood real quick. And this is at
• 9:02
  Speaker 1: the time when Hood movies was thick. It's all just like,
• 9:06
  Speaker 1: oh we we had to have this.
• 9:08
  Speaker 2: Yeah.
• 9:09
  Speaker 1: I was just like, damn. And then the switches it
• 9:12
  Speaker 1: was just him imagining that. Oh my god. And then
• 9:15
  Speaker 1: the fight was exciting.
• 9:18
  Speaker 2: And the pop pops lesson Yeah, win something you lose.
• 9:22
  Speaker 2: Here's the thing where I think Coming to America work.
• 9:24
  Speaker 2: But I do agree on quotables yea. But the set
• 9:27
  Speaker 2: pieces in Coming to America was just like, man, the
• 9:32
  Speaker 2: whole all the barber shop scenes, Eddie our Sineo and
• 9:37
  Speaker 2: even Clyde the other black dude, was just like, remind
• 9:40
  Speaker 2: me of the other dude in Harlem Knights who just
• 9:43
  Speaker 2: shot the gun the other barber. It wasn't Eddie or
• 9:47
  Speaker 2: he was funny, they were, but Brandy Watson. I remember
• 9:50
  Speaker 2: being like the first time I saw that, I was like, man,
• 9:53
  Speaker 2: this is just. I was like, play so beautiful. Don't
• 9:58
  Speaker 2: you agree? Like I was just like, it's just And
• 10:06
  Speaker 2: I like even when in that song when they go
• 10:10
  Speaker 2: to the the other people and Randie's quiet it's still funny.
• 10:16
  Speaker 2: He's staying on the low end, make them easier. The
• 10:20
  Speaker 2: way he was doing it, the way he dropped the marcat.
• 10:23
  Speaker 1: Was like it was so it was so dramatic, random,
• 10:28
  Speaker 1: so much happening in that scene.
• 10:30
  Speaker 2: The dude put the chicken ball, Why would that be
• 10:33
  Speaker 2: the trash? I thought that was a trash.
• 10:37
  Speaker 1: And and and them playing multiple characters was so seamless,
• 10:42
  Speaker 1: or Eddie, it was so seamless.
• 10:45
  Speaker 2: And I loved that at that time my life. It
• 10:47
  Speaker 2: was Martin was doing all like for me. I didn't
• 10:50
  Speaker 2: watch Them to America when it first came out. I
• 10:52
  Speaker 2: watched it on the like later sold.
• 10:55
  Speaker 1: And when did you first see Coming to America?
• 10:58
  Speaker 2: Funny thing about it, I don't remember not not seeing it.
• 11:01
  Speaker 2: I just know it came out with eighty eight or
• 11:03
  Speaker 2: eighty eight eighty eight. I know we didn't go to
• 11:05
  Speaker 2: the theaters and watch it, Okay, definitely, I mean at
• 11:09
  Speaker 2: that time I was going in theaters, was not. We
• 11:12
  Speaker 2: didn't go all the time.
• 11:14
  Speaker 1: Yeah, for sure, we're not gonna put our butts and
• 11:16
  Speaker 1: he's dirty, secular seat.
• 11:18
  Speaker 2: We're gonna just watch the exact movie. Jesus would be here.
• 11:21
  Speaker 2: We're not gonna be there the same movie at home though,
• 11:25
  Speaker 2: and it's totally fun. I ever tell you what end
• 11:27
  Speaker 2: up happening.
• 11:27
  Speaker 1: Why my family believe that My pastor said it was
• 11:30
  Speaker 1: a sin, just my personal pastor.
• 11:32
  Speaker 2: Yeah, so I thought it was for all Christians. When
• 11:35
  Speaker 2: I was older, I asked my grandma what he was like.
• 11:37
  Speaker 2: She was like, oh, yeah, his son was having sex
• 11:39
  Speaker 2: and movie theaters and I was like, so so we
• 11:44
  Speaker 2: all that became a because we was on I just
• 11:47
  Speaker 2: want to watch the Lion King and stuff like I don't.
• 11:49
  Speaker 2: I don't want to watch sex movies. It was like
• 11:51
  Speaker 2: everything our movies inherently.
• 11:53
  Speaker 1: Yeah, theater and seat you're sitting in watching your Lion King.
• 11:58
  Speaker 2: And then I went and had sex, and you know
• 12:01
  Speaker 2: it comes back. But noah, I think even when uh,
• 12:10
  Speaker 2: when the Key was talking about the football game, they
• 12:13
  Speaker 2: kicked an oblong ball through a giant age, it was
• 12:15
  Speaker 2: most exhilarated, Like and Sam Jackson was in there already
• 12:19
  Speaker 2: he was he was he was already old, no.
• 12:23
  Speaker 1: No nonsense from from jump you disease right now, pizzle pizzle.
• 12:30
  Speaker 1: I wanted to be the Landlord so bad. That's not
• 12:32
  Speaker 1: the character I want to play, man. I wanted that role.
• 12:39
  Speaker 1: Falling down the stairs. Crap on me, your wrints do.
• 12:46
  Speaker 1: I felt that in my soul because if you owe
• 12:49
  Speaker 1: me rent and I say you falling down the stairs,
• 12:52
  Speaker 1: I'm not gonna show no compassion. I'm like your rents due,
• 12:56
  Speaker 1: don't pull that falling down stairs. He was like, he's
• 13:01
  Speaker 1: like like man.
• 13:04
  Speaker 2: And I love. When they traded apartments with him, Oh man,
• 13:08
  Speaker 2: it was like, this is really not.
• 13:10
  Speaker 1: He was living in there. He was in the Jacuzi
• 13:14
  Speaker 1: art man. Well he dropped him off. He boys from
• 13:17
  Speaker 1: Africa used to that like.
• 13:23
  Speaker 2: Super racist, now super super It hurt us growing up
• 13:28
  Speaker 2: in America with no concept of Africa fan. The movie
• 13:31
  Speaker 2: did not help.
• 13:32
  Speaker 1: Oh my god. When they had on all their wares
• 13:35
  Speaker 1: outside in the community, that was so funny to me.
• 13:38
  Speaker 1: They were just out there. They had the first coats
• 13:40
  Speaker 1: on the necklaces.
• 13:41
  Speaker 2: On the necklaces were big boxes of gold.
• 13:45
  Speaker 1: With chilling out there. I was like, this is hilarious.
• 13:49
  Speaker 2: Oh he had nothing but the entrepreneur nigga nice gotta
• 13:55
  Speaker 2: be eight dollars.
• 13:58
  Speaker 1: I mean, bro, yeah, those two, those two movies right
• 14:02
  Speaker 1: there go to.
• 14:04
  Speaker 2: Other cultures are gonna have a hard time, all right.
• 14:06
  Speaker 2: Number three.
• 14:08
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• 14:20
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• 14:23
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• 14:28
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• 14:31
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• 14:33
  Speaker 1: Nah man, life is happening now outside of rent, mortgage,
• 14:38
  Speaker 1: car payment, and utilities everything else day by day. You
• 14:42
  Speaker 1: know what I'm saying. So you gonna need that money.
• 14:44
  Speaker 1: But it be a car issue, a medical issue. Uh.
• 14:48
  Speaker 1: The kids got a project, they gotta work on it.
• 14:50
  Speaker 1: You gotta get the supplies. You never notice that day
• 14:53
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• 17:12
  Speaker 2: I'm gonna jump out with Life.
• 17:13
  Speaker 1: I like Life.
• 17:14
  Speaker 2: I'm staying with Eddie Murphy. I like life, really proud
• 17:17
  Speaker 2: of Martin. Man Martin was the perfect I'm sad they
• 17:22
  Speaker 2: didn't do nothing else.
• 17:24
  Speaker 1: Together together after that boomerang in life, but Man Martin
• 17:28
  Speaker 1: was great. Eddie was in rare form in life.
• 17:33
  Speaker 2: Life is a more tragic like actual story story or telling.
• 17:38
  Speaker 2: Super Sad and the other resolution in life too.
• 17:41
  Speaker 1: They did. But the comedy in life, that's that's Eddie
• 17:45
  Speaker 1: Murphy's to me, that's my second favorite. Eddie Murphy is
• 17:49
  Speaker 1: coming to America in life. Yes, Life is number two.
• 17:52
  Speaker 1: Life has slowly climbed up year after year for me too,
• 17:57
  Speaker 1: And every time I watched Life, I'd be dying like
• 17:59
  Speaker 1: I never seen.
• 18:00
  Speaker 2: It, dying like I never seen it holds up partly
• 18:04
  Speaker 2: because the period piece, the ending is strong.
• 18:07
  Speaker 1: Ray said, when they get old, it gets even funnier
• 18:11
  Speaker 1: to all.
• 18:12
  Speaker 2: They went to and again we said, the third act
• 18:14
  Speaker 2: is tougher, Martin old with the toe in.
• 18:17
  Speaker 1: The Oh my god, this got a toe in the bottle.
• 18:21
  Speaker 1: And I love the fact that Martin was the straight man,
• 18:24
  Speaker 1: the cranky man all the way up. But then when
• 18:28
  Speaker 1: when they got old, Eddie's now cranky and Martin was
• 18:32
  Speaker 1: hilariously loose, and.
• 18:35
  Speaker 2: I was just, man, the pot was too hot.
• 18:41
  Speaker 1: That argument they have in the bedroom about to say
• 18:45
  Speaker 1: that that scene is perfect, I know it word for word, though,
• 18:50
  Speaker 1: He's like, what you're looking at? Ray? Just what the
• 18:53
  Speaker 1: fuck you looking at? Ray? I noticed you? And uh
• 19:01
  Speaker 1: my my a friend and lady man, what y'all want
• 19:04
  Speaker 1: to be a couple of something. Y'all got brewing, When
• 19:06
  Speaker 1: I got brewing? What I got brewing?
• 19:08
  Speaker 2: Ray? You tell me.
• 19:13
  Speaker 1: I got an ass whooman from brewing?
• 19:15
  Speaker 2: For you?
• 19:15
  Speaker 1: Ray, you don't quitch fuck with me. He is an
• 19:18
  Speaker 1: old man. I like to talk. That's all that is.
• 19:20
  Speaker 1: That's all that in. Oh here, old man like to talk. Well,
• 19:23
  Speaker 1: I'm a old man. I like to talk to what
• 19:25
  Speaker 1: you want to talk about. What you want to talk about, Ray,
• 19:27
  Speaker 1: I'm gonna talk about the plan you've been working on.
• 19:33
  Speaker 1: I know you, Nick, I know you got something. The
• 19:37
  Speaker 1: face he was looking at, I know you. He was like,
• 19:43
  Speaker 1: kiss my ass, Ray, Wyn't you just go to sleep, man,
• 19:46
  Speaker 1: I'm going to sleep. I'm gonna go to sleep. I'm
• 19:49
  Speaker 1: gonna go to sleep. And he was like, you pistol
• 19:54
  Speaker 1: the bill that week? Ass batter, Yo? What if I do?
• 19:56
  Speaker 1: If I do, then I'm gonna put the sheets on you.
• 19:58
  Speaker 1: And you can see Martin Krack. You can see him
• 20:01
  Speaker 1: cracking there. I will put the sheets on you. He's like,
• 20:04
  Speaker 1: she's tight. Nick. Cut the light off. That scene is perfect.
• 20:10
  Speaker 2: Oh my god, I love the scene. I want to
• 20:15
  Speaker 2: actually recreate this with you. We talked about doing for
• 20:17
  Speaker 2: the ball when they try to get the whites only
• 20:20
  Speaker 2: pie and Eddie is Martin is not assessing the situation. No,
• 20:25
  Speaker 2: I know, I washed it back again. I'm like Martin
• 20:28
  Speaker 2: never looks around. He's like, I want the pie.
• 20:30
  Speaker 1: I want the pie.
• 20:31
  Speaker 2: Man. I got to do all this for some damn pie. Man.
• 20:36
  Speaker 1: We want to get Billy.
• 20:38
  Speaker 2: We want you know my name? He says on your shirt, y'all,
• 20:43
  Speaker 2: boy can read so good? Did you see side.
• 20:48
  Speaker 1: Color? The casting of that white woman was perfect because.
• 20:54
  Speaker 2: She was my Marge.
• 20:55
  Speaker 1: Marge, you ain't read that signe over there. Okay, we
• 21:03
  Speaker 1: wasn't taking the whites only pie in the Nigga Pie.
• 21:07
  Speaker 1: How about I tear y'all in the Nigga Pie? So
• 21:09
  Speaker 1: you say was still pissed.
• 21:13
  Speaker 2: Bro Eddie snuck in a little joke in that scene.
• 21:17
  Speaker 2: He was about the rescue or something. He was like,
• 21:19
  Speaker 2: why would she know that he's snucking in on the cools.
• 21:24
  Speaker 2: Eddie's looking around. He's like, I don't think man, I'm hungry. Man.
• 21:29
  Speaker 1: I know y'all was in serious about your pies. That
• 21:35
  Speaker 1: movie is so good.
• 21:36
  Speaker 2: Uh, And we only talked about Eddie and Martin when
• 21:41
  Speaker 2: they get to the jail. Oh my God, they had
• 21:45
  Speaker 2: every great black comedian all but they had Joe Torri
• 21:51
  Speaker 2: got to I'm sorry, got Tori.
• 21:54
  Speaker 1: And and and he baby Anthony. They had Bernie ma
• 22:00
  Speaker 1: Bernie Mac, they had Miguel Junior Man, Bernie matt As,
• 22:07
  Speaker 1: Jangle leg oh Man.
• 22:08
  Speaker 2: How many times? How long we.
• 22:13
  Speaker 1: Years? And it was like the scene, the scene that's
• 22:19
  Speaker 1: perfection to me as far as a comedic ensemble. One
• 22:23
  Speaker 1: scene is fired when you know Eddie Murphy is reading
• 22:26
  Speaker 1: the letter to one of the inmates. It's just like,
• 22:31
  Speaker 1: who else want we reading now? But the scene that's
• 22:33
  Speaker 1: perfection is when everybody's revealing what everybody did to get
• 22:37
  Speaker 1: put in jail, and it's going back and forth. It's
• 22:40
  Speaker 1: just like you the one made a jacket out of him,
• 22:44
  Speaker 1: I'm the one. And that which one of your niggas
• 22:46
  Speaker 1: killed Santa Claus, Well, I wouldn't Santa Claus. It was
• 22:48
  Speaker 1: he was just wearing the suit, ringing the bell. It
• 22:50
  Speaker 1: was just like boom boom, boom boom. Every day he
• 22:53
  Speaker 1: was just bringing the bell. So it was just perfection
• 23:00
  Speaker 1: a comedity.
• 23:00
  Speaker 2: Wan and that and one of my favorite just feel
• 23:04
  Speaker 2: good scenes and Martin Ruins it is the boom boom room.
• 23:07
  Speaker 1: When they think about that boom boom room and heaven.
• 23:10
  Speaker 1: It was just like, tell me about that boom boom yeah. Oh, man, man,
• 23:15
  Speaker 1: you know what I'm saying. You gonna have gambling there.
• 23:17
  Speaker 1: Oh you knew, just for you. I made that steak
• 23:20
  Speaker 1: just for you. Cook Martin shows up like go get get.
• 23:26
  Speaker 2: Us, yardbird boy. Martin, shut up. I'm trying to hear
• 23:32
  Speaker 2: all man, Man, you shut up. Man, you talk about
• 23:35
  Speaker 2: the boom boom room. Man, it was so so good.
• 23:41
  Speaker 2: The story is good, but the just funny wise this
• 23:45
  Speaker 2: I say this all the time when they was we
• 23:46
  Speaker 2: can't get right. They got him to play baseball and
• 23:49
  Speaker 2: the white took the d like he walked off school
• 23:51
  Speaker 2: with my drink and it did walk.
• 23:53
  Speaker 1: He noticed it. He was like he won't go spool
• 23:55
  Speaker 1: my drink. Man. Were trying to all get out of jail,
• 23:58
  Speaker 1: like we chalking on to get him.
• 24:02
  Speaker 2: Ah god, so good. All right, so you're up.
• 24:06
  Speaker 1: Okay, number four, number four, I'm putting in Uh, I'm
• 24:15
  Speaker 1: putting house party in there. Okay, I'm putting house party.
• 24:19
  Speaker 2: How many alone?
• 24:21
  Speaker 1: Yep? Okay, house party. I watched that now, still laugh.
• 24:26
  Speaker 1: You're talking about the one with coriginal Robin Hell. No,
• 24:32
  Speaker 1: I don't know.
• 24:32
  Speaker 2: I just want to make sure.
• 24:33
  Speaker 1: Absolutely now nineteen ninety can't play Robin Harris, John Witherspoon,
• 24:41
  Speaker 1: George Clinton full force, take your fucking as old house
• 24:48
  Speaker 1: party for show.
• 24:50
  Speaker 2: Robin Robin Harris Man when he.
• 24:52
  Speaker 1: Got to the party and started roasting them up in
• 24:54
  Speaker 1: that party, Oh, I should have known you was here.
• 24:57
  Speaker 1: I've seen you're dripping from the driveway. He had no
• 25:01
  Speaker 1: problem founding followed. That was AJ Johnson, He was roasted. Yeah, yeah,
• 25:06
  Speaker 1: the curl. That was AJ Johnson. Oh house saw that
• 25:11
  Speaker 1: movie man perfect, That whole movie is.
• 25:15
  Speaker 2: He just wants to sneak out and go to He.
• 25:16
  Speaker 1: Just wants to go to the party. He got in
• 25:18
  Speaker 1: trouble for fighting his school. It wasn't his fault. The
• 25:20
  Speaker 1: bullies was on the bullies is still on them all throughout.
• 25:23
  Speaker 2: Yeah.
• 25:25
  Speaker 1: I don't know why these old ass niggas is in
• 25:27
  Speaker 1: high school. First of all, I don't know what they.
• 25:30
  Speaker 2: Thirty five years old playing football for the University of
• 25:33
  Speaker 2: Miami and they're supposed to be sixteen seventeen, and we
• 25:37
  Speaker 2: were just like right, sure, But only they worse than
• 25:40
  Speaker 2: that is the people in Greece.
• 25:42
  Speaker 1: Oh yeah, Greece. They were.
• 25:43
  Speaker 2: I said, this is a woman is forty eight years old.
• 25:46
  Speaker 2: Nobody's young but Rizzo Rizzo.
• 25:49
  Speaker 1: Oh my god, all up in the heights a lunch lady, like,
• 25:53
  Speaker 1: what is happening here?
• 25:54
  Speaker 2: You're dropping out, ma'am forty eight years old?
• 26:00
  Speaker 1: No crack.
• 26:00
  Speaker 2: That white woman was forty eight.
• 26:02
  Speaker 1: She was she was old.
• 26:04
  Speaker 2: No, no, no, nothing from me. I'm gonna throw this in.
• 26:08
  Speaker 2: I know how you feel. But for me, this was
• 26:11
  Speaker 2: my favorite movie for a long time. Little parody film
• 26:14
  Speaker 2: called I'm Gonna Get You sucker.
• 26:15
  Speaker 1: Oh yes, well, by love welcome, I'm gonna get your Yes.
• 26:22
  Speaker 1: That movie Let's get it, the Let's get It. There's
• 26:27
  Speaker 1: so many funny things. Chris Chris Rocks one rib, one
• 26:32
  Speaker 1: on the ribs. That scene is so long, so short
• 26:36
  Speaker 1: because he's like on the pribs.
• 26:41
  Speaker 2: His face was one rib. How much for the soda dollar?
• 26:51
  Speaker 1: Just my hand, pull it in my hand for a dime.
• 26:55
  Speaker 2: You get your man pulled out when you put out
• 26:58
  Speaker 2: the water water.
• 27:00
  Speaker 1: Oh. I thought that was comedy personified. That was my
• 27:06
  Speaker 1: intro to Chris Rock me too.
• 27:07
  Speaker 2: You got changed one.
• 27:09
  Speaker 1: Even though he was in Beverly Hills Cop two as
• 27:12
  Speaker 1: a valet. I didn't remember him from that, but I
• 27:16
  Speaker 1: remember him and I'm wanna get you because the faces
• 27:20
  Speaker 1: he was making and while he was talking. Man, it
• 27:22
  Speaker 1: was so funny to me.
• 27:24
  Speaker 2: One rib because Hammer and Slammer they had no customers.
• 27:28
  Speaker 2: Pissed off. You want one slice of a rock?
• 27:31
  Speaker 1: Was always funny about that scene. Though they give him
• 27:34
  Speaker 1: a big ass bag or something, he leaves there with
• 27:38
  Speaker 1: a big ass bag, Like what what did he put
• 27:41
  Speaker 1: in that bag? He left with a big ass bagg.
• 27:45
  Speaker 2: The scene where Kennan ivery Wayns is with the light
• 27:47
  Speaker 2: skinned girl and nothing is real. My eyes aren't really green.
• 27:53
  Speaker 2: And she took the button off.
• 27:55
  Speaker 1: She took a bootyo, titties was all once. She took
• 27:58
  Speaker 1: that leg off, and she had the and the sound
• 28:04
  Speaker 1: effects they had when the butt hit the grounds are
• 28:08
  Speaker 1: pink tony. The way he kicked off the wig when
• 28:12
  Speaker 1: she threw it on me. He kicked the wig off
• 28:18
  Speaker 1: like it was a creature.
• 28:22
  Speaker 2: And she had that little piece when there.
• 28:25
  Speaker 1: The little girl she was hopping over to home.
• 28:30
  Speaker 2: I used to watch that at my Sady's house every
• 28:32
  Speaker 2: single day. Man, when when Jim Brown's.
• 28:35
  Speaker 1: Told got you've been that stiff bunny. The last shout
• 28:40
  Speaker 1: of it looked like it was about the diden they
• 28:42
  Speaker 1: It was like I.
• 28:43
  Speaker 2: Was and Damon Wayne's him and Kadem Harrison.
• 28:47
  Speaker 1: Oh my god, that's the little hintsman.
• 28:49
  Speaker 2: When when the girl gets her period, which was the
• 28:51
  Speaker 2: first time I ever heard of that, so it like
• 28:53
  Speaker 2: scarred me a little.
• 28:54
  Speaker 1: Crash and he started screaming, had pits.
• 28:59
  Speaker 2: I wasn't screaming. I was whistling. I was whistling.
• 29:03
  Speaker 1: Those two as the thugs was mad funny than me though.
• 29:08
  Speaker 1: He was like always and they take the sticks. That
• 29:14
  Speaker 1: time when Bernie Casey was coming down the rope with
• 29:17
  Speaker 1: the dynamite and it blew up before he got this
• 29:20
  Speaker 1: death that was applied twist. I did not see coming.
• 29:24
  Speaker 1: He was repelling down there, the music going in there.
• 29:27
  Speaker 2: Bye. You just don't expect that to happen.
• 29:32
  Speaker 1: He blew up.
• 29:33
  Speaker 2: Oh my god.
• 29:35
  Speaker 1: Man, I'm gonna get you. Suck as fire.
• 29:37
  Speaker 2: I love that movie. The underrated scene is the black dude,
• 29:42
  Speaker 2: the super black dude with the white girl, my whiteash.
• 29:47
  Speaker 2: Let's do it. They had bean soa. He's like, sir,
• 29:51
  Speaker 2: I just can't do it right.
• 29:53
  Speaker 1: You like, yes, yes, well it was like we there
• 30:00
  Speaker 1: with Guns came out with Jobs Williams the third Oh yes, yes, wow.
• 30:12
  Speaker 1: You see.
• 30:15
  Speaker 2: I wanted to make parody movies forever because I just
• 30:18
  Speaker 2: thought I'm gonna get you suck, and I never The
• 30:20
  Speaker 2: funny thing about that movie is I didn't grow up
• 30:22
  Speaker 2: watching black supportation films, so I didn't.
• 30:24
  Speaker 1: Even know they were parroting the genre. Never solve it
• 30:29
  Speaker 1: because it's funny on its own themes.
• 30:31
  Speaker 2: I found that out later in the documentary because I
• 30:35
  Speaker 2: was born eighty three, that movies were like seventies Dola my,
• 30:38
  Speaker 2: that was a, you know, very important part of our culture.
• 30:41
  Speaker 2: But I didn't watch any of those. I just thought
• 30:44
  Speaker 2: that was I didn't know none of the tropes. I
• 30:46
  Speaker 2: was just like, man, they together had their own theme music.
• 30:53
  Speaker 2: It was just it was perfect. Made me laugh so
• 30:57
  Speaker 2: hard when I first saw Job. I love it. I
• 30:59
  Speaker 2: want the ways to get They deserve a documentary and
• 31:02
  Speaker 2: their contributions to black comedy period, but especially black.
• 31:06
  Speaker 1: There would be a fire documentary because there's so deep
• 31:09
  Speaker 1: into comedy streets from from working with Eddie Murphy and
• 31:12
  Speaker 1: all this other stuff and then coming through I'm Gonna
• 31:14
  Speaker 1: Get You Sucking to the living color to the post.
• 31:17
  Speaker 1: That is man, it's so thick.
• 31:20
  Speaker 2: Just I want to make it so thick. I don't
• 31:22
  Speaker 2: know how to make documentaries though, and I feel like
• 31:25
  Speaker 2: all the comics would know. One would turn you down
• 31:29
  Speaker 2: if you got to email, like, hey, we're doing a
• 31:31
  Speaker 2: documentary on the Waynes family, you should make this. I
• 31:34
  Speaker 2: don't know how to make documentary. We can find out.
• 31:36
  Speaker 2: There's a certain like it's a skin.
• 31:39
  Speaker 1: We know enough people the way we can get this
• 31:41
  Speaker 1: documentary made.
• 31:42
  Speaker 2: We probably do. And I want to do it while
• 31:45
  Speaker 2: they're alive.
• 31:45
  Speaker 1: Yeah, we got to do it now because Kenyan is
• 31:47
  Speaker 1: like sixty seven. He's in the sixties for sure. It
• 31:51
  Speaker 1: looks I feel like he's gonna be here for a
• 31:52
  Speaker 1: long time.
• 31:52
  Speaker 2: Yeah, me too. Their family was living long. But Damon Martin,
• 31:56
  Speaker 2: like I was watching I'm More Money. I was watching
• 32:00
  Speaker 2: that early. I don't remember not knowing them ninety two.
• 32:04
  Speaker 2: That was ninety two, that was nine. I was all
• 32:07
  Speaker 2: in on the wings from jumping on.
• 32:09
  Speaker 1: I couldn't get enough.
• 32:10
  Speaker 2: I thought it was so funny. Re Minding put his
• 32:12
  Speaker 2: leg up and he had to watch on his leg.
• 32:13
  Speaker 1: I said, how does he get his leg up?
• 32:16
  Speaker 2: Like he was like nineteen.
• 32:18
  Speaker 1: Yeah, he was young baby when he was threshing the game.
• 32:21
  Speaker 2: All right, you're up.
• 32:22
  Speaker 1: Listen, man, there's nothing worse than like a chaotic schedule.
• 32:27
  Speaker 1: You know, stuff you need done, stuff you need scent
• 32:30
  Speaker 1: when it's chaos and you got to get something like
• 32:33
  Speaker 1: quick in a short amount of time. I remember one time,
• 32:35
  Speaker 1: say't have nothing to do with nothing, But like I remember,
• 32:38
  Speaker 1: I left my wallet. I left my wallet at home,
• 32:42
  Speaker 1: and I was gonna take a train to Seattle. I'll
• 32:45
  Speaker 1: get to the train station. The train is leaving in
• 32:47
  Speaker 1: like thirty minutes. I get to the train station, which
• 32:49
  Speaker 1: is like thirty minutes from my house, and I, you know,
• 32:52
  Speaker 1: I forgot my wallet, so I had no ID, no
• 32:58
  Speaker 1: no ATM card. Luckily, you know, I already bought the
• 33:00
  Speaker 1: train tickets, so I was good. But once I got
• 33:03
  Speaker 1: to Seattle, I was just out there. You know. I'd
• 33:06
  Speaker 1: lists in Seattle, like I don't even know if I
• 33:08
  Speaker 1: can check it to my hotel without the proper ID.
• 33:11
  Speaker 2: So it was hectic, man.
• 33:12
  Speaker 1: So I had to I had to have my friend Janelle,
• 33:16
  Speaker 1: who watches my cats, she had to mail me my
• 33:20
  Speaker 1: whole like purse and send that to me and see
• 33:24
  Speaker 1: it it was chaos, man. It was the post office.
• 33:27
  Speaker 1: And I remember one time I was trying to get
• 33:29
  Speaker 1: some shirts delivered that I sell on the road and
• 33:33
  Speaker 1: I needed an order and it was kind of last minute.
• 33:35
  Speaker 1: So the stress of getting the shirts on time, and
• 33:38
  Speaker 1: like having those those shirts shipped to a hotel in
• 33:42
  Speaker 1: a different city and then have those go to the
• 33:45
  Speaker 1: hotel and the front desk and chaos is always ensuing.
• 33:50
  Speaker 2: Man.
• 33:50
  Speaker 1: But lit'sten. Life in general can be chaotic, but if
• 33:53
  Speaker 1: you're in charge of order fulfillment for an e commerce business,
• 33:58
  Speaker 1: you know that it's its own special kind of chaos.
• 34:01
  Speaker 1: But with ship Station, you can count on your day
• 34:03
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• 34:07
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• 34:17
  Speaker 1: your business because you never had to worry about shipping
• 34:20
  Speaker 1: and fulfillment again with ship station, Now, that's that's a
• 34:24
  Speaker 1: big that's a big load off. You got a business
• 34:27
  Speaker 1: going out here, the day to day and the shipping
• 34:29
  Speaker 1: and the fulfillment. If you could take that off your plate,
• 34:33
  Speaker 1: oh man, that makes everything that makes everything a little
• 34:35
  Speaker 1: bit better for you. You know what I'm talking about,
• 34:37
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• 34:41
  Speaker 1: because that that'll help with all the chaos that takes.
• 34:44
  Speaker 1: That takes I would say sixty seventy percent of the
• 34:47
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• 34:51
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• 35:26
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• 35:29
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• 35:43
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  Speaker 1: out to ship station and back to the Ball Brothers.
• 35:57
  Speaker 1: It's in that same vein. We still in the Keenan
• 36:00
  Speaker 1: ivory because he helped right this as well. Hollywood Shuffle.
• 36:04
  Speaker 2: I love it. I feel like this movie doesn't get
• 36:06
  Speaker 2: talked about it doesn't.
• 36:08
  Speaker 1: Hollywood Shuffle is, pound for pound, one of the funniest
• 36:11
  Speaker 1: movies breathing. And it's so relevant even even to this day.
• 36:17
  Speaker 1: When you when you're in the in the Hollywood Shuffle,
• 36:20
  Speaker 1: you're like, yo, this is this is dead on and
• 36:22
  Speaker 1: so and so. Now you know, back then it was
• 36:25
  Speaker 1: like pimps and drug dealers down now it would be
• 36:27
  Speaker 1: like wearing a dress, so that would be the so.
• 36:30
  Speaker 1: But Hollywood Shuffle makes so many points. But it's so
• 36:34
  Speaker 1: funny though, from top to bottom. The slavery sketches and
• 36:38
  Speaker 1: the sneaking into movies and all that, and the and
• 36:42
  Speaker 1: the cookie Head Jenkins, the murder mystery, so funny topped
• 36:47
  Speaker 1: the bottom with a great message of great story, independent
• 36:50
  Speaker 1: filmmaking at its finest. Hollywood Shuffle is one of the
• 36:53
  Speaker 1: funniest movies. We don't you got John Witherspoon in there,
• 36:57
  Speaker 1: You got Keenan Ivory Wins in there. You got Robert
• 37:00
  Speaker 1: Townsend doing this thing. Damon Ways is in there.
• 37:04
  Speaker 2: Yeah. So you just see all of this just just building.
• 37:07
  Speaker 2: And he was saying that that it was like born
• 37:11
  Speaker 2: out of his experience at the moment. He was like,
• 37:15
  Speaker 2: I'm auditioning getting this stuff, either not getting the roles
• 37:19
  Speaker 2: or getting them in there like this, and he was like, man,
• 37:22
  Speaker 2: I'm gonna make this.
• 37:23
  Speaker 1: I'm gonna make this movie.
• 37:24
  Speaker 2: And the fact that they could play updated right now,
• 37:27
  Speaker 2: you could play you could make that movie absolutely all
• 37:30
  Speaker 2: right now, Okay, now here's where it's gonna get tough.
• 37:34
  Speaker 1: It's hard coming up something. I think it's been playing
• 37:39
  Speaker 1: the whole time.
• 37:40
  Speaker 2: I'm trying to So let me ask you. Does Major
• 37:43
  Speaker 2: Payne count as a black comedy?
• 37:44
  Speaker 1: I don't think so. Why I don't consider it a
• 37:47
  Speaker 1: black movie?
• 37:48
  Speaker 2: Why? Though? What makes a black movie a black movie?
• 37:56
  Speaker 1: The cast is predominantly black? Which major which made the pain?
• 38:00
  Speaker 1: Is the only is the main white dude in like
• 38:03
  Speaker 1: two maybe three cadets are not black.
• 38:07
  Speaker 2: Because there was a main the older one I can't
• 38:09
  Speaker 2: think of his character name. He was the main one.
• 38:12
  Speaker 2: There was another one. I think there was only two
• 38:15
  Speaker 2: white kids in there, Bam bam, Bigelow's in there. But
• 38:18
  Speaker 2: it's a cameo.
• 38:20
  Speaker 1: I mean, if you say it's a black movie, I
• 38:23
  Speaker 1: won't be disgruntled. But it doesn't feel like a black
• 38:27
  Speaker 1: movie because it just it just happened. It doesn't and
• 38:33
  Speaker 1: it just happens to have a black league. I don't know.
• 38:39
  Speaker 1: I don't know either.
• 38:41
  Speaker 2: There's way more white people there. There's all kind of
• 38:43
  Speaker 2: white kids in there.
• 38:44
  Speaker 1: Oh okay, it's like five of them. Okay, so we
• 38:50
  Speaker 1: can't have it. I don't consider it a black film,
• 38:54
  Speaker 1: all right, but I could be mistaken. You know. I
• 38:59
  Speaker 1: don't know how we because I because I asked my
• 39:04
  Speaker 1: viewers about Major Pain before and they said they didn't
• 39:07
  Speaker 1: really consider that a black movie.
• 39:11
  Speaker 2: It does fit the type of movie that was coming
• 39:13
  Speaker 2: out during that time, for sure, you know what I'm saying,
• 39:15
  Speaker 2: Like Little Giants, it was like they made a lot
• 39:17
  Speaker 2: of movies. They just stopped making that those movies did.
• 39:21
  Speaker 2: I think it's I blamed Toy Story.
• 39:23
  Speaker 1: This is my because Toy Story came out with the cartoons.
• 39:27
  Speaker 2: Like they just was like and I don't know why,
• 39:29
  Speaker 2: because animated is way more fun. But we had from
• 39:31
  Speaker 2: the Goonies to Little Giants and all those kind of
• 39:34
  Speaker 2: kids movies. They just were like, all right, we don't
• 39:37
  Speaker 2: do that with.
• 39:38
  Speaker 1: The kids in the adults unless the kids gonna be
• 39:40
  Speaker 1: cussing exactly.
• 39:42
  Speaker 2: Okay, let me think, because that was gonna be one
• 39:44
  Speaker 2: of mine. Put it off to the side. From my
• 39:46
  Speaker 2: personal list.
• 39:50
  Speaker 1: I really enjoy Don't Be a Menace? Okay, I love
• 39:57
  Speaker 1: Don't Be a Menaced. I did grow up watching those movies,
• 40:01
  Speaker 1: so I had seen Boys in.
• 40:03
  Speaker 2: The Hood, uh, the Woman, Kane, New Jackson, No Society,
• 40:10
  Speaker 2: New jack I saw all though, so you you knew
• 40:12
  Speaker 2: what they were. So now I'm like, okay, you're getting
• 40:15
  Speaker 2: every joke now, Oh my god. And Marlon, Wayne's Martin
• 40:20
  Speaker 2: and Sean just they made a lot of funny movies
• 40:23
  Speaker 2: to me, which makes me wonder, just white Chicks a
• 40:24
  Speaker 2: black movie? No, but Don't Be Minaces? What's the different?
• 40:30
  Speaker 1: It's the same people, because Don't Be a Menace is
• 40:33
  Speaker 1: specifically targeting black movies, okay, and it is a black
• 40:38
  Speaker 1: movie targeting black movie, so it's culture black okay. Okay,
• 40:42
  Speaker 1: But Don't Be a Minuced I thought had it was
• 40:47
  Speaker 1: just I can't see so many in this movie.
• 40:50
  Speaker 2: It's just Martin's face. His hair looked off.
• 40:53
  Speaker 1: His hair when he had to missile do we had
• 40:58
  Speaker 1: a problem.
• 41:00
  Speaker 2: I mean, and the ensemble is great.
• 41:02
  Speaker 1: Man. Darryl Heath is ice pick two pick, Chris Spincers,
• 41:08
  Speaker 1: super woke dude, the lights white.
• 41:10
  Speaker 2: Excuse me, look him back. You took that white girl
• 41:13
  Speaker 2: right there. I love the way so.
• 41:16
  Speaker 1: Like, oh man, y'all ain't never.
• 41:18
  Speaker 2: Looked at no money in the shop, just me. He's
• 41:21
  Speaker 2: in Black Dynamo militant. The militants walk in, walk in.
• 41:26
  Speaker 1: That's him, Darryl Heath, he was on death jail. Hilarious day.
• 41:32
  Speaker 1: And Bernie Mac another scene steal for him is that
• 41:36
  Speaker 1: the racist cop.
• 41:37
  Speaker 2: He's it's great hat with the.
• 41:39
  Speaker 1: Gold bird's lips. I hate the black on the back
• 41:42
  Speaker 1: of the forth with neck. No why he do the
• 41:45
  Speaker 1: extra dump. It's so funny when they go to the
• 41:51
  Speaker 1: hospital and they're gonna be waiting long. So the dude
• 41:54
  Speaker 1: was on fire standing in line, just these little messages within.
• 41:58
  Speaker 2: Message and I redound. He says that, ye all right,
• 42:02
  Speaker 2: that's a good pille minutes. Okay, you got number eight.
• 42:04
  Speaker 1: I'm gonna go with Harlem Knights. Gotta put it in there.
• 42:08
  Speaker 2: You know, I feel about that.
• 42:09
  Speaker 1: You saw it late in life. You just saw it
• 42:11
  Speaker 1: like last year.
• 42:12
  Speaker 2: It was last year, two years fifteen, No, it was not.
• 42:16
  Speaker 2: I lived my receiver house back then. It wasn't two Okay,
• 42:19
  Speaker 2: they were like seventeen.
• 42:20
  Speaker 1: It was probably probably nineteen twenty.
• 42:24
  Speaker 2: It wasn't twenty.
• 42:25
  Speaker 1: You just saw Nights fairly recently.
• 42:28
  Speaker 2: It was probably nineteen.
• 42:29
  Speaker 1: Yeah, And but I gotta put that in there. You
• 42:32
  Speaker 1: have to ultra black. Eddie Murphy directed it, did he? Yeah?
• 42:36
  Speaker 1: He directed.
• 42:37
  Speaker 2: I didn't know that most black commedians of our class,
• 42:40
  Speaker 2: and they've been saying this my whole comedy career, we
• 42:42
  Speaker 2: got to get our own Haarlem Knights, going Yeah, but
• 42:45
  Speaker 2: I don't know that, Like, I don't know that you
• 42:47
  Speaker 2: could get the Richard Pryor and Eddie Murphy like those people.
• 42:51
  Speaker 2: That's actually one of the things we have. And the
• 42:52
  Speaker 2: Red Fox like they had everybody. Yeah, the legends of
• 42:57
  Speaker 2: the day and the people who was like rising that
• 43:00
  Speaker 2: movie is.
• 43:01
  Speaker 1: We could do that today? You think, so, yeah, you
• 43:04
  Speaker 1: come together to who we we got the biggest people.
• 43:06
  Speaker 1: We got Kevin Hart, we got Dave Chappelle, we got Cavoey.
• 43:10
  Speaker 1: But they kind of beefing. That's what I'm saying. Hold on,
• 43:13
  Speaker 1: I think we have that as a topic. We got
• 43:15
  Speaker 1: it on the next episode. Then we'll talk, we'll get back,
• 43:18
  Speaker 1: we'll get it. The Hall of Nights as as a
• 43:22
  Speaker 1: as a black film when you got the legendary comedians
• 43:26
  Speaker 1: in there.
• 43:26
  Speaker 2: Absolutely Delice fighting, Eddie.
• 43:29
  Speaker 1: Murphy stealing scenes like a mug, even if the orange
• 43:33
  Speaker 1: juice just he's swallowing this, Oh my.
• 43:36
  Speaker 2: God, hissed. But the scene where Eddie Murphy, I'm sorry,
• 43:40
  Speaker 2: we're our Senil Hall and the dude are shooting at
• 43:44
  Speaker 2: Eddie Murphy and our Senial Hall is crying tall him.
• 43:49
  Speaker 1: Miguel new Year's junior once again, who they say is
• 43:54
  Speaker 1: a J. Johnson's brother. I heard, really, that's what I heard.
• 43:57
  Speaker 1: I don't know how true it is.
• 43:59
  Speaker 2: The way our city was like queer. He was so dramatic.
• 44:05
  Speaker 2: He was crying, man, don't do it again. He started
• 44:12
  Speaker 2: shooting that last.
• 44:16
  Speaker 3: Clear, I ain't gonna kill you, and then nigger Eddie
• 44:24
  Speaker 3: Murphy shout back, and they're all gone, I'm gonna kill
• 44:32
  Speaker 3: you quick, All gone.
• 44:33
  Speaker 2: You shot my brother. I ain't nobody shot your brother.
• 44:35
  Speaker 2: Yeah you did. Quick.
• 44:40
  Speaker 1: They shot the dry. They shot the passenger in the
• 44:42
  Speaker 1: head on accident in the car before they even got
• 44:45
  Speaker 1: to the outside. Julia outside, they shot Junior in the
• 44:52
  Speaker 1: head on the wave. Julian was chilling. Julian was chilling.
• 45:00
  Speaker 1: Imagine you're in the front seat. Yeah, we're gonna get
• 45:02
  Speaker 1: this cat bat. That was your last thought. You're like, yeah, man,
• 45:09
  Speaker 1: we're gonna get quick. Pat, it's just gonna start. Just
• 45:14
  Speaker 1: you wake up, hell like you aren't ready. You was down, like,
• 45:18
  Speaker 1: we're gonna get quick. That's your last thought. You don't
• 45:27
  Speaker 1: even hear what I'm saying. I'm sorry, you're still in
• 45:28
  Speaker 1: the car. But they were still shooting it quick. He was.
• 45:34
  Speaker 1: Junior was in the car.
• 45:36
  Speaker 2: Damn, Oh my god. Alright, okay, number nine, I'm probably
• 45:42
  Speaker 2: stealing this from you.
• 45:43
  Speaker 1: Uh huh. Black, Yes, put it in there, because I
• 45:46
  Speaker 1: was gonna put it in there if you didn't.
• 45:49
  Speaker 2: This is another movie I saw late. I don't know this.
• 45:52
  Speaker 1: Came out O six you said eight oh nine.
• 45:54
  Speaker 2: Okay, So I don't think Black Dynamite came out into COMA.
• 45:58
  Speaker 2: I don't think it was a nation wide and movies
• 46:00
  Speaker 2: are nation wide releases. They don't go out. They didn't
• 46:03
  Speaker 2: come out to Coma.
• 46:03
  Speaker 1: It was limited. It was limited.
• 46:05
  Speaker 2: Yeah, so LA is always gonna get it if it's
• 46:07
  Speaker 2: limited releases all gonna come out in La. So I
• 46:09
  Speaker 2: remember Tony into here was always quoting specifically, but the
• 46:13
  Speaker 2: black down in my eyes, drugs in the community. Tone,
• 46:18
  Speaker 2: me and my and I didn't realize how hard are
• 46:20
  Speaker 2: it was. So me and Melissa watching with the Boys
• 46:23
  Speaker 2: two thousand and nine, Tone, we had a blast that night.
• 46:27
  Speaker 2: They're so when they was fighting and he smacked that.
• 46:33
  Speaker 1: Hard cut to a different actor because he was like, hey,
• 46:39
  Speaker 1: man cut.
• 46:43
  Speaker 2: Because we didn't realize what kind of movie it was.
• 46:46
  Speaker 2: So we was like, hold on, that was the movie.
• 46:49
  Speaker 2: We're like, oh this is this is a different movie.
• 46:53
  Speaker 1: Dog.
• 46:55
  Speaker 2: So Tommy Davison, when.
• 46:56
  Speaker 1: They wanted the food going best, did you say I won't?
• 47:02
  Speaker 1: I was long saucage s didn't had smush Fried and
• 47:06
  Speaker 1: one Wolf. You know that was trying to get some
• 47:11
  Speaker 1: service around. Do you see us? Do you see us?
• 47:18
  Speaker 1: That whole conversation when they were trying to piece together
• 47:21
  Speaker 1: the whole thing and the old lady was chiming in
• 47:23
  Speaker 1: with the dance, and they was all right, man, now,
• 47:28
  Speaker 1: who is the god of war?
• 47:31
  Speaker 2: Everyson all that's to save the Euphorian.
• 47:36
  Speaker 1: See, oh man, because like I'm gonna I'm gonna shake
• 47:41
  Speaker 1: the tree from the roots and rake up the fruits.
• 47:44
  Speaker 1: I'm a black Dyna Mize is gonna make it all right.
• 47:48
  Speaker 1: Epho already know that you ain't even got to look.
• 47:51
  Speaker 1: Should have left you a go hang a beat?
• 47:52
  Speaker 2: Oh my god? Should the hell up for him?
• 47:56
  Speaker 1: She faded back. She came Black Dina was gonna make
• 48:02
  Speaker 1: it all right.
• 48:04
  Speaker 2: Michael john White was so mad.
• 48:07
  Speaker 1: He was pissed. Man, I don't even got to look
• 48:13
  Speaker 1: that time he rolled up on the militants and then
• 48:15
  Speaker 1: they were just like the militant monkey stuff. You're like,
• 48:20
  Speaker 1: y'all because johnsonvible skills ain't worth a dad. That movie
• 48:26
  Speaker 1: is so funny when he kicked that dude through the wall.
• 48:29
  Speaker 1: The dudes in there with his TV dinner just sitting
• 48:31
  Speaker 1: there eating. Come.
• 48:34
  Speaker 2: I also love it because my kids thought it was
• 48:36
  Speaker 2: funny too.
• 48:37
  Speaker 1: So I was like, you know, the boys are tougher,
• 48:39
  Speaker 1: They're tough, they're tough crowd.
• 48:41
  Speaker 2: Yeah, the black dynamite man. We was. Melissa was mad
• 48:44
  Speaker 2: at me because there was some titties.
• 48:45
  Speaker 1: It was to.
• 48:47
  Speaker 2: I was like she was like fast forward it and
• 48:49
  Speaker 2: I was.
• 48:49
  Speaker 1: Like it was too late, you couldn't turn the butet
• 48:52
  Speaker 1: I seen.
• 48:52
  Speaker 2: It, just like I feel like it'll be over, So.
• 48:58
  Speaker 1: It was quick.
• 49:00
  Speaker 2: I was right there forever. Yeah, I was just like.
• 49:08
  Speaker 1: That when you check the back of the remote for
• 49:09
  Speaker 1: no reason, you open it up and make sure the
• 49:11
  Speaker 1: battery in here first. Oh yeah, they're in here, they
• 49:15
  Speaker 1: in here.
• 49:17
  Speaker 2: We just take them out. Sometimes you gotta.
• 49:21
  Speaker 1: Sometimes you gotta reverse it. And then you put the
• 49:23
  Speaker 1: prong on the on the negative and the negative on
• 49:26
  Speaker 1: the positive, and then you shake that up and then
• 49:28
  Speaker 1: then you make sure that back is in place, and
• 49:34
  Speaker 1: then that's when you turn the channel. Oh yeah, Black Dynamite.
• 49:37
  Speaker 2: Is Oh my god, ten out of ten. You're up,
• 49:41
  Speaker 2: the final pick, the final countdown.
• 49:45
  Speaker 1: Oh so we got coming to America, We get life,
• 49:49
  Speaker 1: we got Hollywood Shuffle, we got don't be a menaced,
• 49:52
  Speaker 1: we got I'm gonna get you Sucker, House Party, House Party,
• 49:55
  Speaker 1: Haldom Knights, and Black Dynamic.
• 49:58
  Speaker 2: And you said make your paints out.
• 50:00
  Speaker 1: Yeah, even if it was a black movie, I don't
• 50:04
  Speaker 1: know what that would be. Top ten.
• 50:12
  Speaker 2: Hm, man, this is tough, tough.
• 50:15
  Speaker 1: You got Boomerang, got nutty professor. Y'all listen more, professor.
• 50:22
  Speaker 1: The first one is really great. Babased kids. I love
• 50:25
  Speaker 1: Night Uptown Saturday Night. I love Uptown Night.
• 50:28
  Speaker 2: Dragon is comedy, straight up. I wouldn't consider it tripping. Okay, y'all,
• 50:35
  Speaker 2: just name it Undercover brother, Come on, y'all.
• 50:39
  Speaker 1: Woo, y'all, just name me rush out consider.
• 50:44
  Speaker 2: That's definitely a crossover. Soul Man was very funny, though.
• 50:47
  Speaker 1: You know what I hate. I hate to just it's
• 50:51
  Speaker 1: a lot of Eddie Murphy in here.
• 50:52
  Speaker 2: What he is, who he is.
• 50:54
  Speaker 1: I gotta put Boomerang in there.
• 50:55
  Speaker 2: I would say, I'm.
• 50:56
  Speaker 1: Boomerang Is is one of the ultimate romantic comedies of
• 51:01
  Speaker 1: all time. I gotta put Boomerang. Yeah. It's just so good,
• 51:06
  Speaker 1: so well cast, so many dope characters throughout it. It's
• 51:12
  Speaker 1: just it's just a good ass, well done movie.
• 51:16
  Speaker 2: No argument. And everybody was beautiful.
• 51:18
  Speaker 1: Everybody was They represented black people, Yeah, great, funny, They're
• 51:21
  Speaker 1: all great. Martin Martin, Martin was killing in that though.
• 51:26
  Speaker 1: He was killing in that joint. Him and David Allen
• 51:29
  Speaker 1: Green were a great contrast. The women were fire. It
• 51:34
  Speaker 1: was just Greg Jones, Greg Jones and Earth the kids
• 51:37
  Speaker 1: stealing scenes.
• 51:39
  Speaker 2: Ear kid, it's great. It was just honorable mentioned low
• 51:42
  Speaker 2: down Dirty Shame.
• 51:43
  Speaker 1: Low down Dirty Shame is great.
• 51:45
  Speaker 2: Yeah, because I couldn't.
• 51:46
  Speaker 1: I couldn't put it above Boomerang anything else on that list,
• 51:48
  Speaker 1: but low down Dirty Shame is fire.
• 51:50
  Speaker 2: I love the First Nighting Professor. Honible mentioned First Knighting
• 51:53
  Speaker 2: Professor is great. Eddie Murphy, Eddie Murphy playing multiple characters
• 51:57
  Speaker 2: at once, that dinner scene with the farting and to
• 52:01
  Speaker 2: just this whole list, damnure could have been Eddie Murphy. Absolutely,
• 52:05
  Speaker 2: that's what he did.
• 52:07
  Speaker 1: What was what was Jamie Fox and Tommy David Booty call.
• 52:12
  Speaker 1: I recently rewatched that and it's still funny.
• 52:15
  Speaker 2: You getting stick deep. I didn't know what that meant
• 52:18
  Speaker 2: at the time, but I found out, Oh that movie
• 52:22
  Speaker 2: was funny. Yeah, that's good, all right. I feel strongly
• 52:23
  Speaker 2: about that.
• 52:24
  Speaker 1: I'm not mad at this list. I'm good with this list.
• 52:26
  Speaker 1: I feel like that can stand in the test of
• 52:28
  Speaker 1: time for sure. And it crosses over other people. Other
• 52:30
  Speaker 1: people that I talked to that aren't black, they love
• 52:33
  Speaker 1: Black Dynamite as well.
• 52:34
  Speaker 2: Oh yeah black. When we went to see Johnny Black,
• 52:38
  Speaker 2: the theater was all kind of people and A good
• 52:40
  Speaker 2: amount of questions was about Black Dynamo, like this is
• 52:43
  Speaker 2: cool black. Listen when you did Black Datama, what you
• 52:46
  Speaker 2: was thinking with you? He was just kind of like, well,
• 52:49
  Speaker 2: you said we kind of talking about that. I understand that,
• 52:53
  Speaker 2: but what about Black dynam All right, before we go
• 52:58
  Speaker 2: mount rushmore of desserts? Oh and this is your personal amount,
• 53:04
  Speaker 2: right personal? Okay, because I don't I don't want to
• 53:07
  Speaker 2: hear it for me. I don't care what y'all say. Okay,
• 53:12
  Speaker 2: you only get you gonna be on there. You're blacks.
• 53:16
  Speaker 1: It's gonna beyond there because I like it. If you
• 53:19
  Speaker 1: only got to eat four desserts for the rest of
• 53:21
  Speaker 1: your life.
• 53:23
  Speaker 2: What do you choose? I don't want Tony over here
• 53:25
  Speaker 2: on mine? All right, We're gonna go one by one,
• 53:28
  Speaker 2: one one, okay, and public copie is not my first one,
• 53:31
  Speaker 2: but it's gonna be on there. It's gonna beyond there
• 53:33
  Speaker 2: my first one.
• 53:35
  Speaker 1: All right. Listen, y'all, y'all already know I'm movie McGee,
• 53:38
  Speaker 1: me and me and kemb with both Movie McGee's out here.
• 53:41
  Speaker 1: I'm movie McGee and I'm excited to say that this
• 53:45
  Speaker 1: email K Weekend. You know what I'm talking about big MLK,
• 53:49
  Speaker 1: Big Black Weekend. Right, we got a black R rated
• 53:54
  Speaker 1: comedy coming out in theater there is nationwide. Now Here's
• 53:58
  Speaker 1: the thing. I feel like R rated comedy comedies in general,
• 54:03
  Speaker 1: especially R rated black comedies are like slim to none
• 54:07
  Speaker 1: when it comes to theatrical release nowadays. Like when's the
• 54:10
  Speaker 1: last like straight up R rated black comedies that came
• 54:13
  Speaker 1: out recently in theaters nationwide, Like it's I feel like
• 54:18
  Speaker 1: they're few and far between. I feel like I feel
• 54:20
  Speaker 1: like the movie industry is like kind of turning, they
• 54:23
  Speaker 1: back on releasing new comedies theatrically. But thank you to
• 54:28
  Speaker 1: the brilliance of producer Is Ray, we got a new
• 54:31
  Speaker 1: comedy coming out called One of Them Days starring Keiky
• 54:35
  Speaker 1: Palmer and Sister. That's right, Sisster is making her big
• 54:40
  Speaker 1: screen debut along with the great, always delivering Keky Palmer. Man.
• 54:46
  Speaker 1: It's an outrageous comedy about two friends who find themselves
• 54:51
  Speaker 1: in a financial mind and they got to come up
• 54:54
  Speaker 1: with that money in twenty four hours, you know what
• 54:57
  Speaker 1: I'm saying. So hilarity and ridiculousness ensues as they try
• 55:01
  Speaker 1: to come up with that bread. You feel me now?
• 55:05
  Speaker 1: I love the fact that, first of all, I like
• 55:07
  Speaker 1: movies that are set in a small, you know, time frame.
• 55:10
  Speaker 1: I love Friday. Friday is one of the funniest movies
• 55:13
  Speaker 1: ever made, and it just took place in a day.
• 55:16
  Speaker 1: So I always love it when there's a short time
• 55:19
  Speaker 1: frame like Fairest Buler's Day Off or something like that
• 55:22
  Speaker 1: that has an extra element of like the stakes are high,
• 55:25
  Speaker 1: the pressure is on how they gonna get through this day.
• 55:28
  Speaker 1: And not only that, not only that, I'm not just
• 55:32
  Speaker 1: talking about some random movie. I'm actually in the movie.
• 55:36
  Speaker 1: I'm actually in this movie one of them days. I'm
• 55:40
  Speaker 1: in it. I'm talking in the movie. I'm not an
• 55:43
  Speaker 1: extra in the background. I actually have a small role
• 55:46
  Speaker 1: in this movie. So if anything else, come support your
• 55:51
  Speaker 1: boy because I'm in there. Man, I want more black
• 55:56
  Speaker 1: movies in these movie theaters, man, black comedies especially. Man,
• 56:00
  Speaker 1: support the black works that's coming out in these movie theaters, man,
• 56:05
  Speaker 1: so we can get more on the table, more on
• 56:07
  Speaker 1: the slate. I want to take it back. Man. Streaming
• 56:10
  Speaker 1: is cool, but it ain't nothing like a good movie
• 56:14
  Speaker 1: in the theaters where you laughing in the theaters with
• 56:17
  Speaker 1: strangers y'all all over the chord watching the same thing,
• 56:20
  Speaker 1: y'all watching Drew and A. Listen, try to get this
• 56:23
  Speaker 1: money because it's just one of them days. Man, So
• 56:26
  Speaker 1: pull up on that.
• 56:26
  Speaker 2: It's rated R.
• 56:28
  Speaker 1: You can get your tickets now. It comes out this weekend,
• 56:31
  Speaker 1: So pull up. If anything else, man, pull up to
• 56:33
  Speaker 1: see my smile and face in that thing. If I'm smiling,
• 56:36
  Speaker 1: you never know what kind of character I'm gonna be
• 56:38
  Speaker 1: until you go watch the movie. Man. Back to the
• 56:41
  Speaker 1: Ball Brothers.
• 56:43
  Speaker 2: It's poundcake, okay, and you can choose the same. It's
• 56:47
  Speaker 2: not like if I take it, you ain't. Oh got guys,
• 56:49
  Speaker 2: guess I love poundcake. I love with icing. Melissa makes
• 56:52
  Speaker 2: a drunken strawberry poundcap strawberries soaked in moscato overnight. Oh damn,
• 56:58
  Speaker 2: I said, listen, you pairing for the next day. I said,
• 57:01
  Speaker 2: we this This is she started making during the pant
• 57:04
  Speaker 2: in the pandemic. She's going crazy. She was baking like
• 57:07
  Speaker 2: all types of stuff, but the drunken strawberry moscato with
• 57:11
  Speaker 2: the tower. And I love the crispy edges on the
• 57:14
  Speaker 2: lot of the poundcake that stick to the plate. Lemon
• 57:19
  Speaker 2: pound cake seven up cake. My grandma makes a good
• 57:22
  Speaker 2: pound cake. Melissa makes a great poundcake. Shot to my grandma.
• 57:25
  Speaker 2: I didn't know for us be able to beat her
• 57:26
  Speaker 2: and some stuffy her poundcake better than Ruthie is respect you, Ruthie?
• 57:30
  Speaker 2: Oh love, she's watching this. Yeah, Ruthie, you know you
• 57:34
  Speaker 2: had both. Pound Cake is number one.
• 57:37
  Speaker 1: Poundcake is a good time.
• 57:38
  Speaker 2: It's a great time.
• 57:38
  Speaker 1: Poundcake is a good.
• 57:39
  Speaker 2: Hardly anybody don't like poundcake. It's like what Edie Murphy said,
• 57:42
  Speaker 2: who don't like parfait.
• 57:43
  Speaker 1: Because the name, the name is so nondescript. It just
• 57:46
  Speaker 1: sounds like you college. Just I just work eight hours
• 57:49
  Speaker 1: a day or go home and shut my mouth. I
• 57:51
  Speaker 1: don't go out. That's poundcake. Poundcake is just work at
• 57:54
  Speaker 1: the meal. I work at the mill.
• 57:56
  Speaker 2: You know, poundcake was on the line when General motives
• 57:58
  Speaker 2: went down. He was on the strake struck.
• 58:00
  Speaker 1: Daddy worked down at their meal. So I just did
• 58:02
  Speaker 1: the same. This is what we did as men. Poundcake
• 58:05
  Speaker 1: was a heart boundcake out on construction boots, not even timberlings.
• 58:09
  Speaker 2: They just styes pound cake the skyscrapers with no They
• 58:13
  Speaker 2: were sitting on the beam.
• 58:16
  Speaker 1: That picture the men on this beam and black and white.
• 58:19
  Speaker 1: They got poundcake in the lunch pressers.
• 58:22
  Speaker 2: It's blue the fair life, to build the empire state building.
• 58:26
  Speaker 2: Absolutely pound cake.
• 58:28
  Speaker 1: On my break, pound care okay, all right for me
• 58:34
  Speaker 1: in my mouth rushmore banana pudding. Banana pudding is in.
• 58:39
  Speaker 2: There, so I'm glad we don't have to choose the same.
• 58:41
  Speaker 1: Here's where I get controversial, though.
• 58:43
  Speaker 2: You don't want no bananas.
• 58:44
  Speaker 1: I don't need the vanilla wafers in there. I don't
• 58:48
  Speaker 1: need the vanilla waves in there. Oh I would. I
• 58:53
  Speaker 1: like it as a crumb topping, but a whole wafer
• 58:56
  Speaker 1: is too much. Whole was too much. This is a
• 59:00
  Speaker 1: for me, yeah, because I already we already got pudding,
• 59:04
  Speaker 1: We already got bananas, we already got cream. Now we
• 59:07
  Speaker 1: need whole.
• 59:08
  Speaker 2: Wafers decorate the alis. You need some structure, crumbs you can.
• 59:15
  Speaker 1: I'm fine with the crumb wafers, just the whole wafer.
• 59:19
  Speaker 2: What else is vanilla wafer's gonna be if they not
• 59:21
  Speaker 2: for banana pudding. People don't really.
• 59:22
  Speaker 1: Just in my business.
• 59:25
  Speaker 2: That's what they know. What it is They in the
• 59:26
  Speaker 2: game to be in banana pus. That's none of my crazy.
• 59:30
  Speaker 2: I've heard no I heard no banana you're.
• 59:32
  Speaker 1: Gonna have no bananas in the banana pudding.
• 59:34
  Speaker 2: I don't like bananas.
• 59:36
  Speaker 1: Banana is literally in the title.
• 59:38
  Speaker 2: I don't care. My my sister in law, Tammy, she
• 59:42
  Speaker 2: makes banana pudding no bananas, with chess men instead of
• 59:45
  Speaker 2: Vanilla wafers, very light on the pudding. I can eat
• 59:49
  Speaker 2: it the traditional black.
• 59:51
  Speaker 1: Man pudding with no that's like getting the Usher album
• 59:54
  Speaker 1: and he ain't on it. Let me get the Usher
• 59:57
  Speaker 1: album with no Usher. So you just want instrument you
• 59:59
  Speaker 1: just want instruments features, justin b bro. It's literally in
• 1:00:05
  Speaker 1: the title. Let me get the bananas pudding with no banana.
• 1:00:09
  Speaker 1: Hate them bania cheese with no macaroni and no cheese. Well,
• 1:00:16
  Speaker 1: what we're doing, what we're doing in this banana pudding?
• 1:00:22
  Speaker 1: I don't like it. Wafers ain't in the title, but
• 1:00:25
  Speaker 1: wafers is key wafers mooched off a banana pudding. Yo,
• 1:00:31
  Speaker 1: this is what we could do for us. Sure, this
• 1:00:33
  Speaker 1: will make us more popular the marketing team at Vanilla.
• 1:00:36
  Speaker 1: The wafers need the banana putting. The banana pudding does
• 1:00:39
  Speaker 1: not need the wafers.
• 1:00:39
  Speaker 2: I disagree, and I don't even like bananas. I don't
• 1:00:43
  Speaker 2: like banana putting the banana be turning brown.
• 1:00:45
  Speaker 1: But you got to get in. I like brown bananas.
• 1:00:49
  Speaker 1: That's when you get to the nitty gritty.
• 1:00:51
  Speaker 2: Nah, they're all good.
• 1:00:52
  Speaker 1: I get what you're saying. Once you see a dark banana,
• 1:00:55
  Speaker 1: that's when you're just like an avocado.
• 1:00:58
  Speaker 2: It's been left out. Yeah, it doesn't change mentally, it
• 1:01:02
  Speaker 2: is diseased.
• 1:01:03
  Speaker 1: Now watch out, man.
• 1:01:04
  Speaker 2: Bananas actually do taste the soft ones, like the mushy mushy.
• 1:01:09
  Speaker 2: It's just this.
• 1:01:10
  Speaker 1: That's why I don't like them. I don't know if
• 1:01:12
  Speaker 1: y'all know the story. Went to Las Vegas for the
• 1:01:14
  Speaker 1: first time. I was hungry. My grandma didn't want to
• 1:01:17
  Speaker 1: go eat downstairs. I was like, can I have something
• 1:01:19
  Speaker 1: to eat? She was like, here's a banana and it
• 1:01:21
  Speaker 1: was The banana was like.
• 1:01:24
  Speaker 2: It was the biggest soft spots and she opened it
• 1:01:28
  Speaker 2: and it had like a deep gushy part. She was like,
• 1:01:31
  Speaker 2: and eat the whole thing. I'm not hungry anymore. Yeah,
• 1:01:34
  Speaker 2: you was hungry, now eat it. She made me eat
• 1:01:36
  Speaker 2: that whole banana and that was the last and I
• 1:01:40
  Speaker 2: was just like, I don't want to. Why are you
• 1:01:42
  Speaker 2: punishing me for being hung We've been in the car
• 1:01:43
  Speaker 2: for seven hours.
• 1:01:44
  Speaker 1: So you got the banana just because of this one moment.
• 1:01:47
  Speaker 2: No, because that's gross. That tastes gross and it gives.
• 1:01:50
  Speaker 1: In my mind?
• 1:01:51
  Speaker 2: Was it I brown was a banana and it was like,
• 1:01:53
  Speaker 2: come on, you've proven a point.
• 1:01:54
  Speaker 1: It was my shirt?
• 1:01:56
  Speaker 2: Oh yeah, I feel like it was just at the
• 1:01:58
  Speaker 2: hotel on the back of a TV. Eat this. That's
• 1:02:01
  Speaker 2: been a circus circus for a month.
• 1:02:04
  Speaker 1: I like my bananas with freckles on them, but that that's.
• 1:02:06
  Speaker 2: That was like, come on, that's bruit flies were like, man,
• 1:02:09
  Speaker 2: I was, I was plotting on that, all right.
• 1:02:13
  Speaker 1: Second form me, y'all are disgusting, by the way, talking
• 1:02:16
  Speaker 1: about bananas are disgusting. Y'all disgusting. Oh yeah.
• 1:02:20
  Speaker 2: My second is peach cobbler. Okay, my grandma makes a
• 1:02:24
  Speaker 2: great peach cobbler. A lot of black women do. Best
• 1:02:26
  Speaker 2: part is the corner. There's no health benefits of peach coller,
• 1:02:30
  Speaker 2: absolutely not. It's funny because Melissa does not like peach cobbler.
• 1:02:33
  Speaker 2: Melissa has anti hot fruit, but she don't eat food,
• 1:02:36
  Speaker 2: so she'd be so mad at me when I agree
• 1:02:39
  Speaker 2: with you for that. She said, you've never said that before.
• 1:02:42
  Speaker 2: Tony Bigger, I said that all the time. Nobody else
• 1:02:45
  Speaker 2: was with me. If you didn't go on that tour, Tony,
• 1:02:48
  Speaker 2: you're the only one that called her out. She never
• 1:02:50
  Speaker 2: ate her food, but I agree with him.
• 1:02:54
  Speaker 1: You see, I've seeing her personally waist so much food. Personally,
• 1:03:00
  Speaker 1: I know the truth.
• 1:03:01
  Speaker 2: She says she get tired of you, and she's like,
• 1:03:03
  Speaker 2: I just.
• 1:03:05
  Speaker 1: I wish I would get tired at you. I get
• 1:03:08
  Speaker 1: tired of you and gum, that's it.
• 1:03:10
  Speaker 2: Food but great. I love the corner, crispy edges on,
• 1:03:17
  Speaker 2: the on the thing, but the one thing, Peach Coppler.
• 1:03:20
  Speaker 2: If it's not done right, a doeye crust.
• 1:03:23
  Speaker 1: Take you out of it. I'm out.
• 1:03:25
  Speaker 2: If I get a big globe, I'd be.
• 1:03:28
  Speaker 1: Like you had a spoonful of raw Duncan hines.
• 1:03:31
  Speaker 2: Yes, play though, I'll be out, all right, you're up
• 1:03:34
  Speaker 2: number two.
• 1:03:34
  Speaker 1: I'm gonna go with cheesecake, man, Tony, cheesecake is fired.
• 1:03:43
  Speaker 1: Cheesecake and whatever was itever texture you wanted to be
• 1:03:48
  Speaker 1: cheesecakes fire.
• 1:03:50
  Speaker 2: I could never want to do this or the or.
• 1:03:53
  Speaker 1: The creamy whatever whenever, however, turn Maxwell on Siri, play
• 1:03:58
  Speaker 1: Maxwell whenever, whatever, whatever, Man cheesecake is phenomenal, and all
• 1:04:05
  Speaker 1: of it's splendid.
• 1:04:06
  Speaker 2: I do prefer the Junior's type of like the thick. No, no,
• 1:04:10
  Speaker 2: like the light they had, like a light version the
• 1:04:13
  Speaker 2: New York thick.
• 1:04:14
  Speaker 1: Yeah, I want all of it.
• 1:04:17
  Speaker 2: Granually cheesecake.
• 1:04:19
  Speaker 1: I'll take my cheesecake with a thick ass booty, or
• 1:04:22
  Speaker 1: it could be flat, creamy cheeks, whatever, whatever you want.
• 1:04:29
  Speaker 1: Whatever it is, cheesecake is phenomenal, but the fact that
• 1:04:35
  Speaker 1: I don't be eating cheesecake on the regular is phenomenal.
• 1:04:38
  Speaker 2: You can have it, yes, all right. My next one
• 1:04:41
  Speaker 2: is pineapple upside down cake. I don't want to talk
• 1:04:43
  Speaker 2: about to hear. Let's just leave it alone. That story
• 1:04:47
  Speaker 2: to tell you everything you need to know about me.
• 1:04:50
  Speaker 2: And Pineapple upside I love it. I love the pineapple
• 1:04:56
  Speaker 2: with the little marachino cherry, the crumbly top. Yeah, it's great. Yes,
• 1:05:01
  Speaker 2: I ate the top of the Here's cake. It was
• 1:05:02
  Speaker 2: not that big. It was like a saucer man to
• 1:05:05
  Speaker 2: hear is just be exaggerating on the bigness of the story,
• 1:05:10
  Speaker 2: to be lying, lying, and he be over exaggerating. But
• 1:05:14
  Speaker 2: Quinn Quinn made one one time. I don't remember why
• 1:05:18
  Speaker 2: I think she made the gifts to here but it
• 1:05:20
  Speaker 2: was great. Yeah, I hate that too and upside down undefeated.
• 1:05:26
  Speaker 1: Now cookies allowed in this Cookies are for sure of
• 1:05:30
  Speaker 1: dessert cookies and cookies.
• 1:05:32
  Speaker 2: You can you said what I like boneless. We was
• 1:05:40
  Speaker 2: arguing about that. People whoever was with could not understand
• 1:05:43
  Speaker 2: what you were saying. There was like, that's not a
• 1:05:46
  Speaker 2: chocolate chip cookie. You can't have it like you care.
• 1:05:50
  Speaker 2: You got to add that to it.
• 1:05:51
  Speaker 1: Because a lot of people immediately think, oh, there's no chips,
• 1:05:54
  Speaker 1: it is a sugar cookies. No, that's not what I want.
• 1:05:56
  Speaker 1: Sugar cookies are light and color. No, I want the
• 1:05:59
  Speaker 1: dark chocolate chip cookie cookie with no chips.
• 1:06:03
  Speaker 2: What's the what? What? What happened there?
• 1:06:05
  Speaker 1: It's just sometimes the chocolate is just too much.
• 1:06:08
  Speaker 2: The rich wives are too too much chocolate.
• 1:06:11
  Speaker 1: Rich and some people just overdo it with the chips.
• 1:06:14
  Speaker 2: So it's like chip, so you rather no chips.
• 1:06:18
  Speaker 1: Just just a hint of the of the chip.
• 1:06:20
  Speaker 2: People love the goey pull apart.
• 1:06:22
  Speaker 1: Yeah, I don't need you're overdoing it with the chips.
• 1:06:24
  Speaker 1: You know how the chips ahoy would make the extra
• 1:06:26
  Speaker 1: chips then look.
• 1:06:27
  Speaker 2: Out too much chips. I get I'll get you.
• 1:06:31
  Speaker 1: I don't want no I don't want no solo chip album.
• 1:06:34
  Speaker 1: I want chocolate chocolate chips. The chips are the feature.
• 1:06:38
  Speaker 1: The cookie itself is the.
• 1:06:39
  Speaker 2: Main chip chocolate cookie, right, chocolate chip, chocolate chip cookie.
• 1:06:47
  Speaker 2: Spliff chill, the bust of rhymes is the cookie.
• 1:06:50
  Speaker 1: We don't want those spliffs.
• 1:06:51
  Speaker 2: So long Spliff has a whole album.
• 1:06:53
  Speaker 1: He's great where he's at picking, he's picking his spot.
• 1:06:56
  Speaker 1: I don't want no flavor flavs. So Man put him
• 1:06:59
  Speaker 1: with in the public enemy cookie and then we end
• 1:07:02
  Speaker 1: on it.
• 1:07:02
  Speaker 2: There you go.
• 1:07:03
  Speaker 1: So I'm gonna put cookies on my Mount Rushman.
• 1:07:05
  Speaker 2: You can have cookies.
• 1:07:06
  Speaker 1: That's that's in the sort for sure, desert. This is
• 1:07:09
  Speaker 1: a sort of the lemon, the lemon cookies, the peanut
• 1:07:11
  Speaker 1: butter cookies, the chocolate raising, old meal raising one hundred percent.
• 1:07:16
  Speaker 1: We go man. Soft soft cookies is what's my that's
• 1:07:21
  Speaker 1: my list. Don't come in here with the hard cookies.
• 1:07:25
  Speaker 1: Now I'm taking them off the mouth. I don't want
• 1:07:28
  Speaker 1: my cookies the same texture as the real Mount Rushmore.
• 1:07:31
  Speaker 1: I need soft cookies. Gotta be soft and warm.
• 1:07:36
  Speaker 2: There's no better smell than a fresh babi chocolate.
• 1:07:39
  Speaker 1: God, that is bacon coffee coochie and.
• 1:07:47
  Speaker 2: Got a great smell. It's not freshman.
• 1:07:51
  Speaker 1: I don't think, however it comes now, I don't think
• 1:07:55
  Speaker 1: cav has experienced enough of the sort cookie maybe yeah,
• 1:08:01
  Speaker 1: maybe I won't grechie good smell. I can't give Coochie
• 1:08:06
  Speaker 1: having a good smell just across the board because I've
• 1:08:09
  Speaker 1: been counting some south Patch kids, Yeah, Southern count and
• 1:08:14
  Speaker 1: some Couccies. They were just not hiding.
• 1:08:17
  Speaker 2: I haven't ye, the great of God, why could you
• 1:08:22
  Speaker 2: give a triple double every stay with this coochie? Fifteen
• 1:08:26
  Speaker 2: rebounds outlet pass. Yeah, makes the right play, Michael, she
• 1:08:30
  Speaker 2: hits the free throw. Great locker room.
• 1:08:33
  Speaker 1: That's the ideal.
• 1:08:34
  Speaker 2: Good in the media goes to the children's hospital. Franchise Coachies. Yeah,
• 1:08:38
  Speaker 2: this coochie is like kissing baby. Yeah, you know, I'm
• 1:08:42
  Speaker 2: great rep so I think it's it's fantastic. But chocolate
• 1:08:45
  Speaker 2: chip cookies in my high school at Lakes, Obviously I
• 1:08:49
  Speaker 2: didn't have that much money at the time, but they
• 1:08:51
  Speaker 2: used to sell three cookies for a dollar, and they
• 1:08:53
  Speaker 2: never baked the chocolate chip cookies all the way. They
• 1:08:56
  Speaker 2: would like pull them out and then let them like
• 1:08:58
  Speaker 2: finish on the trail, Tom, It's just.
• 1:09:04
  Speaker 1: One dollar, give you three cookies. It's the best. Smell
• 1:09:07
  Speaker 1: chocolate chip.
• 1:09:07
  Speaker 2: Cookies are You'd be like, you know this, Like popcorn
• 1:09:11
  Speaker 2: and chocolate chip cookies are two things you don't have
• 1:09:13
  Speaker 2: to be in the mood for. If you smell them
• 1:09:14
  Speaker 2: freshly done, You're like, you know what I could like
• 1:09:18
  Speaker 2: when we were on the road, we walked by like
• 1:09:19
  Speaker 2: a crumble or what's the other one? That's insomnia? Ton't be.
• 1:09:26
  Speaker 1: Every time?
• 1:09:27
  Speaker 2: Yeah, Disneyland smells they have the chocolate cookies.
• 1:09:30
  Speaker 1: Cookies are.
• 1:09:31
  Speaker 2: Cookies are good.
• 1:09:32
  Speaker 1: One of my mini weaknesses in life.
• 1:09:34
  Speaker 2: All right, My final one is punkin pie. Pie is
• 1:09:38
  Speaker 2: gonna be on there. I'm not living for you, absolutely,
• 1:09:41
  Speaker 2: I'm gonna tell you what, no whipped cream. It's my
• 1:09:45
  Speaker 2: my whole October through the end of the year. If
• 1:09:48
  Speaker 2: I couldn't have punkin pie, I would be delirious because
• 1:09:52
  Speaker 2: the rest of my deserts are year round. I'm not
• 1:09:54
  Speaker 2: eating pumpkin pie until October first. But it's part of
• 1:09:58
  Speaker 2: the changing of the seasons. It's like eggnog Christmas time,
• 1:10:02
  Speaker 2: like outside of that season it's weird, but in the season.
• 1:10:06
  Speaker 2: I like it. It's not too sweet.
• 1:10:07
  Speaker 1: Punky pie is a good time.
• 1:10:09
  Speaker 2: My thing about the blacks, most of them haven't even
• 1:10:12
  Speaker 2: had it. If you're being honest, Sweet tato pie and
• 1:10:14
  Speaker 2: punkin pie are not that far off.
• 1:10:18
  Speaker 1: They were the same thing growing up there. Sweet tael
• 1:10:20
  Speaker 1: pie is usually just a really sweet, sweet, sweet tasting
• 1:10:24
  Speaker 1: punkin pie.
• 1:10:25
  Speaker 2: They're not that of humid packet but jewey, it's not that.
• 1:10:29
  Speaker 2: But have you tasted it?
• 1:10:31
  Speaker 1: I'm just saying I hate it when people judged stuff
• 1:10:35
  Speaker 1: with no experience. That's one of my pet peeves. Did
• 1:10:37
  Speaker 1: you watch it? No about it's not that different, It's
• 1:10:43
  Speaker 1: not I thought they were the same thing for yous
• 1:10:45
  Speaker 1: A lot of people did. I was like, wait, there's
• 1:10:48
  Speaker 1: a difference.
• 1:10:48
  Speaker 2: Yeah, and sweet toato pope having the strings in it.
• 1:10:53
  Speaker 2: They had time. And if you're gonna make me my
• 1:10:56
  Speaker 2: grandma Bella May did it when your grandma left the
• 1:10:58
  Speaker 2: strings in it. Now I'm doing this.
• 1:11:00
  Speaker 1: Strings are gross.
• 1:11:01
  Speaker 2: It's gross. But I do like sweet potato pie. I
• 1:11:05
  Speaker 2: shut the hell up. I like it. I'm like pumpkin.
• 1:11:07
  Speaker 1: I love sweet potato power. Sweet potato pie is better
• 1:11:10
  Speaker 1: than pumpkin than me. But I feel you on the
• 1:11:12
  Speaker 1: pumpkin I ask if you.
• 1:11:14
  Speaker 2: If you don't, I respect fine, But most people I talked, yeah,
• 1:11:17
  Speaker 2: did you taste it? No, you don't. Just know. You
• 1:11:20
  Speaker 2: can't just know I I.
• 1:11:21
  Speaker 1: Can just feel it in my spirits. Watch out, taste
• 1:11:25
  Speaker 1: both of them, and then tell me you hate you
• 1:11:27
  Speaker 1: If you love sweet potato pie, it's hard for me
• 1:11:29
  Speaker 1: to believe you hate pumpkin pie.
• 1:11:31
  Speaker 2: If you hate sweet potato pie, I could see you
• 1:11:32
  Speaker 2: hate it. But they're not that far off. Cousins, first, cousins,
• 1:11:37
  Speaker 2: I feel it.
• 1:11:38
  Speaker 1: Your final one tone, my final one I'm gonna go with.
• 1:11:43
  Speaker 1: I'm back on bananas again.
• 1:11:46
  Speaker 2: What else is there? Banana green.
• 1:11:49
  Speaker 1: Tony that's my lick man ban Banana.
• 1:11:53
  Speaker 2: Cream pie that's in nineteen thirties dessert.
• 1:11:56
  Speaker 1: That's my favorite pie.
• 1:11:57
  Speaker 2: With dout the bandellas.
• 1:11:59
  Speaker 1: But cream pies, you get it a pip places, I
• 1:12:02
  Speaker 1: can go to the House of Fies right now, Hollywood,
• 1:12:05
  Speaker 1: give me a nice slice of that banana creen.
• 1:12:08
  Speaker 2: On top a nineteen twenty five private investigator.
• 1:12:11
  Speaker 1: Definitely give me a comfort bowl. Gosh, hey, Toots, Toots,
• 1:12:16
  Speaker 1: let me get a slice of that banana that is
• 1:12:18
  Speaker 1: that date that desserts. It is I love it though
• 1:12:22
  Speaker 1: that I was. I was gonna put apple cobbler in here,
• 1:12:25
  Speaker 1: but I was like, but banana cream pie is the
• 1:12:27
  Speaker 1: one I be.
• 1:12:28
  Speaker 2: Really, you go to House of Pie.
• 1:12:31
  Speaker 1: I used to go to Baker's Square back in the
• 1:12:33
  Speaker 1: day in Chicago. Let me get that banana cream pie.
• 1:12:36
  Speaker 2: Really.
• 1:12:39
  Speaker 1: Yes, I love bananas though, and so you know I
• 1:12:43
  Speaker 1: was gonna. Also Honorable mentioned homemade rice pudding almost made
• 1:12:48
  Speaker 1: the cut. Homemade though. When you when you get rice
• 1:12:52
  Speaker 1: pudding anywhere else, you're gambling with bullshit to gm rice pudding.
• 1:13:00
  Speaker 1: Usually it takes to fail. But the rice pudding we
• 1:13:04
  Speaker 1: grew up eating the homemade recipe. It'll give your diabetes instantly,
• 1:13:08
  Speaker 1: but it's delicious.
• 1:13:09
  Speaker 2: I think my my I got too. Probably Honama mentioned
• 1:13:13
  Speaker 2: and this is my your version of banana pudding. I
• 1:13:16
  Speaker 2: like lemon meringue pie. Take the meringue out.
• 1:13:20
  Speaker 1: My oldest brother that's his favorite pie. I hate meringue. Yeah,
• 1:13:24
  Speaker 1: but the lemon fire. The meringue is silly, like.
• 1:13:29
  Speaker 2: A sliver of meringue, the whole.
• 1:13:31
  Speaker 1: The big big meringue. That meringue be this stick, get.
• 1:13:33
  Speaker 2: It out, but like a little local cover of meringue
• 1:13:37
  Speaker 2: with the lemon just to cut the sweet because lemon,
• 1:13:39
  Speaker 2: by itself that is too sweet. But the meringue by itself.
• 1:13:43
  Speaker 1: That all said. The lemon it does, but it's way
• 1:13:46
  Speaker 1: too much Limma. Meringue is cool. It's like Oreo cookies
• 1:13:51
  Speaker 1: for me. I can only have a couple and then
• 1:13:52
  Speaker 1: I'm like fair, I'm maxed out.
• 1:13:54
  Speaker 2: Fair Fair. Yeah, Apple, the crumble apple crumble is I
• 1:13:59
  Speaker 2: love you crumblingberry crumbled apple crumble. That'd be the best
• 1:14:03
  Speaker 2: part of that apple pie.
• 1:14:04
  Speaker 1: I don't know, I'll be let me look at crumble.
• 1:14:07
  Speaker 2: The apple pie at the top is more dowe.
• 1:14:10
  Speaker 1: Yeah, there's something about apple pie.
• 1:14:14
  Speaker 2: Doing too much over apple pie. Gasp apple apple pie
• 1:14:21
  Speaker 2: baseball the wackest things.
• 1:14:23
  Speaker 1: Yeah, give me the apple.
• 1:14:24
  Speaker 2: Crumbled apple is an infinitely better dessert than apple. I mean,
• 1:14:29
  Speaker 2: it's run circles around. They ain't got the marketing. Apple
• 1:14:33
  Speaker 2: pie is the best thing.
• 1:14:36
  Speaker 1: Little.
• 1:14:36
  Speaker 2: Look at the lines going over.
• 1:14:38
  Speaker 1: You see the apples and the cherry pie. To get
• 1:14:41
  Speaker 1: the cherry pile. Man, get out of here, get.
• 1:14:44
  Speaker 2: It out of here. Watch out all right, man, This
• 1:14:47
  Speaker 2: episode over with